POPULARITY
5 episodes with Hello Again
3 episodes with Hello Again
4 episodes with Hello Again
4 episodes with Hello Again
4 episodes with Hello Again
3 episodes with Hello Again
2 episodes with Hello Again
3 episodes with Hello Again
2 episodes with Hello Again
Hello Again! Oh, I forgot to mention that starting this week we'll be uploading twice a week!
In the world of human complexity, laughter and wisdom intertwine unexpectedly. Buckle up! The moment you've all been waiting for is finally here. Recorded live from the Biltmore Cabaret in Vancouver, the boys sit down with the legendary Dr. Gabor Maté for a live recording that's nothing short of a rollercoaster of emotions and insights. Dr. Gabor Maté, a maestro of emotions and connections, joins the fellas for a journey through the complexities of human development, focusing on the crucial elements of authenticity and attachment. The gang explores the delicate dance between staying true to oneself and forging strong connections with others, and how this tango impacts our mental and physical well-being. Dr. Maté then unveils his latest endeavour, 'Hello Again', a project aimed at mending and enriching the bonds between parents and their adult offspring. He navigates through the choppy waters of managing expectations and the paradoxical power of embracing disappointment to deepen relationships. The chat takes a profound turn as they delve into contemplations on death, the afterlife, and the art of fully embracing life in the face of mortality. And just when you think it can't get any more personal, the gang hits Dr. Maté with a volley of cheeky, rapid-fire questions, revealing a side of him you've never seen before – if you have ever wondered what Dr. Maté's favourite emoji is, then you've come to the right place! Want to watch the video version of this special episode? Head on over to YouTube to catch all of the fun! https://www.youtube.com/channel/UCstejCbe9-zvG7nXgf-jwbg Join the post-episode conversation over on Discord! https://discord.gg/expeUDN
In the world of human complexity, laughter and wisdom intertwine unexpectedly. Buckle up! The moment you've all been waiting for is finally here. Recorded live from the Biltmore Cabaret in Vancouver, the boys sit down with the legendary Dr. Gabor Maté for a live recording that's nothing short of a rollercoaster of emotions and insights. Dr. Gabor Maté, a maestro of emotions and connections, joins the fellas for a journey through the complexities of human development, focusing on the crucial elements of authenticity and attachment. The gang explores the delicate dance between staying true to oneself and forging strong connections with others, and how this tango impacts our mental and physical well-being. Dr. Maté then unveils his latest endeavour, 'Hello Again', a project aimed at mending and enriching the bonds between parents and their adult offspring. He navigates through the choppy waters of managing expectations and the paradoxical power of embracing disappointment to deepen relationships. The chat takes a profound turn as they delve into contemplations on death, the afterlife, and the art of fully embracing life in the face of mortality. And just when you think it can't get any more personal, the gang hits Dr. Maté with a volley of cheeky, rapid-fire questions, revealing a side of him you've never seen before – if you have ever wondered what Dr. Maté's favourite emoji is, then you've come to the right place! Want to watch the video version of this special episode? Head on over to YouTube to catch all of the fun! https://www.youtube.com/channel/UCstejCbe9-zvG7nXgf-jwbg Join the post-episode conversation over on Discord! https://discord.gg/expeUDN
If you invite comedian and podcast host Tig Notaro over for dinner, don't be offended if she brings her own homemade spice mix. Catch Tig out on the road on her “Hello Again” stand-up tour, find tickets and information here: https://tignation.com/#tour. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello Again to our faithful and intrepid listeners! In this episode of the podcast, we venture into the Land of Meh. Tonight's deep dive we profile two of the most underrated games of the 5200 library. Super Breakout and Kaboom! by Activision. And when you start digging, you always find a bit of a surprise. And these games might have a little magic to them after all. As always, we add the usual bit of mischief and jackassery that you've come to expect from the gang. (Quick Note: Capt. Bob's sound quality is a bit off. The bandwidth at the hotel wasn't the best.) You've played the Best. Now play the Rest! On tonights episode of The Atari 5200 Podcast!
Hello AGAIN! We are back with another episode just in time for your next mental breakdown. In this episode, we talk about the "horror" movie that Stacy thinks is the best thing she's ever watched and if you think Stacy will be watching it again we guarantee She Will! See what we did there? Anyway, the movie is called She Will and is all about tits and witches. We aren't going to name who it stars because honestly, our time is valuable. Wanna know what we think of this movie? Listen to the end to find out! Follow us on Instagram @meangirlsinterrupted for info on upcoming shows Watch Us: Mean Girls, Interrupted on Youtube Email Us: meangirlsinterrupted@gmail.com Visit: meangirlsinterrupted.com for all this stuff in one place!
Hello Again! Da ist das große Spanien Interview... irgendwie. Außerdem reden wir über Rap Lines, Bassismus, Machismus und nen Videodreh. Sehr gutes Bier eigentlich... CERVEZA! ❤️ ZU WEM GHEERSCHN DU? - 10.11 ❤️ Zwei Journalist:innen labern sich einen ab bei n paar Bier! Laury wohnt in Madrid und Mai in Hannover, die beiden machen Musik, Kunst, und Unsinn. Dieser Podcast hat kein Konzept. Aber wird bestimmt witzig! Mit classic Kategorien wie: Rant der Woche, Stabile Sieben (RATENZAHLUNG), Musikempfehlungen und gelegentlichen Trinkspielen wird der Samstag zum Samstag. Biertag. Prost!
This week, we are talking all about the witchy goodness that is Hello Again. First, we pick that animal that would be our sidekick in an animated film. Then we break down why we both adored this film and that sometimes bad things need to happen to see others' true colors.
How much does Paul love Public Enemy? What's an unusual use for Canadian Tire money? Who can actually name all 7 "Narnia" books? These are just a few of the questions we answer on the latest "Talk Spooky"! Our musical guest on this episode is "Hello Again" by the Revenants, from the album, "Memorial Day", now available on streaming platforms everywhere Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy
Listen to the full story: https://audiodesires.com/story/hello-again ❤️
Hello Again! This is so fun to be with you every day this week!!!! Remember, it is my Birthday week and I am going to give away 4- ½ hour coaching calls because it is the last year that my age will start with a 4!!!!!! I help women simplify areas of their life they are struggling with…..it might be motherhood, saving money, decluttering, cooking from scratch, or homesteading so you can reduce overwhelm. I like to keep everything simple and I love helping others do the same. All you have to do to enter the giveaway is give a rating and review and send me an email at monica@claimingsimplicity.com and I will announce the winners on the August 28th podcast!!!!!!! I have mentioned before how being off of a schedule and living out of a box for a few months has put a major damper on our healthy eating and boy can we tell in so many different areas from gut health, mood and the way we felt to weight gain! We went from eating most things homemade and from scratch and always having sourdough and fresh whole foods available with a garden to eating convenience foods from the store we normally don't eat! After a few months of my teenagers eating the food they thought they wanted to eat because many of their friends eat that way - like hot pockets and anything they could make quickly in the airfryer -it wasn't long and they were telling me they are sick of those foods! Something I never thought I would hear from them! I mentioned last week we finally got our kitchen table in our house and the night before we fed our sourdough (which by the way, we hadn't fed in 3 months) and made 4 sourdough pizza crusts, flat bread, and bagels and they were so delicious!!!!!! Do you know how many things you can make with just starter, flour and water? I think we forgot how good real food tastes-I can't imagine going a lifetime without it! I have a roast, potatoes and carrots in the crockpot ready for tomorrow along with some sourdough bread and rhubarb crisp and that has been a meal we haven't had for a while either-yum! So simple, so healthy, and so good! Something else that is important to eating healthy is only buying foods you can eat before they go bad. I was just buying groceries here and there without a plan and that not only cost extra money, but many times the food went bad before we got to it. I heard a statistic that I thought was outrageous that we waste up to 60% of our food! WHAT?? That is crazy. I love that our chickens and pigs can use any waste and my worms get some of that as well! Last week, I unpacked my magnetic weekly plan that goes right on the fridge for everyone to see and we won't have extra food in the fridge this week because I have a plan and will only buy the few ingredients we need. I plan my meals around what food is on hand as I look into the fridge on Sunday and plan for the week with the food we need to use up which saves on food going to waste and saves money! It is so much cheaper to make your own yogurt and granola and that is something that is so easy and much tasier! There are so many items like this you can make yourself that are simple to make, healthier, and will save you money! Find yourself a good routine with healthy foods-I am back to eating bacon, eggs in the morning along with my apple cider vinegar since I need to make some more kombucha, and I feel so much better already and am gaining my energy back again. I also need to add my adrenal cocktails back into my routine because my adrenal glands get depleted very fast and that just helps with my high energy levels, so if you haven't tried that, let me know and I can send you my recipe! If you want to have more energy and less overwhelm, I suggest you start making some of your food from scratch with trusted ingredients because food affects all areas of your body and you need to be aware of what you are putting in it! Remember too that simple meals can be healthy meals! Ok, that is all I have today, but I look forward to being with you tomorrow for my birthday!!!!!!! If you haven't already, give a rating and review on apple podcasts and send me an email letting me know you did that and I will enter you in the drawing for 4 FREE ½ hour coaching calls to help you simplify your life! It only takes 30 seconds, but that free ½ call could change your life! Talk to ya tomorrow! Website: Claimingsimplicity.com Join our Community of Christian Moms -> https://www.facebook.com/groups/claimingsimplicity/ Email -> monica@claimingsimplicity.com Instagram -> https://www.instagram.com/claimingsimplicity/ You Tube -> https://www.youtube.com/@claimingsimplicity/
