Podcasts about fruity loops

Send us a textIn the first of a two-part conversation, we sit down with Chris (aka Dexta), co-founder of Planet Wax, a legendary record shop, bar, venue, and radio station in New Cross dedicated to underground dance music and its surrounding culture and community. This episode explores Dexta's journey through the UK music scene from the late 1990s to early 2010s. Growing up in North London, his musical passion began with compilation albums and cassette tapes, with a particular affinity for The Prodigy and UK garage. Dexta recalls his first production experiments using basic software that came free in a cereal box, before transitioning to DJing after acquiring a pair of belt-drive turntables. The conversation traces his evolution through various music scenes—from UK garage to grime, and eventually to drum and bass. He shares his experiences with pirate radio, first as a listener of Y2K Radio, then as a presenter hosting his own shows on stations like Rush FM, Elite Radio, and UK Bass Radio. These platforms allowed him to connect with fellow DJs and build an audience while honing his skills both as a DJ and presenter.Dexta recounts his early club experiences, including his first gig at age 16 where he played a 15-minute set as part of "Solid Jam Cartel" (SJC). He discusses frequenting iconic London venues like Fabric, The End, and Bar Rumba, where he discovered various subgenres of drum and bass. His musical tastes gradually shifted from "jump up" drum and bass to darker, more underground sounds.Throughout the episode, Dexta reflects on technological changes in music production and distribution—from early software like Mixman and Fruity Loops to the transition of record shops moving online. He also touches on his brief relocation to Bournemouth, where he discovered even darker drum and bass sounds, before returning to London with ambitions to launch his own record label.Support the showhttps://www.youtube.com/@ControlledWeirdnesshttps://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOIhttps://www.instagram.com/controlledweirdness/https://controlledweirdness.bandcamp.com/Theme song is Controlled Weirdness - Drifting in the Streetshttps://open.spotify.com/track/7GJfmYy4RjMyLIg9nffuktHosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80's when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90's. He still DJ's in the UK and throu...

Bonne et excellente année 2025 ! Ce mois-ci, pour bien commencer l'année, l'équipe de La Grosse Bouffe s'est penchée au-dessus de sa boule de cristal pour un épisode consacré à la modernité... NON ! MIEUX ! A l'hypermodernité ! Le tout à l'aune du livre Le Mangeur Hypermoderne, de François Ascher, sorti en 2005 chez Odile Jacob.Dans cet épisode HYPERMODERNE, nous parlons de crise de la banane, de consommation de vin en chute libre, de Dominique Farrugia, de certains milieux de la gastronomie qui sont peut-être un peu conservateurs, des frères Troisgros, de la façon dont Bertrand a passé un été en prépa dans l'objectif d'intégrer Sciences Po, de FruityLoops, de lecteur mini-disc, du meilleur restaurant du monde en 2005, du rôle de la technologie dans notre perception du talent culinaire, d'olives sphérifiées, de réchauffement climatique et de la perception des métiers du service (FOH) perçus comme moins glamour que ceux de la cuisine dans les écoles d'hôtellerie-restauration. Des barres de rire en perspective.En préambule, nous prédisons des tendances dans le monde de l'alimentation et de la restauration pour l'année à venir. Car la modernité, c'est aussi anticiper, et constater en décembre 2025 à quel point on s'est plantés et qu'on n'est clairement pas des influenceurs.Si jamais, Thomas avait commis cet article de synthèse sur le bouquin dont on parle en long et en large dans Millénaire 3.Nous faisons partie du label Podcut ! N'hésitez pas à découvrir leur grille pleine de podcasts intéressants animés par de belles personnes (en dehors et en dedans), sur des sujets qui vont de la bière à Depeche Mode en passant par la préhistoire. Et si vous nous aimez vraiment, vous participerez à leur Patreon. Et n'hésitez pas à rejoindre le Discord de Podcut ! ET NOUS PARLER !!!La Grosse Bouffe est un podcast dédié au manger et au boire. Les nouveaux épisodes sortent tous les 21 du mois. Retrouvez La Grosse Bouffe sur Ausha, Apple Podcast et toutes les autres plateformes de téléchargement de podcasts. Vous pouvez également nous écrire à lagrossebouffepodcast@gmail.com en particulier si vous voulez souhaiter un bon anniversaire à Thomas (le 23 janvier).Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

PODCAST NO.# 283 -- ♤ -- PIK-FEIN presents... KLARK KENNT @ SONDERSPUR PODCAST - FRANKFURT -♠♤♠ ⎯⎯ ♠♤♠⎯⎯ ♠♤♠⎯⎯ ♠♤♠⎯⎯♠♤⎯⎯ ♠♤♠⎯⎯ - ARTIST - ...INFOs... - KLARK KENNT - Klark Kennt ist ein Techno Producer/DJ, seine Geschichte begann Ende 1999 mit diversen Club besuchen wie der Tresor, das alte Casino, später neues Casino, den Reinbeckhallen in Berlin-Schöneweide und sein noch heute geliebtes Magic Gate in Hennigsdorf ( was es leider heute nicht mehr gibt ) !!! Getanzt wurde bis in die Morgenstunden und schon auf der Tanzfläche merkte er seine Begeisterung zur Techno Musik und den DJs . Anfang des Jahres 2001 zeigte ihn ein Freund das Musikprogramm namens Fruity Loops und schnell nahmen die Dinge ihren lauf und er versuchte sich mit Fruity Loops und einigen selbst erzeugten Beats und die Begeisterung stieg stätig. Er kaufte sich im Jahr 2002 die Groove Box Roland 505 und einen Sampler ! Nach einigen Jahren der Übung war es dann endlich soweit und er hatte im Jahr 2004 seinen ersten Live Act Auftritt im damaligen Techno Club Metronom !! Aus privaten Gründen hatte er eine mehr jährige Pause, dennoch verlor er die Technomusik nie ganz aus den Augen. Nach einigen Club besuchen wie im legendäre Berghain in Berlin , entflammte ein neues Feuer in ihm und somit kaufte er sich im Jahr 2009 verschiedene Midi Controller für Ableton Live und Reason und sofort produzierte er neue Tracks, die sich schon recht professionell anhörten, aber es fehlte noch der letzte Feinschliff und so organisierte er sich ein eigenes Musikstudio, wo er die nötige Ruhe zum produzieren hat . Seit dem Jahr 2010 hört sich seine Techno Musik professionell an und die ersten Techno Labels wurden auf ihn aufmerksam und ein Traum ging endlich für ihn in Erfüllung. Er konnte seine Musik über diverse Techno Labels heraus bringen !!! Bis zum heutigen Tag produziert er weiterhin diverse Tracks vom Style Techno/Hardtechno und er hofft weiterhin auf weitere erfolgreiche Jahre ! Seit dem Jahr 2017 produziere ich unter dem Namen NeoPlastika , was ein Zusammenschluss zwischen meinem Kumpel oneDESCRIPTION und mir ist ! NeoPlastika steht für " Pure Techno " , zur Zeit allerdings ist das Projekt NeoPlastika nicht mehr aktiv . -CONTAKT- Soundcloud: @klarkkennt Facebook: www.facebook.com/klark.kennt80 ....das HEIßT... noch mehr GUUUUUUUDEN STOFF zum BALLERN.... !!! DANKE DIR VIELMALs mein LIEBER.. für dieses STÜCK GEBALLER... WAHNSINNS Set !!! PASST SITZT & QUIETSCHT genau das richtige auf der SONDERSPUR !!! LASST ES EUCH.... GUUT GEHE & VIEL SPASS BEIM GENIEßEN !!! ...LET THE GEBALLER ENTERTAIN YOUUUUUUU !!!

