Podcasts about norville

Welcome to The Multifamily Podcast with Ronn and Martin, brought to you by ApartmentSEO.com. Today, we're exploring innovative transformations in the multifamily industry. We're thrilled to have Dan Norville, Founder and CEO of Vivo Investment Group/Vivo Living, joining us to discuss the revolutionary concept behind Vivo Living. Vivo Living has been turning heads with their unique approach to creating the highest standard in luxury living by converting hotels into vibrant residential communities. Join the fun and subscribe today!

Are you looking for some simple ways to implement science in your STEM classroom? Today is the first episode in the STEM in Action series, where I and a few guest experts will dive into each letter in STEM and give you practical ways to incorporate each one into your STEM curriculum. In this first episode of the series, I chat with Dr. Kayla Norville of Bright in the Middle. She helps answer the question: How does science relate to STEM? Dr. Norville shares some great insights into ways you can easily incorporate science into your STEM classroom. Head to the show notes for a full transcript of this episode, pictures, and all the links: https://naomimeredith.com/episode162/ Download my Free K-5 STEM & Teach Year-Long PlanLeave a voice message HERE for the podcast with your questions and comments!TpT Shop: Naomi Meredith | naomimeredith.com/tptshopCourse: STEM Teacher 101Workshops: K-2 STEM Planning 3-5 STEM Planning K-5 STEM Planning BundleStellar School-Wide News STEM Career DaySTEM Teacher Book Club: naomimeredith.com/stemteacherbookshelf1:1 STEM Coaching Support: naomimeredith.com/coachingCheck out more inspiration on her website: naomimeredith.comConnect with her on Instagram: @naomimeredith_YouTube Channel: Naomi MeredithFacebook Group: The Elementary STEM Coach Community | Technology & STEM for K-6 TeachersCheck out my other podcast for kids: The STEM Career Quest

Our month appreciating comedic films continues with The Coen Brothers' Hudsucker Proxy.  Released in 1994, the film stars Tim Robbins as Norville Barnes, a graduate of Muncie Indiana's business school.  He gets a job at Hudsucker Industries whose CEO, Waring Hudsucker, happens to join the great hereafter the day Norville begins work.  After a mix-up, Barnes goes all the way from the mail room to the boardroom and becomes the new interim head of the corporation. Rahne Alexander and David Kittrredge join Mike to discuss the ins, the outs, and the what-have-yous about this oft-overlooked tribute to classic screwball comedies told only in the way that the Coen Brothers (and Sam Raimi) could tell it.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Our month appreciating comedic films continues with The Coen Brothers' Hudsucker Proxy.  Released in 1994, the film stars Tim Robbins as Norville Barnes, a graduate of Muncie Indiana's business school.  He gets a job at Hudsucker Industries whose CEO, Waring Hudsucker, happens to join the great hereafter the day Norville begins work.  After a mix-up, Barnes goes all the way from the mail room to the boardroom and becomes the new interim head of the corporation. Rahne Alexander and David Kittrredge join Mike to discuss the ins, the outs, and the what-have-yous about this oft-overlooked tribute to classic screwball comedies told only in the way that the Coen Brothers (and Sam Raimi) could tell it.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Welcome back to the Alt Goes Mainstream podcast.Today's episode takes us into the world of technology with an expert in private markets tech.Griff Norville is a Managing Director and Head of Technology Solutions at Hamilton Lane, the $903B AUM (*Inclusive of $120.2B in discretionary assets under management and $782.9B in non-discretionary assets under management, as of December 31, 2023) global alternative asset manager. Griff leads the firm's tech-enabled analytics, forecasting, and investment diligence platform, Cobalt LPTM and related portfolio reporting services, and co-heads the firm's Technology Committee.Griff focuses on building proprietary tools and strategically partnering or investing into private markets fintech companies as part of the firm's efforts to drive digital transformation within the industry. Griff also leverages his background on the investment side to help inform how he thinks about technology transformation within private markets. He previously co-led Hamilton Lane's research team, where he was responsible for leveraging data to assess market trends and advice clients on investment and portfolio construction strategy.Griff and I had a fascinating conversation about the evolution of private markets technology and why it's an exciting time for innovation in the space. We discussed:How private markets are moving from the Stone Age and Excel age to the digital age.Why most GPs are still underinvested in technology.How Griff approaches the build, buy, invest question.Why Cobalt was so foundational to Hamilton Lane's work in private markets.How technology innovation has driven product innovation when working with the wealth channel.What comes next for technology in private markets.Thanks Griff for coming on the show to share your thoughts and wisdom on how technology is impacting private markets and for the work you're doing to invest in technology that's transforming the space.

Ho! ho! ho no. This eppy, yr grls go whatever the opposite of carolling is about - Christmas Masquerade: A Pride & Prejudice Intimate Variation by Vivien Norville Lizzie and Darcy (who you know...) are spending their first Christmas together and Darcy is BLOWING it. Or wait, Lizzie is blowing it? Honestly, no one is getting blown. When did the public opinion pendulum swing from sweet to spicy? Is self-publishing the field from which we must harvest the bitter oats sown by celebrating ROI and SEO instead of the HEA as Romance's primary virtue? Is it just a conifer? This Christmas, get duped by Capitalism. Again!

We love to celebrate on Rural Health Leadership Radio, and this week is one of our favorite occasions of the year: National Rural Health Day on November 16th! Since 2011, the National Organization of State Offices of Rural Health (NOSORH) has devoted the third Thursday of every November to spotlight rural health and pay tribute to rural communities. This week, we welcome Tammy Norville, CEO of NOSORH, as our special guest to discuss how NOSORH is marking National Rural Health Day this year. We discuss Tammy's personal journey in the field of rural health. Additionally, we explore various ways everyone can participate in National Rural Health Day, either virtually or within your local community. Check out these websites for more information on National Rural Health Day: NOSORH.org,   PowerofRural.org “National Rural Health Day is a celebration of the positive and the crazy, creative, and innovative ways rural health providers meet the needs of those folks they serve every day.” -Tammy Norville Tammy Norville joined the National Organization of State Offices of Rural Health (NOSORH) team in March of 2018 as Technical Assistance Director and moved into the NOSORH CEO role in June of 2022 with more than two decades of rural health experience. Tammy is a University of North Carolina at Chapel Hill graduate. She served rural safety-net providers for almost 15 years in the North Carolina DHHS Office of Rural Health. Tammy currently maintains Certified Professional Coder – Instructor (CPC-I), Certified Professional Coder (CPC), Registered Medical Coder (RMC), Registered Medical Biller (RMB), and Registered Medical Manager (RMM) certifications.

Today's podcast includes two interviews leading up to National Rural Health Day on November 16th. Features Tammy Norville, National Organization of State Offices of Rural Health (NOSORH) CEO, and Jason Lillich, Executive Director of Three Rivers Mental Health and Chemical Dependency Center, a 2023 National Rural Health Day Community Star. The transcript and a list of resources and organizations mentioned in the episode can be found at: https://www.ruralhealthinfo.org/podcast/nrhd-nov-2023 Exploring Rural Health is an RHIhub podcast.

Ryan Hill is joined by frequent guest Sean Tormey to test out a brand new series where a few random words dictate which episodes of random shows the boys must watch. In this episode, the mystery words brought us to episodes of VELMA, MIRACLE WORKERS, and WRECK. Which episodes were they, and did any of them reveal a new bingeworthy gem? Find out in the first installment of Episode Roulette!

On this special episode of IN THE CUT, we are joined by showrunner Leslie Norville to discuss the new CBC Series Black Life: Untold Stories. She discusses some of her favourite moments from the series and her most surprising discoveries. Norville sheds some light on misconceptions about Black history in Canada.Black Life is an eight-part docuseries on CBC that reframes the rich and complex history of Black experiences in Canada, dispelling commonly accepted myths and celebrating the many contributions of Black Canadians. The series spans more than 400 years with an eye toward contemporary issues, music, policing, Black liberation, immigration, culture, and sports.

Neither myself or today's guests are the first Black creatives that saw Paris as a sort of North Star. But what does that say about New York. Are New York prices hindering a thriving creative class? Families? Now, that's a bleak thought. Ryan Norville had a quarter life crisis that lead her on a path to learning French and eventually she, her husband and two kids moved to Paris! Ryan's determination is evident in her rising career and artistry. She's just as adept at bringing visions to life for her floral art clients as she is for herself. From learning the language to visa, even enrolling her kids in school. Ryan's telling us about her path to expatdom in Paris. And we even get into those viral TikToks. Listen, subscribe and give us five stars! You can find me living my expat life here on Instagram @nneya And Ryan in Paris @cinnamonryan Check out Ryan's beautiful artistry on Instagram @oatcinnamon and Tiktok @ryannorville_ And check out my essay on being Black American in Paris on 'N A Perfect World

Ever wondered how a top-tier football team prepares for a game against a formidable opponent? We break down the meticulous steps Florida State is taking as they gear up for a matchup with Clemson. This isn't just any game - it's a clash that could either propel FSU to victory or have them tumble down the rankings. We take you through their intense preparation, the nail-biting tension surrounding the game, and how their defensive strategies could bring the victory home.Consider this - who would make a stronger coach in their fourth year at a major D1 football program - Coach Prime or Norville? A tantalizing debate that will keep you on the edge of your seat. We dive into their performance records, hypothesize about Coach Prime's potential could he have been at Florida State and delve into the critical decisions made about uniforms. We even explore how you, the fans, could have a say in the selection process.Finally, we gear up for a comprehensive analysis of several upcoming college football games. We lay out the high stakes for both Clemson and Florida State, dissect the potential impact on FSU's season, and predict the outcome of games such as Auburn vs. Texas A&M, UCLA vs. Utah, and many more. Our expert opinions and predictions are sure to get you thinking, and maybe even changing your game-day predictions. This is a football episode you simply can't afford to miss.@TheNFLSN https://twitter.com/TheNFLSN

In July, I hosted a webinar called "How To Get Past Hollywood Gatekeepers" where I shared my thoughts on creative things you can do now with the strikes happening, as well as what you shouldn't be doing. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated TranscriptMichael Jamin:You shouldn't. You should not try to work. I mean, you don't go on any guild SAG projects or guild projects, but you could do, if it's a non SAG project, like a student film or something, you can do that. You're not violating anything. You're not getting paid, but you can build your network. Exactly. Or make your own stuff. If you write your own mini scene or movie or whatever and you shoot it on your phone, you're not breaking any strikes. You're not selling it, you're just shooting it. You're listening to screenwriters. Need to hear this with Michael. Hey everybody, welcome back. It's Michael Jamin. I'm here with Phil Hudson and we are going to answer some questions. So as you may or may not know, we host a webinar, a free webinar every three weeks usually, and I try to answer a different topic. And the last topic we did was called How to Get Past Industry Gatekeepers. And we did an exclusive v i P room afterwards where people could ask questions. This is where the questions are coming from, Phil, right?Phil Hudson:No, these are actually the ones from the webinar. We didn'tMichael Jamin:Oh, these are from the webinar. Okay.Phil Hudson:Yeah, because we shifted things up and for people who, dunno, you were spending a lot of time, we were staying on for an hour doing q and a with everybody, and so we just decided to give everyone an opportunity to hop in and get FaceTime with you. It's limited seats of V I P Q and A, and this is for the people who ask questions during the webinar who didn't get their questions answered rightMichael Jamin:Now I'm confused. Okay. Yeah, so to be clear, the webinar is free, but we also did a little bonus thing afterwards that people can buy in so I can answer more questions. So these are questions. I didn't get it. We didn't have time to answer and Phil's going to cue me. What is it? Yeah,Phil Hudson:No, I was going to say we're going to dive in and I think it's just two things. If you want to have a question answered by Michael, there's two ways to get that done and you're very, very open with your time. One is to join the webinar. We typically have one, sometimes two a month depending on the month, and it's a different topic typically every time. But we have a couple that people really like, so we might be focusing on those. But if you can't get your question answered there, the v i P is an opportunity for them to hop in with you and really just spend that time, time you turn your camera on. You ask myMichael Jamin:Question. Well, it's not one-on-one. A small group of people.Phil Hudson:So it's not one-on-one in the sense that you sit there and you get to talk to Michael. You don't have to. It's not, yeah. Thank you for clarifying. Yeah. So yeah, let's dive in. And we've done previous episodes. I've broken these into subjects. So there are a couple key categories. This is heavily weighted towards breaking into Hollywood because that was the topic,Michael Jamin:ButPhil Hudson:I think the craft questions are always good. So starting there, Norville, scs, if a character changes for the better over the course of a story, is there initial likability, something to focus on?Michael Jamin:Well, likability is a complicated thing. Sometimes people, you'll get a note from the studio saying these need to be likable. And that's not the same thing as the audience needs to the characters, which is a different, okay, so Tony Soprano is not a likable person. You don't want to spend 10 minutes with the guy, he might kill you, okay? But the audience likes to watch him because he's interesting. But often you'll get a note from the studio saying, these characters, they're too unlikable. I don't have an answer to that. It depends if you're doing a drama or a comedy, but generally the note you're going to get is these need to be likable characters, especially if you're doing a comedy. We're spending time with them, we're spending a lot of time with them. So even in Cheers, I'm sure one of the notes was Carla's too unlikable, so they probably softened her up so she wasn't, because you're spending time with him, this is your family, I guess. I dunno if that answers the question. It's the best I can do. Well,Phil Hudson:I think the question comes from Save the Cat, which you've admittedly never read and you've never read, but it definitely talks about how your character should do something to make us like them in the first three to five pages because we'll want to root for them and it's a redeeming factor and there's plenty of evidence as to why that's not necessarilyMichael Jamin:Accurate. I don't subscribe to that. I don't subscribe to that. So yeah,Phil Hudson:As good as it gets. You recommended, I read that for a script. I was writing one point. Is that it? Where is that? Not Jack Nicholson.Michael Jamin:Yeah, I mean I love that, but I don't rememberPhil Hudson:Telling you, but he throws the dog down the garbage shoot.Michael Jamin:Oh yeah, it was the first time we seen him. He throws the dog down the garbage shoot.Phil Hudson:It's the opposite of saving the cat.Michael Jamin:And it'sPhil Hudson:A classic, it's incredible film.Michael Jamin:And that's a film, right? So that's not a sitcom. So again, I don't subscribe to this thing. The character has to do something likable. What is that? I mean, I think they have to do something interesting. Engaging and throwing a dog on a shoot is kind of interesting for sure. SoPhil Hudson:Yeah, what kind of person would do that? Use his questions. Jackie Smite. What if you have a script for a very specific franchise? Is it simply foolish if you are an inexperienced or is it a bad idea in general?Michael Jamin:Bad idea in general. And it's foolish. You got 'em both write. You can't write for a franchise. You don't own the ip, it's not yours, let it go. You don't write a Marvel movie, don't write a Disney movie with the princesses. It's not yours, so let it go. Don't write anything with a franchise.Phil Hudson:This is a very common one. I mean, most people have an idea for a story and it's based off of existing ip. I remember talking to a friend in 2008, a couple months after I really started studying screenwriting. She's like, oh, I have this enemy franchise. I want to adapt for tv. And I was like, okay, I don't think you could do that. And yeah,Michael Jamin:Reach out to, if you get the rights from them, then do it, but you don't have the rights, so don't do it.Phil Hudson:And that is a process and we'll probably circle back on that because there's a question about attorneys, which we'll get to in a minute.Michael Jamin:Oh, okay.Phil Hudson:Cliff Johnson ii. I write drama features to half hour comedy and also differing genres. Is it limiting to spread myself thin or should I keep building a diverse portfolio?Michael Jamin:You don't need a diverse portfolio. I'd say specialize in whatever it is you enjoy the most. Focus on that, get really good at it, and then market yourself as the best damn thriller writer there is. Or the best broad comedy writer there is. You don't need a broad portfolio. You need to have a specific portfolio that really showcases your excellence in this one area.Phil Hudson:Yeah. You've given advice as well in the past that let's say you're a sitcom writer, well get really good at writing half hour single camera sitcoms that do multi, then do animated. So you stay in that genre, but you can build a portfolio within that genre to show your base. But it's different than writing violent westerns and Taylor Sheridan style.Michael Jamin:Yes. Right. I'm glad you pointed at that. So if you want to be a comedy writer, you might want a Yes. A broad you should have, should have a grounded single camera comedy, but it's all comedy. Yeah.Phil Hudson:Yeah. Awesome. Andrew James jokes, do you see everything from a certain comedic viewpoint when thinking of content or writing a script,Michael Jamin:A certain comedic viewpoint? I don't remember. Not sure what that means. There's things that strike me as funny. I'm not sure if I have. I thinkPhil Hudson:For me, I think I understand this question, but I don't want to interrupt you if you have something.Michael Jamin:No, what do you think?Phil Hudson:I think what's being asked is when I was told once that I have a particular view of the world and it often is a comical view of the world. I look at the ridiculousness of bureaucracy or rules and rather than get upset, I just make fun of them or I find ways to poke holes at them. To me it's really that question. Do you have that point of view to say, this is my Mike. Judge has, I would say, has a really clear point of view and the way he does his things. Do you look at things through a certain lens?Michael Jamin:I don't know if I do. I mean, I'm sure I have a voice. I'm always interested, I guess how do I like finding things, thinking of things that are funny, but I'm not sure if I have a specific I tact that I take, sorry, I can't help them more. I got to think about that more. Do I have a point of view? I tend to think silly and stupid, but I think I'm smart. I mean, I went to college and everything, but I don't think I'm dumb, but I think my voice is sometimes of a dumb person.Phil Hudson:When I think of your voice, I think of a lot of the things you share about the way you kid with your daughters,Michael Jamin:The way I kid with my daughters.Phil Hudson:Yeah, just like you've done a couple of social media posts where you're like, it's like dad jokes, but at a different level. It's an elevated dad joke almost.Michael Jamin:Well, I'm their dad.Phil Hudson:I know, but it's like dad jokes very punny. And then yours is one step further and you've done several of these quick bites on social media that are related to your conversations with your daughters. To me, that's Michael Jamin and Comedy.Michael Jamin:Oh yeah. I love having fun with my kids. They're so funny. Yeah.Phil Hudson:Cool. And then Phyllis Hill, Phyllis was pretty active, so we got a bunch of questions from her, but they were very good. I sorted through a bunch of 'em. And this is a little bit tied to something I know we've talked about before and I just thought it was good to put on the podcast. Have streaming platforms changed story structure, the same story structure that might've been used back during the day of network TV shows?Michael Jamin:Great question. Not in a hugely significant way. The biggest thing is probably, well, there's no commercial breaks, but so what? We still break the story still the same. We just don't go to commercial. But when we break it on the whiteboard, same thing. It doesn't matter. The only difference is streamers sometimes want you to have serialized stories. So the end, they want to end on a pregnant moment where, so it's continued. So the next story picks up where the last one ended. That's sometimes what they want so that you binge, but that's kind of easy. Often you can, if you go back and watch Weeds, the show Weeds, they did that really well see, they tell a full story and then at the end the story's over. They just do a weird little thing at the end of that story. And then that story would be the beginning. That beat would be the beginning of the next story. So it's super easy in terms of breaking it. It actually makes it kind of easy. It doesn't make, it's the same kind of storytelling. You're just adding one more beat at the end.Phil Hudson:Yeah, that's awesome. I think that's a very concise answer, Michael.Michael Jamin:I get paid by Word.Phil Hudson:I love that. I was going to say Charles Duma is Alexander Duma. I don't know who Charlie Duma is, but he's probably Alexander Dumas's cousin twice divorced. Some questions about your course which come up because during the webinar you're often, one of the things, people have a chance to win your course, you get lifetime access to the course. One person wins every time, but also you give a discount to the course.Michael Jamin:Yeah, if you're listening to this, come to these free webinars that I div, we give a good discount to anyone who attendsPhil Hudson:And that opens registration for that block of enrollment. Leonard h wanted to know, will the course do anything for someone working on documentaries?Michael Jamin:Yeah, I don't know. I mean personally I think yes, but I'm not a documentary filmmaker, but I have watched documentary films where I thought this would've been better if they went through my course. They would've dove into the emotional moments that I feel. But having never made a documentary, what the hell do I know? But I have watched documentaries where I thought this was good, but it wasn't great. It didn't really move me emotionally or I should. I think that's when documentaries really work is when or anything works when you finish watching it and you're still thinking about it, you're still feeling it the next day. So I don't want to promise, but I would think it would help. ButPhil Hudson:I have taken a documentary film class as part of my film school stuff. It's honestly one of the better classes I took. It was taught by a guy named Hank who was a Sundance fellow in the documentary labs and he done multiple documentaries. That's literally, he teaches and then he and his wife shoot documentaries and manage those tons of stuff in South by Southwest, the film fest, Sundance Film Festival, all that stuff. And absolutely story structure is a very vital part of that. And you get into the cinema verte and how you're doing your documentary and the influence of structure and story, but the story structure had to be there, or no one wants to watch what you're doing,Michael Jamin:Nobody cares. So the hard part is you can't invent that. You have to hopefully capture that and then know, oh, I captured this moment. This would be a good first act break.Phil Hudson:But they're scripted there. They're scripted. You need to understand what things you need to get, what beats you want to get as you tell the story. And then it evolves out of that. You often are surprised by what you get, but then there's the paper edit you do when you go into editing where you have transcripts of all the footage and you're looking for things. And it was a little bit uncomfortable for me then and still is now. He even encouraged that it's your job to tell the best version of that story as you can. And there is no such thing as cinema verite, truth of the camera, right? Truth of the lens. You can't because the moment you're there observing it, it changes. And that's a law of physics. You observe an Adam behaves different. And so he says at the end of the day, let's say that you filmed something out of order and there's a clip that you shot two months from now, but it helps tell the story that you need to tell. He had no problem rearranging things or cutting people out of order to get the story that he needed at the end of it.Michael Jamin:So your point is the story, our course would help. That'sPhil Hudson:Your point. Absolutely. Yeah, I absolutely would help.Michael Jamin:Alright,Phil Hudson:There you go. There you go. A couple of questions from Phyllis. Please compare your class to screenwriting classes like the ones offered on Masterclass.Michael Jamin:Well, again, I haven't gone through all the ones in Masterclass. I've watched a few videos of some of the speakers. I don't know, I mean I didn't watch all of it. I don't know. I really can't say having not watched all of it. I think mine is, I would expect mine is a little more hands-on in the sense that I'm teaching you literally how we break a story in the room. I don't fill you with a lot of terms that we don't use, but Phil, have you gone through Masterclass? Yeah. Maybe you'll know better than I do.Phil Hudson:Active subscriber to Masterclass for a long time and most of them I can't get through on Masterclass including, and look, I think Aaron Sorkin's one of the most prolific author writers of our time and I love everything he puts out. ButMichael Jamin:Yeah, he's Shakespeare. He's the Shakespeare of our time.Phil Hudson:Couldn't get through it, couldn't get through his course,Michael Jamin:Couldn't get throughPhil Hudson:It. No, a lot of, and actually I can tell you this because in my agency we have a client who is getting their own masterclass right now. So I've got a little view through the window of what that platform is. And I'm not saying all platforms are like this and I don't want to be saying anything disparaging against Masterclass. I really enjoy masterclass, but the amount of content they shoot versus what you get, it's like 20% of what that person did and they're not editing it. So Masterclass does this stuff, they're in Sorkin and then what you get on the back end of that or Shonda Rogers or whoever, you get to the end of that and it's like 20% of what they talked about. It's good, but it's not the meat. It's not the meat of what you want.Michael Jamin:I've watched some, not theirs, but I felt, and I love masterclass too, I felt you got a taste of everything. You can really learn a lot about cars and cooking and it's a really great, but I felt like from what I watched, it didn't go deep enough. That's not what it is. It's a sampling. And I thought it was interesting but not helpful for some of the ones I saw. Interesting but not helpful.Phil Hudson:The most practical one was Aaron Franklin's barbecue cooking class. And I put that one to good use with my smoker because it is very much, here's how you do it, here's how you tip things, here's how you wrap meat. It's just actionable. SoMichael Jamin:If I ate meat, I'd come over and make me a nice smoked dinner, but I don't,Phil Hudson:You'd be very happy.Michael Jamin:I'd probably start sweating.Phil Hudson:I'll meat sweats. Yeah, I'll make you some nice broccolini. How about that?Michael Jamin:Yeah, that'd be nice.Phil Hudson:Alright, and then just another question from Phyllis, and I think this is more broad about you and what you're doing for people online in the webinars with the course, everything. What is your motivation to offer this assistance other than money?Michael Jamin:Oh, well, when I broke into the business, this is back in the nineties, this was before the internet and I was living in New York. I knew nothing about the industry. I knew nothing. I knew no one, how would I know anything? So I just got in my car and I drove to LA thinking well get close. But now because the internet, social media, you can talk to people like me and get so much information for free and what a gift. And so I know people say it's impossible to break into Hollywood. Yeah, yes, it's hard, but it's even harder if you don't even know where to begin if you don't have these resources. But now I started building my social media profile back a little over two years ago as a way of building my platform so that I have a book that's coming out so that I could platform my agents has platform drives acquisition. I need a following to sell my book to perform and do all these things that I wanted to do. And so the way to build this platform was by just talking about what I know and giving 90% of it away for free. The other 10% is in this course that we have and that'sPhil Hudson:It. I a call from Michael and I was doing runs for Tacoma FD like season two or something. And you called me and you're like, Hey man, can you come over? I want run some stuff by you. I know many people know this, but some people don't. I know you through working at a digital marketing agency where I assisted your wife's e-commerce website and just worked for her for a couple of years doing whatever I could to take care of her. She'd been ripped off by the sales guy who sold her some stuff that we couldn't do and I had no idea who you were or what you guys did. And then one day you were going to join and it kind of put it together and you guys were just very kind and have always been kind to share your knowledge with me, but well,Michael Jamin:You started it. You started it by being kind first. Let's be clear.Phil Hudson:It was the right thing to do, right? It's a principle thing, which is very important. And at the end of the day, you called me over because I have that experience, that skillset, and we just had a sit down in your garage and you broke your Adirondack chair and then you told me that it wasMichael Jamin:Already broken. Broken, it was already broken,Phil Hudson:Was a big guy. I was sweating that once. I had to buy you a director's chair to replaceMichael Jamin:It.Phil Hudson:But anyway, we talked about this, what do you need to do? And I was like, finally, because I've been begging you for years to do this course and to put your stuff out there just because the private email lessons and the conversations we had were so incredibly valuable to me. And I was in flu school at the time and getting more value out of an email you'd send me over a weekend than I was getting in a week of lectures at that school.This is how you do what you need to do to sell your book and here's how you give. And the mantra of any good digital marketing platform is give, give, give, right, give, give, give. And there's an ask. There's always a right for an ask in there as well, because you are giving, and we talked about the course and you were very clear, I don't want to, you feel sleazy selling things. You don't want to do that you're, you're a writer, you're not a guy who does this. You're not pretending to be the answer to all things. And I said, but people will value what you have and they have to pay for it to value it. So I'm the one who pushed it. I'm the one who pushed the price and you've reduced the price over and over again because you just want to make sure that it's getting as many people as it can.You do, A lot of people don't know this. You offer basically free financing through yourself. People can sign up for the course on a three month plan, a six month plan, or pay in full and you don't bill 'em any interest. And there are plenty of ways for us to get interest off of people or get people to pay interest and that's just from my perspective, it's 100% honestly. How can I serve as many people as possible so that I can get this passion project of my book speaking as you to as many people as I can.Michael Jamin:Yeah, there you go. You answered it. Well, Phil, I think you said it better than I did.Phil Hudson:I'm growing long-winded in my as I wax old.Michael Jamin:Wax old.Phil Hudson:Yeah. Alright, cool. Now to the meat of the episode for the webinar was about breaking in and so there's some really good stuff here and so I know we'll be quick on some of this, but if you want, this full webinar broadcast is available for purchase as well on your website. It's like 29 bucks and it's lifetime access and they can watch the whole episode of this webinar.Michael Jamin:Yeah, go get it.Phil Hudson:Yeah, but Valerie Taylor, so once the script is done, what does it mean to build the mountain? What does the work have to do? And that's reference to a podcast episode we did recently that a lot of people really liked, which is Build Your Mountain.Michael Jamin:There are people doing this. I didn't come up with this idea. There are people on social media, content creators who are just putting their out there and because it's really good they're building a following. I dunno if that was their intention in the beginning, but that's what they've done. One I always mention is Sarah Cooper, I wish she would do my podcast. So have you reachedPhil Hudson:Interesting?Michael Jamin:I tagged her on something, but she's busy. She's busy, but I'm a huge fan of hers. So she's this vicious woman, young actress who as far as I can tell she couldn't get arrested in New York City. She just started during the pandemic posting kind of funny lip syncs of Donald Trump, but she wasn't just lip-syncing, was plusing it. She was adding her own comedy to it and her own reactions and it was really, she was great and she's just doing this and she wants to be an actor and a writer, but she's doing this and she was so great at it. She built a giant following and because this following people discovered her and because of that she gets, I think she got a Netflix special. She got a pilot out of it and where the pilot, she can write her own stuff now. I think some of the projects never went to air, but she sold it. She made a name for herself and she will continue making a name for herself because she built it first. She wasn't begging people for opportunities. It's the other way around. She started doing it and then because she was so good at it, people came after her. People started begging her.And you don't have to, and I think maybe Phil, we might even do a whole, I may save some of this information from our next webinar. I want talk. Yeah, I'm going to save, but I have more thoughts to this I I'll put in our next free webinar. Write. Write. Yeah.Phil Hudson:Can't wait. Oh, by the way, Michael puts a month worth of effort into writing every webinar. I see the revisions and I'm always like, Michael, I need this so I can make the workbook. Michael, I need this. And he's still editing. So Hayden, Sears, earlier you said to bring more to the table of an agency than a script. What else should I bring to the table?Michael Jamin:You could do what I just said with Sarah Cooper. She brought a huge following. She brought, you could bring talent, you could bring a movie that you launched, finance that you did yourself at Sundance that got accolades and now you're this hot new director or writer or whatever. That's bringing more to the table than saying, Hey, pick me. You're doing it already. You are already doing it. You're proving that you know how to do it. And people don't do it because it's work or they think it's too expensive. But I have to say, it's not the money that's holding you back. The money. You can raise $10,000 or $15,000. I know it's not nothing but it. We're not talking about a million dollars, we're talking about 10,000. You can raise it on a Kickstarter, you can raise it on a bake sale and you can shoot the damn thing on your phone and you can edit it on your phone.You just need good sound. That's what I recommend. But you don't need great locations. You can shoot the thing one, I always mention this, Phil is the whale, the movie The Whale, which is based on a play that was shot in an apartment. So don't tell me you need to have great locations to make something amazing. It was shot in a dumpy apartment and one of the most, it was a beautiful story. Beautiful. It was all because the writing, the writing was excellent and because the writing was X, it was able to attract great actors and the acting rose to the writing. If the writing was no good, who cares what the acting is?Phil Hudson:Yep. Cynthia always said that in our classes with Jill, your interacting classes, the writers put it on the page. Everything in actor needs to know is on the page. That's where the performance comes from.Michael Jamin:If it's a good script, yeah.Phil Hudson:Awesome. The cinema magician with the strike going on from both the writers and the actors now it feels like it wouldn't be fair trying to come get work this moment. How can I try to try for work and support the union?Michael Jamin:You shouldn't. You should not try to work. I mean, you don't go on any guild sag projects or guild projects, but you could do, if it's a non sag project, like a student film or something, you can do that. You're not violating anything. You're not getting paid. SoPhil Hudson:Build your network.Michael Jamin:Build your network. Exactly. Or make your own stuff. If you write your own mini scene or movie or whatever and you shoot it on your phone, you're not breaking any strikes. You're not selling it. You're just shooting it.Phil Hudson:Yep. Awesome. Love Leanne. Who is a member of your course, how should we speak to writers and other filmmakers on the picket lines? I've seen others not doing it very well and I'm kind of afraid to speak.Michael Jamin:Oh, well that's hard. I mean, all you got to do is don't act like you want something from them. Just act like you want to learn from them. Hey, tell me about your story. Tell me how did you start? How did you break in? What kind of shows do you like to write? What inspires you? Pretend like they're a guest on your radio show or your podcast. Interview them. We don't want anything from them. You're just curious to get their story. People will talk.Phil Hudson:Yeah, they definitely will. And when I've gone out and done picketing, it's really interesting. I don't talk to people, I'm just, who are you? Tell me about you. What are you doing here? Why are you here? What are you doing out on the picket line? Cool. Are you in industry? Breaking in the industry? Oh great. Oh, cool. You worked on that show. I love that show. Awesome. And then they ask you questions too, because walking in circles for hoursMichael Jamin:And you're a human being and they're going to make conversation. The conversation will eventually turn around to you and then you can talk about yourself.Phil Hudson:Have you noticed the people who put up their YouTube channel and stuff on flyers on the poles and stuff in the corners?Michael Jamin:No. I have not seen that. I have promoting their own channel.Phil Hudson:It feels a little skeezy to me. Personal. I'mMichael Jamin:Not. The problem is no one's looking at him anyway, so Yeah.Phil Hudson:Yeah, you haven't noticed. And when I see 'em, I'm just like, ah, man's. I don't know. That's the way to do that. You're basically saying, look at me. Look at me. Instead of being there, walking on the picket lines, talking to people and putting in effort to fight for the same things they're fightingMichael Jamin:For. Yeah. You don't have to promote yourself.Phil Hudson:Alright, Norville, scss. Does the strike lead to an increasing demand for scripts?Michael Jamin:Well, when the strike is over, there will be, everyone will flood the market with their scripts and that's just the way it is. SoPhil Hudson:Yeah. Demand, but also supply because all of these writers have time to write.Michael Jamin:Yeah, right.Phil Hudson:Antonia, Roman. Hey, Michael, met you yesterday on the picket. I appreciate your insight. How many script feedback reads should someone actually pay for? Sometimes the feedbacks contradict each other.Michael Jamin:Thanks. Oh, Phil, IPhil Hudson:Know.Michael Jamin:Here we go.Phil Hudson:My purpose. Yeah,Michael Jamin:Many. If you're paying in one of these services and maybe it's like 150 bucks for one of these services, you're going to get who you get who's reading the script other than it's someone who works at the service, they don't know more than you do. They just work there and they're making whatever, 20 bucks an hour or maybe less to read script after script. What's their qualifications beats the hell out of me. Other than the fact that they're working there and they're not industry deciders. They're not like they don't have jobs in SC screenwriting. If they did, they would be doing that. So a service, I'd pay nothing, because that's why you're going to get contradictory feedback. What do they know? They don't know more than you. If you can find a writer with experience, and there are writers who will do this as a freelance thing, check out their credits, go on their I M D B, what have they written? Ask to see their work. What have they read their work? Do you like their work? And if you do, then yes, then your feedback could be valuable. But I would never go through a service.Phil Hudson:Yep. We did talk about this where I sent Michael, I paid for feedback from some of these services on your behalf, listener to the podcast. And then I shared the emails back and forth from them, the reviews as well as when I questioned the validity of the feedback I received from them. I sent Michael those. And I think the feedback from the service was way more infuriatingMichael Jamin:Than the Yeah, it just made you mad. It made you feel like you got ripped off. Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creativeTypes. You can unsubscribe whenever you want. I'm not going to spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Phil Hudson:Awesome. Ruth W should emerging rider approach breaking in differently than before, given the strike, are there any new approaches that should be considered? Thanks?Michael Jamin:I don't think, wait for the strike to end before you think about breaking in, but the landscape has changed so much with social media that you don't need anyone's permission. I just talked about this. You don't need anyone's permission to write and build up your brand. I'm not doing it. I'm not waiting for anyone's permission. I don't know why anybody else would. I have a good podcast guest this week? Well, I dunno when you're going to hear this Mike Sacks, go listen to him. See, he's an author and he talks about that himself. He has sold books to publishers and he's also indie published it himself and he makes a really strong case for just doing it yourself. And he's done both. And he's an editor at Vanity Fair. So the guy knows how to write.Phil Hudson:Yeah, yeah. Also, definitely don't try breaking him right now. They're very clear rules that the writer's guilds come out and said, if you even have meetings with producers, that is an act of crossing a picket line.Michael Jamin:No, I'm not talking to my agent, I'm not talking to producers. I'm not doing any of this. YouPhil Hudson:Mean they will literally forbid you from joining the guild. So any short term win now is basically a nail in the coffin of your career later and as it should be, Susan Mark, when you get the low paying non-union screenwriting gigs over and over, how do you move from that into network shows with four question marks?Michael Jamin:The fact that you're getting these jobs to begin with are great, even if they're non-union. So good for you. I mean, this is where if these movies are doing or shows are doing well and if they're well received and if they're written well, and this is what you show to an agent and you say, here's my body of work and here's a movie I did that it cost 10,000 to make, and the return on it was a hundred thousand. That's impressive. So that's how you can parlay that into bigger opportunities. But the problem is, if you're doing this work and the work isn't coming out good, it still has to be good. It has to be good. And people have, it has to have be one or the other critically well-received or makes a lot of money. It has to be a financial success. One or both. One or the other or both.Phil Hudson:Awesome. Roxanna Black Sea. How do you get over feeling guilty asking a friend or a mentor for a referral and how do you know you're ready and not wasting their time? This is a good one. I might as well wrote this, Michael.Michael Jamin:Well, if you have a friend who's in the industry, I dunno if they're in the industry or not, but you only have one chance to impress them. And if you give them something that's not great, it's a big ask. Hey, sit down and read this. It's going to take them an hour and a half or whatever. And if it's not great, they're not going to want to do it again. They'll do a favor once, but they won't do it again. So there's that. The get over the guilt. Well, if you've giving them a giant gift, you shouldn't feel guilty If it's giving 'em a piece of shit, well, you're going to feel guilty, but you just need to know what it is you're giving them.Phil Hudson:That takes a lot of introspection and a lot of self-analysis. I would also say it takes a lot of practice and study of existing high quality works to compare yourself.Michael Jamin:Yeah, high quality. That's the thing, Phil, if you're watching some crappy TV show and you go, well, I can write a crappy TV show that's not the barPhil Hudson:Crap. Plus one that's been around for since the a o l days crap plus one is I can do one better than that. It's not good enough. Yeah,Michael Jamin:Not good enough.Phil Hudson:Alright, Ruth w again, if you know an established riders working on a new project that you have happen to have particular rare knowledge on, is it appropriate to contact that rider even to work for free? And then there's a follow-up to this.Michael Jamin:Well, if they're on a show and you have particular knowledge, they're not going to let you work for free. You can't work for free. But you can share your knowledge and I don't know, it always, you can share your knowledge, but no one's, you're not allowed to work for free. So I don't know what if they're going to offer you a job or not,Phil Hudson:But is it okay to reach out to them?Michael Jamin:Why not? What's the harm? Yeah.Phil Hudson:I think the benefit of that is you are going in to say, Hey, I saw you're doing this. I happen to be a subject matter expert on that. Anything you want to ask me, I'm happy to go over with you and bring out any insights you want. You are now serving that person. You're not coming in and say, give me a job, give me a job. And you might hop on a zoom with them and have an intro. Now you've got a foot in the door to have an extended conversation as someone, and you've provided value to that person.Michael Jamin:Right. Then you're right. You're not asking for anything in return, but people tend to give things back when people give first.Phil Hudson:Yep. And the follow up question, is it okay to contact an agent to get the contact information for that rider that you would like to help for free?Michael Jamin:So you don't know this person. Yeah, you, the agent's not going to do anything with it. I would doubt they're going to do anything with it. You could reach out to them on LinkedIn, maybe you could tweet that.Phil Hudson:This might be a good time to slide into the dms. Right. And because you're not asking, you're providing valueMichael Jamin:AndPhil Hudson:Expect them not to reply.Michael Jamin:Right. Expect 'em not to reply. And it's because you, maybe they get too many solicitations or maybe it's just they find it weird. It's worth a shot.Phil Hudson:It also might just be that they don't have time to look at their social media, which is very real. Don't read into it. Just shoot your shot. Move on.Michael Jamin:Yeah, right. Don't wait. Don't hold your breath. Shoot your shot and keep shooting your shot. Keep working on yourself. Yep.Phil Hudson:Genova, is there anything we need to be wary of when approaching smaller agencies with our scripts so we don't get screwed?Michael Jamin:Well, the agencies, first of all, don't approach any agency that's going to charge you for to represent you. That's no legit agents work on commission. Now the big ones are not going to represent you. You have to reach out to smaller ones who are soliciting clients. I wouldn't expect an agent to, I wouldn't expect them to rip you off. That's not what they do. They're going to represent you and try to sell you. The agents are not producers, they're not screenwriters. So to me it's safe. But again, I don't give legal advice if you have to do what's comfortable for you personally, I don't worry about that. That's not something I worry about.Phil Hudson:And you started at a smaller agency that some could say screwed you, but I don't know that you see it that way, right? Because you got hip pocketed basically as a baby writer.Michael Jamin:They didn't screw me, they just didn't do anything.Phil Hudson:That's saying they didn't screw you. But some people might say they screwed you because they didn't do anything.Michael Jamin:Oh yeah. But they didn't steal anything from me. They just didn't help my career any.Phil Hudson:Yeah, and we talked about that in some of the early podcasts. If you want to go back and listen to those. I think it was the agents and manager episode is like episode five or something.Michael Jamin:SoPhil Hudson:95 something episodes ago. It'sMichael Jamin:Great. Yeah. You remember this stuff.Phil Hudson:Shem L. Do you think New York and LA are still the places to make it?Michael Jamin:No. I think LA is the place to make it. Take New York off the list. Where is Hollywood? This is a trivia question. Find it on the map. Hint, it's in Los Angeles. I understand that some television production or film production is done in New York. Some Where's the writing done? The writing's done in la. Same thing with Georgia or New Mexico. Sometimes they shoot things there for tax breaks, but the writing is almost always done in LA and even if some writing is done in these smaller cities, okay, fine, maybe you'll get incredibly lucky, but you're not going to be able to sustain a career there. The career's here, that's how I feel.Phil Hudson:All right. And Jill Hargrave. I'm a senior writer, 76 years old, transition from decades as a documentary producer to screenwriter. I have an agent and I'm in the news division with the W G A East. Any advice on how to get read by execs?Michael Jamin:I'm looking for, so she's a news writer.Phil Hudson:Sounds like she's a writer in the news division for the W G A East. She has decades of experience being a producer in documentary film. She has an agent advice on how to get executives to read your stuff.Michael Jamin:Sorry. Yeah, so you're in the same boat as everyone else. I don't think you got a leg up. You sound like you're very competent news producer, but you might as well be an orthodontist. It's a different kind of writing, but shePhil Hudson:Has an agent.Michael Jamin:Ask your agent. I suspect your agent's not going to give a crap. Your agent is able to get you news jobs. That's what you are and that's what you bring value to them. But they're not interested in you starting your career over from zero. My friend Rob Cohen talked about this in one of our podcasts. He was a very successful sitcom writer, wrote on a bunch of shows including The Simpsons, including Just Shoot Me where I was on maybe 20 or so years into his career as a TV writer, very successful TV writer. I ran into him and he's like, I want to be a director now. I want to direct TV and film. I thought, well, how are you going to do that? He goes, I don't know, but I'm going to make it happen. I said, well, is your agent helping you at all?No, the agent's not going to help me one bit, even though he's a successful TV writer because it's a different thing. It's directing. They don't want to sell 'em as that. They can sell 'em as a TV writer, but not as a director. So unfortunately, you're going to have to start over. You milk whatever context you have. Maybe your agent can set you up with a referral with another agent at their agency that they should be able to do. But at the end of the day, you unfortunately have to make your career. They're not going to make your career for youPhil Hudson:If they have an agent because they have some screenplay sample that they've submitted. My guess would be that that's when your agent would show those. When we're not on a strike, they'd take your samples and try to sell those things to people that get you staffed and they're going to do that job for you. But it sounds like through the question that you're right, Michael, that's not a writing agent in this space. It's documented or a new set,Michael Jamin:But talk to them, maybe get some tips. I mean, again, I've tried to do the same thing myself. My agents, I have big agents and manager. They don't give a crap unless I can make money for them today in my field. They don't really care.Phil Hudson:Yeah. Awesome. Ruth w this is miscellaneous. I've got three more questions here. Excuse me for, is there any value in getting an entertainment lawyer? Does this confer any legitimacy when trying to get people to read your script? Or is it just a waste of money and Yeah, there's some follow-up to this. We'll get to that.Michael Jamin:So no, an entertainment attorney is the best money I spend. My attorney takes 5% of all the deals that I make and they help negotiate these deals. Money well spent, but it's only when I'm negotiating a deal, that's when they get paid. They get a commission. I would never pay an entertainment attorney upfront. It doesn't help you make a deal. It doesn't help you look more important. You're just going to pay them a lot of money out of pocket for no reason. Attorneys are there to help you negotiate the deal and read the fine print so you don't get screwed. That's what they help you do, but you don't pay one upfront for any. As far as I know, I would never pay one upfront.Phil Hudson:I've had two in my career and the first one didn't do a lot. This one, and we worked with him on some stuff today, actually. You and I were going over some tree mark stuff with him. But anyway, he is great and he comes at it from the perspective of that, which is, my job is to protect you and I can be the bad guy. I can go fight the fight for you to get you what you want. And you can say, Hey man, that's just what my lawyer does. You're going to have to take that up with my attorney. And we talked in the podcast about this recent experience I had where he wrote this contract and the guy signed it and he ended up protecting my butt because he put a clause in that said nothing was executable until it was paid. Money was delivered.And so because this guy never exchanged money, he only talked about exchanging money. I'm not obligated to do anything for this guy. And had I walked into that, I probably would've just signed something and not had the foresight to have that. He also had it paid in steps. So above and beyond the WJ minimums, he structured it. So I'd get paid more money upfront like you want money in your pocket? And he deals with Sony and major country musicians. He's a real proper entertainment attorney. Incredibly valuable. And it looks like he answered honestly the question, what's the difference between an agent who's going to get 10%? What's a lawyer do? What's the difference? And the answer is the agent basically books the deal. The attorney gets you the most money they can out of that deal,Michael Jamin:And the agent's not going to read the contract. They don't read contract. They're not lawyers. They don't deal with that. So you need an attorney.Phil Hudson:Love it. Goddard Fin, any insight on getting a preliminary budget done by someone or a company like Mike Binder's, budget company? I'm assuming is this for an indie project?Michael Jamin:I never heard of that and I wouldn't know.Phil Hudson:Or it's a preliminary budget on a script.Michael Jamin:I thought he was an actor. Michael Binder. I thought he was an actor. I don't even know. I've never even heard of this, so I can't even answer.Phil Hudson:My feeling is, from what I understand from this question is there's zero value added to your script when you go to pitch your story by telling them, this is the budget I got for thisMichael Jamin:For somebody. No, they'll tell you the budget if that's what that is. It's interesting. Yeah. I thought maybe this is for indies. No, when you saw the MoVI, they'll tell you what the budget is. It is their money. You don't tell them what the budget is. They tell you.Phil Hudson:And the answer is in the indie film, if it is, that is you're going to scrounge with every dollar you can get, and then you're going to make what you can with the budget you got. And that's what a line producer does for you. And they basically manage the contracts and make sure your people get paid. And you don't go over budget and you can finish your project and they'll tell you, Hey, you can't do that. You don't have the money to do that.Michael Jamin:Right.Phil Hudson:Cool. Ruth w with another, one of the reasons I am reticent to fill my own stuff is because I don't have any money to pay actors. Is it okay to ask them to work for free?Michael Jamin:You can often, actors will do this just to have tape so that they can submit themselves. But the work has to be good. You're not going to, the better the script is, the easier it is to attract actors and better actors. And if it's a great script, they'll fall over themselves for to do this. So you ask them to do it for free. Definitely. You don't want to abuse them. You want to make sure, buy them pizza, buy them lunch, make sure there's water on set. Take care of them. That's the least you can do.Phil Hudson:Yeah. And people will absolutely do that. There's also, if you're a student, you can also look into sag, SAG after student agreements, which probably you might even still be able to do that during the strike. It's not really a paid project, but they have agreements that you can work with SAG qualified actors and you have to abide by those terms if they are a SAG actor. But you can get them in your projects I did in film school.Michael Jamin:Right. Okay.Phil Hudson:Last question. As a showrunner, do you direct episodes two or just focus on running the showMichael Jamin:As a showrunner? I have, but I'm not in animation. I direct the actors for sure to get the performances out of them. But in live action, I've only directed one. That's not my job. But my job is to be on set and to make sure I'm getting the shots that I want and to get the performances that I want. Ultimately in film, I'm sorry, tv, the director works for the showrunner. So on tv, the showrunner's in charge, in film the other way around, it's the director's in charge. The writer is nothing. So does that answer your question? I think it does. Yeah.Phil Hudson:I think it just for you specifically, what do you do? But I do know showrunners who do direct on Taco fd. Yeah, Kevin. Kevin and Steve. They split 'em up and they direct certain episodes. They also,Michael Jamin:Those guys are tireless.Phil Hudson:Tireless. Yeah. I dunno how they do. I toured with them for a press tour and I was exhausted and they were just still going and happy to go. And I get emails from 'em at two, three in the morning and they're just going, ohMichael Jamin:God.Phil Hudson:Oh God. But that's how they made their career. I mean, this just ties it all together for Michael. Make it happen. Put in the effort. Those guys made their own things happen. They have shows their names and you know 'em because they put in the work. Had they not done that, they wouldn't be anywhere.Michael Jamin:Yeah.Phil Hudson:Cool. Michael, anything else you want to add?Michael Jamin:That's it. We did it, Phil. Yeah, we did it.Phil Hudson:So things people need to know. Michael, you got tons of free stuff. You talked about free samples of work, of writing.Michael Jamin:Yeah, I do free work too. I do free work here. We got a lot of free stuff we give away anyway on my website. If you go to michaeljamin.com, you can get sample scripts that I've written. You can get a free lesson that I've planned about story. You can sign up for my free webinars, which are every three weeks, which Phil helps me out with. You can come see me tour on one of my book drops, a paper orchestra. You can sign up for all of that and much, much more. And also, of course we have a course but that you got to pay for. But you know what it's worth. Every penny.Phil Hudson:Yeah, that's right. And again, get a discount when you come to the webinar.Michael Jamin:Nice. Nice discount. Don't tell anyone.Phil Hudson:And you could win a free access.Michael Jamin:Oh, you can win it. Yeah, you can win it.Phil Hudson:Yeah. Yeah. Awesome. Michael, thank you so much. Oh,Michael Jamin:And my newsletter. Phil, you can get on my free newsletter. I got that. Always forgetPhil Hudson:That. We also forget that that list is 30,000 deep or something like that right now. That's a good lists of people. That and industry, double industry open rates. People really like that list, that content.Michael Jamin:Yeah. The people like that. So sign up for my list.Phil Hudson:Be like the masses, be sheep. People join us.Michael Jamin:Okay, everyone, thank you so much. Until next week. Keep writing, right, Phil, fill that up.Phil Hudson:That is Wright, w r i t e. Right.Michael Jamin:Okay. Alright. Thanks guys.Phil Hudson:This has been an episode of Screenwriters Need to Hear this with Michael Jamin and Phil Hudson. If you're interested in learning more about writing, make sure you register for Michael's monthly webinar@michaeljamin.com/webinar. If you found this podcast helpful, consider sharing it with a friend and leaving us a five star review on iTunes. For free screenwriting tips, follow Michael Jamin on social media @Michael Jaminwriter. You can follow Phil Hudson on social media @PhilaHudson. This podcast was produced by Phil Hudson. It was edited by Dallas Crane Music, by Ken Joseph. Until next time, keep writing.

Hey everyone, it's Amy Newmark with your Chicken Soup for the Soul, and today we have a special guest, Deborah Norville, who you all know from her many decades on national television. A two-time Emmy Award winner Deborah Norville is Anchor of Inside Edition, the country's top-rated and most honored syndicated newsmagazine. Ratings jumped 15% the week Norville joined the program and have remained high ever since. Throughout her tenure, the show has consistently ranked in the top ten television shows in first-run syndication. Inside Edition reaches a daily audience of just under five million viewers. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"If I could daydream it, I could make it happen," shares Ryan Norville on our zoom call that felt like two old friends reconnecting. The artist and owner of floral design studio, Oat Cinnamon, never thought she would be working with florals for a living. The Harlem born mom of two spent the beginning of her career being challenged with balancing corporate life and her personal, spiritual practices. Norville chose taking the path of integrity and intentional growth when she decided to bootstrap her business. Listen in as Ryan and I spend much of the call giggling, discovering parallels between our life philosophies and professional trajectories, and what it means to dream in order to create.

Sherri serves up her hilarious take on the headlines!Then, host of “Inside Edition” Deborah Norville sits down with Sherri to discuss her legendary broadcasting and hosting career.Plus, actress Kelly Hu discusses her roles on two television series,“BMF” on Starz and “East New York” on CBS.

This one is for all the step-brothas! Artists/"brothers" @razr and @terryaki join us and we talk Sonic on PS2, Alec Baldwin's involuntary manslaughter, and Scooby-do! Also, a couple of good freestyles. It's a good time!

TUESDAY HR 5 K.O.D. - The Last Of Us. Who's Norville? When you buy the brand. Wu-Tang Clan. Hitting on Ryan's mom. Monster Messages & Hot Takes From Rio

https://www.patreon.com/jarmedia Find us on Spotify and iTunes under: "Jar Media Posdact" Find the original episodes under: "The JARChive" Merch: https://teespring.com/stores/jar-media-store Twitter: https://twitter.com/FourFunnies Timecodes: 00:00 Intro 02:24 Housekeeping 12:23 Velma - The Scooby Doo Show That Doesn't Feature Scooby Doo 26:01 Americans and Brits are asked which animals they could beat in a fight... 45:37 Mid Break 47:54 Question Thread 48:03 How Often Does Alex Draw 49:46 Does Jim still have his classic NZ beanie? 50:02 Best and Worst ways to End JAR 54:02 A JARling figured out when certain eps are going to land 57:52 JAR as Pokemon 1:02:27 CIV Discussion 1:08:33 Patron Segment

Barton College baseball player and two-time SCYDA Softball participant Nevin Norville came on the podcast. Nevin and Matthew talked about his experience from the 2016 and ‘17 game, and Nevin also talks about playing with Khalil Watson

Chandler and Matthew talked about Chandler's SCYDA Softball experiences, golf stories, law-school experience so far.

Head Football Coach, Florida State University Mike Norvell enters his third season as Florida State's head football coach in 2022. Norvell's offenses are averaging 37.7 points per game during his six years as a head coach, which is the third-highest average in the country among head coaches active each year from 2016-21. His offense has showcased 49 individual 100-yard rushing games, 33 individual 100-yard receiving games and 20 individual 300-yard passing games. In addition to his high-powered offenses, Norvell's teams have also scored 13 defensive touchdowns and 11 kickoff return touchdowns. His commitment to academics has been visible on FSU's jerseys since he arrived with the addition of the 'Seminole Scholar' patch, which has been earned by 126 student-athletes in his first two seasons at Florida State. Prior to coming to Tallahassee, he led Memphis to a 71.7 winning percentage and three straight AAC Championship Games, the first AAC school to appear in three consecutive conference championship games. Norvell is one of 16 head coaches in any conference to appear in three straight conference championship games and one of only eight to make three conference championship game appearances in their first four years as a head coach.

You've probably seen Ryan Norville aka @OatCinnamon's otherworldly floral creations while scrolling through your IG feed. Maybe it was her pearlescent spray-painted stems that caught your eye, or a neon-colored installation at an event for one of your favorite brands—her arrangements aren't easily forgotten. Listen in as we chat about how she went from cleaning buckets to designing florals full-time, the vintage Esty find she definitely paid too much for, and the trick to keeping your bodega bouquet looking fresh for longer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Attention all gamers! We are discussing one of the most fun fighter games to date: Mortal Kombat! Hosts Joe Dea and TJ (Tiberius Juan) Blackwell discuss their favorite fighter games! We talk everything from Mortal Kombat to Mortal Kombat 2 to Mortal Kombat Legends Battle of the Realms! How do the new games compare to the older? Who is your favorite character? Is it Liu Kang, Reptile, or Norville 'Shaggy' Rogers? Is Liu Kang boring? How does Street Fighter hold up to this classic? Is DLC better than multiple versions of the same game? We discuss all this and much more! Let us know your thoughts on Mortal Kombat on our website: systematicgeekology.org

We begin a new series in conjunction with our All Rise event on August 18th in Huntsville, AL, at the VBC: https://hiswayinc.org/all-rise This year we are focusing on how individuals, organizations, and community resources must All Rise together to address such a widespread like substance abuse. In this podcast series you will hear how many in the His Way community have helped others rise and have been blessed by participating in this mission. His Way is a Christ-centered recovery program for those struggling with drug and alcohol addiction. Find out more at hiswayinc.org

Brian Beckner and "Ed" Daly talk about clothing for dogs, Jimmy V., John Hinckley Jr., identical twin pitchers, Clint Bowyer, Michele Tafoya, Vince McMahon, Fake Klay Thompson, Russian tennis players changing their nationalities for Wimbledon, 311 vs. Coldplay vs. Nickelback, some maniac drank 30 cans of Pepsi per day for 20 years, some guy got his favorite Nike shoes tattooed because he was "tired of paying for shoes," how to do sex with monkeypox, Diary of a Wimpy Kid actor murders his mom, fats can't ride horses, Joker 2: the Musical, you can have sex in the Mystery Machine for $20 and the return of RAIN CITY JACKS.*a comedy podcast about sports, pop culture, movies and dicks*Support this podcast at — https://redcircle.com/the-baller-lifestyle-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

United States v. Forest Norville

Ken Lindner is a professional development maestro, having helped choreograph the careers of thousands of individuals from all walks of life. Among the many professionals he's helped guide are leading broadcast personalities, including Lester Holt, Deborah Norville, Dr. Sanjay Gupta, Leeza Gibbons, and Matt Lauer. Ken's approach to careers — and life in general - is simple: Make better choices, and achieve better results. The founder of Positive Life Choice Psychology, Ken is the author of six books, including Aspire Higher: How to Find the Love, Positivity, and Purpose to Elevate Your Life and The World! and Career Choreography: Your Step-by-Step Guide to Finding the Right Job and Achieving Huge Success and Happiness.  This week, Ken shares with host and award-winning author Dean Rotbart the concrete steps anyone can take to make more intelligent decisions — in life and career — and reap the bountiful benefits. Photo: Ken Lindner, Positive Life Choice PsychologyPosted: April 25, 2022Monday Morning Run Time: 50:16

AUDIO: Norville Chiropractic owner Clayton Pitts swings in to talk chiropractic care for athletes, the general public and how sports and wellness have changed over the years. 

This week we are jumping on the AMTRAK to Texas with 2001's ill judged 'comedy' Double Take.  John limps around the history of the walking stick and the internet on trains whilst Planty gets hung up on E-Trading and why films keep lying about travelling to destinations. 100 Things We Learned From Film: The Website!  --- Daryl Chase (Orlando Jones) is a successful investment banker who handles international accounts for a major New York City firm. On his way to work he notices a man named Freddy Tiffany (Eddie Griffin) in a brawl against a thief with a knife. Freddy, able to defend himself, almost gets falsely arrested for theft. But Daryl and his doorman run over to clear Freddy from the police. Daryl gives Freddy $105 for injuries. Moments later Daryl notices Freddy and the man he fought with talking and laughing and realizes the fight was all for pretend as he rushes over but the two run off in a hurry. Chase discovers to his office's surprise, that a soda company sent a great amount of money to its owner's account. Daryl and his boss Charles 'C.A.' Allsworth, discover the money from Daryl's assistant Shari. Later at Daryl's girlfriend, Chloe's fashion show, Daryl finds out and informs C.A. that the soda company does not exist and does not want to be arrested and charged for laundering money. Then Thomas Chela, Daryl's client who sent the money to Daryl's bank shows up to the show with his girlfriend Maque Sanchez to give gratitude to Daryl for catching his deposit. Later Freddy shows up and dances on stage with Chloe, much to Daryl's irritation. After the show ends, Daryl and Chloe are attacked by a man who is then shot dead by CIA agents, Timothy Jarrett 'T.J.' McReady and Martinez. McReady explains that the man he was attacked by was an assassin from a drug cartel, who made a $600 Millon deposit to Daryl's bank. He then shows Daryl and Chloe pictures of Freddy, two drug dealers, and the assassin. McReady tells the two that he has to return to Mexico for an investigation and Martinez has to stay to protect them. The next day Daryl notices the drug dealers at his office and quickly loses them after a chase. Daryl later goes over to Shari's house and notices her dead with another assassin who shoots at him and two officers who appeared at the front door, leaving the three dead and neighbors noticing Daryl with a gun. Daryl calls McReady and informs him of what happened and McReady tells him to get on a train to Mexico and avoid talking to anybody. At Penn Station, Freddy notices Daryl there and he persuades Freddy to switch clothes and identities, so Freddy poses as a businessman and Daryl poses as Freddy. On the train, Daryl informs Freddy of the situation. Freddy thinks they are being followed and watched by another man on the train. They both knock the man unconscious noticing he has a picture of Daryl and a gun in his pocket and Freddy takes him off the train. Freddy reads a newspaper and notices a column about Daryl being a suspect in the murder of the cops from earlier. He tells Daryl that there is a $100,000 reward for his whereabouts. Daryl becomes suspicious of Freddy, thinking that he might turn him over to the police. Freddy then reveals that he believes Daryl is innocent and that he is an FBI agent who goes by Fred Tiffany and his 'street' act was a front and that he is protecting Daryl on the way to Mexico and will then to take out the real criminals. Daryl then knocks Freddy out and then throws him off the train. Daryl is then kicked off for having Delores, Freddy's dog on the train. Daryl poses as Freddy at the border between Texas and Mexico, then notices a wanted photo of Freddy for the murder of Governor Eduardo Quintana. Daryl panics and rushes the border, getting shot at. Daryl ditches his car, only to be stopped by Freddy. They both drive to a gas station to dance to a song on the radio. With Freddy distracted, Daryl steals the car and leaves Freddy and Delores. Daryl goes to an emu ranch motel. Then the owner, Junior, notices Freddy's card on Daryl and his wanted photo, assuming Daryl is Freddy, ready to turn him in. Daryl calls McReady who is undercover watching drug smugglers load up a plane filled with cocaine. McReady informs Daryl that Freddy was kicked out of the Bureau a couple of years ago because he was mental. Daryl then calls Chloe with Agents Norville and Gradney who only pretended to be drug dealers but were still after Daryl for the murders. Freddy arrives at the motel to show him that he had placed a transmitter on Daryl when they swapped clothes so he would not lose him if he ran. At a bar, Freddy informs Daryl that McReady and Martinez are corrupt agents, the soda company who made the deposit is actually a drug front and Thomas Chella is really Minty Gutierrez who runs the drug cartel. He is suspected of being involved in Quintana's murder because he was caught on camera at the side of his house. Daryl and Freddy go back to the motel and Freddy notices soda, water, and cookie brand trucks approaching to kill Freddy. Freddy realizing those are McReady's men out there to kill him and tries to use a pen to get a strike team over to him fast but can't find the right one. A shootout occurs between the truckers and the police with Daryl being grabbed by the motel's owner and taken to a police station and Freddy escaping from the shootout. At the station, Daryl tells the captain he's not really Freddy Tiffany and the motel owner had made a mistake. The captain believes him until Maque shows pretending to be a wife of 'Freddy'. Daryl tries to explain that he has only met her once at the fashion show. But instead, the police lock Daryl in a cell. McReady shows up to get Daryl out of jail. As McReady signs Daryl out, Daryl notices Martinez and the assassin who attacked him before, still alive. He also notices a photo of Delores next to Quintana, McReady with a dog's bite mark on his leg, revealing that McReady was the one who killed Quintana and that Freddy was right the whole time. Daryl runs from the station and into Freddy, Norville and Gradney. Freddy informs Daryl of their identities, and it was a covert operation. Gradney, who is also a corrupt agent, shoots Norville dead and drives away with Delores in the car as Freddy shoots at him. Arriving at Quintana's mansion with Minty, McReady, Martinez, C.A. and Maque there, Gradney blows Maque's cover as she is an FBI agent as well as Freddy's wife and partner and that the dog's bite connects them to the murders. Daryl and Freddy arrive at the mansion with both having swapped back to their clothes Daryl, Freddy and Maque get the upper hand in the room. McReady and C.A. inform them that Quintana didn't want to join them in the laundering. Minty then tells C.A. that he has over $600 million in the American banks which the government had frozen and the only chance of him recovering his money is to turn him, McReady, Martinez and Gradney over to the Justice Department which Freddy and Maque happen to be members of. C.A. realizes that was the whole reason Minty made the deposit, leading to a confession. The assassin shows up with Chloe hostage, leading Freddy to shoot him. As a shootout occurs, McReady shoots and kills Minty, while Freddy kills Gradney and Martinez. McReady shoots Freddy in the arm as Daryl shoots at him but misses every shot. McReady prepares to kill them, but Delores bites him in the leg leading him to accidentally shoot his foot, causing him to fall down the stairs and shoot himself numerous times, with one to his head, killing him. The next morning, C.A. is arrested, and Shari reveals to be alive and an FBI agent who had to get Daryl out of New York for his safety. Later Daryl and Freddy are now close friends as well as Chloe and Maque hanging out at a beach. Daryl tries to sign a check, but grabs the wrong pen and moments later, a strike team storms the beach.

We talk about Success with Facebook Ads, why we don't use Segmentation, the Value of Market Fit, why Relationships & Partnerships are important, Facebook Ad Account Architecture and SO MUCH MORE!

See omnystudio.com/listener for privacy information.

In this episode, I sit down with Mr. Norville Barrington, husband, father, business professional, and entrepreneur. Norville is the Chairman of the Barrington's of Brooklyn LLC with holdings in Bccelerator Inc a company that helps entrepreneurs in the development of a business plan that is essential to starting a business. He is also the COO of the TekAvenir Group Government Contracting, COO of the Blaque Net App and so much more. Along his journey, Norville expresses that he did not start out on what some people might consider the right foot. Amidst setbacks and challenges along the way, he highlights the importance of being focused, accepting failure, seeking out support, and collaborating. When asked about advice and tips he would give to entrepreneurs, Norville states: Stop being selfish with your 100% of zero Be consistent - momentum is critical You have to be in it to win it - It's important to be in the room, do the work and put yourself out there Have a plan #1 Don't be afraid to fail - keep trying Document your processes To connect and learn more about Norville and his work: https://www.linkedin.com/in/norvillebarrington/ linktr.ee/barringtonsbk paybbynft.com/nft-collections.html Please remember to share, download and subscribe to this podcast. For professional networking strategies and career coaching book your consultation: https://calendly.com/wenetworkservices/15min

This week on Fabulous Film & Friends we're going to start in on the work of The Philosopher Kings of modern Cinema, Joel and Ethan Coen, beginning with one of their seemingly lesser and lesser-known efforts, 1994's The Hudsucker Proxy.  Once again I'm joined by my younger sister Roseanne Caputi, Teacher, Tough Talking Career Gal,  one of the boys,  and easily as big a Coen Bros fan as I am.  Then there's Salt Lake City's leading pediatric dentist, all around deep thinker and film lover, David Johnson, DMD,  And this week, occupying the Paul Lynde Center Square is Master Thespian and Voice Actor Supreme, GORDON ALEX ROBERTSON. A fellow Southern Oregon University Alum, Alex and I became fast friends over of our shared love of SCTV, The Simpsons and The Coen Brothers' Raising Arizona. A quick Synopsis- Norville Barnes is a naïve and bumbling graduate from the Muncie School of Business who joins New York's Hudsucker Industries with big ideas to share.  Meanwhile, the Hudsucker Board of Directors, who, having witnessed their company president, Waring Hudsucker leap to his death from the window of the 44th floor conference room, agrees to a stock dumping scheme concocted by their nefarious head Sidney Mussburger. The plan? Put Norville in as President so the Hudsucker stock sinks in value before it goes public, allowing the board to buy in at rock bottom prices.  But Norville is indeed an idea man and delivers on his promise by inventing the Hula Hoop which sends Hudsucker's Stock into the stratosphere and thwarts the Board. Out to uncover the scheme is tough talking career gal and newshound Amy Archer who first believes Norville to be an imbecile but is soon won over by his good nature and lofty ideals.  We delve into the finer points of the film and decide whether it deserves the status of "lesser work." (Hint: It doesn't.) Enjoy.    

 Kayla Norville is a brand new STEM Coordinator at a middle school in rural North Carolina. She's also the founder of Bright in the Middle, which specializes in creating engaging middle school science activities. Kayla also has a Ph.D. in Learning and Teaching in STEM Education, with a focus in science education.As a STEM Coordinator, she's working to help her school become a STEM School of Distinction in NC by focusing on standards-based STEM in non-STEM content areas and STEM content area classrooms.Connect with Kayla:Website brightinthemiddle.comInstagram @bright.in.the.middleFacebook Bright-in-the-MiddleChris Woods is the host of the STEM Everyday Podcast... Connect with him:Website dailystem.comTwitter @dailystemInstagram @dailystemYouTubeGet Chris's book Daily STEM on Amazon Support the show (http://dailystem.com/stem-everyday-podcast/)

Welcome to the Instant Trivia podcast episode 97, where we ask the best trivia on the Internet. Round 1. Category: Haydn 1: Haydn's "Farewell" Symphony was written this period in his work that translates into "storm and stress". Sturm und Drang. 2: In 1781 Haydn befriended this composer from Salzburg, 10 years before his all-too-premature death. Mozart. 3: Joseph Haydn was born in 1732 in Rohrau, 25 miles east of this world capital to which he moved in 1740. Vienna. 4: Symphony No. 94 is called this for its unexpected loud chord shortly after the soft beginning of the 2nd movement. the "Surprise Symphony". 5: Let me pump... you up (with info)--Joseph Haydn's middle name; this was his first name. Franz. Round 2. Category: First Name's The Same 1: Wallace,Tyson,Doonesbury. Mike. 2: Carver,Chandler,Kroc. Ray. 3: Astor, Quant, Baker Eddy. Mary. 4: Harry,Kerr,Norville. Deborah. 5: Magdalene,Cassatt,Worth. Mary. Round 3. Category: Tell Me "Y" 1: It's the primary source of nourishment for an embryo in an egg. a yolk. 2: Aden is the second-largest city in this Middle Eastern hot spot. Yemen. 3: It can be a standard for comparison, or a measuring rod 3 feet in length. Yardstick. 4: This black and white comedy film starred Peter Boyle as the manmade man. Young Frankenstein. 5: First name shared by monsieurs Saint Laurent and Montand. Yves. Round 4. Category: Dogs 1: The Keeshond, or barge dog, is considered the national dog of this country. the Netherlands. 2: Miniature poodles are 10 to 15" tall, while these poodles are 10" or less. Toy Poodles. 3: Of the three breeds of this dog, the Gordon is the darkest and heaviest. a setter. 4: Despite its name, the Great Dane originated in this country, as did the Rottweiler. Germany. 5: In Scotland it was once forbidden for anyone below the rank of earl to own this stag-hunting hound. a deerhound. Round 5. Category: Arthurian Legend 1: Some accounts say Arthur still lives on this mythic island. Avalon. 2: This witch's name means she's a "fairy". Morgan Le Fay. 3: We learned more about this nephew of Arthur in the 14th century tale titled him "and the Green Knight". Sir Gawain. 4: Leodegrance, King of Cameliard, had Arthur as a son-in-law after this daughter's marriage. Guinevere. 5: Merlin didn't design this or buy it at Ikea--he copied it from Joseph of Arimathea. the Round Table. Thanks for listening! Come back tomorrow for more exciting trivia!

Everyone can use a little more positive thinking—to create an even better life. Your attitude is a powerful tool, and on this episode America's longest serving TV Anchor Deborah Norville from Inside Edition, shares some powerful stories of her own life and talks about how to think yourself into a more fulfilling, happier life.  Check out the book "Chicken Soup for the Soul - Think Positive, Live Happy" on Kindle and Amazon here: https://tinyurl.com/9pnewes5 If you enjoyed this Byte sized interview you can catch the whole show on my Facebook Watch show - "Talking Live" here: https://www.facebook.com/TalkingLive FOLLOW, it's free on Apple Podcasts, Spotify and on Audible here: https://tinyurl.com/yxzrl8j7 Buy my book "Your Best Age is Now" an Amazon here: tinyurl.com/ycb3e5vw Follow me on INSTA here: @drrobiludwig  

Deborah Norville calls into the Andie Summers Show!  Norville has a lot to say about her Lifetime movie 'The Long Island Serial Killer: A Mother’s Hunt for Justice' airing this Saturday at 8:00pm E/P.  Deborah LOVES games so we had her try to answer one of our questions from today's Minute To Win It! See omnystudio.com/listener for privacy information.

Gain first-year teacher tips through this teacher podcast which is all about highlighting first-year teachers during their first year in the classroom! In this podcast we switched things up a bit by interviewing someone who isn't a first year teacher. Dr. Kayla Norville is a STEM coordinator and she is sharing about getting her masters and PHD as well as her struggles during her first year of teaching. North Dakota Teaching's host, Kayla Durkin, is using this podcast series to interview first-year teachers in hopes of inspiring other first-year teachers. Kayla Durkin, the founder of the Blossoming Teacher Course, is passionate about helping new teachers navigate their first year of teaching. If you're a student teacher or first-year teacher looking for extra support during your first year of teaching, the Blossoming Teacher Course is for you! - If you're interested in becoming a Blossoming Teacher, you can join here! https://north-dakota-teaching.mykajabi.com/blossoming-teacher-course If you enjoyed this podcast, feel free to give us a thumbs up! If you're looking for our 10 New Teacher Tips, you can grab them here! https://north-dakota-teaching.mykajabi.com/blossoming-teacher-10-new-teacher-tips Website: www.NDTeaching.com Instagram: @northdakotateaching Facebook: @northdakotateaching Please join our First Year Teacher Facebook Group: https://www.facebook.com/groups/firstyearteachersupport Grab Kirsten's Toolkit here!

Get ready for a fun new slasher flick to distract you from wrapping presents and waiting out the vaccine. “GetAWAY” has an old school horror vibe, but with distinctly modern twists. The film comes out 12/23 on VOD and DVD, and writer/director Blayne Weaver and lead actor Emma Norville join me to talk about the movie. Check out our (mostly spoiler free) discussion tonight, then watch the movie tomorrow!

Get ready for a fun new slasher flick to distract you from wrapping presents and waiting out the vaccine. “GetAWAY” has an old school horror vibe, but with distinctly modern twists. The film comes out 12/23 on VOD and DVD, and writer/director Blayne Weaver and lead actor Emma Norville join me to talk about the movie. Check out our (mostly spoiler free) discussion tonight, then watch the movie tomorrow!

Ms. Norville brings Mr. Ward and his wife to court in order to prove he fathered her daughter, claiming his paternity denial stems from his immature wife. Mr. and Mrs. Ward state that Ms. Norville is the only person to blame for cheating with her ex, and they are confident Mr. Ward is not the father. Real people. Real stories. Real Problems. This is Lauren Lake's Paternity Court.

In today’s episode, Ryan Zauk sits down with Griffith Norville, Managing Director at Hamilton Lane. Over the last decade, the scope of private investments has exploded across products, asset classes, and geographies. LPs, often equipped with just a small investment team, are facing greater difficulty sorting through droves of funds, managers, trends, and data. Hamilton Lane and its cutting-edge product, Cobalt LP, are tackling this problem head-on. Griff is the Head of Cobalt LP, a software solution that helps LPs with portfolio construction, benchmarking, and investment selection focused on the private markets. Cobalt also offers front-office analytics and back-office managed services solutions, all backed by Hamilton Lane’s first-class historical data and insights. In addition to this role, Griff helps run strategic technology investments for the firm. They talk about the state of Private Markets investing and how the explosive growth of private markets has created such a need for Cobalt LP. They close with his role in strategic tech investing, including how he sourced a deal from a fishbowl (don’t you miss in-person conferences?). Hamilton Lane is an alternative investment management firm that provides private markets solutions to investors around the world with over $500B total assets under management and supervision as of September 30, 2020 - Inclusive of $73.1B in assets under management and $474.1B in assets under supervision as of September 30, 2020. For more insights and analysis from FinTech leaders, follow us below: Ryan's Twitter: twitter.com/RyanZauk Medium: medium.com/wharton-fintech WFT Twitter: twitter.com/whartonfintech LinkedIn: www.linkedin.com/company/wharton-fintech-club/ Facebook: www.facebook.com/whartonfintech/ Instagram: www.instagram.com/whartonfintech/

A Foundation of Freedom original series. In this final Quiet Car of season one, we brought the Director of the "of Freedom Podcast" to the quiet car. Hear his journey to the organization here.    Beat provided by https://freebeats.io Produced by White Hot.    

Lance talks with Dan Norville of Vivo Investment Group about their unique focus: converting hotels and motels into multi-family housing. Vivo is building a strong brand in the space with their emphasis on community and environmental concerns. Lance and Dan discuss the risks inherent to this strategy, including municipal trolls, zoning issues and construction cost wildcards.

Este episodio es especial pues nos adentramos al chismecito sobre el trabajo galardonado con el Premio Nobel de Química 2020. Acompáñanos mientras Mel nos explica el porqué las tijeras genéticas serán una de las herramientas más importantes en un futuro no muy lejano. Manda tus correcciones a cienciaenchanclas@gmail.com Instagram: @cienciachanclas https://www.instagram.com/cienciachanclas/ Facebook: https://www.facebook.com/cienciachanclas Twitter: @CienciaChanclas https://twitter.com/CienciaChanclas YoutTube: https://youtube.com/channel/UCaBT5jpjwLs6elG7tE8CGQg Referencias: Mojica, F.J., Díez-Villaseñor, C., García-Martínez, J. et al. Intervening Sequences of Regularly Spaced Prokaryotic Repeats Derive from Foreign Genetic Elements. J Mol Evol 60, 174–182 (2005). https://link.springer.com/article/10.1007/s00239-004-0046-3 Mojica, F., Ferrer, C., Juez, G. and Rodríguez‐Valera, F. (1995), Long stretches of short tandem repeats are present in the largest replicons of the Archaea Haloferax mediterranei and Haloferax volcanii and could be involved in replicon partitioning. Molecular Microbiology, 17: 85-93. https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1365-2958.1995.mmi_17010085.x Press release: The Nobel Prize in Chemistry 2020. NobelPrize.org. Nobel Media AB 2020. Sun. 1 Nov 2020. https://www.nobelprize.org/prizes/chemistry/2020/press-release/ Doudna, J. A., & Charpentier, E. (2014). The new frontier of genome engineering with CRISPR-Cas9. Science, 346(6213), 1258096. https://science.sciencemag.org/content/346/6213/1258096.abstract?casa_token=TjyvAlzAs9cAAAAA:4d53SmLKJqrpZC9hIxcvx6EP72ipKy3jgdVqxmDYLPvHTm0EQ8BjoemEV-w_rvDcsTTn1LHAH3dd2i2y Li, J., Norville, J., Aach, J. et al. Multiplex and homologous recombination–mediated genome editing in Arabidopsis and Nicotiana benthamiana using guide RNA and Cas9. Nat Biotechnol 31, 688–691 (2013). https://www.nature.com/articles/nbt.2654

Faire un don en direct : https://www.tipeeestream.com/kalee-vision/donation Don régulier ou ponctuel : Tipeee - https://fr.tipeee.com/kaleevision/ ___ Emission en live tous les lundi à 21h sur Youtube - https://www.youtube.com/c/kaleevision ___ DISCORD : http://discord.me/kaleevision PODCAST (toutes les émissions en audio) : https://anchor.fm/kaleevision TWITCH : https://www.twitch.tv/kaleevision TWITTER : https://twitter.com/KaleeVision SOUNDCLOUD (musiques par KaLee Vision) : https://soundcloud.com/kaleevision ___ SOURCES https://www.monde-diplomatique.fr/ https://www.monde-diplomatique.fr/2020/04/HALIMI/61619 https://blog.mondediplo.net/patience https://blog.mondediplo.net/euro-le-miracle-ou-la-mort La revue de presse du Canard Réfractaire : https://www.youtube.com/watch?v=kjRZ1Qshbmg La musique de Norville : https://soundcloud.com/user-586850416/tracks

Who is Kiana Norville? And What do I know about Style, Abundance, and Manifesting?Welcome to my very first episode where I dive into who I am and why I do what I do. Why Style, Abundance, and Manifesting is crucial in creating your dream life. I can't wait for you to get to know me on a deeper level!Always remember to stay Sassy, Stylish, & Successful! Peace, Love, & Light-Kiana The Style + Abundance Coach..SHOW NOTES AT Wanna do a coaching session with me?! For EXCLUSIVE one on one coaching options email us at info@manifestingunlocked.comDress like a BOSS and MANIFEST with ease. Follow the PROVEN formula to attract Abundance and Success! Join the numerous of women who have transformed their lives with my exact formula inside my Level Up! Massive Abundance Makeovers. JOIN now and you'll get one additional free year of Virtual Closet Support. Hurry, this offer expires soon.FOLLOW ME ON INSTAGRAM @manifestingunlocked 

Two-time Emmy© Award winner Deborah Norville—the longest serving anchor of Inside Edition, the country’s top-rated syndicated newsmagazine—is also described as a warrior woman, fiercely loyal, hardworking, powerful and resilient. A veteran journalist, Deb’s career has included highlights including former co-host of NBC’s “Today” and author of "Thank You Power: Making the SCIENCE of Gratitude Work for YOU.” In this episode, Deb talks with Marilyn about her lifelong endeavor to turn negative events into positive experiences.

Fabs and Nate sit down with long-time friend KeShari Norville from Silver City.. :/ The three discuss the pro's and cons of Friends with Benefits and the stereotypes you see at bars and clubs.

Rod Norville is a man of many talents and even more experiences. Rod has left no stone left unturned in his life, he's done everything from exotic dancing in his younger years to making a 6 figure salary in the financial space to going through some of the most darkest, trying times of his life. Hear it all here! ENJOY!

In this edition of UNCUT with Frankie Darcell, she welcomes and Journalist and Author Deborah Norville of Inside Edition. The two discuss Norville's latest Chicken Soup for the Soul book, “Think Positive, Live Happy.”

MIXOLOGIST MSL MALACHI, CHOCOLATCHIP LOVKID & BIGG TROY PLAYIN IT ALL FOR YA!

Welcome to the Motivate Social Podcast with Dr. Aikyna Finch and Vanessa Canteberry. In this podcast, you will learn about Deidre Norville, Co-Author of the Dear Mom Anthology, and how she is changing the world through social media. Tune in to hear her story!  http://www.blogtalkradio.com/changingmindsonline/2019/04/19/motivate-social-podcast--episode-47-deidre-norville-1 

Vivons-nous dans une société de la coercition ? Musique par Nebul': latrib, twelv, Norville - https://soundcloud.com/user-947746579 Sources: https://www.bfmtv.com/economie/le-defenseur-des-droits-s-alarme-de-derives-dans-la-traque-de-la-fraude-aux-prestations-sociales-1661084.html https://reporterre.net/Le-gouvernement-mobilise-la-lutte-anti-terroriste-contre-les-activistes-du https://www.questionchine.net/le-credit-social-de-l-utopie-vertueuse-a-big-brother http://www.lefigaro.fr/conjoncture/2019/03/01/20002-20190301ARTFIG00319-la-chine-interdit-a-23-millions-de-citoyens-de-voyager-avec-son-systeme-de-credit-social.php En live tous les lundi à 21h !

Join us as we talk about the TVLine Premiere Calendar, The Good Place, The Bold Type, Duck Tales, Superior Donuts, and going to a taping of it, Master of None on Netflix, The Orville versus Star Trek Discovery, and mention tons of other premieres! Plus we answer a question from MagicCatJenny! That's The Show, a podcast about TV shows we love and don't love and think you should, too! Hosted by Paul Roth (@[paulidin](https://twitter.com/paulidin)) and Rachel Pierce (@[thejuniebird](https://twitter.com/thejuniebird)). Produced by Danny Agama (@[dannyagama](https://twitter.com/dannyagama)). Music by Mary Kate Jiménez-Wall (@[revensings](http://twitter.com/revensings)). Join our Patreon! - 0:00 Previously on That's the Show 0:29 Intro 10:16 TV News and Short Takes 10:29 TVLine Premieres Calendar - Rachel 14:45 Ghosted, I Am Frankie, The Mayor, Electric Dreams - Paul 20:40 The Bold Type - Rachel 28:22 DuckTales, The Good Place - Paul 32:13 Superior Donuts Taping - Danny, Rachel, Paul 46:53 Fake Commercials! 47:27 FOCUS: Master of None - Rachel 56:58 FOCUS: The Orville vs. Star Trek Discovery - Paul 1:10:38 The Mailbag Q&A - MagicCatJenny 1:16:26 Outro

Join us as we talk about the TVLine Premiere Calendar, The Good Place, The Bold Type, Duck Tales, Superior Donuts, and going to a taping of it, Master of None on Netflix, The Orville versus Star Trek Discovery, and mention tons of other premieres! Plus we answer a question from MagicCatJenny! That's The Show, a podcast about TV shows we love and don't love and think you should, too! Hosted by Paul Roth (@paulidin) and Rachel Pierce (@thejuniebird). Produced by Danny Agama (@dannyagama). Music by Mary Kate Jiménez-Wall (@revensings). Join our Patreon! - 0:00 Previously on That’s the Show 0:29 Intro 10:16 TV News and Short Takes 10:29 TVLine Premieres Calendar - Rachel 14:45 Ghosted, I Am Frankie, The Mayor, Electric Dreams - Paul 20:40 The Bold Type - Rachel 28:22 DuckTales, The Good Place - Paul 32:13 Superior Donuts Taping - Danny, Rachel, Paul 46:53 Fake Commercials! 47:27 FOCUS: Master of None - Rachel 56:58 FOCUS: The Orville vs. Star Trek Discovery - Paul 1:10:38 The Mailbag Q&A - MagicCatJenny 1:16:26 Outro

The StoryMen reflect on the 2017 Oscars and make our predictions, complain about what got snubbed and the worst films of 2017. PLUS: What's new at Norville, an update on our refugee family and how Clay got onstage with Pen & Teller!

According to award-winning journalist, host of Inside Edition, and co-author of Chicken Soup for the Soul: The Power of Gratitude, Deborah Norville, “You don’t need to have a fancy degree and a bunch of published research to know that there is power in gratitude. Being thankful can change your life—in just one way: It can make your life better.”  “The good news is you can become more grateful even if it doesn’t come naturally for you. Hearing other people’s stories of gratitude is one way to do it,” continues Norville. And that’s exactly what this inspiring new collection from Chicken Soup for the Soul accomplishes. Join Amy Newmark, the publisher and editor-in-chief for Chicken Soup and me on Tuesday, August 23, 10-11 A.M. CT US. Be inspired by the many benefits of gratitude and thankfulness and see how a wide swath of people incorporate gratitude into their own lives, in many cases dramatically changing their outlooks, their relationships, and their careers as a result.  

When award winning director and producer Kohl Norville first set out to try and create his own commercial on spec, it ended up becoming Heineken's signature piece that they aired during the Olympics.  Not bad for a first attempt.  After years of working with ad agencies, and a background in graphic design and art direction, Kohl wanted the opportunity to try and get behind the camera and help create video pieces to go along with some of the advertising ideas he had in his head. Once he hit the first one out of the park for Heineken, the doors began to open for the chance to keep trying.  Kohl would go on to make many memorable commercial spots for a huge roster of clients and continue to hone his skills not only as a director, but as a collaborator and curator of new rising talent.  Recently Kohl was named the director of content for Motive Made Studios and has had the opportunity to help create and direct content for the last three Super Bowls, as well as work on a new documentary series highlighting the effects that fracking and the oil industry has had on California.  On this episode we talk to Kohl about what it takes to get in the door with ad agencies, the future of content creation and the platforms it will live, the challenges of balancing family life with a very busy work schedule, and the day to day hustle it takes to be successful in the creative field.   To Learn More About Kohl Norville Visit: http://www.motivemadestudios.com To Learn More About "Spotlight California Visit: https://spotlightcalifornia.com   About Visual Revolutionary http://www.visualrevolutionary.com Because we are interested in people's story, and not what type of gear they use, we introduce a new much needed podcast in the world of photography and filmmaking.  Featuring in-depth conversations with some of the world's leading photographers, filmmakers, and other visual artists, we are bringing you the backstory on how they got to where they are today.    

While the gang deals with the fallout of Madison jumping through the window back into his recently burnt, currently robot-infested home, Norville decides it's a good opportunity for some unorthodox home remodelling. What sort of shenanigans have they gotten themselves into this time?   (Forrest makes his triumphant return to editing with this episode, having used it as an excuse to hide from his family over the holidays.)   The @DireWeasels are your DM, @walk6070, Mike Bagaducci, @arcanevice, Madison Fairfax, @absurdistkobold, Norville Glimmerbottom (Human Wizard), @chalupabatman27, and Starella Goldstein, @eskimomo9!

Hello Listener (Errr...Reader?)! We're releasing a second boner episode for you because life happened and Matt hates us. Also, sorry it's a day late. It's Beatriz's fault, that lazy cunt, aim all your hate mail toward her. Obviously this episode will be explicit like all the other ones so if this offends you, sucks to be you.    Your hosts of the @DireWeasels Podcast are @absurdistkobold (John "Joe" Venrick, DM), @arcanevice (Ivana "Not Beatriz" Sarmiento, Kung Pao), @chalupabatman27 (Matt Hankins, Norville), @eskimomo9 (Mollie M, Aerrin), and @walk6070 (Forrest Walker, Gerbo).

The group continues their adventures through the Nega-World and start on their true quest now that the party is fully assembled, at least in theory. In all actuality, we were all a little kooky and didn't got a whole lot done, but it was a lot of fun!  Your hosts of the @DireWeasels Podcast are @absurdistkobold (John Venrick, DM), @arcanevice (Ivana Sarmiento, Kung Pao), @chalupabatman27 (Matt Hankins, Norville), @eskimomo9 (Mollie M, Aerrin), and @walk6070 (Forrest Walker, Gerbo).

John Mullins author of two business best-sellers targeted at entrepreneurs and business angels: thedefinitive book on assessing entrepreneurial opportunities The New Business Road Test, and with Randy Komisar,the widely acclaimed Getting to Plan B. He is a two-time entrepreneur and an Associate Professor of Management Practice at London Business School. His latest book, The Customer-Funded Business: Start, Finance, or Grow Your Company with Your Customers' Cash Julian Nott founder of the modern ballooning movement and one of its most creative and innovative experts. His epic balloon flights have broken 79 World Ballooning Records, and 96 British Records. In 2014 he designed the balloon system which launched a sky diver from 136,000 feet, setting the new world record for the highest ever jump. He understands personal challenges and disappointments having had several failed attempts at the first around-the-world balloon flight. He recognizes what his own struggles have taught. Julian designed and piloted the first ever hot air balloon with a pressurized cabin. He was the first to pilot a balloon across the Sahara Desert, the first to cross Australia, and he flew the first solar balloon across the English Channel. Nott also designed, built, and piloted the Nazca Prehistoric Balloon, using only methods and materials available to the Pre-Inca Peruvians a thousand years ago Deborah Norville is the Anchor of Inside Edition, the country's top-rated syndicated newsmagazine, seen by 4.69 million daily. She's also a best-selling and prolific author -- her book Thank You Power was a New York Times best-seller. A lifelong crafter and seamstress, Norville is behind the Deborah Norville Yarn Collection, a line of high-quality yarn for knit and crochet enthusiasts

We pick up with the Weasels walking into a cavern to discover their mysterious foe producing Lord Georges's eggs. How many times will Ivana die in this combat? How will Norville fuck this fight up for everyone? Find out this much and more this week on the Dire Weasels Podcast!    Your Hosts for the Dire Weasels Podcast are John Venrick - DM (@absurdistkobold), Matt Hankins - Norville Glimmerbottom (@chalupabatman27), Mollie M. - Aerrin Teabarrel (@eskimomo9), Ivana Sarmiento - Ivana Dk'Jakker (@arcanevice) Forrest Walker - Gerbo Namfoodle (@walk6070) and Josh Slyter - Elrich Vanderbilt (@joshslyter)   Find us collectively @direweasels, email us at direweasels@gmail.com and rate and review us at itunes. Also, feel free to visit us at direweasels.podbean.com.

With one of the players missing, things get a little crazy this week. Join the Weasels as we discover a bit more about that mysterious black book Norville was being so shady about and the secrets hidden inside.    Your hosts for the Dire Weasels Podcast are John Venrick - DM (@absurdistkobold), Matt Hankins - Norville Glimmerbottom (@chalupabatman27), Mollie M. - Aerrin Teabarrel (@eskimomo9), Ivana Sarmiento - Ivana Dk'Jakker (@arcanevice) Forrest Walker - Gerbo Namfoodle (@walk6070) and Josh Slyter - Elrich Vanderbilt (@joshslyter)   Find us collectively @direweasels, email us at direweasels@gmail.com and rate and review us at itunes. Also, feel free to visit us at direweasels.podbean.com.

After learning where Norville was likely taken, our adventurers set out to rescue him and hopefully recover his book before too much damage can be done.    Your hosts for the Dire Weasels Podcast are John Venrick - DM (@absurdistkobold), Matt Hankins - Norville Glimmerbottom (@chalupabatman27), Mollie M. - Aerrin Teabarrel (@eskimomo9), Ivana Sarmiento - Ivana Dk'Jakker (@arcanevice) Forrest Walker - Gerbo Namfoodle (@walk6070) and Josh Slyter - Elrich Vanderbilt (@joshslyter)   Find us collectively @direweasels, email us at direweasels@gmail.com and rate and review us at itunes. Also, feel free to visit us at direweasels.podbean.com.

The rest of the Weasels discover the horrible secret in room 3-something and Norville tries to cover his ass.    Your hosts for the Dire Weasels Podcast are Josh Slyter- DM (@joshslyter), Matt Hankins - Norville Glimmerbottom (@chalupabatman27), Forrest Walker - Gerbo Namfoodle (@walk6070), and John Venrick - Leonan Demoneye (@absurdistkobold).   Find us collectively @direweasels, email us at direweasels@gmail.com and rate and review us at itunes. Also, feel free to visit us at direweasels.podbean.com.

Norville is MIA this week, and we talk about hot sauce for something like 15 minutes. It's not as bad as that description would indicate, but not a whole lot actually happens. Marc (@0dius) edited this episode, so hit him up if you think it sounds even more amazing than usual. My Perry cider decision went much better though.    Your hosts hosting the hosted Dire Weasels podcast hosting hosty hosts are: Josh Slyter - Apologetic DM (@joshslyter), Matt Hankins - Sir Not Appearing in this Film (@chalupabatman27), Forrest Walker - Oh, you know by now (@walk6070) and John Venrick - The person writing this description as he listens to this episode in anticipation of eventually posting it (@absurdistkobold).   Find us collectively @direweasels, email us at direweasels@gmail.com and rate and review us at itunes. Also, feel free to visit us at direweasels.podbean.com.

We pick up with the Weasels walking into a cavern to discover their mysterious foe producing Lord Georges's eggs. How many times will Ivana die in this combat? How will Norville fuck this fight up for everyone? Find out this much and more this week on the Dire Weasels Podcast! Your Hosts for the Dire Weasels Podcast are John Venrick - DM (@absurdistkobold), Matt Hankins - Norville Glimmerbottom (@chalupabatman27), Mollie M. - Aerrin Teabarrel (@eskimomo9), Ivana Sarmiento - Ivana Dk'Jakker (@arcanevice) Forrest Walker - Gerbo Namfoodle (@walk6070) and Josh Slyter - Elrich Vanderbilt (@joshslyter)

BHL: Let's Talk About Sex - In this episode Black Hollywood Live hosts Spicy Mari, Kevin John, Phoenix White and Drea Renee discuss relationships for the week of March 28th, 2014. Also joining the conversation is special guest Michael Norville. They discuss Trey Songz sexuality, hollywood gay rumors and Michael's upcoming documentary 'Mind, Booty and Soul', couples in entertainment, working with Beyonce and working in music videos. They round things off with a Naked Truth with Michael Norville.

Who is Norville Rogers? The StoryMen return to introduce the new flagship site for blogging. But first, they have to catch up. In this Episode: 00:00 – New Theme Music! 03:00 – LEGO Movie, Boxing and Book Agents 09:30 – Where in the World...

A little something extra, folks! Set in the same world as Hero BLOB, but in New York, follow the adventures of the Corpulent Crusader, the FATMAN! In this quick, exciting episode, see him in action against the New York underworld, and hear him recount how he decided to fight crime and poverty, and become the WORLD'S FATTEST MAN AND SUMO WRESTLING CHAMPION!!!

Deborah Norville has been the anchor of Inside Edition since 1995 and talks about how excited she is about her new book and how the world has changed since the show debuted in 1989. Passionate about knitting, she discusses her new line of products and how important the hobby has been to her. This working mother discusses the ups and downs of her career in television and she shares how to get through the tough times. podcast is a show from , an Online Magazine which features news and interviews with women who want to make the world a better place. From newsmakers, changemakers, entrepreneurs, best-selling authors, cancer survivors, adventurers, and experts on leadership, stress and health, to kids helping kids, global grandmothers improving children's lives, and women who fight for equal rights,"It's the world as we see it." The Women's Eye Radio Show broadcasts on in Phoenix, live-streams on 1480KPHX.com, and is available as on-demand talk radio on iTunes and at . Learn more about The Women's Eye at

This week Will and Norm are joined by Gary Whitta wherein they discuss an absolutely astounding amount of news. Topics include the new Kindle 3, the Blackberry Torch, the increasing sales of Android, how magic the Magic Trackpad really is, cold brewing coffee, Siggraph, some iPod rumors, Froyo updates for old phones, and a whole lot more. PUT THIS IN YOUR EARS.

This week Will and Norm are joined by Gary Whitta wherein they discuss an absolutely astounding amount of news. Topics include the new Kindle 3, the Blackberry Torch, the increasing sales of Android, how magic the Magic Trackpad really is, cold brewing coffee, Siggraph, some iPod rumors, Froyo updates for old phones, and a whole lot more. PUT THIS IN YOUR EARS.