“For anybody that's struggling or does not believe in themselves, you just have to keep going because one day it will happen and it will be the most glorious thing of your whole lives. So, never stop. Never stop.” – Marla Mindelle It's BroadwayCon 2023! This special episode is filmed live in front of a BroadwayCon audience. We had such an amazing turn out and I already cannot wait until next year. This panel was loaded with incredible insight so let's get into it. In this episode we discuss… Why it's so important being a multi-hyphenate today. Creating Titanique Off Broadway Having a better relationship with money Bonding two seemingly contrasting hyphens but understand they meld perfectly Failure Workflow & more Rachel Wright Rachel Wright, MA, LMFT (she/her) is a distinguished psychotherapist and renowned speaker with expertise in modern relationships, mental health, and sex. Master's Degree in clinical psychology. Podcast: The Wright Conversations - A Podcast About Sex, Relationships, & Mental Health. Rachel created the virtual workshop series What You Wish You Learned in School: Sex Ed and co-produced and hosted a show at Green Room 42 in NYC called “One Night Stand: A Night for Sexier & Healthier Broadway.” Previously SHAPE Magazine's Sex + Relationships Coach and is currently one of mindbodygreen's article review experts. Featured in numerous media outlets, including The New York Times, PIX 11 (NYC), Women's Health (online and print), Cosmopolitan (online and print) and NBC News Radio, among others. Al Silber Al Silber is an actress, singer, writer and educator. She has performed roles on Broadway, in London's West End, on television and film, and concert stages. In London, she created the role of Laura Fairlie in The Woman in White, played Hodel in Fiddler on the Roof and Julie Jordan in Carousel. In New York, she appeared in Hello Again, Master Class, created the role of Sara Jane in Arlington and as Tzeitel in the Broadway revival of Fiddler on the Roof.Her novels After Anatevka and White Hot Grief Parade were both published by Pegasus Books in 2018. L Morgan Lee L Morgan Lee (she/her) is a Tony Award® nominated actress and storyteller known for her history-making turn in A Strange Loop on Broadway. In London, she was seen playing famed artist Lili Elbe in a musical adaptation of The Danish Girl currently in development. Other work includes well over a decade of Off-Broadway, Regional, International/National concerts and tours. In the studio, L Morgan was the voice of Ornate Williams in Sugar Maple w. Fred Savage (Osiris Media) and can be found on Joe Iconis' album (Ghostlight Records), The Rainbow Lullaby Album (Broadway Records), and more. @lmorganlee | lmorganlee.com Marla Mindelle Marla Mindelle is an actress, writer and composer. 2023 Lucille Lortel Award for Best Performer in a musical for her portrayal of Céline Dion in the hit Off-Broadway musical, Titanique. As a co-writer, Titanique also won the Lucille Lortel for Best Off-Broadway Musical. She has received an Outer Circle Critics Nomination for her portrayal of Sister Mary Robert in the original cast of Sister Act on Broadway. Other Broadway: Stepsister Gabrielle in Cinderella, South Pacific (Broadway) and The Drowsy Chaperone (Kitty, First National Tour). TV: Special on Netflix. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to what Tony, Emmy and Grammy Award-winner Rachel Bay Jones has to say to Beltline to Broadway about seeing her first Broadway show, leaving the business, and returning triumphantly. Rachel Bay Jones will be performing a concert at Theatre Raleigh on July 7. For more information visit the Theatre Raleigh website.About the GuestRachel Bay Jones is best known for originating the role of ‘Heidi Hansen' in the Original Broadway Cast of Dear Evan Hansen, and received a Tony Award, Emmy Award, Grammy Award, Lucille Lortel Award, and a Drama League nod for her performance.An actress acclaimed for her versatile ability to bring life to comedic, dramatic and character roles, she has garnered praise for her performances in Diane Paulus' Tony Award Winning Revivals of Pippin and Hair, went on for Patti Lupone in the Original Broadway production of Women on the Verge of a Nervous Breakdown, wowed New York audiences in the critically acclaimed productions of Michael John LaChiusa's First Daughter Suite and Hello Again, and received rave reviews for her performance as ‘Diana' in The Kennedy Center's revival production of Next to Normal, directed by Michael Grief. She can be seen on television in major on CBS' “Young Sheldon,” “The United States of Al,” ABC's “The Good Doctor,” Amazon's “Panic,” “Why Women Kill” on Paramount+, ABC's “Modern Family” & CBS' “God Friended Me.” On Film she starred in “Ben Is Back,” opposite Julia Roberts, and in “Critical Thinking,” directed by and opposite John Leguizamo.Connect with Beltline to BroadwayFacebook/TikTok/Instagram @beltlinetobroadway
Was Glee sexy? Is Newman more than salad dressing? Can Audra McDonald do pop? Find out as the Biddies take a Backstage peek at Hello Again!
In „Mrs. Harris und ein Kleid von Dior“ hat eine englische Kriegswitwe einen Traum. Die Liebeskomödie „Hello Again — Ein Tag für immer“ zeigt eine Hochzeit in Dauerschleife. Und die Doku „Rüstungsboom — Bomben, Panzer und Probleme“ untersucht den aktuellen Aufschwung in der deutschen Rüstungsindustrie. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-mrs-harris-und-ein-kleid-von-dior-hello-again-ein-tag-fuer-immer-ruestungsboom
In „Mrs. Harris und ein Kleid von Dior“ hat eine englische Kriegswitwe einen Traum. Die Liebeskomödie „Hello Again — Ein Tag für immer“ zeigt eine Hochzeit in Dauerschleife. Und die Doku „Rüstungsboom — Bomben, Panzer und Probleme“ untersucht den aktuellen Aufschwung in der deutschen Rüstungsindustrie. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-mrs-harris-und-ein-kleid-von-dior-hello-again-ein-tag-fuer-immer-ruestungsboom
Hello Again, as we're back with our last regular episode of the season, on A Beautiful Noise! But this won't be a Song Sung Blue, so crack open some Red Red Wine and Play Me, as we talk through the latest entry in the list of bio jukebox musicals. -- Despite poor reviews from the critics, this show has been able to do quite well in the grosses, as you can see for yourself. We both loved the Bohemian Rhapsody movie, written by the same book writer as A Beautiful Noise. If you've managed to never have seen Shrek, this is how Christine was first introduced to I'm a Believer. Two of our favorite actors in this season's shows, Robyn Hurder and Clyde Alves, are actually married in real life! Crunchy Granola Suite was such a revelation that it was also used in the Bob Fosse-choreographed revue Dancin'. And you can compare that to the award-winning choreography by Steven Hoggett, as performed on the Macy's Thanksgiving Parade. Turns out, the Dodgers leaving Brooklyn really did have a profound impact on Neil Diamond. -- Music featured in this episode: A Beautiful Noise, The Neil Diamond Musical (Original Broadway Cast Recording) Apple Music / Spotify / Amazon Music — Follow us on Twitter and Instagram @BottomlessBway, our blog at https://bottomlessbway.home.blog/, or email us at bottomlessbway@gmail.com! You can also leave feedback in this 30-second survey.
This podcast episode features an interview with Daniel Mate, co-author of New York Times Bestseller -- The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture. Daniel is a composer, lyricist, and accomplished playwright known for his work in musical theater. Daniel is also the creator of the Mental Chiropractic method. Daniel discusses his musical journey, his unique approach to addressing challenges through mental chiropractic, and his insights into parent-child relationships. The episode offers valuable insights for listeners interested in mental health, music composition, and understanding parent-adult child relationship dynamics.Daniel Mate shares his experiences and insights into his mental chiropractic process, a unique approach that helps individuals overcome their stuckness. He explains that mental chiropractic involves setting intentions, identifying and challenging perspectives that block those intentions, and gaining new perspectives and choices. Through several examples, Daniel demonstrates the transformative power of mental chiropractic in helping individuals align with their intentions and break free from limitations.Daniel discusses his recent project, "Hello Again," which explores parent/adult-child relationships. The conversation delves into the complexities of adult parent-child relationships – an area that has been ignored in parenting literature, emphasizing the formative influence parents have on their children and the impact it has on individuals. Daniel explores the inherent structural imbalances in these relationships and highlights the need to examine one's childhood and past experiences to understand how they shape the present.Overall, this podcast episode provides a wide-ranging conversation with Daniel Mate, covering his musical career, his unique approach to addressing challenges through mental chiropractic, and his exploration of parent-child relationships. The episode offers valuable insights for listeners interested in creative music composition, mental health, and understanding the complexities of family dynamics.0.00 - Daniel Mate on speaking.3:32 - Disillusionment.16:53 - The power of collaboration in musical theater.22:15 - What does alignment mean to you?29:34 - What does mental chiropractic mean?34:54 - Memorable conversations on walks.50:43 - The relationship between the adult child and parent is unique.55:26 - Writing the Myth of Normal with his dad.1:00:34 - Triggers from an Adult Child
Hello Again and welcome back to Been Drinkin' Been Watchin' On todays episode we talk about the classic that started most peoples fear of the ocean, JAWS! Being the Chief of Police seemed like a breezy job for the summer for Chief Brody, until fear and terror makes it way closer to the shore. With the help of scollorly Hooper and unhinged Captain Quint, Chief Brody must hunt down and kill a monster shark as it terrorizes a small ocean town. Jaws stars Roy Scheider Richard Dreyfus, and Robert Shaw. Directed by Steven Spielberg Enjoy y'all!
Hello Again friends & builders, It's been a while since I launched this podcast and a lot has happened since this internet journey in my personal life and in the world at large. I'm rebranding the podcast to Build with Joy and have since launched my business and life coaching working quietly behind the scenes. In this episode, I give a recap of what you can expect moving forward... it's gonna be MESSY AF but we're moving forward. As well as a reframe about what LIFE you want to live and how to start looking at your work in a way that aligns with your work and values towards the LIFE you want. I'd love to hear your thoughts and on social media so tag me. And sign up for my FREE LIVE MINDFUL AF PRODUCTIVITY WORKSHOP here https://learn.buildwithjoy.co/workshop If you're looking for a life & business coach that puts you and your brain first to partner with you on your journey book a complimentary no strings attached 30-minute coaching call here https://calendly.com/buildwithjoy/coaching-call-30 And follow along on my journey to build with joy on social media Instagram: @Buildwithjoy.co Twitter : @buildwithjoy and subscribe to my weekly newsletter for a fresh perspective and pick me up Buildwithjoy.substack.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/buildwithjoy/message
Carrie and Patty founded Hello Again vaginal suppositories in 2019, after extensive research and development of a product to address the experience of menopause. Since then Hello Again has created additional products to help women of all ages feel like themselves again. Hello Again currently has four product lines: Hello Again Everyday, Hello Again Sleep, Hello Again Period and Hello Again Hangover. Laurel Mintz, founder and CEO of award-winning marketing agency Elevate My Brand, explores some of the most exciting new and growing brands in Los Angeles and the US at large. Each week, the Elevate Your Brand podcast features an entrepreneurial special guest to discuss the past, present, and future of their brand.