Welcome to Episode 42 of The Larry Ohh Show! This week to bring some memories and feel a little nostalgic, we are going to be dowloading and going through FL Studio 3 aka "Fruity Loops 3" to see how much the DAW has changes over the last 22 years.To enter to win the FL Studio courses, you must comment the keyword you hear in this episode.This is a weekly podcast where we talk about everything FL Studio and music production!10 Free Vocal Templates: https://yahelpme.com/pages/fl-studio-vocal-templatesLarry Ohh (Host):https://instagram.com/larryohhhttps://yahelpme.comJohn Phelps (Co-Host):@ItsJohnPhelps on TikTok@ItsJohnPhelps on IGhttps://itsjohnphelps.com#flstudio #flstudio2024  #larryohhThe Boiler Room Studiohttps://theBoilerRoomStudio.com0:00 FL Studio Courses + FLP Giveaway1:00 Trying Out Old Versions of FL Studio2:30 Unlocking Older Versions: Image-Line's Customer Archive5:00 Discussing FL Studio's Version Jump (12 to 20)9:00 Diving Into FL Studio 3: Nostalgia & First Impressions16:38 What are those other buttons next to it?19:01 Getting used to the X minimize and maximize buttons.21:22 Wasp synth nostalgia – don't sleep on it!23:41 Fruity Vibrator: The wildest forgotten plugin!26:10 The early mixer board: Small but functional.28:44 The EQ situation back then: Limitations of 7-band EQ.33:07 Legacy playlist: Block patterns and no audio clips.35:33 Wrapping it up: Final thoughts on FL Studio 3.

Durk Kooistra in gesprek met diskjockey en muziekproducer Sefa Vlaarkamp. Al op jonge leeftijd maakte Sefa naam in de frenchcore scene - excuus - de wereld van de frenchcore. Op 14-jarige leeftijd bracht hij zijn eerste EP uit, twee jaar later gevolgd door de eerste optredens. Ondanks moeilijkheden volgde Sefa zijn hart. Hij verdiept zich in klassieke muziek en filosofie, waarvan elementen ook terugkomen in zijn eigen werk. Bronnen en links bij deze uitzending: - 'Pull That Up Jamie' ((REMIX)) by juanjo_sound: https://www.youtube.com/watch?v=0BLDPRoEhaM (1:56) - Sefa Frenchcore Mix 2023 playlist: https://www.youtube.com/watch?v=yHdq8_JlUXs (13:09) - Website van de Hardstyle Pianist: https://www.hardstylepianist.com/ (17:04) - Leven = Lijden Album: https://www.youtube.com/playlist?list=PLWTPkLjMOYx5VGR-KhpjGRlNBDDNsDYlG (26:05) - Het Ergste Moet Nog Komen: https://www.youtube.com/playlist?list=OLAK5uy_lzvZ2Njpl5jHpi-dFVVFbDuNO85CH7uaA (41:43) - 'Musikalisches Opfer', BWV 1079, J.S. Bach: https://www.youtube.com/watch?v=PcTVkOzrzQs. Meer informatie over dit werk onder deze uitvoering van de Triosonate door de Nederlandse Bachvereniging: https://www.youtube.com/watch?v=3QWxjD2qBAc. Playlist hier: https://www.youtube.com/playlist?list=PLecKPCyj4yRP5alpTnnt0XMjW2Eblhz11 (44:13) - Balkan Groove 7/8 BPM116: https://www.youtube.com/watch?v=CC3S5sK12JQ (45:13) - Sefa: Road to Defqon.1 | Full Documentary: https://www.youtube.com/watch?v=dwyWrU7OphU - Sefa speelt een DJ-set bij het Glazen Huis | 3FM Serious Request 2023 | NPO 3FM: https://www.youtube.com/watch?v=W1a7PbV5FT0 - https://www.youtube.com/@Sefaofficial -- Steun De Nieuwe Wereld. Word patroon op https://petjeaf.com/denieuwewereld of doneer op NL61 RABO 0357 5828 61 t.n.v. Stichting De Nieuwe Wereld. Alvast bedankt. -- 0:00 Introductie 0:22 Pull That Up, Jamie 2:50 Katholieken en kerkvaders 4:04 Sefa in vogelvlucht 7:35 Encyclopedieën en paddestoelenboeken 12:12 Googlen of je al van school af mag 14:55 De eerste stappen in de muziek 19:30 Terug naar school? Studeren? 22:40 Fruity Loops, Fasttracker, Ableton 26:04 Even aan mijn moeder vragen 26:27 Beat matchen en stoppen met school 35:28 Zingeving, nieuwsgierigheid en gelaagdheid 42:14 OETZ, waarde Durk 43:01 Kung k kung kung kung k kung kung 46:13 Grote verhalen en majeure akkoorden 51:05 Fragment: dominant septiem akkoord oplossen naar 1 53:59 Wachten totdat je trouwt 55:23 Avatar van contrasten -- De Nieuwe Wereld TV is een platform dat mensen uit verschillende disciplines bij elkaar brengt om na te denken over grote veranderingen die op komst zijn door een combinatie van snelle technologische ontwikkelingen en globalisering. Het is een initiatief van filosoof Ad Verbrugge in samenwerking met anchors Jelle van Baardewijk en Marlies Dekkers. De Nieuwe Wereld TV wordt gemaakt in samenwerking met de Filosofische School Nederland. Onze website: https://denieuwewereld.tv/ DNW heeft ook een Substack. Meld je hier aan: https://denieuwewereld.substack.com/

On this episode of The Danny Brown Show, Joey Valence and Brae stop by to talk about being friends, being new artists, and collaborating with Danny. They also discuss crust punks, smelly fans, and pornos with good acting. During the Ask Danny segment, they answer questions about having autism in an arcade, a DJ friend who plays dark techno, and a friend with multiple personalities. Other topics include: Jay-Z, grills, Fruity Loops, Smash Bro tournaments, and jackin' it with VR. Enjoy! Have a question for Danny? Hit us up at danny@thedannybrownshow.com The Danny Brown Show Ep. 124 https://xdannyxbrownx.com https://store.ymhstudios.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Dags för Özze att gästa sin egen podd. Vi snackar om aktuella projekt, släpp och den nuvarande musikaliska inriktningen innan vi spolar tillbaka bandet och snackar Fruity Loops, progressive house, tidiga släpp och om att figurera i gränslandet mellan techno, house och trance. En del proddsnack hinns också med. ➢ Följ Özgür Can: Instagram: www.instagram.com/ozze.can/ Spotify: https://open.spotify.com/artist/6YNMyQAlJK3JPOUCbGUaQi ➢ Tack till ljudproduktionsbyrån Flickorna Larsson för att vi får spela in i era lokaler ➢ Supporta Dansmusikpodden via Patreon ➢ Snacka loss i vår Facebook-grupp ➢ Hitta oss på övriga plattformar via vår Linktree ➢ Mejla oss: dansmusikpodden@gmail.com

DJ Delish https://linktr.ee/djdelish215 , a somewhat enigmatic figure, delivers another meticulously crafted, vogue-inspired project. This time, she questions the decline in creativity despite technological advancements. Her inquiry isn't meant to antagonize but to awaken a realization that the ballroom, underground club, and overall music scenes are stuck in a repetitive and disheartening loop. This project aims to reignite self-awareness among music, visual, and vocal producers in these communities. Known for her unconventional and sometimes outlandish production techniques, DJ Delish stays true to her methodical process in this project. With an extensive history of using unlikely and daring songs and samples to create her distinctive sound, this mixtape is no exception. You may hear "Yoshi," a piece of a prophetess, or samples of a commentator from 1997—with her, you never know until you press play. 1. WERQ ME [2024] 02:27 2. KUNT-SHI [YOSHI HA] 02:55 3. EQUALIZA' (Feat. Behold.) 02:31 4. CURTAINS (interlude) 00:41 5. OUT DA WINDOW VOGUE 02:27 6. RODE THAT PɄƧƧ 03:02 7. GET LIKE ME [REMIX] (Feat. D.D.A.) 03:29 8. MOOR'S FLOWERS (outro) 00:59 Firstly, let me say this: the name for this was born out of listening to someone's "new single" on the radio and comparing that so-called-novelty to literally every song that you can think of and I, amid talking to myself and recording the "conversation" asked the question. This isn't to go to the "underground" producers, the ones who don't have studios, the ones who aren't big mansions and basements, the ones who aren't working with Ableton and Fruity Loops but yet somehow still creating the culture, creating the very sound that every celebrity has admitted they've needed. When one is awake, one can be aware, one can move out when it's time to move, they can move around when it's needed as well. released August 2, 2024 all rights reserved

