American politician
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When Avatar came out in 2009, it shattered box-office records. And even though it was billed as a sci-fi epic featuring blue aliens on a far-away moon, the movie didn't shy away from a pretty Earth-based message of environmental conservation.So, with a third Avatar hitting theaters this weekend, we were inspired to bust out the popcorn, dim the lights, and play the part of pop culture critics. How do movies – from blockbusters to documentaries to Disney films – shape our conception of the natural world?SUPPORTTo share your questions and feedback with Outside/In, call the show's hotline and leave us a voicemail. The number is 1-844-GO-OTTER. No question is too serious or too silly.Outside/In is made possible with listener support. Click here to become a sustaining member of Outside/In. Follow Outside/In on Instagram and BlueSky, or join our private discussion group on Facebook.LINKSSimilar to Avatar, the animation required to pull off Finding Nemo was a technological feat for its time. Here's a documentary showing you behind the scenes.Listen to all of “Little April Showers” (that catchy tune from Bambi) here. You can find Alyssa Vitale's movie reviews on her Youtube channel, Mainely Movies. Salma Monani's academic work within ecocinema extends far beyond that of FernGully. Her faculty page at Gettysburg College can be found here.Find some of Erin Trahan's recent work on her website, including a recent documentary following Michael Dukakis.You can find David Whitley's book on Disney animation here. CREDITS Produced by Marina Henke. For full credits, transcript, and a list of movies mentioned in this episode visit outsideinradio.org Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
At the age of 83, Jesse Jackson has a long career behind him as one of the most influential Black activists of the past century. As a civil rights leader, activist, shadow senator, presidential candidate, and ordained Baptist minister, he has been at the center of the public eye and a thorn in his opponents' sides. Now CNN anchor and author Abby Phillip comes to Commonwealth Club World Affairs to share the story of Jackson, focusing on his presidential campaigns of 1984 and 1988. In both campaigns, he was initially viewed as a fringe candidate yet went on to surprisingly strong finishes—third place in 1984 and runner-up to nominee Michael Dukakis in 1988. How did he do it? How did he build a coalition that appealed to urban working-class people, college students, and Southern Blacks? That coalition would go on to become a core part of many Democratic presidential campaigns in the decades following the 1980s. Drawing on his time working with Martin Luther King, Jr., his organization of the SLCC's Operation Breadbasket in Chicago and elsewhere, and his deep southern roots, Jackson mounted campaigns that gave hope to many people who had been overlooked by the major parties. Join us in-person or online to learn more about the man Phillip explores in her new book Jesse Jackson and the Fight for Black Political Power. Learn more about your ad choices. Visit megaphone.fm/adchoices
That Show Hasn't Been Funny In Years: an SNL podcast on Radio Misfits
Nick sits down with author, longtime radio producer, and publisher Rick Kaempfer for a fast, funny dive into the world of classic Saturday Night Live. Rick walks through his all-time favorite sketches, including staples like “Schweddy Balls,” “The Chris Farley Show” with Paul McCartney, and the ever-quotable “Wild and Crazy Guys.” Along the way, he shares radio stories from the days of Steve and Garry and John Records Landecker, pulling back the curtain on a few moments fans rarely hear about. The conversation opens up into his personal encounters with some of Chicago's and SNL's most recognizable names. Bill Murray appears in a tale involving an inspired use of a limo, Jim Belushi crosses paths with a surprisingly relevant Michael Dukakis, and Dennis Miller and Paul McCartney make memorable cameos of their own. Rick also reflects on his teenage years in Germany during the earliest, most defining days of SNL. The result is a funny, thoughtful tour through comedy history told by someone who lived close to the spark. [Ep 152]
The Arise Podcast – Edited TranscriptSpeaker 1 (00:29):Welcome to the Rise Podcast. As part of this process, we're going to talk about what reality is—how to find it, and how to ground yourself in it. I'll have some regular co-hosts with me, as I mentioned earlier, and we'll continue to explore faith, gender, race, sex, the church—all in the context of discovering reality.Today is September 10, 2025. As I pushed to get this episode out, plans shifted and things got canceled. I was busy with the kids, checking the news, scrolling Instagram, running errands, picking up sandwiches—just an ordinary day. Then I saw the headline: Charlie Kirk had been shot.Interestingly, Charlie Kirk and I disagree on almost everything, but I've occasionally listened to his podcast. I also listen to the Midas Touch podcast and others across the spectrum to understand what people are thinking and believing.(01:47)I ask myself: what reality am I living in, and whose voices am I letting in? When I have the capacity, I listen to people like Charlie Kirk, sometimes tune in to Fox News, check X/Twitter, or look at Truth Social—just to gauge different perspectives.I live on Squamish land—land of cedar and clear salt water—here in Poulsbo, Washington. Kitsap County is an interesting rural mix. We're near Seattle, often labeled “ultra-liberal,” but that doesn't exempt us from racism, elitism, or entrenched power structures. And our rural neighbors may identify as fiscally or socially conservative. You might meet someone who voted very differently from you—someone who will happily bring you cookies, or someone who might actually despise you.(02:48)This mix, I think, is closer to reality than living in silos. We may choose echo chambers for news, but we still rub shoulders at coffee shops, restaurants, gyms, and schools with people who think differently.I keep asking: how do we find a shared space to even talk? How do we locate common reality?Back in 2020, when George Floyd was murdered, I saw deep fractures emerge. I was just starting therapy groups on race and whiteness. Our diverse group gathered to talk about racism at a time when the country seemed ready for those conversations.(04:54)But quickly I noticed what I call splitting—fracturing when someone said something others couldn't accept or even register in their bodies. It sometimes caused silence or confusion, and often led to sharp, even violent words meant to wound. And often the person speaking didn't realize the harm.This fascinated me as a therapist. From a psychological perspective, I began to wonder: which part of ourselves shows up in everyday interactions? At a store, maybe just a polite hello. With a friend, maybe a brief check-in that still doesn't touch the day's deeper feelings.(07:07)Sometimes those layers of relationship reveal unspoken emotions—feelings inside that remain hidden. Healthy boundaries are normal, but there's no guarantee that with those we love we suddenly share every vulnerable part of ourselves.Now add politics, faith, love, gender, culture: more layers. Many of these parts trace back to childhood—traumas, arguments, experiences at school or with caregivers.(08:15)So when I see splitting—what some call polarization, black-and-white or binary thinking, or even “boundaries as weapons”—I see people wrestling with what it means to be a neighbor and to engage someone who thinks radically differently.I feel the temptation myself to label everything all good or all bad. Children need that kind of distinction to learn what's safe and unsafe, but adults must grow beyond it. Two things can be true at the same time: you hurt me, and I still love you and will show up. Yet our world increasingly tells us that can't be true.(11:05)This pressure to split is intense—internally, from media, from social circles, from family. Sometimes I want to run away into the woods, start a farm, keep my kids home, just stay safe. Today, after news of a school shooting and Charlie Kirk's murder, that desire feels even stronger.There are days I simply cannot engage with people who think differently. Other days, I have more capacity.So where is reality? For me, it's grounding in faith—literally planting my feet on the earth, hugging a tree, touching grass.(13:30)I ask: who is God? Who is Jesus? And who have I been told God and Jesus are? I grew up in a rigid evangelical structure—shaped by purity culture and fear of punishment. I remember hearing, “If God calls you and you don't act, He'll move on and you'll be left behind.” Even now, at 47, that idea haunts me.When I meet people from that tradition, I feel the urge to split—making my perspective all right and theirs all wrong. I have to remind myself of their humanity and of God's love for them.Earlier this year, I chose to resist those splits. I called people where relationships felt scratchy or unresolved, inviting conversation. Not everyone responded, but the practice helped loosen old binds.(16:55)I also keep listening to multiple viewpoints. I never “followed” Charlie Kirk, but I'd check his posts and sometimes feel genuine tenderness when he shared about his family. That's part of loving your enemies—remembering their humanity, even when you feel anger or rage.I grew up surrounded by conservative media. I even remember the early days of Fox News. As a teen reading Time magazine, I once told my parents that Michael Dukakis's policies aligned more with my faith than his opponent's. Over time I drifted toward trickle-down economics, but that early instinct still stands out.(21:22)All of us are socialized into certain beliefs. I went from conservative evangelical spaces to a conservative liberal-arts college. People warned I might “lose my faith,” yet those history classes deepened it. Today many claim that consuming certain media will “distort your reality.” Political violence is rising. I listen to both progressive and conservative podcasts to understand different lives. Yet when I cite something I've heard, I'm often told it's “AI-generated” or “fake,” even when it's a direct quote. Liberals do this too, around issues like Palestine, policing, or healthcare.(24:47)It's painful to be around people who think differently. The question is: how do we converse without devolving into hate or shouting?Today is September 11. Between Charlie Kirk's assassination, yesterday's school shooting, and attempted political killings, it's clear our nation is split into competing realities that shape everything—from how we see safety to how we practice faith and empathy.This podcast is about examining those realities and how we process them.(26:44)Sometimes we retreat inward to cope with trauma—what psychology might call dissociation or a psychic retreat. I understand the instinct to step back for safety.Maybe these divisions always existed, and I just see them more clearly now while raising my children. That responsibility feels heavy.(29:12)I often turn to elders and their words—Cesar Chavez, Dolores Huerta, Martin Luther King Jr.'s “Letter from Birmingham Jail.” They remind me others have endured violence and hatred and still held onto hope and faith.I fight for that same hope now.(30:04)To ground ourselves we can:- Connect with the earth: literally touch the ground, trees, water.- Stay in community: share meals, exchange help, build fences together.- Nourish faith: draw on spiritual wisdom.- Cherish family: use loved ones as emotional barometers.- Engage work and service: notice how they shape and sustain us.- Face issues of race and justice: ask if we contribute to harm or to healing.Your grounding pillars may differ, but these guide me.