Podcasts about music music music

WE ARE MUSIC, HE IS MUSIC, MUSIC MUSIC MUSIC

www.atravelpath.com https://delicioats.com/discount/PATH Use Code PATH   Banff National Park Travel Guide Welcome back to Travel Tips! We joined Dedra and Garron to talk about one of the gems of their home country: Banff National Park in Canada. Nestled in the heart of Alberta, Canada, lies a natural wonderland waiting to be explored – Banff. Having grown up not far from this pristine here, they had the privilege of visiting Banff numerous times, each visit revealing new adventures and hidden treasures. With insider knowledge and tips garnered over the years, they are here to guide you through an unforgettable Banff experience. Outdoor Adventures Galore Banff isn't just a destination; it's an outdoor enthusiast's paradise. Whether you're into hiking, camping, snowboarding, skiing, backpacking, or simply exploring with your furry friends (yes, Banff is dog-friendly!), there's something here for everyone. Duration of Stay While a weekend getaway is feasible for locals, they recommend dedicating at least two weeks to truly immerse yourself in all that Banff has to offer. If time permits, extend your stay to three weeks to explore the surrounding area. The Enchantment of Blue Waters Banff boasts stunning azure waters that captivate visitors from around the globe. While Lake Louise and Moraine Lake are iconic spots, they can get crowded. For a more serene experience, head to lesser-known gems like Saskatchewan Crossing in the northern part of the park, where you'll find equally mesmerizing blue waters minus the crowds. Best Time to Visit Timing is key when planning your Banff adventure. Summer, particularly July through August, offers ideal weather for outdoor activities. However, be prepared for potential snow in June and forest fires in August. For winter sports enthusiasts, the period between December and February promises snowy escapades. Getting There and Around Calgary serves as the gateway to Banff, with a scenic drive of about 1 hour and 40 minutes. While Banff town is easily navigable on foot, renting a car is advisable for exploring attractions further afield. Shuttle services are also available for those who prefer not to drive. Currency Exchange and Budgeting Ensure you exchange your currency for Canadian dollars (Loonies and Toonies) before arriving, as foreign denominations are not accepted. Budget around $100-150 per day for a comfortable experience, but savvy travelers can save by cooking meals at campsites and stocking up on supplies in Calgary to avoid inflated prices in Banff. Accommodation Options Finding free lodging in Banff can be challenging, but the national parks offer a plethora of campgrounds for outdoor enthusiasts. Tunnel Mountain Campground is a prime choice for its proximity to town, while the Canmore area boasts more budget-friendly options. Embracing Banff's Nightlife Banff has a small nightlife with bars, great dining, and clubs. That said, many visitors opt for quiet evenings by the campfire, soaking in the starlit sky and relishing the tranquility of nature Chasing Sunrises and Sunsets For unparalleled views, ascend Sulphur Mountain via the Banff Gondola or embark on a mountain hike to witness breathtaking sunrises and sunsets. Each vantage point offers a unique perspective of Banff's majestic landscape, so don't miss the opportunity to capture these magical moments. Money-Saving Strategies Maximize your Banff experience without breaking the bank by prioritizing free activities like hiking and stargazing. Limit dining out to a few special occasions, opting instead for budget-friendly meals around the campfire. Stock up on groceries and fuel in Calgary to avoid inflated prices in Banff. Banff isn't just a destination – it's an invitation to connect with nature, embark on thrilling adventures, and create unforgettable memories. So pack your bags, lace up your hiking boots, and get ready to unlock the wonders of Banff. Your next great adventure awaits! 3, 2, 1 Countdown 3 Things to Pack: ·        Marshmallow Sticks ·        Tent ·        Hiking Boots ·        Water ·        Swim Shorts ·        Sunscreen ·        Bear Spray ·        Passport 2 Complaints: ·        Crowds ·        Limited Parking ·        Costs 1 Thing You Can't Leave Banff Without Doing: ·        Beaver Tails ·        Mount Yamnuska   Chapters ·        00:00 Introduction ·        03:30 How Long Should Someone Visit Banf? ·        04:45 Where to find Blue Water? ·        05:30 Best Time to Visit Banff ·        06:45 Transportation ·        08:30 Currency and budgeting ·        10:30 Sleeping Arrangements ·        14:15 Nightlife in Banff ·        15:30 Sunrise/sunset ·        16:45 Money Saving Tips ·        19:30 Restaurants ·        20:45 Nearby Activities ·        23:15 Delicioats ·        24:00 3, 2, 1 Countdown ·        22:45 3,2,1 Countdown   Connect With The Route to Happiness ·        Instagram: https://www.instagram.com/route_tohappiness/ ·        YouTube: https://www.youtube.com/@theroutetohappiness ·        Facebook: https://www.facebook.com/groups/671668523352712 ·        Tiktok: https://www.tiktok.com/@theroutetohappiness   Near Banff ·        Canmore: https://www.canmore.ca/ ·        Yoho National Park: https://parks.canada.ca/pn-np/bc/yoho ·        Lake Louise: https://www.banfflakelouise.com/ ·        Icefields Parkway: https://icefieldsparkway.com/ ·        Kananaskis Mountains ·        Mount Yamnuska Hike: https://www.alltrails.com/trail/canada/alberta/mount-yamnuska-traverse-and-west-col-descent   Blue Water ·        Lake Louis and Moraine Lake: https://parks.canada.ca/pn-np/ab/banff/visit/les10-top10/louise ·        Saskatchewan River Crossing   Transportation ·        Calgary Airport: https://www.yyc.com/en-us/ ·        Shuttles: https://www.banfflakelouise.com/explore-the-park/transit-shuttles   Camping ·        Tunnel Mountain: https://parks.canada.ca/pn-np/ab/banff/activ/camping ·        Canmore: https://www.hipcamp.com/en-CA/d/canada/alberta/canmore/camping/all ·        Very inexpensive camping at Abraham Lake   Sunrise ·        Sulphur Mountain: https://www.banfflakelouise.com/experiences/sulphur-mountain-trail ·        Any mountains or hikes ·        Banff Gondola: https://www.banffjaspercollection.com/attractions/banff-gondola/ ·        Lake Louis   Restaurants ·        Park Distillery: https://parkdistillery.com/ ·        Grizzly House ·        Fairmont Hotel: https://www.banff-springs-hotel.com/dine/ ·        Beaver Tails: https://beavertails.com/   Music Music • Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/sky-toes/ready-as-ever License code: WYQ2IKRBMVFP3EJS   Disclaimer *All content from atravelpath.com, including but not limited to The Travel Path Podcast and social media platforms, is designed to share general information. We are not experts and the information is not designed to serve as legal, financial, or tax advice. Always do your own research and due diligence before making a decision.

Get Your Delicioats Discount Today! https://delicioats.com/discount/PATH Use Code PATH   Welcome back Pathfinders. In this podcast we broke down every fee we paid when we purchased our RV, and how we are unfortunately underwater as a result. The moral of the story: Do your research AND don't let emotions get the best of you during the buying process. Follow along with this blog for a more accurate breakdown of the buying fees: https://atravelpath.com/buying-an-rv/   Other blogs mentioned during this show: RV Tech: https://atravelpath.com/mobile-rv-technician/ How Much We Made Renting Our RV: https://atravelpath.com/renting-camper-van/ How We Saved Money to Buy an RV: https://atravelpath.com/become-the-ultimate-house-hacker-by-buying-an-rv/   Episodes Mentioned Chris and Sara: https://atravelpath.com/chris-and-sara/   Music Music • Music from  #Uppbeat  (free for Creators!): https://uppbeat.io/t/sky-toes/ready-as-ever License code: WYQ2IKRBMVFP3EJS   Disclaimer *All content from atravelpath.com, including but not limited to The Travel Path Podcast and social media platforms, is designed to share general information. We are not experts and the information is not designed to serve as legal, financial, or tax advice. Always do your own research and due diligence before making a decision.

It's all about music this hour. First the guys welcome Adam Lee from Icons Entertainment to the studio and brings his guitar to feature some of the tunes from "The Garth Experience" which is coming up at the Meyer. (You gotta listen to the tunes he shares. Amazing!) Then Kevin Van Ess, Len Nelson and Michael Bailey stop by to talk about THEIR show at the Meyer: Symphony On The Rocks. Need tickets for the shows? Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-8 am on WGBW in Green Bay and on WISS in Oshkosh. Subscribed to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook and X to keep up with Maino and the Mayor! Guests: Michael Bailey, Len Nelson, Kevin Van Ess

Ransom Notes - Music, Music, Music by Frank MacKay

It's Donna Tartt appreciation week! Michelle joins us for our deep dive into The Goldfinch, Donna Tartt's brilliant, award-winning novel about art, drugs, loss, and not always getting what you want. Also this week Joseph read Death Valley by Melissa Broder and Duty Free Art by Hito Steyerl, Michelle read A Curious History of Sex by Kate Lister and Fire and Blood by George R R Martin, and Saph read Son of Rosemary by Ira Levin and Taaqtumi: An Anthology of Arctic Horror Stories. This week's listener recommendation request comes from Edward who is looking for a great (auto)biography. Joseph recommends Girl In A Band by Kim Gordon. Saph recommends Crying in H Mart by Michelle Zauner and Take Away by Angela Hui. Michelle recommends Clothes Clothes Clothes, Music Music Music, Boys Boys Boys by Viv Albertine, Seabiscuit: The True Story of Three Men and a Racehorse by Laura Hillenbrand, and Educated by Tara Westover. Also mentioned in this episode:The Secret History and The Little Friend by Donna TarttMilk Fed by Melissa BroderGreat Expectations by Charles DickensWhores of Yore Twitter accounte-fluxSee the Novel Thoughts bookshop page for all books mentioned in this episode. Hosted on Acast. See acast.com/privacy for more information.

Question for you all: Is tattoo season a thing? Follow up: Are tattoos cooler now than they used to be? Please think about your answers while listening to country artists we're loving right now (and Post Malone while you're at it). On country music having a moment: Vulture and Rolling Stone. Here are some artists (and their songs!) to dig into: Luke Combs (“When It Rains It Pours” and his cover of “Fast Car”), Zach Bryan ("I Remember Everything" featuring Kacey Musgraves, “Something in the Orange,” and his All My Homies Hate Ticketmaster live album), Kane Brown (“Nothing Compares to You” with Mickey Guyton), Midland (“Cheatin' Songs” and “Burn Out”), Maren Morris (“The Bones,” “My Church,” and “Rich—and this Diary of a Song on her pop hit “The Middle” and everything The Highwomen), Kelsea Ballerini (“If You Go Down (I'm Goin' Down Too),” “Hole in the Bottle,” and a special shoutout to her CMT Awards performance), Mickey Guyton (“All American” and “Black Like Me”—she was a judge on the Apple TV show My Kind of Country, too) Lainey Wilson (“Things a Man Oughta Know,” “Heart Like a Truck” and “Straight Up Sideways”), Hailey Whitters (“Everything She Ain't” and “I'm In Love”), and Brooke Eden (“Sunroof”—video with her then-gf, now wife!).For further women-in-country reading, we re-recommend Her Country by Marissa R. Ross. An artist we hope doesn't disappoint us: Post Malone.Let us know what music you're loving right now at 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva!Find more weeknight dinner recipes at Pillsbury.com. Discover so many more natural diamond truths at naturaldiamonds.com/thankyou.Head back to school with an MBA from The Georgia Tech Scheller College of Business.Find wellness on your next stay at Westin.Listen to Bad on Paper—if you like this podcast, you'll like that one.YAY.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

hey guys welcome to the show now we're going to put a bit of music therapy today you might be able to hear something in the background a new recording and it is all about grounding the Nissanself-hypnosis recording using Rife vibrations and these vibrations are entwined in my music you won't really notice that they're there these vibrations have a very positive effect on different parts of your body your molecular biological being these vibrations are very potent you don't have to listen to the recordings for too long but the more you listen the more likely you are to be successful in the goal that you're looking to achieve what is grounding grounding is about feeling connected the world that you inhabit grounding curing yourself balance you don't fall over so that you can achieve these goals perhaps you want to be successful at work but be able to do that unless you're grounded perhaps you want to be a better parent to be grounded to be the best version of you without grounding you will not be able to succeed it might look like you're succeeding but it's a fine line between success and failure if you're losing your connection with the space you inhabitturn this up[Music] breathe in breathe out slowly foreigntry and empty your mind of any worries and just try and listen and predict or guess where the music's going to go and when you start to do that you'll lose yourself in it because you don't know but you trust your mind to translate what you're hearing and eventually this trust leads to peace and being at one with what the vibrations are doing in your head it's best if you listen with headphones can't have the speaker quite close to youI'm going to leave you with a 30-second sample that download and you can put it on a loop play it when you go to bed and play it any time of the day when you're running jogging you know and you're going to the shop when you're you know doing things that you do normally automatic things it's best to do it seated with nothing going on close your eyes if you can take a few minutes so let's just play a short clip for you and you are allowed to download this and use it for personal says you can give a giveaway you know your friends enjoy it as well and it'll be on YouTube very very soon so we've got a bit of a sneak peek here tomorrow [Music][Music][Music]thank you [Music]

The SKATCAST Network presents:SKAT-Tunes #1!!! Yay!Today's Tunes:It's our first episode of our weekend music show! All these groups/artists are independent or work on indie labels. Mr. and Mrs. Script Keeper host this week's tunage and have chosen a few tracks from the Northwest in various genres as well as artists from Colorado to Michigan to Indiana and Las Vegas. We also have two listener submitted tracks that we pulled from our "hell yes!" pile at random that we think you are going to love. You know how to $upport unsigned artists. We hope you find a new artist or two to support and enjoy!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/mVFf2brAaFFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The boy is mine, okay? Featuring... Five. Minute. Fight. - Barbie (2023) "My winnings come with the test of time" Music Music Music! - Sinéad, Kurt, and the most impactful celebrity deaths Hosted by your own personal cinematic Doja Cat & Kittenz! Music by Splash '96 Recorded & Edited by Boutwell Studios

https://thedisabilitychannel.ca/

Music Music Music

Music Music Music

Musician, writer, and former Lush front-woman Miki Berenyi chats to Jude about Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. by Viv Albertine.They also dive deep in to Miki's experience of writing her Rough Trade Book of the Year winning memoir, Fingers Crossed, her disdain for 'Britpop', her childhood love of Carmen Miranda, the joy of being a young music fan in London in the 1980s, and much more.Books mentioned in the podcast:Fingers Crossed by Miki Berenyi Fingers Crossed: How Music Saved Me from Success: Rough Trade Book of the Year a book by Miki BerenyiClothes. Music. Boys. by Viv Albertine Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. a book by Viv AlbertinePaper Cuts by Ted Kessler Paper Cuts: How I Destroyed the British Music Press and Other Misadventures a book by Ted Kessler.It Crawled From The South: An REM Companion by Marcus Grey It Crawled From the South: An R.E.M. Companion: Amazon.co.uk: Gray, Marcus: 9781857023541: BooksLiverpool Explodes by Mark Garrett Cooper Liverpool Explodes: Amazon.co.uk: Cooper, Mark Garrett: 9780283988660: BooksBedsit Disco Queen by Tracey Thorn Bedsit Disco Queen: How I grew up and tried to be a pop star a book by Tracey ThornMy Rock 'n' Roll Friend by Tracey Thorn My Rock 'n' Roll Friend a book by Tracey ThornI'm Not With The Band by Sylvia Patterson I'm Not with the Band: A Writer's Life Lost in Music a book by Sylvia PattersonLead Sister by Lucy O'Brien Lead Sister: The Story of Karen Carpenter a book by Lucy O'BrienWhy Karen Carpenter Matters by Karen Tongson Why Karen Carpenter Matters a book by Karen TongsonYou can buy the paperback edition of Jude's The Sound of Being Human: How Music Shapes Our Lives here: The Sound of Being Human a book by Jude Rogers. (bookshop.org)Finally White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

The SKATCAST Network presents:SKATCAST #55 with the Script Keeper Zaq FlanaryToday's Bullshit:This week the staff (mainly Tim) here at SKATCAST studios collected much of the music that has been recorded over the last year. It's a lot. It's dumb. That's what today's show is about. And here we gooooo!Have a music-tastic Tuesday!!! :PVisit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/mVFf2brAaFFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Introduced by Jolyon Thurgood, this episode highlights the upcoming music events on Islay and Jura: Jura Music Festival, September 23-25 2022. More at juramusicfestival.com Lagavulin Islay Jazz Festival, October 9-11 2022. More at islayjazzfestival.co.uk Islay Sessions, November 11-13 2022. More at FraserShawTrust.com With music from Islay's own Mairi McGillivray, a track from her EP "In My Mind" available on Bandcamp at https://mairimcgillivray.bandcamp.com/album/in-my-mind The song "Tàladh na Beinne Guirme" was written for Celtic Colours 2004 by Goiridh Dòmhnallach and Brian OhEadhra, is also known as "The Blue Mountain's Lullaby", and tells a moving story of Gaelic culture in Nova Scotia.

