Podcast appearances and mentions of Janet Jackson

The ongoing Undercover Policing Inquiry started again this week. It is believed at least 50 women were duped into intimate relationships with undercover officers over decades. Alison, not her real name, spent five years living with a man she knew as Mark Cassidy, who was in fact a married undercover Police Officer whose real name was Mark Jenner. She joins Nuala McGovern along with BBC London journalist Ayshea Buksh, who has been following this inquiry.The government has announced plans to relax fostering rules and create 10,000 new places for vulnerable children in England. Roxy and her mum Judy, from the BBC's recent Traitors series, join Nuala to discuss. Roxy was fostered until the age of five before being adopted by Judy. They are also joined by Sarah Thomas, Chief Executive of The Fostering Network.Paula Varjack talks to Anita about her show Nine Sixteenths. It examines the fallout from the infamous Janet Jackson and Justin Timberlake ‘wardrobe malfunction' incident at the 2004 Superbowl and the backlash that almost ruined Jackson's career. The play questions what this says about the demographics of who controls the media, the scrutinising of black women in the public eye and asks if anything has changed.We hear a lot about ‘mum guilt', but what about the guilt that can come along with not becoming a mother? Writer Ellen C Scott is child-free by choice but has recently experienced guilt towards her parents because she won't be providing them with grandchildren. She recently explored the topic for Stylist magazine and was surprised by how much it resonated with other women. Ellen and psychotherapist Professor Hannah Sherbersky discuss.AI companions are becoming increasingly common, with one in three adults now using them for conversation, advice and support. Now recent research from Bangor University has shown that many teen AI companion users believe their bots can think or understand. That research prompted Nicola Bryan, a reporter for BBC Wales News to investigate and acquire an "AI boyfriend" of her own in the process. Nicola talks to Anita about what happened next.The Puppini Sisters are celebrating 20 years of their antique pop, neo-burlesque swing music. Their new album The Birthday Party marks two decades since their debut, Betcha Bottom Dollar, spent almost a year on the Billboard chart in the US. It became the fastest-selling jazz album in UK chart history, with their fans including Robbie Williams and King Charles. They join Nuala to discuss their music.Presenter: Anita Rani Producer: Dianne McGregor

New research which has just been published in the British Medical Journal, suggests that testing menstrual blood for signs of cervical cancer could be an accurate way of screening for the disease. The BBC's Health Correspondent, Sophie Hutchinson, and Fiona Osgun, Head of Health information at Cancer Research UK join Anita Rani to talk about this new area of research and discuss the options currently open to women. English actor Imogen Poots is back on our screens taking on a challenging role in Kristen Stewart's first feature film, The Chronology of Water. It's a creative adaptation of an acclaimed memoir by American writer Lidia Yuknavitch which centres on her coming to terms with being abused as a child, battling pain and loss, and her ongoing healing journey. Imogen Poots joins Anita in the studio.The Kurdish-led self-administration in the north east of Syria is a territory where for years women have sat at the centre of political life, security and decision-making. But many are worried that the system is now under pressure following a new agreement between Kurdish authorities and the Syrian government, which will integrate the region into the Syrian state being rebuilt after the toppling of Bashar al-Assad in 2024. Anita is joined by Lina Shaikhouni, journalist at the BBC World Service and Dilar Dirik, Kurdish writer and author of The Kurdish Women's Movement: History, Theory, Practice.Paula Varjack talks to Anita about her show Nine Sixteenths. It examines the fallout from the infamous Janet Jackson and Justin Timberlake ‘wardrobe malfunction' incident at the 2004 Superbowl and the backlash that almost ruined Jackson's career. The play questions what this says about the demographics of who controls the media, the scrutinising of black women in the public eye and asks if anything has changed?Presenter: Anita Rani Producer : Corinna Jones

Host Jason Blitman talks to author Nikesha Elise Williams about her new novel, The Seven Daughters of Dupree. Conversation highlights include:

Interview date: December 7th, 2025Episode Summary:Brooke Lipton—Emmy-nominated choreographer and longtime Hollywood Vibe faculty member—joins Business of Dance to share her journey from booking her first professional job at 12 to building a lasting career in dance, television, and choreography. She reflects on moving to Los Angeles at 18, training relentlessly, learning how to care for her body, and developing the discipline needed to survive in a competitive industry.Brooke opens up about touring with Britney Spears, becoming a young mother, and making the pivotal transition from performer to choreographer. She breaks down how assisting, understanding life on set, and respecting every department shaped her leadership style and allowed her to create healthier, more sustainable environments for dancers.In the Q&A, Brooke delivers honest advice on confidence, comparison, and work ethic—urging dancers to go “full out,” attack their weaknesses, stay adaptable, and remember that joy and resilience are essential to longevity in this industry.Shownotes:(0:00) – Welcome + introduction to Brooke Lipton(6:10) – Career overview: tours, TV, choreography credits(9:46) – Phoenix beginnings + first job at 12(12:30) – Moving to LA at 18, full-time training(14:29) – Health, body awareness, and longevity(17:28) – The haircut moment: identity and visibility(21:54) – Britney Spears tours + touring realities(25:49) – Touring while pregnant, life balance(31:52) – Transition into choreography via Glee(34:33) – Hiring dancers and creating opportunities(45:37) – Advice: fundamentals, weaknesses, discipline(1:17:50) – Closing message: confidence, joy, resilienceBiography:Brooke Lipton's energy is contagious. Originally known as an exceptional natural dancer, she is now an accomplished choreographer who thoroughly understands the requirements of dramatic TV photography and production.A native of Phoenix, AZ, Brooke was already a rising star in the LA dance scene at the age of 12. She moved to LA to pursue her dream of being a professional dancer, and has since worked with artists including Madonna, Janet Jackson, Beyonce, and Paula Abdul. Brooke toured the world with Britney Spears for over eight years, including the “Dream Within A Dream” Tour, “The Onyx Hotel” Tour and “Circus” promo tour.Later, she was a key member of the choreographic team on the mega-hit Fox TV series “Glee”, starting as Associate and rising to Choreographer over the show's six seasons, during which the team created more than 750 musical numbers as well as the show's two live-performance world tours, plus “The Glee Project” unscripted series and “Glee Live 3D The Movie”.Brooke's work has also been featured on many other major TV series including “Dr. Odyssey”, “9-1-1: Lone Star”, “Dancing with the Stars”, “Lucifer”, “National Treasure”, “Bones”, and “American Horror Story”. Most recently, she choreographed seasons 1 and 2 of the magnificent new Apple+ series “Palm Royale”.As a choreographer, Brooke has worked with such iconic stars as Shirley MacLaine, Carol Burnett, Kate Hudson, Gwyneth Paltrow, Kristen Chenoweth and Ricky Martin, and has two Emmy nominations in Outstanding Choreography For Scripted Programming one for “Lucifer” and the other for season 1 of “Palm Royale”.Connect on Social Media:Instagram: https://www.instagram.com/brooke_lipton/

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, we are once again putting a spotlight on great collaborations so we are featuring duets for the second time. On today's episode, Steve Riddle is watching, “Scream” by Michael Jackson & Janet Jackson from 1995.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=0P4A1K4lXDo