(32:40)I invite you to this journey. You may agree or disagree—that's okay. We need space to coexist when it feels like only one side can survive.Violence won't change hearts. Bullets cannot replace ballots. Money cannot buy joy or transformation. Only sustained dialogue and care can.(34:05)I'll share some quotes from Dolores Huerta and Cesar Chavez in the show notes. Please stay curious and seek the mental-health support you need. Don't be alone in your grief or fear. If you feel triggered or overwhelmed, reach out—to a therapist, pastor, trusted friend, or crisis helpline.A special guest and new co-host will join me next week. I look forward to continuing the conversation. Crisis Resources:Kitsap County & Washington State Crisis and Mental Health ResourcesIf you or someone else is in immediate danger, please call 911.This resource list provides crisis and mental health contacts for Kitsap County and across Washington State.Kitsap County / Local ResourcesResource Contact Info What They OfferSalish Regional Crisis Line / Kitsap Mental Health 24/7 Crisis Call Line Phone: 1‑888‑910‑0416Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/ 24/7 emotional support for suicide or mental health crises; mobile crisis outreach; connection to services.KMHS Youth Mobile Crisis Outreach Team Emergencies via Salish Crisis Line: 1‑888‑910‑0416Website: https://sync.salishbehavioralhealth.org/youth-mobile-crisis-outreach-team/ Crisis outreach for minors and youth experiencing behavioral health emergencies.Kitsap Mental Health Services (KMHS) Main: 360‑373‑5031; Toll‑free: 888‑816‑0488; TDD: 360‑478‑2715Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/ Outpatient, inpatient, crisis triage, substance use treatment, stabilization, behavioral health services.Kitsap County Suicide Prevention / “Need Help Now” Call the Salish Regional Crisis Line at 1‑888‑910‑0416Website: https://www.kitsap.gov/hs/Pages/Suicide-Prevention-Website.aspx 24/7/365 emotional support; connects people to resources; suicide prevention assistance.Crisis Clinic of the Peninsulas Phone: 360‑479‑3033 or 1‑800‑843‑4793Website: https://www.bainbridgewa.gov/607/Mental-Health-Resources Local crisis intervention services, referrals, and emotional support.NAMI Kitsap County Website: https://namikitsap.org/ Peer support groups, education, and resources for individuals and families affected by mental illness.Statewide & National Crisis ResourcesResource Contact Info What They Offer988 Suicide & Crisis Lifeline (WA‑988) Call or text 988; Website: https://wa988.org/ Free, 24/7 support for suicidal thoughts, emotional distress, relationship problems, and substance concerns.Washington Recovery Help Line 1‑866‑789‑1511Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resources Help for mental health, substance use, and problem gambling; 24/7 statewide support.WA Warm Line 877‑500‑9276Website: https://www.crisisconnections.org/wa-warm-line/ Peer-support line for emotional or mental health distress; support outside of crisis moments.Native & Strong Crisis Lifeline Dial 988 then press 4Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resources Culturally relevant crisis counseling by Indigenous counselors.Additional Helpful Tools & Tips• Behavioral Health Services Access: Request assessments and access to outpatient, residential, or inpatient care through the Salish Behavioral Health Organization. Website: https://www.kitsap.gov/hs/Pages/SBHO-Get-Behaviroal-Health-Services.aspx• Deaf / Hard of Hearing: Use your preferred relay service (for example dial 711 then the appropriate number) to access crisis services.• Warning Signs & Risk Factors: If someone is talking about harming themselves, giving away possessions, expressing hopelessness, or showing extreme behavior changes, contact crisis resources immediately. Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.
Zohran Mamdani's primary win marks the end of the Democratic Party as we once knew it. Maybe they realize it, probably they don't, but it makes no difference. The truth is, it was already dead. They spent ten years going to war on Trump while also using him to scare their voters to the polls, with their endless crisis.Without a combative media to keep them in line, they didn't have to offer the people much of anything because they knew they would vote blue no matter who, as long as Trump was on the other side.Mamdani did the unthinkable. He ran as an unapologetic Democratic Socialist. He seemed to arrive almost magically to sell Gen-Z the dream. A showbiz nepo baby and former rapper, he was a whole lotta of charisma waiting for his ticket to ride. Has the Democratic Party found its new leader?There is still a question as to whether Mamdani can indeed pull out a win in the general election. Voters might turn out in droves to stop him. But maybe, just maybe, they won't. Perhaps they'll overlook high crime, “gender affirming care,” and the border crisis to explore what state-run grocery stores might look like.It's not really his policies that brought him to victory so much as his revolutionary spirit - he's like the living embodiment of the Summer of 2020. He wants to tear it all down, too. It's the demographic he appeals to that might herald a real revolution, considering it's the same demographic that backed Obama in 2008—Upper-Middle-Class white college kids.David Friedberg from the All in Podcast:Like Obama, Mamdani is cut from the same cloth. He hung out with them. He went to college with them. He was indoctrinated alongside them. He speaks their language. He knows their world. They'll follow him anywhere.Note the viral songs already hitting TikTok, where young women shake that groove thing as they chant his name.Mamdani tapped into Indoctrination Nation, the Evergreen generation that believes America is a corrupt, “white supremacist” empire crippled by Capitalism - but could you please hand me my iphone so I can make a TikTok?This generation came of age in a convenience culture that gave them everything they wanted when they wanted it - Uber, Netflix, abortion, DoorDash, Tinder, TikTok, iPhones, Google, and ChatGPT. Why can't they have democratic socialism if they want it?Because they don't really know what it means, and they don't care. They are a generation ready for the big moves, no more playing it safe. The Democrats should have listened to David Hogg, who was a harbinger of things to come.The Death RattleAfter Mamdani's win, it was all quiet on the Leftern Front. Bill Clinton was the first to weigh in. It was like cautiously approaching a coiled rattlesnake. Don't make any sudden moves.But the Democrats old enough to know the history must be in a panic. They know why Hillary had to crush the Bernie movement like a bug. They know how bad it got. So bad that Sarah Silverman and Al Franken had to try to calm down BernieMania as the crowd chanted “WAR HAWK” at Hillary.The Party Elders recall the bad old days, when they were undone by the Eugene McCarthy faction of the party because they were perceived as too extreme for the silent majority. They remember the catastrophic loss of George McGovern.They recall Jimmy Carter's malaise and how Uncle Teddy primaried him, ushering in 12 years of Reagan and Bush. They remember the dark days of the milquetoast normies who couldn't inspire crowds - like Walter Mondale, Michael Dukakis and John Kerry.Playing it safe worked until it didn't. Now they'll have to play it bold with an army at the ready, the same army they funded and praised all through the Summer of 2020 with the Autonomous Zones, torching businesses, all to sow chaos, to do the bidding of the Democrats just to take Trump out of power.This army had no choice but to absorb what a weaponized, biased press corps told them every day of their lives - when they called Trump a fascist, when they called him Hitler. The hysteria kept mounting, and purging bad people wasn't enough.This army is ready for a different war, a bigger war - a war against Israel, against ICE, against Trump, Capitalism, Free Enterprise, the gender binary, the cost of rent, mortgages, fossil fuels, and now, the Democratic Party.The legacy media have been covering up their violent riots, outbursts, and protests for a long time, so much so that most people on the Left don't even know about it. Even in the Summer of 2020, they didn't turn it into a significant news story. Why? Because it always had to go one way, it always had to be about Trump.The media will never take responsibility for what they've done, how they've lied for so long, and what that did to the minds of the young who spent the last ten years believing a fascist dictator had overtaken America.This army that torched Teslas and set cars on fire in Los Angeles has been hiding in plain sight, but the rest of the country is about to get a much closer look. Just wait until this Summer, because that army now has a real leader in Mamdani.Call Him DaddyAs Operation Midnight Hammer brought the might of the American military down on Iran's nuclear facilities, Trump was carefully, steadily coming in for a landing. As the passengers screamed and howled, imagining the absolute worst, Trump did what he always does - he hit the bullseye.Some were calling for his impeachment. Others regretted their vote and called him a “war criminal.” There was talk of regime change in Iran and a MAGA Civil War. It was pure chaos.But then, the plane touched down, and everyone burst into applause. After a few setbacks, a ceasefire was established. Even the leaders of NATO were impressed. How could you not be?As he racked up win after win after win, Trump was having the best two weeks of either of his presidencies.This week made one thing abundantly clear: Trump won the ten-year insurrection, coup, and war on his presidency, his supporters, and democracy itself. He beat them at the ballot box, he beat their lawfare:He beat them at the schools, stopping indoctrination and the denial of biological reality:In ordinary times, Trump would be hailed as the comeback kid who has erased the lies told about him in his first term and remade himself as one of the most consequential presidents in American history.But that was not going to happen because the so-called “resistance army” believes itself to still be at war with Trump.One of their favorite conduits is Natasha Bertrand at CNN, who was an easy mark to spin the narrative the Democrats needed, that Trump and Operation Midnight Hammer had failed:But the early findings are at odds with President Donald Trump's repeated claims that the strikes “completely and totally obliterated” Iran's nuclear enrichment facilities.Missing in that report was that it was “low confidence,” and should never have been tossed out like bloody chum to draw the sharks.One of the reasons people like me no longer trust them is that we know the game by now, too. We'll find our information elsewhere from people we trust to tell us the truth, people who, unlike the Democrats and their corporate press, are looking out for the public's best interests. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
We welcome the amazing Scott Kerman to the show! Scott, among his many credits, has authored a fascinating book about Michael Dukakis called, "The Duke: Weekly Conversations With The Last Honest Politician. A Political Giant And A Comedian Walk Into A Kitchen...". Join us as we chat about the great Michael Dukakis from his friend and confidant Scott Kerman.Book available on Amazon: https://a.co/d/gx2bpc4TikTok: https://www.tiktok.com/@scott_kerman_comedyFacebook: https://www.facebook.com/the.duke.70058Instagram: https://www.instagram.com/thedukebook
AP correspondent Julie Walker reports Kitty Dukakis, wife of former Massachusetts governor and presidential candidate, Michael Dukakis, dies at 88.
