Podcasts about Venetian

Tell us about your Adventure!Las Vegas offers more than just casinos and bright lights. For Jody and Rick, a recent trip to the city turned into a memorable adventure filled with music, magic, and a touch of nostalgia. Their experience at the Sphere, combined with a stay at the Venetian, created a perfect blend of entertainment and relaxation. This story highlights how Las Vegas can surprise even seasoned travelers with unique shows and personal moments.

In this episode of Venice Talks, Monica speaks with Sara Cattani, co-founder of Staging Alive, a new Venetian project created to bring fresh, joyful and high-quality live entertainment formats to the city.From musical theatre to live performance, from historical costumes to private productions, Sara's work asks an important question: can Venice still be a place that creates culture, rather than only a place where culture is consumed?Together, we talk about the need for more accessible, inclusive and entertaining cultural experiences in Venice — shows that can speak to residents, visitors and new audiences without losing quality or identity.The conversation also takes us inside Atelier Le Boudoir, the new spin-off connected to the historic costumes of Atelier Pietro Longhi: not a large costume warehouse, but a hidden dressing room near Campo della Bragora, surrounded by artisans and Venetian life.A conversation about theatre, costumes, creativity, courage, and the dream of seeing Venice once again as a port of departure for new ideas.In this episode:How Staging Alive was born and what Sara felt was missing in VeniceWhy musical theatre and joyful entertainment deserve more space in the cityThe divide between “tourist product” and “local product”How to create cultural experiences that can speak to different audiencesThe role of fun, beauty and lightness in contemporary cultureThe story behind Atelier Le BoudoirThe legacy of the historical costumes from Atelier Pietro LonghiWhat it means to build a creative company in Venice todayWhy Venice should not only be a destination, but a place that produces ideasThe dream of bringing Venetian creativity beyond the lagoonFollow Sara and her projects:Staging AliveAtelier Le Boudoir

Send us Fan MailMy guest today is Kerry Chaput, author of The Secret Courtesan, listed in the Visual Arts category on Art In Fiction.Watch on YouTube: https://youtu.be/fkX-QqvmnQgPremise for the novel: how a marble Venetian sculpture, surfacing after 400 years and credited to a male artist, sends Mia, a modern-day arts authenticator looking for the woman she is sure had carved it.Kerry found documented women painters of the Renaissance and Baroque, but no large-scale women sculptors, and decided that gap in the record was the story worth telling.Artemisia's dusty painting: the real-life rediscovery of an Artemisia Gentileschi painting in a Hampton Court storage room, proof that misattributed women's art isn't just a plot device.Veronica Franco and the real courtesans: how the film Dangerous Beauty and its real-life subject, Renaissance Venice's premier courtesan, inspired the character of Sofia, and why courtesans had more freedom, education, and political access than "respectable" women of the era.Pitched as The Da Vinci Code with a feminist twist: the puzzles and cliffhangers built into Mia's modern timeline, and why Kerry had to finish writing Sofia's 1609 story before she could solve Mia's.Zero outline, one nice bow: Kerry's pantser process from first page to last, alternating between timelines and following "wormholes" even when they lead nowhere.The hardest research wasn't the history: why untangling art authentication, auction houses, and international law was tougher than 17th-century Venice, and how friends in the art world helped her build a plausible Sotheby's-style plot.A law against something means someone was doing it: the logic behind laws barring women from studying art and obtaining materials, and what that says about who was quietly doing both anyway.Writing women who already have a voice: why Kerry skipped the "she finds her voice" arc for Sofia, and how a story about a woman claiming power she already has changes the whole shape of the narrative.Reading from The Secret Courtesan: a 2 a.m. library scene between Mia and fellow historian Noah as her theory about the sculptor's true identity finally comes out.What's next: Kerry's ongoing Substack, Badass Women in History, and her continued fascination with the women the historical record left out.Read more from Kerry Chaput on her Substack, Badass Women in History: https://kerrychaput.substack.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists.  Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...

There's more to the Venetian adventurer than his ability to charm the opposite sex. 

This week, on "Naked Lunch," we explore the Soul in the Machine as we bring together two distinguished musical greats who each in their own way made David love The Eighties a lot more -- and who are both out there still turning on synthesizers and audiences here in 2027. They discuss Howard curating his current "Things Can Only Get Better Tour" featuring Wang Chung, English Beat and Modern English, and Jimmy Jam and Terry Lewis' acclaimed "Nothing But Hits" Las Vegas residency at Volaire inside the Venetian. Join us for great stories about Stevie Wonder, George Michael, Ringo Starr and more and some deep musical conversation. For more on Howard's tour and upcoming 2027 album, "Global Citizen," go to http://www.howardjones.com. To get tickets to see Jimmy Jam & Terry Lewis' Vegas residency, click here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fluent Fiction - Italian: Venetian Canvases: An Architect's Quest for Passion Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-24-07-38-19-it Story Transcript:It: Luca osservava le maestose colonne di Piazza San Marco mentre le nuvole scure si addensavano sopra la sua testa.En: Luca observed the majestic columns of Piazza San Marco as dark clouds gathered above his head.It: Era un giovane architetto con la passione per il design e una mente sempre alla ricerca di nuove ispirazioni.En: He was a young architect with a passion for design and a mind always searching for new inspirations.It: Veniva a Venezia per trovare quella scintilla di creatività che spesso gli sfuggiva.En: He came to Venice to find that spark of creativity that often eluded him.It: Mentre la pioggia iniziava a cadere con forza, Luca si rifugiò velocemente sotto la tettoia di un piccolo caffè.En: As the rain began to fall heavily, Luca quickly took shelter under the canopy of a small café.It: Qui, trovò Giulia, un'artista veneziana il cui spirito avventuroso lo colpì immediatamente.En: There, he found Giulia, a Venetian artist whose adventurous spirit immediately struck him.It: Con un sorriso caloroso, lei si fece spazio, permettendo a Luca di ripararsi dall'acquazzone.En: With a warm smile, she made room, allowing Luca to shelter from the downpour.It: "Ciao, sei qui per il brutto tempo o per la buona compagnia?"En: "Hi, are you here for the bad weather or the good company?"It: scherzò Giulia.En: Giulia joked.It: Luca rise, sentendo un calore inaspettato nel cuore.En: Luca laughed, feeling an unexpected warmth in his heart.It: "Forse un po' di entrambe le cose," rispose, cercando di ignorare il caos che la pioggia portava con sé.En: "Maybe a bit of both," he replied, trying to ignore the chaos the rain brought with it.It: In pochi istanti, si ritrovarono a parlare di arte, architettura e dei piccoli piaceri della vita.En: In just a few moments, they found themselves talking about art, architecture, and the small pleasures of life.It: Giulia raccontava delle sue creazioni, ispirate dalle visioni magiche che Venezia le regalava ogni giorno.En: Giulia talked about her creations, inspired by the magical visions that Venice gifted her every day.It: Luca era affascinato, desideroso di conoscere di più su di lei e su ciò che la ispirava.En: Luca was fascinated, eager to learn more about her and what inspired her.It: Con il passare dei giorni, Luca e Giulia si incontrarono più volte, passeggiando lungo i canali e scoprendo angoli nascosti della città.En: As the days passed, Luca and Giulia met several times, walking along the canals and discovering hidden corners of the city.It: Matteo, l'amico pratico di Luca che non era in città, gli aveva sempre consigliato di non perdere di vista i suoi obiettivi professionali, ma Luca iniziò a chiedersi se non valesse la pena esplorare anche quelli personali.En: Matteo, Luca's practical friend who wasn't in the city, had always advised him not to lose sight of his professional goals, but Luca began to wonder if it wasn't worth exploring personal ones as well.It: Ciononostante, una conversazione malintesa creò tensione tra loro.En: Nevertheless, a misunderstood conversation created tension between them.It: Giulia iniziò a dubitare delle intenzioni di Luca.En: Giulia began to doubt Luca's intentions.It: Pensava che, come molti altri visitatori, se ne sarebbe andato presto, lasciandola con solo un altro ricordo e un cuore malinconico.En: She thought that, like many other visitors, he would soon leave, leaving her with just another memory and a melancholy heart.It: Determinato a dimostrare la sua sincerità, Luca lavorò con dedizione su un progetto speciale.En: Determined to prove his sincerity, Luca worked with dedication on a special project.It: Decise di rimanere a Venezia oltre il previsto, dedicando le sue giornate a catturare l'essenza di Giulia e di ciò che avevano condiviso.En: He decided to stay in Venice longer than planned, dedicating his days to capturing the essence of Giulia and what they had shared.It: Creò un piccolo modello, unendo elementi del suo design architettonico con dettagli dei dipinti di Giulia.En: He created a small model, combining elements of his architectural design with details from Giulia's paintings.It: Quando finalmente glielo presentò sotto la stessa tettoia del caffè dove tutto era iniziato, Giulia fu toccata da quel gesto personale.En: When he finally presented it to her under the same café canopy where it all began, Giulia was touched by that personal gesture.It: Il modellino non solo rifletteva la loro esperienza condivisa, ma parlava anche di un futuro che potevano immaginare insieme.En: The model not only reflected their shared experience but also spoke of a future they could imagine together.It: Con questo, Luca e Giulia si trovarono di nuovo sotto la pioggia estiva, ma questa volta senza alcun bisogno di cercare riparo.En: With this, Luca and Giulia found themselves once again under the summer rain, but this time with no need to seek shelter.It: Avevano trovato un nuovo equilibrio tra passione e realtà, accettando che le relazioni e le ispirazioni spesso si intrecciano in modi inaspettati.En: They had found a new balance between passion and reality, accepting that relationships and inspirations often intertwine in unexpected ways.It: Venezia, con la sua bellezza eterna e le sue infinite possibilità, aveva offerto a entrambi una nuova prospettiva.En: Venice, with its eternal beauty and infinite possibilities, had offered them both a new perspective.It: Luca imparò a vedere le connessioni personali come una fonte di ispirazione, e Giulia fu pronta a prendere rischi che il cuore suggeriva.En: Luca learned to see personal connections as a source of inspiration, and Giulia was ready to take risks that the heart suggested.It: E così, con un l'architettura e l'arte intrecciati, iniziarono un nuovo capitolo insieme, in una città che, nonostante la pioggia, brillava di storie luminose come la loro.En: And so, with architecture and art intertwined, they began a new chapter together, in a city that, despite the rain, shone with stories as bright as theirs. Vocabulary Words:the architect: l'architettothe canopy: la tettoiathe artist: l'artistathe columns: le colonneto gather: addensarsithe rainstorm: l'acquazzonethe chaos: il caosthe spark: la scintillathe vision: la visionethe shelter: il rifugioto strike someone: colpire qualcunothe conversation: la conversazionethe tension: la tensionethe essence: l'essenzathe gesture: il gestounexpected: inaspettatothe melancholy: la malinconiathe dedication: la dedizionemisunderstood: malintesoto intertwine: intrecciarethe possibility: la possibilitàthe future: il futurothe inspiration: l'ispirazionethe connection: la connessioneto capture: catturareto doubt: dubitarethe practical friend: l'amico praticothe pleasure: il piacerethe risk: il rischiothe chapter: il capitolo

In this week's episode of The Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes lutenist Thomas Dunford and viola da gamba player, singer and composer Lucine Musaelian to the studio to share two of their personal favourite recordings. Thomas Dunford can only be described as prolific in the recording studio, whether it's with Les Arts Florissants or his own Jupiter ensemble, and Lucine Musaelian is a member of the Bellot Ensemble and Intesa duo, her debut album with the Bellot Ensemble, 'Cupid's Ground Bass', was described by William Yeoman in Gramophone as: 'an intimate theatre where all the colour and splendour of the Venetian opera is played out in microcosm.'See omnystudio.com/listener for privacy information.