Firstly, let me say this: the name for this was born out of listening to someone's "new single" on the radio and comparing that so-called-novelty to literally every song that you can think of and I, amid talking to myself and recording the "conversation" asked the question. This isn't to go to the "underground" producers, the ones who don't have studios, the ones who aren't in big mansions and basements, the ones who aren't working with Ableton and Fruity Loops but yet somehow still creating the culture, creating the very sound that every celebrity has admitted they've needed. When one is awake, one can be aware, one can move out when it's time to move, they can move around when it's needed as well. What The Hell Happened? Y'all Producers Took A Day Off or Something? Hello? HELLO​?​! IMMEDIATELY AVAILABLE https://djdelish.bandcamp.com/album/what-the-hell-happened-yall-producers-took-a-day-off-or-something-hello-hello by DJ Delish WERQ ME [2024] 02:27 KUNT-SHI [YOSHI HA] 02:55 EQUALIZA' (Feat. Behold.) 02:31 buy track CURTAINS (interlude) 00:41 OUT DA WINDOW VOGUE 02:27 RODE THAT PɄƧƧ 03:02 GET LIKE ME [REMIX] (Feat. D.D.A.) 03:29 MOOR'S FLOWERS (outro) 00:59

AI DRUM AND BASS USER 74 | Computers LIVE in Germany | CHICK-FIL-A NEUROFUNK DNB | Lo Fi Techstep Jump Up | LOOP SAMPLE PACKS | Fruity Loops AI | ROTTERDAM CHICK-FIL-A USER 74 | DRUM & BASS USA | Computers LIVE in GERMANY | CHICK-FIL-A SAUCE NEURO-SKUNK | Techstep Jump Up DNB | BREAKCORE LO FI SAMPLES | Fruity Loops AI | UK SPECIAL

Hugo vertel ons van elektroniese dans musiek en hoe om dit te maak. Check out AFRMNE se nuwe release: URBAN ECHOES. Ook die Afrikaanse Manne potgooi. Sagteware: Logic (IOS), Fruityloops, Slicer, VSTs Hardeware: Midi controller.

Durante goes Back To Back! Willy talks with him about his upcoming album "Enter" (out April 5th on Anjunadeep), taking risks to chase "his sound", 90s rave influences, working for OWSLA, the Fruity Loops demo song, bad breath in the club, airport NPCs, gear as inspiration and why reading manuals is important, lighting directors and the unsung club heroes, advice for submitting your music to labels & much more!   Join our Discord: http://discord.io/backtobackpod Willy Joy: http://linktr.ee/willyjoy Durante: https://durantemusic.com   PROTECT REPRODUCTIVE RIGHTS: https://abortionfunds.org/funds/ https://www.prochoiceamerica.org/ https://www.sistersong.net/  

JR Swiftz - https://www.instagram.com/jrswiftzofficial/JR Swiftz is a hip hop producer born and raised in Brooklyn, New York.  His journey into beat making began shortly after relocating to Virginia at the age of ten. There he would watch his father Jayswiftz who is also a producer, interact with many well known artists such as Busta Rhymes, Kool G Rap, AZ and Papoose just to name a few. JR's love for the craft grew deep as he watched his father make music but he also had outside influences such as Nottz, Black Milk, AraabMuzik, Hi-Tek and J-Dilla. He would first make his beats on Fruity Loops, then Ableton and now the MPC Live. He took his experience and inspirations to develop his own style and at age 29, he's created tracks for artists such as Conway the Machine, Westside Gunn, Flee Lord, Skyzoo, Elzhi, Armani Caesar and Rome Streetz. He also produced the entire album 'Seven Times Down Eight Times Up' for Elzhi that's garnering a lot of praises in the hip hop community. JR Swiftz now resides in Charlotte, NC and is working with many upcoming artists such as B-Dot and Ke Turner.This week's episode is brought to you by Manscaped! Get 20% Off and Free Shipping with the code THECHOPSHOP at Manscaped.com. That's 20% off with free shipping at manscaped.com and use code THECHOPSHOP. Unlock your confidence and always use the right tools for the job with MANSCAPED™Support the show Support the showWEBSITE AND MERCH! - http://www.officialchopshoppod.com

Misery (Part 2 Independent) is set to be released on December 5 and it can be found on allmajor platforms.Spotify:https://open.spotify.com/artist/6dXkVKKAjoDbZu0dfLQiMy?si=U8xLAJhQRFCtFrbsIXccRg&nd=1&dlsi=4f3b7bb0d1f44417Instagram: instagram.com/AuroraTakeoverYouTube: https://www.youtube.com/@michaelflynn5201?si=QuSWG69rnX1wP2XRApple Music: https://music.apple.com/us/artist/aurora-takeover/1448637933Hyperpop musician Aurora Takeover focuses on creating songs with relatability, and he hasreleased a brand album EP titled Misery, (Part 2 Independent) that touches on the theme of adrug relapse.Aurora Takeover, 24, was born and raised in Tewksbury, Massachusetts, and has been singingand writing his music since he was young. He went to college in New Hampshire to study audioengineering, but quickly found out that college wasn't for him. He started teaching himself howto mix on FL Studio, and began writing his first album, “The Darkest Light.” His first release wasa single called “Walls.”He left college after a year and was jumping from job to job, but it was stagnant to him. Duringthis time he was always somewhat depressed about his scenario, thinking there was an unfilledvoid. He said he was drinking a little too much, was going out multiple times a week, and this iswhen he discovered he has the ability to really hone in on peoples' feelings.

This week, we are joined by rapper, producer, and actual mayor of Chino Hills, Corbin Butler. We talk about how Corbin started making music on Fruity Loops, the death of CDs, a black "Grease" movie, Danelo Cavalcantes' escape from prison, Will Ferrel, Issa Rae, and Insecure. Also freestyles! If you would like to support the show, and get early access to episodes plus bonuses, sign up at www.patreon.com/domewithbamfomania Instagram: Corbin Butler IG: https://www.instagram.com/corbinhbutler/ Dave IG : https://www.instagram.com/sultansatire/ Alex IG: https://www.instagram.com/bubbawhyy/ For all things Corbin: https://linktr.ee/909corbinbutler

follow us on Instagram @rapnburger          ¦¦       Braucht es RapperInnen bald gar nicht mehr, kann künstliche Intelligenz sie ersetzen? Darüber sprechen RapNose und J.Burger in der neusten Episode Rap'n'Burger mit gemütlichen Rap-Kitchen Hintergrundgeräuschen. Zudem geht es um den Sinn oder Unsinn von Artist-Ranglisten, Fruity Loops und und und. Ich würde empfehlen: reinhören!          ¦¦       Links zu allem Besprochenen unter dem Video zu Folge #78 auf YouTube im Kanal Rap'n'BurgerSupport the show

In our new episode we had the pleasure of talking to US producer xander. on the release day of his new album Bliss. We cover the creative process behind and and how it all came to be, his journey from picking up Fruity Loops to working with Meek Mill and building up his followership in recent years. Shoutout to all the amazing people mentioned in the podcast! Links » xander. (@iamxandermusic) » artworks (@jim_spendlove) » Stereofox IG (@wearestereofox) » subscribe to our newsletter at Stereofox.com » listen to our label releases » host (@himynameisivo) » Join our Discord Server Podcast notes [1:26] Moving to Boston and the beat/culture scene there [3:12] The Xander sound [5:17] The new Bliss album creative process and release journey [11:20] On playing instruments [13:10] The importance of collaboration [18:24] On meeting his collaborators [24:32] Drumming and early days of producing music [26:30] On getting triple gold certified and working with Meek Mill [29:52] On the important of being consistent & building followership [33:10] Pros and cons of social media [35:50] What to look for in a record label [37:45] Xander's favourite place to listen to Bliss

My guest on this episode of One More For Safety is Dawson March. . Dawson is the studio manager at The LBT Studio in Franklin, Tennessee, and the right-hand man to Jacquire King. We cover how Dawson got started in music production, writing songs he couldn't save in Fruity Loops, failing out of College, and finding his path through hard work and dedication. Enjoy!Follow Dawson on Instagram@dawsonmarch

From the work of Italian researcher, Paolo Vanoli, who believes that the aggressive vaccine schedule and the mercury in vaccines can be attributed to men and women being altered and adapting to same sex relationships. to glucose and fructose altering a protein in the DNA, which regulates the production of testosterone and estrogen, we look at the variables and random factors that could be contributing to what many might consider to be a gender crisis.