Holy hell, somebody done showed up a little late to the top-albums-of-2025 party. List week = missed week. NBD, better late than never, right? RIGHT? It's the sixth annual big episode, where Jay and Deon discuss their favorite twenty-two vinyl releases of this past year. That be eleven each, because Lickers go to eleven while these other suckaz be stuck on ten. LLR goes deep. LLR goes long. LLR wishes what you just read was code for something way cooler, but it isn't. It's just really long. The flippin' Free Bird of podcats.Dig this list? What did they miss? Let ‘em know your favorite long player releases in the year of our Lord 2025, it's never too late to share what sonically inspires you. Lightnin' Licks Radio Podcast's one big beautiful twenty twenty-five year in review episode SAMPLE SOURCES include: NPR, Beastie Boys, James Todd Smith. John Ussery, Prince Paul, Frukwan, Method Man, Brothers Johnson. Harry Shearer, Larry David, Cheryl Hines, Lynyrd Skynyrd, Kankles McTaco Tits, Elton John, The Time with Prince. Jeremy Gan, Josh Heath Scott, Jim DeRogatis, Anthony Fantano. Molly Sanborn, Matt O'Leary, Eli Enis, Ian Cohen. A Tribe Called Quest, Bon Iver, Justin Vernon, Missy "Misdemeanor” Elliot, Nicole “Lady” Wray, Tropical Fuck Storm, The Bee Gees, The sisters Haim. Calvin Harris, The Beatles… always. Kaytranada. Janet Jackson, De La Soul, Kelly Moonstone, Quelle Chris. Uncle Tupelo, Wilco, The AutumnDefense. NewDad, Aesop Rock, Blockhead. Verity Den, …And You Will Know Us by the Trail of Dead. Winter, Debby Friday. Water From Your Eyes, This Is Lorelei. Greg Freeman, Richmond Fontaine, Poison, The Darkness, KISS, Jimmy Jam and Terry Lewis, Aerosmith. Lael Neale, The Cars, Weakened Friends, Buckethead. Liquid Mike, The Rentals. Pile, Cody Maresec, YUM! The Smith Westerns, Whitney, Billy Nomates, Sleaford Mods. Fleetwood Mac, Eric Gale, Faces, Ry Cooder, Randy Weston. Pines, Greet Death, Christian Science Reading Room. Momma. Chris Keys (a lot), Amosdoll, Atlys, The Zombies. Cozy Cole, Andy Cohen, Raúl "El Gordo" De Molina, Tommy Chong, James Austin Johnson, Tim Robinson (YOU CAN'T DO THAT!), and lastly - and certainly least… Swamp Thing. Alternate links to the uninterrupted 2025 EOY mixtape will be available in short order,Have a great year!LLR's Top 22 albums of 2025 SPOTIFY PLAYLISTHear the mix via Soundcloud here!Part 1(Deon) : Intro _ Liquid Mike – AT&T _ HAIM – Everybody's Tryin' to Figure Me out! _ Pile – Bouncing in Blue _ NewDad – Entertainer _ Kelly Moonstone – Nananabooboo _ Weakened Friends – Queen of Town _ This Is Lorelei – Mouth Man _ The Autumn Defense – More Than I Can Say _ KAYTRANADA featuring TLC – DO IT! (Again) _ Debby Friday – Lipsync _ Greet Death – Love Me When You Leave Part 2(Jay) : Greg Freeman – Gulch _ Lael Neale – Down on the Freeway _ Aesop Rock – Full House Pinball _ Momma – Last Kiss _ Bon Iver – S P E Y S I D E _ Billy Nomates – Nothin' Worth Winnin' _ Lady Wray – Best of Us _ Whitney – Damage _Verity Den – Wet Glass _ Winter - The Beach _ Tropical Fuck Storm – Stepping on a Rake.Lickers drink champagne and shop at Electric Kitsch.Please act kindly to our neighbors and be patient with those who serve us. Let some light in. Good will prevail. Cheers and later.Dedication: Rob Ervin 1961 - 2025

From freezing rain and ice-covered bridges to a Super Bowl halftime controversy, Tara takes listeners on a sharp, unfiltered ride through a weekend that may shut down roads — and spark cultural backlash. First, Tara breaks down Schnumageddon hour by hour ⏰❄️ so families know exactly when to run errands, when to stay home, and when roads turn dangerous. Then, the conversation pivots to a much bigger question:

What smooth jazz legends and hip-hop stars have in common? Yep, that's Craig Bauer, Grammy-award winning mix engineer.He has the kinda breadth and impact most of us can only dream of. In this episode, he took us inside the sessions with legends in his Chicago studio, including his favorite phone call from the members of Styx.Craig brings a true love of craft, of music, and of community that goes beyond genre and breaks expectations. Because music is music!For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

