Podcasts about Obrist

As one of the world's most respected curators of contemporary art and the current artistic director of London's Serpentine, Hans Ulrich Obrist is truly on top of his game. Through his innovative programming, his definition-making books, and his endless quest for knowledge and connections, Obrist has taught us to look differently at a profession so crucial in a changing world. On this episode, Dan speaks with the art-world dynamo about how he once curated an exhibition in his kitchen, why he owns an Xbox, the important evolutions of the Serpentine, the future of his profession, and more. Hosted on Acast. See acast.com/privacy for more information.

Ulrich Bruhnke machte die sportlichen Töchter von BMW und Mercedes salonfähig - und zum profitablen Geschäftszweig der Premiumhersteller. Im Podcast sprechen wir über die Herausforderungen von damals, die Chancen der Elektromobilität von heute und die Möglichkeiten, die die Zukunft bringen könnte.

Ulrich Bruhnke machte die sportlichen Töchter von BMW und Mercedes salonfähig - und zum profitablen Geschäftszweig der Premiumhersteller. Im Podcast sprechen wir über die Herausforderungen von damals, die Chancen der Elektromobilität von heute und die Möglichkeiten, die die Zukunft bringen könnte.

Schreib mir gern dein Feedback!Peter Obrist engagiert sich seit Jahren mit seinen Unterinntaler Weihnachtsbläser für Familien in Not. Mit seinen CDs hat er schon über 150.000€ gespendet. Er stellt sein diesjähriges Projekt vor. Bitte helft mit für die kleine Mara!https://www.uwb-records.at/shop/

Bibliography Morris, Sarah. "Sarah Morris: 1972." Guggenheim Museum Publications, 2009. This publication provides an overview of Sarah Morris's artistic practice, including her work "1952 (Rings)". Dziewior, Yilmaz. "Sarah Morris: Beijing." Hatje Cantz, 2010. Although this book focuses primarily on Morris's work related to Beijing, it offers insights into her broader artistic themes and influences, which may shed light on "1952 (Rings)". Gioni, Massimiliano, and Sarah Morris. "Sarah Morris: Capital." Charta, 2001. This publication accompanies an exhibition of Morris's work, including "1952 (Rings)". It likely contains critical essays and images related to the artwork. Kamps, Toby, et al. "Sarah Morris: Bye Bye Brazil." Richter Verlag, 2010. While this book centers on Morris's project in Brazil, it could offer contextual information relevant to understanding "1952 (Rings)" in the context of her broader body of work. Morris, Sarah, et al. "Sarah Morris: Los Angeles." JRP|Ringier, 2019. This publication may not directly discuss "1952 (Rings)", but it provides insight into Morris's exploration of urban landscapes and architecture, which are themes present in her work. Obrist, Hans Ulrich, and Sarah Morris. "Sarah Morris." Moderna Museet, 2009. Published in conjunction with an exhibition at the Moderna Museet, this book could contain critical essays and interviews that touch upon "1952 (Rings)". Schwabsky, Barry, et al. "Sarah Morris: Paintings, Drawings, Films." Richter Verlag, 2005. While primarily focusing on Morris's paintings, drawings, and films, this book may provide valuable background information on "1952 (Rings)". Searle, Adrian, et al. "Sarah Morris: Beijing." Modern Art Oxford, 2008. This catalog accompanies an exhibition of Morris's work in Beijing, offering insights into her artistic process and themes, which could aid in understanding "1952 (Rings)". Sirmans, Franklin, and Sarah Morris. "Sarah Morris: Rio." Artangel, 2005. Although centered on Morris's project in Rio de Janeiro, this publication may contain discussions or images that relate to "1952 (Rings)". Tumlir, Jan, et al. "Sarah Morris: Midtown." JRP|Ringier, 2006. While focused on Morris's exploration of Midtown Manhattan, this book could provide useful context for understanding "1952 (Rings)" within the broader scope of her urban-themed works. Find out more at https://three-minute-modernist.pinecast.co

I WANT TO CREATE JUNCTIONS. Hans Ulrich Obrist is a Swiss art curator, critic, and art historian who lives and works in London where he is Artistic Director at Serpentine. Obrist is the author of The Interview Project, an extensive ongoing project of interviews, and is also co-editor of the Cahiers d'Art review.

Compositor californiano marcado por las ideas de John Cage, los experimentos de La Monte Young, las improvisaciones del jazzy la música clásica de la India, crea en 1964“InC”(“Endo”) una de las obras más influyentes del minimalismo y de la música norteamericana del siglo XX._____Has escuchadoIn C (1964). Buffalo Center of the Creative and Performing Arts Ensemble; Terry Riley, saxofón. Columbia Masterworks (1968)Music for the Gift. Part 1 (1963). Chet Baker y Luis Fuentes, trompetas; Luigi Trussardi, bajo; George Solano, batería; John Graham, voz; Terry Riley, tape. Elision Fields (2007)Songs for the Ten Voices of the Two Prophets. Eastern Man (1982). Terry Riley, sintetizador prophet 5. Kuckuck (1983)The Harp of New Albion. The Orchestra of Tao (1986). Terry Riley, piano. Celestial Harmonies (1986)_____Selección bibliográficaCARL, Robert, Terry Riley's In C. Oxford University Press, 2009FINK, Robert, Repeating Ourselves. American Minimal Music as Cultural Practice. University of California, 2005GIRARD, Johan, Répétitions: L'esthétique musicale de Terry Riley, Steve Reich et Philip Glass. Presses Sorbonne Nouvelle, 2010HEISINGER, Brent, “American Minimalism in the 1980s”. American Music, vol. 7, n.º 4 (1989), pp. 430-447*MARGASAK, Peter, “Terry Riley's The Gift”. Sound American: The Change Issue, n.º 21, consultada el 20 de junio de 2023: [Web]*O'BRIEN, Kerry y William Robin (eds.), On minimalism: Documenting a Musical Movement. University of California Press, 2023*OBRIST, Hans-Ulrich, “Terry Riley”. En: A Brief History of New Music. JRP/Ringier; Les Presses du Réel, 2015*POTTER, Keith, Four Musical Minimalists: La Monte Young, Terry Riley, Philip Glass. Cambridge University Press, 2002*REED, S. Alexander, “In C on Its Own Terms: A Statistical and Historical View”. Perspectives of New Music, vol. 49, n.º 1 (2011), pp. 47-78*STRICKLAND, Edward, American Composers: Dialogues on Contemporary Music. Indiana University Press, 1991 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Schließt für einen kurzen Moment die Augen und stellt euch irgendeinen herausragenden Rennwagen von Ferrari bis 1988 vor und ihr könnt sicher sein, dass mein heutiger Gast ihn einst besessen hat. Albert Obrist wollte die historisch bedeutenste Ferrari-Sammlung zusammenstellen und das ist ihm ganz sicher auch gelungen. Selbst Enzo Ferrari wusste, was für einen Schatz Obrist da über die Jahre zusammengestellt hatte: ob 315 S Scaglietti Spider, 166 MM, 250 TR, 330 P4, 312 PB, 512 S, selbstverständlich sämtliche 250er (als GT SWB, GTO, GTE und LM), aber natürlich auch neuere Straßensportwagen à la 512 BB, Dino, 288 GTO, F40, F40 LM und Formel 1 aus den 80ern - sie alle waren Teil des "Projekts". Gegen Mitte der 90er platzte die Blase der Spekulationspreise, die nach Enzos Tod 1988 bis dato unerreichte Höhen erreichten, an denen sich Obrist aber nie beteiligt hatte und trotzdem riss sie seine Sammlung mit sich in den Abgrund; nicht ganz alleine: eine bekannte Persönlichkeit der Formel 1 - Geschichte "half" dabei, Obrist um seine Autos zu erleichtern... Hier hört ihr die Geschichte eines leidenschaftlichen Bewahrers historischen Kulturguts und das Traurige Ende eines außergewöhnlichen Ferrariprojekts.