PODCAST NO.# 253 -- ♤ -- PIK-FEIN presents... KLARK KENNT @ SONDERSPUR PODCAST - FRANKFURT -♠♤♠ ⎯⎯ ♠♤♠⎯⎯ ♠♤♠⎯⎯ ♠♤♠⎯⎯♠♤⎯⎯ ♠♤♠⎯⎯ - ARTIST - ...INFOs... - KLARK KENNT - Klark Kennt ist ein Techno Producer/DJ, seine Geschichte begann Ende 1999 mit diversen Club besuchen wie der Tresor, das alte Casino, später neues Casino, den Reinbeckhallen in Berlin-Schöneweide und sein noch heute geliebtes Magic Gate in Hennigsdorf ( was es leider heute nicht mehr gibt ) !!! Getanzt wurde bis in die Morgenstunden und schon auf der Tanzfläche merkte er seine Begeisterung zur Techno Musik und den DJs . Anfang des Jahres 2001 zeigte ihn ein Freund das Musikprogramm namens Fruity Loops und schnell nahmen die Dinge ihren lauf und er versuchte sich mit Fruity Loops und einigen selbst erzeugten Beats und die Begeisterung stieg stätig. Er kaufte sich im Jahr 2002 die Groove Box Roland 505 und einen Sampler ! Nach einigen Jahren der Übung war es dann endlich soweit und er hatte im Jahr 2004 seinen ersten Live Act Auftritt im damaligen Techno Club Metronom !! Aus privaten Gründen hatte er eine mehr jährige Pause, dennoch verlor er die Technomusik nie ganz aus den Augen. Nach einigen Club besuchen wie im legendäre Berghain in Berlin , entflammte ein neues Feuer in ihm und somit kaufte er sich im Jahr 2009 verschiedene Midi Controller für Ableton Live und Reason und sofort produzierte er neue Tracks, die sich schon recht professionell anhörten, aber es fehlte noch der letzte Feinschliff und so organisierte er sich ein eigenes Musikstudio, wo er die nötige Ruhe zum produzieren hat . Seit dem Jahr 2010 hört sich seine Techno Musik professionell an und die ersten Techno Labels wurden auf ihn aufmerksam und ein Traum ging endlich für ihn in Erfüllung. Er konnte seine Musik über diverse Techno Labels heraus bringen !!! Bis zum heutigen Tag produziert er weiterhin diverse Tracks vom Style Techno/Hardtechno und er hofft weiterhin auf weitere erfolgreiche Jahre ! Seit dem Jahr 2017 produziere ich unter dem Namen NeoPlastika , was ein Zusammenschluss zwischen meinem Kumpel oneDESCRIPTION und mir ist ! NeoPlastika steht für " Pure Techno " , zur Zeit allerdings ist das Projekt NeoPlastika nicht mehr aktiv . -CONTAKT- Soundcloud: @klarkkennt Facebook: www.facebook.com/klark.kennt80 ....das HEIßT... noch mehr GUUUUUUUDEN STOFF zum BALLERN.... !!! DANKE DIR VIELMALs mein LIEBER.. für dieses STÜCK GEBALLER... WAHNSINNS Set !!! PASST SITZT & QUIETSCHT genau das richtige auf der SONDERSPUR !!! LASST ES EUCH.... GUUT GEHE & VIEL SPASS BEIM GENIEßEN !!! ...LET THE GEBALLER ENTERTAIN YOUUUUUUU !!!

Rappeur, chanteur et beatmaker, Dibby Sounds vient de Genève en Suisse. Il est ce qu'on appelle un gender bender, un artiste qui fait plier le genre, s'amuse avec ses codes, les détourne ou les contourne pour dévoiler une identité multiple et un univers complexe où se côtoient gangsters et licornes. Né d'une mère philippine et d'un père serbe et macédonien, Alexander, de son vrai nom, grandit dans le quartier des Pâquis et découvre le rap à l'âge de 9 ans. Il écrit très vite ses premiers textes et participe à des ateliers rap à côté de chez lui. Il compose ses premières prods à l'âge de 17 ans grâce à un ami qui lui donne le logiciel de production musicale Fruity Loops. Après des études de communication et de théâtre, il étudie la mode avec l'idée de créer sa propre marque et pourquoi pas de sortir un jour un album et une collection en même temps.  Bisexuel, Dibby Sounds place son identité de genre et son orientation sexuelle au centre de son écriture. Tantôt ego trip, tantôt acerbes, ses textes sont souvent poétiques et toujours drôles. Parmi ses sujets de prédilection, balayer les clichés et fustiger le rap hétérosexiste et LGBT+phobe. L'artiste nous parle de mode virtuelle, de sa passion pour les rappeuses américaines d'Atlanta, et de son coming out à ses "potes lascars" puis à ses parents.  Madame Talk est totalement indépendant, sans publicité et gratuit. Vous pouvez soutenir le podcast en faisant un don ponctuel ou mensuel ici : https://fr.tipeee.com/madamerap.

Rappeur, chanteur et beatmaker, Dibby Sounds vient de Genève en Suisse. Il est ce qu'on appelle un gender bender, un artiste qui fait plier le genre, s'amuse avec ses codes, les détourne ou les contourne pour dévoiler une identité multiple et un univers complexe où se côtoient gangsters et licornes.Né d'une mère philippine et d'un père serbe et macédonien, Alexander, de son vrai nom, grandit dans le quartier des Pâquis et découvre le rap à l'âge de 9 ans. Il écrit très vite ses premiers textes et participe à des ateliers rap à côté de chez lui. Il compose ses premières prods à l'âge de 17 ans grâce à un ami qui lui donne le logiciel de production musicale Fruity Loops.Après des études de communication et de théâtre, il étudie la mode avec l'idée de créer sa propre marque et pourquoi pas de sortir un jour un album et une collection en même temps. Bisexuel, Dibby Sounds place son identité de genre et son orientation sexuelle au centre de son écriture. Tantôt ego trip, tantôt acerbes, ses textes sont souvent poétiques et toujours drôles. Parmi ses sujets de prédilection, balayer les clichés et fustiger le rap hétérosexiste et LGBT+phobe.L'artiste nous parle de mode virtuelle, de sa passion pour les rappeuses américaines d'Atlanta, et de son coming out à ses "potes lascars" puis à ses parents. 

MAWP Tacoma presents the MAWPCAST 1 Radio Program Season 4 Episode 20 Hosted by Potter and Sound Man Chris! This week we discuss the magical world of local music. Taylor Hawkins passing. Hitch Hikers Guide to the Galaxy. Solar power. Drum machines and beat programming. Fruity Loops. Lightening in a hot tub. Soap. Star Wars and Tolkien are sprinkled around in there... We are all over the place. Subscribe to our YouTube!  Check out our Website! Tweet us on Twitter!  Follow us on Facebook!  Look at us on Instagram!  Watch us on Twitch!  Listen to us on Bandcamp!  Visit our Patreon!  On this weeks episode we play these songs by the following bands:   1. Argonaut "Graham" Project: Argonaut (Bandcamp) 2. John Walker and the Hitch Hikers "This Story Has an Ending" (ReverbNation) 3. Ranchero "Hit the Road" Blue (ReverbNation) 4. Easiah and Stack TR3Y "I Get Paper" Ta Ta Tacoma (Bandcamp) 5. Champagne Sunday "Rain" Shine (Soudcloud) 6. Dain Norman and the Chrsyalis Effect "What You're Worth" Shades of Blue (ReverbNation) 7. Ash Bib "Tom Swift" Tacoma (MAWP Tacoma) 8. Angelina Adams "Ugly" (Website) 9. Shifter "Josh" Three Dollars or Best Offer (MAWP Tacoma) 10. Waxcen "Are U Ready" Featuring K.I. (ReverbNation) 11. Stargazy Pie "Paranoid" Butterfly Hand Grenade (Bandcamp) 12. Pig Snout "Hold Your Ground" (Facebook) 13. Siren's Rain "Borderline" Rise Forth (Bandcamp) 14. Helter Skipper and the Gilligan Mansons "99 Cent Soul" General Ed's Naked Circus (Facebook) 15. Lewie "Movin' Smarter" (ReverbNation) 16. Jet City Fix "Jet City's Rockin'" Play to Kill (ReverbNation) 17. Yesterday's Velvet Dream "Tomorrow's Flowers" (Bandcamp) 18. Metamorphosis "Another Day" Demo '93 (MAWP Tacoma) 19. Jenny Snipstead "Mannequin" Summer Sampler (ReverbNation) 20. Planet of Giants "Treason" That Electric Sound (Bandcamp) 21. Big Idea "The Great Joy" The Big Idea (MAWP Tacoma) 22. SweetKiss Momma "Rocket Ride" Revival Rock (ReverbNation) 23. Blakk Soul "Shake" (Bandcamp) 24. Orville Dare "Let Us" 25. James Coates "Cigarette Blvd" One Last Ride (Bandcamp) 26. Canon Canyon "Breathe Deeply" Conducted By Thieves (Bandcamp) 27. New You "Suffer" Suffer (Bandcamp) 28. Zebrana Bastard "Let's Play" Alcoholic Heart (Bandcamp) 29. The DCP Organization "Smooth Night" The DCP Organization (Bandcamp) 30. Alphabet Swill "Having an Attack" Having an Attack (MAWP Tacoma) © 2022 MAWP Tacoma  

Producer, beat-maker, songwriter and fashion icon Denise De'ion talks building a beat from the ground up, how she got her start in beat battles and using Fruity Loops, and her legendary collaboration with Boi-1da x Bacardi producing her NFT single “Juice”. We also chat about the making of her latest track, “Homerun” and how she finds inspiration.

"Jordan Rakei" is a multi-instrumentalist singer, songwriter and producer based in London.Jordan was born in New Zealand but moved to Australia as a child. He got into music via his parents record collection which included artists such as Stevie Wonder and Pink Floyd. As a musician it was the music of Stevie Wonder that would inspire Jordan to tech himself the piano, originally studying Stevie's chord progressions.Based in Brisbane, Jordan would begin to produce his own music, originally using Fruity Loops. He created a SoundCloud account to upload his music and it wasn't long before he put together his debut EP, "Franklin's Room" which he self-released in 2013.Despite being able to make a living solely from music while living in Brisbane, Jordan thought that his life was a little too easy, and not challenging enough. It was this feeling that eventually led him to move to London, where is he currently based.Fast forward to 2022, with many albums under his belt and a record deal with Ninja Tune, Jordan continues to explore his version of electronic soul, mixed with his unique lyrical approach."Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

Killa Tapes Cypher 9 - Beats Track List: 1. Beat 5 (from: Where My Killa Tape At) (Prod. Mighty Mindless Cartoons) - 0:00 2. Windy City (Prod. Mighty Mindless Cartoons) - 1:20 3. Art Of War (Paperback) (Prod. Mighty Mindless Cartoons) - 1:40 4. Prepare For The Take Off (Prod. Jason Famous Beats) - 4:20 5. All About Skills (Prod. Jason Famous Beats) - 7:46 6. Like Distortion (Prod. Jason Famous Beats) - 10:40 7. ME JULIE (Prod. Rogue Beats) - 13:42 8. WANNABE (Prod. Rogue Beats) - 17:57 9. STORM SHIT (Prod. Rogue Beats) - 21:43 10. I Gotta (Prod. Barnz) - 24:55 11. DANK BE THE SHIT (Prod. Chills Myth) - 27:10 12. Carnage in bloom (Prod. Quick Wit) - 28:31 13. King Of Style (Prod. Jason Famous Beats) - 31:50 14. It Don't Start (Prod. Mighty Mindless Cartoons) - 34:54 15. We Don't Condone Biting (Knocked Out Their Front Teethses) (Prod. Mighty Mindless Cartoons) - 36:50 16. Gersch-404 (Prod. Mighty Mindless Cartoons) - 39:14 17. Reign of terror (Prod. Brick Top) - 40:43 18. sunken (Prod. Brick Top) - 43:14 19. Levitate (Prod. Jason Famous Beats) - 46:39 20. So Gangster (Prod. Jason Famous Beats) - 50:52 21. Rep In The Flesh (Prod. Jason Famous Beats) - 53:34 22. Consciousness Awakened (Prod. Least Def) - 56:16 23. Chaquito (Prod. Mighty Mindless Cartoons) - 57:45 24. Price Of My Life (Prod. Mighty Mindless Cartoons) - 58:25 25. Fruity Loops and Sour Milk (Prod. Least Def) - 1:01:06 26. Aint seen nuttin like this yo (Prod. Ronnie Rockhead) - 1:02:19 27. A TEE (Prod. Ziggy T) - 1:05:45 28. This Hip Hop (Prod. Jason Famous Beats) - 1:07:53 29. Chrysanthemum (Prod. Barnz) - 1:10:39 30. Twilight Zone Microphone (Prod. Mighty Mindless Cartoons) - 1:12:56 31. Surer Than Yesterday (Prod. CartoonHeads) - 1:16:02 32. The Unprofessionals (Prod. Least Def) - 1:18:25 33. Here I Go (Prod. General Traag) - 1:19:38

Oluwaaa Burna Also known as Burna Boy has given us "Twice As Tall" which is a must-have in your playlist of Albums. Nigerian Born Damini Ebunoluwa Ogulu in 1991 started making music when he was just ten years old when a high school classmate gave him a copy of the FruityLoops production program. Armed with these tools, he started making his beats on an old computer. After graduating, he moved to London to attend college, but dropped out after two years and returned to Nigeria. In 2010, 19-year-old Ogulu traveled to the southern part of Nigeria, where producer LeriQ, who knew each other, ran a small studio. This was the period when he began to embrace the music of his country and spent most of his adolescence immersed in American artists like DMX. He enthralled himself in dancehall and the reggae music his father listened to and explored the Afrobeat music favored by his Grandfather, Fela Kuti's first manager. As a result of his new discoveries, Burna has created a variety of genres that have become his signature sounds. Here he acoustically steers our ears through a journey of self-discovery. Twice As Tall, the expressive sequel to African Giant was nominated for Best Album in World Music at last year's Grammy Awards. "It's an album about the struggle for freedom," Burna Boy said in a statement. "This is an album about life in general, real life, good times, bad times, happy times, sad times, good times." The production on Twice As Tall, as the majority of the project, was recorded in Lagos during the pandemic, which Is to say Burna is one of Africa's greatest. If you haven't Stream the album yet, Then you are definitely missing out!