I saw the power of storytelling and the responsibility we have to share stories to educate and change lives.Dr. Terésa Dowell-Vest is an Associate Professor of Communication at Prairie View A&M University and President of the University Film and Video Association (UFVA), an organization that supports film, television, and media studies in higher education.In this conversation Terésa and I discuss:* The music of Janet Jackson, Prince, and Jimmy Jam/Terry Lewis* Teaching media in a post-truth world* What UFVA is, why it matters, and how professional associations can sharpen teaching and creative practice* What filmmaking trends she sees with her students at Prairie View A&M* The short documentary her students did in collaboration with students from USC (link here)* “The Death of Cliff Huxtable” and the process of separating art from a problematic artistThanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI generated transcript. Don't come for me.BEN: Hi everyone—Ben Guest here. Welcome to The Creativity, Education, and Leadership Podcast. Today my guest is Professor Terésa Dowell-Vest, an associate professor of Communication and Media at Prairie View A&M University and the President of the University Film and Video Association (UFVA).In this conversation we talk Janet Jackson, the media landscape for young people interested in production, what UFVA does, and more. Enjoy.Professor, thanks so much for joining me today.TERÉSA: Thank you. Thank you for having me. It's my pleasure to be here.BEN: I always like to start with a fun question. Senior year of high school—what music were you listening to?TERÉSA: Senior year of high school—1989. 1990 was a great year to be a Janet Jackson fan. *Rhythm Nation* was probably worn out in my car's tape deck. I was a huge fan.BEN: Did you do the choreography?TERÉSA: Oh yes. I can do the hands and all that—the “A‑5‑4.” I would do it, for real.And Janet Jackson was the big one, even though Prince's *Purple Rain* came out a few years earlier. That album was still in regular rotation for me in high school.And then in 1988 New Edition put out *Heart Break*—produced by Jimmy Jam and Terry Lewis. That was such a good time. So yeah: Janet, Prince, New Edition—Jimmy Jam and Terry Lewis were the soundtrack.BEN: '88 was when Bobby Brown's *Don't Be Cruel* came out, right?TERÉSA: Listen, lemme tell you, the eighties to be a teenager in the eighties, to be in your twenties in the nineties. What a time to be alive.BEN: Yeah. I love it. Okay, second fun question. What's your pick for best picture this year?TERÉSA: I'd say *Sinners*. There are a few this year, but funny enough I actually focused more on television—I was obsessed with *Stranger Things* and *Severance* (and one other show I'm blanking on), so I didn't get to the movies as much. But I did see *Sinners* and it really stuck with me. I should preface that by saying I'm not as familiar with the entire pool, but I'm almost confident it'll be a strong contender.BEN: So good. I saw that your MFA thesis was titled *The African American Producer Is the American Griot*. Can you talk about that—maybe even in relation to *Sinners*?TERÉSA: I've always been fascinated by the power of storytelling. My bachelor's degree and my MFA are both in theater because I love live engagement. That also shaped me as a professor—I love being in front of students and engaging in a transactional, interactive way, not just a linear one. Theater and education give me that kind of exchange with an audience.For my graduate thesis I came to know Dr. Maulana Karenga—best known for creating Kwanzaa. He was chair of the Black Studies program at California State University, Long Beach. During my years there (1994–1997), I was the only Black student in the program, and in 1997 I became the first Black person to graduate with my particular degree from that program. Even in the '90s I was thinking: why are we still talking about “firsts” and “onlys”?I wanted to bridge storytelling with the legacy of slavery and survival—my own ancestors were from Virginia, where I was born and raised. Dr. Karenga taught me the concept of the *griot*—the storyteller—and the responsibility that comes with that. In the U.S., storytelling often gets treated as frivolous—an extracurricular, “nice to have.” A lot of Black parents, especially, don't want their kids studying film, theater, or the liberal arts because it doesn't seem like a stable livelihood. I started undergrad as an accounting major and didn't tell my dad I'd switched to theater until graduation day—he found out when they called my name under the College of Arts instead of the College of Business. That's the mindset I came from: my family wanted us to succeed, and the arts read as struggle, not a viable career.But there's honor in being a storyteller. That idea changed how I saw theater.And it was the '90s—*Rent* was happening, and I was in Los Angeles, flying back and forth to the East Coast to see Broadway shows that weren't just entertaining; they were educating and changing lives. I remember *The Life*—not a massive hit, but it told the story of Black and Brown women working as call girls in New York City. You'd think, “Is that a Broadway story?” But the music was outstanding.And there were so many others—*Bring in 'da Noise, Bring in 'da Funk* with Savion Glover, looking at African American history through tap and music. During that period I really saw the power of storytelling—and the responsibility we have to tell stories that educate and change lives.BEN: That's so powerful. The responsibility of storytelling to educate and change lives.TERÉSA: Yeah.BEN: It's one of the things I've often thought as a teacher: I'm a storyteller. How do you construct a lesson so students are receptive? It's like you're telling a story over a unit, a curriculum, or even a single lesson.TERÉSA: When you engage with students and give them permission to share their stories, you're not really “teaching” in the traditional sense anymore. It becomes more like peer engagement than “I'm the teacher, I know the things, and I'm telling you the things.”Students receive it differently when they feel you're invested in who they are—not just their grade.BEN: There's a great quote, I think it's Roger Ebert films, but really stories are empathy machines.TERÉSA: Yeah.BEN: It allows us to walk in someone else's shoes for a moment. There was a reconciliation group in Mississippi whose motto was: “Enemies are people whose stories we haven't heard.”TERÉSA: Incredibly profound. When we think about fear, it's often a lack of understanding—no connection to the thing you're afraid of. Hearing stories can build that connection.BEN: Can you talk about the importance of media education? I'm a documentary filmmaker, documentary filmmaking in today's world where so much of where we are in a post-truth society.TERÉSA: There are mechanics to telling the truth, and mechanics to telling a lie. In fiction you see this a lot—shows like *The Mentalist* or *Law & Order* where someone reads body language, eye movement, and so on to figure out whether someone is lying.What matters for media education is helping students understand the “tells” in information—how to challenge and debunk claims instead of assuming, “Someone told me a thing, so it must be true.”I didn't fully appreciate how urgent that was until the pandemic, when early reporting was all over the place and a lot of it conflicted. Being able to sort honest, vetted information from dishonest or speculative claims mattered in a very concrete way—like realizing you probably shouldn't drink bleach.Coming out of that period, teaching media studies has meant teaching reporting with integrity. You can't just assume something is true—not because people are “bad,” but because people absorb information differently based on what they've experienced.I do a lecture with my senior capstone students on the difference between **knowledge** and **information**. Knowledge is shaped by culture, character, race, gender, where you grew up, what language you speak, what faith you practice—so it can carry bias. Information, on the other hand, is verifiable and can be vetted. 2 + 2 = 4 no matter who you are.Good storytelling—and good journalism—knows how to bridge knowledge and information with integrity. When I have journalism students who lean into opinion-driven news—whether it's Fox, MSNBC, whatever—I tell them: that's playing to an audience's sensibilities. It can be entertaining, but it isn't the same as straight reporting. Then there's reporting that aims to be more information-based—“Here's what happened today.” That also needs to be taught. We're in a moment where students need tools to tell the truth, recognize lies, pick them apart, and trust their internal compass about what's important to share.And Ben—my answers get long. You might have to cut me off.BEN: I'm going to cut you off when what you're saying stops being interesting—so I doubt I'm going to cut you off.You're the President of the University Film and Video Association. For listeners: what is UFVA?TERÉSA: UFVA is a nationally recognized organization of university and college educators and institutions focused on film, television, and media studies—both practice and theory. We're a collective of makers and scholars. Our members hold a range of degrees—MAs, MFAs, MS degrees, PhDs, EdDs.As an organization, we examine how film and television are used—and we keep digging into how the field is evolving through innovation and emerging technology. Each year we host a conference (typically in July) where we share classroom best practices and research, and we analyze how film sparks conversation.You asked me earlier about a front-runner for Best Picture. I think about *Sinners* as a kind of textbook in a lot of ways. One of my students gave an informative speech last semester on the history of hoodoo, and she referenced *Sinners* heavily because it's central to the film. In that moment she used a movie as a learning text.That's what UFVA does: we create space to share those opportunities through research and scholarship, and we bring it back to our students and institutions.BEN: You said “best practices,” and I want to come back to that because it's a rabbit hole I love.But first: in an interview you did with the *Journal of Film and Video*, you said you were about to start your UFVA presidency and weren't sure what to expect. Now that you've lived it—how was it?TERÉSA: One of the biggest things I've learned—maybe I've only really realized it in the last couple of months—is that joining an association as an educator keeps the fire hot. It keeps you learning.As UFVA President, I've met so many people who've inspired me. It's not that I want the presidency to end; it's more like, “I need more time to implement everything I'm learning from colleagues.” It also pushed me to partner with other organizations and communities I knew about but hadn't been deeply involved with.I joined UFVA because of the pandemic. Before that I'd never even heard of the University Film and Video Association. I was the kind of person who kept my head down and did my work in my silo, and I was fine with that. But when the pandemic hit, no one knew what to do with film production courses in quarantine.I reached out to colleagues—thinking maybe eight or ten of us would hop on Zoom and talk through hybrid and online teaching. That snowballed. People said, “Can I invite a colleague?” I said yes. I posted on Facebook: if you teach film production or media studies and want to talk about what we're doing this fall, let's meet.Jennifer Proctor replied and asked, “Have you heard of UFVA?” I hadn't. She suggested sharing the call with UFVA, and we kept casting the net. By the time we met, there were 126 professors from around the world—about 100 universities represented, including USC, Ivy League schools, and institutions in Germany and Australia.I ran the meeting as breakout rooms—nine of them—named after Black women in film and television: Shonda Rhimes, Julie Dash, and others. So even in the mechanics of the meeting, people were saying these names and being reminded of who matters in media.Two things came out of that experience. First, UFVA invited me to join the board. I said, “Let me be a member first,” but within a few months I knew: yes, this is where I want to be.Second, I saw the gaps. There was very little representation from HBCUs, and very few Black people involved. Not because UFVA was “bad,” but because people simply didn't know. So I understood my call: help bring people in, build bridges, and create collaboration without turning it into a slogan. I love that we get to do the work without making it a “thing.” That's been the value of the presidency for me.BEN: Love it. Can you talk about with your students at Prairie View, what are some trends you're seeing with what the young people are doing?TERÉSA: Oh, child. They want to be influencers.This is the social media age, and a lot of students see it as the primary industry of their generation—and I get it. If you have enough followers and a couple brands offer deals, it can be real money. I have students with tens of thousands of followers. I'm like, I can barely get my family to like a post. And they're like, “Oh, I do nails,” or “I do lashes,” or “I show my sneaker collection,” and they'll get 10,000 likes every time they post.My reaction is: we need to be teaching this. We need to teach students how to parlay that into careers. Even if I don't personally understand every part of it, that doesn't make it non-viable.It reminds me of when we were in school. The internet wasn't even a thing when I was in college (1990–1994), and then suddenly we were on the edge of being connected to the world. Professors were saying, “This will create cheaters—you'll never look things up in books again.” Sound familiar?Now students are figuring out VR, AR, AI. They're building brands, protecting brands, learning to be CEOs of themselves. That's exciting.BEN: Yeah. I think about that all the time. It's like when people first started writing letters—somebody must have said, “No one's going to talk to each other anymore. They're just going to send letters.”TERÉSA: Exactly. Every generation has a thing—“Who's using this calculator? You need to learn long division.”BEN: I graduated high school in '93, so when you're talking about Janet, my “Janet album” is literally *janet.*—“Again,” “That's the Way Love Goes,” all of that. It's funny how, year by year, the soundtrack shifts just a bit.BEN: Okay—teaching and best practices. What's something you've done in your classroom that really leveled up your teaching?TERÉSA: Oh, wow. Gosh, I think it's less something I've done and more the intention of showing the students that their success is not coming from looking up. It's from looking over. It's the concept that. When you graduate from college, it isn't some executive that's going to give you an opportunity. It's the people you're in the trenches with right now that you're gonna build with right now. So I think the thing that's leveled up my teaching is less a thing that I can show them as much as relationships that I can help them forge and the power of networking. So our program has has a pipeline relationship with the Annenberg School of Communication at the university. The University of Southern California professor Mickey Turner, who's a professor there at USC teaches the senior storytelling for Media course similar to the communication capstone course that I teach here. And so every semester, professor Turner and I collaborate. Those two classes together and we introduced those students to each other through pitches, research topic pitches for their final capstone project. And what they see is. Students at an HBCU or students at this PWI are not different at all. They just, they, live in different states. Perhaps they come from different backgrounds, but by and large, they have similar goals. And we teach them that this is who you need to forge a relationship with because when you are at the stage of making deals or going out and work, this is the person you're gonna want to call. So I think the thing that's leveled up my teaching is my understanding. And my teaching of that understanding of how the industry works and how it can best work for them. Since you no longer have to live in LA or New York to, to make movies people are making movies on their devices. You have to now find your tribe to tell your stories and it can be much more localized. And so I teach them to build their team where they are and not. Go after this aspirational. The only way I can make it if is if I put it in the hands of someone so far away from me. No, put it in the hands of the guy sitting next to you or the young lady that's sitting on this other side and shoot your film, make your short tell the story. Do your podcast. I feel like that's leveled up. The final piece to that USC story is that during the pandemic, five of our students from Prairie View and five students from USC collaborated on a short documentary about the pandemic and how it impacted students at HBCUs, at this HBCU versus how it impacted students at a private, pWI Prairie View is 45 minutes outside of the city of Houston. We're a rural community. We're in the middle of nowhere essentially, whereas USC is in the heart of Los Angeles and those students taught, told an amazing story. I'll send you the link to the film. It's on YouTube. Told an amazing story from two different vantage points. That is a great indication of how education can be collaborative. Just as film is.BEN: Yeah. Before we started recording, we were talking about travel—and it just reminds me: travel is one of the best educations people can get. The more you interact with people from around the country and the world, the more you realize how similar we are and what we want: better lives for our kids and a better world to live in.That feels like a good place to end. For people interested in your work, where can they find you?TERÉSA: A good starting point is **thedeathofcliffhuxtable.com**. That's where you'll find my fan-fiction series—and later scholarly series—about separating the art from the artist when the artist is problematic.Bill Cosby's work touched every stage of my life: as a child I watched *Fat Albert and the Cosby Kids* on Saturday mornings; as a teenager in the '80s I watched the Huxtables and wanted to be part of that world; and in college in the '90s—at James Madison University, a PWI—every Thursday night at 8:30 we gathered to watch *A Different World*, and it made us feel connected in a way.When I think about the more than 60 women who came forward, my first thought is: that many people aren't lying. Even if one person tells the truth, it changes everything.In 2015—around the time the New Yorker reporting was circulating and more women were speaking—I started writing fan fiction centered on the Huxtable family at the moment Cliff Huxtable dies. I “killed” Cliff Huxtable to push back on the idea that Bill Cosby was “America's dad.” That moniker belonged to Cliff Huxtable—a fictional character written by an artist who created something meaningful and also did something horrific.We can't see Cliff the same way because he wears Bill Cosby's face, but they are not the same person—one of them isn't even real. Writing the series helped me illustrate that tension, and it eventually became a scholarly project.During the pandemic we hosted a virtual series with 51 artists, scholars, and actors who read chapters and then joined post-show discussions on the themes. You can find all of that through the website, and it's also the easiest way to contact me.BEN: Wow. Professor, thank you for all the, for your time today, but also for all the good work you're doing in so many different spaces.TERÉSA: Thank you. Thank you. And I look forward to listening to the podcast even more. I'm sorry that I'm just now getting hip to your great work, but I tell you what, I am going to tune in and probably hit you up with some questions and excited remarks shortly thereafter.BEN: I love it.That was my conversation with Professor Dowell-Vest. If you enjoyed it, share it with a friend. Have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Gay homosexuals Nick and Joseph review The Last of the Mohicans - a 1992 film co-produced and directed by Michael Mann, who co-wrote the screenplay with Christopher Crowe, based on the 1826 novel of the same name by James Fenimore Cooper. It stars Daniel Day-Lewis, Madeleine Stowe, and Jodhi May in the leading roles, and features Russell Means, Wes Studi, Eric Schweig, Steven Waddington, Maurice Roëves, and Patrice Chéreau.Additional topics include:Janet Jackson joining the Criterion CollectionKiefer Sutherland attacking Uber driversTom Yum soupBerlinale opening filmThe deaths of Arlindo de Souza and John ForteJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Episode Summary:In this powerful and deeply insightful episode, Eddie Garcia takes listeners on a journey through his extraordinary dance career—from a tap-dancing kid earning scholarships at Dupre's to becoming one of the youngest dancers ever selected by Michael Jackson. Eddie reflects on the discipline and versatility that shaped him early on, blending classical training with emerging street styles that positioned him perfectly for the explosion of music videos in the 1980s.He shares behind-the-scenes stories from iconic projects including Smooth Criminal, the Bad and Dangerous World Tours, and his early work with Janet Jackson under Paula Abdul. Beyond the glamour, Eddie opens up about legal emancipation, learning professionalism at a young age, navigating rejection, and understanding the unspoken rules of auditions and touring life.Throughout the conversation, Eddie emphasizes the importance of humility, preparation, financial responsibility, and soul over tricks. He offers invaluable wisdom on longevity, leadership, and why relationships—not just talent—sustain a career. The episode closes with Eddie's passion for mentorship and giving back through teaching and Camp MIA, reminding dancers that true success comes from authenticity, gratitude, and staying connected to why you fell in love with dance in the first place.Shownotes:(0:00) – Welcome, introductions, and session overview(9:30) – Early training: tap roots, Dupre's scholarships(13:10) – Style fusion: breaking, jazz, ballet foundations(16:40) – First break: Janet Jackson via Paula Abdul(19:45) – Emancipation and preparing for adult responsibilities(21:15) – Michael Jackson audition and Smooth Criminal booking(26:40) – Touring young: Bad & Dangerous World Tours(31:00) – Lessons from Michael: timing, presence, musicality(44:00) – Auditions, rejection, resilience, and professionalism(1:49:00) – Teaching legacy, Camp MIA, giving backBiography:Eddie Garcia is an accomplished director, choreographer, dancer and multi-faceted entertainer with a solid reputation for choreography built upon decades of performing internationally alongside many of today's most celebrated stars. At just 16 years old, Eddie's incredible dancing style and technique delivered him to the world stage via many projects with Janet Jackson. He danced in some of her most iconic videos and performances of all time, including “Nasty”, “What Have You Done For Me Lately”, “When I Think of You” and the classic “Control” on the American Music Awards.By the time Eddie turned 17, “The King of Pop” himself, Michael Jackson, hand picked Eddie to join him. This began with “Smooth Criminal” and continued with other well known videos like the “The Way You Make Me Feel” and “Speed Demon”. Eddie spent the next five years dancing with Jackson on the record-breaking and internationally acclaimed “Bad” and “Dangerous” tours.It was during those invaluable years of touring and working on countless sets where Eddie fine-tuned his innate ability to direct, produce and choreograph. He has since lent his talent as a dancer and choreographer to many well known artists such as Jennifer Lopez, Paula Abdul, Mariah Carey and Ariana Grande. Eddie Garcia artistic fingerprint that has made him one of the most sought after names within the world of dance. He continues to enjoy engaging in new creative endeavors.

Before there was Heated Rivalry… there was Noah's Arc. This week, we're giving our February 2019 episode with TELEVISION'S Darryl Stephens another spin. Darryl finally agrees to join us on the podcast and even admits to having a "moderate amount of fun." Rory still can't believe Darryl got to be in the latest Pee-Wee movie and they recount the night Darryl introduced Rory to Paul Reubens. Plus: Darryl spills the tea about shooting Noah's Arc, Beyond The Lights, and 2 Broke Girls, and explains the root of his love for Janet Jackson and Prince. Follow Rory: @itsRORYjames Subscribe and follow us at @superexcitedpod Stream Rory James: Acquired Taste Buy Rory Merch!  

New Jack Swing kicked the door open in the late 80s and rearranged the furniture. Born at the crossroads of slick R&B vocals and the punchy swagger of hip hop beats, it fused polished melodies with drum machine snap, sampled funk, and a streetwise pulse. Teddy Riley was the mad scientist at the center of it all, wiring together sounds that felt futuristic and familiar at the same time. Artists like Bobby Brown, Janet Jackson, Guy, Keith Sweat, and Bell Biv DeVoe turned dance floors into pressure cookers, where romance, bravado, and pure groove all bounced to the same rhythm When Dave and Rob dive into New Jack Swing, they will be stepping into an era where R&B stopped tiptoeing and started strutting, and they will be picking their personal favorites from the genre along the way. This style dominated the late 80s and early 90s by changing how songs were produced, how artists moved, and how hip hop and R&B talked to each other. Expect a rundown of the songs that defined the sound for them, because New Jack Swing did not just soundtrack a moment, it defined an attitude Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall  Voicemail #: (509) 426-4542    Playlists: Spotify: https://open.spotify.com/playlist/64WiYudzrtZCjE9HfAogdT?si=6gLFbrWjTyqY8kKtNVjn0w    Apple: https://music.apple.com/us/playlist/80s90s-new-jack-swing/pl.u-9N9L1N3s7Y6Wq9?ls   Amazon: https://music.amazon.com/user-playlists/65c1976794114d21a215dc7e68a729b7sune?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_XM7iQG0NCCJ79JZDSALnDyMVD

EPISODE 295: OIL, POWER & RENEE NICOLE GOOD . Summary . In this episode of This Is The G Podcast, the hosts discuss a range of topics including the current political climate, recent events impacting society, U.S. foreign policy, sports updates, and the music industry. They reflect on the significance of music legends like Janet Jackson and Stevie Wonder, celebrate Bruno Mars' return, and emphasize the importance of community support in navigating challenges. . #podcast #politics #sports #music #currentevents #socialissues #foreignpolicy #entertainment . Chapters 00:00 Welcome and New Year Reflections 02:01 Minneapolis Incident and Its Impact 07:10 Venezuela: A Complex Situation 12:29 Sports Updates: Atlanta Falcons and Atlanta Hawks 17:48 Trae Young Trade Discussion 26:19 Hawks Attendance and Talent Acquisition 28:12 The Impact of “Control” album and Janet Jackson's Legacy 31:00 Stevie Wonder's “Songs in the Key of Life” 33:55 Bruno Mars: The Return of the King 37:31 Salt-N-Pepa's Legal Battle All at: https://www.castropolis.net/  

70s & 80s Dance & Soul Hits (Vol. 4) | Non-Stop Disco, Funk & Pop Party Mix

Beyoncé is officially a billionaire and Kelly & Sharon break down how she did it and which legendary artists she's now joined in the exclusive Billionaire Club on this episode of 90's NOW. The conversation also dives into the ongoing wait for Rihanna's next album, which has now stretched to nearly a decade and exciting news for R&B fans as Jill Scott prepares to release a brand-new album this winter, her first in years. Kelly & Sharon also discuss a new Netflix documentary arriving later this month about one of the biggest boy bands of the 90s, including why not every member chose to actively participate and why Sharon isn't bothered by it.

Bobby opens up in a way he rarely does—getting honest about his own relationship with gambling, how many thousands of dollars he lost in 2025 and what he learned. Then NFL legend Steve Smith Sr. joins to relive one of the most unforgettable Super Bowl weekends ever, including what he remembers from being part of the game tied to the Justin Timberlake–Janet Jackson halftime show that turned into a cultural moment no one saw coming. Plus, Beanie Wells tells the story of his recruiting roller coaster: how he nearly committed to USC… until his mom stepped in with a firm “no,” changing the path of his career before it even started. Download the DraftKings Sportsbook App today: https://dkng.co/bobbysports If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/MI/NJ/PA/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/NH), 888-789-7777/visit http://ccpg.org/chat (CT), 1-800-BETS OFF (IA), 1-877-770-STOP (7867) (LA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), call/text TN REDLINE 1-800-889-9789 (TN), or 1-888-532-3500 (VA).21+ (18+ WY). Physically present in AZ/CO/CT/IL/IN/IA/LA/MI/NJ/ NY/PA/TN/VA/WV/WY only. N/A in NH/OR/ON. New customers only. Valid 1 per new customer. Min. $5 deposit. Min $5 wager. $200 issued as eight (8) $25 free bets. Ends 9/19/22. See http://draftkings.com/sportsbook for details. Follow the Show: @25WhistlesSports Follow the Crew: @MrBobbyBones @ProducerEddie @KickoffKevin @MikeDeestro @BrandonRayMusicSee omnystudio.com/listener for privacy information.

Louie and Russ are joined by actress, comedian and Pop Pantheon listener (!) Ivy Wolk to react to all of your most unhinged unpopular opinions about Addison Rae, Janet Jackson, Sabrina Carpenter, & More! Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on TwitterFollow DJ Louie XIV on Instagram

Bobby opens up in a way he rarely does—getting honest about his own relationship with gambling, how many thousands of dollars he lost in 2025 and what he learned. Then NFL legend Steve Smith Sr. joins to relive one of the most unforgettable Super Bowl weekends ever, including what he remembers from being part of the game tied to the Justin Timberlake–Janet Jackson halftime show that turned into a cultural moment no one saw coming. Plus, Beanie Wells tells the story of his recruiting roller coaster: how he nearly committed to USC… until his mom stepped in with a firm “no,” changing the path of his career before it even started. Download the DraftKings Sportsbook App today: https://dkng.co/bobbysports If you or someone you know has a gambling problem, crisis counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/MI/NJ/PA/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/NH), 888-789-7777/visit http://ccpg.org/chat (CT), 1-800-BETS OFF (IA), 1-877-770-STOP (7867) (LA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), call/text TN REDLINE 1-800-889-9789 (TN), or 1-888-532-3500 (VA).21+ (18+ WY). Physically present in AZ/CO/CT/IL/IN/IA/LA/MI/NJ/ NY/PA/TN/VA/WV/WY only. N/A in NH/OR/ON. New customers only. Valid 1 per new customer. Min. $5 deposit. Min $5 wager. $200 issued as eight (8) $25 free bets. Ends 9/19/22. See http://draftkings.com/sportsbook for details. Follow the Show: @25WhistlesSports Follow the Crew: @MrBobbyBones @ProducerEddie @KickoffKevin @MikeDeestro @BrandonRayMusicSee omnystudio.com/listener for privacy information.

This week on The Metro, Rev. Jeff Ivins brings you these artists for your time warp to the 1980s: Janet Jackson, Curiosity Killed the Cat, Modern Romance, Sparks, Rank And File, Madonna, English Beat, A Flock Of Seagulls, The Jesus And Mary Chain, Samantha Fox, Pat Benatar, Lene Lovich, The J Geils Band, Red Hot […]

We’re celebrating a huge milestone for Pod Meets World - 50 million downloads. Or 50 million different listeners per episode! Still not sure, but just go with it. Either way, it’s time for a party at Yaamava Resort and Casino! Hear everything that happened when the gang hit the spa, played some games and took in the main event - a Janet Jackson concert. And get ready for Part 2 - with an inside look at what’s coming (or not coming) when the Season 7 recaps end…on Pod Meets World.See omnystudio.com/listener for privacy information.

This is a recap of the top 10 posts on Hacker News on December 27, 2025. This podcast was generated by wondercraft.ai (00:30): Floor796Original post: https://news.ycombinator.com/item?id=46401612&utm_source=wondercraft_ai(01:55): Nvidia's $20B antitrust loopholeOriginal post: https://news.ycombinator.com/item?id=46403559&utm_source=wondercraft_ai(03:21): Apple releases open-source model that instantly turns 2D photos into 3D viewsOriginal post: https://news.ycombinator.com/item?id=46401539&utm_source=wondercraft_ai(04:47): Show HN: Ez FFmpeg – Video editing in plain EnglishOriginal post: https://news.ycombinator.com/item?id=46400251&utm_source=wondercraft_ai(06:13): How we lost communication to entertainmentOriginal post: https://news.ycombinator.com/item?id=46404848&utm_source=wondercraft_ai(07:39): Gpg.failOriginal post: https://news.ycombinator.com/item?id=46403200&utm_source=wondercraft_ai(09:05): Publishing your work increases your luckOriginal post: https://news.ycombinator.com/item?id=46397991&utm_source=wondercraft_ai(10:31): QNX Self-Hosted Developer DesktopOriginal post: https://news.ycombinator.com/item?id=46398201&utm_source=wondercraft_ai(11:56): Janet Jackson had the power to crash laptop computers (2022)Original post: https://news.ycombinator.com/item?id=46403291&utm_source=wondercraft_ai(13:22): Replacing JavaScript with Just HTMLOriginal post: https://news.ycombinator.com/item?id=46407337&utm_source=wondercraft_aiThis is a third-party project, independent from HN and YC. Text and audio generated using AI, by wondercraft.ai. Create your own studio quality podcast with text as the only input in seconds at app.wondercraft.ai. Issues or feedback? We'd love to hear from you: team@wondercraft.ai

Get ready to take a trip down memory lane! This week, Metro Beatz is brings the Holiday spirit on the 'MOC Old Skool Mix Party', spinning classic bangers from Crystal Waters, Earth Wind & Fire, Lil Jon, Alexander O'Neal, Robert Glasper, Chris Brown, Janet Jackson, Next, Boyz II Men and more! Whether you're a fan of 70s, 80s, 90s, 2000s R&B, old school hip-hop, or classic soul, this mix is packed with timeless hits that'll have you groovin' all night long. Don't miss out—tune in live every Saturday at 6pm (EST) on mocradio.com and let the nostalgia take over.

