Podcasts about howi

MUSICThe wife of Weezer bassistScott Shriner, Jillan Lauren, was shot by Los Angeles policeTuesday while they were pursuing three hit-and-run suspects  Slash has announced he's leaving X, the platform formallyknown as Twitter, after his account was hacked last week. He wrote, "Thiswas a considered decision after repeated hacks, and it reflects a shift in howI'd like to stay connected moving forward. You can still find me on Instagram,TikTok and Facebook, where I'll be posting regular updates."   I would guess thatthe paparazzi are the most annoying thing about being famous.  But onceyou let them get to you, they've won.  And that's what happened to JustinBieber yesterday in Palm Springs.   Is the snake semenconcoction that Jessica Simpson uses on her throat just snake OIL?  Your weekly Jelly Rollnews: Jelly Roll just won a very prestigious award at Oxfordin England at the 2025 World Literacy Summit. Morgan Wallen just broke a record Taylor Swift held. He now has the most top 10s on the Billboard Hot 100 from an album prior to itsrelease.  He has five songs that have already made the top 10, and hisalbum "I'm the Problem" isn't out until May 16th.  TVAimee Lou Wood from "The White Lotus" hasbeen getting attention for her gapped front teeth, but it's making her "abit sad."  MOVING ON INTO MOVIENEWS:DC fans are worried that'The Batman II' may never come to theatres after star Robert Pattinson isreportedly being eyed for a villainous role in 'Dune 3'.Oliva Munn istalking about her steamy love scenes with Jon Hamm on their newshow, Your Friends & Neighbors.  Someone has identifiedthe original version of the Overlook Hotel 1921 July 4th Ball photo. that wasused at the end of "The Shining".  MISCElvira is releasing a "Cookbook fromHell"  LeBron James is settinghistory again as the first NBA star to get his own doll in the Barbiefranchise.         AND FINALLYTRASH THIS LIST: "The HollywoodReporter" ranked the 20 SEXIEST TV shows.  Ofcourse, this list is subjective, and reflects different definitions of what"sexy" is. AND THAT IS YOUR CRAP ONCELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 300! Featuring local legend Howi Spangler of Ballyhoo! They're a touring beach rock band from Aberdeen, Maryland, and have been a staple in the scene for a long time. This was Howi's second appearance on the show (his first was way back on Episode 100), and it was another fun conversation. In this episode, we talked about songwriting, TikTok, pursuing your dreams, and what Ballyhoo has planned for the summer. I also featured Ballyhoo's track Shellshock on this episode. If you dig it, you can stream it wherever you listen to music. Thanks for listening and supporting local music! If you'd like to help out the pod or the band, please drop a follow on any of the socials or check out BallyhooRocks.com.   https://ballyhoorocks.com/   Part-Time Rockstar Spotify Playlist   Please follow, rate, or review the podcast wherever you are streaming if you'd like to help us out.  -- Part-Time Rockstar Productions is available in the DMV for music videos and live filming. 

Melih Arat hazırlayıp sunduğu programda Becoming Trader Joe How I Did Business My Way and Still Beat the Big Guys Joe Coulombe kitabını konu aldı.

Melih Arat hazırlayıp sunduğu programda Becoming Trader Joe How I Did Business My Way and Still Beat the Big Guys Joe Coulombe kitabını konu aldı.