This week, we are honored to have @jormek from Spain warming up your weekend. We hope you're as excited as we are to get some breakbeat, house, and funky vibes tomorrow at the Haunted Hoedown! About Jormek: Jormek, called DJ MiGhT before, started at the end of the 90s that through "tracker" programs investigated how to modify songs and personalize them taking it to the breakbeat style at the time he found the Fruity Loops program (I started with 3.56) where it was similar to the pc tracker but with great potential. Currently and after having gained experience with the FL Studio I immersed myself with Ableton where he currently performs his songs. More from Jormek: Soundcloud: https://soundcloud.com/jormek Facebook: https://www.facebook.com/jormek Instagram: https://www.instagram.com/jormek_breaks/ Youtube: https://www.youtube.com/channel/UCiSmqs_8JATa5H5eH-1Hjcg https://linktr.ee/Jormek

Direction la Tanzanie, à la rencontre d'un genre complètement faya dont vous n'avez sans doute jamais entendu parlé : le Singeli. Né autour de 2013 d'un métissage de musiques est-africaines, le Singeli à l'air d'un ovni. À la fois musique électronique, urbaine et traditionnelle, elle a la particularité de mettre tout le monde d'accord en cassant les codes du conventionnel. Si ce style était initialement improvisé dans les rues, il est aujourd'hui devenu viral et s'est totalement exporté around the world. Dans cet épisode, Renaud explore le phénomène et vous explique tout sur le contexte historique et social du Singeli, qui s'exporte aujourd'hui à travers le monde via notamment le formidable festival Nyege Nyege et son label. Faya, le podcast du global dancefloorUne émission de Renaud Brizard pour Nique – La radioRéalisation : Malo WilliamsProduction : Christophe Payetavec le soutien de la SACEMTracklist : « Kwa Ajiri Yao » - MC Kuke « Tatizo Pesa » - Jay Mitta feat. Dogo Mjanja « Kijiti » - Bi Kidude« Zoa Zoa » - East African Melody Modern Taarab « Baria » - Bamba Pana « Jennifer » - Jagwa Music « Nainjoi » - Kidene « Unitue » - Mimah « Ganja » - MC Pilato & MCzo « Chura » - Snura « Bado Najiandaa » - Kidene feat Chege Chigunda « Nimeokoka » - Mzee Wa BwaxInvités : Abbas Jazza, Duke et Kidene Références : compilation Sounds of Pamoja, label Nyege Nyege Tapes, quartiers de Mburahathi, Manzese et Tandale, langue kiswhahili, soirées kigodoro, taarab, Zanzibar, East African Melody, bongo flava, kwaïto, logiciels Fruity Loops et Virtual DJ, soukouss, segere, musique de rue mdundiko/vanga, ethnie Zaramo, tambours ngoma, mchiriku, synthétiseurs Casio, Jagwa Music, ethnies Makonde et Luguru, producteurs Sisso, Duke et Jay Mitta, chanteur Kidene, rappeuses Kadilida, MC Memoree Card et Mimah, studio Pamoja Records, danse chura, mapuka, chanteuse Snura, motos-taxis boda boda, Diamond Platnumz, WizKid, Koffi Olomide, Chege Chigunda, NTS radio, Arlen Dilsizian et Derek Debru (fondateurs du Nyege Nyege), les DJ Kampire et Hibotep, label Hakuna Kulala.Remerciements : Derek Debru (Nyege Nyege), Tela Wangeci, Flora Rousseau-Valleur, Maya, et l'équipe doublage (Alain, Arnaud et Max). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

@iamblackbiz@magicnotes

New Orleans, LA ; Allen B describes the culture with a melting pot of various sound coming from New Orleans. Serving in the US Navy traveling to different states and countries, Allen describes humility as "there is always worst living situations" than what people take for granted. Allen B discuss his journey in music with starting off learning how to produce. From developing sounds in "Fruity Loops" to working up to different programs, Allen expresses his interest of producing "organic sounds though pads and keys". Follow Allen B https://www.instagram.com/allenbmusic504/ Follow TPLG Via Facebook : https://www.facebook.com/TPLGMedia/?modal=admin_todo_tour Via Instagram : https://www.instagram.com/tplguncut/ Follow Kool Kel Via Instagram : https://www.instagram.com/thekoolkel/

My guest this week is New York rapper, producer, and engineer AJRadico. We spoke about The Dark Knight trilogy, Spongebob, Kung Fu Hustle, how 2001: A Space Odyssey helped him appreciate sound editing, how sound editing influenced the way he makes beats, how Fruity Loops, Splice, and iPhone voice memos changed the production game forever, and the creative process behind his debut project Transit.Transit is available wherever music is bought, streamed, or stolen. Follow AJRadico on Instagram and Twitter: @AJRadicoFollow Dylan "CineMasai" Green on Instagram (@cinemasai), Twitter (@CineMasai_), and Letterboxd (@CineMasai)  Support the show (https://cash.app/$CineMasai)

PODCAST NO.# 236 -- ♤ -- PIK-FEIN presents... KLARK KENNT @ SONDERSPUR PODCAST - FRANKFURT -♠♤♠ ⎯⎯ ♠♤♠⎯⎯ ♠♤♠⎯⎯ ♠♤♠⎯⎯♠♤⎯⎯ ♠♤♠⎯⎯ - ARTIST - ...INFOs... - KLARK KENNT - Klark Kennt ist ein Techno Producer/DJ, seine Geschichte begann Ende 1999 mit diversen Club besuchen wie der Tresor, das alte Casino, später neues Casino, den Reinbeckhallen in Berlin-Schöneweide und sein noch heute geliebtes Magic Gate in Hennigsdorf ( was es leider heute nicht mehr gibt ) !!! Getanzt wurde bis in die Morgenstunden und schon auf der Tanzfläche merkte er seine Begeisterung zur Techno Musik und den DJs . Anfang des Jahres 2001 zeigte ihn ein Freund das Musikprogramm namens Fruity Loops und schnell nahmen die Dinge ihren lauf und er versuchte sich mit Fruity Loops und einigen selbst erzeugten Beats und die Begeisterung stieg stätig. Er kaufte sich im Jahr 2002 die Groove Box Roland 505 und einen Sampler ! Nach einigen Jahren der Übung war es dann endlich soweit und er hatte im Jahr 2004 seinen ersten Live Act Auftritt im damaligen Techno Club Metronom !! Aus privaten Gründen hatte er eine mehr jährige Pause, dennoch verlor er die Technomusik nie ganz aus den Augen. Nach einigen Club besuchen wie im legendäre Berghain in Berlin , entflammte ein neues Feuer in ihm und somit kaufte er sich im Jahr 2009 verschiedene Midi Controller für Ableton Live und Reason und sofort produzierte er neue Tracks, die sich schon recht professionell anhörten, aber es fehlte noch der letzte Feinschliff und so organisierte er sich ein eigenes Musikstudio, wo er die nötige Ruhe zum produzieren hat . Seit dem Jahr 2010 hört sich seine Techno Musik professionell an und die ersten Techno Labels wurden auf ihn aufmerksam und ein Traum ging endlich für ihn in Erfüllung. Er konnte seine Musik über diverse Techno Labels heraus bringen !!! Bis zum heutigen Tag produziert er weiterhin diverse Tracks vom Style Techno/Hardtechno und er hofft weiterhin auf weitere erfolgreiche Jahre ! Seit dem Jahr 2017 produziere ich unter dem Namen NeoPlastika , was ein Zusammenschluss zwischen meinem Kumpel oneDESCRIPTION und mir ist ! NeoPlastika steht für " Pure Techno " , zur Zeit allerdings ist das Projekt NeoPlastika nicht mehr aktiv . -CONTAKT- Soundcloud: soundcloud.com/klarkkennt Facebook: www.facebook.com/klark.kennt80 ....das HEIßT... noch mehr GUUUUUUUDEN STOFF zum BALLERN.... !!! DANKE DIR VIELMALs mein LIEBER.. für dieses STÜCK GEBALLER... WAHNSINNS Set !!! PASST SITZT & QUIETSCHT genau das richtige auf der SONDERSPUR !!! LASST ES EUCH.... GUUT GEHE & VIEL SPASS BEIM GENIEßEN !!! ...LET THE GEBALLER ENTERTAIN YOUUUUUUU !!!

Are you a glutton for PUNishment? If so, you're in luck! Because today we're talking about the Keef Herbin forced-pun majeure, "Oreoutro." Which is to say... We are wrapping up our discussion of the Sweet Tooth EP, with a conversation that weaves our rap with the sexy stylings of Ray J and Yung Berg, not to mention Fall Out Boy - or, as Jay-Z lovingly calls them, Young FOB. Hang on, kiddies... it's gonna be a wild ride. Join us? https://kastingcuzzins.com fb/twitter: @kastingcuzzins kissingcuzzins@gmail.com

Renaud vous emmène en Egypte, à la découverte de la musique qui fait vibrer la jeunesse du pays : le mahraganat. Né dans les quartiers pauvres du Caire, ce genre musical facilement reconnaissable : voix autotunée, mix sur-saturé et grosses percussions, fait parler de lui. C'est simple, cette musique symbole de la révolution est aujourd'hui interdite. Alors, on a laissé traîner nos oreilles dans les moindres coins de rue pour comprendre ce phénomène. Le mahraganat, une musique illégale mais avant tout inarrêtable. Faya, le podcast du global dancefloorUne émission de Renaud Brizard pour Nique – La radioRéalisation : Malo WilliamsProduction : Christophe PayetTracklist :« Ya Habibi » - Mohamed Ramadan & Gims « Mahragan El Salam » - DJ Figo & Alaa Fifty « Mahragan Es7ab Jeb Warah » - Sadat El 3almy, 50, MC & Ameen« Tearaf » - Hysa & Halabessa« Hab W Dab » - Oka & Ortega « Bent El Sultan » Ahmed Adaweyah« Hitta Minni » Hysa, Halabessa & Sweasy « El gemeza » - Marwan Pablo « Bint al-Giran » Hassan Shakosh & Omar Kamal « Alf Leila We Leila » - Oum Kalthoum« Dawla » - 3enba « Laa » - El Sawareekh « Blessed » - DJ Haram & NustaligaInvités : Molotof, Phil Battiekh et Mahmoud RefaatRéférences : Mohamed Ramadan, Gims, quartiers de Matariyya et de Medinat Al Salam, DJ Figo, Alaa Fifty, logiciel Fruity Loops, tuktuks, Hosni Moubarak, Okka & Ortega, shaabi, Ahmad Adawiyya, percussions égyptiennes (tabla, daff, riqq, sajat), boîte à rythme Roland TR-808, trap, Marwan Pablo, Wegz, Hassan Shakosh, « Bint al-Giran », maréchal Al Sissi, Mohammed Morsi, Frères musulmans, Oum Khaltoum, Mahmoud Refat, label 100copies, Phil Battiekh, Cairo Concepts, Nustaliga, DJ Plead, DJ Haram. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Choke down those omega-3s and slip on your Crocs, because today's Kast is all about the Proxy solo jam "Bed, Bath, Etc." That's right... It's a deep dive into the world of middle-class suburban white moms, through the lens of rap (for some reason). We'd love to say that if you listen it will all make sense, but... it won't. You'll have fun anyway though! *And* you'll be treated to the carefully manicured thoughts of two cis white dudes on Michael Jackson, R. Kelly and cancel culture at large. Hoo boy... Join us? https://kastingcuzzins.com fb/twitter: @kastingcuzzins kissingcuzzins@gmail.com 

Hi guys, Today, we are going to have a special guest in our podcast. A hero of a day is Leonardo da Vinci - big figure in a history on mankind. Extremely inspirational biography written by a great author - Walter Isaacson today on my channel. Press Play button and let me try to convince you it is worth to read it. Background sound: SmartSound.com "Hold on to your dreams". Sound effects: FruityLoops.

Needle drop: "The Boys Are Back in Town (sCreWed aND ChOpPed reMiX)" That's right. We. Are. BACK. After a 2.5-month hiatus, the Kasting Cuzzins are picking up where we left off, with weekly episodes dissecting the bad white rap tracks of our youth. And this week's track is one for the ages, man... Listen as we discuss the toxic masculine energy of Proxy's solo joint, "B(ad) Day." Plus: R.I.P. to Shock G, a shout-out to Eazy-E and W.T.F.? to skateboard rap. site: https://kastingcuzzins.com email us: kissingcuzzins@gmail.com socials: @kastingcuzzins

Chatting with the homie Kade about Fruity Loops, Vending Machines, Profiling, Buying Bitcoin, Ducks Getting Run Over and much more. https://linktr.ee/dancingkoko

RockerMike and Rob Presents: Daniel Shaw Uppercase D and The lowercases Guitar was the first instrument that captured Daniel’s attention. Next was drumming. He wore headphones and studied In-a-gadda-da-vida every day, memorizing the drum solo and every little nuance of the recording. He also enjoyed singing along with the band Foreigner while his dad recorded it on the stereo. From age 4-11 it was air jamming,but guitar lessons changed his world. Taught to play by ear along with Black Sabbath, Zeppelin, etc, D quickly learned all of his favorite songs on electric guitar and air drums. Locking himself in the room with War Pigs screaming through his amp placed in the window, facing OUT, a small crowd would gather to enjoy his ability to play along. D played bass and guitar in numerous bands from his late teens to late 30’s. Growing up in Woodstock NY, he was sharing stages with the coolest local acts. His musical style ranges from rock, metal, punk, funk, to trippy grooves. D taught himself to play bass and NOT air drums by age 20. Utilizing his understanding of song structure, ability to play every instrument, sing, and intense focus on the mixing aspect, D began recording onto 4-track cassette. Finally the DR-880 Dr. Rhythm became a staple in 2008. Daniel finally had a way to create all of his original and cover songs with bass and drum patterns to work with. He spent hours on little details, testing mixdowns on various sound systems to ensure a well-balanced mix. Along the way he started making his own music videos. Using a phone or tablet for editing, and music apps, Caustic3 and Fruity Loops became the focus until present. He was never into electronic music and decided to embrace it’s wonderful existence with the intention of adding a human feel. Now he’s been mixing it all. He built a vocal booth and has a small 32-track home studio. His works are posted on social media. Daniel Shaw was the guitarist in a band called SPB https://m.soundcloud.com/daniel-shaw8/born-from-underneathplopped-out-1974?in=daniel-shaw8/sets/uppercase-d-the-lowercases https://instagram.com/theemistershaw818?igshid=wovzb0za58x2 https://www.facebook.com/profile.php?id=100064256053705 Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #musicproduction #musicvideo #musical #musicislife #musiclover #musically #musician #musiclife #music #musicstudio #musicproducer #musicphotography --- Support this podcast: https://anchor.fm/rob-rossi/support

Brimming with energy and optimism, Kasper Marott contributes to our #PHANTASYMIX series with a high-energy techno trip full of character. Kasper Marrott has been fascinated with dance music since his teenage years in the Danish countryside, programming music since the age of ten and dreaming of big, bouncing dancefloors. Far removed from the Deadmau5 copycat tunes he made on Fruity Loops throughout his teens, Marrott saw his dream come true some years later, when he became one of a number of DJs spearheading the so-called ‘fast techno’ scene emerging from Copenhagen a few years ago. Alongside the mix, Kasper spoke to John Loveless about the Swedish scene, capturing emotion and the importance of country and folk music. Read the short accompanying interview: https://shop.phantasysound.co.uk/blogs/news/phantasymix-35-kasper-marott

Hello good fellas, Welcome here again. You are my best listener, you should know it so as far as I have you here, please let me present to you my new episode of motivational energy. Today, I am going to tell you more about one of the founders of Pixar that later was taken over by Disney Animation - Edwin Catmull. The author has plenty of good hints of boosting creativity in our teams. Are you keen to know if I liked this position? Bash a play button! Background sound: SmartSound.com "Hold on to your dreams". Sound effects: FruityLoops.

Thank you for joining your hosts, Corrinne Lewis and Adam Hunter, for this fascinating conversation about game audio, game music, and working in games with Michelle Fuzari, Audio Designer III at Electronic Arts! Show Notes!  Michelle provided some amazing links for us after we wrapped – here they are! Sonniss: https://sonniss.com/gameaudiogdc They give away free GBs of SFX for free during GDC. That link brings you to those free giveaways. Sonniss also sells packs of SFX. KROTOS: https://www.krotosaudio.com/free-krotos-sound-effects/ These guys have amazing VSTs, and some you can even try the free demo! Every month they give out some free SFX if you sign up for them. BOOM: https://www.boomlibrary.com/ A staple in the industry. Sign up for their newsletter on the upper left hand side of the site for free SFX each month! Pro Sound Effects: https://www.prosoundeffects.com/ Another staple in the industry. While they don’t offer any free SFX, you can go through their library and make single purchases. SoundDogs: https://www.sounddogs.com/ While most of the time their stuff isn’t free, you can filter your search to look for cheaper sounds that start at around 80 cents. Reaper is becoming a new standard in the industry for audio editing. I use it at work as my main DAW. It’s free to evaluate for however long you want, and a personal license is only $60. https://www.reaper.fm/ And Music stuff! Native-Instruments: The main staple of the industry. Many other companies make their instruments specifically for the Kontakt player so grab the free one! Just make sure that when you buy other VSTs for Kontakt that they work with the “Free” version. Sometimes it says “Full version required for this instrument to work!”. After you grab Kontakt 6 free, get the Komplete Start for a ton of awesome sounds! https://www.native-instruments.com/en/catalog/free/ iZotope: A staple for composers as well as sound designers. I use their plugins at work for mixing SFX. RX8 is the photoshop to SFX ya’ll. They have some free stuff sometimes! Currently, Vynl is free! https://www.izotope.com/en/products/vinyl.html Spitfire: A great company creating top of the line orchestral and pad instruments. They have some fairly cheap instruments too! They do not use Kontakt for their instruments, but created their own software to hold their plugins. Spitfire labs: https://labs.spitfireaudio.com/#category=&search=&new=true They put out new instruments for free every month. Sign up and get their LABs VST player to get these sounds and bring in as an FX plugin into your DAW (Reaper or ProTools or Fruity Loops, etc) Spitfire Orchestra: https://www.spitfireaudio.com/bbcso/ Scroll down and there’s a “Get for $49 or FREE!” If you push the “free” button it will ask you to take a survey and then they’ll email you this amazing orchestra plugin for free! I use it and it’s great! Project Sam: Another company creating some great, top of the line VSTs! The Free Orchestra: https://projectsam.com/library-category/the-free-orchestra/ 8Dio: Have a free section and they’ll sometimes have free giveaways! https://8dio.com/instrument-category/on-the-house/ Fruity Loops: This is more like a DAW for music rather than an instrument, but you can get the demo which comes with a lot of free plugins! FLEX is fan-freaking-tastic for synthwave music. Only caveat with the free demo is that you can’t save your work! https://www.image-line.com/

Jansport J has been working working. In 2020 alone he dropped four beat tape projects, and he's already released his first of 2021 in Save My Soul II. He's also been getting amazing placements from the likes of Benny The Butcher, Freddie Gibbs, Snoop, Ty Dolla Sign and many more. His soulful sample chops and swingy drums are a perfect palette for rappers, or wonderful standalone pieces that hold up just as well in headphones as they do knocking in your vehicle speakers. I've known of, and been acquaintances with, J for over 10 years now. During some of the best (and brokest) times of my life, when I was religiously attending every rap show and party I could get into, J was a similar fixture of the scene. I would always see him at shows or on flyers and he's always been a good dude with a big smile. I love talking to people that stuck with it long enough to see it pay off whether or not they ever became a household name, and J's one of those guys. Tune in to hear us talk about being born in Alaska, buying Fruity Loops instead of cracking it, and how he chose beats over raps. Don't miss his 8 minute beat set on our YouTube page. -Lee

In this episode of the Bassfug Podcast we speak to Zaandr. We talk about keeping people's attention, how the pandemic has affected him, the need to meet people, how he got into music, being a drummer in a cover band, hating electronic music at first and discovering Deadmau5. Also, we discuss starting with FruityLoops, transitioning to Ableton Live, his hardware, making the crowd feel what you went them to feel while DJ-ing and many more.   Spotify: https://open.spotify.com/artist/5b97VwvkGoJ55idmaLP9pu Soundcloud: https://soundcloud.com/zaandr/ Apple Music: https://itunes.apple.com/us/artist/zaandr/1450381245 Youtube: https://www.youtube.com/channel/UCFmOTt1CHnMpahpoHBVppzw Facebook: https://www.facebook.com/IamZaandr/ Instagram: https://www.instagram.com/iamzaandr/ Twitter: https://twitter.com/iamzaandr Also, you can follow us on social media at the following links: Facebook: https://www.facebook.com/bassfugpodcast/ Twitter: http://twitter.com/bassfugpodcast Instagram: https://www.instagram.com/bassfugpodcast/ Linktr.ee: http://www.bassfug.com/

Hi guys, I hope everything is well there, wherever you are. Today I would like to tell you about one of the greatest men alive on this planet (it's my opinion only so don't ask me for a source). Arnold Schwarzenegger and his great biography of how he became so successful in everything he touched. If you wanna know my opinion about the book, it's really easy, man. Just push the play button and enjoy the ride. Rules of success: https://www.youtube.com/watch?v=Kb7_E12FFLw&feature=emb_logo Background sound: SmartSound.com "Hold on to your dreams". Sound effects: FruityLoops.

On a new edition of Conversations with Lalaa presented by The Progress Report, Lil Jay of Crime Mob tells the story of forming Ellenwood Area, Georgia (Atlanta) based group Crime Mob. The Hip Hop/ Crunk group created notable records such as “Knuck if you Buck”, “Stilettos”, “Rock Yo Hips”, “Circles”, and released 2 studio albums, ‘Crime Mob' and ‘Hated On Mostly'. During the interview, Lil Jay details growing up with his sister Princess and how she and Diamond weren't originally supposed to be a part of Crime Mob. Lil Jay was influenced musically by the likes of Three6Mafia, Lil Jon, Oomp Camp, Master P, and Pastor Troy and Lil Jay admits to making “Knuck if you Buck”, a song that would forever change his life, on a demo version of a Windows 95 program then he eventually converted to Fruity Loops. “Knuck if you Buck” would later go on to be sampled by several mainstream artists such as King Von, Lil Wayne, and the viral “Juju on the Beat” song. Lil Jay also discusses his intimate relationship with Diamond and how her on and off again relationship with Princess would eventually lead to the demise of Crime Mob. Crime Mob fans should be excited to know that there MAY be an upcoming third studio album, if everyone can get on the same page. --- Support this podcast: https://anchor.fm/theprogressreportpodcast/support

NBA finals predictions, Juan actually admits he was wrong about something, and are we currently living in multiple dimensions?

Episode 45: On today's episode we talk NFL, NBA and a deceiving fact of the day! Tune in on Apple Podcasts, Spotify and The Anchor App to stream EVERYWHERE! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

John Lagora alias "Tim Wucherpfennig" was born in 1981 in Oberhausen (Ruhr-Area). Thanks to his older brother ,he got infected by electronic music in the age of 11. Listening to old BFBs-based mix tapes of "Steve Mason" was getting his favourite activity. The fast discovery of the darker & harder side of electronic music resulted in starting loving hardcore and rave tunes. With the longlasting consumption of the electronic drug,the beats became slower,softer and more experimental for him. In 1995 he got in possesion of the music software "magix musicmaker 1.0",which animates him to do early attempts at walking in the world of music. But very quick he was bored by premade sample collections and looked for new ways,his solution was like that: "I need synthies!" So he went for it and the program "Fruity Loops" (today known as "FL Studio") put things right for John. After a few years dealing with the new software,he started to do his first own stuff. These early steps resulted in his first releases on respected and well-known netlabels,like alquimia,rumpfunk records and zimmer in the year 2006. John received his first positive resonances on these releases from all over the world. Releasing on Netlabels persisted for 1 year,he wanted to go that way and got encouraged by criticisms. In the time of new media-technology,digital platforms like "Beatport & Juno" gave him the chance to release music on a way more seriously and professionally. First releases appeared,caught on and gave him that kind of feedback,he needed to go on with what he..s in love: making music! In 2008 John could realise the ne plus ultra of every electronic music producer: releasing on the black beauty,the vinyl record!!! His primary dream of doing music was overtaken and he had the ability to play his own records on gigs. In 2012 new Release will be on Mindshake Records and his own 12" Label Seoul Community Lets go. www.theterracepodcast.com