(Ignore the congestion) but I get into my music bag, discuss females of hip hop, why I don't think lizzo is all that great.. and much more. --- Send in a voice message: https://anchor.fm/willing2goham-podcast/message Support this podcast: https://anchor.fm/willing2goham-podcast/support

The guys bring on their inaugural guest Corbin as well as a surprise guest...maybe their number 1 fan. They talk greatest rapper of all time, Mt Rushmore of albums, Astroworld Fest, First albums ever bought and more!Intro Song: Opposite of Adults by Chiddy Bang (2010)

A cornucopia of Culture Catch Up this week, with news and reviews of films we have seen in the cinema - Dune, The Power of the Dog, The French Dispatch, Mothers of the Revolution and (Beatles klaxon) the Get Back rooftop concert IMAX presentation. What have we learned since we watched it? We discuss a new book by Christine Leunens dramatising New Zealand in a time of activism. We talk about music from Rolo Tomassi, Taj Mahal and Ry Cooder, (what kind of music would you play to get rid of protesters?) and vintage comedy (and one extra joke in this episode!) from Barry Cryer and the 70s shows he was involved with. After Life and The Unlikely Murderer TV series and the multi-talented Hannah Grace Deller complete this episode.  Full show notes at https://www.onlyapodcast.com/film-film-film-music-music-music-books-books-books/

Music Music Music

2021 was challenging and music helped us through. In our final show of the year, Alisha Sweeney, local music director at Indie 102.3, shares some of her favorite Colorado tracks from '21. We remember a short-lived but influential music venue called The Family Dog. Plus, the team behind CPR's new music appreciation podcast.

2021 was challenging and music helped us through. In our final show of the year, Alisha Sweeney, local music director at Indie 102.3, shares some of her favorite Colorado tracks from '21. We remember a short-lived but influential music venue called The Family Dog. Plus, the team behind CPR's new music appreciation podcast.

In this week's episode, Byrdoe & Mark G play to one of their previous episodes where they said they would discuss 80s & 90s music, and they did just that. They touched on 80s R&B, 80s Hip-Hop, 90s R&B, 90s Hip-Hop, and the tangents that can be gone on from having these convos. They even briefly discuss the "Free Larry Hoover" concert that Kanye had with special guest Drake. Listen in as these 2 just keep going as they take a stroll down memory lane discussing the  love of music & artists galore.

In this week's episode, Byrdoe & Mark G play to one of their previous episodes where they said they would discuss 80s & 90s music, and they did just that. They touched on 80s R&B, 80s Hip-Hop, 90s R&B, 90s Hip-Hop, and the tangents that can be gone on from having these convos. They even briefly discuss the "Free Larry Hoover" concert that Kanye had with special guest Drake. Listen in as these 2 just keep going as they take a stroll down memory lane discussing the  love of music & artists galore.

Music is a POWEFUL language. It speaks to your Mind, Body and Soul, there is HEALING in music! Please join me. Jeanne Muhammad on Thursday, December 2, 2021 @ 7:30 pm EST for “Inner Peace and Serenity” on Keever's Place The Keever Murdaugh Show & Podcast. My incredibly special guest is Mcheza Santuri aka DJ B1 Planet Funksville of Charlotte, NC We will be discussing all things MUSIC! See YOU there! You don't want to miss this!! ***We do not own the rights to any music that was played during this broadcast.*** To purchase my book, visit my website www.IAmJeanneM.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/keeversplace/support

In today's episode I answer questions from friends and fans related to MUSIC! I also share about my upcoming "Created Noble Album Experience" to officially launch the public released of my new album!To sign up for the Created Noble Album Experience, go here:https://www.colbyjeffers.com/created-noble-experience/To submit your questions for future podcasts, message or email me at:https://www.facebook.com/colbyjeffersmusic/https://www.instagram.com/colbyjeffers/colbyjeffersmusic@gmail.com

On Todays Episode of Contemplations, Bryan Royes comes on to add a fresh and more knowledgable perspective on music, it's effects on us and the reason music has become so important to us.

MUSIC MUSIC MUSIC!! My favorite topic. Chris from Painted Young joins me in explaining how it is in our 20s starting a band, including all the challenges and fun aspects that come with it! Painted Young can be heard through these links: https://open.spotify.com/artist/02Lccw0gQcnbF0QdQwxJkA (Spotify) https://music.apple.com/us/artist/painted-young/1079714959 --- Send in a voice message: https://podcasters.spotify.com/pod/show/feelinphilline/message

This week: new MUSIC MUSIC MUSIC from Czarface x MF Doom and Stöner, and an all-star Gang Of Four tribute album. Also: basket cases, getting your wife to stop talking to you, comic books and wrestling promos, backward music opinions, impending doom, coastal elites, influences' influences, not great man, a look you haven't heard, ‘umlaut' doesn't actually have an umlaut, doing it live, lowered expectations, nancy boys, go folk yourself, mixed reviews, avoiding social media, anyway here's the new Wonderwall, dead kills, Nashville: it's not just Cletus music, it's soccer Moses not soccer Jesus for soccer God's sake, spoilers: he did not manage to report in from the road that week, and boy did these sporting takes age well. Next week: new albums from Tigercub, Troy Kingi and a (very) joker from Japanese-Quebecois fusion experience TEKE::TEKE. Recent review albums are in our current album review playlist on Spotify, with earlier stuff in our 2021 review archive, along with our 2021 tripping balls mixtape featuring our favourite tracks from new albums we've reviewed this year. The full list of all the albums we've ever featured on the show and Beeso's playlist for his boys are also available elsewhere on the internet. BALLS and tripping balls are available on their own RSS feeds, as well as being found together on Omny Studio,Spotify and Apple Podcasts (feel free to subscribe, rate and review) - and we welcome your reckons via Twitter, Facebook and email. See omnystudio.com/listener for privacy information.

Daniel won a Cameron Mackintosh scholarship to study at the Guildford School of Acting, where he graduated with a BA (Honours) in 2001. He was selected to perform in the first UK tour of Jonathan Larson's Rent, which meant leaving college early. He understudied the characters of Mark (played by Adam Rickitt) and Angel, eventually taking over the role of Mark, performing on alternate nights at the Prince of Wales Theatre in London's West End. In 2002, he played Morino in the UK tour of Sunset Boulevard, which starred Faith Brown. Boys also appeared as Roger, one of the T-birds, in Grease at the Victoria Palace. He also went on the touring production to Japan, and playing the role of Doody in Scandinavia and Cyprus. Daniel was also a soloist in Disney's Enchanted Evening (a series of UK concerts in 2004), of which the final concert was televised on BBC1 as the BBC Family Prom in the Park.In 2005, Boys took part in BBC London's Children in Need – The Musical. He also performed at Party in the Park with the company of Grease. Guest TV appearances with Grease also included Blue Peter and The Graham Norton Show. His other early theatre credits include; Austin in I Love You Because (Landor in 2007), Anthony in Sweeney Todd (Royal Festival Hall in 2007), Mark in Rent (European Tour in 2006) and Parson Nathaniel (u/s) in Jeff Wayne's The War of the Worlds (National Tour in 2007). He also understudied all male roles. He can be seen on the live tour DVD special features, performing in place of Russell Watson in the dress rehearsal.In 2007 he participated in the BBC reality show Any Dream Will Do and was the 7th contestant to be eliminated from the series. During the series, the judges tested his vocal skills on a wide variety of music genres including rock, swing, ballads, and pop. His only opportunity to sing a musical theatre number was during a sing-off, in which he performed "Bring Him Home" from Les Misérables against Lewis Bradley.Daniel has appeared as Anthony Hope in Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street which was one of the first shows to open at the newly restored Royal Festival Hall and in late 2008, he joined the cast of the hit show Avenue Q and played the lead roles of Princeton and Rod and won the "What's on Stage Theatregoers Choice Award" for "Best Takeover in a Role" for his performance.Daniel has performed at Andrew Lloyd Webber's 60th birthday concert in Hyde Park, appeared on the BBC programme "Songs of Praise" and toured with John Barrowman on his Music Music Music tour. On 6 December 2009, Boys performed with fellow artists in "Christmas in New York" at the Prince of Wales Theatre. Among his songs were "Ave Maria" and "Winter Wonderland".In 2009 Daniel's debut solo album So Close was released and he embarked on a series of solo concerts performing at venues such as Leicester Square Theatre, the Delfont Room in the Prince of Wales Theatre, Wilton Music Hall, Greenwich Theatre and three sold-out performances at Pizza on the Park (Jazz Club), London. He made his American debut with the show when he performed at Show at Barre (Los Angeles), supported by Broadway actress Megan Hilty, and in Australia he played at both Sydney and the Adelaide Cabaret Festival alongside acts such as Olivia Newton-John and Chita Rivera.In February 2010, Boys performed with Jessie Buckley in two concerts in Manchester and Birmingham entitled "Valentines at the Musicals" including songs from West Side Story and My Fair Lady'.See here for further career credits

I feel that I should have included one instance of "Music" for every song featured today...but I think you get the idea.  Full details and episode addenda can be viewed at https://cfmu.ca/episodes/27369.  Stay informed, stay safe, stay hopeful!

Join us for this musical podcast as we look into  into the Creepy, Weird and Funny Lyrics. Warning some of these are a little disturbing and some are just plain funny! Either we we hope you are entertained with our first discuss on one of our favorite topics music.Support the show (https://cash.app/$meghanandharry)

Music Music Music! Our topic is just filled with fun and you guys get to hear us talk about it. New music and classic music. Hope you enjoy this episode because we had fun making it. We added a new segment towards the end...you may be able to join in if you look out for it on our Twitter and Instagram @dramaqueenz.x --- Send in a voice message: https://anchor.fm/drama-queenz-xo/message

Per listener request, PK teams up with Brother Bob and Sister Beverly to present several old, old gospel hymns that were among PK's childhood favorites. Family and friends pitch in to help on the musical numbers. This would be a great podcast to play while tucked in to sleep for the night.

My goodness, I like today's show as Cupid has fired his arrow hitting Leroy, of all folks, and Our own Gildy. Joining in on the fun you'll hear Dean Martin tell us of his affections, Carly Simon keeps in mind the Right Thing, Al Jolson sings a beautiful song about a fella needing a girl, Bing Crosby & Peggy Lee have a good idea in mind, Phil Harris' gal is no longer bubbly and the immortal Patsy Cline sings till it hurts. OK, I've given you plenty of hints, now sit back and enjoy a show you won't soon forget. Your Humble Host presents the 3/2/49 episode of The Great Gildersleeve & Music Music Music!

Episode 6: Music Music Music! Everything we've been listening to and touch on our top 10 songs and what they mean to us. Give those a listen here: Fernando: https://open.spotify.com/playlist/6vDDZ2LSFTZRqU2k2AK7Dw?si=2BirHMAnSke8zjVHrzar3wJoan: https://open.spotify.com/playlist/3FaVRob0IImDHqQD4m1jh8?si=xZOSNqhaSFClNEGO9fpm1QFollow us on Instagram and TikTok @ IdleTalkPod Music by: @bennyg00ds

Teresa Brewer was one of the most popular singers of the 1950s, recording more than 600 songs. She had 28 hits, including “Music Music Music,” “’Til I Waltz Again with You,” and “Ricochet.” She was on the Billboard charts for five years. Record research author Joel Whitburn joins me on this interview and he plays a song Teresa wrote and recorded about a popular baseball star. She’ll also tell us which one of her 28 was her biggest hit record.

Learn more about Amy's book, check out the cover, and sign up for updates, at www.amyleelillard.com! _____This week, we're feeling a very strange sensation...is this hope? Is this a tiny bit of sky from inside the dumpster fire of 2020? Perhaps.For picks, we're looking at books that flip the gender script, and looking at how the assumptions made around men and women are dead wrong. Plus, we're talking about ex's that won't go away, when Erin might be able to stalk again, and our very real friend that sounds very made up. And listen to "Ex's and Oh's," the song from Elle King that inspired this week's episode. _____Our picks from Broads and Books Episode 75: Ex's and Oh'sNovels:Amy: Feast Your Eyes, Myla GoldbergErin: The Wife, Meg WolitzerOther Books:Amy: Clothes Clothes Clothes, Music Music Music, Boys Boys Boys, Viv Albertine (and listen to "Typical Girls" by The Slits)Erin: Wow, No Thank You, Samantha IrbyPop Culture:Amy: The Ballad of Billy Balls (Podcast) Erin: The Lie (Movie, Prime)_____Broads and Books is a book podcast. A funny podcast. A feminist podcast. And one of the BEST podcasts. Each week Amy and Erin choose a unique theme. Then we choose two fiction books, two other genre books (short story collections, memoir, non-fiction, true crime, poetry, etc.), and two pop culture picks based on that theme. We surprise each other with our picks, talk about why we like them, and give you unexpected recommendations for every reading taste. Along the way, we share embarrassing stories, pitch amazing-slash-crackpot business ideas, implicate ourselves in future crimes, check in on our Podcats, and so much more. Broads and Books is fresh, funny, thought-provoking, and basically the best time you'll have all week.Visit us at www.broadsandbooks.com, and talk to us on Instagram, Twitter, and Facebook!

Keith Jack is best known for his appearance in the BBC1 Show ‘Any Dream will Do', coming in second.Shortly after the program Keith joined the UK Tour of Bill Kenwright's Joseph and the Amazing Technicolor Dreamcoat in which he played The Narrator. He then created the lead role of Charlie in the new musical Only the Brave, which premiered at the Edinburgh Fringe Festival, following this he was asked back to take over the lead part of Joseph, which he played for three years.  He has also played the role of Alistair in the Edinburgh festival and UK premier of Sincerely Mr Toad and the part of Ralph Rackstraw in HMS Pinafore.Pantomimes include; Aladdin in Aladdin and Prince in Sleeping Beauty (King's Theatre Glasgow), the title role in Peter Pan (His Majesty's Theatre in Aberdeen) and Prince Charming in Cinderella (Whitley Bay) Dick Whittington (Maidstone)Concerts include; Performing in front of her Majesty the Queen and the Spanish Royal Family at the ‘Parliament Picnic', The Great Scot Awards, Scottish Hotel of the Year Awards, Choices for Life 2008 & 2009 playing to over 100,000 people, Lauder Live at Thirlestane Castle, BBC Two's 'Friday Night is Music Night',  'Music Music Music' John Barrowman's album tour at the Hammersmith Apollo, Andrew Lloyd Webber's Birthday concert at Hyde Park, BBC's 'Songs of Praise' and headlining Aberdeen's Hogmany street party 2009 with Sandi Thom and Amy Macdonald. Most recently 'An Evening of Movies and Musicals' in Cardiff and Edinburgh with John Owen jones and Ruthie Henshall. He has just recently finished an album tour with Ruthie Henshall and was part of 42nd street gala concertSince appearing on ‘Any Dream will Do', Keith has been asked back by the BBC on several occasions including the When Joseph met Maria and I'd Do Anything.Keith has released three albums. His debut was called This Time and went straight into the Top 40 . His most recent album An Evening at the Musicals was released in 2010 and is available from his website and all download sites.  He completed two sell out UK Tours of these albums. Keith can also be heard on John Barrowman's album, Music, Music Music.In 2011 Keith was in New York recording the soundtrack for the award winning film, The Dreams of Kings.For more information or to buy his latest album, 'Movie Nights', go to hie website at http://officialkeithjack.co.uk

PK talks about a couple musical styles that have shaped his musical preferences and playing style since childhood.

Kendall Paul explains, by way of his Preacher's Kid delivery to a pandemic inspired virtual audience, why Blues, the music genre, has been so vital in chasing his personal blues away. KP's daughter Linzi plays a hopping bass line throughout.

Be sure to check out our Youtube Channel for the video version & smaller segments uploaded throughout the week: https://www.youtube.com/channel/UCTR3NCxuAgnKFoEEzf2UsyQ In Episode 6 we decided to do something a little different, and we have an entire episode dedicated to music-only topics! Evan explores Rap for the first time, we discuss our favorite cartoon theme songs, covers, bad songs by good artists, and so much more! If you would like to follow us on our other social medias, we can all be found here: Tap That (Beer tasting and reviews): https://www.youtube.com/channel/UCSCmU05DmsAAR58qcD7o_rA Wyatt's Twitch: https://www.twitch.tv/D3adv3gas717 Vernon's Instagram (video gaming clips from the whole group in nice edits): https://www.instagram.com/bigmoneynation Evan's Facebook Gaming: https://www.facebook.com/griffasaur Recorded on 8/12/2020 --- Support this podcast: https://anchor.fm/waves5media/support

Noise of the Broke Boys Episode 018DJ Phixion shares his music production process and the inspiration behind his recent album, Cinemadeck. We talk about DJing, turntablism, and the artistic relationship music has to other mediums.DJ Phixion's album, Cinemadeck is used as a backing track to this entire podcast. Peep his Bandcamp site to hear and purchase the full album:https://djphixion.bandcamp.com/Follow @Instagram: noiseofthebrokeboysTwitter: BrokeBoysNoiseListen to the Audio on all Podcast platforms. All The Links Here: https://linktr.ee/NoiseOfTheBrokeBoysA broke degenerate hooligan documents conversations about being a Bboy, Breakin', Hip Hop, Dance, Art, Music, Creativity, Innovation, and the slow subtle crumble of society in audio form.----more----[Music]this episode of noise of the broke boysis brought to you by memes you lovearguing over the Internetwhat about condensing out the nuances ofa complicated topic by adding a sentenceof text over a picture of a cute dog areyou too busy to read news articles infact check their sources and wouldrather look at a poorly photoshoppedpicture and gather everything you needto know from that or are you more of thetype that loves to troll the world andwatch it burn with silly low-qualitystock images either way memes are aperfect solution for all theaforementioned desires please check outnoise of the broke boys on Instagram formore information about low-quality memesnow on to the show[Music]in this episode I meet with my boy DJfiction we were both part of the samegroup of delinquents back in school atthat time I was amazed to find out thathe was also an amazing DJ and musicproducer since then he has traveledaround and lived in several countriesincluding the Netherlands and Luxembourghe recently released a new album calledcinema Dec that I absolutely love I putthe entire album as a backing track tothis episode but I encourage you tolisten to it in its entirety without myannoying voice over it included a linkto the album in the description pleaseenjoy the episode with DJ fiction helloeverybody welcome to the end of theworld show international edition today Igot a very special guest his name is DJfiction what's up man how you doing goodman how are you good to be here I'mgreat manso you're out there in Luxembourg rightcorrect dope so we could talk about thatlater but what I what I know you justcame out with a brand new album cinemadeck I checked it out it's one of thedopest shit's I've heard in a long timeyou've been making music a long time manso can you tell me a little bit aboutlike what was the inspiration for thisfor this musical project cuz I know youhaven't really put something out in awhile right it's been a while but likejust like yeah that's probably becauseit's just the way I live like I movedaround hella the last like six sevenyears yeah and yeah it was just it wasmore because of that but the inspirationbehind this specific album is likeold-school movies like sixties moviesespecially French movies Italian moviesthat kind of shit I really like thatshit like Fellini movies or jean-lucGodard Francois Truffaut this kind ofshit so the inspiration for that waslike around 2015 I started watching likehell of these movies like hellaokay then I was just thinking to myselflike there's a lot of good music inthese movies yeah there and also thequotes and stuff and I had it in my mindto make kind of like a concept album andthen revolves around these and yeahpretty much like even the name the nameof the album by cinema deck like inFrance and here in Luxembourg as welllike the theater theater it's like retrotheaters right where they showold-school movies and shit really okaythese are called cinema Tex cinema Tibetso then I just took dick like aturntable yeah yeah and dude like alittle what combination ding okay that'stight that's tight oh yes so you yousaid that they're they're like 50smovies is around the era that like likelet's say like late 50s to like latesixties yeah because it's it soundedlike that you know when I was listeningto it I would hear you know some kind ofold-school stuff you know it has thatthat the recording quality from thattime and so that's what I was thinkingit was probably that you know what ImeanI mean it's also the music I sampledright like a sample hello jazz and funkand shit like that yeah yeah I would saythe vast majority is from the 60s yaknow it was nice because I would hear Iheard a few breaks that you put in therethat I was familiar with and then Iheard a lot of stuff I've never heardI've never heard of and I was kind oflike yo did this guy sample this or didhe make this like what's going on solike I mean it sounds like you obviouslysampled a lot of that stuff so it's likeyou really had to do a lot of diggingI'm guessing obviously sure movie stufflike so when you're Lizzy - I meanuh-huhso when you're like watching some ofthese movies you're hearing you'reyou're just like going that's a dopetrack I'm gonna try to find it and likehow do you how do you I guess pull itout are you able to find the trackpretty easy like how's your digginprocess for thatso like most of the music is not sampledfrom the movies but some of it is how Idig for shit I mean is like how anybodyelse does right I mean like go to recordstores discogs.com is like my fuckinokay I'm buying hello shit on therebut also just like hell it fools uploadshit on like final RIT blogs ok justfine a hellish it like there butbasically like digging um and just undidthe shit the old dudes used to do youknow I mean like premier or Pete Rock orlike the dudes that I admire like DJshadow DJ Krush yeah cam and you justfind out what they sampled from yearsand years of before you know like whosampled calm now everything everythingis outed right like now every is peoplefind the shit but before you didn't haveanything like that you had to just findit yourselfyeah maybe a little bit based on anartist or a label or something like thatof the sampled artists and then youcould kind of like dig a bit further togive it further old shit like this is amaybe obscure album by this artist or bythis label that nobody sampled let'syeah yeah and then with the movies isthe same shit I mean hella old likethere's this one dude it's Dimitri fromParis ok came out with the album in the90s called the sacre bleu that kind ofis sort of the same thing said hedoesn't sample so many French movies hesamples American movies examples havelike Audrey Hepburn and shit like thathad music from those movies as well sothat was kind of like an inspiration forme as well mmm so you were kind of doingthe like the reverse of that of what hewas doing even though he's Frenchfunnily enough but yeah and I'm Americanbut so you're pulling on how to frontyou're pulling out French movies okthat's tight no I mean getting gettinginspiration from like other people likethat is really dope I mean and like whatI really liked about the album is thatit really I could really tell that youwere digging for it and I feel like it'ssomewhat of a lost art at least fromwhat I see on like the mainstream radiosand stuff and it's like it's kind of sadbecause I think maybe because of a lotof copyright laws and stuff that that isgetting like kind of pushed to theunderground a little bit more now butit's like it was super refreshing tohear that because I was like yo this guyput so much time into digging like I cantell this is likeyou know you were had you had the likethe early 90s type of like diggingattitude in that in that in the wholealbum is what I was feeling as Lisa it'spretty much my whole my whole idea likeall I've ever wanted really with musicis just to sound like mid 90s like crushand shadow like I always just went forthat that kind of aesthetic why nobody Imean people still do sample I mean lookat like hotline bling right that wasfucking huge and that was fucking yeahyour sample right nothing else I don'tknow if it's because a copyright orbecause people's tastes have changed youknow people like now more syntheticsounds which also do I also do likecompose some shit and like yeah there'sone track that has practically nosamples I can think of on the album butstill I like that grainy that you getfrom it's kind of like a nostalgic typeof sound you know like right now it itwas very moody what and that's what Iliked about it it was um like I mean itwould yeah I guess similar to like amovie really like you you get like thesemoody tracks in it I was like okay thisis tight you know and it really feelslike you're going through like a wholelike a whole storyline almost you knowwhat I mean is that kind of what you'regoing for pretty much exactly you nailedit like even before I had the idea tosample like specific dialogue and haveit in order throughout the album to makea storyline what I mean but that wasjust way too fucking complicated and inthe end I kind of scrapped it but stillI have that idea in my mind that I couldhave done that like could have made afull-fledged like chopped up my ownstory from all these other movies likeimagining 20 movies that you sample allthese different lines and all thesedifferent languages but yeah you canmake a cohesive story out of it yeah andthen set it to musicit's can opera in a way yeah like hiphop yeah yeah no that's tight yeah I'vealways liked those kind of like albumsthat have some sort of kind of storylineor whatever like what immediately comesto mind is on the album that Dell didwithmmm Dan the Automator remember that oneit was a home runyeah yeah it was like super weird kindof story but it was like it was like Ikind of I kind of dig it yeah or like Iknow Kendrick Lamar does a lot of likeconcept type of stuff like that he's gotsome kind of storyline that like looselyconnects everything I always liked thatbecause this this that the single trackslike our good standalone but then whenyou listen to the whole album you'relike oh I get it dude he yes he has heyou know you you put a lot of likeeffort into like really pulling thelistener in I mean it reminds me sort oflike you know like Pink Floyd used to dostuff like that where they would likethe wall exactly yeah ya know the it'slike the you you put their record on andit goes from beginning to end and it'slike man this was a whole story andevery single song kind of like bleedsinto the other and stuff it feels itfeels like you're on like a I don't knowlike a like a Disneyland kind of likeride or something code through the wholelike the whole album it's it's dope yeahso I really dig that that's tightthanks man that's definitely kind of theapproach I had I missed back in the dayshow to use to have a cohesive album thatpeople would listen to you know cover tocover like nowadays it doesn't seem likethat's the case I mean now it's likekind of more single tracks yeah I thinkeverybody just puts out single tracksmost of the times but I missed I likedthe album format I always liked it yeahyeah yeah albums are like perfect lengthreally for like a listening you knowlike you sit down it's usually about anhour to you know 45 minutes to like anhour which is kind of like what I try todo with podcast to but it's like perfectto sit down listen to some stuff andjust you know take yourself on a rideand stuff but yeah a lot of people don'tdo that anymore which I miss I mean withwit plank with vinyl especially you haveto do that right yeah yeah like a recordand just listen to it right you sitthere I mean I'm in my head like diggingfor samples and shit but I have you knowa bunch of records from like you know90s guys and shit like that and yet youjust have toyou gotta just sit there and listen tothe fucking thing you gotta have allyour you know sense is kind of focusedon that yes so actually so like whileyou're listening to music you're sayingyou're like digging so like what's thatprocess like what's going on in yourhead I guess what makes a sample kind ofstick out to you are you kind of like hiJay how are you just like so I'm notlike musically trained that's the thingyeah yeah I played I played piano forlike I don't know five six years as akid look that was a long fucking timeago I don't remember it but I don't knowyou just kind of hear something like alittle phrase you know a sequence ofnotes or not even just like some kind ofyou know a feeling really and and maybeyou can you know manipulate it a bitlike a lot of samples doesn't sound goodat the speed it's at you know so youjust slow it down oh shit now it soundsgood like a good example of that is doyou know the survival of the fittest bymob deep oh yeahlike there that sample was only justdiscovered recently like what it what itis and it's like fucking ten timesfaster you would never recognized it ohokaybut another another thing is like you'llhear so this maybe could work but maybeI have to chop it up and like rearrangeit or whatever okay what are you doingthat in your mind as you're listeningnot really you kind of just hear it andyou're like maybe that I can use thisokay maybe like you'll end up using oneout of ten it's just like it's that'swhy it's called digging gram you're justdigging for shit and most of it's gonnabe worthless yeah ya know when I wasyounger and I would do that I had a lotof like just trash track you know trashlike records just that I heard like onelittle piece of a thing and I was likeexactly but yeah it's like a ton ofstuff that's just junk though but youwait you're waiting through shitbasically I mean yeah but you thinkabout it in another sense I remember Ithink it was DJ Shadow thatinstead from already recorded music thathas already sold right it's alreadysomeone at one point thought this wasgood so if you're making music frommusic that somebody at one point thoughtwas good your shits probably gonna begood too right mmm I mean how could itnotmmm I see in a weird way yeah that nothat that that's tight no you know whatthat reminds me of like um what's hisname Bob James oh shit yeah yeah likecuz that guy what his his music was justit would always like every two secondsor whatever it would like change thewhole mood of it and I remember there'slike a couple songs he has that so manypeople have just sampled from and I waslike like Nautilus not exactly and it'slike I did not know that that was thesame song because this guy song soundsso much different from this song but itwas a track that you can sample yeah Iwas like holy crap dude that's dope sono but that makes sense I mean like andI know that a lot of times you'll you'llfind an artist that has yeah like youknow say like premiere sampled somethingand you go okay let's check out thiswhole this artist's whole distantdiscography and then find a lot of otherstuff that's just kind of hidden inthere and or whatever or like say likein James Brown's a case like you knowhis band like they had their own albumsand stuff so you go and check them outand stuff or like they're just thedrummers and stuff like there's a lot oflike just hidden gems out there for surebut it's a problem needs to find it Imean I've been doing this for like youknow 13 14 years you know you do thisover time it becomes almost secondnature you don't even think about itanymore you're just like alright here'sthis here's this you just startconnecting the dots until the pointwhere yeah you kind of almost know whereto look now No so does that change theway you listen to just music in generallike so when you're on the radio you'relike picking out okay what was thissample from or like what is this drumdoing or whatever I mean that just comesfrom learning music production rightokay yeah I can't listen to any musicanymore without thinking in my headwithout like they do this how I was thismixed how was this produced how was thisprogram bah bah bah yeah withoutbreaking it apart and finding all thecomponents of it ya know I've like I'vebeen like trying to do that too I kindof do that for dancing anyways becauselike it's just good to it's a good levelit's a good way of adding like depth tothe way you dance because you can youknow say dint you can follow like abaseline and then you can follow like adrum pattern or whatever and yes whenshe turn that and I noticed that thatskill transfer is really well to musicbecause now you're listening for thosesame things that you would have beenlistening for in dancing but you're nowgoing like okay now how did theyactually make that that little neatpattern or whatever you know this is thethe snare is doing this doot doot dootor whatever so a site no but yeah itreally it it it deepens the way youlisten to music is what it sounds likeit's kind of annoying at the same timetoo like I probably pissed hello peopleoff like they'll be listening to somesong like this these drums a week likethey should have done this they shouldhave yeah so do I do a lot of people golike oh let's not talk about music withyou is that yeah it's just it's justsomething that happens I mean when youwhen you start to I guess yeah they'llkind of deep into something that mayit's probably the same for everythingright you probably have a full sore likehow I entered like video productionshould they get break apart everybody'sYouTube channel like yeah and I meanthat's I guess part of the artists Imean and I know a lot of times when Ilook at like a painting even I'll golike okay you know I like to try to takea step back and just go like okay takeit in what it is what it is and then gointo and like look at how they did somebrushstrokes on it or whatever how thecolors are composed but like you can'thelp but do that because you're tryingto figure out how they made what theydid and you know you know I guess that'sa that's part of the artist quality Isuppose you know I do it with dancing itjust just comes with the territoryyeah it does but itI think it makes the conversation aboutthat particular content even betterbecause from are you talking to right Imean it's best if you're talking tosomeone who knows as much or even morethan you do rightwell even someone who doesn't know likeI mean cuz I don't know that much aboutmusic but I really like hearing your youknow what you have to say about itbecause it's it's making me realize likeoh yeah this stuff goes a lot deeperthan I thought you know what I mean andI'm hoping that oh you know open-mindedpeople would gain the same kind ofinterest into that because I mean musicis just soaked it's so complicated andand just listening to you know just asong on the radio I mean just the likethe primal instinct of yourself is to golike oh yeah like this this is somethingthat groove - it's kind of like you shutoff your your conscious mind and justlet your subconscious like soak in themood or whatever but then if you do letyour conscious kind of like take it intoyou're like man this is reallymathematical in a way you know what Imean it's very scientific it's cool likethat you know and we're just talkingabout production I mean that's all IknowI don't know any fear right you don'tknow any theory at all like like I saidI used to play pianolike I know basic chords scales likecircle shifts this kind of shit but Idon't know anything beyond that likeokay well I mean I feel like that'sthat's a good starting point that maybenot people don't even know I mean it'slike yeah I would say that's as basic asyou get oh yeah sure sure but I know alot of people that wouldn't even knowwhat you're talking aboutyou know what I mean scales and circleof fifths and stuff and you know and Iguess even how that relates to likeharmonics and stuff so yeah yeah sureI mean like I say like well when Iproduce a track I practically alwaysstart with some bass like not not basicinstrument but like a bass likefoundation sample and then maybe I'llcomposeof that so I know I'm already startingwith a key that I didn't think of rightokayyeah I could I could tune the sample toa key that you know let's I want this infucking I don't know I mean you can onlytune it to certain keys that it'salready harmonized with right anywayI usually never start from scratch let'ssay you know I mean yeah I don't needsomething but that it someone probablydoesn't even know what you're talkingabout in terms of like pitch shiftinginto like a different scale and stuff Imean back when I was like a highschooler and I didn't know anythingabout music and I would go and grab likea song like I would try to make littlemixes and stuff and I would grab a songand like I didn't know how to doanything and so it would always soundkind of weird because it would always gofrom like this key to a different keyand and so it was just my you know highschool mix or whatever that I was tryingto make and you could tell that there'ssomething wrong with itbut you musically don't understand itand that's probably me nowadays I meanyou don't even have to like you gothella programs and shit that will justidentify the key for you and like youcould just harmonic mix so breezily yeahthat's true that's true yeah so do youuse a lot of like plugins and stuff whatprograms you use actually so I justproduced using FL okay L studio 20that's what I use since the jump I usedit since like FL five or something butyeah I tried all kinds of other ones Ihaven't tried Ableton that's the onethat everyone uses now yeah I started byusing Ableton actually and that's Itried Pro Tools I tried sonar at CubaseReaper I mean they're all pretty muchthe same from what I can understand it'sjust whichever one you'd like yeah Ireally like about FL is the piano rollit's like super intuitive too- both with like instruments and withwith drums but you know for sequencingbut and then yeah of course hell offucking mixing and and and yeahproduction Suites yeah well games so doyou know a lot about like soundengineeringoh so that's one thing I don't really dolike sound design like designing theinstruments and the voicing no no nowhat do you do like you master your ownstuff yeah yeah okay so that took likehello time to learn as well yeah butit's a art formobviously I'm never gonna get it as goodas a treated room in an engineer yeah byhand I'm cheap man I mean it sounds goodto me so like I mean I don't have likethe best equipment but like the roomreally matters like this room has hellafucking echo I should like put likehello like foam and shit on the wallsokay yeah I wonder if that I wonder ifthat actually helps make it um have moreof a nostalgic sound almost you know Idon't know but I do try to like listento it in different environments likeheadphones car yeah this that whateverwhatever I mean it's it might sound goodon the monitors but it might sound badsomewhere else yeah it's weird how thathappens yeah it's just you'll play it inyour in your headphones and you're likeoh this sounds dope and then you'll goin your car whatever you like manheadphones are the easiest by far tomake sound good as yeah experience yeahyeah yeahso so when you're when you or whenyou're working on mastering a track isthat like part of your workflow or youknow they should be done at the very endlike you've already done you're done butthe production you done with the mixingand you bounce it as a final wave stereowave and then you just master that yeahyeah but when you're in that masteringphase are you going like okay let me getit perfect in the headphones and thenlet me get it perfect in the car let meget it perfect on like a cent a wholesound system in like an auditoriumwhatever the the monitors like thesethesespeakers the studio monitors that's whatI you totally get it perfect on that ohI see okay and so that ideally you wannalike the flattest sound you know theflattest frequency response which isyou're not gonna get unless you havelike I mean sound you know come bouncesback and forth all over the place rightso yeah you're not gonna get the bestsound unless you have a treated room andreally like treated speakers everythinghas to be that's why you would pay amastering engineer like thousands forthis right yeah yeah it's it's crazyunless I was gonna get like returnedlike on my money yeah I don't know Ijust don't see the pointso you you sell I know you obviouslysell your music on Bandcamp but do youdo like a lot of shows and stuff man notfor a long time like I used to but thatwas like Haley years ago deejay live butyeah I should get back into it like butthat's a thing like I mentioned earlierlike I moved around a lot man like inthe last 10 years I lived in like yesSweden Netherlands Belgium yeahSan Diego Netherlands again and then nowhere in Luxembourg and like just so manytimes I had to find sell my equipmentover and over and over you know yeah soI remember you you were gonna ask melike yeah like what's it like to youknow does living in a different countrylike influence your art and yeah forsure it does just because of theinconvenience of moving around all thedamn timeso so what areas you've I mean you'refrom San Jose right and then you livedin Amsterdam for a while and then thelast time I saw you in Amsterdam yeah inAmsterdam and then now you're inLuxembourg were you in anywhere elsebetween there yeah yeah I lived in SanDiego for 3 years % yeah San Diegothat's right and so I mean like whatstake what's been taking you in thoseareas I guess jobs man just don't workso it's just working and so then youknow I like to I like to travel and andlive in different places and shit likethat it's fun I mean it's inconvenientas all hell and yeah pain in the ass butit's cool yeah yeah and so it you thinkit influences like the music you makebecause yummy for sure because sometimeslike when I was in San Diego I had likeno money and I had to just make the shitwith what I had you know yeah I couldn'tbuy the shit I wanted now I practicallyhave everything I wantso she'd become easier now it's alsodepends like what kind of people youmeet right like what kind of you knowmusic with other heads you knowdifferent kinds of people all over theplace right yeah yeah and be myinfluence so do you do have you done anyprojects with other people so a bit butnot that much I had back in San Jose whorecorded some shit over some of mytracks real talented musician here I wasgoing out to Paris for a while it's likeonly two hours away by train and there Imade some some friends and we kind ofwork on some shit together kind of morelike jungle music like you know likeearly mid 90s like Bristol German withway more syncopated break beats for anysizethat and then I met this one Japaneserapper dude be otha goes by our whiteyand we worked on a little bit of someshit together but usually for the mostpart I'm just like a standalone yeahperson okay I'm just like a controlfreak I think in the end like I need tohave like full creative control over allmy shit yeah that's like it's hard toit's hard to not do that because it'slike what you it's like what's yourworkflow dictates you know alone so thenwhen you're working with somebody you'relike oh I want it look like this butthen yeah it's sometimes hard becausethe vision is like not quite matched upit I relate to that because like a lotof times when you're doing like dancestuff like and you're trying to makelike some routine or whatever or likeyou know do some kind of battle orwhatever you're like working with a lotof people and it's like everybody hastheir own idea of what's gonna happenand it just doesn't quite come togetherbut what you always have to do I thinkis just like go okay I'm I'm open tolike taking everybody's thing cuz thisisn't this isn't my thing this iseverybody's thing you know what I meanyeah so it's it's it's it's hard to getover that that fact you know or acceptit you know what I'm saying yeah so uhare you working on any new projectsright now so just nowyeah just put out the album like a monthago mm-hmmand now I think I'm just gonna actuallyfocus on on DJ mixes for a little whileokay I just got this this this mixer yousee right here this is like a super rarevintage Vestax from like 1990 and it'sgot some cool shit this is the same samemix our DJ Krush uses okay dude is likemy fucking idol my hero okayso I think I'm just already put out acouple of DJ Mix's recently but but Ithink I'm gonna focus on that a bit andI mean I'm kind of tapped out now forproduction because I just put the shitout yeah it's like starting from zerowhich is cool at the same time like ohshit I I can make like something yeahyeah tabula rasa yeah it's I mean youyou hustled hard to get the thing doneand now you're kind of like okay let'slike take a second to breathe let thatmusic kind of get around and then workon your next thing how actually how longdid it take you to put together thatwhole album cinema day yeah it's kind ofhard to say because like some of thetracks I made back like in 2015 oh he's16 okay and I just had them I justdidn't do anything with him I just hadto sit and then some of the tracks Imade just like six months agookay we're like four or four months agoso you could say it took like five yearsbut that's not really accurate becauselike you know helot like I would I thinkwhen I first moved to Luxembourg Ididn't work on music for like a wholeyear I was just running around travelingyou know I was back in Europe was likeoh shit let me do this go here have funget drunk blah blah blah yeah so I yeahyou know I don't know total time sometracks probably have like 30 or 40 hoursof work into them whereas others maybelike less than 10 but like the wholeconcept of what I was trying to do Ithought of that years ago okay so it'sit's been kind of like something thathas been in the back of your mind tooyou know put together eventually okayyeah no I feel like I'm kind of likethat with with with like painting youknow cuz I like paint I like to painttoo I'll have like an idea of somethingand I'll start like a lot of times I'llstart painting something that's likeit's a like just a concept of what I'mtrying to go for and then I'll justnever finish it and I'll just kind oflike hang it up and stare at it to makemyself like you know cuz it seem likeit's yes sorta yeah no that's very truecuz yeah you're what I would always tryto do is just have it there look at ityou know everyday just look at somethingand go okay let's let that kind of soakin my head and see if I can come up withanything cool to do with it you know cuzI think a lot of it is always just cuzI'm really good at just throwing outrandom ideas and stuff but it's notcomposed into anything that makes anysense so but I have to always keep thoseideas in the forefront of my mind orelse I just forget about them so that'swhy I'll try to just paint like aconcept of something and just hang it upor whatever and then like look at it andgo okay that maybe I could use that withsomething else that I come up with sureor like with dancing I do that too Imean with dancing it's like I'll havelike a cool little move that I made butI'm like man there's no way in hell I'mever gonna use this alone so I just kindof write it down and hope that this iswhat I call like frankensteining shit ohyeah yeah you just like take bits andpieces from shit you made that's all notreally good let's say on its own yeahyeah like Frankenstein that shittogether and put it into one thing nowit's pretty good would you would you saythat there's a lot of tracks that you'vemade that are like that oh yeah all thetimehell at times are like I'll find somesample or something I try to use it Itry to make a track out of it nothingever works so I'm say I fucked this it'snot gonna work then like four or fiveyears later I'll have another track I'mlike you know this needs something elseand then I'll go back and go through allmy old man I have like you don't evenknow like a whole library of chopped upsamples like the thousands broWow and then I'll just like keep likelistening to them after this one thisone's holy shitwhoa this is like already in tune orlike oh this like fits harmonicallysomehow or like this fits rhythmicallyor whatever if I my tune it right or ifI chop it yes suddenly becomes usefulthat's that's really tight and that's sosimilar to us to what I do it's it'skind of crazy how similar that is it'show do you keep track of those things Imean like you say you got like thousandsof stuff like Joey it's like I fell intothe program every time you samplesomething and you just like drag it intothe playlist or whatever it'll save itas a separate wav file and then that wavfile is named whatever your sample wasnamed and I'm like a fucking meticulousNazi motherfucker when it comes tolabeling music okay I'm super meticulousabout all of it's all catalogued andeverything so all that shit is just yeahboom right there you would think thatlike so back in the day right you had tolike sample directly from vinyl intoyour MPC or sp12 or whatever whateverbut now what I do I don't know I youcould do that but I just record thewhole record as a wave then I label itand I import it into FL to chop it up orwhatever okay so you have the whole thewhole song and then you have all yourother chops okay that's tight I don't Idon't record a sample on its own likeyou would have done back in MPC daysyeah yeah okay no that'd make that makesenseand and so then like the way that I dolike when I when I'm doing kind of thisthis whole Frankenstein process withlike dancing it's like I'll make a moveand I'll just write down how it startedhow it ends on a piece of paper and Isave that and you know I know that it'slike junk moves but I'll just you knowkind of go on with my life and then oncein a while I'll get I'll start makinganother thing and then I'll end up kindof in the same position and I'll go likeoh yeah let's look back at that movethat I used to do or like that I wasworking on back then and just try tolike Frankenstein it in into it becauseI know that mybody is in a similar position as it wasin that move so let's see if I can likesomehow put it together or like changesomething so that it fits together but Ihonestly don't have a really goodprocess of like remembering that otherthan just writing it down it's hardit sounds I'm way harder with whatyou're talking about it's I mean I knowa lot of people will record themselvesand sometimes I do that but that worksyeah but then you got a crap ton offootage that you gotta go I mean yougotta go back and actually like watchthat shit ya know but yeah I don't Idon't really have time for that so it'smore like I try to associate like a moodto it or like a some kind of feeling toit so then when I'm doing something itin that same feeling it triggers thatand I go oh yeah let me try these likecolors and shit you know my yellownotebook for like this kind of feelingthis is my green notebook whateverwhatever ya know I used to I used tocategorize stuff all the time like thatbecause if I had a move that I thoughtwould make it would be really good aslike an introduction to like a you knowsay like because when you break you kindof you're standing up and then you'll goon the ground I'll go like okay thismakes sense for one of those types ofmoves or like if another move whereyou're going from the ground andstanding up or a way to like end yourset or a way to start it or whateversomething in the middleI'll categorize it that way but theseFrankenstein type of moves like yousometimes lose track of them I man I gotso many notebooks of stuff that I lookat it and I go like oh manI kind of remember how to do this but Idon't remember how to do this so it'shard like I really that's where thefootage would come in handy yeah yeahyeah but I've never been good at likecategorizing like recording myself sobut ya know it's it's it's a process butIII honestly think that that processmakes some some gold sometimes you knowwhat I mean I mean I would say most ofthe stuff I've ever made what came fromthat process anyway and it was that's Ithink that's the only way to really doit I mean no one's gonna just shit out agolden egg right yeah yeahhave you ever shit out one golden egg onyou never works that way yeah it'salways just like months and months ofyou know try this just trial and erroryou know try this try that try this trythat maybe something will work what whoayeah so it's kind of like a playful wayof like creating stuff I mean at leastthat's how I approaches is like I'llplay I'll just play around withsomething and exactly I have a wild assidea just try it out you know andsomehow after like you know God knowsdozens of hours of work you just sitback in actually sounds good yeah yeahso it is is that how you know that atrack is done when you could sit backand go like oh pretty much yeah yeah andthen you're listening to the whole thinglike okay this thing is ready to getmixed like well I do the mixingthroughout the production I shouldn't dothat but I do that okay I think mixingfor me is it's not if I work okay but sothen yeah you sit back and you're likeokay this makes sense I can start youknow maybe mastering it or whatever yeahI can bounce this yeah okay that's tightno wow so yeah so is that you thinksometimes takes forever like sometimes Ihave a track like got a had in a backburner for years okayyeah man so like I I just you know thislast probably a year and a half orwhatever I started getting like moreinto music production and like literallyeverything I've ever made is that it'slike it's shit that I just saved I yeahyou know and I just will listen to itand go like okay hopefully somedaythis'll like turn into the dope I havean idea I like I want to make some kindof album someday but like and I kind ofhave an idea of what I want to do butall these tracks that I potentially wantto use there it's like they're probablyat like 25% to 50% of what I actuallywantedto be but I think it's on to somethingand so I've just been kind of like I'llplay it once in a while to just listento and go ok see if I have any goodideas with it but it's like they're alljust like unfinished projects in my mindso and I'm afraid that it never willbecome that and I never will put out analbum but I'm hoping that someday I doit but most of the stuff I do isn'tsample it's all it's all like acomposition yeah but like in terms ofthe instruments and shit what are youusing because they're all electronic orare you trying to get like realinstruments it's all electronic I have akeyboard over here it's an akai it's a61-key whatever whatever mpk yeah yeahand I have a smaller one too that I cantravel with sometimes take it when I'mtraveling or whatever just to like pullwhat about the voicing the voicing ofthe instruments it's all like yeah it'sit's all I'm trying to like find likegood samples of stuff to use that but Idon't know I honestly just compose somestuff and if the notes sound trying tosound like yeah that that that's hardbecause that's getting into like soundengineering and I'm not good at that atallyou know I got some friends that arebetter at it but it's like you know thatthat's my idea is to like take thecompositions I've made and then you knowsomeday come back and then really likework on the voicing of it because Ithink that's where the big gap is reallyin what I do so I don't know I'm curiousI'm trying to like understand like whoare you trying to sound like if you toldme a I'm trying to like emulate thisdude or you know kind of you know I'mnot trying to sound like anybody reallylike because I approach music kind oflike when I hear something that I like Igo why do I like that and then um soI'll try to like dig deep into like thesong is it is it's just this chordprogression that I really like is itthis instrument the way it's soundingyou know a lot of reallygone back into a lot of like old like90s rock music like Nirvananothing I'm like sure oh man I just lovethe way that they did the guitar work onthis or something and it's like so I'mlike basically when I see that I go okayhow do i how can I make that samefeeling myself and so just what I do isI really study the way they made thattrack and then I go okay this is thepart that I do like about it let me seehow I can make them I said like how Ican I can create like a feeling likethat but in terms of artists dudehonestly I love all sorts of artistsdude all types of music I mean it's notjust hip-hop music or whatever for me sothere's a lot of times I'll listen tolike a country song and I'll be like ohman the way this guy sings this likethis little this course or whatever I'llbe like man I love it and like you knowjust try to figure out why I love it somuch and then you know try to figure itout I don't know I can't really sing butit'd be dope if I could that's that'sone other thing but you know I don'tknow so so essentially every time I makelike a new track it's just it's a it's aconcept of trying to recreate a feelingthat I heard that I really liked so yeahliterally everything I make soundsdifferent I think I mean cuz I couldn'tpin a style to it you know I imaginethat's probably like how Kanye West orwhatever like approaches artists likehim they just have so many differentsounds that are like attached to themyou know what I mean or like who else issimilar to that Keith I was gonna saymaybeI mean maybe even Pink Floyd like it'slike it's hard to pinpoint like whatexactly their style is I think you knowI don't know but you get what I'm sayingoh you know who woulda Tyler the Creatorlike we don't listen to his I neverreally listened to too much and stuff Iknow uh just like a bit I liked hismusic is just kind of like it's I feellike he doesn't have his style is tokind of like have it open I think youknow in a way where it's it's hard topin something to it you know like howyou hear some guys is like okay theseguys do like trap style music orwhatever this is more like a low fighttype of style or whatever it's hard topin it to to those guys you know so umit's good to incorporate all kinds ofdifferent different styles in your shitfor sure yeah like I can give him evenme I'll throw in like drum and bass andshit like I can I can just tell thatwhen they were making the song it wasinspired by something kind ofoff-the-wall you know what I mean yeahyeah I mean shit look at even like De LaSoul or something or Called Quest's backin the early 90s so like you know hippierap yeah yeah it isyeah we're like you ever listen to likefucking brother Lynch or like AK someKool Keith it's like horror movie shityeah it is it's it's kind of crazy yeahthose guys yeah they're like yeah theytell some crazy stories yeah I meanengine but like a brother Lynch I justimagine him and his buddies sittingaround like you know like like okaywe're like gangster rappers but what'seven crazier than like killing peopleeating them yeah yeah dude yeah theythey go they go they take it a stepfurther for sureso actually so who would you say areyour favorite artists right now I meanobviously you're saying like what wereyou saying premiere no all right nowyeah I don't listen to too muchcontemporary music like I'm I'm too busystill digging like what came out in the90s I mean I feel like I'm never gonnabe done okay especially like hellaJapanese shit man like fucking Japaneseproducers from the nineties are so goodand they're really around - yeah it'slike just some random label that onlyput out like five or six records andthat was it and yeah you never heardanything from these fools again butDanna some good shit yeah but like whostill makes good music now like the onlycontemporary producers I can think ofare more like electronic not so much hiphop hip hop to me like like it'sprobably I don't know I sound like adickhead or something but like hip hopto me died like a long time ago likewhat comes out now is not hip hop to meit's like some other thing it's trappedit's whatever it is that it's somethingkind of yeah it's it's it's it's morphedinto something different I mean like II've always said that like hip hopnowadays it it's it looks so differentthan what it started out as but it kindof like follows this in the tradition ofhip hop in the sense that everygeneration of it has tried to dosomething different than the generationwhich I would say follows kind of thehip hop tradition you know of like we'renot biting nothing you know like we'remaking our own thing so like I Irefrained from saying it's not hip hopbut I do think it looks completelydifferent than what it used to be youknow what I mean we're in wearing like anew John or a sort of but exactly youknow it's now it's I feel like it's ifyou were to say hip hop is notnecessarily a genre it's like anumbrellagenres and so you got is trash style ofhip-hopyou got this like 90s style like agolden era type of style yeah you knownow there's like the loaf I shit andthen there's you know I don't know theold-school stuff you know but you knowwhatever the fuck they do like yeahrapper's delight' yeah that kind of shitso all that stuff sounds so differentand you can tell that there was like ageneration and then that influenced thenext generation and then the nextgeneration but between those generationsyou're like man do they really jumpedbetween them so I yeah I I don't likesaying it's not hip-hop but I don'tthink that it sounds anything like whatit isn't it what it used to be so to melike like like even the basic structurechanged a lot like now the beats perminute are super slow you knowbefore hip-hop was always like what 9385 to like 1 105 or something like thatand that was it and then now it's likefucking like 60 70 beats a minute andyou're like double time high hats allthe time yeah yeah it's you know whattrap music is so weird to me becauseit's like it almost has two tempos to ityou know what I mean it's half time it'shappened exact time yeah and so it'scool because when I listen to it I'mlike all right this is like some shitthat you're just like chilling too butthen also it's like oh this kind of getshyped though but I don't knowthat's why musically it's interesting tome and when I first heard it I was likeand this is some stupid shit but alittle bit it kind of grew on me in in aweird way so I don't know but yeah it'sit it's weird because like the hip-hopdance was breaking and a lot of newmusic yeah a lot of the music now youcan't really break to it now I mean itall just slowed down over the yeah yeahyeah I mean you can dance you can danceto it but doing like traditional breakstyle moves you can't really do due toit so it's it's a it's a weird subjectbecause it it is in the vein of hip-hopbut it's also like I mean for sure theybecome something different you knowbut yeah no I don't know I I dig it it'sthey're doing what they're doing youknow it I'm excited to see where it goesfrom there you know in like 20 yearslike what's gonna be happening peopleman fuck knows man I mean you couldn'tlike predict people say that shit'scyclical right and sometimes I see itlike even like I remember in the 90selectronic music or like the early 2000sas well it was all just a rehash ofdisco music like straight up it was justdisco music yeah yeah yeah and then nowlike not now but okay what like five sixten years ago you had like vapor waveand that shit became LM big and that wasjust a rehash of like later 80's discomusic and especially like the Japanesecity pop shit which is good I love cityyeah so like this is a there is acyclical aspect to it and especially inthese genres like hip hop and electronicmusic where you're sampling all the timereusing shitI think the cyclical nature of it ismore of the feeling or the the mood ofit you know what I mean because likedisco for instance it has this like kindof party like dance with you know theladies or whatever kind of feeling andthen like they kind of went to you knowto like like in house music in a way islike kind of the same sort of thing youknow it's got that same kind of mood toit or like you know I don't know reallyjust dripped down disco yeah it is theycame from the gay clubs in Chicago yeahwhat they were just like yeah it's juststrip it down and make it just pure forto the floor shit yeah yeah yeah butyeah it seems to me like people go oh Imissed that mood I missed that feelingand then now new artists are going likelet's try to recreate that mood withthis new shit that we got you know whatI mean yeah sure that's what I see withthe cyclical nature of it which I thinkit's tight but like I don't know likewhat trap is maybe from nothing maybeit's totally like a new thing but Idon't know where they got this idea tomake it like all half time to make thelike these like really staggeredsyncopated especially with the high hatsand snares yeah yeah I don't know whereI came fromI don't know where it came from eitherbut to me it seems like like maybedubstep kind of like influenced it alittle bit in the way that they do thesekind of drops and stuff like cuz whatabout music as well yeah yeah I meandubstep was always interesting to mebecause what would happen is like itwould do this crazy build-up and thenright when it drops it slows everythingdown it's kind of like the opposite ofwhat you were thinking was gonna happenyou know what I'm Sam like and it's likea traditional techno song it probablyjust start getting crazy you know what Imeanbut it's like you know the drop is likeyou know a transformer sound and it justkind of slows down the beat kind ofdisappears or in a way and I feel liketrap music took that same idea sort ofand then maybe extended it and made itmore of like a you know a rhythmic kindof wait I don't know but yeah it's it'san interesting style of music yeah but Icould see that there's pieces of otherstuff that are kind of in there I don'tknow I think honestly someone probablywas just messing around and then it just[Applause]caught on so I don't know who knowswhat's next yeah maybe a rehash of theof the 90s hopefully well you know whatactually to be honest low-five music isreally blowing up in the last likecouple years and I really think thatthat has huge influence from the 90s youknow what I mean yeah it does it's kindof like I would say that's like acontinuation of like the early 2000slike nujabes and Dilla those are likethe godfathers of this genre right yeahyeah yeah people often put my music inthat genre but I think it's like yeahnot quite butthe thing with like lo-fi music is yeahyou have that really low fire aspectright we're like the shit sounds likeit's actually mixed badly purpose yeahor like has this really like tapequality like where the fucking timeof the pitch you know of the sample orthe whole song even starts to go offright yeah so it sounds like this wobblylike riverboat you know yeah yeah Ithink it's specifically made to soundold and and I guess in a way that it itmakes it sound more nostalgic sort ofexactly which is why I'm going okay notthe 90s is when you would have beenlistening to something on a tape likethat and so it may it reminds me of thatand they got like kind of you know somelike chill like hip-hop beats orwhatever so but it it seems to me likeit's it's kind of some derivative ofthat style of music yeah you're probablyright[Music]so you said yeah you're not working onany new projects but you're just doingmore like DJing now yeah just diggingdigging for for other tracks to mix andlike setting up set lists and shit likethatokay are you gonna try to do any morelike DJ shows I mean now with fuckingnot yeah yeah actually you know what I'mcurious like I've been seeing like a lotof like DJs that are going on yeahvirtual social media and they're doingjust mixes and stuff and like I thoughtabout doing that I would need to buy acamera but yeah I thought about that Imean yeah I could do that ya know thatthat'd be tight no I think there's onedude from Japan DJ Coco have you seenthis fool no he's crazy man he'sincredible like he only uses 45s okayand and nothing else apparently andthe dude is just incredible his mixingskill his like you know blending his hisselection is just bananas I'm thinkinglike this motherfucker must sit all daytill I come up with these these sets youknow he's got to live that life I meanyeah he's nuts man check him out he'slike incredible sick Coco against KOC ohyeah what is he on YouTube or where canI find him on Instagram Instagram okayyeah that's where I see a lot of peopledoing it he's crazy man he's got likethis one like fuckin like he's blind inone eye so like you just like see thisfool doing it likes one eyes like oldwhite looking in the other direction butlike his hands and everything is so fastoh shit and so this is he does he does alot of mixing does view a lot ofscratching or yeah a bit not so much manscratching like that's one thing Ireally like kind of em I mean it's nottotally dead but almost like right youwanna go I don't hear anybody reallyscratch anymore which sucks because theydo it I mean they sweeping it in and ofitself it's become like just like anovelty like you'll go on Instagram andyou'll find like twelve-year-old girlsthat'll out scratch like the DMCchampion straight up but no oneincorporates it into their music anymoreback in the day you would have had somesome scratch hook like the you know DJpremier the 7/3 whatever but now yeah Idon't know yeah no I I definitely missedthat I remember I used to try to scratchit it's like it's a art form in itselfdude yeah for sure I loved watchingthose old bat those like battleswhat is it championships with likeGooglers yeah because it's like dudethis shit is crazy I remember they usedto throw a few shows like in Sacramentowhen I was a kid of like the same kindof thing like they would just bring someDJs in and do it and I was like god damnthis is crazy and it was all like beforelike cerrado and stuff and so yeah yeahjust like you you couldn't just tap abutton and be like okay here we go likeyou know what I mean I can know wherethat shit is on you you see guys withlike they'd stack their records all onthis on the thing so that they can likemix it and they throw that one off inand they keep going I was like dude thisis crazy the process is so it's so crazyI just haven't thought out like yeah youjust planned that shit like practicepractice practice practice practice andthen you got your nice little yeah doyou think you can do any kind ofscratching like that I know you do somescratching but I scratch but I'm backdude nowhere near the level of anythingyeah do you ever try to do that that'slike I never tried to do any like crazyshit like you oldies like crab into theflare into this no no I was always justlike how do I make scratching into partof my productions okay okay like that'swhat I always wanted to do okay like inthe beginning when I first started likeback in college like in Davis yeah likein oh three or something yeah you wouldbe DJing the parties I think that's howI met because you were DJing and thenyou started scratching or some shit andI was kind of like oh this motherfuckerknows what's up cuz like most DJ's likewouldn't do that but I was like oh thisfool has some technique and I thinkthat's why I started talking to youmaybe we're like are you like playingsomething that like some off-the-walllike kind of music and I was like yothis dude was digging for this like it'snot just some fucking Nelly song orwhatever you know yeah I always did tryto do that yeah but yeah that's how Istarted out with DJing parties and shitin Davis and then I also like I waslearning how to scratch but then likesuper quickly I just went you know whatI just want to make my own shit I'm notinterested too much now I'm getting backinto the DJing shit but likelike as soon as I shift it intoproduction that's all I wanted to doyeah so it was like okay like such asfor production I just need to knowsomething so okay I kind of just yeahyeah that's dope so you used outs rightwhen you started producingmaybe oh six oh seven okay yeah that'sprobably when I first heard your musicactually yeah I don't know probably yaknow trying to remember cuz it was likeAnnie I don't you I think probablythrough Andrews yeah I think it wasthrough auntwell I know I think I met you Adam oneof his parties and you were DJ ah likeyuanbao I think we're DJing or somethingah I was probably the Halloween party wethrew no I don't know you before thatyeah maybe I don't know yeah that was along time ago but yeah I I definitelyremember you know what I probably metyou before that but I didn't know youwere DJing but I I really I remember amoment when I was at one of thoseparties and I like heard the DJ justplay something crazy and I was like holyshit dude who's DJing this shit is dopeand then I looked over to wherever youwere and I was like oh shit I know thisdude and I think I talked to you and Iwas like bro you know what's up like youknow what I mean like I had an immediaterealisation that it wasn't some fuckingjust regular ass person just DJing youknow what I mean it wasn't you know wellanyways dude we're hitting about an hourright now so we should probably closethis show out soon do you have where canpeople find you yeah any fucking musicplatform Spotify turns title band campYouTube whatever whatever youtube soit's DJ fiction pH IX IO n is that rightyep yep like we were talking before likewhat were you sayingI picked that name because I wanted aname I could scratch yeah you know Icouldn't make up I couldn't use my ownname I couldn't make up some other nameotherwise I would never be able to findsomething saying it but Iname like shit let me find fucking youknow whoever jaew the damager you knowFat Joe or somebody saying that shitthat could be fiction you know ya knowthat's some old-school shit for sureit's like a lot of people used to dosomething like that because you can findyou can find a record or whatever thatsays that word exactly yeah I know Ineed someone that went by chemical orwhatever there you go same kind ofvalues I just used Serato I mean youcould just have your home where you'llrecord whatever yeah now it's a loteasier you couldn't just do a littleMike shout-out or whatever you needed tolike find a record that you can actuallylike scratch or whatever now it's Seratoyou can kind of do whatever the hell youwant which is which is tight I think itmakes for some I mean shit I haveSerrano right here so what the fuck am Iyou know I don't change Serato at all Ithink it's it's not pushed it's pushedthe world of like music production intolike its realms it could have never goneto so I really like that you know itallows like the I think it extended thelife of turntablism you know what I meanfor sure for sure man you know regulartechniques 1200 you know whatever thatcould have been man it wasn't for Seratoyeah people were just using controllersand CDJs forever yep yep yeah exactlyand so you know it allowed like italmost aloud like turntablism to go moreinto like a mainstream in in a way Ithink I mean not that it wasn'tmainstream in the 90s but it was a sortof dying out out a little bit you knowso but yeah I would save I can't buy theearly 2000s I meanwas I mean still had like fools likeBabu and shit like thatmm that's true battle records yeah withall the steel ones super seal that'sdope so everybody check him outDJ fiction cinema deck it's a reallydope album there's like what 15 tracks16 tracks something like that no is itme okayokay yeah yeah really dope I've beentrying to play I think my phone turnedthe music off but I'll make sure I put aplaylist on this whole podcast so youguys can check that out thanks for beingon dudethis was great thank you amazing manhopefully I'll get this out this podcastout pretty soondope hey thanks for listening guys peace[Music][Music][Music] 

We dive in with our composer into the LENGTHY process of discovering the right music for the film. What kind of instruments if any at all did he use? As well as how he took critiques and inspiration from us. Alonso talks about his process and inspirations to compose the music of the entire film.Support the show (https://www.amazon.com/Fronteras-Steve-Oropeza/dp/B07YDPCB67/ref=sr_1_1?keywords=fronteras&qid=1584630847&sr=8-1)

Music Music Music

This week, Matt brings us some skillfully performed blues, courtesy of guitarist Charlie Hunter and vocalist Lucy Woodward’s collaboration “Music!Music!Music!”. What did the crew think of this high-difficulty musical showcase? Hit play and find out!Follow along with us on Spotify.Audio Intro: Jahzzar - I Saw You On TVVideo Intro: Lame Drivers - Frozen EggOutro: Matthew Walton - I'll See You In My Dreams

On today's episode of @CoffeeBar we discuss all things music. Our favorite artists, albums and concert experiences!

Music Music Music

Peter of Uncomfortably Fresh Crew, sits down to discuss the therapeutic benefits of breaking and mental strength it can build. Follow @Instagram: noiseofthebrokeboysTwitter: BrokeBoysNoiseListen to the Audio on all Podcast platforms. All The Links Here: https://linktr.ee/NoiseOfTheBrokeBoysA broke degenerate hooligan documents conversations about being a Bboy, Breakin', Hip Hop, Dance, Art, Music, Creativity, Innovation, and the slow subtle crumble of society in audio form. ----more----[Music]today's episode of noise of the brokevoice is brought to you by socialdistancing is there a dangerous zombieapocalypse pandemic going on outside oryou a pseudo intelligent anti geniusthat believes drinking Clorox will cureyou of your ignorance and deplorablepersonality either way social distancingshould be your first line of defenseagainst the dangers of these thingsremember to keep six feet away from allpeople and always wear a face coveringthis will not only keep you both safefrom transferring harmful contagiousdiseases but it will allow you toconceal your unsightly personality forthose of you already acting in a carefulrespectful and responsible way thank youplease carry on and stay safe and now onto the show[Music]in today's episode I sit down with mygood friend peter dinh we both attendedUC Davis at the same time and have beenfriends and training partners ever sincemeeting he currently works as anassociate marriage and family therapistin Sacramento California helping allsorts of folks in the area please enjoythe episode what's up Peter how youdoing thanks for having me overyeah I know I haven't seen you a minuteat least since I've got married yeahactive would you say that you're in thelike scale of one to ten ten being likeyou're the other one throwing all theSilverbacks or something like that likewhat level involvement you think you arethere it's in the breaking scene yeah ohdang dude it's low it's probably belowfive okay but I don't think that's agood thing but I think it's just kind ofhow my life has put me because I'm likeolder at this point I've you know I meanwhen I was younglet's say 18 there wasn't really anybodymy age now 32 that was really still inthe scene maybe like a few people veryfew handful now that I'm this agethere's a lot more of us all right umbut I guess and I don't know why that isbut I think maybe it comes from beingthe whole community being a little moreconnected through social media andwhatnot yeah but um I guess being beingused to that and I guess being at theage where there's you got a lot of stuffgoing on in your life breaking somerelease the breaking scene kind of takesa backseat to a lot of that stuff notthat breaking is not a big part of mylife because I go and practice veryreligiously all the time and but I treatit more as like therapy exercise and away to stay in shape and a way to likereally stretch my creative mind ratherthantrained my skills to like be the bestand battle everybody and so I've alwaysyeah I've always treated breaking aslike this kind of mental exercise tokind of fix all the holes in my life ina way I mean there's obviously holes ineverybody's life all over the placeand me as a as an engineer someone whoworks in in in that kind of world youstretch your brain completelydifferently then then as a creativedancer and so the holes that that leavesin me breaking always fills and it itobviously feels a lot more than that tooI mean if my if my job was to break Iwould need something to fill in theholes which you know academicsengineering mathematics stuff like thatyeah nerdy type of stuff that fills inthose holes and so I think it's a goodmarriage of of activities yeah um butbut anyway so I've always used brakingas kind of like a therapeutic exerciseand that's a lot of why I wanted to talkto you because I think there's a lot oftherapy in using creative endeavors toto heal and maybe maintain your mentalrelationship or you know I don't knowyour your health yeah I would definitelyagree with that what I noticed whatbreaking I use it for some similarthings you say some of - and I love thisword I know you know I have to say thatall day breaking grounds me for anyonethat breaks it that also refers toground power yeah yeah but um in thesense where would tell me a few thingsyou know about mindfulness again I guesswhatever you know well I guess what'syour definition of mindfulness I guessthat you're going forward yeah so let mehear yours like one thing you know aboutmindfulness ismmm I mean uh probably the first thingthat comes to mind would be say withoutsaying mindfulness is uh being aware ofsomething and yeah I guess keeping it inthe forefront of your brain yeah yeahbeing being aware of what's going onright now many times like or I canimagine people being stuck in theirminds breaking in life where I gotta dothis I gotta do this damn I don't havethis man when I was youngerI'm used to could do this blah blah blahor later I can't wait till I have thisand when I'm breaking I don't have timefor that because I have to be present orelse what do we say we used to practicethat David hey just just don't die likea stick that or you'll probably die likeI know I know that was extreme of us tosay it but it made sense and it made yougo for the gusto though yeah it made yougo for the gusto and then it it it putme in a position where I had to be ifnot a hundred percent like 90 is it'sthe high 190s percentile that's that'shigh eighty ninety per se in thosehigher higher percentiles of awarenessand where awareness is awareness in thebody like in in my practice many peoplecome in clients come in and they're intheir minds yeah or their minds arethinking over thinking I got to do thisagain I have to do this I'm not doingthis I want to be this well when you'rein your body you can only be aware ofhow things taste so if you eat shit whenyou crash your move oh you know whatthat tastes likemy wrist so my wrists and shoulders feela lot of pain so being cognizant of oohthat hurts my wristmy shoulder let's not do that let's easethat how can I do that more effectivelymusic that sound right away look I haveto be present is there a beat there do Iwant to be offbeat like you making allthese choices so we talked about hearingso far we talked about our our what doyou call touch Oh touch I yeah we'reabout touch and then you worry aboutsight your dusters like your spatialawareness right we're battling who areabout who do we see where do I see myfoot in relation to in my chest myeverything so that's on that's that'sthree senses I don't know how you fittaste in taste in but maybe it may bethe taste of victory I don't know andthen so I'm what's the last one let'ssee we have sight and smell yeah yousmell them stink ass yeah becausebecause you you know when we stress wedo to stress sweat yeah yeah you're likeoh yeah yeah so maybe tason's 1000aren't exactly in there but yeah what'stherapeutic what can be therapy about itis you have to be present mm-hmm ittakes you out of your mind so thatthat's that's yeah beauty productsactually one thing I think this connectsto this is uh it was something that pollone told me was uh that the reason helikes the word b-boy is because you'reletting your inner child come out toplay you're not a B man even if you'reyou know I think what how old is he 40something yeah he's he's a man but he'snot a B man he's a b-boy because he'staking himself out of his adultresponsibilities and saying let my innerchild come out to play oh and that's mygod that's what kind of like helps himkind of patch up everything in his lifeI think and that's think that's reallyinteresting and and it's about beingnovel right like you find the and whofind things novel kids yeah oh my goshif these boys be girls Ohthat was amazing no you know this kindof ties into like a lot of the work thatVince does Vince being my brother um whohas his YouTube channel he teaches ineverything a lot of the people heteaches are like special-needs kids yeahand some of the most interesting thingsthat he says is that a lot of these kidsyou know they got troubled lives inwhatever a lot of difficulties at homeand stuff and they can easily go down abad path without the right you knowmentors around them and he finds thatsome of the most interesting thing thathappened is he he lets them just be kidsin his classes he's like you know here'shere's what breaking is here's somemusic to dance to here's some moves I'mshowing you the tools how to do it nowhere I'm gonna play some music you guysgo on that side these guys go on thisside and you guys are gonna battle andjust have fun don't worry don't thinktoo much about it if you want to try andmove do it if you want to do a new movedo it if you don't want to do any ofthose moves and do something else justgo for it let your inner child play andthey're out there doing that having thetime of their lives and then he saysthey go home and he's finding that a lotof their home life is kind of beingsolved by that in a way a lot of a lotof things at home still need to getfixed but at least the difficulties thatthey're carrying over into school that'smaking them maybe not do so well inschool those things are getting solvedbecause they they're there they'rehaving a great time coming to schoolbecause they know that not only are theygonna learn a lot they're also gonna getto play let their inner child play - andit encouraged for them to do that it'sencouraged to let their creativity comeout um let's listen like mess up - itlets the mess up yeah yeah I think we'relike I don't really like this andthey're practicing your voice overbecause when you're in a dance flooryou're constantly making choice you knowand yeah I think so I think failurecreativity are all very tied togetherand I think kids learning failure orand understanding that failure is not asbad as people make it out to beeventually a good thing and it's anecessary part of the possibility tolearn it so yes necessary part of theprocess is a good skill to learn andwhat do you know they're not learning itthrough anything else at school ortraditional school they're learning isthrough breakdancing yeah because laywhat they're do playing yeah exactlythey're coming to school playing andbeing encouraged to let let their mindwander let that body wander to cool newdimensions that they didn't know existedand they're encouraged to do that andwhen they fall down you know one of thecool things about braking is you a lotof moves come from falling down yeah ohlike oh man I fell down but it kind oflooked cool let me do that so it doesn'thurt next time yeah so then you do thatand you're like well yeah I fell andlearned a new move now I don't and itteaches them how to reflect on thatskill like okay that hurt this jokeactually with people cuz they asked meyou know you got an interesting stylewhat do you call itand I I always thought that that was adumb question but then I actuallystarted goofing around and making a jokeabout it and saying I call it floppingcuz it's like taking your flops andflowing with them and essentially I'vejust built my whole style from that ohyeah I mean hopefully it doesn't alllook like a flop but it's like you'restill in my book and whoever wellbecause when you're at Davis wenicknamed you the ultimate flopper Idon't know if you ever remember that butyeah you're the oats me a flopper likeerr flopshe went for an air flare he didn't hitit but he didn't crash and it was likebut and then you do that and then youturned it into a different move and thenyou just kind of went with it now it'sits own moves yeah no you do it enoughand then people recognize that that'swhat he does and then you keep trainingand actually learn how to air flare andnow you got two moves you got that airflop and the air flare yeah I got twomoves and it all came fromletting your mind wander and also hardwork so yeah the spirit of play man likeyeah I can't stress that enough and Ialso understand how scary it is thoughit is scary it's like too playful yeahand then well us as adults I mean Ican't speak urged as an adult yeah -well yet to failyes discourage as an adult I mean Ithink a lot of the adult world is set upto discourage creativity yeah go to workand you go oh I want to do I want to trysomething new no stick by the book it'smore efficient it's more profitable todo it yeah it's tried-and-true when it'snot true that's crazy yeah and and in away the business model works well withthat yeah but I think it also damageswhich are us personnel yeah yeah peopledoing the job it does us real quickdulls you yeah yeah whereas yourcreativity lets you use your knowledge -dude cool new things and like maybe gaina better understanding of stuff I meanlike I said my style is built fromflopping and flowing out of it flowingfrom flopping yeah and and by I guess bydoing that I was I think it's it's likeI'm in Courage I'm encouraging myself toexplore yeah things and then buildsomething yeah exploration man that'swhat that's that's why - whoever came tous and stuff there right just explorethe frontiers and we're exploring thefrontiers of our bodies or our minds nowit's going super vague but it make itmake sense it makes sense do with theadult world you said earlier that umwhen we were younger there weren't manypeople past 30 that were breaking likeyeah yeah how is that like what goes onthrough your mind when you're thinkingthat we got like Morris gravity us likejust still going whether or not we'recompeting but there's we're still goingour practice still this is the callthose guys from Japan and their 40sstill hitting like the craziest powerlike I think it's because of raisingdude breaking is I mean it obviouslyit's an art form but along with artforms come yet the the quest to expressyourself and that is deeply rooted in usas human beings this is something thatwe've always I think you get to an ageand you're like oh I don't necessarilywant to compete anymore but I also can'tget away from this thing because it's itprovides this outlet that I need in mylifeas a as therapy ER you know or yeah it'sit's just it's part of my life to reallylike keep my life together and I mean Ican't imagine myself not breaking mm-hmmyou know if I wasn't breaking there'd bea lot of holes to fill I'm yeah cuz youknow I like I love moving around andstuff so I need to have something thatfills that hole I need something thatfills my creativity hole yeah maybe it'spainting or making music or whatever butyeah I mean the I think breakingbeautifully like collects all that stufftogether yeah you keep mentioning thingsabout holes and so that got me wonderingwhat is breaking filling for me exactlyI wanted to say something likecreativity because honestly that soundsfucking cool and now thinking about itbecause I practices first I think of itas discipline for myself because yeahyeah cuz yeah some martial art dude itreally is I mean like what's it I don'tactually know nothing of them Martinmartial art I don't really know thedefinition of thatI don't even know what Marshall means Ithink it comes from like military ohyeah I mean cuz it's it's like combatokay and it's I guess it's the art ofcombat really but when you select I meanI'm kind of I'm I'm not saying martialart as if it really is one but it's sodamn similar yeah like it takesdiscipline it takes practice and well Iknow when I go to practice there'sthere's a few sets and sometimes Ihaven't said I just go there and I justpractice my power moves like just andsometimes I don't do combos and likeright now the last three months I meanor however long we talked to jihad and Italked to Alex and I'm only training myflares that's it and then knowing thatI'm going in there and doing that overand over and over I know there's peoplethat come to me like you hope you canget so much better you're doing thisdoing this and then it's giving me theOperato practice and doing the same thingover and over and over is giving me theopportunity to one show myself that I amable to discipline myself show myselfthat when someone comes over and Irespect them and say hey yo Peter youshould do this to be a better b-boy andthen I can say no I'm yeah yeah I'mpracticing saying no and doing and italso gives me a chance to give a fuckabout what I want to give a fuck aboutcuz yeah we don't have that many fucksto give no it's a it's a finite amountto find out about everyone and you losemore and more every year yeah I meanit's a finite amount of like againyeah only gives say five every day yeahand then you only have a limited amountof days so it's yeah it's ticking downso really I mean I really I thinkcalling it a fuck is funny but think ofthat as like currency yeah you have abank yeah and it doesn't get reallyreplenished that much currency it's funyeah the currency of the flux of givingfucks yeah dude like yeah yeah like youjust gave me the the visualization thatwhen I was younger I have so many I givea fuck about so many thing and all thosefucks the font is timesRowman and as the years went by theamount of fucks decreased and the fontgot cooler so I went a little bit toocomics says the militant gothic now Inow I think I'm at like Arial black likeit's simple but not too simple as stilla little a little professional you saidit's a little professional is a littlefun that wasn't my idea by the way thatwas that I think Marc Manson the subtleart of not giving a fuck I just oh yeahyeah yeah it's a funny book dude yeah noI want to read that book yes I said itto you what was I going to say yes so Iused to do martial arts a long time agoI did Taekwondo for about ten yearsbefore I ever braked and one of thereasons I stopped doing that I mean Ialways loved it but I got to a pointwhere it felt like such a thing whereeveryone was telling me what I needed todo what I have to do huh and that waswhen I and I used to skateboard I meanwhich you know that the world ofskateboarding is very like antieverything like do whatever accountincluded well yeah it's countercultureit's and I always was really drawn tothat but it it didn't quite fill all thevoids for me and then when I foundbreaking I was like this fills everyvoid for me and it's very countercultureit's encouraged to do whatever the hellI want and so where martial arts wasfailing me a little bit Breaking filledthat void and this was before I thinkmixed martial arts was really up in thescene because I know mixed martial artsnow they're like okay now what yeah iseffective and I think that's more sowhat I wanted to go towards but I thinkbreaking offered me a lot of creativitybecause it was just like now I'm cominginto a world where there's a move youknow like say I just crashed and made itinI said all that crash kind of looks coollet me try to make it yeah and I justkeep working at it practicing itpracticing it and now it's a move thatnever existed before yeah so it createdthis let me make it made me let me makestuff much like how painting is yeah butit's an active thing where I can get outthat freaking like you know young managgression out onto something and so itreally filled in all the holes for meand that's what drew me to it and solike once I found it and I found thegroup of people I wanted to do it with Iwas just like do you I don't know if Ican keep doing martial arts because thisis what I want to do is breaking this isa this is the real martial art from meyeah it's you know I mean I was nevertoo into fighting always like you know Ialways thought that violence was not sogood but I liked martial arts because itat least teaches you how to handle asituation yeah but for the for the mostpart I don't want it I don't want it toeven go to that point I don't want toget violent and so when I saw breaking Iwas like you know what this is givingyou that combat relationship in a battlebut you're not throwing hands at peopleno one's in danger I mean obviously backin the day there used to be somesituations where people were fightingand stuff but I don't encourage that butI think having a competitiveness betweentwo people or two groups of people is agood thing to have it provided that forme yeah that's what I was drawn to andso like I just kept going with it andI'm still in love with it as I was backthen yeah I'm not so into the scene as Iwas before and that's you know obviouslybecause I have different things in mylife and I'm a I can't dedicate as muchtime to competing in whatever yourrelationship to breaking has off toanother city evolved to something elseyeah but very much so my love for it isthe same yeah in fact it's bigger yeahit's a it's a more nuanced to love nowyeah I guess it's not so once onevariable anymore like whenwhen anyone I mean I noticed when Ithink Jordan Peterson said it anyone canmake an argument from one variable Ilove breaking because it's this mmm Ilove breaking because it's this butthere's multiple variables yeah when youget to the point where you're like oh mygosh I hate it I love itbreaking makes me sad it also makes mehappy it turns me on turns me off breaksme up teaches me thingsteach me bad things and bad habits butit's all of that like there is notthere's lots of things to tweak in itit's it's a multivariate thing as as ismany things in life and also everythingeverything and everything and everythingworth doing is probably like that yeahand then to be able to step back and gowhoaas much as long as we've we've been inthis dance for like over a decadealready approaching to decade yeah yeahoh okay thanks for making me feel datedanyway oh yeah I'll try to be all likehow you are with it I don't really countyears but then somebody asked merecently like how long I've beenbreaking I was like and you just give myage but yeah right and then I startedcounting like dude it's like almost 20years yeah for me it's 15 inch 15 16 isit no dude cuz I didn't start reallyuntil 2002 2001 so like I came toys youknow cuz that's like I started and I wasaround 50 so it's like I mean I'm 30 I'm33 hold itit's like 17 18 years you know just likeI'm trying to keep myself young alrightno holy crap yeah it's 1780 yeah westarted around the same time yeahoh my gosh right but I think y'all thesame thing that happened to me when Iwas like oh you haven't braking like tenyears in the like way no that doesn'tmake any senseno that still doesn't make any sense ohmy god it's like not too many years offof 20 like it really is it oh my godyeah yeah you know and I'm not trying tosay that we're some kind of old geezersI still feel when people say like ohyou're old school I'm like no I'm middleschool of anything and I stay there likejust that's it I'm just me I'm nottrying to be an OG and I mean in a wayI'm not even like looking for respectreally I've always just wanted to do ityeah that's just and that's where therespect comes from yeah like I have my Ihave my ideas about breaking but itagain when I notice with like with mycrew uncomfortably fresh whatever wetalk about it's it can be connected tobreaking but we focus on life skills ifwhen you practiceare you disciplined when you're enteringjams or you doing a move is itintentional can you reflect back andthink about what you said earlier occurits effectiveness and then when youthink about effectiveness what thing isthat what are you trying to be effectiveat for me personally it's I think it'seffective when things don't hurt likeit's an age thing for me I know somepeople say eight like I don't thinkabout age age age is just a number I Ican understand where it's coming fromthat no matter how old you get you cando things I also believe in balance andI need to I need to know the limitationsof age so I can effectively do what Iwant to do I can't just Huck and chuckanymore now I have to I have to rely onangles way more than I have said beforelike it's taught you how to be moreprecise with ityes very that's what I've learned yeahI've always thought of myself assomewhat precise but it wasn't till Mikemore recently that like because of allthese injuries I've gathered throughthrough my life it makes it hard to do alot of stuff and it forced me to reallylike think of every little position thatI'm putting my knees my elbows myshoulders so that I don't injure myselfand so what I found myself doing isrunning through all the moves I haveslowly mm-hmm feck ting every angle thendoing it a little bit faster doing it alittle faster and then you know kind oflike doing it atthe speed is supposed to be at and justbeing very mindful of that and over theyears of just doing that building habitsabout that it's helped me really um inbetter precision and fine-tunedfine-tuned yet you are now a high-endyeah you're not not some one of myfriends um Joey chaotic I know I knowyeah I was practicing with him it waslike hope we used to go but he called mea ninja he's like do you brake silentlyyou do because you slip and slide yeahit's like I slide around and I'm I'vealways been very like careful aboutwhere I'm putting my foot veryintentional yeah very intentional and Ididn't really notice that until he saidthat and I was like oh yeah and actuallythat's the thing that I've really beenworking on not to be silent but to beprecise and the silence kind of camewith that yes I thought it was reallyfunny that's when you know you do iteffectively because look at trickersthere's there some that's like boom boomboom triple but then some years likeyou're like dude is he not floating ishe not punching the ground because howthe hell's he gain that much height he'sjust learned to hone his like motormaybe yeah he has that gravity belt onmaybe he took off his 23 pound ankleweights or whatever he came from thefuture where they have actual gravitybelts and just came to the pass and waslike I'm gonna yeah he has like he hashelium has helium suppository pills inhis ass yeah and then it was like ohshoot I'm going too high so he'llsqueeze his ass little whorish pinkthere so pop one dude like like on thosethings about doing things are pastsuperhuman limits I know someone atthere are some of that practice atdynasty and I respect what he says it'sreally awesome you mentioned thingsabout like um no limits like there's nolimits to the human this and that andthis and that I respect that view whensomeone says we have no limitsI also see a side where there's a beautyto limits because like the other daywith like or latter time me you and liveextent and when you know your limit youget creative and the prime the primeexample I news and I know not everyonegets it but I think you might the SuperNintendo that is Mike that my go to theyare only 16-bit if it's anything elsebecause someone correct me they only16-bit the PlayStation came out whileSuper Nintendo was there and they andwhoever is working to Super Nintendosweat no I want to push it I want topush it and what happened Donkey KongCountry came out killer instinct cameout how the hell did they manage to get3d onto a cartridge they added a chipinto the cartridge that's cool and it'snot true 3d but and they were able tofind a way to mimic 3d like that's whereI think to creativity okay not tocreativity I think a a high level ofcreativity and come from when you areholed into another oneIron Man when he built his mark one suithe didn't have shit right in the moviehe was just good and because it was inthe hole he figured out something trulyamazing because you only had you had toget creative but what was at hand andthen with your injuries you said I gottaget creative I learned backspin becauseof a torn meniscus yeah I couldn't doanything and I was like yeah I was allsad and stuff and then I just like laidon my back it was like well this doesn'thurt and I just started like spinningaround okay I remember that time is crapcuz that time way you're practicing backspins was the time that I tore myrotator cuff and Ivan I never had likelegit windmills cuz I was all flareflare stuff yeah and then you got backsmooth I got windmills I was like dudelike we gotta get creative I need tospin no I need to spin I think thelimitations when you embrace them italmost gets rid of the limit yeahthrough the limitations you surpassedthat limit it's it's it's when youremove the limitation you think well Idon't have anywhere to goyou're aimless or not I mean you yourespect it it's like you recognize itand you go I respect that and so let mefind this way around it in a creativewaybut I'm selecting it it's there like youknow I can't it's something that I haveno control over I'm going to do everyI'm still gonna do what I'm gonna do butI'm respecting it it's there yeah andevery time you get close you push it alittle you're like oh we're pushing ityou're pushing yourself yeah so so maybewhen someone says no limits you knowwhat they're essentially saying the samething it's a more simplified version andit makes sense like to to get your pointacross like what we're talking aboutlike earlier about selling a pitch wegot to keep it simple we got to keep thedetails out so when someone maybe toldme no limits that's the basic form of itbut when we write our 10 page then we gointo all this so yeah we're all sayingthe same thing man like living yesterdaywhen he was saying you just gotta findhis passion he's gotta find his passionso that he can yeah yeah something likethat and I was saying value and then Iwas like remember the thing I said aboutcommunication 65% by language 35%delivery and then 7% content that's whatcommunication is composed of yeah it wascommunication composed up and me and Livexcept he said passion I say value butwe knew what we meant because of thedelivery like we didn't need to correcteach other yeah yeah like we got to apoint like hey we're saying the samething it is got five more minutes leftman how you want to end this when do oure-learning yeah what so can you explainwhat a real a real learning is okay sureso in my practice I usually end mytherapeutic sessions with a realerit's a way to just summarize consolidateeverything that you've talked about inthe last hour hour-and-a-half in oursessions and a gif it helps give yousomething to walk away with it keeps itreasonable it keeps it manageable cuzsometimes when you talk for an hour twohours it's a lot of content you're likehow can I remember all thatbye and this is this is a type ofmeditation to is its type of mindfulnessit hones in on what's important at thetime and I give choices cuz you know weneed a little bit choices and anyone cando this you can do this at home it's ait's an option anyone wants to try itit's a very short form of therapyI mean meditation you just start withone thing I learned or one thing Irelearned or if that's too hard onething I noticed and you start with onething it doesn't have to be the thingthat stuck out the most it doesn't haveto be the most important thing it's justone thing Kurt you want to try it outfirst okay how about we both do it I'lldo mine and then you do yours soundsgoodstart by saying it you're in your mindright now let's get into your body startby saying one thing I one thing Ilearnedis where creativity comes from and thathelped me way and that helped me alignalign my life to be more creative thanksfor that one thing I learned aboutmyself today about what breakingactually means to me is the disciplineand knowing that I didn't use breakingone of the reasons and use breaking as aform of discipline is I feel like I lackand or need it in some areas and bypracticing it and breaking it justspills over into other areas and I and Ionly noticed that after our talk todayso that's pretty nuts yeah yeah I cansecond that for sure I want to changemine here we go okay I'll counter I'llcosign that okay we can cosign yeah andthen the another way that I end sessionin addition to the learning now we evenconsolidate even more Kurt you said itbeautifully when we had coffee thismorning when you're like breaking youwant to make a sentence like there's atopic there's a whatever everything inthere then you realized hey sometimesyou can just say a word you write anessay you read a story sometimes theyjust write a word damn that's one wordyes oh yes unless this ends today'sthing with the a word what's your wordmanhave two words but I'm trying tocondense it into one but I don't know ifthat word exists hey Unni create one heyyou're new it that you can create it youcan hyphenate it it's up to you you gotchoice man it's your choice continuedlearning with a hyphen in the middlecontinue learning continually mine istransparent transparent I see thanks manthanks for having me yeah yeah thanksfor being here this was good dudeyeah no I think we learned a lot andthis is kind of why I wanted to createthis show is to like documentconversations like this naturalconversations about things that we careabout and you know things that we learnfrom and help others maybe learn from ittoo hopefully hopefully people out theregot something from this conversation asI think we both did yeah man thanks alot for that no thank you thank you yeahall right thanks guys[Music][Music][Music]you[Music] 

PK's burning desire to become a performing rocknroll musician gains momentum.

A story about becoming a contributing member of our community.

Episode: 1841 "All I want is Loving you and Music,Music, Music!"  Today, music, music, music!

Music that we loved and grew up and that has impacted us

We kick off this week's podcast as we do many others, just kind of meandering around subjects - in this case, it's talking about movies. After a bit, we hone in on a more centralized discussion point - that being reviewing the recently announced Oscar nominees and giving our thoughts on those films we watched in 2019...both the highs and lows. Enjoy. --- Support this podcast: https://anchor.fm/reallythoughpod/support

Part 1: PK develops his prenatal love for music. At 16, he decides he wants to be a rock musician. His passion for music approaches forbidden limits.

Rev. Howard Ellis shares with us how music is important in the church, in our songs of praise and thanksgiving.

Steven and Finn individually provide listeners with their top 3 albums of 2019 so far.

Starbuck shares some fantastic tracks by artists you can hear on Antiquity Radio! Be transported back to a time before K-Pop, and celebrate some great classics!

Can you guess what the main topic of conversation is this week? We've got Jon Bowman of the rock band Warboys U.S., who is also one of the masterminds behind Mystery School Records talking all things music; from vinyl pressing, what it takes to run a record company, bands we love, bands we hate, and everything in between. Oh, and the internet ruined Glenn Danzig.ARTIST: Warboys U.S.SONG: Makes Me VulgarSGFY Spotify Music Playlist: goo.gl/XemDeLCodPod Network Patreon: www.patreon.com/CultOfDaveHave something you want to share? Call us and leave a voice message: (513)-463-7439 , or tag us: #SomethingGoodForYaYou can also follow us on FB, Twitter and Instagram at @SomethingGFY

This show was recorded over two years ago and somehow got lost and was never released. It has been rerecorded and put on the schedule,. Enjoy two hours of classic oldies.

Tune to talk or listen to Ready for the World as they talk about their Journey and hit songs Oh Sheila,Let Me Love You Down,Digital Display. Dial 646 716 5525 and press the 1 button to talk on the air. www.blogtalkradio.co/wfunk

Janne Stigen Drangsholt har sett seg lei på at alle andre skal bestemme hva som er en klassiker. Nå oppfører hun seg som en rebelsk pønker og bestemmer selv.

On this week’s Fordham Conversation we delve into music and more music. WFUV's Kacie Candela followed the story of Frank Werner and Travis Pike. The two crossed paths in the 60s to play music, only to have the music they recorded decades ago resurface and pressed on vinyl.  Then WFUV’s Patrick Russomanno spoke with Fordham Professor Nate Sloan about his podcast “Switched on Pop.”  The podcast examines the making and meaning of popular music.

I am here for your Enjoyment again. As long as I breathe there is music to be shared.

Mel Dale was featured in this week's IT'S [Talk] TUESDAY episode of TIG (Episode 42), and makes a return appearance on Theme Park Thursday with @DillosDiz. We talk Tikis, Music Loops, Attraction Cynicism, & more! LIKE Dillo's Diz on Facebook! FOLLOW @DillosDiz on Twitter & Instagram. DillosDiz.com for archives, blogs, & throwbacks. Theme composed by Matt Harvey. Additional Themes produced for [By The Mummers] performances composed by Jason Purdy. LIKE The Improviser's Guide on Facebook! FOLLOW @FrankMCardillo on Twitter & Instagram. TheImprovisersGuide.com for more information!

And introducing….on guitar, Viv Albertine! A member of English punk band The Slits, Viv is a defining figure of the British punk and post-punk scene and a fashion icon. We learn all about her life, her music, her lovers and her very good clothes from her book “Clothes Clothes Clothes, Music Music Music, Boys Boys Boys”. We’re joined by Abbey Bender, the Village Voice’s authority on fashion in films and erotic thrillers to discuss Viv’s life.

Comedy • Comedy • Motivation.foreal. • So insipring .she had me in tears.god is good. • Music • Music • Comedy • Music. • Music • Music • Music.inspiring.moment • Comedy.daliso chaponda • Comedy • Comedy cable guy • Too many lies.by freestyle stacksondeckworldrecords • Too many lies.by freestyle stacksondeckworldrecords • Im a star stacksondeck • Im a star stacksondeck • Too many lies.by freestyle stacksondeckworldrecords • Echoes in my head.by freestyle stacksondeckworldrecords • Hold my heart in your hands.by freestyle.Stacksondeckworldrecords • 100 keys by freestyle.stacksondeckworldrecords • 100 keys by freestyle.stacksondeckworldrecords • 24hrs by Stacksondeckworldrecords • 1love.africa love. • 1love.africa love. • Late at night.by Stacksondeckworldrecords.freestyle • No tears.by freestyle stacksondeckworldrecords • Comedy • Spent Time With Me! • yunggoldeelox call in ✨ • Thank you • Thanks

Comedy • Comedy • Motivation.foreal. • So insipring .she had me in tears.god is good. • Music • Music • Comedy • Music. • Music • Music • Music.inspiring.moment • Comedy.daliso chaponda • Comedy • Comedy cable guy • Too many lies.by freestyle stacksondeckworldrecords • Too many lies.by freestyle stacksondeckworldrecords • Im a star stacksondeck • Im a star stacksondeck • Too many lies.by freestyle stacksondeckworldrecords • Echoes in my head.by freestyle stacksondeckworldrecords • Hold my heart in your hands.by freestyle.Stacksondeckworldrecords • 100 keys by freestyle.stacksondeckworldrecords • 100 keys by freestyle.stacksondeckworldrecords • 24hrs by Stacksondeckworldrecords • 1love.africa love. • 1love.africa love.

We really do talk about the same stuff and cant stay on topic. Hope you enjoy our craziness!!

We needed to move to a new studio again (we don't want to talk about it) but this venue came with a useful employee. Also in this chapter, Phil introduces the world to a fabulous new group and their impressive covingtons.  Gallery of the Mundane and Fantastic is Phil Kijak, Peter Kremidas, and Darren Stephens. Learn more about the show at the website, www.gotmaf.com. We also exist on other internet. Like us on Facebook, and follow us on at twitter at @gotmaf1 and Instagram at gotmaf1. If for any reason you did not enjoy this program, it's free. Special thanks this week to musician and comedian Nathan Cotter.     

We've commandeered Tom MacPherson for another episode, and he joins Tanner and Dave to think all sorts of musical thoughts!

This week Chad sits down with a friend from years gone by. Jason Dean is a writer for Madison.com and they talk music, something Jason is a big fan of and as you all know, so is Chad. Well, grab your sunglasses and your Discman and let's see Whose Podcast is it Anyway?Want to drop me a line and tell me what you think? Email me at whosepodcastisit@gmail.com or on facebook @poinetwork or @whosepodcastisitanyway. No matter how you do it, I look forward to hearing from you!

May 5, 2016 We’re not at our usual stand, World Cup Coffee and Tea for this OMN Coffeeshop Conversation. Because he’s so busy, we came to the temple of records to meet the Grand Vizier of music in Portland, Music Millennium’s owner Terry Currier. If there’s a more central figure in the music industry around here, I’ve never met him. Most of the time, when he’s interviewed, everybody always asks him how the store is doing and will the record store business survive. I don’t want to do that. If you’ve ever sat with Terry, the most fun is to talk about music. Thing is, his taste is so broad, he can be talking about the Kinks one minute and thrash metal the next. Let’s talk to the person who has done more for music and musicians in Oregon than anybody else.

Music and Memories. Two hours of solid hits and long forgotten classics.

Wilder than Wild Animus. Weirder than Necroscope. Wronger than Scruples. Surging it comes in from the sea off the coast of Wales, so J. and Collision must wade into ... Night of the Crabs! This is not a drill, people, this is a book by Guy N. Smith and it's definitely the best bad book we've gotten our hands on, and there is something (giant crabs invade Wales) here (tons of sex) for everyone (plot holes you could ride a giant crab through)! (Prose you will legit not believe.) (Death scenes all over the place.) Recommended a long time ago, this book goes sideways almost instantly, and even though your hosts claw away at it, cracking wise as best they can, the whole thing is guaranteed to steam you — or leave you shell-shocked. Ride the crab. Recommendations: City of Saints and Madmen, Jeff VanderMeer Clothes Clothes Clothes, Music Music Music, Boys Boys Boys, Viv Albertine Music: "Godzilla" by Blue Őyster Cult "Rock Lobster" by B-52s "Convoy" by C.W. McCall "Crab Rappers" by Nonchalant

     Considerate, determined, honesty are just a few of the words that come to mind, when it comes to the man, Herhel Myers Jr.  From THE BASEMENT fame, and from the JKN - he's been here for quite some time, started off on SATURDAY evenings, then switched to Mondays, right here, right now - he's got a show for you, and you're going to like it.  He's a fam man, and has a great God foundation in his life.  He's all about good, and you'll appreciate his efforts to entertain you and inform.  Get your phone and call 347-205-9366 OR log on - wait, if you're reading this, YOU'RE ALREADY LOGGED ON!  - Thanks!  Musical Context is ready to roll.

Viv Albertine grew up in London. After forming The Flowers of Romance with Sid Vicious in 1976, she joined The Slits in 1977 and became a filmmaker in 1987. After a considerable interlude, she is now back making art and music. Recent projects include a starring role in Joanna Hogg's film Exhibition, and the release of her autobiography Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys (2014). 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

Alex, Kellz, and Jimmy talk some of the latest Pokemon news, including pop-up Pokemon Centers, and then it's LENGTHY discussion about the Top 5 Best Town Songs! Also, we answer a bunch of fan mail!

From wikipedia.org: John Scot Barrowman (born 11 March 1967) is a Scottish-American actor, singer, dancer, and writer who holds both British and American citizenship. Born in Glasgow, he grew up in Illinois following his family's emigration to the United States. Encouraged by his high school teachers, Barrowman studied performing arts at the United States International University in San Diego before landing the role of Billy Crocker in Cole Porter's Anything Goes at London's West End. Since his debut in professional theatre, Barrowman has played lead roles in various musicals both in the West End and on Broadway, including Miss Saigon, The Phantom of the Opera, Sunset Boulevard and Matador. After appearing in Sam Mendes' production of The Fix, he was nominated for the 1998 Laurence Olivier Award for Best Actor in a Musical and, in the early 2000s, returned to the role of Billy Crocker in the revival of Anything Goes. His most recent West End credit was in the 2009 production of La Cage aux Folles. Aside from his theatrical career, Barrowman has appeared in various films including the musical biopic De-Lovely (2004) and musical comedy The Producers (2005). Before venturing into British television, he featured in the American television dramas Titans and Central Park West but he is better known for his acting and presenting work for the BBC that includes his work for CBBC in its earlier years, his self-produced entertainment programme Tonight's the Night, and his BAFTA Cymru-nominated role of Captain Jack Harkness in the science fiction series Doctor Who and Torchwood. Barrowman has also had a number of guest roles in television programmes both in the US and the UK. He appeared as a contestant on the first series of celebrity ice skating show Dancing on Ice while his theatrical background allowed him to become a judge on Andrew Lloyd Webber's musical talent shows How Do You Solve a Problem like Maria?, Any Dream Will Do and I'd Do Anything. In 2006, he was voted Stonewall's Entertainer of the Year. More recently Barrowman starred in the CW's Arrow as Malcom Merlin/The Dark Archer the shows version of the DC villain Merlin the Archer. Barrowman is also featured on more than a dozen musical theatre recordings including cover tunes found on his 2007 album, Another Side, and 2008's Music Music Music. Both albums accrued places on the UK Albums Chart, as did his self-titled John Barrowman (2010), which reached number 11, his highest chart placing to date. Furthermore, Barrowman has published two memoirs and autobiographies, Anything Goes (2008) and I Am What I Am (2009), with his sister Carole as co-author. The siblings also teamed up to write a novel, Hollow Earth (2012).

Please join me and my guests BEVERLEY STAUNTON (Lead Singer on “Dancing With The Stars”) & BLACK ANGEL DOWN (Baltimore’s Groovy Underground Alternative Rock Band)! We are breaking out and laying down the New Country/Pop CD of the Inspirational Ms. Beverley Staunton “Everything Changes” Since the beginning of the show, Beverley (originally from Montreal, Canada) […] The post Music, Music, Music & Dancing With The Stars! appeared first on The Uncle Earl.

Please join me and my guests BEVERLEY STAUNTON (Lead Singer on “Dancing With The Stars”) & BLACK ANGEL DOWN (Baltimore’s Groovy Underground Alternative Rock Band)! We are breaking out and laying down the New Country/Pop CD of the Inspirational Ms. Beverley Staunton “Everything Changes” Since the beginning of the show, Beverley (originally from Montreal, Canada) has become recognized as the […] The post Music, Music, Music & Dancing With The Stars! appeared first on The Uncle Earl.

reggae music

The title to this episode is pretty self-explanatory. You've got all your Canadian Music Festival needs here.... Cancer Bats update.... Music from your fave bands including Moneen, Elias, Aussie's Children Collide and so much more! Stick around, it's going to be a fun ride! -Grace, Gem Radio

Psychedelia leads to a heady mix of Coltrane (Alice) and Stones (Rolling), along with sounds found from renowned Latin music scholar and author Isabelle Leymarie. Musical selections include Bob Dylan, Music Music Music, Paul Simon, Teddy Pendergrass (RIP TP!) and the Flamingos.