This is the Q&A session—Part 2– from our recent LIVE event. You can listen to Part 1 in epsiode 361. We hosted our first post-pandemic LIVE event. It was also our first podcast event. We recorded the show in front of a live audience. The topic of the evening was the Complicated Parent-Adult Child Relationship. My guest for the live podcast was Daniel Maté. He has appeared on the podcast before in episode 338: Healing Childhood Trauma in Adulthood. He is an award-winning lyricist, musical theater composer, a mental chiropractor and podcaster. With Dr. Gabor Maté, Daniel is the co-author of The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture. The father-son pair have collaborated on the Hello Again workshop since 2016, leading programs in Vancouver, Toronto & New York; a book version is currently in progress. MENTIONED IN THIS EPISODE Daniel's website Follow him on Instagram Let's Get Lyrical with Carice and Daniel podcast Take a Walk with Daniel Hello Again workshop The Myth of Nomral book by Gabor Maté MD and Daniel Maté SUPPORT THE SHOW, SHOW YOUR LOVE Become a patron on Patreon.com and join exisiting memebers who contribute towards our monthly goal of $500. Make a one-time donation in any amount to say “Thank you!” Rate or write a review FULL SHOW NOTES www.authenticparenting.com/podcast HOW TO WORK WITH ANNA I would be thrilled to support you in your parenting journey! All listeners get 10% off on my services. Private Coaching Online courses and classes GET IN TOUCH Comments, questions, feedback, and love notes USA listeners call 732-763-2576 and leave a voicemail. International listeners use the FREE Speak Pipe tool on my website Email: info@authenticparenting.com STAY CONNECTED Instagram Facebook Group-Authentic Parenting Community Thank you for listening! With gratitude, Anna Seewald Parent Educator, Keynote Speaker, Author www.authenticparenting.com
Listen to This Episode If…You are spiritual entrepreneur who feels they don't know exactly who their gifts should be serving. Learn how clear boundaries and intentions allow you to see who it is you don't serve. Staying in integrity attracts clients that align with what you are passionate about and are able to offer them.What You‘ll Learn in this Episode…How nuance doesn't exist in the world around us, but lives within in us and in our perceptions of the worldLearning that we can walk the line of creating offerings that are accessible yet aren't stripped of their essence or magic in the processThe importance of falling in love with clarity. Getting really clear on what you can and can't offer attracts the right clients and keeps your work sustainable for youHow there are many roads to spirituality. The end goal of being healed or enlightened should not be held in higher reverence than the the pathway you travel to get thereResources:Myth of Normal by Gabor Maté with Daniel MatéAudio version voiced by Daniel MatéYour Speakers:Kat Lee is an Intimacy + Relationship Coach, host of The Empowered Curiosity Podcast and Creator of The Heart Lab. She guides pattern-breakers to alchemize their emotions and embody their healing journey to cultivate intimacy as a spiritual practice. Kat Lee's Website // Instagram//YoutubeDaniel Maté is an award-winning musical theatre songwriter, educator, and the world's only "mental chiropractor". He holds an MFA in Musical Theatre Writing from Tisch/NYU. Daniel's original musicals include The Trouble With Doug, Middle School Mysteries, Hansel & Gretl & Heidi and & Günter, and The Longing and the Short of It. Works in development include The Sweet Hereafter, an adaptation of Russell Banks's acclaimed novel. He is also an acclaimed voice performer, a two-time Audie Award nominee, and winner of the Earphones Award for his narration of Gabor Maté's In The Realm of Hungry Ghosts. He is also the voice of the New York Times best-selling The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture, on which he served as co-author with his father.With his father, Daniel has co-led workshops on parent-adult child relationships since 2016, to be reprised this Fall in New York and Vancouver. A book and podcast, both titled Hello Again, are also in progress.Daniel's Website // InstagramThis podcast is made possible with sound production by Andre Lagace.Original music by Mayan Kites
We hosted our first post-pandemic LIVE event. It was also our first podcast event. We recorded the show in front of a live audience. The topic of the evening was the Complicated Parent-Adult Child Relationship. My guest for the live podcast was Danniel Mate. He has appeared on the podcast before in episode 338: Healing Childhood Trauma in Adulthood. He is an award-winning lyricist, musical theater composer, a mental chiropractor and podcaster. With Dr. Gabor Maté, Daniel is the co-author of The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture. The father-son pair have collaborated on the Hello Again workshop since 2016, leading programs in Vancouver, Toronto & New York; a book version is currently in progress. Daniel also runs the world's only "mental chiropractic" service, Take A Walk With Daniel, and is the co-host of the podcast Let's Get Lyrical with Carice and Daniel. MENTIONED IN THIS EPISODE Daniel's website Follow him on Instagram Let's Get Lyrical with Carice and Daniel podcast Take a Walk with Daniel Hello Again workshop The Myth of Nomral book by Gabor Maté MD and Daniel Maté SUPPORT THE SHOW, SHOW YOUR LOVE Become a patron on Patreon.com and join exisiting memebers who contribute towards our monthly goal of $500. Make a one-time donation in any amount to say “Thank you!” Rate or write a review FULL SHOW NOTES www.authenticparenting.com/podcast HOW TO WORK WITH ANNA I would be thrilled to support you in your parenting journey! All listeners get 10% off on my services. Private Coaching Online courses and classes GET IN TOUCH Comments, questions, feedback, and love notes USA listeners call 732-763-2576 and leave a voicemail. International listeners use the FREE Speak Pipe tool on my website Email: info@authenticparenting.com STAY CONNECTED Instagram Facebook Group-Authentic Parenting Community Thank you for listening! With gratitude, Anna Seewald Parent Educator, Keynote Speaker, Author www.authenticparenting.com
Like all good plans, Cary Mapes & Patty Pappas hatched their idea for a cannabis-powered vaginal suppository in a dispensary and they haven't looked back! Hello Again is a product that combines the healing power of cannabis with specific botanicals to provide relief from the physical, cognitive, and emotional challenges of womanhood. It's their first product ever, and they had no prior connections with cannabis or vaginal suppositories, yet they forge ahead fearlessly because they are truly changing lives! You'll love their story.P.s. I've tried their PERIOD product and IT'S FABULOUS! Review in the episode! Find, follow, and support Cary & Patty!!@helloagainproducts www.helloagainproducts.comHair: Craig Cobb of The Foundry SalonMUA: The Foundry SalonEpisode filmed in New Braunfels via Zoom. Feminized with Liz Grow is produced by Grow House Media, Patrick Pope & Tanis Ray, with original theme music and sound mixing by Q da King Productions in New Braunfels, Texas. VISIT OUR NEW WEBSITE for all the links and brand spanking new BLOG!!! WWW.FEMINIZEDPODCAST.COMPLEASE SUBSCRIBE & FOLLOW if THE SPIRIT MOVES YOUApple https://podcasts.apple.com/us/podcast/feminized-with-liz-grow/id1598642379 Grateful for your iTunes rating, it helps other listeners find us! YOUTUBE: Feminized Podcast → Please subscribe, we're going to start uploading bonus conversations, clips, and projects and it helps others find usInstagram: https://www.instagram.com/feminizedwithlizgrow/I'd love your feedback, please don't be shy. If you have ideas for trips, wish to sponsor, or have general feedback that will help us do better, please email liz@growhousemedia.co (not .com)
Ep 107: Coming out of Winter and HELLO AGAIN! (Recorded mid-March 2023) It's so exciting to see the new beekeeping season on the horizon....even if I had horrid overall winter survival due to things I failed do last season. I'll talk about late winter colony issues and care, how NOT to have a winter like I had, how to get the most out of bee mentors and your bee guild, and other random bee chat to start up the podcast for the year. The splits book will be delayed -- I'd hoped to have it ready for you by now! -- but I'll be sharing the pieces in progress with the Patrons here as well as sharing other tips and bonus content here every week. This podcast continues to be listener-powered so remains free of adverts and sponsorship messages. Thank you Patrons!! -- Please become a Friend of Five Apple on Patreon and join the folks who make the podcasts possible! In addition to huge gratitude, you get: • BONUS podcasts and early access episodes • Access to Patreon blog posts including tips and videos • Special Q&A posts to ask me questions about YOUR bees • Input on the podcast topics • Shout-outs on the show because I appreciate you! If you can support the show with $3 a month or more, please sign up today: https://www.patreon.com/fiveapple -- About Beekeeping at Five Apple Farm: Leigh keeps bees in the Blue Ridge Mountains of North Carolina. She cares for around a dozen-ish hives in a rural Appalachian forest climate. Colonies are managed for bee health with active selection for vigor, genetic diversity and disease resistance, but without chemical treatments thus far. The apiary is self-sustaining (not needing to buy/catch replacement bees since 2010) and produces honey and nucs most every year.
We were delighted to have Jody Reynard back to speak with him one on one! If you are a frequent listener, you may remember that Jody was on with his husband, David Bushman. This week we speak with Jody about his long Broadway career, highlights and lots of stories. You don't want to miss this one!JODY REYNARD has been dancing non-stop for almost 30 years!! He has taught musical theatre/Broadway dance master classes at dance studios and educational institutions around the country. He attended the Cobb Center Excellence for in the Performing Arts outside of Atlanta, GA and graduated with a dance major. He then earned a BA in Theatre with Music minor from Kennesaw State University (where he also helped to establish the first dance ensemble, Wings) all while performing with The Atlanta Shakespeare Tavern, The Atlanta Opera and Georgia Ballet. From there, his regional theatre career began with dancing roles in the Radio City Christmas Spectacular, On the Twentieth Century at the Goodspeed Opera House in East Haddam, CT and Mame at the Papermill Playhouse in Millburn, NJ. Soon thereafter he caught the eye of the late Ann Reinking at an open audition and made his Broadway debut in Fosse, dancing featured specialties such as “From the Edge,” “Rich Man's Frug,” and the “Take Off with Us” adage. Other credits include the Broadway companies of Summer: The Donna Summer Musical, Legally Blonde, Taboo, Saturday Night Fever and the national touring companies of Camelot, Kiss Me Kate, My Fair Lady, Memphis and Chicago. Jody has also worked as a “Rosie Boy” dancing behind Emmy Award winning Rosie O'Donnell on Rosie Live! and on The Oprah Winfrey Show in the “Farewell Spectacular” episode. Jody worked as a dance captain and/or assistant for Broadway choreographers Denis Jones, Josh Prince, & Alex Sanchez and international theatre choreographer, Darren Lee. He can also be seen dancing behind six-time Tony Award winner, Audra McDonald, in the movie musical, Hello Again! Some of his favorite roles include Darren in Take Me Out, Paul in Kiss Me Kate, Happiness in Thoughts of a Colored Man, Ken in Smokey Joe's Café, featured dancer with the NY Philharmonic, Omaha Symphony & South Dakota Symphony Orchestras AND substitute instructor of jazz & tap at Wagner College in Staten Island, NY. Jody is also a proud Core Company Member of Quick Silver Theatre Company.Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com
Hello Again, this Week Q & Harry Welcome You Back to Another Exciting Episode of the We Important Podcast. In this Week's Episode the Boys are Joined by, Fashion and Textile Designer, Malcom Dakar. During his Sit Down Malcom Takes Us Through What it's Like to Naturally Come into Your Passions, How Integral Support is to Success, and Why he Finds it so Important to Buy Black. Malcom Dakar is Nothing Short of an Eclectic and Wildly Innovative, Designer and Gentleman. Within this Episode Malcom Can be Quoted Saying, he Believes he, "Can Do Anything he Sets his Mind to". Malcom Dakar is Simply Furthered Proof that Cleveland, Ohio is Littered With Creative "Diamonds in the Rough" and it was an Absolute Pleasure to Catch up with him in Such Rare Form. Of Course We Wish Malcom Continued Excellence and We Hope You All Enjoy! As Always, Stay Important! Intro: Original Music by Henry Hawke Outro: Psychic City (Classixx Remix) by YACHT
Corbin Bernsen comes from an entertainment family. His late mother Jeanne Cooper, had been on the long running soap The Young and Restless for 35 years. A graduate of UCLA where he earned a Bachelor's degree in Theater and a Master's degree in Playwriting, he most recently starred as Kyle Nevin on the FOX series The Resident. He was first catapulted to stardom during the 1980s by the hit NBC TV series, L.A. Law. Twice, he was nominated for both an Emmy® Award and a Golden Globe Award® for his performance as Arnie Becker on the show that virtually created the ensemble drama as we know today. Along the way he hosted Saturday Night Live, and guest starred on Seinfeld and Star Trek and starred as Henry Spencer on USA Network's hit original series PSYCH. In the feature film arena, he starred in the comedy Hello Again, followed by other critically acclaimed roles in Disorganized Crime, Wolfgang Peterson's Shattered, The Great White Hype, and as the Cleveland Indians' third baseman-turned- owner Roger Dorn in the extremely popular Major League series of films. Other film credits include Lay the Favorite with Bruce Willis and The Big Year with Steve Martin, Jack Black and Owen Wilson. He also appeared with Robert Downey Jr. and Val Kilmer in Kiss Kiss Bang Bang. He joins JT to discuss more on himself and his works.
#834 - Michael John LaChiusa The Michael John LaChiusa Interview is featured on The Paul Leslie Hour. Are you here? Okay, I need and want to tell you a little bit more. What you're listening to is an interview show. It's a show that features interviews. We call it The Paul Leslie Hour, because that's what it's named. Each episode has a guest. That guest has to answer questions. Well, they don't have to, but so far all of them have been willing to talk. On this episode we present an interview from our archives with 5-time Tony award winner Michael John LaChiusa. In the world of musical theatre, Michael John LaChiusa is well known for his shows including “Hello Again,” “Marie Christine,” “The Wild Party,” and “See What I Wanna See.” He is respected as a composer, lyricist, and librettist. In addition to Michael John LaChiusa's work in theatre and opera, he is also a performer of his own work at concert and cabaret venues. So, in this interview, LaChiusa will be talking to Paul E. Leslie about his influences, history and his creative work. We've got so many interviews we want to get out there to the masses. Our show is made possible by people like you, or, we should say the supporters. Just go to thepaulleslie.com/support - we thank you for listening and supporting. And now, it's time for the Michael John LaChiusa interview. Let's listen together.
Rachel and Kirsten talk with musical composer, NY Times best-selling author, and mental chiropractor, Daniel Maté. The conversation spans diverse topics including the power of aligning with your intention, the pros and the cons of psychedelics for psychological use, and loving everything you do as an expression of your purpose. Daniel speaks about the importance of who we become in the face of catastrophe, how we create and reflect our inner life (including our wounds) within our relationships, and the gifts and challenges of working and writing books (The Myth of Normal, Hello Again) with his renowned psychologist father Dr. Gabor Maté. They also share a surprising conversation about the ethics and culture around sex work. Check out Daniel's Instagram, Mental Chiropractic, Let's Get Lyrical Podcast, Musical Compositions, The Myth of Normal and Hello Again Follow The Boss Bitch Show on Instagram, TikTok. Attend the live show. Boss Bitch merch. Follow Rachel Green on Instagram, TikTok, Twitter, YouTube or her Website Follow Kirsten O'Brien on Instagram, TikTok or her Website Produced by Rachel Green & Kirsten O'Brien Original jingle music by Justin Henry & Rachel Green --- Support this podcast: https://anchor.fm/thebossbitchshowpodcast/support
Daniel Maté joins Dr. Solomon for a discussion centering on parent-child relationships, with a focus on how to cultivate and update this relationship once both parties are adults. They discuss the "Hello Again" workshops that Daniel and his father, Gabor Maté, facilitate for people to work on this specific relationship, and explore the challenges and possibilities of the parent-child bond.Shop Organifi products and get 20% off as a Reimagining Love listener:https://www.organifishop.com/pages/lovepodHello Again: A Fresh Start For Parents And Their Adult Children:https://www.helloagainproject.com/Walk with Daniel:https://www.walkwithdaniel.com/Let's Get Lyrical with Carice & Daniel (Podcast)https://podcasts.apple.com/us/podcast/lets-get-lyrical-with-carice-daniel/id1661415500Daniel's website:https://www.danielmate.com/The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture by Gabor Maté with Daniel Matéhttps://bookshop.org/p/books/the-myth-of-normal-trauma-illness-and-healing-in-a-toxic-culture-gabor-mate/17446136?ean=9780593083888Subscribe to Dr. Solomon's Newsletter:https://dralexandrasolomon.com/subscribe/Submit a Listener Question:https://form.jotform.com/212295995939274Take Dr. Solomon's "Relationship Superpower" Quiz:https://dralexandrasolomon.com/rsa-quiz/ Hosted on Acast. See acast.com/privacy for more information.
Welcome to our first episode of the new year, which is also our first episode of Season 5. Thank you for continuing to join us on this amazing journey. On today's episode, we head back to Christmas of 1980, when pop music superstar Neil Diamond would be making his feature acting debut in a new version of The Jazz Singer. ----more---- EPISODE TRANSCRIPT From Los Angeles, California, the entertainment capital of the world, this is The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. It's 2023, which means we are starting our fifth season. And for our first episode of this new season, we're going back to the end of 1980, to take a look back at what was supposed to be the launch of a new phase in the career of one of music's biggest stars. That musical star was Neil Diamond, and this would end up becoming his one and only attempt to act in a motion picture. We're talking about The Jazz Singer. As I have said time and time again, I don't really have a plan for this show. I talk about the movies and subjects I talk about often on a whim. I'll hear about something and I'll be reminded of something, and a few days later, I've got an episode researched, written, recorded, edited and out there in the world. As I was working on the previous episode, about The War of the Roses just before my trip to Thailand, I saw a video of Neil Diamond singing Sweet Caroline on opening night of A Beautiful Noise, a new Broadway musical about the life and music of Mr. Diamond. I hadn't noticed Diamond had stopped performing live five years earlier due to a diagnosis of Parkinson's, and it was very touching to watch a thousand people joyously singing along with the man. But as I was watching that video, I was reminded of The Jazz Singer, a movie we previously covered very lightly three years ago as part of our episode on the distribution company Associated Film Distribution. I was reminded that I haven't seen the movie in over forty years, even though I remember rather enjoying it when it opened in theatres in December 1980. I think I saw it four or five times over the course of a month, and I even went out and bought the soundtrack album, which I easily listened to a hundred times before the start of summer. But we're getting ahead of ourselves yet again. The Jazz Singer began its life in 1917, when Samson Raphaelson, a twenty-three year old undergraduate at the University of Illinois, attended a performance of Robinson Crusoe, Jr., in Champaign, IL. The star of that show was thirty-year-old Al Jolson, a Russian-born Jew who had been a popular performer on Broadway stages for fifteen years by this point, regularly performing in blackface. After graduation, Raphaelson would become an advertising executive in New York City, but on the side, he would write stories. One short story, called “The Day of Atonement,” would be a thinly fictionalized account of Al Jolson's life. It would be published in Everybody's Magazine in January 1922. At the encouragement of his secretary at the advertising firm, Raphaelson would adapted his story into a play, which would be produced on Broadway in September 1925 with a new title… The Jazz Singer. Ironically, for a Broadway show based on the early life of Al Jolson, Jolson was not a part of the production. The part of Jake Rabinowitz, the son of a cantor who finds success on Broadway with the Anglicized named Jack Robin, would be played by George Jessel. The play would be a minor hit, running for 303 performances on Broadway before closing in June 1926, and Warner Brothers would buy the movie rights the same week the show closed. George Jessel would be signed to play his stage role in the movie version. The film was scheduled to go into production in May 1927. There are a number of reasons why Jessel would not end up making the movie. After the success of two Warner movies in 1926 using Vitaphone, a sound-on-disc system that could play music synchronized to a motion picture, Warner Brothers reconcieved The Jazz Singer as a sound movie, but not just a movie with music synchronized to the images on screen, but a “talkie,” where, for the first time for a motion picture, actual dialogue and vocal songs would be synchronized to the pictures on screen. When he learned about this development, Jessel demanded more money. The Warner Brothers refused. Then Jessel had some concerns about the solvency of the studio. These would be valid concerns, as Harry Warner, the eldest of the four eponymous brothers who ran the studio, had sold nearly $4m worth of his personal stock to keep the company afloat just a few months earlier. But what ended up driving Jessel away was a major change screenwriter Alfred A. Cohen made when adapting the original story and the play into the screenplay. Instead of leaving the theatre and becoming a cantor like his father, as it was written for the stage, the movie would end with Jack Robin performing on Broadway in blackface while his mom cheers him on from one of the box seats. With Jessel off the project, Warner would naturally turn to… Eddie Cantor. Like Al Jolson, Eddie Cantor was a Jew of Russian descent, although, unlike Jolson, he had been born in New York City. Like Jolson, he had been a star on Broadway for years, regularly performing in and writing songs for Florenz Ziegfeld' annual Follies shows. And like Jolson, Cantor would regularly appear on stage in blackface. But Cantor, a friend of Jessel's, instead offered to help the studio get Jessel back on the movie. The studio instead went to their third choice… Al Jolson. You know. The guy whose life inspired the darn story to begin with. Many years later, film historian Robert Carringer would note that, in 1927, George Jessel was a vaudeville comedian with one successful play and one modestly successful movie to his credit, while Jolson was one of the biggest stars in America. In fact, when The Vitaphone Company was trying to convince American studios to try their sound-on-disc system for movies, they would hire Jolson in the fall of 1926 for a ten minute test film. It would be the success of the short film, titled A Plantation Act and featuring Jolson in blackface singing three songs, that would convince Warners to take a chance with The Jazz Singer as the first quote unquote talkie film. I'll have a link to A Plantation Act on our website, The80sMoviePodcast.com, if you're interested in seeing it. Al Jolson signed on to play the character inspired by himself for $75,000 in May 1927, the equivalent to $1.28m today. Filming would be pushed back to June 1927, in part due to Jolson still being on tour with another show until the end of the month. Warners would begin production on the film in New York City in late June, starting with second unit shots of the Lower East Side and The Winter Garden Theatre on Broadway, shooting as much as they could until Jolson arrived on set on July 11th. Now, while the film has been regularly touted for nearly a century now as the first talking motion picture, the truth is, there's very little verbal dialogue in the film. The vast majority of dialogue in the movie was still handled with the traditional silent movie use of caption cards, and the very few scenes featuring what would be synchronized dialogue were saved for the end of production, due to the complexity of how those scenes would be captured. But the film would finish shooting in mid-September. The $422k movie would have its world premiere at the Warner Brothers theatre in New York City not three weeks later, on October 6th, 1927, where the film would become a sensation. Sadly, none of the Warner Brothers would attend the premiere, as Sam Warner, the strongest advocate for Vitaphone at the studio, had died of pneumonia the night before the premiere, and his remaining brothers stayed in Los Angeles for the funeral. The reviews were outstanding, and the film would bring more than $2.5m in rental fees back to the studio. At the first Academy Awards, held in May 1929 to honor the films released between August 1927 and July 1928, The Jazz Singer was deemed ineligible for the two highest awards, Outstanding Production, now known as Best Picture, and Unique and Artistic Production, which would only be awarded this one time, on the grounds that it would have been unfair to a sound picture compete against all the other silent films. Ironically, by the time the second Academy Awards were handed out, in April 1930, silent films would practically be a thing of the past. The success of The Jazz Singer had been that much a tectonic shift in the industry. The film would receive one Oscar nomination, for Alfred Cohn's screenplay adaptation, while the Warner Brothers would be given a special award for producing The Jazz Singer, the “pioneer outstanding talking picture which has revolutionized the industry,” as the inscription on the award read. There would be a remake of The Jazz Singer produced in 1952, starring Danny Thomas as Korean War veteran who, thankfully, leaves the blackface in the past, and a one-hour television adaptation of the story in 1959, starring Jerry Lewis. And if that sounds strange to you, Jerry Lewis, at the height of his post-Lewis and Martin success, playing a man torn between his desire to be a successful performer and his shattered relationship with his cantor father… well, you can see it for yourself, if you desire, on the page for this episode on our website. It is as strange as it sounds. At this point, we're going to fast forward a number of years in our story. In the 1970s, Neil Diamond became one of the biggest musical stars in America. While he wanted to be a singer, Diamond would get his first big success in music in the 1960s as a songwriter, including writing two songs that would become big hits for The Monkees: I'm a Believer and A Little Bit Me, A Little Bit You. And really quickly, let me throw out a weird coincidence here… Bob Rafelson, the creator of The Monkees who would go on to produce and/or direct such films as Easy Rider and Five Easy Pieces, was the nephew of Samson Raphaelson, the man who wrote the original story on which The Jazz Singer is based. Anyway, after finding success as a songwriter, Diamond would become a major singing star with hits like Girl, You'll Be a Woman Soon, Sweet Caroline, and Song Sung Blue. And in another weird coincidence, by 1972, Neil Diamond would become the first performer since Al Jolson to stage a one-man show at the Winter Garden Theatre on Broadway. By 1976, Neil Diamond is hosting specials on television, and one person who would see one of Diamond's television specials was a guy named Jerry Leider, an executive at Warner Brothers in charge of foreign feature production. Leider sees something in Diamond that just night be suited for the movies, not unlike Elvis Presley or Barbra Streisand, who in 1976 just happens to be the star of a remake of A Star Is Born for Warner Brothers that is cleaning up at the box office and at records stores nationwide. Leider is so convinced Neil Diamond has that X Factor, that unquantifiable thing that turns mere mortals into superstars, that Leider quits his job at Warners to start his own movie production company, wrestling the story rights to The Jazz Singer from Warner Brothers and United Artists, both of whom claimed ownership of the story, so he can make his own version with Diamond as the star. So, naturally, a former Warners Brothers executive wanting to remake one of the most iconic movies in the Warner Brothers library is going to set it up at Warner Brothers, right? Nope! In the fall of 1977, Leider makes a deal with MGM to make the movie. Diamond signs on to play the lead, even before a script is written, and screenwriter Stephen H. Foreman is brought in to update the vaudeville-based original story into the modern day while incorporating Diamond's strengths as a songwriter to inform the story. But just before the film was set to shoot in September 1978, MGM would drop the movie, as some executives were worried the film would be perceived as being, and I am quoting Mr. Foreman here, “too Jewish.” American Film Distribution, the American distribution arm of British production companies ITC and EMI, would pick the film up in turnaround, and set a May 1979 production start date. Sidney J. Furie, the Canadian filmmaker who had directed Diana Ross in Lady Sings the Blues, would be hired to direct, and Jacqueline Bisset was pursued to play the lead female role, but her agent priced their client out of the running. Deborah Raffin would be cast instead. And to help bring the kids in, the producers would sign Sir Laurence Olivier to play Diamond's father, Cantor Rabinovitch. Sir Larry would get a cool million dollars for ten weeks of work. There would, as always is with the case of making movies, be setbacks that would further delay the start of production. First, Diamond would hurt his back at the end of 1978, and needed to go in for surgery in early January 1979. Although Diamond had already written and recorded all the music that was going to be used in the movie, AFD considered replacing Diamond with Barry Manilow, who had also never starred in a movie before, but they would stick with their original star. After nearly a year of rest, Diamond was ready to begin, and cameras would roll on the $10m production on January 7th, 1980. And, as always is with the case of making movies, there would be more setbacks as soon as production began. Diamond, uniquely aware of just how little training he had as an actor, struggled to find his place on set, especially when working with an actor of Sir Laurence Olivier's stature. Director Furie, who was never satisfied with the screenplay, ordered writer Foreman to come up with new scenes that would help lessen the burden Diamond was placing on himself and the production. The writer would balk at almost every single suggestion, and eventually walked off the film. Herbert Baker, an old school screenwriter who had worked on several of the Dean Martin and Jerry Lewis movies, was brought in to punch up the script, but he would end up completely rewriting the film, even though the movie had been in production for a few weeks. Baker and Furie would spend every moment the director wasn't actively working on set reworking the story, changing the Deborah Raffin character so much she would leave the production. Her friend Lucie Arnaz, the daughter of Desi Arnaz and Lucille Ball, would take over the role, after Cher, Liza Minnelli and Donna Summer were considered. Sensing an out of control production, Sir Lew Grade, the British media titan owner of AFD, decided a change was needed. He would shut the production down on March 3rd, 1980, and fire director Furie. While Baker continued to work on the script, Sir Grade would find a new director in Richard Fleischer, the journeyman filmmaker whose credits in the 1950s and 1960s included such films as 20,000 Leagues Under the Sea, Compulsion, Fantastic Voyage and Doctor Doolittle, but had fallen out of favor with most studios after a string of flops. In fact, this would be the second film in a year where Fleischer was hired to replace another director during the middle of production, having replaced Richard C. Sarafian on the action-adventure film Ashanti in 1979. With Fleischer aboard, production on The Jazz Singer would resume in late March, and there was an immediate noticeable difference on set. Where Furie and many members of the crew would regularly defer to Diamond due to his stature as an entertainer, letting the singer spiral out of control if things weren't working right, Fleischer would calm the actor down and help work him back into the scene. Except for one scene, set in a recording studio, where Diamond's character needed to explode into anger. After a few takes that didn't go as well as he hoped, Diamond went into the recording booth where his movie band was stationed while Fleischer was resetting the shot, when the director noticed Diamond working himself into a rage. The director called “action,” and Diamond nailed the take as needed. When the director asked Diamond how he got to that moment, the singer said he was frustrated with himself that he wasn't hitting the scene right, and asked the band to play something that would make him angry. The band obliged. What did they play? A Barry Manilow song. Despite the recasting of the leading female role, a change of director and a number of rewrites by two different writers during the production, the film was able to finish shooting at the end of April with only $3m added to the budget. Associated Film would set a December 19th, 1980 release date for the film, while Capitol Records, owned at the time by EMI, would release the first single from the soundtrack, a soft-rock ballad called Love on the Rocks, in October, with the full soundtrack album arriving in stores a month later. As expected for a new Neil Diamond song, Love on the Rocks was an immediate hit, climbing the charts all the way to #2 on the Billboard Hot 100. Several days before the film opened in 241 theatres on December 19th, there was a huge, star-studded premiere at the Plitt Century Plaza Cinemas in Los Angeles. Peter Falk, Harvey Korman, Ed McMahon, Gregory Peck, Cesar Romero and Jon Voight were just a handful of the Hollywood community who came out to attend what was one of the biggest Hollywood premieres in years. That would seem to project a confidence in the movie from the distributor's standpoint. Or so you'd think. But as it turned out, The Jazz Singer was one of three movies Associated Film would release that day. Along with The Jazz Singer, they would release the British mystery film The Mirror Crack'd starring Angela Lansbury and Elizabeth Taylor, and the Richard Donner drama Inside Moves. Of the three movies, The Jazz Singer would gross the most that weekend, pulling in a modest $1.167m, versus The Mirror Crack'd's $608k from 340 screens, and Inside Moves's $201k from 67 screens. But compared to Clint Eastwood's Any Which Way You Can, the Richard Pryor/Gene Wilder comedy Stir Crazy, and Dolly Parton/Lily Tomlin/Jane Fonda comedy 9 to 5, it wasn't the best opening they could hope for. But the film would continue to play… well, if not exceptional, at least it would hold on to its intended audience for a while. Sensing the film needed some help, Capitol Records released a second single from the soundtrack, another power ballad called Hello Again, in January 1981, which would become yet another top ten hit for Diamond. A third single, the pro-immigration power-pop song America, would arrive in April 1981 and go to number eight on the charts, but by then, the film was out of theatres with a respectable $27.12m in tickets sold. Contemporary reviews of the film were rather negative, especially towards Diamond as an actor. Roger Ebert noted in his review that there were so many things wrong in the film that the review was threatening to become a list of cinematic atrocities. His review buddy Gene Siskel did praise Lucie Arnaz's performance, while pointing out how out of touch the new story was with the immigrant story told by the original film. Many critics would also point out the cringe-worthy homage to the original film, where Diamond unnecessarily performs in blackface, as well as Olivier's overacting. I recently watched the film for the first time since 1981, and it's not a great movie by any measurable metric. Diamond isn't as bad an actor as the reviews make him out to be, especially considering he's essentially playing an altered version of himself, a successful pop singer, and Lucie Arnaz is fairly good. The single best performance in the film comes from Caitlin Adams, playing Jess's wife Rivka, who, for me, is the emotional center of the film. And yes, Olivier really goes all-in on the scenery chewing. At times, it's truly painful to watch this great actor spin out of control. There would be a few awards nominations for the film, including acting nominations for Diamond and Arnaz at the 1981 Golden Globes, and a Grammy nomination for Best Soundtrack Album, but most of its quote unquote awards would come from the atrocious Golden Raspberry organization, which would name Diamond the Worst Actor of the year and Olivier the Worst Supporting Actor during its first quote unquote ceremony, which was held in some guy's living room. Ironically but not so surprisingly, while the film would be vaguely profitable for its producers, it would be the soundtrack to the movie that would bring in the lion's share of the profits. On top of three hit singles, the soundtrack album would sell more than five million copies just in the United States in 1980 and 1981, and would also go platinum in Canada, South Africa, and the United Kingdom. While he would earn less than half a million dollars from the film, Diamond's cut of the soundtrack would net him a dollar per unit sold, earning him more than ten times his salary as an actor. And although I fancied myself a punk and new wave kid at the end of 1980, I bought the soundtrack to The Jazz Singer, ostensibly as a gift for my mom, who loved Neil Diamond, but I easily wore out the grooves of the album listening to it over and over again. Of the ten new songs he wrote for the soundtrack, there's a good two or three additional tracks that weren't released as singles, including a short little ragtime-inspired ditty called On the Robert E. Lee, but America is the one song from the soundtrack I am still drawn to today. It's a weirdly uplifting song with its rhythmic “today” chants that end the song that just makes me feel good despite its inherent cheesiness. After The Jazz Singer, Neil Diamond would only appear as himself in a film. Lucie Arnaz would never quite have much of a career after the film, although she would work quote regularly in television during the 80s and 90s, including a short stint as the star of The Lucie Arnaz Show, which lasted six episodes in 1985 before being cancelled. Laurence Olivier would continue to play supporting roles in a series of not so great motion pictures and television movies and miniseries for several more years, until his passing in 1989. And director Richard Fleischer would make several bad movies, including Red Sonja and Million Dollar Mystery, until he retired from filmmaking in 1987. As we noted in our February 2020 episode about AFD, the act of releasing three movies on the same day was a last, desperate move in order to pump some much needed capital into the company. And while The Jazz Singer would bring some money in, that wasn't enough to cover the losses from the other two movies released the same day, or several other underperforming films released earlier in the year such as the infamous Village People movie Can't Stop the Music and Raise the Titanic. Sir Lew Grade would close AFD down in early 1981, and sell several movies that were completed, in production or in pre-production to Universal Studios. Ironically, those movies might have saved the company had they been able to hang on a little longer, as they included such films as The Dark Crystal, Frances, On Golden Pond, Sophie's Choice and Tender Mercies. Thank you for joining us. We'll talk again soon, when Episode 99 is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Neil Diamond and The Jazz Singer. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
We got legacy picks, we got local picks, we have what is possibly the biggest song of the year. Top TWENTY Songs Of 2022 Part 2 features picks 15-11 in our super-sized look back at the year that was. Our usual crew of Shannon Hurley, Linda Trujillo and David Daskal bring you the best music we've heard this year, and we found some real diamonds in what was otherwise a rough year for most of us. We stand by our view that music saves us!January's Patreon episode will be Top Ten Misinterpreted Songs, featuring the delightful David Daskal! The only way to hear this and every other exclusive bonus episode is to join for $2 a month. Help us pay for the archives AND this here website:https://alltimetoptenpod.comCatch up with our favorite people and all the cool stuff they're up to by finding them on the social medias:Shannon: https://www.instagram.com/shannonsongs/Linda: https://twitter.com/riokittyDavid: https://www.facebook.com/xyzyx
Hello Again! After our week off - we want to first say - we hope you all had a wonderful Thanksgiving - we know this is an American Holiday To you folks across the pond - we hope you had a good Thursday. Ha! So it's here - God of War: Ragnarök is here! We collectively always like when we are able to give you guys a review on a game we've all played. Jon admitted he got back into the "DarkSiders" series a bit- which ate into his play time - however - Chris completed the game and Shaun is deep into it. If you search online - you'll see high praise for the game. Chris and Shaun agree 100 %. This is a game, that if you're a PS4 or PS5 owner, you're going to play it. The question is - are you having to wait for like Christmas or are you going to be a cool kid and play now! A spoliercast could be on the horizon - maybe A BIG Thanks goes out to all of YOU who keep this show going. Next time - join us live on twitch - twitch.tv/weeklygameschat. As always thanks once again for the twitch chat, emails, tweets...you get it...alllll the things. EMAILS - please send to weeklygameschat@gmail.com. We don't want Chris to threaten with the THANOS do we?!?! GAME ON everyone! we hope you have a wonderful Thanksgiving! Topic Time: 18:50 News: 01:08:30 All sounds brought to you by zapsplat.com
I'm joined by my friend Daniel Maté (@DanielBMate), who co-wrote and recently published a new book with his father Gabor Maté titled, “The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture”. In this part 2 we talk about how to heal from our inevitable childhood wounds and potentially reconnect with our families. www.walkwithdaniel.com www.danielmate.com https://www.youtube.com/c/LyricsToGoShow Myth of Normal: https://www.amazon.com/Myth-Normal-Illness-Healing-Culture/dp/0593083881/ Jacobin interview: https://jacobin.com/2022/10/gabor-mate-capitalist-society-physically-mentally-unwell-trauma Hello Again: https://www.youtube.com/watch?v=GIcppb9mbSc Follow the Probably Cancelled Podcast on twitter: @CancellledPod and IG: @probably.cancelled.podSubscribe to be notified of new episodes!Our fundraiser may be found here
This episode looks at the 1984 debut novel by Bret Easton Ellis, and its 1987 film adaptation. ----more---- Hello, and welcome to The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. On this episode, we're going to talk about 80s author Bret Easton Ellis and his 1985 novel Less Than Zero, the literal polar opposite of last week's subjects, Jay McInerney and his 1984 novel Bright Lights, Big City. As I mentioned last week, McInerney was twenty-nine when he published Bright Lights, Big City. What I forgot to mention was that he was born and raised in Hartford, Connecticut, halfway between Boston and New York City, and he would a part of that elite East Coast community that befits the upper class child of a corporate executive. Bret Easton Ellis was born and raised in Los Angeles. His father was a property developer, and his parents would divorce when he was 18. He would attend high school at The Buckley School, a college prep school in nearby Sherman Oaks, whose other famous alumni include a who's who of modern pop culture history, including Paul Thomas Anderson, Tucker Carlson, Laura Dern, Paris Hilton, Kim Kardashian, Alyssa Milano, Matthew Perry, and Nicole Richie. So they both grew up fairly well off. And they both would attend tony colleges in New England. Ellis would attend Bennington College in Vermont, a private liberal arts college whose alumni include fellow writers Jonathan Lethem and Donna Tartt, who would both graduate from Bennington the same year as Ellis, 1986. While still attending The Buckley School, the then sixteen year old Ellis would start writing the book he would call Less Than Zero, after the Elvis Costello song. The story would follow a protagonist not unlike Bret Easton Ellis and his adventures through a high school not unlike Buckley. Unlike the final product, Ellis's first draft of Less Than Zero wore its heart on its sleeve, and was written in the third person. Ellis would do a couple of rewrites of the novel during his final years at Buckley and his first years at Bennington, until his creative writing professor, true crime novelist Joe McGinness, suggested to the young writer that he revert his story back to the first person, which Ellis was at first hesitant to do. But once he did start to rewrite the story as a traditional novel, everything seemed to click. Ellis would have his book finished by the end of the year, and McGinniss was so impressed with the final product that he would submit it to his own agent to send out to publishers. Bret Easton Ellis was only a second year student at the time. And because timing is everything in life, Less Than Zero was being submitted to publishers just as Bright Lights, Big City was tearing up the best seller charts, and the publisher Simon and Schuster would purchase the rights to the book for $5,000. When the book was published in June 1985, Ellis just finished his third year at Bennington. He was only twenty-one years and three months old. Oh… also… before the book was published, the film producer Marvin Worth, whose credits included Bob Fosse's 1974 doc-drama about Lenny Bruce starring Dustin Hoffman, 1979's musical drama The Rose, Bette Midler's breakthrough film as an actress, and the 1983 Dudley Moore comedy Unfaithfully Yours, would purchase the rights to make the novel into a movie, for $7,500. The film would be produced at Twentieth Century-Fox, under the supervision of the studio's then vice president of production, Scott Rudin. The book would become a success upon its release, with young readers gravitating towards Clay and his aimless, meandering tour of the rich and decadent young adults in Los Angeles circa Christmas 1984, bouncing through parties and conversations and sex and drugs and shopping malls. One of those readers who became obsessed with the book was a then-seventeen year old Los Angeles native who had just returned to the city after three years of high school in Northern California. Me. I read Less Than Zero easily three times that summer, enraptured not only with Ellis's minimalist prose but with Clay specifically. Although I was neither bisexual nor a user of drugs, Clay was the closest thing I had ever seen to myself in a book before. I had kept in touch with my school friends from junior high while I lived in Santa Cruz, and I found myself to have drifted far away from them during my time away from them. And then when I went back to Santa Cruz shortly after Christmas in 1985, I had a similar feeling of isolation from a number of my friends there, not six months after leaving high school. I also loved how Ellis threw in a number of then-current Los Angeles-specific references, including two mentions of KROQ DJ Richard Blade, who was the coolest guy in radio on the planet. And thanks to Sirius XM and its First Wave channel, I can still listen to Richard Blade almost daily, but now from wherever I might be in the world. But I digress. My bond with Less Than Zero only deepened the next time I read it in early 1986. One of the things I used to do as a young would-be screenwriter living in Los Angeles was to try and write adaptation of novels when I wasn't going to school, going to movies, or working as a file clerk at a law firm. But one book I couldn't adapt for the life of me was Less Than Zero. Sure, there was a story there, but its episodic nature made it difficult to create a coherent storyline. Fox felt the same way, so they would hire Michael Cristofer, a Pulitzer Prize-winning playwright, to do the first draft of the script. Cristofer had just finished writing the adaptation of John Updike's The Witches of Eastwick that Mad Max director George Miller was about to direct, and he would do a literal adaptation of Ellis's book, with all the drugs and sex and violence, except for a slight rehabilitation of the lead character's sexuality. Although it was still the 1980s, with one part of the nation dramatically shifting its perspective on many types of sexuality, it was still Ronald Reagan's 1980s America, and maybe it wasn't a good idea to have the lead character be openly bisexual in a major studio motion picture. Cristofer would complete his first draft of the script in just one month, and producer Marvin Worth really loved it. Problem was, the Fox executives hated it. In a November 18th, 1987, New York Times article about the adaptation, Worth would tell writer Allen Harmetz that he thought Cristofer's script was highly commercial, because “it had something gripping to say about the dilemma of a generation to whom nothing matters.” Which, as someone who had just turned twenty years old eight days after the movie's release and four days before this article came out, I absolutely disagree with. My generation cared about a great many things. We cared about human rights. We cared about ending apartheid. We cared about ending AIDS and what was happening politically and economically. Yeah, we also cared about puffy jean jackets and neon colored clothes and other non-sensical things to take our minds off all the other junk we were dealing with, but it would be typical of a forty something screenwriter and a fiftysomething producer to thing we didn't give a damn about anything. But again, I digress. Worth and the studio would agree on one thing. It wasn't really a drug film, but about young people being destroyed by the privilege of having everything you ever wanted available to you. But the studio would want the movie version of the book to be a bit more sanitized for mainstream consumption. Goodbye, Marvin Worth. Hello, Jon Avnet. In 1986, Jon Avnet was mostly a producer of low-budget films for television, with titles like Between Two Women and Calendar Girl Murders, but he had struck gold in 1983 with a lower-budgeted studio movie with a first-time director and a little known lead actor. That movie was Risky Business, and it made that little known lead actor, Tom Cruise, a bona-fide star. Avnet, wanting to make the move out of television and onto the big screen, would hire Harley Peyton, a former script reader for former Columbia Pictures and MGM/UA head David Begelman, who you might remember from several of our previous episodes, and six-time Oscar nominated producer/screenwriter Ernest Lehman. Peyton would spend weeks in Avnet's office, pouring over every page of the book, deciding what to keep, what to toss, and what to change. Two of the first things to go were the screening of a “snuff” film on the beach, and a scene where a twelve year old girl is tied to a bedpost and raped by one of the main characters. Julian would still hustle himself out to men for money to buy drugs, but Clay would a committed heterosexual. Casting on the film would see many of Hollywood's leading younger male actors looked at for Clay, including a twenty-three year old recent transplant from Oklahoma looking not only for his first leading role, but his first speaking role on screen. Brad Pitt. The producers would instead go with twenty-four year old Andrew McCarthy, an amiable-enough actor who had already made a name for himself with such films as St. Elmo's Fire and Pretty in Pink, and who would have another hit film in Mannequin between being cast as Clay and the start of production. For Blair, they would cast Jami Gertz, who had spent years on the cusp of stardom, between her co-starring role as Muffy Tepperman on the iconic 1982 CBS series Square Pegs, to movies such as Quicksilver and Crossroads that were expected to be bigger than they ended up being. The ace up her sleeve was the upcoming vampire horror/comedy film The Lost Boys, which Warner Brothers was so certain was going to be a huge hit, they would actually move it away from its original Spring 1987 release date to a prime mid-July release. The third point in the triangle, Julian, would see Robert Downey Jr. get cast. Today, it's hard to understand just how not famous Downey was at the time. He had been featured in movies like Weird Science and Tuff Turf, and spent a year as a Not Ready For Prime Time Player on what most people agree was the single worst season of Saturday Night Live, but his star was starting to rise. What the producers did not know, and Downey did not elaborate on, was that, like Julian, Downey was falling down a spiral of drug use, which would make his performance more method-like than anyone could have guessed. The Red Hot Chili Peppers, who were hot in the Los Angeles music scene but were still a couple years from the release of their breakout album, 1989's Mothers Milk, were cast to play a band in one of the party scenes, and additional cast members would include James Spader and Lisanne Falk, who would become semi-famous two years later as one of the Heathers. Impressed with a 1984 British historical drama called Another Country featuring Colin Firth, Cary Elwes and Rupert Everett, Avnet would hire that film's 35 year old director, Marek Kanievska, to make his American directing debut. But Kanievska would be in for a major culture shock when he learned just how different the American studio system was to the British production system. Shooting on the film was set to begin in Los Angeles on May 6th, 1987, and the film was already scheduled to open in theatres barely six months later. One major element that would help keep the movie moving along was cinematographer Ed Lachman. Lachman had been working as a cinematographer for nearly 15 years, and had shot movies like Jonathan Demme's Last Embrace, Susan Sideman's Desperately Seeking Susan, and David Byrne's True Stories. Lachman knew how to keep things on track for lower budgeted movies, and at only $8m, Less Than Zero was the second lowest budgeted film for Twentieth Century-Fox for the entire year. Not that having a lower budget was going to stop Kanievska and Lachman from trying make the best film they could. They would stage the film in the garish neon lighting the 80s would be best known for, with cool flairs like lighting a poolside discussion between Clay and Julian where the ripples of the water and the underwater lights create an effect on the characters' faces that highlight Julian's literal drowning in his problems. There's also one very awesome shot where Clay's convertible, parked in the middle of a street with its top down, as we see Clay and Blair making out while scores of motorcycles loudly pass by them on either side. And there's a Steadicam shot during the party scene featuring the Chili Peppers which is supposed to be out of this world, but it's likely we'll never see it. Once the film was finished shooting and Kanievska turned in his assembly cut, the studio was not happy with the film. It was edgier than they wanted, and they had a problem with the party scene with the Peppers. Specifically, that the band was jumping around on screen, extremely sweaty, without their shirts on. It also didn't help that Larry Gordon, the President of Fox who had approved the purchase of the book, had been let go before production on the film began, and his replacement, Alan Horn, who did give the final go-ahead on the film, had also been summarily dismissed. His replacement, Leonard Goldberg, really hated the material, thought it was distasteful, but Barry Diller, the chairman of the studio, was still a supporter of the project. During all this infighting, the director, Kanievska, had been released from the film. Before any test screenings. Test screenings had really become a part of the studio modus operandi in the 1980s, and Fox would often hold their test screenings on the Fox Studio Lot in Century City. There are several screenings rooms on the Fox lot, from the 53 seat William Fox Theatre, to the 476 seat Darryl Zanuck Theatre. Most of the Less Than Zero test screenings would be held in the 120 seat Little Theatre, so that audience reactions would be easier to gauge, and should they want to keep some of the audience over for a post-screening Q&A, it would be easier to recruit eight or ten audience members. That first test screening did not go over well. Even though the screening room was filled with young people between the ages of 15 and 24, and many of them were recruited from nearby malls like the Century City Mall and the Beverly Center based off a stated liking of Andrew McCarthy, they really didn't like Jami Hertz's character, and they really hated Robert Downey Jr's. Several of the harder scenes of drug use with their characters would be toned down, either through judicious editing, or new scenes were shot, such as when Blair is seen dumping her cocaine into a bathroom sink, which was filmed without a director by the cinematographer, Ed Lachman. They'd also shoot a flashback scene to the trio's high school graduation, meant to show them in happier times. The film would be completed three weeks before its November 6th release date, and Fox would book the film into 871 theatres., going up against no less than seven other new movies, including a Shelley Long comedy, Hello Again, the fourth entry in the Death Wish series, yet another Jon Cryer high school movie, Hiding Out, a weird Patrick Swayze sci-fi movie called Steel Dawn, a relatively tame fantasy romance film from Alan Rudolph called Made in Heaven, and a movie called Ruskies which starred a very young Joaquin Phoenix when he was still known as Leaf Phoenix, while also contending with movies like Fatal Attraction, Baby Boom and Dirty Dancing, which were all still doing very well two to four months in theatres. The reviews for the film were mostly bad. If there was any saving grace critically, it would be the praise heaped upon Downey for his raw performance as a drug addict, but of course, no one knew he actually was a drug addict at that time. The film would open in fourth place with $3.01m in ticket sales, less than half of what Fatal Attraction grossed that weekend, in its eighth week of release. And the following weeks' drops would be swift and merciless. Down 36% in its second week, another 41% in its third, and had one of the worst drops in its fourth week, the four day Thanksgiving holiday weekend, when many movies were up in ticket sales. By early December, the film was mostly playing in dollar houses, and by the first of the year, Fox had already stopped tracking it, with slightly less than $12.4m in tickets sold. As of the writing of this episode, at the end of November 2022, you cannot find Less Than Zero streaming anywhere, although if you do want to see it online, it's not that hard to find. But it has been available for streaming in the past on sites like Amazon Prime and The Roku Channel, so hopefully it will find its way back to streaming in the future. Or you can find a copy of the 21 year old DVD on Amazon. Thank you for listening. We'll talk again real soon, when our final episode of 2022, Episode 96, on Michael Jackson's Thriller, is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Less Than Zero the movie and the novel, and its author, Bret Easton Ellis. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
On this episode I chat with electronic synth pop artist, producer, songwriter and vocalist HERSEY and producer and president of sound vision record label Kevin Dorsey. We chat about being featured in Billboard Magazines October issue as a GRAMMY® Contender for Best Pop Solo Performance and the latest single HELLO AGAIN.