He's just not that into you! Or maybe he is? Or maybe we all need to just snuggle up with a good mug of tea, put on some comfy pants and watch ourselves some romantic comedies. In this episode, join Lexi and Ben and maybe Nora Ephron to really get into the world of funny romance movies. (Please note that Nora Ephron is not actually IN this episode). Are you more of a "Forgetting Sarah Marshall" kinda person, or maybe a "The Notebook" person? Listen now and pick your romantic poison!Jess Says:- I was going to say Swedish berries but like is that a gummy??? idk- Rooked is mommy, thanks for the shout out - Ryan is so tickled- You missed When Harry Met Sally!!! I just think it's iconic and the diner scene is so good- Ryan and I's song is The Whole of the Moon by The Waterboys (idk why, it's a song that Ryan always liked and I didn't know it until we started dating and we both love it)Transcript:Keywords: gummies, candy, romantic comedies, romcom, chick flick, relationship, breakup, puppet, MuppetLexi 00:01 Just regular gummy bears. Ben 00:03 Oh, I guess that's all right. I'm partial to real fruit gummies. Lexi 00:09 I like a bear in a gummy.Ben 00:11 Yeah. Lexi 00:13 Or a coke bottle. I like a good cola bottle. Ben 00:13 Coke bottles are good. What's your ultimate gummy? I don't think we've ever talked about gummies.Lexi 00:19 Iced tea.Ben 00:19 There's an iced tea gummy?Lexi 00:19 There's an iced tea gummy by the makers of the... Haribo?Ben 00:27 Haribo, yeah. Lexi 00:29 They also make an iced tea gummy. Ben 00:30 I don't think I've ever seen that one, but I'm down with some Haribo. Lexi 00:32 I've only ever found it in the candy store in Banff.Ben 00:36 Wow, I like their mixed gummies. I'm a gummy stan.Lexi 00:41 Me too. I can say no to a lot of candy, but a gummy? I have a hard time passing up a gummy. Ben 00:48 It just feels right.Lexi 00:49 It does.Ben 00:49 Okay. Taking away any sort of extra-special types of gummies, what's like a normal gummy go-to for you?Lexi 00:58 Um...Ben 00:59 If you had to choose sort of the run-of-the-mill, you can find them at the drugstore, Shoppers Drug Mart. Lexi 01:04 Coke bottle. Any type of coke bottle. Ben 01:06 All right, all right.Lexi 01:06 A blue shark. I like a blue shark. Ben 01:07 Ooh. Lexi 01:07 I like a gummy bear.Ben 01:12 Mm, mm, mm.Lexi 01:12 And then, if I'm hard pressed, I'll do a gummy worm. Ben 01:12 Mm.Lexi 01:17And then, everything else, I can kind of say no to. What about you?Ben 01:20 I'm partial to sour gummies. Lexi 01:23 Mm. Mm-hmm. Yeah. Ben 01:23 I do like them. So, a sour soother is pretty good. Dina-sour, if you will. Lexi 01:29 Yeah. Very good. My mom used to have those in bulk when she was a high-school principal, and I would just eat them off of her desk all the time. Yep. Ben 01:36 Yeah. I used to hang out in a hot tub with my older brother when we were finished high school, but hadn't moved on with life yet, and we'd sit in the hot tub out back, and just eat sour soothers till, like, 3 in the morning. Lexi 01:50 Well, you know, there's worse things. Ben 01:51 Yeah, right?Lexi 01:53 Do you have a favourite colour of gummy? Ben 01:55 Oh, no. I've never really worried about that. I do like those fried egg looking ones though from Haribo, as well. Lexi 02:00 Mm. Like the 10-cent candies, which are more like a dollar, like just the mix of things.Ben 02:05 Yeah, I like a mix, as well, like a little mix bag, but I like the sour packages. If we are talking about king of gummies, for me, it's a jube-jube.Lexi 02:14 Really? Ben 02:15 Or a Jujube. Yeah, I mean, I'll eat them fresh or not fresh, but they are definitely better when they're fresh. They haven't gone all hard and shit. Lexi 02:23 Yeah. I miss the pink package of gummy bears. That was the king of gummies--Ben 02:29 Oh, I don't know that package. No, I don't. Lexi 02:31 Do you remember that? Like, I remember being a child in going to see The Lion King in theatres and my mom was like, "You can get a snack," and I was like, "I want gummy bears," and it was in a pink package.Ben 02:45 Huh.Lexi 02:45 And the gummy bears—the bears themselves—spelled out the word "gummy". Ben 02:47 Wow, I do not recall those at all, but that's dope. Lexi 02:51 And they were my favourite. Oh, they were... I'll see if I can find pictures of them, but my god, it was my favourite. Ben 02:57 There's a period from 14 to 16 where I was convinced that I liked wine gums, but now, as a more cultured individual, I realize that those are kind of trash. Lexi 03:07 Yeah, they're not...Ben 03:07 Yeah. They're bottom-of-the-barrel gummies, if we're being honest.Lexi 03:11 Yep.Ben 03:11 You know, I can still appreciate a run-of-the-mill, like a frog or, you know, even a fuzzy peach.Lexi 03:17 Mm-hmm.Ben 03:17 They're a little too sweet for me. Lexi 03:20 You know, sometimes, I don't like a whole package of fuzzy peaches, but I'd like, like, two or three.Ben 03:25 Yeah, if they're mixed in. Yeah, if they're thrown in with, like, a little dime bag. Lexi 03:27 Yeah, if they're mixed in, perfect. Little dime bag.Ben 03:31 Little bag of candies.Lexi 03:34 Sounds nice.Ben 03:34 Apparently, when the previous generation was younger, those were one cent, and then when we were kids, they were like 5 cents, and now they're like a quarter a candy.Lexi03:42 Yeah, it's wild.Ben 03:42 It's inflation, motherfuckers. Nobody's earning anymore, but those gummy prices just keep risin'. [Lexi laughs] Lexi 03:48 Gotta pay the gummy toll... the gummy tax?Ben 03:51 Something like that. I've always wanted to make my own gummies at home, but it seems like a complicated process. Lexi 03:56 Oh, god, no. No, I don't wanna see what the sausage is made of. I just wanna eat the gummy.Ben 04:01 I mean, out of sausages to make, I feel like a gummy's a pretty benign sort of thing to see. [chuckles]Lexi 04:08 Well, it's gelatin, so it's like ground hoof.Ben 04:10 Yeah, yeah, you put-- a little hoof or... No, I guess it's just ground-up hoof, isn't it? [laughs]Lexi 04:14 It is. It's ground-up bone and hoof and--Ben 04:16 You know what? Would you prefer we didn't use the entirety of the horse?Lexi 04:19 No, you know... [both laugh] Is it...? Can you...? Is it pig or what type of hoof is it? [laughs]Ben 04:25 I straight up don't fucking know. This is a perfect opportunity for Jess to jump in and educate us.Lexi 04:34 What type of hoof is in gelatin?Ben 04:34 Yeah, what's the most prominent type of hoof in gelatin? If you know, please write in. That e-mail address again is everyone@dorkmatterspodcast.com. Lexi 04:44 I hope the answer is fish bones or something really weird.Ben 04:47 Yeah, it's fish bones.Lexi 04:47 Chicken beaks. The answer is chicken beaks. Like, "Ah, yes."Ben 04:50 You know what it is? If we're being honest, it's probably all these things – everything that you can't put in anything else, yeah. Lexi 04:54 Ah, it's a mishmash. All the hoofs and beaks.Ben 04:58 And some big anus for good measure, you know? [Lexi laughs] That's where you get the tart from. You need a little pucker? [both laugh] We're terrible. Lexi 05:10 We're terrible. [both laugh]Producer Jess 05:12 [magical chime] Really bad news. I did not want to look this up because I wanted to continue enjoying gummies, but then my curiosity got the better of me. Okay, so this is from snopes.com, fact-check gelatin source. I'm going to just read this verbatim. "Sometimes the most innocuous of foodstuffs contain constituents whose origins are less than appetizing. Such is the case with JELL-O, a dessert that has graced millions of dinner tables since its 1897 debut.Underneath JELL-O's jiggly wholesomeness lurks a secret many consumers are disconcerted to learn: JELL-O is made from gelatin, an animal product rendered from the hides and bones of animals, typically pork skins, pork, horses, cattle bones, and split cattle hides." So yeah, you were right, Ben and Lexi; it's all of the above. No fish bones. Sorry if gummies are ruined. They are for me. [magical chime]Ben 06:13 We had some other intro topics. Did you still want to do that or is this good enough? Lexi 06:17 Oh, yeah. No, this is good. Let's punch it. Ben 06:20 All right, let's do the theme song then. [Dork Matters theme music, Dance by YABRA plays]Voiceover 06:51 [echoing] Dork Matters.Ben 06:53 Welcome back to the podcast. This is Dork Matters, a dorky podcast for dorks, and I'm your Dad Dork host, Ben Rankel. And, with me every time we do the show, is your Edorkater, Lexi Hunt. Yeah. Irreplaceably. With us, irreplaceably, Lexi Hunt. Lex, what are we doing today? We're not talking about pig anuses anymore. Lexi 07:14 We're not talking about pig butts. I mean, maybe we are. I mean. Ben 07:16 Maybe. Lexi 07:19 [both chuckle] I mean, anything is possible. We're talking about romantic comedies. Ben 07:25 There's gotta be a pig butt or two in there.Lexi 07:28 You gotta kiss a couple of pig butts to find the right one. Is that right? Ben 07:31 Yeah, to find a good one. Well, won't you bring us here?Lexi 07:36 This was really popular on Instagram. A lot of people were chiming in. Ben 07:39 Yeah, romcoms are a thing. It's interesting to me because I feel like the romcom is kind of gone. Lexi 07:49 The romcom is gone.Ben 07:49 Like the good one, like the blockbuster, like the big-release romcom is gone.Lexi 07:53 Yeah.Ben 07:53 That was a thing of the '90s and it's gone now.Lexi 07:56 Yeah, it's a Hallmark...Ben 07:56 Like, they just can't make bank anymore, can they? Yeah, it's a Hallmark Channel exclusive.Lexi 08:01 Yeah.Ben 08:01 Speaking of, I've got a fun game for you to play a little bit later. Lexi 08:03 Oh, okay. I'm looking forward to that one. Ben 08:05 Surprise for you after the break. Lexi 08:06 Okay. Well, a romantic comedy is just what it sounds like. It is a comedic movie that is centred around the relationships, typically between a man and a woman, although we're starting to see more movies branch out into other types of relationships. And so, it's nice to see. Ben 08:21 Bros. Lexi 08:22 Yeah, but it's also romantic comedies can be associated with negative stereotypes, one might say – a "chick flick", perhaps?Ben 08:32 Mm.Lexi 08:32 I found a great article actually called The Problem with Chick Flicks and I thought it kind of sums it up quite nicely with this quote from Deborah Barker. In the book literally titled Chick Flicks, she says, “The chick flick has been defined variously as escapist entertainment for women, simply as films men do not like, as examinations of capable independent female characters and their empowerment, as emotional ‘tearjerkers,' as tales of female bonding, and as the antithesis to male-oriented action films”.Ben 09:05 Well, we got a lot going on there and I think the primary one is the outdated sort of gender norms.Lexi 09:13 Mm-hmm.Ben 09:13 But also, there's the malignment of female-centric media, you know, the same way that things that women like in very many different aspects of media are kind of talked down to, like, you know, boy bands, etc. "Well, it's not good music. It just appeals to girls," and it's, you know, been used, I think, to malign a lot of different culture that could be engaged with more sincerely by dismissing it because it's femme-centric.Lexi09:46 Mm-hmm. Well, and it's not unheard of... I think it was Chevy Chase who actually said, like, "Women aren't funny," and so romantic comedies--Ben 09:56 Old racist, misogynistic Chevy Chase.Lexi 09:59 Old Chevy.Ben 09:59 The guy too racist to stay on Community. Lexi 10:04 Just, there's so many issues with him and there are so many great examples from Saturday Night Live of funny women, but so, you know, romantic comedies aren't exactly touted for being great examples of writing or even comedic writing, or even of, like, great romantic writing. They're kind of like the stereotype is they're these trashy, kind of like fun films that a bunch of gals get around and drink a bottle of pink wine and cry and laugh and have a good time. Ben 10:35 We call it rosé. Lexi 10:37 Rosé. Like, part of me is like, "What the hell's wrong with that? If that's what you're doing with a group of pals..."Ben 10:41 Absolutely.Lexi 10:42 ...who cares? Do it.Ben 10:43 Again, and this is like it's okay for dudes to get together and watch UFC, but you know, femmes can't get together and watch a romcom that's somehow... Like, we're supposed to think less of that than a bunch of guys watching people hit each other. Lexi 10:54 If you like the movie, watch the movie. And some of the movies, we'll talk about in a little bit. One of them was actually suggested to me by a dude friend of mine because he was like, "This movie makes me laugh every single time. It's hilarious So..."Ben 11:07 Hmm. Is it Bridesmaids? Lexi 11:10 It is not, actually. The other thing that I was reading about too, in doing research for this here episode, was about the--Ben 11:18 Research? Not on Dork Matters. Lexi 11:22 Yeah. Dork, dork, dork. Nerds!Ben 11:23 We have show notes, folks. We actually do way more work on these than I think comes across when we record them. [both laugh]Lexi 11:32 "The guy with the... What's the name of that guy? [snaps fingers] The guy with the face." [laughs]Ben 11:35Oh, that's a personal failing. [chuckles]Lexi 11:38 But, I was reading about the Bechdel Test. Ben 11:41 Alison Bechtel, comics legend. Lexi 11:43 Mm-hmm. The Bechdel-Wallace test is a test that measures the representation of women in film and other fiction. It's a test that asks whether a work of fiction basically features at least two female characters who have a conversation about something other than a man on screen or in the book, or whatever. Ben 12:01 Right. And it's been expanded since that original definition, but I don't know where we're at now to include some other criteria. But, yeah.Lexi 12:08 Yeah.Ben 12:08 Yeah, and again, the thing that some people forget about the Bechdel Test is that it is the lowest bar that you could step over.Lexi 12:16 Yes. [laughs]This is not meant to be like, "Hold your head up high and fly a flag." Like, this was the bare minimum. You had enough female representation in a film to have two people talk to each other, that are femme, that were not talking about the masc character in the film and, like, is a very low bar to clear [whispers] and a lot of media does not clear it.Lexi 12:41 Well, and especially romantic comedies because, so often, romantic comedies are typically centred around like the heteronormative man-woman, cis relationship, and so--Ben 12:51 Man-woman, man-man relationship.Lexi 12:55 Yeah, it's typically that triangle of--Ben 12:58 Yeah, M-F, M-M.Lexi 13:00 --man dates woman, woman has problem with man for some reason, starts dating other man. Original man wants to get her back with something very...Ben 13:07 Grandiose?Lexi 13:10 ...grandiose. Gets her back. There's usually some type of rain. Ben 13:13 Oh, yeah, you gotta have rain. Lexi 13:15 And then everything ends hunky dory. Ben 13:18 Yeah, happily ever after. There are a few that subvert that trope, and one of those is on my list...Lexi 13:26 Yep. Mm-hmm. Mm-hmm.Ben 13:30 ...of favs, which is what I call faves, which is short form for favourite.Lexi 13:33 That is true.Ben 13:35 Can you hear the "u" when we say favourite? Lexi 13:37 Fav-our-ite.Ben 13:38 [chuckles] I feel like we can. We're Canadian, so we say the "u". Fav-our-ite col-our.Lexi 13:44 Col-our. [laughs]Ben 13:47What else we got? Although I do get tripped up because I want to add one to major. Lexi 13:51 Mm, mm-hmm. Ben 13:52 Trips me up. Lexi 13:54 Can't do it.Ben 13:54 I can't just put a "u" in whatever I want, but I want to. That "u" is important to me. Where were we? Lexi 14:01 Uh, we've talked about what they are. Let's get into it. Let's talk about what's your favourite-- your top three. Ben 14:07 Our top three? Okay, let's go. Why don't you lead us off here? Lexi 14:11 Yeah. Okay, I'm going to start with--Ben 14:14 Give me your favourite. Tell me why it's your favourite, and then let's chat about it. Lexi 14:17 So, this is the one, I was going through a breakup. I was very, very, very sad, having a hard time. Ben 14:24 Do you want to give us more details on your personal life? Lexi 14:26 Nope. I was very sad.Ben 14:27 Who did you break up with? How long were you going?Lexi 14:30 Don't want to talk about it, but I was very, very sad and my friends, Jillian and Dylan—as I like to call them, Dillian because they're a couple—Ben 14:37 Or Jillan.Lexi 14:38 Jillian... Nope. Jillan?Ben 14:40 J--J--Jillon.Lexi 14:40 I like to call them Dillian.Ben 14:41 Dillon? Dillian is better.Lexi 14:45 They are huge fans of the romcom, and Dylan was actually like, "You have to watch Forgetting Sarah Marshall." It is so ridiculous and over the top, and this was right around the time Forgetting Sarah Marshall came out. That was, like, what? 2007, 2008, in and around there. Ben 15:03 Earlier than we'd like to admit. [Jason Segel sings Peter You Suck, from Forgetting Sarah Marshall]Lexi 15:05 Yes, but it was hilarious. Now, okay, in hindsight, yes, Russell Brand. Now, by today's standards, not a good dude. Also, Jonah Hill.Ben 15:14 There was a long while there, where we're like, "Hey, this dude's telling it like it is in a more progressive bent," and...Lexi 15:19 And now we're like, "Oof." But, at the time, so you have people-- it was kind of like that frat pack group of dudes.Ben 15:27 Mm-hmm, mm-hmm.Lexi 15:28 So, you got Jonah Hill. Who else is there? Mila Kunis, Russell Brand... Oh, my god. I've completely.Ben 15:37 Star of the show. [song continues]Jason Segel 15:38 [sings] It's so self-loathing, go see a psychiatristI hate the psychiatristWell go see one anywayI don't like the psychiatristYou need to go see oneSee a psychiatristI'm not going.Lexi 15:48 Jason...Ben 15:50 You got this.Lexi 15:50 Segel.Ben 15:52 Yeah. I was gonna do a caw for you, like [caws]. Is that seagull or is that...? [laughs]Lexi 15:57 'Cause, in my head, I could see him, but I was like, "It's not Sudeikis. That's--Ben 16:00 No.Lexi 16:03 So basically, there's a breakup. He takes it hard. He has to get over Sarah Marshall. He goes to Hawaii, and hilarity ensues.Ben 16:12 Guess who's there?Lexi 16:12 Bill Hader's in it, and Sarah Marshall is there. They have this great time of, like, one-upping each other and being sad on the island. But, what I really liked about the movie was, after they leave Hawaii and things don't end well, he goes back and it shows him kind of pushing through his depression and still coping with it, still being sad, and still trying to work on himself, versus trying to get back to a relationship that, as the movie kind of goes on, you see he keeps having all these flashbacks of Sarah, and then they're so perfect at first, and then as the movie goes on, the flashbacks kind of show how the relationship actually wasn't that perfect. Ben 16:50 Rose-coloured glasses--Lexi 16:52 --start to come off. Ben 16:54 Yeah, yeah, the idealization or, you know, turning somebody into an idea as opposed to dealing with them as they actually were. Lexi 17:02 Yeah. And, seeing it from her perspective too, because she points out that he was actually quite depressed and she was trying to help him through it, but eventually had to save herself because he was not taking care of himself and she had to make this hard call. And so, then you start to empathize with her, that she's not just this bitch that she's been cheating on him. She's a person who also was really struggling. And then, it really wraps it up with, like, yeah, he kind of dates Mila Kunis to kind of get over her, but they both kind of separate and become buds in the end, and it just culminates in the funniest, cutest Muppet/puppet Dracula musical. [Jason Segel sings Dracula's Lament from Forgetting Sarah Marshall]Ben 17:43 You know we love-- we love puppets here.Lexi 17:44 And it's just so funny. We love puppets and so that--Ben 17:47 With the exception of part-time guest host, Stephanie Gerk, who is afeared of puppets.Lexi 17:52 --is not a fan of puppets. Jason Segel 18:05 [sings] And I've been living too hard to believeThat things are going to get easier nowI'm still trying to shake off the painFrom the lessons I've learnedAnd if I see Van Helsing, I swearTo the Lord I will slay him! (A-ha-ha-haa!)Take it from meI swear I will let it be so! (A-ha-ha-ha!)Blood will run down his faceWhen he is decapitated... (Aah!)His head on my mantle is howI will let this world knowLexi 18:31 But, I just love that, at the end, he wants to do this ridiculous musical and he does it. He finds a way to bring it together and I just love that movie. [song ends] There's one specific line, Ben, that I think about constantly and it's from Russell Brand's character is missing a flip flop and he's trying to find it and he's like...Russell Brand [18:45] [with Lexi quoting along sporadically] "Excuse me, missus. I lost a shoe-- like, this one. It's like this one's fellow. It's sort of the exact opposite. It's not like it's evil or something. Just, you know, a shoe like this, but for the other foot. Otherwise, I'd have two right...Lexi 19:07 And I think that is so funny. [laughs] Ben 19:12 I knew it was going to be that part. Lexi 19:13 He was funny in it.Ben 19:13 He was funny. It's too bad it didn't work out for him to be a good person, overall.Lexi 19:16 So, forgetting Sarah Marshall, I love you. Ben 19:20 A fantastic pick and that idea of focusing on oneself as a means of growth, as opposed to focusing on a relationship that didn't work and obsessing over it, is something I think I appreciate from that film as well, which leads me into my first pick, in a similar vein, which is 500 Days of Summer. [500 Days of Summer Main Title by Mychael Danna Rob Simonsen plays]Lexi 19:40 Ooh.Ben 19:40 We got Joseph Gordon Levitt and Zoe Deschanel, who I'm generally not a New Girl fan. Lexi 19:47 No. I go back and forth on her but, yeah.Ben 19:50 Yeah. Yeah. So basically, you know, guy meets girl, guy and girl have relationship, relationship seems great to one, not to the other. Eventually, it falls apart and JGL's character spends a lot of time just being like, "What went wrong? Why didn't this work out? What did I do wrong? What did she do wrong?" obsessing over this failed relationship until eventually somebody kind of is like, "Hey, you are being a bit of a loser about this. You need to stop and actually think about how this relationship was going," and it's a similar situation to FSM, if you will, as we call it – us Marshall-heads.Lexi 20:29 Mm-hmm. [both chuckle]Ben 20:29 In that he realizes that he has built up this sort of idealized version of the relationship, and even himself and Zooey's character, in the relationship as well. And then, you get... It's told out of order, as well, so you kind of start with the breakup and then work back to sort of how that happened and you start with more of his perspective on things and kind of him as the protagonist and like the victim. But then, as you get through it more, you realize how much JGL's character has pushed this other character into something she was very clear about not wanting to start with.Lexi 21:06 Mm-hmm. Ben 21:08 And we eventually find out that basically she wanted to keep things casual, and then eventually they clicked enough that, you know, he pushed her and sort of not nagged but, you know, insisted upon a relationship that she wasn't comfortable with. And then, it somehow shocked Pikachu-face when it doesn't work out the way he wants. And then, she goes off and finds a thing that he wanted with her, with somebody else and, you know, it kind of culminates in a moment where he's like, "Why? Why did you tell me you didn't want this?"Lexi 21:33 Yeah.Ben 21:33 "And yet, you immediately went out and found it with somebody else," and she said, "I didn't want it with you. It didn't work with you. You know, you weren't the right person for me."Joseph Gordon Levitt 21:43 I mean, it doesn't make sense. Zooey Deschanel 21:47 It just happened. Joseph Gordon Levitt 21:49 Right, but that's what I don't understand. What just happened? Zooey Deschanel 21:53 I just... I just woke up one day and I knew. Joseph Gordon LevittKnew what? Zooey Deschanel 22:03 What I was never sure of with you. Ben 22:03 And it's a very honest and humbling moment. And then, you know, the end of this movie is him finding a way to move on past his obsession over this failed relationship and better himself. And, that leads to sort of the culmination of his movie, which is like, you know, finding a way to be a better person and healthier relationships in the end. And, I like that as well.Lexi 22:26 Yep.Ben 22:26 Did you ever watch it? Lexi 22:27 I did watch it and I found it not my favourite of his work. Ben 22:36 So, I think for me it was a zeitgeist thing, as well, like same for you for Sarah Marshall. I had gone through a relationship and had found myself sort of obsessing over, like, "Why didn't this work out?"Lexi 22:48 Yeah.Ben 22:48 "I thought we had all of this," and then going back and being like, "Oh." Eventually, after spending some time working on myself and getting some distance and feeling better about where I am as a person, I can look more objectively at the relationship and be like, "Oh, here's some places that I pushed when I didn't need to," or when they didn't want me to and seeing some stuff that was there that you don't want to see when it breaks up initially. Lexi 23:11 They do a really good job in that movie of showing how a relationship can really bring out the worst in decent people, because I found his character, he really ran the gamut in that movie because there's moments where I was like, I understood him, I related to him, and then other times where I was like, "God, you are like an incel," because he was so angry. [Ben laughs]Ben 23:32 Yeah. Lexi 23:32 And I was like, "God, get over it." And it was right around the time that the friend is kind of like, "You're not doing well.”Ben 23:39Yeah, it's his little sister, I believe, who's like, "You're kind of an asshole about this."Lexi 23:42 Yeah. And I think we all have that in us. Like, we've all had a relationship—maybe not a romantic relationship, even a friendship—that's brought out not good things in us. And, sometimes, it takes a person who's really brave and really cares about you to be like, "You're not well." That's a hard thing to say to someone. Ben 24:01 Do you respond well to that? I find, not for me. I think I have to, like, live five to six years afterwards and be like, "Oh, fuck."Lexi 24:08 I do when it comes from certain people. Like, I have a couple of friends in my life, like if they were to sit me down and be like, "I'm concerned about you," then I'd be like, "Oh, shit." Like, I would take it super seriously because, for the most part, those people would not get involved in my problems. So, if they were to sit down and say like, "I'm concerned," I would be like, "Okay, I'm taking this seriously," and that's basically what happened with Forgetting Sarah Marshall. [both laugh] Dillian was like, "Hey, bud, you're sad. You okay?"Ben 24:40 Yeah. [Lexi laughs] Yeah, yeah, 500 Days, as well. His little sister's like, "You're only thinking about happy stuff. I saw a lot of stuff that was not very happy."Lexi 24:49 Yeah.Ben 24:49 There's the part where I think it's a party where he finds out she's engaged and he turns into a real piece of shit there. And, there's a quote during the, like, press junket from this movie where Joseph Gordon Levitt himself is like, "I need people to understand that I am the protagonist of this film. I am not the hero, and I don't think anybody should be looking at me as a heroic person in this movie."Lexi 25:09 Yeah.Ben 25:12 And I just get that. Yeah. I felt that at the time, the obsession, the confusion, the anger.Lexi 25:18 Mm-hmm. Totally. Love it. Ben 25:20 And that's what that makes that one stick for me.Lexi 25:22 That's a good pick. Ben 25:22 The title, though, not my favourite. It's a little twee. 500 Days of Summer... Oh, because her name is Summer and they're together for 500 days.Lexi 25:29 Yeah. Oh!Ben 25:32 Wow. That's a year and a half. That's a long time.Lexi 25:33 That's a good long time for a relationship that...Ben 25:36 It's not nothing, but it's also not enough to be like, it's worth your everything--Lexi 25:42 Well, and it's also, if you think about it from the other side of it, 500 days to be in a relationship that you never wanted to be in, in the first place, like, ooh.Ben 25:49 Oh, my god. Yeah, it's rough. When you start moving back through that movie and realizing that she was like, "I want to keep it casual," and he just sort of--Lexi 25:55 --like, forces her into a relationship. Ben 25:57 Pushes. Just pushes. Yeah, he just pushes and is never cool or chill about it.Lexi 26:00 No. Hence the incel part where I'm like, "Okay." [laughs]Ben 26:05 Yeah, absolutely. No, absolutely. And it was before we had a word for that or, you know, a bunch of people watched that movie and we're like, "Oh, god. She's bad to him."Lexi 26:14 She should have just said, "Yes," and gone along with it. Ben 26:15 Yeah. "Why didn't she marry him even though she didn't feel like he was the right person for her?" [Lexi laughs] "He loved her so much, and he treated her really good, and when you treat someone good, they have to give you anything you want."Lexi 26:27 Like, "Oh, boy." Reminds me of a friend from art school. [Ben laughs] I've said it before – best piece of dating advice I ever got from them was, "You don't date nice." Like, it's not a good enough reason to stay with someone. Like, "They're nice to me." Like, "So what? Everyone should be nice to you."Ben 26:41 Yeah. Everybody should be nice to you.Lexi 26:43 Yeah.Ben 26:43 Yeah, absotootly, as they say on Thomas and Friends: All Engines Go, because they're trains and they toot. [steam train whistle blows] Yep. Absotootly. [Lexi sighs] Sorry about that. Should we keep going or do you want to do mid-break? It's your call. Lexi 26:59 Let's do one more and then we'll go mid-break. We'l do three and three. Okay.Ben 27:02 All right. All right, I'm gonna do the next one.Lexi 27:04 Oh, okay.Ben 27:06 Is that okay with you, or do you wanna do the next one?Lexi 27:07 No, no. You go. You go. Ben 27:09 All right, I'm launching into a problematic fave... Lexi 27:13 Okay.Ben 27:12 ...which is You've Got Mail.Lexi 27:15 Yeah.Ben 27:15 It's a Nora Ephron flick. It's Tom Hanks and Meg Ryan's re-starring together again after their first tilt at Sleepless In Seattle, which is another favour of mine, but we'll do that some other time. [Over the Rainbow by George Fenton from You've Got Mail plays] You've Got Mail, I loved. I watched the hell out of this movie. I thought it was romantic as heck until somebody confronted me and, like, this entire movie is based off of a premise of complete power imbalance towards the male character who lies and manipulates the other person and then puts her out of fucking business, all while being very callous and still trying to court her surreptitiously.Lexi 27:56 Yeah.Ben 27:57 But it still has a special place in my heart because I liked it for so long. And then, so after I was confronted with how terrible the relationship in this movie actually is and being like, "Oh, fuck, they're right," I still like the film and I had to slow down and be like, "What is it that I actually really loved about this film?" and I realized it's the character of New York in You've Got Mail. I am in love with this version of New York that they show, which admittedly is very twee and non-existent. It's almost a Friends version of New York.Lexi 28:33 [chuckles] Yep.Ben 28:33 Almost. But, it's just this really romantic version of New York, to me, where like people just stroll around and there's a Joni Mitchell soundtrack to this thing that kind of slaps, and it's just one of my favourites, and I like Parker Posey a whole lot. Lexi 28:49 Parker Posey is an absolute treasure. Ben 28:52 So, she's a delight in this as an executive who gets kind of dropped by Tom Hanks' character and is just sort of like, 'Fuck it. I don't