Podcast appearances and mentions of Steve Carell

Netflix's charming comedy The Four Seasons follows a group of couples whose friendship dynamic is rocked by their mid-life crises. The impressive cast includes Steve Carell, Tina Fey, Colman Domingo, and Will Forte. And while the jokes may not fly quite as fast as they did on 30 Rock, Fey's comedic sensibilities are written all over it. The Four Seasons just returned for a second season, so we're revisiting our conversation about the series.Subscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhour See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Alex Zalben, Editor of Comic Book Club, joins Wendy Snyder, in for Lisa Dent, to discuss the latest in television, entertainment, and streaming. He shares his thoughts on true crime documentaries, The Crash and Should I Marry a Murderer, while Wendy praises The Rooster, starring Steve Carell and Phil Dunster. Later, everyone talks about the most recent […]

For a while now (though mostly on Patreon), Moira and Adrian have examined a strange canon of films and texts about. powerful people being taken down by forces of social justice. Many of these take place on college campuses or near them (Oleanna, Deconstructing Harry,The Human Stain, After the Hunt); others center figures of the art world (Tàr). There have been a few new entries in this genre, and they tell us a lot about where our culture and are politics are with regards to consequences, impunity and powerful men. The focus in this conversation is the HBO show Rooster starring Steve Carell and Outcome starring Keanu Reeves.

We review the hit HBO/Crave series Rooster, the Steve Carell-led show that's somehow equal parts heartfelt family drama, academic satire, and absolute chaos. We talk through some of our favorite moments from the show as well as some of the standout performances and the many lovable characters. Also in this episode: What's bugging Josh, the mailbag, Josh's Montreal Poutine road trip, and Steve Kerr's idea to change the NBA. Additional links that were discussed in this episode: Poutine Road Trip Part 1Poutine Road Trip Part 2Music from Upbeat (Free for creators!): Keep Going Your Way. License code: LISXUMIIWIGJGVX7 and Smack That. License code: RT2YRTHYCV5TH7L6 Follow us on Twitter or Facebook

On this episode of Obsessed, Matt Wilstein sits down with comedy legend Robert Smigel — the creator and voice behind Triumph the Insult Comic Dog — for a hilarious and revealing conversation about his decades at Saturday Night Live, discovering Stephen Colbert and Steve Carell, working alongside Conan O'Brien and Adam Sandler, and his unforgettable experience roasting MAGA figures at the White House Correspondents' Dinner. Smigel also opens up about the rise of Triumph, his new podcast Humor Me with Robert Smigel and Friends, and the behind-the-scenes stories from some of the most iconic moments in comedy history. Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ New episodes every Thursday, and Saturday; ⁠early drops on YouTube⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Connor Hines is an actor and writer, best known for creating and executive producing LOVE STORY, which became FX's most-watched limited series ever on streaming. He also served as a writer on the upcoming Apple TV limited series WILD THINGS starring Jude Law and Andrew Garfield. His first staff writing job was the Netflix comedy SPACE FORCE created by Steve Carell and Greg Daniels. Since then, he has sold and developed projects across television and film for Netflix, 20th Century Studios, Sony/Columbia Pictures. In this interview, we talk about the success of his YouTube series LOCAL ATTRACTION, the reality of the traditional pilot season, the development and pitching process for LOVE STORY, collaborating with Ryan Murphy, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend, as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Michael and TC revisit some of the most memorable commencement speeches from both this year and years past — from Roger Federer, Steve Jobs, Shonda Rhimes, Steve Carell, Eric Church, Arthur Brooks, and more. From lessons on resilience and rejection to purpose, kindness, ambition, and community, they break down the advice that resonated most with graduates — and why these messages matter far beyond campus. Plus: AI gets booed at graduations, universities navigate speech controversies, and Michael reflects on the power of rejection in his own commencement addresses. A thoughtful, funny, and surprisingly emotional conversation about success, failure, and what actually makes a meaningful life. Original air date 19 May 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Clint, Meg and Dan tease an embargoed tour announcement, chat a stacked NZ concert calendar, and Clint reveals a new Japan-inspired tattoo. In “More or Less,” they compare Spotify streams for solo artists versus their former bands (including Beyoncé/Destiny’s Child and Harry Styles/One Direction). Scandal headlines cover Stephen Colbert and Steve Carell praising Harry Styles, plus Niall Horan on the 1D group chat. Listeners win giveaways, discuss holiday-ruining mishaps, and try cracking the Neutrogena vault. The big reveal: Post Malone returns to New Zealand (21 Oct). The episode also features Dan’s Diary, tattoo regret calls, and a debate about nurses being the biggest partiers. 00:00 Morning Show Kickoff 01:34 Clints New Tattoo Story 02:24 Japan Trip Inspiration 04:17 More or Less Streams 07:31 Scandal Headlines 10:13 First Caller Nikki 13:05 Enhanced Games Madness 17:47 Overthinkers Podcast Plug 20:38 Take The Edge Off Call 22:52 Holiday Ruined Stories 34:20 Off Campus hype 38:08 In Laws watch fails 38:47 Scandal headlines 27:01 Neutrogena vault guess 43:13 Wedding surname games 49:58 Post Malone announced 52:21 Take The Edge Off win 54:04 Hit the spot tease 55:37 Dans Diary chaos 59:37 Tattoo regret hotline 01:03:41 Nurses party stereotype 01:10:05 Enhanced Games tease

Que lindo que es verlo a Steve Carell en la comedia adulta

If we had to start our performer fitness journey again from scratch tomorrow… what would we actually do differently?After years in the industry, hundreds of clients coached, countless mistakes made, and more than enough overtraining, burnout, and chaos, we sat down to answer one big question:What actually matters?In this episode, we break down the real training, nutrition, and mindset advice we wish someone had given us when we first started performing professionally.We cover:• Why consistency beats intensity every single time• The truth about training 5–6 days a week• Why performers should prioritise energy management, not just time management• The biggest nutrition mistakes performers make• Why protein and structure matter more than perfection• How social media fitness trends keep performers stuck• Why longevity and performance matter more than chasing aesthetics• The “boring basics” that actually transform your body and careerWe also chat about:• Last One Laughing Season 2• The new Steve Carell comedy Rooster!• Why simple training works better than fancy workouts• Infinite chess• And why “Bustin' Makes Me Feel Good” might now become a warm-up playlist staple…This episode is packed with practical advice for performers who want to feel stronger, healthier, more resilient, and less overwhelmed by the noise of the fitness industry.If you're tired of overcomplicating health and fitness, this one's for you.

Matt Wilstein sits down with acclaimed actress Danielle Deadwyler for a wide-ranging conversation about her extraordinary run of projects across film and television. From her comedic turn opposite Steve Carell in HBO's Rooster to the emotional weight of Till, Danielle opens up about balancing intense dramatic work with lighter roles, her roots in Atlanta theater, and why “weird” storytelling continues to inspire her. She also reflects on unforgettable experiences working on Atlanta, Watchmen, Station Eleven, The Bear, and the highly anticipated new season of Euphoria. Plus, Danielle teases what drew her to Ryan Coogler's upcoming reboot of The X-Files and reacts to support from Gillian Anderson as fans prepare for a new chapter in the iconic franchise. Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ New episodes every Thursday, and Saturday; ⁠early drops on YouTube⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

David Zucker joins The SDR Show with Ralph Sutton and Aaron Berg to discuss creating Airplane!, the truth behind some of the film's biggest myths, working with John Landis and Leslie Nielsen, OJ Simpson stories, an abandoned pilot with Steve Carell, why Seth MacFarlane refused to meet with him, his book Surely You Can't Be Serious: The True Story of Airplane!, the new movies he's currently working on, David Zucker's first concert, first drug and first sexual experience and so much more! Air Date: 05/06/26To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!You can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for discount on your subscription which will give you access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!David ZuckerTwitter: https://twitter.com/TheDavidZuckerInstagram: https://instagram.com/TheDavidZuckerAaron BergTwitter: https://twitter.com/aaronbergcomedyInstagram: https://instagram.com/aaronbergcomedyRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/Shannon LeeTwitter: https://twitter.com/IMShannonLeeInstagram: https://instagram.com/ShannonLee6982The SDR ShowTwitter: https://twitter.com/theSDRshowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr. Adam Dorsay's Psychologically Rich TV Picks: Bill Lawrence, Ray Donovan, and Jury DutyDr. Adam Dorsay, Silicon Valley psychologist and host of the SuperPsyched podcast, shares recent TV recommendations he finds psychologically rich. He highlights Bill Lawrence as a hero behind comfort shows like Scrubs and Ted Lasso, praises Lawrence's new series Rooster with Steve Carell, and recommends the darker, mysterious comedy Bad Monkey starring Vince Vaughn on Apple TV. He discusses Scrubs returning with recreated sets in British Columbia and renewed cast dynamics, noting its modern medical themes and its reputation for medical accuracy. He also enjoys Shrinking for its relationships despite questionable psychotherapy realism. Moving darker, he recommends Ray Donovan for its pitch-perfect portrayal of family dysfunction and standout performances by Liev Schreiber and Jon Voight, comparing its quality to The Sopranos. He closes with Jury Duty, a Truman Show-like semi-reality comedy, and invites listener feedback and subscriptions.00:00 Welcome to SuperPsyched00:27 TV Geek Picks00:51 Bill Lawrence Highlights01:33 Bad Monkey Spotlight02:13 Scrubs Returns03:35 Why Shrinking Works04:34 Going Dark Ray Donovan07:03 Wild Comedy Jury Duty08:18 Wrap Up and Subscribe

Johnny Mac delivers daily comedy news, leading with John Mulaney's Night of Too Many Stars set featuring sobriety jokes and an extended impression of RFK Jr., while a report calls out Matt Rife for homophobic material. The benefit also included a celebrity band, The Very White Stripes (Conan O'Brien, Jon Stewart, Jimmy Kimmel, and Abby Romeo), plus appearances by Bill Burr, Steve Carell, Nikki Glaser, Tiffany Haddish, Sarah Silverman, Ali Wong, and others. Mac notes little coverage of Dave Chappelle's Netflix Is a Joke shows, and mentions Pete Davidson taping his Netflix show with Mulaney. He previews Josh Johnson's HBO special (May 22) and Dan Soder's first Netflix special taping (June 13). He critiques the Kevin Hart roast's lack of star power, recaps Katt Williams, Tony Hinchcliffe, The Rock, and Chelsea Handler–Shane Gillis moments, and adds quick items on Nish Kumar, Ricky Gervais' animated Alley Cats (Aug 7), and Bill Bailey praising King Charles' wit. 00:16 Mulaney Does RFK Jr02:41 Night of Too Many Stars Recap03:44 Chappelle Shows Missing03:56 Pete Davidson Show Tape04:08 New Specials and Taping05:13 Roast Star Power Debate06:00 Katt Williams Roast Set06:55 Roast Jokes and Feud08:05 Tony and Pete Controversy08:58 Chelsea and Shane Clash10:01 More Comedy Headlines10:53 Wrap Up and Sign OffBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.COMEDY SURVIVOR in the facebook group.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Die Themen: Nationaler Zug-Tag; Wie der „Thriller“-Lean zum Ritus einer neuen R&B-Generation wurde; Marco Rubio trifft den Papst; „Rooster", die neue Serie von Steve Carell; Das Panini-Album zur Fußball-WM und Yared Dibaba über Vielfalt und Rassismus Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Beat Migs! "Is it true that if you don't use it you lose it?" We go to Straight to the Comments to find out.

Diane and Sean discuss the most perfectly dysfunctional family road trip movie ever, Little Miss Sunshine. Episode music is, "Let's Go", by DeVotchKa from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Donna & Steve chat with WWE megastar, LA Knight.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Steve Carell brings the awkward comedy heat in this week's Say Whats Reel review as Dom, ILL & Q dive into the 2005 comedy classic The 40-Year-Old Virgin!From the legendary waxing scene to the hilarious advice from Andy's coworkers, this Judd Apatow hit helped define 2000s comedy. We break down Steve Carell's unforgettable performance, the chemistry between Paul Rudd, Seth Rogen, and Romany Malco, and whether this movie still lands as one of the funniest rom-coms of its era.Does Andy's journey still hold up in 2026?Did the humor age well?And where does this rank among the best Apatow comedies?Tap in for laughs, nostalgia, and the wild Say Whats Reel takes you already know are coming.