Send us Fan MailCelebrity Chef Emeril Lagasse expands his Las Vegas footprint off the Strip with the grand opening of his newest restaurant, Meril, at the M Resort Spa & Casino! We talk to Emeril as he is welcomed to the resort and share what makes this new spot a must-visit for breakfast, lunch, and dinner.Plus, a lucky visitor from Hawaii turns a $1 side bet into a massive $446,083 progressive jackpot at the Fremont Hotel & Casino—we'll reveal how and where it happened!Then, we hop aboard an iconic Venetian gondola ride through the canals of The Venetian to check out the classic Las Vegas staple, and bring you the latest NFR (National Finals Rodeo) concert announcements featuring country superstars Dierks Bentley and Rascal Flatts.Also, Ed Sheeran performs in Las Vegas, but before that he attended the Backstreet Boys at Sphere!#VegasRevealed #EmerilLagasse #LasVegas #VegasJackpot #NFR2026Save money on your vacations! Get a complimentary 30-day guest pass from PCK Travel and Vegas Revealed HERE. You'll gain access to exclusive travel savings on hotels, flights, cruises, and more. No credit card OR presentation required. Start saving with PCK Travel. Lighting Up Your Destination! VegasNearMe AppIf it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

In this episode of Venice Talks, Monica speaks with Sara and Virginia, the two friends behind Due Fie Venexiane, a digital project sharing Venice through the voices, flavours and everyday experiences of two Venetian women.What began as a spontaneous collaboration between friends has grown into a lively online community, with videos, recommendations and downloadable guides helping visitors discover where Venetians really eat and how the city is experienced beyond its most famous landmarks.Sara and Virginia talk about the friendship at the heart of the project, the different personalities they bring to their content and what it means to present their own city to a large online audience.The conversation moves beyond food to explore Venetian identity, authenticity and the responsibility that comes with recommending small restaurants, bacari and local businesses in a city as delicate and intensely visited as Venice.They also discuss how they select the places they feature, how they balance commercial collaborations with honest recommendations and why they decided to create detailed digital guides dedicated to bacari and seafood restaurants.In this episode, we talk about:The meaning behind the name Due Fie VenexianeHow Sara and Virginia's friendship became a shared digital projectTheir first videos and the growth of their online communityHow they divide the work and combine their different personalitiesWhat makes a restaurant or bacaro feel authentically VenetianHow they choose the businesses and experiences they recommendThe importance of remaining honest when working with local brandsShowing a side of Venice that goes beyond postcard imagesCreating downloadable guides to bacari and seafood restaurantsThe responsibility of influencing where visitors spend their time and moneyTheir hopes for the future of Venice and Due Fie VenexianeThis is a conversation about food, friendship and the power of telling a city's story from the inside—with humour, affection and a deeply Venetian point of view.Listen to the episode and discover Venice through the eyes of two women who live it, love it and are determined to share it with honesty.Follow Due Fie Venexiane on social media to discover their latest recommendations, videos and guides.And remember to follow and subscribe to Venice Talks so you never miss a new conversation with the people who make Venice the extraordinary, complex and endlessly fascinating city it is.

13 Then were little children presented to him, that he should impose hands upon them and pray. And the disciples rebuked them.Tunc oblati sunt ei parvuli, ut manus eis imponeret, et oraret. Discipuli autem increpabant eos. 14 But Jesus said to them: Suffer the little children, and forbid them not to come to me: for the kingdom of heaven is for such.Jesus vero ait eis : Sinite parvulos, et nolite eos prohibere ad me venire : talium est enim regnum caelorum. 15 And when he had imposed hands upon them, he departed from thence.Et cum imposuisset eis manus, abiit inde. 16 And behold one came and said to him: Good master, what good shall I do that I may have life everlasting?Et ecce unus accedens, ait illi : Magister bone, quid boni faciam ut habeam vitam aeternam? 17 Who said to him: Why asketh thou me concerning good? One is good, God. But if thou wilt enter into life, keep the commandments.Qui dixit ei : Quid me interrogas de bono? Unus est bonus, Deus. Si autem vis ad vitam ingredi, serva mandata. 18 He said to him: Which? And Jesus said: Thou shalt do no murder, Thou shalt not commit adultery, Thou shalt not steal, Thou shalt not bear false witness.Dicit illi : Quae? Jesus autem dixit : Non homicidium facies; non adulterabis; non facies furtum; non falsum testimonium dices; 19 Honour thy father and thy mother: and, Thou shalt love thy neighbour as thyself.honora patrem tuum, et matrem tuam, et diliges proximum tuum sicut teipsum. 20 The young man saith to him: All these I have kept from my youth, what is yet wanting to me?Dicit illi adolescens : Omnia haec custodivi a juventute mea : quid adhuc mihi deest? 21 Jesus saith to him: If thou wilt be perfect, go sell what thou hast, and give to the poor, and thou shalt have treasure in heaven: and come follow me.Ait illi Jesus : Si vis perfectus esse, vade, vende quae habes, et da pauperibus, et habebis thesaurum in caelo : et veni, sequere me.St Jerome, of the noble Venetian family of Emiliani, left everything and became the Father of orphans and of the poor. He founded the Order of Somascha for the education of children. He died a victim of the plague A.D. 1537.1. Jesus is inviting the young man to think more deeply.The young man calls Him:“Good Master”but he may be using “good” simply as a polite title. Jesus' question:“Why dost thou call me good?”is meant to make him stop and ask:“Do I really understand who this Teacher is?”Jesus is not saying, “I am not good.” He is saying, in effect:“If you call Me good in the fullest sense, then recognize what you are saying—because only God is good.”2. Jesus is affirming the source of all goodness.The statement:“There is one good, God”is completely true. All goodness comes from God because God is goodness itself.As the Son, Jesus is not a separate god competing with the Father. He shares the same divine nature:The Father is God, the Son is God and the Holy Ghost is God. Three persons in one God.3. Jesus often reveals His identity gradually.In the Gospels, Jesus does not always immediately say, “I am God.” He reveals Himself through His words and actions:He forgives sins (Matthew 9:2–6).He accepts worship (Matthew 14:33).He says, “Before Abraham was, I AM” (John 8:58).He says, “I and the Father are one” (John 10:30).4. There is also a beautiful connection to the commandments.Jesus responds by saying:“If thou wilt enter into life, keep the commandments.”The young man says he has done these. Then Jesus gives the final challenge:“If thou wilt be perfect, go sell what thou hast, and give to the poor, and thou shalt have treasure in heaven: and come follow me.”The ultimate command is not merely to follow rules—it is to follow Christ Himself.So the irony of the passage is profound:The young man asks:“What good thing must I do?”But the answer is not a thing. The answer is a Person.He is standing before the One who is Goodness itself, but he does not yet recognize Him.

Full Text of Readings Saturday of the Fifteenth Week in Ordinary Time Lectionary: 394 The Saint of the day is Saint Camillus de Lellis Saint Camillus de Lellis' Story Humanly speaking, Camillus was not a likely candidate for sainthood. His mother died when he was a child, his father neglected him, and he grew up with an excessive love for gambling. At 17, he was afflicted with a disease of his leg that remained with him for life. In Rome he entered the San Giacomo Hospital for Incurables as both patient and servant, but was dismissed for quarrelsomeness after nine months. He served in the Venetian army for three years. Then, in the winter of 1574, when he was 24, Camillus de Lellis gambled away everything he had—savings, weapons, literally down to his shirt. He accepted work at the Capuchin friary at Manfredonia, and was one day so moved by a sermon of the superior that he began a conversion that changed his life. He entered the Capuchin novitiate, but was dismissed because of the apparently incurable sore on his leg. After another stint of service at San Giacomo, he came back to the Capuchins, only to be dismissed again, for the same reason. Again, back at San Giacomo, his dedication was rewarded by his being made superintendent. Camillus de Lellis devoted the rest of his life to the care of the sick. Along with Saint John of God he has been named patron of hospitals, nurses, and the sick. With the advice of his friend Saint Philip Neri, he studied for the priesthood and was ordained at the age of 34. Contrary to the advice of his friend, Camillus left San Giacomo and founded a congregation of his own. As superior, he devoted much of his own time to the care of the sick. Charity was his first concern, but the physical aspects of the hospital also received his diligent attention. Camillus insisted on cleanliness and the technical competence of those who served the sick. The members of his community bound themselves to serve prisoners and persons infected by the plague as well as those dying in private homes. Some of his men were with troops fighting in Hungary and Croatia in 1595, forming the first recorded military field ambulance. In Naples, he and his men went onto the galleys that had plague and were not allowed to land. He discovered that there were people being buried alive, and ordered his brothers to continue the prayers for the dying 15 minutes after apparent death. Camillus de Lellis himself suffered the disease of his leg through his life. In his last illness, he left his own bed to see if other patients in the hospital needed help. Reflection Saints are created by God. Parents must indeed nurture the faith in their children; husbands and wives must cooperate to deepen their baptismal grace; friends must support each other. But all human effort is only the dispensing of divine power. We must all try as if everything depended on us. But only the power of God can fulfill the plan of God—to make us like himself.Saint of the Day, Copyright Franciscan Media

