Podcasts about Baren

Joe Ball var ingen vanlig mann. Han var en spritsmugler og gambler, en arving av den rikeste familien i lille Elmendorf, en støvete prikk i Bexar County, Texas. Hans navn bar vekt i byen, men det var hans mørke begjær som definerte ham. Rykter og legender svirrer rundt Joe Ball som fluer til et kadaver. De sier han var en kvinnebedårer, en mann med et smil som kunne smelte hjerter, men som skjulte en kald, beregnende sjel. På hans taverna, Sociable Inn, var han konge. Baren var et tilfluktssted for synd – whisky rant i strie strømmer, kortspill summet i hjørnene, og servitrisene hans, ofte unge og sårbare, danset gjennom natten for tips. Men når en servitrise ble gravid eller for nærgående, forsvant hun. Noen hvisket at Ball matet dem, fortsatt pustende, til alligatorene han holdt i et betongbasseng bak baren, omgitt av ti fot høyt nettinggjerdePatreon: https://www.patreon.com/theserialkillerpodcastWebsite: https://www.theserialkillerpodcast.comFacebook: https://www.facebook.com/theskpodcastInstagram: https://www.instagram.com/serialkillerpodX: https://twitter.com/serialkillerpod Hosted on Acast. See acast.com/privacy for more information.

Our featured guest tonight is Dan Butler of D. Butler Pipes. Dan is a part time pipe maker producing beautiful artisan pipes. He found his way to pipes after university didn't work out, then working the night shift in a mental hospital put so much stress on him that he need to find relief. First, it was relaxing with a cigar, but when he found his way to pipes, he became much more intrigued. He started off slow as he was paying off student debt, but when that was cleared, he dove in. At the top of the show in the Pipe Parts segment, Brian will have his first installment in searching for replacement tobaccos for some of the Mac Baren and Sutliff discontinued items. He will have a review of Cornell & Diehl's Virginia Gentleman, and tell you why it is a good replacement for Mac Baren's Virginia No. 1.

Polémica con actuación y comportamiento de Juan Soto. Los Yankees le ganan a los Mets. Baren a los Dodgers. Se refuerzan los Braves con la llegada de Strider y Acuña

Suzann Larsdotter pratar sex utan filter i Gift vid första ögonkastet. Men innan hon blev sexolog valde hon dokusåpan Baren och sa nej till prästkragen. Lyssna på alla avsnitt i Sveriges Radio Play.

Vi bränner av skörden av inskickade historier från Malmö. Otroliga historier från malmöitiska verkligheten om bl.a Baren som fick ha stängt i två månader efter en urspårad fest, Krögaren som ”bara ska beställa ett tjog ostron” under värsta servicen och pinkods-dricksning.Jesper testar nya momentet - Är det verkligen OK? Där vi besvarar frågan om man får ragga på gästen/personalen, ska man klaga på maten och mycket mer!Tack alla ni som skickat in veckans historier: Rebecka, Take Aanstoot (extra på Patreon) Debora Lind, Annika Melkersson (extra på Patreon) Felicia Leeman, Linda Hansdotter - Lövgren.Och extra mycket tack till er som skickat bidrag via våra Swish: Dennis Jansson, Alexandra Grins, Astrid Ericson, Jim Jonsson, Simon Roshagen, David Burman, Johanna Nyholm, Malin Gille, Martina Jansson, Edward Eriksson, Emelie Forsblom, Nerima Ouma, Oscar Pettersson, Magnus Foss, Philip Tisting, Cilla Jarminde, Axel Skog, Malin Ervik, Kim Johansson, Jon Larsson, Anne Tysnes, Jonna Broberg, Pelle Eriksson, Helen Andersson och Erik Ekstrand! Hjältar är ni! Glöm inte att trycka på följknappen i din podspelare och gå gärna in och diskutera veckans avsnitt på våra sociala medier och om du lyssnar via Spotify kan även delta i våra olika omröstningar. Fred, kärlek och Fernet.Medverkande: Jesper Borgenstrand, Henrik Olsen, Agnes Fällman, Patrik TapperStöd oss på Patreon: https://www.patreon.com/HantparestaurangSwish: 1234 8689 64 - Hänt På ABFölj oss: FB: Hänt På Restaurang / Insta: Restaurangliv / TikTok: Hänt På Restaurang / Threads: RestauranglivMaila in din egen historia till: jesper@hantparestaurang.seSponsor / Annonsering: sponsor@hantparestaurang.seMusik:Henrik Olsen - HPR ThemePatrik Tapper - Alan Is The BestLjud frånKanal 5 - UllaredNRK - Förste DateFoto:Leo Josefsson / Light Box Hosted on Acast. See acast.com/privacy for more information.

Méi a méi Audiophiller versammelen sech neierdéngs a Baren, déi a Premium Hifi-Ausrüstung investéiert hunn, fir Vinylen ze spillen - an deenen hire Klang optimal am Raum ze diffuséieren. Ee Phenomeen, deen aus Japan an Europa eriwwergeschwappt ass.

Skicka ett meddelande till Tre Plattor!Support the show Följ Tre Plattor på Instagram för mer info! https://www.instagram.com/treplattor

On this week's HPC audio newsletter the new Mac Baren Tobacco after market is discussed.  Mule Town Pipe Show takes place March 14-16th.  Next Houston Pipe Club meeting takes place February 7th.  Upcoming February podcasts include a "What's in a Tin" episode featuring dark fired Kentucky tobaccos, as well as a review of "Battle of the Briar" with an interview with Adam from Get Piped.

Johannes berättar att han varit på resa till Gran Canaria. De besökte en djurpark på ön och skärgårdspojke som han är gillade han mest fåglarna och fiskarna. Jonny och Johannes har varit på jobbets julfest och där uppstod en intressant situation. Det slutade med att Johannes dansade bort några främlingar.  I och med att det är årets sista avsnitt så listar de även årets höjdpunkter. 

Tompa Wess har varit på 40års dojja men om det var för att hylla sin vän jubilaren har ni fel.... Varför? Det fanns affärer att vinna och Tompa Wess är aldrig sen på att boka ett möte!Detta för oss vidare till vikten av att synas, att nå sina mål och detta i sin tur för oss vidare till en svunnen tid då mötena uteblev och detta för oss vidare in på vikten av att fylla Januari kalendern med möten redan nu. Ja ni hör ju - vi trampar oss vidare bland ämnen och sidospår men ett som är säkert är att det kretsar kring SÄLJ - Välkomna! Stjärnsäljarpodden ägs av Stellas Sales.Produktion av Story of You.

Send us a textWell met friends! In this episode of the Get Piped Podcast, Adam and Nick discuss the acquisition of Mac Barren and Sutliff Tobacco Company by Scandinavian Tobacco Group (STG).__________Don't forget to subscribe/follow  the GPP so you never miss an episode.We want to hear from you! If you have any further questions, comments, or recommendations, send them to show@getpiped.co.__________Follow Get Piped on Instagram. Follow Producer Guy on Instagram.Check out the Get Piped YouTube for more content.Join the Get Piped community Discord here.Support the GPP by joining the Buy a Round ClubCheck out the Get Piped merch store.GPP is created by Adam Floyd (Get Piped)GPP is produced by Nick Masella (Producer Guy).Music for this episode is from StreamBeats. Support the show

Michael og Mikkel snakker bag om sidste episode, kigger frem mod næste live-show og ringer til Natasha Brock mens hun planlægger merch.Kom ind og se optagelsen live!Du får en omgang stand-up med, fra alle gæsterne inden vi begynder optagelsen.Der er show på Comedy Zoo I foråret 2025Du finder billetter på https://dybtgonat.dk/ - Vi håber, at vi ses!Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Vår vän Murran gästar återigen! Chris och Johan ska dra till USA och filma med Bobi. Vi snackar om fotbollspublik, läktarkultur, bengaler och bangers. Murran har fått barn och köpt en dyr vagn. Vi snackar om föräldrar och om att skälla ut andras barn. Tor och Tors pappa har fått skäll av samma tant. Johan har köpt säng och vi funderar på om det är dags för vattensängen att göra comeback. Vi har snackar om Robinson, Robinson-Robban och att programmet "Baren" borde göra comeback. Chris kommer ihåg när Robinson-Robban spelade fejk-hjälte. Vi snackar om att jobba på PH och se allt hända live och så berättar vi om vår tid med att arbeta med Big Brother och när och varför Joakim Lundells karriär tog fart. Hosted on Acast. See acast.com/privacy for more information.

Vi har kommit hem, efter att ha dragit nytta av er lyssnares tips om parmesan. Den bästa fanns en gång på Coop, men inte längre. Tack till Cartech i Ystad, som såg till att bilen pallade. Hotel Locarno i Rom var härligt, liksom det myt- och historieomspunna Schlosshotel Kronberg utanför Frankfurt. Baren i det gamla slottet lät Eisenhower bygga som officersmäss, Elvis sägs ha hängt där. I Rom gladdes vi åt att se Livias hus, alldeles nyöppnat. Men det finns fina grejer hemma också, som Robert Axners Missionshonung från Ljugarn. Jimmie Åkesson ställer till det för sina bröllopsgäster genom att inte ge dem en klädkod. Och så Estonia: 30 år efter förlisningen har den omutlige Bengt Schager fått rätt. Läs om det i Fokus. Erik Ridderstolpe rotar också i saken i P1. Hur kunde det gå så tokigt för Anna Kinberg Batra? Nu har hon satt Ulf Kristersson i klistret. Inger Enkvist skriver i Svenskan om lärare som inte ens kan tala svenska. Vi saknar de klara språkreglerna som till exempel vår mycket saknade chef på Svenskan, Håkan Hagwall, stod för. Lotta Lundberg skriver kul i Svenskan - en DN för vuxna. Tack vare fåfängan får vi dokumentären Hollywoodgate om talibanernas maktövertagande. Susanna berättar hur hon tänker om intervjuer och vi minns ett par av hennes bästa ur Metro. Och missa inte Barry Lyndon på Bio Fågel blå på Östermalm den 9 oktober - Johan visar och diskuterar filmen. Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.

Stampvol met Twentenaren zat de zaal in de Grolsch Veste gisteravond, waar Defensie zijn mogelijke toekomstplannen voor gebruik van Twente Airport uit de doeken deed. En die had nog voller kunnen zitten, als er geen maximumgrens van 750 bezoekers was. Het zegt veel. De toegestroomde Tukkers hadden vragen en zorgen. Defensie had lang niet altijd een antwoord. Verslaggevers Henk ten Harkel.