With The Devil Wears Prada back on the big screen, we've been completely fixated on Andy's transformation from “frumpy” assistant to head-to-toe haute couture. It has sent us straight down a rabbit hole of the greatest makeover sequences cinema has ever given us.Because here's the thing. Yes, they're a little problematic, unhinged in their logic, and we are not even slightly sorry about how much we love them.We're breaking down the most monumental movie makeovers, why they've aged the way they have, and why we completely lose our minds every time the dramatic music plays and the transformation is revealed. Speaking of iconic makeover scenes, listen to our Brutally Honest Review of Clueless here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. SUBSCRIPTION GIVEAWAY:Win a $2,000 Bed Threads voucher. Subscribe to Mamamia here before April 30 to be automatically entered. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mama Mia. Welcome to this spill your daily pop culture fixed. I'm Laura Brodneck and I'm Tita Previs, and we have a very special episode for you today, one that I have been dying to do for so long because this is a special interest area of mind. So I'm so glad you're here for my moment that I got to share with you. We are doing the best movie makeover scenes that yes, might be seen as problematic, but we desperately love them. I love them. What do you think they're problematic? Well? I think well, I'm just gonna take my feminist hat off and put it in the corner. I'm gonna actually put it outside the studio, pick it up later on the way out, because I guess these like these movie makeover montages that have become such a big part of in particular romantic comedies. One is obviously we're both going to share our favorite ones. We don't know what the other person's going to say, but I'm assuming you don't have any men on your list, because I don't have any men on my lise. 00:53Speaker 2 You do, I do, But how rare is that it's rare, And that's why exactly exactly exactly. 01:00Speaker 1 So all the makeover scenes in movies, especially wrong cooms, always happen to women, and they always famously go one way. More men should be having makeups. Yeah, let's make it see men, I know. But if you rubits have tried to do that, has it really landed? I just mad it every day? Yeah, oh yeah, yeah, absolutely real mount the Street, let's make them over. I think it's a famous shell queer right. Well, these makeovers always go one way, so that's I think that's where the kind of problematic issue has come over the years is that the woman always comes out, she's always like tenned, she always has like a ton of makeup on, she gets her glasses taken off, even if see without them, always wearing like skimpier clothing. Like it's a very like kind of like sexualized bombshell kind of look that every woman gets made over to in these movies in order to kind of achieve the life that she wants. So if you look at it through that lens, slightly problematic. But we're not doing that today because movie makeover scenes have made up the broke of pop culture for so long, and there's so many movies that are made around these scenes or these ideas, and they were always the scenes that we used in marketing so famously in Suddenly thirty they had like done the script and shot half the movie, and the studio was like looking at the dailies and looking at the script and they're like, you have to put a makeover montage in here for the trailer. Otherwise formula is otherwise we can't sell this movie. What the hell are you doing. So the reason we're doing this today, I do have a reason for this before we get into our picks, is that it is The Devil Wears prior to two week. Yeah, the movie is actually coming out this week on the thirtieth of April, and the first movie has an incredible makeover moment which Andy goes into the fashion closet with nigelnic He pulls a poncho for which we never wear it see her wear. And then that is such a catalyst for the film because it's how we see her lean into her career and how she gets taken seriously, and that we have that incredible montage of all the different looks that she wears down the streets, different coats and hats into the office. You have a favorite one. 03:01Speaker 3 From that montage, all of the looks are always so good, and I think because you do have that contrast for like her own style at the start to all of those looks, like you can't just pick one, and then from there on out it just gets like better and better. 03:15Speaker 1 The fun better and better and better. 03:16Speaker 3 Yeah. 03:16Speaker 1 From that makeover montage we first see her like the green coat means the winner, but also the brown snakeskin coat when she walks into the building, which is how I want to be dressing this season. So off the back of the Devil Wears prior to two cinemas April thirty, we're gonna be sharing with each other our favorite movie makeover moments. Do you want to kick us off? So we haven't shared yet. I don't know what you're gonna say. It's going to be surprise. I'm interesting how a man weaseled his way in there, so like a man. It's like, we have one thing and it's been overly sexualized and made over in movies and then men want to take it away from us. 03:47Speaker 3 So I'm staying on the Anne Hathaway train. 03:49Speaker 2 Oh yeah, and I'm going with Princess Darry It wouldn't be Yes Complete the Makeover Podcast EP if we didn't have this one in there, I feel like it. It's so iconic unless you're living under a rock. Everybody has seen Princess Staris. It's one of my favorite movies growing up. And we follow Mia Thermopolis played by Anne Hathaway, and she finds out that she's actually a princess, which is what I thought was gonna happen to me. I'm still waiting for a letter behind estranged relative in her country. And she pretty much undergoes this whole transformation on her path to becoming a princess, and they enlist a stylists. 04:27Speaker 1 She pretty much just. 04:28Speaker 2 Takes her glasses off, straightens her hair and like has her nails done. 04:32Speaker 1 Like there's really not much more to it. Oh see. I actually think out of all the movie makeover is this one they actually go through quite a drug etiquette, has the etiquette training and that whole thing. But also I think they actually do quite change, Like she looks drastically different. Some makeover segne like you just took off her glasses and put a lipstick on, whereas this one it's like completely like her hair because I think she's got like a crazy wig on when she is playing Mia in the early movies. The glass has always changed things, but the makeup is so intense, the skin sort of stuff. 05:00Speaker 2 How she they pluck her eyebrows, They're like really like whacking those off. But again on the slightly problematic end, because it did really like reinforce you know, curly like frizzy hair being like a little bit messy and untamed, and like, I deep dove into Reddit and there are so many people on the Internet who you know, said how much it really affected them and it led them to like chronically straighten their hair for like ten years. 05:25Speaker 1 Okay, I didn't know there was like the dark side of the Princess Diaries. 05:28Speaker 3 We have Minisha producer Nisha in the studio. 05:31Speaker 2 Who was saying that this had a little bit of an impact on her and her. 05:34Speaker 1 And she never curled her hair again. Wow, No, she has curly hair. She straightens it. No, No, I know, is that right? 05:42Speaker 3 She's nodding, She's she's no. 05:44Speaker 1 I didn't realize that your hair looked like that. Because of the wrath of Anne Hathaway. Wow and Hathaways actually come out recently. Anne Hathaway's commented on Yeah public apology. 05:56Speaker 2 She recently spoke to people off the back of the recent press she's been dewey and shared her one regret from her time on the film. So her natural hair is actually straight, so they had to create that contrast for that makeover scene, that moment, so they gave me a really curly hair. And you know, she has regrets around people thinking that they were saying curly hair is unattractive, which is obviously terrible, and like she says, it was an unintended side effect. It was just in order to make it easier and post and you know, have that massive transformation moment. But it's so significant that it's actually something. Now in twenty twenty six, she's had to come out and dress. 06:32Speaker 1 Oh and no, And can I just say, you don't need to apologize. Do you have curly hair? You'r okay, no, we don't get it. I would love curly hair because I cut my hair all the time because I have dead straight, flat hair. Yeah, And I always feel like I'm the same the unattractive thing. And I would love to have people like especially like in rom com there's some wrong comms, like in How Lose a Guy? In Ten Days, where Kate Hudson's character Andy famously has straight hair, yes, but as she falls in love, her hair goes curly. Have you sadnything online of like girls in love have curly hair? 06:58Speaker 2 Yeah? 06:58Speaker 1 I have, yeah, And I was like, obviously I've been in love because my hair is straight, straight, So you can literally find anything. I'm just gonna say, Anne Hathaway, you don't apologize for that. It's okay. We don't speak on behalf of the curly girls. We well, no, no, I think that that's the fault of the movie, not Anne Hathaway. Yes, yes, And I also think that out of all the things that we have to sort of look at, that that one's okay. I'm not disregarding the feelings of curly head girls. I just don't think Anne Hathaway personally should take on that emotional birth. 07:24Speaker 3 No, it's not for her. She can we forgive you, Anne, it's not you. 07:27Speaker 1 We don't have to five. But that is such a pivotal moment, that scene, because everything about that movie plays and to wish fulfillment, and that is like also the biggest wish for filment as an adult but also as a teenager. That you're just kind of one step away from looking beautiful, that someone could take you in a room and they could do all these things. And also then her life does open up in this crazy way. Yes, because she's become a princess, but also because she looks like this ideal beauty, she becomes popular. Yeah, everybody likes her. The guy shet to like her, and are they're really careful to caveat that he always liked her. 08:00Speaker 2 Yeah, and it wasn't the makeover. Yeah, I was actually really don't do that as much watching it last night. And she just ignores him for like the whole first part of the movie. 08:09Speaker 3 He literally is like, you're attractive, and she just doesn't even like. 08:12Speaker 1 Well, that's the whole thing of these movies, too, is that they pedal this thing that everyone's secretly beautiful they just don't know it. And for a lot of us, and they put me in that category. No, fine, that's fine, there's no there's no little trick of like, if she just took her glasses off, or if she just took her hair out, she would be so beautiful and she just doesn't know it. 08:30Speaker 3 Yeah, I don't wear glasses. What's the next straight. 08:33Speaker 1 I wear my hair on every day. There's no way a man can take out my ponytail, and I'll instantly be beautiful. What is left? So good? Okay, before we move on to my next one. Are you excited for Princess Diaries three? Or you're upset about it? People different came. I'm excited because Princess Diary is too wildly a great movie. All the sequels out there, I think they're both great. 08:52Speaker 2 I think Anne is great, and if she wants to be involved in it, I know she'll want to do it right. 08:57Speaker 1 So super excited. 08:58Speaker 2 It's such a part of my child would I watched that movie rinse and repeat, rinse and repeat. 09:03Speaker 1 It was one of those ones I was always. 09:04Speaker 2 Watching, even the nos Soldier, like, even if it's not better than one and two, I'm here for it. 09:12Speaker 1 Okay, So the movie Makeover I'm going to talk about now. I picked because it has my favorite reveal like When You Had. It has everything it has, like the big reveal, the reaction, the build up, the song, the song choice and maker. I realize every nearly every makeover Picked has an iconic song that sort of had new life in it because of the movie moment and this is an iconic comedy from the year two thousand, a great year for m comms. Miss Congeniality. Oh oh my god. 09:42Speaker 3 I can't what but like I would have been really really young. 09:46Speaker 1 Okay, you need to watch this is just movies. I just assumed everyone has seen I didn't. I didn't see it. I was like in not pro I was probably in high school. I did even know. Anyway, I didn't see the movies, but I just remember what. It's one of those ones where I just remember, like I know of it. I mean, we're probably had on a VHS and I just watched it over and over and over again. Oh my god. It holds up so well. I mean, no, it's problematic as hell, but that's fine. That's fine. But our feminist is outside. Actually yeah, it's actually out the window. I've thrown it. No, no, it's not problematic, and like, there's actually nothing so super bad in it. They'll just be little things. But anyway, as a movie, ten out of ten holds it so well. You need to watch it. You'll love it. Don't watch the sequel. Okay, the sequel's frodden. Sandra Bullock went through Who is the lead of this movie, Sandra Brook went through a time where she made two really regrettable sequels, Speed Too. I don't watch that. I never watch I've loved Speed Speed. Yeah. The second one, she's on a boat, and even she was like, that was a mistake because the boat. They're like, the boat's going so fast because the boat can go anywhere, because it's a cruise ship. It can't go the world. Yeah, it's fine. And Miss Congenality Too not great, but Miss Congeniality a perfect movie. So Sandra Bullet plays an FBI agent called Graasy Heart, and she's like really schlubby and gross, like yeah, that's the perfect kind of word for her. She wears like an ill fitting, like cheap suit which is always like crinkled, food stained. She's got really frizzed. They really frizzed her hair hair same thing. She's just hair like and she looks terrible. And so there's been a threat against the Miss USA pageant. So a lot of it set in a beauty pageant, and they need someone to go undercover in the pageant as a beauty queen to like stop the threat. And they go. They have this computer program that they go through all the women the FBI, and it renders them what they would look like, which is a bit weird down to think of what they would look like like, what their bodies would look like. And Sandra looks gracy heart is the only one when they like, they think she's like, they think she's ugly, even though it makes a deep fake of them. And I was like, wow, that technology came true twenty years later and we used it for evil. Yeah, and then because not all the boys and Benjamin Bratt plays like one of the FBI agents, true who's like the hot sexy guy friends. It's a real Benjamin Bratt moment in the early two thousands. You might not know because you're a child, but he was like the romantic lead in so many movies and Julia Roberts was madly in love with him and they were getting married and it was a whole thing. So that, yes, this is peak Benjamin Bratt era. That moment passed, We're still in peak Sandra Bullock era, so that moment is still here. So she is the only one that can go under cover, but they're just like, look at her. She's so ugly and she's a mess. And she is also she's like an ultimate tomboy and she doesn't want to do it. So that's the difference too, is that in this movie she is so against she's scene, whereas a lot of other movies women are like, yes, please give me a makeover, which is also fine. So they bring in Michael Caine. Michael Caine one of it. Do you know who my yes is? Okay, you literally shocked, but I'm just thinking of him giving a makeover. Yeah, no, I know, that's why and one of the most like he's such an esteemed serious yea, but he And the thing is this cast. It's like Benjamin Bratt, Sandra Bullock, Candice Bergen, Michael Caine, William Shatner, like all of these incredible actors in this movie. And this is why romcoms works so well then, because this was a huge studio release with all these like Oscar factors, Like we was just a throw away. It wasn't like a throwaway watches on a Friday night in Netflix and forget about it. They like approached this like it was Shakespeare, like these people exactly. They approached it like it was Shakespeare. And that is the way to make a romantic comedy. Anyway. So Gracie Heart then has to they have to bring in Michael Kaine's character, who is like a deportment expert like etiquette, also trains people for the pageants. He's also like a pageant cope, and he is revolted by Gracie Heart when he meets her, absolutely revolted. And the fun thing about it is like nobody just so like he's just literally like this, what is like a cow. She's disgusting, And Sandra Bullock is so good like her physical comedy. Like the first scene is they're meeting together having lunch in a restaurant and he is just looking at her with this intense disgust on his face in a way that only Michael Caine can and she's like ripping into this food and all swapping down her face like with her frizzy with her frizzy hair, the ultimate cry. And Sandra Bullock said that she really leant into really wanting to make Gracy like as unattractive as she could so that the makeover scene paid off. So she was really behind the scenes pushing like no, let's have food in her teeth when like when we first meet her, like let's have like her clothes be kind of really disheveled, like she she walks around really hunched over. And Sandra Bilok also said that it was so funny because it only took like less than an hour in the makeup chair to make her look like Gracy pre makeover, but then she had to spend like three or four hours in the makeup chair for Gracie afterwards, just to even in the scenes where she's just walking around just to look like a normal woman. Yeah, and I was like, I love that. Even Sandra Bulok is like, it takes four hours to make me look like a natural Sandra Bok. So the stakes of this maker is so high because the FBI is involved. They're like, how do we make this ugly woman beautiful? So they get this like literal warehouse, like a huge warehouse, and it's full of like the tanners, the waxes, the beauty maker everywhere is this place. I know, I want to grab me out. Well, this is like that, Like it's so funny because it's like this is what it takes a woman look beautiful. It's like we have the whole FBI army making literally taking over what looks like an army base. That's so fair, like this huge bunker and they go in there and they have to like wax her and tan her and all this stuff, and she's hating and you never see it. And then you see Benjamin Bratt and his like crew on the outside with the plane like waiting to fly her to the pageant to like get her in, like where is she? Where is she? And all of a sudden, the big bunker door like slides open and Mustang Sally starts playing I Got It and it's just the best. It's one of the best movie music moments in history. And it's a cover of Mustang Sally. So they did a cover of it, and Sandra Bullock played the tambourine, I think because she's like just want to be involved, yeah, just wants to be part of it. So and there's a slow motions shot and then Sandra Bullock as Gracie Hart walks out. You have to, I mean, don't watch this until you watch the movie because a bigger moment. Again, it's so sexist but so good. I love it so much. And the camera pans up super slowly over her body and she all of a sudden, she's tan, she's shiny, she's wearing a purple mini dress. Love her hair of course straight, it's straight straight, it's straight straight as an ironing board, like literally not a hair out of place, and her hair's all glowy. And Benjamin Brat, like his character, I'm just using his knee because that's how people are. It just rips his sunglasses off in and his jaw drops open and everyone around him is like, oh my god. And she's strutting and then she just falls straight over. And before that she has an iconic line about like I haven't done this, I haven't eaten doped mess with me, and then she just topples over because she can't walk in heels. She's so real for that. Yeah, and it's just such a huge moment. And obviously, like later on when her and Benjamin Brad's characters fall in love, it's very much they fall in love because like their personalities, but it's also because she's super hot now. 16:51Speaker 3 Yes, because she had the purple dress, and then she has to. 16:53Speaker 1 Go through the Miss America pageant, right, which is again it's so the comedy is just so. 17:00Speaker 3 She's great, like it's funny. 17:03Speaker 1 I think that's the role she should have won. An Oscar for I know they don't like to give oscars to comedy actresses, but there's so many good one liners that she delivers, and her physical comedy is so good. Oh my god, you're gonna love it. Okay, you're gonna love it. I've watch it. I can't believe I was sole jealous of you. They get your torch it for the first time. 17:18Speaker 2 I think I've watched a lot of things, but when I'm under the age of ten, like. 17:23Speaker 1 I just feel like that's a movie that gets referenced all the time, that's still in the conversation. So I would sort of believe that more for movies that fall out of the conversation, but that's still at anyway, you get to watch it, so please and report back on your next on the next time you're on the pod. But yeah, that to me, that stands out as the biggest reveal of a make over and the biggest and also the fact that a lot of other makeover scenes are just like, I don't know, we can get one stylist in someone's bedroom and we're just like, but this is like, no, no, this is an industrial fispiration to make a normal woman look like the ideal of a woman. And you know what, I love it so much, this congeniality. If anyone else has watched it? All right? 18:01Speaker 3 Next on my list another movie that I rinsed to death. 18:04Speaker 2 I used to sit in front of my TV with the lyrics book because it is spoiler a musical. 18:09Speaker 1 Okay it's grace, Oh okay, yes, I love my god. Watching this as a kid, all I wanted to do was be a sexy Sandy And I'm so far from all of that. But all I wanted to do was wear leather pants and strut around. Yeah, which would I worked for me? 18:24Speaker 2 Carnival, Yeah, they're all like thirty years old as well, exactly, so many like I don't know about you, but I again, watch that movie as a kid, over and over again, all of the references straight over my head. 18:36Speaker 1 Didn't realize what a hickey from Kinnicky was now, didn't realize about the whole like having sex in the back of the cars, didn't realize that a pregnancy scarab was what she was worried about. Literally, no idea, just like the songs really exactly. And you know what, like kids watch sexy movies. 18:51Speaker 2 So my dad loves Grease yeah, so that's how I was like introduced to me. 18:54Speaker 3 So we always watch it when I was younger. 18:56Speaker 2 But I think it has one of the most iconic transformation make overs but also a little bit controversial. So obviously we follow the lives of Danny played by John Travolta, and then we have the lovely Olivia Newton John as Sandy, who's like this very clean cut, cutesy good girl, and Danny's this bad boy, like grease up completely opposite. 19:18Speaker 1 World ultimate like Romeo and Juliet story, like they come from different worlds. How could they ever be together? Could they ever? 19:25Speaker 3 We'll tell you how. 19:27Speaker 2 All it takes is a pair of leather pants and a red lip, according to sandrew D. So she walks out in the final like scene sequence, they've you know, had a little bit of push and pull this whole time. 19:38Speaker 1 So they both go to. 19:39Speaker 2 These I don't want to say extreme lengths because all Danny does to change himself for Sandy's put on like a little lettermon jacket, like a little nit jacket. That's all he does, which I feel shows the extent of effort that like men are going to change for us. 19:51Speaker 1 Yes, that's so true. There's such a good lesson in Greece that modern women. 19:55Speaker 2 Yeah, yeah, yeah, And then obviously Sandy shows up in these insane leather pants. It's beautiful, like off the shoulder, black top, red lip, she's got this bold like curly hair, actually doing it for. 20:07Speaker 1 The color girl God. So actually it's a so debunked. We have been raised our whole lives to think that Grease is actually anti feminist, because it's feminist. The initial kind of message that we took away from the movie was this movie is telling us you have to change yourself for a man, and that's bad. But actually, what we've uncovered today is that it's actually a feminist plot because she's saying curly hair can actually curly hair is. But while curly, did you ever have Like I used to be obsessed with grease And then I got my mum to get me these like old school not even get me. I think they were my moms from like when she was a kid, these like old school hot rollers, And I would hot roll to look like Sandy, and I thought it looked so chic when I was like eleven, and looking back now, I did look like a poodle. Yeah, that was me. With the red lip. Yes, it never worked really for me. 20:50Speaker 2 It's giving dancers steadfast, but I gave it, gave it a go. 20:54Speaker 1 I still do it red lip. I still do black leather and a red but you rock a red lip. I'm just I'm just sandy on the Yes, we. 21:00Speaker 2 All have a little bit of sty but yeah, I think it definitely is a little bit of. 21:03Speaker 1 A feminist like move. 21:04Speaker 2 A lot of people can say, you know, she's changing for Danny, but I think what we see is, you know, she's like leaning into her confidence and like it's like a bold yea. 21:12Speaker 1 Well, because you can take it either way, you can take it. You're right that she's becoming who she wants to be. But that's the thing feminists like, these makeover scenes are always wrapped up and like, no, she's empowering herself, and it's like no, no, no, she's dressing for the male gaze and that's fine. 21:27Speaker 3 Who she chose to do it, but only. 21:30Speaker 1 Because she felt desperate that he would leave her. But again, who amongst us hasn't dressed for the male kase? Exactly? 21:35Speaker 2 Guilty, It's a time and a place exactly. 21:41Speaker 1 Right, is exactly. But again, I just can't hold that in my head. When I watch gree it's like I'm aware that it's there. I'm aware of this idea and it's a different time, and it's got the best like mic drop moment of like like literally like the whole carnival turns to her and then she has that iconic clim when she has tell me about it. Stud. So also she's smoking. 22:02Speaker 3 She doesn't know how to smoke. 22:03Speaker 1 But she's doing it. I'm looking friends, how do I put it? That's just a good moment. Oh my god, Olivia Neton John is so good. So again, it's sexualizing dressing from man, it's sexualizing like like smoking and like that bad girl. But I don't even care because you know what, smoking does look sexy on screen? It does. Don't do it, don't do it. 22:20Speaker 3 But sometimes it looks chic on the screen. 22:22Speaker 1 Yeah, it always always looks cheek on screen. 22:25Speaker 2 Now, they do have this like fairy tale ending they get into a convertible when they fly off into the sky. 22:29Speaker 3 But there are actually a lot of fan theories. 22:32Speaker 1 Are you gonna say that they're dead? 22:36Speaker 2 So basically there are theories that when they fly off into the sky that they actually passed away and that Sandy actually died from the very first scene where they're first on the beach, because Danny when he's singing someer love and there's a line where he said, you know, she almost drowned. 22:54Speaker 1 I saved her. 22:55Speaker 2 So it turns out, according to this theory, that she in fact drowned, and then we enter this like homo fantasy for the entirety of the whole film, and that's how they're flying off in the end. 23:09Speaker 1 I have heard that theory that this is all Sandy's, Like, this all happened in the moment she died, and this is what living through like living through those moments is that she fantasized going to school with Danny and then falling in love and stuff. But it's very intense and also like none of the screenwriters have said that's true. But I love I love when like a theory for like a really old school movie like this just takes it takes. 23:29Speaker 3 Over a life of its own, like people run rampant with it. 23:33Speaker 2 I hate to disappoint anyone that thinks they're dead, but the creator has since come out and said. 23:38Speaker 1 That that's absolutely it's not the case. They're not dead. 23:41Speaker 2 Also, there's so many like fantasy moments in the film I just love to grab on exactly. 23:46Speaker 1 Well, I guess I just want to explain why the calf flies at the end. It's not even a good theory though, the calf flies at the end because it's a movie and things happen in movie music and that's fine. But no, that's a great make over scene. Love that, And it does go to show that if you're having problems relationship, if you put on a pair of black leather pants, they will go away. 24:03Speaker 2 Oh and apparently they had to show them onto her body so tight. 24:06Speaker 3 It's so tight their vintage Yeah, oh love. 24:09Speaker 1 Okay, the next one I'm going to bring up is the most realistic movie makeover I have ever seen, so in a way that it's actually quite a feminist makeover. Again, not that that matters, we're putting that out the window. Bring the hat back in dress. No, no, the hat's on the doorn on. It's not all the way back in the room dress for the male gaze. It's fine in a movie, But this one I always think is like a beautiful way of watching, like seeing a makeover happen really really slowly, and having it be part of the character's evolution in a way that just feels so real. And this makeover scene is from the two thousand and two classic My Big Fat Greek Wedding. Oh have you seen it? Yeah? No I haven't. Yeah, what a great movie? 24:50Speaker 2 Right? 24:50Speaker 1 The is not to speak The first one is the first one I would say is a perfect movie. So in this if anyone hasn't seen it. Nina the Dallas, who also wrote and produced and created the movie, plays Tula and John Corbett our favorite rom com boyfriend. John Corbet's just in every room. Yeah, they just throw him in and he always. 25:11Speaker 2 Works once they get one good one. I feel like it just becomes a role like everyone's boyfriend. 25:16Speaker 1 He just has that vibe and like movies have been like and parts of been like created and written for him, like him playing Aiden Sex and the City. They created like a lot of that role for him. And also the rom com starring Kate Hudson Raising Helen. Have you seen that? Oh you should watch it? Really got it to listen, where she plays a model agent who her sister passes away and she has to like raise her children. John Corbett plays her love interest in that, and I remember like listening to director being like, well, but why would she fall it? Because she's like this beautiful New York like styler that everyone loves. Why would she fall in love with the high school principle like we have to give him something? And then they looked at him like he's John Corbett. Yeah, that's his thing. That's it. We don't have to add anything. Fine, And when you watch the movie, you're like, yeah, I get it. So John Corbett plays Ian Miller and so the story is actually have such a vivid memory of seeing this movie for the first time because it's one of those movie experiences that stays in my head forever because it came out when I was like just starting high school and one of my really good friends in high school is Greek, and so they held like a screening, like the Greek community in Townsville, like the Greek Community Center held a screening as like a fundraising thing, and so we all went to that, and yeah, it was the best way to see it because there's a whole cinema full of Greek people and so they were screaming the joke person and it was just like the vibe was so high. Also, like the characters in this speak Greek, and so they would say a joke and they would all laugh, and then the subtitles will pop up and then like the non Greek s bea because we would all laugh and we're like, oh, we got it now, Like that is really funny. So I Sultays remember it as being like this really joyful experience. So Tula is like an adult. They sort of say her age, like she's like probably in her late twenties, but like in the like you know, Greek household, like super old, unmarried, no children, a pariah of a family, if you will. And she works in like the restaurant, and like she lives with her parents, and her life is so small and everyone's just like she's so frumpy, and you know, all that sort of stuff. And then slowly over time she decides to start kind of changing her life, not on a huge scale, in a way that feels so beautiful relatable in terms of like she goes and takes some computer courses at like a community college, and she's and she then gets a job outside of the family, so she kind. 27:26Speaker 2 Of a second coming of Age's definitely. 27:30Speaker 1 Was really small looking at her parents house and she goes to work in another family business where she's like out you know, by herself in the office. And during all this she gives herself like a little makeover that's peppered through this montage, but it's more so like she'll just wear like instead of wearing like the overly frumpy clothes she was wearing, she just buys herself like a nice dress and a matching cardigan, and then you see her like try and like like do her eyebrows and she puts like just a little bit of lipstick on and like she's like and again the frizzy hair is the frizzy hazel thing, but she does straightened, but it's not pinned straight. She just kind of smooths it and stulls like she put rollers in it. And it's this beautiful, quiet, little makeover that she just does to herself. 28:11Speaker 2 And I think that's what makes it, Yeah, that it's something that she found in herself and like exploring your like your own identity and like finding who you are verse like having the FBI coming it. 28:22Speaker 1 Yeah, exactly. When you put the two makeover scenes here that I brought up, it's like one is like, yeah, fifty people in like a government funded bunker trying to make Sandra Bullock look like a woman. And then the other one is just a woman at home in her childhood bedroom, just putting on a little bit of lipstick like Tula, just like you know, and she puts on a card again, and the thing is it just changed all of a sudden, she just feels like herself. And I think this is why it's one of my favorite movie makeovers, is that she hasn't done this too, Like she hasn't met Ian Miller yet, so she hasn't done this for a man. She hasn't even done it with the idea that she could possibly meet a man, because she's still working in like the family business. It's more so that as she kind of got a little bit of education and stepped outside of like the tightness of her family, left her bedroom and just kind of fell like, well, likely she's just prings so much time there. Now she's out in about the world, and all of a sudden, she just becomes the person that she wanted to be. Like it feels like it feels like it's actually the only movie makeover I can think of where it feels like it's just for the Carroc. 29:17Speaker 3 And it's happened before they've met the guy. 29:19Speaker 1 And it's not serving the plot, Like, no one's saying like you have to have makeover so you can be the price of the princes. You could be the prompt get the guy exactly. This is just for her and it's so beautiful and so small and quiet, and she doesn't look She looks different at the end of the movie than she does at the start, but not drastically drastically different. She does take her glasses off on my context is that scene of her trying to contacts. Had to put that in there, exact, had to get it in there. So basically it's like less frizzy hair, no contacts, a cardigan, and some nice lipstick, but not as extreme as other makeovers. And so then she's so happy because she's educated herself. She's working in an office and then Ian Miller played by John Corbett just happens to walk by and sees her get stuck in the headset headset. She tries to get up, and he goes into a travel agent and they chat and they just have this beautiful like courtship courtship is the correct word, where they fall in love but then when they get engaged, huge controversy. He's not Greek and her family unaccepted him. This movie has if anyone hasn't seen it, I cannot recommend it enough because the one liners are so good, Like when they get engaged and she takes him over to her big family gathering. He's like family dinner, like five people, She's like, no, fifty five and they say, like, he doesn't eat meat. I like to put that line in here. It's so good, and just like the lead up to their wedding and everything, and I just like even with her wedding, like she looks gorgeous, but it's never this idea of it. She has to be like overly made up. She looks like a completely different person. So I just think if there's like one movie makeover scene that kind of really changes that formula and makes it like part of the story. It's my big, fat, great wedding and tulla And you know, sometimes okay to put on a nice cardigan and some lipstick and go work in the family travel agency and you'll meet John Corbett. That is quite and that's a lesson. Sometimes it's okay to do all do all those things. Yeah, well, I think the biggest thing is she gets a macover while she goes to community college and gets an education. As we know, that is the thing that will say she three exactly so maybe fair great wording. Love it so much? 31:15Speaker 2 All right, we've come to the man, the man make Yes, it's crazy stupid love. 31:22Speaker 1 Oh my god, yes, okay. 31:24Speaker 2 Steve Carell, he plays col Cow's life is falling apart. His wife has left him. He's trying to get back out into dating. He's hopeless. He's quite a bit of a dig. He's in a bar and he runs into this really cool womanizer obviously played by none other than Ryan Gosling because who else. 31:42Speaker 1 Could and the best supporting actor his abs. Oh my god, they should be in the credits one hundred and they get a whole scene with Emma Stone's character dedicated and not only did he work out for months to get them, but they had like special makeup artists, like because you again, those makeup artists have to come in and do the shading and the bronzing and like draw them on. But they're also just there. They're almost too much like when she sees it, when when like Emmaston's character season and she's like, those are photoshops. I don't think I want to be with someone with apps like that A good look up close and just see them just from just to know what the muscles would look like. But I don't need to feel like that's a violation. 32:19Speaker 3 But for those who are watching the bar is imagining. 32:22Speaker 1 Feeling that's going to put me on a watch list somewhere. But yes, we have a male makeover. 32:30Speaker 2 Isn't interesting like flip on the script of like what we usually expect because it's the woman kind of going through the midlife crisis here where she's had an affair and now the man is like having this like makeover off the back of it. So he goes on this like there's like this three minute makeover montage where they like change all of his outfits. He's learning how to like speak to women, getting all the tips and then putting into the practice. 32:54Speaker 1 It's just like not something you expect either. 32:56Speaker 2 For like Steve Carell, he does it so well because he's just not someone you expect to be like hitting up the ladies in a bar. 33:03Speaker 1 Yeah, it's like that is so true that he gets a makeover. But the reason I didn't come into my head when we're talking aout makeover is is that even though he does get a makeover, it's nowhere near his extreme as some of these other makeover scenes with women. I guess with men, there's only so much you can do once you sort of wax them because their hair of shorts is not that curly. You can't have that. You don't have the curly plotline. And I guess that he didn't have glos. They should have put him in glasses. He did look very like dad because then they could no, he does look different. Like it's a good makeover scene, but I'm just saying it doesn't have like the kind of and they don't have a montage, right, that's a mistake they should have had. They do like a full musical montage. 33:41Speaker 2 There wasn't a musical montage, but they do go through like a number of like designer clothes. There's a really funny quote where like Ryan Gosling's character is looking Steve Crorer up and down and he's like, are you Steve Jobs the founder of Apple? No, then you can't wear those to his shoes And basically the whole goal is like for Steve Carell's character to be better than the gap. 34:00Speaker 1 Oh my god. And I have a vivid memory of him like being really repulsed by his wallet and again not thinking of wallet be part of a makeover. But I guess for a guy, especially it is and the fact that it has Velcrow and I think it was like I was a kid while watching at the time, or I was like, oh my, Walter has Velcrow's cute. And I also wasn't the sexy man out in the streets. But if I wanted to be, I had the wrong wallet. Is a little bit of an egg. 34:22Speaker 2 What would you do if you were on a date with a man without he's got coins? 34:26Speaker 1 They're like jingling around. Well, oh my god, would I break up with a man if he had a Velcrow wallet? Something to think about on this if you're on the Sydney dating scene, kind of say that potentially that's gonna happen, and that's not even the worst thing. 34:38Speaker 2 Yeah, I don't think I would break up with him if they had. I wouldn't either I have a wallet for their birthday, Yeah, I. 34:44Speaker 1 Would, just especially because every time you do the rip with a Velcrow wallet, it's so loud and intense. It is it's an announcement. Yeah, and you're just like I'm opening my velcro point and there's no Yeah, that's some folded in here, and you're trying to like pull like straighten the money out because it's been folded in there. 35:00Speaker 2 Actually still have yours exactly exactly. 35:02Speaker 1 Well, I think I am one of the last team in the world who has a wallet that I. 35:05Speaker 2 Lost my wallet and now I've lost all my cards, like I get all scattered around the house. 35:09Speaker 1 Okay, no, no, no, you need it just PSA. Everyone gives me so much shit for having a wallet, but when we can, I just tell you. When someone needs a physical card or something, who do they turn to me? Who's got a wallet? It's got an emergency hair tie in it, it's got emergency cash in there. 35:21Speaker 2 So basically, get rid of your wallet if you don't want anyone to ask you for anything, yeah, exactly. 35:25Speaker 1 Or if you're going through a makeover, exactly exactly. If you're going through a makeover, that's the first thing change. Yeah. 35:30Speaker 2 I just love crazy stupid love, though obviously follows the lives of like lots of different love stories that are all like interconnected, but at the heart of it, it's like Steve's Carrell's character. Yeah, and like everything that he goes through. 35:43Speaker 3 But yeah, I love that movie. 35:44Speaker 1 It was so good. Emily and I talked about that in an episode little while ago when were actually talking about plot twists because it has who hasn't seen it, although I assuming most of you has. It has a great plot twist that is someone expected but just works so well for these characters. Oh love, Yeah, you don't spoil it for like the two people are there who haven't seen it. Okay, last time I'm going to bring up and I had to go back to nineteen ninety nine. Cool, and I just remember again watching this movie on a loop as a kid again as a kid on a VHK guest. Before you say that, oh, I'm actually I wonder if you've I mean, I hope you've seen this. Otherwise I'm going to be super disappointed. It's the nineteen ninety nine teen classic. She's all that. 36:22Speaker 2 No. 36:24Speaker 1 I know should be this surprise every time, but like, this is a classic movie. I thought you're going to say Clueless. Then, Oh, I had Clues on my list, but we talked about Clueless so many times. Yeah, we have a whole brutally honest review on it, so that's got an important makeover seeing it too. You've never seen you know what I know of it, Okay, and like that's the weird thing to me. Can I say you know of it, but you've never watched it. 36:46Speaker 3 I think a lot of it is like what my parents like fed me at that time. 36:50Speaker 1 You're an adult woman now who lives alone with your own TV. You can make your own choice. I'm just saying so many times I went home and I'm like, oh, I wish I had a new, great movie to watch. But the hard thing about me and my job, I've seen every movie. I literally have seen every movie. It's so hard for me to sit down and find a movie that I haven't seen that this is not fair, but I really want to watch. And then you're spoilt for choice. You could sit down a fry night. There's so many. 37:13Speaker 2 Movie hours an hour, and I got in my adult life too, it's valuable, like I've things to look forward to exactly. 37:19Speaker 1 You would love this again. This out of all the movies on my list, this is probably kind of the most problematic. 37:24Speaker 3 Okay. 37:24Speaker 1 It's also like using a woman for like a nefarious reason over like sexualizing her and there's a slight sprinkling of sexual assault end. But it's a classic. So she's all that. It came out in nineteen ninety nine and it stars Rachel Lee Cook. Do you know that name? Blasphemy? Rachel Lee Cook was in the late nineties, only two thousands. I'm a icnic girl. She started so many big movies. Also, Josing the Pussycats was a movie that was torn apart and I think did wreck her career. I think, but now we look back at it and see it for the masterpiece that it is. So she plays Laney Bogs. What a name? I don't know. They were like, you know what, this girl's gonna be unpopular and ugly, and we're gonna give her name's gonna be Laney Bogs, and that's going to explain exactly why. 38:07Speaker 3 Laneye b would be cute. 38:08Speaker 1 Yeah, they don't call it that. And so Lanny Blogs is she's an artist at school, and she was like and she kind of just looks away at paintings all this sort of stuff, and she dresses like an absolute hobo. So they went to because Rachel Lee Cook is a really like a classically beautiful kind of pixy looking woman, and so they really had to go to town to make her unattractive. So they've dressed her in like really oversized, paint slatted clothes. People don't want women to be comfortable, no, exactly, and you know what, she is so comfortable. That's what I take away from her, Like, and she's wearing about fifteen and before she gets her makeover, she's wearing about fifteen layers of clothes in all scenes, like she'll have like a pair of like old pants on and like a long top over that, and then like a singler and then that's very inn now and like an exactly ahead of her time. So Laney Bogs is the most unpopular nerd at school and they have have he do the classic thing of like the first time we really see her, she just falls over. Girls in rom coms always falling over. Sometimes they're so hot and beautiful that they fall over because like I'm so clumsy, and sometimes it's to show they're a nerd. But and then like feeling around exactly well exactly, and she and she wears really big glass okay of course, and straight hair but pulled back in a low ponytail I'm not a sleek ponytail like a I do anything to my ponytail. But the glasses is the real thing. So she So she's the ugly girl at school. And then we have Freddy Prince Junior and this is peak Freddy Prince Junior era. Don't I mean, I don't want to say his air is completely over, but like this was peak, Like he was the wrong com leader and so many things. Playing Zach Syla and he is like the sports storry. I know, Lany Bogs Zach Syler. You know he wrote on this movie m Night Shamalan before he did six Cents. Yeah, like I know, well, you could just be a skipper for high It's like hash. It's like haw Shonda Rhimes wrote the classic Britney Spears movie Crossroads. 40:05Speaker 2 Job. 40:05Speaker 1 Yeah, before you have your big break, you just write the scripts that are out there. So Mna Scharmalan is like I can just imagine he had like the sixth cent script on one screen and like the other and between them. So Zach is like the actual like the jock of the school, the king. Everyone loves him. They're all seniors in their final year of high school and they're coming up to prom and again a very old school like American high school thing is like the prom is always like the climax of the movie, like everything's leading towards that. The rest of his cast is like a who's Who of the nineties. We have Matthew Lillard as Brock Hudson. He's like a reality stuff. Paul Walker, the late Paul Walker again peak kind of his like era playing Dean. And then Jodi Lynn O'Keefe. I don't know if you know that name, but you would know her face. She is in every kind of she's She wanted to be on the Vampire Diaries and stuff later on, but she was in a lot of these early like teen movies, always as like kind of the high school mean girl, the beautiful high school young girl. So Zach and Taylor have been Taylor Vaughan have been together, and they're like they're going to be prom king and queen. That's their thing. Only Taylor meets Matthew Lylard's character, who is old of them out of high school, a reality TV start on the real world. In the real world, Ye dumps Zach for him, and it's like anarchy in the school that the couple has broken up and that Taylor has dumped Zach, and then everyone feels sorry for Zach. And he was like, I can have any girl I want. This is not romantically he meant to fall in love with him, and you kind of do, but he's like, I can have any girl I want. He's like, I could make a girl like that. So this movie is actually based on Pigmalion, which is a play in a book that then went on to inspire the Audrey Hepburnt movie My Fair Lady. So this is a play. Do you know there was a moment in time there where like Clueless is based on Emma and She's the Man, Yeah, And She's the Man is based on Twelfth Night, and as we discovered another podcast the other day, Bridge Jone's Diaries Pride and Prejudice. So this was a big moment in time where, like all of these teens, the biggest thing you could do for box office gold was to remake these classic literature as a teen rooman, now we make movies from last year, and now we'll just remake anything that's out there in the world. So Zach is like, I can make any woman. I can make her the popular girl. And so Paul Walker's character makes him a bet. He's like, Okay, I'm going to bet you that you can't make like a girl that I pick in this school into the prom queen. And Zach's like, pick someone. And that's of course when Lanye makes her entrance, comes up the stairs. She's making fifty layers of clothing. She's got fifty bags eye and she like immediately falls to the floor. And he was like, and then I'm just gonna say Paul Walker because it's two, so you know who I'm talking about. Paul Walker goes her and Freddie Prince Junior. Zach is like, Lady Box, absolutely not. He's like, like, the subtext is she's the ugliest woman I've ever seen. So then he has to the subjects of all these exactly, and then Zach's like, well, I'm gonna have to do this now. So then Zach has to go and try and befriend laany Bogs. And it's so funny when he like keeps trying because he's used to. He's the star of the school, he's the sports star. Everyone loves him. He's so charming. So he kind of goes over to her, like later that night he goes up and to her where she's working, where she's wearing this like huge, full lawful hat because she works in like service industry and he's like never worked a day in his life, and he's like kind of like hey, and she just has no time of day for him, and so funny because she's like, look, I'm not smart, and he's like what this is kind of like a good kind of like twist of that classic like dumb jock smart girl being ugly. She's like, I'm not smart. I know I look smart because I got the subtext is because she's got wearing glasses. I know I look smart, but I'm not. And I can't choot. I can't chewt to you. She's like, I can't. I know you're probably failing school, but I can't help you. I can't choot you. I just I look smart, but i'm not. He's like that is oh no. Then he's like, oh I'm smart. I'm like the third top of that class. I don't need tutoring, thank you so much. So he's smart. So he is smart, yeah, because he's like his whole subject is like his parents like you're going to like this fancy school and you're gonna do this, You're gonna do that. He's like, he can't pick anything of his life. Smart boy, I know, sucks. And so then he starts to befriend her, and like slowly over time, starts to sort of like make her over and teach her how to be cool. And the makeover scene is so so important because up until this he has no like sexual interest in her because she's got glasses, you know, of course, and he can't tell, Yeah, he can't tell because it's pulled back, and he can't tell that she's got a tiny hot body because she keeps falling over and oversized and she falling over so she has a muscle issue. It's all happened. So he's like, he's like, I'm gonna make her gorgeous, but I have no interest in her. And then he brings over his older sister, Mac played by Anna Papquin, and Anna Pumpquin is only in this movie for a short moment, but she makes She comes into this sassy older girl from college, his sister. And then there's this party at school and so Mac takes Laney upstairs and they have this moment where and this moment has been parodied so many times, most famously in Not Another Teen Movie, where all she does is pull out the ponytail and she's like, and you're beautiful. But they at this moment too where lady talks about the fact that her mom died when she was little and so she's been raising her little brother and looking after her dad, and she's like, I just never had a mom to like teach me this stuff, because Mac is like, in the nicest way possible, your eyebrows are disgusting, let's pluck them, Like why don't you wear makeup? And she's like, well, I didn't have anyone to teach me, which is lovely also so young, like yeah, yeah, Well she's a senior in high school and she's never plucked her eyebrows, which isn't the craziest thing at all, but the movie does make you think like her life has been severely stunted because of this. So this college student cuts her hair so instead of having and again usually they add hair in, so this is also maybe not even like a flipping the script, but at the time they so she has this like long, kind of straight, like scraggly hair, they cut it into a super super chic boss she does yeah, yeah, exactly, cuts her head perfectly, plucks her eyebrows, takes the glasses off, apparently does like a huge tan and stuff. And then we have a staircase, and all we haven't had a staircase moment so far as you know, all good movie makeover scenes really need a staircase. That's the moment. So Zach's downstairs, he's waiting to take it as party. He's expecting Lady Bogs to come like like his sister's just gonna like put some lipstick on her and she's gonna come frumpy down the stairs. All of a sudden, the camera pans up the stairs and a slow plan and you see a foot come down in a red high heel, and then the classic song kiss Me by Sixpence none the Richer, also from Dawson's Creek. I kind of tell you how this movie. This song is like this soundtrack of my entire teenage years. And every time I play it now, I actually, that song's too powerful. I have to be careful when I play it because if I play it with the street oh passion stranger, like I can't. That song's too powerful. It's just like it just makes you right, because it's a soundtrack to all the big romantic moments in our lives as that we watched on screen and not participation saying I don't have that many referends. No, no, no, I've never had a romantic tree that song, but it makes me think of a time where like it's signaled this like cue a social cue tea. Yeah, it's like this subconscious like dog whistle of like I'm about to fall in love for the first time, and as a woman in her late FERI I still feel that. And so the camera pans up kiss Me starts to play, and then you see Lannie for the first time post makeover, and she is an absolute bombshell. She's wearing a tiny red mini dress, one of the most iconic dresses in film. I would say, she's got this beautiful, not over the top makeup, like not a red lip or anything, just like beautiful, smoldering, bronzy makeup, a beautiful chic Bob and Zach like loses his mind, he cannot believe it. We look on and Freddie Princeton up give that man at the Academy Award. He just he's like, oh my god, this is the most stunning woman I've ever seen. This is simple manner exactly. You put in a red little as in my early twenties, I had so many little red party dresses because all I wanted to do was dressed like Lannie. I was just waiting for a stair I was waiting for a staircase, and I've never lived in a house with staircase. How will I make my entrance? So she's walking down the stairs, the song's playing, it's so beautiful, and then she falls face first down the stairs. Well, she grabs the because she walked in Heels's true. It's actually like a quite a it's quite dangerous. Yeah, she's trying to do a slow walk down the stairs in heels, the first time she's ever worn heels. It's actually quite the moment. So the spell is like broken because she has to grab the railing and he has to help her, and everyone's like ooh, and he's like ill and he's like, oh, I remember how before? Yeah, I don't know. But falling when you're hot and following your ugly too true. When she fell when she was ugly disgusting. When she falls and she's hot, he's like, pretty well, help you yeah, pretty brifect. Yeah, it's so funny. And before before she comes down the standcase, Anna Patlin's character Mac does a little introduction. She's like, and they try to I think they're aware there that like, giving this teenage girl a bombshell makeover might send the wrong message. They try to dilute it, but it doesn't work. That's what I was thinking, is. 48:54Speaker 2 That putting it like a young girl in like red dress, red heel. 48:57Speaker 1 A sexy red dress for a man that's trying to win a bet with her. Yeah, there's a lot. It's all trying to make grimacing for anyone who cuts. So Mac tries to sort of dilute the message. So she comes down before Lane and she goes introducing the not improved but different. It's kind of what she says Lady Bogs. She's like, not improved but different because she's trying to be like, no, she was good before, and I'm like, guys, she wasn't good before. That's the part of the whole the movie. That's the premise of this exactly. And so as it goes on, she does dress better, but she doesn't like overly change how she dresses. And then she wears this like black glittery dress to the prom, and she does look nice, but it's the whole thing because she goes with Paul Walker's character and then he tries to sexually assault her and then Zack Syla saves her and then they fall in love and have a gorgeous kiss and then there's a huge dance number. There's the best dance number that it's a lot happens. That's a lot that poor girl. Yeah, yeah, she goes through a lot. Well, she finds out before the prom that it's a bet, and she has this moment where she yells act She's like, all of a sudden, this turns into like it does turn into a Shakespearean drama. It's not based on Shakespeare, but the vibe. She's like, am I bet, am I bet? Am my fucking bet And he just looks at her asi and he goes yes. And then oh my god, burn it into my soul that moment because you just like I remember as a kid, like nearly crying. I'm like, yeah, it's over, Like they'll liver be in love now where they do spoiler alert end up in love. She should be like, thank you for the makeover. Yeah, exactly. Now everyone at school wants me because they realized I'm not I could make a man. Yes, that's the sequel, so that in my head is well. There's a remake with Addison Ray called He's All That. Whether I've watched that, but I don't that. 50:34Speaker 3 I think I don't remember it because I had to burn it out. 50:36Speaker 1 That is a burable movie. Okay, that movie is blaspheming. They tried to flip the script by making it a girl making over a guy, which I'm all for, but the movie itself is terrible. So I can't believe. You can't not You cannot live in a world where you've watched He's All That and not She's All That. I know when one is a one is an abomination and one is a classic teen movie. So you've done that wrong. I'm sorry. So She's All That one of the teen movies that still lives in my head is one of the best makeovers ever. And again, don't listen to that song, just like on the Fly, Oh it's too dangerous, dangerous, use it responsibly. 51:12Speaker 2 Thanks so much for listening to the spill today. Don't forget to follow us on socials. 51:16Speaker 1 We've popped. 51:16Speaker 2 The link in the show notes will be back in your feed bright and early tomorrow with morning tea. 51:21Speaker 3 Ash London has all of the entertainment headlines. 51:24Speaker 1 To start your day. 51:25Speaker 2 The Spill is produced by Minishi Sworn with video production by Michael Keane. 51:29Speaker 1 Bye ByeBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Kærlighed har ingen alder - især ikke på streaming! Kasper er gået i gang med anden sæson af 'Hotel Romantik', og Frederik har set 'Age of Attraction' hvor unge og ældre dater på kryds og tværs uden at kende hinandens alder. Men er datingprogrammer overhovedet en plausibel måde at finde kærlighed på?  Der er også giftige mænd på menuen i Louis Theroux-dokumentaren 'Inside the Manosphere' og Kasper og Frederik diskuterer dokumentarens farverige karaktergalleri, og hvorvidt internettets unge mandlige stjerner er ude på et farligt sidespor. De to diskuterer også den nye Steve Carell-serie Rooster og Ari Asters sorte komedie Eddington om en konspiratorisk sherif i en lille amerikansk flække under Corona-pandemien. 01.40: Louis Theroux: Manosfæren indefra 17.00: Rooster 24.25: Hotel romantik S2 34.40: Age of Attraction 43.30: Eddington Følg Frederik og Kasper her: https://www.playpilot.com/dk/user/streamteam https://www.instagram.com/frederikdirks  https://www.facebook.com/streamteamradio/  https://www.instagram.com/kasperlund    

durée : 00:01:24 - Les 80'' - par : Marion L'Hour - 80 secondes ce matin pour retourner sur les bancs de la fac. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Taking It Down is back this week! With a rundown of the episode (0:02), Blaine discusses the absence of the show (1:26). From there, they talk about Adam's upcoming tour, which stumps Blaine, and why he'll be away from the podcast (1:58). This prompts a quick talk about social media, especially TikTok, and how to contact the podcast (5:55). There, Blaine brings up the notion of how people watch TV all wrong sometimes with a brief mention of 'The Pitt' in non-spoilers (9:30). The non-spoiler section continues with an overview of 'DTF St. Louis': now that they've reached the penultimate episode, can they recommend it (15:46)? They do a midpoint check-in with the HBO series 'Rooster' (23:11) and a discussion of 'Shrinking' now that it has ended its third season (27:28). Before leaving non-spoilers, Blaine and Donovan explain why they recommend 'The Fall and Rise of Reggie Dinkins' so often (30:48). They end the first half with ideas for next week (32:55). To begin spoilers, they start with a listener email about 'DTF St. Louis' and its surprises (35:18). Then they transition into the HBO series 'Rooster' and how it has a lot to offer from Steve Carell but even more than just him (51:41). Lastly, they close the spoilers with 'Shrinking' where they grade the ups and downs of the third season, and they determine how to weigh it as a whole season (1:01:23). For more, always check out The Alabama Take site and to support the site and its podcast, feel free to donate to the Buy Me A Coffee donation page where all proceeds go to the site.

Have you heard about HBO’s television show The Rooster? On this episode, Anne and I discuss episode 1 of the show that stars Steve Carell as the writer Greg Russo. He’s a bumbling, gold-hearted author who says he writes the kind of novels people like to read at the beach. The show follows Greg as … Continue reading "Steve Carell stars in HBO’s Rooster. Is it worth watching?"

"He's Bill, and his son is Will?" JuJu gives us his Top 5 NBA storylines we should be talking about and continues the investigation into whether or not Greg Cote was the inspiration for Steve Carell's character in Rooster. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob Corddry makes everything he's in better. From grand Shakespearean aspirations to getting work playing all the douchebags you love to hate ("Hot Tub Time Machine", "Children's Hospital", "Ballers"), Rob is simply too funny to let Dan "The Grief Eater" Le Batard make this a downer episode. Instead, Dan and Rob share laughs, dive deep into Rob finding his dream job as a correspondent alongside Stephen Colbert and Steve Carell on "The Daily Show with Jon Stewart," and the absurdity of Hollywood, keeping things refreshingly light. "The Audacity", starring Rob Corddry, Zach Galifianakis, Billy Magnussen, Sarah Goldberg, and Simon Helberg, premieres Sunday, April 12th at 9PM ET/PT on AMC and AMC+ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob Corddry makes everything he's in better. From grand Shakespearean aspirations to getting work playing all the douchebags you love to hate ("Hot Tub Time Machine", "Children's Hospital", "Ballers"), Rob is simply too funny to let Dan "The Grief Eater" Le Batard make this a downer episode. Instead, Dan and Rob share laughs, dive deep into Rob finding his dream job as a correspondent alongside Stephen Colbert and Steve Carell on "The Daily Show with Jon Stewart," and the absurdity of Hollywood, keeping things refreshingly light. "The Audacity", starring Rob Corddry, Zach Galifianakis, Billy Magnussen, Sarah Goldberg, and Simon Helberg, premieres Sunday, April 12th at 9PM ET/PT on AMC and AMC+ Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's a new Month and that means a NEW Theme and THIS month the boys of HMP are talking WRESTLING as Wrestlemania approaches and we're going from most realistic representation of Wrestling to the most outlandish- but we're starting off with the most grounded of stories as it's based on real life. Channing Tatum, Mark Ruffalo and Steve Carell star in 2014's FOXCATCHER- U.S. Olympic wrestling champions and brothers Mark Schultz and Dave Schultz join "Team Foxcatcher", led by eccentric multi-millionaire John du Pont, as they train for the 1988 Olympic Games in Seoul, South Korea, but John's self-destructive behavior threatens to consume them all. Executive Producers:  Tim (Applescruff), Derrick Copling (Sir Slick Derrick The Knight Bard), Matthew Schnapp, Noah Overton (Noah of The Dark Woods), Peter "Not SoBad Lookin'" Pernice Listen to the HMP Live Stream, Sunday Nights and Live Streams with Adam throughout the week.  YouTube https://www.youtube.com/@HMPOD Merchandising, Merchandising, Merchandising: https://www.teepublic.com/user/halfassmoviepod HMP Instagram- https://www.instagram.com/halfassmoviepodcast Adam- Letterbox- https://boxd.it/3aAF TikTok- https://www.tiktok.com/@adam.portrais Sean Likes Spaceships: https://www.youtube.com/@Seanlikesspaceships Bruce YouTube- https://www.youtube.com/@Animedad Email- HalfAssMoviePod@gmail.com

Johnny Mac delivers a comedy news roundup, saying he quit watching “Rooster” despite liking Steve Carell, and sharing Robbie Hoffman's comments about being starstruck and awkward around Carell. Nate Bargatze discusses coming up around dirtier comics, a past joke about murdered prostitutes that upset a sex worker after it surfaced on YouTube, and his decision to drop it. Jim Gaffigan is set as keynote speaker for the NACDS Foundation's annual dinner in Boston on Aug. 15. Kevin Nealon says he never broke character on SNL and notes Lorne Michaels dislikes cast breaks. Cheech & Chong's final film hits Paramount+ April 20. The Houston Chronicle profiles Ali Siddiq's ideal day in Houston. Bill Burr posts his SXSW set on YouTube amid mixed comments about Riyadh. Donnell Rawlings reflects emotionally on Charlie Murphy's death. A Saratoga Springs hat shop clerk became a character in Chris Fleming's HBO special. The New York Times reports Epstein sought comedian dinners, noting no wrongdoing accusations. Tim Meadows calls Adam Sandler his funniest friend and says he'd road-trip with David Spade. 00:15 Rooster Review And Robbie Hoffman00:54 Nate Bargatze On Clean Comedy01:33 Jim Gaffigan Keynote Gig01:50 SNL Breaking Character Talk02:09 Cheech And Chong Final Movie02:43 Host Personal Aside02:58 Ali Siddiq Houston Day04:13 Bill Burr Facebook Comments05:03 Donnell Rawlings On Charlie Murphy05:33 Chris Fleming Hat Shop Bit06:17 Comedy At Lumberjack Worlds06:42 NYT Epstein And Comedians08:36 Tim Meadows On Sandler And Spade09:36 Wrap Up And Sign OffBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.COMEDY SURVIVOR in the facebook group.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

This week on Office Ladies 6.0, Jenna and Angela are taking a little spring break pause and revisiting an all-time favorite episode, their interview with Steve Carell! (Check out his new hit HBO comedy, Rooster.) Steve reflects on his time playing Michael Scott, the early days of The Office, and what made the show so special both on and off camera. They talk about Steve's approach to comedy, his favorite moments from the series, and the lasting friendships that came out of it, along with plenty of laughs and behind-the-scenes stories. So take a walk down memory lane with this very special interview… and enjoy! Office Ladies Website - Submit a fan question for Around the Town, Chit Chat, The Paper & Second Drink favorite moment: https://officeladies.com/submitaquestion  Follow Us on Instagram: OfficeLadiesPod Follow Us on YouTube Follow Us on TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Co-host Bruce Miller has been binging a lot of TV. He has seen the final episodes of "The Pitt" and shares that it will be an emotional ride to the end. He's seen "The Comeback" and the new show from Steve Carell, "Rooster," which doesn't live up to some of his past projects. And then there is Reba McEntire, who has moved between music and television throughout her career. She's back with another season of "Happy's Place," another program that brings an ensemble to a bar setting.  In this episode, Pablo Castelblanco, who plays Steve on "Happy's Place," talks with Miller about the show and his background. And co-host and "Star Wars" superfan Terry Lipshetz talks about the latest animated series coming in April, "Star Wars: Maul — Shadow Lord." Also coming soon: "The Handmaid's Tale" spinoff "The Testaments." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

What new Steve Carell show got mixed reviews from Dorene?

Moviewallas is on YouTube! Welcome back to Moviewallas, your weekly dose of film reviews, movie news, and general banter – in theatres, on streaming, or in the back of an airplane. This week, Joe, Rashmi, and Yazdi take on two very different movies: the darkly comedic How to Make a Killing and the hugely anticipated, surprisingly emotional Project Hail Mary. Tea check: No new snacks this time – just a fresh round of tea, a little British supermarket hierarchy, and enough energy to power one very enthusiastic space-movie conversation. ⸻ Streaming Picks – “I Can't Find Anything to Watch…” Reality Check: Inside America's Next Top Model – Netflix Rashmi revisits the world of America's Next Top Model through this docuseries, and the group reflects on how wildly our perspective on reality TV, exploitation, and “empowerment” has changed over the last 20 years. Crazy, Stupid, Love – Netflix Yazdi goes with this slick, star-packed romantic dramedy starring Ryan Gosling, Steve Carell, Emma Stone, Julianne Moore, Marisa Tomei, Kevin Bacon, and Josh Groban. Contrived? Sure. Still a fun watch? Also yes. Peaky Blinders: The Immortal Man – Netflix (coming March 20) Joe makes a rare future-facing pick, getting excited for the return of Tommy Shelby and the Peaky Blinders universe. Here's hoping the movie has a story worthy of the comeback. How to Make a Killing John Patton Ford follows up Emily the Criminal with this dark comedy about inheritance, murder, and family dysfunction. Starring Glen Powell, Margaret Qualley, and Ed Harris, the film gave the hosts plenty to chew on. Project Hail Mary This one gets a full-throated reaction. Based on the Andy Weir novel and directed by Phil Lord and Christopher Miller, Project Hail Mary stars Ryan Gosling as a man waking up alone on a spaceship with Earth's future in his hands. Joe and Yazdi came in with serious affection for the book – and plenty of fear about how hard it would be to adapt – while Rashmi went in fresh. The result? A big, emotional, funny, visually inventive sci-fi movie that gave all three hosts a lot to talk about. ⸻ Like, comment, and subscribe if you enjoy spoiler-light movie conversations with strong opinions, good humor, and the occasional tea-fueled tangent. Hosted by: Joe, Rashmi & Yazdi Watch on YouTube or wherever you get your podcasts Follow us on Instagram and Twitter: @moviewallas www.moviewallas.com ⸻ Timestamps 00:00 – Start 01:53 – Streaming Picks 02:08 – Reality Check: Inside America's Next Top Model 04:55 – Crazy, Stupid, Love 06:42 – Peaky Blinders: The Immortal Man 09:00 – How to Make a Killing 1 8:14 – Project Hail Mary ⸻ #Moviewallas #MoviePodcast #ProjectHailMary #HowToMakeAKilling #RyanGosling #AndyWeir #GlenPowell #MargaretQualley #PhilLordAndChrisMiller #StreamingPicks #TooManyMoviesTooLittleTime

Melora Hardin, best known to millions as Jan Levinson on The Office, joins Steve Kmetko for a funny, revealing, and surprisingly wide-ranging conversation about her life and career in Hollywood. Melora looks back on working with Steve Carell, the improvisational magic behind The Office, and why the legendary “Dinner Party” episode still makes her laugh. She also opens up about her early years as a child actor on Little House on the Prairie, working with Michael Landon and Clint Eastwood, her thoughts on AI and creativity, and what it was like seeing Miley Cyrus at 15 during the Hannah Montana movie. Beyond acting, Melora talks about dance, directing, cabaret, parenting in Hollywood, Transparent, Dancing with the Stars, and the creative energy that still drives her after more than 50 years in the business. This is a smart, funny, and honest conversation with one of television's most memorable performers. #MeloraHardin, #TheOffice, #JanLevinson, #SteveCarell, #StillHereHollywood, #SteveKmetko, #LittleHouseOnThePrairie, #Transparent, #MileyCyrus, #Hollywood CHAPTERS 00:00 Cold open, Steve Carell and AI tease 00:49 Intro, Melora Hardin joins the show 02:05 Melora's colorful outfit and new scarf collection 02:43 More than 50 years in show business 03:23 Little House on the Prairie and first screen kiss 05:48 Working with Michael Landon 06:50 Clint Eastwood stories and singing for him 09:24 Did the cast of The Office get along? 10:01 Greg Daniels, improv, and the collaborative set 12:08 Does Melora watch old episodes of The Office? 13:29 The “Dinner Party” episode and breaking on set 15:37 Melora's lifestyle brand, wallpaper, and scarves 16:16 What kind of a kisser was Steve Carell? 16:38 How much improv happened on The Office 19:05 Miley Cyrus at 15 and the making of Hannah Montana 19:35 Melora's thoughts on AI and creativity 23:58 Acting, dancing, singing, directing, and creative energy 25:04 Why ballet didn't become her career 27:34 Playing Baby in Dirty Dancing 29:41 Biggest influences, her parents, and growing up in Hollywood 32:04 What she still wants to do next 34:17 More on Miley Cyrus and child stardom 36:32 Cabaret, singing, and getting through Covid 38:37 Social media, parenting, and raising kids without phones 42:18 Raising grounded children in Hollywood 44:54 Emmy nomination for Transparent 48:14 Why film and TV is the ultimate team sport 50:07 Directing, editing, and her documentary Hunter's Thunder 54:11 Melora on going to the movies 55:30 Dancing with the Stars and loving dance 55:50 From Jan on The Office to Tammy on Transparent 57:03 What she wants next in her career 57:50 Where the name Melora comes from 58:31 Jan's breakup on The Office 59:32 What still “flaps” Melora 1:00:46 Gratitude, family, and staying grounded 1:02:30 Final moments and ruby slippers story Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian Sanyshyn https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What if the secret to a well-behaved child isn't more control, but less? In this grounded and eye-opening recap, Lesley Logan and Brad Crowell break down key takeaways from Gail Hugman, an educator with over 50 years of experience helping parents and children grow together. This episode challenges the traditional “because I said so” approach, offering a fresh perspective on how teaching executive function skills—like self-control and focus—can help kids take ownership of their actions. Whether you're navigating homework struggles or leading a team, this conversation offers tools to build responsibility and independence. If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:Explaining the "why" behind tasks improves cooperation and understanding.Children are intuitively born to grow and desire more responsibility.Transitioning from controlling children to teaching them internal self-control. Using natural consequences to help children process their own choices. The essential order for teaching executive function skills to children. Episode References/Links:Contrology Pilates Conference (Wroclaw, Poland) - xxll.co/polandPilates Workshop (Bruges, Belgium) - xxll.co/brusselsPilates On Tour® (London, UK) - xxll.co/potOPC Spring Training (Virtual Event) - opc.me/eventsGail Hugman's Website - https://www.lessonsalive.comCan Contemporary Pilates Be Done on Classical Equipment - https://beitpod.com/classicalequipmentWhat are the Best Pilates Books - https://youtu.be/JhBVaT2Umfw?si=ieeWA5_L-gvzrq5EBest Pilates Books from Lesley Logan - https://www.youtube.com/watch?v=exampleEp. 262 with Adrian Koehler - https://beitpod.com/ep262Contrology Handbook by Sandy Shimoda - https://www.pilates.com/products/contrology-handbookGet to Know Joe Pilates by Cathy Strack - https://cathystrack.com/product/get-to-know-joe-pilatesGail Hugman's Website - https://www.lessonsalive.comGail Hugman's Books - theendlessbookcase.com If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Brad Crowell 0:00  Listening to her stories, you know, she is intentional about giving people the tools, like you were just talking about the tools to develop as a child, to grow into the adult that joins the the pack, right, the society, right? And when you are empowering them with the tools, then they can make decisions that are logical and all those kinds of things, instead of just be like, I guess, like, like, think about it. If you're just like, do it. Why? Because I said so. What are you doing? You're actually, you're actually molding a human to always be told what to do.Lesley Logan 0:37  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Lesley Logan 1:19  Welcome back to the Be It Till You See It interview recap where my co-host in life, Brad, and I are going to dig into the grounded convo I have with Gail Hugman. Hugman. Brad Crowell 1:27  Hugman. Lesley Logan 1:28  Yeah, that's right. I'm like, sorry, Gail. I know you're listening, but you know when you're like, oh, all of a sudden, hold on. Did I miss a G, H, whatever. Gail Hugman, she's fucking the best it was in our last episode.Brad Crowell 1:38  The two of you. So I listen everything on like, 2x speed. And if I could, I'd probably try to listen to it on 3x speed. And the two of you were like, giggle monsters.Lesley Logan 1:47  I'm obsessed with her. Like, I and I was like, when Brad came up, he was halfway through her interview, and he's like, this is amazing. And I was like, Oh, good, because I did go for a second going, am I about to, like, get all the parents to hate me out there, like, like, I don't want to be, because here's the deal, I understand, I don't have children. I get that. I don't understand the day to day. I can't even imagine the cell phone conversation I my kids. I'll just tell you right now, here's where I'd be. They would hate us. They would have a flip phone with those heavy batteries so big it wouldn't fit in their pocket. Like, no internet, you know, like, because there's so much research on, like, how it's, like, affecting people's ability to focus. So, like, this interview, to me, was so amazing, and we are buying all of her books for, sorry, Meredith and Kyle, you're getting them all.Brad Crowell 2:39  True, yeah, but actually, we had a chance to meet Gail in real life last year when we were in England, and it was so interesting. I was just chatting with her on the side of class, and the conversation was so like, she was so inspiring in the five minutes that we were talking that I was like, holy cow, you need to be a guest on Lesley's pod.Lesley Logan 3:02  Gail, I don't know if you believe in past life, but in a past life, I feel like we were family.Brad Crowell 3:07  Yeah, seriously. Well, I'm really, really glad that we were able to have Gail on, and I love that the very first thing that she said is, I don't think I fit the Be It mold, you know, and you two agreed that this would be inspiring the parents, for the kids, so that the kids can be it. Lesley Logan 3:25  I well, that's just it. I mean being it till you see it. Brad Crowell 3:28  I disagree with her in that she did break the Be It mold, but you know, I love the conversation. Lesley Logan 3:33  You don't think she broke them all? Brad Crowell 3:34  No, I think she was being it till she saw it all day, every day. You know like she was very innovative in her career. Fifty years as a teacher, y'all.Lesley Logan 3:42  Especially as she was talking about how she, like, got into what she's doing, it's a be it till you see it kind of a story. So Gail, so sorry you didn't. But also sorry, honey, didn't hate to break it to you. But also, I can't just have people who just tell me stories about themselves all day. We are four and a half. I would have five, almost five years in on this pod. Like crazy. I want to be entertained as well. I want to learn something, and sometimes it's bringing in experts who help us get to where we're going. You can't just be inspired all the time. You have to have information that you can integrate. So I really felt like that's what she did. But anyways, before we keep going and just complimenting Gail Hugman. Lesley Logan 4:19  Today is March 26th 2026 and it's wear a hat day. Brad Crowell 4:24  Wear a Hat Day. Lesley Logan 4:26  We celebrate Wear a Hat Day on March 26th is a fun and fabulous way to raise awareness for brain tumor research and raise funds while we're at it. The holiday was created as a way to get our heads and our hats together to advance research and find a cure for brain tumor so you don't need to have it affected to make a difference. We've got some ideas to get you ahead to this wear hat day. Do they? Did they give us any ideas? Brad Crowell 4:49  No. Lesley Logan 4:49  They didn't give us anything. No links. There's not a charity on this not further down. Okay, before we just start talking about a charity we have not researched, I highly recommend you Google in your area what local charities are doing with brain tumor research or state charities that are doing it because.Brad Crowell 5:08  Hold on, I'm going to read you more. Occurring in around 250,000 people global each year, we're still a long way to go in the study of brain tumors, but thankfully, due to science advances, scientific advances in the fields of chemotherapy and radiation, the survival rate is higher than ever before. Once, brain tumors meant the end of the unfortunate individuals who were who developed them. It wasn't until 1879 that a Scottish surgeon became the first person to successfully remove a brain tumor. His patient, young woman, fully recovered, and the tie was turned in the fight against the illness. So Wear a Hat Day is about brain tumors.Lesley Logan 5:42  You just said 1879. Brad Crowell 5:45  1879 Lesley Logan 5:46  Was there, so and also, you're not under anesthesia for brain tumors. You are awake. Brad Crowell 5:50  Could you imagine? Lesley Logan 5:51  Home girl was like, I'm gonna die. So you may as well open up my head. I trust you. They didn't even have I was but did we have pasteurization yet? Like, Oh my god. Like. Brad Crowell 6:02  I have no idea. Lesley Logan 6:02  Oh my god, definitely don't like brain tumors, but I am a little brave ass woman. Way to fucking go.Brad Crowell 6:08  So the scientific process that was developed though the following years meant a speedy advancement for understanding and treatment of the condition. The discovery of X rays meant that it became possible to locate tumors in the brain accurately through scanning, probably, instead of just cutting their head open, this has continued to be the best way to identify brain tumors ever since, and in the 70s, the development of computed tomography, or CT scanning, allowed physicians to see a clear image of the brain for the very first time. So it's only been 50 years that we've been able to actually see a vision like a full scan of the brain. But however, despite these significant advances in the last 150 years, there still is no fail safe cure for brain tumors. As a result, we get together on Wear a Hat Day to raise money and awareness for brain tumor research. Typically used as a form of protection from external elements. Hats are worn as a symbol of internal protection on this day as well. By talking more about this condition, we help each other to spot symptoms early on. By raising funds, we help support a scientist who are working on a cure.Lesley Logan 7:11  So we don't have any they didn't give us any charity just so, so go look one up. Okay, so go look one up. Here's the deal. There's someone in your life who has one. I have. My grandmother died of a brain tumor. Brad Crowell 7:21  She did. Lesley Logan 7:22  It's not genetic, so don't freak out when you hear that I have another family with a brain tumor. Brad Crowell 7:25  My grandmother almost died of a brain tumor. They were able to successfully remove it. And literally, it was as if she got 10 years younger during her recovery. It's crazy. Lesley Logan 7:35  Oh, my God. Oh, it was amazing. But my grandmother had one, and it was quite fast by the time we knew about it. And then my cousin, he's actually had brain tumors for almost 20 years. Maybe, I think we're at 20 years. They've done because of experiments and charities and and people raising money for research. He's actually been able to benefit from these experimental surgeries and and like ways of treating it, to shrink them. And so I just want to say, like, if you are looking for a cause, and this touches you because you know someone, you've heard about it, this is if we all have a cause. Just imagine, like, how many people get helped? So I think there's a lot of pressure on picking, like, I've helped everybody. No, you can just help one. But in any way there's, it touches all of us, and it's there's not always a rhyme or reason. So anyways, that's why we're wearing hats right now. Brad Crowell 8:22  That is why we're wearing hats right now. Lesley Logan 8:23  If you're watching on YouTube, if you're listening, we're wearing hats right now. Okay, Brad is wearing a podcast hat. Brad Crowell 8:29  I am. Lesley Logan 8:30  Last week we were in Poland, and I forgot that the 26th also we're, we'll be in Bruges. Oh, my God, it's gonna be so much fun. And, then. Brad Crowell 8:39  Yeah, we're probably in Amsterdam right now. That would be my guess. So maybe we're pulling into Bruges early. A night early. Yeah, possibly. Lesley Logan 8:47  It's gonna be so much fun with Karen Frischmann. It's a great time. And then we'll actually spend the after Bruges is over. We're actually about nine days in France. Then we're gonna pop on the train to London and you can check out and see if there's any tickets left at xxll.co/potlondon, super excited about that. I know that their Fridays and Saturdays are sold out, but there's some spots on Sunday, it's really worth going to. And by the way, we said in the last weekend, not sure we'll be back to Europe, guys, just got other places we got to see, too. Spring Training is a thing that anyone can join, and you'll be on plane two. You can actually join yeah, May. Brad Crowell 9:22  So after POT London. Lesley Logan 9:24  May 12th through the 17th, you can join from the comfort of your own Pilates space, wherever that is, all levels are welcome. Yes, the theme is about getting overhead. But we actually have people who will teachers on our team who do not do overhead exercises. We have a teacher on our team who are going to show you how, if you have, if you're in a larger body, booty abundance, chest abundance, like best ways to get overhead. And then we'll have hyper mobile teachers showing how you get overhead. And then we'll just be getting overhead, and you will have the tools you need to do the best thing for you. And that's the goal of spring training. So opc.me/events.Brad Crowell 9:58  Yeah, come join us. Before we get into it, though, with Gail, we had a question, so this is a bit of a long one. So bear with me here. Kendra @KennySwan on Instagram asks, Hey, Lesley, I watched your YouTube video on teaching contemporary on classical equipment. I'm a stat instructor. I've loved classical equipment, especially the Reformer. I would love to have classical equipment in my studio, but I've had some backlash from classical instructors that I'm quote, unquote not qualified to teach on classical equipment, so fuck the Pilates Blaze is what I would say. I don't think that's so crazy, though, sorry, I don't think that's so crazy though, any well trained instructor should be able to adjust for the equipment that they're using. I know there's some exercises that can't be done, not that many, really, though, right, like between the classical and contemporary. My question is, in your expert opinion, is it acceptable for a contemporary teacher to teach on classical equipment?Lesley Logan 10:51  Oh, my God, I. Brad Crowell 10:52  What the fuck. Lesley Logan 10:53  The fuck. First of all, just so you know, I hired many a contemporary trained teacher when I worked for Equinox. And guess what the equipment is? Classical. If you had to be able to manage it, don't, don't break it, but. Brad Crowell 11:06  I am so sad that that you've had classical instructors giving you a hard time, for even wanting to buy the equipment, they can just take a long fucking walk. That is so ridiculous.Lesley Logan 11:17  I know if you're a classical instructor who like, is like, can't believe this is how I'm answering. I we have to have a talk about the cult that you're in. I'm just gonna say it right now. I know that's not how you're supposed to help people out of a cult, but like, I teach on contemporary equipment all the time. Like, that's what I teach. I'm on a Pop Up Tour. You know what my classical instructor told me in my first training? She said, You need to make sure that you take the time to understand how to work on any piece of equipment you're at, because when you teach classically on different pieces of equipment, it will change the exercise. But you can't be limited to the equipment the studio has. So if you want to be a great instructor, you got to figure it out. And so every studio I ever went to, I would get on the equipment, I would make sure, I would figure what springs felt the same way. How do I set the ropes up so they feel the same way? I am so proud that I know how to do that, and no contemporary instructor says, Oh, she can't come in here. She doesn't know how to use these risers. She only uses the ropes on the bottom level. No one says that to me. So how dare these classical people say that? It grosses me out. So, just so, you know, anyone can buy equipment, just so we're clear, you don't have to be a trained person. Do I wish that people who call themselves teachers went through proper trainings? Fuck yeah, I do. I wish there was some sort of regulation making sure that, because there's a lot of people calling things polite that are not polite, like that's kind of where that comes from, that does not come from this. You're a trained person on how to teach. So here's the deal, Kendra, you've done the thing how to learn how to teach Pilates, right? Your first training taught you how to teach. Plus, it doesn't actually matter to me what it is. You can buy classical equipment. You can absolutely teach what you can translate over on the classical equipment. I don't think that's wrong. Sometimes you might need those tools in your tool belt for a client. And then you can, through my YouTube videos, through a lot of people's YouTube videos, teach yourself classical I do think you should read classical educated books. Not all of them are good. So here's a couple. We have a YouTube video that I'll go into, deeper books that I like about Pilates, and they're all, so the Caged Lion John Steel, Contrology Handbook by Sandy Shimoda, Get to Know Joe Pilates with Cathy Strack, incredible books that you should read that will help educate you about the why behind classical. Because I, what I don't like is when people just like watch a classical video, teach it in the order, but not really understand the why behind the what. Because that's why you want to change some things. So I do think if I was to teach contemporary I'd want to know the why behind the what, right. So I think that. But do I.Brad Crowell 13:42  That YouTube video, by the way, is called, What are the Best Pilates Books from Lesley Logan on Online Pilates Classes?Lesley Logan 13:49  So I I'm sorry, like anyone telling I don't care what school you're at. Brad Crowell 13:54  I don't think, I don't think those classical teachers are qualified to teach on classical equipment. That's what I have to say.Lesley Logan 14:00  I mean, like these, I bet you can, I bet you, Kendra, if you ask those people if I'm a classical teacher, those same people would say no, because the only people who talk like that are people who think, because who train me that I'm not classical. So, like, there's this weird group of people. So what you just met is you just saw big red flag run away from these people. These are not my people. So in the Pilates world, everyone's got to find their people, and I might not be the people for you. What I do have to offer if you want to invest in like an actual I would call, this is where, for teachers, I would call, you're looking for a bridge or a mentorship. If you've already done a comprehensive training, I think it's a little weird to go do a comprehensive training in the other style, where you're with people who've never taught before. Because one, they're going to be like, oh my God, this person is like, knows what they're doing, and you're going to be like, these, I'm coaching these people more than I'm getting helped. I like a mentorship program where it's, it is people who've all been taught but now you want to dive deeper into a study of Pilates. I have one. It's called eLevate. It's more than half fill for next year. It's lesleylogan.co/elevate, but you don't have to pick mine. There are other ones out there. Karen Frischmann is a dear friend of mine who has one she has hers like 18 months you just you're looking for a classical Pilates mentorship but you don't even need to do that to go buy the classical equipment and start doing classical work. You can have an OPC membership and learn a bunch of stuff. Everyone's following the order. Everyone's doing things based on Joe's intentions and using variations as needed. So you're good, Kendra, in my book, you're good. Those people can suck it. You know, in the words of pumps from my favorite podcast, they can fuck off.Brad Crowell 15:41  Well, if you have a question, just text us at 310-905-5534, or if you're international, feel free to submit a question at beitpod.com/questions, and also leave us a win.Lesley Logan 15:54  If you want me to get angry for you clearly, I will.Brad Crowell 15:58  Yeah. You want Lesley to tell someone to fuck off. Brad Crowell 16:00  All right, stick around. We'll be right back. We'll get a dig into this conversation.Lesley Logan 16:05  Hold on. Brad Crowell 16:05  All right. What? Lesley Logan 16:06  That co host, also, I've said it on the podcast before, but she did it again today, when I was listening twice, she says, in 2000 and 2026.Brad Crowell 16:17  2000 and 2026 yeah, that's so funny.Lesley Logan 16:20  I die every time. Like, she is making it worse. I like, love it. I'm like, what if that's how he said it? Oh, it's January, 2000 and 2026. Okay, now we're on a break. Brad Crowell 16:31  All right, we'll be right back.Brad Crowell 16:33  Okay, welcome back. Let's talk about Gail Hugman. Gail has been teaching for over 50 years, y'all, 50 years she's been teaching. She works with children and parents to help them flourish together. After spending decades in London schools, she shifted it into private practice to focus on motivation and self-development, helping children build self-control, confidence and independence, and helping parents rethink how they guide and support their crazy kids.Lesley Logan 17:06  Well, I mean, I just really am obsessed with this because, like, I remember listening to Seth Godin say that, like, parents roles after kids are home from school is not to help them, like, really do homework. It's to help them learn how to be analytical. Because if they could be analytical, then they can probably, this is before, AI guys, this is like, I don't know, I think there's like, 2015 when I heard him say this, he says, then they're they're irreplaceable, right? Like, if they can be analytical, and then I remember who's the host of Survivor? Jeff? Is it Jeff? Feels like a Jeff. Anyways, he he. Brad Crowell 17:45  Jeff Probst. Lesley Logan 17:45  Yes, him. He was talking about raising kids, and he said, you know, my daughter was talking about how she wants to be a large animal vet and she wants to be a tennis photographer, pro tennis photographer. Brad Crowell 17:58  These things go hand in hand. Lesley Logan 18:00  Correct. Exactly. That's exactly what his thought is. But you can't react, because then you can, like, affect them. So he just so his job is not to be like, oh, you can't do you have to pick one. That's what the world would do. He said, my job as her parent is to challenge her to tell me how she's gonna do that. So I said, Oh, that's interesting. How are you going to learn both those skills and do that? Do you think? What do you think? And she goes, oh, there's these two schools here that have really high performing tennis teams, photography as a degree and large animal vet. And so I can actually go to this school on a scholarship and get these two degrees, and then, because tennis is seasonal, I'll be a seasonal photographer when I'm not in seasonal work at this place over here in the large animal vet thing, like, she had it all figured out. Brad Crowell 18:48  Holy cow. Lesley Logan 18:48  So had he said, You have to pick one. Brad Crowell 18:51  Right. Lesley Logan 18:52  It would have just killed the re she did research. She figured out a plan. And look, whether or not I haven't looked, and see what Jeff Probst's daughter is doing. Because, like, you know, there's enough time that she might be able to figure this out, but that's not the job, right? And so that goes into what Gail's talking about here that I love. She said, I mean, you'll see how it fits in. When we talk about listening to children, we don't talk about the process. I will say, are you listening? And what they're thinking is, I'm hearing you. So, like, I've even done this. Like, are you listening? I'm like, I heard words. Brad Crowell 19:21  Right. Yeah, totally listening. Didn't process any single bit of it but. Lesley Logan 19:26  Anything. She said that, you know, even as adults, we are taught listening skills like, we're like, we'll go to events, schools, trainings, and they'll like, teach you how to like, process the thing that you're about to do. But we just expect children to know how to listen and like, what to pay attention to? Remember in Schitt's Creek when, like, Alexis, like, went back to school and then she highlighted the whole page. And they're like, Oh, you didn't highlight this. She's like, Oh, okay, like she was highlighting, like, what she was reading, like she wasn't taught, like, when do you put the highlighter on the page? Like, what's the point of highlighting? Right? And so it's funny, but like, it goes to this. And, like, I think this is where, like, as people with younger people in our lives, we don't have children, we're, like, when our nieces and nephews are around us, I'm trying to be really conscious of, like, Am I answering the question for them, or I'm giving them? Am I? Am I giving them ample time to, kind of like, process what what's happening and then tell me back what's going on. And that does take time. I just want to know. I just want to know I understand that takes so much time. I just wanted to tell them what to do. But I think you might have people who listen when they're older.Brad Crowell 20:32  Well, I found it interesting that she was talking about the process, because for me, I found she started talking about process in the same way that I've always talked about the why, you know, and when, like, I don't have children, but we run a company with people in it, and I've always found that when, especially when there's something that someone does not want to do, if I'm able to clearly convey why it always goes over better with them still grudgingly doing the thing, than if I'm just, like, just because I fucking said so do it? No, that doesn't work, right? I mean, they, you know, they might still do it and they might also quit, but, but like when people understand the why behind the what, now all of a sudden they're like, Oh, that makes sense. I get it. Okay, yeah.Lesley Logan 21:27  I completely agree. I think. Like, sometimes even just when we tell people like, oh, you know, like, it's really simple, you have too many clients, we need to raise your rates, and they're like, so scared, and it's like, okay, hold on. Let me paint the picture of why this is, how this is going to help? Like, I do think that you're right there. And I remember when you were training with Adrian Kohler, who's been on the pod, and you were frustrated, just even within a with one of the people who's not on our team anymore, but we'd hired for a specific project, and you were frustrated. And he taught you to even ask, like, Okay, after you tell them what you want them to do, ask them what it is that they're going, what are their action steps going to be? Because that helps you understand. Did they hear or listen? Did they process it? Did they hear what you said to do? You know, like, it's really easy for us to, like, say the right words, and then they interpret it incorrectly, just based on, like, It's the game of telephone, like, where people are, what words stuck out to them? What words triggered them?Brad Crowell 22:22  Yeah, Adrian was episode 262, by the way. Lesley Logan 22:25  That far back? Brad Crowell 22:26  I know.Lesley Logan 22:28  Did the year did like there was like two was there one year that was like two years long.Brad Crowell 22:32  But I agree, you know, like when we are willing to explain the process that suddenly really can be the catalyst that shifts behavior in a child, you know, or in a teammate. Lesley Logan 22:45  I'm just gonna say I don't think that I'm in a rebel at heart. That's not how I think I was born as a child, like I'm quite the perfectionist, overachiever. But anytime I heard because I said so, or because I told you to, I can go back to, like, 17 memories in my brain of me in my head, going. Brad Crowell 23:06  Yeah, exactly. Lesley Logan 23:08  And then doing enough to not get yelled at for doing not doing it the right way. Like, like you, you catch more flies with honey, but you also create people who you want to be around, if you kind of give them the chance to be in the process, learn the process.Brad Crowell 23:24  Yeah, and that, that actually feeds exactly into what I wanted to talk about, which was she told the story about this four year old who, when she was like, when Gail was putting the pencils away, the four year old was like, me, I want to do it. I want to I want to do it right. And she said something really intriguing. She said, kids want responsibility. They are intuitively born to grow. They are born to develop. They want more. They want to be part of the pack, a society. They see what adults are doing, and they're like, Well, I want to do that too. You know, how many of us remember thinking back to when we were a child and being like, I can't wait till I'm an adult. Why? Because I can make my own decisions, or I can do my own thing, or whatever the thing was, you know, and, and so, so, so interestingly, you know, actually, one thing that I found really interesting about Gail that was not explicitly said, is, obviously she is a patient person. Patience, right? And she's willing. She understands the she understands the kid. She understands what they're doing, why they're doing it, and she also understands when they're processing or not processing, the the information that they're receiving. She told another story about asking someone nine times to repeat back to her what she just told them to do right nine times. That takes so much patience to not get frustrated.Lesley Logan 24:47  I think that goes back to it doesn't matter what the goal is. If you're really clear on the goal, it allows you to to have I don't have patience inherently.Brad Crowell 25:00  For her, the goal was not for the kid to go do the thing she asked him to do. The goal was for the kid to learn how to listen and process what she what they were listening.Lesley Logan 25:10  But I wanted to say because we, I know we have some Pilates instructors who are listening, and they, they get frustrated when their clients don't remember the names of the exercises, or they're how to do things. And I'm a person who believes in like, radical responsibility. My clients are going to learn their exercises, and they're capable of it. I work out at gyms at a hotel. These are people on vacation who manage to come into a gym and figure out how to do something in there, which means they someone taught it and they figured how to do it. So I am willing to be patient enough to not over correct someone, or to do it for them instead, to go, okay, the 100 and like, you know, this one, it's, it's this. And like, Oh, it's this, okay, like, giving them the the time, the space. And everyone's like, like, I don't have my job is to entertain them. It's to help them know how to move their own body. And so it's really funny, because I have these clients who told my dad year, this is back when I was first teaching she is the most patient woman. And my dad was like, my daughter is patient, and I will say, loves, I am not patient. I am one of the most impatient people when it comes to the things I want, how I want things to go, but when it comes to someone else's process, I am very patient, because I know the end result is they'll have radical responsibility, autonomy over their body. They'll understand how to move it. I'm not going to be there when they trip or have to catch or grab something. I might be like, oh, right, arm up reach. I won't be there. So I think that I have no idea. I think actually, I haven't met Kate Gayle and been spent some time with her, there is a lot of patience to her. But also, maybe not, maybe she's just really clear on when I'm with this child, the goal is to give them time to process.Brad Crowell 26:57  Yeah, and for her, it sounds like like listening to her stories, you know, she is intentional about giving people the tools, like you were just talking about the tools to develop as a child, to grow into the adult that joins the the pack, right, the society, right? And if you when you are empowering them with the tools, then they can make decisions that are logical and all those kinds of things, instead of just be like, I guess, like, like, think about it. If you're just, like, do it. Why? Because I said, So, what are you doing? You're actually, you're actually molding a human to always be told what to do. Lesley Logan 27:38  Right. And guess what? They won't need those people in the future, because that's what robots will do. They could be programmed. People are not people will be rebellious. And I, I know y'all have heard me say this, I'm a little worried about who the fuck is going to take care of me, because their mom won't be around to tell them what to do, and I might need someone to take care of me because I didn't have children. So just saying.Brad Crowell 27:59  Well, well on that note, stick around. Lesley Logan 28:03  In case you need a motivation to make your child not an asshole, Lesley, your podcast host, is a little worried about her, like, end of life care, okay?Brad Crowell 28:14  All right, we'll be right back. We're gonna take it to those Be It Action Items that we had with Gail. So stick around. Brad Crowell 28:21  Welcome back. All right. So finally, let's talk about those Be It Action Items. What bold, executable, intrinsic or targeted action items can we take away from your convo with Gail Hugman? She said straight up, you cannot control children. You cannot control them. You have to teach them how to control themselves.Lesley Logan 28:40  I I have chills, and I love this so much, I feel like that has to be very freeing, doesn't you think it's freeing?Brad Crowell 28:47  Oh my gosh, so freeing. Like I freeing is a good word for it, but, but I, but I also think that it's, I guess freeing is the right word, because when people are feel like they have they will lose control. And what does it do for you as the person trying to have control? You get angry, freaked out, like, like.Lesley Logan 29:06  You're embarrassed. Yeah, all these things, so embarrassed, this, this, this child is like, like, doing the they're normally really good, like, all the things. Brad Crowell 29:14  Which are forms of narcissism, by the way. But basically it's, it's what you are when you're teaching them to control themselves, you know now it's not your responsibility if they control themselves in that way. You've taught them how to do the thing, and if they're not doing it, then that's some there's another. There's another thing going on there, because they know how to control themselves.Lesley Logan 29:35  Oh my gosh, you guys, if you did not listen to the episode, you have to listen to it, because it was very there was a whole point about the homework, the homework that made me like, I just was like, Oh, my God, I wish. I wish this was something my parents knew. I wish. I think my mom, who's a school teacher, would love this like my mom, I know would, because she, like, she took the homework away from kids because the parents were doing it. But like, this whole thing about, like, if the kid doesn't do the homework, at the time the teacher said it should take then instead of doing it for them or fighting with them, you take it away. The homework is done. It was supposed to take 30 minutes. It it's been 30 minutes, and I will go to school with you tomorrow, while you explain why it you couldn't get it done 30 minutes. Because then they have to have they have to actually think about why did it, oh, I was playing a video game. Well, now they have to admit that, or Oh, I didn't understand the lesson. Okay, well, then the teacher needs to know, because the teacher should make sure you can understand the lesson before you leave.Brad Crowell 30:27  Because they're teaching you how to do the lesson, not doing the lesson for you, like it's this is a perfect parallel. The teacher would never do your homework for you. The teacher is going to do teach you how to do the homework. So why do we feel like we are supposed to control children. No, we're supposed to teach them how to control themselves. Lesley Logan 30:44  Right. For example, I tell eLevate members, like the homework for eLevate is not mandatory. If you do it it helps me understand the learning style you are. It also helps me understand what you understood from the weekend I just taught you, which gives me feedback that I could never get from a survey, in understanding that I know what I said that weekend, but what did you hear? Right? Like, what did you take in? What did you understand? And this past homework thing, someone filled the form in a way that I've never seen before. And I was just like, hey, I think that, like, you might have misunderstood what's going on. Here's what I was expecting. She redid it, and then she explained why she understood the way she did. Crazy reason why. But it was like, you know, it was really simple for us to just do an example, and then people would know how to do it, and then, so, like, it also the teacher will learn I wasn't good. I didn't give good enough instruction. So I just, I love that. Go listen. The whole thing is so good. But it goes back to what you were saying. Brad Crowell 31:37  Yeah. And the two of you then got into a conversation about saying, you know, don't do this, or no, or all those kinds of things. And I'm not saying that you should never say no, but your example was that Joe Pilates wouldn't tell you what not to do. He would tell you what to do, right? So how should you control yourself in public? Not control yourself.Lesley Logan 31:59  Well also, like we just watched Crazy Stupid Love, because I love that movie so much. And Joe would also choose exercises that you needed to teach you teach your body what it was not capable of doing yet. And in Crazy, Stupid Love, Ryan Gosling, like Miyagi's, you know, Steve Carell, and I think that, like, that's all, like, the modeling of it is, like, you know, is really important. So there's so much, yeah, go listen to it.Brad Crowell 32:27  So she concluded this thought by saying, so instead of me trying to control them, the kids, I'll tell them the consequences of what they're doing. And this was also really interesting to me, she said, she said, look, talking to a child, if you continue to do this, I will get upset. Is it okay if I get upset? Because that is what is going to happen. And so the kid now has the choice to continue down this path, which they now know what it will bring or not, right? And she often, she said often, they'd be like, No, I don't want you to get upset. Okay, great, then please stop doing this thing, right? Fascinating. Again, patience. Lesley Logan 33:11  Like, it's like, I think of like, parents are like, don't eat that. You'll ruin your dinner. The kid doesn't care if the dinner is ruined, you know, like, they don't care. They want the thing. So, like, you have to come up with, like, Okay, if you eat that, it's gonna really make me sad, because I spent hours on making this dinner for you. That's maybe manipulation. Sorry, Gail, but like, I want to have dinner with you. It's important that I have quality time with you. I want you to enjoy the dinner that I made. Like, if you eat that, and then is it okay if I'm disappointed that you didn't enjoy the dinner I made. Okay, like there's, I'm sure Gail's books are going to be more articulate than I am. So go get them all.Brad Crowell 33:46  Well, that said, what about you? What Be It Action Items did you love from your convo?Lesley Logan 33:50  How to choose? Okay, when we are born, that's what Gail says. When we're born, we have something called executive function skills. Gail said we need, we all need these skills for learning and for living, but in school and often at home, we expect children to have them instead of teaching them. So for Gai.,Brad Crowell 34:06  So that we expect the kids to have the executive function skills instead of teaching them executive function skills.Lesley Logan 34:11  Yeah, so she said. Gail said, the first one we have to teach is self-control, then the next one is focus and attention and then organization. So if parents would focus on teaching these skills, children would do better. And I think, I know that sounds it's easy, clearly, in order, yeah, it's, it's first control, then you can teach focus, and then you can teach organization. And I think, like, what's so cool about that? It's one it gives you, it gives you a map, start with self-control, and then focus and attention, but and then organization. But I think it's instead of like, I gotta teach them how to like do their homework. It's like, you got to teach them self-control so that they can sit down to do the homework. Then you can teach them focus and attention so they can do the homework. And then organization so they know what time to do the homework. When can they figure this what is the best time for them? How do they manage their day? These are important things. I I am really sad for people who like, don't know how to like, put their schedule together. That's sad, you know, because it's clearly frustrating them. We have adults that we work with who, like, have a really hard time figuring out how to organize the things that they're doing or learning, and it's like, oh, they just weren't taught. And to learn that an older age is, like, really difficult.Brad Crowell 35:33  So anyways, yeah, well, just a lovely again, a lovely conversation, and I'm so excited that we were able to have Gail join the pod.Lesley Logan 35:42  If you did all this when you were a parent, I hope you pat yourself on the fucking back like, I hope you go this was the best episode for helping me celebrate how amazing I was as a parent, because I do think that most parents do not give themselves enough credit either. So I'm not here to, like, harp on like you're doing a bad job, but like. Brad Crowell 36:00  It did make me wonder if my parents had a method to the madness. Like, you know, they're pretty analytical. Maybe they were intentional about some of this stuff, but if they did, I'd never had a conversation with them about it as an adult. But, you know, it's intriguing. It's interesting.Lesley Logan 36:14  I mean, they might have because they're analytical. I think, like, there is something a little different about those of us who are raised to, like, go outside and play till the lights turn off. And there's definitely something about, like, there's that real people like, why are you guys drinking from hoses? Like, it's like, because that's we were had to play outside. What are you talking about? Of course, we drink from a hose, you know, like, like, but I like the fact that people don't realize that like, I think that there was something about the plane outside that definitely created a lot of this executive function, because, like, you have to negotiate with other children, of like, who's in charge, who's playing now it's my turn, like,Brad Crowell 36:49  Danger crossing roads by yourself. Lesley Logan 36:52  Yeah, I do I do think that there's a difference now than there was in like, oh, my God. We're 43 so, you know, like, I do, I do see a difference. And I just what I what I really wanted is for people who have younger children, wanting to empower you about what to stress about and what not to stress about. Like, Gail said it you shouldn't stress it if the homework gets done, like, that's not a thing, like, this is where they're gonna okay, let's go figure out why it didn't get done. Let's help you figure that out. And then if you did this, then pat yourself on the back. And if you didn't. Brad Crowell 37:24  We still love you. Lesley Logan 37:24  We love you, and they're taking care of you and not me. So. I'm kidding. I'm Lesley Logan. I love you guys so much. I'm Lesley. Go buy her books. Gail Hugman has a ton of books. Brad Crowell 37:39  Yeah. She had a couple of websites. We're gonna put those in to the show notes, because I can't remember off the top of my head, but actually, I'm just gonna look Gail Hugman her oh yeah, lessonalive.com, lessonalive.com, she's also on Instagram.Lesley Logan 37:54  (inaudible) how she did this stuff are enjoyable to listen to. She also has an accent, so my American friends, I know you'll love it.Brad Crowell 38:00  Yeah. And you can find her books at the endlessbookcase.com. Lesley Logan 38:02  Oh, perfect. Brad Crowell 38:04  Yeah, but I'm sure, I'm sure they're also on her lessonalive.Lesley Logan 38:06  So we're gonna order, to the Crowells. You are getting some books. We love you so much. All right, I'm Lesley Logan. Brad Crowell 38:14  And I'm Brad Crowell. Lesley Logan 38:15  Thank you so much for listening. Share this with a friend who needs to hear it. Share with a friend who's struggling with their kids right now. Hopefully this helps them and Gail, thanks for being here. You didn't break the mold. Sorry, babe, but you're still a badass in our eyes. Have an amazing day.Brad Crowell 38:28  Bye for now. Lesley Logan 38:30  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod.Brad Crowell 39:12  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 39:17  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 39:22  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 39:29  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 39:32  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, per usual, host Blaine opens the episode with an introduction and overview of what's to come (0:02). From there with Adam and Donovan, they discuss the non-spoilers for the week. First, you have to see 'The Fall and Rise of Reggie Dinkins' (1:02). From there, it's the big events in TV in the past week with 'The Pitt' and 'The Bachelorette,' but how do they know about this stuff (5:05)? Still in non-spoilers, the guys discuss the tones of 'DTF St. Louis' and how it achieves some specific styles of greatness (9:42). Their non-spoiler talk of the other HBO show 'Rooster' leads them to ask how great Steve Carell may be (12:48). Finally in non-spoilers, Blaine advises all to avoid both 'Imperfect Women' on Apple TV and 'Scarpetta' on Amazon Prime (20:24). This leads Donovan to reveal some news on trade paperbacks (23:30). From there, it's a short break and then the spoilers: 'DTF St Louis' specifics on how it is getting better and better (26:42). Lastly, some spoilers about the second episode of the HBO series 'Rooster': it's good, but how good (49:59)? For more, visit The Alabama Take website. To sign up for the site's newsletter rather than rely on social media, sign up here.To help both the podcast and The Alabama Take site itself, consider making a donation of any size with the link here.

Ron Pearson: From Juggling on Street Corners to Warming Up Hollywood - A Comedian's Life In this hilarious and surprisingly heartfelt episode of Reza Rifts, Keith sits down with veteran comedian and showman Ron Pearson a guy who has literally done it all. From juggling on street corners at age 10 to warming up audiences for Full House, Fuller House, and Lopez vs. Lopez, Ron has spent decades perfecting the art of making people laugh. Keith and Ron bond immediately over their mutual connection to comedy legends Norm MacDonald and Bob Saget, swapping wild stories that only people in their world would understand. Ron opens up about growing up as the youngest of eight kids, finding comedy as an escape, battling the side effects of being 90% deaf in one ear, and what it truly means to never master the craft. The conversation ranges from the business realities of audience warm-up work versus film acting, to the philosophy of comedy, to what exactly goes in a headliner's rider. Packed with laughs, industry insight, and genuine human connection, this one is a must-listen for comedy fans and aspiring entertainers alike.     Guest Bio Ron Pearson is a veteran stand-up comedian, actor, juggler, and one of Hollywood's most in-demand audience warm-up performers. A natural entertainer since childhood, Ron began juggling on the streets at age 10 and by 14 had already appeared on The Mike Douglas Show. Over a career spanning decades, he has served as the audience warm-up comedian for iconic television productions including Full House, Fuller House, Lopez Tonight, Lopez vs. Lopez (all three seasons), and the Ellen DeGeneres Show, among many others. As an actor, Ron has appeared in films including Little Black Book (alongside Brittany Murphy, Holly Hunter, and Kathy Bates) and The Incredible Burt Wonderstone (with Steve Carell). A close friend of the late Norm MacDonald and Bob Saget, Ron brings a unique perspective to the comedy world shaped by decades of friendship, performance, and personal resilience. He currently tours with comedian T.J. Miller and regularly performs at comedy clubs including the Laugh Factory in Long Beach. Notable Credits: Full House / Fuller House - Audience Warm-Up Comedian Lopez vs. Lopez (Seasons 1–3) - Audience Warm-Up Comedian The Ellen DeGeneres Show - Audience Warm-Up Comedian Lopez Tonight - Audience Warm-Up Comedian Little Black Book (2004) - Film, with Brittany Murphy & Kathy Bates The Incredible Burt Wonderstone - Film, with Steve Carell The Mike Douglas Show - Guest Performer (age 14) Close friend of Norm MacDonald and Bob Saget Follow Ron:

DTF St. Louis Ep. 4 Breakdown: Life Insurance, Umpiring, and a Beastie Boys Bromance In today's episode Sona and I briefly discuss recent watches, including Project Hail Mary and Hoppers, plus Sona's family seeing GOAT. We also talk about Bill Lawrence's Rooster—especially a very funny episode three—and Steve Carell's performance. Then we break down DTF St. Louis episode four, “Missouri Mutual Life and Health Insurance Company,” focusing on Carol's financial stress, her new umpiring job, and Floyd's anxieties and desire to provide for Richard, including private school plans. We highlight the surprisingly sweet (and tragic) Floyd-Clark friendship weekend, the catchy Beastie Boys-style rap, and clues that lead the detectives to a mailbox store and a $1.1 million life insurance policy naming Carol. We end with speculation about Emmy, Modern Love, how Floyd finds the hotel room, and what the trailer suggests next. mailto:needssomeintroduction@gmail.com   00:00 Podcast Intro 00:40 Movie Picks 03:01 Rooster Catchup 04:47 Steve Carell Talk 10:02 DTF Episode Setup 10:55 Money Stress Umpire 14:23 Suburbia And Mantras 19:06 Milk Meltdown 22:37 Wine Weekend Twist 24:24 Masculinity And Insurance 32:53 Floyd and Richard Bond 35:28 Carol and Clark Scheme 38:17 Emmy in the Shadows 41:37 Money Questions Mount 44:57 Roller Rink Breakthrough 49:19 Modern Love Theory 52:48 Floyd Catches Affair 55:09 Misdirection Debate 57:49 Weather Songs Clue 59:51 Trailer and Wrap Up

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. With the new film “Project Hail Mary” coming out on March 20th, we are featuring other movies where the Earth is being threatened. On today's episode, Andy Atherton is reviewing “Seeking A Friend For The End Of The World” from 2012 starring Steve Carell, Keira Knightley, Connie Britton, Adam Brody & Martin Sheen.  

Steve Carell is a writer of pulpy crime novels and a hapless new writing teacher at a small college in the HBO comedy series Rooster. His daughter (Charly Clive) is also a teacher, and she's the subject of campus gossip because her husband just dumped her for a student. The show's got a great cast, including Danielle Deadwyler and John C. McGinley, and one of its creators is Bill Lawrence of Scrubs, Shrinking and Ted Lasso.Subscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhour To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

To help both the podcast and The Alabama Take site itself, consider making a donation of any size with the link here.In this week's episode of the TV and streaming podcast Taking It Down, Blaine welcomes and gives a quick overview of the episode (0:02) before introducing Adam and explaining Donovan's absence (1:31). From there, the two hosts are in non-spoilers and discuss a certain oddity to the series 'DTF St. Louis' found on HBO (1:31). They also discuss 'DTF St. Louis' in comparison to the new Amazon Prime series 'Scarpettta' (5:50). Then it's time to sing some praises for Steve Carell and his return to TV with the HBO series 'Rooster,' but they keep the spoilers away (9:53). After a break, they do a quick check in with 'Shrinking' to begin the spoiler section (21:20) before moving into exactly what makes 'DTF St. Louis' both strange and unique (24:14). After that, they disucss specifics of the 'Rooster' premiere and what about it gives them hope (46:18). To end spoilers, they add some thoughts on Oscar-nominated films (1:00:10) before getting a little more specific about the movie 'Hamnet' (1:01:39). For more, visit The Alabama Take website. To sign up for the site's newsletter rather than rely on social media, sign up here.

Gideon Evans and Kathy Egan-Taylor have spent decades behind the scenes of some of comedy's most ambitious shows—from The Daily Show with Jon Stewart and Michael Moore's TV projects to Da Ali G Show, Brüno, Billy on the Street, and more. On this episode of Inside Late Night, they join Mark Malkoff to share stories from the field, including producing pieces with Stephen Colbert, Rob Corddry, Ed Helms, and Steve Carell, the challenges of landing—and keeping—interview subjects, and the art of making a segment work when plans fall apart. Along the way, they revisit Jon Stewart's early transformation of The Daily Show, encounters with Donald Trump and O.J. Simpson, getting banned from Disney World, and the unpredictable realities of producing comedy on the street. They also discuss their podcast, Bad Elizabeth, which explores the lives of infamous Elizabeths throughout history.

Rich Eisen on the 49ers acquisition of Mike Evans and if he is the missing piece for the 49ers. Rich Eisen and the guys discuss notable former free agents and the contracts they signed.  Longtime friend of the show John C. McGinley joins Rich in-studio where he reveals his character in Steve Carell's new HBO comedy ‘Rooster' is actually based in him, discusses the reboot of the beloved ‘Scrubs' sitcom, shares what it was like to go to actual boot camp in the jungle before filming Oliver Stone's Best Picture Oscar-winning ‘Platoon,' tells how much of the hilarious interviews with The Bobs in ‘Office Space' was improvised, breaks down his New York Giants' NFL Draft options with the 5th overall pick, and more. (timestamp) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nick kicks things off by talking about Oscar Day with Nick Digilio at the Museum of Broadcast Communications happening Sunday, March 15 from noon to 2:30. The event celebrates the Oscars and Nick's book, with Rick Kogan hosting the afternoon. If you want to be there, tickets are available now at museum.tv. Comedian and podcast host Lauren LoGiudice stops by next to talk about the upcoming Misfit Variety Show at The Annoyance Theatre. After that, TV critic Dan Fienberg from The Hollywood Reporter checks in for his regular TV rundown. They get into the HBO series “DTF St. Louis,” “Rooster” starring Steve Carell, and the new Guy Ritchie series “Young Sherlock” featuring Colin Firth and Joseph Fiennes. They also talk about the latest SNL episodes and the new season of Top Chef. Esmeralda Leon closes things out with some Oscar chatter, complaints about Daylight Saving Time, and a few more traditions that probably should have disappeared years ago. It's a full show with movies, TV, comedy, and the usual amount of chaos. [Ep 436]

Actor from Ted Lasso and Rooster Phil Dunster joins Adam Schein live in studio to talk about his new show on HBO 'Rooster,' working with Steve Carell, playing the role of Jamie Tartt, the future of Ted Lasso, working as the unofficial Denver Broncos spokesperson, and more. Adam and Bob Stew talk about the possibility of an all L.A. Super Bowl at SoFi next season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

President Trump keeps undermining his administration's own talking points about the combat operations against Iran, Israel's foreign minister threatened “elimination” to anyone selected as Iran's next supreme leader, and the CEO of McDonald's is making food influencer videos.  “Rooster” star Steve Carell stops by to help Stephen Colbert raise some cash for World Central Kitchen by auctioning off one-of-a-kind pieces of television history ahead of the series finale of The Late Show. Learn more about what's up for grabs at colbertlateshow.com/ebay. Beloved comedian and actor Steve Carell recalls his Second City pal Chris Farley as “a force of nature” and says it was impossible to succeed as his understudy, especially in scenes like Farley's signature character Matt Foley who lived “in a van down by the river.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Steve Carell shares details about his new comedy series ‘Rooster,' from the creators of ‘Ted Lasso' and ‘Shrinking.' Also, a closer look at how the hit show ‘Love Story' about John F. Kennedy Jr. and Carolyn Bessette-Kennedy is helping bridge the generation gap between teens and parents. Plus, Shop TODAY contributor Chassie Post shares a few products to get ready for spring, from wardrobe to home. And, chef Mario Carbone makes a vegetable spring risotto. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Agent 99” herself, the funny and charming Barbara Feldon invites Gilbert and Frank to her New York City townhouse to share warm memories of “Get Smart” co-stars Don Adams, Ed Platt and Bernie Kopell and to give the boys her take on the Steve Carell feature film version. Also, Barbara looks back on working with everyone from Dean Martin to Bruce Dern and tells us how she managed to win $64,000 on a quiz show. Also in this episode: Gilbert channels John McGiver, Barbara auditions to be a stripper, and the worst TV movie ever made. PLUS: A live, all-new rendition of the "99" song! Learn more about your ad choices. Visit megaphone.fm/adchoices

From ghostly grandpas revealing hidden treasure to shadow figures stalking children's bedrooms, these true accounts reveal the chilling moments that turned skeptics into believers. | #WDRadio FEBRUARY 08, 2026PLEASE SHARE THIS EPISODE in your social media so others who love strange and macabre stories can listen too! https://weirddarkness.com/listenHOUR ONE: It could be everyone's ultimate fear. Not death… but being buried before death. Buried alive. It's not just a trope of horror cinema and novels, it has truly happened on a few occasions – and we'll hear stories from a few people who were buried alive, but survived to tell the tale. (I Was Buried Alive) *** But first… Reddit users share their own personal tales of how they became believers in ghosts and the paranormal. We'll begin with those stories. (How I Came To Believe) ==========HOUR TWO: A Weirdo family member relays a terrifying story of what is described as “El Nahual” in Mexico – a shapeshifter, that her dad barely escaped from! (El Nahual In The Avocado Grove) *** John George Haigh took the plunge into murder when he knocked out his old boss and dumped the body into acid – then set out to kill again. (Acid Bath Murderer) *** Only two percent of the population can hear it. A persistent, maddening sound that science has no explanation for, and the hearers have dubbed it, “The Hum”. (The Hum) *** The Tromp family fled their farm in 2016. There is still no explanation as to why, and one police officer calls it “the most bizarre case” he has ever seen. (The Tromp Family Fleeing) *** In Chatham County, North Carolina there is a 40-foot wide circle in the wilderness where absolutely nothing grows. Not only can scientists not explain it, but some believe Satan himself is responsible. (The Devil's Tramping Ground)==========SUDDEN DEATH OVERTIME: The circumstances of wrestling coach John du Pont's bizarre crimes were portrayed in the critically acclaimed true crime drama film, Foxcatcher. Steve Carell was lauded for his performances as John du Pont, and the film was nominated for five Academy Awards. But how true is the film compared to the actual events? (The Real Story Behind The Movie Foxcatcher)==========SOURCES AND REFERENCES FROM TONIGHT'S SHOW:“How I Came To Believe” by Mick Jacobs: http://bit.ly/2KXUZH9“I Was Buried Alive” by Lisa Waugh: http://bit.ly/2Zf2PEWThe Real Story Behind The Movie Foxcatcher” by MacKenzie Stuart: http://bit.ly/31rvNhv“El Nahual In The Avocado Grove” submitted anonymously to https://WeirdDarkness.com/submit“Acid Bath Murderer” by Steven Casale: http://bit.ly/2ZjRJxx“The Hum” by Garret Harkawik: http://bit.ly/2HiiVCP“The Devil's Tramping Ground” by Zach Seemayer: http://bit.ly/2L0KbGP“The Fleeing of the Tromp Family” by Jacob Shelton: http://bit.ly/30kzFRc==========(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for material I use whenever possible. If I have overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it immediately. Some links may benefit me financially through qualifying purchases.)=========="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46==========WeirdDarkness®, WeirdDarkness© 2026==========To become a Weird Darkness Radio Show affiliate, contact Radio America at affiliates@radioamerica.com, or call 800-807-4703 (press 2 or dial ext 250).

This week we're breaking down Dinner Party! Michael finally outsmarts Jim and Pam forcing them to come over to his condo for dinner. Steve Carell reads this week's summary, and we hear from Melora Hardin, John Krasinski, Rainn Wilson, Ed Helms, Beth Grant and director Paul Feig on what it was like to be a part of this infamous episode. The ladies also discuss the writer's strike, which scene was the hardest to get through without laughing and a gassy car incident. So put that Osso Buco in the oven, turn off your tiny plasma TV and curl up on your bed bench to enjoy the behind-the-scenes magic of this amazingly cringey episode. Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestion  Follow Us on Instagram: OfficeLadiesPod Follow Us on YouTube Follow Us on TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices