Podcasts about trumpet performance

Bill Warfield, a dynamic and innovative composer, bandleader and trumpeter, has energized audiences, performers and writers for over four decades. Warfield's most recent accomplishments are two highly regarded recordings including “Mercy Mercy Mercy”, recorded on the BluJazz label by the Hell's Kitchen Funk Orchestra in 2015 and “Trumpet Story” with Randy Brecker on Planet Arts Records, recorded in 2014. These recordings are a celebration of the composer's formative musical experiences. The two groups perform Jazz selections based on the genres of funk, Latin Jazz, and Hard Bop, all arranged by Warfield. He holds an M.M. in Jazz Commercial Trumpet Performance from the Manhattan School of Music where he received the William H. Borden Award for Outstanding Accomplishment in Jazz/Commercial Music, The Carmine Caruso Award for Outstanding Musicality and Trumpet Performance and the Maynard Ferguson Scholarship. In 1990 he participated in the BMI Jazz Composers Workshop, directed by Bob Brookmeyer and Manny Albam.

Cory Schmitt earned his Bachelor of Music Education degree in 2012 from James Madison University in Harrisonburg, VA. While at JMU, Cory played trumpet and cornet in numerous ensembles, and was also the Drum Major for the 450-member Marching Royal Dukes. In 2014, Cory earned his Masters Degree in Wind Band Conducting and Trumpet Performance at the University of Northern Iowa, where he conducted the UNI Pep Band and UNI Concert Band, and played lead trumpet in the award winning UNI Jazz Band One. In 2014, Cory began an 8-year career as the Director of Bands at Forest City, Iowa as High School and Middle School Band Director. Under Cory's direction, the FCHS Concert and Marching Band grew from 58 to 120 members. His ensembles earned numerous superior ratings and first place finishes at state-level events, as well In 2017, Cory joined the music staff at Waldorf University, where he assumed the role of Director of Wind Symphony as well as Adjunct Professor of Music. In his current position as a DMA Wind Conducting student and Teaching Assistant for the University of Iowa bands, Cory serves as the conductor of University Band and assists with the Hawkeye Marching Band and Iowa Pep Band. He is also in his second year as the Director of the Iowa City New Horizons Band, a group of retirees over the age of 55. 

The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.

Keith Snell has pursued a multifaceted music career as a trumpet soloist, freelance musician, composer/arranger,  conductor and educator. His earliest musical training and performance experiences began at the age of six when he  began learning to play the cornet in the Los Angeles Congress Hall Salvation Army Band. Keith performed with this  world renown organization for twenty years for over twenty years.   Keith received his B.A. from the California State University at Northridge and his M.A. from California State  University at Long Beach. Both degrees were in Trumpet Performance and Instrumental Conducting. Keith has  served on the faculties at the California State Universities at, Los Angeles, Northridge and Long Beach as well as at  the California Polytechnic State University at San Luis Obispo.  As a freelance trumpet player, Keith has played numerous chamber and symphony orchestras, including the Pacific  Symphony, Pacific Opera and the Burbank Symphony Orchestra. He has also performed on a variety of recordings  for radio, motion picture and television soundtracks. As a solosist, Keith has performed solo recitals in both the  U.S., Canada and Great Britain.   Keith was one of the founding members of the California Brass Ensemble, and served as its Director for 24 years.  Comprised of some of the worlds's finest professional brass and percussion artists in Los Angeles, the ensemble  presented over 3,000 concerts and educational performances. This award winning ensemble performed at such  prestigious events as the 1984 Olympic Arts Festival in Los Angeles and before many international dignitaries,  religious leaders and heads of state, including five U.S. Presidents, and the Arch Bishop of Canterbury.  A prolific arranger and composer, Keith served as editor for several series of educational publications by Belwin  Mills, Columbia Pictures Publications, and Alfred Music Publishers. His works are also published by Theodore  Presser and Warner-Chappell. Keith's works for brass have been performed by professional ensembles and  symphony orchestra brass sections in over 44 countries.   

Dana King has twice received nominations for Shamus Awards from the Private Eye Writers of America. He was born in New Kensington PA and grew up in Lower Burrell PA. A classically-trained musician, Dana holds a Bachelor's degree from Indiana University of Pennsylvania and a Master's in Trumpet Performance from New England Conservatory, where he studied with Charles Schlueter of the Boston Symphony. He has also worked as a computer network administrator, pre-sales software technical consultant, and training officer for a government agency that would really rather he not mention their name. The Penns River and Nick Forte series of novels are his responsibility, as well as the standalone Wild Bill and numerous short stories. Please visit his website at http://www.danakingauthor.com Spies, Lies & Private Eyes is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #DanaKing #SpiesLiesandPrivateEyesPodcast #authorsontheair #podcast #podcaster #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity#authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction#bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture#thrillers #theuniversityseries #PennsRiverSeries #NickForteSeries #shortstories #ShamusAward

Dana King has twice received nominations for Shamus Awards from the Private Eye Writers of America. He was born in New Kensington PA and grew up in Lower Burrell PA. A classically-trained musician, Dana holds a Bachelor's degree from Indiana University of Pennsylvania and a Master's in Trumpet Performance from New England Conservatory, where he studied with Charles Schlueter of the Boston Symphony. He has also worked as a computer network administrator, pre-sales software technical consultant, and training officer for a government agency that would really rather he not mention their name. The Penns River and Nick Forte series of novels are his responsibility, as well as the standalone Wild Bill and numerous short stories. Please visit his website at http://www.danakingauthor.com Spies, Lies & Private Eyes is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #DanaKing #SpiesLiesandPrivateEyesPodcast #authorsontheair #podcast #podcaster #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity#authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction#bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture#thrillers #theuniversityseries #PennsRiverSeries #NickForteSeries #shortstories #ShamusAward

In this episode, Javian goes in-depth regarding some of the challenges he's faced on the mental side of the horn, and why a change of scenery was exactly what the doctor ordered when it came to successful music making! In this conversation with Javian Brabham, you'll discover: -The arts scene in southern Georgia, northern Florida Panhandle area...02:30 -Javian's trumpet backstory...04:30 -Viewing ourselves as athletes in making changes to our playing setup, physically and equipment wise...17:50 -Injuries to musicians are not talked about enough...23:20 -Getting out of a dark place emotionally, physically and spiritually...32:44 -Shifting perspectives re: the trumpet's role in our lives as we age...40:05 -Plus whatever your discerning ears deem worthy of your time and interest... About the guest: Dr. Javian Brabham serves as Assistant Professor of Trumpet at Valdosta State University and principal trumpet of the Valdosta Symphony Orchestra. He holds a Doctor of Music from Florida State University in Trumpet Performance, with a certification in college teaching. He completed a Master of Music in Trumpet Performance from the University of New Mexico and a Bachelor of Music Education from Florida State University. He has taught on the faculty at Young Harris College as the Assistant Director of Bands, the South Carolina Governor's School for the Arts and Humanities Summer Music Academy.

ABOUT THE AUTHOR - DANA KING Dana King was born in New Kensington PA; the building is no longer a hospital. He spent the first four years of his life living in an apartment in Arnold PA; that building has since burned to the ground and is now a vacant lot. Dana grew up in Lower Burrell PA, which is still there, though everyone is nervous when he comes to visit. The first memory he can attach to a time and place is riding in the car to the new house on October 13, 1960, as Bill Mazeroski hit the home run that won the World Series. A classically-trained musician, Dana holds a Bachelor's degree from Indiana University of Pennsylvania (no, not the other one), and a Master's in Trumpet Performance from New England Conservatory, where he studied with Charles Schlueter of the Boston Symphony.  ABOUT THE BOOK - WHITE OUT It's been a tough winter in Penns River and things aren't getting any better. A major snowstorm looms as a police officer shoots and kills a man after a bar fight. There are four complicating factors: 1. No weapon is found on the dead man. 2. The cop is Black; the victim is white. 3. The victim is not just white; he's a white supremacist. 4. A national leader of the movement wants to use Penns River to set an example and create a martyr for the cause. Fellow travelers from several neighboring states converge on the town for the funeral as an even bigger snowstorm roars in with them.