Fluent Fiction - Italian: Secrets of Venezia: A Gondolier's Tale Unveiled Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-17-07-38-19-it Story Transcript:It: L'acqua del canale scintillava sotto il cielo rosa estivo di Venezia.En: The canal water shimmered under the pink summer sky of Venezia.It: Le gondole fluttuavano dolcemente, cullate dalle onde leggere.En: The gondolas floated gently, cradled by the light waves.It: Solo il rumore lontano delle chiacchiere dei turisti rompeva il silenzio della sera.En: Only the distant chatter of tourists broke the evening silence.It: Luca spingeva la sua gondola lungo il canale, i pensieri oscuri intrecciati al tramonto.En: Luca pushed his gondola along the canal, dark thoughts intertwined with the sunset.It: Aveva un segreto da proteggere.En: He had a secret to protect.It: Giulia, con il bloc-notes in mano, scrutava l'acqua dal ponte.En: Giulia, with a notepad in hand, was scrutinizing the water from the bridge.It: Cercava risposte.En: She was searching for answers.It: Il suo istinto di giornalista le diceva che Luca nascondeva qualcosa di importante.En: Her journalist instinct told her that Luca was hiding something important.It: Se avesse scoperto il segreto, la sua carriera avrebbe preso il volo.En: If she discovered the secret, her career would take off.It: Ma a quale costo?En: But at what cost?It: La luce del giorno svaniva lentamente mentre Luca avvicinava la gondola al ponte.En: The daylight was fading slowly as Luca brought the gondola closer to the bridge.It: Giulia, determinata, scese con grazia su di essa.En: Giulia, determined, gracefully stepped onto it.It: L'atmosfera era carica di tensione, solo il suono dello sciabordio dell'acqua l'accompagnava.En: The atmosphere was filled with tension, accompanied only by the sound of water lapping.It: "Luca," disse, guardandolo negli occhi, "ho bisogno di sapere.En: "Luca," she said, looking him in the eyes, "I need to know.It: La verità, per favore."En: The truth, please."It: Luca inspirò profondamente, il suo cuore pesante di esitazione.En: Luca took a deep breath, his heart heavy with hesitation.It: Doveva proteggere la sua famiglia, ma non poteva ignorare la realtà della situazione.En: He had to protect his family, but he could not ignore the reality of the situation.It: Sapeva che Giulia, come una forza della natura, non si sarebbe arresa.En: He knew that Giulia, like a force of nature, would not give up.It: "Ascoltami bene, Giulia," iniziò lentamente, "non tutto è come sembra."En: "Listen carefully, Giulia," he began slowly, "not everything is as it seems."It: La gondola avanzava placida sotto le luci sbiadite dei lampioni.En: The gondola glided calmly under the faded lights of the street lamps.It: Luca raccontò una storia, non tutta la verità, ma una verità che poteva sostenere.En: Luca told a story, not the whole truth, but a truth he could uphold.It: Parlo di tradizioni e imposizioni del passato, di responsabilità taciute.En: He spoke of traditions and past impositions, of unspoken responsibilities.It: Le parole erano vere, ma non pericolose.En: The words were true, but not dangerous.It: Giulia guardava Luca attentamente, valutando ogni parola.En: Giulia watched Luca intently, evaluating every word.It: Certo, non era tutto, ma c'era qualcosa di autentico in ciò che diceva.En: Surely, it wasn't everything, but there was something genuine in what he was saying.It: Abbassò il bloc-notes con un leggero sorriso.En: She lowered the notepad with a slight smile.It: "Grazie, Luca.En: "Thank you, Luca.It: Scriverò una storia diversa.En: I'll write a different story.It: Una storia che pensi a chi siamo davvero."En: A story that considers who we really are."It: Il vento serale portava via i resti del tramonto, mentre la gondola tornava al porto.En: The evening wind carried away the remnants of the sunset as the gondola returned to the port.It: Luca sentì un peso sollevarsi.En: Luca felt a weight lift.It: Aveva dato a Giulia abbastanza, senza compromettere il nome della sua famiglia.En: He had given Giulia enough without compromising his family's name.It: E Giulia, lei aveva scoperto una nuova prospettiva: la storia non era fatta solo di scandali, ma anche di persone reali con vite complesse.En: And Giulia, she discovered a new perspective: a story wasn't just made of scandals, but of real people with complex lives.It: In quel crepuscolo veneziano, entrambi capirono il valore della verità e della compassione.En: In that Venetian twilight, they both understood the value of truth and compassion.It: La città, silenziosa spettatrice, accoglieva il loro nuovo inizio.En: The city, a silent spectator, embraced their new beginning. Vocabulary Words:the canal: il canalethe sunset: il tramontothe secret: il segretoto shimmer: scintillareto float: fluttuarethe silence: il silenzioto protect: proteggerethe notepad: il bloc-notesto scrutinize: scrutarethe instinct: l'istintoto hide: nascondereto take off (career): prendere il volothe cost: il costoslowly: lentamentegracefully: con graziathe atmosphere: l'atmosferathe tension: la tensionethe truth: la veritàthe hesitation: l'esitazioneto ignore: ignorarethe situation: la situazioneplacidly: placidathe street lamps: i lampionithe tradition: la tradizionethe responsibility: la responsabilitàauthentic: autenticothe scandal: lo scandaloto compromise: comprometterethe perspective: la prospettivathe compassion: la compassione

It's burglary on the Orient Express! Our journey across The Top 50(ish) Episodes of Lupin III: Part II (according to the hosts and listeners of Sideburns & Cigarettes) continues! Join Drew, Emma, Chris, Natalie, and Guillaume as they discuss the horsepower, horseplay, and horse(!!) of Part II, Episode 8: “Venetian Super Express” (or “Disorient Express”). "Why Are Movies So Obsessed With Trains?" by Patrick (H) Willems: https://www.youtube.com/watch?v=rjcx295mI2c "The Infinite Possibilities of Train Action Scenes | Blue Flame Special" by Patrick (H) Willems: https://www.youtube.com/watch?v=aSqDs6xpi7Y Keep up with the latest Lupin news, reviews, and exciting editorials only at www.lupincentral.com/ Follow us on SoundCloud: https://soundcloud.com/lupinpod Apple Podcasts: https://podcasts.apple.com/us/podcast/sideburns-cigarettes-a-lupin-iii-podcast/id1478541296 Spotify: open.spotify.com/show/1BP4ku5resMwg6CkjHcmMB Find our various social media accounts in one place at lupinpod.carrd.co/ You can also follow us on Ko-fi at ko-fi.com/lupinpod Donations are not required or expected, but appreciated. All funds to go our SoundCloud hosting and, if possible, recording equipment.

Nevada Gov. Joe Lombardo got pulled over by Metro, and the body cam footage just went public. A Las Vegas woman is accused of running a marriage scam, targeting men online, convincing them to fly to Vegas and marry her, then filing for divorce and demanding a financial settlement to fund her gambling habit.The Venetian is the latest Strip casino hit with a multimillion-dollar fine tied to convicted bookmaker Mathew Bowyer, bringing total penalties to $34 million across four casinos. And Flavor Flav's SHE Weekend parade hits the Strip Thursday to give Olympic women athletes the celebration they deserve. Criminal defense attorney Dayvid Figler and NPR's Mountain West Bureau reporter Yvette Fernandez join host Jesse Merrick to break it all down. Learn more about the sponsors of this Thursday, July 16th episode: Foundation for Women's Leadership & Empowerment Want to get in touch? Follow us @CityCastVegas on Instagram, or email us at lasvegas@citycast.fm. You can also call or text us at 702-514-0719. For more Las Vegas news, make sure to sign up for our morning newsletter. Learn more about becoming a City Cast Las Vegas Neighbor at membership.citycast.fm. Looking to advertise on City Cast Las Vegas? Check out our options for podcast and newsletter ads at citycast.fm/advertise.

Fluent Fiction - Italian: Harmony Under the Venetian Sun: A Tale of Dreams and Music Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-16-22-34-02-it Story Transcript:It: Il sole splendente di Venezia scaldava Campo Santa Margherita, un luogo pieno di vita e colori.En: The bright sun of Venezia warmed Campo Santa Margherita, a place full of life and colors.It: Tra i venditori di gelato e i mercanti di souvenir, si poteva ascoltare la dolce melodia di un'armonica suonata con passione da Luca.En: Among the ice cream vendors and souvenir merchants, you could hear the sweet melody of a harmonica played passionately by Luca.It: Era un giovane musicista, il cui sogno più grande era incidere un demo e diventare un professionista.En: He was a young musician whose biggest dream was to record a demo and become a professional.It: Luca suonava ogni giorno per la varia gente che passava, sperando di raccogliere abbastanza denaro.En: Luca played every day for the various people passing by, hoping to gather enough money.It: Ma oggi era diverso.En: But today was different.It: Le strade erano colme di turisti e locali per il festival estivo.En: The streets were filled with tourists and locals for the summer festival.It: Tra la folla, spiccava Giulia, una ragazza di Firenze in vacanza.En: Among the crowd, stood out Giulia, a girl from Firenze on vacation.It: Il suo sorriso e l'aria curiosa risplendevano sotto il sole veneziano.En: Her smile and curious demeanor shone under the Venetian sun.It: Mentre passava davanti a Luca, le note della sua musica la catturarono.En: As she passed in front of Luca, the notes of his music captivated her.It: Si fermò, ascoltando attentamente.En: She stopped, listening intently.It: Subito, i loro occhi si incrociarono e nacque una complicità spontanea.En: Immediately, their eyes met, and a spontaneous connection was born.It: Alessandro, il migliore amico di Luca, osservava la scena dal suo piccolo chiosco di gelato, incoraggiando con un gesto.En: Alessandro, Luca's best friend, watched the scene from his little ice cream kiosk, encouraging with a gesture.It: Tuttavia, Luca non era l'unico musicista nella piazza.En: However, Luca was not the only musician in the square.It: Un altro artista si esibiva accanto, cercando di attirare l'attenzione della folla.En: Another artist was performing nearby, trying to catch the crowd's attention.It: La competizione era intensa e Luca si sentiva scoraggiato.En: The competition was intense, and Luca felt discouraged.It: Ma ecco l'idea!En: But then came the idea!It: Luca, conoscendo il talento di Giulia nel canto, la invitò a cantare insieme a lui.En: Knowing Giulia's talent in singing, Luca invited her to sing with him.It: Giulia era timida, ma intrigata dalla proposta.En: Giulia was shy but intrigued by the proposal.It: Si misero d'accordo.En: They agreed.It: Le note dell'armonica di Luca e la voce di Giulia si fusero in un'armonia sorprendente.En: The notes of Luca's harmonica and Giulia's voice merged into a surprising harmony.It: La folla era incantata, il suono della musica riempì l'aria estiva.En: The crowd was enchanted, the sound of the music filled the summer air.It: Alessandro, dal suo chiosco, li osservava con orgoglio.En: Alessandro, from his kiosk, watched them with pride.It: All'improvviso, tra il pubblico, si trovava un talent scout.En: Suddenly, in the audience, there was a talent scout.It: Notò la passione e il talento dei due giovani e si avvicinò.En: He noticed the passion and talent of the two young people and approached.It: "Siete veramente bravi," disse con entusiasmo.En: "You are truly talented," he said enthusiastically.It: "Vorrei invitarvi a un'audizione."En: "I would like to invite you to an audition."It: Luca e Giulia si guardarono sorpresi, poi un sorriso di complicità si spalancò sui loro volti.En: Luca and Giulia looked at each other in surprise, then a complicit smile spread across their faces.It: L'offerta era irresistibile.En: The offer was irresistible.It: Alessandro applaudì, incoraggiandoli a cogliere l'opportunità.En: Alessandro applauded, encouraging them to seize the opportunity.It: La decisione che avevano preso di collaborare, rischiando di più, aveva pagato.En: The decision they had made to collaborate, taking a bigger risk, had paid off.It: Luca imparò a condividere la scena e scoprì che a volte le sinergie potevano portare lontano.En: Luca learned to share the stage and discovered that sometimes synergies could take you far.It: Giulia guadagnò fiducia, pronta a condividere il suo talento con il mondo.En: Giulia gained confidence, ready to share her talent with the world.It: Insieme, iniziarono un nuovo capitolo della loro vita, pronti a inseguire i loro sogni, con Venezia e le sue meraviglie a fare da sfondo alla loro avventura.En: Together, they began a new chapter of their lives, ready to chase their dreams, with Venezia and its wonders serving as the backdrop to their adventure. Vocabulary Words:the sun: il solethe square: la piazzathe field: il campothe crowd: la follathe dream: il sognothe smile: il sorrisothe life: la vitathe wonder: la meravigliathe scene: la scenathe note: la notathe harmony: l'armoniathe summer air: l'aria estivathe crowd: la follathe music: la musicathe melody: la melodiathe talent: il talentothe opportunity: l'opportunitàthe idea: l'ideathe offer: l'offertathe chapter: il capitolothe adventure: l'avventurathe musician: il musicistathe competition: la competizionethe scout: il talent scoutthe audition: l'audizionethe festival: il festivalthe ice cream vendor: il venditore di gelatothe artist: l'artistathe harmony: l'armoniathe kiosk: il chiosco