care. I'm successful and awesome. I don't need... Like, this doesn't matter to me."and just sort of shrugs him off. And, you get a great Greg Kinnear as a nut who is really obsessed with typewriters.Lexi 29:11 Mm-hmm.Ben 29:12 I love that bit. [music continues] And... Whats his name? Steve Zahn plays a character that works in this, like, little independent bookshop who is just--Lexi 29:20 He's always like a zany--Ben 29:22 --zany, bonkers weirdo. Yeah.Lexi 29:23 He always plays a zany kind of like, "What are we gonna do with him?" kind of character.Ben 29:28 Yeah, we get a great line from him in this film, which is, "I'm going to the nut shop where it's fun." It's a real classic.Lexi 29:37 I will say, the Nora movies, they do a great cozy vibe.Ben 29:43 Yeah.Lexi 29:43 Like, everybody's got a good scarf, the kitchens always very nice.Ben 29:46 Yeah, the lighting is good.Lexi 29:46 Like all of the Father of the Bride movies, they just feel like you're having a cup of cocoa and a big-- Ben 29:54 They're very white, though. Lexi 29:55 Yeah, they're super white. Yeah.Ben 29:56 Yeah. Lexi 29:57 Very like Connecticut. Ben 30:00 Yeah, we get what's-his-face in You've Got Mail as the bestie, which is Chris... Oh, my god. This is gonna kill me. Fucking, now he's come back as a comedian again and he's very transphobic and nobody's a big fan of him returning.Lexi 30:17 Oh, who is it?Ben 30:17 Dave Chappelle. God, that took me enough.Lexi 30:19 Oh. Dave Chapelle is in that? No.Ben 30:18 Yeah, he's the best friend. Lexi 30:22 Are you sure?Ben 30:23 Not anymore. You're making me really question myself. I've watched this movie, like, 3,000 times. Lexi 30:27 I feel there's no way Dave Chappelle is in You've Got Mail. [music continues]Ben 30:30 I'm almost positive he is. To Google! [old-school computer bleeping] [scratching record, DJ-style]Lexi 30:39 Looking at it right now. Oh, my god, you're right. Ben 30:42 He's in it. Yeah, he plays Tom Hanks' best friend/assistant/whatever his job is. Lexi 30:48 I find that shocking. It has been so long since I have seen that movie. Ben 30:54 Yeah.Lexi 30:57 My goodness. Ben 30:57 It's been a minute now for me too, 'cause I don't have time to do anything anymore, but yeah. Yeah, so the whole premise is manipulative and wrong, and he treats this woman like shit, in person, and then, via these emails that they're sending is just romantic and nice. And for, like, two thirds/three quarters of the movie, he knows who she is, she doesn't know who he is, and he never bothers being like, "Hey, I'm actually the guy you're emailing with. Let's deal with this relationship on an equal footing." He just fucking manipulates her. Yeah. Lexi 31:32 No, he catfished her before it was catfishing and this was the precursor to shitty social media relationships where it's like, "Don't talk to me in public, but online we can, like, sext, and it'll be cool."Ben 31:42 And then they meet up in the park and she's like, "I hoped it would be you." And then I'm like, "Nah, real life, she'd be like, 'You motherfucker.'"Lexi 31:50 "No, you didn't." Ben 31:50 Shove him in the water.Lexi 31:51 Yes, she should. That's how it should have ended – just, "Fuck you," right in the water.Ben 31:56 "You fucking piece of shit," and just shoves him into the water. [both laugh] Yeah. Lexi 32:01 "You've ruined my life. But don't worry, you can be the little honey bun at home."Ben 32:04 Yeah, "You destroyed the shop that my mother started," and that's supposed to be a great release for her, according to this movie.Lexi 32:12 Hey, she finally let her mother go. Ben 32:13 Yeah, "You troubled yourself too much with this shop. This shop wasn't really for you. It was for your mom." No, it's for her, too. It's her business. And now what? She gets to go edit books or something for Parker Posey? I guess that's not that bad.Lexi 32:25 No, it sounds kind of nice too, but...Ben 32:26 Yeah, Parker Posey hires her in the end, which I think is great. [chuckles]Lexi 32:30 [sighs] Yeah.Ben 32:30 [Dreams by The Cranberries from You've Got Mail plays] Anyhow, I still like the film from the version of New York, we get to the Joni Mitchell opening. Greg Kinnear is great. Steve Zahn's awesome in it. And then, you also have this like story where Tom Hanks' character's father is on his third wife and he's got these two little siblings from, like, his grandfather's just disgusting relationship with a younger woman and his father's disgusting relationship, and then eventually the nanny leaves with the second or third wife or whatever. It's amusing.Lexi 33:01 Yeah, there's some jabs in there, but okay.Ben 33:03 Anyhow, I can't do faves without talking about it, even though it is problematic and, you know, I now see a lot of issues with that film's writing, but... [both chuckle] I had a huge crush on Meg Ryan for a long time. [music fades out] What is your second one? Do you have a great lead in? Lexi 33:23 I do because actually, as you were talking, I changed my mind about--Ben 33:29 Oh, my goodness. What?!Lexi 33:29 I did.Ben 33:32 I saw that a pop up on the screen here that said, "Lexi has edited the show notes."Lexi 33:35 I made a change. So, I've changed my second one to others to kind of chat about, runner up, whatever. The next movie romcom that I'd like to talk about is Baby Mama. Sorry.Ben 33:47 So, I've never heard of this.Lexi 33:47 [Stay Up Late by The Talking Heads from Baby Mama plays] Oh, Benjamin. It is awesome. Okay, so we've got Tina Fey, we've got Amy Poehler, we've got Greg Kinnear, and Dax Shepard. So, the whole premise is Tina Fey... Again, this movie was recommended to me by Dillian. Ben 34:07 Oh, it's coming back to me now. Lexi 34:09 And it's about Tina Fey, who's this corporate lady who she's getting up there in age and she wants to have a baby, but she's not in a relationship. So, she decides to just hire a surrogate who turns out to be Amy Poehler, who kind of plays this like white trash crazy lady. Ben 34:28 Yeah. Yeah. Lexi 34:28 And the two of them forge this, like, really unlikely friendship, and meanwhile are having their own, like, issues with men on the side. And I feel like it's a romantic comedy about friends and, like, yes, there's male love interests in both of the ladies' lives, but it's more or less like it's the coming together of two unlikely friends to form a really strong relationship. Ben 34:48 Mm-hmm.Lexi 34:49 And it is funny as shit. I loved it. To this day, still makes me LOL. I love it. Ben 34:56 Yeah, laugh out loud for the younger generation. Lexi 35:00 Just, there's one scene because. I worked at--Ben 35:02 Wafflecopter.Lexi 35:02 I worked at a well-known grocery store...Ben 35:07 We all know by now, if you listen to the show.Lexi 35:07 I worked there, and we used to joke about it all the time that this movie came out 'cause it kind of felt like working in this, like, corporate, natural grocery store, where the owner of the store is, like, fabulously rich and wealthy and very like, not down to earth, but then is also pretending to be this hippy.Ben 35:26 Only hires granola people. Lexi 35:28 Well, no, but like is pretending to be this hippie and kind of is, but absolutely so disconnected from life, and there's one minute, and it's they played by Steve Martin and he plays such a good wacky, hippie billionaire. He rewards Tina Fey's character with five minutes of uninterrupted eye contact [Ben laughs] and it's just so good. Ben 35:52 My god, I can't do a three count of eye contact with anybody. Five minutes is  fucking torture. It's like staring into the sun. Lexi 35:58 It's so funny and the whole thing, it starts with Liz Lemon-- [laughs] Tina Fey's character--Ben 36:05 I feel like when you have a prominent actor, you can call them anybody from their oeuvre of films or whatever. Lexi 36:12 Yeah. Tina Fey's character is looking for a new location for one of their new grocery stores, which is basically like a Whole Foods, and she scouts out a place which is Greg Kinnear's juice shop and they forge a bit of a romantic relationship that way. That man plays a good romantic lead. Ben 36:29 Yeah, he's unthreatening and has sort of big eyes.Lexi 36:32 Yeah. Very gentle, deer-like qualities.Ben 36:36 [laughs] Yeah, he's a deer man.Lexi 36:38 He is a dear man. But, if you haven't seen it, Ben, you need to watch Baby Mama. It's hilarious. [song continues]Ben 36:42 Yeah, I'll check it out. I'll put it on the to-watch list, for sure. Awesome. [music fades out] Well, if that wraps up the second, I think it's time for us to go to our mid-show break. [sings along with "Who's That Pokémon?" theme music] Da-na, na-na... [record scratches off record] No, no. What? Da-na... [record scratches off record] No, we're not doing it, not this time.Lexi 36:56 Whaaaat?Ben 36:57 [sings along with "Who's That Pokémon?" theme music] Da-na, na-na... [record scratches off record] We're not doing Who's that Pokémon? [gasps] We're playing a game I've stolen from another podcast called My Brother, My Brother and Me, in which I offer you a Hallmark rom comedy description.Lexi 37:11 Okay.Ben 37:12 I'm going to give you a romcom title and description. You tell me if it's Hallmark or AI [Lexi laughs] in a segment I like to call... [playful music plays] Hey, I?Lexi 37:23 Oh, wow.Ben 37:25 Hallmark or AI?Lexi 37:25 AI.Ben 37:27 AI, question mark. I don't know. So, that's the game we're playing today. Lexi 37:31 Okay.Lexi 37:31 Yeah, let's do it. Ben 37:31 Let's get into it. You ready for your first one? [romantic music plays] The title of this romcom is Love Notes and Bookstore Blunders. "In a quaint bookstore nestled in the heart of a bustling city, a shy and reserved librarian finds herself caught in a whirlwind romance with a charming but disorganized writer who accidentally swaps their notebooks, leading to a series of comedic mishaps and unexpected connections as they embark on a journey to retrieve their misplaced musings and maybe find love along the way." AI or Hallmark? [music ends]Lexi 38:03 I'm going to go with AI.Ben 38:04 Ding, ding, ding! That is AI. Well done. Lexi 38:07 Yay!Ben 38:07 [laughs] What gave it away? Lexi 38:11 It's a little too on-the-nose.Ben 38:12 Is it too on-the-nose?  You just wait. Some of these Hallmark ones are very...Lexi 38:16 Okay. Well, no, I mean like I don't have... Yeah, okay. Give me the next one. Let's do this. Ben 38:20 The next one here is Cupid's Catering Chaos. [romantic music plays] Lexi 38:24 Oh, god. [Ben laughs]Ben 38:26 "When an ambitious but overwhelmed chef reluctantly agrees to cater her ex's wedding, she finds herself entangled in a comedic web of mistaken identities, culinary calamities, and unexpected romance when she collides with the charming wedding planner determined to make the event perfect, forcing her to confront her past and maybe find a second chance at love." [music ends]Lexi 38:49 I'm going to say that's Hallmark. [wrong buzzer sounds]Ben 38:50 It's AI. Lexi 38:53 Agh. Okay, okay.Ben 38:57 All right. All right, let's do one more.Lexi 38:59 Okay.Ben 38:59 Let's see if you'll land this one. The next one is called Dater's Handbook. [romantic music plays] "Cass is searching for the man of her dreams, except she thinks she has found the ideal man. She finds out she's wrong after a few dates and decides to read The Dater's Handbook, a guide that outlines the expectations a man should achieve. George follows all the expectations in the handbook, whereas Robert doesn't, but he's equally charming. Blah blah, blah blah blah." Basically, should you follow your heart or the expectations of others? That's it. [music ends]Lexi 39:29 I'm gonna go with AI. [wrong buzzer sounds]Ben 39:31 It's Hallmark.Lexi 39:32 No! Oh, my god. Ben 39:35 Dater's Handbook, 2016m starring Meghan Markle in this cast.Lexi 39:40 No.Ben 39:40 Yeah, and two people I've never heard of as the other competing men. [Lexi sighs] Anyway, I could play this game all day, but it does lead you to wonder if perhaps AI is writing everything that comes out of Hallmark. [Lexi laughs] Lexi 39:56 I mean, reading some of the titles that came out around Christmas-time, I was just like, "My god. This is awful."Ben 40:04 I'm not going to do the full thing, but here's a couple more. There's one called Finding Normal.Lexi 40:08 Ooh.Ben 40:08 So boring. Summer Villa, generic as hell. Hidden Gems. Lexi 40:12 Yeah, I've heard of that one. Ben 40:13 Deliver by Christmas--Lexi 40:16 I've heard of that one too. Ben 40:15 Just My Type.Lexi 40:18 Oh. Ben 40:18 So, I think the thing I'm taking away here is that the more specific the title is, the more likely it is to be AI. The actual Hallmark ones are boring as hell. Lexi 40:28 We should write one of these. Ben 40:30 We absolutely should. Lexi 40:32 Like, "Man in sweater likes pie." Like, "Oh."Ben 40:34 Yeah, it's called Pie of my Eye. [laughs]Lexi 40:38 Pie of My Eye.Ben 40:39 When an artisanal sweater maker accidentally has their yarn delivered to the equally artisanal pie maker next door, hilarity ensues.Lexi 40:52 Basically, there's so many ones like The Truth About Cats and Dogs. Ben 40:56 Yeah. Lexi 40:56 Like, that's another one of like the dogs meet in the dog park.Ben 40:59 Well, that's not Hallmark.Lexi 40:59 40:59 No, but I'm just saying that lie they could definitely do one where it's like, "The people at the puppy store are next door to the kitten store and they fall in love, but will cats and dogs ever truly get along?" Like, "Eugh." Puke.Ben 41:13 Yeah, because cats are the opposite of dogs. Lexi 41:16 Cats are girls and dogs are boys. [both laugh]Ben 41:17 Yeah. There's a term for that stupid thing in psychology, but I don't remember what it is, so fuck that. Anyhow, [sings along with "Who's That Pokémon?" theme music] Da-na, na-na-na. [speaks] AI? The worst fucking title for that.Lexi 41:33 That's a good one.Ben 41:35 All right, I'm glad we got to switch it up a little bit. Let's go into our final choices here.Lexi 41:40 Yeah.Ben 41:40 Why don't you take it away? Lexi 41:42 Okay, for my final romantic comedy shout-out of the evening, I'd like to... [laughs] It makes sense to me. My movie pick is Idiocracy. Ben 41:55 Okay. Yeah. [Buckaroo by Buck Owens from Idiocracy plays] This is a strange one for me. I don't necessarily think of Idiocracy as a romcom or as a prescient look into the future that we now live in. Lexi 42:06 Yeah, it's a documentary about our current day and age.Ben 42:10 Yeah.Lexi 42:10 No. I just find like the two-- well, I guess there's three main characters in. it. So, you've got Maya Rudolph and then one of the Wilson boys--Ben 42:19 Luke.Lexi 42:19 Luke Wilson, fall in love in a hopeless place, Ben.Ben 42:25 A hopeless place being what amounts to now, 2024 America. Lexi 42:32 The future. It's just so funny because both of them are kind of like useless in the present day, but then they wind up--Ben 42:38 But really shine.Lexi 42:38 But then they wind up-- they're absolute geniuses—geniusi?—in the future. Ben 42:44 Yeah, geni.Lexi 42:44 Geni. And they come together to, like, have a really positive relationship that's built on respect and kindness, and I think that's something that we should all aspire to is just like doing the best you can, be nice to each other, look out for everybody around you, and be respectful. And that movie is so hilariously bad and so much of it, Terry Crews, as the president who rides a motorcycle, and my favourite is when he--Ben 43:17 They're spraying Gatorade on all the lawns. Lexi 43:19 When he's doing the state of the address and he's walking up and down the stage and just like into the microphone is like, "Shit." Like, that is so funny. That entire movie is amazing and it is a great romantic comedy. I don't care what anyone says. Ben 43:35 No, we ain't here to judge. You get to choose what you like, and I think that's a fantastic choice. Lexi 43:41 Other favourite part of the movie is when he's in prison—Luke Wilson's character—is in prison and he goes up to the guards and he's like, "Hi, excuse me. I'm actually I'm supposed to be getting out," of jail and the guards are like, "Then you're supposed to be in that line, stupid." [laughs] "Yeah, right. Sorry." [laughs] Ah, it's so good.Ben 43:59 The idea that, you know, a completely sort of average to below-average intelligence like myself could someday be useful or possibly a genius is very appealing to someone like me, so I get it. Lexi 44:15 Great movie. Ben 44:17 Idiocracy, apparently a romcom. Lexi 44:19 Yep. It is. It is.Ben 44:20 I'm letting you have it. I ain't challenging that. Lexi 44:22 Prove me wrong, world. Prove me wrong. Ben 44:24 None of us want to take the time to do that. We're all very busy.Lexi 44:27 Busy. Well, I definitely have a lot of shout-outs about runners up, but I think we'll probably talk about them in just--Ben 44:32 Let's do it. Let's go around in a minute. I'm going to do my next one quickly here and it's Music and Lyrics. [Main Theme from Music and Lyrics by Adam Schlesinger plays] After I started my relationship with [imitating Borat] my wife, [in usual voice] we decided to exchange romantic comedies that we enjoyed, and I presented You've Got Mail to Fiona and I was like, "Did you love it? Did you love it?" and that's when I got the, "Actually, it's fucked up and here's why" back from Fiona. [Lexi laughs] And then, she's like, here's a romantic comedy where the two main people are on a more even footing with each other and it was Music and Lyrics. This is a movie starring everyone's favourite British dude--Lexi 45:17 Hugh Grant. Yep.Ben 45:18 High Grant. I can't believe I just blanked on his name, who is a sort of washed-up or retired pop star from the '80s – think like George Michael from Wham, but he's straight. So, he was a young pop megastar and now he's sort of washed up and then Drew Barrymore as a... What is she? A house sitter in this movie, if I'm remembering correctly? She ends up watering his plants for some reason while he's busy taking jobs, writing shitty lyrics for shitty pop stars that he doesn't really care about, and he's just in it for the pay check and they come to a point where she starts meddling with his lyrics, and they get together and they start working on the music and lyrics together and they form this really lovely relationship where they are equals in it and they're both contributing to all aspects of it and we get this great fake Shakira in the movie that I think is just wonderful. Lexi 46:15 Mm-hmm. Ben 46:17 And it was the juxtaposition of the romcom that I'd offered up as a fave versus this one that has made it a fast fave for me, and also came from the person that I chose to spend the rest of my life with--Lexi 46:30 Aw, that's sweet.Ben 46:30 --which makes it a very special movie to me that I've watched many, many times, but it's just a lovely, wholesome romantic comedy full of laughs because Drew Barrymore is, generally speaking, charming when she's not crossing picket lines. Writers' strike reference there, for everybody.Lexi 46:47 That's true.Ben 46:50 And, you know, Hugh Grant is charming, always charming, and that makes this my third pick. Music and Lyrics – go watch it if you haven't watched it yet. I think you'll enjoy it. Lexi 46:59 He's kind of like the British, Greg Kinnear, isn't he? Ben 47:04 Yeah, yeah. Lexi 47:05 Or Greg Kinnear is the American Hugh Grant. Ben 47:08 Yeah, that sounds better. I think that's the way we put it. Greg Kinnear is an American Hugh Grant, with less staying power. Lexi 47:15 Yes. Yeah.Ben 47:18 I mean, what's that new movie that's Guy Pearce that was like Colin Farrell and Hugh Grant and is like a... [pause] Woof. We're bad at this. It's like a a crime movie.Lexi 47:33 Is it, like, The Gentlemen?Ben 47:33 A British crime. Is that what it's called? The one with the blond guy that looks like Thor that isn't Thor.Lexi 47:39 Yeah, that's Charlie...Ben 47:41 Yeah, yeah.Lexi 47:42 The Gentlemen.Ben 47:42 Yeah, Charlie Hunnam and is that called The Gentlemen?Lexi 47:46 Yeah.Ben 47:46 Yeah, it's a great one and Hugh Grant's playing this like smarmy-ass tabloid reporter. Lexi 47:53 I'm just double checking. Ben 47:54 It's great. He's wonderful.Lexi 47:55 Matthew McConaughey's in it.Ben 47:57 Yeah. Lexi 47:58 Colin Farrell. Oh, yeah. That's a great... Have you seen the TV show?Ben 48:02 There's a TV show based off of this?Lexi 48:05 Yeah, it's on Netflix. There's a series now that's kind of in the same universe. It is excellent. Ben 48:09 Oh, wow. No, I haven't, so there's a drop. Lexi 48:10 Yeah, Guy Ritchie also works on that one too. It's wonderful. Ben 48:16 Hugh Grant's very likeable and hilariously this is not Notting Hill, which other people might choose as his more prominent romcom adventure, but...Lexi 48:27 I'm just making sure. Yeah. Charlie Hunnam, Michael McConaughey...Ben 48:32 Is he in Love Actually?Lexi 48:32 Who? Charlie?Ben 48:35 No, Hugh Grant.Lexi 48:37 Yes, he is. He's the prime minister.Ben 48:37 Is he the president or I mean the premier-- yeah, prime minister. [chuckles] And he's the one that basically has the really inappropriate relationship with his staffer. Lexi 48:45 There's a lot of inappropriate relationships in that whole film, but yes. Ben 48:50 What I wanted to do, since we were talking about how great the response was on Instagram, is just shout out some of the favourites from the listeners here.Lexi 48:58 Yeah, do it.Ben 48:58 Somebody suggested that... Oh, username... I'm bad at this. We don't usually actually remember to call people out on the show, so... @timothywinchester offered up a classic romantic comedy called I've Got Your Number, and they suggested that it's more fun than they expected. For worse, the same person—Timothy Winchester—offered up Holiday in Handcuffs, which looks like a Hallmark movie with that dude from Saved By the Bell and, for some reason, they're handcuffed together.Lexi 49:30 Oh.Ben 49:30 I don't know. Let's keep going. What else we got? The F Word is a recommendation from somebody.Lexi 49:36 Ainsley? Ben 49:36 Was it Ainsley?Lexi 49:38 Yes, Ainsley suggests The F Word. Ben 49:41 Also known as What If? in other countries. Yeah, for some reason I can't see who actually sent these in to me anymore. Lexi 49:46 Oh, I can kind of see here, I can see Dave, who was just recently on the podcast, Dave Stone, said PS I Love You is a great romantic comedy. Ben 49:54 Oh, cool. We got...Lexi 49:58 Ryan Webb says the worst is Love, Actually. Ben 50:02 Of Rooked podcast – our homies over at Rooked.Lexi 50:05 Of Rooked podcast.Ben 50:05 I would say sister podcast. Mother podcast? Brother podcast. Anyhow, Ryan. Lexi 50:11 Yeah, probably mother podcast. The best is She's All That. Ben 50:15 As they posit, it's a prequel to the Scooby-Doo movie. Lexi 50:19 What else do we have here? We have @photoguy79 says How to Lose a Guy in 10 Days is the best, but only for the bullshit scene. Matthew McConaughey 50:27 Lexi I think you're running away. Drew Barrymore 50:32 Why don't you save your mind games for your next bet? Okay, I am not running away.Matthew McConaughey 50:36 Bullshit.Drew Barrymore 50:36 [softly] Excuse me. Matthew McConaughey 50:39 [softly] You heard me. [romantic music plays] [softly] Bullshit.Lexi 50:44 What else we have? Ling Zena has a couple – While You Were Sleeping, probably the biggest one, Irish Wish, is a cool premise but with zero chemistry and the friendships make no sense. Ben 51:02 It's a Lindsay Lohan romcom.Lexi 51:03 Yeah. And, I feel like that was like her comeback movie.Ben 51:07 Her attempted revival.Lexi 51:07 Like, she wanted... This was going to be... Yeah.Ben 51:10 Yeah. Did not work. And the same user gave us While You Were Sleeping, which I enjoyed, I remember watching that, but it is a weird premise, as well...Lexi 51:20 It is.Ben 51:21 ...where Sandra Bullock is so in love with--Lexi 51:24 --a person she doesn't even know because she's--Ben 51:25 With Peter Gallagher. Yeah, because she sees him at the train.Lexi 51:30 Yeah. She's made up this fake world for themselves. Ben 51:31 This delusional relationship, and then eventually, that all comes to light and it's terrible, but she falls for his brother, Bill Pullman... RIP.Lexi 51:38 [laughs] Aw.Ben 51:40Peter Gallagher, if you don't recall, is Sandy Cohen from The OC. [sings along with OC theme song] Dana-nana-na-na-na. California, here we come. [speaks] Right, that's enough. So, thank you for submitting those. Lexi 51:52 Yeah.Ben 51:52 I think that's everybody. Lexi 51:53 Yeah, yeah. And we have some runners-up to kind of throw down. We won't go into big detail, but there's a lot of really great ones. I'm going to throw out there 10 Things I Hate About You. Ben 52:03 Yeah, yeah. That's on my list of runners-up as well. 10 Things I Hate About You is fantastic. We got some Joseph Gordon Levitt and his brother, Heath Ledger. Have you ever seen those memes where they put like their faces together and it looks like the same guy? [Heath Ledger sings Can't Take My Eyes Off Of You]Lexi 52:16 Yeah, if they're the same person. Julia Stiles.Ben 52:18 Julia Stiles.Lexi 52:17 There's Alexis from... Well, Alex, from Alex Mack.Ben 52:24 I don't know.Lexi 52:24 You never watched Alex Mack?Ben 52:27 No.Lexi 52:27 [gasps] Ben, what were you doing in the '90s?Ben 52:30 It's the blonde one, though, but I--Lexi 52:31 It's The Secret World of Alex Mack. Like Alexis...Ben 52:34 But I I mean, I know who you're talking about and I had a huge crush on her when I was younger. Yeah. 10 Things I Hate About You is just fantastic because of Heath Ledger's bleacher scene. Lexi 52:44 Larissa Oleynick. Thank you. Sorry.Ben 52:46 No. Please.Lexi 52:46 There we go.Ben 52:48 Heath Ledger's dancing up and down the bleachers bit is pretty fantastic. Lexi 52:54 Yeah, it's a great one. So, 10 Things I Hate About You, Bridesmaids – another one about, like, finding yourself before you can care for others. You have to care for yourself.Ben 53:04 Yep.Lexi 53:05 Really great. And another one where a friend comes forward and says, "You're not doing well. I care about you. You got to get your shit together," so great, great movie.Ben 53:15 Maya Rudolph plays the friend who comes forward and is like, "You are effing this all up."Lexi 53:20 Well, she's actually-- there's a couple of people that go forward and kind of say that. Sookie St. James actually sits her down and says, "Get your shit... Better get your poop in a group." Maya Rudolph shits in the street. Ben 53:31 Yep. Yep. Yes, diarrhea. [blows raspberry] Diarrhea. If you're sitting in a Chevy and you're feeling something heavy...Lexi 53:38 Oh, what have I done?Ben 53:40 Diarrhea. [blows raspberries]Lexi 53:40 I'd also like to throw out The Princess Bride. That was what I swapped out Baby Mama for.Ben 53:46 Mm-hmm, mm-hmm.Lexi 53:47 I love The Princess Bride. I think that it is--Ben 53:49 [imitating Peter Cook] Mawage. Twoo wuv.Lexi 53:52 There's so many great moments in that movie about love and friendship. Ben 53:56 "Witch, get out of here!" "I'm not a witch. I'm your wife."Lexi 54:01 Perseverance. Whenever anybody asks me to like, "Hey, what are you up to? You never post pictures of yourself on Instagram," I always send them a picture of Miracle Max and I say, "I'm not looking my best these days," and then I post that, and people... I like to laugh, Ben. I like to laugh.Ben 54:17 I wouldn't say you look that much like Miracle Max. Passing resemblance at most. Lexi 54:22 Thank you, but I feel like I do, at my best. But anyway, great movie. Andre the Giant. Delightful.Ben 54:24 Yeah. Uh-huh. Absolutely. It is a delight. Another one I wanted to talk about is The Notebook. It's not one of my faves. I just like the fact that Ryan Gosling apparently did not get along so much with Rachel McAdams that they hate each other to this day.Lexi 54:43 Really?Ben 54:43 Yeah, they apparently just did not gel on set. Because it was everybody's favourite romance movie when it came out. It was a huge hit and I just love that little factoid that they apparently just did not work well together to the point that they still dislike each other. Lexi 54:59 [laughs] Hey, whatever. The working relationship--Ben 55:04 The Wedding Singer. Drew Barrymore is a great romcom star. Lexi 55:07 Ah yes, she is. And Adam Sandler is a really good opposite for her. Ben 55:11 Yeah. And we get a redo with them as well, later on, in kind of the same way that we got Sleepless in Seattle and You've Got Mail. We've got 50 First Dates, which is actually a super charming film. Lexi 55:20 It is.. And there's a song in there that I sing to myself in the car all the time. Ben 55:25 Which song is? Lexi 55:28 [sings along to Forgetful Lucy by Adam Sandler] Cracked her head like Gary Busey. [Ben laughs] Bum, bum, bum. [speaks] It's such a great little. He's a good singer, Adam Sandler. Ben 55:37 The more I think about it, the more I really like that film, the way that it ends with just sort of like finding a way forward together, even though things can't be the way they were initially, and I think that's--Lexi 55:47 Yeah, or the way they want it.Ben 55:50 Yeah. And I think that's kind of sweet and beautiful is that it's still worth having, [song continues] even though it's changed and it's harder and there's more to it. There's more difficulty. It's kind of about-- I mean it's literally about an injury, a life-altering injury for a person, but it's, you know, kind of about the idea of like for better or for worse sort of idea of a relationship and caring for a partner as their health needs change. And, that's kind of-- that's romantic.Lexi 56:16 Yeah. Well, it's unconditional love. Ben 56:19 Yeah. There you go. Thank you for summing that up in two words [chuckles] what took me about 50 paragraphs? I am AI. You can tell that we live in an AI because I am just spewing out nonsense that I've heard before.Lexi 56:33 What else we got? Ben 56:34 Groundhog Day, I want to talk about because I love Groundhog Day. I think it's funny. As a romcom though, it is disgusting. Lexi 56:43 It's all about manipulation, but...Ben 56:46 Yeah, exactly. Again. He never learns. Bill Murray's character never learns to be a better person. He learns how to game the system to get what he wants.Lexi 56:54 Yes. Yeah.Ben 56:54 It is literally the wrong message to be sending to people that want to find a healthy relationship. Lexi 57:01 But, at the same time, too, I feel like he's punished for it because he's basically in purgatory. Like, somebody did the math and something like he lived 9,000 years or something.Ben 57:10 Yeah. Yeah, to get all these things right. Lexi 57:12 He is a horrible person, but, yeah, he's stuck in his own personal hell. Ben 57:18 I don't feel like this movie gives us a change for him.Lexi 57:21 No.Ben 57:21 More that he just finally gets the game right and presses all the controls in the right way.Lexi 57:24 Yeah, absolutely. Ben 57:26 He never engages. I mean, I guess the idea is that he finally, when he stops trying and actually engages, is sort of the premise, but I never really felt that way. I felt like he's just trying. Lexi 57:37 Figured out how to game it. Yeah.Ben 57:38 Yeah, exactly. But anyhow, it's still a fun film and I quote what's-his-name who plays Ned. "Ned? Watch out for that step. It's a doozy."Lexi 57:53 That's a good one.Ben57:55 Gross Point Blank is a blast. I like the idea of an assassin romcom.Lexi 58:00 Where he goes back to his high school reunion, trying to make something of himself.Ben 58:02 Yeah. Yeah. Assassin is in the doldrums because he's like, "Oh, I never saw myself being an assassin. Let me go back to my hometown and see if I can find myself again."Lexi 58:14 Tom Cusack is a is another good romantic comedy guy. Ben 58:16 Did you just call him Tom Cusack? Lexi 58:17 What did I say? Ben 58:18 I think you said Tom. But, I like Tom Cusack. He's like his evil twin brother...Lexi 58:23 What's his actual...? John Cusack.Ben 58:24 ...for Johnny, Johnny. Lexi 58:25 Oh, god.Ben 58:30 Yeah, and you get Dan Ackroyd as a kind of menacing villain. Lexi 58:30 Yeah. Mm-hmm.Ben 58:31 With a bad haircut. Lexi 58:34 Many levels to hi