Jonnie and Kev talk about the Dave the Diver Dredge DLC Timings 00:00:00: Theme Tune 00:00:30: Intro 00:01:53: What Have We Been Up To 00:16:41: Dave The Diver 00:23:02: Dredge DLC 00:44:17: Outro Links Dave the Diver Dredge DLC Contact Al on Twitter: https://twitter.com/TheScotBot Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Jonnie: Hello Divers and welcome to another episode of The Harvest Season. My name is Jonny. (0:00:35) Kev: And my name is Kevin. (0:00:37) Jonnie: And we’re here today to talk about… Cottagecore games! (0:00:40) Kev: Are– no, or– well, is Dave Cottagecore? (0:00:43) Kev: I don’t know. (0:00:45) Kev: Maybe? (0:00:45) Jonnie: I’m pretty sure it’s Cottagecore. Like, it’s very… It’s very Cottagecore. (0:00:49) Kev: Yeah. (0:00:50) Kev: It’s Vibes, right? (0:00:51) Jonnie: Yeah, I think… Yeah, yeah. (0:00:53) Jonnie: I think this is gonna end up being episode 3 in Dave the Diver month, because, you know, I caused a bit of chaos for Al and… (0:01:00) Jonnie: We shuffled the episodes! (0:01:04) Jonnie: As always, transcripts are available… Transcripts are available in the show notes and on the website. (0:01:08) Jonnie: But today, the topic that we’re going to be talking about is the Dredge DLC. (0:01:14) Jonnie: Kiv, we’re a year on for when we first covered Dredge as a part of fishing month, which was this time last year. (0:01:17) Kev: Jeez, I guess it has been a year. (0:01:23) Jonnie: Dredge, definitely not Cottagecore. Dave the Diver, more Cottagecore than Dredge. (0:01:27) Jonnie: That’s what I’m going to say, even with the Dredge elements thrown in. (0:01:28) Kev: Yep, you know what, there is farming in Dave, so close enough. (0:01:30) Jonnie: So, as always, no news for this episode. There will be a bit of a catch-up in a couple of weeks (0:01:45) Jonnie: when we’re all back to recording at… Just a little bit ahead of when the episodes are released, (0:01:51) Jonnie: instead of a lot ahead of when the episodes are released. But what have we been up to? (0:01:55) Jonnie: Kiv, what have you been up to? (0:01:56) Kev: Um, so actually just this week, I actually hit credits on Dave the Diver, the whole thing. (0:02:03) Kev: Um, so I guess, you know, I’ll say that for a second when we get to the main topic, but (0:02:09) Kev: um, I spent a lot of time doing that, but other than that, um, the big one, have you (0:02:14) Kev: heard of Zenless Zone Zero? (0:02:16) Jonnie: I have not. (0:02:16) Kev: Okay. (0:02:17) Kev: Have you heard of miHoYo? (0:02:19) Kev: I sure hope you have. (0:02:21) Jonnie: No. (0:02:22) Kev: Okay. (0:02:23) Kev: Okay, um, have you heard of genshi? (0:02:23) Jonnie: I don’t know any of these words. (0:02:26) Kev: It may not work. (0:02:28) Jonnie: Yes, that’s like the… (0:02:30) Jonnie: That’s like the… (0:02:30) Kev: That may not work. (0:02:32) Jonnie: The big titty… (0:02:34) Jonnie: Gacha game, right? (0:02:38) Kev: That’s correct. Well, that descriptor might not be narrow enough, but yes, you’re on the right track. (0:02:44) Jonnie: Okay. (0:02:44) Jonnie: It’s the really popular big titty. (0:02:46) Kev: Yeah, the really popular one. Yeah, that one. It’s not nike. (0:02:52) Kev: So, miHoYo is the company/developer. (0:02:56) Kev: We’re behind Genshin Impact. (0:02:58) Kev: They have, since Genshin published a few other, released a few games. (0:03:04) Kev: One of them called Honkai Star Rail, which is very similar to Genshin, but that one’s turn-based while Genshin is a Breath of the Wild style game. (0:03:14) Kev: And then, just, I think at the start of July, they released a game called Zenless Zone Zero, which again, very similar. (0:03:23) Kev: Similar which has gotcha mechanics (0:03:26) Kev: Animes style type thing (0:03:28) Kev: the genre this time is more of a (0:03:32) Kev: Character action game for lack of a better word of putting it and think near automata that will make fry (0:03:38) Kev: The mash buttons and get hit lots of enemies basically (0:03:42) Kev: The game is free. I got it on my playstation, but you could even get it on mobile (0:03:49) Kev: It is terrifying how excellent the game is (0:03:55) Kev: the actual (0:03:56) Kev: combat portion is (0:03:59) Kev: simple compared to other games, but it is a (0:04:02) Kev: Very it feels good. It controls very well (0:04:06) Kev: the visual presentation is (0:04:09) Kev: Beyond stellar the it has a very it very strong aesthetic like a urban cyberpunk ish kind of thing (0:04:19) Kev: The the other colors are bright the music is (0:04:23) Kev: Phenomenal, even the UI feels Persona. (0:04:27) Kev: Very, very nice. (0:04:30) Kev: It is, as with the other ones, it does have the gacha mechanic for different characters you can play as. (0:04:37) Kev: But here’s the great thing, right? I don’t really care about most of the characters, so I’m okay. (0:04:44) Kev: I did a pull or two or whatever and got some characters, but I’m not hurtin’ like some other games might be. (0:04:52) Kev: Um… yeah. (0:04:53) Jonnie: So I’ve just looked this up in the background while you’ve been talking about it and like because I’m a bit of a sucker (0:04:58) Jonnie: for a for a gacha game (0:04:59) Jonnie: But there was something about like the Genshin impacts and Honkai star rails and never really pulled me and I was like (0:05:04) Jonnie: I don’t know I feel like this one’s this one and hearing me talk about it sounds pretty good because it’s been a sucker for (0:05:08) Jonnie: a long time and (0:05:11) Jonnie: Like so my first real experience with with gacha games was our Final Fantasy record keeper. I don’t know if you recall (0:05:18) Kev: Oh, that’s a deep thought. All right. (0:05:20) Jonnie: That one yeah, and I go really into (0:05:23) Jonnie: that one which was weird because like that’s like the only Final Fantasy game (0:05:26) Jonnie: I’ve ever played right so I have no connection to the characters it just (0:05:30) Kev: Hahaha! (0:05:30) Jonnie: turns out that I really like those sorts of games and then slightly more recently (0:05:33) Kev: Okay. (0:05:35) Jonnie: there was the Marvel Strike Force uh gotcha that was yeah I well I don’t know (0:05:38) Kev: Okay. (0:05:39) Kev: Oh, that was Gotcha? I didn’t realize that. (0:05:43) Jonnie: if it was exactly gotcha I can’t remember exactly the the recruitment (0:05:48) Jonnie: mechanics but it was kind of like enough of overlap where it was you know just (0:05:52) Jonnie: designed to get you to put money (0:05:53) Jonnie: in for absurd you know resource upgrading stuff to five stars (0:05:54) Kev: Sure. It’s designed, yeah, designed for the micro-generated action shirt. (0:06:00) Jonnie: exactly and so I kind of been feeling the pool and there was there was one (0:06:00) Kev: Um… (0:06:07) Jonnie: afk journey that was like all over ads on every platform like two or three (0:06:12) Kev: Yeah, oh, yeah. (0:06:12) Jonnie: months ago and I downloaded that tried that one that one that one didn’t quite (0:06:16) Jonnie: grab me it had some pretty cool mechanics going on but it just there (0:06:19) Jonnie: wasn’t maybe quite enough going on. But yeah, I guess given the (0:06:23) Jonnie: legacy of the developer and me maybe feeling like I’m ready to (0:06:27) Jonnie: be heard again by another Gachi game. I’ve just downloaded (0:06:28) Kev: Yeah (0:06:30) Jonnie: this one. (0:06:31) Kev: Okay, um well dang yeah, yeah, I’ve heard of afk journey. I think I heard you talk about it (0:06:39) Kev: but (0:06:40) Jonnie: I probably did. I probably talked about it on the show. (0:06:41) Kev: Yeah, yeah. Yeah, it’s been a minute. But um, I (0:06:46) Kev: Mean like if you are in need of another gotcha to anyone else like I can heartily recommend this one (0:06:52) Kev: like you know, I’m still (0:06:55) Kev: early in pretty much. I don’t think I played a full week at this point. (0:06:59) Kev: Maybe. I haven’t hit any huge road blocks. What’s fun about this one is there’s a lot of skill to the component, right? (0:07:09) Kev: Because you can dodge attacks and parry and stuff like that, right? So, you know, you can, you don’t feel bottlenecked by not having S rank characters or whatever. (0:07:20) Kev: Yeah, I got through, they give you three starter characters and I got through most of it. (0:07:25) Kev: pretty much everything I played up to now with those three (0:07:28) Kev: because I enjoyed them. (0:07:30) Kev: I’m sure some people might dig some of the other characters, I don’t think there’s one or two that I think are cool, but I’m not dying to get them. (0:07:40) Kev: I haven’t wailed yet, as the term goes. (0:07:44) Kev: There is a bear, there’s a playable bear there, that’s kind of fun. (0:07:48) Kev: He’s a bear with a big cinder block, like cement blocking, I don’t know what it is, he works in a construction company. (0:07:56) Kev: company. (0:07:56) Kev: Anyways. (0:07:58) Kev: No, it’s great, it’s free, the biggest con I think it has, well, it’s free to download, (0:08:03) Jonnie: Kevin, you can’t keep saying a gacha game is free. We all know they’re not really free. They’re like fake-free. (0:08:10) Kev: free to start. (0:08:15) Kev: But the biggest knock I have against it aside from, you know, the trappings of the genre, (0:08:22) Kev: the gacha mechanics or whatever. (0:08:25) Kev: The game is just fake. (0:08:29) Kev: Filled to the brim with nonsense words and features and holy mackerel it is overwhelming. (0:08:38) Kev: Because they have to make up a name for every little thing, there’s bangboos and proxies and carrots and oh my goodness it’s beyond overwhelming. (0:08:51) Kev: But that’s okay because when I get to the actual little gameplay where I fight stage-full venomous, (0:08:58) Kev: none of that matters and I enjoy myself. (0:09:03) Kev: So yeah, if you can get past the wave of just overwhelming nonsense, jargon, techno-babble, I think it’s a great time. (0:09:15) Jonnie: Awesome, I am looking forward to getting sucked into this whole- (0:09:18) Kev: He’s sick. Let me know when you get in and we can… (0:09:22) Kev: Geez, I don’t know what multiplayer stuff there is but we can at least talk about our units. (0:09:28) Jonnie: Exactly exactly (0:09:30) Kev: What’s your favorite JPEG that you pulled? (0:09:32) Kev: Okay, but yeah, that’s all I’ve been really up to aside from Dave. What about you, Johnny? What’s been going on with you? (0:09:41) Jonnie: Nothing too much I kind of been dead for the last month (0:09:44) Jonnie: So I think last time I was on the show Al and I were talking about starstruck vagabond (0:09:50) Jonnie: and (0:09:51) Jonnie: The couple of days before we recorded that episode work called me and I said hey (0:09:55) Jonnie: We need someone to go on an international trip. (0:09:58) Jonnie: For like two weeks, in like three days, how would you like to be that person? (0:10:02) Jonnie: And I was like shocked, because it was an international trip, but it was an international trip home. (0:10:07) Jonnie: So I got up at 4am to record that episode with Al, and then immediately went to the airport to get on a flight to disappear for two weeks. (0:10:14) Jonnie: Which was great. (0:10:16) Jonnie: And then I got back, and as happens with international travel now, you sit on a plane with a bunch of other gross humans, and then you come back and you get really sick. (0:10:24) Jonnie: um and so that’s kind yeah (0:10:24) Kev: Oh, yeah, good time. (0:10:28) Jonnie: so that’s kind of what happened with me. I just got really sick and uh I feel like there’s two (0:10:34) Jonnie: there’s two versions of being sick right like there’s the version when you feel poorly you (0:10:40) Jonnie: probably shouldn’t be out in public but kind of mentally you’re fine right and like it’s one of (0:10:44) Jonnie: those great times of being sick where you can sit down you play video games (0:10:46) Kev: Yeah, sure the maybe more inconvenient time or what have you yeah, I get that (0:10:53) Jonnie: Then there’s the sort of sick where your brain just doesn’t work and all you want to do is sleep or do the most mindless activity possible. (0:11:05) Jonnie: And I was in the second category so I have literally not played anything for about a month and a half now. (0:11:05) Kev: And of course, jeez Louise, what did you have? (0:11:14) Kev: What took you out of that long? (0:11:15) Jonnie: I don’t know like it was well so was the travel like I didn’t get to put the time to play any game cells on the travel and then it was just. (0:11:23) Jonnie: What are those sicknesses that like it just kind of wiped me out for about a week it was probably covered if I’m being honest. (0:11:30) Jonnie: And then by the time I was kind of better work was then crazy enough that it was just like the brain space to actually sit down and play something was just not there. (0:11:39) Jonnie: So I literally have not played anything in a couple of weeks. (0:11:40) Kev: Mmm good times (0:11:42) Jonnie: And then as I started to feel better the Olympics started and I am very into watching the Olympics in Australia. (0:11:52) Jonnie: the olympic sta- (0:11:53) Jonnie: I really like they start their day at about 6 30 our time so you kind of get home and you’re (0:11:57) Jonnie: like making dinner and the olympics is just firing up for the day so you can get very sucked into (0:12:00) Kev: Oh, that’s nice, that’s good timing. (0:12:03) Jonnie: yeah it’s it’s really good timing um this week in particular i’ve got really into watching judo (0:12:09) Jonnie: uh which is a it’s so cool it’s such a cool sport uh not a sport that I have any interest in doing (0:12:09) Kev: Oh, Judo’s so cool. (0:12:16) Jonnie: like sometimes you watch an olympic sport and you think oh could I do that judo zero interest in (0:12:20) Jonnie: doing, but man it’s a cool sport. (0:12:22) Kev: Yeah, yeah, I haven’t followed Judo. (0:12:25) Kev: Have there been gold medalists yet? (0:12:28) Jonnie: - Yeah, there’s been medals, I think. (0:12:31) Jonnie: I think they’re through most of the judo now, (0:12:34) Jonnie: but it’s just been really interesting sort of, you know, (0:12:36) Jonnie: seeing like, it’s one of those martial arts (0:12:38) Jonnie: that’s very, like most martial arts, very technique driven. (0:12:42) Jonnie: But I guess it kind of being that more grapple (0:12:44) Jonnie: or throw style has been very interesting for me. (0:12:47) Jonnie: And it’s one of the things that I love about the Olympics (0:12:49) Jonnie: is learning about weird niche sports (0:12:52) Jonnie: that you don’t really see any other time (0:12:54) Kev: Yeah. Yeah. Well, first off, on Judo, I did Taekwondo when I was younger, for many, (0:12:55) Jonnie: and getting into it. (0:12:56) Jonnie: Have you watched any of the Olympics, kid? (0:13:02) Kev: many years, actually. So I love martial arts. Judo, obviously, is a different beast, because (0:13:08) Kev: it feels almost at times like one move, a touch of death sort of thing. So the, you know, the mental (0:13:16) Kev: dance, the standoff feels extra intense, in my opinion. But I… (0:13:24) Kev: Personally, I’ve caught up with a lot of the highlights and, you know, headlines and things (0:13:30) Kev: like that. I haven’t really sat down to watch many of the events themselves. I’ve watched (0:13:33) Kev: some of the gymnastics stuff, because out in the United States, we have, you know, it’s a mobile. (0:13:38) Kev: So, of course, that gets the, well, the press coverage. But I will say, this Olympics probably (0:13:45) Kev: the strongest memes to come out. Maybe all of them. Shooting in particular. Hats off to that (0:13:53) Kev: Turkish guy. (0:13:55) Jonnie: That Turkish guy is so cool. He makes every other shooter just look super friggin lame. (0:13:55) Kev: Okay. Okay. (0:14:00) Jonnie: Like I don’t like shooting. Like I hate it when they have all of the eye masks and everything (0:14:06) Jonnie: else. It’s the same with archery where it’s like to me the skill is meant to be in you the human (0:14:11) Jonnie: doing it. Not having all of this stuff to point you and having it be a good contest and like how (0:14:15) Jonnie: still can you hold your arm. So I think that dude makes the rest of the shooters look hella (0:14:16) Kev: The- (0:14:20) Kev: Oh, absolutely, the- like, the- you know, the picture, the picture once he- like, the part that kills me is his other hand’s just in his pocket. (0:14:28) Kev: Like, he’s not, you know, doing it to a hand at old or anything, just- just bam. (0:14:28) Jonnie: - Yeah, it’s (laughs) (0:14:33) Kev: Uh, I don’t know if you ever heard, but he- it turns out he actually did, in fact, serve in the Turkish military. (0:14:38) Kev: And he, uh, actually did the same thing like 10 years ago, where he got- I don’t- I don’t know if it was what, uh, event it was, (0:14:45) Kev: but he did some shooting and. (0:14:47) Kev: No, no, no equipment was over. (0:14:49) Kev: Wild, wild stuff. (0:14:50) Jonnie: Yeah, he won a world championship like 11 years ago or something like that, yeah (0:14:50) Kev: Um, okay. (0:14:53) Kev: That’s what it was. (0:14:54) Kev: Okay. (0:14:54) Kev: Yeah. (0:14:55) Kev: Um, oh yeah, good, good stuff. (0:14:58) Kev: Um, yeah, Olympics, good time. (0:15:01) Jonnie: The other spot I’m going to talk about briefly, because I find the acts mind-blowing and how they do it even more insane, but it’s synchronized diving. (0:15:10) Kev: Oh, oh, yeah, I saw I did see some of that (0:15:13) Kev: that’s (0:15:14) Kev: Insane insane. What was it? China that did the two women? I think I think there’s women that uh, (0:15:19) Jonnie: Yep, there’s that video of them diving side by side, and the first time you watch it you think there’s just one of them because they are that in sync. (0:15:20) Kev: Yeah, you know the one though with the red (0:15:27) Jonnie: It’s so good. And those people are so, they’re so impressive. It’s just the technique to do that individually combined with having to time that perfectly with another human being is insane. (0:15:33) Kev: Oh, yeah (0:15:41) Kev: it really is like holy moly it’s like specific rib they’re moving in sync they’re sharing the (0:15:48) Kev: same brain path that’s it’s oh man you’re right sync synchronized diving is is so cool so cool (0:15:54) Jonnie: Cool, um, the only other thing I want to bring up, it’s somewhat news, but I just (0:16:01) Jonnie: saw that the the hardy hank plush is now out on makeshift. I’m like really 50/50 on it if (0:16:08) Kev: Oh, it is really good. I’m yup. Yeah. Yeah, the good good call cuz well, I guess I don’t know when people are gonna listen to this one. It’ll probably still be up the campaign or whatever. But yeah, I think that thank thank from Baren breakfast as a makeshift plush. It’s really, really good. I’m I’m hurting cuz I’m hoping I can get it. I’m I’m doing the best the budgeting to do it, but it is really good. (0:16:08) Jonnie: I want to get it because it’s so cool. (0:16:36) Jonnie: All right, well shall we get into Dave the diver X (0:16:42) Kev: Let’s dive right in okay, so first off (0:16:45) Kev: I’m gonna update my thoughts because when I talked with Al we I don’t know if it’s like chapter 2 or 3 something like (0:16:51) Kev: That and like I said, I hate credits this week (0:16:55) Kev: So all the stuff I said in the episode maintains true I like the mechanics I (0:17:02) Kev: like the fish part of it (0:17:05) Kev: the I did more bosses and (0:17:08) Kev: It’s interesting how they approach bosses (0:17:12) Kev: some of them were fairly challenging, I think (0:17:16) Kev: Al was right that they add a lot of weird one-off mechanics later in the game (0:17:21) Kev: Which I didn’t mind as much as him, but it is an interesting design choice to say the least (0:17:28) Kev: The story was you know (0:17:31) Kev: Very basic or whatever, but it was for their fun characters (0:17:36) Kev: and (0:17:38) Kev: Seeing some of the the horrors of the deep good times good times (0:17:43) Kev: And I’m not even talking about the mutated dredge whores. I’m talking about the regular whores (0:17:47) Kev: Yeah, but I mean overall I really really enjoyed it. I did the Godzilla DLC as well (0:17:53) Kev: That was super fun and enjoyable (0:17:56) Kev: We have another episode on that so I won’t get into detail, but yeah two thumbs up for me on Dave the diver overall (0:18:03) Kev: What about you Johnny? (0:18:07) Jonnie: No, and I have to say I did not get into Dave the Diver that much, and so you kind of like roped into doing this diving, you know, thing, anyway, and then Goncho shows up and he’s like, he shows up and he’s like, you’re going to be my waitress now and like serve people, which you do did the tutorial of that, I got everything perfect, right, I put everyone’s tea perfectly. (0:18:33) Jonnie: And his immediate comment was “It was a bit sloppy.” (0:18:37) Jonnie: I was just like f*ck off and I turned the game off and I haven’t played it since. (0:18:38) Kev: Oh good times, that’s… (0:18:41) Jonnie: Like that, it really, it really annoyed me. (0:18:43) Jonnie: Yeah, okay, I need to do a version of that without Squirt. (0:18:45) Jonnie: I need to do a version of that without Squirt, it just like, it rained me so much. (0:18:52) Jonnie: Yeah, so I probably didn’t get into Dave the Diver that much. (0:18:56) Jonnie: I didn’t really like the start of the game, I guess to be blunt. (0:19:01) Jonnie: I didn’t like the serving aspect of the sushi side of things. (0:19:07) Jonnie: I want to play Dave the Diver, not Dave the Waitstaff. (0:19:09) Kev: Yeah, you know what, you’re right, it is, that’s a very minimal part of the game, like, you could probably skip that whole gameplay portion, like manage the restaurant maybe, but yeah, you know, that part is more or less negligible because the diving portion is absolutely the bread and butter, the main sell of the game. (0:19:11) Jonnie: I (0:19:30) Jonnie: Yeah, and so when they said like oh now and the way I feel like it’s done is where the the sushi chef (0:19:37) Jonnie: Just like forces you to (0:19:39) Jonnie: Serve the sushi. I just didn’t get why that was even in (0:19:44) Jonnie: The game like that to me like there’s nothing (0:19:48) Jonnie: fun or enjoyable about (0:19:50) Jonnie: That it’s not like I’m not playing Dave the server at a restaurant. I’m playing Dave the diver (0:19:57) Jonnie: I want to go diving and bring stuff back and have that yet (0:20:00) Jonnie: Do all of the upgrades and all of those sorts of things that that you and I talked about on the first episode (0:20:05) Jonnie: That sounded great, but I don’t want to have this (0:20:10) Jonnie: Stupid minigame. I have to do (0:20:12) Jonnie: Every you know after every couple of dives to go and do it and I didn’t like the way it was done (0:20:19) Jonnie: Like I thought the the goncho the the character the way he kind of forces you into doing it (0:20:26) Jonnie: Really brought to me the wrong way. I thought the whole approach of that character was really annoying (0:20:30) Jonnie: and off-putting and I kind of just turned off the game after that because I was like I’m just not (0:20:34) Jonnie: interested. Like if there was an option to just skip that entire portion of the game and just get (0:20:41) Jonnie: like you know from tonight’s you know sushi sales you get however much money that’s what I want. I (0:20:48) Jonnie: don’t want to do a timer based running and meeting people and you know fulfilling their orders to me (0:20:54) Jonnie: that’s just yeah it wasn’t something that appealed to me and so I kind of just didn’t… (0:21:01) Jonnie: I didn’t give the game a chance because I wasn’t interested in that. (0:21:03) Kev: Mm-hmm. Well, you know what I’ll agree that Dave needs to learn how to say no cuz he just goes with every single thing everyone requests him (0:21:12) Kev: You hadn’t seen half of it (0:21:15) Kev: Poor Dave he puts it way too much (0:21:16) Jonnie: Yeah, and like, I kind of get that that’s the character, which is fine, it just really (0:21:23) Jonnie: annoyed me in the context of the game being Dave the Diver, and that being the part of (0:21:29) Jonnie: the game that I was interested in, and it just kind of felt like this weird minigame (0:21:32) Kev: Yeah (0:21:33) Kev: Yeah, I’m surprised they don’t give you an option to just you know auto or skip it or whatever (0:21:38) Kev: Um, at least I don’t think so. I’m trying to think I mean later on they they give you tools to (0:21:46) Kev: Skip a lot of it if you want to but like there’s no just one button. I just want to you know, just (0:21:51) Kev: Skip the night or whatever (0:21:52) Jonnie: Yeah, so, you know, it’s a bit unfortunate because for me it doesn’t really feel connected to the rest of the game (0:22:00) Jonnie: In a way other than maybe they had this idea for this as a mechanic and they kind of weached it in because (0:22:07) Jonnie: Personally, it’s just I don’t find that I don’t find the mechanics that were inherent in that side of the game fun (0:22:14) Jonnie: I don’t really like rushing around (0:22:18) Jonnie: meeting orders (0:22:20) Jonnie: needing to do things perfectly. (0:22:23) Jonnie: In a game that to me is, I’m interested in the exploration and catching fish and finding stuff. (0:22:30) Kev: You’re right, it is super conally dissonant, right, just because the diving parts, they can get stressful, but they’re also very chill at the same time because you’re exploring, and it’s generally low pressure, unless you’re under attack by Narwhal, but yeah, you’re right, it is kind of awesome. (0:22:53) Jonnie: Yeah, so anyway, that’s kind of, you know, (0:22:56) Jonnie: my take on the game was like, (0:22:57) Jonnie: I liked what I saw from the diving side of things. (0:23:01) Jonnie: And I kind of just wish that that was what I could have done. (0:23:03) Jonnie: But let’s talk about