The wife of former governor and Democratic presidential nominee Michael Dukakis, Kitty was recalled by friends and family members as someone who was drawn to those who were suffering, worked tirelessly to help them, and advanced both policy and awareness on social issues and human rights.
By Walt HickeyDouble feature today!Welcome to the Numlock Sunday edition.This week, I spoke to Alissa Wilkinson who is out with the brand new book, We Tell Ourselves Stories: Joan Didion and the American Dream Machine.I'm a huge fan of Alissa, she's a phenomenal critic and I thought this topic — what happens when one of the most important American literary figures heads out to Hollywood to work on the most important American medium — is super fascinating. It's a really wonderful book and if you're a longtime Joan Didion fan or simply a future Joan Didion fan, it's a look at a really transformative era of Hollywood and should be a fun read regardless.Alissa can be found at the New York Times, and the book is available wherever books are sold.This interview has been condensed and edited. All right, Alissa, thank you so much for coming on.Yeah, thanks for having me. It's good to be back, wherever we are.Yes, you are the author of We Tell Ourselves Stories: Joan Didion and the American Dream Machine. It's a really exciting book. It's a really exciting approach, for a Joan Didion biography and placing her in the current of American mainstream culture for a few years. I guess just backing out, what got you interested in Joan Didion to begin with? When did you first get into her work?Joan Didion and I did not become acquainted, metaphorically, until after I got out of college. I studied Tech and IT in college, and thus didn't read any books, because they don't make you read books in school, or they didn't when I was there. I moved to New York right afterward. I was riding the subway. There were all these ads for this book called The Year of Magical Thinking. It was the year 2005, the book had just come out. The Year of Magical Thinking is Didion's National Book Award-winning memoir about the year after her husband died, suddenly of a heart attack in '03. It's sort of a meditation on grief, but it's not really what that sounds like. If people haven't read it's very Didion. You know, it's not sentimental, it's constantly examining the narratives that she's telling herself about grief.So I just saw these ads on the walls. I was like, what is this book that everybody seems to be reading? I just bought it and read it. And it just so happened that it was right after my father, who was 46 at the time, was diagnosed with a very aggressive leukemia, and then died shortly thereafter, which was shocking, obviously. The closer I get to that age, it feels even more shocking that he was so young. I didn't have any idea how to process that emotion or experience. The book was unexpectedly helpful. But it also introduced me to a writer who I'd never read before, who felt like she was looking at things from a different angle than everyone else.Of course, she had a couple more books come out after that. But I don't remember this distinctly, but probably what happened is I went to some bookstore, The Strand or something, and bought The White Album and Slouching Towards Bethlehem off the front table as everyone does because those books have just been there for decades.From that, I learned more, starting to understand how writing could work. I didn't realize how form and content could interact that way. Over the years, I would review a book by her or about her for one publication or another. Then when I was in graduate school, getting my MFA in nonfiction, I wrote a bit about her because I was going through a moment of not being sure if my husband and I were going to stay in New York or we were going to move to California. They sort of obligate you to go through a goodbye to all that phase if you are contemplating that — her famous essay about leaving New York. And then, we did stay in New York City. But ultimately, that's 20 years of history.Then in 2020, I was having a conversation (that was quite-early pandemic) with my agent about possible books I might write. I had outlined a bunch of books to her. Then she was like, “These all sound like great ideas. But I've always wanted to rep a book on Joan Didion. So I just wanted to put that bug in your ear.” I was like, “Oh, okay. That seems like something I should probably do.”It took a while to find an angle, which wound up being Didion in Hollywood. This is mostly because I realized that a lot of people don't really know her as a Hollywood figure, even though she's a pretty major Hollywood figure for a period of time. The more of her work I read, the more I realized that her work is fruitfully understood as the work of a woman who was profoundly influenced by (and later thinking in terms of Hollywood metaphors) whether she was writing about California or American politics or even grief.So that's the long-winded way of saying I wasn't, you know, acquainted with her work until adulthood, but then it became something that became a guiding light for me as a writer.That's really fascinating. I love it. Because again I think a lot of attention on Didion has been paid since her passing. But this book is really exciting because you came at it from looking at the work as it relates to Hollywood. What was Didion's experience in Hollywood? What would people have seen from it, but also, what is her place there?The directly Hollywood parts of her life start when she's in her 30s. She and her husband — John Gregory Dunn, also a writer and her screenwriting partner — moved from New York City, where they had met and gotten married, to Los Angeles. John's brother, Nick Dunn later became one of the most important early true crime writers at Vanity Fair, believe it or not. But at the time, he was working as a TV producer. He and his wife were there. So they moved to Los Angeles. It was sort of a moment where, you know, it's all well and good to be a journalist and a novelist. If you want to support yourself, Hollywood is where it's at.So they get there at a moment when the business is shifting from these big-budget movies — the Golden Age — to the new Hollywood, where everything is sort of gritty and small and countercultural. That's the moment they arrive. They worked in Hollywood. I mean, they worked literally in Hollywood for many years after that. And then in Hollywood even when they moved back to New York in the '80s as screenwriters still.People sometimes don't realize that they wrote a bunch of produced screenplays. The earliest was The Panic in Needle Park. Obviously, they adapted Didion's novel Play It As It Lays. There are several others, but one that a lot of people don't realize they wrote was the version of A Star is Born that stars Barbra Streisand and Kris Kristofferson. It was their idea to shift the Star is Born template from Hollywood entities to rock stars. That was their idea. Of course, when Bradley Cooper made his version, he iterated on that. So their work was as screenwriters but also as figures in the Hollywood scene because they were literary people at the same time that they were screenwriters. They knew all the actors, and they knew all the producers and the executives.John actually wrote, I think, two of the best books ever written on Hollywood decades apart. One called The Studio, where he just roamed around on the Fox backlot. For a year for reasons he couldn't understand, he got access. That was right when the catastrophe that was Dr. Doolittle was coming out. So you get to hear the inside of the studio. Then later, he wrote a book called Monster, which is about their like eight-year long attempt to get their film Up Close and Personal made, which eventually they did. It's a really good look at what the normal Hollywood experience was at the time: which is like: you come up with an idea, but it will only vaguely resemble the final product once all the studios get done with it.So it's, it's really, that's all very interesting. They're threaded through the history of Hollywood in that period. On top of it for the book (I realized as I was working on it) that a lot of Didion's early life is influenced by especially her obsession with John Wayne and also with the bigger mythology of California and the West, a lot of which she sees as framed through Hollywood Westerns.Then in the '80s, she pivoted to political reporting for a long while. If you read her political writing, it is very, very, very much about Hollywood logic seeping into American political culture. There's an essay called “Inside Baseball” about the Dukakis campaign that appears in Political Fictions, her book that was published on September 11, 2001. In that book, she writes about how these political campaigns are directed and set up like a production for the cameras and how that was becoming not just the campaign, but the presidency itself. Of course, she had no use for Ronald Reagan, and everything she writes about him is very damning. But a lot of it was because she saw him as the embodiment of Hollywood logic entering the political sphere and felt like these are two separate things and they need to not be going together.So all of that appeared to me as I was reading. You know, once you see it, you can't unsee it. It just made sense for me to write about it. On top of it, she was still alive when I was writing the proposal and shopping it around. So she actually died two months after we sold the book to my publisher. It meant I was extra grateful for this angle because I knew there'd be a lot more books on her, but I wanted to come at it from an angle that I hadn't seen before. So many people have written about her in Hollywood before, but not quite through this lens.Yeah. What were some things that you discovered in the course of your research? Obviously, she's such an interesting figure, but she's also lived so very publicly that I'm just super interested to find out what are some of the things that you learned? It can be about her, but it can also be the Hollywood system as a whole.Yeah. I mean, I didn't interview her for obvious reasons.Understandable, entirely understandable.Pretty much everyone in her life also is gone with the exception really of Griffin Dunn, who is her nephew, John's nephew, the actor. But other than that, it felt like I needed to look at it through a critical lens. So it meant examining a lot of texts. A lot of Didion's magazine work (which was a huge part of her life) is published in the books that people read like Slouching Towards Bethlehem and The White Album and all the other books. What was interesting to me was discovering (I mean, not “discovering” because other people have read it) that there is some work that's not published and it's mostly her criticism.Most of that criticism was published in the late '50s and the early '60s when she was living in New York City, working at Vogue and trying to make it in the literary scene that was New York at that time, which was a very unique place. I mean, she was writing criticism and essays for both, you know, like National Review and The Nation at the same time, which was just hard to conceive of today. It was something you'd do back then. Yeah, wild stuff.A lot of that criticism was never collected into books. The most interesting is that she'd been working at Vogue for a long time in various positions, but she wound up getting added to the film critic column at Vogue in, '62, I want to say, although I might have that date slightly off. She basically alternated weeks with another critic for a few years, writing that until she started writing in movies proper. It's never a great idea to be a critic and a screenwriter at the same time.Her criticism is fascinating. So briefly, for instance, she shared that column with Pauline Kael. Pauline Kael became well known after she wrote about Bonnie and Clyde. This was prior to that. This is several years prior to that. They also hated each other for a long time afterward, which is funny, because, in some ways, their style is very different but their persona is actually very similar. So I wonder about that.But in any case, even when she wasn't sharing the column with Pauline Kael, it was a literal column in a magazine. So it's like one column of text, she can say barely anything. She was always a bit of a contrarian, but she was actively not interested in the things that were occupying New York critics at the time. Things like the Auteur Theory, what was happening in France, the downtown scene and the Shirley Clark's of the world. She had no use for it. At some point, she accuses Billy Wilder of having really no sense of humor, which is very funny.When you read her criticism, you see a person who is very invested in a classical notion of Hollywood as a place that shows us fantasies that we can indulge in for a while. She talks in her very first column about how she doesn't really need movies to be masterpieces, she just wants them to have moments. When she says moments, she means big swelling things that happen in a movie that make her feel things.It's so opposite, I think, to most people's view of Didion. Most people associate her with this snobbish elitism or something, which I don't think is untrue when we're talking about literature. But for her, the movies were like entertainment, and entering that business was a choice to enter that world. She wasn't attempting to elevate the discourse or something.I just think that's fascinating. She also has some great insights there. But as a film critic, I find myself disagreeing with most of her reviews. But I think that doesn't matter. It was more interesting to see how she conceived of the movies. There is a moment later on, in another piece that I don't think has been republished anywhere from the New York Review of Books, where she writes about the movies of Woody Allen. She hates them. It's right at the point where he's making like Manhattan and Annie Hall, like the good stuff. She just has no use for them. It's one of the funniest pieces. I won't spoil the ending because it's hilarious, and it's in the book.That writing was of huge interest to me and hasn't been republished in books. I was very grateful to get access to it, in part because it is in the archives — the electronic archives of the New York Public Library. But at the time, the library was closed. So I had to call the library and have a librarian get on Zoom with me for like an hour and a half to figure out how I could get in the proverbial back door of the library to get access while the library wasn't open.That's magnificent. That's such a cool way to go to the archives because some stuff just hasn't been published. If it wasn't digitized, then it's not digitized. That's incredible.Yeah, it's there, but you can barely print them off because they're in PDFs. They're like scanned images that are super high res, so the printer just dies when you try to print them. It's all very fascinating. I hope it gets republished at some point because I think there's enough interest in her work that it's fascinating to see this other aspect of her taste and her persona.It's really interesting that she seems to have wanted to meet the medium where it is, right? She wasn't trying to literary-up Hollywood. I mean, LA can be a bit of a friction. It's not exactly a literary town in the way that some East Coast metropolises can be. It is interesting that she was enamored by the movies. Do you want to speak about what things were like for her when she moved out?Yeah, it is funny because, at the same time, the first two movies that they wrote and produced are The Panic in Needle Park, which is probably the most new Hollywood movie you can imagine. It's about addicts at Needle Park, which is actually right where the 72nd Street subway stop is on the Upper West Side. If people have been there, it's hard to imagine. But that was apparently where they all sat around, and there were a lot of needles. It's apparently the first movie supposedly where someone shoots up live on camera.So it was the '70s. That's amazing.Yes, and it launched Al Pacino's film career! Yeah, it's wild. You watch it and you're just like, “How is this coming from the woman who's about all this arty farty stuff in the movies.” And Play It As It Lays has a very similar, almost avant-garde vibe to it. It's very, very interesting. You see it later on in the work that they made.A key thing to remember about them (and something I didn't realize before I started researching the book)was that Didion and Dunn were novelists who worked in journalism because everybody did. They wrote movies, according to them (you can only go off of what they said. A lot of it is John writing these jaunty articles. He's a very funny writer) because “we had tuition and a mortgage. This is how you pay for it.”This comes up later on, they needed to keep their WGA insurance because John had heart trouble. The best way to have health insurance was to remain in the Writers Guild. Remaining in the Writers Guild means you had to have a certain amount of work produced through union means. They were big union supporters. For them this was not, this was very strictly not an auteurist undertaking. This was not like, “Oh, I'm gonna go write these amazing screenplays that give my concept of the world to the audience.” It's not like Bonnie and Clyding going on here. It's very like, “We wrote these based on some stories that we thought would be cool.”I like that a lot. Like the idea that A Star is Born was like a pot boiler. That's really delightful.Completely. It was totally taken away from them by Streisand and John Peters at some point. But they were like, “Yeah, I mean, you know, it happens. We still got paid.”Yeah, if it can happen to Superman, it can happen to you.It happens to everybody, you know, don't get too precious about it. The important thing is did your novel come out and was it supported by its publisher?So just tracing some of their arcs in Hollywood. Obviously, Didion's one of the most influential writers of her generation, there's a very rich literary tradition. Where do we see her footprint, her imprint in Hollywood? What are some of the ways that we can see her register in Hollywood, or reverberate outside of it?In the business itself, I don't know that she was influential directly. What we see is on the outside of it. So a lot of people were friends. She was like a famous hostess, famous hostess. The New York Public Library archives are set to open at the end of March, of Didion and Dunn's work, which was like completely incidental to my publication date. I just got lucky. There's a bunch of screenplays in there that they worked on that weren't produced. There's also her cookbooks, and I'm very excited to go through those and see that. So you might meet somebody there.Her account of what the vibe was when the Manson murders occurred, which is published in her essay The White Album, is still the one people talk about, even though there are a lot of different ways to come at it. That's how we think about the Manson murders: through her lens. Later on, when she's not writing directly about Hollywood anymore (and not really writing in Hollywood as much) but instead is writing about the headlines, about news events, about sensationalism in the news, she becomes a great media critic. We start to see her taking the things that she learned (having been around Hollywood people, having been on movie sets, having seen how the sausage is made) and she starts writing about politics. In that age, it is Hollywood's logic that you perform for the TV. We have the debates suddenly becoming televised, the conventions becoming televised, we start to see candidates who seem specifically groomed to win because they look good on TV. They're starting to win and rule the day.She writes about Newt Gingrich. Of course, Gingrich was the first politician to figure out how to harness C-SPAN to his own ends — the fact that there were TV cameras on the congressional floor. So she's writing about all of this stuff at a time when you can see other people writing about it. I mean, Neil Postman famously writes about it. But the way Didion does it is always very pegged to reviewing somebody's book, or she's thinking about a particular event, or she's been on the campaign plane or something like that. Like she's been on the inside, but with an outsider's eye.That also crops up in, for instance, her essays. “Sentimental Journeys” is one of her most famous ones. That one's about the case of the Central Park Five, and the jogger who was murdered. Of course, now, we're many decades out from that, and the convictions were vacated. We know about coerced confessions. Also Donald Trump arrives in the middle of that whole thing.But she's actually not interested in the guilt or innocence question, because a lot of people were writing about that. She's interested in how the city of New York and the nation perform themselves for themselves, seeing themselves through the long lens of a movie and telling themselves stories about themselves. You see this over and over in her writing, no matter what she's writing about. I think once she moved away from writing about the business so much, she became very interested in how Hollywood logic had taken over American public life writ large.That's fascinating. Like, again, she spends time in the industry, then basically she can only see it through that lens. Of course, Michael Dukakis in a tank is trying to be a set piece, of course in front of the Berlin Wall, you're finally doing set decoration rather than doing it outside of a brick wall somewhere. You mentioned the New York thing in Performing New York. I have lived in the city for over a decade now. The dumbest thing is when the mayor gets to wear the silly jacket whenever there's a snowstorm that says “Mr. Mayor.” It's all an act in so many ways. I guess that political choreography had to come from somewhere, and it seems like she was documenting a lot of that initial rise.Yeah, I think she really saw it. The question I would ask her, if I could, is how cognizant she was that she kept doing that. As someone who's written for a long time, you don't always recognize that you have the one thing you write about all the time. Other people then bring it up to you and you're like, “Oh, I guess you're right.” Even when you move into her grief memoir phase, which is how I think about the last few original works that she published, she uses movie logic constantly in those.I mean, The Year of Magical Thinking is a cyclical book, she goes over the same events over and over. But if you actually look at the language she's using, she talks about running the tape back, she talks about the edit, she talks about all these things as if she's running her own life through how a movie would tell a story. Maybe she knew very deliberately. She's not a person who does things just haphazardly, but it has the feeling of being so baked into her psyche at this point that she would never even think of trying to escape it.Fascinating.Yeah, that idea that you don't know what you are potentially doing, I've thought about that. I don't know what mine is. But either way. It's such a cool way to look at it. On a certain level, she pretty much succeeded at that, though, right? I think that when people think about Joan Didion, they think about a life that freshens up a movie, right? Like, it workedVery much, yeah. I'm gonna be really curious to see what happens over the next 10 years or so. I've been thinking about figures like Sylvia Plath or women with larger-than-life iconography and reputation and how there's a constant need to relook at their legacies and reinvent and rethink and reimagine them. There's a lot in the life of Didion that I think remains to be explored. I'm really curious to see where people go with it, especially with the opening of these archives and new personal information making its way into the world.Yeah, even just your ability to break some of those stories that have been locked away in archives out sounds like a really exciting addition to the scholarship. Just backing out a little bit, we live in a moment in which the relationship between pop culture and political life is fairly directly intertwined. Setting aside the steel-plated elephant in the room, you and I are friendly because we bonded over this idea that movies really are consequential. Coming out of this book and coming out of reporting on it, what are some of the relevances for today in particular?Yeah, I mean, a lot more than I thought, I guess, five years ago. I started work on the book at the end of Trump One, and it's coming out at the beginning of Trump Two, and there was this period in the middle of a slightly different vibe. But even then I watch TikTok or whatever. You see people talk about “main character energy” or the “vibe shift” or all of romanticizing your life. I would have loved to read a Didion essay on the way that young people sort of view themselves through the logic of the screens they have lived on and the way that has shaped America for a long time.I should confirm this, I don't think she wrote about Obama, or if she did, it was only a little bit. So her political writing ends in George W. Bush's era. I think there's one piece on Obama, and then she's writing about other things. It's just interesting to think about how her ideas of what has happened to political culture in America have seeped into the present day.I think the Hollywood logic, the cinematic logic has given way to reality TV logic. That's very much the logic of the Trump world, right? Still performing for cameras, but the cameras have shifted. The way that we want things from the cameras has shifted, too. Reality TV is a lot about creating moments of drama where they may or may not actually exist and bombarding you with them. I think that's a lot of what we see and what we feel now. I have to imagine she would think about it that way.There is one interesting essay that I feel has only recently been talked about. It's at the beginning of my book, too. It was in a documentary, and Gia Tolentino wrote about it recently. It's this essay she wrote in 2000 about Martha Stewart and about Martha Stewart's website. It feels like the 2000s was like, “What is this website thing? Why are people so into it?” But really, it's an essay about parasocial relationships that people develop (with women in particular) who they invent stories around and how those stories correspond to greater American archetypes. It's a really interesting essay, not least because I think it's an essay also about people's parasocial relationships with Joan Didion.So the rise of her celebrity in the 21st century, where people know who she is and carry around a tote bag, but don't really know what they're getting themselves into is very interesting to me. I think it is also something she thought about quite a bit, while also consciously courting it.Yeah, I mean, that makes a ton of sense. For someone who was so adept at using cinematic language to describe her own life with every living being having a camera directly next to them at all times. It seems like we are very much living in a world that she had at least put a lot of thought into, even if the technology wasn't around for her to specifically address it.Yes, completely.On that note, where can folks find the book? Where can folks find you? What's the elevator pitch for why they ought to check this out? Joan Didion superfan or just rather novice?Exactly! I think this book is not just for the fans, let me put it that way. Certainly, I think anyone who considers themselves a Didion fan will have a lot to enjoy here. The stuff you didn't know, hadn't read or just a new way to think through her cultural impact. But also, this is really a book that's as much for people who are just interested in thinking about the world we live in today a little critically. It's certainly a biography of American political culture as much as it is of Didion. There's a great deal of Hollywood history in there as well. Thinking about that sweep of the American century and change is what the book is doing. It's very, very, very informed by what I do in my day job as a movie critic at The New York Times. Thinking about what movies mean, what do they tell us about ourselves? I think this is what this book does. I have been told it's very fun to read. So I'm happy about that. It's not ponderous at all, which is good. It's also not that long.It comes out March 11th from Live Right, which is a Norton imprint. There will be an audiobook at the end of May that I am reading, which I'm excited about. And I'll be on tour for a large amount of March on the East Coast. Then in California, there's a virtual date, and there's a good chance I'll be popping up elsewhere all year, too. Those updates will be on my social feeds, which are all @alissawilkinson on whatever platform except X, which is fine because I don't really post there anymore.Alyssa, thank you so much for coming on.Thank you so much.Edited by Crystal Wang.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe
Send us a textWe ran out of time in our last episode but felt that both of these segments were worthy of being chronicled in our series looking back at the 1992 election. The first is the full press conference of Ross Perot as he withdrew from the 1992 election. It was a move that to this day makes no sense to me as to why he did it. He had been in first place and while he had slipped in the polls he was still in a stronger position than he would ever see again prior to this early withdrawal from the race. You will listen in at his reasoning at the time in his Press conference announcing his withdrawal. Then we will return to the convention hall on that final day and during a break in the action on the convention floor we will listen to a panel discussion that will feature every unsuccessful Democratic nominee over the past 22 years up to that point. It is a fascinating discussion featuring reporters and commentators Robert McNeil, Jim Lehrer, Mark Shields, David Gergen and former Democratic Presidential nominees, Senator George McGovern from 1972, Former Vice President Walter Mondale who was on the national ticket as VP in 1976, 1980- and the nominee in 1984, and Massachusetts former Governor and 1988 Nominee Michael Dukakis. It is a must listen to panel discussion from a set of true history makers. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!
Phil Johnston served as Health and Human Services Secretary under Gov. Michael Dukakis in the 1980s.
Like Carter, Dukakis would go on to have a long, storied career after serving in public office. He shares perspective on the former president and his legacy.
A liquor company that captures tears for their whiskey, an accidental THC pizza, a Michael Dukakis disappointment, famous last meals, and a giant chicken-shaped hotel are amongst the minutiae discussed this week by Rick and Dave. [Ep373]
It's been 13,197 days since Michael Dukakis turned a photo-op into the most disastrous “self-own” of presidential campaigns. Dukakis turns 91 this weekend and is finally feeling redeemed after Donald Trump's garbage truck ride around the tarmac at the airport in Green Bay on Wednesday. Plus: Vice President Harris hits hard on the unity theme in Madison. UpNorthNews with Pat Kreitlow airs on several stations across the Civic Media radio network, Monday through Friday from 6-8 am. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X, and Instagram to keep up with Pat & the show! Guest: Joe Zepecki
Annie's earliest political memory was at age 4. Ryan's was age 10. It's about maturity. As exemplified in this week's Annie Are You OK?
In this exciting episode of No Holding Back, host Susan sits down with Jack Corrigan, a seasoned political strategist and former campaign strategist for Michael Dukakis. Jack brings his decades of experience in Democratic politics to the table, providing a fascinating deep dive into the strategies shaping the upcoming election.Together, Jack and Susan discuss Vice President Kamala Harris' campaign tactics and how they could impact the race. They also break down the key swing states and what voters in those areas are really thinking, offering insightful predictions on how these battlegrounds will sway the election. In a surprising twist, they explore how pop superstar Taylor Swift could become a pivotal figure in this election—analyzing her influence on younger voters and her potential role in mobilizing key demographics.From campaign strategy to pop culture's influence on politics, this episode is a captivating look at the forces that will shape the 2024 election. Tune in for a thoughtful and timely discussion with one of the most respected voices in Democratic strategy.All this and more on No Holding Back with Susan Estrich.Sign up to receive updates by email when a new episode drops at: www.noholdingback.fm/Produced by 1985 Productions
Lead Balloon - Public Relations, Marketing and Strategic Communications Disaster Stories
The image of 1988 Democratic presidential candidate Michael Dukakis riding in a tank has become synonymous with abject public relations failure. For marketers and PR practitioners, it serves as an enduring reminder of the power that our mistakes have to burn down powerful people and institutions in one moment of lapsed judgment. And in the spirit of the upcoming election, in this episode we'll explore what led up to the catastrophe, and its lasting impact on the world of public relations and marketing, with one Democrat and one Republican, both of whom worked in the White House. Josh King was a junior staffer on the campaign trail for Team Dukakis '88. He went on to serve as White House events director under Democratic President Bill Clinton. And Kevin Sullivan was the White House spokesman under the 43rd president, Republican George W. Bush. Together, they'll shed light on the political legend of Dukakis in a tank, offer up a glimpse behind the scenes of the Clinton and Bush administrations, and remind us of a few other times when the republic teetered on the brink of PR calamity. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's September 26th. This day in 1988 George HW Bush holds a rally in Boston featuring police officers who were supporting his campaign -- a stunt meant to rattle his opponent Michael Dukakis, the Governor of Massachusetts.Jody, NIki, and Kellie discuss the back-and-forth police press conferences that ensued, and the larger question of why Republicans have tended to own the "tough on crime" and pro-police mantle.This Day In Esoteric Political History is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Brittani Brown, Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia
Översiktsserien fortsätter. Det kommer handla om George H. Bush, primärval och super Tuesday, färglösa greken Michael Dukakis, Gary Harts magplask, Jesse Jacksons regnbågskoalition, valet 1988, Willie Horton, Dan Quale, posera i pansarvagn, Lloyd Bentsen och read my lips no new taxes!Bild: George Bush svärs in som USA:s 41:e president av chefsdomaren i högsta domstolen William Rehnqvist 20 januari 1989. Källa: WikipediaPrenumerera: Glöm inte att prenumerera på podcasten! Betyg: Ge gärna podden betyg på iTunes!Följ podden: Facebook (facebook.com/stjarnbaneret), twitter (@stjarnbaneret), Instagram (@stjarnbaneret)Kontakt: stjarnbaneret@gmail.comLitteratur översikt USA:s historia- Liberty, Equality, Power: A history of the American People, John Murrin, Paul Johnson, James McPherson, m.fl.- Give me liberty: An American history, Eric Foner- America: A concise History, James Henretta, Rebecka Edwards, Robert Self- Inventing America: A history of the United States, Pauline Maier, Merrit Roe Smith, m.fl.- Nation of Nations: A narrative history of the American republic, James West Davidson, Mark Lytle, m.fl.- The American Pageant, David Kennedy, Lizabeth Cohen, Thomas Bailey- Making America: A history of the United States, Carol Berking, Robert Cherney, m.fl.- America: A narrative history, George Brown Tindall, David Emory Shi- The American Promise: A history of the United States, James Roark, Maichael Johnson, m.fl. - The American People: Creating a nation and a society, Gary Nash, John Howe, m.fl.- Of the People: A history of the United States, James Oaks, Michael McGerr, m.fl.- The enduring vision: A history of the American People, Paul Boyer, Clifford Clark, m.fl.Litteratur för denna era:- Deadlock and disillusionment, Gary Reichard- The age of Reagan, Sean Wilenz- The American Century, LaFeber, Polenberg, Woloch. - American Dreams: The United States since 1945, H. Brands- Recent America: The United States since 1945, Dewey Grantham- Restless Giant, James Patterson Hosted on Acast. See acast.com/privacy for more information.
Siblings Ashley Engle and Brandon Birdwell discuss life, the political impact of 90 year old Michael Dukakis, Jeff's continued airplane pajama shenanigans and Ashley finds a dead squirrel and some cheese.