Folge 90 von Unibet Hockey O'Clock bringt erstmals in der aktuellen Staffel den Blick in die Schweiz. Dort plaudert ÖEHV-Export Patrick Obrist über die Ups & Downs mit dem National-League-Austeiger Kloten und Christian Weber spricht über den Aufstieg und die Rückkehr des Traditionsclubs Basel ins Schweizer Profi-Eishockey. Patrick Obrist (00:01:24) Christian Weber (00:55:56) Unibet bietet einen 400% Willkommensbonus für Neukunden an. Mit dem Promocode "hockey-bonus" erhalten Kunden bei der ersten Einzahlung von 10€ einen 40€ Bonus geschenkt. Unibet – By players, for players 400% Willkommensbonus für Neukunden: https://unibet.me/bonus Feedback und Anregungen jederzeit an: unibethockeyoclock@gmail.com

Heute begrüße ich Monika Obrist im Wochengespräch. Monika ist Kooperationspartnerin im Maren Fromm Institut- Zentrum für Wege des Herzens. Auf der einen Seite begleitet sie Menschen die Texte für ihre Websites zu formulieren. Auf der anderen Seite arbeitet Monika mit dem Humandesign. Sie erstellt anhand der Geburtsdaten der Menschen und dem Humandesign Programm das Profil des jeweiligen Menschen und im Anschluss gibt es einen Call mit ihr.

MOSTRAR MENOSCON LA CONDUCCION DEL INSTRUCTOR DE TEAKWONDO GASTÓN MEDINA (5to Dan), "DE CONTACTO" UN PODCAST DÓNDE NOS METEMOS DE LLENO EN EL MUNDO DEL DEPORTE DE LAS ARTES MARCIALES Y EL BOXEO DEPORTIVO. DIFERENTES PERSONALIDADES PASARÁN POR LA MESA DE ESTACIONLINE PARA CONOCER MÁS DE ESTA CULTURA. --- Send in a voice message: https://anchor.fm/estacion-online2/message Support this podcast: https://anchor.fm/estacion-online2/support

Cultural savants Shumon Basar (The Extreme Self & The Age of Earthquakes) and Dean Kissick (NY editor of Spike Art Magazine) join the show during Berlin Art Week for a sprawling, late-night convo on communication and creative production in year 2022.
 Along the way, we note the accelerating pace of decades, revisit Marshall McLuhan's 1967 mass-media glow-up, log a veritable dictionary of neologisms, consider whether the art market as we know is a historically bound concept, and ask if we've possibly reached the end of clear-cut, market-ready “generations.” Also: mid-ification, zentrism, eNFT portals, and adult drainers. [recorded 29 Apr 2022] For more: https://twitter.com/shumonbasar https://twitter.com/deankissick Basar, Obrist, Coupland's The Extreme Self (Penguin, 2021)
https://www.mcnallyjackson.com/book/9783960989738 Dean's column for Spike Art https://spikeartmagazine.com/?q=search&input=dean+kissick&field_online_bool=All Dean's 2021 essay for New Models & The Stolbun Institute, “Hello Darkness”
https://newmodels.io/editorial/issue-3/hello-darkness-dean-kissick

Was der Film für das 20. Jahrhundert war, sind Games für das heutige Publikum. Längst sind sie zu einer internationalen Kunstform geworden. Das zeigt die Ausstellung "Worldbuilding" in der Julia Stoschek Collection in Düsseldorf.Obrist, Hans-Ulrichwww.deutschlandfunkkultur.de, KompressorDirekter Link zur Audiodatei

Saludos Cuervos, hoy hablaremos sobre la educación y su relación con las artes junto a una invitada muy especial

durée : 01:35:28 - Soft Power - par : Frédéric Martel - Ce soir, deux invités du monde de l'art dans Soft Power. Le premier organise son grand retour sur scène au Théâtre Tristan Bernard, tandis que le second vient évoquer les défis actuels pour les artistes contemporains. - invités : Stéphane Guillon; Hans-Ulrich Obrist commissaire d'exposition, critique et historien d'art, codirecteur des expositions et directeur des projets internationaux de la Serpentine Gallery de Londres

V. Interview Rupprecht Geiger Hans Ulrich Obrist, 2006 Zum 100. Geburtstag von Rupprecht Geiger organisiert die Städtische Galerie im Lenbachhaus eine umfangreiche Einzelpräsentation mit den Schwerpunkten Malerei und Druckgrafik. Die Ausstellung wird vom damaligen Direktor des Lenbachhauses Prof. Dr. Helmut Friedel und von Julia Geiger kuratiert. Zu diesem Anlass erscheinen das von ihr bearbeitete Werkverzeichnis der Druckgrafik, sowie ein lesenswerter Band mit einer Auswahl von wichtigen Schriften zum Werk von Rupprecht Geiger, die über die Jahrzehnte verfasst wurden. Die Wiedergabe beginnt mit einem Text eines seiner wichtigsten Förderer und Wegbegleiter – John Anthony Thwaites – von 1959 und endet mit dem kurz vor Erscheinen der Publikation verfassten Text von Georg Imdahl. Außerdem wird das im Jahre 2006 durchgeführte Interview zwischen dem Künstler und Hans Ulrich Obrist zum ersten Mal publiziert. Ein besonderes Augenmerk wird auf die visionären und unrealisierten Projekte im öffentlichen Raum gelegt. Andreas Eiselt und Wolfgang Urbanczik lesen aus: Obrist, Hans Ulrich, Interview mit Rupprecht Geiger, 2006, aus: Friedel, Helmut, Texte zu Rupprecht Geiger, 2006, S. 85-89

Hans-Ulrich Obrist is Artistic Director of the Serpentine Galleries in London, and Senior Artistic Advisor of The Shed in New York. Prior to this, he was the Curator of the Musée d'Art Moderne de la Ville de Paris. Obrist has curated more than 300 exhibitions and lectured internationally at academic and art institutions. He is a contributing editor to Artforum, AnOther Magazine, 032C, a writes for Mousse, Kaleidoscope, Das Magazin and Weltkunst. He received the CCS Bard Award for Curatorial Excellence and the International Folkwang Prize. His recent publications include Mondialité, Conversations in Mexico, Ways of Curating, The Age of Earthquakes with Douglas Coupland and Shumon Basar, and Lives of The Artists, Lives of The Architects. www.serpentinegalleries.org www.creativeprocess.info

Hans-Ulrich Obrist is Artistic Director of the Serpentine Galleries in London, and Senior Artistic Advisor of The Shed in New York. Prior to this, he was the Curator of the Musée d'Art Moderne de la Ville de Paris. Obrist has curated more than 300 exhibitions and lectured internationally at academic and art institutions. He is a contributing editor to Artforum, AnOther Magazine, 032C, a writes for Mousse, Kaleidoscope, Das Magazin and Weltkunst. He received the CCS Bard Award for Curatorial Excellence and the International Folkwang Prize. His recent publications include Mondialité, Conversations in Mexico, Ways of Curating, The Age of Earthquakes with Douglas Coupland and Shumon Basar, and Lives of The Artists, Lives of The Architects. www.serpentinegalleries.org www.creativeprocess.info

Art City Amsterdam is particularly proud to host the next generation of global art dealers. Christian Luiten and Curtis Penning started Avant Arte in 2015. Now they are one of the leading art editions businesses worldwide. In this episode they talk about their unique approach, passion for details, and how they got noticed by Hans Ulrich Obrist and Norman Foster at an early stage. Avant Arte has worked with over 60 acclaimed international artists, and in Obrist's words, curiosity is their driving force and it has only just begun. They show us their favourite Omakase restaurants, streetwear stores and which artists to keep an eye on. And of course they are based right here, in Amsterdam. Listen to the podcast and discover why they are an international leading player and how they put the Amsterdam art scene on the map.   For links to (almost) everything we talk about in this episode, visit www.artcityamsterdam.com

Is encouraging action still art? What does it mean to make art about the environment? Eleanor Rosamund Barraclough brings together a curator, researchers and artists to discuss these questions. She hears about suggestions from artists, inspired by the forward thinking Gustav Metzger (1926 - 2017), collated by curator Hans Ulrich Obrist. These include the idea from Futurefarmers that we "make an unannounced visit to a farm and take a good long look at the farmer's bookshelf" or Forensic Architecture's call for us to "Look at an air bubble" or Olafur Eliasson's "Look down, look up" and a poetic call to action inspired by the writer Audre Lorde (1934-1992): you can find an episode all about her work in the Free Thinking archives. Lucy Neal describes a project that has involved a forest camp in Coventry looking back at the ideas of the suffragettes. Wayne Binitie shares his experiences of taking photographs of melting ice sheets, recreating them in a gallery and making sound and music. Dr Jenna C. Ashton describes her work with communities in Manchester thinking about how they face up to changes in the climate and reflect those in a pageant planned for next year. 140 Artists' Ideas for Planet Earth edited by Hans Ulrich Obrist and Kostas Stasinopoulos is published now - and draws on the environmental programme Back to Earth run by the Serpentine Gallery where Obrist is an Artistic Director https://www.serpentinegalleries.org/art-and-ideas/ You can find out more about his paintings and photographs at http://waynebinitie.com/ and an exhibition of his work is due to open later this year. Walking Forest by the artists Ruth Ben-Tovim, Anne-Marie Culhane, Lucy Neal and Shelley Castle, commissioned by Coventry 2021 City of Culture is one of the 15 Season For Change arts commissions ahead of COP 26 https://www.seasonforchange.org.uk/ Dr Jenna C. Ashton is a Lecturer in Heritage Studies at the University of Manchester and co-founded CIWA, the Centre for International Women Artists, a collective artist studio and gallery in Manchester, UK https://creative-climate-resilience.org/ You can find a new podcast series Green Thinking: 26 episodes 26 minutes long in the run up to COP26 made in partnership with the Arts and Humanities Research Council, part of UKRI, exploring the latest research and ideas around understanding and tackling the climate and nature emergency. New Generation Thinkers Dr Des Fitzgerald and Dr Eleanor Barraclough will be in conversation with researchers on a wide-range of subjects from cryptocurrencies and finance to eco poetry and fast fashion. They're all available from the Arts & Ideas podcast feed - and collected on the Free Thinking website under Green Thinking where you can also find programmes on mushrooms, forests, rivers, eco-criticism and soil. https://www.bbc.co.uk/programmes/p07zg0r2 Producer: Sofie Vilcins

We're back for Season 3! This season will be mostly interviews with people working on XR design related things. Our first conversation is with Marianna Obrist, Professor and co-author of a new book titled "Multisensory experiences".

This episode - The Season Two Premiere of The SpokenWeb Podcast - chronicles different phases in the evolution of Deep Curation as a poetry reading curation practice, from its earlier iterations with Klara merely choosing the poems read by the authors and the order of their presentation, to its more robust form, with excerpted and intertwined works creating a thematic, cohesive arc. Poets featured from Deep Curation archival audio, include Lee Ann Brown, Margaret Christakos, Kaie Kellough, Sawako Nakayasu, Deanna Radford, and Erin Robinsong.SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.Episode Producers:Klara du Plessis is a third year PhD student in English at Concordia University and one of the governing board student representatives of the SpokenWeb research team. She experiments with a new practice of literary event organization called a Deep Curation, navigating the texts presented and their strategic, thematic arc. Klara's debut collection of multilingual long poems, Ekke, won the 2019 Pat Lowther Memorial Award, was shortlisted for the Gerald Lampert Memorial Award, and garnered much critical acclaim. Her second book-length narrative poem, Hell Light Flesh, is freshly released, September 2020 from Palimpsest Press.Jason Camlot's recent works include Phonopoetics: The Making of Early Literary Recordings (Stanford 2019), the co-edited collection, CanLit Across Media: Unarchiving the Literary Event (with Katherine McLeod, McGill-Queen's UP, 2019), and the article, “The First Phonogramic Poem: Conceptions of Genre and Media Format, circa 1888” in the open access journal, BRANCH: Britain, Representation and Nineteenth-Century History (February 2020). He is the principal investigator and director of The SpokenWeb, a SSHRC-funded partnership that focuses on the history of literary sound recordings and the digital preservation and presentation of collections of literary audio.  He is Professor of English and Tier I Concordia University Research Chair in Literature and Sound Studies at Concordia U in Montreal.Voices Heard:Lee Ann Brown, Margaret Christakos, Isis Giraldo, Kaie Kellough, Kate Lilley, Sawako Nakayasu, Deanna Radford, Erin RobinsongPrint References:Bernstein, Charles. ed. Close Listening: Poetry and the Performed Word. New York: Oxford University Press, 1998.Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du Réel, 2009.Brown, Lee Ann. In the Laurels, Caught. Albany: Fence Books, 2013.Christakos, Margaret. charger. Vancouver: TalonBooks, 2020.du Plessis, Klara. “Santa Cova Muscles.” Unpublished.Kellough, Kaie. Magnetic Equator. Toronto: Penguin Random House, 2019.Longair, Sarah. “Cultures of Curating: the Limits of Authority.” Museum History Journal 8.1 (2015): 1-7.Middleton, Peter. “How to Read a Reading of a Written Poem.” Oral Tradition 20.1 (March 2005): 7-34. Web. 25 December 2016.Nakayasu, Sawako. Texture Notes. Seattle: Letter Machine Editions, 2010.Obrist, Hans Ulrich and Asad Raza. Ways of Curating. New York: Faber and Faber, 2014.Radford, Deanna. Poems. Unpublished.Robinsong, Erin. Rag Cosmology. Toronto: Book*Hug, 2017.Rogoff, Irit. “Curating/Curatorial.” Ed. Beatrice von Bismarck, Jörn Schafaff, and Thomas Weski. Cultures of the Curatorial. Berlin: Sternberg Press, 2012. 19-38.Vidokle, Anton. “Art without Artists?” Ed. Beatrice von Bismarck, Jörn Schafaff, and Thomas Weski. Cultures of the Curatorial. Berlin: Sternberg Press, 2012. 216-226.Wheeler, Lesley. Voicing American Poetry: Sound and Performance from the 1920s to the Present. Ithaca: Cornell University Press, 2008.Poetry Recordings:Deep Curation 4th Space. Feat. Margaret Christakos, Kaie Kellough, Deanna Radford. 7 November 2019. Personal archive.Deep Curation Boston University. Feat. Lee Ann Brown, Fanny Howe, Sawako Nakayasu. 30 January 2020. Personal archive.Deep Curation Mile End Poets' Festival. Feat. Aaron Boothby, Klara du Plessis, Canisia Lubrin, Erin Robinsong. 24 November 2018. Personal archive.Sir George Williams Reading Series. Feat. Jackson Mac Low. 26 March 1971. https://montreal.spokenweb.ca/sgw-poetry-readings/jackson-mac-low-at-sgwu-1971/#1Four Horsemen. Two Nights. 9 and 10 October 1987. http://writing.upenn.edu/pennsound/x/4-Horsemen.phpAmbient Sounds:Cmusounddesign. “02 Museum.” 03:02. 29 November 2009. Attribution License. https://freesound.org/people/cmusounddesign/sounds/84529/Ecfik. “Museum Ambiences.” 01:16. 2 August 2019. Creative Commons 0 License. https://freesound.org/people/ecfike/sounds/478349/Pastabra. “Lounge tea party: Ambience.” 03:21. 31 October 2016. Attribution License. https://freesound.org/people/Pastabra/sounds/366194/Wilhelmsqueek. “Cutting_Croissant_ST.” 00:20. 9 June 2016. Creative Commons 0 License. https://freesound.org/people/wilhelmsqueek/sounds/347384/Music:“Manny in Sound” by Blue Dot Sessions (www.sessions.blue). Attribution Noncommercial License.“Turning to You” by Blue Dot Sessions (www.sessions.blue). Attribution Noncommercial License.Tuned Down and Slowed “Turning to you” by Blue Dot Sessions (www.sessions.blue). Attribution Noncommercial License. Manipulations by Jason Camlot 

Learn about how rats might not have been all to blame for the bubonic plagues and why we’re more prone to mindlessly eat while we multitask. When It Comes to the Black Death, the Rats May Have Been Framed by Ashley Hamer History.com Editors. (2010, September 17). Black Death. HISTORY. https://www.history.com/topics/middle-ages/black-death  Gill, V. (2018, January 15). Black Death “spread by humans not rats.” BBC News. https://www.bbc.com/news/science-environment-42690577  Dean, K. R., Krauer, F., Walløe, L., Lingjærde, O. C., Bramanti, B., Stenseth, N. C., & Schmid, B. V. (2018). Human ectoparasites and the spread of plague in Europe during the Second Pandemic. Proceedings of the National Academy of Sciences, 115(6), 1304–1309. https://doi.org/10.1073/pnas.1715640115  Multitasking might make you keep snacking even when you're full by Kelsey Donk Ford, A. (2020) TV-watching snackers beware: you won’t notice you’re full if your attention is elsewhere. University of Sussex. https://www.sussex.ac.uk/news/research?id=52535 Morris, J., Vi, C. T., Obrist, M., Forster, S., & Yeomans, M. R. (2020). Ingested but not perceived: Response to satiety cues disrupted by perceptual load. Appetite, 104813. https://doi.org/10.1016/j.appet.2020.104813  Subscribe to Curiosity Daily to learn something new every day with Ashley Hamer and Natalia Reagan (filling in for Cody Gough). You can also listen to our podcast as part of your Alexa Flash Briefing; Amazon smart speakers users, click/tap “enable” here: https://www.amazon.com/Curiosity-com-Curiosity-Daily-from/dp/B07CP17DJY See omnystudio.com/listener for privacy information.

John Obrist is the Owner of WineJug in Weirton, West Virginia. John received his BS from Ithaca College and his MBA from Penn State University. John has been married for 29 years to Ledea Obrist with four kids (ages 20, 19, 19, and 16) – yes, 3 in college! WineJug is a wine specialty retail store and online company designed to offer incredible wine across a spectrum of price ranges. Continue reading Episode 130 – John Obrist – WineJug at Positively West Virginia.

Don't Feed the Photographers Episode 005 with Craig and Unchong Obrist. We talk about making fire and more of Craig's epic techniques.  Find Craig Craig Obrist Photography https://www.craigobrist.com/ Craig On Youtube https://www.youtube.com/user/Victoryatl Find Joshua Joshuagrasso.com DFTP Podcast Home Page  DFTP Facebook  DFTP Itunes   Podcast Home Page  DFTP Facebook  DFTP Itunes   Support the show Like, Share, Comment, or subscribe to help us grow! Support the show by using an affiliate link before you shop. 

Entre un buen palo viralizado y las frustraciones de vivir en un país golpeado, Paulina Obrist se desnuda sola y Andrés lo tiene todo bien claro. Factótumeada, solitaria y magnificada, su cátedra descubre el lado más alto de un Ave literato. Saludos a SOHO Ecuador, sus editores Rafael Lugo, Carlos Andrés Vera. Y al escritor Juan José Rodinás.

For today's episode, I had the opportunity to chat with my assistant principal, Erica Obrist, about what it's like being an administrator!  In this episode we talk about: How Erica got into administration work The joys, responsibilities, and struggles of being a principal What qualities she, as an admin, looks for when hiring  It was so fun recording this episode for you! Make sure to tune in next week when my principal, Jennifer Carter, joins us for part 2! If you are loving these episodes, I would love to hear from you! Please leave a review, or share this with a teacher friend! If we haven't connected yet, let's make it happen! Instagram: @the.educators.mindset Twitter: @MrsErinMyres  

Hans-Ulrich Obrist is Artistic Director of the Serpentine Galleries in London, and Senior Artistic Advisor of The Shed in New York. Prior to this, he was the Curator of the Musée d'Art Moderne de la Ville de Paris. Obrist has curated more than 300 exhibitions and lectured internationally at academic and art institutions. He is a contributing editor to Artforum, AnOther Magazine, 032C, a writes for Mousse, Kaleidoscope, Das Magazin and Weltkunst. He received the CCS Bard Award for Curatorial Excellence and the International Folkwang Prize. His recent publications include Mondialité, Conversations in Mexico, Ways of Curating, The Age of Earthquakes with Douglas Coupland and Shumon Basar, and Lives of The Artists, Lives of The Architects. www.serpentinegalleries.org www.creativeprocess.info

Hans-Ulrich Obrist is Artistic Director of the Serpentine Galleries in London, and Senior Artistic Advisor of The Shed in New York. Prior to this, he was the Curator of the Musée d'Art Moderne de la Ville de Paris. Obrist has curated more than 300 exhibitions and lectured internationally at academic and art institutions. He is a contributing editor to Artforum, AnOther Magazine, 032C, a writes for Mousse, Kaleidoscope, Das Magazin and Weltkunst. He received the CCS Bard Award for Curatorial Excellence and the International Folkwang Prize. His recent publications include Mondialité, Conversations in Mexico, Ways of Curating, The Age of Earthquakes with Douglas Coupland and Shumon Basar, and Lives of The Artists, Lives of The Architects. www.serpentinegalleries.org www.creativeprocess.info

Hans-Ulrich Obrist is Artistic Director of the Serpentine Galleries in London, and Senior Artistic Advisor of The Shed in New York. Prior to this, he was the Curator of the Musée d'Art Moderne de la Ville de Paris. Obrist has curated more than 300 exhibitions and lectured internationally at academic and art institutions. He is a contributing editor to Artforum, AnOther Magazine, 032C, a writes for Mousse, Kaleidoscope, Das Magazin and Weltkunst. He received the CCS Bard Award for Curatorial Excellence and the International Folkwang Prize. His recent publications include Mondialité, Conversations in Mexico, Ways of Curating, The Age of Earthquakes with Douglas Coupland and Shumon Basar, and Lives of The Artists, Lives of The Architects. www.serpentinegalleries.org www.creativeprocess.info

This week on Episode 466 of Priority One --- We ‘Trek Out’ Star Trek’s Emmy campaigning, more “Lower DeckS” news, and non-Simon Pegg movie news - sort of. In Star Trek gaming, Timelines releases it’s newest event, and fleet command takes to the air waves! Of course, as always, before we wrap up the show, we’ll open hailing frequencies for your incoming messages Let us know on social media like Facebook, Twitter, or by visiting our website! This Weeks Community Question Is: CQ:  If Star Trek’s Next Silver Screen Offering DOESN’T Feature The Kelvin-Crew, What Do You Want it to be About? TREK IT OUT by Jake Morgan Sir Patrick Talks with Deadline It’s campaign season again, but not Red Hats VS. Blue Waves or any other such nonsense. We’re talking about important stuff - campaigning for Entertainment industry awards. Okay, so campaigning for a trophy may NOT be as important as deciding who makes the policies that govern our lives, but it’s what we cover! On Saturday June 20th, “Star Trek: Picard” Executive Producer and Star - Sir Patrick Stewart - sat down with Deadline’s Dominic Patten to discuss the series; and make a pitch for an Emmy on “Contender’s TV”. Stewart, as has become custom, led with the tale of his initial rejection of a Picard revival. He did, however, refer to a project we often discuss on this program - Logan. I compared it to the last movie that Hugh Jackman and I did in the X-men franchise - Logan - which could not have been more different from every single moment in the films that have gone before. And I said,’if you can do something like that - not the same thing - you know -I don’t want to be driving around chanting nursery rhymes in a [EXPLETIVE] old wheel chair. But if you can find that transformation of the man and his spirit, then I’m up for it. Stewart also talked about his excitement in reuniting with his former Next Gen co-stars before giving away a possible hint about season 2 It was a very desirable and a very emotional experience, to be reunited with Jonathan, with Marina Sirtis. And with Brent who, although he doesn’t appear that often, he has a very significant role in season one, and maybe he might again in season two. But I can say no more than that. Sorry to be so coy. Hanelle Culpepper Talks with Variety Patrick Stewart wasn’t alone on the campaign trail. This week, Star Trek director and trailblazer - Hannelle Culpepper - talked with Variety about directing Picard’s first three episodes. Culpepper discussed her visual approach to the series, saying I wanted it to feel inspired by where Picard was on his emotional journey. He was living in a vineyard; he felt trapped. So I wanted to have a little bit more of a static frame, and then go handheld once his world is rocked [in the pilot]. We switch to handheld cameras pretty much as much as possible after that. It’s “Star Trek,” we have to get those big, cinematic shots with drones and cranes and stuff, but we always wanted to not forget that it’s really a character- driven series with Picard at the heart.. In regards to directing Sir Patrick Stewart, and the cohesion of the writers and actors, Culpepper said Because he was so involved with the writers, a lot of the things that he felt about his character were already incorporated into the script. So for me, it was just about creating the safe space where he could do the things he wanted to do. He was still collaborative with me. But ultimately, it was nice to be in a situation where the actor and the writers are all on the same page for who this character is. “Lower Decks” Images, a Tease of Cameos It seems the “Lower Decks”  hype train is leaving the station, which means the show can’t be far behind. This week, Entertainment Weekly discussed the animated Star Trek series with creator and showrunner Mike McMahon. McMahon once again separated “Lower Decks” from his other hit cartoon comedy, “Rick and Morty”, telling EW ”The fun of Rick and Morty is that it breaks down sci-fi tropes and is told through Rick Sanchez, who has a very specific, chaotic, nihilistic lens,” he says. “Lower Decks treats mythological sci-fi things just as important as a regular Trek show, while finding new stories to tell — just from a different angle. It's not disassembling mythological sci-fi things. It's treating them as important for everybody on the starship as it would be in a regular star Trek show.” McMahon confirmed the series takes place during “The Next Generation”’s  time period before teasing possible cameos, saying ”Next Gen is my favorite era. And as a huge Trek fan, I would definitely want to try to use some of them so that I could not only build out the world, but also work with some of my heroes. But I can't get more specific than that. You'll have to wait and see.” Along with the story are a couple of new stills, one featuring a dirty and torn crew with TNG Type II Phasers pulled, and another with the Lower Decks gang enjoying - what looks to be - margaritas! Zachary Quinto Done With Spock? Now, let’s talk Star Trek movies for a second. Before you ask, this is NOT another interview with Simon Pegg, but don’t worry, he’s involved peripherally.  This week, Kelvin-Spock actor Zachary Quinto was promoting the second season of his AMC series - NOS4A2 - with comicbook.com. The conversation turned to Star Trek, and Quinto was asked for his thoughts on - wait for it - SIMON PEGG’s comments about Star Trek being more suited for Television. Quinto responded ”It's already thriving in the television format with Discovery and Picard and the spinoffs," Quinto said. "I can't even keep track of how many new Star Trek stories are being told since our last film in 2016. All I know is that we, all of us, had an incredible experience making those films. If there is an appetite for more of those stories with us in them, I'm sure that we would all be thrilled to come back and do one more or whatever, but I'm not really attached to it anymore.” Quinto elaborated on his comment,saying ”I stepped away from any expectation or any real certainty that it's ever going to happen again. I think that's the only real way to move through the world, right? If it happens, that'd be great, but I'm not going to sit around waiting for it to happen.[...] I have lifelong friendships from those films and working relationships and a lot of respect and fond memories, so if that's what it ends up being and I can look back on my life and say that's what it was, then that's incredible, and if we get to do more, that's also incredible.” Does this mean that the Noah Hawley project won’t feature the Kelvin-timeline crew? No, not definitively. But it certainly doesn’t instill confidence that it will, either! Star Trek Gaming News by Shane Hoover and Thomas Reynolds Star Trek Timelines Event: “Against the House” June continues to be a big month for Star Trek Timelines players, as the “Before & After”-inspired Mega-Event’s third installment runs from June 25th to June 29th. Kes’s voyage through her people’s past continues with “Against the House,” a Galaxy Event for the Federation and Terran Empire factions. This event’s Ranked Reward is the new 5-star Krenim Guest Chakotay, along with new 5-star Dr. Van Gogh, 4-star Karyn Archer (as seen in the Enterprise episode “E2”), and returning 4-star Krenim officer Obrist as Event Crew. As always, players will receive a high bonus for the Event Crew and the Mega-Event’s recurring Featured 5-star crew Suspira; small bonuses will apply for any variant of the Doctor (EMH) or crew with the Warp Theorist or Caregiver traits. Star Trek Fleet Command Launches a Podcast Star Trek Fleet Command has published the first episode of their own official podcast called “Commander’s Hub”. The inaugural episode features a wide ranging interview with game designer Keenser, covering such topics as: https://www.youtube.com/watch?v=ycXo0p-jTmk&feature=youtu.be The impact of COVID-19 on the game’s development How they prioritize bug fixing Adding a “Black Market” mechanic to the game Targeting new content to both low and high level players PC game client possibilities Game server merge needs and plans The lifecycle for Borg Event content