the Dredge DLC. (0:23:06) Jonnie: And where I want to start this conversation, Kev, (0:23:08) Jonnie: is the thing that sort of stood out to me the most (0:23:12) Jonnie: when I was looking into the DLC is kind of how you engage (0:23:15) Jonnie: with the Dredge, yeah, the Dredge DLC, (0:23:19) Jonnie: where it can only happen on days that are foggy. (0:23:23) Jonnie: And that’s not every single day. (0:23:26) Jonnie: So there’s, you know, you can only do it once (0:23:28) Jonnie: every couple of days. (0:23:28) Jonnie: And how did you feel about that? (0:23:30) Kev: Yeah, this is probably the one of the biggest talking points about the DLC or at least the same negative talking points (0:23:40) Kev: So like I mentioned I just hit credits (0:23:45) Kev: It’s been I don’t remember how many weeks since I first started playing before I even sat down with Al to record it. Um, (0:23:51) Kev: The I hit the dredge DLC for the first time just last night (0:23:56) Jonnie: Wow. (0:23:56) Kev: Yeah, it’s it is (0:24:00) Kev: Random (0:24:01) Kev: Completely random. I got it post credits. I don’t think that’s nice. That’s a requirement (0:24:05) Kev: In fact, I I know it’s actually not you have to only hit like chapter 2 till that can unlock but yeah (0:24:12) Kev: it took that long for me to (0:24:15) Kev: To see it right and like I guess you could find a speed run through it by just skipping dives (0:24:20) Kev: Basically, you know just going in and out or whatever but obviously I was enjoying the game and playing it (0:24:25) Kev: So I wasn’t in a rush to do that per se (0:24:28) Kev: And I wanted to see how long it would take (0:24:30) Kev: Yeah, it took me many weeks to hit the DLC, which is absolutely wild and kind of an awful way to (0:24:37) Kev: To make it accessible, you know, it’d be nice if there’s a person you could just talk to say hey, I want to dredge it up (0:24:44) Jonnie: Yeah, that’s interesting, right? And it’s an interesting way of doing DLC, (0:24:50) Jonnie: particularly in a time where you expect that a lot of people have already completed a large (0:24:56) Jonnie: portion of the game, and so they’re having to play through multiple days just to engage with (0:25:01) Jonnie: the DLC content. So that kind of was the one thing that stood out to me that felt (0:25:05) Jonnie: a little bit interesting, and your idea of like, is there just someone that you could talk to to (0:25:09) Jonnie: be like, “Hey, up the fogginess so that we can engage more with this” would have been… (0:25:15) Jonnie: would have been a good little move. But maybe let’s talk about some of the new mechanics that (0:25:23) Jonnie: the Dredge DLC introduced. And starting with the biggest one, because it just seems like a huge (0:25:28) Jonnie: thing to add to the game, is the fact that you can drive the boat kind of like you can in Dredge. (0:25:31) Kev: Yep, yep, yeah, so that’s the first it’s the it’s really the first thing you do with the DLC. Obviously, you know, it gets foggy and some guy approaches you. And then when you start it, yeah, you’re driving the boat straight up to it’s like even the visual style is very dredge like it. I don’t know how the dredge ship, obviously, I have not played dredge myself right now. But I don’t know how it controls work and whatnot. But it feels fine. It looks a lot like what I’ve seen. (0:26:01) Kev: I don’t know how it works from dredges ship controlling. Granted, the map is a lot more simple. I don’t think there are at least I haven’t yet seen the threats in the overworld to attack the boat like in dredge. (0:26:16) Jonnie: No, and I don’t think there are any threats in the overall to attack the boat, but it (0:26:20) Jonnie: kind of is just crazy to me that that was like, you know, that’s a huge thing to add (0:26:24) Jonnie: to a game, right? (0:26:25) Kev: Yeah, it definitely is. (0:26:25) Jonnie: Where it’s not like, you know, movement mechanics and, like, there’s physics, like, there’s (0:26:31) Jonnie: a lot that has to go into adding something like that to a game like this where there’s (0:26:38) Jonnie: no, like, there’s the movement, obviously, of Dave, but that’s very different to the (0:26:43) Jonnie: movement of a ship. (0:26:44) Jonnie: So it kind of feels like a mini response. (0:26:46) Jonnie: Just a new big system to add and even particularly the way that the art assets work, right? (0:26:52) Jonnie: Because it’s, I don’t know, this was just one of those things. (0:26:54) Jonnie: It’s like, it’s awesome that they did it because it kind of really links the Dave, the diver to dredge in a, in a very clean, thematic, visually aligned way. (0:27:05) Jonnie: It just seems so crazy to add this to, to what Dave, the diver was. (0:27:10) Kev: Yeah, absolutely, right, because the second portion is, you know, the actual dive portion where you’re down in the water, hunting down the aberrations. (0:27:18) Kev: But yeah, it was really nice. They went the extra mile. Like this is what I’d call an A+ collaboration crossover because, you know, really blending the DNA of the two games. (0:27:29) Jonnie: Absolutely. And so, you know, from there, there was a few minigames that I saw that were added (0:27:35) Jonnie: that were very reminiscent of the Dretching minigames from Dretch. We’ve got sort of the (0:27:42) Jonnie: reticle moving around and it’s kind of like a little timing-based minigame. Did you get to try (0:27:50) Kev: Um, no, I didn’t because, uh, like I said, I just did last night. (0:27:54) Kev: I didn’t even get fully through the night or whatever, but I pretty, so you have to (0:27:58) Kev: hit a vortex to dive right in, to start the diving portion. (0:28:02) Kev: And I pretty much just did that right away. (0:28:04) Kev: I, like, I didn’t really, uh, I don’t know. (0:28:06) Kev: I just didn’t think about looking more. (0:28:08) Kev: Um, but that is fascinating. (0:28:09) Jonnie: Cool. Well, let’s, let’s, yeah, let’s talk about the diving then, how does it compare (0:28:15) Jonnie: tonally to the rest of Dave’s The Diving? (0:28:18) Kev: Okay, so it is a night dive which, so as we discussed with Al, or you know when we (0:28:28) Kev: talk about the episode Al, a regular night dive is already pretty dangerous because everything (0:28:33) Kev: is already aggressive and then will attack you. And so here it’s again the same time the ocean (0:28:41) Kev: looks darker. They do change the color scheme to better match dredge. (0:28:49) Kev: But other than that, I guess it’s kind of what you’d expect because yeah, it’s slightly dredge (0:28:57) Kev: colored but there’s the scary aberration fish and you’re just hunting them all a day of the (0:29:03) Kev: diver mechanics. Yeah, I’m kidding. (0:29:04) Jonnie: And so when you’ve kind of got that total, I’m assuming there’s a bunch of aberrant fish that you are now catching and that have been added. (0:29:14) Kev: Yeah, that’s correct. Yeah, they’re all, you know, well, I guess it’s kind of true and dredge that they’re normal fish, but just, just weird like there’s a three headed fish, some fish now have fangs, some have horns, so on and so forth, right. (0:29:28) Kev: There’s a, I saw Marlin with very scary eyes. So yeah, what’s nice is that in regular night dives, a lot of fish can be grouped together. (0:29:44) Kev: And they can attack you can be difficult to navigate that many aggressive fish at once, but at least from what I experienced the dredge fish were pretty spaced out so you could engage on them one on one with a little more room to breathe. (0:29:58) Jonnie: Nice, was there anything else that felt different about the dives, (0:30:02) Jonnie: or was it really kind of just like a different dive in a slightly different location with some (0:30:10) Kev: There’s also new weapons, which is interesting because the weapon is a big part of how you interact with the game, right? (0:30:23) Kev: So, for instance, one of them is called the… was it made rain gun? Yeah, it is… it can… yeah, so your oxygen is your health, right? So you can recover… (0:30:41) Kev: You can recover health using that gun, which is an interesting mechanic because, you know, over… well, I’d say it’s fairly grounded. (0:30:50) Kev: There’s CC people. Dave is generally fairly grounded with their mechanics, but this one’s a little more video game-y and whatnot, and they just explain it away because they’re aberrant fish and it works like that. (0:31:01) Kev: I’m trying to think… was the gravity gun you? Okay. (0:31:06) Jonnie: I think the only new weapon was the life force one. I think the gravity gun was (0:31:11) Kev: Oh, was it? Okay. Yeah, because I found that on the dive. I didn’t know if that was new. That might have been just my first time encountering it. (0:31:16) Kev: But yeah, I’m trying… again, I didn’t get the chance to play as much as I wanted, but at least when you first dive in, like, I didn’t… (0:31:28) Kev: It’s… I’m trying to think here, like, all the… like, so the fish will attack you. I can’t think of any of them doing super crazy and whatnot. I think some of them are pretty fast. (0:31:41) Kev: But that’s… yeah, no, otherwise it feels a lot like a night dive, which I think it’s not bad. (0:31:48) Kev: Oh, there are… so there are crabs in the game in standard, Dave. You unlock them pretty late in the game, and you can get aberrant crabs and whatnot as well. (0:32:01) Kev: And from what I understand from the DLC, there are, like, three areas. I didn’t get to all of them. There are… (0:32:10) Kev: I don’t know all of them. I’ve heard that they’re kind of samey, but… oh, one interesting thing about the aberrant fish. (0:32:19) Kev: You have to use them that night, or they’ll just disappear. You can sell them to a certain vendor, but unlike other fish, they cannot stay in your inventory or at the restaurant. (0:32:34) Jonnie: And I also read that they can only be sold to a certain character that comes in to specifically (0:32:42) Jonnie: eat that sushi. (0:32:43) Jonnie: It’s not like anyone that comes to the sushi restaurant will eat aberrant fish. (0:32:47) Jonnie: Which makes sense, right? (0:32:48) Kev: yep yep yep not everyone’s that adventurous I think would you eat a (0:32:49) Jonnie: Like, not everyone is about that aberrant fish. (0:32:53) Jonnie: Yeah. (0:32:54) Jonnie: I mean, probably. (0:32:55) Kev: three-headed cod I probably would too (0:32:56) Jonnie: Who knows? (0:32:58) Jonnie: Probably. (0:32:59) Jonnie: Who knows? (0:33:00) Jonnie: Hey, that’s how I become Codman. (0:33:05) Kev: but yeah I’m trying to think no I think one thing that is really unfortunate (0:33:13) Kev: From what I understand, there’s no new bosses in the dredge DLC. (0:33:18) Kev: And that’s really unfortunate, because the Godzilla DLC brought in a boss, and dredge has a good helping of monsters to choose from, right? (0:33:31) Kev: So it’s a shame we didn’t get a single one of them. (0:33:34) Jonnie: Yeah, it’s even maybe a shame that there wasn’t some, like, a madness-style mechanic. (0:33:40) Jonnie: You know, you could imagine it sort of sitting alongside the oxygen meter, and maybe rather (0:33:44) Jonnie: than a boss, you know, there’s just the risk that you get attacked by some Cthulian-inspired (0:33:54) Jonnie: creature or, you know, they didn’t really play with, I guess, that sort of madness-Cthulian (0:33:59) Kev: Ooh, yeah, that’s good. (0:34:00) Jonnie: side of things, which would have been really fascinating I think in the way data is set up. (0:34:05) Kev: I didn’t even think about that. (0:34:06) Kev: That would have been a great mechanic, right? (0:34:07) Kev: Like, obviously dredged tonally, you know, that’s very different, right? (0:34:11) Kev: The horrors and whatnot, but at least just a different meter. (0:34:15) Kev: We call it a fear meter, whatever you want to call it. (0:34:16) Kev: Like, uh, uh, it is a shame that they didn’t introduce something. (0:34:21) Jonnie: Yeah, and I think that’s probably the the biggest outside of the difficulty of interacting, (0:34:26) Jonnie: but the biggest criticism I’ve seen of the the the dredge DLC is just the the lack of those (0:34:32) Jonnie: you know bosses that you know are a decent portion of the game and to your point would have (0:34:40) Jonnie: made sense to add in the context of of dredge and what that brings to the day of the dive universe. (0:34:48) Jonnie: Anything else I guess about the DLC specifically? (0:34:51) Kev: so I will say that um there are there is a good amount of the fifth um gosh how many are there (0:35:00) Kev: there’s looking at at least 30 of them which is a pretty good amount to be quite frank um so I do (0:35:08) Kev: give them props for that like I said there are three smallish areas um so it is a fairly sizable (0:35:17) Kev: DLC, you know, at least compared to the Godzilla. (0:35:21) Kev: The Godzilla one, while a lot of fun, was relatively small in scale. (0:35:26) Kev: It’s like a couple of boss fights, really, and finding Godzilla, which is a very minor thing. (0:35:33) Kev: I do wonder if these aberrants are from Dredge directly, or if they made up new ones. (0:35:39) Kev: Like, I’m looking at this one called the Gazing Shark. It looks like a hammerhead, but with giant eyes at the end. (0:35:44) Kev: I don’t know. (0:35:45) Kev: But yeah, other than that, like, I can’t have any direct thoughts. (0:35:49) Kev: Or I don’t have any (0:35:51) Kev: More detailed thoughts. (0:35:53) Kev: Um, like I said that (0:35:54) Jonnie: Cool. Well, one thing I am keen to talk about a little bit is how cool the idea of this as a (0:36:01) Jonnie: DLC is. It’s really cool to see two indie developers teaming up and doing a cross-collaboration (0:36:10) Jonnie: like this. There hasn’t been a ton of these before. I’m probably struggling to think of any, (0:36:15) Jonnie: but I’m sure these sorts of collaborations have been done somewhat infrequently in the past. (0:36:21) Jonnie: But I think in the stage that really… (0:36:24) Jonnie: I would say popular within the niche of people that are following gaming stuff elsewhere, right? (0:36:36) Jonnie: They’re not getting to the level of AAAs, but within people that are engaging with gaming culture or gaming communities, (0:36:42) Jonnie: these games kind of get to a level of popularity. (0:36:44) Jonnie: It’s really nice to see this sort of collaboration coming through as a way to introduce people to other games (0:36:54) Jonnie: who haven’t played, but it’s probably been on their list and could be a little bit of a prompt to get them to do it. (0:37:04) Jonnie: So I would love to see more of the style of collaboration between games because I just think it’s such a cool concept. (0:37:12) Jonnie: The overlap really made sense, right? (0:37:14) Jonnie: It wasn’t just like, “Hey, we’re two indie developers that want to cross-promote our games.” (0:37:20) Jonnie: It’s like no there’s actually a way that we can do this that makes total sense in the (0:37:24) Jonnie: context of both of our games and I just think it’s really clever in that regard. (0:37:31) Kev: Okay, so, like, okay, I was going to say that, right? Like, this, like, I know we kind of covered it quickly, because it’s somewhat, so aside from the dredge, you know, the actual boat controls, like, a lot of it is just, you know, more stylized, Dave, the divering, right, and that’s not a bad thing, and so, but, like, overall, I do really enjoy this DLC, for a lot of the same reasons you said, I think is really, really successful. (0:37:57) Kev: I think I should put, we should put an asterisk though, Dave the Diver is… (0:38:01) Kev: not an indie game. It’s by Mint Rocket, which is a subdivision of Nexon, which is a huge Korean game. (0:38:11) Kev: They do MapleStory and other things. But, I mean, Dredge though, that one’s indie, and it’s very cool that they got to do such an in-depth collaboration, right? (0:38:25) Kev: I think it especially benefits Dredge, because Dredge got a lot of love for sure, but I think… (0:38:31) Kev: Dave had a little more lasting power, maybe because of these DLCs, so I agree. It is a great way to get people’s eyes on Dredge. (0:38:39) Kev: I’ve wanted to play Dredge for a while, and this certainly does motivate me to play it. (0:38:46) Jonnie: Yeah, absolutely. And I don’t know why, but for some reason, maybe I just assumed that (0:38:51) Jonnie: Dave the Diver was edgy because it gives big indie energy. (0:38:52) Kev: well I mean (0:38:56) Kev: yeah I mean it’s pixel right like first of all it’s the pixels and and it’s the (0:39:01) Kev: it’s doesn’t feel triple-a because it’s not you know big (0:39:05) Kev: high-five le graphics fast-action or whatever right (0:39:08) Kev: uh… it (0:39:09) Kev: and it’s not just you let’s not forget the game awards uh… nominated a the (0:39:13) Kev: doctor for the game of the year and uh… everyone got a (0:39:18) Kev: got a little upset at them for that uh… (0:39:21) Kev: But, uh, yeah. (0:39:22) Kev: Uh, uh, you know, but regardless of that, like, I think the points still stand. (0:39:27) Kev: Like it’s, it was a really good way to integrate the two together. (0:39:32) Kev: Um, like I, I struggled to think of the last cola, uh, crossover collaboration (0:39:38) Kev: that worked this well, because I’m obviously thematically to fish games or (0:39:42) Kev: whatever, but even the boat just worked really well, um, with, uh, Dave the (0:39:48) Kev: diverged like I know it’s a fridge mechanic or whatever but it (0:39:52) Kev: feels right at home and in Dave the Diver because of the setting in this (0:39:57) Kev: you know it’s special blue hole place and and they introduced a lot of one-off (0:40:04) Kev: things like that so it doesn’t stick out or any particular way which is I think a (0:40:10) Jonnie: Yeah, absolutely (0:40:12) Jonnie: One final question if they were gonna do a collab with David I was gonna do a collab with (0:40:18) Jonnie: another game property (0:40:21) Jonnie: Thing where would you want that color to come from? (0:40:24) Kev: Yeah, that’s what I’ve been thinking about because yeah, that’s that’s the next question right um (0:40:29) Kev: I’m just honestly I’m trying to think here um (0:40:35) Kev: Well see okay, are we talking about putting something in a day the diver or getting Dave the diver into something else? (0:40:42) Jonnie: Let’s say putting something into Dave the Diver. (0:40:42) Kev: because (0:40:45) Kev: Okay (0:40:47) Kev: Because I was about to bring up new kids gonna be tough to compete with that (0:40:52) Kev: Okay bringing something (0:40:54) Kev: Else into you know what you know what I I would be remiss if I didn’t bring up a big the cat DLC (0:41:08) Jonnie: Big the cat, oh, I love it. (0:41:10) Jonnie: That’s a real throwback for… (0:41:12) Kev: and you know they they kind of got that same body shape going on give them a little (0:41:17) Kev: you know when you complete the dlc a little big the cat so you can wear i’m down for this (0:41:22) Kev: i’m down for this help them uh help them fish for froggy way way down there and you yeah and (0:41:27) Kev: eggman has a machine down there yeah I mean there already were robots machines you have to fight in (0:41:32) Kev: read the diver yeah i’m down for this um yeah what about you you have any ideas (0:41:34) Jonnie: amazing amazing that sounds great um maybe slightly uh more grim but I would really love (0:41:44) Jonnie: to see kind of like a uh dave the diver final dlc that’s a collab with spirit thera (0:41:50) Kev: Darn it darn it. That’s perfect. I didn’t think about it. That’s perfect (0:41:57) Jonnie: like just the whole vibe of the game I feel like a closing moment that is somehow linked (0:42:01) Jonnie: into sphera would be yeah kind of kind of (0:42:04) Jonnie: amazing it feels like there’s a (0:42:05) Kev: Okay, hold on, but here’s the monkey paw you have (0:42:09) Kev: You know a big part of spirit fair is is taking care of the guests, right? (0:42:13) Kev: So now you have to do that with the bancho where it’s sushi restaurant (0:42:16) Jonnie: Look, I’m okay, if it was more like Spiritfare, I could suffer through that. (0:42:26) Jonnie: I would probably play through Dave the Diver just to experience a little bit more. (0:42:30) Kev: I can see it working. You have the spirit fair boat, you know, has the multiple levels so you’re doing the sushi portion (0:42:35) Jonnie: Yup (0:42:37) Kev: But you have to go up and down the levels (0:42:38) Jonnie: That’s a and or you could just have the restaurant be a new room on the Spiritfarer boat (0:42:43) Jonnie: Maybe Dave the diver needs to come to Spiritfarer mate. Maybe you’re right. Maybe I’m thinking about it the wrong way around (0:42:47) Kev: maybe does Dave die at the end of it yep there you go yeah you’re right that (0:42:49) Jonnie: Yes (0:42:51) Jonnie: That is that I feel like that is the natural that that is the natural ending (0:43:03) Kev: truly would be the final DLC there you go with perfect I love it ship it I’m (0:43:08) Kev: reaching out to mint rocket right now (0:43:10) Jonnie: - Amazing. (0:43:12) Jonnie: - Well, I think that was everything I had to cover. (0:43:18) Kev: Oh one thing not specifically to dredge something that I forgot to mention that I want to say since last episode (0:43:24) Kev: I don’t think I ever brought up that I am in fact a real certified scuba diver. So I (0:43:31) Kev: Very much appreciate this (0:43:34) Kev: obviously, I will not be diving to the (0:43:37) Kev: Abyss, you know (0:43:39) Kev: abyssal horror deaths sword and polar waters (0:43:41) Kev: But it is it is very cool to see that I love scuba diving. So it is very cool to see (0:43:48) Kev: game kind of capture that love up (0:43:51) Kev: Yeah, all right. Um, all right, I guess then (0:43:55) Kev: If that’s the case, I think that puts a nice little bow on day of the diver month (0:44:01) Kev: Like I know you weren’t (0:44:02) Jonnie: No, there’s still one more episode to go, Kim. One more episode to go. (0:44:05) Kev: Wait, there is oh, I thought we search the order. I’ve got all this out out cut it all out (0:44:07) Jonnie: Yeah, next- next- next week? (0:44:10) Kev: Never mind. Oh (0:44:11) Jonnie: Next- next week I believe there will be the story episode for the- (0:44:14) Kev: I thought that came out before I don’t know why thought never mind. Okay. Well (0:44:18) Kev: There you go. Well, okay (0:44:20) Kev: Well in that case, I think that covers the dredge DLC (0:44:24) Kev: It’s you know, like I still give it two thumbs up as DLC. Definitely. It’s great crossover (0:44:31) Kev: Like it’s hard to talk about because of it. It’s so much, you know, just kind of pointing out what’s great about David diver the base game (0:44:40) Kev: But it works really well, so, you know two thumbs up (0:44:44) Kev: Thanks for coming on to talk to me about it, John (0:44:48) Kev: Thank you, Al, for having us. Thank you listeners for listening and, Johnny, where should people go to find you and it’s probably not somewhere that personal, but I know there is one place. (0:45:02) Jonnie: If you want to chat about anything THS-related, the best way to do that is go to patreon.com/thspod (0:45:11) Jonnie: to support the show and get access to the Slack where we talk about all the sorts of games that (0:45:15) Jonnie: we’re playing. Kiv referenced Big the Cat a while back. There are some bonus episodes, one of which (0:45:24) Jonnie: is Kiv introducing me to various Sonic characters that I had not come across before. It came from (0:45:30) Jonnie: I think the cat coming up in just a- (0:45:32) Jonnie: I do that every single episode that Kev and I do together. (0:45:34) Kev: I put the effort we got to do around two at some point (0:45:35) Jonnie: Which, that was a lot of fun to record, and yeah, we absolutely do, we absolutely do. (0:45:42) Jonnie: But that’s the main place that you can find me, Kev, where can people find you? (0:45:45) Kev: Find to me at Koopa prez on my personal Twitter if you want to see me talk mostly repost other things (0:45:53) Kev: Find to me that’s right. It’s great. I don’t see my art or more importantly find me on Rainbow Road radio a (0:46:02) Kev: Mutual a show I do with our mutual friend Alex (0:46:05) Kev: discussing all thing Mario all things Mario, excuse me, um, I don’t know what episode will be out when this drops, but (0:46:12) Kev: most recently we talked about the (0:46:16) Kev: Mario cartoons or some of them (0:46:20) Kev: Boy boy, that was quite a trip (0:46:23) Kev: Due to my everyone, but yeah (0:46:26) Kev: If you want to see if you have any questions comments or mostly complaints about the show reach to al at the Scott pot (0:46:33) Kev: I’m or mess on Scott on Twitter and mess on respectively (0:46:39) Kev: Find the podcast at THS pod on Tumblr and Twitter (0:46:43) Kev: Go to harvest season club (0:46:45) Kev: for all the episodes, provide feedback, links to all the stuff we’re talking about (0:46:49) Kev: uhm, the patreon as Johnny mentioned, patreon.com/thspod (0:46:54) Kev: and uh, yeah, I think that covers it. (0:46:57) Kev: Until next time, dear diver farmer people, have a good harvest! (0:47:03) Theme Tune: The harvest season is created by Al McKinlay, with support from our patrons, including our (0:47:14) Theme Tune: pro farmers, Kevin, Stuart and Alisa. (0:47:18) Theme Tune: Our art is done by Micah the Brave, and our music is done by Nick Burgess. (0:47:22) Theme Tune: Feel free to visit our website, harvestseason.club, for show notes and links to things we discussed (0:47:28) Theme Tune: in this episode. (0:47:38) Kev: Uh, you know what? I forgot to mention that you didn’t reach it, but there’s a mermaid village and there’s a manatee helping far. Like, you don’t do anything with it, but it’s, it’s their farming. I wish I love manatees. Okay. That’s all.

