Podcasts about international design

Sofía Bosch Gomez, Becky Miller, Ania Karzek and Jett Pisate Virangkabutra are designers and researchers working on environmental sustainability. This panel was recorded during the International Design in Government Conference held in Helsinki (2024). The title of the panel was: Transforming Public Services: Intercontinental perspectives to addressing sustainability. This panel is an intercontinental and transdisciplinary discussion on sustainability in the context of the development of public services. The cases presented were on sustainable services related to garbage management, farmers advice to motivate sustainable farming, women security and strategic city planning.  We explored the most significant mistakes made, how their projects operate across organizational boundaries, and strategies to support emerging sustainability challenges. Dr. Sofía Bosch Gómez is an Assistant Professor in the Department of Art + Design at Northeastern University's College of Arts, Media, and Design. She is also affiliated with the Burnes Center for Social Change and The GovLab. As a designer and researcher, she explores the intersection of public service innovation, design research, and education.Becky Miller works as a policy and service designer in the UK's Department for Environment, Food and Rural Affairs. Since 2022 she's been working on the Farming and Countryside Programme helping to develop new policies and services for farmers and land managers in England. She was the first service designer to work in the UK's cross-government Policy Lab (2019-2022), and previously worked on digital transformation of local government services. Before joining UK Civil Service, she worked in small businesses and service organisations including London's award winning music venue, Union Chapel. Ania Karzek has a Master of Arts in Public Sector Leadership and more years in government than she'd care to count. Ania has worked across a number of disciplines, including water, environment, government reform, social services, child protection and most recently, local government. She has also seen how ‘the other half live', having worked in the private, university and not for profit sectors in consulting and operational management roles. For several years now, Ania has been championing human-centered technology and data ethics and has pleaded with audiences to think slowly, broadly and deeply about the impacts of their technology choices. A disruptive policy wonk by trade, Ania has a passion for connecting the art of the possible with the care we need to take in making it happen. Jett Pisate Virangkabutra is the Founder of Create.ture - a social innovation consultant and adjunct lecturer at Thammasat University, King Mongkut's University of Technology Thonburi and Mahidol University. Currently his focus is on creating innovation with a Human centred design approach and Service design methods to work with both the public and private sectors  on social innovation, sustainability, and design for justice. This panel is part of the lists: Diseño feminista, Diseño sostenible, Australia y diseño, Reino Unido y diseño, México y diseño, Transporte, D&D in English. The "D&D in English" list includes all the episodes published in English. So far, we have 30 episodes available. Over time, we've been building a solid collection, and if this is your first time listening to us, now you know there's plenty more to explore!

On today's episode of Architectette we welcome guest Maria Killam. Maria is a decorator, stylist, educator on all things colour, and pioneer in the design industry with over 500,000 followers online. Maria's brand is built on the solid foundation of timeless design principles and her groundbreaking system for identifying and describing colour. She's been a featured colour expert everywhere from House Beautiful and HGTV to Apartment Therapy and the Washington Post.  We talk about:  - How Maria's business evolved from an ad in the Yellow Pages to a thriving global business with over 8 streams of income ranging from digital products to e-design services. - Maria shares about her color expertise and how her tools have revolutionized how designers and homeowners pick the perfect neutrals and whites. - We next discuss timeless design vs trends. Maria shares her opinion on the resurgence of beige, why stark black and white exteriors are on the decline, and how she advises on creating long lasting and loved spaces. - We end with an exclusive look at Maria's personal design choices for her home- a property she bought in recent years and has been renovating. We chat about her strategy for layering lamps, her unexpected choices of cheetah and leopard carpet, and other ways she has customized her colorful and cozy home. Links: Maria's Website: https://mariakillam.com/  Connect with Maria: https://www.instagram.com/mariakillam/ Architectette Podcast Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.architectette.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with the pod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Instagram (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@architectette⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and TikTok (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@architectette⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Exclusive Content on our Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.architectette.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support the podcast on Patreon: ⁠⁠⁠https://patreon.com/Architectette?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠ Music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlexGrohl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pixabay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Are you offering micro design in your interior design services? If not, you could be leaving money on the table. Guest Host Rebecca Hay sits down with Miranda Cullen of Inside Stories to discuss the rise of micro design, plus everything you need to know about franchising your design business. Stay tuned! Miranda Cullen is an internationally recognized interior designer and founder of Inside Stories, one of Colorado's top design firms. She currently leads a team of 20-plus designers in her Denver-based studio, which has earned more than a few accolades. In 2022, Miranda won the Design & Architecture award from the International Design & Architecture Committee. This year, Inside Stories was listed among the "Top 13 Interior Design Firms" in the Southwest by Architectural Digest PRO. ***

Join host Doug Shapiro for part 2 of 'In the ROOM' LIVE from ICFF. Today, Doug explores the essence of ICFF, capturing the spirit of design through the voices of global influencers, such as Lee Broom, Shreya Somani, Alain Gilles, and entrepreneur Sadig Alekperov.In this episode, Lee Broom shares his inspiring journey from theater lighting design to international acclaim, exploring the emotional depth of his creations. Next, Shreya Somani joins us to discuss her dual roles as a commercial designer and artistic creator, revealing how joy fuels her work. Finally, Green Mood founder Sadig Alekperov and designer Alain Gilles discuss their groundbreaking mission to bring nature indoors, blending innovation with natural beauty.Listen to Part 1 of In the ROOMLearn more about ROOM.        Follow Doug on LinkedIn.Click here to get your copy of Doug's children's book—Design Your World.Follow Imagine a Place on LinkedIn.

Today I have the pleasure of speaking with the Directors and Founders of White Red Architects, Dicky Lewis, and Joe Haire. Dicky co-founded White Red Architects in 2014, unifying the large-scale project experience of his fellow directors into an energetic practice engaging in exciting projects in the UK and internationally. He began his career at Foster + Partners in London, working on a variety of projects from the conception of designs, such as the competition win of 425 Park Avenue Office Tower in New York, McLaren Production Centre, through to the delivery of the technical design stage of Tocumen Airport in Panama. As an architect and creative director, Joe is responsible for fostering the studio's design culture.  Before co-founding White Red Architects, Joe worked at HawkinsBrown and AHMM Architects where he completed the AELP Fitness Centre, worked with Google on their offices in Kings Cross, and delivered 20 Farringdon Road for Derwent London. In today's episode, we will be discussing: White Red Architects tremendous success since the last BoA interview How they've approached winning work and pipeline building  How they've utilized mentors, consultants, and experts to support their growth To learn more about Dicky & Joe visit their:  Website: https://whitered.co.uk/  Instagram: https://www.instagram.com/whiteredarchitects/ ► Transcription: https://otter.ai/u/zXUc99S6jd4X2zlhfOF8ju0mwLQ?utm_source=copy_url ► Feedback? Email us at podcast@businessofarchitecture.com ► Access your free training at http://SmartPracticeMethod.com/ ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call ► Subscribe to my YouTube Channel for updates: https://www.youtube.com/c/BusinessofArchitecture ******* For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/enoch.sears/ Website: https://www.businessofarchitecture.com/ Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/podcast iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz ******* Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com Download the FREE Architecture Firm Marketing Process Flowchart video here: http://freearchitectgift.com Carpe Diem!

This week's episode of 2 Fat Guys Talking Flowers was recorded right after Fern returned from Washington DC after attending the Society of American Florist's Congressional Action Days.  Where participants get to walk the halls of congress and meet with US congress to discuss issues within our industry.Our guest, Zoë Gallina, AAF was one of the flower lovers who attended this year's SAF's CAD along with Fernando.  Gallina is the Creative Director of Botanica International Design Studio in Tampa, FL.  A multi-service design studio that includes floral, linens, specialty furniture, and much more.  Together with her husband, brother, and father (Ian Prosser, AAF, AIFD, PFCI, NDSF), their family creates amazing events and florals that inspire the industry. Learn more about Gallina and Botanica at:  http://www.botanicaflorist.com/Learn more about SAF's Congressional Action Days at:https://safnow.org/events-education/congressional-action-days/

Connection: The Skill of Preparedness and Reading the RoomAs Director of Strategic Sales for IIDA, Tracey Thomas' career is built on connections—whether with customers or peers or even just her personal relationships, she uses her intentionality and acute emotional intelligence to make people comfortable without compromising herself. She has mastered the art of observing subtlety while also teaching others to take up space and stay curious.Through my conversation with Tracey, we uncover the importance of nuance and the joy of living in the nonverbals of life.The Skill Set is an Imagine a Place ProductionConnect with The Skill Set:Follow The Skill Set on InstagramFollow The Skill Set on LinkedIn

Often times we're too focused on layouts, furnitures and neglect the importance of the home appliances when it comes to interior design. For me, I was stuck with ugly humidifiers during our dry seasons... until this brand came to rescue. Carepod.

On episde 10, Caroline & @Priya are joined by international multi-award winning interior designer, business consultant and Founder of Society of British & International Design, Dr. Vanessa Brady.⁠Vanessa is a prominent figure in the interior design sector both nationally/internationally and she was awarded an OBE for her services to Interior Design and the UK Economy.⁠⁠Vanessa has amassed an award winning portfolio including projects such as Hard Rock Cafe, the Design Council, Kabaret Club, British Luxury Club, Unilever, high security government offices, His Majesty The Sultan of Brunei, King of Saudi Arabia, Head of State Palaces, the private residence of numerous diplomats and VIPs.⁠⁠She is also one of 3 owners of nation's leading music; PopMaster alongside BBC presenter Ken Bruce and radio/music producer Phil 'The collector' Swern. Vanessa also founded the Vanessa Brady Foundation which encourages the creativity of talented young minds to develop an aspirational vocation.⁠Follow Caroline @caroline.donaghue and Priya @priya.rawal.london and the podcast page @therealrendezvous on Instagram and LinkedIn. Sponsored by V1 & The Luxury Property Forum. Produced by BBE Podcast Agency. Hosted on Acast. See acast.com/privacy for more information.

De la mano de Angie Chevalier y de Anami Velasco entérate de los temas de novedad dentro de ámbitos como el arte y la sociedad a las 14:00 horas de lunes a viernes en La Conjura de los necios. En El invitado, la Mtra. Leticia Villanueva y el Mtro. Alejandro Bribiesca, arquitectos, dialogan acerca de la mención honorífica que recibieron en el concurso International Design Awards 2022 con su innovadora propuesta arquitectónica.