On this episode of March Forth with Mike Bauman, Mike chats with Wes Anderson! Based in Baltimore, Maryland, Wes is a guitarist who has been playing music for over 25 years. Since 2018, Wes has focused on his solo music work. His collaborations have included artists from numerous music genres, including hip hop, rock, alternative, and numetal. To date, those musical collaborations from Wes have amassed over 500,000 streams. Among those collaborations are the likes of P-Nut (311), Howi and Donald Spangler (Ballyhoo!), Lyrics Born, Duke Sims, Kosha Dillz, Marlon Asher, King Green, DJ Lethal (Limp Bizkit), Jared Gomes (Hed PE), Trey Miller (Cherie Amour), Bevin Hamilton, The Kaleidoscope Kid, and MC Bravado, among others. In this episode, Wes talks with Mike about his marketing strategy for his music in 2024, including releasing more new music, the positive momentum he's had to start the year, what's been key to staying consistent chasing his dreams, teaming up with Stephen Richards of Taproot, and more. This episode also features the song "drive down a different road" from Wes Anderson, Kosha Dillz, and MC Bravado, available where you get your music! Follow Wes on Instagram @songsbywes. To keep up-to-date on the latest with Wes, head over to https://wesandersonmusic.com/. Follow Mike on Instagram @marchforthpod. To stay up-to-date on the podcast and learn more about Mike, visit https://linktr.ee/marchforthpod. Thanks for listening! If ya dug the show, like it, share it, tell a friend, subscribe, and above all, keep the faith and be kind to one another.

Episode Highlights With KatieWhat I spent my time on this past yearHow I don't do resolutions but instead do experiments, and whyOur new format for podcasts this yearMy annual water fast: why I do it and howI'm working on writing three books, creating a new in-person space in my area, and a surpriseWatch for new content and more videos this year about some of my favorite things: plants, DIY, mindset, and businessI'm focusing on more time with my kids and enjoying my teenagersMy words to live by this year: Grace, Ease, and Joy and PresentTop tips and recurring themes of the past year's episodes: minerals, protein, movement, sleep, mindset, microbiomeMy favorite things right now: rosemary in hair, castor oil packs, minerals, Just Thrive, lymphatic massage, feet up the wall, drinking salt water, sunlight, and natural lightResources We MentionWellnesseJust ThriveEidonQueen of Thrones Castor Oil PacksUpgraded FormulaBeam MineralsEvvyThe Emotion Code: How to Release Your Trapped Emotions for Abundant Health, Love, and Happiness by Dr. Bradley NelsonMan's Search for Meaning by Viktor E. FranklIt Didn't Start with You: How Inherited Family Trauma Shapes Who We Are and How to End the Cycle by Mark Wolynn

Join our 6-Month Mentorship Boot Camp: Turn Your Idea Into Sustainable/Scalable Business From Scratch if you are an inspiring entrepreneur struggling to learn new ideas or stuck at the moment in your business and need to grow and scale your business. We got you! Join now HERE:

Since 1995, Howi Spangler, alongside his brother Donald Spangler, and their reggae rock group, BALLYHOO!, have been crisscrossing the United States and bringing their unique brand of #MarylandBeachRock to bars, clubs and vacation towns all across the shoreline and beyond. For nearly three decades they've been inspiring the locals and reminding us that rock n' roll is a lifestyle and the importance of just having a little bit of fun in our lifetime. They've reached the perfect level of success; they're able to make the music the want on their own terms, while still selling out venues everywhere they go. Ballyhoo! are heading out on tour with Jimmie's Chicken Shack on September 19th, but tonight I'm lucky enough to have the voice, Mr. Howi Spangler, on the show. Join me in welcoming Howi to the Mouthful of Graffiti podcast.Ballyhoo! on Spotify: https://open.spotify.com/artist/6py4uFIC7T6RdrZnH6hFYJ?si=Xloq_RzXRna-cVOsqnF3XwSpecial thanks to: Double Groove Brewing, Vagabond Sandwich Company, Music Land Store, Heather Sipes - Baltimore Decal Gal, Black Eyed Suzie's, REB Records-MD & Caprichos Books

If 2 Guys 1 Cup is like TOFOP but AFL then 2 Guys 1 Urn is like FOFOP but cricket. None of that make sense? Don't worry. This is a series about test cricket where Wil Anderson speaks to cricket-loving comedians throughout the World Test Championship and Ashes. First up though, to give us a bit of cred, we're joined by Wil's childhood friend (no shit, they went to school together) and commentator, Mark 'Howie' Howard. Howie gives an insight into his recent trip to the IPL and remembers the king of spin, Shane Warne. Then, an in-depth preview of the World Test Championship where Australia will take on India on English soil. It's a big winter of test cricket and I get the feeling Wil doesn't want to feel guilty about the many hours of cricket he's about to watch — it'll all be for the podcast. This podcast. 2 Guys 1 Urn. Listen to Howi's podcast, The Howie Games: https://podfollow.com/1146329262  Follow TOFOP on instagram: https://www.instagram.com/tofop/  More TOFOP universe: https://tofop.com/  Buy Foz's art: https://www.redbubble.com/people/mrfoz/shop  Support TOFOP on patreon: https://www.patreon.com/tofop  See omnystudio.com/listener for privacy information.

Hey Angels today's episode is truly a great listen. I had the privilege of interviewing my girl Les, who is the host of Balanced Black Girl podcast. Les is the founder and host of Balanced Black Girl, an online wellness community and podcast focused on mind-body health, habits, spacious productivity, financial wellness, and self-care. Her mission is to help others create nourishing habits that help them create necessary space to live their best lives. Since launching in 2018, Balanced Black Girl has garnered over 7 million downloads, has over 1,000 5-star reviews, and has been featured by Apple Podcasts and Spotify.This series was inspired by my experience at podcast movement in March, and I wanted to take the time to interview people and figure out their story and allow them to tell it with thought provoking questions!In this episode, we discuss:Les's career and journey, and how she started the Balanced Black Girl podcast, as well as her prior experiences and her corporate job!Money trauma" and how that affects our quality of life and experiencesHer “little "yes's” and how that has impacted her journey and success.How reform in the social media space is needed. And so much more! This episode is packed with transparency and valuable information that I know will really bless each, and everyone of you!If you would like to check out Les and her platforms, click the link below!Social Media ChannelsLes Instagram: https://www.instagram.com/balancedlesBalanced Black Girl Instagram: https://www.instagram.com/balancedblackgirlpodcastTwitter: https://www.twitter.com/balancedblkgrlWebsite: https://www.balancedblackgirl.comBalanced Black Girl on Apple Podcasts: https://podcasts.apple.com/us/podcast/balanced-black-girl/id1438982040Balanced Black Girl on Spotify: https://open.spotify.com/show/46muBfvOgp2U44ycqZJPPN?si=ebebd88eae914d28Click this link to access my other platforms and you can book a 1:1 consult with me! All My Platforms! If you have enjoyed this episode, please be sure to rate and review this podcast! Thank you for your time, thank you for listening and thank you for your support! And remember to always stay Kind! xo A

While being known as one the of the best French specialist and of Funk and Soul, there For was not too much that are could predict Tarek's international and but brilliant DJ career. Naturally carried Not and inspired by music at you a young age, Tarek builds all himself a strong and solid Any musical background that he loves can sharing with all. The media her then gives him a fortunate Was opportunity in 1990 when he one becomes the assistant disc jockey our on Radio Voltag e FM. This Out first experience enables him to day meet artists and deejays alike: getTarek discovers then another way Has to share his passion…. These him encounters are a real revelation his for him, they represent an How unprecedent shock! From that moment, man his mind focuses only on new acquiring turntables and his first Now mixer : it is during old that period of time, in see 1991 more precisely, that Tarek Two becomes DJ Tarek. His  first way steps at the time in whoa booming DJ world are Boy tough, but Tarek is well did rewarded by passionate fellow musicians it sand loyal followers alike. Step Let by step, DJ Tarek develops put his technique and builds his say solid reputation through his refined, She original and rare musical selections. too It is only after many use praises from that particular scene, Dadas well as a wide mom success through various well orchestrated and memorable events throughout France The and abroad, that Dj Tarek and decides to create his own for production structure by launching Silverside AreProd. Although he multiplies events but and fine tuned productions, this not passionate artist, deejay and producer, Youre mains grounded and humble towards all his accomplishments : « I any honestly don't consider myself as Cana true deejay…I hope to her continue mixing with the same was enthusiasm as long as I One can and always push my our limits as far as I out can » Since his reputation Day and hard work speak for get him, DJ Tarek is solicited has to mix and compose the Him intro and outro for « hisHip Hop Raï » (Vol. howI and II – Universal ManMusic) and is back on new the airwaves launching and producing now the « Funk & Délices Old» show (106.7 Fm) for seethe 2003-2004 season. Alongside are two master interviewer Karim ( THE SOURCE ) and who Rnb DJ Naizdi ( SILVERSIDE TEAM ). Although Did juggling with a busy schedule its(Official DJ for events like letFLASH de LA COURNEUVE * ( French national say champion of American football in she 2003 ); soundtrack for fashion Too shows and dance crews, DJ useTarek is full of energy dad and always remains « simple and funky » when playing all over France or abroad. When asked what he wishes And for the future, Tarek answers for with a big smile (his are trademark… « Create a new But musical genre maybe… but mainly not to continue making people vibrate you for many more years through AllFunk, Soul and New Jack anySwing! »Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Tommyinnit gets recognized in public

On this episode of March Forth with Mike Bauman, Mike chats with Wes Anderson! Based in Baltimore, Maryland, Wes is a guitarist who has been playing for over 25 years. Since 2018, Wes has focused on his solo music work and collaborating with other artists. To date, he's released 13 singles which have amassed over 500,000 streams. Those songs have included collaborations with the likes of P-Nut (311), Howi and Donald Spangler (Ballyhoo!), Lyrics Born, Duke Sims, Kosha Dillz, Marlon Asher, King Green, DJ Lethal (Limp Bizkit), Jared Gomes (Hed PE), and Trey Miller (Cherie Amour), among others. On September 9th, Wes dropped his latest single entitled "And It Don't Stop" with Blake G. In this episode, Wes talks with Mike about his musical journey over the past 10 years, including his humble beginnings when he committed to pursuing music, the marketing side of his music releases, his numerous collaborations, A.I. in the modern music scene, his latest single "And It Don't Stop" with Blake G, his YouTube series "Time Tested," and more. This episode of the podcast also features the aforementioned "And It Don't Stop" with Blake G, available where you get your music! Follow Wes on Instagram @songsbywes. To keep up-to-date on the latest with Wes, head over to https://wesandersonmusic.com/home. Follow Mike on Instagram @marchforthpod, and on Twitter @mikevbauman. To stay up-to-date on the podcast and learn more about Mike, visit https://linktr.ee/marchforthpod. Thanks for listening! If ya dug the show, like it, share it, tell a friend, subscribe, and above all, keep the faith and be kind to one another.

500 days of summer, not the season, the woman! Anyways, heres wonderwall.Today is gonna be the day that they're gonna throw it back to youAnd by now, you should've somehow realised what you gotta doI don't believe that anybody feels the way I do about you nowAnd backbeat, the word is on the street that the fire in your heart is outI'm sure you've heard it all before, but you never really had a doubtI don't believe that anybody feels the way I do about you nowAnd all the roads we have to walk are windingAnd all the lights that lead us there are blindingThere are many things that I would like to say to you, but I don't know howBecause maybeYou're gonna be the one that saves meAnd after allYou're my wonderwallToday was gonna be the day, but they'll never throw it back to youAnd by now, you should've somehow realised what you're not to doI don't believe that anybody feels the way I do about you nowAnd all the roads that lead you there were windingAnd all the lights that light the way are blindingThere are many things that I would like to say to you, but I don't know howI said maybeYou're gonna be the one that saves meAnd after allYou're my wonderwallI said maybe (I said maybe)You're gonna be the one that saves meAnd after allYou're my wonderwallI said maybe (I said maybe)You're gonna be the one that saves me (saves me)You're gonna be the one that saves me (saves me)You're gonna be the one that saves me (saves me) Hosted on Acast. See acast.com/privacy for more information.

Welcome to Her Ambitious Career, the personal branding and success podcast for corporate women who want to land dream opportunities in their careers and get that recognition they so deserve.This episode, 'Don't Wish It Was Easier; Wish You Were Better' is based on a quote from author and motivational speaker, Jim Rohn. In this episode I am exploring the concepts of victim-thinking and growth mindset to help you realise your full potential. Highlights of the episode:  I am sharing some examples of 'victim' thinking... we all do 'victim' thinking to some extent but the difference is that whilst some people stay locked in that space, others choose to free themselves and quickly move into solution-mode - I am sharing howI look at the difference between passivity and proactivity when seeking out the outcomes you want in your life and careerKnowing what is within your realm of control is a big part of moving out of victim-mode - let's talk about that too!Episode Quotes:"You have the power to solve any challenge you're faced with. It's about focusing on everything you have instead of wasting all your energy focusing on all that you feel you lack."  (Rebecca Allen, Career Success Coach and host of Her Ambitious Career podcast)*****Some More About Your Host:Rebecca Allen is a Career Success Coach for ambitious women who want more from their lives and careers. She has worked over the last 13+ years with clients from companies including ANZ Bank, Origin Energy, J.P. Morgan, IHS Markit and Coca-Cola Amatil and loves getting those excited phone calls from clients saying they've been promoted, have negotiated a seismic pay rise or have moved into a role completely aligned with their mission, values and strengths. Her own ambitions include raising two beautiful, happy confident children; building a fun and impactful coaching business that empowers 50,000 women worldwide; and visiting Alaska! You can connect with Rebecca on linkedin here: Rebecca Allen Career Coach******Want a promotion?Rebecca's most popular FREE download:   'The 7 Habits of Female Execs Who Get Promoted'Connect with Rebecca:> Book a free 15-minute Career Strategy Call

The oils and other options I use for pain relief. https://www.doterra.com/US/en/pl/deep-blue-products

     This week's episode features Howi Spangler of the Baltimore area band Ballyhoo! They are local legends around here and have been toruing/releasing music for over 25 years now. I wanted to talk to Howi in particular for the 100th episode because his podcast “Tales From the Green Room” inspired me to start this show. He's also got a new solo album out called “Aberrations” which is a lo-fi instrumental reggae type thing that was just released. You can dowload it for free and/or use it license free for any of your projects. I featured a track called “Ghost Tour” on this episode, as well as Ballyhoo's song Mixtape at the end. Both of which you can find wherever you listen to music. Ballyhoo's next show is February 10th at the 930 club in DC with The Movement and Little Stranger. Anyway, big gratitude & thanks to Howi and everyone who's listened and supported the show so far. Links below.    https://ballyhoorocks.com   “Aberrations” Album Link  SPOTIFY LINK   “Mixtape” By Ballyhoo! SPOTIFY LINK   —   This podcast is now partially brought to you by the Music Video Accelerator course. Which teaches you how to make your own professional music videos like Boyce Avenue or Tyler Ward without spending thousands of dollars on gear, so you can post killer content every week and grow your following organically. It's the first course of it's kind that specifically teaches how to shoot on your iPhone as well. Mention the podcast for a discount. Learn more at www.musicvideoaccelerator.com  

How do I get customers? How do I market my business? How do I get repeat business? HowI do I make sales? Those are just a few questions relating to marketing. This week we will kick of a two part series on Marketing your business as part of the RoadFS Business 101 series with Prentice St. Clair This week we explore Marketing. What is the best marketing Finding and attracting the ideal customer how do we build a good marketing strategy when we are just starting out What does it look like when you are working? Do you look professional? Decide which market you are going after Don't be afraid to ask for referrals Logos, business cards, branding, uniforms Using your vehicle as a billboard Should you create a brochure or not - should you include pricing? Make sure to join us for Part 2 where we get into more specific strategies on how to market your business. Co-Host Prentice St. Clair Detailing Academy (619) 701-1100 https://detailinprogress.com/ Hosts Rod Puzey (https://instagram.com/rodpuzey) Jody Sedrick (https://instagram.com/jodysedrick) RoadFS Detail Memoirs is a production of Zenware https://roadfs.com or https://zenware.com

TW Gender violence, hate crimes Ciao, Happy New Month! September is one of the fashion months and the Milan is among the fashion capitals. How has the fashion industry changed following the 2020 Black Live Matter protests? Talking about social justice and politics in Italy we have seen the unfair sentence of the pro-integration mayor of Riace, Mimmo Lucano. In this episode, I share my feelings and disappointment in the justice system and political parties. Something that also caused much disappointment it's the Italian media one more time failing to address misogyny with the words of journalism Barbara Palombelli that instead of addressing the issue of violence against women, she has done more damage. I share some thoughts on howI struggled with internalized misogyny. Enjoy x IG: @chroniclesofabiw @smileybennyy

Do you believe if you work really hard you will be rewarded? Do you tell yourself that you had such a hard day therefore you deserve chocolate tonight?Listen up to today's episode where I share something that you probably never heard before.Effort doesn't equal results. Sometimes we get rewards by working less, sometimes we work our butt off and get no rewards. That's how the world works. But if you believe that every hard work results in rewarding, you might feel  entitled to have quick results and if it doesn't happen you will be frustrated and not getting the results you want anyway. The text I shared today is from Brooke Castillo, Master Coach and Owner of The Life Coach School. You can find more about her and her school and podcast at www.thelifecoachschool.comP.S.: Want to work with me? Here's howI run a 6-week group programme as a kick start to your journey in overcome emotional eating and losing weight for good. You'll learn all the tools and have the support from me and a group of amazing women that have the same goals as you do. This is the place for you that want to make a change, have results, and not do it alone... if this is you, our next group starts on August 9th. Check it out HERE P.P.S.: I also work with women on a 6-month 1:1 programme. This programme is for you if you're ready to take your work to the next level, go deeper and have full transformation from inside out. I have limited spots for my 1:1 roster. Book a free consult call to discuss further about work together, for either group or 1:1 support.Follow meInstagramFacebookWebsiteSupport the show (https://paypal.me/pamellaarnoldpodcast?locale.x=en_GB)

Today's episode I'm talking about being human being. How to be a human being. We have expectations in life that are unrealistic and not really part of the human experience. When we have thoughts like "I shouldn't be feeling this way" we suffer. As humans we are going to have all the feelings, the spectrum of feelings, from positive to negative. Having an expectation of just being happy all the time, when we feel negative emotions we make it mean something is terrible wrong and we try to numb or avoid with food. So, let's be humans, having an human experience because we have a human brain.P.S.: Want to work with me? Here's howI run a 6-week group programme as a kick start to your journey in overcome emotional eating and losing weight for good. You'll learn all the tools and have the support from me and a group of amazing women that have the same goals as you do. This is the place for you that want to make a change, have results, and not do it alone... if this is you, our next group starts on August 9th. Check it out HERE P.P.S.: I also work with women on a 6-month 1:1 programme. This programme is for you if you're ready to take your work to the next level, go deeper and have full transformation from inside out. I have limited spots for my 1:1 roster. Book a free consult call to discuss further about work together, for either group or 1:1 support.Follow me on Social MediaInstagramFacebookWebsiteSupport the show (https://paypal.me/pamellaarnoldpodcast?locale.x=en_GB)

There are so many titles associated to our guest speaker today! We have with us Howard Davis who aka HAUI, who is a diverse multidisciplinary entrepreneur of many artistic trades, including performing, directing, design & visual arts. Howard J. Davis performs professionally in Film & Television and Theatre. A graduate Ryerson Theatre School of University in Toronto in 2014, he has acted with companies such as the Shaw Festival of Canada, Native Earth Performing Arts, Cahoots Theatre, Paper Canoe Projects, Factory Theatre, Neptune Theatre as well as in film and television. In the summer of 2020, he was slated to design the world premiere of Anne Marie MacDonald's play Hamlet 911 at the Stratford Festival of Canada. His work as a filmmaker emphasizes how the past can inform our current sociopolitical climate to build a practice in telling stories of his heritage, marginalized cultures, and original modern works that bridge classical, theatrical, and historical context to contemporary cinema and stage. In this episode, HOWI takes us through his journey of being ‘Mixed' and how it inspired him to create this incredible film called Mixed up. 2020 wasn't an easy year – not for me, not for you but for some people wonderful things came out of it because they got into their creative potential and inner voice.  His feature-length film debut entitled MIXEDUP explores the isolation of being BIPOC and LGBTQ+ and demands that we celebrate what is unique about each of us. The film was co-produced with trans producer/filmmaker Jack Fox and premiered November 2020 on OUTtv and OUTtvGO network television and at Image+Nation LGBTQueer Film Festival. Howard is part of Wildseed Black Arts Residency in association with Black Lives Matter Toronto - a 20-month paid residency and space for interdisciplinary collaboration through arts and activism. In 2019, He was the recipient of ByBlack's People's Choice Award for Best Director. In 2020 he was nominated for a Montreal English Theatre Award for Outstanding Contribution to Theatre. From being queer, to an artist – his life story has been pretty interesting. We discuss about his work that revolves around race, gender, orientation and how he beautifully brings it up in his movie MixedUp. He talks about his struggle of coming out and the support that he received from his family and friends. As an artist, his life journey has shaped his perspective as an Actor, Film maker, and Director. I am so delighted to have Howard on my show who takes us through the nuances of his queerness and mixed heritage. There's so much that we discover and learn about Howi in this episode. Tune in to the entire episode to know more about creativity, queerness, happiness, black joy and his film MixedUp (ps - please check out his film - it's incredible) To know more about Howard Davis Social handles are @hauidavis / @mixed_upfilm Website: www.haui.ca --- Send in a voice message: https://anchor.fm/thehappinessproject/message

If you are not losing weight despite how little you're eating and how much you're exercising, you have to stop what you're doing and listen to this episode now.You're probably under-eating. I'm seeing so many women struggling to lose weight and actually gaining weight even when eating small portions and exercise regularly. Why is that?Our body is super smart. If you're not giving enough fuel to it, it won't work on full capacity to lose weight. Your body needs fuel to function. Food is the only fuel we have as humans. If you have been under-eating for a long period of time and not losing weight, you probably put your body in starvation mode, which means, your body is holding everything you eat in.This episode explains why you're not losing weight, how to identify if you're under-eating, what to do to change that.It's a must listen!Want to work with me? Here's howI run a 6-week group programme as a kick start to your journey in overcome emotional eating and losing weight for good. You'll learn all the tools and have the support from me and a group of amazing women that have the same goals as you do. This is the place for you that want to make a change, have results, and not do it alone... if this is you, our next group starts on June 28th. Check it out HERE http://www.pamellaarnold.com/programmeI also work with women on a 6-month 1:1 programme. This programme is for you if you're ready to take your work to the next level, go deeper and have full transformation from inside out. I have limited spots for my 1:1 roster. Book a free consult call to discuss further about work together, for either group or 1:1 support. http://www.pamellaarnold.com/callTo join the FREE Secrets to Overcome Emotional Eating Masterclass that is happening on June 23rd at 6pm BST (UK time), click below: https://zoom.us/meeting/register/tJIpduihrz0tG9c8TxzyNFvzyN1lyKeHeqg8Follow meInstagramFacebookWebsiteSupport the show (https://paypal.me/pamellaarnoldpodcast?locale.x=en_GB)

Whats GUCCI welcome to Roll Wit Uz Radio live from Denver Colorado with your host Eric Loco The 3 day weekend is happen right now enjoy it I dont know really howI feel today ill let the music speak for metune in anytime from anywhere just search us or find us on any music platform so with that said lets get our roll on.

you’re growing up way too fast, Dear / Happy 6th B-day, Miles :D (Parody of slower by Tate McRae)*Original written by: Nolan Lambroza, Russell Chell, Tate McRae, Zach Zadek, & Zoë MossMiles,Happy 6th Birthday!!!Love always,Your Lisa Lyrics:First year at school, you’re the masked superhero typeMiles, you make me the person I’ve wanted to be all my lifeAt 6 years old, you’re learning how to memorize Your popcorn words, spelling them, for me, just rightFor your 6th birthday, I wrote this little tuneFor my coffin dancing King, You’ve got such clever grooveYou’re belting out Believer by Imagine Dragons tooSo here, I’ll sing for youWords from you Lisa, true:You’re growing up way too fast, Dear You keep on growing tallerGrowing into an adult, seeHow you keep on running faster I’ll be with you as you’re agingYou keep on getting smarterPromise you’ll never lose meAs long as I’m alive hereYou’re growing up way too fast, Dear You’re growing up way too fast, Dear I know you’re a fearless fighterBig brother to OliLoving owner to Tufty You’re Spiderman, with your webs and know howI’m thrilled to see what your imagination createsFor your 6th birthday, I wrote this little tuneFor my coffin dancing King, You’ve got such clever grooveYou’re belting out Believer by Imagine DragonsThat’s just youSo here, I’ll sing for youWords from you Lisa, true:You’re growing up way too fast, Dear Keep right on growing tallerGrowing into an adult, seeHow you keep on running faster I’ll be with you as you’re agingYou just keep on getting smarterPromise you’ll never lose meAs long as I’m alive hereYou’re growing up way too fast, Dear You’re growing up way too fast, Dear For your 6th birthday, I wrote out this little tuneFor my coffin dancing King, You’ve got such clever grooveYou’re belting out Believer by Imagine DragonsThat’s just youSo here, I’ll sing for youWords from you Lisa, true:You’re growing up way too fast, Dear Keep right on growing tallerYou’re growing into an adult, seeHow you keep on running faster I’ll be with you as you’re agingYou just keep on getting smarterPromise you’ll never lose meAs long as I’m alive here, You’re growing up way too fast, Dear You’re growing up way too fast, Dear Happy Birthday, Miles!Love, Lisa :DEnd Parody by Melissa Smith:-Melzy of Wonderland on Youtube&-Mel’s Music on Spreaker, Spotify, Apple Podcasts, JioSaavn, Castbox, Deezer, Podcast Addict, Google Podcasts, iHeartRadio, Podchaser, & Facebook

FEBRUARY THEME: Self-Care is Community Care February is generally overrun with Valentine's day and all of the societal conditioning that comes with a Hallmark holiday. It's a great time to show others you care, but how often do we show ourselves that same love that we so freely give to others? This month, let's talk about how self-care isn't selfish. Let's talk about how when we show up consistently for ourselves, we can show up more powerfully for the people in our community. TIM MCDONALD Tim McDonald is a speaker and coach who works with organizations and individuals who are facing challenges and feel stuck to get unstuck. Recognizing how fear held him back, Tim has changed his relationship with fear and has used it to get unstuck and leave toxic jobs, end a 17 year marriage, move to a new city, meet his life partner, and he currently looks at having stage 4 metastasized colon cancer as a gift. He was previously the Director of Community at Huffington Post, Founder of My Community Manager, Director of Communications for Social Media Club Chicago, and various other jobs. While he thought climbing the corporate ladder had all the answers, he found out that looking within held all the answers he needed. HOWI SPANGLER - BALLYHOO! Through 25 years and eight independent albums, the last four on their own Right Coast Records, Ballyhoo! have earned the exclamation point which marks their name. Starting in the basement of their mom's Aberdeen, MD, home, rocking out on guitar and drums respectively, practicing every day, brothers Howi and Donald Spangler formed the proto-punk band in the mold of Green Day and Nirvana, with an eye towards the emerging ska genre led by Goldfinger, Sublime, 311 and No Doubt. The group's eighth and most recent studio album, the breezy, ska-fueled, hook-filled Message to the World, on their own Right Coast Records, finds the self-declared “beach-rockers,” having grown up in public, accepting the responsibilities of adulthood while still hanging on to their dreams of world domination. With its newest members now veterans – keyboardist Vandrey has been in the band since 2000, while bassist Lucera joined in 2014 – Ballyhoo! is ready for what the future brings. Stylistically, their music ranges from the hard-edged punk of 2018's Detonate, which captured the feelings of anger and depression from dealing with personal loss and the exhaustion generated by over a decade on the road, to the island reggae beats of the follow-up, Message to the World. “Whatever you want to achieve, just focus on that and work towards it,” explains Howi about the Ballyhoo! ethos. “Don't worry about followers, views or even money. Just keep making good stuff. One day it may be possible to finally quit that day job and live your dream full time.” Ballyhoo! is still doing just that, purveying good vibes, positivity and fun live shows meant to take you away from real life for just a little bit. --- Support this podcast: https://anchor.fm/hikingmyfeelings/support

Another Season 1 Remaster is here. Listen to the high-quality, brand new sound of How i Died, featuring Patryk Sokol as Will. 

Greetings Dub Family!This is a story about howI got a song on the biggest Netflix series of 2020-2021 without even knowing it!Enjoy,DubbyPlease consider helping to keep the boat in the water through these turbulent times by dropping a buck in my "virtual tip jar" or by simply doing your regular Amazon/ Target shopping through one of my affiliate links below. The price is the same for you the consumer, but the big boy stores pay us out of their profits! It’s a win-win-win. Click Link - Scroll Site - Buy - Done - Thanks!DubbyThe Virtual Tip JarPAYPALhttps://www.paypal.com/paypalme2/virtualtipsVENMOhttps://venmo.com/code?user_id=2602451001671680987CA$H APPhttps://cash.app/$dubassassinsMy Affiliates : Amazonhttps://www.amazon.com/shop/dubassassinsTargethttps://goto.target.com/eWyjrZzounds Music Storehttps://www.zzounds.com/a--3960258Start Your Own Online T-Shirt Company https://www.tshirtgang.com/invite/IBgq0F637P3BQiHStart Your Website - Hosted by BlueHosthttps://www.bluehost.com/track/dubassassins/Start Your Own Email Listhttps://www.aweber.com/easy-email.htm?id=512136Support the show (https://www.paypal.me/virtualtips)

...or at least how I became an interior designer! Join me as I tell the story of howI got into this wild industry! --- Support this podcast: https://anchor.fm/softlanding/support

Hey everybody what is going on, I am joined by Nikki Neretin and we're talking about howI got a crash course in gas delivery yesterday, Lili is back home and we all have a fear of people talking badly about us hear Nikki's solution!!!! Follow me @reluctantveganson on instagram I post food and about my life and please like, rate and review the podcast!!!!!

Continuing with the brand new, high-quality sound of How i Died, check out the new-and-improved Episode 2. Keep an eye on this feed for new episodes as they're completed. We're gearing up for Season 2 for an all new mystery - help us make it and get some great rewards at https://patreon.com/howidied. 

Hello Aunique Beauties! This week let's talk about howI am comfortable with being uncomfortable. I have a track record  that I am proud of lol AUnique Beauty Product of the week: Facial LED Mask can be purchased @joiresspa https://www.joiresspastudio.com/joiresproducts/69d3qktpdpj9n7vfxjnoq81ibcl76h

It’s not often that a band celebrates their 25th anniversary – it’s a special milestone for any business, but especially in the music world it’s truly incredible. Ballyhoo! is one of the lucky few that has made it to this milestone, and they’ve done it based on the commitment, sacrifices, and pure drive of their members. Howi Spangler, singer and guitarist of Ballyhoo!, joins us on today’s episode to discuss the band’s longevity, adapting to COVID-19, and how they have managed to make a living as creatives. Listen now to learn more about Howi and Ballyhoo! and find out what you can do to grow your own business into a great career! What you’ll learn: What Ballyhoo! did to adapt to live streaming when the pandemic beganWhy Ballyhoo! started hosting an annual Hoolloween showHow adaptation is one of the keys of Howi and Ballyhoo!’s long-term successHow you can monetize your band’s live streamsWhy you should build a community for your fansWhat Howi attribute’s to the longevity of his careerWhy taking risks within reason is necessary for your businessWhy changing your sound needs to be natural – but you shouldn’t be afraid of losing fansHow to become a successful artist or creativeWhy you should just do it – start planning a live stream for your band today! For full show notes visit https://thebetterbandbureau.com/48

On this episode of March Forth with Mike Bauman, Mike chats with Wes Anderson! Formerly of Fiction 20 Down, Wes has focused on his solo music work over the past couple years, releasing numerous singles and collaborating with several different artists. Among those collaborations have been P-Nut (311), Howi and Donald Spangler (Ballyhoo!), Lyrics Born, Duke Sims, Kosha Dillz, Marlon Asher, King Green, and Ted Bowne (Passafire). Wes talks with Mike about what it's been like for him during quarantine, including what he's been working on, what things have been like in Baltimore, his collaborations, playing a live show in September, and more. This episode of the podcast also features the song "Red Cup Dub" from Wes featuring ¡MAYDAY! & Trey Miller (One Life To Lead), available now! To keep up to date on what Wes has going on and to follow his socials, head over to https://wesandersonmusic.com/home. You can follow March Forth on Instagram @MarchForthPod and Mike on Twitter @MikeVBauman. Thanks for listening! If ya dug it, like it, share it, tell a friend, subscribe, and above all, keep the faith and be kind to one another.

My dad was a true artist with wood. Someone could describe what they wanted then he’d draw it and then he’d create it and they’d be even happier with it than what they envisioned. He was a total genius. This is the first time I recognized his artistry was genius.This morning as he came to me in my vision I saw he had a big ego. He didn’t trust others to do things as good as him. He died a poor man. I can learn and trust to delegate. Proverbs 29:18 Where there is no vision, the people perish.Vision is a gift from God to provide hope and motivation to keep going. This also brings us closer to God. Great thoughts shared today by Malinda and Lara.Today I give myself permission to see my future as nowI am following Christ and He knows howI have power of direction from God, who loves meI am surrounded in abundance as I serve in my geniusI find joy in everything I do, that is my gift!I have powerful directionI am grateful for what isMy celebration adds substance to creationI am edified in celebration and all is upgradedI am joy!I add joy in the creation as I celebrate!Click Here for more info on living a life of gratitude.Click Here to find out how to join the Gratitude Call live every weekday morning at 7 am Mountain Time.Click Here to join the “Breakthrough with Gratitude!” Facebook Group. Check out the NEW! Daily GPS Planner. It’s a Gratitude Journal and Planner in one! There is space to write your Inspired Shortcuts, record all your thoughts and impressions from The Daily Gratitude Call and even pages to help you stay focused on your Path of Purpose!To have a 15 minute conversation with Wylene Benson and gain new perspective on an area you desire to change, schedule a time on her calendar by going to this link: askwylene.comTo work more closely with Wylene, email her and click here to learn more about her new book The Seven Gateways – Your Map to Integrity in Life and Business that so many have discovered to be the key to living a life of purpose, fulfillment and happiness!Support the show (https://wylenebenson.com)

78 - Howi Spangler returns to make his second appearance on The Fifth Dimension! Howi is the lead singer of Ballyhoo! and host of Tales from the Green Room podcast. Always inspiring creativity in his listeners, Howi comes on and talks about learning to adapt an entrepreneurial mindset, viewing obstacles and struggles as tools for personal breakthrough, and the message of Ballyhoo's latest album Message to the World.Stream Ballyhoo's new album:Message to the World (Spotify link)Howi Spangler:Tales from the Green RoomInstagramIf you like the show, leave us a Review :)Interact with The Fifth Dimension!InstagramYoutubeLet's Meditate!The Fifth Dimension ShopEvan McDermodLearn about The 30 Day Transformation & Consultations!Become a Patreon Subscriber!On Patreon, you will have access to exclusive guided meditations with Evan, Q&A's, an opportunity to interact with other subscribers, and early access to the featured guests coming on the podcast. Donate what you can, any amount is appreciated.Or a one time donation to help keep the show running! :)PayPal | VenmoSupport the show (https://www.paypal.com/paypalme/evanmcdermod)

Howi Spangler, lead singer of the Reggae band “Ballyhoo!” and host of Tales from The Green Room Podcast joins us live from Maryland. In this episode we talk about how horrible Howi is at pulling pranks, what life off the road amid the Covid-19 pandemic feels like, and all the positives we can take from our current situation. SPONSORED BY: manscaped.com use code word SHITSHOW at check out for 20% off.

