Podcast appearances and mentions of Richard Wagner

Friedrich, Uwe www.deutschlandfunk.de, Kultur heute

durée : 00:30:54 - Avec Yannick Simon - par : Philippe Venturini - "Installé à Paris en 1839, Richard Wagner exerça une énorme influence sur le second 19e siècle avant de diviser les compositeurs français. Sa réception en France connut différentes fortunes. Ainsi Rouen fut un centre important pour la circulation de la musique de Wagner en France" Philippe Venturini - réalisé par : Doria Zénine

Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

Unfortunately I have been felled by manflu a much belittled affliction. So no Agnes Bernauer and Bavarian dukes. That will be next week.For now some completely random stories about Berliner, aka Bismarck Doughnuts for our American friends, why and where and how - featuring Felix Mendelssohn, Richard Wagner, Frederick the Great and Cato the Elder and a guy who cuts the hearts out of one age-old culinary traditions...The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Send us a textWhat happens when we stop seeing politics and markets as separate spheres and start recognizing their deep entanglement? Mikayla Novak, senior fellow at the Mercatus Center, challenges conventional economic thinking in favor of Dick Wager's "entangled political economy."Drawing from her fascinating career path through Australia's Treasury, free market think tanks, and her pursuit of multiple courses of study, Novak offers unique insights into institutional economics and political networks. Her background bridges disciplines in ways that embody Hayek's wisdom that "you can't be a good economist by just being an economist."We consider Boettke's distinction between "mainstream" economics—with its equilibrium models and market failure diagnoses—and the "mainline" tradition that views economies as dynamic processes shaped by institutions. This conversation reveals how Richard Wagner's entangled political economy theory helps understand policy failures. When government and markets form complex networks rather than separate spheres, simplistic reform attempts like "just cut spending" are disastrously unsuccessful.The discussion vividly illustrates why transaction costs matter deeply for institutional analysis. We examine how political networks form with elites enjoying low-cost access while ordinary citizens remain at the periphery. This structural understanding helps explain why some inefficient policies persist despite their obvious flaws—they benefit the well-connected core of our political-economic system.Mikayla Novak's page linkRichard Wagner: Entangled Political Economy Research NetworkBuchanan's Liberal TheoryPolitics as a Peculiar BusinessPrevious TAITC Episodes of Relevance:Randall Holcombe and Political CapitalismDonald Boudreaux on Law and LegislationLate Bloomers book, by Rich KarlgaardMunger on tariffs and costsIf you have questions or comments, or want to suggest a future topic, email the show at taitc.email@gmail.com ! You can follow Mike Munger on Twitter at @mungowitz

Matthew Bannister onHannah Deacon who ran a successful campaign to allow her son – and many others – to be treated with cannabis after he was diagnosed with a rare form of epilepsy. Andrew Norfolk, the journalist who exposed the Rotherham grooming gang scandal.Dame June Clark, the President of the Royal College of Nursing who argued for more education to increase the skills of the nursing profession.Martin Graham the businessman who built his own opera house in the Cotswolds so he could stage Wagner's Ring Cycle. Producer: Ed PrendevilleArchive used: No More Nightingale, BBC, 1991; One O'Clock News, BBC, 03/04/1989; Open Country, BBC Radio 4, 27/06/2019; The Longborough Ring 2024: Wagner – Der Ring des Nibelungen, Longborough Festival Opera, Music Director Anthony Negus, Director Amy Lane; Today, BBC Radio 4, 2013; Utopia: In Search of the Dream, BBC Four, 05/05/2020; Sportsday, BBC News 24, 15/09/2016; BBC Breakfast, BBC, 19/02/2018; This Morning: Should Medical Cannabis Be More Accessible, ITV, Uploaded to YouTube, 29/10/2018; Morning Live, BBC, 07/11/2022; The Today Programme, BBC Radio 4, 19/06/2018; ITV News, ITV, 19/06/2018; Wogan, BBC, 19/01/1990; Raising a Glass to Cheers, BBC Radio 4, 26/07/2012; Cheers, TV Programme, Produced by Charles/Burrows/Charles Productions; Groomed for Sex, BBC Three, 06/12/2011; The Media Show, BBC Radio 4, 27/08/2014; Frontlines of Journalism, BBC Radio 4, 04/07/2023; Symphony No. 39 in E-flat major, KV 543: Adagio. Allegro, Performed by Bruno Walter, BBC Symphony Orchestra, Composed by Wolfgang Amadeus Mozart; Siegfried, Act II Scene 3: Willkommen, Siegfried, Performed by Manfred Jung, Heinz Zednik, Bayreuther Festspielorchester, Conductor Pierre Boulez, Composed by Richard Wagner; Le nozze di Figaro, K.492, Act 3: Ricevete, o padroncina, Performed by Radio-Symphonie-Orchester Berlin, RIAS Kammerchor, Conductor Ferenc Fricsay, Composed by Wolfgang Amadeus Mozart; Das Rheingold, Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund, Performed by Norma Sharp, Ilse Gramatzki, Marga Schiml, Hermann Becht, Bayreuther Festspielorchester, Conductor Pierre Boulez, Composed by Richard Wagner

Ab 22. Mai zeigen Tanz-Produktionen aus aller Welt 11 Tage lang, was für immense Ausdruckskraft im menschlichen Körper steckt: Beim Internationaleren DANCE-Festival 2025 in München. Sylvia Schreiber mit einem Ausblick / Zum ersten Mal eröffnet das Internationale Figurentheaterfestival Erlangen mit einer Eigenproduktion: Das Schauspiel "Bewohner" handelt von einer Demenzstation. Christoph Leibold im Gespräch mit Annika Gloystein / Ausbildung? Studium? Quereinstieg? Eine Ausstellung im Bayerischen Kunstgewerbeverein in München porträtiert 20 Kunsthandwerker*innen und zeigt die vielfältigen "Wege zum Kunsthandwerk". Julie Metzdorf war vor Ort / Neapolitanische Lieder von Suonno d'Ajere sind am Sonntag im Salzstadel in Landshut zu hören. Roland Biswurm hat das Trio vorab getroffen / Richard Wagners "Fliegender Holländer" in der Inszenierung von Regisseurin Anika Rutkofsky am Staatstheater Nürnberg überzeugt derzeit Publikum und Kritik gleichermaßen - auch unseren Kritiker Peter Jungblut.

Ein gefährlich wachsendes Felsengebirge als Schauplatz für "Parsifal": Altmeisterin Brigitte Fassbaender und Johannes Leiacker deuten Wagners Werk neu. Unser Kritiker Peter Jungblut war für BR-KLASSIK vor Ort und lobt die eindrucksvolle Inszenierung.

Erik Satie rebutjava la m

Haut den Owend um 19:30 Auer spillen d´Lëtzebuerger Philharmoniker eng konzertant Versioun vum Richard Wagner sengem Fliegenden Holländer. Hannert dem Dirigentepult: de 25 järege finneschen Dirigent Tarmo Peltokoski. Den international unerkannte Wagnerianer hat schonn am Alter vun 22 Joer d´Integral vum Ring dirigéiert. Am Gespréich mam Marie Trussart erkläert hien ënner anerem, firwat hien denkt datt een d´Konscht vum Kënschtler muss trennen an och wéi seng Faszinatioun fir de Wagner iwwerhaapt ugefaangen huet.

"M

Avui hem sentit: "Tannh

Avui hem sentit: "Lohengrin",

Avui hem sentit: "Wesendonck Lieder"; "Idil

Avui hem sentit: Preludi de "Das Liebesverbot"; Obertura de "Rienzi"; "Eine Faust Ouverture". Des de ben jove, Richard Wagner (1813-1883) es va dedicar de ple a l'

Avui hem sentit: "Les fades",

Dans la carrière de Richard Wagner, Paris et son grand opéra ont joué un rôle essentiel qu'on ne le penserait. Plongée dans l'univers créatif du compositeur allemand. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Een matroos klimt naar het kraaiennest. Wat hij ziet, doethet bloed in zijn aderen bevriezen: een schip, gehuld in een vurige gloed, dobbert als een geest over de deinende zee. Hij ziet zeilen, maar geen teken van leven. Er bestaat voor hem geen twijfel: dit is het verdoemde schip waarover in elke haven wordt gefluisterd — de Vliegende Hollander die nooit zal aanmeren… Patrick Bassant gaat op zoek naar de oorsprong van deze intrigerende mythe, van een Australische gentleman-crimineel naar de slavenhandel, een duivelspact en het einde van de VOC, Britse rancune en Duitse romantiek, en we varen langs de vele verschijningen van de Vliegende Hollander in literatuur en cultuur, van zombiebevers, Jack Sparrow, de fluwelen broek bij Gerard Reve, de verdoemde papegaai van Jef Last en de foute Hollander in dienst van de Kriegsmarine bij Louis Ferron. Hopelijk vinden we dan onze rust… Tekst: Patrick Bassant, Gerard Reve, Jef Last enLouis Ferron. Opname, montage, AI, sound design: Patrick. U kunt de inktpodcast steunen via www.buymeacoffee.com/inktpodcast.Literatuur:Agnes Andeweg, De Vliegende Hollander en Terneuzen. Vaninternationaal symbool tot lokale legende. Uitg. Den Boer de Ruiter, Vlissingen 2015Gerard Reve, De taal der Liefde 1971 (Verzameld Werk deel 2) Louis Ferron, La Paloma een spel in achttien scènes, gebaseerd op Richard Wagners libretto voor "Der fliegende Holländer",Bezige Bij 1987Jef Last, De Vliegende Hollander, Amsterdam Arbeiderspers1947Peter Altena, Léon Stapper en Michel Uyen, Van Abélard tot Zoroaster. Literaire en historische figuren vanaf de renaissance in literatuur, muziek, beeldende kunst en theater. 1994Troels Ussing, De mythe doorgeprikt: Dit is de waarheid over De Vliegende Hollander. Historianet.nl Gepubl op 27-08-2024Wagner, Richard pf: Joseph Keilberth cond/ Bayreuth Festival Orchestra & Chorus (1955) 

Tenor Stefan Vinke and Atlanta Opera artistic director Tomer Zvulun discuss Richard Wagner’s “Siegfried,” which is on stage at Cobb Energy Performing Arts Centre from April 26 through May 4. Plus, Dr. Scott Stewart stops by for our series, “Music in Media,” and we hear about “Braiding Time, Memory and Water,” the site-specific interactive dance performances that encourage us to reconnect with our natural environment.See omnystudio.com/listener for privacy information.

Richard Wagner (1813-1883) - Da Parsifal: Incantesimo del Venerdì Santo (atto III)Orchestra Filarmonica di MonacoSergiu Celibidache, conductor *********13'20”Nikolay Rimsky-Korsakov (1844 - 1908) - La grande Pasqua russa, Ouverture op 36Lento mistico - Andante lugubre - Allegro agitatoOrchestra della di RAI MilanoSergiu Celibidache, conductor

Richard Wagner - Parsifal: Good Friday MusicSeattle Symphony Orchestra Gerard Schwarz, conductorMore info about today's track: Naxos 8.572768Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This Day in Legal History: Fair Housing ActOn this day in legal history, April 11, 1968, President Lyndon B. Johnson signed the Civil Rights Act of 1968 into law, a pivotal expansion of civil rights protections in the United States. Commonly referred to as the Fair Housing Act, the legislation was enacted just days after the assassination of Dr. Martin Luther King Jr., whose legacy of nonviolent activism heavily influenced its passage. The law made it illegal to discriminate in the sale, rental, financing, or advertising of housing based on race, color, religion, or national origin.It aimed to dismantle the systemic barriers that had long segregated American cities and suburbs, including redlining, racially restrictive covenants, and other discriminatory practices. Title VIII of the Act directly addressed these inequities and empowered the federal government to enforce fair housing standards for the first time. Though political resistance to housing integration had stalled similar legislation for years, the national mourning following Dr. King's death shifted public and congressional sentiment.Johnson, in a nationally televised address, described the signing as a tribute to Dr. King's life and a necessary step toward realizing the full promise of civil rights in America. Subsequent amendments expanded protections to include sex, disability, and familial status, making the Fair Housing Act one of the most comprehensive civil rights laws on the books. Enforcement mechanisms, however, remained a challenge, and litigation over housing discrimination has continued into the present day.The law has been central to major legal battles over zoning laws, gentrification, and access to affordable housing. It also laid the groundwork for subsequent legislation aimed at combating economic and racial segregation. While the Act did not instantly eliminate housing discrimination, it marked a legal turning point that recognized the home as a critical site of equality and opportunity.A small team from the Department of Government Efficiency (DGE), created under Elon Musk's initiative to reduce government spending and staffing, has arrived at the Federal Deposit Insurance Corp. (FDIC), according to an internal email from the agency. While the team is working with FDIC leadership to identify internal efficiencies, it does not have access to sensitive or confidential bank data, including resolution plans, deposit insurance records, or examination materials. The FDIC emphasized that the DGE operatives are full-time federal employees working under formal interagency agreements and have not sought access to confidential information.DGE has previously drawn concern from industry participants during its visit to the Consumer Financial Protection Bureau due to fears over data exposure. The FDIC oversees highly sensitive information about major U.S. banks and their failure plans, which regulators rely on during crises. The number and identity of DGE team members at the FDIC have not been disclosed, and the agency declined to comment further.The agency is also preparing for staff reductions, following the Trump administration's deferred resignation program that has already led to the loss of 500 FDIC employees. Additional buyouts and formal layoffs are expected soon. The timing of DGE's involvement comes as global markets react to new tariffs announced by President Trump, prompting concerns from former officials about weakening regulators' ability to respond to potential financial instability.DOGE Arrives at FDIC but Doesn't Have Access to Bank Data (2)At least three major law firms—Kirkland & Ellis, Latham & Watkins, and Simpson Thacher & Bartlett—are in talks with the Trump administration to reach a joint agreement that would commit over $300 million in pro bono services to causes favored by the White House. The potential deal is also intended to resolve federal investigations into the firms' diversity programs, which the administration has scrutinized for alleged discriminatory practices. If finalized, the arrangement would bring the total pledged in pro bono services from various firms to at least $640 million.President Trump, speaking at a Cabinet meeting, hinted that a handful of firms remain in negotiations, emphasizing that many firms have already paid significant sums or made concessions. He stated that he expects lawyers from participating firms to assist with policy efforts such as implementing tariffs and expanding coal mining.The administration has previously targeted several firms with executive orders for representing causes or clients viewed as oppositional to Trump's agenda. These orders have included punitive measures such as revoking security clearances and restricting federal access. Some firms—like Perkins Coie and Jenner & Block—have successfully blocked these actions in court, while others like Paul Weiss settled by agreeing to pro bono contributions. Firms such as Skadden and Milbank preemptively negotiated similar deals.Trump Talks Deal With Three Massive Law Firms as Others FightA U.S. immigration judge is set to rule today on whether Mahmoud Khalil, a Palestinian student activist at Columbia University, can be deported. Khalil, who holds Algerian citizenship and became a lawful U.S. permanent resident last year, was arrested last month at his New York City apartment and transferred to an immigration jail in rural Louisiana. Secretary of State Marco Rubio has called for Khalil's removal under the 1952 Immigration and Nationality Act, arguing that his presence in the U.S. poses foreign policy risks due to his role in pro-Palestinian campus protests.Rubio's letter to the court claims Khalil was involved in “antisemitic protests and disruptive activities” but does not accuse him of any crimes. Instead, Rubio argues the government can revoke legal status based solely on speech or associations if deemed harmful to U.S. interests. Khalil's attorneys say the case is an attempt to punish constitutionally protected speech and have called the letter politically motivated and authoritarian in tone.They are requesting to subpoena and depose Rubio as part of their defense. The immigration court hearing the case operates under the Department of Justice and is separate from the federal judiciary. Khalil is also suing in a New Jersey federal court, alleging that his arrest, detention, and transfer far from his legal team and family were unconstitutional.US immigration judge to decide whether Columbia student Mahmoud Khalil can be deported | ReutersPresident Trump signed a bill nullifying a revised IRS rule that would have broadened the definition of a “broker” to include decentralized cryptocurrency exchanges, or DeFi platforms. The rule, finalized in the final weeks of the Biden administration, was part of a broader IRS effort to tighten crypto tax enforcement and was rooted in the 2021 Infrastructure Investment and Jobs Act. It would have required DeFi platforms to report user transactions to both the IRS and the users themselves.The crypto industry strongly opposed the rule, arguing that DeFi platforms do not function like traditional brokers and lack access to user identities, making compliance impossible. Centralized exchanges like Coinbase and Kraken, by contrast, already meet these reporting requirements as intermediaries. Both the House and Senate voted in March to repeal the IRS rule through the Congressional Review Act, which allows Congress to overturn recent federal regulations with a majority vote.Trump, who has positioned himself as a pro-crypto candidate, had campaigned on promises to support digital asset innovation. Since taking office, he has formed a federal cryptocurrency working group and signed an executive order to establish a national bitcoin reserve.Trump signs bill to nullify expanded IRS crypto broker rule | ReutersThis week's closing theme takes us back to April 13, 1850, when Richard Wagner's opera Lohengrin premiered in Weimar under the baton of his friend and supporter, Franz Liszt. Wagner, one of the most influential and controversial figures in classical music, was then in political exile, and unable to attend the debut of what would become one of his most iconic works. Known for his revolutionary approach to opera—melding music, drama, and mythology—Wagner crafted Lohengrin as a sweeping, mystical tale of a knight of the Holy Grail who arrives in a swan-drawn boat to defend the innocent Elsa of Brabant. The opera's shimmering textures, leitmotif-driven score, and spiritual overtones would set the stage for his later monumental works like Tristan und Isolde and the Ring Cycle.Lohengrin remains best known for its third-act bridal chorus—“Here Comes the Bride”—but the opera's deeper themes of identity, trust, and the cost of forbidden questions give it lasting emotional and philosophical weight. Set in a quasi-medieval world laced with mystery, the opera tells of a hero who must depart the moment his name is asked, leaving love suspended in silence. Wagner's orchestration in Lohengrin is luminous and patient, often evoking shimmering water and distant prophecy, with long-breathed phrases that seem to float above time.As a closing theme for this week, Lohengrin invites reflection—on belief, on leadership, and on how history so often pivots on names, silence, and the tension between loyalty and doubt. Its premiere on April 13th marks not only a moment in Wagner's evolution as a composer but also a cultural point of departure, where German Romanticism began leaning toward something darker and more transcendental. We end the week, then, with the slow unfurling of Lohengrin's prelude: a gentle, ascending shimmer that begins almost imperceptibly, and rises—like the swan on the river—toward the unknown.This week, we close with the prelude to Lohengrin by Richard Wagner—music of undeniable beauty from a composer whose legacy includes both brilliance and deeply troubling beliefs. We share it for its artistry, not its ideology. Without further ado, Richard Wagner's Lohengrin, the prelude. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

(00:46) Götterdämmerung in Bern: Richard Wagners epische Tetralogie endet mit einem gelungenen Untergang der Götterwelt. Weitere Themen: (04:48) Er war ein revolutionärer Erneuerer der Bildhauerei – Medardo Rosso, jetzt im Kunstmuseum Basel. (09:34) «Schreiben ist eine Art zu denken» – die norwegische Schriftstellerin Vigdis Horth schreibt erneut autobiographisch in ihrem neuen Roman. (14:18) Russische Propaganda: Wiedereröffnung des Schdanow-Museums in Mariupol nach 25 Jahren.

Now that I have laid the groundwork for what I think everyone needs to know about war, I can digress and address current topics of interest, placing them in the framework of the Ancient Art of Modern Warfare. In this podcast I build on the topic of peace in the last episode to address current developments regarding Ukraine. Russia is the aggressor. Putin cannot be rewarded for his violations of international law, the laws and customs of war, both jus ad bellum and jus in bello, and threatening the peace and security of all of Europe. However, without a Western commitment to apply overwhelming force against Russian aggression, a cease fire is in order. The death and destruction of war without any serious prospects for victory violates Just War principles of proportionality and reasonable probability of success. Even Clausewitz would agree. As usual, the opinions in these podcasts are my own and do not necessarily represent the opinion of the Department of Defense, anyone else in the U.S. Government, or any other organization I am or ever have been associated with. Music: Wagner, R. and US Marine Corps Band, Siegfried's Funeral March and Finale (Götterdammerung) from “Music of Richard Wagner” (1981) (Public Domain)

Can a young man win a wife through a singing competition?  He just might, if he's in Richard Wagner's romantic comedy (yes, you read that right, “Richard Wagner's romantic comedy,”) Die Meistersinger von Nürnberg.  Young Walter may not be trained in the masters' techniques, but ultimately his passion wins the hearts of the beautiful Eva, the singing masters, and the people of Nuremberg.  Join Pat and guest co-host Gerald Malone for an in-depth discussion of one of Wagner's most intriguing operas. Gerald Malone is the Opera Critic of ReactionLife, a UK-based online current affairs and cultural publication.

Melbourne Opera presents a very special opera at a very special location: Richard Wagner's Die Meistersinger von Nürnberg in the historic Royal Exhibition Center. We spoke to opera expert Hans Henkell about the production, the challenges and what makes Wagner's only comedy so appealing. - Melbourne Opera präsentiert eine ganz besondere Oper an einem ganz besonderen Ort: Richard Wagners Die Meistersinger von Nürnberg im historischen Royal Exhibition Center. Wir haben mit dem Opernkenner Hans Henkell über die Inszenierung gesprochen, über die Herausforderungen, die sie mit sich bringt und darüber, was den Reiz von Wagners einziger Komödie ausmacht.

Es riecht nach salzigem Wasser, nach Hafen und nach altem Holz. Aber auch nach frischem Gebäck und frisch gebrühtem Espresso. Die Kellner im Caffè Lavena haben alle Hände voll zu tun. Viele Touristen möchten unbedingt hier ihren Cappuccino trinken, wie so viele berühmte Personen vor ihnen: Arthur Rubinstein, Franz Liszt, und allen voran Richard Wagner. Unser ZOOM nimmt Sie mit nach Venedig - und begibt sich auf die Spuren von Richard Wagner.

Eigentlich sind die schweren Bariton-Partien von Richard Wagner seine Spezialität; als Telramund im Lohengrin oder als Kurwenal in Tristan und Isolde feierte Martin Gantner auf den grossen Bühnen der Welt Erfolge. Auch in Zürich ist er seit über 20 Jahren ein sehr gern gesehener Gast. Hier wird er nun erstmals als Graf Danilo in der Lustigen Witwe auftreten. Ob das Leichte auch für ihn zum Schwersten gehört und warum es Spass macht, auf der Bühne ein Bösewicht zu sein, darüber spricht Martin Gantner in unserem nächsten Podcast.

"Hey- it sure is raining a lot, do you have a boat?" "No, but I *Noah* guy." That's right, on this week's episode of Data Over Dogma, we're going diluvian all up in here. It's the story of Noah and the great... vinyard? Here's the twist: It seems that the account of Noah we get in our version of Genesis may not be exactly what we were told it was! Then, call Richard Wagner, because we're talking about the power of a strong horns section. It's Joshua's time to shine as he leads the Israelites into battle against the great city of Jericho. But, you know, did he though? ---- For early access to an ad-free version of every episode of Data Over Dogma, exclusive content, and the opportunity to support our work, please consider becoming a monthly patron at: https://www.patreon.com/DataOverDogma      Follow us on the various social media places: https://www.facebook.com/DataOverDogmaPod https://www.twitter.com/data_over_dogma Hey! Don't forget to pre-order Dan McClellan's upcoming book The Bible Says So https://static.macmillan.com/static/smp/bible-says-so-9781250347466/?fbclid=IwY2xjawGLTkpleHRuA2FlbQIxMAABHQY4Ahs0Hi289IcnsQMh_0OAVf3oGefyUsWkLjhfB8OF8nio1fmroJbXxA_aem_v_4sISp8Zt43zsKfDjx1aA This episode was sponsored by BetterHelp Learn more about your ad choices. Visit megaphone.fm/adchoices

"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Herta Müller should share her Nobel with the Securitate." This comment by a former officer in the Romanian secret police, or Securitate, was in reaction to hearing that Müller, a German writer originally from Romania, had won the 2009 Nobel Prize for Literature. Communist Romania's infamous secret police was indeed a protagonist in Müller's work, though an undesired and dreaded one: most of her writings are deeply and explicitly anchored in Ceaușescu's Romania and her own traumatic experiences with the Securitate. Müller's file traces her surveillance from 1983 until after she emigrated to West Germany in 1987. She has written extensively in reaction to reading her file, but primarily addresses its gaps, begging the question what information the file does in fact contain. The Secret Police Dossier of Herta Müller: A "File Story" of Cold War Surveillance (Camden House, 2023) is an in-depth investigation of Müller's file, and engages with other related files, including that of her then-husband, the writer Richard Wagner. Valentina Glajar treats the files as primary sources in order to re-create the story of Müller's surveillance by the Securitate. In such an intrusive culture of surveillance, surviving the system often meant a certain degree of entanglement: for victims, collaborators, and implicated subjects alike. Veiled in secrecy for decades, these compelling and complex documents shed light on a boundary between victims and perpetrators as porous as the Iron Curtain itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Richard Wagner - Wesendonck Lieder: Traume (Dreams)Anne Schwanewilms, soprano ORF Vienna Radio Symphony Orchestra Cornelius Meister, conductor arr. Frank MottlMore info about today's track: Capriccio C5174Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Merriam-Webster's Word of the Day for January 12, 2025 is: leitmotif • LYTE-moh-teef • noun A leitmotif is a dominant recurring theme—something (such as a melody, an idea, or a phrase) repeated many times throughout a book, story, opera, etc. // The overcoming of obstacles and a love of theater are the two leitmotifs of her autobiography. See the entry > Examples: “[F. Scott] Fitzgerald considered his year and a half spent on The Vegetable a complete waste, but I disagree, for he followed it with a new novel written with all the economy and tight structure of a successful play—The Great Gatsby. Both The Vegetable and Gatsby shared the theme of the American Dream (first as a spoof for a comedy, finally as the leitmotif of a lyric novel). I don't think there has ever been a more elusive, mysterious, intriguing character than Gatsby. He's pure fiction—and pure Fitzgerald: the hopeful, romantic outsider looking in.” — Charles Scribner III, Scribners: Five Generations in Publishing, 2023 Did you know? The English word leitmotif (or leitmotiv, as it is also spelled) comes from the German Leitmotiv, meaning “leading motive,” and is formed from the verb leiten (“to lead”) and the noun Motiv (“motive”). In its original sense, the word applies to opera music; it was first used by writers interpreting the works of composer Richard Wagner, who was famous for associating a melody with a character or important dramatic element. Leitmotif is still commonly used with reference to music and musical drama but it is now also used more broadly to refer to any recurring theme in the arts—“The Imperial March,” heard in the Star Wars film franchise whenever Darth Vader appears on screen, for example—or in everyday life.

Eine Jahrhundertstimme bescheinigt man dem Heldentenor Max Lorenz. Dass Adolf Hitler seine Auftritte in Bayreuth bewundert, schützt den schwulen Sänger und seine jüdische Ehefrau. Lorenz stirbt am 11.01.1975. Von Christoph Vratz.

This is part of a series about overlooked movies from 2005.  ***Referenced media:“The Emigrants” (Jan Troell, 1971)“The New Land” (Jan Troell, 1972)“The Lord of the Rings: The Fellowship of the Ring” (Peter Jackson, 2001)“The Lord of the Rings: The Two Towers” (Peter Jackson, 2002)“The Lord of the Rings: The Return of the King” (Peter Jackson, 2003)“Syriana” (Stephen Gaghan, 2005)“The Thin Red Line” (Terrence Malick, 1998)“John Wick” (Chad Stahelski, 2014)“Pocahontas” (Mike Gabriel and Eric Goldberg, 1995)“Spaceballs” (Mel Brooks, 1987)“Apocalypto” (Mel Gibson, 2006)“Badlands” (Terrence Malick, 1973)“Days of Heaven” (Terrence Malick, 1978)“Avatar” (James Cameron, 2009)“The Jerk” (Carl Reiner, 1979)“Quest for Fire” (Jean-Jacques Annaud, 1981)“Heaven's Gate” (Michael Cimino, 1980)Audio quotation:“The New World” (Terence Malick, 2005), including the songs “First Landing” and “All Is Lost” by James Horner, https://www.youtube.com/playlist?list=PLF58BABF8997A9930“Cash Register Cha-Ching | Sound Effect | (Kaching) - Sound - HD” by cashregistersound, https://www.youtube.com/watch?v=trR5YxZjfes“The Jerk” (Carl Reiner, 1979)“Das Rheingold”, including “Prelude” by Richard Wagner (1869), https://www.youtube.com/watch?v=chLhMuCLEPk

In this episode, JF and Phil examine the myth of the vampire through the lens of Robert Eggers' latest film, Nosferatu, a reimagining of F. W. Murnau's German Expressionist masterpiece. Topics covered include the nature of vampires, the symbolism of evil, the implicit theology of Eggers' film (compared with that of Coppola's Bram Stoker's Dracula), the need for shadow work, as well as the power of real introspection and self-sacrifice. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Robert Eggers (dir.), Nosferatu (https://www.imdb.com/title/tt5040012/) F. W. Murnau (dir.), Nosferatu (https://www.imdb.com/title/tt0013442/) Mel Brooks (dir.), Dracula: Dead and Loving It (https://www.imdb.com/title/tt0112896/) Francis Ford Coppola (dir.), Bram Stoker's Dracula (https://www.imdb.com/title/tt0103874/) Bram Stoker, Dracula (https://bookshop.org/a/18799/9780141439846) Richard Wagner, [Tristan und Isolde](https://en.wikipedia.org/wiki/TristanundIsolde) David James Smith, “The Archaeologist Couple who Unearthed a Field Full of Vampires” (https://www.thetimes.com/world/europe/article/vampires-poland-field-archaeology-secrets-svm5mt26v) Robert Eggers, The Witch (https://www.imdb.com/title/tt4263482/) Richard Strauss, Salome (https://en.wikipedia.org/wiki/Salome_(opera)) Weird Studies, Episode 156 on “The Secret History” (https://www.weirdstudies.com/156) Rudolf Steiner, “Lucifer and Ahriman” (https://rsarchive.org/Lectures/LucAhr_index.html) Richard Wagner, Ring Cycle (https://en.wikipedia.org/wiki/Der_Ring_des_Nibelungen)

Virginie Girod raconte le destin tragique du roi fantasque Louis II de Bavière.Le 13 juin 1886, dans la soirée, deux corps sont retrouvés flottants dans le lac de Starnberg, non loin du château de Berg, en Bavière. Quelques heures plus tôt, le roi Louis II (1845-1886) avait disparu alors qu'il se promenait avec son psychiatre, le Dr von Gudden. L'identification des cadavres confirme qu'il s'agit bien des deux hommes. Mais qu'est-il arrivé ? S'agit-il d'un suicide ? D'une dispute qui aurait mal tourné ?Louis II de Bavière hérite de la couronne de Bavière en 1864, à la mort de son père Maximilien II. Bientôt, ce grand amateur de musique et de théâtre, fou de l'art et l'être de Richard Wagner, est confronté à la guerre, qu'il tient en horreur. Mais peu enclin à gouverner, Louis II préfère faire construire de somptueux châteaux, multipliant les dépenses et suscitant la colère du peuple et de ses ministres. Quelques jours avant sa mort, il est déclaré inapte à gouverner pour cause de maladie mentale et interné dans une aile de son château de Berg. Au Cœur de l'Histoire est un podcast Europe 1.- Présentation : Virginie Girod- Ecriture : Frédéric Pennel- Production : Armelle Thiberge et Morgane Vianey- Réalisation : Nicolas Gaspard- Composition du générique : Julien Tharaud- Promotion et coordination des partenariats : Marie Corpet- Visuel : Sidonie Mangin BibliographieJacques Bainville, Louis II de Bavière, Texto, 2024Jean des Cars, Louis II de Bavière, Tempus, 2010

The Magician card likely graces more front covers of books on the tarot than any of the other major arcana. In many ways, it symbolizes the tarot itself, or the individual who has mastered the art of manipulating the cards to divine their meanings. Yet, the Magician is a profoundly ambiguous figure. From one perspective, he is the Magus, piercing through the illusions of ceaseless becoming to glimpse the hidden depths of reality. From another, he is all surface without depth, a carnival huckster ready to empty your coin purse while you're transfixed by his crystal ball. In this episode, JF and Phil continue their on-again, off-again journey through the major trumps with a discussion of the card that—deservedly or not—proudly calls itself Number One. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Our Known Friend, Meditations on the Tarot (https://bookshop.org/a/18799/9781585421619) Weird Studies, Episode 24 on “The Charlatan and the Magus” (https://www.weirdstudies.com/24) Weird Studies, Episode 109 (https://www.weirdstudies.com/109) and Episode 110 (https://www.weirdstudies.com/110) on The Glass Bead Game Weird Studies, Episode 179 with Lionel Snell (https://www.weirdstudies.com/179) Friedrich Nietzsche, On the Geneology of Morals (https://bookshop.org/a/18799/9780141195377) Louis Sass, Modernism and Madness (https://bookshop.org/a/18799/9780198779292) Gilles Deleuze, Pure Immanence (https://bookshop.org/a/18799/9781890951252) Richard Wagner, Parsifal (https://en.wikipedia.org/wiki/Parsifal) William Irwin Thompson, The Time Falling Bodies Take to Light (https://bookshop.org/a/18799/9780312160623) Participation mystique (https://en.wikipedia.org/wiki/Participation_mystique) Aleister Crowley, The Book of Thoth (https://bookshop.org/a/18799/9780877282686) Leigh Mccloskey, Tarot Re-visioned (https://bookshop.org/a/18799/9780877282686)