Mel Mah was born and raised in Toronto, and she moved to Los Angeles in 2011 to pursue a professional dance career. During her time as a performer, she had the privilege of working with top artists such as Janet Jackson, Britney Spears, Justin Bieber, and Kanye West. In 2017, Mel has now transitioned into filmmaking and she's pursuing her passion as a writer, director and producer. She's created 6 short films which has screened at festivals such as Cannes, the LA Asian Pacific Film Festival and the Cleveland International Film Festival, and she was anassociate producer on Sony's BIG GEORGE FOREMAN (2023).Mel is also a passionate yoga and meditation teacher, and she's been teaching since 2012. She has her 200 hour certification in Vinyasa Yoga from CorePower Yoga, her 200 hour certification in Hot Power Fusion from CorePower Yoga, and an additional 500 hour certification in Tantric Hatha Yoga from The Practice Bali. Mel currently teaches for the mindfulness app Calm where she produces, writes, and hosts a show called the Daily Move. Her mindfulness videos have garnered over 1 million views and she was also featured on THE TODAY SHOW for her work onCalm (watch video here). In addition, she's the founder and director of an empowerment company called ANVITA (https://anvitacommunity.com). Anvita's mission is to help others cultivate their authentic voices and uncover their purpose through mindfulness. With Anvita, she facilitates online coaching programs, retreats, mentorships, and community events for individuals all around the world.Support the show

Interview Date: October 5th, 2025Episode Summary:In this powerful and nostalgic episode, Emmy-nominated choreographer and MTV Award winner Tina Landon takes us behind the scenes of her legendary career shaping the choreography that defined an era of pop culture. From her early days as a Laker Girl under Paula Abdul to becoming the creative force behind Janet Jackson's “If”, “The Velvet Rope Tour,” and Ricky Martin's “Livin' La Vida Loca,” Tina shares the artistry, discipline, and vision that made her one of the most sought-after choreographers in the world.Tina opens up about her journey transitioning from dancer to choreographer, how she built trust with industry icons, and what it takes to bring stories to life through movement. She discusses the evolution of dance over the decades—from the golden age of music videos to the rise of social media—and how professionalism, consistency, and genuine artistry still remain the keys to success.This episode is perfect for anyone striving to understand the bridge between commercial artistry and lasting impact — a true masterclass in dance history and creative leadership.Shownotes:(0:00) – Welcome & introduction to Tina Landon and her legendary career(3:15) – Tina's start as a dancer & transition from Laker Girl to choreographer(7:40) – Founding her creative style: working with Janet Jackson & early MTV era(12:25) – Behind “If” & “The Velvet Rope Tour” – storytelling through choreography(22:10) – What makes a dancer stand out in auditions and rehearsals(35:05) – How the dance industry evolved from 90s tours to today's viral world(50:12) – Professionalism, mindset, and respect in the rehearsal room(1:02:30) – The importance of longevity & self-care for working dancers(1:13:05) – Tina's message: know your history, learn from the greats(1:16:16) – Gala of the Stars — Tina's legacy & inspiration for the next generationBiography:Tina Landon is a multi award winning and Emmy nominated creative director/choreographer. She is best known for her sensual yet strong movement that dominated the landscape of dance in music videos and live tours since the mid 90's. Some of her most memorable and signature moves can be seen on artists like Janet Jackson, Michael Jackson, Rihanna, Jennifer Lopez, Christina Aguilera, Ricky Martin, Britney Spears and Shakira to name a few.Tina's love and passion for dance began as early as she can remember when her mother of Mexican-American heritage and lover of dance and music, made sure her children would fare better by mandating dance lessons in their household. Falling in love with dance and yearning for more, Tina left her home in Lancaster, California to pursue her dreams in Hollywood. Auditioning for various dance productions around town, she landed a gig as a Laker Girl. She was well on her way, yet what could be considered a “big break” would be just the beginning when she was booked as a principal dancer for Michael Jackson's “Smooth Criminal” music video.Tina's hard work and commitment eventually landed her many dance roles in various music videos including her first spot as a touring dancer on Janet Jackson's Rhythm Nation Tour. She eventually went on to choreograph Janet's next two world tours “Janet” and “The Velvet Rope” which earned her an Emmy nomination for the HBO special. She has also directed and choreographed national and world tours for many other artists. Tina is a 9-time MTV Choreography Award nominee and a 2 time MTV Award recipient for Michael and Janet Jackson's “Scream” and for Ricky Martin's “Livin La Vida Loca'.Her latest passion is giving back and helping young dancers navigate careers in the music industry by sharing and coaching them through her extensive experience and knowledge.Connect on Social Media:Instagram: https://www.instagram.com/iamtinalandon/

Discover the unexpected connections behind the greatest wedding anthems.In this episode, we trace the musical lineage of Michael Jackson's iconic wedding hits, moving through a chain of collaborations and relationships that links him directly to Jackson 5, Janet Jackson, Paula Abdul, SWV, and Heavy D and the Boyz - all in just six degrees of separation!Get ready for a deep dive into the tracks that define wedding dance floors.

During this holiday season, Backstage Pass with Gentry Thomas continues its focus on giving back, and this week we’re honored to welcome legendary songwriter, producer, and philanthropist Jimmy Jam. This marks the second week in a row where we’re spotlighting guests connected to charitable causes that make a real difference during the holidays. Jimmy joins Gentry to promote 100 Billion Meals, a global initiative working to fight hunger and food insecurity around the world. The mission is simple but powerful: provide meals to communities in need and help ensure that families don’t go hungry—especially during the holiday season.Learn more or get involved here: https://www.100billionmeals.org/ Beyond philanthropy, the conversation dives deep into music history and creativity. Jimmy shares stories from his early days auditing tracks for Prince, and reflects on his legendary collaborations with Janet Jackson and Michael Jackson—including how trust, chemistry, and musical instinct helped shape some of the most iconic records of all time. He also opens up about his favorite chord progressions, how emotion drives great songwriting, and his thoughtful perspective on AI and the future of music—what excites him, what concerns him, and how technology should serve creativity rather than replace it. This episode blends generosity, legacy, and innovation—making it a perfect listen during the holidays and beyond.

We test our knowledge with real or fake headlines. Sabrina Carpenter has been breaking down her tour and was shocked Janet Jackson came to a show. Listen to Billy & Lisa weekdays from 6-10AM on Kiss 108! See omnystudio.com/listener for privacy information.

Artister har länge drömt och fantiserat om hur R&B hade låtit om Aaliyah fått leva. Musiken kallades för futuristisk redan vid millenieskiftet. Den skulle visa sig vara mer än så. Lyssna på alla avsnitt i Sveriges Radios app. Aaliyah lärde sig tidigt hur man skapade stora poplåtar ur udda, säregna ljud. Många av hennes hits var egentligen inte mer än sångriff som upprepades till en elektronisk ljudmatta. Aaliyah framkallade en abstrakt blandning av R&B och hiphop. En modern diva mitt bland maskinerna, och med soulmusikens tidlöshet som ramverk.Serien i två delar baseras på en av Aaliyahs sista intervjuer, samt hennes första möte med Mats Nileskär. Aaliyah var vid tillfällena 22 respektive 17 år gammal. I programmen medverkar ävenTimbaland, Missy Elliott, R Kelly, Janet Jackson, Kehlani, Asma Maroof, Kelela, Ginuwine och Ronald Isley.

Musician Errol Cooney, an acclaimed guitarist, musical director, songwriter and producer, joins us on The Kelly Alexander Show this week. Errol has worked with some of the biggest names in music including Janet Jackson, Stevie Wonder, Christina Aguilera, Andra Day, Quincy Jones and Beyoncé and is also a member of the band Legally Blynd. His film work includes contributions to A Star Is Born and Disney/Pixar's Onward. In this episode, Errol shares his early beginnings in music, his lifelong connection to the guitar and the moment that helped elevate his career to the next level. He explains the differences between being a guitarist and serving as a musical director and what he's learned from collaborating with world-class artists. Errol also talks about meeting Janet Jackson for the first time, what makes her such a unique and powerful performer and his favorite Janet song to play on tour. We also discuss life on the road, how challenging it can be to transition back to home life after touring, what goes into creating film soundtracks and the advice he has for up-and-coming musicians. Enjoy the conversation and thank you for listening to The Kelly Alexander Show.   Follow The Kelly Alexander Show  YouTube: youtube.com/kellyalexander  Instagram: @kellyalexandershow  TikTok: @kellyalexandershow

Over a 5 year period, Janet Jackson collaborated with Worker Bee Films to produce a documentary on her life and career, which aired on Lifetime / A&E. Janet is a...

