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Get a $230 gift card after your first payment of $500 with Melio (affiliate) - https://milestomemories.com/go/melio/ It has been a heavy week. We lost Dolly Parton and Tim Curry on the same day, and we take a minute for two legends with real Vegas ties before getting into the news. And there is a lot of it: glass fell off Fontainebleau again and the local coverage is strangely thin, the Venetian reportedly kicked out Vegas Matt ten months ago and handled it about as badly as possible, and the Bob Stupak statue from the Strat somehow ended up on eBay for $90,000. Plus Carin Leon is taking over Fontainebleau for Mexican Independence Day, Boondock gives the best tour yet of the Mansion at MGM Grand, Vegas has new Michelin stars nobody on this show can pronounce, the Vegas Loop is now approved for 123 stations, July's gaming numbers are in, and a new locals casino called Silverado is headed for the planning commission. We close with Caesars Olympus, the new invite only top tier, and why Caesars abandoning its mid-tier players is the real story. Would you chase this status? Let us know in the comments. Episode Guide: 0:00 Melting Street Signs 0:20 Remembering Dolly Parton & Tim Curry 1:46 Glass Falls Off Fontainebleau Again 3:11 Carin Leon Takes Over Fontainebleau 4:14 The Bob Stupak Statue Is on eBay 6:04 Venetian Kicked Out Vegas Matt 8:57 Inside the Mansion at MGM Grand 10:23 Vegas' New Michelin Stars 11:48 Vegas Loop Approved for 123 Stations 13:12 July Gaming Numbers 14:14 Silverado: A New Casino Near South Point 16:00 Caesars Olympus, the Invite-Only Top Tier 20:30 Final Thoughts Want more MTM Vegas? Get our exclusive weekly aftershow and join the community.
n this episode of Venice Talks, Monica speaks with drinks writer, podcaster and author Susan L. Schwartz about her new book, A Guide to Drinking in Venice.Venice is a city where drinking is never just about what is in the glass. It is about ritual, place, history and the people behind the bar. Susan takes us through the research and stories behind the book, from traditional bacari and Venetian drinking habits to cocktails, wine, coffee and the changing bar scene of the city.We also talk about what surprised her while researching the book, how Venice's drinking culture differs from what visitors often expect and why understanding where and how Venetians drink can reveal so much about the city itself.Key Notes from This EpisodeHow the idea for A Guide to Drinking in Venice beganWhat inspired Susan to dedicate an entire book to Venice's drinking cultureThe research behind the book and the people she met along the wayWhy Venice is about much more than just SpritzBacari, wine bars, cocktail bars and the different ways of drinking in the cityThe role of tradition in Venetian drinking cultureHow Venice's bar and cocktail scene has evolved in recent yearsWhat visitors often misunderstand about drinking in VeniceSome of Susan's favourite discoveries while researching the bookHow a drink can become a way of understanding the history and identity of a placeIf you love Venice, food, wine, cocktails and the stories hidden behind everyday Venetian rituals, this is an episode to listen to with a glass in hand.Remember to follow and subscribe to Venice Talks so you never miss a new conversation with the people who make Venice the extraordinary, complex and endlessly fascinating city it is.
English, please is a podcast designed to help improve your English by listening to clear, intermediate English about many different topics like history, culture, art, music, travel, and language.Episode 74: Las Vegas: A City That Doesn't Feel Like the United StatesToday's episode takes you to one of the strangest cities in the country: Las Vegas, built from scratch in the middle of the desert. You'll learn why the city is full of fake landmarks like the Eiffel Tower and Venetian canals, pick up real English expressions about risk and luck like take a risk, the odds, and hit the jackpot, and hear what life is actually like for the people who live there once the lights go off.Want to keep practicing after you listen? Subscribe to the free English, please newsletter at comullen.com/free. You'll get English practice tips and activities with every new episode, plus three FREE resources delivered straight to your inbox: a free sample lesson from the English Listening Accelerator, 60 Phrases Native English Speakers Use Every Day, and 25 Idioms Native English Speakers Use Every Day.Want more structured practice? Try a free sample lesson from the English Listening Accelerator at comullen.com/listen. I'm on YouTube! I share short, practical English content on my channel!Episode transcriptPodcast website Get the English Listening Accelerator!Hosted on Ausha. See ausha.co/privacy-policy for more information.
Clayton Fletcher (@claytoncomic) reviews a hand from a one-day turbo played at The Venetian Las Vegas back in June.----Try out Jaka Coaching for seven days FREE: https://jaka.poker/TPEhttps://jaka.poker/TPE----Register for GTO Wizard and save 10% off your first purchase using this link: gtowizard.com/p/tpe----Check out Clayton's YouTube channel and see all episodes with full visuals!----Get tickets to see Clayton perform stand-up!!! www.claytonfletcher.com----Join the Tournament Poker Edge discord channel:https://t.co/JHEUIHrCrJ----Sign up to receive Clayton's poker email updates absolutely free: https://claytonpoker.substack.com/
No throne on Earth came close to rivalling it. The court of Kublai Khan stood at the centre of an empire that threw every other power of its age into shadow. Vast and wealthy beyond comprehension, it seemed a world away from medieval Europe. Yet one young Venetian made the staggering 4-year journey, and wrote down everything that he saw. His name was Marco Polo.Today, Dan draws on Marco's extraordinary diary to take you on a journey across deserts, mountains and oceans, to glimpse the splendour and spectacle of this medieval superpower.Produced by James Hickmann and edited by Natasha Hughes.We need your help! Let us know what you want from Dan Snow's History Hit by filling in our anonymous survey here: https://forms.gle/PvgayWLkWGjYT4St6Dan Snow's History Hit is now available on YouTube! Check it out at: https://www.youtube.com/@DSHHPodcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.You can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.
In the 1,002nd episode of the PokerNews Podcast, which is sponsored by WPT Global, host Chad Holloway and Mike Holtz are coming to you from a new location -- the Venetian Poker Live studio in Las Vegas! That's because they're doing a special episode devoted to all things Venetian, including a thorough recap of the Venetian Summer Deepstack Championship Series. Find out all about the numbers, including entries, prize pools, and overlays, and some of the bigger winners, both in terms of name recognition and six-figure scores. That includes Bruno Furth, Andrew Ostapchenko, and Jim Collopy. Oh, and Tony Miles also won a title. Did you know the former WSOP Main Event runner-up was on reality TV? Indeed, he was a competitor on American Ninja Warrior, and he even had a big prop bet against Shaun Deeb. Chad and Mike talk a bit about it, as well as some of the summer cash games on Venetian Poker Live. One big three-way hand involved Michael Mizrachi, Chino Rheem, and Isaac, while another sprang out of Joe's Game. See clips of both in this episode. Finally, Chad and Mike look back at Episode #1,000 and share some of their favorite moments from the special event. A new PokerNews Podcast drops every Thursday at 8a PT / 11a ET / 4p UK time. Remember to subscribe to our YouTube channel so you do not miss an episode! Time Stamps *Time Topic* 00:00 | Welcome to the show 00:34 | Coming to you from the Venetian 01:00 | Venetian Summer Deepstack Championship 01:50 | Summer Numbers 03:10 | Multiple title winners 05:00 | Six-Figure Winners 10:35 | Bruno Furth claims PLO title 11:14 | Overlord hats 11:42 | The Tale of Tony Miles 14:58 | A win for Jim Collopy 15:24 | MSPT Venetian events 18:04 | Venetian Poker Live cash game streams 19:22 | Chino Rheen vs. Grinder vs. Isaac 24:14 | Big Hand from Joe's Game 28:43 | Highlights from Episode 1,000
What happens when two history lovers decide to tell the story of Venice from the very beginning?In this episode of Venice Talks, Monica Cesarato is joined by Simon and Jess, the creators and hosts of The History of Venice Podcast, a chronological journey through the people, politics, conflicts and extraordinary events that shaped the Venetian Republic.Simon and Jess share how their mutual fascination with Venice inspired them to begin the podcast, and what it is like to research, write and present such an ambitious historical project together.We talk about the challenge of separating historical fact from legend, especially in a city where myths have been repeated for centuries. They explain how they approach conflicting sources, complex political events and the colourful personalities who brought Venetian history to life.The conversation also explores how studying Venice's past changes the way we experience the city today. Behind every bridge, campo and palace lies a story—and the deeper we look, the more Venice reveals itself as far more than a beautiful destination.From the origins of the lagoon settlements to the rise of one of Europe's most powerful republics, Simon and Jess invite listeners to discover the real history behind the Serenissima.Key Notes from This EpisodeIn this episode, we talk about:How Simon and Jess created The History of Venice PodcastTheir personal connection with Venice and its historyWhat it is like to produce a podcast together as a coupleHow they divide the research, writing and presentingThe difficulties of separating Venetian history from legendHow they make complex historical events accessibleThe personalities and stories that have surprised them mostCommon misconceptions about the Venetian RepublicHow historical research has changed the way they see VeniceWhat Venice's past can teach us about the city todayListen to The History of Venice Podcast to follow Simon and Jess on their chronological journey through more than a thousand years of Venetian history.And remember to follow and subscribe to Venice Talks so you never miss a new conversation with the people who make Venice the extraordinary, complex and endlessly fascinating city it is.
Jeff had 10 days off, so he booked a quick, last minute trip to Las Vegas to see the Backstreet Boys at the Sphere. He talks about the concert, traveling to get to Vegas, getting a view of the Sphere from his hotel room at the Venetian, how did he decide to go, and so much more! You can also listen to this podcast on Apple Podcasts, Spotify Podcasts, IHeartRadio, Amazon Music, Youtube...and most places podcasts are available. Video podcast form is available on Spotify or on YouTube @everybodyhasastorypod Please follow and write a review on Spotify and Apple Podcasts. If you would like to be a guest, DM the show on Instagram @everybodyhasastorypod To check out some additional show content, check out everybodyhasastorypod.com For more information on the podcast, check out:jeffseltzer.com
Fluent Fiction - Italian: Mystery Beneath the Rialto: A Venice Adventure Unveiled Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-08-11-07-38-20-it Story Transcript:It: Il sole calava lentamente sopra il Ponte di Rialto, riflettendosi nelle acque calme del Canal Grande.En: The sun was slowly setting over the Ponte di Rialto, reflecting in the calm waters of the Canal Grande.It: Era la sera di Ferragosto, e Venezia era un tripudio di colori e festeggiamenti.En: It was the evening of Ferragosto, and Venice was a burst of colors and celebrations.It: Tra la folla, Luca, Giulia e Marco si aggiravano sul ponte monumentale, mentre le risate e le musiche riempivano l'aria.En: Among the crowd, Luca, Giulia, and Marco wandered over the monumental bridge, while laughter and music filled the air.It: Luca era un giovane artista con un talento per risolvere misteri.En: Luca was a young artist with a talent for solving mysteries.It: Sperava di impressionare Giulia, una storica affascinata dalle leggende di Venezia.En: He hoped to impress Giulia, a historian fascinated by the legends of Venice.It: Marco, dal canto suo, era una guida turistica piena di carisma, ma i suoi occhi enigmatici suggerivano segreti nascosti.En: Marco, for his part, was a tour guide full of charisma, but his enigmatic eyes suggested hidden secrets.It: Durante la passeggiata, Giulia raccontava di un antico cimelio di famiglia scomparso da tempo.En: During the walk, Giulia spoke of an ancient family heirloom long gone.It: La leggenda diceva che fosse nascosto proprio sotto il ponte.En: Legend said it was hidden right under the bridge.It: Era un anello d'oro antico, simbolo di storia e amore.En: It was an ancient gold ring, a symbol of history and love.It: La notizia del cimelio riempì Luca di curiosità e determinazione.En: The news of the heirloom filled Luca with curiosity and determination.It: Voleva ritrovare l'anello e conquistare l'ammirazione di Giulia.En: He wanted to find the ring and win Giulia's admiration.It: Tuttavia, con le folle di Ferragosto, le ricerche erano difficili.En: However, with the Ferragosto crowds, searching was difficult.It: La città brulicava di persone, rendendo arduo il compito di cercare indizi.En: The city was teeming with people, making the task of finding clues arduous.It: Marco li guidava tra i vicoli ombrosi, ma la sua natura sfuggente lasciava Luca sospettoso.En: Marco guided them through the shadowy alleys, but his elusive nature left Luca suspicious.It: Decise di fidarsi del suo istinto e di affrontare Marco.En: He decided to trust his instincts and confront Marco.It: Uno scontro rischiava di compromettere la loro amicizia nascente, ma Luca era deciso a raggiungere il suo obiettivo.En: A confrontation risked compromising their budding friendship, but Luca was determined to achieve his goal.It: Al crepuscolo, Luca s'accorse di una lastra di pietra particolare sotto il ponte.En: At twilight, Luca noticed a peculiar stone slab under the bridge.It: Seguì i suoi sospetti e, con il cuore che batteva forte, scoprì una piccola camera segreta.En: He followed his suspicions and, with his heart pounding, discovered a small secret chamber.It: Lì, tra la polvere e le ombre, trovò l'anello d'oro.En: There, amidst the dust and shadows, he found the gold ring.It: Quando si voltò, vide Marco alla porta.En: When he turned around, he saw Marco at the door.It: "Non sono qui per fermarti", disse Marco, con un sorriso che non tradiva malizia.En: "I'm not here to stop you," said Marco, with a smile that betrayed no malice.It: "Sapevo della camera, ma non del cimelio.En: "I knew about the chamber, but not the heirloom.It: Sono contento che tu l'abbia trovato."En: I'm glad you found it."It: Sorpreso ma sollevato, Luca tornò alla folla con l'anello.En: Surprised but relieved, Luca returned to the crowd with the ring.It: Lo consegnò a Giulia, che lo guardò con stupore e riconoscenza.En: He handed it to Giulia, who looked at it with astonishment and gratitude.It: "Grazie, Luca", disse, i suoi occhi brillavano sotto le ultime luci del giorno.En: "Thank you, Luca," she said, her eyes gleaming under the last lights of the day.It: Con la sua bravura e il coraggio dimostrato, Luca guadagnò non solo l'ammirazione di Giulia, ma anche la sua amicizia speciale.En: With his skill and courage demonstrated, Luca earned not only Giulia's admiration but also her special friendship.It: E Marco, ormai chiaro da sospetti, divenne un prezioso alleato.En: And Marco, now cleared of suspicion, became a valuable ally.It: Sotto il cielo stellato di Venezia, Luca aveva capito qualcosa in più su chi fidarsi e aveva trovato nuova fiducia in sé stesso, proprio mentre il Canal Grande continuava a risplendere di riflessi dorati.En: Under the starry Venetian sky, Luca had learned more about who to trust and had found new confidence in himself, just as the Canal Grande continued to shine with golden reflections. Vocabulary Words:the sunset: il tramontothe bridge: il pontethe reflection: il riflessothe crowd: la follato wander: aggirarsithe laughter: le risatethe historian: la storicathe legend: la leggendathe charisma: il carismaenigmatic: enigmaticothe heirloom: il cimelioancient: anticothe curiosity: la curiositàthe determination: la determinazioneteeming: brulicarearduous: arduoshadowy: ombrosoelusive: sfuggentethe instinct: l'istintoto confront: affrontarebudding: nascentethe twilight: il crepuscolopeculiar: particolarethe slab: la lastrathe chamber: la camerathe dust: la polvereto betray: tradirethe malice: la maliziathe astonishment: lo stuporethe gratitude: la riconoscenza
When a brand says it "used AI," that could mean anything from a tool speeding up a human's first draft to a system generating and shipping work on its own — and almost all of the real risk lives in the difference. So as AI moves deeper into creative work, which decisions are you certain still belong to a human?Real agility here isn't being quick with the latest tools. It's moving fast without losing the through-line that makes a brand recognizable — the ability to know exactly where human judgment stays non-negotiable.Today we're recording live at Ai4 2026 in Las Vegas at the Venetian, and we're going to talk about:- Drawing a clear line between where AI sharpens creative work and where it introduces unacceptable brand risk.- A practical look at how AI was used in a national campaign to improve the creative process, not just automate it.- The strategic shift as consumers move from traditional search engines to AI-powered platforms for discovery and research.To help me dig into this, I'd like to welcome Taryn Crouthers, CEO at Big Spaceship.About Taryn CrouthersTaryn Crouthers is the CEO of Big Spaceship, MSQ Partners' award-winning creative agency. A passionate leader, Taryn has spent her decades-long career inspiring teams to create work that moves both people and business. Her work spans advertising, media, entertainment, and the distribution and commercialisation that scale them. She is the former President of social-first global media company ATTN:, where she helped lead the company from pre-revenue through its $100M acquisition.Along the way, she earned recognition including Campaign's Inspiring Women (2026), 40 Over 40 (2025), Ad Age Leading Women (2024), Cynopsis' Corporate Visionary, and Top Women in Digital.An entrepreneur at heart and a nationally recognised voice on the future of creativity and AI integration, Taryn brings a founder's mindset to scaling creative businesses and developing new revenue models. She has served on juries for Cannes Young Lions, The One Show, ADC, Webby Awards, and other prestigious industry competitions. She serves on the Advisory Board of Miami Ad School and is an active investor in emerging creative and technology-driven companies.She is also a co-founder of the Women in AI Summit for the Creative Community and launched the Women in AI Creative Cohort, which selects 15 top global executives for a six-month AI mentorship program.Taryn Crouthers on LinkedIn---------- Resources ---------- Big SpaceshipThe Agile Brand podcast is brought to you by TEKsystems.We're proud to be a media partner for #MAICON26 - Oct. 13-15! Learn how AI can power your marketing and business and help you grow smarter. Use code AGILE150 to save! Reach your customers with Reddit. Spend $500 in ad spend, get $500 back in ad credit!Chaser is the only Slack-native project management platform that helps teams turn messages into tracked tasks, automate follow-ups, and maintain team-wide visibility, without adopting another tool. Now integrated with Claude and other GenAI tools. Learn more at trychaser.com and use code AGILEBRAND for a 3-month free trial (normal trial is 14 days).The most influential minds in software, AI, and engineering leadership will be at WeAreDevelopers World Congress North America, September 23-25 in San Jose. Start building your own apps with Replit and get $20 off.Enjoyed the show? Tell us more at and give us a rating so others can find the show.Connect with Greg on LinkedInDon't miss a thing: get the latest episodes, sign up for our newsletter and more.Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology.The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. Hosted on Acast. See acast.com/privacy for more information.
When a brand says it "used AI," that could mean anything from a tool speeding up a human's first draft to a system generating and shipping work on its own — and almost all of the real risk lives in the difference. So as AI moves deeper into creative work, which decisions are you certain still belong to a human?Real agility here isn't being quick with the latest tools. It's moving fast without losing the through-line that makes a brand recognizable — the ability to know exactly where human judgment stays non-negotiable.Today we're recording live at Ai4 2026 in Las Vegas at the Venetian, and we're going to talk about:- Drawing a clear line between where AI sharpens creative work and where it introduces unacceptable brand risk.- A practical look at how AI was used in a national campaign to improve the creative process, not just automate it.- The strategic shift as consumers move from traditional search engines to AI-powered platforms for discovery and research.To help me dig into this, I'd like to welcome Taryn Crouthers, CEO at Big Spaceship.About Taryn CrouthersTaryn Crouthers is the CEO of Big Spaceship, MSQ Partners' award-winning creative agency. A passionate leader, Taryn has spent her decades-long career inspiring teams to create work that moves both people and business. Her work spans advertising, media, entertainment, and the distribution and commercialisation that scale them. She is the former President of social-first global media company ATTN:, where she helped lead the company from pre-revenue through its $100M acquisition.Along the way, she earned recognition including Campaign's Inspiring Women (2026), 40 Over 40 (2025), Ad Age Leading Women (2024), Cynopsis' Corporate Visionary, and Top Women in Digital.An entrepreneur at heart and a nationally recognised voice on the future of creativity and AI integration, Taryn brings a founder's mindset to scaling creative businesses and developing new revenue models. She has served on juries for Cannes Young Lions, The One Show, ADC, Webby Awards, and other prestigious industry competitions. She serves on the Advisory Board of Miami Ad School and is an active investor in emerging creative and technology-driven companies.She is also a co-founder of the Women in AI Summit for the Creative Community and launched the Women in AI Creative Cohort, which selects 15 top global executives for a six-month AI mentorship program.Taryn Crouthers on LinkedIn---------- Resources ---------- Big SpaceshipThe Agile Brand podcast is brought to you by TEKsystems.We're proud to be a media partner for #MAICON26 - Oct. 13-15! Learn how AI can power your marketing and business and help you grow smarter. Use code AGILE150 to save! Reach your customers with Reddit. Spend $500 in ad spend, get $500 back in ad credit!Chaser is the only Slack-native project management platform that helps teams turn messages into tracked tasks, automate follow-ups, and maintain team-wide visibility, without adopting another tool. Now integrated with Claude and other GenAI tools. Learn more at trychaser.com and use code AGILEBRAND for a 3-month free trial (normal trial is 14 days).The most influential minds in software, AI, and engineering leadership will be at WeAreDevelopers World Congress North America, September 23-25 in San Jose. Start building your own apps with Replit and get $20 off.Enjoyed the show? Tell us more at and give us a rating so others can find the show.Connect with Greg on LinkedInDon't miss a thing: get the latest episodes, sign up for our newsletter and more.Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology.The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. Hosted on Acast. See acast.com/privacy for more information.
Jose Martinez, Global Chief Data Officer at Coca-Cola FEMSA, says customers don't experience an AI system's mistake as a data problem — they experience it as a company that doesn't know them. Recorded live at Ai4 at the Venetian in Las Vegas, he and Greg Kihlström get into what has to be true underneath before AI systems can act on your data at all.A data foundation AI can act on is a different thing from one that produces reports. Martinez on what actually separates the two, and why a company can have working dashboards and still not have the foundation an automated decision requires.Across many markets and millions of points of sale, consistency is the constraint — not speed. Agility isn't really about moving faster; it's being able to change repeatedly without the company starting to contradict itself. Martinez on what keeps decisions consistent as more of them get automated.Foundational data work has to be justified without a campaign-shaped payoff. How to make the case internally when the return doesn't show up as a lift number, and what enterprise leaders can use instead.About Jose MartinezJose De Jesus Martinez Camara, MS, PMP, is an innovative executive currently serving as the Global Chief Data Officer at Coca-Cola FEMSA. Previously, he served as the Americas Head of Data & Analytics at Nissan North America for Finance, with a dual track record as well as Chief Information Officer.With over 20 years of experience driving organizational excellence, Jose specializes in managing complex IT portfolios and commercializing technology products across the consumer goods, automotive, finance, entertainment, and consultancy sectors. He is a visionary professional known for aligning technology initiatives with long-term business objectives and fostering Agile and DevOps cultures.In his current global role at Coca-Cola FEMSA, he leads the enterprise data strategy, governance, and advanced analytics capabilities to drive digital transformation and value creation at scale. Prior to this, as Americas Head of Data & Analytics for Nissan Finance, Jose oversaw the data landscape across Mexico, Canada, and the United States, ensuring strategic alignment with corporate needs. Jose Martinez on LinkedIn---------- Resources ----------Coca-Cola FEMSAThe Agile Brand podcast is brought to you by TEKsystems.We're proud to be a media partner for #MAICON26 - Oct. 13-15! Learn how AI can power your marketing and business and help you grow smarter. Use code AGILE150 to save!Reach your customers with Reddit. Spend $500 in ad spend, get $500 back in ad credit!Chaser is the only Slack-native project management platform that helps teams turn messages into tracked tasks, automate follow-ups, and maintain team-wide visibility, without adopting another tool. Now integrated with Claude and other GenAI tools. Learn more at trychaser.com and use code AGILEBRAND for a 3-month free trial (normal trial is 14 days).The most influential minds in software, AI, and engineering leadership will be at WeAreDevelopers World Congress North America, September 23-25 in San Jose.Start building your own apps with Replit and get $20 off.Enjoyed the show? Tell us more at and give us a rating so others can find the show.Connect with Greg on LinkedInDon't miss a thing: get the latest episodes, sign up for our newsletter and more.Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology.The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. Hosted on Acast. See acast.com/privacy for more information.
Jose Martinez, Global Chief Data Officer at Coca-Cola FEMSA, says customers don't experience an AI system's mistake as a data problem — they experience it as a company that doesn't know them. Recorded live at Ai4 at the Venetian in Las Vegas, he and Greg Kihlström get into what has to be true underneath before AI systems can act on your data at all.A data foundation AI can act on is a different thing from one that produces reports. Martinez on what actually separates the two, and why a company can have working dashboards and still not have the foundation an automated decision requires.Across many markets and millions of points of sale, consistency is the constraint — not speed. Agility isn't really about moving faster; it's being able to change repeatedly without the company starting to contradict itself. Martinez on what keeps decisions consistent as more of them get automated.Foundational data work has to be justified without a campaign-shaped payoff. How to make the case internally when the return doesn't show up as a lift number, and what enterprise leaders can use instead.About Jose MartinezJose De Jesus Martinez Camara, MS, PMP, is an innovative executive currently serving as the Global Chief Data Officer at Coca-Cola FEMSA. Previously, he served as the Americas Head of Data & Analytics at Nissan North America for Finance, with a dual track record as well as Chief Information Officer.With over 20 years of experience driving organizational excellence, Jose specializes in managing complex IT portfolios and commercializing technology products across the consumer goods, automotive, finance, entertainment, and consultancy sectors. He is a visionary professional known for aligning technology initiatives with long-term business objectives and fostering Agile and DevOps cultures.In his current global role at Coca-Cola FEMSA, he leads the enterprise data strategy, governance, and advanced analytics capabilities to drive digital transformation and value creation at scale. Prior to this, as Americas Head of Data & Analytics for Nissan Finance, Jose oversaw the data landscape across Mexico, Canada, and the United States, ensuring strategic alignment with corporate needs. Jose Martinez on LinkedIn---------- Resources ----------Coca-Cola FEMSAThe Agile Brand podcast is brought to you by TEKsystems.We're proud to be a media partner for #MAICON26 - Oct. 13-15! Learn how AI can power your marketing and business and help you grow smarter. Use code AGILE150 to save!Reach your customers with Reddit. Spend $500 in ad spend, get $500 back in ad credit!Chaser is the only Slack-native project management platform that helps teams turn messages into tracked tasks, automate follow-ups, and maintain team-wide visibility, without adopting another tool. Now integrated with Claude and other GenAI tools. Learn more at trychaser.com and use code AGILEBRAND for a 3-month free trial (normal trial is 14 days).The most influential minds in software, AI, and engineering leadership will be at WeAreDevelopers World Congress North America, September 23-25 in San Jose.Start building your own apps with Replit and get $20 off.Enjoyed the show? Tell us more at and give us a rating so others can find the show.Connect with Greg on LinkedInDon't miss a thing: get the latest episodes, sign up for our newsletter and more.Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology.The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. Hosted on Acast. See acast.com/privacy for more information.
Before Peggy Guggenheim became one of the most influential collectors of modern art—and before Palazzo Venier dei Leoni became her Venetian home and museum—she opened a small but remarkably ambitious gallery in London.In this episode of Venice Talks, Monica Cesarato speaks with Gražina Subelytė, curator at the Peggy Guggenheim Collection in Venice, about the exhibition Peggy Guggenheim in London: The Making of a Collector.The exhibition explores the crucial years of 1938 and 1939, when Peggy founded Guggenheim Jeune, her first London gallery. During its brief eighteen-month existence, the gallery presented more than twenty exhibitions, promoted abstraction and Surrealism, introduced London audiences to major European artists and helped Peggy develop the vision that would eventually shape her celebrated collection.Gražina guides us through this formative period, revealing a Peggy Guggenheim who was still learning, experimenting and finding her place in the international art world. We discuss the artists, advisers and friendships that influenced her, the radical exhibitions she organised and the archival discoveries that offer a more complex understanding of her development as a collector.The conversation also explores the role of women artists within Guggenheim Jeune, the gallery's controversial contemporary sculpture exhibition and the first signs of Peggy's dream of creating a museum of modern art.Presented inside Palazzo Venier dei Leoni, the exhibition allows visitors to look back at the moment when Peggy's extraordinary story was only beginning—and to understand how her London years laid the foundations for the collection we know in Venice today.Key Notes from This EpisodeGražina Subelytė's journey into art history and curatorial workPeggy Guggenheim's life before she became a legendary collectorThe opening of Guggenheim Jeune in London in 1938How Marcel Duchamp, Samuel Beckett and Mary Reynolds influenced Peggy's artistic educationThe gallery's extraordinary programme of more than twenty exhibitions in eighteen monthsKandinsky's first solo exhibition in LondonPeggy's support for abstraction, Surrealism and experimental contemporary artThe role of women artistsThe controversial contemporary sculpture exhibitionLetters, photographs and archival documents that reveal a more personal side of PeggyThe origins of Peggy's ambition to establish a museum of modern artHow the London years anticipated the collection now housed in Venice
Tell us about your Adventure!Las Vegas offers more than just casinos and bright lights. For Jody and Rick, a recent trip to the city turned into a memorable adventure filled with music, magic, and a touch of nostalgia. Their experience at the Sphere, combined with a stay at the Venetian, created a perfect blend of entertainment and relaxation. This story highlights how Las Vegas can surprise even seasoned travelers with unique shows and personal moments.
In this episode of Venice Talks, Monica speaks with Sara Cattani, co-founder of Staging Alive, a new Venetian project created to bring fresh, joyful and high-quality live entertainment formats to the city.From musical theatre to live performance, from historical costumes to private productions, Sara's work asks an important question: can Venice still be a place that creates culture, rather than only a place where culture is consumed?Together, we talk about the need for more accessible, inclusive and entertaining cultural experiences in Venice — shows that can speak to residents, visitors and new audiences without losing quality or identity.The conversation also takes us inside Atelier Le Boudoir, the new spin-off connected to the historic costumes of Atelier Pietro Longhi: not a large costume warehouse, but a hidden dressing room near Campo della Bragora, surrounded by artisans and Venetian life.A conversation about theatre, costumes, creativity, courage, and the dream of seeing Venice once again as a port of departure for new ideas.In this episode:How Staging Alive was born and what Sara felt was missing in VeniceWhy musical theatre and joyful entertainment deserve more space in the cityThe divide between “tourist product” and “local product”How to create cultural experiences that can speak to different audiencesThe role of fun, beauty and lightness in contemporary cultureThe story behind Atelier Le BoudoirThe legacy of the historical costumes from Atelier Pietro LonghiWhat it means to build a creative company in Venice todayWhy Venice should not only be a destination, but a place that produces ideasThe dream of bringing Venetian creativity beyond the lagoonFollow Sara and her projects:Staging AliveAtelier Le Boudoir
Send us Fan MailMy guest today is Kerry Chaput, author of The Secret Courtesan, listed in the Visual Arts category on Art In Fiction.Watch on YouTube: https://youtu.be/fkX-QqvmnQgPremise for the novel: how a marble Venetian sculpture, surfacing after 400 years and credited to a male artist, sends Mia, a modern-day arts authenticator looking for the woman she is sure had carved it.Kerry found documented women painters of the Renaissance and Baroque, but no large-scale women sculptors, and decided that gap in the record was the story worth telling.Artemisia's dusty painting: the real-life rediscovery of an Artemisia Gentileschi painting in a Hampton Court storage room, proof that misattributed women's art isn't just a plot device.Veronica Franco and the real courtesans: how the film Dangerous Beauty and its real-life subject, Renaissance Venice's premier courtesan, inspired the character of Sofia, and why courtesans had more freedom, education, and political access than "respectable" women of the era.Pitched as The Da Vinci Code with a feminist twist: the puzzles and cliffhangers built into Mia's modern timeline, and why Kerry had to finish writing Sofia's 1609 story before she could solve Mia's.Zero outline, one nice bow: Kerry's pantser process from first page to last, alternating between timelines and following "wormholes" even when they lead nowhere.The hardest research wasn't the history: why untangling art authentication, auction houses, and international law was tougher than 17th-century Venice, and how friends in the art world helped her build a plausible Sotheby's-style plot.A law against something means someone was doing it: the logic behind laws barring women from studying art and obtaining materials, and what that says about who was quietly doing both anyway.Writing women who already have a voice: why Kerry skipped the "she finds her voice" arc for Sofia, and how a story about a woman claiming power she already has changes the whole shape of the narrative.Reading from The Secret Courtesan: a 2 a.m. library scene between Mia and fellow historian Noah as her theory about the sculptor's true identity finally comes out.What's next: Kerry's ongoing Substack, Badass Women in History, and her continued fascination with the women the historical record left out.Read more from Kerry Chaput on her Substack, Badass Women in History: https://kerrychaput.substack.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...
There's more to the Venetian adventurer than his ability to charm the opposite sex.
This week, on "Naked Lunch," we explore the Soul in the Machine as we bring together two distinguished musical greats who each in their own way made David love The Eighties a lot more -- and who are both out there still turning on synthesizers and audiences here in 2027. They discuss Howard curating his current "Things Can Only Get Better Tour" featuring Wang Chung, English Beat and Modern English, and Jimmy Jam and Terry Lewis' acclaimed "Nothing But Hits" Las Vegas residency at Volaire inside the Venetian. Join us for great stories about Stevie Wonder, George Michael, Ringo Starr and more and some deep musical conversation. For more on Howard's tour and upcoming 2027 album, "Global Citizen," go to http://www.howardjones.com. To get tickets to see Jimmy Jam & Terry Lewis' Vegas residency, click here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fluent Fiction - Italian: Venetian Canvases: An Architect's Quest for Passion Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-24-07-38-19-it Story Transcript:It: Luca osservava le maestose colonne di Piazza San Marco mentre le nuvole scure si addensavano sopra la sua testa.En: Luca observed the majestic columns of Piazza San Marco as dark clouds gathered above his head.It: Era un giovane architetto con la passione per il design e una mente sempre alla ricerca di nuove ispirazioni.En: He was a young architect with a passion for design and a mind always searching for new inspirations.It: Veniva a Venezia per trovare quella scintilla di creatività che spesso gli sfuggiva.En: He came to Venice to find that spark of creativity that often eluded him.It: Mentre la pioggia iniziava a cadere con forza, Luca si rifugiò velocemente sotto la tettoia di un piccolo caffè.En: As the rain began to fall heavily, Luca quickly took shelter under the canopy of a small café.It: Qui, trovò Giulia, un'artista veneziana il cui spirito avventuroso lo colpì immediatamente.En: There, he found Giulia, a Venetian artist whose adventurous spirit immediately struck him.It: Con un sorriso caloroso, lei si fece spazio, permettendo a Luca di ripararsi dall'acquazzone.En: With a warm smile, she made room, allowing Luca to shelter from the downpour.It: "Ciao, sei qui per il brutto tempo o per la buona compagnia?"En: "Hi, are you here for the bad weather or the good company?"It: scherzò Giulia.En: Giulia joked.It: Luca rise, sentendo un calore inaspettato nel cuore.En: Luca laughed, feeling an unexpected warmth in his heart.It: "Forse un po' di entrambe le cose," rispose, cercando di ignorare il caos che la pioggia portava con sé.En: "Maybe a bit of both," he replied, trying to ignore the chaos the rain brought with it.It: In pochi istanti, si ritrovarono a parlare di arte, architettura e dei piccoli piaceri della vita.En: In just a few moments, they found themselves talking about art, architecture, and the small pleasures of life.It: Giulia raccontava delle sue creazioni, ispirate dalle visioni magiche che Venezia le regalava ogni giorno.En: Giulia talked about her creations, inspired by the magical visions that Venice gifted her every day.It: Luca era affascinato, desideroso di conoscere di più su di lei e su ciò che la ispirava.En: Luca was fascinated, eager to learn more about her and what inspired her.It: Con il passare dei giorni, Luca e Giulia si incontrarono più volte, passeggiando lungo i canali e scoprendo angoli nascosti della città.En: As the days passed, Luca and Giulia met several times, walking along the canals and discovering hidden corners of the city.It: Matteo, l'amico pratico di Luca che non era in città, gli aveva sempre consigliato di non perdere di vista i suoi obiettivi professionali, ma Luca iniziò a chiedersi se non valesse la pena esplorare anche quelli personali.En: Matteo, Luca's practical friend who wasn't in the city, had always advised him not to lose sight of his professional goals, but Luca began to wonder if it wasn't worth exploring personal ones as well.It: Ciononostante, una conversazione malintesa creò tensione tra loro.En: Nevertheless, a misunderstood conversation created tension between them.It: Giulia iniziò a dubitare delle intenzioni di Luca.En: Giulia began to doubt Luca's intentions.It: Pensava che, come molti altri visitatori, se ne sarebbe andato presto, lasciandola con solo un altro ricordo e un cuore malinconico.En: She thought that, like many other visitors, he would soon leave, leaving her with just another memory and a melancholy heart.It: Determinato a dimostrare la sua sincerità, Luca lavorò con dedizione su un progetto speciale.En: Determined to prove his sincerity, Luca worked with dedication on a special project.It: Decise di rimanere a Venezia oltre il previsto, dedicando le sue giornate a catturare l'essenza di Giulia e di ciò che avevano condiviso.En: He decided to stay in Venice longer than planned, dedicating his days to capturing the essence of Giulia and what they had shared.It: Creò un piccolo modello, unendo elementi del suo design architettonico con dettagli dei dipinti di Giulia.En: He created a small model, combining elements of his architectural design with details from Giulia's paintings.It: Quando finalmente glielo presentò sotto la stessa tettoia del caffè dove tutto era iniziato, Giulia fu toccata da quel gesto personale.En: When he finally presented it to her under the same café canopy where it all began, Giulia was touched by that personal gesture.It: Il modellino non solo rifletteva la loro esperienza condivisa, ma parlava anche di un futuro che potevano immaginare insieme.En: The model not only reflected their shared experience but also spoke of a future they could imagine together.It: Con questo, Luca e Giulia si trovarono di nuovo sotto la pioggia estiva, ma questa volta senza alcun bisogno di cercare riparo.En: With this, Luca and Giulia found themselves once again under the summer rain, but this time with no need to seek shelter.It: Avevano trovato un nuovo equilibrio tra passione e realtà, accettando che le relazioni e le ispirazioni spesso si intrecciano in modi inaspettati.En: They had found a new balance between passion and reality, accepting that relationships and inspirations often intertwine in unexpected ways.It: Venezia, con la sua bellezza eterna e le sue infinite possibilità, aveva offerto a entrambi una nuova prospettiva.En: Venice, with its eternal beauty and infinite possibilities, had offered them both a new perspective.It: Luca imparò a vedere le connessioni personali come una fonte di ispirazione, e Giulia fu pronta a prendere rischi che il cuore suggeriva.En: Luca learned to see personal connections as a source of inspiration, and Giulia was ready to take risks that the heart suggested.It: E così, con un l'architettura e l'arte intrecciati, iniziarono un nuovo capitolo insieme, in una città che, nonostante la pioggia, brillava di storie luminose come la loro.En: And so, with architecture and art intertwined, they began a new chapter together, in a city that, despite the rain, shone with stories as bright as theirs. Vocabulary Words:the architect: l'architettothe canopy: la tettoiathe artist: l'artistathe columns: le colonneto gather: addensarsithe rainstorm: l'acquazzonethe chaos: il caosthe spark: la scintillathe vision: la visionethe shelter: il rifugioto strike someone: colpire qualcunothe conversation: la conversazionethe tension: la tensionethe essence: l'essenzathe gesture: il gestounexpected: inaspettatothe melancholy: la malinconiathe dedication: la dedizionemisunderstood: malintesoto intertwine: intrecciarethe possibility: la possibilitàthe future: il futurothe inspiration: l'ispirazionethe connection: la connessioneto capture: catturareto doubt: dubitarethe practical friend: l'amico praticothe pleasure: il piacerethe risk: il rischiothe chapter: il capitolo
In this week's episode of The Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes lutenist Thomas Dunford and viola da gamba player, singer and composer Lucine Musaelian to the studio to share two of their personal favourite recordings. Thomas Dunford can only be described as prolific in the recording studio, whether it's with Les Arts Florissants or his own Jupiter ensemble, and Lucine Musaelian is a member of the Bellot Ensemble and Intesa duo, her debut album with the Bellot Ensemble, 'Cupid's Ground Bass', was described by William Yeoman in Gramophone as: 'an intimate theatre where all the colour and splendour of the Venetian opera is played out in microcosm.'See omnystudio.com/listener for privacy information.
Send us Fan MailCelebrity Chef Emeril Lagasse expands his Las Vegas footprint off the Strip with the grand opening of his newest restaurant, Meril, at the M Resort Spa & Casino! We talk to Emeril as he is welcomed to the resort and share what makes this new spot a must-visit for breakfast, lunch, and dinner.Plus, a lucky visitor from Hawaii turns a $1 side bet into a massive $446,083 progressive jackpot at the Fremont Hotel & Casino—we'll reveal how and where it happened!Then, we hop aboard an iconic Venetian gondola ride through the canals of The Venetian to check out the classic Las Vegas staple, and bring you the latest NFR (National Finals Rodeo) concert announcements featuring country superstars Dierks Bentley and Rascal Flatts.Also, Ed Sheeran performs in Las Vegas, but before that he attended the Backstreet Boys at Sphere!#VegasRevealed #EmerilLagasse #LasVegas #VegasJackpot #NFR2026Save money on your vacations! Get a complimentary 30-day guest pass from PCK Travel and Vegas Revealed HERE. You'll gain access to exclusive travel savings on hotels, flights, cruises, and more. No credit card OR presentation required. Start saving with PCK Travel. Lighting Up Your Destination! VegasNearMe AppIf it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com
In this episode of Venice Talks, Monica speaks with Sara and Virginia, the two friends behind Due Fie Venexiane, a digital project sharing Venice through the voices, flavours and everyday experiences of two Venetian women.What began as a spontaneous collaboration between friends has grown into a lively online community, with videos, recommendations and downloadable guides helping visitors discover where Venetians really eat and how the city is experienced beyond its most famous landmarks.Sara and Virginia talk about the friendship at the heart of the project, the different personalities they bring to their content and what it means to present their own city to a large online audience.The conversation moves beyond food to explore Venetian identity, authenticity and the responsibility that comes with recommending small restaurants, bacari and local businesses in a city as delicate and intensely visited as Venice.They also discuss how they select the places they feature, how they balance commercial collaborations with honest recommendations and why they decided to create detailed digital guides dedicated to bacari and seafood restaurants.In this episode, we talk about:The meaning behind the name Due Fie VenexianeHow Sara and Virginia's friendship became a shared digital projectTheir first videos and the growth of their online communityHow they divide the work and combine their different personalitiesWhat makes a restaurant or bacaro feel authentically VenetianHow they choose the businesses and experiences they recommendThe importance of remaining honest when working with local brandsShowing a side of Venice that goes beyond postcard imagesCreating downloadable guides to bacari and seafood restaurantsThe responsibility of influencing where visitors spend their time and moneyTheir hopes for the future of Venice and Due Fie VenexianeThis is a conversation about food, friendship and the power of telling a city's story from the inside—with humour, affection and a deeply Venetian point of view.Listen to the episode and discover Venice through the eyes of two women who live it, love it and are determined to share it with honesty.Follow Due Fie Venexiane on social media to discover their latest recommendations, videos and guides.And remember to follow and subscribe to Venice Talks so you never miss a new conversation with the people who make Venice the extraordinary, complex and endlessly fascinating city it is.
13 Then were little children presented to him, that he should impose hands upon them and pray. And the disciples rebuked them.Tunc oblati sunt ei parvuli, ut manus eis imponeret, et oraret. Discipuli autem increpabant eos. 14 But Jesus said to them: Suffer the little children, and forbid them not to come to me: for the kingdom of heaven is for such.Jesus vero ait eis : Sinite parvulos, et nolite eos prohibere ad me venire : talium est enim regnum caelorum. 15 And when he had imposed hands upon them, he departed from thence.Et cum imposuisset eis manus, abiit inde. 16 And behold one came and said to him: Good master, what good shall I do that I may have life everlasting?Et ecce unus accedens, ait illi : Magister bone, quid boni faciam ut habeam vitam aeternam? 17 Who said to him: Why asketh thou me concerning good? One is good, God. But if thou wilt enter into life, keep the commandments.Qui dixit ei : Quid me interrogas de bono? Unus est bonus, Deus. Si autem vis ad vitam ingredi, serva mandata. 18 He said to him: Which? And Jesus said: Thou shalt do no murder, Thou shalt not commit adultery, Thou shalt not steal, Thou shalt not bear false witness.Dicit illi : Quae? Jesus autem dixit : Non homicidium facies; non adulterabis; non facies furtum; non falsum testimonium dices; 19 Honour thy father and thy mother: and, Thou shalt love thy neighbour as thyself.honora patrem tuum, et matrem tuam, et diliges proximum tuum sicut teipsum. 20 The young man saith to him: All these I have kept from my youth, what is yet wanting to me?Dicit illi adolescens : Omnia haec custodivi a juventute mea : quid adhuc mihi deest? 21 Jesus saith to him: If thou wilt be perfect, go sell what thou hast, and give to the poor, and thou shalt have treasure in heaven: and come follow me.Ait illi Jesus : Si vis perfectus esse, vade, vende quae habes, et da pauperibus, et habebis thesaurum in caelo : et veni, sequere me.St Jerome, of the noble Venetian family of Emiliani, left everything and became the Father of orphans and of the poor. He founded the Order of Somascha for the education of children. He died a victim of the plague A.D. 1537.1. Jesus is inviting the young man to think more deeply.The young man calls Him:“Good Master”but he may be using “good” simply as a polite title. Jesus' question:“Why dost thou call me good?”is meant to make him stop and ask:“Do I really understand who this Teacher is?”Jesus is not saying, “I am not good.” He is saying, in effect:“If you call Me good in the fullest sense, then recognize what you are saying—because only God is good.”2. Jesus is affirming the source of all goodness.The statement:“There is one good, God”is completely true. All goodness comes from God because God is goodness itself.As the Son, Jesus is not a separate god competing with the Father. He shares the same divine nature:The Father is God, the Son is God and the Holy Ghost is God. Three persons in one God.3. Jesus often reveals His identity gradually.In the Gospels, Jesus does not always immediately say, “I am God.” He reveals Himself through His words and actions:He forgives sins (Matthew 9:2–6).He accepts worship (Matthew 14:33).He says, “Before Abraham was, I AM” (John 8:58).He says, “I and the Father are one” (John 10:30).4. There is also a beautiful connection to the commandments.Jesus responds by saying:“If thou wilt enter into life, keep the commandments.”The young man says he has done these. Then Jesus gives the final challenge:“If thou wilt be perfect, go sell what thou hast, and give to the poor, and thou shalt have treasure in heaven: and come follow me.”The ultimate command is not merely to follow rules—it is to follow Christ Himself.So the irony of the passage is profound:The young man asks:“What good thing must I do?”But the answer is not a thing. The answer is a Person.He is standing before the One who is Goodness itself, but he does not yet recognize Him.
Full Text of Readings Saturday of the Fifteenth Week in Ordinary Time Lectionary: 394 The Saint of the day is Saint Camillus de Lellis Saint Camillus de Lellis' Story Humanly speaking, Camillus was not a likely candidate for sainthood. His mother died when he was a child, his father neglected him, and he grew up with an excessive love for gambling. At 17, he was afflicted with a disease of his leg that remained with him for life. In Rome he entered the San Giacomo Hospital for Incurables as both patient and servant, but was dismissed for quarrelsomeness after nine months. He served in the Venetian army for three years. Then, in the winter of 1574, when he was 24, Camillus de Lellis gambled away everything he had—savings, weapons, literally down to his shirt. He accepted work at the Capuchin friary at Manfredonia, and was one day so moved by a sermon of the superior that he began a conversion that changed his life. He entered the Capuchin novitiate, but was dismissed because of the apparently incurable sore on his leg. After another stint of service at San Giacomo, he came back to the Capuchins, only to be dismissed again, for the same reason. Again, back at San Giacomo, his dedication was rewarded by his being made superintendent. Camillus de Lellis devoted the rest of his life to the care of the sick. Along with Saint John of God he has been named patron of hospitals, nurses, and the sick. With the advice of his friend Saint Philip Neri, he studied for the priesthood and was ordained at the age of 34. Contrary to the advice of his friend, Camillus left San Giacomo and founded a congregation of his own. As superior, he devoted much of his own time to the care of the sick. Charity was his first concern, but the physical aspects of the hospital also received his diligent attention. Camillus insisted on cleanliness and the technical competence of those who served the sick. The members of his community bound themselves to serve prisoners and persons infected by the plague as well as those dying in private homes. Some of his men were with troops fighting in Hungary and Croatia in 1595, forming the first recorded military field ambulance. In Naples, he and his men went onto the galleys that had plague and were not allowed to land. He discovered that there were people being buried alive, and ordered his brothers to continue the prayers for the dying 15 minutes after apparent death. Camillus de Lellis himself suffered the disease of his leg through his life. In his last illness, he left his own bed to see if other patients in the hospital needed help. Reflection Saints are created by God. Parents must indeed nurture the faith in their children; husbands and wives must cooperate to deepen their baptismal grace; friends must support each other. But all human effort is only the dispensing of divine power. We must all try as if everything depended on us. But only the power of God can fulfill the plan of God—to make us like himself.Saint of the Day, Copyright Franciscan Media
Fluent Fiction - Italian: Secrets of Venezia: A Gondolier's Tale Unveiled Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-17-07-38-19-it Story Transcript:It: L'acqua del canale scintillava sotto il cielo rosa estivo di Venezia.En: The canal water shimmered under the pink summer sky of Venezia.It: Le gondole fluttuavano dolcemente, cullate dalle onde leggere.En: The gondolas floated gently, cradled by the light waves.It: Solo il rumore lontano delle chiacchiere dei turisti rompeva il silenzio della sera.En: Only the distant chatter of tourists broke the evening silence.It: Luca spingeva la sua gondola lungo il canale, i pensieri oscuri intrecciati al tramonto.En: Luca pushed his gondola along the canal, dark thoughts intertwined with the sunset.It: Aveva un segreto da proteggere.En: He had a secret to protect.It: Giulia, con il bloc-notes in mano, scrutava l'acqua dal ponte.En: Giulia, with a notepad in hand, was scrutinizing the water from the bridge.It: Cercava risposte.En: She was searching for answers.It: Il suo istinto di giornalista le diceva che Luca nascondeva qualcosa di importante.En: Her journalist instinct told her that Luca was hiding something important.It: Se avesse scoperto il segreto, la sua carriera avrebbe preso il volo.En: If she discovered the secret, her career would take off.It: Ma a quale costo?En: But at what cost?It: La luce del giorno svaniva lentamente mentre Luca avvicinava la gondola al ponte.En: The daylight was fading slowly as Luca brought the gondola closer to the bridge.It: Giulia, determinata, scese con grazia su di essa.En: Giulia, determined, gracefully stepped onto it.It: L'atmosfera era carica di tensione, solo il suono dello sciabordio dell'acqua l'accompagnava.En: The atmosphere was filled with tension, accompanied only by the sound of water lapping.It: "Luca," disse, guardandolo negli occhi, "ho bisogno di sapere.En: "Luca," she said, looking him in the eyes, "I need to know.It: La verità, per favore."En: The truth, please."It: Luca inspirò profondamente, il suo cuore pesante di esitazione.En: Luca took a deep breath, his heart heavy with hesitation.It: Doveva proteggere la sua famiglia, ma non poteva ignorare la realtà della situazione.En: He had to protect his family, but he could not ignore the reality of the situation.It: Sapeva che Giulia, come una forza della natura, non si sarebbe arresa.En: He knew that Giulia, like a force of nature, would not give up.It: "Ascoltami bene, Giulia," iniziò lentamente, "non tutto è come sembra."En: "Listen carefully, Giulia," he began slowly, "not everything is as it seems."It: La gondola avanzava placida sotto le luci sbiadite dei lampioni.En: The gondola glided calmly under the faded lights of the street lamps.It: Luca raccontò una storia, non tutta la verità, ma una verità che poteva sostenere.En: Luca told a story, not the whole truth, but a truth he could uphold.It: Parlo di tradizioni e imposizioni del passato, di responsabilità taciute.En: He spoke of traditions and past impositions, of unspoken responsibilities.It: Le parole erano vere, ma non pericolose.En: The words were true, but not dangerous.It: Giulia guardava Luca attentamente, valutando ogni parola.En: Giulia watched Luca intently, evaluating every word.It: Certo, non era tutto, ma c'era qualcosa di autentico in ciò che diceva.En: Surely, it wasn't everything, but there was something genuine in what he was saying.It: Abbassò il bloc-notes con un leggero sorriso.En: She lowered the notepad with a slight smile.It: "Grazie, Luca.En: "Thank you, Luca.It: Scriverò una storia diversa.En: I'll write a different story.It: Una storia che pensi a chi siamo davvero."En: A story that considers who we really are."It: Il vento serale portava via i resti del tramonto, mentre la gondola tornava al porto.En: The evening wind carried away the remnants of the sunset as the gondola returned to the port.It: Luca sentì un peso sollevarsi.En: Luca felt a weight lift.It: Aveva dato a Giulia abbastanza, senza compromettere il nome della sua famiglia.En: He had given Giulia enough without compromising his family's name.It: E Giulia, lei aveva scoperto una nuova prospettiva: la storia non era fatta solo di scandali, ma anche di persone reali con vite complesse.En: And Giulia, she discovered a new perspective: a story wasn't just made of scandals, but of real people with complex lives.It: In quel crepuscolo veneziano, entrambi capirono il valore della verità e della compassione.En: In that Venetian twilight, they both understood the value of truth and compassion.It: La città, silenziosa spettatrice, accoglieva il loro nuovo inizio.En: The city, a silent spectator, embraced their new beginning. Vocabulary Words:the canal: il canalethe sunset: il tramontothe secret: il segretoto shimmer: scintillareto float: fluttuarethe silence: il silenzioto protect: proteggerethe notepad: il bloc-notesto scrutinize: scrutarethe instinct: l'istintoto hide: nascondereto take off (career): prendere il volothe cost: il costoslowly: lentamentegracefully: con graziathe atmosphere: l'atmosferathe tension: la tensionethe truth: la veritàthe hesitation: l'esitazioneto ignore: ignorarethe situation: la situazioneplacidly: placidathe street lamps: i lampionithe tradition: la tradizionethe responsibility: la responsabilitàauthentic: autenticothe scandal: lo scandaloto compromise: comprometterethe perspective: la prospettivathe compassion: la compassione
It's burglary on the Orient Express! Our journey across The Top 50(ish) Episodes of Lupin III: Part II (according to the hosts and listeners of Sideburns & Cigarettes) continues! Join Drew, Emma, Chris, Natalie, and Guillaume as they discuss the horsepower, horseplay, and horse(!!) of Part II, Episode 8: “Venetian Super Express” (or “Disorient Express”). "Why Are Movies So Obsessed With Trains?" by Patrick (H) Willems: https://www.youtube.com/watch?v=rjcx295mI2c "The Infinite Possibilities of Train Action Scenes | Blue Flame Special" by Patrick (H) Willems: https://www.youtube.com/watch?v=aSqDs6xpi7Y Keep up with the latest Lupin news, reviews, and exciting editorials only at www.lupincentral.com/ Follow us on SoundCloud: https://soundcloud.com/lupinpod Apple Podcasts: https://podcasts.apple.com/us/podcast/sideburns-cigarettes-a-lupin-iii-podcast/id1478541296 Spotify: open.spotify.com/show/1BP4ku5resMwg6CkjHcmMB Find our various social media accounts in one place at lupinpod.carrd.co/ You can also follow us on Ko-fi at ko-fi.com/lupinpod Donations are not required or expected, but appreciated. All funds to go our SoundCloud hosting and, if possible, recording equipment.
Nevada Gov. Joe Lombardo got pulled over by Metro, and the body cam footage just went public. A Las Vegas woman is accused of running a marriage scam, targeting men online, convincing them to fly to Vegas and marry her, then filing for divorce and demanding a financial settlement to fund her gambling habit.The Venetian is the latest Strip casino hit with a multimillion-dollar fine tied to convicted bookmaker Mathew Bowyer, bringing total penalties to $34 million across four casinos. And Flavor Flav's SHE Weekend parade hits the Strip Thursday to give Olympic women athletes the celebration they deserve. Criminal defense attorney Dayvid Figler and NPR's Mountain West Bureau reporter Yvette Fernandez join host Jesse Merrick to break it all down. Learn more about the sponsors of this Thursday, July 16th episode: Foundation for Women's Leadership & Empowerment Want to get in touch? Follow us @CityCastVegas on Instagram, or email us at lasvegas@citycast.fm. You can also call or text us at 702-514-0719. For more Las Vegas news, make sure to sign up for our morning newsletter. Learn more about becoming a City Cast Las Vegas Neighbor at membership.citycast.fm. Looking to advertise on City Cast Las Vegas? Check out our options for podcast and newsletter ads at citycast.fm/advertise.
Fluent Fiction - Italian: Harmony Under the Venetian Sun: A Tale of Dreams and Music Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-16-22-34-02-it Story Transcript:It: Il sole splendente di Venezia scaldava Campo Santa Margherita, un luogo pieno di vita e colori.En: The bright sun of Venezia warmed Campo Santa Margherita, a place full of life and colors.It: Tra i venditori di gelato e i mercanti di souvenir, si poteva ascoltare la dolce melodia di un'armonica suonata con passione da Luca.En: Among the ice cream vendors and souvenir merchants, you could hear the sweet melody of a harmonica played passionately by Luca.It: Era un giovane musicista, il cui sogno più grande era incidere un demo e diventare un professionista.En: He was a young musician whose biggest dream was to record a demo and become a professional.It: Luca suonava ogni giorno per la varia gente che passava, sperando di raccogliere abbastanza denaro.En: Luca played every day for the various people passing by, hoping to gather enough money.It: Ma oggi era diverso.En: But today was different.It: Le strade erano colme di turisti e locali per il festival estivo.En: The streets were filled with tourists and locals for the summer festival.It: Tra la folla, spiccava Giulia, una ragazza di Firenze in vacanza.En: Among the crowd, stood out Giulia, a girl from Firenze on vacation.It: Il suo sorriso e l'aria curiosa risplendevano sotto il sole veneziano.En: Her smile and curious demeanor shone under the Venetian sun.It: Mentre passava davanti a Luca, le note della sua musica la catturarono.En: As she passed in front of Luca, the notes of his music captivated her.It: Si fermò, ascoltando attentamente.En: She stopped, listening intently.It: Subito, i loro occhi si incrociarono e nacque una complicità spontanea.En: Immediately, their eyes met, and a spontaneous connection was born.It: Alessandro, il migliore amico di Luca, osservava la scena dal suo piccolo chiosco di gelato, incoraggiando con un gesto.En: Alessandro, Luca's best friend, watched the scene from his little ice cream kiosk, encouraging with a gesture.It: Tuttavia, Luca non era l'unico musicista nella piazza.En: However, Luca was not the only musician in the square.It: Un altro artista si esibiva accanto, cercando di attirare l'attenzione della folla.En: Another artist was performing nearby, trying to catch the crowd's attention.It: La competizione era intensa e Luca si sentiva scoraggiato.En: The competition was intense, and Luca felt discouraged.It: Ma ecco l'idea!En: But then came the idea!It: Luca, conoscendo il talento di Giulia nel canto, la invitò a cantare insieme a lui.En: Knowing Giulia's talent in singing, Luca invited her to sing with him.It: Giulia era timida, ma intrigata dalla proposta.En: Giulia was shy but intrigued by the proposal.It: Si misero d'accordo.En: They agreed.It: Le note dell'armonica di Luca e la voce di Giulia si fusero in un'armonia sorprendente.En: The notes of Luca's harmonica and Giulia's voice merged into a surprising harmony.It: La folla era incantata, il suono della musica riempì l'aria estiva.En: The crowd was enchanted, the sound of the music filled the summer air.It: Alessandro, dal suo chiosco, li osservava con orgoglio.En: Alessandro, from his kiosk, watched them with pride.It: All'improvviso, tra il pubblico, si trovava un talent scout.En: Suddenly, in the audience, there was a talent scout.It: Notò la passione e il talento dei due giovani e si avvicinò.En: He noticed the passion and talent of the two young people and approached.It: "Siete veramente bravi," disse con entusiasmo.En: "You are truly talented," he said enthusiastically.It: "Vorrei invitarvi a un'audizione."En: "I would like to invite you to an audition."It: Luca e Giulia si guardarono sorpresi, poi un sorriso di complicità si spalancò sui loro volti.En: Luca and Giulia looked at each other in surprise, then a complicit smile spread across their faces.It: L'offerta era irresistibile.En: The offer was irresistible.It: Alessandro applaudì, incoraggiandoli a cogliere l'opportunità.En: Alessandro applauded, encouraging them to seize the opportunity.It: La decisione che avevano preso di collaborare, rischiando di più, aveva pagato.En: The decision they had made to collaborate, taking a bigger risk, had paid off.It: Luca imparò a condividere la scena e scoprì che a volte le sinergie potevano portare lontano.En: Luca learned to share the stage and discovered that sometimes synergies could take you far.It: Giulia guadagnò fiducia, pronta a condividere il suo talento con il mondo.En: Giulia gained confidence, ready to share her talent with the world.It: Insieme, iniziarono un nuovo capitolo della loro vita, pronti a inseguire i loro sogni, con Venezia e le sue meraviglie a fare da sfondo alla loro avventura.En: Together, they began a new chapter of their lives, ready to chase their dreams, with Venezia and its wonders serving as the backdrop to their adventure. Vocabulary Words:the sun: il solethe square: la piazzathe field: il campothe crowd: la follathe dream: il sognothe smile: il sorrisothe life: la vitathe wonder: la meravigliathe scene: la scenathe note: la notathe harmony: l'armoniathe summer air: l'aria estivathe crowd: la follathe music: la musicathe melody: la melodiathe talent: il talentothe opportunity: l'opportunitàthe idea: l'ideathe offer: l'offertathe chapter: il capitolothe adventure: l'avventurathe musician: il musicistathe competition: la competizionethe scout: il talent scoutthe audition: l'audizionethe festival: il festivalthe ice cream vendor: il venditore di gelatothe artist: l'artistathe harmony: l'armoniathe kiosk: il chiosco
After years of civil war, betrayal, and imprisonment, Emperor John V and his loyal son Manuel find themselves trapped in a collapsing empire while the ambitious Andronicus IV sits upon the throne of Constantinople. As Genoese and Venetian merchants wage war across the Mediterranean and Ottoman influence tightens its grip on the Balkans, Manuel emerges as the last great champion of Byzantine independence. From the dungeons of the Blachernae Palace to the walls of Thessalonica, he launches a desperate resistance against Sultan Murad and dreams of restoring Roman dignity and freedom. Yet as cities fall, allies disappear, and the Ottoman war machine advances relentlessly, Manuel is forced to confront an uncomfortable reality: survival may require submission to the very power he has spent years fighting. In this episode, we follow the dramatic struggle of the empire's "good son" as he rises in rebellion, wages a doomed war for Thessalonica, and ultimately finds himself standing before the court of Sultan Murad, where the future of Byzantium hangs in the balance. The History of Modern Greece Podcast covers the events from Ancient Greece, the Roman Empire, and the fall of Constantinople in 1453, to the years under the Ottoman Empire, and 1821 when the Greeks fought for independence... all the way to the modern-day.EMAIL US: historyofmoderngreece@gmail.comWebsite: www.moderngreecepodcast.comSOCIAL MEDIA: Go here to chat with us. https://www.instagram.com/historyofmodern%20greece/https://www.facebook.com/profile.php?id=61578023316172Music by Mark Jungerman: www.marcjungermann.com
Fluent Fiction - Italian: Under the Venetian Sun: A Tale of Teamwork and Survival Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-07-14-22-34-02-it Story Transcript:It: Sotto il sole estivo, la laguna veneziana brilla come un quadro perfetto.En: Under the summer sun, the Venetian lagoon shines like a perfect painting.It: Lorenzo, Valentina e Giovanni erano a bordo di una piccola barca, pronti per un'importante giornata di lavoro.En: Lorenzo, Valentina, and Giovanni were aboard a small boat, ready for an important day of work.It: Era Ferragosto, ma per loro il lavoro non si fermava.En: It was Ferragosto, but for them, work didn't stop.It: Lorenzo, con occhi brillanti, osservava l'acqua intorno, pensava solo al progetto di conservazione.En: Lorenzo, with bright eyes, watched the water around, thinking only of the conservation project.It: Valentina, curiosa e determinata, collezionava campioni d'acqua, sognando una grande scoperta scientifica.En: Valentina, curious and determined, collected water samples, dreaming of a great scientific discovery.It: Giovanni, con il sorriso di chi conosce ogni segreto della laguna, guidava la barca con destrezza.En: Giovanni, with the smile of someone who knows every secret of the lagoon, skillfully guided the boat.It: Ma il cielo, all'improvviso, divenne scuro.En: But the sky suddenly turned dark.It: Una fredda brezza iniziava a sferzare le onde.En: A cold breeze began to lash the waves.It: Il bel tempo di Venezia spariva, sostituito da un vento freddo e inaspettato.En: The beautiful weather of Venezia vanished, replaced by a cold and unexpected wind.It: Lorenzo, nonostante tutto, si rifiutava di fermarsi.En: Lorenzo, despite everything, refused to stop.It: "Dobbiamo continuare", insisteva, combattendo contro il tempo e le onde che si alzavano.En: "We must continue," he insisted, fighting against the time and the rising waves.It: Giovanni lanciava uno sguardo preoccupato verso Valentina.En: Giovanni cast a worried glance at Valentina.It: "Il tempo sta cambiando troppo in fretta.En: "The weather is changing too quickly.It: Potrebbe essere pericoloso", avvertì.En: It could be dangerous," he warned.It: Ma Lorenzo non volle sentire ragioni.En: But Lorenzo wouldn't listen to reason.It: "La nostra missione è importante", rispose con determinazione.En: "Our mission is important," he replied with determination.It: Ma le onde cominciavano a crescere, alte e minacciose.En: But the waves began to grow, high and threatening.It: Improvvisamente, una forte ondata colpì la barca.En: Suddenly, a strong wave hit the boat.It: Tutti e tre finirono in acqua, fredda come un iceberg.En: All three ended up in the water, cold as an iceberg.It: Il cuore di Lorenzo batteva freneticamente; si rese conto del pericolo reale.En: Lorenzo's heart raced frantically; he realized the real danger.It: L'acqua era gelida.En: The water was icy.It: Sentirono il freddo penetrante sul corpo.En: They felt the penetrating cold on their bodies.It: L'ipotesia era una minaccia immediata.En: Hypothermia was an immediate threat.It: Giovanni, nonostante la paura, mantenne la calma.En: Giovanni, despite the fear, remained calm.It: Si ricordò di un piccolo porto riparato non lontano.En: He remembered a small sheltered port not far away.It: "Seguitemi!En: "Follow me!"It: ", gridò mentre nuotava, guidando gli altri due verso la salvezza.En: he shouted while swimming, leading the other two to safety.It: Raggiunsero finalmente una piccola insenatura.En: They finally reached a small inlet.It: Lì, con mani tremanti, riuscirono a costruire un rifugio semplice con i pochi materiali trovati.En: There, with trembling hands, they managed to build a simple shelter with the few materials they found.It: Accesero un fuoco che li riscaldò rapidamente.En: They lit a fire that quickly warmed them.It: Seduti accanto al fuoco, Lorenzo capì la lezione.En: Sitting by the fire, Lorenzo learned the lesson.It: Guardando Valentina e Giovanni, sentì un nuovo senso di gratitudine e collaborazione.En: Looking at Valentina and Giovanni, he felt a new sense of gratitude and collaboration.It: "Non possiamo fare tutto da soli", ammise.En: "We can't do everything alone," he admitted.It: "Dobbiamo lavorare insieme, con cautela."En: "We must work together, with caution."It: La tempesta passò, riportando il sole d'estate.En: The storm passed, bringing back the summer sun.It: Ora il trio, più unito che mai, sapeva che per proteggere la laguna non serviva solo passione, ma anche prudenza e lavoro di squadra.En: Now the trio, more united than ever, knew that to protect the lagoon, they needed not only passion but also prudence and teamwork.It: E con questa consapevolezza, erano pronti a continuare la loro missione, insieme, con cuore e mente aperti.En: And with this awareness, they were ready to continue their mission, together, with open hearts and minds. Vocabulary Words:the lagoon: la lagunaaboard: a bordoconservation: la conservazionethe samples: i campionithe sheltered port: il porto riparatothe inlet: l'insenaturathe storm: la tempestato shine: brillaredetermined: determinataskillful: con destrezzathe breeze: la brezzathreatening: minaccioseto hit: colpireicy: gelidathe iceberg: l'icebergto lash: sferzarehypothermia: l'ipotesiathe wave: l'ondafrantically: freneticamentethe shelter: il rifugiothe lesson: la lezioneto vanish: sparirethe secret: il segretograteful: gratoto insist: insisterethe caution: la cautelathe gratitude: la gratitudinedetermination: la determinazioneto guide: guidareprudence: la prudenza
In the 984th episode of the PokerNews Podcast, which is sponsored by FanDuel Poker, Chad Holloway is joined by Kyna England, Esther "Etay" Taylor, and Caitlin Comeskey at Level 9 Studio in Las Vegas for a special women in poker episode! They talk about Skye Chen defeating Aubrey Williams to win the record-breaking WSOP Ladies Event, open bracelet wins for Kristen Foxen and Michelle Chin, and other women's events from about town at Wynn, Venetian, and more. Plus, Etay becomes an ambassador for BetMGM Poker, and Phil Hellmuth is donating $25,000 to juice a prize pool at Champions Club's upcoming Queens & Cards event. A new PokerNews Podcast drops four times a week during July and the 2026 WSOP! You can expect a new episode every Tuesday, Thursday, Saturday, and Sunday at 8a PT / 11a ET / 4p UK time. Remember to subscribe to our YouTube channel so you do not miss an episode! Time Stamps *Time Topic* 00:00 | Welcome to the show 00:20 | Kyna, Etay & Caitlin join the show 01:00 | Caitlin is having a good summer 04:15 | WSOP Ladies Event 14:25 | Looking back at Kristen Foxen's 6th bracelet 17:05 | Michelle Chin wins open mixed event 20:40 | Amanda Baker victorious at Wynn 23:27 | Women winners at Venetian 24:25 | JJ Liu in Venetian Poker Live 26:11 | Shoutout Nancy Birnbaum 28:00 | Etay becomes BetMGM Ambassador 30:10 | PokerNews returning to Borgata 30:45 | WPT & Sherry Pluskota 31:42 | Queens and Cards w/ Phil Hellmuth
Renaissance English History Podcast: A Show About the Tudors
Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
There are many ways to legitimize a city, but your first thought might not be to steal a holy relic. The Most Serene Republic of Venice, or La Serenissima in the Venetian language, did just that in its formative years and it fast became the symbol of the city itself. How and why did they do it? Was it indeed God's will? And how has this holy relic shaped its identity? Find out in this week's enthralling episode!
Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.
In this episode of Venice Talks, Monica Cesarato welcomes back the story of Women for Freedom, an organisation dedicated to supporting women, girls and children living in situations of poverty, violence, exploitation and fragility.After the first conversation in 2023, this new episode takes the story forward with Sara Memo, part of Women for Freedom, to understand what has changed, what has grown, and what still needs to be done.The conversation begins with the heart of the organisation itself: dignity, protection, freedom, and the concrete projects that help turn compassion into real action. From there, Monica and Sara move into one of the most powerful cultural expressions of this mission: Women for Freedom in Jazz, the Venetian festival founded by Elena Ferrarese, now celebrating 10 years of music, solidarity and women's voices in Venice.This is an episode about listening. Listening to stories that are difficult but necessary. Listening to women whose voices deserve space. Listening to jazz as a language of freedom, resilience and connection.Because in Venice, sometimes freedom does not arrive as a speech. Sometimes, it arrives as a song.Show keynotesWhat Women for Freedom does and who the organisation supportsSara Memo's connection with the mission of Women for FreedomWhat has changed since the 2023 Venice Talks interviewHow to speak about poverty, violence and exploitation while protecting dignityThe difference between charity and true solidarityHow emotion can become concrete actionThe role of culture in raising awarenessWomen for Freedom in Jazz and the vision of its founder, Elena FerrareseWhy jazz is such a powerful language for women, freedom and resilienceThe 10th anniversary of Women for Freedom in Jazz in VeniceVenice as more than a backdrop: a city that listens, hosts and amplifies storiesThe future of Women for Freedom and the next chapter of the festivalIf this conversation moved you, please subscribe to Venice Talks, leave a review, and share the episode with someone who believes that culture can still make a difference.You can follow Venice Talks for more stories about Venice, its people, its voices, its hidden layers, and the projects that keep the city alive in ways visitors do not always see.
You might imagine that if you were born and raised on the island of Murano in Italy, with forefathers and relatives immersed in glass for generations, that one would have a mighty head start in becoming a famous glass artist. But in many ways, these connections make the goal of establishing an original voice as a glassblower a hefty challenge indeed. The artist in question would have big shoes to fill. Davide Salvadore strives for perfection in his work, surpassing the simple notion of glassblowing as a job and entering into the realm of passion, artistry and service to the material. His incarnations reveal his unique perspective on the world, alive with memories of the past, reactions to the present and hope for the future. This original voice attracted the attention of Bill Traver, Traver Gallery, Seattle, who was instrumental in supporting and exhibiting the Italian artist's work. "I have a great deal of respect for the artists of Murano, and for Davide Salvadore's heritage as part of a distinguished lineage of Venetian glassworkers," said Traver. "Davide is a truly amazing individual; he was raised amidst centuries-old traditions, yet is extremely forward thinking in his own work and his ideas about how glass can be used as a sculptural medium. His adaptation of techniques, as well as equipment, to create one-of-a-kind sculptural work unlike anything else made on the island is inspiring. His efforts, throughout the years, to cultivate and promote the appreciation of glass art on Murano and to share his passion for glass with future generations through his teaching are equally inspirational. In my opinion, it is exactly this kind of inventiveness, openness and enthusiasm that will help Murano maintain its position as the heart of the international glass community." Dating back to the 1700s, Salvadore is the 11th generation on his mother's side, credited with creating glass pieces. The first of this lineage were the Rosetto brothers whose works dated to 1721 for a Piedmontese princess. At a young age, Salvadore began following his grandfather, Antonio Mantoan, into the furnaces of Murano, first learning how to build the kilns and later working in the studios of Alfredo Barbini, who is often recognized as the ultimate glassmaker of Murano. Later, he worked as a glassblower in multiple well-known glass studios, learning from each and improving his abilities. In 1978 he began producing lampworked beads in his mother Anna Mantoan's jewelry studio, which she sold to Yves St. Laurent and other couture houses as well as to African merchants. With his mother's encouragement, Salvadore developed his own personal style of making lampworked beads, and these beads are still featured as part of his sculptural pieces today; a tribute to his mother's talent and support. In 1987, he opened his own studio, Campagnol & Salvadore, where he continued doing lampwork and further developed his glassblowing expertise and talent. In 1998, Salvadore made a conscious decision to turn away from traditional functional glass work. At approximately the same time, he began demonstrating his unique murrine technique at Corning Museum of Glass, Pilchuck Glass School, Pratt Fine Art Center, and others in the United States. It was then that he was introduced to the American Studio Glass movement, which Salvadore embraced. As a result of his ingenuity and the inventiveness of his creations, the artist's glass design became instantly noteworthy. In 2012, Salvadore founded his own studio, Salvadore SRL, where he continues to work today with his two sons, Marco and Mattia in Murano. Davide is a founding member of Centro Studio Vetro, a Muranese nonprofit association that aims to promote the culture and art of glass. After demoing at GAS Corning last week, Salvadore taught Mastering Muranese Magic at the Corning Museum of Glass, from June 8 – 14. Currently, Salvadore creates passionately expressive one-of-a-kind sculptures that push the boundaries of centuries-old traditions. He combines traditional Italian techniques and elements in innovative ways in his work, which reflects diverse influences such as African tribal imagery, Muranese roads, and the smokestacks of glasshouses.
Of the millions of victims of the Black Death, one was a teenager named Joseph ben Meir Abulafia, who died of the plague in Toledo in 1349 alongside his new wife. His tombstone was inscribed as a conversation with the dead: "I am the man who has seen desolation and destruction, blood and pestilence. The days of my youth were cut short suddenly, in the prime of my life." His unnamed mother survived, left alone and childless, her days filled with "bitter weeping." That inscription is one of seventy-six medieval tombstones from Toledo's Jewish cemetery that preserve the most personal voices of history's deadliest pandemic, a catastrophe that killed an estimated 100 million people in six years and whose aftershocks lasted for centuries. Today's guest is Thomas Asbridge, author of The Black Death: A Global History of Humanity's Most Devastating Pandemic. We discuss how a minor Venetian merchant's business papers, preserved by his widow in a convent, reveal that the medieval trade networks which kept cities fed were also purpose-built to spread epidemic disease across thousands of miles. We look at why the Byzantine emperor wrote about his fourteen-year-old son's death with clinical detachment, how a Franciscan intellectual who had questioned whether other worlds existed died carrying holy water through plague-ravaged Messina, and why the only European king killed by the Black Death was besieging Gibraltar with dreams of marching to Jerusalem when the plague found his camp. The pandemic's most devastating long-term consequences were felt not in Europe but in the Muslim world, where the once-invincible Mamluk Empire was broken by recurrent outbreaks and eventually conquered by the Ottomans, and that this forgotten collapse may have been the true hinge point that set the West on its path to global dominance.See omnystudio.com/listener for privacy information.
Send us Fan MailSeparation can be a terrifying thing. Al & Siena are searching for second sight and untangling twins in Siena's extra-unnerving birthday special on DON'T LOOK NOW (1973) x DEAD RINGERS (1988)! Hear how the Venetian-set horror movie almost killed Donald Sutherland, learn the unnerving true story of identical twin gynecologists that inspired Cronenberg, and uncover the truth behind that infamous sex scene in this "doubles, doppelgängers, and BDSM" edition of Splice & Splatter. You can scream new episodes every other Monday with full video episodes on Youtube!Hosts: Al LaFleur and Siena Sofia BergtTheme Song: Theodore SchaferSplice & Splatter is a New Mexico x Michigan podcast productionFollow us on social media at linktr.ee/spliceandsplatterpodSupport the show
Thursday of the 11th Week in Ordinary Time Saint of the Day: St. Gregory Barbarigo, 1625-1697; he came from a distinguished Venetian family, embraced a diplomatic career, and then became a priest; he was consecrated as the first bishop of Bergamo; later, he was elevated to the rank of cardinal, and given authority over the diocese of Padua; he guided his flock with pastoral wisdom and deep understanding; St. Gregory Barbarigo worked unceasingly in carrying out the reforms set forth by the Council of Trent; at Padua, he added a library and a printing press Office of Readings and Morning Prayer for 6/18/26 Gospel: Matthew 6:7-15
Why did the Visigoths demand three thousand pounds of black pepper as the ransom for Rome — and what does that tell us about a climbing vine in Kerala that reshaped the entire history of the western world? How did a country of one million people on the edge of Europe come to control half the pepper reaching the continent, and build the Jerónimos Monastery to celebrate a voyage driven by spice? And what happens to an empire built entirely on a markup when someone finally figures out how to remove the middleman?Join John and Patrick as they tell the story of Portugal and pepper — Vasco da Gama's ninety-three days at sea, the dismantling of the Venetian spice monopoly, and the Torre de Belém, still standing on the Lisbon waterfront, paid for by a vine in India...----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review-----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com
Three American-born tour guides who have settled in Europe tell us what it's like to make a new home in a foreign country. Then, a lifelong resident of Italy's Veneto region helps us explore the Venice Lagoon as an ever-changing ecosystem shaped by climate change, local history, and the distinct cultures of its islands. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.
Save big on Vegas with Las Vegas Advisor — get 10% off a membership with code MTM (new members, affiliate): lasvegasadvisor.com Shawn signs off from his last show on the road as he and Mark run through a packed week of Vegas news. We dig into why Caesars might be the real winner of the MGM and Caesars buyouts thanks to all the Strip land it still owns, whether Caesars' new $199 Ultimate Steakhouse Tour is actually a deal (spoiler: we're not sold), and the casino shakeup that lands The Pass with the free-food crew at Rainbow Club and Emerald Isle. Plus Four Queens turns 60, a beloved Hugo's Cellar sommelier retires after 41 years, Sigma Derby gets its own Fremont Street parade, a 90s themed speakeasy that falls flat, the downtown Low Line park dream, and the big question to close: is Oyo in trouble after falling behind on its taxes? Let us know what you think in the comments. Episode Guide: 0:00 – The Venetian slushy guy 0:32 – Aria's carpet swap & the machine that rips it out 1:32 – Golden Knights tied 2-2 in the Stanley Cup Final 2:13 – The Pass sold to the Rainbow Club & Emerald Isle owners 3:56 – Caesars vs MGM: who really owns the land? 6:33 – Caesars' $199 "Ultimate Steakhouse Tour": deal or not? 8:54 – Four Queens turns 60 (and that jeweled keychain) 9:35 – Hugo's Cellar sommelier John retires after 41 years 11:14 – Sigma Derby gets a Fremont Street parade 13:25 – The "Saved by the 90s" speakeasy at the Venetian 16:21 – The Low Line: downtown's High Line dream 18:24 – Is Oyo in trouble over unpaid taxes? Want more MTM Vegas? Get our exclusive weekly aftershow and join the community.
Jimmy went to Vegas for No Doubt at the Sphere, then up to a family cabin in Truckee. The Sphere gets a full breakdown — the way the seats actually rumble, why the general admission floor might be the worst seat in the house, how the venue works as both a concert and a movie at the same time, and the weight-based checkout technology that somehow knew exactly what he grabbed off the shelf. After the show, he wandered through the Venetian into a piano bar and ordered what he describes as the worst Sazerac he’s ever had in his life. From there, Frontier Airlines to Reno, parents pick them up, a cabin at Tahoe Donner, a high ropes course, a run-in with Jason Green at a Truckee street market, Jackbox games, and a bear box — not an actual bear. Tyler took the F-350, Fiona on the trailer, the secretary, and Reed down to Rubicon Springs. The pre-trip wasn’t smooth: Fiona’s AC recharged Thursday, leaked back out by Friday morning, and the roof rack bolts were missing entirely — cue a hardware store bolt-matching tangent that goes deep into Torx bits versus hex heads and why that matters for plastic covers. But the trip itself was exactly what Jimmy needed. Dirty Dozen camp. No cell service. Fiona ran the whole trail without any real drama. What made this episode are the trail encounters. At Tahoma staging, Tyler ran into a Jeep crew that had accidentally over-pressurized and broken their mechanical gauge, which turns into a full explanation of why digital gauges exist and why analog gauge accuracy degrades at the edges of the scale — MorrFlate context makes this land. Then on trail, a Canadian couple stranded since Wednesday with a broken Dana 35, a sheared steering box, and a winch that pulled off the bumper — all in one trip — and this was the wife’s first time ever offroading. Tyler explains the TFS spare parts program at Rubicon Springs (donate your old upgraded parts so they can bail out people exactly like this couple), and it’s one of the better trail culture segments they’ve done in a while. Also on the weekend: Justin Wicks ripping the entire Rubicon on a dirt bike faster than Tyler predicted, Greg Bakken rolling through solo in his two-door JC, Horton showing up to camp, Chris Neely floating down the river with Emma on what was allegedly their first date, a listener named Max welding a diff drain plug using Tyler’s Karnage suitcase welder, and an Australian MorrFlate owner who told his buddies they needed to get one — not knowing he was talking to the actual owner. We have a massive discount this month with Rusoh Fire Extinguishers. You can get 25% off this month only with the discount code Rusohcrawlers. Go grab yours today! SnailTrail4x4 Discord: https://discord.gg/yFyFFkQbuyCome hang out with us on the SnailTrail4x4 Discord — it’s the easiest way to connect with Tyler and Jimmy directly, chat with fellow offroad enthusiasts, and get first access to Group Buys and Treasure Hunt token drops. MORRFlate Giveaway at 900 Reviews on Apple Podcast. But our next giveaway is when we reach 800 reviews; we are giving away an OnX Elite Membership. We will also give away an OnX Elite membership when we get to 850. However, when we reach 900 Reviews, we are teaming up with MORRFlate for a $1000 MF Product Giveaway. Go over to Apple Podcasts to leave your review now and become eligible to win. Congratulations to A13XMONT, who won a set of tires from Yokohama Tire! Call us and leave us a VOICEMAIL!!! We want to hear from you even more!!! You can call and say whatever you like! Ask a question, leave feedback, correct some information about welding, say how much you hate your Jeep, and wish you had a Toyota! We will air them all, live, on the podcast! +01-916-345-4744. If you have any negative feedback, you can call our negative feedback hotline, 408-800-5169. 4Wheel Underground has all the suspension parts you need to take your off-road rig from leaf springs to a performance suspension system. We just ordered our kits for Kermit and Samantha and are looking forward to getting them. The ordering process was quite simple, and after answering the questionnaire, we ensured we got the correct and best-fitting kits for our vehicles. If you want to level up your suspension game, check out 4Wheel Underground. SnailTrail4x4 Podcast is brought to you by all of our peeps over at irate4x4! Make sure to stop by and see all of the great perks you get for supporting SnailTrail4x4! Discount Codes, Monthly Give-Always, Gift Boxes, the SnailTrail4x4 Community, and the ST4x4 Treasure Hunt! Thank you to all of those who support us! We couldn’t do it without you guys (and gals!)! SnailSquad Monthly Giveaway Massive thanks to this month’s giveaway with Rusoh Fire Extinguishers. We have one of their 2.5-pound extinguishers to give away to a lucky winner. This extinguisher has an 18-year shelf life and is the best fire extinguisher for any off-road vehicle. To learn more, check out Rusoh.com. If you want a chance to win, sign up for the Giveaway Tier on Irate4x4 For the Month of April, we are giving away Gift Boxes. It’s Gift Box month, and two lucky individuals will win one of our gift boxes. These are jam-packed with goodies from tools to whiskey smokers. They are always different and always random. 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In today's episode of Weekly Dose of BS, Trey and Stephanie continue discussing their remodels. Should Trey become a male hooker to pay for Venetian plaster? Plus, who paid $1 million for clothes?If you enjoyed this episode, leave a review and make sure you download this episode!If you want to connect with Stephanie and Trey directly, message them at: www.instagram.com/stephhollmanwww.instagram.com/trey_stewartwww.instagram.com/bsthepodcastFOLLOW US ON TIKTOK:www.tiktok.com/@weeklydoseofbsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
INTRO (00:24): Kathleen opens the show drinking a Peace, Love & Hoppiness West Coast Pale Ale from Big Dog's Brewing Company in Las Vegas. She reviews her weekend in Vegas, playing golf and gambling at The Venetian with her friend Ron White and seeing No Doubt live at the Sphere with HollyBobby. TOUR NEWS: See Kathleen live on her “Day Drinking Tour.” TASTING MENU (1:28): Kathleen samples Hearst Ranch Beef Jerky, Hadley Fruit Orchards Hot Cheese Puffs, and Lay's Limited Edition Argentinian-Style Steak Chimichurri Chips. QUEEN NEWS (12:12): Kathleen shares that Taylor Swift is helping Artists make millions in the Spotify stock sale, Post Malone cancels a few more shows, and Dolly Parton's Dollywood is dethroned from its top spot by Tripadvisor. HOLLYWOOD HAPPENINGS (24:44): HollyBobby provides the latest news in Hollywood. SPANISH PHRASE OF THE WEEK (1:37:14): The Spanish phrase to learn this week is “dónde está el baño” or “where is the bathroom” in English. UPDATES (36:53): Kathleen shares updates on advanced bookings for World Cup hotels, and Delta Airlines is eliminating free snacks on flights under 350 miles. SPORTS NEWS (52:26): Kathleen reports on the Royal & Ancient Golf Club of St. Andrews making a notable first, and foreign soccer fans appear to be ditching the 2026 World Cup. HOLY SHIT THEY FOUND IT (45:52): Kathleen reads about the swamp-dwelling “fishing cats” with webbed feet recently spotted on a trail cam in Southeast Asia. FRONT PAGE PUB NEWS (59:34): Kathleen shares articles on American's best City Park in 2026, Walmart Target & Costco are eliminating self-checkout lanes, a study proves that Big Data Centers are becoming an increasingly high drain on national energy, Stanley Tools ceases operations after 180 years, Ted Turner dies at age 87, Spanish nuns help save rare giant rabbit population, Utah fights hyperscale data center plans, and a federal investigation has been opened regarding missing scientists. SAINT OF THE WEEK (1:34:22): Kathleen reads about Saint Kateri Tekakwitha, patron saint of the environment, ecology, and Canada. FEEL GOOD STORY (1:35:44): Kathleen shares a story about the “7-Eleven Baby.”
A child's simple, matter-of-fact description hints at a connection to the other side. From there, the Campfire takes a darker turn with a chilling retelling of a childhood encounter that raises an unsettling question: what if monsters aren't just stories? Along the way, this episode also explores an old funeral tradition not observed with possibly eerie consequences, a surreal travel experience that feels like stepping into the wrong reality, a shadowy presence tied to a dorm room, and a strange scenario in a Venetian apartment . It all adds up to a Campfire packed with high strangeness, where the ordinary world keeps slipping just enough to make you wonder what's really out there. VIRTUAL CAMPFIRE GROUPJoin our FREE online community at https://virtualcampfiregroup.comYOUTUBE CHANNELBe sure to subscribe to Jim's YouTube channel at: https://youtube.com/jimharold JOIN JIM'S SPOOKY STUDIO PLUS CLUBYou can get access to Jim's entire back catalog of Campfire and a TON of exclusive content with the Spooky Studio Plus Club. Go to https://jimharold.com/plus and signup to support the show and get access to our MASSIVE library of content!MERCHGo to https://jimharold.com/merch to get your Jim Harold T's, sweatshirts, mugs, hats and more! BOOKSGet all SIX of Jim's Campfire books here: https://jimharold.com/campfirebooks/ Learn more about your ad choices. Visit megaphone.fm/adchoices
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