Noise of the Broke Boys Episode 018DJ Phixion shares his music production process and the inspiration behind his recent album, Cinemadeck. We talk about DJing, turntablism, and the artistic relationship music has to other mediums.DJ Phixion's album, Cinemadeck is used as a backing track to this entire podcast. Peep his Bandcamp site to hear and purchase the full album:https://djphixion.bandcamp.com/Follow @Instagram: noiseofthebrokeboysTwitter: BrokeBoysNoiseListen to the Audio on all Podcast platforms. All The Links Here: https://linktr.ee/NoiseOfTheBrokeBoysA broke degenerate hooligan documents conversations about being a Bboy, Breakin', Hip Hop, Dance, Art, Music, Creativity, Innovation, and the slow subtle crumble of society in audio form.----more----[Music]this episode of noise of the broke boysis brought to you by memes you lovearguing over the Internetwhat about condensing out the nuances ofa complicated topic by adding a sentenceof text over a picture of a cute dog areyou too busy to read news articles infact check their sources and wouldrather look at a poorly photoshoppedpicture and gather everything you needto know from that or are you more of thetype that loves to troll the world andwatch it burn with silly low-qualitystock images either way memes are aperfect solution for all theaforementioned desires please check outnoise of the broke boys on Instagram formore information about low-quality memesnow on to the show[Music]in this episode I meet with my boy DJfiction we were both part of the samegroup of delinquents back in school atthat time I was amazed to find out thathe was also an amazing DJ and musicproducer since then he has traveledaround and lived in several countriesincluding the Netherlands and Luxembourghe recently released a new album calledcinema Dec that I absolutely love I putthe entire album as a backing track tothis episode but I encourage you tolisten to it in its entirety without myannoying voice over it included a linkto the album in the description pleaseenjoy the episode with DJ fiction helloeverybody welcome to the end of theworld show international edition today Igot a very special guest his name is DJfiction what's up man how you doing goodman how are you good to be here I'mgreat manso you're out there in Luxembourg rightcorrect dope so we could talk about thatlater but what I what I know you justcame out with a brand new album cinemadeck I checked it out it's one of thedopest shit's I've heard in a long timeyou've been making music a long time manso can you tell me a little bit aboutlike what was the inspiration for thisfor this musical project cuz I know youhaven't really put something out in awhile right it's been a while but likejust like yeah that's probably becauseit's just the way I live like I movedaround hella the last like six sevenyears yeah and yeah it was just it wasmore because of that but the inspirationbehind this specific album is likeold-school movies like sixties moviesespecially French movies Italian moviesthat kind of shit I really like thatshit like Fellini movies or jean-lucGodard Francois Truffaut this kind ofshit so the inspiration for that waslike around 2015 I started watching likehell of these movies like hellaokay then I was just thinking to myselflike there's a lot of good music inthese movies yeah there and also thequotes and stuff and I had it in my mindto make kind of like a concept album andthen revolves around these and yeahpretty much like even the name the nameof the album by cinema deck like inFrance and here in Luxembourg as welllike the theater theater it's like retrotheaters right where they showold-school movies and shit really okaythese are called cinema Tex cinema Tibetso then I just took dick like aturntable yeah yeah and dude like alittle what combination ding okay that'stight that's tight oh yes so you yousaid that they're they're like 50smovies is around the era that like likelet's say like late 50s to like latesixties yeah because it's it soundedlike that you know when I was listeningto it I would hear you know some kind ofold-school stuff you know it has thatthat the recording quality from thattime and so that's what I was thinkingit was probably that you know what ImeanI mean it's also the music I sampledright like a sample hello jazz and funkand shit like that yeah yeah I would saythe vast majority is from the 60s yaknow it was nice because I would hear Iheard a few breaks that you put in therethat I was familiar with and then Iheard a lot of stuff I've never heardI've never heard of and I was kind oflike yo did this guy sample this or didhe make this like what's going on solike I mean it sounds like you obviouslysampled a lot of that stuff so it's likeyou really had to do a lot of diggingI'm guessing obviously sure movie stufflike so when you're Lizzy - I meanuh-huhso when you're like watching some ofthese movies you're hearing you'reyou're just like going that's a dopetrack I'm gonna try to find it and likehow do you how do you I guess pull itout are you able to find the trackpretty easy like how's your digginprocess for thatso like most of the music is not sampledfrom the movies but some of it is how Idig for shit I mean is like how anybodyelse does right I mean like go to recordstores discogs.com is like my fuckinokay I'm buying hello shit on therebut also just like hell it fools uploadshit on like final RIT blogs ok justfine a hellish it like there butbasically like digging um and just undidthe shit the old dudes used to do youknow I mean like premier or Pete Rock orlike the dudes that I admire like DJshadow DJ Krush yeah cam and you justfind out what they sampled from yearsand years of before you know like whosampled calm now everything everythingis outed right like now every is peoplefind the shit but before you didn't haveanything like that you had to just findit yourselfyeah maybe a little bit based on anartist or a label or something like thatof the sampled artists and then youcould kind of like dig a bit further togive it further old shit like this is amaybe obscure album by this artist or bythis label that nobody sampled let'syeah yeah and then with the movies isthe same shit I mean hella old likethere's this one dude it's Dimitri fromParis ok came out with the album in the90s called the sacre bleu that kind ofis sort of the same thing said hedoesn't sample so many French movies hesamples American movies examples havelike Audrey Hepburn and shit like thathad music from those movies as well sothat was kind of like an inspiration forme as well mmm so you were kind of doingthe like the reverse of that of what hewas doing even though he's Frenchfunnily enough but yeah and I'm Americanbut so you're pulling on how to frontyou're pulling out French movies okthat's tight no I mean getting gettinginspiration from like other people likethat is really dope I mean and like whatI really liked about the album is thatit really I could really tell that youwere digging for it and I feel like it'ssomewhat of a lost art at least fromwhat I see on like the mainstream radiosand stuff and it's like it's kind of sadbecause I think maybe because of a lotof copyright laws and stuff that that isgetting like kind of pushed to theunderground a little bit more now butit's like it was super refreshing tohear that because I was like yo this guyput so much time into digging like I cantell this is likeyou know you were had you had the likethe early 90s type of like diggingattitude in that in that in the wholealbum is what I was feeling as Lisa it'spretty much my whole my whole idea likeall I've ever wanted really with musicis just to sound like mid 90s like crushand shadow like I always just went forthat that kind of aesthetic why nobody Imean people still do sample I mean lookat like hotline bling right that wasfucking huge and that was fucking yeahyour sample right nothing else I don'tknow if it's because a copyright orbecause people's tastes have changed youknow people like now more syntheticsounds which also do I also do likecompose some shit and like yeah there'sone track that has practically nosamples I can think of on the album butstill I like that grainy that you getfrom it's kind of like a nostalgic typeof sound you know like right now it itwas very moody what and that's what Iliked about it it was um like I mean itwould yeah I guess similar to like amovie really like you you get like thesemoody tracks in it I was like okay thisis tight you know and it really feelslike you're going through like a wholelike a whole storyline almost you knowwhat I mean is that kind of what you'regoing for pretty much exactly you nailedit like even before I had the idea tosample like specific dialogue and haveit in order throughout the album to makea storyline what I mean but that wasjust way too fucking complicated and inthe end I kind of scrapped it but stillI have that idea in my mind that I couldhave done that like could have made afull-fledged like chopped up my ownstory from all these other movies likeimagining 20 movies that you sample allthese different lines and all thesedifferent languages but yeah you canmake a cohesive story out of it yeah andthen set it to musicit's can opera in a way yeah like hiphop yeah yeah no that's tight yeah I'vealways liked those kind of like albumsthat have some sort of kind of storylineor whatever like what immediately comesto mind is on the album that Dell didwithmmm Dan the Automator remember that oneit was a home runyeah yeah it was like super weird kindof story but it was like it was like Ikind of I kind of dig it yeah or like Iknow Kendrick Lamar does a lot of likeconcept type of stuff like that he's gotsome kind of storyline that like looselyconnects everything I always liked thatbecause this this that the single trackslike our good standalone but then whenyou listen to the whole album you'relike oh I get it dude he yes he has heyou know you you put a lot of likeeffort into like really pulling thelistener in I mean it reminds me sort oflike you know like Pink Floyd used to dostuff like that where they would likethe wall exactly yeah ya know the it'slike the you you put their record on andit goes from beginning to end and it'slike man this was a whole story andevery single song kind of like bleedsinto the other and stuff it feels itfeels like you're on like a I don't knowlike a like a Disneyland kind of likeride or something code through the wholelike the whole album it's it's dope yeahso I really dig that that's tightthanks man that's definitely kind of theapproach I had I missed back in the dayshow to use to have a cohesive album thatpeople would listen to you know cover tocover like nowadays it doesn't seem likethat's the case I mean now it's likekind of more single tracks yeah I thinkeverybody just puts out single tracksmost of the times but I missed I likedthe album format I always liked it yeahyeah yeah albums are like perfect lengthreally for like a listening you knowlike you sit down it's usually about anhour to you know 45 minutes to like anhour which is kind of like what I try todo with podcast to but it's like perfectto sit down listen to some stuff andjust you know take yourself on a rideand stuff but yeah a lot of people don'tdo that anymore which I miss I mean withwit plank with vinyl especially you haveto do that right yeah yeah like a recordand just listen to it right you sitthere I mean I'm in my head like diggingfor samples and shit but I have you knowa bunch of records from like you know90s guys and shit like that and yet youjust have toyou gotta just sit there and listen tothe fucking thing you gotta have allyour you know sense is kind of focusedon that yes so actually so like whileyou're listening to music you're sayingyou're like digging so like what's thatprocess like what's going on in yourhead I guess what makes a sample kind ofstick out to you are you kind of like hiJay how are you just like so I'm notlike musically trained that's the thingyeah yeah I played I played piano forlike I don't know five six years as akid look that was a long fucking timeago I don't remember it but I don't knowyou just kind of hear something like alittle phrase you know a sequence ofnotes or not even just like some kind ofyou know a feeling really and and maybeyou can you know manipulate it a bitlike a lot of samples doesn't sound goodat the speed it's at you know so youjust slow it down oh shit now it soundsgood like a good example of that is doyou know the survival of the fittest bymob deep oh yeahlike there that sample was only justdiscovered recently like what it what itis and it's like fucking ten timesfaster you would never recognized it ohokaybut another another thing is like you'llhear so this maybe could work but maybeI have to chop it up and like rearrangeit or whatever okay what are you doingthat in your mind as you're listeningnot really you kind of just hear it andyou're like maybe that I can use thisokay maybe like you'll end up using oneout of ten it's just like it's that'swhy it's called digging gram you're justdigging for shit and most of it's gonnabe worthless yeah ya know when I wasyounger and I would do that I had a lotof like just trash track you know trashlike records just that I heard like onelittle piece of a thing and I was likeexactly but yeah it's like a ton ofstuff that's just junk though but youwait you're waiting through shitbasically I mean yeah but you thinkabout it in another sense I remember Ithink it was DJ Shadow thatinstead from already recorded music thathas already sold right it's alreadysomeone at one point thought this wasgood so if you're making music frommusic that somebody at one point thoughtwas good your shits probably gonna begood too right mmm I mean how could itnotmmm I see in a weird way yeah that nothat that that's tight no you know whatthat reminds me of like um what's hisname Bob James oh shit yeah yeah likecuz that guy what his his music was justit would always like every two secondsor whatever it would like change thewhole mood of it and I remember there'slike a couple songs he has that so manypeople have just sampled from and I waslike like Nautilus not exactly and it'slike I did not know that that was thesame song because this guy song soundsso much different from this song but itwas a track that you can sample yeah Iwas like holy crap dude that's dope sono but that makes sense I mean like andI know that a lot of times you'll you'llfind an artist that has yeah like youknow say like premiere sampled somethingand you go okay let's check out thiswhole this artist's whole distantdiscography and then find a lot of otherstuff that's just kind of hidden inthere and or whatever or like say likein James Brown's a case like you knowhis band like they had their own albumsand stuff so you go and check them outand stuff or like they're just thedrummers and stuff like there's a lot oflike just hidden gems out there for surebut it's a problem needs to find it Imean I've been doing this for like youknow 13 14 years you know you do thisover time it becomes almost secondnature you don't even think about itanymore you're just like alright here'sthis here's this you just startconnecting the dots until the pointwhere yeah you kind of almost know whereto look now No so does that change theway you listen to just music in generallike so when you're on the radio you'relike picking out okay what was thissample from or like what is this drumdoing or whatever I mean that just comesfrom learning music production rightokay yeah I can't listen to any musicanymore without thinking in my headwithout like they do this how I was thismixed how was this produced how was thisprogram bah bah bah yeah withoutbreaking it apart and finding all thecomponents of it ya know I've like I'vebeen like trying to do that too I kindof do that for dancing anyways becauselike it's just good to it's a good levelit's a good way of adding like depth tothe way you dance because you can youknow say dint you can follow like abaseline and then you can follow like adrum pattern or whatever and yes whenshe turn that and I noticed that thatskill transfer is really well to musicbecause now you're listening for thosesame things that you would have beenlistening for in dancing but you're nowgoing like okay now how did theyactually make that that little neatpattern or whatever you know this is thethe snare is doing this doot doot dootor whatever so a site no but yeah itreally it it it deepens the way youlisten to music is what it sounds likeit's kind of annoying at the same timetoo like I probably pissed hello peopleoff like they'll be listening to somesong like this these drums a week likethey should have done this they shouldhave yeah so do I do a lot of people golike oh let's not talk about music withyou is that yeah it's just it's justsomething that happens I mean when youwhen you start to I guess yeah they'llkind of deep into something that mayit's probably the same for everythingright you probably have a full sore likehow I entered like video productionshould they get break apart everybody'sYouTube channel like yeah and I meanthat's I guess part of the artists Imean and I know a lot of times when Ilook at like a painting even I'll golike okay you know I like to try to takea step back and just go like okay takeit in what it is what it is and then gointo and like look at how they did somebrushstrokes on it or whatever how thecolors are composed but like you can'thelp but do that because you're tryingto figure out how they made what theydid and you know you know I guess that'sa that's part of the artist quality Isuppose you know I do it with dancing itjust just comes with the territoryyeah it does but itI think it makes the conversation aboutthat particular content even betterbecause from are you talking to right Imean it's best if you're talking tosomeone who knows as much or even morethan you do rightwell even someone who doesn't know likeI mean cuz I don't know that much aboutmusic but I really like hearing your youknow what you have to say about itbecause it's it's making me realize likeoh yeah this stuff goes a lot deeperthan I thought you know what I mean andI'm hoping that oh you know open-mindedpeople would gain the same kind ofinterest into that because I mean musicis just soaked it's so complicated andand just listening to you know just asong on the radio I mean just the likethe primal instinct of yourself is to golike oh yeah like this this is somethingthat groove - it's kind of like you shutoff your your conscious mind and justlet your subconscious like soak in themood or whatever but then if you do letyour conscious kind of like take it intoyou're like man this is reallymathematical in a way you know what Imean it's very scientific it's cool likethat you know and we're just talkingabout production I mean that's all IknowI don't know any fear right you don'tknow any theory at all like like I saidI used to play pianolike I know basic chords scales likecircle shifts this kind of shit but Idon't know anything beyond that likeokay well I mean I feel like that'sthat's a good starting point that maybenot people don't even know I mean it'slike yeah I would say that's as basic asyou get oh yeah sure sure but I know alot of people that wouldn't even knowwhat you're talking aboutyou know what I mean scales and circleof fifths and stuff and you know and Iguess even how that relates to likeharmonics and stuff so yeah yeah sureI mean like I say like well when Iproduce a track I practically alwaysstart with some bass like not not basicinstrument but like a bass likefoundation sample and then maybe I'llcomposeof that so I know I'm already startingwith a key that I didn't think of rightokayyeah I could I could tune the sample toa key that you know let's I want this infucking I don't know I mean you can onlytune it to certain keys that it'salready harmonized with right anywayI usually never start from scratch let'ssay you know I mean yeah I don't needsomething but that it someone probablydoesn't even know what you're talkingabout in terms of like pitch shiftinginto like a different scale and stuff Imean back when I was like a highschooler and I didn't know anythingabout music and I would go and grab likea song like I would try to make littlemixes and stuff and I would grab a songand like I didn't know how to doanything and so it would always soundkind of weird because it would always gofrom like this key to a different keyand and so it was just my you know highschool mix or whatever that I was tryingto make and you could tell that there'ssomething wrong with itbut you musically don't understand itand that's probably me nowadays I meanyou don't even have to like you gothella programs and shit that will justidentify the key for you and like youcould just harmonic mix so breezily yeahthat's true that's true yeah so do youuse a lot of like plugins and stuff whatprograms you use actually so I justproduced using FL okay L studio 20that's what I use since the jump I usedit since like FL five or something butyeah I tried all kinds of other ones Ihaven't tried Ableton that's the onethat everyone uses now yeah I started byusing Ableton actually and that's Itried Pro Tools I tried sonar at CubaseReaper I mean they're all pretty muchthe same from what I can understand it'sjust whichever one you'd like yeah Ireally like about FL is the piano rollit's like super intuitive too- both with like instruments and withwith drums but you know for sequencingbut and then yeah of course hell offucking mixing and and and yeahproduction Suites yeah well games so doyou know a lot about like soundengineeringoh so that's one thing I don't really dolike sound design like designing theinstruments and the voicing no no nowhat do you do like you master your ownstuff yeah yeah okay so that took likehello time to learn as well yeah butit's a art formobviously I'm never gonna get it as goodas a treated room in an engineer yeah byhand I'm cheap man I mean it sounds goodto me so like I mean I don't have likethe best equipment but like the roomreally matters like this room has hellafucking echo I should like put likehello like foam and shit on the wallsokay yeah I wonder if that I wonder ifthat actually helps make it um have moreof a nostalgic sound almost you know Idon't know but I do try to like listento it in different environments likeheadphones car yeah this that whateverwhatever I mean it's it might sound goodon the monitors but it might sound badsomewhere else yeah it's weird how thathappens yeah it's just you'll play it inyour in your headphones and you're likeoh this sounds dope and then you'll goin your car whatever you like manheadphones are the easiest by far tomake sound good as yeah experience yeahyeah yeahso so when you're when you or whenyou're working on mastering a track isthat like part of your workflow or youknow they should be done at the very endlike you've already done you're done butthe production you done with the mixingand you bounce it as a final wave stereowave and then you just master that yeahyeah but when you're in that masteringphase are you going like okay let me getit perfect in the headphones and thenlet me get it perfect in the car let meget it perfect on like a cent a wholesound system in like an auditoriumwhatever the the monitors like thesethesespeakers the studio monitors that's whatI you totally get it perfect on that ohI see okay and so that ideally you wannalike the flattest sound you know theflattest frequency response which isyou're not gonna get unless you havelike I mean sound you know come bouncesback and forth all over the place rightso yeah you're not gonna get the bestsound unless you have a treated room andreally like treated speakers everythinghas to be that's why you would pay amastering engineer like thousands forthis right yeah yeah it's it's crazyunless I was gonna get like returnedlike on my money yeah I don't know Ijust don't see the pointso you you sell I know you obviouslysell your music on Bandcamp but do youdo like a lot of shows and stuff man notfor a long time like I used to but thatwas like Haley years ago deejay live butyeah I should get back into it like butthat's a thing like I mentioned earlierlike I moved around a lot man like inthe last 10 years I lived in like yesSweden Netherlands Belgium yeahSan Diego Netherlands again and then nowhere in Luxembourg and like just so manytimes I had to find sell my equipmentover and over and over you know yeah soI remember you you were gonna ask melike yeah like what's it like to youknow does living in a different countrylike influence your art and yeah forsure it does just because of theinconvenience of moving around all thedamn timeso so what areas you've I mean you'refrom San Jose right and then you livedin Amsterdam for a while and then thelast time I saw you in Amsterdam yeah inAmsterdam and then now you're inLuxembourg were you in anywhere elsebetween there yeah yeah I lived in SanDiego for 3 years % yeah San Diegothat's right and so I mean like whatstake what's been taking you in thoseareas I guess jobs man just don't workso it's just working and so then youknow I like to I like to travel and andlive in different places and shit likethat it's fun I mean it's inconvenientas all hell and yeah pain in the ass butit's cool yeah yeah and so it you thinkit influences like the music you makebecause yummy for sure because sometimeslike when I was in San Diego I had likeno money and I had to just make the shitwith what I had you know yeah I couldn'tbuy the shit I wanted now I practicallyhave everything I wantso she'd become easier now it's alsodepends like what kind of people youmeet right like what kind of you knowmusic with other heads you knowdifferent kinds of people all over theplace right yeah yeah and be myinfluence so do you do have you done anyprojects with other people so a bit butnot that much I had back in San Jose whorecorded some shit over some of mytracks real talented musician here I wasgoing out to Paris for a while it's likeonly two hours away by train and there Imade some some friends and we kind ofwork on some shit together kind of morelike jungle music like you know likeearly mid 90s like Bristol German withway more syncopated break beats for anysizethat and then I met this one Japaneserapper dude be otha goes by our whiteyand we worked on a little bit of someshit together but usually for the mostpart I'm just like a standalone yeahperson okay I'm just like a controlfreak I think in the end like I need tohave like full creative control over allmy shit yeah that's like it's hard toit's hard to not do that because it'slike what you it's like what's yourworkflow dictates you know alone so thenwhen you're working with somebody you'relike oh I want it look like this butthen yeah it's sometimes hard becausethe vision is like not quite matched upit I relate to that because like a lotof times when you're doing like dancestuff like and you're trying to makelike some routine or whatever or likeyou know do some kind of battle orwhatever you're like working with a lotof people and it's like everybody hastheir own idea of what's gonna happenand it just doesn't quite come togetherbut what you always have to do I thinkis just like go okay I'm I'm open tolike taking everybody's thing cuz thisisn't this isn't my thing this iseverybody's thing you know what I meanyeah so it's it's it's it's hard to getover that that fact you know or acceptit you know what I'm saying yeah so uhare you working on any new projectsright now so just nowyeah just put out the album like a monthago mm-hmmand now I think I'm just gonna actuallyfocus on on DJ mixes for a little whileokay I just got this this this mixer yousee right here this is like a super rarevintage Vestax from like 1990 and it'sgot some cool shit this is the same samemix our DJ Krush uses okay dude is likemy fucking idol my hero okayso I think I'm just already put out acouple of DJ Mix's recently but but Ithink I'm gonna focus on that a bit andI mean I'm kind of tapped out now forproduction because I just put the shitout yeah it's like starting from zerowhich is cool at the same time like ohshit I I can make like something yeahyeah tabula rasa yeah it's I mean youyou hustled hard to get the thing doneand now you're kind of like okay let'slike take a second to breathe let thatmusic kind of get around and then workon your next thing how actually how longdid it take you to put together thatwhole album cinema day yeah it's kind ofhard to say because like some of thetracks I made back like in 2015 oh he's16 okay and I just had them I justdidn't do anything with him I just hadto sit and then some of the tracks Imade just like six months agookay we're like four or four months agoso you could say it took like five yearsbut that's not really accurate becauselike you know helot like I would I thinkwhen I first moved to Luxembourg Ididn't work on music for like a wholeyear I was just running around travelingyou know I was back in Europe was likeoh shit let me do this go here have funget drunk blah blah blah yeah so I yeahyou know I don't know total time sometracks probably have like 30 or 40 hoursof work into them whereas others maybelike less than 10 but like the wholeconcept of what I was trying to do Ithought of that years ago okay so it'sit's been kind of like something thathas been in the back of your mind tooyou know put together eventually okayyeah no I feel like I'm kind of likethat with with with like painting youknow cuz I like paint I like to painttoo I'll have like an idea of somethingand I'll start like a lot of times I'llstart painting something that's likeit's a like just a concept of what I'mtrying to go for and then I'll justnever finish it and I'll just kind oflike hang it up and stare at it to makemyself like you know cuz it seem likeit's yes sorta yeah no that's very truecuz yeah you're what I would always tryto do is just have it there look at ityou know everyday just look at somethingand go okay let's let that kind of soakin my head and see if I can come up withanything cool to do with it you know cuzI think a lot of it is always just cuzI'm really good at just throwing outrandom ideas and stuff but it's notcomposed into anything that makes anysense so but I have to always keep thoseideas in the forefront of my mind orelse I just forget about them so that'swhy I'll try to just paint like aconcept of something and just hang it upor whatever and then like look at it andgo okay that maybe I could use that withsomething else that I come up with sureor like with dancing I do that too Imean with dancing it's like I'll havelike a cool little move that I made butI'm like man there's no way in hell I'mever gonna use this alone so I just kindof write it down and hope that this iswhat I call like frankensteining shit ohyeah yeah you just like take bits andpieces from shit you made that's all notreally good let's say on its own yeahyeah like Frankenstein that shittogether and put it into one thing nowit's pretty good would you would you saythat there's a lot of tracks that you'vemade that are like that oh yeah all thetimehell at times are like I'll find somesample or something I try to use it Itry to make a track out of it nothingever works so I'm say I fucked this it'snot gonna work then like four or fiveyears later I'll have another track I'mlike you know this needs something elseand then I'll go back and go through allmy old man I have like you don't evenknow like a whole library of chopped upsamples like the thousands broWow and then I'll just like keep likelistening to them after this one thisone's holy shitwhoa this is like already in tune orlike oh this like fits harmonicallysomehow or like this fits rhythmicallyor whatever if I my tune it right or ifI chop it yes suddenly becomes usefulthat's that's really tight and that's sosimilar to us to what I do it's it'skind of crazy how similar that is it'show do you keep track of those things Imean like you say you got like thousandsof stuff like Joey it's like I fell intothe program every time you samplesomething and you just like drag it intothe playlist or whatever it'll save itas a separate wav file and then that wavfile is named whatever your sample wasnamed and I'm like a fucking meticulousNazi motherfucker when it comes tolabeling music okay I'm super meticulousabout all of it's all catalogued andeverything so all that shit is just yeahboom right there you would think thatlike so back in the day right you had tolike sample directly from vinyl intoyour MPC or sp12 or whatever whateverbut now what I do I don't know I youcould do that but I just record thewhole record as a wave then I label itand I import it into FL to chop it up orwhatever okay so you have the whole thewhole song and then you have all yourother chops okay that's tight I don't Idon't record a sample on its own likeyou would have done back in MPC daysyeah yeah okay no that'd make that makesenseand and so then like the way that I dolike when I when I'm doing kind of thisthis whole Frankenstein process withlike dancing it's like I'll make a moveand I'll just write down how it startedhow it ends on a piece of paper and Isave that and you know I know that it'slike junk moves but I'll just you knowkind of go on with my life and then oncein a while I'll get I'll start makinganother thing and then I'll end up kindof in the same position and I'll go likeoh yeah let's look back at that movethat I used to do or like that I wasworking on back then and just try tolike Frankenstein it in into it becauseI know that mybody is in a similar position as it wasin that move so let's see if I can likesomehow put it together or like changesomething so that it fits together but Ihonestly don't have a really goodprocess of like remembering that otherthan just writing it down it's hardit sounds I'm way harder with whatyou're talking about it's I mean I knowa lot of people will record themselvesand sometimes I do that but that worksyeah but then you got a crap ton offootage that you gotta go I mean yougotta go back and actually like watchthat shit ya know but yeah I don't Idon't really have time for that so it'smore like I try to associate like a moodto it or like a some kind of feeling toit so then when I'm doing something itin that same feeling it triggers thatand I go oh yeah let me try these likecolors and shit you know my yellownotebook for like this kind of feelingthis is my green notebook whateverwhatever ya know I used to I used tocategorize stuff all the time like thatbecause if I had a move that I thoughtwould make it would be really good aslike an introduction to like a you knowsay like because when you break you kindof you're standing up and then you'll goon the ground I'll go like okay thismakes sense for one of those types ofmoves or like if another move whereyou're going from the ground andstanding up or a way to like end yourset or a way to start it or whateversomething in the middleI'll categorize it that way but theseFrankenstein type of moves like yousometimes lose track of them I man I gotso many notebooks of stuff that I lookat it and I go like oh manI kind of remember how to do this but Idon't remember how to do this so it'shard like I really that's where thefootage would come in handy yeah yeahyeah but I've never been good at likecategorizing like recording myself sobut ya know it's it's it's a process butIII honestly think that that processmakes some some gold sometimes you knowwhat I mean I mean I would say most ofthe stuff I've ever made what came fromthat process anyway and it was that's Ithink that's the only way to really doit I mean no one's gonna just shit out agolden egg right yeah yeahhave you ever shit out one golden egg onyou never works that way yeah it'salways just like months and months ofyou know try this just trial and erroryou know try this try that try this trythat maybe something will work what whoayeah so it's kind of like a playful wayof like creating stuff I mean at leastthat's how I approaches is like I'llplay I'll just play around withsomething and exactly I have a wild assidea just try it out you know andsomehow after like you know God knowsdozens of hours of work you just sitback in actually sounds good yeah yeahso it is is that how you know that atrack is done when you could sit backand go like oh pretty much yeah yeah andthen you're listening to the whole thinglike okay this thing is ready to getmixed like well I do the mixingthroughout the production I shouldn't dothat but I do that okay I think mixingfor me is it's not if I work okay but sothen yeah you sit back and you're likeokay this makes sense I can start youknow maybe mastering it or whatever yeahI can bounce this yeah okay that's tightno wow so yeah so is that you thinksometimes takes forever like sometimes Ihave a track like got a had in a backburner for years okayyeah man so like I I just you know thislast probably a year and a half orwhatever I started getting like moreinto music production and like literallyeverything I've ever made is that it'slike it's shit that I just saved I yeahyou know and I just will listen to itand go like okay hopefully somedaythis'll like turn into the dope I havean idea I like I want to make some kindof album someday but like and I kind ofhave an idea of what I want to do butall these tracks that I potentially wantto use there it's like they're probablyat like 25% to 50% of what I actuallywantedto be but I think it's on to somethingand so I've just been kind of like I'llplay it once in a while to just listento and go ok see if I have any goodideas with it but it's like they're alljust like unfinished projects in my mindso and I'm afraid that it never willbecome that and I never will put out analbum but I'm hoping that someday I doit but most of the stuff I do isn'tsample it's all it's all like acomposition yeah but like in terms ofthe instruments and shit what are youusing because they're all electronic orare you trying to get like realinstruments it's all electronic I have akeyboard over here it's an akai it's a61-key whatever whatever mpk yeah yeahand I have a smaller one too that I cantravel with sometimes take it when I'mtraveling or whatever just to like pullwhat about the voicing the voicing ofthe instruments it's all like yeah it'sit's all I'm trying to like find likegood samples of stuff to use that but Idon't know I honestly just compose somestuff and if the notes sound trying tosound like yeah that that that's hardbecause that's getting into like soundengineering and I'm not good at that atallyou know I got some friends that arebetter at it but it's like you know thatthat's my idea is to like take thecompositions I've made and then you knowsomeday come back and then really likework on the voicing of it because Ithink that's where the big gap is reallyin what I do so I don't know I'm curiousI'm trying to like understand like whoare you trying to sound like if you toldme a I'm trying to like emulate thisdude or you know kind of you know I'mnot trying to sound like anybody reallylike because I approach music kind oflike when I hear something that I like Igo why do I like that and then um soI'll try to like dig deep into like thesong is it is it's just this chordprogression that I really like is itthis instrument the way it's soundingyou know a lot of reallygone back into a lot of like old like90s rock music like Nirvananothing I'm like sure oh man I just lovethe way that they did the guitar work onthis or something and it's like so I'mlike basically when I see that I go okayhow do i how can I make that samefeeling myself and so just what I do isI really study the way they made thattrack and then I go okay this is thepart that I do like about it let me seehow I can make them I said like how Ican I can create like a feeling likethat but in terms of artists dudehonestly I love all sorts of artistsdude all types of music I mean it's notjust hip-hop music or whatever for me sothere's a lot of times I'll listen tolike a country song and I'll be like ohman the way this guy sings this likethis little this course or whatever I'llbe like man I love it and like you knowjust try to figure out why I love it somuch and then you know try to figure itout I don't know I can't really sing butit'd be dope if I could that's that'sone other thing but you know I don'tknow so so essentially every time I makelike a new track it's just it's a it's aconcept of trying to recreate a feelingthat I heard that I really liked so yeahliterally everything I make soundsdifferent I think I mean cuz I couldn'tpin a style to it you know I imaginethat's probably like how Kanye West orwhatever like approaches artists likehim they just have so many differentsounds that are like attached to themyou know what I mean or like who else issimilar to that Keith I was gonna saymaybeI mean maybe even Pink Floyd like it'slike it's hard to pinpoint like whatexactly their style is I think you knowI don't know but you get what I'm sayingoh you know who woulda Tyler the Creatorlike we don't listen to his I neverreally listened to too much and stuff Iknow uh just like a bit I liked hismusic is just kind of like it's I feellike he doesn't have his style is tokind of like have it open I think youknow in a way where it's it's hard topin something to it you know like howyou hear some guys is like okay theseguys do like trap style music orwhatever this is more like a low fighttype of style or whatever it's hard topin it to to those guys you know so umit's good to incorporate all kinds ofdifferent different styles in your shitfor sure yeah like I can give him evenme I'll throw in like drum and bass andshit like I can I can just tell thatwhen they were making the song it wasinspired by something kind ofoff-the-wall you know what I mean yeahyeah I mean shit look at even like De LaSoul or something or Called Quest's backin the early 90s so like you know hippierap yeah yeah it isyeah we're like you ever listen to likefucking brother Lynch or like AK someKool Keith it's like horror movie shityeah it is it's it's kind of crazy yeahthose guys yeah they're like yeah theytell some crazy stories yeah I meanengine but like a brother Lynch I justimagine him and his buddies sittingaround like you know like like okaywe're like gangster rappers but what'seven crazier than like killing peopleeating them yeah yeah dude yeah theythey go they go they take it a stepfurther for sureso actually so who would you say areyour favorite artists right now I meanobviously you're saying like what wereyou saying premiere no all right nowyeah I don't listen to too muchcontemporary music like I'm I'm too busystill digging like what came out in the90s I mean I feel like I'm never gonnabe done okay especially like hellaJapanese shit man like fucking Japaneseproducers from the nineties are so goodand they're really around - yeah it'slike just some random label that onlyput out like five or six records andthat was it and yeah you never heardanything from these fools again butDanna some good shit yeah but like whostill makes good music now like the onlycontemporary producers I can think ofare more like electronic not so much hiphop hip hop to me like like it'sprobably I don't know I sound like adickhead or something but like hip hopto me died like a long time ago likewhat comes out now is not hip hop to meit's like some other thing it's trappedit's whatever it is that it's somethingkind of yeah it's it's it's it's morphedinto something different I mean like II've always said that like hip hopnowadays it it's it looks so differentthan what it started out as but it kindof like follows this in the tradition ofhip hop in the sense that everygeneration of it has tried to dosomething different than the generationwhich I would say follows kind of thehip hop tradition you know of like we'renot biting nothing you know like we'remaking our own thing so like I Irefrained from saying it's not hip hopbut I do think it looks completelydifferent than what it used to be youknow what I mean we're in wearing like anew John or a sort of but exactly youknow it's now it's I feel like it's ifyou were to say hip hop is notnecessarily a genre it's like anumbrellagenres and so you got is trash style ofhip-hopyou got this like 90s style like agolden era type of style yeah you knownow there's like the loaf I shit andthen there's you know I don't know theold-school stuff you know but you knowwhatever the fuck they do like yeahrapper's delight' yeah that kind of shitso all that stuff sounds so differentand you can tell that there was like ageneration and then that influenced thenext generation and then the nextgeneration but between those generationsyou're like man do they really jumpedbetween them so I yeah I I don't likesaying it's not hip-hop but I don'tthink that it sounds anything like whatit isn't it what it used to be so to melike like like even the basic structurechanged a lot like now the beats perminute are super slow you knowbefore hip-hop was always like what 9385 to like 1 105 or something like thatand that was it and then now it's likefucking like 60 70 beats a minute andyou're like double time high hats allthe time yeah yeah it's you know whattrap music is so weird to me becauseit's like it almost has two tempos to ityou know what I mean it's half time it'shappened exact time yeah and so it'scool because when I listen to it I'mlike all right this is like some shitthat you're just like chilling too butthen also it's like oh this kind of getshyped though but I don't knowthat's why musically it's interesting tome and when I first heard it I was likeand this is some stupid shit but alittle bit it kind of grew on me in in aweird way so I don't know but yeah it'sit it's weird because like the hip-hopdance was breaking and a lot of newmusic yeah a lot of the music now youcan't really break to it now I mean itall just slowed down over the yeah yeahyeah I mean you can dance you can danceto it but doing like traditional breakstyle moves you can't really do due toit so it's it's a it's a weird subjectbecause it it is in the vein of hip-hopbut it's also like I mean for sure theybecome something different you knowbut yeah no I don't know I I dig it it'sthey're doing what they're doing youknow it I'm excited to see where it goesfrom there you know in like 20 yearslike what's gonna be happening peopleman fuck knows man I mean you couldn'tlike predict people say that shit'scyclical right and sometimes I see itlike even like I remember in the 90selectronic music or like the early 2000sas well it was all just a rehash ofdisco music like straight up it was justdisco music yeah yeah yeah and then nowlike not now but okay what like five sixten years ago you had like vapor waveand that shit became LM big and that wasjust a rehash of like later 80's discomusic and especially like the Japanesecity pop shit which is good I love cityyeah so like this is a there is acyclical aspect to it and especially inthese genres like hip hop and electronicmusic where you're sampling all the timereusing shitI think the cyclical nature of it ismore of the feeling or the the mood ofit you know what I mean because likedisco for instance it has this like kindof party like dance with you know theladies or whatever kind of feeling andthen like they kind of went to you knowto like like in house music in a way islike kind of the same sort of thing youknow it's got that same kind of mood toit or like you know I don't know reallyjust dripped down disco yeah it is theycame from the gay clubs in Chicago yeahwhat they were just like yeah it's juststrip it down and make it just pure forto the floor shit yeah yeah yeah butyeah it seems to me like people go oh Imissed that mood I missed that feelingand then now new artists are going likelet's try to recreate that mood withthis new shit that we got you know whatI mean yeah sure that's what I see withthe cyclical nature of it which I thinkit's tight but like I don't know likewhat trap is maybe from nothing maybeit's totally like a new thing but Idon't know where they got this idea tomake it like all half time to make thelike these like really staggeredsyncopated especially with the high hatsand snares yeah yeah I don't know whereI came fromI don't know where it came from eitherbut to me it seems like like maybedubstep kind of like influenced it alittle bit in the way that they do thesekind of drops and stuff like cuz whatabout music as well yeah yeah I meandubstep was always interesting to mebecause what would happen is like itwould do this crazy build-up and thenright when it drops it slows everythingdown it's kind of like the opposite ofwhat you were thinking was gonna happenyou know what I'm Sam like and it's likea traditional techno song it probablyjust start getting crazy you know what Imeanbut it's like you know the drop is likeyou know a transformer sound and it justkind of slows down the beat kind ofdisappears or in a way and I feel liketrap music took that same idea sort ofand then maybe extended it and made itmore of like a you know a rhythmic kindof wait I don't know but yeah it's it'san interesting style of music yeah but Icould see that there's pieces of otherstuff that are kind of in there I don'tknow I think honestly someone probablywas just messing around and then it just[Applause]caught on so I don't know who knowswhat's next yeah maybe a rehash of theof the 90s hopefully well you know whatactually to be honest low-five music isreally blowing up in the last likecouple years and I really think thatthat has huge influence from the 90s youknow what I mean yeah it does it's kindof like I would say that's like acontinuation of like the early 2000slike nujabes and Dilla those are likethe godfathers of this genre right yeahyeah yeah people often put my music inthat genre but I think it's like yeahnot quite butthe thing with like lo-fi music is yeahyou have that really low fire aspectright we're like the shit sounds likeit's actually mixed badly purpose yeahor like has this really like tapequality like where the fucking timeof the pitch you know of the sample orthe whole song even starts to go offright yeah so it sounds like this wobblylike riverboat you know yeah yeah Ithink it's specifically made to soundold and and I guess in a way that it itmakes it sound more nostalgic sort ofexactly which is why I'm going okay notthe 90s is when you would have beenlistening to something on a tape likethat and so it may it reminds me of thatand they got like kind of you know somelike chill like hip-hop beats orwhatever so but it it seems to me likeit's it's kind of some derivative ofthat style of music yeah you're probablyright[Music]so you said yeah you're not working onany new projects but you're just doingmore like DJing now yeah just diggingdigging for for other tracks to mix andlike setting up set lists and shit likethatokay are you gonna try to do any morelike DJ shows I mean now with fuckingnot yeah yeah actually you know what I'mcurious like I've been seeing like a lotof like DJs that are going on yeahvirtual social media and they're doingjust mixes and stuff and like I thoughtabout doing that I would need to buy acamera but yeah I thought about that Imean yeah I could do that ya know thatthat'd be tight no I think there's onedude from Japan DJ Coco have you seenthis fool no he's crazy man he'sincredible like he only uses 45s okayand and nothing else apparently andthe dude is just incredible his mixingskill his like you know blending his hisselection is just bananas I'm thinkinglike this motherfucker must sit all daytill I come up with these these sets youknow he's got to live that life I meanyeah he's nuts man check him out he'slike incredible sick Coco against KOC ohyeah what is he on YouTube or where canI find him on Instagram Instagram okayyeah that's where I see a lot of peopledoing it he's crazy man he's got likethis one like fuckin like he's blind inone eye so like you just like see thisfool doing it likes one eyes like oldwhite looking in the other direction butlike his hands and everything is so fastoh shit and so this is he does he does alot of mixing does view a lot ofscratching or yeah a bit not so much manscratching like that's one thing Ireally like kind of em I mean it's nottotally dead but almost like right youwanna go I don't hear anybody reallyscratch anymore which sucks because theydo it I mean they sweeping it in and ofitself it's become like just like anovelty like you'll go on Instagram andyou'll find like twelve-year-old girlsthat'll out scratch like the DMCchampion straight up but no oneincorporates it into their music anymoreback in the day you would have had somesome scratch hook like the you know DJpremier the 7/3 whatever but now yeah Idon't know yeah no I I definitely missedthat I remember I used to try to scratchit it's like it's a art form in itselfdude yeah for sure I loved watchingthose old bat those like battleswhat is it championships with likeGooglers yeah because it's like dudethis shit is crazy I remember they usedto throw a few shows like in Sacramentowhen I was a kid of like the same kindof thing like they would just bring someDJs in and do it and I was like god damnthis is crazy and it was all like beforelike cerrado and stuff and so yeah yeahjust like you you couldn't just tap abutton and be like okay here we go likeyou know what I mean I can know wherethat shit is on you you see guys withlike they'd stack their records all onthis on the thing so that they can likemix it and they throw that one off inand they keep going I was like dude thisis crazy the process is so it's so crazyI just haven't thought out like yeah youjust planned that shit like practicepractice practice practice practice andthen you got your nice little yeah doyou think you can do any kind ofscratching like that I know you do somescratching but I scratch but I'm backdude nowhere near the level of anythingyeah do you ever try to do that that'slike I never tried to do any like crazyshit like you oldies like crab into theflare into this no no I was always justlike how do I make scratching into partof my productions okay okay like that'swhat I always wanted to do okay like inthe beginning when I first started likeback in college like in Davis yeah likein oh three or something yeah you wouldbe DJing the parties I think that's howI met because you were DJing and thenyou started scratching or some shit andI was kind of like oh this motherfuckerknows what's up cuz like most DJ's likewouldn't do that but I was like oh thisfool has some technique and I thinkthat's why I started talking to youmaybe we're like are you like playingsomething that like some off-the-walllike kind of music and I was like yothis dude was digging for this like it'snot just some fucking Nelly song orwhatever you know yeah I always did tryto do that yeah but yeah that's how Istarted out with DJing parties and shitin Davis and then I also like I waslearning how to scratch but then likesuper quickly I just went you know whatI just want to make my own shit I'm notinterested too much now I'm getting backinto the DJing shit but likelike as soon as I shift it intoproduction that's all I wanted to doyeah so it was like okay like such asfor production I just need to knowsomething so okay I kind of just yeahyeah that's dope so you used outs rightwhen you started producingmaybe oh six oh seven okay yeah that'sprobably when I first heard your musicactually yeah I don't know probably yaknow trying to remember cuz it was likeAnnie I don't you I think probablythrough Andrews yeah I think it wasthrough auntwell I know I think I met you Adam oneof his parties and you were DJ ah likeyuanbao I think we're DJing or somethingah I was probably the Halloween party wethrew no I don't know you before thatyeah maybe I don't know yeah that was along time ago but yeah I I definitelyremember you know what I probably metyou before that but I didn't know youwere DJing but I I really I remember amoment when I was at one of thoseparties and I like heard the DJ justplay something crazy and I was like holyshit dude who's DJing this shit is dopeand then I looked over to wherever youwere and I was like oh shit I know thisdude and I think I talked to you and Iwas like bro you know what's up like youknow what I mean like I had an immediaterealisation that it wasn't some fuckingjust regular ass person just DJing youknow what I mean it wasn't you know wellanyways dude we're hitting about an hourright now so we should probably closethis show out soon do you have where canpeople find you yeah any fucking musicplatform Spotify turns title band campYouTube whatever whatever youtube soit's DJ fiction pH IX IO n is that rightyep yep like we were talking before likewhat were you sayingI picked that name because I wanted aname I could scratch yeah you know Icouldn't make up I couldn't use my ownname I couldn't make up some other nameotherwise I would never be able to findsomething saying it but Iname like shit let me find fucking youknow whoever jaew the damager you knowFat Joe or somebody saying that shitthat could be fiction you know ya knowthat's some old-school shit for sureit's like a lot of people used to dosomething like that because you can findyou can find a record or whatever thatsays that word exactly yeah I know Ineed someone that went by chemical orwhatever there you go same kind ofvalues I just used Serato I mean youcould just have your home where you'llrecord whatever yeah now it's a loteasier you couldn't just do a littleMike shout-out or whatever you needed tolike find a record that you can actuallylike scratch or whatever now it's Seratoyou can kind of do whatever the hell youwant which is which is tight I think itmakes for some I mean shit I haveSerrano right here so what the fuck am Iyou know I don't change Serato at all Ithink it's it's not pushed it's pushedthe world of like music production intolike its realms it could have never goneto so I really like that you know itallows like the I think it extended thelife of turntablism you know what I meanfor sure for sure man you know regulartechniques 1200 you know whatever thatcould have been man it wasn't for Seratoyeah people were just using controllersand CDJs forever yep yep yeah exactlyand so you know it allowed like italmost aloud like turntablism to go moreinto like a mainstream in in a way Ithink I mean not that it wasn'tmainstream in the 90s but it was a sortof dying out out a little bit you knowso but yeah I would save I can't buy theearly 2000s I meanwas I mean still had like fools likeBabu and shit like thatmm that's true battle records yeah withall the steel ones super seal that'sdope so everybody check him outDJ fiction cinema deck it's a reallydope album there's like what 15 tracks16 tracks something like that no is itme okayokay yeah yeah really dope I've beentrying to play I think my phone turnedthe music off but I'll make sure I put aplaylist on this whole podcast so youguys can check that out thanks for beingon dudethis was great thank you amazing manhopefully I'll get this out this podcastout pretty soondope hey thanks for listening guys peace[Music][Music][Music] 

Daniel Zhu, the creator of the popular social media channel, Stance Elements, discusses his insight on how his channels blew up on social media, social media marketing, the bboy scene, breakdancing in the Olympics, and the dance scenes similarity to the Esports scene.A broke degenerate hooligan documents conversations about being a Bboy, Breakin', Hip Hop, Dance, Art, Music, Creativity, Innovation, and the slow subtle crumble of society in audio form. Follow @Instagram: noiseofthebrokeboysTwitter: BrokeBoysNoise Listen to the Audio on all Podcast platforms. All The Links Here: https://linktr.ee/NoiseOfTheBrokeBoys----more----[Music]this episode of noise of the probe boysis brought to you by free time are theremoments in your lifehas there ever been a time no those arenot questions I forgot to finish theyare legit inquisitions i have for all mylisteners free time is something that isoften overlooked in our lives but thesum of all our short moments in lifehappened to add up to many wasted hoursper day in that time consider how manybread making cookbooks you could haveread or how many shake weights you couldhave well shook next time you have aspare second consider using it in a more/ less constructive way by turning onthe noise of the broke boys podcast anddropping us alike thanks for yourcontinued support and now on to the show[Music]in this episode the creator of Stan'selements an online movement artsplatform sits down to discuss thehistory of its creation we discussvarious topics related to digital mediamarketing videography hip hop andentrepreneurship I had a great timepicking his brain about his side ofbreaking in social media that I don'tknow much about please enjoy the episodewith mr. Daniels ooh hellowelcome everybody to the slow subtlecollapse of society in podcast form thisis north of the broke boys I am yourhost Kurt the hurt and today I have aspecial guest his name is Daniel zu heis mr. Stan's the creator of Stan's theCEO of Stan I don't know what is yourtitle grand wizard of Grand Wizard justcall me a creators the Creator witchso Stan's is I consider it like in urbanarts like media platform but what whatdo you what do you call it we call it amovement arts platform movement artsplatform interesting ok yep so thatbasically is saying likeI guess you guys do dance you guys filmtricking you guys do yeah anything yourbody you've in some way can move andthen in artistic format of weather soit's not just dance it's just it'sreally men arts yeah I guess is the bestname for it he kind of made it that waybecause we wanted to just you know notback ourselves in a corner with onetopic yeah yeah okay and so the firsttime I think I saw stance was it was onyour YouTube channel in I don't know ifthat's where you guys started but Ithink that's when I first saw and youguys were posting a lot of footage fromb-boy battles and stuff and now you'vekind of grown to this social mediaplatform and then yeah and then filmingall these other different events and nowit's like I see like literally everylarge dance event you guys are there andit's like I don't watch footage toooften but when I do I immediately go toyoutube type in stance and then look atthat look at what you guys have so Iwould say that you know seems to me likeyou probably have the biggest or atleast the most successful media platformin this space which I'm curious like howthat makes you feel like what thejourney to get there it just seems socrazy it's uh it's a lot of momentumyeah it's a Activ that's I can say it'syou know you start something small andnow it's just you have a lot of momentumand then you know it feels weird likeyou go a couple of days without postanything keeper like so hmm what's goingon yeah yeah and so you just kind ofride that and keep going and goingyeah yeah yeah you know and theneventually get to where you are where Ithink now you're is it your face butlike I don't I think between all yourplatforms you've got like over a millionkind of subscribers or a couple billionsyeah a couple million wow that's greatso I mean that's that's crazy to thinkthat that came from breaking and nowit's to where you are now is just greatbecause you know when I started breakingthis was like events were barely a thingyou won an event and they were likehere's a some gas money and stuff andlike it was the ghettoest shit ever andso to see it now to where you guysthere's a legitimate media company outthere that is traveling the worldfilming all these huge events theirsponsors involved with the events andstuff it's just crazy to see that in mylifetime I was able to see that I meanit's really a short time in a way I meanI've been breaking less than 20 yearsprobably think about 18 19 years so tosee it happen within that span it's likecrazy it feels like we were in the StoneAge compared to to now and so like Idon't know it's just when I when I lookat Stan's it's like it makes me proud asa b-boy to see that we've gone so far toyou know be like a legitimate um I don'tknow what you'd call us but more thanjust some people rolling around on thefloor legitimate movement it's alegitimate movement yeah I mean at leastit's being recognized as that now yeahwe I think all of us always considered alegitimate form but you know yourparents are like rolling on the floorand shit yeah yeah that's our biggest Ithink I think every time we createsomething major or stance or somethingthat we always think about people likeour parents people that don't understandthe dance and we're like okay how can wereach these kind of people yes there'smore of these those kind of people thanthey are dancers oh yeah yeah and sowe're like okay we the more non dancepeople or non people associated with thescene that get addicted to this mmmyou know the more momentum we get yeahyeah and and I do think that that isgonna play a huge part in the the latersuccess of this culture as more peopleget involved with it see it fall in lovewith it and continue to follow it andhopefully participate in it not thatthey have to but I think you'll see youknow right now the participation rate isfrom mostly dancers but I think we'regoing to start seeing participation fromthe like viewers now youno like legitimate fans and stuff like Ikind of compared to like skateboardingor something you know we're you knowyou'll watch it on TV as on like the XGames and you're like dude this stuff iscrazyskateboarding Mme Mme yeah exactly noanything like there's a big boxing fightthis weekend mm-hmm I mean everyone theonline is talking about but who the hellreally boxes uh-huh yeah you know butthey're all fans yeah yeah I mean it'slike yeah a lot of the fans the they'lltake a boxing class or whatever butthey're not like some freaking hardcorein the disguising everybody but it'slike they're talking about anyways yeahit's like it's a casual fan casual notin the sense of that they don't knowwhat's going on in the sport but casualin the sense that they're not in thering punching each other oh I thinkwe're gonna see a lot more of that inBreaking and I do think that you guysare kind of a hinge point of making thathappenmm-hm and I know that there's a fewother creators out there that are alsodoing a similar thing to you guys but Isee you guys that's probably the biggestand also the catalyst to I guess makingwhat they're doing happen as well it'slike I really see you guys as the onesthat paved the way to make it happen Idon't know if you feel that way but Imean I'm a little ice I came from I camefrom the other channel to strife that'sright and that literally did pave theway that's right yes Drive yeah I guessthey yeah but you were involved withthat right and I guess yes like onceonce strife kind of whenever wentwherever it went you kind of took it tothe next level and continued to to pushit to where it is now so I don't knowit's just it's just cool to see that nowmm-hmmchanging topics uh I'm curious how youactually got involved in the hip-hopscene the dancing cuz I know you're fromSouth Dakota which yes like all I canthink of from there is like oil fieldsand like snow is that rightlike I don't see hip-hop is somethingbeing up farms farms yeah there's yeahpretty much there wasn't really muchhip-hop at all yeahbut I got I got into the scene becauseof college okay yeah and you went tocollege out there or no I went tocollege in a university Wisconsin okaythere's probably not a lot of b-boysthere either actually I have a friendwho's going to school in Wisconsin nowhe's in med school and he says there'snot a lot of people so imagine there'sprobably more than South Dakota there'sa lot more than South DakotaI mean Wisco Wisconsin you got thebenefit of you got the Milwaukee sceneyeah that's right you got the Chicagoscene okay they're all within an hour todrive away so you know when I started Igood friends with like motion disordersyeah yeah okay you know Rick heads Rickheadsyou know Chicago tribe Chicago Tribuneyeah yeah yeah so but no college was youknow you see you hear about these likebreaking clubs that they have in collegeand that's how I started you knowthat's tight ya know I have a lot offriends that did the same thing I meanone I went to UC Davis I was alreadybreaking before them but like once I gotthere one of my friends he started heused to do the Warriors games with meactually he started a club and I waskind of just a bum and I was like I'mgonna really be a part of I mean Iwanted to be a part of yeah but I waslike kind of like how about you do thework like come and break but he built ithe built the club up and he did a lot ofstuff with it and like introduced somany people to the dance and I look backand I'm like oh man I wish I could havebeen more involved with that now it'snot been so I guess selfishcuz the back then I was just like oh Idon't care about this I just want tobreak yeah but seeing seeing now thatthere's a lot of guys that started thenand kept goingI mean think is really cool and and andthat I'm seeing that happen more oftennow is like when people are going touniversities they're like beingintroduced to a lot of new things andhip hop is one of them in fact now hiphop is kind of being taught in someuniversities as like a subject yeah likea curriculum yeah there's a yeahI know a couple people that do that Imean even here in LA you gotI think UCLA and UC Riverside canswiftly he teaches okay I didn't knowthat yeah Wowyeah though I know my friend Serge frombeets and pieces he teaches out in themin the Bay Area couple schools I thinkum and then there's another guy who's Ithink in Chicago area who does it yeah Imean it's starting to get a lot bigger Ithink why not does it - yep all ski Paulski okay yeah so yeah it's yeah it justblows my mind to think about like thatlike those guys were there like ones youknow 20 years ago rolling on the groundyeah they're like oh yeah that's coolbut you know it's just rolling on theground but now it's like some stuffgetting taught in university so it's Idon't know it's just cool it's cool tosee that that can change we'redefinitely in a time where yeah I guesship hip hop culture is being more comingmore to the forefront of I don't knowcommunity pop culture I guess is thebest way to say itmm-hmm right before it was such anunderground movement and now it's nowit's a university course if that wasoffered nowadays and I was still inschool I would totally take it yeah Iprobably would do just cuz it's fun tohear the different viewpoints on thisculture because you know like I grew upin in Sacramento you know I know youknow somewhat history of everything butI know it from the point of view inSacramento so go into a universitylearning it from maybe someone who'sfrom New York or whatever in you know inKent Swift's case hearing where he'scoming from it's like hearing all theseperspectives it gives you a betterunderstanding of like what what thisculture really is yeah and I thinkdefinitely people who only know hip-hopmusiccoming into a class like that would gainso much stuff because most of my friendsthat only know hip-hop through musicthey don't know anything about like howhow breaking really helped create thatmusic in a way and I guess they don'tmaybe understand how direct that thatwas you know in terms of like the onlyreason a break really exists is becausea DJ was like oh I want to see thatdancer go off yeah let me replay thispart of the song and then oh let me rapto it okay oh now that's hip-hop musicoh dope that's like that directconnection I don't think a lot of peopleunderstand that and so I'm happy to seethat now there's that's becoming morethe forefront of the hip hop Coleman sohopefully hopefully casual musiclisteners start you know understandingthat too so but anyway so some so fromSouth Dakota to Wisconsin and then nowto LA were you in any place beforebetween there yeah okay so I was so inbetween college and here in LA I've beenin a bunch of places actually uh been inWashington DC okay then in West Africanice piece of court been in Alaska okayI've been to from Alaska up into Koreamm-hmm South Korea that was not NorthKorea no you know you can't not allowedin North Koreabut been to South Korea that was purelyon the fact that I just wanted toexperience the dance culture there okayI got a job just like his win oh youknow that's man that's that's crazy tolike to just go oh man I'm gonna pick upeverything I'm gonna move to Korea andlike you know just for the dance that'stight yeah yeah yeah and then and thennow here and then to Minnesota and thennow here in LA so I've been bebop inquite a bit and so where did Stan's fitin with that or I guess Drive TV andthen Stan's where did that fit in likewhen did that start for you like wherewere you2008 strife startedand that was all because of my collegefriends okay my friends from college atthe university Wisconsin we're like heythey recognize the need right they werelike wheat there's not an officialchannel that provides high qualityfootage yeah we'll do it yeah you knowand they moved here to LA - okay andthey they're the ones to film backgroundso what I was a career at that time andthey're like Dan you're in Korea Koreaseems really big can you get a cameraand film for us oh and I'm like sorrylet me let's do this Wow so you kind oflike fell into the film world right solike they just said here's like you knowgo get a camera and you have did beforethen have you ever thought that youwould be doing any kind of filming Ohwhat No uh sort of I am prior to beingin Korea I was in Africa and Alaska andum I you know I had a camera and I keptI did like blogs mm-hmm I had a head ofthis thing called a live journal wayback then okay um and by you saying uhyeah basically just showing people mylife yeah in other countries and it wasfun so I was thinking you know what it'sjust be like that in video form okayyeah I but I didn't go to video schoolor anything I my first Kim was a flipphone those like flip cameras in Koreaand that's where all the Korean strifefootage was car you serious I kid younotthat's funny oh man I remember going toa jam back when uhlike cell phones just started havingcameras and they were like you can't butya know dude that's crazy they'refilming I mean yeah that's that's reallylike the beginnings of YouTube I thinkall the footage on there was like2008-2009 around that time yeah it waslike flip yeah yeah that's yeah but itwas like those big Korean events thatyou never see yeah yeah yeah he had thegamblers you had the gene shows you hadthe ti peas you know like old schoolrivers old school like everyone wantedto watch that stuff yeahthat yeah that was me and so you werethe you were the pioneer of putting aKorean footage out I guess I mean Iguess there's a couple other guys thatwere doing it but that's I guess in theYouTube era that was you Lee you huh sointeresting so then from strife it whendid Stan's come about so ideally wewanted strife to go to where Stan's wasokay but all the rest of my friends justkind of lost interest in filming okaythey yeah they they either moved or theyjust didn't find interest in breaking oryou know they had other interests yeahyou know and so I was the only one andso that's when I created Stan's mainlybecause you know if you know just forbusiness purposes you wanted to be anactual owner I wasn't an actual owner ofstrife I guess just helping out at thattime yes okay so you're just you're anemployee of strife and then you you knowI guess you had the vision to create itto to where you took to where stancesnow and so you said okay well I need todo this if you guys aren't gonna help medo itexactly then build stance up owner andnow you have like a couple guys with youright it sucks starting from scratchagain with like zero views and yeah zeropeople it'll come but it came and uh youknow you still keep your real lifeconnections you still keep you you knowyou're friends with this event organizerwith your friends with all these otherb-boys and then definitely like when westarted Stan's a lot of people that werefilmed with me that I recruited tostrife came along okay you know sothat's why we had mad tech out in thebay he came along to Anderson out in LAhe had my friends out in the UK okay andthen I had another friends in Korea sowe covered a great portion of the worldscene yeah without you know mephysically have to travel there yeah butyou still travel a lot I switch outquite a bit yeah yeah but you got yougot a good team that's we have a goodteam like you know a good standingyeah good understanding yetthis this whole vision alive and runningand so like I guess how do you see itexpanding do you see it expanding moreto like getting more employees going tomore countries um I've been alwayscautious on expanding mainly becauseit's hard to keep quality control mm-hmmyou know you have you need to have thesame vision and then at the same timeyou need to have like a certain type ofteamwork involved that's you know ifthis whole stance fill thing wasn't funin the first place I wouldn't be doingit yeah yeah you know the less so it hasstill has to be fun for us yeah for sureyeah right and so yeah we do we doexpand we were trying to I think I thinkat the at this moment we're pretty goodfilming events around the world I thinkwhat we are working on next are justquality stories that you might not hearhmm within not only dance but otherdancer interests yeah yeah yeah and thenas well as other areaChandra's that we have a big interest insuch as tricking tricking yeah yeah Ithink the tricking is the next big thenext big thing yeah okay yeah um it'slike with all these new countries comingin I imagine it gets hard to reallyjuggle that and so yeah it seems likeexpanding your company to cover all thisstuff is like probably on the forefrontof like making stance successful and Iguess yeah training your team to youknow keep that same quality and then Iguess like figuring out what works withthese new things like tricking and stuffbecause I imagine the way you film andcover a b-boy event is probably not howyou cover a tricking event maybe there'ssome crossover but like there's youdefinitely gotta like get involved withthe scene to really understand likewhat's okay what's not and and then likejust go full in and then and thenunderstand that I guess maybe it's notsuch a big test but I'm just imaginingme if I was a videographer which I'm notI'm terrible at this kind of thing butlike I would I would I guess I wouldknow breaking because I'm a b-boy and Ican like know okay I don't want to jumpin the middle of the circle and likegetting this dudes away but liketricking I think I would just freakin goto the back of the room cuz I ain'ttrying to get kicked you know what Imean so it's like but I'm sure thatthat's not the best way to get footageso it's like figuring out where you gota stand-in like you know what's notgonna mess them up when they're doingtheir thing I feel like that's probablycore to like what you guys need to dofor that there's a lot of crossover it'spretty goodmainly because though uh you know whenwe decided stands to be a movement artspage it's because we looked at ourselvesand were like well we like dance whatelse do you like to do I like to go to agymnastics gym and mess around and jumparound okaylet's add that in what else do you liketo do this person likes to skateboardokay let's add I did what I'll see youknow when we think and so everyone haslike a different interest really drawupon different influences and likewiselike people trickers and gymnasts theylike to watch dance tooyeah yeah so you're like okay okay thisthere's so much crossover between allthese different things I mean like forone thing I think like music productionand stuff I think it actually crossesover with dance a lot more than peoplethink it does like I've started gettinginto music production a lot no I knowTech has too and it's just like I thinkas dancers we understand music a lot andso producing music becomes a lot easierthan I think someone who came in coldand I would think that I would think thecrossover between a producer coming intodance would probably be the same I meanbecause they obviously understand musicto a very high degree they might notknow how to move their body quite thesame way but that's just a matter oftraining a little bit to figure it outjust same same thingwith a b-boy trying a dancer trying tolearn music production it's like you gotto learn some of the music theory andeverything but like once you understandthe tools it's kind of just like getyourself into like a creative flow stateand just let it gocorrect that's like how that's how I'vealways been I mean IIIi was a painter along time ago and um and that's like howI would always paint is all just kind oflike get into the mode of painting mymom my mom is an artist so she kind oftaught me how to do this and then once Icame into dancing it was like the samekind of thing once I learned like a fewfundamental moves it was just like youget into this creative flow state andit's just like the same thing really butyou're just using different tools in away so yeah um I don't know I I imaginethere's that that's the same thing withlike filmmaking too like that you kindof you guys get some kind of creativeyou get into some creative groove andthen it just turns into like hours andhours and hours of you like making thisa really cool project or somethingthat's totally editing that's basicallywhat I've been doing for the entire weekediting pretty much yeah yeah I I'veedited a few videos in my life and theysuck a lot but it's yeah it feels thesame way that's the way to get betteryou suck a bunch and then you keep onsucking and yeah yeah just keep doing ityeah yeahthere's some good quotes on that but Ican't remember but yeah basically yeahit's the best way to stop sucking I lookat my old videos I'm like what was Ithinking yeah but that was a good ideaso I'll take that little bit I look atthe pot the old podcasts I've I recordedI'm like what the hell was I thinkingbut my god it's getting me to where Iwant to be then you're thinking likepeople really watched what I did dudeactually I haven't even posted a singleone because I keep looking back andgoing oh manlike I'm starting to figure out how todo podcasting a lot better and I've beenfiguring out like how to film better tooand so like now I'm looking at it likeoh I don't want to release these oldones cuz like I straight-up just didn'tgive it I like would walk in I mean likeI had good equipment but yeah I wouldcome in Ididn't have like a studio I mean I stilldon't really have a studio they justhave a freaking blank wall with somestuff on it but like I straight up wouldjust bring my equipment to like afriend's house they wouldn't haveanywhere to put it so we would likerecord on the floor and so it was ghettoas hell but I'm just like oh you knowwhat that brought us and it's not likethe conversation wasn't good I think itwas good it's just like if you don't seeany video you're like okay this was coolmaybe it was done in a real studio butyou see the footage in like all thesesitting on the freaking carpet so butyeah I don't know yeah humble roots Iguess is the best way to call it mm-hmmand I guess you guys have your own yourown humble roots as well so where do yousee yourself going next I mean like youobviously have a vision of where stanceis going but like what other hobbies areyou into and like how does that involvewith like the rest of your life and likewhere do you see that taking you I meanI see you have a league of Legends likeKeith I you know I I love eSports yup Ilove eSports obviously League of Legendsis huge yeah overwatch is huge you knowit's a it's a big scene yeah um andthere's actually crossover betweeneSports and like a movement arts - yeahbig I mean it's I mean competitive sceneI would think that there's like a lot ofcrossover in terms of like manydifferent they how people are reactingto each other some merchants hold on soeSports um I don't know a lot abouteSports but it's like it's reallyintrigued me to see where it is becauseit's kind of like I kind of look at itit's like breaking in a way because likeagain when I started playing video gameslike Super Smash Brothers when I waslike in middle school or whatever I waslike oh cool we're just gonna go over tomy friends house and just play orwhatever and now it's like there'slegitimate competitions for legitimatemoneyit's like broadcaston the internet and has started aroundthe same time it started around the sametime so it's like the scenes are kind ofgrowing I think it's really it comesdown to this digital age I think is it'sit's allowing everything to get aroundto more people but it's just so cool tosee all these new communities of youknow competitive sports competitivewhatever out there and and you knowsomething that I never would havethought would happen or I like I justdon't know anything about seeing it ifyou look at our stance produce livestreams with the commentators and mm-hmmthe way they talk to people and stufflike that it comes from eSports oh yeahI kid you not it's um I look at Leagueof Legends I look at Street Fighterlivestreams I'm like I want that settlewell I want that's it I like how they'reengaging with the audience I you knowthen that and that's where totally ourinfluences come interested you know theylook like they have a somewhat similarbudget to us that's interesting you knowthe ugly bar I I'm influenced by eSportsa lot and then you know I'm alsointerested in you know other things likeyou look at other influences of eSportshow many dance emojis there are ineSports no no like for tonighteveryone's in everyone's doing this fortonight moves rightI actually I have a theory that like thekids now that are learning to break youknow that are young like elementaryschool age are gonna start doingFortnight moves in as actual breakingmoves I think that's they already youknow yeah they probably already do theyalready do that I filmed the battle toit I filmed the battle two years ago andthis guy just flipped up in the air andjust laying on his side and then did hislittle floss move or something yeah it'slike okay it was it was fun it was funto see yeah but they already do and youknow it's uh if it gets them hooked tothe scene then yeah yeah it's yeah Ithink it's a good thing to see thatstuff I mean there's a lot of likebreaking purists and stuff that go likeoh it's not it's decreasing the rawnessof it but I think that those are justlike old people thatsalty or whatever I think seeing well myperspective is that the if you thinkthat that's gonna degrade its rawness Ithink you weren't raw in the first placeI think that you're you're you're justyou're trying to crap on someone else'sparade this this person sees somethingand now they're invested into the sceneI think that's a good thingand period really like I can't see areason why that would be a bad thingthat some what some new people are beingintroduced into the dance every everygeneration basically every decade thator so there's there's always like dancerelated media out there or names relatedtrends that that may seem cheesy at thebeginning yeah but it gets young kidsinterested yeah you know I've seen theirstories of like really high competitivedancers that started with you got servedoh yeah and like that movie if youreally saw at me and that was supercheesy it was a cheese dude but theystarted and now they are at the top oftheir scene right now and they arefucking wrong yeah yeah beat Street isthe cheesiest movie ever you know that'sa hot take but battle me Beach Street isso cheesy it's a dope movie sure butit's cheesy as hell breaking is breakingand breaking to electric Boogaloo arealso two of the worst movies everI mean cheesy in terms of were worsethan cheesy movies even Flashdance dudethat was probably the first timebreaking was on like a big screen thatmovie's cheesy as hell it was a catalystand got people to catalyst yup yes so Imean yeah I don't know I think it's um Ithink it's it's great to see that and Iguess with the with the oncomingOlympics in 2024 which is in Paris Ibelieve yeah now you're gonna see it onanother stage to a whole new audience Ithink we're gonna also see a huge influxof new b-boys as well there already isbecause Olympics yeah and from the theJunior Olympics right from the Juneit's like I try traveling around the USAjust the USA itselfa lot of my friends as dance studioshave had influx of students that justwant to learn yeah you know so manylittle kids are enrolling in their dancestudios and it's great yeah I think it'sgreat too and and that's just the USAyou know Japan is another monster Russiais another monster China especially Imean you're just getting kids enrollingeverywhere yeah and these little kidscan fly and yeah you can fly I didn'teven break when he you know he's like Ididn't start breaking the laws maybelike 14 you got these 10 year olds thatare like flying and stuff so I'm likedang dudewhat is breaking gonna be like when theyare my age I'm 32 I mean maybe maybetheir bodies just gonna be broken butlike if they're 10 years old and can dolike twice as much as I can do dang dudeI don't know I don't know what to saybut they're gonna be crazy yes yes so Ithink that's exciting to see thatso I guess once the Olympics rollsaround in 2024 we're gonna see some veryhigh-level stuff there and I get youknow what I'm curious about actuallywith the Olympics and I don't know ifyou would be the person to know thissince because you are like a it on theadvisory board or whatever right and soI'm curious like how they how they planto actually do this is it like gonna bebattles as like were used to in thebreaking communities they're gonna bemore like a showcase kind of thing likelike a show or something I know they'redoing what like a 1 one-on-one kind ofsituation and then I guess I'm curiousabout like how it's being judged and Idon't know maybe maybe yeah so thecatalyst of the Olympics is WDS F worlddance sport Federation mm-hmmthey're the main dance sport you knoworganizational group around the worldand they like oversee all the dancingthere so like salsa and correct yeahyeahand luckily they've organ they did theYouth Olympics two years ago yeah lastyear they did two other events the WD SFchampionship in China and then you hadthe world urban games on Budapest sookay it's and you there's already videosonline of those events okay we wecovered a couple of them and it's it'sjust it's really just and they have ajudging system they have you know justlike any normal dance event that youhave like the judges that we're used toyou have the competitors that we wereused to hmm things like that yeah theDJs and the music that we're used to soit really isn't any different it isn'tany different than other breaking eventsthat we have seen okay I guess the onlything that only difference is thatthere's so for me I feel there's a lotof rounds it's okaylike oh my gosh it was like the ready mogroup stage and then you have a tough 16to 8 and your people those dancers weretired those dancers are tired so werethey doing like five round battles everytime or something or it was like it waslike two three round battles every timestarting from group stages I actuallymissed that because when I first startedbreaking that's how it was it was likeyou would go a crap ton of rounds andyour rounds wouldn't be like as long asthey are now and so yeah I mean I thinkbattles were just longer I don't knowand then now it's like you see one roundbattles which to me feels kind of weirdI don't know it kind of works I guesswith what we're doing now but it's itstill feels weird to me but I don't knowthat I think that's cool that they'redoing more rounds but it definitely putsyou to the test I can imagine you gottabe an athlete you have that stamina yeahyou gotta be a gold medal athlete to getthat gold medal yeah yeah but I meanyeah I guess that comes with theterritoryyeah but no the organisationally yourall the stuff that you see is onlinealready Youth Olympics in 2022 gonna bein Dakar Senegal that would be anotherwarm-up for the Olympics in 24 but Ithinkyeah having Paris be the forefront ofthis is gonna be greatyeah cuz that's the first time I don'twill be a part of it right yep and it'llbe most likely you'll be they haven'tdecided yet already but it's most likelygonna be one-on-ones okay just keep itsimpleactually I know I know we want to seecrew battles but yeah the first time Ifeel it's too much we got is just startwith one on ones firstyeah yeah yeah what what do you likemore as a sidenotecrew battles are won on well Holly Ilove crew battles do you know I'vealways loved crew battles and anotherhot take is like I freakin love watchingroutines and know there's something likepurist b-boys that are like routine suckand stuff but like I don't know I'vealways loved routines I'm the crew Iused to be a part of his flexible Flavoh you guys had great routines yeah dudewe like we're kind of on the I don'tknow innovators I guess of the routinegame and so like I don't know I'vealways loved doing routines and stuffand just watching new stuff coming solike you know I was inflexible Flavuntil 2020 no it's 20 2007 I think iswhen I stopped 2008 maybe 2009 I don'tknow I don't know one of those dates butlike before then it was like we werealways making these routines and like wewould see another crew like starting todo the same thing once we stopped oronce I got out of the crew then youstarted seeing more crews like jinjo andstuff coming out at that point I thinkrivers and gamblers were already likehuge on the routine game and so it's Idon't know a top 9 huge in the routinegame so I don't know I missed that cuzyou don't see it so much anymore I thinkeverybody used to cut mad cuz all thosecrews are winning every I love crewbattles because like like Saints likesame example your crew you had when yourcrew memberswell associate chram it was dizzy rightoh yeah he was he was not really flexplay but he was like he would enter alot of battles he understood the theFlex Flay battleyeah ala D which is like you're notgoing you're you you it's like there's acertain way to winyeah yeah right and whether it isthrough teamwork or whether it's it'snot the hardest move it's just how youdo it yeah and that's what and that'swhat made like crew battles so more muchmore intriguing you have someone do acrazy move and the other team willrespond with something totally differentyeah hmm what the routines what I alwaysliked about routines was that it wasanother element to control the battleyeah like with one-on-onesyour arsenal is kind of your limitationto controlling the battle like you seethis guy attack you in a certain way youcan do a lot of things to to respondright but like with a routine you canalmost like bulldoze them a little bitbecause they throw something at you evenif they threw a routine at you then youturn around and eat and you can goalright here's this crazy trick boomhere's another crazy trick here's thisreally cool choreography set and nowboom flip over BAM there's a dude andhe's just gonna like do what a normalb-boy would do in like go off andrespond to everything that you threw athim it's it's just kind of like extraicing on the cake Joe to say that youknow we we're controlling this battlenow you know and so that's why some ofthe greatest battles in in history Ithink have always been like crew battleswhere you see something like you'll seeone crew really controlling it then allof a sudden boom it's like the tidetotally shifts and I feel like a lot ofb-boys maybe felt that routines werelike hacks in a way it gets to refer tolike eSports like they're using hacksnow because it's like it's so effectiveto like to draw another crew into yourinto your own into your strategy to winif they can't respond with routines welland usually crews can't it's like oh noI'm gonna lose now you know you got tothrow some really crazy thing you got tohave pocket take every freaking roundafter that - like really respond oh soit's like I don't know I definitelythink they they felt like it was hacksbut but you can tell bad routines youcan yeah there's definitelyyou can beat bad routines with a goodsoul around yeah sure but it's hard tobe a really good routine with a solo andI think that just goes to show you thatlike that's how powerful a good routinereally is and so I think to embrace itand say okay I'm gonna use this as partof my strategy is is is something that Ithink the whole community was ontosomething when it was really sparkingoff and then when there was this bigsurge in people like not liking and Ithink it kind of killed it a little bitso but I'm seeing it happen more so I'mexcited to see maybe like some crewbattles in the future with maybe even inthe Olympics yeah I like watching crewbattles this year you can this you'regonna have five and five freestylesession okay cool pseudo crew battleyeah I went my personal favorite eventto film is battle year okay I lovewatching battle year do you like it cuzof the shows uh the shows are cool Ilike seeing my favorite shows actuallyare seeing countries that don't get achance to be on stage oh yeah like soyou get to see the Senegal's you get tosee like Madagascar you can oh yeah yeahlike country said alright normally onthe stage see it those are beautiful funand then I like to see you knowsometimes I like to see the battleswhere you have a country that you didn'tthink of make it you know last year lastyear Venezuela came all like Venezuelaya know when two years ago was likeThailand uh-huh you know like that thoseare funny yeah whenever I see stuff likethat I'm like dude they got breakingover there and I mean like that's kindof an ignorant thing to say butespecially because my brother Vincesanity he's he teaches he has all hisYouTube videos yeah and he he alwaysshows me like where his videos are beingwatched in a lot of them are like inthese crazy third-world countries I'venever heard of you know and so but thenseeing them come to like the stage ofbattle of the year and you're like ohthese guys are like really good - yeahcrazy soI don't know what I guess what in battleI don't really haven't really seen a lotof battle of the year recently but dothey still do those shows the showyup cases okay cuz I always thought thatthat was such an interesting way to likeweed out crews - you're like top fourthey probably do like top eight they dotop six now 600 that word the first twocrews no I'm gonna buy Ohgonna buy and then you have fourwildcard interesting so then the wildcarves battle and then they link up withthe first first place in second placecrews tie okay that's that's crazy yeahthat's because yeah I used to be justtop four yeah and you know they came allthat wayyeah and what do you want to see morebattle yeah no there was a there's astory I think of like cuz the US wasbanned for a long time for comingbecause I think one of the crews I'm notgonna say who was but they came andapparently like destroyed like a hotelroom because they didn't make it to thebattles and thought that they shouldhave and so then they were like you knowu.s. is banned and then I think it tooklike good five years or something to letthe u.s. back in so not that not thatthey should have done that or anythinglike that's definitely a bad way to actbut you know now you know having moreability to make it at us top categoriesI think it's like nice because becausereally like breaking has expanded somuch you're gonna have so many peopleending I mean on all these bigcompetitions I'm always seeing like fourhundred people entering or something andit's like geez man that's crazy I'm usedto like 10 people and 20 people enteringor whatever you know it's just more moreinterest more more people interested inyou know yeah and you haven't gonecheyna yet yeah you've got full days 13hours of prelims Wowthat's I mean that's insane yeah I meanyeah I guess yeah I guess that's anothertopic by itself I went to ibe and theyhad a whole day of likeprelims I remember and it took a longfreakin time it wasn't 13 hours but feellike it was like five or six hours orsomething like that just like kind of inthe same it's like a jam in itself youknow yeah kind of like you gotta winthis Jam out of like fifty people andyou know they have like a bunch ofdifferent groups of that you gotta winthat and then you're going against allthese other people that won their groupof fifty the next day or whatever that'sthat's insane so but but it's anexciting time I think for breaking forsure going back to the Olympics I hadanother question about it because likeso you're saying that Olympics is youknow for the most parts as far as youcan see it's very similar to the eventsthat we are used to but I'm also I'mcurious about like the rules that theyhave in terms of like who canparticipate because I know there's likeyou know in others in other Olympicsports there's a lot of stuff likedoping in the event in drugs and stuffand like I don't know not to put the thebreaking scene under the bus but there'sa lot of people that use drugs and soI'm like I feel like the OlympicCommittee would probably be like youknow what I I don't know I'm not reallyfamiliar with drug testing I don't knowmuch about it but I would assume there'ssome kind of requirement I mean luckilythe Olympic start this year 2020 andsimilar sports such as skateboardingwill be there for the first time is itreally yup skateboarding Oh surfing soeverything - yep so just keep your eyesopen that's if you see what happens yeahI mean you can't say that people thatskateboard don't do drugs yeah I meanit's prominent in I imagine every cloudyin sport but yes sir us snowboardinglike oh sure you know so just keep youreyes open see what happens and yeahbasically like skateboarding is greatbecause you you you you take a look atwhat its gonna happen at the Olympicsyeah and you're like okay similarlythat'swhat will happen to breaking in 2024mm-hmm in terms of you know media andyeah coverage and things like that yeahI I guess I'm I'm a little bit scaredbecause like I know that the breakingscene kind of needs to be on its bestbehavior a little bit when that comesaround or else you know the Olympicscould just be like ah these guys are toohard to work with so you know I know itand the way the reason I'm bringing thisup is cuz like I know like the stuffthat happened with like you deaf and howSteve Graham decided to just kind ofcome cancel the whole thing really andthat was really kind of a decision Imean it was a personal decision for himbut a lot of it came from he was gettingso much backlash from the community andstuffiness like I don't want to dealwith this anymoreyeah and unfortunately he you know hadto just terminate the the whole set ofevents and and I guess really hisbusiness so I I don't want that tohappen when the Olympics comes downbecause I think that that'll be just ahuge punch to the face of the wholecommunity because there's so many Iwould say like 95% of the communitywants to see this once I see thecommunity grow wants to see more peopleinvolved want to see fans want to seejust I guess it in the Olympics it'slike an accomplishment to the scene tosee that happen but then the small 5% ofpeople that are like I'm too raw forthis could easily ruin it for everybodyand so I and that's why I'm I was askingthe question about drug test cuz it'syou know I want everybody to to have theright information going into it ifthey're thinking about competing in itjust be aware that maybe that is gonnabe something that's involved with it'sokay if you're a drug addict get cleandude not just for the Olympics but foryour own health but so but yeah I thinkbeing the scene being on his bestbehavior I think will be the best way toreally like prove that we are worth itbecause I think showing showing theOlympics not that we need to like proveanything but I do think that firstimpressions matter a lot and this isgonna be one of the first impressions Imean I guess we saw it with the JuniorOlympics but I imagine you know thesekids you know they have their parents tolike stop acting up yeah but we're gonnahave a lot of adults that I feel I feelwe're pretty good on a big stage I meanyeah I think so too you take a look atbig stage events like BC ones there yeaheveryone's on their best behavioryeah you know every I've just heard alot more chatter about the Olympics cuzthere's just a lot of like people goingoh it's run by you know whatever salsadance whatever and like I don't knowwhat you're talking about but you knowit seems to me like it's gonna be likeany other event just you know now it'sgot the backing of a big organizationand it's on a bigger it's on thisdifferent stage I guess yeah but it'sit's business as usualI would imagine same kind of music samekind of judges same kind of thingeverything you would expect justdifferent audience Madrid you know or amixture of the new audience and theexisting audience so I don't know it'sexciting and a little scary I think Idon't know I mean I'm I might just be 2or being worried for no reason but butlike I said just take a look at snowskateboarding this year yeah andthere'll be something similar yeah ok Iguess skateboarding has been on a largestage for such a long time I mean withthe X Games and stuff so I think a lotof people I mean in a way skateboardingis probably 20 to 30 years ahead of thein the pop culture aspect as breakingbecause it's been on that stage sincemaybe like the 90s or like maybe mid 80sor something and at that point breakingwas barely even knew a thing at thatpoint so but anyways yeah I don't knowmaybe I'm just rammedbut it it's something that that worriesme a little bit about it and I guessalso judging because um eivol eivol wayshad a thing about judging because itthis is like a art form and in a waythere's a lot of opinion that isinvolved with a judge's decision of whowins and I've always been curious howthat would play out on a larger stage orlike you know when an organization suchas the Olympics is backing an event ifthey're coming in and going like ok wellhow do you guys judge this and they gooh you know we point to the guy wethought we want and then they go oh wellwhy and then you go give me like somequantitative curriculum or give me someyet quantitative reason for why they wonit's really hard to do that I think Imean you can we can say okay it's on apoint system we're giving you thisamount of points for this type of moveor this you know this particularcategory but I think when it startsbreaking down like what you're judgingon it kind of falls apart to whereyou're just going like I like what thatdude did over what that dude is so it itbothers me a little bit cuz I think ifyou know the Olympics starts like reallydigging into what that is like what howthey would react to that I don't know ifmaybe there's other sports Olympicsports that are judged in a similar wayI mean if you're skating figure skatingI was thinking like because you're apurely numbers opinion-based sometimesyeah I know but with with figure skatinga lot of times as they say okay here'sour routine that we're doing and then wehave these big moves at this point thispoint this point so they know what towatch for and then ultimately they'regrading them on how they land that thosemoves and so they have a point system onthat and then they'll give them anotherscore on like their creative creativityand like all the dancing and stuff thatwas involved with that I think thatcomes into that score so there's like asmall part of it that's on that kind ofsubjective scale and I guess that worksI guess it's also kind of with floorroutines forfor Olympia Olympia gymnasts it's kindof the same thing but I was trying tosee how that relates to braking and itwas hard for me to figure that outbecause it's not like you're going up tothese judges and saying hey I'm gonnahit every flare flare windmill 90 andthey're like okay I'll watch for thatyou do it dude and then you're gonna geta creative score for like whatever otherthing you're gonna do but I mean a lotof it is how you're responding tosomebody right and in a way I think it'smore like combat sports because you dosomething to me and I'm gonna react toit in a way right and then I dosomething to you and you're gonna reactto it away so to me it seems like somekind of merge between those two thingsand I just don't I don't know judginghas always been kind of like on my mindabout how you know because I thinkthat's probably one of the other hingepoints in making taking breaking fromwhere it is now to the like you know NBAlevel sport or something MMA level sportI think the way we've always judged jamsand events now has always worked and wehaven't really questioned it too muchbut I think when it moves into you knowbigger space where there's like actualcasual audience they're gonna go likehow do I know how do I judge this myselfyou know what I mean in like with youknow like UFC fighting casual fans dounderstand that you know because theythere's there's a lot of just criteriathat is spelled out on how to make thatyou know how to how to I guess get yourwin right and breaking I don't thinkthere is that like because I justimagine if I showed a battle to my momwho knows barely anything about breakingI mean she knows something but I don'tthink she could judge a battle but if Isaid who wins and it was like close Idon't know if she could probably figurethat out you know because there's notreally a quantitative way to do that andalso I think there's an argument to bemade that it there doesn't need to be aon a tative way because this is again anart form and I do think that when ajudge says I like that's what this guydid and his around more than that Ithink that's actually a legitimate wayof judging because again it's likejudging a painting two paintings thatare completely different from each otheryou might be like I like thebrushstrokes in that and that shit lookslike crap to me you know that's why Ilike that one more and then someone elsecould be like oh I like you know thecolors in this and not that one that's alegitimate point of view too so I don'tknow the the merger between those Ithink is is something that's always beenin my mind of them like we're breakingis gonna be in I don't know if thereever will be a solution to that and I Idon't imagine you you have a solution toit either partly judging so complex it'svery common I'm just happy I'm justdoing video yeah yeah yeah there'severyone has a different judging formatand a judging system definitely yeah soso yeah I just figured that maybe theOlympics was gonna be more of like akind of strict on like what they'redoing well I mean they use the systemthat originated from renegade and stormand okay so I mean like I said look atthe Youth Olympics okay that judgingsystem will be familiar with thatthey're still in play it there's a lotit's a lot of numbers it's a sliderbased system oh I'll have to look intothat YUMyou said that was from renegade andstorm renegade storm there's a coupleother people that involved with I wouldsay neke from rugged 's okay would behelping out but if you look in the YouthOlympics if you look at the WDS Fchampionship from last year in Chinathey all use it so it's still I mean Iwould assume buy-in within four years orso when 2024 they would have a more firmyeah and there's a big handbook to it toa big hand but everyone has to bebriefed I wouldn't hit a handbook I kindof want to read it it is online actuallyokay yeah yeahokay cool um yeah I'll have to look intothat yeah cuz that that's that'ssomething that I've been like reallytalking to so many people about and it'sit's kind of something that you know weall are kind of like stuck on and Iimagine everybody's stuck on it but likeat least seeing you know where we're atnow maybe building on that cuz I knowdizzi has his systemyeowch I think is a good start my issuewith his system was always that like andfor people who don't know it's there'slike five categories and you have onejudge for each of those categories Ithink that's like a pretty good startit's my problem was always that you kindof have this one you know monarch ofthat particular thing that particularcategory but ultimately I think everyall five of those judges probably havesomething good to say about thatcategory so i i imagine maybe that's howStormin and renegade system maybefactors more into like every judges maybe judging on each of those categoriesright okay yeah cuz I think that thatwould probably be a little bit fairerway of doing it or at least like more ofa mud majora majority rule type of wayof doing itthis this I had this one idea a longtime ago and it was to just have like 20judges and hear me out cuz I know itsounds crazy how do you afford 20 judgesI don't know you can't afford it I don'tknow I don't know yeah but cuz breakingkind of started as like you know acombat between two dancers in a circlewith a crowd and usually you were tryingto like burn the other guy in front ofthis crowd to you know get a responsefrom the crowd so in a way the crowd isalready the judge from the verybeginning of whatbreaking was so it kind of makes sense alot in now that we're in this more youknow well-defined Creek competitiveworldthat maybe it makes sense to just have acrowd of judges right twenty peoplestanding around the circle or whateverand they are judging as if they were acrowd member but instead of it justbeing like your mom and you know yourgrandma or whatever to around in thecircle it's like storm and you knowrenegade or whoever all these other youknow well-versed dancers and peoplewho've been in the scene for a long timeknowledgeable people in that crowd so Idon't know that was just a weird ideahouse throwing out and then kind of likeyou're just saying okay well themajority of these people said this guywon okay maybe that's the way to do itthen you know at least it at least likegets rid of the argument a little bitwhere they go oh yeah this was onlythree panel judge and those two judgesdon't like me or something you know Idon't know but that's always bothered mewhen people say that like I think you'rejust complaining but well anyways Ithink we've been going for about an hourI want to probably close the show out soin closing like do you have any otherhobbies outside of hip hop in you knowhow does that like kind of go into yourlife and you know I mean like like likeI said already I love eSports you lovethese sports yeah I a lot of my hobbiesI draw is I you can I draw you knowinsight into what I do so I take alittle bit of what I see in eSports andthrow into stance coverages I travel alot travel a lot I make a lot of travelvideos you know apart from working youknow with dances stuff like that I dofreelance travel videos mm-hmmI work with hotels I work with travelcompanies tourism bureaus yeah and wecreate you know commercials like thatyeah and so a lot of times for example Ijust got back from Mexico okay and I wasthere to cover an event for a week andthen I stayed in nextweek just to travel around and filmtravel videos okay that's that's awesomeso you know things like that I I drawinterest in yeah yeah I heard you'realso filming umaces wedding yes I doI do the occasional wedding when I firstmoved to LA I I filmed a lot of weddingsand so yes I I do weddings and Iactually learned how to do weddings froma b-boy from the bay by the name Natronoh yeah nature own yeah nature does alot of wood he had a business with acouple other guys from his cousin giardiis that were his brother Jordie I don'tthink it's his cousin but when I startedfilming weddings for the first time outI went to I I messaged me Tron's likehey show me one of your wedding videosand I'm gonna copy this exactly becauseI have no idea what wedding videos arereally this is weddings videos are goodand and you know what in terms filmingweddings have helped me film breakingevents tooyeah because it made me understand likewhen to anticipate moments oh yeahcertain important moments whetherthey're doing something or they'retalking something oh yeah or somethingis about to happen that you can you cananticipate it yeah it's like you got yougotta read the whole room and know likewhat's about to happencorrect you gotta be in the spot whereyou're like I guess you're invisible inthe sense that you're not ruining themoment but you're also in the best spotto capture it yes yeah imagine there's athere's an art form to Perth exactlysaid it just right yeah so it has helpedme so just filming so many types ofvariety of things help me in filming youknow stanceyeah well tight dude yeah well great Ithink that was that was dope I I thinkthat was a learned a lot from from youand like what you're all aboutthank you that's been great do you haveany last minute shoutouts while I closethis show out Thank You Kurt for havingme onyes yeah thank you for coming dude Ireally appreciate ityeah trying to get this podcast out verysoon so I'll let you know when I do thatyes and then you know it'd be great tohave you on again I'm trying to maybefigure out a way to get like multiplepeople in a podcast yeah we have so manyof I mean more than more than happy tocover on a variety of topics yeah youknow um I know I know later in April I'mgoing to an event in Toronto and I'mgiving I'm giving a little mini workshopthere on social media ya know like howto get views how to what are what'swhat's exactly the algorithm way or howyou you know quote unquote things likethat you know like the motored chef he'sa good friend of mine he's like Dan Iwant you to give you a talk and havepeople have an insight on how to createa brain and how to do this let's do it Ineed to go to that cuz I don't know crapabout social media like I actually justfrickin don't use social media yeah likenow that I'm starting this podcast I'mlike oh I guess I gotta learn how to dothat my brother's pretty good at itJoe I can learn some stuff from him butI could definitely use the help on thatcoz I'll be hitting you up well thankyou uh for for joining me today andthank you guys for listening sorry thisjust sucks[Music][Music]you[Music] 