In the summer of 2024, I FINALLY went to see  @JanetJackson  in concert and have been basking in the afterglow ever since. Deciding to bring my camera along, I captured...

En CADENA 100, la música incluye artistas como Juanes, Shakira, Aitana, Train, Rihanna, Janet Jackson, Melissa Etheridge, The Weeknd y Lady Gaga. Berti, reconocido por Forbes, ofrece 150€ de descuento y un año de mantenimiento en el seguro de coche. Viajes el Corte Inglés presenta ofertas para Disneyland Paris. La Mutua y SEAT también tienen promociones. CADENA 100 celebra un concierto en Gran Canaria. Carlos Baute, en 'Buenos días, Javi y Mar', habla de su tema "Quién mejor que tú", su buena etapa y la creación musical. Se informa que la vida de Cher será una serie de siete episodios por 18 millones de dólares, destacando sus romances y su actuación con Ariana Grande. Se mencionan las ofertas de Black Friday de el Corte Inglés y Sephora, así como el cupónazo de la ONCE.

Bill Bellamy on Mariah Carey's Kangol Story, Janet Jackson Fumble, Mannie Fresh, Dad Life + MoreSee omnystudio.com/listener for privacy information.

Yo Aunteas are joined by a true icon! Peppermint (Drag Race S9, Broadway, Survival of the Thickest, Traitors) stops by the Minoritea Report! Peppermint opens up about her decade-in-the-making documentary, A Deeper Love, and shares the reality of navigating fame while Black and Trans in America. She spills new revelations on her Drag Race experience—including a terrifying moment where production accidentally left her stranded at a hotel without her phone or ID. They also discuss: The Power of Nubia: Creating space for Black Drag excellence . Transcendence: Her new tea line supporting trans equity . Janet Jackson: Why she is the ultimate stan (and her top 3 tracks!) . Drag Vultron: In the Curiositea segment. Whether you're a Drag Race superfan or here for the activism, this episode is a reminder that you don't have to fight for a seat at the table when you can build your own!! So, get you some Transcendence Tea Ready for this episode!   Tea Stamps: 00:00 Introduction and Nostalgia for Classic Cartoons 01:32 Peppermint is Here! 05:16 Thanksgiving Traditions 11:15 Peppermint's Tea Line: Transcendence 14:15 Discussion on the Documentary and Emotional Impact 15:35 A Deeper Love Documentary 18:01 Documentary Insights and Vulnerability 25:27 Navigating Challenges in the Trans Community 30:37 Drag Race 47:10 The Importance of Sisterhood 52:11 Navigating Fame and Success 57:03 Courage in Identity 01:03:58 Representation Beyond Drag Race 01:11:10 Future Aspirations and Career Reflections 01:15:50 Curiositea: Peppermint Edition 01:27:06 Janet Jackson's Impact and Performances 01:30:13 Top Janet Songs and Personal Favorites 01:34:29 Drag Vultron    

I remember the now late Jellybean Johnson who past away Nov 21st at the age of 69 years old.  We know Jelly as the drummer of Morris Day & The Time and being an intrical part of that Minneapolis Funk Sound and an amazing human being.I yap for about 8 minutes then replay the interview from 2021 after the 10 bell salute.  RIP my friend, see you on the other side.PATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...

On Nov. 24, 1956, Terry Lewis was born in Omaha, Nebraska. Decades later, he would become one half of Jam & Lewis, the iconic production duo behind era-defining music from Janet Jackson, Boyz II Men, Sounds of Blackness and more. From a football scholarship at Notre Dame to shaping the sound of Black popular music, Lewis's journey shows how a detour can redefine destiny.Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Big Al Mack and his crew as they dive into hilarious and serious topics alike. This episode kicks off with a spirited debate over grits—is sugar a legit condiment or a culinary crime?

Ce 19 novembre, Marjorie Hache propose deux heures riches en pop-rock, classiques et nouveautés. L'émission s'ouvre avec David Bowie et "Fame", suivie de la découverte du jour : les Irlandais de Just Mustard et leur titre "Endless Deathless", extrait de leur troisième disque "We Were Just Here". Marjorie s'attarde ensuite sur la disparition, un 19 novembre, du producteur Terry Melcher avant de diffuser "Kokomo" des Beach Boys. La soirée enchaîne les couleurs musicales avec Smash Mouth, Prophets Of Rage, Alanis Morissette, puis le titre "Neo Paris" de Rise Of The Northstar, issu de leur nouvel album. Les classiques s'installent avec Faith No More, The Velvet Underground, Sweet, Metronomy, Joan Baez ou encore Les Rita Mitsouko avec Sparks. La reprise met en lumière le sample de "Big Yellow Taxi" de Joni Mitchell par Janet Jackson dans "Got 'Til It's Gone". La fin d'émission réunit XTC, Presidents Of The USA, The Wytches récemment passés au Point FMR, avant de conclure avec Stuck In The Sound et Nina Simone. David Bowie - Fame Just Mustard - Endless Deathless The Beach Boys - Kokomo Smash Mouth - I'm A Believer Prophets Of Rage - Legalize Me Lynyrd Skynyrd - Sweet Home Alabama Alanis Morissette - Reasons I Drink Rise Of The Northstar - Neo Paris Faith No More - Epic The Velvet Underground - Sunday Morning Sweet - The Ballroom Blitz Be Your Own Pet - What A Bitch Janet Jackson - Got Til It's Gone Metronomy - The Look Eels - Flyswatter Charb-On - Me And My 44 Joan Baez - Here's To You Les Rita Mitsouko & The Sparks - Singing In The Shower Geese - Cobra The Rolling Stones - Under My Thumb Wolfmother - New Moon Rising Freakslug - Miss June XTC - Making Plans For Nigel Presidents Of The USA - Lump The Wytches - The Thrill Is Gone Stuck In The Sound - Brother Nina Simone - SinnermanHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week musician and songwriter J. Lauryn joins us for another on the road episode. She shares how a dancing audition for Janet Jackson led her to move to LA, kickstarting her journey from backup dancer to hit songwriter to Grammy winner! She and Anjelah open up about childbirth anxiety, family gratitudes, and the myth of onion cutting goggles. Plus, fun fact, J. Lauryn even danced in a few Bon Qui Qui music videos! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send Mary and Kelsey a Message!In this episode, Mary and Kelsey sit down with Carmit Bachar, one of the powerhouses behind The Pussycat Dolls, to talk about her wild ride through pop culture history. From dancing beside Beyoncé and Michael Jackson to shaking up the world at Janet Jackson's legendary Super Bowl halftime show, Carmit spills the tea on the choreography, chaos, and charm of the early 2000s. Carmit shares her perspective on the rise of The Pussycat Dolls, the making of chart-topping hits like “Don't Cha” and “Buttons,” and what it was really like behind the glam, gloss, and low-rise jeans of the era that defined a generation.Support the show Instagram: @whentheypoppedpodTikTok: @whentheypoppedpodEmail: whentheypoppedy2k@gmail.comWebsite: linktree.com/whentheypopped Subscribe to our Patreon: https://www.patreon.com/user?u=85610411