Vice President George H. W. Bush is Ronald Reagan's heir apparent. But in order to defeat Democratic nominee Michael Dukakis, Bush must embrace Reagan's conservatism, get the best of a respected primary challenger named Bob Dole, and escape the shadow of what many call the biggest political scandal since Watergate. *** To listen to the entire series—all 59 episodes—right now and ad-free, become a subscriber at IntoHistory.com, a channel of history podcasts made just for history lovers like you. Enjoy ad-free listening, early releases, bonus content and more, only available at IntoHistory.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Trump campaign – it's not going well right now. Marc Cooper has our analysis, and advises, rather than follow the two-or-three-point difference in polling, that we should instead look at the trend lines. Also, he reminds us that at the end of July in 1988, Michael Dukakis was leading George Bush by 14 points.It's still August — and time for more summer beach reading. While the Democrats hold their convention in Chicago, the number one nonfiction bestseller in America is “Hillbilly Elegy” by J.D. Vance. Luckily for us, Becca Rothfeld, author of “All Things Are Too Small” and the nonfiction book critic of The Washington Post, has read it, so we don't have to.From the archives: The legendary Father Greg Boyle, Jesuit pastor of Dolores Mission in Boyle Heights starting in 1986, has made it his mission to help gang members who want to quit. He founded Homeboy Industries in 1988. We spoke about his wonderful book "Tattoos on the Heart: Stories of Hope and Compassion" (Originally broadcast Jan., 2012)
This is the (lightly comedic) history podcast where we talk about the losers of presidential races. In this one, we're discussing ALL your favorite losers of the 6th period of American history (1968-2004), including: Hubert HUMPHREY! George WALLACE! Robert F. KENNEDY! Eugene MCCARTHY! Nelson ROCKEFELLER! Charlene MITCHELL! George MCGOVERN! Shirley CHISHOLM! John SCHMITZ! Patsy MINK! Ed MUSKIE! Gerald FORD! Jerry BROWN! Jimmy CARTER! Teddy KENNEDY! John ANDERSON! Walter MONDALE! Gary HART! Jesse JACKSON! Michael DUKAKIS! George H.W. BUSH! Ross PEROT! Pat BUCHANAN! Bob DOLE! Al GORE! and Ralph NADER!!
David Callahan is a prolific creator and thinker within Democratic politics. He helped start the progressive think tank Demos in the late 90s, founded the media outlet Inside Philanthropy as a Consumer Reports of sorts into the world of charitable giving, and more recently created Blue Tent - an advisory group to help progressive donors get the most bang for their buck. In this conversation, David talks his early days in politics focused on foreign policy, his next stint as a think-tanker trying to pull the Democratic Party left, and why he's more recently been focused on the world of political giving. David is one of the most informed people on the planet on all facets of the political donor world and provides a tour de force on both the current state of play and future trends to better understand how our politics are funded.IN THIS EPISODEGrowing up in New York as the child of academics...An early experience that showed David he was not cut out to be an activist...A formative year spent at the liberal magazine, The American Prospect...David talks getting his PhD and his recommendations for those considering academia...David helps found the progressive think tank Demos and talks the role of think tanks in American politics...What led David to start Inside Philanthropy, a media outlet dedicated to understanding political fundraising...The disturbing trend in political giving that led David to start Blue Tent, a resource for progressive donors...How David and Blue Tent determine where donors will get the most bang for their buck...Why David is an advocate of giving to organizations instead of candidates...David on the phenomenon of "rage giving"...Are donors pulling Democratic candidates to the left?Has Democratic giving fallen off this cycle?David's concern about too many advocacy groups and donor fragmentation on the left compared to more unanimity on the right...David de-mystifies the world of big "donor advisors"...David on the Soros factor on the left...The rough balance of spending from the right vs. spending from the left...The types of operatives who succeed in the donor advising space...The political novel David wrote in the late 90s that eerily predicted elements of both the 9/11 attacks and the rise of a Donald Trump-like politician...AND AOC, Stacey Abrams, Miriam Adelson, The American Enterprise Institute, The American Liberties Project, The American Prospect Magazine, Arabella Advisors, Joe Biden, bioethics, Michael Bloomberg, bureaucratic machinations, the Cato Institute, the Center for Voter Information, Bill Clinton, The Committee on States, credential firepower, the DLC, The Democracy Alliance, Michael Dukakis, The Economic Policy Institute, effective altruism, Federalist Society, Marcus Flowers, Focus for Democracy, Fredrick Forsyth, Forward Montana, Give Well, giving circles, Al Gore, Lindsey Graham, Stanley Greenberg, Jamie Harrison, Hastings-on-Hudson, the Heritage Foundation, Hezbollah, Indian Point Power Plant, Indivisible, the Koch Brothers, LUCHA, Mitch McConnell, Amy McGrath, Michigan United, Mind the Gap, Dustin Moskovitz, Movement Voter Project, neoliberal mindsets, The New America Foundation, Paul Nitze, NYPIRG, Beto O'Rourke, Open Markets, RCTs, Ronald Reagan, The Roosevelt Institute, Run for Something, saber-rattling, Sandinistas, Adam Schiff, Star Wars, the States Project, Swing Left, Marjorie Taylor Greene, transactional donors, Way to Win, Working America & more!
Lisa MacLean, founder of Moxie Media - the first female-founded political direct mail firm in the U.S - talks her path to politics...starting in St Louis and then Vassar, to impactful DC internships, managing campaigns in California and eventually starting her own mail firm in the late 1990s that recently celebrated its 25th Anniversary. In this conversation, Lisa talks overcoming adversity as a young woman in politics, the nuts and bolts of how she started her own firm, some of her big races and wins, direct mail best practices and trends, and much more from her 30+ years as a top political operative.IN THIS EPISODEGrowing up middle-class in the St. Louis suburbs...The searing experience in 9th grade that drove home the importance of politics...How the Senate vote to confirm Clarence Thomas changed the course of Lisa's career...Lisa talks what it was like to go to college at Vassar in the late 80s...Lessons learned during and after the 1992 "Year of the Woman"...A personal story Lisa tells about a very difficult experience as a young woman in a media firm...How Lisa decided to start her own direct mail firm and how she got it off the ground...The biggests changes in direct mail over Lisa's 25 years in the business...Some of the memorable races where Lisa feels smart direct mail made a difference...The direct mail trends Lisa is monitoring...Lessons Lisa learned in running and growing a successful mail firm over 25 years...The story behind the name "Moxie Media"...A glimpse into living in rural, coastal Washington (state)...AND Jill Alper, Sasha Bruce, Andrea Campbell, Yadira Caraveo, Amy Chapman, Tony Coehlo, Michael Dukakis, free shrimp cocktail, Patty Garamendi, The Good Neighbor News, Lisa Grove, Anita Hill, Trish Hoppey, Mary Hughes, Tishaura Jones, Celinda Lake, Kevin Mack, Hal Malchow, Laurie Moskowitz, Pat Moynihan, Adnaan Muslin, Amy Pritchard, Rich Schlackman, Amy Simon, Heather Stone, Clarence Thomas, tomboys, Henry Underhill, Karen White, the Womens Information Network, Harriett Woods...& more!
Welcome to the Instant Trivia podcast episode 1236, where we ask the best trivia on the Internet. Round 1. Category: The Performer 1: Patton Oswalt cooked up the voice of Remy the Rodent in this 2007 Pixar film. Ratatouille. 2: From 1960 to 2010 Don Hastings played Bob Hughes on this "global" CBS soap opera. As the World Turns. 3: Esai Morales lawyered up as Edward James Olmos' dad, Joseph Adama, in this "Battlestar Galactica" prequel. Caprica. 4: J.K. Simmons, seriously evil in "Oz", brought it down to "not so nice" as publisher J. Jonah Jameson in this 2002 film. Spider-Man. 5: This "Some Like It Hot" co-star who died in 2010 turned to Matisse-influenced art in later years. Tony Curtis. Round 2. Category: Impersonators 1: Impersonator El Vez puts a Mexican spin on this singer. Elvis Presley. 2: When she appeared at the 1999 Oscars dressed as Elizabeth, she said, "I am the African queen". Whoopi Goldberg. 3: Lucille Ball was the mirror image of this Marx Brother when she impersonated him on "I Love Lucy". Harpo Marx. 4: (Hello, I am Jon Lovitz. [Coughs]) My "SNL" impersonation of this 1988 presidential candidate was not the reason he lost the election. Michael Dukakis. 5: In 1995 the "Tonight Show" featured "dancing" men impersonating this California judge. Lance Ito. Round 3. Category: B Movie Quotes. With B in quotes 1: "My people are praying for a man who can drive their team to victory over Messala". Ben-Hur. 2: "I am William Wallace! and I see a whole army of my countrymen, here in defiance of tyranny". Braveheart. 3: "Miss Golightly, I protest". Breakfast at Tiffany's. 4: "It's 106 miles to Chicago, we got a full tank of gas... it's dark and we're wearing sunglasses"; "Hit it". The Blues Brothers. 5: "Just what are you getting at, Elvis?"; "I think you know what I'm gettin' at, Mr. President. We're gonna kill us a mummy". Bubba Ho-Tep. Round 4. Category: States By National Forest 1: Allegheny National Forest. Pennsylvania. 2: Sequoia National Forest. California. 3: Delta National Forest. Mississippi. 4: Prescott National Forest. Arizona. 5: Ocala National Forest. Florida. Round 5. Category: The Wheel Thing 1: A popular tongue twister concerns its rubber bumpers. Baby buggy. 2: On a cattle drive, Cookie works out of this vehicle that carries his supplies. Chuck wagon. 3: It's a child's vehicle with 2 wheels on a low footboard, or a motor-powered adult vehicle. Scooter. 4: A serving cart for desserts, if you're "off" it you're crazy. Trolley. 5: A tumbrel, a farm tipcart used to haul manure, was used to haul people to this during the French Revolution. Guillotine. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
On the Final Edition, Bryan has a jam-packed show following the presidential debate. First, he welcomes Semafor's Benjy Sarlin for a recap. They discuss: The worst part of the night for Joe Biden (1:08) The timing of the debate (10:35) The history of incumbent presidents who've lost their first debates (15:31) Ben's opinion on whether or not Biden will be the Democratic nominee on election day (26:06) What stood out about Donald Trump (31:04) Anderson Cooper's interview with Vice President Kamala Harris (39:19) Then, he welcomes longtime CNN and ABC News political analyst Jeff Greenfield, who takes us back down memory lane as he revisits four presidential campaigns that he's covered in his career. How Trump has changed everything he thought about campaigns (50:39). Biden's run for president in 1988 and its collapse (54:12). Television's importance to presidential campaigns in the '80s (56:43) Behind the scenes of the race between George H. W. Bush and the Democratic nominee Michael Dukakis in 1988 (61:35) Bill Clinton's decision not to do an interview with Howard Stern interview, and Biden's decision to go through with it (70:46) CNN's coverage of the 2000 election (76:17) Observations from the Al Gore and George W. Bush campaigns (79:40). Revisiting the night Florida was called for Al Gore and then recalled (84:12) Covering the 2008 election and how campaigns were thinking about television in the age of social media (88:17) What stands out about the Democratic primary campaigns of Barack Obama and Hillary Clinton (91:39) Host: Bryan Curtis Guests: Benjy Sarlin and Jeff Greenfield Producer: Brian H. Waters Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Left is gloating about the Donald Trump verdict, but 2024 campaign fundraising for Trump exploded over the weekend. UFC crowd erupts in support of Donald Trump over the weekend. Around three dozen political candidates in Mexico have been murdered recently. Eight Senate Republicans are boycotting Democrat bills. It's Pride Month again, so here come the parades! A bar celebrates "Heterosexual Pride Month." FBI agents join a Pride parade. Confusion ensues when pro-Hamas supporters meet with a Pride parade. Joe Biden has a Michael Dukakis moment with the Kansas City Chiefs. Over a million chickens die in another food processing plant fire. Learn more about your ad choices. Visit megaphone.fm/adchoices
Lora M. Pellegrini, ESQ (President & CEO, Massachusetts Association of Health Plans) discusses the role of health plans in the healthcare system and her company's mission to promote high-quality, affordable, and equitable health care in Massachusetts through advocacy, education, and health policy research.
