Podcast appearances and mentions of Richard Wagner

Conduce Graciela Echague

Jeho nejnovější isncenace Zlato Rýna měla premiéru tento čtvrtek, reportáž ze zkoušek nabídneme v dnešním pořadu. Přidáme i rozhovor s Martinem Poštou, který za projekt Signal Space dostal tento týden "audiovizuálního oscara". Připravila Michaela Vetešková.

Die Walküren reiten ein – und es klingt nach Angriff. Was hat sich Richard Wagner dabei gedacht? Teil 9 der Reihe „Taktlos to go“ über die großen Melodien der Klassikwelt – und die Geschichten dahinter.

Die Weltlage ist immer noch bescheiden. Dazu das Wetter: seit Tagen, nein, seit Wochen eine mehr oder weniger trübe, kalte, schlecht gelaunte Nebelsuppe. Können uns Wettspiele, olympische Winterspiele ablenken?

Der Männerchor Zürich feiert 2026 sein 200-Jahr-Jubiläum. Er ist einer der grossen Konzertmännerchöre der Schweiz und lädt diesen Sonntag zum Jubiläumskonzert in die Tonhalle Zürich ein. Der Chor kann auf eine 200 jährige Tradition zurückschauen. Das Männerchorrepertoire mit Orchesterbegleitung ist ein zentraler Teil und daher eine Konstante im Repertoire des Chors. Es werden aber regelmässig auch A-cappella-Stücke einstudiert, wie Volkslieder oder auch Stücke aus der nordischen Chormusikliteratur. Gegründet wurde der Männerchor Zürich am 2. Oktober 1826. Der Chor feiert dieses Jahr somit das 200-Jahr-Jubiläum. Seit Anbeginn besteht eine direkte Verbindung zur Tonhalle Zürich. Über die ganzen Jahre wurden immer wieder Werke von berühmten Komponisten in aufwändigen Konzerten mit Solisten und Orchester in der Tonhalle aufgeführt. Noch heute probt der Männerchor Zürich im Vereinslokal der Tonhalle. Am Sonntag, 12. Februar 2026 findet das grosse Jubiläumskonzert «200 Jahre Männerchor Zürich» in der Tonhalle Zürich statt. Zu hören sind unter anderem grosse, orchesterbegleitete Opernchöre von Richard Wagner, Giuseppe Verdi, Edward Elgar und anderen. Chormusikredaktor Guido Rüegge unterhält sich in dieser «Fiirabigmusig» mit Roger Widmer, dem Dirigenten des Männerchors Zürich.

When an entrenched oligarchy and a cynical revolution go to war with one another, what happens to all the people in the middle?  Some may be victimized, others silenced, and yet others swept up in the churn of events.  In Giacomo Meyerbeer's Le Prophète, Jean of Leiden finds himself assuming the mantle of prophet and messiah, setting up expectations for himself that he can never fulfil.  This epic French Grand Opera, loosely based on a real historical figure who came to be known as “King of the New Jerusalem,” was a spectacular success.  However, for many reasons, not least of them the jealousy and resentment from composer Richard Wagner, Meyerbeer is not well-known today.  Nevertheless, his works offer many delights, as well as heart-rending drama.  Join host Pat, along with guest co-host Gerald Malone for a close look at Meyerbeer's Le Prophète. Gerald Malone's website, TheRestIsOpera.com is brimming with commentary on opera productions that he has seen around the world, as well as “scuttlebutt” about opera from a suspiciously well-informed little dog.

Der Schriftsteller Thomas Mann gehörte zu den prominenten Gegnern des Nationalsozialismus.

Kaum ein Werk Wagners ist kulturpolitisch so missbraucht wie „Die Meistersinger von Nürnberg“ – jede Inszenierung ist deswegen eine Herausforderung. An der Staatsoper Stuttgart gelingt Elisabeth Stöppler eine exzellent reflektierte Neuinszenierung.

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

Onze collega Peter-Paul Houtmortels is in gesprek met oud collega Frans Lambour over diens liefde voor de muziek van Richard Wagner en over zijn werk als lid van de auditiecommissie van ons koor.U hoort fragmenten uit de uitvoering van Parcival door het Groot Omroepkoor, het Radio Filharmonisch Orkest en solisten onder leiding van Jaap van Zweden die klonk op 11 december 2010 in het Concertgebouw in Amsterdam.Koorzaken wordt gemaakt door zangers uit het Groot Omroepkoor.Alan Belk maakte de opnames van het interview.Idee en montage zijn van Jan van Zelm.Presentatie van deze aflevering: Maja Roodveldt.Deze podcast wordt u aangeboden door de Vrienden van het Groot Omroepkoor.https://www.grootomroepkoor.nl/https://vriendengrootomroepkoor.nl/

durée : 00:29:00 - Les Midis de Culture - par : Marie Labory - Au menu de notre débat critique : l'opéra avec "Werther" de Massenet, mis en scène par Ted Huffman et dirigé par Raphaël Pichon, et "Siegfried" de Wagner, mis en scène par Calixto Bieito et dirigé par Pablo Heras-Casado ; et le coup de cœur de Carole Boinet pour l'album "Jawbreaker" de Sam Quealy - réalisation : Laurence Malonda - invités : Emmanuelle Giuliani Journaliste à La Croix; Emmanuel Dupuy Rédacteur en chef du magazine Diapason; Carole Boinet Journaliste française

durée : 00:18:03 - Les Midis de Culture - par : Marie Labory - Avec "Siegfried", l'Opéra de Paris livre le troisième volet de "L'Anneau du Nibelung", l'entreprise hors norme du compositeur Richard Wagner. Siegfried, héros libre et instinctif, le fils de Sieglinde et Siegmund, est devenu un jeune homme intrépide qui ne connaît pas la peur. - réalisation : Laurence Malonda - invités : Emmanuel Dupuy Rédacteur en chef du magazine Diapason; Emmanuelle Giuliani Journaliste à La Croix; Carole Boinet Journaliste française

Wat is er dit jaar veel om te herinneren en inspiratie aan op te doen! 2026 steekt echt uit boven andere jaren. In geopolitiek, in de nationale politiek, in de cultuur en zeker ook in de Oranjehistorie. Jaap Jansen en PG Kroeger duiken in de historische jaren rond een serie thema's die dit jaar de volle aandacht zullen krijgen. Het is een jaar waarin belangrijke politieke partijen als PvdA en D66 grote jubilea vieren. Maar ook een jaar waarin het Oranjehuis politieke en familiaire crises misschien maar liever niet herdenkt. En op wereldschaal staan de Verenigde Staten in het brandpunt. Daar herdenkt men de oorsprong, het oude ideaal, maar ook de gruwelijkste terreurdaad die deze wereldmacht trof. En in de wereld van de kunsten? Daar is 2026 het jaar van het ultieme ego-evenement en de uitvinding van de event culture van Woodstock, het Filmfestival van Cannes, de Oscars, de catwalk en het kunstfestival als maatschappelijk, toeristisch, jetset en artistiek fenomeen. *** Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend ons een mailtje en wij zoeken contact. *** 1] 80 jaar Partij van de Arbeid Op 9 februari 1946 was het zo ver. Drie vooruitstrevende democratische partijen fuseerden: een bundeling van verschillende tradities en idealen. De nieuwe PvdA ontstond door het samengaan van klassieke marxistische, links-liberale en christendemocratische stromingen. De droom tijdens de bezettingsjaren van maatschappelijke vernieuwing werd concreet vertaald in een poging tot 'doorbraak' uit verstarde politieke en sociaal-culturele verhoudingen. Weg met de oude scheidslijnen van hoog en laag en van zuilen en ideologische tegenstellingen. Maar die doorbraak kwam maar mondjesmaat. “Sterft, gij oude vormen en gedachten” klonk mooi, maar die vormen wilden maar niet sterven. Teleurgestelde liberalen en pacifisten verlieten de nieuwe partij. Zo ontstonden 'afscheuringspartijen' als VVD en PSP. De actualiteit van de PvdA is historisch gezien dus verrassend logisch. Opnieuw ziet men kans om een doorbraak naar verwante idealen en nieuwe generaties te realiseren. De fusiepartij van toen fuseert opnieuw, nu met GroenLinks. 2] 60 jaar D66 In de levendige jaren ’60 werd ‘een krankzinnig avontuur’ aangevangen. Een politieke 'startup' met als gezicht Hans van Mierlo. Een nieuwe partij die eigenlijk teruggreep op die vernieuwingsidealen van 1946. Men wilde af van gezapigheid en verzuiling, het gepolder met sociale partners en het confessionele midden. Nadruk op technocratisch pragmatisme en enthousiasme voor staatkundige vernieuwing. Van Mierlo liet zich meeslepen in de polarisatiedrift van jongeren in de PvdA, de partij waarmee D66 een Progressieve Volkspartij wilde realiseren. Maar uiteindelijk stond Van Mierlo alleen. Zijn opvolger Jan Terlouw liet de partij opnieuw electoraal omhoog klimmen. Maar toen hij koos tegen de PvdA en voor samenwerking met het CDA, wilde de achterban hem niet meer als leider. Pas in 1994 kon met Paars het anti-zuilen ideaal herleven, maar ook toen profiteerden vooral de oude zuilenpartijen VVD en PvdA en herrees uiteindelijk zelfs het CDA. De échte doorbraak kwam toen Alexander Pechtold het aandurfde veel oude 'kroonjuwelen' te dumpen. Heel pragmatisch. Hij hield Rutte II, een kabinet van VVD en PvdA overeind. Net als Van Mierlo ooit, voerde hij 'oppositie vóór het kabinet'. Pechtold profileerde zich ideologisch als bestrijder van radicaal-rechts en maakte D66 weer groot. En hij selecteerde Rob Jetten als het gezicht van een nieuwe generatie en een nieuwe nadrukkelijke ‘midden' versie van D66. Met Jettens premierschap wacht D66 opnieuw een krankzinnig avontuur. 3] Een groot Oranjejaar, hoewel… 70 jaar Greet Hofmans affaire. 60 jaar rellen en rookbom bij het huwelijk van Beatrix met Claus. 50 jaar Lockheed. Elk hiervan zorgde voor een hoop rumoer en soms wanhopige pogingen van de Haagse politiek waar mogelijk afstand te houden van het monarchale gedoe. Zowel Willem Drees als Joop den Uyl benutten het instrument van een ‘Commissie van drie' om zelf de handen schoon te houden en op basis van wijs, onpartijdig advies de Oranjes klem te zetten. In retrospectief valt op dat Greet Hofmans politiek meer impact had dan zij zelf voor mogelijk moet hebben gehouden, ondanks haar 'ingevingen van het hogere'. Want door haar perikelen kwam uiteindelijk de Lockheed-affaire en zonder Lockheed was Dries van Agt geen premier geworden. 4] 25 jaar 9/11 2026 is een historisch jaar voor en in de Verenigde Staten. Na de festiviteiten rond 4 juli zal de aandacht vooral uitgaan naar de herdenking van de aanslagen op 11 september 2001. Ongetwijfeld zullen velen zich bezinnen op de gebeurtenissen en wanhoop van toen en hun nasleep tot de dag van vandaag. Weet jij nog waar je was toen het gebeurde? En hoe zal Donald Trump hiermee om gaan? Zal hij zijn vijand George W Bush een eervolle rol gunnen of de herdenking zien als een kans zijn maatje Rudy Giuliani wit te wassen? 5] 250 Jaar Verenigde Staten Terecht vieren de Amerikanen hun Declaration of Independence. Het is een van de belangrijkste documenten in de historie van het denken over democratie, mensenrechten en vrijheid. Maar deze viering kon ook weleens vol dissonanten zitten. Betrouwbare Bronnen zet dan ook de reeks van reflecties op toen en nu en de vele dimensies en persoonlijkheden rond 4 juli 1776 voort. De president lijkt het vooral te gaan om zijn eigen feestje en obsessies. Zijn beeldentuin. Zijn balzaal en zijn triomfboog. En zou hij weten wie voor de viering van de Centennial van 1876 in Philadelphia maar liefst $ 5000 kreeg voor de compositie van een Triomfmars? 6] 150 jaar Bayreuther Festspiele Dat geld kwam goed van pas, want Richard Wagner was ook in dat jaar platzak. Zijn goednieuwe theater voor zijn eigen opera's en zijn festival om dat in te wijden slokten enorme bedragen op. Artistiek was het een groot succes als evenement voor de jetset, de aristocratie, koningshuizen en moderne kunstenaars en rebelse geesten van die tijd niet minder. Bayreuth liep zo vol, dat Karl Marx geen onderdak meer kon vinden en een kaartje evenmin. Na dit eerste Festival was het dreigend bankroet onthutsend, maar ook geen weg meer terug. Overal ter wereld, tot de dag van vandaag, werd het gekopieerd als nieuw fenomeen van de evenementencultuur. Ook hierin bleek Richard Wagner een ongeëvenaard revolutionair. Zonder hem geen filmfestival in Cannes, Woodstock, Oscars of Pinkpop. Of zoals hij zelf zei tot zijn orkest: "Kinder, macht Neues! Neues! Und abermal Neues!" Dat motto misstaat ook in 2026 niet. *** Verder luisteren 473 - 2025 wordt opnieuw een historisch jaar https://art19.com/shows/betrouwbare-bronnen/episodes/1aeb5474-57fe-49a8-a98a-d014372079c3 --Partijen vieren 2026 532 – GroenLinks-PvdA: het glibberige pad naar één partij https://omny.fm/shows/betrouwbare-bronnen/532-groenlinks-pvda-het-glibberige-pad-naar-n-partij 372 - Nieuwe partijen als Nederlandse traditie - en de afgrond die altijd weer dreigt https://art19.com/shows/betrouwbare-bronnen/episodes/c866168f-2eeb-4a1b-a1e4-649ab9e0a4ba 161 - Hans van Mierlo, een politieke popster https://art19.com/shows/betrouwbare-bronnen/episodes/971dca8a-af1b-4e9e-88c6-df5df95d49d2 --Een groot Oranjejaar 443 – Negen premiers en een explosief Oranjehuis https://art19.com/shows/betrouwbare-bronnen/episodes/9913cb5e-ccb4-4c9c-8b4a-811736125db2 325 - De mythe van Joop den Uyl; het spookbeeld van Mark Rutte https://art19.com/shows/betrouwbare-bronnen/episodes/1336a8af-568a-4583-9778-47619944cac4 342 - Willem-Alexander en het einde van de monarchie. Plus: zijn eigenzinnige voorgangers https://art19.com/shows/betrouwbare-bronnen/episodes/34418ffa-c993-4a7c-82a7-45533fcce737 --Amerika 250 en 9/11 nu 25 jaar geleden 519 - Thomas Jefferson, de revolutionaire schrijver van de Onafhankelijkheidsverklaring https://art19.com/shows/betrouwbare-bronnen/episodes/62bc338c-78f6-4cba-a7ab-1718ce679e81 382 - 250 jaar Verenigde Staten: de Boston Tea Party https://art19.com/shows/betrouwbare-bronnen/episodes/c44ec04f-9408-41be-b5e3-3fab8905ab66 397 - Benjamin Franklin, Zijner Majesteits meest loyale rebel https://art19.com/shows/betrouwbare-bronnen/episodes/18e40074-a4f4-4752-8dc9-6fbdaf8c91f0 459 – Rolmodel George Washington https://art19.com/shows/betrouwbare-bronnen/episodes/92f012be-cd93-4928-b3b3-5bef409c6bca 494 - Trumps aanval op de geschiedenis en de geest van Amerika https://art19.com/shows/betrouwbare-bronnen/episodes/ec4b170a-05a9-4af3-9010-c0986376dd3a 281 - Fourth of July: Amerika reisgids voor politieke junkies https://art19.com/shows/betrouwbare-bronnen/episodes/d1f6fb79-49b3-456e-a7b3-b09ddf2a5ae8 --150 jaar Bayreuther Festspiele 387 - Niets is zó politiek als opera - 100 jaar Maria Callas https://art19.com/shows/betrouwbare-bronnen/episodes/cdff059b-3e0c-4a27-b04e-e1093b8250b2 312 - Schurend verleden - over cancelculture, politiek en geschiedenis https://art19.com/shows/betrouwbare-bronnen/episodes/9b030d30-ee4a-4d7f-8e7e-f0e9dc0f7043 531 - Muziek en tirannie: de schrijnende actualiteit van Dmitri Sjostakovitsj https://omny.fm/shows/betrouwbare-bronnen/531-muziek-en-tirannie-de-schrijnende-actualiteit-van-dmitri-sjostakovitsj *** Tijdlijn 00:00:00 – Deel 1 00:27:57 – Deel 2 00:53:34 – Deel 3 01:44:50 – EindeSee omnystudio.com/listener for privacy information.

Richard Wagner's first truly successful opera, set in medieval Rome, sees a young nobleman in love with a young plebeian woman.  While this might sound like it's going to be an operatic love story, it's quite a different thing entirely: Grand Opera, Wagner-style.  Based on a controversial and visionary historical figure who became a footnote, but aspired to change the face of history, it has soaring music, but this opera is less concerned with romance than the fortunes of a leader trying to accumulate power in order to bring peace and equality to his people.   Hosted by Pat, Kathleen, and Grant   For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Ihr Name ist für viele Klassikfans Musik: Waltraud Meier. Jahrzehntelang prägte sie große Rollen ihres Repertoires, besonders von Richard Wagner. Nun wird sie 70 Jahre alt. Maximilian Maier über Meier und prägende Erlebnisse.

The characters fight some mimics and suits of armor before finding the key to the fail-safe device. Please join us for another actual play Dungeons and Dragons adventure. Find additional content at https://knightsofroleplay.com/. Royalty Free Music: Kevin MacLeod: https://incompetech.com Michael Ghelfi Studios: https://www.youtube.com/c/MichaelGhelfiMusic Plate Mail Games: https://www.drivethrurpg.com/browse/pub/4847/Plate-Mail-Games  Tabletop Audio: https://tabletopaudio.com "Ride of the Valkyries" by Richard Wagner, performed by Philip Milman. Licensed under Creative Commons BY 3.0. Tank Moving sound effect by kave msri from Pixabay. Our podcast gear, as well as other assorted podcast resources and recommendations, can be found at https://knightsofroleplay.com/our-gear/.

Was Richard Wagner a revolutionary artist who reshaped music forever, or an egotists mired in scandal, whose dangerous ideas were inseparable from the operas he created? How did the legendary worlds encapsulated in his bombastic music - featuring gods, heroes, and monsters - become entangled with politics and power? And, did Wagner inspire Hitler and the Nazis…? Join Tom and Dominic at the Royal Albert Hall, featuring the renowned  Philharmonia Orchestra, conducted by Oliver Zeffman, as they play the music of Wagner live, as they delve into the life of one of the most controversial but famous figures in all of musical history: Richard Wagner. _______ Hive. Know your power. Visit https://hivehome.com to find out more.  _______ Get our exclusive NordVPN deal here ➼ https://nordvpn.com/restishistory It's risk-free with Nord's 30-day money-back guarantee ✅ _______ Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at therestishistory.com For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Social Producer: Harry Baldwin Assistant Producer: Aaliyah Akude  Producer: Tabby Syrett Senior Producer: Theo Young-Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 01:29:09 - Relax ! du mardi 30 décembre 2025 - par : Lionel Esparza - C'est la fête toute la semaine dans Relax ! Pour sortir de la morosité ambiante et des malheurs du monde, joignons nous en cortège autour de nos compositeurs favoris avec Georg Friedrich Haendel, Richard Wagner ou encore Francis Poulenc. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:24:47 - Disques de légende du mardi 23 décembre 2025 - Ce fut l'événement de l'édition 1966 du Festival de Bayreuth : un jeune loup français de la direction – Pierre Boulez était alors âgé de 41 ans –, dans Parsifal. Une idée du patron d'alors, Wieland Wagner, qui avait la volonté d'apporter une nouveauté musicale à la mesure des innovations scéniques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

"Kinder schafft Neues", wünschte sich Richard Wagner. Im klassischen Musikbetrieb gar nicht so einfach. Drei Persönlichkeiten aus der Klassik haben sich 2025 dabei besonders hervorgetan, findet unsere Kritikerin Franziska Stürz.

Richard Wagner and Timmy Black have more in common than one would suspect.

Am 12.12.1880 schläft Ludwig II. erstmals auf der Baustelle Neuschwanstein. Er hat große Pläne für sein Schloss. Und am Ende so große Schulden, dass er es nie fertig sieht. Von Laura Dresch.

My guest today is director Rian Johnson, which is exciting for me, because I've been a huge fan of his ever since seeing his first feature film, ‘Brick,'  in 2006. Since then, he's made six more feature films, including ‘Looper‘ in 2012; ‘Star Wars: The Last Jedi‘ in 2017; the murder mystery ‘Knives Out‘ in 2019; and his most recent movie, another in the 'Knives Out' series, ‘Wake Up Dead Man,‘ which is already out in theaters, and comes to Netflix on December 12. I talked to Rian about a piece of music that had a profound impact on him, which was the overture to ‘Das Rheingold‘ by Richard Wagner. For more info, visit songexploder.net/rian-johnson.

This week, Donald Macleod explores Wagner's world of dreams – musical, romantic and revolutionary. Wagner didn't just write operas; he imagined entire worlds, reshaping reality to fit his ideals. His stories blur fact and fantasy, turning myth into truth and politics into drama. From youthful ambitions and radical uprisings to scandal, patronage and the creation of Bayreuth, we follow a composer whose dreams were as grand as his music.Götterdämmerung, Act III: Siegfried's Funeral March Die Feen, Act II: Weh uns, weh!; O musst du, Hoffnung, schwinden Piano Sonata in B-flat Major, WWV 21, Op. 1 (ii. Larghetto) Lohengrin, Act III: Prelude and Bridal Chorus Das Liebesverbot, Act 1: Kennst du das Leid der Elternlosen; Herbei, betrognes Volk The Flying Dutchman, Extract from Act III Rienzi, Overture Das Rheingold, Prelude and Scene 1 Tristan und Isolde, Act 3: Isoldes Liebestod Albumblatt (arr. August Wilhelmj) Huldigungsmarsch Lohengrin, Act III: In fernem Land “Grail Narration” Tristan und Isolde, Extract from Act II Siegfried, Love duet from Act III Scene 3 Parsifal, Act III Suite, ed. Abbado: Good Friday Music Siegfried, extract from Act II Scene 1 Kinder-Katechismus Die Walküre, Act III Scene 3: Wotan's Farewell and Magic Fire MusicPresented by Donald Macleod. Produced by Ellie Ajao for BBC Audio Wales & West.For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Richard Wagner: https://www.bbc.co.uk/programmes/m002m0kk.And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Das Nationaltheater Mannheim hat sie neu inszeniert, im kommenden Jahr folgen die Osterfestspiele in Baden-Baden und jetzt ist das Badische Staatstheater in Karlsruhe an der Reihe: Sie alle nehmen sich Wagners romantische Oper "Lohengrin" an. Warum? Wie die bedrängte Elsa mögen auch wir auf ein göttliches Wunder wie einen herbeigesehnten Schwanenritter hoffen, meint Opernredakteur Bernd Künzig.

Sorozatunk legújabb epizódjában ezúttal Hózsa Zsófia mesél Richard Wagner, Maurice Ravel és Gustav Mahler műveiről, azok szerkezetéről és keletkezésük izgalmas körülményeiről.Adásunk ezúttal Anna Vinnitskaya és a Bécsi Szimfonikusok hangversenyéhez kapcsolódik.Hallgassátok szeretettel!

durée : 01:28:07 - Relax ! du mardi 04 novembre 2025 - par : Lionel Esparza - En 1870, la France et l'Allemagne s'affrontent militairement et les questions identitaires enflamment le monde musical. C'est aussi une année riche en créations, avec notamment "La Walkyrie" de Richard Wagner, "Roméo et Juliette" de Tchaïkovski, ou encore la Rhapsodie pour alto de Brahms. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A cura di Paolo Pellegrini the plot also in English R. Wagner – LOHENGRINRomantische Oper in drei Akten von Richard Wagner.Heinrich der Vogler, deutscher König: Kieth EngenLohengrin: Sándor KónyaElsa von Brabant: Leonie RysanekFriedrich von Telramund, Graf: Ernest BlancOrtrud, seine Gemahlin: Astrid VarnayDer Heerrufer des Königs: EberhardChor und Orchester der Bayreuther FestspieleAndré Cluytens

Richard Wagner - Der Fliegende Hollander (The Flying Dutchman): OvertureSlovak Philharmonic OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.550136Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Richard Wagner blieb seinen kleinen und großen Hunden sein Leben lang treu - und diese meist auch ihm. Wohin es Wagner auch verschlug, sie waren an seiner Seite: Hunde. Die Geschichte der Tierliebe eines großen Komponisten.

Send us a textMusical attributions at end of transcriptHere the ghost - or if you will - the spirit of Richard Wagner -  is reminiscing about his existence in 1864.  A struggling genius. A lonely king. One shared dream that changed the sound of Western music forever. In Music and Majesty, Richard Wagner and King Ludwig of Bavaria revisit the passion, faith, and madness that forged a masterpiece.GeorgeWe left you in the last episode, Maestro Wagner, with you rather down on your luck - especially financially - in other words there was no way to make your dreams come true.Support the showThank you for experiencing Celebrate Creativity.

Send us a textMusic attribution at bottom of transcriptThat was a portion of ride of the Valkyries by Richard Wagner - and if you're old enough, like me, you might remember hearing that from cartoons - especially porky pig dressed in a hunting outfit and singing kill the wabbit , kill the wabbit about Bugs Bunny - but I digress This is the first episode where I would like to explore the world of Richard Wagner.   The reason I say that this is the first episode, is that the more I delved into the life of Richard Wagner, I began to realize that there is no way that I could even begin to cover his life in one episode. Oh certainly I will have some more episodes later on as appropriate regarding the lives of Beethoven and Bach, but I wanted to have at least two episodes about Richard Wagner together - one after another - so stay with me as we look into the life of this unique composer.Support the showThank you for experiencing Celebrate Creativity.

This will not end well (“Non finirà bene”) è il titolo della grande mostra antologica della fotografa Nan Goldin allestita al Pirelli Hangar Bicocca di Milano. Il filosofo e conduttore radiofonico Pietro Del Soldà parla del suo libro Amore e libertà - Per una filosofia del desiderio. Wayward - Ribelli è una serie tv statunitense che descrive l'industria della correzione degli adolescenti problematici. All'Auditorium Parco della musica di Roma va in scena La valchiria di Richard Wagner. CONDaria Scolamacchia, photo editor che collabora con InternazionalePietro Del Soldà, filosofo e conduttore radiofonico Valentina Pigmei, giornalista che collabora con InternazionaleAndrea Penna, critico musicale e conduttore radiofonico Nan Goldin: https://pirellihangarbicocca.org/mostra/nan-goldin/Amore e libertà: www.youtube.com/watch?v=tnhwkAJJL2Y Wayward - Ribelli: https://www.youtube.com/watch?v=ezvypdxrrLM&t=32sLa valchiria: https://www.youtube.com/watch?v=ncbHEKkdxIMCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Es ist eines der furiosesten Comebacks der Musikgeschichte: Richard Wagner - künstlerisch gescheitert, finanziell am Boden - wird errettet durch den 18-jährigen König Ludwig II. von Bayern. Der Beginn einer außergewöhnlichen Beziehung, die Wagner zu beispiellosen Erfolgen führen und Ludwig das Herz brechen wird.

Es ist eines der furiosesten Comebacks der Musikgeschichte: Richard Wagner - künstlerisch gescheitert, finanziell am Boden - wird errettet durch den 18-jährigen König Ludwig II. von Bayern. Der Beginn einer außergewöhnlichen Beziehung, die Wagner zu beispiellosen Erfolgen führen und Ludwig das Herz brechen wird.

Dans la carrière de Richard Wagner, Paris et son grand opéra ont joué un rôle essentiel qu'on ne le penserait. Plongée dans l'univers créatif du compositeur allemand. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

For years, the playwright David Adjmi was considered “polarizing and difficult.” But creating Stereophonic seems to have healed him. Stephen Dubner gets the story — and sorts out what Adjmi has in common with Richard Wagner. SOURCES:David Adjmi, author and playwright. RESOURCES:"The West End is enjoying a theatre revival. Can Broadway keep up?" by Daniel Thomas (Financial Times, 2025).Lot Six: A Memoir, by David Adjmi (2020).Stereophonic, (2023). EXTRAS:"How Is Live Theater Still Alive?" by Freakonomics Radio (2025)."How to Make the Coolest Show on Broadway," by Freakonomics Radio (2024).