 After years of civil war, betrayal, and imprisonment, Emperor John V and his loyal son Manuel find themselves trapped in a collapsing empire while the ambitious Andronicus IV sits upon the throne of Constantinople. As Genoese and Venetian merchants wage war across the Mediterranean and Ottoman influence tightens its grip on the Balkans, Manuel emerges as the last great champion of Byzantine independence. From the dungeons of the Blachernae Palace to the walls of Thessalonica, he launches a desperate resistance against Sultan Murad and dreams of restoring Roman dignity and freedom. Yet as cities fall, allies disappear, and the Ottoman war machine advances relentlessly, Manuel is forced to confront an uncomfortable reality: survival may require submission to the very power he has spent years fighting. In this episode, we follow the dramatic struggle of the empire's "good son" as he rises in rebellion, wages a doomed war for Thessalonica, and ultimately finds himself standing before the court of Sultan Murad, where the future of Byzantium hangs in the balance. The History of Modern Greece Podcast covers the events from Ancient Greece, the Roman Empire, and the fall of Constantinople in 1453, to the years under the Ottoman Empire, and 1821 when the Greeks fought for independence... all the way to the modern-day.EMAIL US: historyofmoderngreece@gmail.comWebsite: www.moderngreecepodcast.comSOCIAL MEDIA: Go here to chat with us. https://www.instagram.com/historyofmodern%20greece/https://www.facebook.com/profile.php?id=61578023316172Music by Mark Jungerman: www.marcjungermann.com

Fluent Fiction - Italian: Under the Venetian Sun: A Tale of Teamwork and Survival Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-14-22-34-02-it Story Transcript:It: Sotto il sole estivo, la laguna veneziana brilla come un quadro perfetto.En: Under the summer sun, the Venetian lagoon shines like a perfect painting.It: Lorenzo, Valentina e Giovanni erano a bordo di una piccola barca, pronti per un'importante giornata di lavoro.En: Lorenzo, Valentina, and Giovanni were aboard a small boat, ready for an important day of work.It: Era Ferragosto, ma per loro il lavoro non si fermava.En: It was Ferragosto, but for them, work didn't stop.It: Lorenzo, con occhi brillanti, osservava l'acqua intorno, pensava solo al progetto di conservazione.En: Lorenzo, with bright eyes, watched the water around, thinking only of the conservation project.It: Valentina, curiosa e determinata, collezionava campioni d'acqua, sognando una grande scoperta scientifica.En: Valentina, curious and determined, collected water samples, dreaming of a great scientific discovery.It: Giovanni, con il sorriso di chi conosce ogni segreto della laguna, guidava la barca con destrezza.En: Giovanni, with the smile of someone who knows every secret of the lagoon, skillfully guided the boat.It: Ma il cielo, all'improvviso, divenne scuro.En: But the sky suddenly turned dark.It: Una fredda brezza iniziava a sferzare le onde.En: A cold breeze began to lash the waves.It: Il bel tempo di Venezia spariva, sostituito da un vento freddo e inaspettato.En: The beautiful weather of Venezia vanished, replaced by a cold and unexpected wind.It: Lorenzo, nonostante tutto, si rifiutava di fermarsi.En: Lorenzo, despite everything, refused to stop.It: "Dobbiamo continuare", insisteva, combattendo contro il tempo e le onde che si alzavano.En: "We must continue," he insisted, fighting against the time and the rising waves.It: Giovanni lanciava uno sguardo preoccupato verso Valentina.En: Giovanni cast a worried glance at Valentina.It: "Il tempo sta cambiando troppo in fretta.En: "The weather is changing too quickly.It: Potrebbe essere pericoloso", avvertì.En: It could be dangerous," he warned.It: Ma Lorenzo non volle sentire ragioni.En: But Lorenzo wouldn't listen to reason.It: "La nostra missione è importante", rispose con determinazione.En: "Our mission is important," he replied with determination.It: Ma le onde cominciavano a crescere, alte e minacciose.En: But the waves began to grow, high and threatening.It: Improvvisamente, una forte ondata colpì la barca.En: Suddenly, a strong wave hit the boat.It: Tutti e tre finirono in acqua, fredda come un iceberg.En: All three ended up in the water, cold as an iceberg.It: Il cuore di Lorenzo batteva freneticamente; si rese conto del pericolo reale.En: Lorenzo's heart raced frantically; he realized the real danger.It: L'acqua era gelida.En: The water was icy.It: Sentirono il freddo penetrante sul corpo.En: They felt the penetrating cold on their bodies.It: L'ipotesia era una minaccia immediata.En: Hypothermia was an immediate threat.It: Giovanni, nonostante la paura, mantenne la calma.En: Giovanni, despite the fear, remained calm.It: Si ricordò di un piccolo porto riparato non lontano.En: He remembered a small sheltered port not far away.It: "Seguitemi!En: "Follow me!"It: ", gridò mentre nuotava, guidando gli altri due verso la salvezza.En: he shouted while swimming, leading the other two to safety.It: Raggiunsero finalmente una piccola insenatura.En: They finally reached a small inlet.It: Lì, con mani tremanti, riuscirono a costruire un rifugio semplice con i pochi materiali trovati.En: There, with trembling hands, they managed to build a simple shelter with the few materials they found.It: Accesero un fuoco che li riscaldò rapidamente.En: They lit a fire that quickly warmed them.It: Seduti accanto al fuoco, Lorenzo capì la lezione.En: Sitting by the fire, Lorenzo learned the lesson.It: Guardando Valentina e Giovanni, sentì un nuovo senso di gratitudine e collaborazione.En: Looking at Valentina and Giovanni, he felt a new sense of gratitude and collaboration.It: "Non possiamo fare tutto da soli", ammise.En: "We can't do everything alone," he admitted.It: "Dobbiamo lavorare insieme, con cautela."En: "We must work together, with caution."It: La tempesta passò, riportando il sole d'estate.En: The storm passed, bringing back the summer sun.It: Ora il trio, più unito che mai, sapeva che per proteggere la laguna non serviva solo passione, ma anche prudenza e lavoro di squadra.En: Now the trio, more united than ever, knew that to protect the lagoon, they needed not only passion but also prudence and teamwork.It: E con questa consapevolezza, erano pronti a continuare la loro missione, insieme, con cuore e mente aperti.En: And with this awareness, they were ready to continue their mission, together, with open hearts and minds. Vocabulary Words:the lagoon: la lagunaaboard: a bordoconservation: la conservazionethe samples: i campionithe sheltered port: il porto riparatothe inlet: l'insenaturathe storm: la tempestato shine: brillaredetermined: determinataskillful: con destrezzathe breeze: la brezzathreatening: minaccioseto hit: colpireicy: gelidathe iceberg: l'icebergto lash: sferzarehypothermia: l'ipotesiathe wave: l'ondafrantically: freneticamentethe shelter: il rifugiothe lesson: la lezioneto vanish: sparirethe secret: il segretograteful: gratoto insist: insisterethe caution: la cautelathe gratitude: la gratitudinedetermination: la determinazioneto guide: guidareprudence: la prudenza

In the 984th episode of the PokerNews Podcast, which is sponsored by FanDuel Poker, Chad Holloway is joined by Kyna England, Esther "Etay" Taylor, and Caitlin Comeskey at Level 9 Studio in Las Vegas for a special women in poker episode! They talk about Skye Chen defeating Aubrey Williams to win the record-breaking WSOP Ladies Event, open bracelet wins for Kristen Foxen and Michelle Chin, and other women's events from about town at Wynn, Venetian, and more. Plus, Etay becomes an ambassador for BetMGM Poker, and Phil Hellmuth is donating $25,000 to juice a prize pool at Champions Club's upcoming Queens & Cards event. A new PokerNews Podcast drops four times a week during July and the 2026 WSOP! You can expect a new episode every Tuesday, Thursday, Saturday, and Sunday at 8a PT / 11a ET / 4p UK time. Remember to subscribe to our YouTube channel so you do not miss an episode! Time Stamps *Time    Topic* 00:00 | Welcome to the show 00:20 | Kyna, Etay & Caitlin join the show 01:00 | Caitlin is having a good summer 04:15 | WSOP Ladies Event 14:25 | Looking back at Kristen Foxen's 6th bracelet 17:05 | Michelle Chin wins open mixed event 20:40 | Amanda Baker victorious at Wynn 23:27 | Women winners at Venetian 24:25 | JJ Liu in Venetian Poker Live 26:11 | Shoutout Nancy Birnbaum 28:00 | Etay becomes BetMGM Ambassador 30:10 | PokerNews returning to Borgata 30:45 | WPT & Sherry Pluskota 31:42 | Queens and Cards w/ Phil Hellmuth

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There are many ways to legitimize a city, but your first thought might not be to steal a holy relic. The Most Serene Republic of Venice, or La Serenissima in the Venetian language, did just that in its formative years and it fast became the symbol of the city itself. How and why did they do it? Was it indeed God's will? And how has this holy relic shaped its identity? Find out in this week's enthralling episode!

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. 

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In this episode of Venice Talks, Monica Cesarato welcomes back the story of Women for Freedom, an organisation dedicated to supporting women, girls and children living in situations of poverty, violence, exploitation and fragility.After the first conversation in 2023, this new episode takes the story forward with Sara Memo, part of Women for Freedom, to understand what has changed, what has grown, and what still needs to be done.The conversation begins with the heart of the organisation itself: dignity, protection, freedom, and the concrete projects that help turn compassion into real action. From there, Monica and Sara move into one of the most powerful cultural expressions of this mission: Women for Freedom in Jazz, the Venetian festival founded by Elena Ferrarese, now celebrating 10 years of music, solidarity and women's voices in Venice.This is an episode about listening. Listening to stories that are difficult but necessary. Listening to women whose voices deserve space. Listening to jazz as a language of freedom, resilience and connection.Because in Venice, sometimes freedom does not arrive as a speech. Sometimes, it arrives as a song.Show keynotesWhat Women for Freedom does and who the organisation supportsSara Memo's connection with the mission of Women for FreedomWhat has changed since the 2023 Venice Talks interviewHow to speak about poverty, violence and exploitation while protecting dignityThe difference between charity and true solidarityHow emotion can become concrete actionThe role of culture in raising awarenessWomen for Freedom in Jazz and the vision of its founder, Elena FerrareseWhy jazz is such a powerful language for women, freedom and resilienceThe 10th anniversary of Women for Freedom in Jazz in VeniceVenice as more than a backdrop: a city that listens, hosts and amplifies storiesThe future of Women for Freedom and the next chapter of the festivalIf this conversation moved you, please subscribe to Venice Talks, leave a review, and share the episode with someone who believes that culture can still make a difference.You can follow Venice Talks for more stories about Venice, its people, its voices, its hidden layers, and the projects that keep the city alive in ways visitors do not always see.

You might imagine that if you were born and raised on the island of Murano in Italy, with forefathers and relatives immersed in glass for generations, that one would have a mighty head start in becoming a famous glass artist. But in many ways, these connections make the goal of establishing an original voice as a glassblower a hefty challenge indeed. The artist in question would have big shoes to fill. Davide Salvadore strives for perfection in his work, surpassing the simple notion of glassblowing as a job and entering into the realm of passion, artistry and service to the material. His incarnations reveal his unique perspective on the world, alive with memories of the past, reactions to the present and hope for the future. This original voice attracted the attention of Bill Traver, Traver Gallery, Seattle, who was instrumental in supporting and exhibiting the Italian artist's work. "I have a great deal of respect for the artists of Murano, and for Davide Salvadore's heritage as part of a distinguished lineage of Venetian glassworkers," said Traver. "Davide is a truly amazing individual; he was raised amidst centuries-old traditions, yet is extremely forward thinking in his own work and his ideas about how glass can be used as a sculptural medium. His adaptation of techniques, as well as equipment, to create one-of-a-kind sculptural work unlike anything else made on the island is inspiring. His efforts, throughout the years, to cultivate and promote the appreciation of glass art on Murano and to share his passion for glass with future generations through his teaching are equally inspirational. In my opinion, it is exactly this kind of inventiveness, openness and enthusiasm that will help Murano maintain its position as the heart of the international glass community." Dating back to the 1700s, Salvadore is the 11th generation on his mother's side, credited with creating glass pieces. The first of this lineage were the Rosetto brothers whose works dated to 1721 for a Piedmontese princess. At a young age, Salvadore began following his grandfather, Antonio Mantoan, into the furnaces of Murano, first learning how to build the kilns and later working in the studios of Alfredo Barbini, who is often recognized as the ultimate glassmaker of Murano. Later, he worked as a glassblower in multiple well-known glass studios, learning from each and improving his abilities. In 1978 he began producing lampworked beads in his mother Anna Mantoan's jewelry studio, which she sold to Yves St. Laurent and other couture houses as well as to African merchants. With his mother's encouragement, Salvadore developed his own personal style of making lampworked beads, and these beads are still featured as part of his sculptural pieces today; a tribute to his mother's talent and support. In 1987, he opened his own studio, Campagnol & Salvadore, where he continued doing lampwork and further developed his glassblowing expertise and talent. In 1998, Salvadore made a conscious decision to turn away from traditional functional glass work. At approximately the same time, he began demonstrating his unique murrine technique at Corning Museum of Glass, Pilchuck Glass School, Pratt Fine Art Center, and others in the United States. It was then that he was introduced to the American Studio Glass movement, which Salvadore embraced. As a result of his ingenuity and the inventiveness of his creations, the artist's glass design became instantly noteworthy. In 2012, Salvadore founded his own studio, Salvadore SRL, where he continues to work today with his two sons, Marco and Mattia in Murano. Davide is a founding member of Centro Studio Vetro, a Muranese nonprofit association that aims to promote the culture and art of glass. After demoing at GAS Corning last week, Salvadore taught Mastering Muranese Magic at the Corning Museum of Glass, from June 8 – 14. Currently, Salvadore creates passionately expressive one-of-a-kind sculptures that push the boundaries of centuries-old traditions. He combines traditional Italian techniques and elements in innovative ways in his work, which reflects diverse influences such as African tribal imagery, Muranese roads, and the smokestacks of glasshouses.  

Of the millions of victims of the Black Death, one was a teenager named Joseph ben Meir Abulafia, who died of the plague in Toledo in 1349 alongside his new wife. His tombstone was inscribed as a conversation with the dead: "I am the man who has seen desolation and destruction, blood and pestilence. The days of my youth were cut short suddenly, in the prime of my life." His unnamed mother survived, left alone and childless, her days filled with "bitter weeping." That inscription is one of seventy-six medieval tombstones from Toledo's Jewish cemetery that preserve the most personal voices of history's deadliest pandemic, a catastrophe that killed an estimated 100 million people in six years and whose aftershocks lasted for centuries. Today's guest is Thomas Asbridge, author of The Black Death: A Global History of Humanity's Most Devastating Pandemic. We discuss how a minor Venetian merchant's business papers, preserved by his widow in a convent, reveal that the medieval trade networks which kept cities fed were also purpose-built to spread epidemic disease across thousands of miles. We look at why the Byzantine emperor wrote about his fourteen-year-old son's death with clinical detachment, how a Franciscan intellectual who had questioned whether other worlds existed died carrying holy water through plague-ravaged Messina, and why the only European king killed by the Black Death was besieging Gibraltar with dreams of marching to Jerusalem when the plague found his camp. The pandemic's most devastating long-term consequences were felt not in Europe but in the Muslim world, where the once-invincible Mamluk Empire was broken by recurrent outbreaks and eventually conquered by the Ottomans, and that this forgotten collapse may have been the true hinge point that set the West on its path to global dominance.See omnystudio.com/listener for privacy information.

fWotD Episode 3336: Battle of Trapani Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 23 June 2026, is Battle of Trapani.The Battle of Trapani took place on 23 June 1266 off Trapani, Sicily, between the fleets of the Republic of Genoa and the Republic of Venice, as part of the War of Saint Sabas (1256–1270). During the war, the Venetians held the upper hand in naval confrontations, forcing the Genoese to resort to commerce raiding and avoiding fleet battles. In the 1266 campaign, the Genoese had an advantage in numbers, but this was not known to the Genoese commander, Lanfranco Borbonino. As a result, the Genoese tarried at Corsica until the end of May. The Venetian fleet under Jacopo Dondulo was left to sail back and forth, awaiting the appearance of the Genoese fleet in the waters around southern Italy and Sicily. Fearing that the other side had more ships, both sides reinforced their fleets with additional ships, but the Genoese retained a small numerical advantage.The two fleets met near Trapani in Sicily on 22 June. After learning of the Venetian fleet's smaller size, the Genoese war council resolved to attack, but during the night Borbonino reversed the decision and instead ordered his ships to take up a defensive position, bound together with chains, near the shore. As the Venetian fleet attacked the next day, many of the Genoese crews, mostly hired foreigners, lost heart and abandoned their ships. The battle was a crushing Venetian victory, as they sank or captured the entire Genoese fleet. On their return to Genoa, Borbonino and most of his captains were tried and fined large sums for cowardice. Despite the loss, Genoa continued the war, in which neither side was able to gain a decisive advantage, until it was ended through French mediation in 1270.This recording reflects the Wikipedia text as of 00:00 UTC on Tuesday, 23 June 2026.For the full current version of the article, see Battle of Trapani on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Stephen.

Send us Fan MailSeparation can be a terrifying thing. Al & Siena are searching for second sight and untangling twins in Siena's extra-unnerving birthday special on DON'T LOOK NOW (1973) x DEAD RINGERS (1988)! Hear how the Venetian-set horror movie almost killed Donald Sutherland, learn the unnerving true story of identical twin gynecologists that inspired Cronenberg, and uncover the truth behind that infamous sex scene in this "doubles, doppelgängers, and BDSM" edition of Splice & Splatter. You can scream new episodes every other Monday with full video episodes on Youtube!Hosts: Al LaFleur and Siena Sofia BergtTheme Song: Theodore SchaferSplice & Splatter is a New Mexico x Michigan podcast productionFollow us on social media at linktr.ee/spliceandsplatterpodSupport the show

Thursday of the 11th Week in Ordinary Time Saint of the Day: St. Gregory Barbarigo, 1625-1697; he came from a distinguished Venetian family, embraced a diplomatic career, and then became a priest; he was consecrated as the first bishop of Bergamo; later, he was elevated to the rank of cardinal, and given authority over the diocese of Padua; he guided his flock with pastoral wisdom and deep understanding; St. Gregory Barbarigo worked unceasingly in carrying out the reforms set forth by the Council of Trent; at Padua, he added a library and a printing press Office of Readings and Morning Prayer for 6/18/26 Gospel: Matthew 6:7-15

 John V Palaiologos finally returned to Constantinople after being rescued from Venetian detention by his loyal son Manuel, who raised money in Thessalonica, sold his own possessions, and even offered himself as a hostage when the funds proved insufficient. Meanwhile, John's eldest son Andronikos IV had enjoyed ruling in his father's absence and openly refused to help secure his release, leading John to elevate Manuel as his new heir and co-emperor. As this dynastic crisis unfolded, a far greater threat emerged in the Balkans. Believing Sultan Murad was distracted by war in Anatolia, the Serbian princes Vukašin and Jovan Uglješa assembled a large coalition army and marched toward Adrianople to drive the Ottomans from Europe. Near the Maritsa River in 1371, however, their overconfident force was caught completely off guard when a vastly smaller Ottoman army launched a surprise night attack, setting the Serbian camp ablaze and throwing the army into panic. Thousands were killed, drowned, captured, or scattered, while both Serbian leaders perished in the disaster. The Battle of the Maritsa shattered Serbian power, spread terror throughout the Balkans, and convinced many that the Ottomans were an unstoppable force. When news reached Constantinople, John V realized that if even the strongest army in Eastern Europe could be destroyed so completely, the Byzantine Empire had little hope of surviving. The battle also revealed the strategic dilemma facing Murad: while expanding into Europe, he was constantly forced to defend Anatolia against the Karamanids, a powerful Turkish rival angered by Ottoman expansion and determined to challenge Ottoman dominance of the Turkish world. The History of Modern Greece Podcast covers the events from Ancient Greece, the Roman Empire, and the fall of Constantinople in 1453, to the years under the Ottoman Empire, and 1821 when the Greeks fought for independence... all the way to the modern-day.EMAIL US: historyofmoderngreece@gmail.comWebsite: www.moderngreecepodcast.comSOCIAL MEDIA: Go here to chat with us. https://www.instagram.com/historyofmodern%20greece/https://www.facebook.com/profile.php?id=61578023316172Music by Mark Jungerman: www.marcjungermann.com

Why did the Visigoths demand three thousand pounds of black pepper as the ransom for Rome — and what does that tell us about a climbing vine in Kerala that reshaped the entire history of the western world? How did a country of one million people on the edge of Europe come to control half the pepper reaching the continent, and build the Jerónimos Monastery to celebrate a voyage driven by spice? And what happens to an empire built entirely on a markup when someone finally figures out how to remove the middleman?Join John and Patrick as they tell the story of Portugal and pepper — Vasco da Gama's ninety-three days at sea, the dismantling of the Venetian spice monopoly, and the Torre de Belém, still standing on the Lisbon waterfront, paid for by a vine in India...----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review-----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

Three American-born tour guides who have settled in Europe tell us what it's like to make a new home in a foreign country. Then, a lifelong resident of Italy's Veneto region helps us explore the Venice Lagoon as an ever-changing ecosystem shaped by climate change, local history, and the distinct cultures of its islands. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

We chose to spend our 101st episode celebrating and platforming Sage Hardware! It's not often we get to chat with people who blend diverse genres like metalcore, cybergrind, and vaporwave; and Shortstuf888 pulled someone that made perfect sense to fill the role. We started a few minutes late due to some technical difficulties, but we made sure to make time to cover a series of interesting and important topics, like breakcore, digital hardcore, and what it was like touring with a post-rock-influenced screamo band. Alex regaled us with the story behind BasshouseHTML's mantra "steal from big business", he got to share a geekout moment with Shiro about Justin Pearson's many projects, and Sage also mentioned a pivotal moment getting into producing electronic music thanks to his love of Lil Ugly Mane. During several moments, the trio expressed their love of Angel Marcloid's various projects. Alex mentioned that his father plays bassoon in a quartet that covers video game music; and the squad talked about what he learned about Japanese culture while touring in Japan. We had a lot of fun during our 101st episode, so tap in if you want to hear the skinny on Venetian masks, Maryland, West Virginia, and the subjectivity of art and music! You heard it on "Hot Takes"!   "Hot Takes" is a safe space for all opinions! Join the conversation at https://linktr.ee/hottakesvapor

Save big on Vegas with Las Vegas Advisor — get 10% off a membership with code MTM (new members, affiliate): lasvegasadvisor.com Shawn signs off from his last show on the road as he and Mark run through a packed week of Vegas news. We dig into why Caesars might be the real winner of the MGM and Caesars buyouts thanks to all the Strip land it still owns, whether Caesars' new $199 Ultimate Steakhouse Tour is actually a deal (spoiler: we're not sold), and the casino shakeup that lands The Pass with the free-food crew at Rainbow Club and Emerald Isle. Plus Four Queens turns 60, a beloved Hugo's Cellar sommelier retires after 41 years, Sigma Derby gets its own Fremont Street parade, a 90s themed speakeasy that falls flat, the downtown Low Line park dream, and the big question to close: is Oyo in trouble after falling behind on its taxes? Let us know what you think in the comments. Episode Guide: 0:00 – The Venetian slushy guy 0:32 – Aria's carpet swap & the machine that rips it out 1:32 – Golden Knights tied 2-2 in the Stanley Cup Final 2:13 – The Pass sold to the Rainbow Club & Emerald Isle owners 3:56 – Caesars vs MGM: who really owns the land? 6:33 – Caesars' $199 "Ultimate Steakhouse Tour": deal or not? 8:54 – Four Queens turns 60 (and that jeweled keychain) 9:35 – Hugo's Cellar sommelier John retires after 41 years 11:14 – Sigma Derby gets a Fremont Street parade 13:25 – The "Saved by the 90s" speakeasy at the Venetian 16:21 – The Low Line: downtown's High Line dream 18:24 – Is Oyo in trouble over unpaid taxes? Want more MTM Vegas? Get our exclusive weekly aftershow and join the community.

Open your ears and heart, Ed's second solo album, Blue Morpho, is finally here! We discuss how different it is from his first record, Earth, and all of the most unexpected and beautiful moments. Also, we watched the accompanying short film and talk about Ed's serene walk through a Welsh forest. The newspile has plenty of goodies, including a brief interview with Thom and Stanley about their Venetian art show, a charming speech from an unexpected pop star, and Thom performing a surprising cover with his old buddy, Flea. Happy 25th birthday Amnesiac! We'll never forget about you.

Fluent Fiction - Italian: Blossoming Traditions: Marco's Venetian Floral Vision Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-06-08-07-38-19-it Story Transcript:It: Nel cuore di Venezia, al mercato di Rialto, i banchi cominciavano a prendere vita sotto il cielo azzurro di primavera.En: In the heart of Venezia, at the mercato di Rialto, the stalls began to come alive under the blue spring sky.It: L'aria era pregna di profumi invitanti: pesce fresco, spezie esotiche e il dolce aroma dei fiori sbocciati.En: The air was filled with inviting scents: fresh fish, exotic spices, and the sweet aroma of blossomed flowers.It: Marco, un fioraio ambizioso, si affrettava ad allestire il suo angolo di paradiso floreale tra le vie strette e affollate.En: Marco, an ambitious florist, hurried to set up his corner of floral paradise among the narrow, crowded streets.It: Era poco dopo la Festa della Repubblica, e Marco sapeva che i turisti cercavano souvenir da portare a casa, un pezzetto di Venezia intriso di bellezza.En: It was shortly after the Festa della Repubblica, and Marco knew that tourists were looking for souvenirs to take home, a little piece of Venezia infused with beauty.It: Lui voleva attirare la loro attenzione con qualcosa di speciale, mantenendo però l'arte tradizionale dei fiori italiani.En: He wanted to catch their attention with something special, while still maintaining the traditional art of Italian flowers.It: Un compito non facile con tanti concorrenti attorno.En: Not an easy task with so many competitors around.It: Marco decise di creare un ponte tra vecchio e nuovo.En: Marco decided to create a bridge between the old and the new.It: Combinò i classici gigli e rose italiani con design moderni e colori vivaci.En: He combined classic Italian lilies and roses with modern designs and vibrant colors.It: Composizioni che parlavano lo stesso linguaggio delle gondole eleganti e degli archi antichi di Venezia.En: Compositions that spoke the same language as the elegant gondolas and ancient arches of Venezia.It: Mentre lavorava, il sole faceva brillare la rugiada sui petali come diamanti.En: As he worked, the sun made the dew on the petals sparkle like diamonds.It: Arrivò Giulia, una giovane donna con un occhio attento ai dettagli.En: Giulia, a young woman with a keen eye for details, arrived.It: "Marco, queste nuove composizioni sono bellissime," disse mentre toccava delicatamente un bouquet.En: "Marco, these new compositions are beautiful," she said as she gently touched a bouquet.It: Marco le sorrise.En: Marco smiled at her.It: "Grazie, Giulia.En: "Thank you, Giulia.It: Spero possano attirare più clienti."En: I hope they can attract more customers."It: Alessandro, un amico giornalista, si avvicinò con il suo immancabile taccuino.En: Alessandro, a journalist friend, approached with his ever-present notebook.It: "Hai sentito?En: "Did you hear?It: Un famoso organizzatore di eventi è in città.En: A famous event organizer is in town.It: Potrebbe passare da qui," avvisò Marco con entusiasmo.En: They might stop by here," he informed Marco with excitement.It: Poco dopo, proprio mentre il mercato si riempiva, apparve l'evento clou: un elegante organizzatore di eventi si fermò davanti al banco di Marco.En: Shortly after, just as the market was filling up, the main event appeared: an elegant event organizer stopped in front of Marco's stall.It: Osservò le composizioni con interesse, e poi chiese: "Molto belle, ma sono autentiche?"En: He observed the compositions with interest, and then asked, "Very beautiful, but are they authentic?"It: Marco, nonostante il cuore che batteva forte, sorrideva sicuro.En: Marco, despite his heart beating fast, smiled confidently.It: Conosci ogni fioritura, spiega con passione l'origine di ogni fiore e come la tradizione si intreccia con il presente.En: He knew every bloom, explained with passion the origin of each flower and how tradition intertwines with the present.It: Parlò delle fragranze del sud, dei colori delle colline fiorite e della purezza delle sue creazioni.En: He spoke of the fragrances of the south, the colors of the flowering hills, and the purity of his creations.It: L'organizzatore annuì, affascinato dalla conoscenza di Marco.En: The organizer nodded, fascinated by Marco's knowledge.It: "Prendo queste per il nostro evento," disse infine, lasciando il fioraio con un senso di vittoria.En: "I'll take these for our event," he finally said, leaving the florist with a sense of victory.It: Strada facendo, molti altri visitatori furono catturati dalle composizioni di Marco, ora più fiducioso che mai nel suo approccio creativo.En: Along the way, many other visitors were captured by Marco's compositions, now more confident than ever in his creative approach.It: Aveva dimostrato che la tradizione non era un peso, ma una preziosa base su cui costruire.En: He had demonstrated that tradition was not a burden but a precious foundation on which to build.It: E nel fruscio dei petali al vento, sapeva di aver trovato la sua via, una che univa il passato all'innovazione in un'unica armonia.En: And in the rustle of petals in the wind, he knew he had found his path, one that united the past with innovation in a single harmony.It: Venezia, con i suoi riflessi dorati sull'acqua, abbracciava Marco e le sue creazioni, mentre il mercato viveva di nuova energia.En: Venezia, with its golden reflections on the water, embraced Marco and his creations, as the market thrived with new energy.It: Il sorriso di Marco, ora più largo, brillava tanto quanto il sole sopra la città eterna.En: Marco's smile, now wider, shone as brightly as the sun above the eternal city. Vocabulary Words:the heart: il cuorethe stall: il bancothe scent: il profumothe florist: il fioraioambitious: ambiziosothe corner: l'angolothe paradise: il paradisothe bouquet: il bouquetthe lily: il gigliothe gondola: la gondolasparkling: brillantethe journalist: il giornalistathe notebook: il taccuinothe organizer: l'organizzatoreauthentic: autenticothe bloom: la fioriturathe fragrance: la fragranzathe hill: la collinathe purity: la purezzathe knowledge: la conoscenzathe victory: la vittoriathe approach: l'approcciothe harmony: l'armoniarustle: fruscioto capture: catturarevibrant: vivacethe path: la viagolden: doratocrowded: affollatothe arch: l'arco

Legendary costume designer Colleen Atwood joins Voice of Costume for a fascinating look inside the gothic fashion and visual storytelling of Netflix's Wednesday. She explains how costume design begins with reality, then shifts slightly into the strange, stylized world of Tim Burton—where clothing must feel imaginative while remaining true to the character wearing it. Colleen explores Wednesday Addams' emotional evolution, her growing friendship with Enid Sinclair, and how costumes subtly express isolation, connection, and personal growth. She reveals how Wednesday's deliberately limited black-and-white palette creates opportunities to experiment with silhouette, texture, movement, function, and tonal contrast—especially during action sequences and the spectacular Venetian gala. The conversation also dives into Enid's deepening color palette, Morticia Addams' sculptural wardrobe, red-lined sleeves, Day of the Dead embroidery, and how Catherine Zeta-Jones' dance background helps bring dramatic costumes to life. Colleen discusses her longtime collaboration with Tim Burton, her obsession with fit and construction, and why costumes must look compelling from every camera angle—not merely beautiful from the front. A must-listen for fans of Wednesday, Jenna Ortega, Tim Burton, gothic fashion, the Addams Family, Netflix behind-the-scenes stories, costume design, and cinematic world-building. The "Voice of Costume" is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation with Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

  Welcome back to the  Dr. Mary Travelbest Guide podcast.   The FAQ: While planning a trip to Taiwan and South Korea, someone I was guiding asked, "Is 911 a universal emergency code worldwide?" I looked into this and found a helpful answer. Here's the answer: 911 is not universal. Abroad, the number differs, and sometimes each service has its own. Commonly: 112 in the EU, 112/999 in the UK and Ireland, 000 in Australia, 111 in New Zealand, 110/119 in Japan, and 112/119 in South Korea. For Europe, 112 is the key number to remember. It works everywhere in the EU, is free, and will connect you to emergency services from any phone. In the UK, both 999 and 112 work. A few country-specific examples matter because they can trip up travelers. Australia's main emergency number is 000; the government says 112 can also be connected from mobile phones there, but 000 is the primary number. New Zealand uses 111 for police, fire, and ambulance services, and 105 for police non-emergencies. Japan uses 110 for police and 119 for fire/ambulance. In South Korea, 112 is for police, and 119 for fire/ambulance/medical emergencies. Tourism guidance says you can ask for an interpreter by saying "English please" or "Interpreter please." What else should travelers know beyond the number? Don't assume 911 works overseas. In some places, it may redirect, but don't rely on it. Know the local emergency number before you travel. Always know your location—hotel, street, intersection, train station, or landmark—for fast communication with emergency operators. When calling, clearly state which service you need: police, ambulance, or fire. Save your embassy or consulate number, but call local emergency services first. If you are in the EU, official guidance notes that 112 is free and available on public and mobile phones. One more thing to consider in my response to the question is that emergency numbers are for urgent danger only. Some countries also have non-emergency numbers. For example, New Zealand uses 105 for non-emergency police matters, while the UK uses 101. Knowing that helps you avoid tying up emergency lines. In summary, solo travelers should memorize 112 for Europe, and always look up the emergency number for each country before traveling. This ensures you are prepared for emergencies wherever you go.   60-second confidence challenge Your challenge today, Confidence Challenge, is to be ready for an emergency: A few smart habits help a lot. Before each trip, put the following items in your phone notes and in your bag: local emergency number, hotel address, embassy/consulate contact, travel insurance emergency line, and one family contact. If your phone is locked, add your emergency contacts and any major medical facts to the lock screen or Medical ID. And know the emergency code in that country. If you like today's Confidence Challenge, my book series delves into safety and security, while moving through the 5 steps to solo travel, from easy to more challenging, with foreign language communication tips. You can find the series at the link in the description.    See Book A for addressing this concern.  Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. I will be doing pre-orders soon for Book C in the series, so please look out for that.  Today's destination is Naxos, Greece.  The Greek island of Naxos is one of those places that quietly steals your heart. https://www.visitgreece.gr/islands/cyclades/naxos/ If you're a woman over 50 thinking about taking a slightly more adventurous step in your solo travel journey, this is your place. Not too crowded, not too complicated, but just enough unknown to stretch you in the best way. Let's start with the journey. I took the Blue Star ferry from Athens around noon, passing through Paros on the way. Round-trip from Athens port was about $85 with a Eurail discount of 30% The ferry ride is part of the experience. It's calm. It's scenic. It gives you time to sit, read, think,  or do nothing at all. And for many of us, doing nothing is the hardest and most valuable skill to relearn. The hotel where I stayed was called the Galina, a short 300-meter walk from the water and beach. It was run by two brothers whose parents founded it over 40 years ago. The room was delightful, and the location was excellent. The breakfast I had the morning before leaving was perfect, featuring all the delicious Greek foods I wanted to try, and I ate my fill. It was included in the room price, which was about $85 US, and it was definitely worth it because I completely relaxed and enjoyed my stay.   During my time on Naxos, I went swimming twice and enjoyed walking around the island. I loved getting lost while exploring the shops selling a variety of merchandise like T-shirts and knick-knacks. it was a treat! I didn't buy anything, but just looking around made me feel great. I also had a nice dinner at a restaurant called Taverna, which cost $21. I ordered shrimp served on a plate with rice and salad, along with skewers of meat (souvlaki). Naxos is not a rush through destination. I swam twice at St. George Beach. I  wandered the old town and got completely lost in the castle area, the Venetian Astro district. And here's something worth questioning: When was the last time you allowed yourself to get lost on purpose? No Google Maps. No urgency. Just curiosity. Because that's where confidence grows, not in perfect plans, but in small uncertainties. I'll talk more about getting lost in my mistakes later on. "On an island, it's usually easy to find your way back" was one of my thoughts while exploring. One of my favorite moments was hiking up St. George Hill, past an abandoned restaurant, to catch the sunset. The place was run down, with graffiti and weeds that made it look cluttered. But the views were magnificent. No crowds. No ticket. Just a view that reminded me why I travel. And then there's the Portara, the Temple of Apollo. Just a 10–15 minute walk from town, sitting dramatically at the edge of the sea. It's iconic—but still peaceful if you time it right.  https://explore-naxosisland.com/places/baco https://www.xwhos.com/record_labels/1/naxos.html One day, something unexpected: a conversation at the beach with an Aussie man who was on the construction project for a bar on the seafront called Baco Seaside, 4.4 stars. You never know who you may run into at the beach. For details, James was 32, bald, and a good storyteller. He has no idea I travel the world and write about it for women like you. We watched each other's belongings when we wanted to go swimming. Never leave your items on the beach unattended. .https://explore-naxosisland.com/places/baco Travel introduces you to people you were never supposed to meet, and yet somehow you do. If I had more time, and you should plan for it, I would visit: More beaches beyond St. George and The museums in the Venetian castle. Here is more of the history you will learn while in the area. Naxos is a Greek island in the South Aegean, the largest of the Cyclades (sic la deeze), spelled Cyclades, a group of islands. Its fertile landscape spans mountain villages, ancient ruins, and long stretches of beach. The namesake capital (also called Hora or Chora) is a port town filled with whitewashed, cube-shaped houses and medieval Venetian mansions. Kastro, a hilltop castle dating to the 13th century, houses an archaeological museum. https://www.xwhos.com/record_labels/1/naxos.html Let's talk about Greek, yes, the language. I tried. I really did for fifteen days on Duolingo. However, I still struggled.And here's the truth: you don't need to be fluent. But you do need to be willing to try—and to feel a little uncomfortable. That's part of Step 5 travel. Greek is harder to learn than I thought. I've been using Greek Duolingo for the past 15 days, but it hasn't helped me as much as I hoped. It has been an experience nonetheless; I've learned a few Greek letters, but I still struggle to pronounce any words. Here are three I practiced.   Gia sas Yah sahs is hello Parakalo is "pah rah kah Lott" is pleased Efharisto is ef hah ree stoh is thank you Don't underestimate Naxos. Give it at least 2–3 nights. Because when a place makes you feel relaxed that quickly, that's rare. If you're building your confidence as a solo traveler in Greece as a Step 5 newbie, Start with a place like Naxos. Easy ferry access Walkable town Safe, welcoming vibe Plenty to do—but no pressure to do it all Are you traveling to check off places on a list… or actually to feel something? Here is why many travelers end up loving Naxos: It gives you sand, swimming, and a real town. It has more of a lived-in, less staged feeling than some headline islands. You can combine beach time, sunset views, old alleys, and inland villages without needing a huge travel plan. Or expense. It works well for people who want Greece to feel pleasant and manageable. When Naxos is not the best pick: Pick Crete if you want the deepest mix of archaeology, cities, dramatic nature, and a longer, road-trip-style island trip. Pick Sardinia if your main goal is exceptional Italian beaches and a larger standalone Mediterranean holiday. Pick Santorini if the caldera views are the whole point. Pick Mykonos if nightlife and scene matter a lot.  Naxos is often the better island for people who actually want to relax and feel Greece, not just check off the most famous name. My missteps: Getting lost in Athens   The hostel manager pointed outside. "Don't go that way when you leave," and I did not ask for details, assuming it was a bad area with a high crime rate. I did get lost a few times nearby, though, finding my way back. I may have walked that way by accident. Here's my detailed story: I found the metro station from the airport, which served the modern, faster blue line. I changed lines at Monastiraki and arrived at Omonia Square, but I got a bit lost. The neighborhood was quite confusing and not very safe, with only small markets around. I felt scared at times. One night after returning from Naxos, it was 9:15 PM and dark when I finally reached the hostel, safe and ready for another day.  AI was used to select some of the suggestions for this episode.   Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest on YouTube In the news  

In the summer of 1983, a stylish Venetian man named Silvano stepped onto a cruise ship and felt his shirt suddenly soak with sweat for no reason. That single moment marked the beginning of a nightmare that would steal his sleep forever. For over 250 years, one Italian family had been haunted by a mysterious curse: a disease that slowly, relentlessly destroys the brain's ability to sleep. Victims lie awake for months in a living hell of hallucinations and exhaustion, fully conscious as their bodies burn out and die. What began as a whispered “family disease” in 18th-century Venice was finally named Fatal Familial Insomnia — a prion disorder caused by nothing more than a single misfolded protein that turns the brain's sleep switchboard into a graveyard of crumpled origami cranes. This is the haunting true story of a genetic curse that science still cannot stop, and the quiet courage of the families who choose to live in the shadow of knowing — or not knowing — their fate.   Sources: Max, D.T. The Family That Couldn't Sleep: A Medical Mystery. Random House, 2006. (The definitive book on the Venetian family's 250-year saga and Silvano's story.) Prion Alliance. “About Prion Alliance & Our Mission.” prionalliance.org. (Nonprofit founded by FFI patient-scientists Sonia Vallabh and Eric Minikel.) CJD Foundation. “Fatal Familial Insomnia (FFI).” cjdfoundation.org/fatal-familial-insomnia-ffi. (Leading U.S. patient-support organization for all prion diseases.) Khan, Z. and Bollu, P.C. “Fatal Familial Insomnia.” In: StatPearls [Internet]. Treasure Island (FL): StatPearls Publishing, 2024. (Most current peer-reviewed medical overview of FFI.) National Organization for Rare Disorders (NORD). “Fatal Familial Insomnia.” rarediseases.org/rare-diseases/fatal-familial-insomnia. (Clear, family-friendly summary of symptoms, genetics, and history.) Mastrianni, J.A. “Genetic Prion Disease.” In: GeneReviews® [Internet]. Seattle (WA): University of Washington, Seattle, 2021. (Gold-standard genetic reference for the PRNP mutation and prion mechanism.)   Join The Dark Oak Discussion: Patreon The Dark Oak Podcast Website Facebook Instagram Twitter TikTok Youtube This episode of The Dark Oak was created, researched, written, recorded, hosted, edited, published, and marketed by Cynthia and Stefanie of Just Us Gals Productions with artwork by Justyse Himes and Music by Ryan Creep

Jimmy went to Vegas for No Doubt at the Sphere, then up to a family cabin in Truckee. The Sphere gets a full breakdown — the way the seats actually rumble, why the general admission floor might be the worst seat in the house, how the venue works as both a concert and a movie at the same time, and the weight-based checkout technology that somehow knew exactly what he grabbed off the shelf. After the show, he wandered through the Venetian into a piano bar and ordered what he describes as the worst Sazerac he’s ever had in his life. From there, Frontier Airlines to Reno, parents pick them up, a cabin at Tahoe Donner, a high ropes course, a run-in with Jason Green at a Truckee street market, Jackbox games, and a bear box — not an actual bear. Tyler took the F-350, Fiona on the trailer, the secretary, and Reed down to Rubicon Springs. The pre-trip wasn’t smooth: Fiona’s AC recharged Thursday, leaked back out by Friday morning, and the roof rack bolts were missing entirely — cue a hardware store bolt-matching tangent that goes deep into Torx bits versus hex heads and why that matters for plastic covers. But the trip itself was exactly what Jimmy needed. Dirty Dozen camp. No cell service. Fiona ran the whole trail without any real drama. What made this episode are the trail encounters. At Tahoma staging, Tyler ran into a Jeep crew that had accidentally over-pressurized and broken their mechanical gauge, which turns into a full explanation of why digital gauges exist and why analog gauge accuracy degrades at the edges of the scale — MorrFlate context makes this land. Then on trail, a Canadian couple stranded since Wednesday with a broken Dana 35, a sheared steering box, and a winch that pulled off the bumper — all in one trip — and this was the wife’s first time ever offroading. Tyler explains the TFS spare parts program at Rubicon Springs (donate your old upgraded parts so they can bail out people exactly like this couple), and it’s one of the better trail culture segments they’ve done in a while. Also on the weekend: Justin Wicks ripping the entire Rubicon on a dirt bike faster than Tyler predicted, Greg Bakken rolling through solo in his two-door JC, Horton showing up to camp, Chris Neely floating down the river with Emma on what was allegedly their first date, a listener named Max welding a diff drain plug using Tyler’s Karnage suitcase welder, and an Australian MorrFlate owner who told his buddies they needed to get one — not knowing he was talking to the actual owner. We have a massive discount this month with Rusoh Fire Extinguishers. You can get 25% off this month only with the discount code Rusohcrawlers. Go grab yours today! SnailTrail4x4 Discord: https://discord.gg/yFyFFkQbuyCome hang out with us on the SnailTrail4x4 Discord — it’s the easiest way to connect with Tyler and Jimmy directly, chat with fellow offroad enthusiasts, and get first access to Group Buys and Treasure Hunt token drops. MORRFlate Giveaway at 900 Reviews on Apple Podcast. But our next giveaway is when we reach 800 reviews; we are giving away an OnX Elite Membership. We will also give away an OnX Elite membership when we get to 850. However, when we reach 900 Reviews, we are teaming up with MORRFlate for a $1000 MF Product Giveaway. Go over to Apple Podcasts to leave your review now and become eligible to win. Congratulations to A13XMONT, who won a set of tires from Yokohama Tire! Call us and leave us a VOICEMAIL!!! We want to hear from you even more!!! You can call and say whatever you like! Ask a question, leave feedback, correct some information about welding, say how much you hate your Jeep, and wish you had a Toyota! We will air them all, live, on the podcast! +01-916-345-4744. If you have any negative feedback, you can call our negative feedback hotline, 408-800-5169. 4Wheel Underground has all the suspension parts you need to take your off-road rig from leaf springs to a performance suspension system. We just ordered our kits for Kermit and Samantha and are looking forward to getting them. The ordering process was quite simple, and after answering the questionnaire, we ensured we got the correct and best-fitting kits for our vehicles. If you want to level up your suspension game, check out 4Wheel Underground. SnailTrail4x4 Podcast is brought to you by all of our peeps over at irate4x4! Make sure to stop by and see all of the great perks you get for supporting SnailTrail4x4! Discount Codes, Monthly Give-Always, Gift Boxes, the SnailTrail4x4 Community, and the ST4x4 Treasure Hunt! Thank you to all of those who support us! We couldn’t do it without you guys (and gals!)! SnailSquad Monthly Giveaway Massive thanks to this month’s giveaway with Rusoh Fire Extinguishers. We have one of their 2.5-pound extinguishers to give away to a lucky winner. This extinguisher has an 18-year shelf life and is the best fire extinguisher for any off-road vehicle. To learn more, check out Rusoh.com. If you want a chance to win, sign up for the Giveaway Tier on Irate4x4 For the Month of April, we are giving away Gift Boxes. It’s Gift Box month, and two lucky individuals will win one of our gift boxes. These are jam-packed with goodies from tools to whiskey smokers. They are always different and always random. If you want a chance to win, sign up for the Giveaway Tier on Irate4x4 Listener Discount Codes: SnailTrail4x4 –SnailTrail15 for 15% off SnailTrail4x4 MerchMORRFlate – snailtraill4x4 to get 10% off MORRFlate Multi Tire Inflation Deflation™ Kits4WheelUnderground – snailtrail 10% offIronman 4×4 – snailtrail20 to get 20% off all Ironman 4×4 branded equipment!Sidetracked Offroad – snailtrail4x4 (lowercase) to get 15% off lights and recovery gearSpartan Rope – snailtrail4x4 to get 10% off sitewideShock Surplus – SNAILTRAIL4x4 to get $25 off any order!Mob Armor – SNAILTRAIL4X4 for 15% offSummerShine Supply – ST4x4 for 10% offBackpacker’s Pantry – Affiliate LinkLaminx Protective Films – Use the Link to get 20% off all products (Affiliate Link) Show Music: Midroll Music – ComaStudio Outroll Music – Meizong Kumbang

Emmet Kennedy and former jockey Georgia Cox take a deep dive into the biggest races from the past few days, analysing the key performances and future implications for Epsom and Royal Ascot.

In today's episode of Weekly Dose of BS, Trey and Stephanie continue discussing their remodels. Should Trey become a male hooker to pay for Venetian plaster? Plus, who paid $1 million for clothes?If you enjoyed this episode, leave a review and make sure you download this episode!If you want to connect with Stephanie and Trey directly, message them at: www.instagram.com/stephhollmanwww.instagram.com/trey_stewartwww.instagram.com/bsthepodcastFOLLOW US ON TIKTOK:www.tiktok.com/@weeklydoseofbsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailSummer is sizzling early in Las Vegas! Electric Daisy Carnival (EDC) just rolled through town, and we've got the wrap-up on the music, the massive crowds, and that wild parade.Then, we dive into the ultimate Las Vegas burger and sandwich boom. The brand new Redhead Burger opened at the Grand Canal Shoppes, and SoCal favorite "The Hat" is here with its world-famous pastrami. Plus, we hit up Downtown Las Vegas to talk about the viral Wagyu concept NADC Burger (Not A Damn Chance). We sat down one-on-one with pro-skateboarder and co-founder Neen Williams.Looking for a cool escape just off the Strip? We take you inside the brand-new Infinity Museum—an incredible, immersive photo museum that features the world's largest kaleidoscope installation and mind-bending projection art.Finally, we track down a stunning new 3D billboard on the Strip you absolutely have to see to believe, and wrap things up with a star-studded celebrity watch—from pool dayclubs to Sir Elton John performing for the Raiders Foundation gala.Links & Resources Mentioned in This Episode:Infinity Museum: Plan your visit at infinitymuseum.com ($40 Adults / $30 Kids)NADC Burger: Check them out on 6th & Carson in Downtown Las Vegas.Redhead Burger: Located inside the Grand Canal Shoppes at The Venetian.The Hat: Located on S. Rainbow, just north of the 215.VegasNearMe App If it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. It's FREE! VegasNearMe AppIf it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

“It was a cold January afternoon when I first came to the ghetto. I got there much later than I'd hoped. I'd spent much of the day elsewhere and had just lost track of time. It was already beginning to get dark. The campo seemed deserted. Shutters were closed, and apart from the tinkling of water in the wells, there was hardly a sound. There were no streetlights, barely even the glimmer of a lamp. But in the branches of the trees, thousands of tiny lights were shining.”That is the opening paragraph of my guest Alexander Lee's new book, The First Ghetto: Venice and the Origins of Modern Antisemitism, in which he traces both the history of the Venetian ghetto and, through it, the history of modern antisemitism. In our conversation we discuss the origins of the word “ghetto,” the peculiar politics of the Venetian Republic, Jewish moneylending and commerce, the arrival of Iberian Jews fleeing persecution, the vibrancy of ghetto culture during its “golden age,” and how following the collapse of the Republic how segregation and antisemitism mutated into the twentieth century.Alexander Lee is a historian of Renaissance Italy and the author of numerous books, including Machiavelli: His Life and Times. He is also a columnist for History Today.

Ryan Labbe owns and operates numerous restaurants in bars in Vegas including Rosina Cocktail Lounge at Venetian, voted one of the "best bars in Las Vegas" by Condé Nast Traveler. Glenn, Craig and Doctor Producer Suzanne ruin it all during tonight's weekend kickoff Happy Hour. How this

INTRO (00:24): Kathleen opens the show drinking a Peace, Love & Hoppiness West Coast Pale Ale from Big Dog's Brewing Company in Las Vegas. She reviews her weekend in Vegas, playing golf and gambling at The Venetian with her friend Ron White and seeing No Doubt live at the Sphere with HollyBobby.    TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   TASTING MENU (1:28): Kathleen samples Hearst Ranch Beef Jerky, Hadley Fruit Orchards Hot Cheese Puffs, and Lay's Limited Edition Argentinian-Style Steak Chimichurri Chips.    QUEEN NEWS (12:12): Kathleen shares that Taylor Swift is helping Artists make millions in the Spotify stock sale, Post Malone cancels a few more shows, and Dolly Parton's Dollywood is dethroned from its top spot by Tripadvisor.    HOLLYWOOD HAPPENINGS (24:44): HollyBobby provides the latest news in Hollywood.   SPANISH PHRASE OF THE WEEK (1:37:14): The Spanish phrase to learn this week is “dónde está el baño” or “where is the bathroom” in English.    UPDATES (36:53): Kathleen shares updates on advanced bookings for World Cup hotels, and Delta Airlines is eliminating free snacks on flights under 350 miles.   SPORTS NEWS (52:26): Kathleen reports on the Royal & Ancient Golf Club of St. Andrews making a notable first, and foreign soccer fans appear to be ditching the 2026 World Cup.   HOLY SHIT THEY FOUND IT (45:52): Kathleen reads about the swamp-dwelling “fishing cats” with webbed feet recently spotted on a trail cam in Southeast Asia.    FRONT PAGE PUB NEWS (59:34): Kathleen shares articles on American's best City Park in 2026, Walmart Target & Costco are eliminating self-checkout lanes, a study proves that Big Data Centers are becoming an increasingly high drain on national energy, Stanley Tools ceases operations after 180 years, Ted Turner dies at age 87, Spanish nuns help save rare giant rabbit population, Utah fights hyperscale data center plans, and a federal investigation has been opened regarding missing scientists.    SAINT OF THE WEEK (1:34:22): Kathleen reads about Saint Kateri Tekakwitha, patron saint of the environment, ecology, and Canada.    FEEL GOOD STORY (1:35:44): Kathleen shares a story about the “7-Eleven Baby.”   

A child's simple, matter-of-fact description hints at a connection to the other side. From there, the Campfire takes a darker turn with a chilling retelling of a childhood encounter that raises an unsettling question: what if monsters aren't just stories? Along the way, this episode also explores an old funeral tradition not observed with possibly eerie consequences, a surreal travel experience that feels like stepping into the wrong reality, a shadowy presence tied to a dorm room, and a strange scenario in a Venetian apartment . It all adds up to a Campfire packed with high strangeness, where the ordinary world keeps slipping just enough to make you wonder what's really out there. VIRTUAL CAMPFIRE GROUPJoin our FREE online community at ⁠https://virtualcampfiregroup.com⁠YOUTUBE CHANNELBe sure to subscribe to Jim's YouTube channel at: ⁠https://youtube.com/jimharold⁠ JOIN JIM'S SPOOKY STUDIO PLUS CLUBYou can get access to Jim's entire back catalog of Campfire and a TON of exclusive content with the Spooky Studio Plus Club. Go to https://⁠jimharold.com/plus⁠ and signup to support the show and get access to our MASSIVE library of content!MERCHGo to ⁠https://jimharold.com/merch⁠ to get your Jim Harold T's, sweatshirts, mugs, hats and more! BOOKSGet all SIX of Jim's Campfire books here: https://jimharold.com/campfirebooks/ Learn more about your ad choices. Visit megaphone.fm/adchoices