In this episode, Troy had a chat with Levent Yildizgoren, Co-Founder and Managing Director of TTC Wetranslate Ltd., based in London, UK. Levent has set up his own translation company to help businesses, manufacturing businesses, and International design and design businesses connect with their international audience.  From having a stable job in a company, Levent decided to leave his job to pursue bigger opportunities and control his own life. TTC wetranslate was established in 1992 and has been running for over 30 years. Became a multi-award-winning translation, and localization company with 11 FTEs. Levent has said that growing a business requires having core values to hire the right people and help your business excel. So he says, “matching to those core values has worked really well.”This Cast Covers: Enable businesses, manufacturing businesses, International Design, and Design businesses, to connect with their international audience. Manufacturing companies with over 100 languages. Offers agreements contracts to the target audience. Working with professional translators and freelancers. Learning how to grow your business by hiring more people. A company accredited by ISO 9001 started with 7100 translation quality. Working with colleagues who are purely focusing on project management, etc. Teaching how to grow a business properly by implementing core values in hiring people. Provides 300 videos on how to create a statement and project management things for businessmen and entrepreneurs. Learning how databases can become a great marketing tool for business. Additional Resources: TTC Wetranslate Traction by Wickman Oversubscribed by Daniel Priestley Good Business in any Language ________________________ Quotes: “Success is about providing good service to customers and supporting the development of our colleagues.” —Levent Yildizgoren “When there is a niche, it is so much easier to market.”  —Levent Yildizgoren “Seeing other people's growth and professionalism can give satisfaction to the business owners.” —Levent Yildizgoren “Don't let your people sit down and just do what they need. Make them enjoy themselves on what they are doing.” —Levent Yildizgoren “Work is part of our life, and what we do defines who we are.” —Levent Yildizgoren ________________________ Music from https://filmmusic.io “Cold Funk” by Kevin MacLeod https://incompetech.com. License: CC by http://creativecommons.org/licenses/by/4.0

Chris Goddard is a seasoned interior designer and creator of timeless, eclectic, and luxurious spaces. With over 30 years of international experience, his work includes both residential and commercial projects in the U.S., Canada, the Cayman Islands, and beyond. His eponymous firm Goddard Design Group, based in Springdale, Arkansas, has been recognized as one of the top 100 firms in the world by the Andrew Martin Interior Design Review. Chris has trade memberships with the Design Leadership Network, A.S.I.D., and I.D.S. where he serves as vice president of the Arkansas chapter. In 2018, he received an A.S.I.D. Award of Excellence followed by the International Design & Architecture Award through design et al. Chris was named IDS Designer of the Year in both 2019 and 2020. Chris's design approach emphasizes the importance of centering design around the client. He never uses the same fabric or piece of furniture twice and believes a job well done is a job that tells a story and reflects the client. The one unifying factor among Goddard's work is quality over trend; he advises clients to be active in the design process and educates them on investing in meaningful pieces in order to make an inheritable, timeless space. Both Chris and his work have appeared in numerous National, Regional and International publications, including Architectural Digest, House Beautiful.com, Southern Home and Vogue. Chris is also a frequent guest on podcasts and design panels. In 2021, Chris was a finalist on the HGTV Design Star: Next Gen series. Looking forward, Chris is inspired by the resurgence of interest in the home. The necessity of living, working, and entertaining in one space has inspired people to transform their homes into bespoke environments. Also in the works for Chris in late 2021 is a proprietary fabric and furniture line with a book to follow in 2022. Learn more about Chris Goddard at: https://www.goddarddesigngroup.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/camillekauer/message Support this podcast: https://anchor.fm/camillekauer/support

Highlights from the conversationI'm always encouraging my clients to brag in a good way.A logo is just a mark and some of the best-known brands in the world have really crappy logosAs far as trying to build a brand or a personality, that's memorable. It always comes from a unique place. And usually it comes from a smaller place[A logo] is just a symbol. A symbol only has meaning once you do all the other things around it that communicate that brandYou need to embrace who you are. Be true to who you are and tell that story of who you arePeople are so often very passionate about what they're making, if you can engage with that, you get away from the  mundane, sameness in so much of the communication you seeMore about DJ Stout DJ Stout is one of 24 Partners of the acclaimed international design consultancy Pentagram and the Principal of the Austin, Texas office. Stout joined Pentagram as a partner in 2000. Pentagram, founded in London in 1972 by five designers, currently has four offices around the world. In a special 1998 issue, American Photo magazine selected Stout as one of the “100 Most Important People in Photography.” In 2004 I.D. (International Design) magazine selected Stout for “The I.D. Fifty,” its annual listing of design innovators. In 2010 The Society of Illustrators honored Stout with the national Richard Gangel Art Director Award for his advocacy of illustration during his design career. Also in 2010 Stout was recognized as an AIGA (American Institute of Graphic Arts) Fellow Award recipient for his exceptional contributions to the field of graphic design. His design work is included in several national design collections including the Museum of Fine Arts Houston, The Dallas Museum of Art, The Wittliff Collections, and the Cooper Hewitt–Smithsonian Design Museum.Stout and his team specialize in the creation of brand identity and strategy, publication design, packaging and interactive solutions. Stout and his team have done work for high-profile companies and institutions like Microsoft Windows, Ruby Tuesday, Popeyes Louisiana Kitchen, Walgreens, Lands' End, L.L. Bean, Southwest Airlines, The Fort Worth Museum of Science and History, The Perot Museum of Nature and Science, The Museum of Fine Arts Houston, The Contemporary Austin, The Houston Ballet, World Wildlife Fund, SkinCeuticals, Advanced Nutrients, Northwestern, Tulane, Vanderbilt, Middlebury, Loyola Marymount University, UC Berkley, The University of Colorado, Drexel and USC.DJ is the author of three books; The Pictures of Texas Monthly Twenty-Five Years, The Amazing Tale of Mr. Herbert and his Fabulous Alpine Cowboys Baseball Club, and Variations on a Rectangle–his forty-year design retrospective.Find DJ here: Instagram | Twitter  Show notesPeople:Michael BierutPaula ScherLuke HaymanHerbert Kokernot Jr.Companies and organisations:o6 RanchAlpine CowboysKokernot FieldTexas Monthly MagazineMiscellaneous:King of Diamonds – The story behind Alpine's Kokernot Field How can you help?There are four ways you can help us out.Give us your thoughts. Rate the podcast and leave a comment.Share this as far and wide as you can - tell your friends, family and colleagues about us (caveat: if you own a family business, these may all be the same people)Tell us how we can create a better podcast - tell us what you liked, didn't like, or what you'd like to hear more (or less) ofTell us who you'd like to hear on the podcast. Suggest someone that you think we should interview.One More Question is a podcast by Nicework, a purpose-driven company helping people who want to make a dent in the world by building brands people give a shit about.One of the things we do best is ask our clients the right questions. This podcast came about because we want to share some of the best answers we have heard over the last 13 years. We talk to significant creators, experts and communicators we encounter and share useful insights, inspiration, and facts that make us stop and take note as we go about our work.Hosted by our founder Ross Drakes.Subscribe iTunes, Spotify, Stitcher, Google PodcastsMusic by: @dcuttermusic / http://www.davidcuttermusic.com

In this episode, Lance Shields, Director of International Design at Adobe, joins us for a drink and a chat about designing for international users. We discuss the "90/10" rule of design, the concept of working small in a big place, and we revisit the benefits of Design Safaris - aka: traveling to other locations to spend time with and truly understand how other people think, work, and behave. Enjoy everyone! Drinks: Sugar-Free Vitamin Water XXX, Stone Brewing Scorpion Bowl IPA, Russian River Pliny the Elder Links: www.adobe.com, https://modular.adobe.com/quick-mockup, https://modular.adobe.com/presentation --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/whatbubblesup/message

The best way to keep up with the changing trends is to have a continuously evolving design mindset. Designers need to evolve and adapt to the changing needs and demands of the users to create better user-centric experiences. It can also help understand the psychology of the newer generations and create innovative customer experiences that may foster long-term loyalty. So how can designers create innovative experiences and thrive in the changing design environment?To know more about this theme, in the 53rd episode, we interact with Somdutt Sarkar, Design Director at India Babycare & Brand Operations at Procter & Gamble. With over a decade of professional experience in design and strategy, he holds expertise in digital marketing, branding, packaging, retail design, communication, and much more. Let's know more about his journey and experiences on the special episode of the "Avantika Designeering Series Podcast,” on the occasion of International Design Day. You can connect with Somdutt on LinkedIn. Don't forget to subscribe to our show and share your comments on ads@avantika.edu.in

Renata Amaral Morris is the Founder and CEO of EAT. With over 17 years of experience in branding and design, Renata leads all facets of EAT’s business from closing deals to ensuring client success. Her exceptional ability to interpret client needs and translate them into effective creative direction has allowed her to build deep relationships with brands such as Amazon, Netflix, Adidas, Twitch, Red Bull, Blizzard / Activision, EA Games, and The New York Times while firmly positioning EAT as one of the leading high-end branding and design studios working with the new media industry today.Gabriel Seibel manages EAT’s operations based in Paris and LA. Since the beginning of his tenure as Partner, COO, and Head of Production, Gabriel has successfully executed 400+ projects for internationally renowned brands, overseeing everything from development through production. Together with EAT’s Founder and CEO, he has expanded the team to the US, Brazil, France, Germany, and Portugal while cultivating a brilliant company culture in which creativity thrives. He is also a TEDx speaker and teaches Marketing at IESEG School of Management in Paris.EAT Website: https://eat.studio/LinkedIn:https://www.linkedin.com/in/renataamaralmorris/ https://www.linkedin.com/in/gabrielseibel/Instagram:https://www.instagram.com/renataamaralmorris/https://www.instagram.com/seibel/?hl=enChapter Markers/Timestamps:00:16 - Introduction: EAT02:15 - Did your team expect EAT to grow this big and flourish over time?05:50 - Discussing mission, vision, and adaptation with niche services offered 08:55 - Website re-brand and how it represents EAT's growth over time?10:20 - Lessons Gabriel Seibel learned from working at EAT - It's good to not always create 12:45 - Educating the future as a branding professor15:45 - Lessons Renata Morris learned from creating EAT - taking a break and cultivating an entrepreneurial mindset.20:00 - How do you decompress from the day-to-day demands of being a CEO?23:35 - Have you seen any differences as a woman, LGBTQ+ CEO navigating the world of business as it incorporates more diversity and inclusion?28:25 - Final tips for new business owners

Guest: Marc  Ruwiel | Founding Owner & Head Designer at Ideso See omnystudio.com/listener for privacy information.

A rising star in International Design, Adi Benjo shares her growth mindset in an ever-changing world with Lisa and Katie.  Adi started designing and selling capsule collections from her apartment in Tel Aviv to a New York boutique on Madison Ave, while still in her second year of fashion design studies. Adi creates clothing for the modern woman seeking comfort within elegance. Learn more about Adi at her website:  https://www.adibenjo.com/ Our Non-Profit Spotlight is My Very Own Bed. Providing new beds to kids in need. My Very Own Bed's mission is to provide new beds and linens to children of families who have recently secured stable housing.  Visit https://www.myveryownbed.org/ to learn more.

Oggi una puntata speciale di Design Addicted. Ho avuto l'opportunità di conoscere e fare quattro chiacchiere con Kanak Nanda, una giovane e talentuosa Wall Designer indiana. L'intervista è in inglese, ma spero tutti possiate riuscire a seguirla. Una chiacchierata molto interessante, che sopratutto ci apre gli occhi su quanto il mondo sia oramai globalizzato e come le varie culture nel design di fondino in un unico corpo molto grande ed interessante. Buon ascolto, spero vi piaccia.

In questo nuovo episodio di Design Addicted ho avuto l'opportunità di conoscere e chiacchierare con Santiago Sevillano, designer e CEO del Santiago Sevillano Studio di Valencia, Spagna. Una chiacchierata davvero molto interessante, con Santiago che sempre tocca ogni argomento con grande valenza critica e con estrema capacità di attualizzare le risposte. Un grandissimo grazie a Santiago per la sua disponibilità e la sua apertura totale verso il nostro canale podcast.

Kelli Ellis is well-known across the design industry. Her most recent venture as VP of Industry Relations for EU, UK, and US of https://ronati.com/ (Ronati) where she supports dealers of antique, vintage, and one-of-a-kind pieces around the world with technology and tools to help their businesses thrive.  I had the opportunity to sit down with Kelli to talk about a slew of serious topics from her new role with Ronati - the e-commerce manager that's about to Take the Antiques World by Storm - to her recent move to Barcelona - and the question we all want to know… which brand of red lipstick does she actually wear? Spoiler alert - It's Mac Ruby Woo. In fact, Kelli and I compared perfumed notes over our pucker power and discussed plans for the future as well as how we get what we want out of life.   https://kelliellis.com/meet-kelli/ (Kelli Ellis) is an interior designer, lifestyle expert and lifelong traveler who represents the epitome of livable luxury and casual international style mixed with rock star glam. Kelli is well known on TV and radio: you've seen her designs featured on TLC's Clean Sweep, HGTV‘s Takeover my Makeover, Celebrity Holiday Homes, House Hunters Renovation, and productions of Value Booster's, Move or Improve, and The House Therapist, and watched her design homes and offices on Bravo's Real Housewives of Orange County; as well as her own shows on The Design Network, Design Therapy, and Mid Mod: Then and Now. Her celebrity and discerning clientele benefit from her extensive world travels, adding dramatic artwork and antiques to create unique havens. Talk to you soon, Ciao Ciao Toma Clark Haines, The Antiques Diva Found out more about Margaret Schwartz at https://modernantiquarianshop.com/ (Modern Antiquarian) Also check out The Antiques Diva here: https://antiquesdiva.com/ (The Antiques Diva & Co): Antique buying tours and sourcing services in 16 countries on 3 continents https://www.antiquedealertrainingprogram.com/ (Antique Dealer Training Program): Antique dealer training and mentorship & services for new and experienced dealers http://www.aidangrayhome.com/diva (The Antiques Diva Furniture Collection by Aidan Gray): Reproductions using classic design mixed with modern materials https://republicoftoma.com/ (Republic of Toma): Custom jewelry designed by Toma, inspired by her love of antiques and travel https://antiquesdiva.com/business-of-antiques-podcast (The Business of Antiques): Podcast on making your antiques business sexy, modern and fun...and PROFITABLE!

Alice Twemlow leest haar essay Conflicting Definitions of Key Terms: An Ecological Protest at the International Design Conference in Aspen, 1970–1971 voor tijdens het Pruys-Bekaert event op 16 november 2019 in TENT, Rotterdam. Ze won met dit essay de Simon Mari Pruys-prijs voor designkritiek 2019.De Simon Mari Pruys-prijs voor designkritiek en de Geert Bekaert-prijs voor architectuurkritiek worden georganiseerd door Archined en Designplatform Rotterdam.

Jennifer is a creative dynamo. For 20 years, she’s been running Europe’s largest international design fair for young designers in German-speaking Europe called Blickfang. These fairs have launched a lot of careers for new, independent designers. These fairs are known for being innovative and fresh. Jennifer is also launching a new shopping event called DesignFest in 2020. In this podcast, she speaks about how she got into this field, what are some challenges that young designers face, how Blickfang helps them, how she’s looking to innovate the fair format, advice for young designers, and so much more. She’s also full of wisdom and energy, so sit back and enjoy. If you like this podcast, please rate it and leave a review! AND if you think your friends or colleagues should listen too, please share it on your Instagram and tag us at @hollymagazin and #hollymag so we can reshare the love! Thank you so much and enjoy the episode 3 of HELLO HOLLY!

Laura Stevens:  Hello, and welcome to the Government Digital Service podcast. My name is Laura Stevens and I’m a writer here at GDS. Today we’re going to be speaking about the work of the International Design in Government community. This community has grown rapidly since its inception 2 years ago, and now has 1,500 members from 66 countries and 6 continents.   The group brings together designers and design minded people working anywhere in the world to share best practice, host events and tackle common obstacles. And this summer, they held their first international event in the USA and Scotland.   So let's hear from 2 people directly involved in the community, Kara Kane and Martin Jordan. So please can you introduce yourself and tell me about your role here at GDS.   Kara Kane: Hi, I’m Kara Kane. I’m the Community Lead for User-Centred Design at GDS. So I work on growing user-centered design capability and as well, understanding and awareness of user-centered design across UK government. And I also manage the International Design in Government community.   Laura Stevens: So you’re quite busy.   Kara Kane: Yes.    Laura Stevens And Martin?   Martin Jordan: Yeah. I’m Martin Jordan, Head of Service Design here at GDS. And this means shaping what good service design looks like across government. It means helping government increase its service design capability through recruiting, training and as well, mentoring. And then yeah, building a strong service design community across government and well now as well, internationally.    Laura Stevens: And could you describe the community to me for somebody who has never heard about it before?   Kara Kane: So the community is just a group of people that are all working on similar things in government. So we have a shared purpose around making better government services. And it’s just, as you said in the intro, it’s extremely diverse and extremely international so it’s grown really quickly and as we’ve started kind of running the community in different ways, so we have online channels, we do monthly calls, we’ve now started doing events. So doing, through doing these different formats, we’ve been able to help people meet each other and helping people meet each other face-to-face.   Laura Stevens: Yeah.   Kara Kane: Which then helps the online stuff and helps that make it easier because people are more willing to reach out to someone if they’ve met them in person.    Laura Stevens: And you mention you’ve got countries from all the continents apart from Antartica.    Kara Kane: Yes.   Martin Jordan: Yeah. I think there are no designers there.   Laura Stevens: Yeah. I don’t think that’s going to happen anytime soon.  Ok so, I thought to show how diverse the community is as we mentioned earlier, I’d ask you a few questions about some of the different 66 countries you’ve got involved.   Martin Jordan: Oh gosh.   Laura Stevens: So do you know who your most northerly member is?   Kara Kane: Think it might be Iceland…?   Martin Jordan: Oh yeah, probably.   Kara Kane: We might have people in Reykjavik…?   Laura Stevens: Kara, you are correct.   Kara Kane: Yes!   Martin Jordan: I thought of Helsinki but yes, yeah, that makes more sense, yeah.   Laura Stevens: And then we, who is your most southerly member?   Martin Jordan: So it’s, it’s probably New Zealand. Because there are people, there are people in Wellington.   Laura Stevens: Yes! Martin, you got that right.    Don’t doubt your guess.   And then you have, out of the members, you have both the largest country in the world by area and the second smallest, do you know what those 2 countries are?   Martin Jordan: So one might be Russia. And the second one, I have no idea.   Laura Stevens: OK, you got Russia, so Kara, can you do the second, the second smallest country in the world by area?   Kara Kane: It might be Monaco..?   Laura Stevens: Yes! Well done.   So, and then the final one, just to showcase this diverse group, you have a country that’s a member, that is made up of more than 200 islands.   Kara Kane: I was ready for this one. I did some pre-work. So I know that this is Palau.    Laura Stevens: Well done! So this shows how, even amongst these diverse groups, there’s lots of shared traits with design in government.    Was there a particular catalyst for this International Design in Government group? How did it start?   Martin Jordan: So our former boss Lou Downe, at that time Director for Design, and the UK government, they like to blog. And they wrote a blog post I think in February 2017. And they referenced the D-5 countries.   Laura Stevens: Could you explain the D-5?   Martin Jordan: Yeah. So the D-5 countries were kind of like very digital countries that came together I think around 2011 or so. That included the UK, Estonia, Israel, New Zealand and South Korea. And there’s an ongoing conversation and a regular monthly call around design around government. And there was a special edition on design.   Laura Stevens: Yeah.   Martin Jordan: That we did do in early 2017. And Lou basically wrote a blog post and said like, well we’re having this great community of designers in the UK government, but there’s probably like more stuff to do as well on a global scale, because we very likely have common issues.    We all kind of like, design services that are somewhat similar. Policies might be different, laws might be different but overall, there are a lot of like, similarities. So we might be able to like, scale co-authored patterns, we might be looking at like, how to embed user-centred culture in government.   Kara Kane: Yes.    Martin Jordan: All of those things. So they wrote a blog post and then we were like, ‘ok, what does it actually mean?’.   Kara Kane: We had a form at the end of the blog post for people to let us know if they were interested in joining whatever this thing would be.    Laura Stevens: Yeah.   Kara Kane: So I went away and took that list of people, and kind of started developing the community. So we just invited all of those people to a Google group and then went from there.   Laura Stevens: And it grew really rapidly. Like I’ve got here in the first 10 months, it grew to 250 people from 37 countries. What sort of like challenges did you face when you were growing it at that sort of scale quickly?   Kara Kane: I think with any community, starting it is, is just difficult to start kind of forming relationships and to start getting the conversation going. So as a Community Manager, it was really about trying to get to know people in the community, trying to start introducing people, trying to just, like I would just have calls with people to find out what they’re working on to get to know them a little bit.    And then we started running these monthly calls, which were a way to, to kind of start sharing work in a different way. But again that took a while for the focus to turn away from GDS in to, to be a focus on sharing internationally. So not just us kind of telling, but us learning as well from, from other people.    Laura Stevens: And do you find there are a lot of shared things? ‘Cause obvio--, the countries we mentioned earlier, they’ve got hugely different geographies, populations, all different. But are you finding there’s, they are these shared obstacles that designers face in government and what, what would some of them be?   Martin Jordan: So in some places, there might not be a designer there at all but like a design minded person who’s doing it in some way.   Laura Stevens: Yeah.   Martin Jordan: So they ask like, how do you, how do you make the first business case for the first designer, and then we might be able to like, share like some of, some of the arguments and also there are a lot of, a lot of good stories out there so we try to like, give them good examples that they can kind of like, go to their, their seniors and like, advocate with these stories.   Laura Stevens: Yeah.    Martin Jordan: That is quite, quite, quite, quite powerful.   Kara Kane: Then following on from that, if you think about things like immigration, like that runs across…   Laura Stevens: Yeah.   Kara Kane: ...every, everywhere. So there’s a lot that we can, can learn from the similarities and differences of how, of how we run services related to immigration or employment or benefits.    Laura Stevens: And is it quite a lot of physical meetups or is it more sort of interaction online? You mentioned earlier there’s Google groups, Slack. So how does that, how do you all communicate with each other in the community?   Kara Kane: When it first started it was all online.    Laura Stevens: Uh huh.   Kara Kane: And because it’s an international community and, from the beginning it was really widespread in terms of representation geographically, it was hard to kind of think about you know what’s, what’s something we could do to get people to meet face to face. And I think the monthly calls were a way to do that. Because we were using Zoom, so it was the first way to like, show my face…   Laura Stevens: Yeah.    Kara Kane: ...to the community. And to, for Martin and Lou, when we were all on these calls, and meeting people. But then from there, I think, when I first joined GDS, Martin always wanted to do a conference.   So we were always looking for a reason to run a conference. And then the international community seemed like that was the next natural step, was to get people together face to face.   Laura Stevens:  So yeah. You had your first official conference in London, 2018. Can you talk a bit about that and how you went about getting everybody here from all these different countries, who was able to attend with that?   Martin Jordan: Yeah. So we had a tiny budget to actually make this happen. We didn’t spend much, much money on that. And we kind of relied on kind of, everyone paying for their own flight tickets…   Kara Kane: So when we, when we decided to run an international conference, we really wanted to involve the community in what it would look like. So we started sending surveys and emails out to the community to say, ‘what do you want this to be? Do you want to even come? What kind of format do you want it to be? Where should it be? What time of the year?’ So we kind of used the community to figure out what it should look like.   And then from there, started to shape the agenda.    Laura Stevens: What was the atmosphere like on the day?   Kara Kane: It was exciting.   Martin Jordan: I think people were like, super excited to see each other.    Laura Stevens: Yeah,   Martin Jordan: Because apart from like, interacting via Slack and as well as seeing each other in the monthly calls, people started following each other on Twitter, and there was quite an exchange there.    As well, some people met at other international conferences. So whenever there was kind of a design or service design conference, they were like, like almost like, you how they were like literally like asking like, ‘who else is there?’ I was in Helsinki at some point in winter when it was freezing and I was like, ‘Hey, Finnish government folks, shall we meet for tea?’ and they were like, ‘yeah!’.   So like, you were, yeah. I think it was a really really great atmosphere and for, for the conference, for the 2 days, we tried to have representatives from all continents.    So we tried to like, yeah, have a, have a good representation of of of regions. And then we had workshops on the second day. And for those workshops we really basically asked everyone in the UK government who can kind of like, host a workshop, run a workshop.    Laura Stevens: What came out of that in terms of saying that people were more connected and did any like working groups come out of it?    Martin Jordan: So the Finns, the folks in (the) Finnish government, started kind of like, a local community that gets together every, every month. And literally today, the Finns, as well the Estonians, run a joint workshop meetup together. So we actually started to, regionally we started connecting, connecting people with each other.   Laura Stevens: Yeah.   Martin Jordan: They’re now doing things, which is amazing to see. Yeah.   Kara Kane: I think another thing that came out of it is, so at the very end of the conference, we kind of asked people ‘do you want this to happen again?’, ‘do you want there to be another conference?’.   Laura Stevens: Yeah.   Kara Kane: And people were like, ‘yeah!’. And there’s people, in the community, who are willing to kind of, take on the responsibility to do something. So that was really, really exciting.    But I think, yeah the other thing was just, we’ve had people tell us that they know feel more confident to reach out to people. Like they’ve met people face to face, or at least they saw them at the conference, so now they feel like they can reach out to them.    People are using tools and methods that they learned in some of the workshops. They’re continuing to, to work on the things, if they, if they presented at the, at the  conference, they’re continuing to work on those, on those things that they were presenting about. Whether it was a workshop format or a kind of, yeah, a different way of thinking. So that’s really exciting.    Martin Jordan: Some countries even like, started translating some of the tools they’re using into English to make it more accessible for other community members, which is amazing to see.   Laura Stevens: What, I was also going to ask about that. Because obviously running an international community, you have the time zones and the language, do you, how do you get round those things?   Martin Jordan: Yeah.   Kara Kane: Time zones are really difficult for the monthly calls. In the very beginning, we tried to run, I don’t know why I thought this was a good idea but I was like, we’ll just do the call twice and obviously that did not work. And obviously that’s a ton of work.    So what we started was just to, just to move the times around.    Laura Stevens: Yeah.   Kara Kane: So it’s not like always run a call at the same time. We’re always trying to, to kind of, engage with different people. So we’ll run calls after work, later in the evening so that the Australians and the Kiwis can join.    Martin Jordan: But not too early in the morning.   Kara Kane: Yeah, not too early in the morning. Happy to, happy to do things after work but not before (laughter from everyone).   Laura Stevens: And the languages, are all the calls run in English?   Kara Kane and Martin Jordan (same time): Yeah.   Kara Kane: We haven’t, we haven’t encountered any issues with, with language. But I think you know, going forward we’re trying to be as, as inclusive as we can. We’re trying to reach as many kind of countries working in this space as we can. So that might be something that we have to think about in the future.    Martin Jordan: Yeah we were really impressed to hear recently that at a conference in Taiwan, a government conference, they had subtitles in 12 different languages to reflect like, all the people attending. And we still have no idea how, how to make that work but this kind of like, the level of ambition.    So at the most recent conference in Edinburgh, there was live subtitling in English and we’re looking into like, technologies to make it as inclusive as possible.   Laura Stevens: And that leads me nicely on. Because you mentioned earlier that this, the last event in 2018, led directly to the 2019 events. And this is the first time that the events have gone global. So could you talk through those, what’s happened so far this year?   Kara Kane: The first thing that we did this year was collaborate with Code for America. Code for America is a non-profit in the United States and they work on reforming government nationally. So they work really closely with state and local level government. They do really amazing work, and they run a summit, they run a yearly summit called ‘Code for America Summit’. And our idea was to bring the international community to the summit. So what we did was run a one-day international design in government day…   Laura Stevens: Yeah.   Kara Kane: ...before the Code for America Summit. So that was in Oakland in May of this year. And yeah, it was a real collaboration between between our 2 organisations. And to really bring the community to the US and reach people there that we’re not reaching, you’d think that the US would have a really strong design in government community, but they don’t yet. It’s still kind of nascent and forming. So it was really exciting to kind of, try and get all of those people in the room. Which they found really really valuable just to meet people like them, working on the same types of problems and challenges.   Laura Stevens: Is that because of like, the vast geography of America or is, and the federal...or is that?   Martin Jordan: The latter as well.    Laura Stevens: Yeah.   Martin Jordan: Yeah, totally. Totally.   And of course again like, there’s a lot of stuff that they can share. And then they can share kind of like, their recipes to how to solve a certain thing with other people.   Laura Stevens: Well, and that sharing tool--like I noticed New Zealand picked up the GOV.UK Design System and...   Martin Jordan: Yes.   This was amazing to see. Yeah, they kind of like took that and kind of made it theirs. Like restyling it, taking a few things in and out.   Laura Stevens: And was that facilitated by the community?   Martin Jordan: Well to some degree. So we have those monthly calls with themes, and the most popular ones were around design systems. So we actually had to, to repeat this theme so we had it in 2018 and did it in 2019 again because there’s so much interest.   And I think this was by far the most popular call we had, with more than 100 people joining.   Laura Stevens: Oh wow. Ok so...   Martin Jordan: And partially it was like a group of people in one room like, counting as 1 right.   Laura Stevens: Oh ok.    Kara Kane: Yeah. It was our biggest call ever. I was just completely shocked to see over a 100 people online joining us on Zoom.   Laura Stevens: Is it quite tricky to manage that as sort of, or does, is everyone quite respectful when somebody’s talking, everyone else will be muted. Is that, how is that to manage?   Kara Kane: Yeah. We have to set some, some ground, ground rules at the beginning to say, ‘everyone please go on mute’. And like yeah, there’s kind of there’s rules around, around how to ask questions. So there’s a chat function which is really easy to use, so you can write your question in the chat.   And then if you feel comfortable enough to go off mute and ask your question during the time for questions, then you can do that. Or I just read through the questions and try and help facilitate, facilitate that.    Martin Jordan: And there’s always recordings as well. So people can go back. So when they join the community later, they’re able to like, watch these previous calls or recordings of those, and once in a while, when people like, raise a question on Slack or on the mailing list, we’re like look, this was already covered, like have a look and they’re so thankful to like, find these resources.   Laura Stevens: And if we can go back to the America, the conference in America. Was the community involved with organising that like it was with the one in London, or was that is that a slightly different way it was organised?   Martin Jordan: Yeah.    Kara Kane: We reached out to some of the North American community members.   Laura Stevens: And who would they be?   Kara Kane: So we had people at Nava [Nava Public Benefit Corporation] in the United States, we had people at the Canadian Digital Service, people at the United States Digital Service, the USDS.   Martin Jordan: Veteran Services.   Kara Kane: So we kind of came up with 3 different kind of themes, which were around getting leadership buy-in for user-centered design, designing services for and with everyone and building design capacity and capability.   Martin Jordan: This was kind of like, although it was called International Design in government day, it was more kind of like, North American design in government.   Laura Stevens: Yeah. Yeah, yeah. With that regionalised context?   Martin Jordan: Yeah. Yeah, yeah, yeah.   Laura Stevens: And how did it feel on the day? Did it feel similar to the one you felt, you did in London, or was it different?   Martin Jordan: I mean I was so impressed.   Kara Kane: It was a lot of people that we hadn’t met before from the community, or people that were new to the community. It was people that maybe hadn’t all been in the same room before.   Laura Stevens and Martin Jordan (same time): Yeah.    Kara Kane: As in designers working in government kind of talking about things and realising, ‘oh my gosh, I’m not the only person...’    Laura Stevens: Yeah.   Kara Kane: ...that has these really frustrating things’. Or that has you know, learning about a success of someone like you just feel, you could feel how proud people were. And that was amazing.   Laura Stevens: And do you think that sort of, like talking, you were talking there about that sort of emotional support that the community provides, and that sense of ‘oh no, you’re not alone’. And obviously there’s very practical outcomes like you can use the same user research or you can use parts of the design system, but do you think that emotional support is quite a big part of why people get involved in the community?   Martin Jordan: Absolutely. This is..   Kara Kane: Yeah. Definitely.    Martin Jordan: This is, such a, such a strong, strong point. And yeah, I think, I think we see this as well in the Slack conversations. Like people asking questions and getting then a response from from somewhere, from another part of the world, is, is really reassuring.    Laura Stevens: And we should talk about your second conference as well in Scotland this year. So what happened there?   Kara Kane: So when I mentioned at the conference in London, when we had the hands up, well one of the hands was Anna Henderson, who is a Service Designer in Scottish government, in the Office of the Chief Designer. So Anna and her team got in touch with us and said, ‘hey, like we’re really serious, like we really want to do this, like we’re going to get budget, like everyone is, everyone is excited’. They had you know, from their team level up to their minister, ministerial level, was really excited about running an international conference.   So Martin and I were like, amazing, let’s do this!    Laura Stevens: Great!   Kara Kane: Yeah. Why wouldn’t we do this?    So this was the first time that we were kind of running an event, or this is the first time that we were kind of handing over the responsibility of running a conference to someone else.   Laura Stevens: So you didn’t do the agenda or…?   Kara Kane: So we really kind of stepped back. And our role was to kind of, advise and share what we had learned from running the conference in London.   Kara Kane: Yeah. So it was really shaped around the values of Scottish government, which is a lot about inclusion and participation. So the theme of the conference was participation involving citizens in the design of government and public services. And they had really amazing talks from the community, they had things on inclusive recruitment, they had things on doing international research, they had things on working with policy colleagues, and there was a fantastic keynote by Dr. Sally Witcher, who’s the Chief Executive of Inclusion Scotland.    And I think the whole atmosphere of the conference as well was really also encompassing their values. So as Martin said, they had captioning for all of the keynotes and all of the breakouts. So every single room that you went into, there was live captioning available to you. And for all of the keynotes on the main stage, we also had British Sign Language interpreters.   Laura Stevens: And is this something you’d want to carry forward now having seen it done in action?   Kara Kane: Yeah, I think as Martin said, with trying to figure out like, how can we use technology, and these kind of new technologies that are available, around live transcription and live translation. Like how can we use those better because that’s just, that would be just so amazing to be able to help people feel more involved if they can understand the content better.   Laura Stevens: And we can also look forward as well to the, your final is, your final international event of the year.    Kara Kane: And biggest.    Laura Stevens: And biggest in Rotterdam. And so yeah, can, Martin, can you tell me a bit about that?   Martin Jordan: Yeah, yeah. So yeah, as I said it will be the biggest conference we’ve had so far. So the Dutch government is leading on that. So the, my Dutch is really bad but the Gebruiker Centraal community, so which means like users first.    Laura Stevens: Yes.   Martin Jordan: Which is a community in the Dutch government that is around I think, for a few years now. So they had local events and as well conferences there for a while. And now they’re kind of like, opening up and embracing and welcoming all the international visitors. So they’re aiming although, we’re aiming for like 800 people...   Laura Stevens: Wow.   Martin Jordan: ...that will come together for like a full three days in Rotterdam in like mid-November this year, so 18th until 20th. And there will be workshops again, because we try to like not only in all of the conferences, not only have people talking at you, but you can actually participate and interact with people. So there’s always a lot of time for like, networking and workshopping things.   At the same time as well, kind of like open, other open formats, panel discussions. So all of that is going to happen. And again, there’s been like call for participations, we have been creating a kind of like, advisory board, again an international advisory board. Where people from different continents kind of like help shape as well, the content.    We’re still on an ongoing basis like asking for more content, because there will be so many people so we need a lot of content as well.    Laura Stevens: So you’re doing a call out now live to…   Martin Jordan: Yes!    Laura Stevens: So how if you, how do you put something forward, how do I go to this conference?   Martin Jordan: Yeah, yeah, yeah. So you can go to ‘international.gov-design.com’. There you find all of the events that have happened already, and the one that’s happening next.    Laura Stevens: And are you hoping this will, you mentioned for like the American one was a bit more localised to North America. Are you hoping this will have a more global outlook because it’s just a bigger conference?   Martin Jordan: The other day, I was listening to a talk from the Italians and I feel like everybody is kind of innovating in another pocket. So at the beginning some people were like, ‘oh GDS is so far ahead’, but like, we are ahead in some regards. In other regards like, other governments are totally leading. So there’s a lot of stuff we can learn from each other.   Laura Stevens: Is there an example you can think of, maybe from that conference that you were like, ‘oh, they’re doing so much better, we can learn from them’.    Martin Jordan: So the design system that was created by the US folks and as well the design system created by, by the Australians, contains like various components that we might not have had.   So there has been, after one of the calls, like kind of like, an immediate exchange of code...   Laura Stevens: Yeah.   Martin Jordan: ...which was like, wow. We were like, ‘oh this is a component we do not have here’. So that people…   Laura Stevens: Yeah.   Martin Jordan: ...just share code literally, just…   Laura Stevens: Straight away.   Martin Jordan: Yeah. Which is quite amazing, amazing to see. Yeah.   Laura Stevens: And in terms of obviously, you’ve had a really significant growth over these past few years, in terms of where you want to the community to go, is there any plans you’ve got for 2020, in terms of maybe, targeting different countries or growing it further or in a different direction. What would be your take on that?   Kara Kane: In terms of the events, we’re intrigued to see how we can continue running those, and how we can continue having the community take ownership of those events. So we have been in, we’ve had people contact us from 3 different countries saying that they’re interested in running a conference. So we are in talks.   Laura Stevens: Watch this space.    Kara Kane: Watch this space.   So we’re trying to think about you know, how many events should we do a year, and what should those events look like, and how big should they be. So we’re working on a bit of a conference playbook…   Laura Stevens: Yeah.   Kara Kane: ...at the moment, that we can share with people who want to run a conference, to really help them be able to do it.    So in general for the community, going forward, we want it be, we want it to continue to be a place that is supportive for people working in this environment and in this space. We want to continue bringing people together, we want to continue seeing things like the Finns and the Estonians kind of working together and running events together.    And you know, people working on similar service areas coming together to share and learn from each other. But we really you know, in the future, want to get to a point where we’re, as Martin said around the design system example, like how can we share interaction and service design patterns.   Martin Jordan: Yeah.   Kara Kane: There’s so much kind of possibility for that. So how can the community facilitate that and what does that look like and is it possible, and at what level can we get to, and how can we keep you know, stealing from each other.   Laura Stevens: Yeah.   Kara Kane: Stealing code, stealing ideas and just you know, really learning from what everyone else is doing. So it’s really about kind of, maximising share and re-use, which is the theme of the November conference.   Martin Jordan: Exactly, yes.   Laura Stevens: And so if, how would I join this community if I’ve been listening to this, wherever I am in the world, how would I join?   Martin Jordan: So we have quite a few blog posts on the design in government blog, that is one of the GDS blogs.    There you have a dedicated international category, and whatever international blog post you read, at the bottom there are all the links to join the Google group. And then you’re part of the community.   Kara Kane: So once you apply to join the Google group, and join the community, then you’re sent a welcome email. Which kind of tells you about the Slack channels, it tells you about the recordings of the monthly calls, it tells you about the events that are coming up. So you can immediately find out what’s going on and how to get involved.    Laura Stevens: And tell me about applying. Who exactly can join the group?   Kara Kane: So it’s open to people that are working embedded in government, working in user-centered design. So you could be a designer, a user researcher, some working in accessibility, anyone who’s interested in design, and you have to be interested in talking about those things, from any government in the world, is welcome to join.   Laura Stevens: And I don’t know if we could round off with maybe some tips that you, on how to set up your own community, if this is something, if there’s some quick fire tips that you’ve found over learning this community. Sort of, how do you scale, how do you keep momentum going and what tools do you need.   Is there anything you’d want to add those?   Kara Kane: I think the first thing is using platforms that people are already on.    Laura Stevens: Yeah.   Kara Kane: So…   Laura Stevens: Don’t reinvent the wheel.    Kara Kane: Don’t reinvent the wheel. Please.   Just people use Slack, so use Slack.    Laura Stevens: Yeah.   Kara Kane: People use email, so use Google groups. It makes it so much easier if you make it hard for people to actually get to the platform where the conversation is happening, you’re already putting up a barrier to your community.   Laura Stevens: Yeah.   Kara Kane: So make it really easy, easy to access once you’re part of the community. And easy to, easy to respond and join conversations.   Martin Jordan: And if there are events happening, whether they’re kind of like online calls or like physical meetups with talks, like if you can, try to record stuff. So if there is like material you can share, because people will either kind of like, join communities later. Yeah, do that.    Or as well be not able to attend, and if you can then share the materials so they can still consume it in their own time, it’s really beneficial.   Kara Kane: Yeah and I think, building on that, is just having different formats. So not just having a Google group or a Slack group, where it can be really really scary to ask a question or share something.    Having things like monthly calls where you’re kind of, inviting people in to present, inviting people to consume information in a different way, having face to face events where people can network and meet people in a different way. Just having different options for people to feel engaged in the community.    Laura Stevens: So different formats, use the tools people are already on and record what you do.   Kara Kane: Yes.   Martin Jordan: Yeah.   Laura Stevens: Three excellent tips.   Kara Kane: And help introduce people.    Laura Stevens: And is that sort of, facilitating..?   Kara Kane: As a Community Manager.    Laura Stevens: Yeah.   Kara Kane: It’s really, especially in the beginning, is just help facilitate relationship building.    Laura Stevens: Yeah.   Arrange lots of cups of coffee.   Kara Kane: Yeah.   Laura Stevens: So thank you to both Kara and Martin today for telling us about their experience in running the international design in government community. So thank you for coming on.   Kara Kane: Thank you!   Martin Jordan: Thank you.   Thank you to both Kara and Martin today for telling us about their experience in running the international design in government community.    You can listen to all the episodes of the Government Digital Service podcast on Apple Music, Spotify and all other major podcast platforms. And you can read the transcripts on Podbean.    Thank you both again very much.

Today, we welcome Architect Francisco Gonzalez-Pulido to the Business of Architecture show. Francisco was the former President of JAHN and founder international architecture firm, FGP Atelier. In this episode, you'll hear about Francisco's journey from joining competitions, working for with a firm and running his own practice. He'll share the tools he acquired and the strategies he used to keep his name top-of-mind, build credibility and develop relationships that helped him grow his award-winning, successful international firm. ► Subscribe to my YouTube Channel for updates: https://www.youtube.com/c/BusinessofArchitecture ******* For more free tools and resources for running a profitable, impactful and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/enoch.sears/ Website: https://www.businessofarchitecture.com/ Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/podcast/ iTunes: https://itunes.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast ******* Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com Download the FREE Architecture Firm Marketing Process Flowchart video here: http://freearchitectgift.com Come to my next live, in-person event: https://www.businessofarchitecture.com/live Carpe Diem!

Is there a simplified process to get near worldwide design patent protection? Learn about the closest thing we have to worldwide design patent registration by filing your design through the International Design Registration system under the Hague Agreement.

Meet our guests this week, Father and Daughter Ian Prosser and Zoë Gallina of Botanica International Design & Decor Studio. Ian, a floral legend, has been creating exquisite events for presidents, celebrities, and brands like Dolce & Gabbana and Neiman Marcus for over 30 years. Zoë, referred to as the 'imaginator',  truly completes this enchanting floral parntership. In keeping with Scott's relaxing chats with his guest, you are in for a fun-filled delightful hour of floral insights. Ian and Zoë chat about 'Their Process', setting expectations and the importance of communicating with one another. Be sure to subscribe to the podcast where ever you listen to podcasts. Learn more about Ian and Zoë on our website under season 2 theflowerpodcast.com

Simon Dixon & Aporva Baxi are the founders of renowned design and branding agency DixonBaxi, which they started in 2001. Simon and Aporva talk to Lauren about their roots setting up agencies from London to New York, the importance of craft, and their advice for young designers looking to stand out.

Peta Heffernan is a co-founding Director of Liminal Studio, a Hobart-based design practice working on projects related to tourism, cultural, residential, health and education facilities. Here she discusses a recent project, the Coastal Pavilions at Freycinet as well as how her unique practice works. 

Episode Notes Keir Worthy is a true Detroiter, someone with many skills and talents. Hip-hop Music's history is linked to Keir, International Design is linked to Keir, and African Centered Education is of Keir. While attending the University of Texas in the late 80's he introduced SXSW to all Black Music (including Hip-hop), and has worked in record promotions and marketing for of 25 years. Managing acts like Brand Nubian, 3rd Bass, Snow, and many more is his pedigree. Currently he's working on Wakandacon in Chicago August 3 - 5, 2018 and the Detroit is Different Film Fest in October 2018. This was an interesting discussion. PS Keir's cousin Sterling Toles sits in on this interview as well. Stay tuned, like, share, and invite a friend to the Detroit is Different experience! www.detroitisdifferent.com

In this episode, I sit down with Yali Saar (https://www.linkedin.com/in/yalisaar/), CEO and Co-Founder of Algorithmic Branding Agency, Tailor Brands (https://www.tailorbrands.com/), and talk about how to market a design tech/SaaS product and how to teach computers how to design products making it easier for the end customer with a great design. Yali and I dive deeper on how to combine computer learning with human interaction to build a community, Small Biz Nation (https://www.facebook.com/groups/tailorsmallbiznation/). Special Guest: Yali Saar.

Intercontinental Hotel Los Angeles, by Amy Jakubowski and Wilson Associates. Click on the image for more info! Amy Jakubowski: International Design Today in the Lounge Nick speaks with Amy Jakubowski live from BD West in LA. Amy talks about how she she got started in interior design at young age, what she does working for Wilson Associates, and some qualities she looks for in interns. Getting to Know Amy On Amy's coffee table you would find two candles, a book on 1950's California design, and plant that's still alive. She loves to travel for work and also takes trips with her friends -- this year it's a jaunt in Croatia. One of her projects has even taken her to Minsk, and she loves going back to Paris. Beer, wine, or cocktail? She loves rosés in the afternoon and reds at night, but if it isn't a nightcap, she prefers a cocktail. Click on the image to see the complete portfolio of the Intercontinental Hotel Los Angeles! How Amy got into Interior Design Amy's passion for interior design grew when she was thirteen and drew inspiration from her neighbors, which led her to the classroom on Saturdays for FIT classes and an eventual bachelor's degree. She worked in the industry part-time while in school and full-time when on breaks, and even had a job offer waiting for her when she graduated. Her first ten years were spent in the garment district, and from there she went to a firm that designed hotels before transitioning from boutique and retail to hospitality. The Business Today Amy is currently the Manager and Design Director for Wilson Associates in the LA office, where she manages the ten offices worldwide and a total of 70 projects -- from Morocco and Minsk to Abu Dhabi and Shanghai. She says that it's important to get to know the market you're in because every place is unique and different, and you have be able to adapt to different cultures. Click on the image to see the complete portfolio of the Intercontinental Hotel Los Angeles! What Amy looks for in Interns When hiring interns at Wilson Associates, Amy looks for an energetic go-getter with computer graphic skills like InDesign, Photoshop and CAD along with a passion for design. Amy also looks to make sure that a student has already done an internship when in the hiring process. She also has a few tips for resumes: a professional resume should include some sample projects but it is important to be concise and personable. Also, be sure to write the point of your objective in your resume. With digital portfolios also keep it simple: balance out your portfolio with technical skills and hand sketches, because it is important for her to see your process. And when you do find an internship (maybe even one with The Chaise Lounge!) be sure to find a mentor and ask a lot of questions! That's how you learn and get to know what different areas in design are out there. Visit Wilson Associates to learn more about Amy and Wilson Associates. Chaise Lounge Updates Get to know Nick this week in Las Vegas at HD Expo, May 2-4. It's not too late, register NOW! Last chance to enter the Moore & Giles INSTAGRAM GIVEAWAY!!! Follow the instructions on our Instagram Post for your chance to win a FREE tote bag. Resources Datacolor– If you've ever worked with a Benjamin Moore dealer and asked for a color match, then you've probably worked with Datacolor. Now, if you pick up a ColorReader pro, you can color match from home! You can also work with almost all of the color decks, including Benjamin Moore. Visit www.datacolor.com to order one or click the link from The Chaise Lounge Podcast website. Moore & Giles JLF Collections Design Manager Benjamin Moore Porcelanosa Universal Furniture Upcoming Events HD Expo – May 2 – 4 ICFF – May 20 – 23 NeoCon – June 11 – 13 Dallas Market – Jun 20– 26 Las Vegas Market July 29 – Aug 2 High Point Market – October 13 – 17 BDNY  – Nov 11 – 12 Wrap Up If you would like to hear more episodes, please visit us on iTunes or on our website at TheCha...

Intercontinental Hotel Los Angeles, by Amy Jakubowski and Wilson Associates. Click on the image for more info! Amy Jakubowski: International Design Today in the Lounge Nick speaks with Amy Jakubowski live from BD West in LA. Amy talks about how she she got started in interior design at young age, what she does working for Wilson Associates, and some qualities she looks for in interns. Getting to Know Amy On Amy's coffee table you would find two candles, a book on 1950's California design, and plant that's still alive. She loves to travel for work and also takes trips with her friends -- this year it's a jaunt in Croatia. One of her projects has even taken her to Minsk, and she loves going back to Paris. Beer, wine, or cocktail? She loves rosés in the afternoon and reds at night, but if it isn't a nightcap, she prefers a cocktail. Click on the image to see the complete portfolio of the Intercontinental Hotel Los Angeles! How Amy got into Interior Design Amy's passion for interior design grew when she was thirteen and drew inspiration from her neighbors, which led her to the classroom on Saturdays for FIT classes and an eventual bachelor's degree. She worked in the industry part-time while in school and full-time when on breaks, and even had a job offer waiting for her when she graduated. Her first ten years were spent in the garment district, and from there she went to a firm that designed hotels before transitioning from boutique and retail to hospitality. The Business Today Amy is currently the Manager and Design Director for Wilson Associates in the LA office, where she manages the ten offices worldwide and a total of 70 projects -- from Morocco and Minsk to Abu Dhabi and Shanghai. She says that it's important to get to know the market you're in because every place is unique and different, and you have be able to adapt to different cultures. Click on the image to see the complete portfolio of the Intercontinental Hotel Los Angeles! What Amy looks for in Interns When hiring interns at Wilson Associates, Amy looks for an energetic go-getter with computer graphic skills like InDesign, Photoshop and CAD along with a passion for design. Amy also looks to make sure that a student has already done an internship when in the hiring process. She also has a few tips for resumes: a professional resume should include some sample projects but it is important to be concise and personable. Also, be sure to write the point of your objective in your resume. With digital portfolios also keep it simple: balance out your portfolio with technical skills and hand sketches, because it is important for her to see your process. And when you do find an internship (maybe even one with The Chaise Lounge!) be sure to find a mentor and ask a lot of questions! That's how you learn and get to know what different areas in design are out there. Visit Wilson Associates to learn more about Amy and Wilson Associates. Chaise Lounge Updates Get to know Nick this week in Las Vegas at HD Expo, May 2-4. It's not too late, register NOW! Last chance to enter the Moore & Giles INSTAGRAM GIVEAWAY!!! Follow the instructions on our Instagram Post for your chance to win a FREE tote bag. Resources Datacolor– If you've ever worked with a Benjamin Moore dealer and asked for a color match, then you've probably worked with Datacolor. Now, if you pick up a ColorReader pro, you can color match from home! You can also work with almost all of the color decks, including Benjamin Moore. Visit www.datacolor.com to order one or click the link from The Chaise Lounge Podcast website. Moore & Giles JLF Collections Design Manager Benjamin Moore Porcelanosa Universal Furniture Upcoming Events HD Expo – May 2 – 4 ICFF – May 20 – 23 NeoCon – June 11 – 13 Dallas Market – Jun 20– 26 Las Vegas Market July 29 – Aug 2 High Point Market – October 13 – 17 BDNY  – Nov 11 – 12 Wrap Up If you would like to hear more episodes, please visit us on iTunes or on our website at TheCha...

Amanda Damewood (https://twitter.com/AmandaDamewood), Human Centered Design Coach, drives a chat about Human Centered Design and how you can harness it as your secret super power. ### Resources and Shoutouts: - [Ideo] (https://www.ideo.org) - [+Acumen] https://www.plusacumen.org - [International Design in Government Community] (https://designnotes.blog.gov.uk/2017/12/11/growing-the-international-design-in-government-community/) ##### Music Credit: [Tumbleweeds by Monkey Warhol](http://freemusicarchive.org/music/Monkey_Warhol/Lonely_Hearts_Challenge/Monkey_Warhol_-_Tumbleweeds)

Taking your design business international. There are many ways to attract international design clients. You can travel the world and talk to people about your business. You can invest in an international marketing campaign. You can become an SEO wizard and draw clients from around the world to you. Or, you can do what I did and give something away for free. My first international client, without even trying. If you listen to the Resourceful Designer podcast, you may have heard me mention bits and pieces this story, but I don’t think I’ve ever shared it all in one place. I started podcasting in 2013 doing TV Fan Podcasts for some of the television shows I enjoy. I have podcasts covering the TV shows Under The Dome, Orphan Black, Killjoys, and The Expanse. You can find all of them on my podcast network at solotalkmedia.com Unbeknownst to me, the journey that led me to have international design clients started with my podcast for the television show Under The Dome. While making that podcast, I met Wayne Henderson from California and Troy Heinritz from Illinois, two friends who were podcasting together about the same Under The Dome TV show. You might think that two podcasts talking about the same TV show would become rivals but the podcasting world is different. Podcasters are mostly outgoing people, and we like to help each other out, even when our shows are on the same topic. It didn't take long for Wayne, Troy and I became friends. In fact, Wayne is the man with the sultry voice you hear at the beginning of every episode of the Resourceful Designer podcast. How does this relate to designing for international clients? I'm the type of designer that doesn't like creating things without purpose. Any time I test out new software, buy a new Photoshop or Illustrator plugin, acquire a new font, or obtain anything else, I like to test them out on real projects. Often those projects are current client projects but if I don't have a client project suitable for me to "experiment" on I will find something else that may need a redesign and experiment on that. Even if it's not something I was hired to do. Like many podcasters, Wayne had multiple podcasts. One of those podcasts was on the subject of Voice-Over Artists. I don't want to sound mean towards a friend, but the artwork for Wayne's podcast was horrible. So when I purchased a Design Cuts bundle and acquired a fancy new font with multiple variations for each character, I decided to experiment with it by designing a new logo for Wayne's podcast. My goal wasn't to design a new logo; it was just to experiment with the font. But if I ended up creating something I liked, it might as well be something useful, and that's what happened. After experimenting for a while I liked what I had created, so I decided to spend a bit more time fine-tuning the design. The artwork was useless to me so I offered it to Wayne free of charge and told him he could use it if he wanted to, no obligations. Wayne loved the artwork and immediately replaced his old artwork with my new design. Not just that, he was so grateful for the unexpected gift that he started telling everyone in the podcasting space about the great artwork I created for him. A month or so later, I subscribed to the stock photo site GraphicStock (now StoryBlocks). While searching through the stock images, I saw one of a football on turf that caught my eye. A design idea popped into my head, and I downloaded the image. By coincidence. Wayne and Troy have another podcast together for their favourite NFL football team, the Green Bay Packers. Once again, the artwork wasn't the greatest. So using the stock image as inspiration, I designed new artwork for that podcast and gave it to them. Again, with no obligation for them to use it. Both Wayne and Troy were so pleased that once again they started sharing what I did on social media and the two became ambassadors for my design business. After that, every time they saw a post in a Facebook group where someone asked a question about a design they would share my name. I would get a notification that my name was mentioned, and I would join the conversation. Most of the time I would just help the person out with advice or give my opinion on a design they already had. I didn't try to sell my services. After a while, people started to notice that every time there was a design related question, I would provide a useful comment. It didn’t take long for one of those people to reach out to me to have something designed. The first was a woman from California. I created podcast cover art and a website for her. She was so pleased that she started sharing my name on both her podcast and on social media. I was then contacted and hired to create podcast cover art by a couple of her listeners who heard her talk about me with high praise. One of them was from Hong Kong and another from London, my first overseas international clients. The client in Hong Kong liked working with me enough that he hired me for another project of his that was not podcast related. This project was in partnership with someone he knew in Japan. A couple of months later the man from Japan asked me to design something for a side project he was starting. And so on and so on. Most designers agree that the bulk of their clients come to them via word of mouth referrals. That's precisely what happened to me but on an international scale. I've now worked with clients on every continent except for Antarctica. Most of them stem from those first two artworks I did for free for a couple of podcasting friends. This all started in March of 2015. At that time almost all of my clients were local except for a couple in the USA. Now, over 80% of my clients are international. Half of them are linked somehow to the podcast space. What exactly did I do? Instead of wasting time experimenting with design, I chose to experiment by designing something useful. Even though I was experimenting, I made sure to produce good work. Designs I could be proud of. I gave the design away for free to people who would appreciate it. Please keep in mind that doing free work is not the same as working for free. I can guarantee you that if Wayne or Troy had come to me asking for the artwork, I would have charged them for it. I provided good work that people appreciated, and it made them want to spread the word about me. Now, three years later. My name is recognised in the podcast space as that podcasting graphic designer who understands the podcast industry. And who do people turn to when they need a designer? Someone they know, someone they’ve heard about, someone who understands them. Times change. We’re lucky that we live at a time where it’s so easy for someone in California to have a conversation and share knowledge with someone in Scotland, Brazil or Australia. We're also lucky that boundaries have been broken. It wasn't that long ago that people were fearful of hiring someone from outside their borders. Now, most people do it without a second thought. How does this apply to your design business? How does this apply to you? Easy, if It worked for me, I don’t see why it wouldn’t work for you. In episode 54 and episode 93 of Resourceful Designer, I talked about Niches and how they can help grow your design business. That’s what I did without even realising it. I went after the podcast niche. It took me three years to get to the point I'm at now, and no, not all my clients are in the podcasting space, but by ingraining myself in that niche I've built an international design business, and it keeps gaining traction every day. Now I've partnered with a podcast production company who contracts me every time they have a new client that requires either podcast cover art, social media branding, website or any other design work. This method can work for you. If you have a passion or a hobby, I encourage you to get involved with others that have the same passion or hobby. Attend events related to your hobby, follow them on social media, join facebook groups or sub-Reddit groups, even forums if they still exist. Get to know the people in your space, help them out if you can, let them know what you do but don't sell yourself. By offering valuable information and showing that you know what you're talking about, I’m sure that eventually, you will get work from it just like I did. Gary Vaynerchuk has a book called [easyazon_link identifier="006227306X" locale="US" tag="resourcefuldesigner-20"]Jab, Jab, Jab, Right Hook.[/easyazon_link] In his book, Gary explains that you will be more successful at selling yourself if you've continuously offered help before. Be helpful, and when the time comes people will repay you for that help. As I said at the start, there are many ways to attract international design clients. This is the way that worked for me. It took three years but it was well worth it, and I can't wait to see what my client list will look like three years from now. Be helpful, Do good work, Treat your clients right and be patient. It will work out for you as well. How do you attract international design clients? Let me know by leaving a comment for this episode. Questions of the Week Submit your question to be featured in a future episode of the podcast by visiting the feedback page. This week’s entire episode was based on a question I received from Nayda. This is what she asked. Recently I listened one of your podcast in which you said that most of your clients are not locals in Canada. That’s why you set as one of your 2018 goals to gain more local clients. I was wondering, how do you find overseas clients? Recently I stumble upon the “Upwork” platform. In Puerto Rico, where I am from, they developed something similar after Hurricane María hits us. It’s called “Shop & Hire”. Did you use a platform similar to these to get your overseas clients? Also, what are your thoughts about the use of platforms such as the one I mentioned? Have a great day! Nayda This article is part of what I discussed on the podcast. Listen to the episode for the full story. Resource of the week Backblaze Never Lose a File Again with the World's Easiest Cloud Backup. Backblaze gives you peace of mind knowing your files are backed up securely in the cloud. Just set it up and forget about it. Backblaze works in the background and automatically backs up new and modified files. Hard drive crashes are only one thing you need to worry about. Your files are also vulnerable to hardware theft and natural disasters such as floods, fires, earthquakes etc. With Backblaze, you can rest at ease knowing your business files are safe no matter what happens. Backblaze works on Mac or PC and is just $50/year. Subscribe to the podcast Subscribe on iTunes Subscribe on Stitcher Subscribe on Android Subscribe on Google Play Music Contact me Send me feedback Follow me on Twitter and Facebook I want to help you. Running a graphic design or web design business all by yourself isn't easy. If there are any struggles you face running your design business, please reach out to me. I'll do my best to help you by addressing your issues in a future blog post or podcast episode here at Resourceful Designer. You can reach me at feedback@resourcefuldesigner.com

Today's interview is likely to blow your mind if you're looking to grow a profitable and impactful firm. Our guest today is Scott Lowe, co-founder of 5G Studio Collaborative, a firm with offices in Dallas, Atlanta, Miami and Asia. In this episode, Scott shares how he and his partners went from launching a furniture manufacturing business to running an internationally successful, design focused architecture firm. You'll also discover: How their furniture business opened up the avenues to launch an international practice in Asia. How they've applied the lessons they've learned in manufacturing to architecture Scott's simple process for building trust with new clients The "Godfather" offer that potential clients can't refuse You'll discover this and more in this interview with Architect Scott Lowe of 5G Studio Collaborative.

The One Condos at 1 Bloor Street West is probably the most anticipated new project in Toronto in years. In this episode Andrew talks to Eric Kuzian who is marketing the project on behalf of Mizrahi Developments. What makes this location, this building, and this developer so unique and unlike anything Toronto has seen before? Find out in this episode. Click here for show notes. Andrew la Fleur / Sales Representative 416-371-2333 / andrew@truecondos.com http://www.truecondos.com http://www.twitter.com/andrewlafleur http://www.facebook.com/truecondos

The first episode of fanfare tetatet, the podcast formerly known as Radio Echo with fanfare, a live recording of a conversation we had in front of the audience at the Chaumont Design Biennial. Those sitting in on the conversatiion were fanfare co-founders Lotte van de Hoef and Freja Kir, and frequent fanfare collaborator, the designer Miguel Hervas Gomez. Taking place in Chaumont's delightful, if slightly echoey Chapel, and sitting amongst the second incarnation of fanfare's nomadic design exhibition fanfare inc., we talked for the first time about fanfare in particular and also, more specifically, about the aim of the present fanfare inc. project.

Question: What 3 components (in addition to the mandatory requirements) must an international design application designating the U.S. include? Answer: In addition to the mandatory requirements otherwise required for international design applications, an international design application designating the United States must also include: a claim; indications concerning the identity of the creator (i.e., the inventor); […] The post MPEP Q & A 82: Components International Design Applications Designating the U.S. Must Include appeared first on Patent Education Series.

Question: What 3 components (in addition to the mandatory requirements) must an international design application designating the U.S. include? Answer: In addition to the mandatory requirements otherwise required for international design applications, an international design application designating the United States must also include: a claim; indications concerning the identity of the creator (i.e., the inventor); and the inventor's oath or declaration. Chapter Details: The answer to this question can be found in chapter 2900 of the MPEP. This chapter covers International Design Applications. The answer is from the 9th Edition, Revision 07.2015. Depending on future changes to the MPEP, the… The post MPEP Q & A 82: Components International Design Applications Designating the U.S. Must Include appeared first on Patent Education Series.

Our guest this week is Gleb Kuznetsov. Gleb is the design director at Fantasy, where he designs clean, futuristic user interfaces and jaw-dropping animations. In this episode, we talk about the struggles he overcame while learning design and development in Russia, how he got his job at Fantasy, why it pays to work on side projects just for fun, his process for brainstorming and designing, and so much more. Links Mentioned in Overtime: Gleb on Dribbble Gleb on Twitter Fantasy Fantasy on Dribbble Cinema 4D Adobe After Effects 10 Essential After Effects Plugins Balsamiq Sketch Fantasy is hiring; apply now Dribbble Shots: Tesla flow iOS app concept for Smart home product by Fantasy Drop Motion for AI Product Design Electric vehicle engine experimental for Fantasy

Our guest this week is Gleb Kuznetsov. Gleb is the design director at Fantasy, where he designs clean, futuristic user interfaces and jaw-dropping animations. In this episode, we talk about the struggles he overcame while learning design and development in Russia, how he got his job at Fantasy, why it pays to work on side projects just for fun, his process for brainstorming and designing, and so much more. Links Mentioned in Overtime: Gleb on Dribbble Gleb on Twitter Fantasy Fantasy on Dribbble Cinema 4D Adobe After Effects 10 Essential After Effects Plugins Balsamiq Sketch Fantasy is hiring; apply now Dribbble Shots: Tesla flow iOS app concept for Smart home product by Fantasy Drop Motion for AI Product Design Electric vehicle engine experimental for Fantasy

Autoline THIS WEEK doesn’t usually have a live audience but then it’s not usually taped in front of the Industrial Designers Society of America conference held recently in Detroit, Michigan. Joining John McElroy to discuss using “Design as a Change Agent” is Amko Leenarts the Global Director of Interior Design from Ford; Kevin Kerrigan from the Automotive Office of the Michigan Economic Development Authority; and Marc Greuther, the Chief Curator at the Henry Ford.

Autoline THIS WEEK doesn’t usually have a live audience but then it’s not usually taped in front of the Industrial Designers Society of America conference held recently in Detroit, Michigan. Joining John McElroy to discuss using “Design as a Change Agent” is Amko Leenarts the Global Director of Interior Design from Ford; Kevin Kerrigan from the Automotive Office of the Michigan Economic Development Authority; and Marc Greuther, the Chief Curator at the Henry Ford.

Question: List the 3 categories the elements of an international design application fall into. Answer: The elements of an international design application fall into the following three categories: mandatory contents which include items required in all international design applications. additional mandatory contents which include elements that are required by certain Contracting Parties and therefore are mandatory in […] The post MPEP Q & A 30: Elements of an International Design Application appeared first on Patent Education Series.

Question: List the 3 categories the elements of an international design application fall into. Answer: The elements of an international design application fall into the following three categories: mandatory contents which include items required in all international design applications. additional mandatory contents which include elements that are required by certain Contracting Parties and therefore are mandatory in any international design application that designates such Contracting Parties. optional contents which are items that may be included in an international design application. Chapter Details: The answer to this question can be found in chapter 2900 of the MPEP. This chapter covers International Design Applications. The answer is… The post MPEP Q & A 30: Elements of an International Design Application appeared first on Patent Education Series.

LUIS CARRIERE. D.D.S., M.S.D., Ph.D.   Ph.D. Degree (Cum Laude) University of Barcelona (UB) 2006 DDS degree by the University Complutense of Madrid (UCM) MSD degree by the University of Barcelona (UB) Joseph E. Johnson Award American Association of Orthodontists. San Francisco May 1995. International Design award  Delta Gold ADI-FAD 2009 with the “Carriere Distalizer MB” Inventor of the Carriere Distalizer and the Carriere Self-ligating Bracket Invited Professor at several Orthodontic Departments of Universities in USA, South America, Europe and Asia. Speaker around the world.   www.Carriere.es

Charlotte View interview with Alisa Bowen, Editor in Chief of "Home & Design" Magazine in Naples, Florida. As a leading publication of luxury homes, architecture, interior design and a pivotal home design resource for Southwest Florida- Home & Design Magazine closely watches hot design trends in the industry and is busy publishing 'The Top Ten Most Fascinating Homes in Naples'. Home & Design is available online, Barnes & Noble, Home Depot and throughout the Southwest Florida region. As a special guest on the show we welcome, Principal Interior Designer of Kira Krümm International Design, Kira Krümm who has built an exceptional design firm with an extensive emphasis on innovation, integrity and client satisfaction. Her contemporaries regard her as a visionary and a virtuoso, while her clients praise her creative passion and consistent professionalism. Kira Krümm's signature line of luxury fine furnishings, fabrics and home décor, The Kira Krümm Kollection introduces inspiring elements for Koastal, Klassic, and Kontemporary lifestyles. Kira Krümm International Design is located in the Miromar Design Center, Estero, Florida. the only design center in Southwest Florida and one of just 19 major design centers in the nation. Alisa Bowen: Alisa@homeanddesign.net 975 Imperial Golf Course Blvd. Naples, Florida 34110 Office: 239.598.4826 Fax: 239.598.3694 Cell: 239.273.1049  Kira Krümm: Kira@KiraKrumm.com Kira Krumm International: Miromar Design Center • 10800 Corkscrew Rd., Ste. 304, Estero, FL 33928. P: 239-992-5586 • F: 239-992-5596 Miromar Design Center Office: (239) 390-5111 and Fax: (239) 390-8211  

Looking at the findings of a recent study led by the IfM, exploring international design capabilities. It provides the first attempt at ranking 12 countries in terms of their national design capability.

With the publication of his first book in 1962 at the age of 26, RSW began the singular passion of his life: making information understandable. He chaired the International Design in Aspen in 1972, the first Federal Design Assembly in 1973, followed by the National AIA Convention in 1976, before creating and chairing TED (Technology/Entertainment/Design) conferences from 1984-2002. He created and chaired the TEDMED and eg2006 conferences. A B.Arch and M.Arch 1959 graduate with highest honors from the University of Pennsylvania, Mr. Wurman’s nearly half-century of achievements includes the publication of his best-selling book Information Anxiety and his award winning ACCESS Travel Guides. Each of his 81 books focus on some subject or idea that he personally had difficulty understanding. His most recent publications include UNDERSTANDING USA, Urban Atlas, Wall Street Journal Access, Information Anxiety2, Diagnostic Tests for Men, Diagnostic Tests for Women, Heart Disease & Cardiovascular Health and Wills, Trusts & Estate Planning, UNDERSTANDING Children and UNDERSTANDING Healthcare (January 2004). He has been awarded several grants from the National Endowment for the Arts, a Guggenheim Fellowship, two Graham Fellowships, two Chandler Fellowships, and the Chrysler Design Award in 1996. In 1991, RSW received the Kevin Lynch Award from MIT and was honored by a retrospective exhibition of his work at the AXIS Design Gallery in Tokyo, Japan on the occasion of their 10th Anniversary. He received a Doctorate of Fine Arts by the University of the Arts in Philadelphia, PA, an Honorary Doctorate of Letters from Art Center College of Design and an Honorary Doctorate of Fine Arts from the Art Institute of Boston. Presently, RSW is working on his latest project 19.20.21. which he created and chairs with his four partners: Larry Keeley, Jon Kamen, Michael Hawley, and Robert Friedman.