Ga voor de shownotes en het transcript naar damnhoney.nl/uitvaartenDAMN, HONEY wordt gemaakt door Marie Lotte Hagen en Nydia van VoorthuizenDeze aflevering wordt gesponsord door Calco en Blossom BooksCalcoStart het IT traineeship van Calco en geef je loopbaan een boost! Meer weten? Ga naar calco.nlBlossom BooksMet de kaartenset en het werkboek van And now what over de dood, bereid je je voor op het einde van het leven. Zolang de voorraad strekt koop je beide producten voor € 29,99 in plaats van € 49,98 op blossombooks.nleditwerk: Daniël van de Poppe jingles: Lucas de Gier website: Liesbeth Smit DAMN, HONEY is onderdeel van Dag & Nacht Media. Heb je interesse om te adverteren in deze podcast? Neem dan contact op met Dag en Nacht Media via adverteren@dagennacht.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Nu har herrarna Burlin och Evhammar lyckats mota Kim-Olle i Smålandsgrind för att få möjligheten att bevista Flygfyrens Osteria mao BAREN. Det beställa vin, det diskuteras en del, oklart vad som hörs och inte med besök från både Taliban-målarn och Jerpman dyker förbi och sprider glädje! En given självklarhet är att Flygfyrens Osteria får 4 bibbor! Kanon men saknade möjligheterna att pokarna inte fick se alla ledsna och slokörade män, som storhandlade med sina hatande familjer. Annars hade det varit en 5/5! Tack Flygfyren, tack livet! XOXO/ Imperiet podcast

“Voel je je nu minder man?” vroeg de kapper aan journalist Jesse Beentjes nadat hij een testikel was verloren door zaadbalkanker. Deze vraag leidde tot zijn boek ‘Minderman', waarin hij de (historische) betekenis van mannelijkheid en ballen onderzoekt. Met Pieter van der Wielen praat hij over cliché-aannames van man-zijn en hoe de cultstatus van testikels in de loop der jaren verschoof naar de penis en testosteron. Over castraatzangers als begeerde lustobjecten en bizarre trends zoals ‘testicle tanning', stierenballen eten om je ‘meer man' te voelen. Over de neiging in hokjes te denken en hoe de term ‘queer' hem vrijheid biedt. Over conservatieve leiders die teruggrijpen naar ouderwetse mannelijke idealen en hun angst voor sterke vrouwen en genderfluïditeit in de samenleving. En over waarom we eigenlijk denken dat mannen krachtiger zouden zijn dan vrouwen. “Baren is het meest krachtige dat er is, dat kunnen wij niet.”Presentatie: Pieter van der Wielen Redactie: Mira Zeehandelaar Mixage: Audiochef Muziek: Rufus van Baardwijk Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

In deze aflevering gaat het over bevallen of baren, ademen-geluid maken-bewegen, modderigheid, 'mooie meisjes poepen niet', ontsluiting wel of niet meten, weten wat je wilt versus je overgeven aan het hoe het gaat, en nog een hele hoop meer. Een aflevering dus over tantrisch bevallen. Ik (moeder van 3, maar die bevallingen zijn al weer 20+ jaar geleden) spreek over dit alles met Martje Heerkens, moeder van 2 en hoogzwanger van de 3e. Martje is naast moeder ook teamlid en begeleider bij Bliss Your Body. Je hebt haar al eerder kunnen horen in #32: Roze wolk of donderwolk. Die aflevering ging over opvoeden. Nu gaat het over bevallen, baren en openbaren. Kan tantra je helpen bij een bevalling? Zo ja, hoe dan? En zo nee, waarom dan niet? En ja, er zit ook weer een tantravoorwerp in. Martje noemt o.a. de IPT-methode van Daphne van der Putten, zie www.danacentrum.nl. In aflevering #35 hoor je een interview met Daphne. En verder als extra tips: - De podcast 'Mama'en' (eerste seizoenen) - De boeken van Milli Hill : 'positief over bevallen' en 'mijn lichaam, mijn baby, mijn keuze' - Het instagram account en de website van 'Vroedvrouw Margot' Voor meer info over tantra: www.blissyourbody.nl.

Embracing the complexities of modern ministry, Pastor Joe Baren joins us to dissect the vibrant landscape of the Lutheran Church Missouri Synod, specifically the feedback on his provocative book, "The Ends of the LCMS." His insights reveal a ministry striving to stay relevant amidst an ever-evolving culture, as ministers resonate with his candid observations while raising thoughtful critiques. We navigate through the treacherous waters of reactive church strategies and the quest for proactive engagement in a society that seems to be drifting further from traditional Christian values.Trading the familiarity of the Midwest for the cultural mosaic of Southern California, my own journey echoes the adaptability and resilience required to minister effectively in such a diverse region. Pastor Baren and I explore the surprising spiritual curiosity found in Californians, the necessity of initiating Spanish worship services, and the strategic approaches to bolster biblical literacy. This conversation unveils the profound shifts in church leadership necessary to meet the spiritual needs of a community rich in cultural and linguistic variety.As we wrap up, the focus shifts to the delicate balance of roles within the church community. We discuss the risks of overemphasizing pastoral roles, advocating for collaborative leadership that leverages the myriad of gifts present in the church body. Pastor Baren and I ponder the merits of fewer, more vibrant congregations over a multitude of struggling ones, and we conclude with a heartfelt invitation for leaders to unite under initiatives like the Unite Leadership Collective. It's a call to forge ahead with innovation, while firmly rooted in biblical doctrine, to face the challenges of ministry with grace and tenacity.JOIN OUR NEW ONLINE LEARNING PLATFORM!ENTER CODE - 75ULC2023 for 75% off! Make More with Matt HeslinExplore strategies to thrive financially, build legacy, and enhance life experiences.Listen on: Apple Podcasts SpotifySupport the Show.Visit uniteleadership.org

Efter 76 år lukker den historiske homobar 'Cosy Bar' i København. Baren åbnede i 1948 og dét ikke er et ubetydeligt år for LGBTQ-miljøet. Vi taler om Cosy og perioden den åbnede i med en historiker. "Det var på intet tidspunkt pavens hensigt at støde nogen eller udtrykke sig i homofobiske vendinger, og han undskylder over for dem, der måtte føle sig krænket...". Sådan lød det i en undskyldning fra Vatikanet tidligere på ugen. Men hvad betyder det at undskylde og er der forskel på at 'undskylde' og 'beklage'? Vi spørger en sprogforsker. Vi skal også forbi TV 2-dokumentaren 'Den sorte svane', transpersoner i elitesport og meget mere. Værter: Adam Holm, Nynne Bjerre Christensen og Gitte Løkkegaard. Redaktør: Thomas Vinther Larsen. I redaktionen: Clara Faust Spies, Gustav Hagild og Nanna Sloth.

Annemieke Bosman praat met schrijver Daan Borrel over haar debuutroman De Dragers. 1996, een jonge vrouw overlijdt tijdens haar bevalling. Maria, advocaat en onlangs zelf moeder geworden, probeert de achtergebleven familie te helpen met de tuchtzaak. In 2023 zoekt rijschooleigenaar Sanae een manier om het verleden, dat zich na de geboorte van haar eerste kind opdringt, te kunnen dragen. Vita, een nuchtere bakker en intimiteitsactivist bij Wombs For All, draagt in 2035 een kind voor een homostel. Daan Borrel (1990) schrijft essays, proza en theater. In 2018 verscheen Soms is liefde dit, haar literaire en persoonlijke essay over verlangen en seksualiteit. Samen met Milou Deelen schreef ze het interviewboek Krabben – van vrouw tot vrouw (2020). In datzelfde jaar verscheen ook haar boek Jaar van het nieuwe verhaal, waarin Borrel de traditionele verhalen over vrouwelijkheid, intimiteit en liefde afbreekt en opnieuw opbouwt. Ze maakte de podcast Met z'n allen achter de kinderwagen, en dit voorjaar verschijnt ook Baren buiten de box van Bahareh Goodarzi waar ze aan meeschreef. 

Yes folkens, da var liveshowet endelig gjennomført. Det gikk dritbra forresten, men altså, det som skjedde rett etterpå var for Ingrid ENDA større..I tillegg har Maria vært i sitt andre bryllup i livet og det dukker opp en hemmelig gjest som ønsker å komme med en viktig melding til Ingrid. Hosted on Acast. See acast.com/privacy for more information.

Hey, tú lurtar eftir útvarpinum. Vit eru feskir dreingir, sum elska at snýta og tosa við c-celebrities, og í dag er einki undantak. Dagurin í dag veitst tú frá sjónvarpinum, ella frá dekkanum av 'See & Hear'.Um tú ert púra ørur eftir so nógv plast og skilja ikki, hvør vit tosa um, so er tað heilt vist, at tú hevur fingið tað at gera.Velkommen til kongen af Færøske realitydeltagere - den hårdtslående: Teitur Skoubo!I dag skal vi finde ud af hvad fanden der sker på Færøerne, vi skal finde ud af om Teitur er en god bokser, og så skal vi selvfølgelig skrive en bog.Tsunami lærte: Han skrev dagbog imens han sad inde Han tog 10 kg på da han sad varetægtsfængslet Han får meget kærlighed i indbakkenFærringe kan ikke gå koldIngen forstod hvad han sagde i paradise Han ved ikke hvordan man siger samtykke på færøsk, fordi han ikke har været der siden loven kom________________Tilrettelægger: Sally Sørøver Larsen Werthers Original: Chano Jørgensen & Sebastian Peebles Musik: Upright-Music & BlivIkkForelsket

Ga voor de shownotes/transcript naar damnhoney.nl/aflevering-168DAMN, HONEY wordt gemaakt door Marie Lotte Hagen en Nydia van VoorthuizenDeze aflevering wordt gesponsord door YOKUU. Ga na yokuu.nl en gebruik de code damnhoney voor 20% korting.editwerk: Daniël van de Poppe / Spraakmaker Media jingles: Lucas de Gier website: Liesbeth Smit DAMN, HONEY is onderdeel van Dag & Nacht Media. Heb je interesse om te adverteren in deze podcast? Neem dan contact op met Dag en Nacht Media via adverteren@dagennacht.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

05.01.2024 tarihinde Mali ve Sosyal Haklara İlişkin Genelge'nin yayınlanmasından sonra Ocak ayında uygulanacak maaş katsayısı belli oldu. Maaş katsayısındaki artışla birlikte memur ve diğer kamu görevlilerine yapılan bazı ödemelerdeki artış ile vatandaşlara yapılan bazı ödemelerdeki artışı açıklamaya çalışacağız. I BAZI MEMURLARA YAPILAN EK ÖZEL HIZMET TAZMINATI TUTARLARI ARTTI Bazı memurların yaptığı iş ve bulunduğu unvan onun emsallerinden daha fazla ücret almasına sebep olur. Bu unvanlar ise Yüksek Mühendis, Yüksek Mimar, Mühendis, Mimar ve Şehir Plancısı kariyerlerini haiz olup (Bunlardan Müdür ve daha üst merkez ve taşra birim yöneticileri dahil) 1-4'üncü derecelerden aylık alan ve kurumlarınca belirlenen büyük yatırım projelerinde fiilen çalışanlardır. Buna göre, bu unvanlardaki personelden belirli şartlara bağlı olarak % 20 ve % 30 oranında ek özel hizmet tazminatı ödenebileceği öngörülmüştür. Bu ödemenin tutarı Yüksek Mühendis, Yüksek Mimar, Mühendis, Mimar ve Şehir Plancısı kariyerlerine sahip olanlardan Bölge Müdürü (belediyeler hariç), Daire Başkanı ve daha üst idari görevlerde bulunanlar için; 9500 x 0,760871 x % 30 = 2.168,48 TL olacaktır. Yüksek Mühendis, Yüksek Mimar, Mühendis, Mimar ve Şehir Plancısı için; 9500 x 0,760871 x % 20 = 1.445,65 TL'dir. Bu tutarlardan sadece binde 7,59 oranında damga vergisi kesilecektir. IBÖLGELERE GÖRE ÖDENEN EK TAZMINAT TUTARI ARTTI Unvanları aynı olsa da bazı personelin maaşları diğerlerinden daha fazla olabilmektedir. Memurların çalıştıkları bölgelere, unvanlara, okullara veya çalıştıkları projelere göre maaşlarında değişiklik olabilmektedir. Özellikle Teknik Hizmetler Sınıfı'nda görev yapan personeller ile Sağlık Hizmetleri Sınıfı'nda görev yapan personellerin maaşlarına Kalkınmada Öncelikli Bölgelere göre ödenen ek tazminat nedeniyle önemli tutarda maaş farkı sağlanmaktadır. Ek tazminatların hangi unvanlı personele ve en yüksek devlet memuru maaşının yüzde kaçı oranında ödeneceği yan ödeme kararnamesinde tespit edilmiştir. Yan ödeme kararnamesinin ekinde yer alan Kalkınmada Öncelikli Yörelerin dereceleri 7 bölgeye ayrılmıştır ve tazminatlar bölgelere göre farklılık oluşturmaktadır. Buna göre; Sağlık Hizmetleri Sınıfı'nda görev yapan uzman tabiplere 7. Bölge için ödenen ek tazminat 9500 x 0,760871 * % 90 = 6.505,44 TL, pratisyen tabiplere ise 9500 x 0,760871 x % 50 = 3.614,13 TL tutarındadır. Bu tutardan sadece damga vergisi kesilecektir. Veteriner hekimlere 7. Bölge için ödenen ek tazminat ise 9500 x 0,760871 x % 70 = 5.059,79 TL tutarındadır. Yine Teknik Hizmetler Sınıfı'nda görev yapan mühendislere 7. Bölge için ödenen ek tazminat ise 9500 x 0,760871 x % 35= 2.529,89 TL tutarındadır. Bu hizmet sınıfında çalışanlara ödenecek azami ek ödeme tutarı ek yüksek devlet memuru maaşının % 70'i oranında olup, bu tutar 9500 x 0,760871 x % 70 = 5.059,79 TL'dir. Ek tazminat ödemesinde en düşük tazminat 1. Bölge için en yüksek tazminat ise 7. Bölge için belirlenmiştir. Yani bölge derecesi yükseldikçe ödenen ek tazminat oranı da yükselmektedir. Benzer ödemelerin niçin başka hizmet sınıfları için belirlenmediği sorusunun sorulması gerekmektedir. Özellikle öğretmenler için. Ümit ederiz ki bu soruyu soranlar çıkar.

Suus (40) is al moeder na een vorige relatie met een man, nu wil ze samen met een vrouw een kind. Hoewel Suus' zwangerschap destijds een ongelukje was, weet ze wat het betekent om je eigen genen door te geven. Met haar partner staat ze voor de keuze: wie zal het kind dragen? Deze aflevering kan je gratis luisteren via de Volkskrant app.See omnystudio.com/listener for privacy information.

Elk seizoen weer zijn er duizenden trainers die beginnen als voetbalcoach. Om coaches een goede start te laten maken indie nieuwe, mooie, uitdagende en belangrijke rol richting kinderen is er het Welkomstprogramma. Pjotr van der Marel bespreekt met zijn sidekick Nick Veenbrink en tafelgasten René van Baren (hoofd clubontwikkeling KNVB) en Jorge Ferreira (docent Welkomstprogramma én Hoofd Opleiding Alexandria'66) wat het Welkomstprogramma inhoudt.Waarom is het Welkomstprogramma in het leven geroepen? Voor welke voetbalcoaches is het bedoeld? Waarom is het zo belangrijk dat zo veel mogelijk jeugdcoaches deelnemen aan het Welkomstprogramma? Wat zijn de ervaringen? In deze eerste aflevering van seizoen drie van De jeugd heeft de toekomst gaan we op zoek naar antwoorden.  Meer informatie kan je vinden op Eén Tweetje.Reageren? Mail naar voetbalontwikkeling@knvb.nl. Aanraders: 1. Iedere trainer verdient een goede start | KNVB 2. Ervaringen welkomstprogramma jeugdtrainer voor jonge trainers een ideale start | KNVB 3. Welkomstprogramma voor trainers een groot succes | FC Lienden KNVB-ondersteuning: Verenigingsondersteuning | KNVBDit is een podcast van de KNVB, alle rechten zijn voorbehouden.  Volg ons ook op: Facebook: http://www.facebook.com/knvb  X: https://www.x.com/knvb Instagram: http://www.instagram.com/officialknvbLinkedIn: https://www.linkedin.com/company/knvbWebsite: https://www.knvb.nl

Hi zusammen. Heute stelle ich ausführlich einen Tabak vor, den ich in der letzten Woche so gern geraucht habe, dass er schon leer ist: MacBaren Virginia Flake ... und.. wusste ich doch, dass ich bei der Aufnahme einen Punkt vergessen habe: ich wollte noch darüber reden, welche Vor- und Nachteile es hat, einen Tabak mal ausschließlich zu rauchen, aber was soll's das kommt dann in der nächsten Folge. Folgende Schnupftabake hab ich probiert (es sind nur 9, hab mich verzählt ;-): Bernard: Original Schmalzlerfranzl, Fresco, Aecht Altbayerischer Schmalzler, Schmalzlerfranzl Gold, Gekachelter Virginie, Kownoer Dholakia Sparrow F&T Dr. J. R. Justice Jaxon´s English Gold Dazu bespreche ich noch den Espresso Roast von Starbucks und den Shinto Matcha von Paperandtea. Viel Spaß und noch ein schönes Wochenende!

When making mokuhanga and producing The Unfinished Print, I have looked towards various online tools for research and inspiration. One of these tools is ukiyo-e.org. A Japanese woodblock print database which collects and archives woodblock print collections from around the world.  John Resig is the chief software architect at the Khan Academy who, in 2013, for his love of mokuhanga and the Japanese woodblock print, and through his own  collection, developed ukiyo-e.org.  Those researching, collecting, and making mokuhanga can explore some of the best Japanese print collections at the click of a button. In this episode of The Unfinished Print, I speak with ukiyo-e.org developer John Resig about why he decided to create the website and how his collecting of mokuhanga and making mokuhanga affected that decision. We also discuss the evolution of the humanities in mokuhanga, archiving prints, tradition, and the copywriting of images, as well as John's work with the Japanese Art Society of America.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. John Resig  - Ukiyo-e.org, Digital Humanities Research, John's personal mokuhanga collection on Airtable,   Sky Above Clouds IV: After Georgia O'Keefe (2019) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.  Five portraits of the actor Ichikawa Danjuro VIII (1823-1854) in various roles (1849) yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga.  Utagawa Kunisada (1786-1865) Tsukioka Yoshitoshi  1839-1892 (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.   Iga no Tsubone and the Ghost of Fujiwara Nakanari, from the series One Hundred Ghost Stories from China and Japan (1865) Annie Bissett - is an American mokuhanga printmaker and graphic designer based in Rhode Island, USA. Her work touches on politics, and beauty. Her interview with The Unfinished Print can be found, here. Annie's work can be found, here. Irene (2023) Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here. Portrait of a Poet: Hagiwara Sakutarō (1886-1942) Meiji Era Prints - The Meiji Era of Japan was between 1868-1912 CE. This was a period of immense modernization and industrialization in Japan, where the Japanese economy was booming. New ideas within mokuhanga was occurring as well. Perspective, colour, through new pigments (gamboge, certain yellows), the advancement of photography, and new topics and themes (war, industry, architecture), the Meiji era print designer and publisher had a lot of choice when producing their prints.  Shigeru Kuriyama (1912-2010) - was a sōsaku hanga  printmaker who worked with Onchi Kōshirō (1891-1956), and U'nichi Hiratsuka (1895-1997). He founded the print magazine Yukari and Kasuri. His prints were focused on folk arts.   Fragrance of Lavender (1996) sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Your First Print: David Bull - this was the first DVD I ever purchased on how to make mokuhanga. This was in and around 2007. While I look back at that time thinking about why I didn't take it up as seriously as I do now, I sometime wonder, "Where would I be now in my Mokuhanga journey?" I realize that that is a redundant way of thinking. I am where I am now today, and to be happy with just that. You can still find this product on Dave's website.  Takuji Hamanaka - printmaker based in Brookly, NY. Uses bokashi,  a printmaking technique, predominately in his works. Unique and powerful. website Instagram Collapse (2016) April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. April's interview with The Unfinished Print can be found, here. Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Kiso River (1927) kabuki - is a traditional form of Japanese theatre which started in Kyoto on the banks of the Kamo River in the 17th Century. Today it is a multi million dollar business and is almost exclusively run, professionally, by The Shochiku Company. Kabuki, the word, is separated into three different sounds; ka - meaning to sing, bu - meaning to dance, and ki- meaning skill. There are various families in kabuki which generate actors, passing down tradition throughout the lineage. For more information please read this fine article from Nippon.com. There are many books written on the subject of kabuki, but in my opinion, to begin, one needs to read Leonard Pronko's work Theatre East & West, Kawatake Toshio's Kabuki, and Earl Ernst's The Kabuki Theatre. Online, please visit Kabuki21.com, who's site is unparalleled. On YouTube there is the new(ish) Kabuki In-Depth which is updated regularly on kabuki information and history, and is very well done.  Georgia O'Keeffe (1887 – 1986) was a renowned American artist, known for her pioneering contributions to modern American art, particularly in the realm of abstract and contemporary art. Lake George Reflection (1921) bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable.  Bertha Lum (1869-1954) - was born in Iowa. Having begun travelling to Japan in 1903, Bertha Lum noticed the decline of the Japanese woodblock print in Japan in the early 20th Century, deciding to take up the medium. Lum began making woodblock prints after learning in Japan from an unknown teacher during her first trip to Japan. Japan, Lafcadio Hearn (1850-1904), and China influenced Bertha Lum's prints. Lum's work focused on these themes through an American lens.  Winter (1909) Frances Gearhart (1869-1958) - Born in Illinois, Gearhart was a self-taught artist who spent most of her life in California. Originally a watercolorist, Frances Gearhart began experimenting with Japanese woodblock and linoleum in and around 1913. The themes of her work are predominately landscapes of the Pacific Coast and other areas of California. Her work is associated with the Arts and Crafts movement in California. A fine article on Frances Gearhart's life can be found, here.  In The Sun (1930) Fujio Yoshida (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida (1926-1995). Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Roses (1925) TinEye - is an image search and recognition company. They use technology which allows the user to search an image creating a reverse image match. More information can be found, here.  The Metropolitan Museum of Art - is the largest art museum in North and South America. It began to be assembled by John Jay (1817-1894) in the late 19th century. Incorporated in 1870, the museum has collected many essential pieces, such as the works of Henri Matisse (1869-1954) and Pierre-Auguste Renoir (1841-1919). For more information about the MET, you can find it here. Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.  Ristumeikan - is a university founded in 1869, and located in Kyoto and Ōsaka. Like Waseda it holds one of the largest collection of Japanese woodblock prints. You can search their database, here.  Mike Lyon  -  is an American artist. His medium has been varied throughout his career such as "square tiles," or "pixels," through to making mokuhanga, monoprinting, and machine-assisted etching, drawing and mezzotint. Mike Lyon also has a large woodblock print collection which he has curated for the public, here. More information about his work can be found, here.  Linda In Black (2019) Frick Reference Library - is a reference library in the Frick Museum in New York City. The museum was once the mansion of wealthy American industrialist Henry Clay Frick (1849-1919). The museum houses some of the finest pieces of sculpture, paintings, and art in the United States. There is also the public Frick Reference Library located on 10E 71st Street in New York City. More information can be found, here.  Hokusai: Inspiration and Influence - was an exhibition held from March 26 - July 16, 2023 at the Museum of Fine Arts Boston. More information can be found, here.  Japanese Art Society of America (JASA) - Starting in 1973 by a small group of collectors of ukiyo-e in New York City, JASA has expanded to cover many Japanese arts. Their magazine Impressions is a biannual magazine that discusses in a scholarly way various Japanese arts. More information can be found, here.  Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here. Below is, Coastal Landscape In Moonlight (1857) Kingfisher and Iris Scholten Japanese Art - is a mokuhanga-focused art gallery in midtown Manhattan. René Scholten, an avid collector of the Japanese print, founded it. You can find more info here. Katherine Martin is the managing director of Scholten Japanese Art. Katherine has written extensively for the gallery and conducted lectures about Japanese prints. Her interview with The Unfinished Print can be found, here.  International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.   Cameron Bailey - is a mokuhanga woodblock printmaker based in Queens, New York. His work is predominantly reduction woodblock. Camerons work has shown around the world. You can listen to one of his earliest interviews on The Unfinished Print, here. His work can be found, here.  Reflection (2020) sumo - while sumo wrestling has been known to Western audiences for quite some time, it is only in the past several years that the Japan Broadcasting Corporation (NHK) has created content for Western audiences to watch tournaments and engage with wrestlers through videos, such as YouTube.  Sumo prints were being produced in the Edo Period (1603-1868), with the Kastukawa school of artists beginning to create prints in the vein of actor prints of the day (yakusha-e).  Utagawa Kunisada (1786-1865) A portrait of Inoyama Moriemon (1846) Acolytes of The Baren  - is the Facebook group dedicated to Dave Bull and Mokuhankan. It can be found, here. Emerging Hanga - is a Facebook group dedicated to new mokuhanga, and sharing information. It can be found, here.   Brush & Baren  - is a Facebook group dedicated to sharing the history of mokuhanga of the late 19th and early 20th Century. It can be found, here.  Friends of Baren Forum - is a Facebook group dedicated to those interested in mokuhanga and woodblock printing in general. it can be found, here.  © Popular Wheat Productions opening and closing musical credit - Flowers & Fire by BLITZ. From the album Second Empire Justice (1983), first released on Future Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                    

Denne episoden inneholder sang, recap fra Stjernekamp, et par Thailand-historier, tips til hvordan sjekke opp noen i baren og en diskusjonsrunde på om det er greit å snakke i telefon på trikken. Hosted on Acast. See acast.com/privacy for more information.

Ooit zal de CO₂ die is opgeslagen in houten gebouwen door verrotting of verbranding weer in de atmosfeer terechtkomen. Maar hoe lang is ooit? Misschien is het klimaat er al bij gebaat als we de CO₂ honderd jaar in een gebouw kunnen wegstoppen. Dus: zijn er dan ook credits mee te verdienen? Journalist Tijdo van der Zee spreekt erover met Laetitia Nossek, programmamanager CO₂-reductie bij de Dutch Green Building Council en Sven van Baren onderzoeker CO₂ en biomassa bij Wageningen University en Research.Wilt u meedoen aan het Energeia podcast onderzoek? Wij zijn benieuwd wat u van onze podcasts vindt. Doe mee en maak kans op een bol.com cadeaubon ter waarde van € 50,- Klik hier om deel te nemen.See omnystudio.com/listener for privacy information.