This week on Episode 466 of Priority One --- We ‘Trek Out' Star Trek's Emmy campaigning, more “Lower DeckS” news, and non-Simon Pegg movie news - sort of. In Star Trek gaming, Timelines releases it's newest event, and fleet command takes to the air waves! Of course, as always, before we wrap up the show, we'll open hailing frequencies for your incoming messages Let us know on social media like Facebook, Twitter, or by visiting our website! This Weeks Community Question Is: CQ:  If Star Trek's Next Silver Screen Offering DOESN'T Feature The Kelvin-Crew, What Do You Want it to be About? TREK IT OUT by Jake Morgan Sir Patrick Talks with Deadline It's campaign season again, but not Red Hats VS. Blue Waves or any other such nonsense. We're talking about important stuff - campaigning for Entertainment industry awards. Okay, so campaigning for a trophy may NOT be as important as deciding who makes the policies that govern our lives, but it's what we cover! On Saturday June 20th, “Star Trek: Picard” Executive Producer and Star - Sir Patrick Stewart - sat down with Deadline's Dominic Patten to discuss the series; and make a pitch for an Emmy on “Contender's TV”. Stewart, as has become custom, led with the tale of his initial rejection of a Picard revival. He did, however, refer to a project we often discuss on this program - Logan. I compared it to the last movie that Hugh Jackman and I did in the X-men franchise - Logan - which could not have been more different from every single moment in the films that have gone before. And I said,'if you can do something like that - not the same thing - you know -I don't want to be driving around chanting nursery rhymes in a [EXPLETIVE] old wheel chair. But if you can find that transformation of the man and his spirit, then I'm up for it. Stewart also talked about his excitement in reuniting with his former Next Gen co-stars before giving away a possible hint about season 2 It was a very desirable and a very emotional experience, to be reunited with Jonathan, with Marina Sirtis. And with Brent who, although he doesn't appear that often, he has a very significant role in season one, and maybe he might again in season two. But I can say no more than that. Sorry to be so coy. Hanelle Culpepper Talks with Variety Patrick Stewart wasn't alone on the campaign trail. This week, Star Trek director and trailblazer - Hannelle Culpepper - talked with Variety about directing Picard's first three episodes. Culpepper discussed her visual approach to the series, saying I wanted it to feel inspired by where Picard was on his emotional journey. He was living in a vineyard; he felt trapped. So I wanted to have a little bit more of a static frame, and then go handheld once his world is rocked [in the pilot]. We switch to handheld cameras pretty much as much as possible after that. It's “Star Trek,” we have to get those big, cinematic shots with drones and cranes and stuff, but we always wanted to not forget that it's really a character- driven series with Picard at the heart.. In regards to directing Sir Patrick Stewart, and the cohesion of the writers and actors, Culpepper said Because he was so involved with the writers, a lot of the things that he felt about his character were already incorporated into the script. So for me, it was just about creating the safe space where he could do the things he wanted to do. He was still collaborative with me. But ultimately, it was nice to be in a situation where the actor and the writers are all on the same page for who this character is. “Lower Decks” Images, a Tease of Cameos It seems the “Lower Decks”  hype train is leaving the station, which means the show can't be far behind. This week, Entertainment Weekly discussed the animated Star Trek series with creator and showrunner Mike McMahon. McMahon once again separated “Lower Decks” from his other hit cartoon comedy, “Rick and Morty”, telling EW ”The fun of Rick and Morty is that it breaks down sci-fi tropes and is told through Rick Sanchez, who has a very specific, chaotic, nihilistic lens,” he says. “Lower Decks treats mythological sci-fi things just as important as a regular Trek show, while finding new stories to tell — just from a different angle. It's not disassembling mythological sci-fi things. It's treating them as important for everybody on the starship as it would be in a regular star Trek show.” McMahon confirmed the series takes place during “The Next Generation”'s  time period before teasing possible cameos, saying ”Next Gen is my favorite era. And as a huge Trek fan, I would definitely want to try to use some of them so that I could not only build out the world, but also work with some of my heroes. But I can't get more specific than that. You'll have to wait and see.” Along with the story are a couple of new stills, one featuring a dirty and torn crew with TNG Type II Phasers pulled, and another with the Lower Decks gang enjoying - what looks to be - margaritas! Zachary Quinto Done With Spock? Now, let's talk Star Trek movies for a second. Before you ask, this is NOT another interview with Simon Pegg, but don't worry, he's involved peripherally.  This week, Kelvin-Spock actor Zachary Quinto was promoting the second season of his AMC series - NOS4A2 - with comicbook.com. The conversation turned to Star Trek, and Quinto was asked for his thoughts on - wait for it - SIMON PEGG's comments about Star Trek being more suited for Television. Quinto responded ”It's already thriving in the television format with Discovery and Picard and the spinoffs," Quinto said. "I can't even keep track of how many new Star Trek stories are being told since our last film in 2016. All I know is that we, all of us, had an incredible experience making those films. If there is an appetite for more of those stories with us in them, I'm sure that we would all be thrilled to come back and do one more or whatever, but I'm not really attached to it anymore.” Quinto elaborated on his comment,saying ”I stepped away from any expectation or any real certainty that it's ever going to happen again. I think that's the only real way to move through the world, right? If it happens, that'd be great, but I'm not going to sit around waiting for it to happen.[...] I have lifelong friendships from those films and working relationships and a lot of respect and fond memories, so if that's what it ends up being and I can look back on my life and say that's what it was, then that's incredible, and if we get to do more, that's also incredible.” Does this mean that the Noah Hawley project won't feature the Kelvin-timeline crew? No, not definitively. But it certainly doesn't instill confidence that it will, either! Star Trek Gaming News by Shane Hoover and Thomas Reynolds Star Trek Timelines Event: “Against the House” June continues to be a big month for Star Trek Timelines players, as the “Before & After”-inspired Mega-Event's third installment runs from June 25th to June 29th. Kes's voyage through her people's past continues with “Against the House,” a Galaxy Event for the Federation and Terran Empire factions. This event's Ranked Reward is the new 5-star Krenim Guest Chakotay, along with new 5-star Dr. Van Gogh, 4-star Karyn Archer (as seen in the Enterprise episode “E2”), and returning 4-star Krenim officer Obrist as Event Crew. As always, players will receive a high bonus for the Event Crew and the Mega-Event's recurring Featured 5-star crew Suspira; small bonuses will apply for any variant of the Doctor (EMH) or crew with the Warp Theorist or Caregiver traits. Star Trek Fleet Command Launches a Podcast Star Trek Fleet Command has published the first episode of their own official podcast called “Commander's Hub”. The inaugural episode features a wide ranging interview with game designer Keenser, covering such topics as: https://www.youtube.com/watch?v=ycXo0p-jTmk&feature=youtu.be The impact of COVID-19 on the game's development How they prioritize bug fixing Adding a “Black Market” mechanic to the game Targeting new content to both low and high level players PC game client possibilities Game server merge needs and plans The lifecycle for Borg Event content

Esta semana, los cosmopoditas visitan la ocupadísima mente de Hans Ulrich Obrist, celebridad mundial de la curaduría de arte, leyendo Ways of Curating, un volumen entre la autobiografía profesional y la historiografía de una práctica. En 58 minutos, Axel y Javier evocan el modo en que Obrist toma el control de su mitología mediática como figura ubicua e insomne del mundo del arte, sobre el lugar de la oralidad en el trabajo de la gestión cultural y, por último, de la galería de personajes con las que Obrist compone un retrato del curador operador estratégico, como corsario y traficante de la vanguardia. Suscribite y apoyanos en Spotify, Apple Podcasts, TuneIn, Stitcher, Soundcloud, Google Podcasts, Pocket Casts y en tu aplicación favorita. Escribinos a cosmopodis@gmail.com y seguinos en Instagram y en Twitter en @cosmopodis.

Kurzschluss. Hinter diesem Titel verbirgt sich unsere kurze, knappe Podcast-Folge, welche interessante Themen aus der vorangegangenen Woche nochmals aufgreift und eben kurz und knapp präsentiert. Davon gab es auch in der letzten Januar Woche einige. Für dich kurz zur Erläuterung: Im Mittelpunkt einer solchen Folge stehen drei bis vier Themen, welche thematisch immer mit E-Mobilität oder Elektroautos verbunden sind. Mit maximal 20 Minuten Länge einer solchen Kurzschluss-Folge bekommt du interessante Inhalte zusammengefasst präsentiert und kannst diese jederzeit nachhören. Diese Folge spielt der HyperHybrid-Antrieb des umgebauten Tesla Model 3 von Obrist eine Rolle. Der Rückblick auf das Tesla Jahr 2019 darf ebenfalls nicht fehlen. Am Start ist zudem Hyzon Motors, welche sich der Wasserstoff-Revolution annehmen wollen. Hyundai zieht es nach Europa und eGO nach China. So weit der kurze Überblick, für mehr Infos einfach in die Folge reinhören. Viel Spaß!

We're back! Talk Art Season 3!! Robert & Russell meet one of the world's most celebrated & iconic curators Hans-Ulrich Obrist. Best known for his groundbreaking work as Artistic Director of Serpentine Galleries, London, Obrist has curated shows by many of our favourite artists as wide-ranging as Rebecca Warren, Faith Ringgold, Lynette Yiadom-Boakye, Wolfgang Tillmans, Etel Adnan, Phyllida Barlow, Marina Abramović, Yoko Ono and many, many more. We discuss his childhood passion of reading books, an early exploration of curating and collecting art postcards, the impact of meeting Alighiero E Boetti in his mid teens and his first group exhibition (curated in his kitchen) with artists including Christian Boltanski and Fishli & Weiss. We discuss memory in art, the importance of listening, an ongoing exhibition ‘Do It’ started in 1993 that has since been realised in more than 160 museums across the world as well as the more recent 'It's Urgent' billboard international art poster project. We learn how he has been addressing the challenge of bringing art to as many people as possible (including a notable recent collaboration with Arthur Jafa) as well as his early interest of bringing together art & science, the legacy of curator Lucy Lippard, of caring for the environment and the importance of taking ecology to the centre stage. See acast.com/privacy for privacy and opt-out information.

Heute geht es um: – Geschichten, die das Leben schreibt und das teilweise schon sehr früh, – was man mit Talenten macht, die nur anderen helfen einen Job zu finden und – warum es unbezahlbar ist, sich echte Verbündete zu suchen. "Wenn nicht jetzt wann dann?" gibt uns Moni Obrist mit auf den Weg und ich freue mich, heute ihr Interview zu präsentieren. So lautet denn auch meine Frage an dich: Wenn nicht jetzt, wann dann? Leg los und abonnier doch im ersten Schritt meinen Newsletter, die Creativen News: https://www.1-cup-coaching.de/dein-plus/newsletter/ Und jetzt viel Spaß mit der Folge deine Amélie – dein Creativeer® Links zur Folge: www.textgarten.ch www.monikaobrist.com www.1-cup-coaching.de

This is episode 13! The first episode for 2019. In this episode I speak with Monika Obrist who is a director of Refresh Design. I have been following Refresh design’s work for a number of years and had a few coffee meetings with Monika prior to recording this episode. Apart from being a lovely and interesting person Monika has formed opinions on city planning, property development and architecture which is PERFECT For this podcast. This is Episode 13! Don’t forget to leave a review when you finish. Please Enjoy!

Today, we continue the conversation with Australia’s most grounded architects. I proclaim this because I can’t imagine another architect firm in Australia who could sit for 40 days in meditation without uttering a word! Not that Vipassana meditators would ever challenge one another to such a feat, I continue to be astounded by how today’s guest Monika Obrist brings “the breath” to her daily mode of operating.Originating from Austria, Monika and her husband Erhard (Ed) have been practicing Vipassana meditation for the past 15 years and more recently become teachers of the technique. When they started their architectural firm Refresh in 2010, it was only a matter of time before accolades such as ‘House of the Year’ was bestowed upon them for their NSW beachhouse in 2015. Currently, this couple are creating accessibility by providing housing for people with disability. I wanted to showcase Monika and Ed’s life so our community could see how incorporating meditation into business leads to whole other level of success. Meet Monica:Monika graduated with a Masters in Architecture from TU Graz, Austria. She studied architectural influences of Spain at Polytechnic University of Catalonia in Barcelona and Mexico at Universidad Nacional Autónoma de México. After that, Monika worked in architecture and visual communications, perfecting her skills as a designer, while working for several design studios in Austria as well as Australia. In 2010 she co-established R* driven by her desire to combine European design with the diversity of the Australian environment and culture.REFRESH*DESIGN [R*] is an award-winning Brisbane based architectural design studio committed to realising finely crafted contemporary architecture responsive to brief and context. We have completed a diverse range of projects including houses and renovations, townhouses and apartments, commercial and hospitality projects.The R* team is inspired by how architecture can shape a better society by enhancing the human experience. Our mission is to use design as a tool to surpass our client’s aspiration whilst at the same time balancing their intentions to positively influence the environment.Our work has a strong focus on sustainability, underlined by its capacity to endure. It is contextual, adaptable, harmonious and well considered in the use of space, light, material and technology. Striving for the most meaningful and sustainable solutions, from concept to delivery, in every phase we continue to improve and refine the design until the project is complete.Our collaborative approach revolves around input from all stakeholders involved, our clients, collaborators and craftsmen. With extensive experience in urban infill developments, the R* team thrives in working on complex challenges. Difficult sites or planning controls motivate us to find alternative solutions to achieve better outcomes, and in doing so to question the conventional.European and Australian experience as architects and developers has given us an advantage to appreciate the fundamental importance of a project’s economic viability. Contact Monica @Refresh Design:refreshdesign.com.au facebook.com/like.refreshdesign/twitter.com/_RefreshDesignGo to http://www.bit.ly/thenatandsarahshow to catch this week’s livestream!

This TALK is a Heartland Podcast and it is a live conversation that took place at the TALK scene on Heartland Festival in 2018. The talk features the world renowned author Salman Rushdie and the famous art curator and critic Hans-Ulrich Obrist. The two participants talk about identity and the sense of belonging in the world whether it being to an ethnicity, nationality, religion, group etc. Both Rushdie and Obrist have dealt with questions about belonging throughout their careers. The conversation is moderated by Danish author and rhetorician Barbara Læssøe Stephensen.

For the first of three special feature episodes from London, we are joined by Hans Ulrich Obrist, the artistic director of the Serpentine Galleries. The endlessly energetic Obrist—who has himself interviewed more than 300 people throughout his career, from artists and architects to scientists and philosophers—talks to our host Charlotte Burns about how art can change the world and shape new realities.  "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm. For a full transcript, click here: http://www.artagencypartners.com/episode-13-how-art-can-change-the-world/

For the first of three special feature episodes from London, we are joined by Hans Ulrich Obrist, the artistic director of the Serpentine Galleries. The endlessly energetic Obrist—who has himself interviewed more than 300 people throughout his career, from artists and architects to scientists and philosophers—talks to our host Charlotte Burns about how art can change the world and shape new realities.  "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm. For a full transcript, click here: http://www.artagencypartners.com/episode-13-how-art-can-change-the-world/

Shumon Basar, writer, thinker and cultural critic, Douglas Coupland, the renowned author of 'Generation X', and Hans Ulrich Obrist, one of the world’s best-known curators, joined forces for a special event with Intelligence Squared to explore the challenges that the planet faces in the Extreme Present. Ours is an era so unfamiliar that in their book, 'The Age of Earthquakes' – their 21st-century update of Marshall McLuhan’s seminal 1967 book 'The Medium Is the Massage' – Basar, Coupland and Obrist have developed a new ‘Glossarium’ to describe the unsettling experiences of the always-on, networked age. Do you suffer from ‘monophobia’ (the fear of feeling like an individual) or from ‘connectopathy’ (a range of irregular behaviours triggered by the rewiring of our brains)? Do you spend more and more of your time ‘deselfing’ (willingly diluting your sense of self by plastering the internet with as much information as possible) or, as technology makes you ever smarter yet leaves you feeling ever more stupid... See acast.com/privacy for privacy and opt-out information.

Monday Reading Series Talk Series: Hans Ulrich Obrist on Etel Adnan Hans Ulrich Obrist (b. 1968, Zurich, Switzerland) is Co-director of the Serpentine Galleries, London. Prior to this, he was the Curator of the Musée d'Art Moderne de la Ville, Paris. Since his first show “World Soup” (The Kitchen Show) in 1991 he has curated more than 250 shows. Obrist's recent publications include A Brief History of Curating, Everything You Always Wanted to Know About Curating But Were Afraid to Ask, Do It: The Compendium, Think Like Clouds, Ai Weiwei Speaks, Ways of Curating, along with new volumes of his Conversation Series. Etel Adnan was born in Beirut in 1925. She is a poet, essayist, and visual artist. In 2003, MELUS, the journal of the Society for the Study of the Multi-Ethnic Literature of the United States, called Adnan “arguably the most celebrated and accomplished Arab-American author writing today.” She currently lives in Paris, France. Her complete bio can be read on her website.

Wed, 1 Jan 1738 12:00:00 +0100 http://epub.ub.uni-muenchen.de/12216/ http://epub.ub.uni-muenchen.de/12216/1/W2Vetus178.pdf Unbekannter Autor Neue Kriegs Tabellen, aller Kayserlichen Regimenter, des jetz lauffenden 1738sten Jahrs. wie solche den 28sten Marty in Völlingen Stand sich befünden, mit Benenung hocher Generalität, Obrist, Obr. Lieutenanant, Obr. Wachtmeister, bestelten Agenten, und aller darin ligenden Ländärn, wo solche gestanden und noch dato stehen, wie auch die Farben ihrer Munturen, in wievil Man[n] und Pferd, solche bestehe[n], und die Monathliche Besoldung zu beckomen haben. [S.l.]: 1738