In 1983 then Governor Michael Dukakis signed the state's “right to shelter” law in Massachusetts. The law requires the Commonwealth to provide shelter and other necessities to “needy families with children and pregnant women with no other children.” That law has now been interpreted to include migrants arriving here in MA. Homeless women, including MA residents are not covered by this statute. Should the law be extended to all homeless MA women?Ask Alexa to play WBZ NewsRadio on iHeart Radio!
In 1983 then Governor Michael Dukakis signed the state's “right to shelter” law in Massachusetts. The law requires the Commonwealth to provide shelter and other necessities to “needy families with children and pregnant women with no other children.” That law has now been interpreted to include migrants arriving here in MA. Homeless women, including MA residents are not covered by this statute. Should the law be extended to all homeless MA women?Ask Alexa to play WBZ NewsRadio on iHeart Radio!
In 1983 then Governor Michael Dukakis signed the state's “right to shelter” law in Massachusetts. The law requires the Commonwealth to provide shelter and other necessities to “needy families with children and pregnant women with no other children.” That law has now been interpreted to include migrants arriving here in MA. Homeless women, including MA residents are not covered by this statute. Should the law be extended to all homeless MA women?Ask Alexa to play WBZ NewsRadio on iHeart Radio!
At the Trump trial today, a man set himself on fire to protest what he believes to be the inevitable coming of a fascist world order. Why does his manifesto reference Michael Dukakis, The Simpsons and other random things? We break down the manifesto. Also on the show, we talk about the NIL deal that FedEx has made with Memphis athletics and the best Maxterpiece Theater segment we've heard in a while. See omnystudio.com/listener for privacy information.
Mark and Howie talked about it being Michael Dukakis day in Boston. They also asked the question, are there enough Republicans left in New York for them to win another election?
Biden said he's looking to see if he has the power to close the border. Mark Interviews Boston Radio Host Howie Carr: Mark and Howie talked about it being Michael Dukakis's day in Boston. Are there enough Republicans left in New York for them to win another election?
Wendy Swart Grossman and Evan Grossman met working for Gov. Michael Dukakis' presidential campaign in 1986. And while they've grown closer in that time, the American electorate has grown further apart. Is there room for love in politics today?
Michael Dukakis secures the nomination, unifies his party and has a well-regarded convention. He's seventeen points ahead in the polls. Is it real? Even his own campaign staff thinks it may not be. A story in Reader's Digest is troubling. In New Orleans, Bush fires back, while dealing with questions about his choice for number two. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1988, The Bush Campaign released a scathing ad that highlighted presidential candidate Michael Dukakis' stance on justice. This ad featured the horrendous acts of Willie Horton, a convicted felon, who was out on a weekend pass. Yes this was a real thing. Massachusetts did grant weekend passes to felons convicted of violent crimes. This was over thirty years ago and you would think the Demoncrats would have learned their lesson. Mike Church says not only did the not learn their lesson but they have stepped up their game. Mike brings the Horton issue up because, we are painfully close to another violent act. This time be one of the many illegal aliens like the one who beat the NYPD cop, and then were released without bail. Not only did the get away with the violence, now they are free to leave the state and do it again. Mike Church reveals the connections between Horton and today, and he explains why we need to be vigilant and why more has to be done to secure our borders. Get these answers and more on this episode of the New Christendom Daily.
En este episodio de #PodcastLaTrinchera, Christian Sobrino y Luis Balbino Arroyo (quién estuvo en La Trinchera en el episodio 5) tienen un píjama pari para ver y comentar un episodio de The Advocates publicado el 6 de mayo de 1979 sobre el status de Puerto Rico. En ese show, el ex Gobernador de Massachussetts y antiguo candidato a la Presidencia de los Estados Unidos, Michael Dukakis, modera un debate en la escuela de gobierno de Harvard sobre el status de Puerto Rico entre Jaime Fuster y José Arsenio Torres (ELA), Joaquin Márquez y Reinaldo Paniagua (Estadidad) y Fernando Martín García y Rubén Berríos Martínez (Independencia). Aparte de escuchar el debate, Balbino y Sobrino discuten los contrastes del debate en el 1979 y 2024 y los puntos de relevancia para la discusión política de hoy.El episodio de The Advocates objeto de este episodio puede verse en el siguiente enlace: “Advocates; Should Puerto Rico Become a State, a Commonwealth, or an Independent Nation?.” 05/06/1979. GBH Archives. Web. January 16, 2024Fe de errata: En el episodio mencionamos que el programa de William F. Buckley Jr. se titulaba Crossfire. El título era Firing Line. Nos confundimos con el programa de CNN titulado Crossfire.Este episodio de La Trinchera es presentado a ustedes por:- La Tigre, el primer destino en Puerto Rico para encontrar una progresiva selección de moda Italiana, orientada a una nueva generación de profesionales que reconocen el buen gusto y la calidad y que disfruta de vivir experiencias genuinas y únicas. Recientemente, La Tigre inauguró su primera colección para mujeres llamada Ciao Bella! Visiten la boutique de La Tigre ubicada en Ciudadela en Santurce o síganlos en Instagram en @shoplatigre.- Vitola Caribe, auspiciadora del movimiento #ViernesGuayabera y donde pueden comprar guayaberas finas y elegante hechas con telas de alta calidad. Las guayaberas de Vitola Caribe son perfectas para portar el estandarte de la elegancia y potencia caribeña.Por favor suscribirse a La Trinchera con Christian Sobrino en su plataforma favorita de podcasts y compartan este episodio con sus amistades.Para contactar a Christian Sobrino y #PodcastLaTrinchera, nada mejor que mediante las siguientes plataformas:Facebook: @PodcastLaTrincheraTwitter: @zobrinovichInstagram: zobrinovichThreads: @zobrinovichBluesky Social: zobrinovich.bsky.socialYouTube: @PodcastLaTrinchera"Está sobre el tapete la suprema definición: o yanquis o puertorriqueños." - Pedro Albizu Campos
You know that phrase, “All's fair in love and war”? Even though “politics” isn't on that list, nowadays I'm sure seems like it could be. The smear campaigns, the attack ads - sometimes it just feels like politician care more about making their opponents look bad rather that actually talking about their own policies and strengths (wait a second…). And even though these kind of tactics have probably been around forever, there's one year and one election in particular where they took centerstage.Rob teaches Ray and Daniel all about the U.S. presidential election of 1988 and the numerous defining moments from the campaign of that year; the notorious political operator Lee Atwater and his bag of “dirty tricks”; Michael Dukakis's unfortunate use of military headgear in one of his ads; Rob's feelings on why debates have gone so downhill in the last few decades; and how Lee Atwater's coded “Southern Strategy” has given way in modern times to a more explicit expressions of prejudice.If you like what we're doing, please support us on Patreon, or you can subscribe to our bonus content on Apple Podcasts. And we'd love to find even more listeners, so if you have time, please leave us a rating or review on Apple Podcasts, Spotify, or wherever you listen to podcasts. And if you have any other thoughts or feedback you'd like to share with us, we'd love to hear from you - feel free to email us or send us a message on social media.TEAMRay HebelRobert W. SchneiderMark SchroederBilly RecceDaniel SchwartzbergGabe CrawfordNatalie DeSaviaARTICLESEPISODE CLIPSGov. Clinton at 1988 Democratic National ConventionBentsen vs. Quayle: The 1988 vice presidential debateLee Atwater's 1981 Interview on the Southern StrategyBentsen vs. Quayle: The 1988 vice presidential debate
In this episode we hear from George H. W. Bush as he addresses the nation in his Inaugural Address in 1989. It would begin a single term in office that would see the face of the entire world change dramatically from its start to its finish. The final triumph for a generation of American Leaders who rightfully could be called the Greatest Generation. We will also see one of America's Greatest leaders leave center stage as Ronald Reagan flies away to California after laying the foundation for the triumphs to come. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!