Hello Again!!!!! It has been awhile. In this episode I had asked a few Service Members if they could ask a coach ANYTHING, what would they ask. This week a good friend of my asked a great question to kick of the first of MANY :) "Ask a Coach" podcast series for Service Members.
I'm joined by my friend Daniel Maté (@DanielBMate), who co-wrote and recently published a new book with his father Gabor Maté titled, “The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture”. We talk about the inevitability of childhood struggles, and how to work to overcome these hurdles in adulthood, as well as the role our environment plays in mental and physical health. www.walkwithdaniel.com www.danielmate.com https://www.youtube.com/c/LyricsToGoShow Myth of Normal: https://www.amazon.com/Myth-Normal-Illness-Healing-Culture/dp/0593083881/ Jacobin interview: https://jacobin.com/2022/10/gabor-mate-capitalist-society-physically-mentally-unwell-trauma Hello Again: https://www.youtube.com/watch?v=GIcppb9mbSc Subscribe to be notified of new episodes! Our fundraiser may be found here Follow the Probably Cancelled Podcast on twitter: @CancellledPod and IG: @probably.cancelled.pod
Patrick is joined by podcaster, friend of the show, and now author Margo Donohue (Filmed in Brooklyn) to talk about one of her favorite New York movies and one of the best romantic comedies ever made. Download this episode here. (32.3 MB) Listen to F This Movie! on Spotify and on Apple Podcasts. Subscribe to our Patreon!Also discussed this episode: Don't Worry Darling (2022), Hello Again (1987), The Invitation (2015), Heaven Help Us (1985), I Married a Witch (1942), Streets of Fire (1984), Is That Black Enough for You (2022), Mrs. Doubtfire (1993)Buy Filmed in Brooklyn here!
Need a reset? You could choke on a South Korean chicken ball, die, come back to life, find out your husband got contacts and a new wife, and get yourself an upgraded revenge husband...or you could listen to us discuss Hello Again. suggestions@traumatizedpodcast.com IG + Twitter: @traumatizedcast facebook.com/traumatizedcast
Hello Again! The Astros and Yankees are ready to go tonight in Houston. Yankees fans were seen chanting "We Want Houston!" outside Yankee Stadium last night. I understand. I get it. In moments of euphoria we sometimes desire things we know we don't really want. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello Again! My buddies dog died today. Out of nowhere he just got sick and died this morning. That bummed me out. Do you remember the time Luther had that ass mass? Well, I didn't tell you or Jilly, but I was really broken up over that leading up to us getting results. I'll share a story I haven't told you or Jilly about the night before we took Luther in to get his ass mass removed. Do you think Astros players feel the need to win another ring to validate the 2017 title? Did you know there is a new "Christmas Story" being released in November? It's about a grown up Ralphie getting his family together for a wacky Christmas. Do you think his kid will want a BB Gun? In 2022? Probably not. Apparently, people are searching for Dahmer costumes on eBay. Wait until you hear how fraudulent eBay is. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello Again! I hope everyone is still feeling great after that Astros win. I've been trying to avoid this Davante Adams discussion because most people are morons. However, after reading some comments from an Emmanuel Acho Twitter question, I think now is a solid time to dive into it. Also, there is a somewhat similar story in Knoxville involving a Tennessee football player. I say somewhat similar because it involves a physical altercation. Learn more about your ad choices. Visit megaphone.fm/adchoices
Casually Baked, the potcast: Discover hemp and cannabis 420 style
I get a lot of questions about cannabis and women's health. So this week, I'm serving up a casually baked chat on cannabis, menopause, and women's health that's worth repeating. We discuss science, life experience, the power of stigmas, and changing the perception of aging with Dr. Michelle Sexton and the co-founders of Hello Again. In this discussion from November 2021, Dr. Sexton mentions an educational course she's working on to help us understand the impacts of cannabis on the female body throughout our life cycle. And I'm happy to report she's finally given birth to "The Green Women's Guide." You'll find a link to the course and a 25% discount code in the Potcast 233 show notes.And while you're here, shop potcast affiliates and score Casually Baked discounts while supporting the show. From the reproductive years through menopause, the Green Women's Guide is for any woman seeking the most up-to-date science-based information on how to - or not to - incorporate Cannabis into her life. Save 25% on the course using promo code CASUALLYBAKEDLooking For High-Quality Cannabis-Delivery in the Bay Area? Try getsava.com + use promo code CASUALLYBAKED and SAVE $30 off your first order.If you do not live in a cannabis-legal state, find hemp-derived THCV at TejasHemp.com
Hello Again! It's Friday and the Cardinals/Phillies series is starting this afternoon. I remain petrified of this matchup and I'm convinced that the Cardinals are losing. I'm not spiritual, but I think I need to ask a higher power for help. I cannot be miserable while McDougall celebrates. It can't happen. I read a Buzzfeed thread about stuff you should never brag about. Do I brag about these things? Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello Again! You've asked for more Jilly and you're getting more Jilly. This has been a hellish week for me due to the fact I'm doing 3 radio shows with zero help. Jilly is convinced my brain is shutting down. Also, I think I may have developed carpal tunnel from holding my phone too much. I'm also petrified of the Cardinals/Phils series. Also, we take a look at this weekends football point spreads. Learn more about your ad choices. Visit megaphone.fm/adchoices
Howdy folks! This is Nicholas writing the show notes, as I do every week, just to add some context to this quick episode. As I explain, John and Victor are still in Europe so we couldn't coordinate a time to record, but I did want to highlight some cool stuff in the meantime. But first: We've been having some technical difficulties which means there's a good chance many of you did not listen to the episode ("Hello Again!") that we released on Sept. 26. It should be available in your feeds now, and the direct link to the episode is here. These glitches appear to be fixed now but we did want to apologize for the inconvenience. Back to watches: Please check out Patrick's take on the recently released Shinola Mechanic as well as the latest Timex x Todd Snyder. Also: please read my article on gaming chairs on Consumer Reports! I think that's about it for this week. I'm sure you know where to find us but don't forget to visit WristWatchReview.com as well as on Instagram. And if you want to reach us directly feel free to email us at tips@wristwatchreview.com or ping us on Twitter: John is @johnbiggs, Victor is @vmarks, and I am @nicholasadeleon. Thank you, have a great week!
Renowned speaker and bestselling author, Dr. Gabor Maté on trauma and healing in a toxic culture. He is highly sought after for his expertise on a range of topics including addiction, stress, and childhood development. SOME KEY POINTS Children's irreducible needs Attachment and authenticity How early childhood trauma can show up in our parenting The impact of parental stress on kids, including stress in utero How you can deal with your own discomfort with our child's big feelings Pathways to healing and so much more MENTIONED IN THIS EPISODE The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture In the Realm of Hungry Ghosts: Close Encounters with Addiction When the Body Says No: Exploring the Stress-Disease Connection Scattered: How Attention Deficit Disorder Originates and What You Can Do About It Hold On to Your Kids: Why Parents Need to Matter More Than Peers The Wisdom of Trauma documentary Hello Again workshop at Omega OTHER EPISODES YOU MAY LIKE Ep. 289: Developing Mind-Body Tools for Resilience with Rebekkah LaDayne Ep.292: Healing Trauma and Restoring Wholeness with Dick Schwartz, PhD Ep. 260: Parenting with Presence with Dr. Dan Siegel Ep. 203: Discovering Wholeness and Healing After Trauma with James Gordon, MD Ep. 326: Befriending Your Nervous System with Deb Dana Ep. 306: The Invisible Epidemic of Trauma with Paul Conti, MD Ep.332: The Science of Stuck and Trauma Healing with Britt Frank Ep. 314: The 6 Critical Needs of Children with Anna Seewald Ep. 313: Reconnecting to Your Authentic Self with Dr. Thema Bryant Ep. 311: The Healing Power of Storytelling BEST BOOKS I READ IN 2022 The Myth of Normal: Trauma, Illness and Healing in a Toxic Culture A Place Called Home by David Ambroz Stolen Focus by Johann Hari The AfterGrief by Hope Edeleman The Anatomy of Anxiety by Ellen Vora Strange Situation bt Bethany Saltman Brain-Body Parenting by Mona Delahooke Parent Nation by Dana Suskind SUPPORT THE SHOW, SHOW YOUR LOVE Become a patron on Patreon.com and join 21 exisiting memebers who contribute $121 towards our monthly goal of $500. Make a one-time donation in any amount to say “Thank you!” Rate or write a review FULL SHOW NOTES www.authenticparenting.com/podcast HOW TO WORK WITH ANNA I would be thrilled to support you in your parenting journey! All listeners get 10% off on my services. Private Coaching Online courses and classes GET IN TOUCH Comments, questions, feedback, and love notes USA listeners call 732-763-2576 and leave a voicemail. International listeners use the FREE Speak Pipe tool on my website Email: info@authenticparenting.com STAY CONNECTED Instagram Facebook Group-Authentic Parenting Community Thank you for listening! With gratitude, Anna Seewald Parent Educator, Keynote Speaker, Author www.authenticparenting.com
© 2020-2025 Ivy Podcast Discovery LLC