Estela's ample experience in music entrepreneurship is often sought-out by podcasts, music programs, and conference panels, including the Oklahoma State Trumpet Studio, the Shenandoah University Music Entrepreneurship program, the BrassChix annual gathering, the Denis Wick Artist Summit, the TMEA – Mouthpiece Neophobia panel, the Denis Wick Women in Brass panel, the Diversify the Stand podcast and the Musician's Perspective podcast. She is also a member of the International Trumpet Guild Inclusion and Diversity Committee, where she is an agent of change supporting equality. Originally from Lima, Peru, Estela now resides in the vibrant city of Austin, Texas, with her fiancée and husky. She holds a Master in Trumpet Performance degree from the University of South Carolina School of Music and a Bachelors of Music and Trumpet Performance degree from the University of Tampa. Her former instructors include Aric Brian, James Ackley, and Allen Vizzutti. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicspeaks-podcast/support

Dan underwent a “seismic shift” in perspective during the throes of finishing his MM in orchestral performance. After graduation, he stowed away his trumpet…and plans for a performance career.But after a few years, the musical itch resurfaced. He started playing and teaching private lessons again for fun. For work, he landed a general manager position at a small symphony.And so Dan's shift to the fundraising and development side of the fine arts began. Since then, he's worked for several major musical institutions, including the Cleveland Orchestra, Detroit Symphony Orchestra, and San Francisco Symphony. Making these leaps required constant learning, acting on tough feedback, and sacrifice. Luckily for us, Dan shares his tips for picking up the skills and mindset shifts to make big changes and reach the executive level. And he doesn't shy away from discussing his struggles with work's and music's role in his life.Books & other resources mentionedDesigning Your Life by Bill Burnett and Dave EvansRising Strong, Daring Greatly, Dare to Lead by Brene BrownBrene Brown's podcastsDISC, Myers Briggs, or Birkrman work/personality assessmentsLinkedIn Learning (formerly Lynda.com)Lyrics to Miley Cyrus' “The Climb” Check out more from The Work SeminarVisit theworkseminar.com or find @TheWorkSeminar on social media. Sign up for The Work Seminar newsletter to receive updates straight to your inbox.Support the show (https://ko-fi.com/theworkseminar)

Our sponsor: Houghton Horns - Use code "Mergen" for 10% off all trumpet accessorieswww.houghtonhorns.comHoughton Horns virtual equipment consultation video -Equipment consultationKnown for his strong and beautiful sound, Mergen is currently a member of the trumpet/cornet section of “The President's Own” United States Marine Band. He also performs with the Blossom Festival Band in Ohio and is a founding member of Valor Brass. In addition, Mergen has performed with the National Symphony Orchestra in Washington, D.C., the Washington Symphonic Brass, the Singapore Symphony in the Republic of Singapore, the Harrisburg Symphony in Pennsylvania and the Choral Arts Society of Washington. He was a Fellow at the Tanglewood Music Center in Lenox, Massachusetts, and attended the Aspen Music Festival. He has worked with conductors Seiji Ozawa, Leonard Slatkin, Osmo Vanska, John Williams and Bramwell Tovey.Dedicated to education, Mergen currently serves as guest artist and applied faculty at the Penn State Honors Music Institute teaching trumpet. In addition, he has given numerous master classes at world-class institutions including The Juilliard School, University of Michigan, Eastman School of Music, University of Illinois and many others. He has brought his passion for music education to middle and high schools in the Washington D.C. area as part of the Marine Band's “Music in the Schools Initiative,” formulating a rich program for brass quintets, which he has led in numerous performances. Mergen also maintains a studio of private trumpet students.As an active soloist, Mergen's solo performances include numerous appearances with the “The President's Own” United States Marine Band and most recently with the Allentown Band, which was televised in Pennsylvania. He sounded Taps for the White House moment of silence in observance of 9/11 in 2018 and 2019 as well as the 2017 nationally televised Memorial Day Concert at the US Capitol. He also co-commissioned Hanging by a Thread, a four-movement work for solo trumpet and solo tuba with wind ensemble by James Stephenson and with his brother Paul gave the U.S. premiere with the DePauw University Concert Band in 2018. Recordings of his solo performances can be heard on both the “The President's Own” United States Marine Band YouTube channel and website. Additional non-solo recordings include numerous volumes of the U.S. Marine Band's annual recording as well as the Valor Brass recording Inaugural.Mergen began his musical journey at age nine. His early studies included The Juilliard School Pre-College and the Kinhaven Music School summer program. He received his Bachelor in Music degree in both Trumpet Performance and Music Education from the University of Michigan, his Master of Music degree in Trumpet Performance from Eastman School of Music, and he completed the Doctor of Music Arts degree in Performance from The Catholic University of America in 2008. He is honored to have studied with Charles Daval, Charles Geyer and the late Armando Ghitalla.A lifelong learner, when not performing or teaching, Mergen further channels his passion for music into creating arrangements for brass quintet and trumpet ensemble, and exploring the history of the trumpet and cornet.Support the show (https://thatsnotspit.com/support/)

When Sarah Herbert auditioned for the Jacobs School of Music at Indiana University, she flat out neglected the inner voice reminding her of the magnitude of her environment. One of the finest music conservatories in the United States. Studying under the keen and discerning eye of top instructors. Pressure to maintain peak performance at all times.None of that registered with young Sarah. She blazed her way through that audition, with pure and reckless abandonment. Would that we all could play with that blissful ignorance.Then school began, and suddenly she became aware of the immense talent surrounding her - not to mention how far she had to go in her own development as a trumpet player.But she hung in there, and is now professor of trumpet at Western Kentucky University, and has been busy commissioning new works for trumpet and - wait for it - classical guitar quartet!What began as an experiment, just to see what will happen, has become in her words codified as a burgeoning genre from which new works will be written, and provide fresh opportunities for trumpeters near and far looking to leave their unique imprint on this sometimes busy and crowded world.In this Trailblazing episode, you'll discover:-The shy nerdy kid finds her voice playing trumpet...03:09-Trumpet becomes Sarah's calling in life...10:00-Sarah the Trailblazer: Getting commissioned to perform with a guitar quartet...18:50-A new genre is codified for trumpeters - and guitarists - looking for a niche in which to excel...37:15YouTube links to the two pieces featured in the episode:Concertino Principessa (Mark Anthony Cruz) https://youtu.be/KTM3eieJMyIFin de Fiesta (John Truitt) https://youtu.be/C2O-BQMa918Guest bio:Dr. Sarah Herbert is the Assistant Professor of Trumpet and Jazz at Western Kentucky University in Bowling Green, Kentucky. Dr. Herbert teaches applied trumpet, trumpet ensemble, and directs the WKU Jazz Band. She has previously held faculty positions at the University of Wyoming, the University of Cincinnati College-Conservatory of Music and Miami University Regionals in Hamilton, Ohio.Dr. Herbert's performing career has been diverse and includes performances with professional jazz/commercial ensembles, orchestras and chamber groups including Orchestra Kentucky, Evansville Philharmonic, Wyoming Symphony Orchestra, and the University of Wyoming Faculty Brass Quintet. In the Cincinnati area she has performed with the Fillmore Brass Band and Wind Ensemble, Washington Ave Brass Quintet, The Belairs 1950's Show Band, The Casino Players Ensemble, Bach Chorale Singers, and the Richmond Symphony Orchestra (Indiana). A native of Portland, Oregon, Herbert completed her Doctor of Music in Trumpet Performance from the University of Cincinnati College-Conservatory of Music in 2017. She also holds a Master of Music and Certification in Music Education from the University of New Mexico and a Bachelor of Music in Trumpet Performance from the Indiana University Jacobs School of Music.Support this show http://supporter.acast.com/trumpet-dynamics. See acast.com/privacy for privacy and opt-out information.

  Penny Swift and Stephanie Nantell - Education Through Music: Transforming Schools with Music Education. This is episode 425 of Teaching Learning Leading K12, an audio podcast. Today, I'm talking with Penny Swift and Stephanie Nantell about Education Through Music which is focused on...Transforming Schools with Music Education. A little about Penny and Stephanie… Penny Swift serves as the Executive Director. She joined Education Through Music in 2017 as the inaugural Chief Operation Officer. Penny has had an extensive career as an operational and strategic leader in early childhood education. Her career began in the service of under-resourced communities as a teacher and a special education administrator. As a lifelong advocate for equality and excellence in childhood education, Penny's experience led her to senior leadership roles overseeing early childhood centers. She recently served as the Divisional Vice President at Brightside Academy, overseeing all early-childhood academies in New York and Philadelphia. Penny is a lifelong New Yorker and a proud alumna of New York City's public schools. She graduated cum laude with a master's degree in special education and a professional diploma in educational administration from the City College of New York. Stephanie Nantell serves as Assistant Program Director. Stephanie joins Education Through Music directly after teaching elementary music in NYC public and charter schools. She has two Masters from NYU, a Master of Arts in Music Education, and a Master of Music in Trumpet Performance. While at NYU, Stephanie taught as a private trumpet instructor for NYU undergraduates (non-music majors), tutored with America Reads, and worked as a digitization assistant in the archives department of the New York Philharmonic. Since graduating from NYU, Stephanie has pursued her Level I (Kodály) and II (Orff) Methodologies Certifications and used those skills as a Kodály Musicianship Instructor with the National Children's Choir. Stephanie also has a Bachelor of Arts in Music from Rollins College, where her primary instruments were voice and trumpet. While living in Orlando, Stephanie worked as a trumpet player at Walt Disney World and performed in local elementary schools in a show about positive character traits for Radio Disney. Thanks for listening. So much to learn! But wait... The holidays can be a particularly stressful time of year if you don't have a plan. Well have I got the solution for you!  Join my friend Lynn with  "Connect.Flow.Grow." in her launch of... Stress Less Holidays!  Through this LIVE Zoom webinar, Lynn will teach you how to evaluate your stress AND develop a plan to reduce it. This is an abbreviated version of her 21 Day Stress Less Challenge to give you the best tools in the shortest time frame! A less stressed holiday is PRICELESS - your investment of $17 per person or $2,500 flat rate per organization is the first step towards taking control of holiday stress.  Learn more about Stress Less Holidays and join by clicking on this link  Stress Less Holidays ...the link will take you to where you can find out more information and sign up… Time for You to Stress Less during the holidays...    Could you do me a favor? Please go to my website at https://www.stevenmiletto.com/reviews/ or open the podcast app that you are listening to me on and would you rate and review the podcast? That would be Awesome. Thanks!   Have you been wanting to tell your story on podcasts? Podcasts are a great way to grow your personal and business brand. Kitcaster specializes in developing real human connections through podcast appearances. If you are an expert in your field, have a unique story to share, or an interesting point of view-- it's time to explore the world of podcasting with Kitcaster. Go to https://kitcaster.com/tllk12 or go to my webpage at https://stevenmiletto.com/sponsors click on the Kitcaster logo to apply for a special offer for friends of Teaching Learning Leading K12.   Ready to start your own podcast? Podbean is an awesome host. I have been with them since 2013. Go to https://www.podbean.com/TLLK12 to get 1 month free of unlimited hosting for your new podcast.    Remember to take a look at NVTA (National Virtual Teacher Association) The NVTA Certification Process was created to establish a valid and reliable research-based teacher qualification training process for virtual teachers to enhance their teaching and develop their ongoing reflective skills to improve teaching capacity. NVTA is an affiliate sponsor of Teaching Learning Leading K12, by following the link above if you purchase a program, Teaching Learning Leading K12 will get a commission and you will help the show continue to grow.    Don't forget to go to my other affiliate sponsor Boone's Titanium Rings at www.boonerings.com. When you order a ring use my code - TLLK12 - at checkout to get 10% off and help the podcast get a commission.   Oh by the way, you can help support Teaching Learning Leading K12 by buying me a soft drink (actually making a donation to Teaching Learning Leading K12.) That would be awesome! You would be helping expand the show with equipment and other resources to keep the show moving upward. Just go to https://www.buymeacoffee.com/stevenmiletto Thanks! Have an awesome day! Connect and Learn More: https://etmonline.org/ http://www.facebook.com/etmonline  http://twitter.com/etmonline http://instagram.com/etmonline https://www.linkedin.com/company/etmonline/  https://www.youtube.com/user/etmonline Length - 56:20

"The Story of the Trumpet, In the Words of Those Who Play It." Catchy tag line, if I do say so myself. But the individual we're hearing from on the show today is someone who can literally tell the story of the trumpet - at least a good portion of it. David Hickman is founder and president of the acclaimed Summit Brass, a large all-star American brass ensemble dubbed by the press as the "Dream Team of Brass." Summit Brass has released 10 CDs, toured the world, and hosted the annual Rafael Mendez Brass Institute which has helped thousands of aspiring brass musicians. He served as president of the International Trumpet Guild from 1977 to 1979 and has presented numerous lectures, clinics, masterclasses, and concerts at major international conventions. His services are sought worldwide as a judge for prestigious solo and chamber music competitions. Mr. Hickman recently received the International Trumpet Guild's prestigious Award of Merit. In this conversation with David Hickman, you'll discover:-How the lone music teacher in a small Nebraska town helped David foster his love of music...01:23-"If you can teach a boy to blow a horn, he'll never blow a safe"...09:16-The moment David knew trumpet would be his life's work...11:42-Trumpet Performance or bust...16:36-Why rural Kansas was the best possible place to begin a music performance career...21:34-Recollections and anecdotes of Rafael Mendez...26:08-Healthy and unhealthy competition for musicians...30:05-The story of the 5-valve trumpet...in the words of he who plays it...38:13-Why 3-valve trumpets may soon be a relic of days gone by...46:43-And much more!Episode sponsor:https://jamesnewcombontrumpet.com (James Newcomb's "Chew the Fat" Newsletter): If you like this podcast, consider joining my exclusive daily email newsletter, where I share personal anecdotes, stories, occasional business tips and much more. It's free and all you have to do is register https://jamesnewcombontrumpet.com (here)! Credits:Trumpet Dynamics: The Story of the Trumpet, In the Words of Those Who Play It Host: James Newcomb Guest: https://hickmanmusiceditions.com (David Hickman) Opening music: "Folklore" by https://bigbigtrain.com (Big Big Train) Closing music: "Creepin' With Clark" written and performed by Mike Vax Audio editing by: James Newcomb Show notes prepared by: podcastartistry.com

We are so excited to have Dr. Brianne Borden, Visiting Assistant Professor of Trumpet at SUNY Potsdam, member of the Potsdam Brass Quintet, and co-owner and CEO of Yoga for All Musicians with us today! Dr. Borden lives her life with such purpose, and a passion for helping others while also staying true to herself. We hope you enjoy this conversation as much as we did. Go support and follow Dr. Borden on social media and check out Yoga for All Musicians. Dr. Brianne Borden: https://www.facebook.com/brianne.borden https://www.instagram.com/brianneborden/?hl=en https://www.instagram.com/yogaforallmusicians/?hl=en https://www.yogaforallmusicians.com/ Dr. Borden is an active clinician and soloist, having presented recitals and masterclasses at numerous universities and conferences around the country. These include Colburn Conservatory, Ithaca College, University of North Carolina Greensboro, University of Northern Arizona, the Hawaii Youth Symphony, the International Trumpet Guild Conference and the International Women's Brass Conference, among more. Dr. Borden has competed in the National Trumpet Competition as both a soloist and an ensemble member, as well as having coached students successfully into the semi-final rounds of the competition. Dr. Borden completed her doctoral studies in Trumpet Performance at Arizona State University, where, alongside her playing and appointment as Teaching Assistant, she researched heavily in the field of wellness for musicians and served as instructor for a weekly class titled Movement for Musicians. Dr. Borden is enthusiastic about performance as a tool for educational outreach and leadership. Evidence of this is shown in her participation as a founding member and serving as Personnel Director of the Phoenix Brass Collective and involvement in outreach programs such as the Aspen Music Festival and School with the Backcountry Brass Quintet. As an entrepreneur, Dr. Borden currently acts as co-owner and CEO of a virtual yoga studio, Yoga for All Musicians, catering specifically to the physical and emotional needs of musicians. She has published multiple articles and developed workshops on ways to incorporate wellness into a musician's lifestyle in order to counteract repetitive motion injuries, battle performance anxiety, and maintain a sustainable music career. Dr. Borden received her Master's degree in Trumpet Performance from the University of Colorado - Boulder where she taught as a Teaching Assistant as well as performed with the Graduate Brass Quintet. She is also a proud alumna of SUNY Potsdam where she received a Bachelor's degree in Trumpet Performance and her love of brass chamber music was established in the Frackenpohl Honors Brass Quintet. Her principal trumpet teachers include David Hickman, Dr. John Ellis, Terry Sawchuk, Justin Bartels, and Herb Smith.

Our sponsor: Houghton Hornswww.houghtonhorns.comNext Generation Trumpet Competitionwww.nextgenerationtrumpet.comNathan Hudson is a composer and educator currently living in Atlanta. His music has been called “…simple, yet cinematic” (Sybaritic Singer) and “Tonal-lyrical-primal-old/new-synthetic and partakes of a rhapsodical quality in new ways…” (Gapplegate Classical-Modern Music Review). As a curator, Nathan has collaborated with author Ben Loory, the saxophone quartet ~Nois and has also curated at MISE-EN_PLACE Bushwick to present cross-disciplinary concerts of new music. The recipient of several awards, prizes and residencies, he has had works performed at colleges across the country and at festivals such as the: Aspen Music Festival and School, Avaloch Music Institute, Sewanee Summer Music Festival, Orford Music Festival, Carlsbad Music Festival, Bang on a Can Summer Music Festival, Lancaster New Sounds, National Trumpet Competition, International Trumpet Guild Conference, International Clarinet Association National Conference, and the International Double Reed Society Conference, among others.Ensembles Nathan has worked with include ~Nois, F-Plus, Unheard-Of//Ensemble, Duo Cylindre, The Astralis Chamber Ensemble, The Zafa Collective, The Cavell Trio, Harmonie del Sur, Ritual Action and The Off-Broadway Trio. His music has been recorded by Unheard-Of//Ensemble and Duo Cylindre.Nathan is a co-founder, along with Ginevra Petrucci, and serves as the executive director for the Flauto d’Amore Project. The Flauto d’Amore Project is a long-term, large scale commissioning project involving the creation of a new repertoire for the flauto d'amore, an instrument that, in its modern form, is completely unknown.Nathan is the founder and director of the Forage & Flourish Contemporary Music Festival in Alpharetta, GA. Forage & Flourish is a week of concerts and student workshops focused on music written by living composers, and performed by internationally acclaimed facultyIn 2020 Nathan began the Next Generation Trumpet Competition. NGTC is a new music contest for trumpet featuring new works by established composers.He holds a BM in Trumpet Performance from the Schwob School of Music at Columbus State University, and MA in Composition from Stony Brook University and a PhD from Stony Brook University. His current and past teachers include Daniel Weymouth, Perry Goldstein, Matthew Barnson and Fred Cohen.Support the show (https://thatsnotspit.com/support/)

Our sponsor: Houghton Hornswww.houghtonhorns.comYoga For All Musicians!www.yogaforallmusicians.comDr. Brianne Borden is newly appointed Visiting Assistant Professor of Trumpet at the Crane School of Music at SUNY Potsdam and member of the Potsdam Brass Quintet. Brianne is an active clinician and soloist, having presented recitals and masterclasses at numerous universities and conferences around the country. These include Colburn Conservatory, Ithaca College, University of North Carolina Greensboro, University of Northern Arizona, the Hawaii Youth Symphony, the International Trumpet Guild Conference and the International Women’s Brass Conference, among more. Brianne has competed in the National Trumpet Competition as both a soloist and an ensemble member, as well as having coached students successfully into the semi-final rounds of the competition. Brianne completed her doctoral studies in Trumpet Performance at Arizona State University, where, alongside her playing and appointment as Teaching Assistant, she researched heavily in the field of wellness for musicians and served as instructor for a weekly class titled Movement for Musicians.  Brianne is enthusiastic about performance as a tool for educational outreach and leadership. Evidence of this is shown in her participation as a founding member and current Personnel Director of the Phoenix Brass Collective and involvement in outreach programs such as the Aspen Music Festival and School with the Backcountry Brass Quintet. She has published multiple articles and developed workshops on ways to incorporate wellness into a musician’s lifestyle in order to counteract repetitive motion injuries, battle performance anxiety, and maintain a sustainable music career. Brianne received her Master's Degree in Trumpet Performance from the University of Colorado - Boulder where she taught as  Teaching Assistant as well as performed with the Graduate Brass Quintet. She is also a proud alumna of SUNY Potsdam where she received a Bachelor's Degree in Trumpet Performance and her love of brass chamber music was established in the Frackenpohl Honors Brass Quintet. Her principal trumpet teachers include David Hickman, Dr. John Ellis, Terry Sawchuk, Justin Bartels, and Herb Smith. ​As an ERYT and YACEP certified yoga instructor, Brianne has been teaching yoga for seven years and actively leads teacher trainings in formats ranging from power, to yin, to yoga sculpt. She has held the position as Programming Manager through CorePower Yoga, where she also led trainings and taught weekly classes.​Brianne is proud to be an S.E. Shires artist.Support the show (https://thatsnotspit.com/support/)

In this episode I share a conversation with Anne Mileski on her music teacher journey. Anne Mileski is an elementary music specialist in Eastern Washington. She is certified in Orff-Schulwerk, Kodály, Smithsonian Folkways World Music Pedagogy, Music Learning Theory Elementary General Level I, and has completed coursework in Dalcroze Eurythmics. She is a regular clinician at local chapter workshops, state music conferences, and has presented at both the American Orff-Schulwerk Association and Organization of American Kodály Educators national conferences. In the summers, she has served as a pedagogy instructor for Kodály teacher education programs at both the American Kodály Institute at Loyola Maryland, and the Plano ISD/SMU Kodaly Certification Program in Dallas Texas. Anne holds a Bachelor of Music degree in Trumpet Performance from the University of Michigan where she studied with Bill Campbell and a Master of Music degree in Trumpet Performance from Southern Methodist University where she studied with Tom Booth of the Dallas Symphony. She has performed on trumpet with prestigious groups such as the Detroit Symphony Orchestra and the Dallas Wind Symphony. In addition to her applied music studies, Anne holds a Master of Music degree in Music Education from Southern Methodist University. Prior to relocating to the pacific northwest, she completed coursework toward a doctorate in music education at Indiana University, Jacobs School of Music. She served as an associate instructor for the music education department, both as a supervisor for student teachers and as a teaching assistant for choral and elementary music methods courses. Also while at IU, she conducted second and third grade singers in the IU Children's Choir. Anne currently serves as a conductor for the Spokane Area Youth Choruses, and founded the ABC early childhood program for young singers through SAYC. She presents regularly at local, state, and national workshops and conferences, on topics including purposeful movement and curricular sequencing in the elementary classroom. She is the founder of anacrusic.com and The Anacrusic Podcast, where she helps music teachers get more intentional with their teaching through trainings, custom curriculum, and weekly podcasts. Links and Resources: Follow Anne on Instagram AnneMileski.com

In this episode I share a conversation with Anne Mileski on her music teacher journey. Anne Mileski is an elementary music specialist in Eastern Washington. She is certified in Orff-Schulwerk, Kodály, Smithsonian Folkways World Music Pedagogy, Music Learning Theory Elementary General Level I, and has completed coursework in Dalcroze Eurythmics. She is a regular clinician at local chapter workshops, state music conferences, and has presented at both the American Orff-Schulwerk Association and Organization of American Kodály Educators national conferences. In the summers, she has served as a pedagogy instructor for Kodály teacher education programs at both the American Kodály Institute at Loyola Maryland, and the Plano ISD/SMU Kodaly Certification Program in Dallas Texas. Anne holds a Bachelor of Music degree in Trumpet Performance from the University of Michigan where she studied with Bill Campbell and a Master of Music degree in Trumpet Performance from Southern Methodist University where she studied with Tom Booth of the Dallas Symphony. She has performed on trumpet with prestigious groups such as the Detroit Symphony Orchestra and the Dallas Wind Symphony. In addition to her applied music studies, Anne holds a Master of Music degree in Music Education from Southern Methodist University. Prior to relocating to the pacific northwest, she completed coursework toward a doctorate in music education at Indiana University, Jacobs School of Music. She served as an associate instructor for the music education department, both as a supervisor for student teachers and as a teaching assistant for choral and elementary music methods courses. Also while at IU, she conducted second and third grade singers in the IU Children’s Choir. Anne currently serves as a conductor for the Spokane Area Youth Choruses, and founded the ABC early childhood program for young singers through SAYC. She presents regularly at local, state, and national workshops and conferences, on topics including purposeful movement and curricular sequencing in the elementary classroom. She is the founder of anacrusic.com and The Anacrusic Podcast, where she helps music teachers get more intentional with their teaching through trainings, custom curriculum, and weekly podcasts. Links and Resources: Follow Anne on Instagram AnneMileski.com --- Support this podcast: https://anchor.fm/thatmusicpodcast/support

In this episode, we speak with composer, arranger, and trumpet player Brandon Dicks. Brandon is currently pursuing a doctorate in Trumpet Performance at Arizona State University, but he caught my attention with his impressive videography skills on his Youtube channel. Brandon arranges just about any type of music for trumpet ensemble—for example, he has arrangements of Vivaldi, Mozart, Super Mario, Zelda, Jurassic Park, etc—and then performs all of the parts separately before editing it all together into the final product. Especially during these COVID-19 pandemic times, having the skills to make music online is a huge advantage. So we asked him how he got so good at making videos and what tips he had for other people wanting to experiment with making music online. And since he's also a performer and educator, we also talked more generally about life as a performer and different teaching philosophies. Definitely check out Brandon's links below, and enjoy the episode! Timestamps:coming soon! Links:https://bdicksmusic.com/ (Brandon's website) https://www.youtube.com/user/BDMusic15/ (Brandon's Youtube Channel) Social Media: https://www.instagram.com/bdicksmusic (Instagram) and https://www.facebook.com/Bdicksmusic/ (Facebook) https://www.trumpetmtc.org/ (Trumpeter's Multi-Track Competition and Seminar) Support Us:You can always support us by leaving a rating or review in your podcasting app. You can also share our episodes with friends on social media. But it does take a lot of time to put together a podcast, maintain a website, and write new content every week. So if you would like to support us in a more substantial way, consider making a donation through the PayPal buttons on our website: https://exploringkodawari.blog/donation/ (https://exploringkodawari.blog/donation/) Follow Us:https://exploringkodawari.blog/ (Our Website/Blog) https://exploringkodawari.blog/newsletter/ (Newsletter) Twitter: https://twitter.com/EKodawari (@EKodawari) Instagram: https://www.instagram.com/exploringkodawari/ (@exploringkodawari) Facebook: https://www.facebook.com/ExploringKodawari/ (facebook.com/ExploringKodawari) Support this podcast

Our guest today is Aleyna Ashenfarb. She finished her (B.M. Music Education and Trumpet Performance at Ithaca College and has studied abroad in Vienna, Austria through the IES Abroad Music History and Performance Program one summer. She has taken trumpet lessons with Rudolf Amon, a member of the Vienna State Opera Orchestra. We sat down with Aleyna to discuss her playlist and test her knowledge of trumpet orchestral excerpts. To hear her picks, here is a Spotify Playlist: https://open.spotify.com/playlist/70uZA55svPJsFvOgfHX2bG --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicspeaks-podcast/support