"Stap even uit je besognes van dit moment. Laat alles even zijn voor wat het is. Stap uit de tijd en kom thuis in je tijdloze zelf." Korte inleiding van de meditatie gegeven aan het begin van de meditatie op 07-05-2023. ⁠⁠⁠⁠⁠⁠⁠U kunt de tekstversie hier lezen⁠⁠⁠⁠⁠⁠⁠ (Spreker op deze podcast is eerw. Baldwin Schreurs. Hij werd in 1990 ingewijd als boeddhistisch monnik in het Zenklooster Throssel Hole  Buddhist Abbey in Noord-Engeland en ontving vijf jaar later de Dharmatransmissie van eerw. meester Daishin Morgan. In 1998 werd hij  Dharmaleraar en in oktober 2017 ontving hij zijn benoeming tot Zenmeester. Sinds 2005 is hoofdmonnik en leraar van De Dharmatoevlucht. De  Dharmatoevlucht is een stadstempel en meditatie-centrum van de internationale Order of Buddhist Contemplatives (OBC).) #zenboeddhisme #zen #boeddhisme #meditatie #zazen

Filmmaker Edgar Barens works with the Humane Prison Hospice Project to highlight the need for compassionate end-of-life programs in the US. prison system.   According to Baren's bio on the Humane Prison Hospice Project website, his “Academy Award-nominated (2014) documentary, Prison Terminal, has screened in more than 60 prisons and at more than 80 colleges, universities, and community centers. Edgar takes great satisfaction in his ability to tackle large-scale problems within the American criminal justice system and present them on a very personal level so that the destructive impact of a dysfunctional correctional system can be made more palpable to the viewer.”  His next film Prison Terminal: The Last Days of Private Jack Hall chronicled the journey of inmate Jack Hall and his inmate brothers who were part of Jack's care team up to and through his death.  Edgar witnessed incredible acts of kindness and compassion during his time with Jack and his hospice team.   The Humane Prison Hospice Project works to “transform the way prisoners die, through education, advocacy, and training to support fellow prisoners as caregivers and grief companions”. Prison Terminal trailer: https://vimeo.com/119954632 Connect with Edgar Barens and his work at www.prisonterminal.com where you will find additional information, a downloadable discussion guide, many outtakes that never made the final film edit, and many more materials If you're interested in booking Edgar to speak at your event, connect with him at edgarbarens@gmail.com. To stream Prison Terminal: The Last Days of Private Jack Hall free for one week after The Heart of Hospice broadcast: Link: https://vimeo.com/270884056 Password: HEART  To purchase or rent Edgar's Oscar-nominated film Prison Terminal: The Last Days of Private Jack Hall for a Non-Theatrical/educational screening go to: http://store.cinemaguild.com/nontheatrical/product/2474.html For personal purchase/streaming of Prison Terminal: Amazon Apple TV Google Play YouTube To find more information about prison hospice philosophy, end-of-life care behind the walls and the Humane Prison Hospice Project non-profit Edgar is currently working with, please go to https://humaneprisonhospiceproject.org/ Connect with The Heart of Hospice podcast on The Whole Care Network, along with a host of other caregiver podcasts by clicking here.  Find more information about hospice philosophy, end-of-life care, and self-care for both personal and professional caregivers here.   Book podcast host Helen Bauer to speak for your podcast, event, or conference by sending an email to helen@theheartofhospice.com.  Find more podcast episodes from The Heart of Hospice at The Heart of Hospice Podcast (theheartofhospice.com)            

Status Epilepticus is one of the most common pediatric neurologic emergencies and requires prompt, targeted treatment to reduce patient morbidity and mortality. On this podcast, Pediatric Critical Care Physician, Dr. Renuka Mehta, Pediatric Resident Physician, Dr. Yvonne Ibe, and medical student, Emily Austin will discuss management for status epilepticus and rapid interventions that can be potentially lifesaving—because in seizure management, time is brain.  FREE CME Credit (requires sign-in):  Link Coming Soon! Thank you for listening to this episode from the Department of Pediatrics at the Medical College of Georgia. An additional thanks to Dr. Lorna Bell, Dr. George Hsu, and Dr. Rebecca Yang who provided editing and peer review of today's discussion. If you have any comments, suggestions, or feedback- you can email us at mcgpediatricpodcast@augusta.edu Remember that all content during this episode is intended for educational purposes only. It should not be used as medical advice to diagnose or treat any particular patient. Clinical vignette cases presented are based on hypothetical patient scenarios. Thank you for your support! References: Alldredge, B. K., Gelb, A. M., Isaacs, S. M., Corry, M. D., Allen, F., Ulrich, S., Gottwald, M. D., O'Neil, N., Neuhaus, J. M., Segal, M. R., & Lowenstein, D. H. (2001). A Comparison of Lorazepam, Diazepam, and Placebo for the Treatment of Out-of-Hospital Status Epilepticus. New England Journal of Medicine, 345(9), 631–637. https://doi.org/10.1056/NEJMoa002141  Chamberlain, J. M., Kapur, J., Shinnar, S., Elm, J., Holsti, M., Babcock, L., Rogers, A., Barsan, W., Cloyd, J., Lowenstein, D., Bleck, T. P., Conwit, R., Meinzer, C., Cock, H., Fountain, N. B., Underwood, E., Connor, J. T., Silbergleit, R., Neurological Emergencies Treatment Trials, & Pediatric Emergency Care Applied Research Network investigators. (2020). Efficacy of levetiracetam, fosphenytoin, and valproate for established status epilepticus by age group (ESETT): a double-blind, responsive-adaptive, randomised controlled trial. Lancet (London, England), 395(10231), 1217–1224. https://doi.org/10.1016/S0140-6736(20)30611-5  Chamberlain, J. M., Okada, P., Holsti, M., Mahajan, P., Brown, K. M., Vance, C., Gonzalez, V., Lichenstein, R., Stanley, R., Brousseau, D. C., Grubenhoff, J., Zemek, R., Johnson, D. W., Clemons, T. E., & Baren, J. (2014). Lorazepam vs Diazepam for Pediatric Status Epilepticus: A Randomized Clinical Trial. JAMA, 311(16), 1652. https://doi.org/10.1001/jama.2014.2625  Chen, J., Xie, L., Hu, Y., Lan, X., & Jiang, L. (2018). Nonconvulsive status epilepticus after cessation of convulsive status epilepticus in pediatric intensive care unit patients. Epilepsy & Behavior: E&B, 82, 68–73. https://doi.org/10.1016/j.yebeh.2018.02.008  Fine, A., & Wirrell, E. C. (2020). Seizures in Children. Pediatrics in Review, 41(7), 321–347. https://doi.org/10.1542/pir.2019-0134  Glauser, T., Shinnar, S., Gloss, D., Alldredge, B., Arya, R., Bainbridge, J., Bare, M., Bleck, T., Dodson, W. E., Garrity, L., Jagoda, A., Lowenstein, D., Pellock, J., Riviello, J., Sloan, E., & Treiman, D. M. (2016). Evidence-Based Guideline: Treatment of Convulsive Status Epilepticus in Children and Adults: Report of the Guideline Committee of the American Epilepsy Society. Epilepsy Currents, 16(1), 48–61. https://doi.org/10.5698/1535-7597-16.1.48  Hanhan, U. A., Fiallos, M. R., & Orlowski, J. P. (2001). Status epilepticus. Pediatric Clinics of North America, 48(3), 683–694. https://doi.org/10.1016/s0031-3955(05)70334-5  Kapur, J., Elm, J., Chamberlain, J. M., Barsan, W., Cloyd, J., Lowenstein, D., Shinnar, S., Conwit, R., Meinzer, C., Cock, H., Fountain, N., Connor, J. T., Silbergleit, R., & NETT and PECARN Investigators. (2019). Randomized Trial of Three Anticonvulsant Medications for Status Epilepticus. The New England Journal of Medicine, 381(22), 2103–2113. https://doi.org/10.1056/NEJMoa1905795  Lyttle, M. D., Rainford, N. E. A., Gamble, C., Messahel, S., Humphreys, A., Hickey, H., Woolfall, K., Roper, L., Noblet, J., Lee, E. D., Potter, S., Tate, P., Iyer, A., Evans, V., Appleton, R. E., Pereira, M., Hardwick, S., Messahel, S., Noblet, J., … Hobden, G. (2019). Levetiracetam versus phenytoin for second-line treatment of paediatric convulsive status epilepticus (EcLiPSE): a multicentre, open-label, randomised trial. The Lancet, 393(10186), 2125–2134. https://doi.org/10.1016/S0140-6736(19)30724-X  Raspall‐Chaure, M., Chin, R. F. M., Neville, B. G., Bedford, H., & Scott, R. C. (2007). The Epidemiology of Convulsive Status Epilepticus in Children: A Critical Review. Epilepsia, 48(9), 1652–1663. https://doi.org/https://doi.org/10.1111/j.1528-1167.2007.01175.x  Riviello, J. J., Ashwal, S., Hirtz, D., Glauser, T., Ballaban-Gil, K., Kelley, K., Morton, L. D., Phillips, S., Sloan, E., Shinnar, S., American Academy of Neurology Subcommittee, & Practice Committee of the Child Neurology Society. (2006). Practice parameter: diagnostic assessment of the child with status epilepticus (an evidence-based review): report of the Quality Standards Subcommittee of the American Academy of Neurology and the Practice Committee of the Child Neurology Society. Neurology, 67(9), 1542–1550. https://doi.org/10.1212/01.wnl.0000243197.05519.3d  Sánchez Fernández, I., Abend, N. S., Agadi, S., An, S., Arya, R., Brenton, J. N., Carpenter, J. L., Chapman, K. E., Gaillard, W. D., Glauser, T. A., Goodkin, H. P., Kapur, K., Mikati, M. A., Peariso, K., Ream, M., Riviello, J., Tasker, R. C., & Loddenkemper, T. (2015). Time from convulsive status epilepticus onset to anticonvulsant administration in children. Neurology, 84(23), 2304–2311. https://doi.org/10.1212/WNL.0000000000001673  Trinka, E., Cock, H., Hesdorffer, D., Rossetti, A. O., Scheffer, I. E., Shinnar, S., Shorvon, S., & Lowenstein, D. H. (2015). A definition and classification of status epilepticus--Report of the ILAE Task Force on Classification of Status Epilepticus. Epilepsia, 56(10), 1515–1523. https://doi.org/10.1111/epi.13121  Welch, R. D., Nicholas, K., Durkalski-Mauldin, V. L., Lowenstein, D. H., Conwit, R., Mahajan, P. V., Lewandowski, C., Silbergleit, R., & Neurological Emergencies Treatment Trials (NETT) Network Investigators. (2015). Intramuscular midazolam versus intravenous lorazepam for the prehospital treatment of status epilepticus in the pediatric population. Epilepsia, 56(2), 254–262. https://doi.org/10.1111/epi.12905 

In the Realms of New Gods - Baren the Blacksword Arc 11 - Episode 138 With Ralandir's godly double, Adeveir, lying dead, and more than half of the party sent to a pocket dimension, Ralandir and Mik are left alone to deal with Baren the Blacksword Servant. Meanwhile, the others try to survive their harsh new environs. Chat with the cast and fellow fans on our Discord: https://discord.gg/JJth48w Find stories, art, and more on our website: www.flashfantasypodcast.com --- Support this podcast: https://anchor.fm/rift-walkers/support

Den sista pusselbiten Vi bjuder in författaren, musikern och den gamle dokusåpakändisen Daniel Ekeroth för att prata om samlandet som heltidssyssla, besatthet och förbannelse. Det blir ett samtal om favoritfilmlandet Italien, men också om kamratskap, uppoffringar och tveksamma prioriteringar. Tomas inser att vi - alltså Vargtimmen - måste bli bättre på att bortse från sådant som skådespeleri och manus om vi ska lära oss uppskatta italiensk film lite mer på djupet och Lars frågar sig om vi verkligen måste det. Vi pratar också om: dokusåpan Baren, den lössläppta filmmarknaden i Holland, Grekland och Danmark, loppisarnas loppis Porta Portese i Rom, Star Video, General Video, Cosmo Video, Sylvester Stallones son som eventuellt dammsög Rom på filmposters i slutet av 90-talet, Esselte Video, Blocket, Video Ferox, fanzinet Black, Hemvideo, New York Ripper, Cinecitta, Benito Mussolini, små rackarns bilar, The  French Connection, The Night of the Living Dead, Dawn of the Dead, Mad Max, Escape from New York, Che Guevara, Nationalteatern, Blå Tåget, Torkel Rasmusson, Hajen, Abba, Kiss, Destroyer, Svenska Mad, E.T, Ozzy Osbourne, Diary of a Madman, videobutiken Dixie Ljud och Bild i Uppsala, Alien 2: On Earth, Alien Contamination, Studio S, Cannibal Holocaust, Times Square Preachers, Diskonto, Salong Finess, Dellamorte, Entombed, Dia Psalma, Violent Italy, Jesus Pettersson, Video Invest, filmsamlarträffarna i Sala, Orgier i Tredje Riket, Dödskommendantens kvinnoläger, Giallo a Venezia, Thriller, VTC, Video Tape Center, Videomannen, Anders Björler, At the Gates, Stefan Sauk, Swedish Death Metal och King Crimson. Snacket fortsätter bakom Patreon-väggen där Daniel Ekeroth DJ:ar bra och lite mindre bra filmmusik direkt från backarna i sin nyöppnade skiv- och filmbutik Tamara Records i Johanneshov. Fokus: Italien. Nostalgi, löst tyckande och akademisk analys.

Per har hatt et såre kjør, og Olec innrømmer at han var litt bekymret. Det har også vært en storstilt innflytningsfest i de nye lokalene deres, og det endte i blodbad. Per er også imponert over sin venn, av hvordan han angrep festen. Han vurderer også å få seg en tatovering. Olec har mye vondt i ryggen, og er redd for at det er noe alvorlig. Han er også redd for spysyken om dagen. Per snakker om den gangen han satt i gang en het debatt om sitt eget barns fødsel er gyldig fravær for far. Vi snakker også om hvor vanskelig det er å unngå å se på fotball-VM, og har fått et tips om hva vi kan gjøre for å gjøre julaften litt mindre ensom for noen. Og, vi snakker om Olecs frykt for blod. Velkommen! Hosted on Acast. See acast.com/privacy for more information.

9 point til Vores 3 hold.  Det lyder som om vi ikke har optaget i en måneds tid, og nu skal samle op, men nej: 3 x 3 point i én runde i Superligaen.  Podcasten giver midlertidig mening rent storhedsvanvidswise.  FCK vinder i Randers, ligesom alle andre hold der har spillet mod Randers siden medio Septemner.  AGF vinder over Lyngby med en scoring så sent at de ikke nåede Kombardo-Expressen retur.  Slutteligt vinder Brøndby Holding & Rugekasse idrætsfirmaklub med 3-2 over Aab, der pt. er dårligere til fodbold end AGF har været i et årti.  9 point til drengene, er det så = god stemning?  Nej, det ville være synd at sige.  God fornøjelse, Forza, En gang Brøndby altid Brøndby, KomSåDeHvie

‘Voorbereiden op de bevalling heeft geen zin', omdat ‘het toch altijd anders loopt', je daarmee ‘verwachtingen schept' en ‘de kans op teleurstelling vergroot'. Hoé betuttelend zijn deze uitspraken... Op een sollicitatie waarvan je de uitkomst niet weet, bereid je je toch ook goed voor? Alsof het niet realistisch is om je voor te bereiden op de allergrootste prestatie van je leven: de geboorte van je kind. Bovendien mogen we er toch zeker wel alles aan doen om daar iets bijzonders van te maken? Hoe het geboorteproces ook loopt, je voorbereiding kan het verschil maken. Onderzoeken laten keer op keer zien dat hiermee ook de kans vergroot dat je goed terugkijkt op je bevalling. Educatie voedt je autonomie, en dat heb je nodig om er jouw proces van te maken. Als je weet wat je kunt verwachten, wat je opties zijn en wat jij daarin belangrijk vindt, kun je in elk moment van het geboorteproces weloverwogen eigen keuzes maken. ‘Je kunt je bevalling misschien niet controleren, maar wel degelijk beïnvloeden', is het motto van bestsellerauteur Milli Hill, die Mijn lichaam, Mijn Baby, Mijn Keuzes schreef. En zo is het. In deze aflevering bespreek ik daarom samen met verloskundige Djanifa da Conceicao (zij startte het educatie-platform: VerlosMoeder) een aantal misvattingen over de geboorte die je met goede voorbereiding kunt tackelen. We praten over liggen op je rug (niet logisch), de veiligheid van thuisbevallen (net zo veilig als het ziekenhuis), overtijd zijn (pas na 42 weken), ontsluiting meten (hoeft niet als je niet wil) en de aanwezigheid van je oudere kindje(s) (kan gewoon!).Vitakruid is founding partner van Mama'en - ga naar www.vitakruid.nl/mamaen voor meer info.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Thorups tropper tog direkte fra Lalandia til fanmarch, mens Nillers drenge bød den århusianske gymnastikklub op til dans... Superligaen er skudt i gang, og der er allerede kritik af trænere, VAR og alt det andet. Spillerunde 1  

In der Bevölkerung herrsche es aktuell ein hohes Corona-Infektionsgeschehen, sagte der Modellierer Dirk Brockmann im Dlf. Aufgrund einer hohen Dunkelziffer läge die tatsächliche Inzidenz höher als die offiziellen Angaben, das sei an den nachlaufenden Hospitalisierungen erkennbar. Gleichzeitig sei signifikant, dass die Impfung weiter vor schweren Verläufen schütze.Baren, Jasperwww.deutschlandfunk.de, InterviewDirekter Link zur Audiodatei

One's mokuhanga journey takes many twists and turns. One can begin that journey at any age, at any time. For Andrew Stone that journey began at the age of 40, where in the last  fifteen years or so, Andrew has done a deep dive into the nuances of the art form, from technique, to tools. His exploration into what makes mokuhanga, mokuhanga, is fascinating and important.  On this episode of The Unfinished Print, I speak with mokuhanga printmaker and baren maker Andrew Stone. We speak about his Florence Baren Project, his own mokuhanga, his life in Italy, his meeting with baren maker Hidehiko Gotō. We discuss his philosophies on mokuhanga and baren making, what it takes to make such a beautiful tool like the baren, and how they function and work.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Andrew Stone - Lacrime di Rospo blog April Vollmer - is a mokuhanga artist based in New York City. She has been working in the medium for over thirty years. Her book, Japanese Woodblock Print Workshop, is a classic of the genre and a fantastic instructional book to begin mokuhanga. Andrew's wine label prints - here is one such print Andrew describes in his interview.  David Bull/Mokuhankan - David Bull is a Canadian mokuhanga printmaker and business owner based in the city and Prefecture of Tōkyō, Japan.  His company, Mokuhankan, has promoted the making of mokuhanga via the hanmoto or collaboration system of making woodblock prints, where the image begins as a black and white copy, evolving into a multi-layered colour woodblock print through a series of designers, carvers, and printmakers.   etegami - meaning image letter, etegami is a style of calligraphy which was created by Kokei Kunio in the 1960's, by writing his own distinct style of calligraphy on New Years postcards.  Although, sending postcards on New Years has been a tradition in Japan since the 700's. By using watercolours on washi, Kunio creates beautiful postcards which lend a hand to the ephemeral nature of the season and the medium.  lithography - is a printing process which requires a stone or aluminum plate, and was invented in the 18th Century. More info, here from the Tate.  Shin hanga - is a style of Japanese woodblock printmaking which began during the end of the Ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Pop art - is a an art movement generally connected to post war America and commodification. Artists such as Andy Warhol (1928-1987), and Roy Lichtenstein (1923-1997) are well known pop-artists. Rebecca Salter - is a British artist who focused on mokuhanga early in her career, and painting in later life. She is the President of The Royal Academy of Arts, London. Her book Japanese Woodblock Printing is a classic of the genre. Her interview with The Unfinished Print can be found, here.  International Mokuhanga Conference - is a conference conducted by the International Mokuhanga Association for Japanese woodblock printing. It is held every two years and is themed. More info can be found, here.  Mara Cozzolino - is a mokuhanga artist, based in Turin, Italy. Mara's subjects tend to be landcapes and trees. Mara is also the IMC Publicity Advisor. Her interview with The Unfinished Print can be found, here.  Annie Bissett - is a mokuhanga artist and designer based in Rhode Island, USA. Annie's subjects vary, from landscapes, politics, and even tarot. You can find her interview with the Unfinished Print, here.  California forest fires - The State of California in the United States, has dry, hot weather. Because of climate change, this has been exacerbated by a higher population, deforestation, and heavy use. Forest fires have become common yearly events. Impressionism - is a 19th Century art movement where the art is defined by visible brushstrokes, pastel colour, and the depiction of natural light. Artists associated with his movement are, Paul Cézanne (1839-1906), Edgar Degas (1834-1917), Claude Monet (1840-1926).  Fauvists - a group of artists and an art movement of the early 20th Century who focused on the painterly and lasted only a short time, 1904-1908. It is influenced by the Impressionists and is also considered a break from that. A few artists of this short movement are Henri Matisse (1869-1953), André Derain (1880-1954), Jean Puy (1876-1960), amongst others.  Secessionists  - is an independent art movement, and historical break of the avante garde from the conservative ideals of European art. This period was from the late 19th to the early 20th Century. Started in Germany (Munich Secession) and then onto Vienna led by Gustav Klimt  (1862-1918). The several secessionist movements of the late 19th century (Munich, Vienna, Berlin) was grouped as one movement in the 1970's by art scholars.  hanashita - is a thin sheet of gampi paper that is pasted, reverse side, on a piece of wood. This is a guide, carved onto the block and is generally used for the key block and subsequent colour blocks. Methods such as acetate with water based pigment, can also be used rather than the thin gampi paper, which can cause misregistration if not pasted correctly. Biomass plants in the EU - biomass is a form of energy which uses trees as energy. Large biomass plants can be found and subsidized by federal governments in Europe. They take in biological materials such as wood residue, energy crops and other agricultural residues and convert these items into energy. There are both pros and cons for this type of energy generation.  shina - is a type of wood used in mokuhanga. It is part of the linden family of trees. This wood is produced in various parts of the world, such as Japan and Russia. Not all shina is created equal so buyer beware. basswood - is a type of wood from the linden family of trees, soft and generally grainless. Can be used in mokuhanga.   Florence, Italy   - the capital of the Tuscany region of Italy. Famous for its renaissance architecture, and culture. Large art galleries, such as the Bargello National Museum, and the Uffizi Gallery, are located here. fabriano artistico - is a machine made Western watercolour paper, which can be purchased in rolls and sheets. Guerra Pigment - is a family run pigment store located in Brooklyn, New York. Holbein -  is a pigment company with offices located in Japan, The United States, and Canada. They offer high end gouache, watercolour, and pigment pastes.  Paul Furneaux - is a Scottish mokuhanga artist based in Edinburgh, Scotland. He makes abstract mokuhanga, mixed with wood and other mediums.  sizing recipe -  sizing is a term used for a recipe, containing animal glue, alum, and water. It is used to coat your paper, dried, and then remoistened and printed with,  to keep your pigments from bleeding in the paper. Sizing, in the short term, keeps your prints bright and colourful, although over time it has been proven that heavy sizing can deteriorate the print. Some recipes can be found, here, and here. McClains - is an online, and brick and mortar store located in Portland, Oregon, USA. It sells mokuhanga tools, books, and educational items. McClain's interview with The Unfinished Print can be found, here.  takenogawa bamboo skin -  is a bamboo skin, made from a bamboo leaf, which covers the coils on your baren. You can wrap them yourself or have them sent to Japan to be wrapped professionally. Be sure to buy more than a few baren skins as you'll go through a few when wrapping your own baren. Gotō baren clinic Ginza - called Baren Juku, and located in the Ginza, Tōkyō. It was started in 2012. tannin - are a class of molecules which are found in amino acids and alkaloids. They are found in tree bark, wood, leaves, fruits, seeds, plants. They protect the tree from bugs and other infections. Gotō Huidehiko's book on baren -  Mia-0 - is a mokuhanga artist based in Tōkyō, Japan. Her work can be found, here.  Terry McKenna - is a mokuhanga printmaker based in Karuizawa, Nagano, Japan. He studied under Kyōto-based mokuhanga artist Richard Steiner. Terry also runs his own mokuhanga school in Karuizawa. His interview with The Unfinished Print can be found, here. Richard Steiner's interview with The Unfinished Print can be found, here.  John Moss -  is a mokuhanga artist based in Atlanta, Georgia, USA. His work focuses on landscape. His work can be found here. His interview with The Unfinished Print can be found, here.  murasaki baren - is a mid-range mokuhanga baren. “murasaki” meaning “purple” , come in two types of weight (medium and heavy), and two types of sizes (10cm and 12cm). They are reasonably priced baren.  gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints.  baren suji zuri - is a Mokuhanga technique used with the baren and by the baren to create a circular design and can be layered with various colours. Paul Binnie's Black Storm (2016) is a fine example. Yuki baren -  is a heavy ball bearing baren made in Japan. It is used to print large flat colours.  Padua, Italy - is a city in the North of Italy, the Veneto region. It is famous for its frescoes and religious heritage. More info can be found, here.  bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable.  © Popular Wheat Productions opening and closing credit music - Rob Swift, A Turntable Experience, from trhe album Soulful Fruit (1997) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***      

What would a pipe tobacco podcast be without a good deal of pipe tobacco reviews? Loose leaf, tin, and even the hard to find stuff will all find their way into our pipes and into our heads as we review the entirety of each pipe tobacco from the packaging, marketing, tin note, texture, flavor, and smoke. It's flake week this week with: Brunello Flake and Mac Baren Virginia Flake

När Lars Hammar gjorde lumpen och Mossad och Spetsnaz ryckte började rycka i honom, hur bilden av ryssen gått från "Ivan Drago-energi" till berusade "Russians Gone Wild-energi", Zelenskys hämtningar och lämningar från förskolan och om journalistiken som framkallade text efter text om baren som aldrig slocknade i New Orleans under orkanen Katrina.

Lyt til Oppositionen og de andre nye programmer hos Apple Dagens udsendelse: Er grønlandske politikere de rigtige til at løse de massive problemer med seksuel udnyttelse af børn? Vi spørger en magtfuld grønlandsk politiker. Dine værter er Asger Juhl & Nikolaj Juel. Tidskoder: 00:13:00-00:20:00: Maria Ladegaard, landsformand for Venstres Ungdom // Om hvorvidt Danmark er Ukraines allierede 00:21:00-00:30:00: Eva Obdrup, forretningsfører 3F //  Om hvis der ikke er jobs nok til de ledige 00:33:00-00:47:00: Ida Marie Moesby, forbrugerøkonom i Nordea // Om hvad bankerne gør når en kunde bliver udsat for IT-relateret økonomisk svindel  00:52:00-00:55:00: Johannes Wamberg Andersen, dansker har været bosat i Ukraine i 18 år. Medstifter af fødevarevirksomheden Farø Foods. Er NU i Danmark efter at Udenrigsministeriet tidligere på måneden kaldt alle danskere hjem fra Ukraine // Om hvorvidt Ukrainerneer forberedt på en russisk invasion 01:00:00-01:05:00:  Alex Pedersen, Formand for Danske Private Parkeringsselskabers Brancheforening // Om hvorvidt det kan betale sig for parkeringsselskaberne at udskrive bøder, der ikke holder i retten 01:07:00-01:10:00: Katriina Lillelund Schøier, Senior Client partner Korn Ferry //  Om kønskvoter og rekruttering 01:12:00-01:24:00: Thomas Werge, Professor ved Københavns Universitet, leder af Forskningsinstitut for Biologisk Psykiatri, Psykiatrisk Center Sct. Hans // Om hvilke autister kan vi takke for at have skabt det samfund, vi kender i dag 01:27:00-01:34:00:  Anders Puck Nielsen, militær forsker ved FAK's afdeling for Center for Maritime Operationer // Om Hvad den danske fregat Niels Juel kan gøre 01:34:00-01:40:00: Esben Schjørring, politisk redaktør på Altinget // Om hvorvidt DF-udmeldingerne er en åbenbaring for Messerschmidt? 01:40:00-02:00:00:  Aki-Matilda Høegh-Dam, Medlem af Folketinget, Siumut // Om hvis Grønland skal have en samtykkebaseret voldtægtslovgivning

Paul de Groot is een avonturier. Als pionier op het gebied van freeride skiën neemt hij ons mee in zijn leven. Van de besneeuwde bergtoppen tot de woeste baren. De hang naar vrijheid bepaalt de loop van zijn leven, waarover hij mooie verhalen deelt. Luister daarom naar en leer van: Paul de Groot!Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

18:00: Pick your poison 22:44: Uzi Vert diamond implant 29:34: Kodak Black clone? 35:40: Yt man shoots his neighbors 51:45: Courtside Karen vs LeBron 1:01:27: Fast food tier list 1:07:40: Too much self confidence a turn off? 1:13:04: Country singer's streams go up after saying N word 1:25:27: Rapid Fires --- Support this podcast: https://anchor.fm/leadersotn/support