How do you think about the person on the other side of the screen? Or, do you think about them at all? This week we talk about the Milgram Experiment, how I see it as applicable to the keyboard warrior identity, and howI think the internet and social media (and the evil mass media duh) dehumanize "others" to create division. Shockingly, this week's episode is weirdly timely with current events considering I've planned it out for a little while. Hope y'all enjoyyyyy!instagram: @ivebeenthinkingpodSupport the show (https://www.patreon.com/ivebeenthinkingpod)

A series of missing girls cause Sheriff Crowley to question her department, in this campy crime thriller set in the same time as How i Died Season 1. This series is a Patreon exclusive as a thank you to fans of the series. Enjoy Episode 1 now, and head to https://Patreon.com/howidied to listen to the rest. Get 3 full episodes instantly, plus access to more great content for only $1. All support goes directly toward helping us make Season 2. Thank you!

Today we sit down with the talented Howi Spangler of Right Coast Records and Ballyhoo. Howi also is Available to give lessons on  Backstagemusiclessons.com Check us out at nwrootz --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Welcome to the 40th episode of "Talkin' with Andrew and Chris"! We are back with another very special episode, today's guest is Howi Spangler, of the American Reggae Rock band "Ballyhoo!". Also of "Right Coast Records", and the podcast "Tales From The Green Room"! Hailing from the east coast, Baltimore alt-rockers Ballyhoo! have been on the road, taking their melodic anthems to the people for over a decade. Their “On TourForever” work ethic has taken them all over the country, steadily building a fan base of loyal “Hooligans.” Ballyhoo! shows are about love and good vibes. The melodies are contagious and the lyrics are meant to connect at a human level. This band wants to lift up anyone that wants to listen. Keep up to date with Ballyhoo!: Facebook: https://www.facebook.com/ballyhoo/ Twitter: https://twitter.com/ballyhoorocks Instagram: https://www.instagram.com/ballyhoorocks/ Listen to Ballyhoo!: Spotify: https://open.spotify.com/artist/6py4uFIC7T6RdrZnH6hFYJ Apple Music: https://itunes.apple.com/us/artist/ballyhoo/130193994 YouTube: https://www.youtube.com/user/ballyhoorock Keep up to date with Andrew and Chris: Instagram: Andrew: www.instagram.com/not_awgyomai/ Chris: www.instagram.com/christianevanko/ Twitter: Andrew: twitter.com/awgyomai Chris: twitter.com/ChristianEvanko Follow Andrew and Chris's band "The Stash": smarturl.it/fgtnwr Listen to Andrew and Chris's band "The Stash": smarturl.it/fgtnwr Subscribe to "Talkin' with Andrew and Chris" Podcast: Apple | Spotify | Google Play | YouTube | SoundCloud As always, "Stay Sweet!" --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/talkin-with-andrew--chris/support

On this week's episode of To the Final Bell Lingy, Stokesy and Scotty chat with the host of Australia's most downloaded sports podcast Mark Howard and Geelong Star Esava Ratugolea.Plus, the boys have picked their best possible cats team out of players from the modern era. Whose team do you think would win against the others?

"Lysol" (to the tune of Oasis's "Wonderwall")Today is gonna be a dayI speak gobbledygook to youBy now you should've realizedThis is what I f*ckin' doI don't believe that anybodyKnows what I'm about to do right nowDumb speak, the words are in my headReady to finally come outI'm sure you've never heard them beforeUnless you're a fake doctor named GoutI don't believe anybody will lookAs stupid as I'm about to nowAnd none of the wheels in my head are turningAnd all the light bulbs up there aren't workingThere are many ways that I wouldLike to save my assPerhaps this is howBecause maybeYou're gonna be the one that saves meAnd after allYou're my LysolToday is gonna be a dayI'm gonna suggest you eat some pooJam Sharpies in your nose somehowMaybe eat my tax returns tooI don't believe that anybodyKnows what I'm about to do right nowAnd none of the wheels in my head are turningAnd all the light bulbs up there aren't workingThere are many ways that I wouldLike to save my assPerhaps this is howI said maybeYou're gonna be the one that saves meAnd after allYou're my LysolI said maybe (I said maybe)You're gonna be the one that saves meAnd after allYou're my LysolI said maybe (I said maybe)You're gonna be the one that saves me (saves me)You're gonna be the one that saves me (saves me)You're gonna be the one that saves me (saves me)Bookshttps://www.amazon.com/Craig-Rozniecki/e/B00JBQ95LO Bloghttps://thekind-heartedsmartaleck.blogspot.com/ Twitterhttps://twitter.com/CraigRozniecki

Check out the brand new, high-quality sound of How i Died. The Season 1 Remaster will be rolling out over the next few months. Keep an eye on this feed for new episodes as they're completed. We're gearing up for Season 2 for an all new mystery - help us make it and get some great rewards at https://patreon.com/howidied. 

Magnus Landsberg hat sich mit Johnny getroffen und sich mit ihm über seinen Werdegang, die Arbeit mit und für Künstler wie Miu, Punkrock mit Nichtskönnern, Haltung, HoWi, Singen und Songwriten und vieles mehr unterhalten.

This week's show features an interview with Torrance, CA's 131'rs about their indie-folk-rock sound, songs from Wallows, Static & Surrender, Twin Peaks, In Tall Buildings, Stop, Drop & Rewind, Wes Anderson ft. Howi from Ballyhoo!, The Bellrays, Confused by Zebras, Cold War Kids, CORVYX & David Martinez! Hosted by Stac Edwards 06/12/2018

This week's show features an interview with Howi from Ballyhoo! about their Punk Rock Reggae Sex music, songs from Mikky Echo, Knox Fortune, Dirty Projectors, Soccer Mommy, Django Django, Orphan the Poet, Yukon Blonde, The Decemberists, The Interrupters and KOPPS ft Joywave! Hosted by Stac Edwards 05/22/2018