Today, we have Jessica Jensen and Paul Dietrich on the podcast. Topics of discussion include: music transcending language, music deriving meaning through empathy, importance of music education, and cross-cultural music performances. The two musical pieces in this episode: “The Fool” is the 3rd movement of a larger work called Major Arcana. In 2012, V3NTO Brass Trio, commissioned Chicago composer Joe Clark to write this piece for the group. The tarot card inspired Major Arcana is an exploration of the intertwining forces of human nature. Each card of the tarot deck contains a pictogram representing an archetypical character. The Major Arcana are the twenty-two trump cards of the tarot deck. The Fool is the first card in the deck and represents man's creative impulse, naivety, and desire to explore. The word "fool" derives from the Latin word meaning "windbag", making brass a perfect medium for this work. “Perennial”: This is the first part of a four-part suite called “Forward” that was part of a grant to write music that was about Wisconsin in some way. “Perennial” was written while thinking about how you can leave a place (like your hometown) for years at a time, but when you come back it will often feel very familiar. Paul, a composer, trumpet player and educator based in the Midwest, has been the leader of the Paul Dietrich Quintet since 2012 and the Paul Dietrich Jazz Ensemble since 2016. The Chicago-based Quintet has released two albums: Focus (2017, ears&eyes) and We Always Get There (2014, Blujazz). The Paul Dietrich Jazz Ensemble's 2019 album Forward features guest artist & world-renowned drummer Clarence Penn (Dave Douglas, Maria Schneider) alongside many of the Midwest's best jazz musicians, including Greg Ward, Russ Johnson, Dustin Laurenzi, Matt Gold, & Andy Baker. Paul has twice been the recipient of the Greater Madison Jazz Consortium's Artistic Development Grant. In 2017, he wrote the four-part suite “Forward,” inspired by the sights and sounds of his home state, which became the core of his 2019 album of the same name. In 2020, Paul received a grant to write and perform a project for a nine-piece ensemble including a string quartet which will debut in 2020 or 2021, depending on the public health situation. Paul holds a Bachelor's degree in trumpet and jazz studies from Lawrence University (2010) and a Master's degree in Jazz Studies from DePaul University (2012). While at DePaul, Dietrich wrote several pieces that were performed by the DePaul University Jazz Ensemble, including an arrangement of Phil Woods' “Pairing Off,” which was recorded on the Jazzed Media release Right to Swing (2013) and featured Woods and the composer. Of this recording, All About Jazz called it “the sizzler of the disc, with a pronounced performance by the trumpeter.” Jessica began playing trumpet at the age of 10 in her hometown of Hortonville, WI. She went on to earn her Bachelor's degree from the nearby Lawrence University in Appleton & later completed her Master's and Doctorate in Trumpet Performance from UW-Madison. While at Madison, she was a member of UW's faculty-ensemble-in-residence, the Wisconsin Brass Quintet. Currently, Jessica instructs a private studio of area music students and is a member of V3NTO, an award-winning, Chicago-based brass trio in addition to other various regional ensembles. Outside her musical activities, she enjoys spending time with her fellow trumpet-playing husband & their overly-enthusiastic golden retriever. You can find us on our website, Instagram, Twitter, or Facebook. --- Support this podcast: https://anchor.fm/unconventionaldyad/support

For this episode, I bring you a powerful conversation with world-renowned Alexander Technique teacher Lori Schiff. As Lori shares on her website, the Alexander Technique “is a method for living better through your own mindfulness in action.”  It can help you gain confidence and reduce pain, tension and fatigue. It allows you to connect with yourself to nourish presence and mobility and, from there, leads to performing better in all areas of your life. Lori expands on: How Alexander Technique affected her life and her journey Who the Alexander Technique is for What the Alexander Technique is: a method for living that teaches us to pay attention and choose our reactions to stimuli How the Alexander Technique encourages the connection with our self – our wholeness – and the development of conscious control (mind body connector) How the Alexander Technique is a means to more freedom, for the whole person and their whole life How it can help in class and in lessons, in the practice room, and on stage This is an information and inspiration packed episode and I know you will appreciate Lori's knowledge and wisdom and lover her energy as much as I did!   MORE ABOUT LORI SCHIFF: Website: http://lorischiff.com/ Ms. Schiff is a full-time professor of The Alexander Technique at The Juilliard School and a guest teaching artist for various schools and organizations nationally and internationally. She has been a faculty member of The Juilliard School since 1991 and was in residence at The Aspen Music Festival and School from 1993 - 2015. Ms. Schiff joined The Riverside Initiative for The Alexander Technique as Associate Director and Senior Teacher for Teacher Training in 2018. Ms. Schiff was Certified as a Teacher of the Alexander Technique at ACAT-New York in 1987. She continued with years of postgraduate training with Walter and Dilys Carrington at the Constructive Teaching Centre in London. She is a graduate of the Northwestern University School of Music in Trumpet Performance and has her Masters in Music from Manhattan School of Music. She served as the Alexander Technique Teacher for the Metropolitan Opera Lindemann Young Artists Development Program, and at the 92nd Street Y in New York City. She also served on the senior faculty of the American Center for the Alexander Technique's Teacher Certification Program. Institutions where she has been a guest teaching artist include: The New World Symphony, The U.S. Military Academy Band at West Point, The U.S. Army Field Band and U.S. Army Soldier's Chorus, The San Diego Symphony, ToneBank International Music Festival, National Youth Orchestra of China, University of Maryland Opera Studio, and The Internationale Meistersinger Akademie in Neumarkt, Germany. She has presented Master Classes at institutions including The Metropolitan Opera, Opera America, West Point Military Academy, Fort Meade, The Academy (ACJW) at Carnegie Hall, Manhattan School of Music, Maryland Classic Youth Orchestras, The National Orchestral Institute, The Baltimore Symphony Youth Orchestra and The New York Youth Symphony, Theater Aspen, MorseLife Senior Residences, and Holland and Knight, LLP. In 2013, she assisted in organizing and taught the Alexander Technique for actress and playwright, Anna Deavere Smith's Acting and Empathy course in San Francisco. She returned to San Francisco in 2014 to work with Ms. Smith's course, Personal Narratives: Global Identities. Ms. Schiff is a recognized senior teacher of the Alexander Technique by the American Society for the Alexander Technique and has presented master classes at the AmSAT Annual Meetings in San Francisco, Ann Arbor, Las Vegas, New York City, Boston, and Minneapolis. She was a guest lecturer on Teaching the Alexander Technique in schools of music for The International Congress for the Alexander Technique in Lugano, Switzerland. Ms. Schiff served on the Board of Directors of the Aspen Music Festival and School as Chair of the Music Committee for nine years and was President and Chairman of the Board of The American Center for the Alexander Technique for five years. More recently, she completed two years on the Board of Directors of The American Society for the Alexander Technique. Ms. Schiff has a private Alexander Technique practice in NYC. She is the founding director of Flight Feather Productions, LLC, an organization for creating and supporting uplifting educational experiences for corporate and artistic communities. With composer Lance Horne, she is the Co-Director of Creativity Lab, a program for inspiring community and collaboration through collective creativity. As a committed recreational runner, she has completed four marathons, several half marathons, and countless 10ks, 5 Milers, 4 Milers, and 5ks.   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing! If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

Ashley Killam is a multi-faceted trumpet player, educator, drill designer, entrepreneur, and public speaker. Ashley works as the General Manager for Rising Tide music publishing, the Chamber Music Database Coordinator for the Institute for Composer Diversity, and has spent her post-graduate school years presenting her lecture series, Fanfare for the Unheard, to high schools and colleges across the country. She holds an M.M. in Trumpet Performance from the University of New Mexico and a B.M.E from the University of Illinois at Urbana-Champaign. Ashley currently resides in Radford, Virginia with her husband and corgi puppy, Biscuit. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicspeaks-podcast/support

In todays episode, Nolan sits down with friend and fellow trumpet player, Mary Maule. Mary is currently pursuing her Masters in Trumpet Performance at the University of North Texas. She received her bachelors degree from West Chester University of Pennsylvania in Music Education and last year was selected to attend The National Trumpet Competition in both the solo and ensemble division. Mary can be found on instagram at "marymauletrumpet". Support the show here and get bonus content as well as extra episodes of the podcast! Support the show (https://www.patreon.com/themusicstudentpodcast)

In this episode, we were joined by our good friend and accomplished composer Nathan Hudson. He holds a BM in Trumpet Performance from the Schwob School of Music at Columbus State University, an MA in Composition from Stony Brook University, and a PhD also from Stony Brook University (read his full bio https://www.nathanhudsonmusic.com/bio (here)). We talked about what it means to major in music composition, and how a composer goes about finding their voice. We also talked about the creative process—where do ideas come from—and how he develops those ideas into full compositions. And since Nathan is also knowledgable about the worlds of specialty coffee and craft beer, we also talked about the art of those two worlds, and what it means to pursue the ideal. Linkshttps://www.nathanhudsonmusic.com/ (Nathan's Website) https://www.amazon.com/dp/B00BS03TPO/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 (God in a Cup: The Obsessive Quest for the Perfect Coffee) https://en.wikipedia.org/wiki/Comedian_(artwork) (Maurizio Cattelan's Comedian (aka banana taped to wall))  Support UsYou can always support us by leaving a rating or review in your podcasting app. You can also share our episodes with friends on social media. But it does take a lot of time to put together a podcast, maintain a website, and write new content every week. So if you would like to support us in a more substantial way, consider making a donation through the Paypal buttons on our website: https://exploringkodawari.blog/donation/ (https://exploringkodawari.blog/donation/) Follow Ushttps://exploringkodawari.blog/ (Our Website/Blog) https://exploringkodawari.blog/newsletter/ (Newsletter) Twitter: https://twitter.com/EKodawari (@EKodawari) Instagram: https://www.instagram.com/exploringkodawari/ (@exploringkodawari) Facebook: https://www.facebook.com/ExploringKodawari/ (facebook.com/ExploringKodawari) Support this podcast

In this episode, Michael Harper and I discuss a lip injury he sustained during his college education, and what his road back to healthy playing looked like.Michael Harper joined the Jacksonville Symphony in January 2018 as 2nd trumpet. He has performed as a substitute musician with the Sydney Symphony, Cleveland Orchestra, St. Louis Symphony, Atlanta Baroque Orchestra (on baroque trumpet), New World Symphony, and Chicago Civic Orchestra. Mr. Harper has spent his summers as a member of the Tanglewood, Verbier, Lucerne, Aspen, NOI, AIMS, Chosen Vale, and Interlochen music festivals. He performed the Arutunian Trumpet Concerto with the Cleveland Institute of Music Orchestra under the baton of Maestro Jahja Ling in April 2016, having won the school’s concerto competition the fall prior. He won first prize in the 2016 Tuesday Musical Scholarship Competition brass division and second prize in the 2017 Edith Knox Performance Competition. In March 2010, Michael was featured on NPR’s From The Top with his trumpet trio, the only such ensemble to ever perform on the show.Mr. Harper earned his Bachelor of Music in Trumpet Performance and in Music Theory at Northwestern University’s Bienen School of Music, studying with Charles Geyer, Barbara Butler, Christopher Martin, and Robert Sullivan. He earned his Master of Music at the Cleveland Institute of Music (CIM), studying with Michael Sachs and Michael Miller. While studying at CIM, Mr. Harper also developed a strong interest and earned certificates in Eurhythmics Pedagogy and Early Music Performance; he began playing the baroque trumpet and performed in the Case Western Reserve University baroque orchestra and chamber groups. He earned a Professional Studies Certificate at the Colburn Conservatory of Music, studying with Jim Wilt. Michael was born in Annapolis, Maryland, and began his musical studies on the bugle at the age of eight, studying with his father. Support the show (https://thatsnotspit.com/support/)

Michael's website - www.playwritemusic.comMichael's Instagram - www.instagram.com/playwritemusicMichael Martin, born August 9, 1985 in Marietta, Georgia, became the youngest member of the Boston Symphony Orchestra and the Boston Pops as Third/Utility trumpet in July 2010, at the age of 24. Michael attended Northwestern University where he received both his Bachelor's and Master's degrees in Trumpet Performance studying with Barbara Butler and Charles Geyer. Prior to joining the Boston Symphony, Michael performed with a diverse array of professional orchestras, ensembles and performing artists including the Civic Orchestra of Chicago; the Atlanta, Baltimore, Boston, and Chicago symphonies; the Axiom Brass; the Pacifica Quartet; “eighth blackbird”; and Sufjan Stevens. With the Boston Symphony, Michael can be heard on several upcoming albums with Music Director Andris Nelsons, including the GRAMMY-winning album, "Under Stalin's Shadow", releasing later this year.Michael has long been devoted to both performing and creating music at the highest artistic level and has become an extremely sought-after musician in both disciplines, forging a unique niche within the world of professional music. After completing his studies at Northwestern University, Michael was invited to study doctoral-level orchestration at the University of Chicago with renowned conductor and composer, Cliff Colnot. Michael has collaborated with and been commissioned by members of the Atlanta, Boston, and Chicago Symphonies; the Boston Pops; the Los Angeles and New York Philharmonics; the Chicago Chamber Musicians; the Northshore Concert Band; the University of Houston Symphony Orchestra; Northwestern University’s Symphonic Wind Ensemble; as well as numerous high school concert band programs around the country including Avon HS (IN), Clear Creek HS (TX), Flower Mound HS (TX), Kell HS (GA), Kennesaw Mountain HS (GA), and North Hardin HS (TN). Michael is also the Brass Arranger for the seven-time DCI World Champion Cavaliers Drum & Bugle Corps of Rosemont, Illinois.Support the show (https://thatsnotspit.com/support/)

I'm so excited about today's episode where Anne Mileski talks about how you can be a more purposeful, sequential, and joyful music teacher. Anne Mileski is an elementary music specialist in Eastern Washington. She has taught elementary general music in both public and private school settings, and piloted an early childhood program for the Spokane Area Youth Choruses. She is certified in Orff-Schulwerk, Kodály Pedagogy, Smithsonian Folkways World Music Pedagogy, Music Learning Theory Elementary General Level I, and has completed coursework in Dalcroze Eurythmics. She is a regular clinician at local chapter workshops, state music conferences, and has presented at both the American Orff-Schulwerk Association and Organization of American Kodály Educators national conferences. In the summers, she serves as a pedagogy instructor for Kodály teacher education programs. Anne holds a Bachelor of Music degree in Trumpet Performance from the University of Michigan where she studied with Bill Campbell and a Master of Music degree in Trumpet Performance from Southern Methodist University where she studied with Tom Booth of the Dallas Symphony. She has performed on trumpet with prestigious groups such as the Detroit Symphony Orchestra and the Dallas Wind Symphony. In addition to her applied music studies, Anne holds a Master of Music degree in Music Education from Southern Methodist University. Prior to relocating to the pacific northwest, she completed coursework toward a doctorate in music education at Indiana University, Jacobs School of Music. She served as an associate instructor for the music education department, both as a supervisor for student teachers and as a teaching assistant for choral and elementary music methods courses. Also while at IU, she conducted second and third grade singers in the IU Children's Choir. Currently, Anne serves as the director of the early childhood program for the Spokane Area Youth Choruses. She is the founder of The Anacrusic Podcast and Anacrusic.com, where she works to inspire other music teachers to be more intentional with their teaching through purposeful, sequential, and joyful resources. She created her signature program, The Sequencing Solution, to help other teachers discover the plug + play formula for intentional music teaching. You can follow and connect with Anne here: Instagram: instagram.com/annemileski Facebook: facebook.com/anacrusic FREE Podcast Community: facebook.com/groups/TAPinsiders/ Subscribe to the FREE Anacrusic Newsletter: anacrusic.com/newsletter Join the waitlist for The Sequencing Solution: anacrusic.com/tss I'd love for you to leave a rating and a review of the podcast on I-tunes, be sure to share the podcast with any music teacher friends who would find it helpful and be sure to tag me on Instagram or Facebook.

In this episode, Jena Vangjel tells me the story of how she was forced to take a month off of practicing the trumpet because she had to have her thyroid removed. Jena and I dig down deep to find out what lessons she learned from taking so much time off, and what we all can learn from her.Jena Vangjel, a native of Kansas City, Missouri, is a freelance trumpeter in Baton Rouge and the surrounding area. She has performed with the New World Symphony, the Alabama Symphony, the Charleston Symphony, the Louisiana Philharmonic, and the Los Angeles Philharmonic Orchestra, among others. She is incredibly passionate about how music can create community, and works extensively with Street Symphony—a Los Angeles-based non-profit that brings high-level classical performances to the city’s most underserved citizens. Vangjel is a founding member of the Los Angeles Brass Quintet and is a member of the internationally acclaimed Fountain City Brass Band. She holds a Master of Music degree in Trumpet Performance from The Colburn School in Los Angeles, CA, and a Bachelor of Music degree from the University of Missouri-Kansas City Conservatory. Support the show (https://thatsnotspit.com/support/)

What is pedagogy?  How do we look at sequencing?  And what musical approaches? We'll talk about all of this plus you'll find out about The Sequencing Solution.  Today's guest is Anne Mileski and she shares with us about #allthethings. Anne Mileski is an elementary music specialist in Eastern Washington.  She has taught elementary general music in both public and private school settings.  She is certified in Orff-Schulwerk, Kodály Pedagogy, Smithsonian Folkways World Music Pedagogy, Music Learning Theory Elementary General Level I, and has completed coursework in Dalcroze Eurythmics.  Anne earned her Bachelor of Music degree in Trumpet Performance from the University of Michigan and a Master of Music degree in Trumpet Performance and Master of Music in Music Education from Southern Methodist University. She is the founder of Anacrusic and the host of the Anacrusic podcast.    Anne's Links: Anacrusic - https://www.anacrusic.com The Sequencing Solution - https://www.anacrusic.com/tss Instagram - @annemileski   Afternoon Ti Links: Blog - https://afternoonti.blogspot.com Instagram - @highafternoonti   Intro/Outro Music Our Big Adventure by Scott Holmes www.scottholmesmusic.com

Rayan & Hind are the only Trumpet Performance graduates from the National Music Conservatory in Amman-Jordan, they have a long experience in Orchestra Performance and they both are Wind Band Conductors in Jordan. Also they are BFFs since school.

Erika completed her Masters in Music in 2018 (Trumpet Performance) and is now a Law Student at the University of Victoria. She speaks about her experiences and research in the music program and her major career transition.

Our special guest this episode is Greg Wing. Greg serves as Professor of Trumpet at Morehead State University, holds a Master of Music degree in Trumpet Performance from the School of Music at Indiana University and a Bachelor of Music Education degree from Morehead State University. He performs with the Horizon Brass Quintet and Faculty Jazz Septet. In addition, Professor Wing has served as an Assistant Instructor of Trumpet at Indiana University under Professor William Adam and an Instructor of Trumpet for the Nevada School of the Arts in Las Vegas, Nevada. Classical performances are numerous and include engagements with Andrea Bocelli, Luciano Pavarotti, the Las Vegas Philharmonic Orchestra, the Nevada Wind Ensemble, the Lexington Brass Band and the Lexington Philharmonic. Professor Wing is a member of the DiMartino/Osland Jazz Orchestra, "DOJO". He has been a studio musician for Westwind Musical Productions of Upland, California since 1988 and has recorded numerous commercial productions and convention soundtracks including both the 2001, 2002 and 2003 National Homebuilders Association shows featuring Lee Greenwood and Winter Olympic themes. Professor Wing is recognized as one of the nations leading trumpet artists having served as Lead Trumpet with the Buddy Rich Big Band, Paul Anka, and four years with Tom Jones. In addition, he has played Lead Trumpet for the Caesar's Palace, Las Vegas Hilton, Flamingo Hilton, and Stardust Hotels' house orchestras. Professor Wing has played for virtually every major entertainer in the world including Frank Sinatra, Sammy Davis, Jr., Johnny Mathis, Tony Bennett, and Natalie Cole. Professor Wing has also had a long association with the Conn-Selmer Corporation as an Artist/Clinician for Vincent Bach Trumpets. The show notes for this episode can be found at www.bobreeves.com/55.

Joshua Gailey is a PhD candidate in musicology at Yale University and his dissertation focuses on the factors that influenced the development of the school band movement during the Progressive Era. The fact that this episode falls on the birthday of John Philip Sousa is a happy coincidence! Topics: The institutionalization and standardization of the concert band in the early years of the 20th Century as part of the larger social reform movements of the era. The “Golden Age” of the wind band during the 19th Century and how it performed European music, particularly the high art that hadn’t come to America yet. The founding of NAfME and the early goals of music education during the Progressive Era. Early marching bands and the role of marching in the early development of school bands and the development of standardization through early band competitions sponsored by the MSNC. The role of instrument manufactures in the development of the school band and the reality behind the myth of Harold Hill. The historical background of gender bias band music. Links: Joshua Gailey Ingolf Dahl: Music for Brass Instruments Alfred Reed: Armenian Dances Suite David Maslanka: A Child’s Garden of Dreams Making the March King by Patrick Warfield Women’s Bands in America: Performing Music and Gender edited by Jill Sullivan The Society for American Music Biography: Joshua Gailey is a PhD candidate in Music History at Yale University, where he is writing a dissertation that examines how the public school wind band was used as a tool for enacting progressive-era social reforms in the United States and charts the emergence of the American school band industry in the first decades of the twentieth century. Joshua hails from Port Angeles, WA, and he graduated from the University of Washington with bachelor’s degrees in Music History, Trumpet Performance, and Italian Studies. While at the UW, Joshua performed with the UW Wind Ensemble, the UW Symphony Orchestra, and the Seattle Chamber Brass Quintet, as well as with numerous other local orchestras. His teachers at the UW included David Gordon, Justin Emerich, and Allen Vizzutti.

In this episode I am joined by trumpeter Amy Cherry. Amy is currently the secretary of the International Women's Brass Conference (IWBC) and joins me to talk about that organization, tell her story, and offer some advice from her own career as a performer and teacher. Topics: Amy’s background and early years as a musician including being steered towards playing the flute even though she wanted to play the trumpet and how growing up in Fairfax County Virginia gave her great musical experiences. We get in a weeds with a bit of conversation about the trumpet, including some teaching tips and thoughts about the potential impact of regional dialects when learning to articulate. The International Women’s Brass Conference (IWBC), its history and mission, and the current programs offered by the organization. The Penny Turner competition for young female brass students. Links: Balaton Brass IWBC Aaron Copland: Lincoln Portrait Hindemith: Symphony in B-flat Michael Kallstrom: Changing Times and Colors Biography: Amy K. Cherry holds a B.M. in Trumpet Performance from the University of Illinois and an M.M. and D.M.A. in Trumpet Performance from the University of Cincinnati College-Conservatory of Music. She recently relocated from North Carolina where she served as Assistant Professor of Music at Western Carolina University. She has previously held the position of Instructor of Trumpet at Morehead State University, Wright State University and East Tennessee State University. Amy served as Associate Principal Trumpet of the Hofer Symphoniker in Hof, Germany for a six-week appointment. During her years in North Carolina she was Principal Trumpet with the Asheville Lyric Opera, Assistant Principal Trumpet with the Spartanburg Philharmonic, and Third Trumpet with the Asheville Symphony Orchestra. She has served as principal trumpet of the Kingsport Symphony and Johnson City Symphony Orchestras in Tennessee and performed with groups such as the Cincinnati Opera, the Dayton Philharmonic Orchestra, the Dayton Opera, the Lexington Philharmonic, the Winston-Salem Symphony, the Flat Rock Playhouse, Mannheim Steamroller, the Monarch Brass Ensemble, the Athena Brass Band, and the Summit Brass Ensemble. Amy is an active chamber musician interested in reaching new audiences and expanding the repertoire for brass instruments. To achieve those goals she founded the Balaton Chamber Brass in 2010 with her husband, trombonist Dan Cherry.

Texas composer Carol Brittin Chambers talks about writing marching band shows and the twists and turns of her fascinating musical career. Topics: Carol's background as a trumpet player and pianist Teaching good fundamentals and skills and teaching in Texas Moving from being a full time band director to a full time composer Writing marching shows Carol's concert band music and her creative process Links: Aspenwood Music Texas Lutheran University Carl Fischer Grainger: Lincolnshire Posy Copland: Appalachian Spring Valley Concert Band Biography: Carol Brittin Chambers is currently on the music faculty at Texas Lutheran University. She lives in San Antonio, Texas, where she is the owner and composer of Aspenwood Music. She also maintains an active performance schedule, including appearances with the Mid-Texas and San Antonio Symphonies. Chambers is commissioned each year to compose and arrange works for concert band, marching band, and various other ensembles. She has arranged and orchestrated marching shows for numerous high school bands across the country, as well as The Crossmen Drum Corps. Her concert works are published under Carl Fischer, RBC, and Aspenwood Music. Before coming to TLU, Chambers taught middle school and high school band for many years in the North East Independent School District, San Antonio, TX. She also taught private lessons in NEISD. Chambers received a Master of Music in Trumpet Performance from Northwestern University and a Bachelor of Music Education from Texas Tech University. She studied under Vincent Cichowicz, John Paynter, Arnold Jacobs, James Sudduth, and Will Streider. 

When the student is ready, the Teacher will appear-A conversation with Dr. Keith Winking Keith Winking is a professor at Texas State University, where he teaches trumpet, directs the Texas State Jazz Orchestra, and is a member of the SouthWest BrassWorks. Dr. Winking received his undergraduate degree in Music Education from Quincy University, his M.M. in Trumpet Performance from Texas State, and his D.M.A. in Trumpet Performance from the University of Texas at Austin. His teachers have included Raymond Crisara, Vince Cichowicz, Leon Rapier and Don "Jake" Jacoby. He has served as a visiting lecturer to scores of universities and conservatories, including the Crane School of Music and the Moscow and St. Petersburg Conservatories.  Dr. Winking has presented solo and ensemble concerts and clinics throughout the United States, Canada, Chile, Sweden, Japan, Switzerland and Russia. He is a freelance trumpet player, performing with many local and national groups, including the Austin Symphony, the Austin Jazz Orchestra, James Brown, the Manhattan Transfer, and the Austin Sinfonietta. He has extensive recording experience and has recorded national jingles for McDonalds and American Express. He has also taped numerous TV shows, including PBS's "Lonesome Pines," TNN's "Texas Connection," PBS's "Austin City Limits" and a taping for the BBC entitled "Rhythms of the World." He has presented papers at the International Trumpet and New York Brass Conferences and also published articles in The International Trumpet Guild Journal and the International Jazz Educators Journal. Dr. Winking is voting member of the National Association of the Recording Arts and Sciences (Grammy's) and a clinician for the Selmer Company. Email: kw09@txstate.edu   Dr. Winking Studio website

Episode 48: Audiate! A Conversation with Dr. Eric Swisher Before his appointment to Murray State University in 2003, Dr. Eric Swisher worked as freelance musician in Oklahoma, Indiana, California, and Texas performing with: the Dallas Wind Symphony, the Dallas Opera Orchestra, the Fort Worth Symphony Orchestra, the Irving Symphony, the Evansville Philharmonic, the Paducah Symphony (KY) and the Jackson Symphony (TN). He holds a Bachelors degree in Music Education from the University of Oklahoma, a Masters degree in Trumpet Performance from Indiana University and a Doctorate in Trumpet Performance from the University of North Texas. His primary trumpet instructors were Dr. Jacob Larson, Louis Ranger, Edmund Cord and Keith Johnson. As a soloist, he performed the Suite in D-Major by G.F. Handel with the Timberline Symphony Orchestra (CO), Haydn's Concerto for Trumpet in E-flat with the San Jose Wind Symphony and the Concerto for Trumpet in A-flat by Alexander Arutiunian at the International Trumpet Seminar (Truro, UK). Additionally, he as performed solo recitals and masterclasses throughout the United States. He has many publications to his credit: a trumpet method, Basic Skills for Developing Trumpeters, several arrangements for trumpet ensemble and brass ensemble, and many articles in the Bluegrass Music News,Tempo!, the National Association of Wind and Percussion Instructors Journal and the International Trumpet Guild Journal.  His former students have continued their trumpet studies at some of this country's finest music programs: Indiana University, the University of North Texas, the Aspen Music Festival, the San Francisco Conservatory, and Yale University. Others have entered the field of music education, working in highly successful programs. Under his direction, the Murray State Trumpet Ensemble performed at the 2006 International Trumpet Guild Conference and placed 6th at the 2007 National Trumpet Competition. 

Episode 44: Practicing What You Preach - A conversation with Jim Johnson Dr. Jim Johnson grew up in the suburbs of Pittsburgh, Pennsylvania. Before joining the faculty at Kansas State University, he earned his D.M. in Trumpet Performance from The Florida State University under the guidance of Dr. Christopher Moore, his M.M. in Trumpet Performance from Kansas State University with Dr. Gary Mortenson and his B.S. in Music Education from the Indiana University of Pennsylvania under Dr. Kevin Eisensmith. As an active performer, Dr. Johnson currently serves as the Principal Trumpet of the Salina Symphony Orchestra in Salina, Kansas and performs with the Kansas State University Faculty Brass Quintet.  He has performed with the Tallahassee Symphony Orchestra (Tallahassee, FL), Albany Symphony Orchestra (Albany, GA), and Sinfonia Gulf Coast Symphony Orchestra (Destin, FL). Dr. Johnson is also an accomplished arranger as well, having his music performed at the National Trumpet Competition, the Kansas Music Educators Association All-State Conference, and at the Haus Marteau Brass Chamber Workshop in Lichtenberg, Germany  

Episode 40: The Trumpet Repertoire Project with Dr. J. Peyden Shelton http://www.peydenshelton.com http://www.peydenshelton.com/trumpet-repertoire-project.html   A current resident of the greater Washington D.C. and Baltimore area, Dr. J. Peyden Shelton has gained a rapidly growing reputation as an active clinician and performer throughout the United States and Canada.  Dr. Shelton has served on the faculties of both the University of Rochester and Cornell University as an Instructor of Trumpet.  In these positions, he recruited and maintained two studios of both undergraduate and graduate students.  He also served as chamber ensemble coach for numerous student ensembles.  While pursuing his doctorate in Trumpet Performance and Literature at the Eastman School of Music, Peyden served as the head teaching assistant for the Eastman School's trumpet studio under Professors James Thompson and Douglas Prosser.  Before going to the Eastman School of Music, Peyden attended the University of Miami's Frost School of Music as a Mancini Fellow and teaching assistant for Craig Morris.  While working toward his Masters in Music, Peyden served as the principal classical trumpet for the Henry Mancini Orchestra.  There, Peyden has recorded and played with many musicians including The Beach Boys, Lou Gramm of The Foreigners, and Gloria Gaynor.   Peyden is also featured on Pharrell Williams' track entitled,"I Am Other."   In addition to his performances with the Mancini Orchestra, Peyden also served as a substitute and utility trumpet with the New World Symphony under the guidance of maestros Michael Tilson Thomas and Esa-Pekka Salonen. In March of 2014, Peyden was awarded 1st place in the Graduate Solo Division at the National Trumpet Competition in Harrisburg, Pennsylvania.   Since that time, Peyden has been featured as a soloist with several ensembles throughout the East Coast.   His most recent performances include Alexandra Pakhmutova's Concerto for Trumpet, Duke Ellington's Concerto for Cootie, Bruce Broughton's Excursions for Trumpet and Band, as well as Donald Hunsberger's famous arrangement for Wynton Marsalis of J.B. Arban's Fantasie Brillante.   Peyden has performed as a soloist with a wide variety of ensembles including The Winds of the Blue Ridge, Southwest Virginia's premiere wind band, Cornell University's Symphonic Wind Ensemble, and the Reston Symphony Orchestra.   He has been featured as soloist in chamber music settings including the Eastman School's Tuba Miram, and the Eastman Brass Guild.  Along with having an extensive performance background, Peyden holds a Bachelors of the Arts with a focus in Music Education from Virginia Tech in Blacksburg, Virginia.   He has given numerous clinics and masterclass for both secondary school students, as well as numerous collegiate masterclasses throughout the United States.   His clinics focus on strengthening basic fundamentals while finding ways to develop each player's own sound.  In his current positions with Symphony Number One, The Washington Chamber Orchestra, and principal trumpet of the Hunt Valley Symphony Orchestra, Peyden helps to promote both traditional performance repertoire, as well as new works for solo and chamber ensembles.  He is strongly committed to furthering the growth of his own instrument's repertoire and is currently commissioning works that showcase the trumpet in a solo setting that may function not only as art music, but also serve to provide key pedagogical elements to younger performers. 

Episode 31: "First, Be a Musician" a conversation with Dr. J. Peyden Shelton A current resident of the greater Washington D.C. and Baltimore area, Dr. J. Peyden Shelton has gained a rapidly growing reputation as an active clinician and performer throughout the United States and Canada.  Dr. Shelton has served on the faculties at both the University of Rochester and Cornell University as an Instructor of Trumpet.  In these positions he recruited and maintained two studios of both undergraduate and graduate students.  He also served as chamber ensemble coach for numerous student ensembles.  While pursuing his doctorate in Trumpet Performance and Literature at the Eastman School of Music, Peyden served as the head teaching assistant for the Eastman School's trumpet studio under Professors James Thompson and Douglas Prosser.  In March of 2014, Peyden was awarded 1st place in the Graduate Solo Division at the National Trumpet Competition in Harrisburg, Pennsylvania.   Since that time, Peyden has been featured as a soloist with several ensembles throughout the East Coast.   His most recent performances include Alexandra Pakhmutova's Concerto for Trumpet, Duke Ellington's Concerto for Cootie, Bruce Broughton's Excursions for Trumpet and Band, as well as Donald Hunsberger's famous arrangement for Wynton Marsalis of J.B. Arban's Fantasie Brillante.   Peyden has performed as a soloist with a wide variety of ensembles including The Winds of the Blue Ridge, Southwest Virginia's premiere wind band, Cornell University's Symphonic Wind Ensemble, and the Reston Symphony Orchestra.   He has been featured as soloist in chamber music settings including the Eastman School's Tuba Miram, and the Eastman Brass Guild. 

James Newcomb is a passionate musician and specifically a trumpet player who loves sharing music with people who would normally not have heard it. He started Musica Missio, where he partners with churches and schools to share famous trumpet music with his audience.  He is alsohost of the podcast, Outside the Music Box where he celebrates musical creativity and innovation. He calls music ‘a calling to create human interaction that leads to a better world'.Contact InfoPodcast: OutsideTheMusicbox.comemail: newjam76@me.comMost Influential PersonTim Conkling, Trumpet PlayerEffect on EmotionsJust remember, whether you're feeling good or you're feeling bad, tomorrow you're going to feel different. "This Too Shall Pass" is an important phrase to remember. This is balancing emotionally.Thoughts on BreathingUses a series of breathing exercises to help play the trumpet more successfully.Suggested ResourcesBook: The Music Lesson by Victor WootenAdvice for Newbie There are no overnight successes. It's a marathon, not a sprint. Just remember that whatever you're going through right now, is going to pass, whether good or bad. Slow and steady wins the race.