Mark Barabak, the veteran political reporter and columnist for the L.A. Times, has just helmed a six-part series analyzing the political evolutions across the New West - Arizona, California, Colorado, Nevada, New Mexico, and Oregon. In this conversation, Mark talks his recent series, touches on the politics in all six of these states, and breaks down what it says about the trajectory of the region and the impact on the national landscape. He also mines his reporter's notebook to talk some of his favorite stories and personalities from 35+ years covering politics.IN THIS EPISODEMark talks how he was drawn to working in political journalism...The one state Mark hasn't covered yet...What led Mark to helm his recent series on the New West...The biggest surprise in the recent political evolution of the West...How much remains of the historical, libertarian political character of the West...How Cindy McCain has recently played an important symbolic role in Arizona politics...Mark on Governor Jared Polis and political trajectory of Colorado...Why emigration from California is not helping Republicans in the rest of the region...Mark talks the importance of Latino voters in the West...Mark's take on what it would take for Republicans to finally break through in Oregon...What Bend, OR reveals about politics in the state...How resilient is Democratic strength in the West if the party moves more to the left...How Bill Clinton muscled California into becoming a safe Democratic state...The anecdote Mark has waited 30 years to use...Mark recalls the importance of the Berman/Waxman So Cal "machine" and Northern CA's Burton "machine"...Mark's memories covering Nancy Pelosi's political career from her very first race in the 80s...Mark weighs in on the '24 California open Senate seat...The most charismatic politicians Mark has seen over the years...AND 801 Chophouse, accelerants, Joe Biden, Barbara Boxer, Harry Britt, broad libertarian streaks, Pat Brown, Ron Brown, Willie Brown, bundling, Sala Burton, George H.W. Bush, George W. Bush, California tattoos, criminal malpractice, Gray Davis, Michael Dukakis, election deniers, John Emerson, extractive industries, fingertip sensitivity, Diane Feinstein, Greek Lit, Kamala Harris, Peter Hart, John Hickenlooper, the hoi polloi, Mark Kelly, Ted Kennedy, John Kerry, Kari Lake, Adam Laxalt, Barbara Lee, Mel Levine, Bill Lunch, Maricopa County, Blake Masters, Leo McCarthy, Narragansett, Grover Norquist, Tip O'Neill, Mike Ovitz, Leon Panetta, Pablo Picasso, Katie Porter, RINOs, Ronald Reagan, Dick Riordan, Brian Sanderoff, Adam Schiff, John Seymour, Derek Shearer, Bob Shrum, sourdough bread, unhelpful quotes, Pete Wilson...& more!
Former three-term Massachusetts Gov. Michael Dukakis turns 90 Friday. Radio Boston takes a look at his legacy in the commonwealth, from strong investments in children and the MBTA, to the signing of the so called "right-to-shelter" law in 1983.
It's September 26th. This day in 1983, Massachusetts genator Michael Dukakis held a press conference to announce an enormous and ambitious infrastructure project to take a roadway that cut through the center of Boston and move it underground. Jody, Niki, and Kellie are joined by reporter Ian Coss to discuss the initial plans for what would come to be known as “The Big Dig,” and why the project ended up taking decades, and billions of dollars, more than expected — and what it says about ambitious infrastructure projects in America. Sign up for our newsletter! We'll be sending out links to all the stuff we recommended later this week. Find out more at thisdaypod.com This Day In Esoteric Political History is a proud member of Radiotopia from PRX. Your support helps foster independent, artist-owned podcasts and award-winning stories. If you want to support the show directly, you can do so on our website: ThisDayPod.com Get in touch if you have any ideas for future topics, or just want to say hello. Our website is thisdaypod.com Follow us on social @thisdaypod Our team: Jacob Feldman, Researcher/Producer; Brittani Brown, Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia
If you heard the phrase "Massachusetts Miracle," would you also assume it was a famous sports play? Please tell me I'm not alone. In this week's episode, we're joined by Cambridge native and history professor Lily Geismer to talk about Route 128, the associated tech boom, suburban liberals, and famous loser Michael Dukakis. Plus, I've got more to say about Duck Boats.Send us a Text Message.
Subscribe to C-Speak so you never miss an episode. Listen on Apple Podcasts and Stitcher. Tom O'Brien's early-career stint as a campaign worker for presidential candidate and governor Michael Dukakis didn't pay much – he remembers not being able to make car payments – but was nevertheless a rewarding, “transformative experience,” he said in this episode of PNC C-Speak. O'Brien, co-founder, managing partner and CEO of HYM Investment Group, believes others can benefit from work in the public sector. “I would encourage people to think about politics and government, particularly at an early stage of their career,” O'Brien said.Over the years, O'Brien has assembled a diverse team at HYM Investment Group consisting of people with varied life experiences and perspectives. “What we care mostly about is honesty” and kindness, he said. Whatever skills someone might need can be taught, “but we can't teach you to be a good team member. You need to bring that to our organization.”Listen to the episode to hear more about: O'Brien's wife of 30-plus years, Trisha, who's taught him to be “present in the moment,” a better listener and more empathetic. His concerns about affordable housing and the need to “fix the Boston public school system. What gives him the most joy.Powered by PNC Bank.Download a transcript of the podcast.
Analilia Mejia is currently the co-ED of The Center for Popular Democracy...and prior to that she was Bernie Sanders 2020 Presidential Campaign Political Director with stints in the Biden Administration, with the Working Families Party, & deep roots in union organizing. In this conversation, she talks being raised in working class Elizabeth, NJ as a daughter of immigrants, the life-changing role that a union job meant for her family, and the through line of empowering people that has run through her entire career in and around politics.IN THIS EPISODEAnalilia talks growing up in a working poor household in Elizabeth, NJ as the daughter of immigrants...Analilia's "political awakening" in 1988...Analilia cuts her teeth in politics as a union organizer in Chicago...Analilia explains the role of the Working Families Party, whom she led in New Jersey...Analilia on her path to becoming Bernie Sanders '20 Political Director & how she tackled the job...Analilia on why she continues to identify as a "Bernie Bro"...The role Analilia played in bringing Bernie voters into the Biden coalition...How Analilia joined the Biden Administration and why she left it to work again on the outside...Analilia on her role as Co-Executive Director of the Center for Popular Democracy & the role CPD is playing...Analilia weighs in on how progressive orgs should be cognizant of communicating smartly to voters...Analilia's career advice to young operatives...AND AOC, Saul Alinsky, analogies, Ana Maria Archila, Sarah Badawi, Ella Baker, Build Back Better, George HW Bush, Wendy Chun-Hoon, Detroit Action, Michael Dukakis, finding a full humanity, George Floyd, fireworks, food insecurity, Jeff Flake, the free clinic, gummy bears, Fannie Lou Hamer, The Highlander School, Pramila Jayapal, jiu-jitsu, Arianna Jones, John Kerry, LUCHA Arizona, The Montgomery Bus Boycotts, Vivek Murphy, the New Georgia Project, people chess, radical transparency, Chuck Rocha, Jane Sanders, Faiz Shakir, Singer sewing machines, strep throat, Donald Trump, Nina Turner, the US Constitution, Jeff Weaver...& more!
On October 13, 1988, George Bush and Michael Dukakis meet in debate. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
RIP Queen Elizabeth II, Mr. Methane reports live from England, the NFL returns, elder abuse of Louie Anderson, Zack Efron's face, Tom Mazawey's weekly check-in, a new Bonerline, TikTok crying, Steve Bannon charges, and murders in Memphis.The Queen is dead. Long live the King. The NFL will honor her before Game #1 tonight. RIP Bozo was trending. A college professor crapped all over the Queen, but Jeff Bezos slams her. Elton John is sad and Ozzy is crushed.RIP Bernard Shaw, the Farrah Fawcett of today. He famously asked Michael Dukakis a wild opening question in the '88 debate.The Beatles Revolver re-mix is coming out.We check in with world famous Brit, Mr. Methane, for a eulogy of Queen Elizabeth.More QE2: Thomas Markle has made his statement. Reggie Jackson shares a quip on Twitter.Trudi remains on vacation... as far as her tether would allow her to go.20% of our audience have been "broken".Crying on TikTok is so hot right now.TMZ covered the death of Michael Jackson by focusing on his amazing opioid addiction.Cara Delevingne is a complete mess right now.In Las Vegas, Robert Telles was arrested for murdering journalist Jeff German.Jerkmate brings you a brand-new Bonerline (use promo code BONER). Call of text 209-66-Boner.We know that there is a Hulu series called Candy. Stop calling about it.The Mike Tyson show on Hulu is pretty decent.Ezekiel Kelly goes on 22-hour Facebook Live rampage leaving 4 dead in Memphis.We learn even more disturbing details about jogger Eliza Fletcher's alleged killer.Steve Bannon turns himself in for the We Build the Wall scheme.Inflation sucks for everyone.Tom Mazawey joins the show to praise John Daly's first pitch, praise Mark McGwire for his steroid-fueled home run record, wade into the Tom Brady vs Gisele Bündchen relationship, debate the Cade McNamara / J.J. McCarthy QB battle, give out his football/wedding season schedule, cover Ryan Ermanni's tweets, guarantee a Detroit Lions victory on Sunday. and give the worst eulogy for Queen Elizabeth possibly ever.Learn about Anthony Templet, the worst son possibly ever in Netflix's I Just Killed My Dad.Louie Anderson was forced to make last-minute changes to his will. His sister files claims of elder abuse.More QE2: Jemele Hill, Michigan professor Ebony Elizabeth Thomas and more attack all Queen Elizabeth for all the colonizing she personally did.EMU professors strike and remain scared of COVID.Oberlin College coughs up $20+M dollars to Gibson's Bakery.Ricky Martin sues his nephew for $20,000,000.Zac Efron tries to explain why his face looks so different now.Britney Spears finally gets that long deserved vacation.Olivia Wilde is on damage control... but everyone still hates her.El Salvador's gamble on crypto doesn't seem to be working out too well.Social media is dumb, but we're on Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels and BranDon).
Howie this hour talks about the tragic shooting in Memphis caused by the liberal justice system, the death of Queen Elizabeth the II and Bernard Shaw who recently passed as well, infamously known for asking Michael Dukakis a provocative question in the second 1988 presidential debate.