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz breaks down Cardi B's brand-new “ErrTime” Snow Mix featuring trap legend Jeezy and Latto, dropped November 12, 2025 as part of the Snow Edition of her sophomore album Am I the Drama?. The original album, released September 19, 2025, serves as the highly anticipated follow-up to her Grammy-winning Invasion of Privacy and already features heavyweights like Summer Walker, Selena Gomez, Kehlani, Lizzo, Cash Cobain, Janet Jackson, and Tyla.This Snow Edition delivers three versions of the DJ SwanQo-produced “ErrTime”: the previously released Latto remix, a fresh Jeezy verse, and the ultimate combo with both Atlanta icons. Jeezy opens the Snow Mix with a nostalgic 2000s trap verse packed with signature ad-libs, boasting lines like “Black Brad Pitt,” charging “10 bricks” per show, and clever references to his September 2025 Gangsta Grillz: Still Snowin' project. His smooth criminal flow (“Slow and smooth ass criminal, Teddy P, Easy E…”) perfectly complements Cardi's mission to “make the club fun again.”Originally peaking at No. 43 on the Billboard Hot 100 and ranking No. 5 on Atlanta's October strip club chart, the Snow Mix is poised to dominate Dallas and Atlanta clubs this winter—especially with Cardi's Little Miss Drama Tour kicking off in Dallas next year. Analytic Dreamz analyzes how this strategic drop keeps Am I the Drama? hot, reinforces Cardi B's unstoppable momentum while pregnant, and marks Jeezy's triumphant return to classic snowman trap energy.Bardi Gang is eating—the streets and the clubs are too. Stream the “ErrTime” Snow Mix now and catch the full breakdown with Analytic Dreamz on Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Michael Jackson biopic MICHAEL has officially dropped its first trailer and we finally have a release date: April 24th, 2026! Kelly and Sharon break down everything we know so far, including Jaafar Jackson's powerful transformation into his Uncle Michael, the star-studded cast, why the film was delayed and what fans can expect. Plus, we want to know: What's YOUR all-time favorite Michael Jackson song? There's also breaking news in the world of 90s R&B, it seems En Vogue is facing a major shake-up. Reports suggest Rhona Bennett has left the group under murky circumstances surrounding the Salt-N-Pepa Rock & Roll Hall of Fame performance. Kelly and Sharon dive into what happened and what this could mean for the future of En Vogue. Test your 90s knowledge with Kelly's Trivia featuring fun questions about Michael Jackson and En Vogue and enjoy a trip back to 1997 in Sharon's 90's Rewind. Kelly also shares a great story about seeing Aretha Franklin at a Janet Jackson concert in Detroit plus why Janelle Monáe is next-level in concert. Thank you for watching 90's NOW - your home for everything 90s pop culture, nostalgia, music, and entertainment!

Send us a textThank you for tuning in!  On today's episode, we are taking a look back at some infamous music videos from the 1980s and 1990s that feature warehouses and scaffolding as the setting.  I realize this episode is a bit niche, but I think you will appreciate the focus on some memorable music videos.  This episode is marked as explicit because I quote a few lyrics from Queen Latifah's song UNITY which has some adult language in it.I mentioned my recent guest appearance on an awesome podcast called "Pop Culture Reflections."  You can find this show here.If you love listening to music from the 80s and 90s, as well as podcasts related to pop culture during these fabulous decades, check out the app Q106.5.  There you will find links to my show and many other awesome podcasts, as well as the ability to listen to some tunes from yesteryear :)I also referenced a few of my older episodes on this one:Learn about Madonna's incredible rise to fame here.Learn about Michael Bolton and why he is such an icon here.Support the showVisit: https://www.popcultureretrospective.com/ for all things Pop Culture Retrospective! Follow me on Instagram: https://www.instagram.com/popcultureretrospective/ Follow me on Twitter!: https://twitter.com/PopCultureRetroReview the show! https://www.popcultureretrospective.com/reviews/new/Pop Culture Retrospective Merch!: https://pop-culture-retrospective-pod.myspreadshop.com/allEmail me anytime: amy@popcultureretrospective.com

Jennifer Aniston is in love and Kelly & Sharon are totally here for it! In this episode of 90's NOW, we break down why Jennifer continues to be one of Hollywood's most powerful women, especially when it comes to her Instagram game and the photos that get everyone talking. Plus, Mariah Carey has officially kicked off the Christmas season… but is it too early for holiday cheer? We discuss why fans are divided and why Remembrance Day still deserves its spotlight before the festive season begins. Meanwhile, Justin Bieber opens up about how much he loves touring, but also why it's become such a personal challenge for him. Kelly & Sharon share their thoughts on what could be a better way for him to connect with his fans. And get ready - Scream 7 is back with Neve Campbell returning to the franchise. We also chat about why Drew Barrymore got “arrested” while dressed as Ghostface and how Taraji P. Henson went next level for Halloween this year - Janet Jackson would approve! Don't miss Kelly's Trivia, Sharon's 90's Rewind from 1993, and all the nostalgia, laughs, and pop-culture throwbacks you love from 90's NOW! Subscribe for more 90's music, TV & movie updates every week!

Mix Name: 90s, 2000s RNB Mix | Janet Jackson, Cassie, Ne-Yo, Drake, The-Dream, Mario Website: https://www.iamlmp.com/ Join Our Discord: https://discord.com/invite/iamlmp Join Us DJs New Remixes & Blends: https://www.iamlmp.com/recordpool Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/djsanone Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp 01. Because of You – Ne-Yo 02. So Excited – Janet Jackson Ft Khia 03. Long Way To Go – Cassie 04. The One – Mary J. Blige Ft Drake 05. Fine China – Chris Brown 06. Baby ( Block Version ) – LL Cool J Ft The Dream 07. Let Me Love You – Mario #rnb #iamlmp #rnbmix

Mark and Kenny thrash their heads through a great lost bonus track from Rebel Heart. Topics include Avicii, femme fatales, Janet Jackson, deadlifting on Instagram, kiwis and plums, psychic pain, the value of time, yoga, Notes on a Scandal, remix maxi-singles, and candid confessions about addiction and the thrill of obsession

This summer, one singular artist could be heard everywhere from the new Cardi B album to the TikTok charts: Janet Jackson. The incomparable Queen of Pop has had her fingerprints all over pop music for the past few months, and it's never been more apparent than on Doja Cat's “Jealous Type.” The lead single from Doja's new album Vie has all the hallmarks of the Janet Jackson sound, from breathy and percussive vocals to nods to iconic production from Jimmy Jam and Terry Lewis. This episode of Switched on Pop, we go on a journey guided by Janet, and discover the implicit connections to Doja Cat – the so-called “queen of pop-rap” – in the process. Vote for Switched On Pop in this year's Signal Awards! We're nominated for Best Music Podcast and Best Original Score/Music, linked here. Thank you! Songs discussed: Janet Jackson – Someone To Call My Lover Sabrina Carpenter – House Tour Cardi B, Janet Jackson – Principal (feat. Janet Jackson) Doja Cat – Jealous Type Janet Jackson – What Have You Done For Me Lately Janet Jackson – Nasty Janet Jackson – Feedback Janet Jackson – What About Prince – 1999 Janet Jackson – Throb Janet Jackson – Control Janet Jackson – When I Think Of You Janet Jackson – Go Deep Doja Cat – Cyber Sex Doja Cat – Rules Doja Cat – Boss Bitch Doja Cat – Woman Doja Cat – Agora Hills Janet Jackson – Let's Wait Awhile Janet Jackson – Escapade Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of the Mo News Podcast, producer Sari Soffer Sukenik sits down with Sophie Gilbert, staff writer at The Atlantic and author of her new book, Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves. Sophie reflects on the pop culture of the '90s and 2000s — the rom-com boom, the teen sex comedies, the rise of the “cool girl,” and the commercialization of “girl power” — and how these cultural touchstones shaped millennial women's self-image, relationships, and ambitions. The conversation ranges from Spice Girls to American Pie, from rom-com nostalgia to the cultural legacy of #MeToo, and from Janet Jackson's Superbowl wardrobe malfunction to Instagram's double-edged impact. Sophie argues for a more mindful relationship with the media we consume—and what it means to raise the next generation with awareness of how culture shapes us all.

We're wrapping up Tyler McKenzie's episodes as he continues to take questions from the Patreon Peeps. Tyler talks about his special bond with the Charlotte arts community, his experience go-go dancing for the legendary Trixie Mattel, and we won't call it a comeback but Janet Jackson is performing again and you need to get yourself there to experience it. We also had to take some time to discuss the pure magic that was the start of the Philip Tour. It was such a moment in time and it was very, very special for a lot of people - and not just for the people in it. For Tyler, the Philip Company will always be home, and he talks a lot about community, boundaries, and relationships *outside* of work. This is still a series about reflection so Tyler very honestly talks about what it's like to leave a show that wasn't just artistically fulfilling, challenging in all the ways, and an unparalleled learning experience but let's get real: he spent eight years answering that horrifying "so what are you up to?!" question by saying: "I'm in Hamilton." I mean come on! That's one of the biggest flexes there is! But now Tyler is left wondering: who is he without Hamilton? How does he feel significant and strong without using a brand? The good news is that this recording is not Tyler's first time reflecting or meditating on any of these questions so don't worry, there's a plan and it's an awesome. (Two hints: Bali and yoga). Tyler on Instagram http://www.tylermckenzie.net/ #106: I'm not falling behind or running late #130: I came as soon as I heard // #LasVegust Part Two #131: I came as soon as I heard // #LasVegust Part Three /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps