Podcasts about Youth America Grand Prix

Play Episode Listen Later Oct 18, 2023 76:05

Join us for an insightful conversation with Hailey Kolker and Sergey Gordeev, two senior members of Youth America Grand Prix (YAGP), the world's largest student ballet competition. In this episode, we delve into the impact of YAGP on the world of dance, exploring its influence on young dancers and the broader dance community. Hailey and Sergey offer unique perspectives on the journey of budding dancers, discussing the myriad opportunities provided by YAGP. Tune in to gain valuable insights into the YAGP experience and the ways in which it continues to shape the future of dance worldwide.

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On Pointe: In the Judge's Chair with Deirdre Miles-Burger

Play Episode Listen Later Sep 27, 2023 62:32

Join us as we sit down with Deirdre Miles-Burger, a distinguished ballet competition judge with years of experience in the dance world. Ms. Miles-Burger helps pull back the curtain on what judges really think. What do judges love to see from competitors on stage? What are some no-nos? Why do some students not place yet still make it to finals? What's the role of costumes? How much does potential play a role vs. flawless performances? And, who is really making all the decisions? Ms. Miles Burger answers all these questions and more! About Ms. Miles-Burger Born in Burlington, Massachusetts, Dierdre Miles Burger began her formative dance training with Margaret Prishwalko Fallon and subsequently the Boston Ballet School on a Ford Foundation Scholarship. Ms. Miles Burger became an apprentice with Boston Ballet at age fourteen and joined the Corps de Ballet in 1974. From 1978 until 1982 Miles Burger danced in New York City and with Houston Ballet before returning to Boston Ballet in 1983. During her career she danced countless principal roles in the classical and contemporary ballet repertory but was most known for her portrayal of Juliet in Romeo and Juliet, the Sugar Plum Fairy in The Nutcracker, and the Principal Stomper in Twyla Tharp's Brief Fling. In June of 1993 Miles Burger retired from performing and joined Boston Ballet's Artistic Staff. In September 2002 Miles Burger was appointed Principal of Boston Ballet School. In the summer of 2006 she left Boston Ballet to move to Florida with her husband, where she continued to teach and coach on a freelance basis. In addition she has served on the jury for a number of ballet conventions and competitions including Youth America Grand Prix regional semi-finals and New York City Finals. In July 2010 she was appointed Director of Orlando Ballet School, serving there for eight years until August 2018. Under her leadership Orlando Ballet School grew and developed programming, most notably the Orlando Ballet School Academy, which develops young dancers for professional careers. Reaching out to the community she instituted several programs for children with special needs including Adaptive Dance for students with Down Syndrome, Come Dance With Us for children with physical challenges and Kids Beating Cancer for children recovering from cancer. In 2019 Miles Burger assumed the position of Assistant Education Director for the Sarasota Ballet and continues as an examiner for the ABT National Training Curriculum.

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Dance Excellence Unveiled: The Benefits of Ballet Competition Featuring Ilya Kozadayev

Play Episode Listen Later Sep 20, 2023 39:21

In this episode, we sit down with, Ilya Kozadayev, Associate Professor of Ballet at University of North Carolina School of the Arts, to explore the myriad benefits of participating in ballet competitions. Ballet competitions have long been a stage where aspiring dancers showcase their artistry, technique, and dedication. Mr. Kozadayev brings his extensive experience and unique insights to the forefront, shedding light on how these competitions can shape and elevate a dancer's journey. Join us as he uncovers the hidden gems that competitions offer, from the invaluable performance experience to the opportunities for artistic growth and self-discovery. Kozadayev shares his personal anecdotes, offering a glimpse into the transformative power of ballet competitions. If you like what you heard, please be sure to leave us a review! Learn more about parenting a serious ballet dancer at www.ballethelpdesk.com University of North Carolina School of the Arts Dance: https://www.uncsa.edu/dance/index.aspx

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Ballet Mastery: Training for Competition Excellence

Play Episode Listen Later Sep 15, 2023 24:51

Join us as Mark Carlson and Sandra Kerr, both former professional dancers and the co-owners of International Ballet School in Denver, CO, share their combined decades of experience in guiding young dancers toward success in both ballet competitions and professional careers. We discuss their unique approaches to teaching, performance, and mental preparation. From the rehearsal studio to the competition stage, this episode delves into the heart of what it takes to master this art form. Mark and Sandra recount stories of students who have thrived under their guidance, and provide firsthand accounts of the challenges of ballet training and the competition world. Website: https://internationalballetschool.net/

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From Studio To Stage: Ballet Competition Readiness

STUDIO STORIES: REMINISCING ON TWIN CITIES DANCE HISTORY

Play Episode Listen Later Sep 13, 2023 57:12

Step behind the curtain and into the world of ballet competitions with Katya and Arkadiy Orohovsky, two esteemed ballet coaches and mentors. In "From Studio To Stage," the first in our series on ballet competitions, we delve into the meticulous art of preparing ballet dancers to compete. We also learn how parents can best support their dancers and how competitions fit into the overall training mix. Both former professional dancers with a wealth of experience, Katya and Arkadiy understand the dedication, discipline, and artistry required to excel in the highly competitive ballet arena. Join us as we learn about their training methods, tailored to nurture both technical and artistic expression. From refining pointe work to perfecting pirouettes, Katya and Arkadiy leave no arabesque unturned in their quest to prepare their students for success. Whether you're a ballet parent, student of the art, or simply curious about the world of ballet competitions, this episode offers an inside look into the dedication, and artistic vision that propel young dancers to transcend their limits. And, be sure to let us know what you think by leaving a review! Ballet Help Desk Website: www.ballethelpdesk.com Facebook: Facebook.com/BalletHelpDesk Instagram: @BalletHelpDesk South Mississippi Ballet Theater: www.southmsballet.org Costume Resources: www.protutustudio.com, https://www.conservatorybyprimadonna.com/

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Studio Stories: Reminiscing on Twin Cities Dance with Matthew + Brittany Fridentstine-Keefe - Season 11, Episode 132

Play Episode Listen Later Jul 27, 2023 68:37

Matthew Keefe has served the dance field for over 20 years as a dancer, teacher, choreographer, administrator, production & stage manager, non-profit consultant, board member, and artistic director.He holds an MFA in Dance from the University of Iowa and a non-profit management certificate from Rutgers University. Matthew has danced with James Sewell Ballet, Louisville Ballet and BalletMet Columbus, Charleston Ballet Theatre, has appeared as a guest artist for dozens of performances across the US and abroad including productions with Lyric Opera of Chicago, Minnesota Opera, and MN Orchestra's 2015 production of Carousel.He has choreographed over 50 ballets for professional and student ensembles. Matthew served on the board of Dance/USA for six years, chairing the Trustee Committee and a member of the Executive Committee. He served as the Artistic and School Director of the Rockford Dance Company where he led an increase in enrollment and reduction of deficit while creating several innovative productions with the performing company.He was the stage manager for the 2010 and 2016 Youth America Grand Prix and appears (briefly) in the documentary, “First Position”. Matthew directed multiple productions for Children's Dance Theatre in Rochester, MN including: The Mermaid (2016), The Jungle Book (2017), Cinderella (2018), Charlie and the Chocolate Factory (2019), and Alice in Wonderland (2021). Matthew is proud to work at the University of Minnesota Extension as a Development Associate.Brittany Fridenstine-Keefe danced with Pacific Northwest Ballet, Pittsburgh Ballet Theatre, Ballet Memphis, Minnesota Dance Theatre, James Sewell Ballet, American Repertory Ballet, Terpsicorps Dance Theater, Terra Firma Dance Company, Chamber Dance Project, Collide Theatrical Dance Company, at the National Choreographers' Initiative, and with Morphoses. She performed in a solo improvisation show in Germany and Italy under the direction of Luca Veggetti, and was selected to be an American ambassador at the international dance festival in Cali, Columbia.Administratively, Brittany is the Marketing and Communications Director and Young Dance and previously served as the School Coordinator of the Rockford Dance Company.Brittany is certified in the GYROTONIC® exercise system and runs a home-based studio, My Spiral Motion, helping people to “live better in their own bodies!”

Maeghan McHale: Carving a Path, Making a Difference and Creating Opportunities for Young Dancers

â€œDance Talkâ€ Â® with Joanne Carey

Play Episode Listen Later Jun 23, 2023 67:18

In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest: Maeghan McHale, dancer, choreographer, mentor, coach, and YGAP judge. Maeghan sits down with Joanne to discuss the trajectory of her career that led her from a classical ballet career to one in the contemporary jazz dance world. Now as a choreographer and well respected YAGP judge, Maeghan talks about wanting to create opportunities for dancers and wants those she mentors to experience all the possibilities dance provides- anything is possible. Leading by her example of the one path you're on, may just be the stepping stone where you can make a long lasting difference. Stay the course. (We share a good laugh during our interview when, for a few moments, the sound goes out. It was purposefully decided to leave those few moments in the episode to demonstrate how we were able to laugh through the situation and 'stand by' as we stayed true to our the show biz adage: The Show MUST Go On!) MAEGHAN McHALE, named one of Dance Magazine's Top 25 to Watch in 2010, was born in Baltimore, MD. She studied at the Baltimore School for the Arts where she performed works by David Parsons, David Grenke, and John Clifford. She received a scholarship to Dance Theatre of Harlem, where she performed with the Dancing Through Barriers Ensemble. While living in NYC Maeghan studied at Steps on Broadway and performed with Extended Dance Company, as well as Off-Broadway under the direction of Tony Award Winner Hinton Battle. She has also participated in The Chicago Dancing Festival, Jazz Dance World Congress, The Miss America Parade, and Dancers Responding to Aids Benefit. In 2005 Maeghan received a scholarship to the Giordano Dance School, and in 2006 became a performing apprentice. 2007 marked her first season with Giordano Dance Chicago, and she enjoyed 13 seasons performing in places such as Hawaii, Latvia, Germany, Luxembourg, Austria, Netherlands, Turkey, Guatemala, Italy and Israel. Along with establishing herself as a dancer, she has also had the opportunity to set her own work on the Giordano II Company. Just recently she had the honor of working with the dancers of First State Ballet Theatre setting her new work “Out of the Silence” which premiered in November 2022. Maeghan has had her work performed on the Joyce Theater Stage, through Dancin Downtown at The Joyce, as part of the DRA Benefit. In 2011 her piece “Angelica” won the Performance Award and performed in NYC for Central Park Summer Stage. Her piece “If” also part of the DRA Benefit in 2013 won the Performance Award and they performed for Central Park Summer Stage as well. Her Choreography has been recognized with awards such as Outstanding Choreography/Choreographer, Regional Ensemble Winner and Outstanding Choreography Award at Youth America Grand Prix and has placed First in the Ensemble Category at YAGP Finals in 2021. As well as 2018 YAGP National Choreographer Award with the opportunity to travel to Russia to set her work on the Bolshoi. Her Ensemble work had the honor of being part of YAGP “Stars of Today Meet the Stars of Tomorrow” tour. In the Summer of 2014 she was on the School Faculty at the USA International Ballet Competition in Jackson, MS and was invited to be on Faculty at CNADM in the Fall of 2015. She was a Full Time Faculty Member at The South Carolina Governor's School for the Arts and Humanities for the 2021/2022 School Year. She also serves as a Judge/Teacher for Youth America Grand Prix. She continues to travel and teach Master Classes and Choreography. Follow @maeghanmchale on Instagram Follow Joanne Carey on Instagram @westfieldschoolofdance And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Tragic Shootings, Appointments and Awards, and Streaming Cutbacks

The Dance Edit

Play Episode Listen Later Apr 20, 2023 20:51

Our headline roundup includes two mass shootings that have impacted the dance community, and a collection of leadership appointments and award announcements. As in-person shows and classes resume, dance organizations are cutting back on digital options—and disabled patrons are feeling that loss acutely.A transcript of this episode is available here: thedanceedit.com/transcript-episode-155Visit/add to the Dance Media Events Calendar: dancemediacalendar.comPodcast listeners can save $5 on a Dance Magazine subscription. Claim the offer here: dancemagazine.com/offerLinks referenced in/relevant to episode 155:-BBC coverage of sexual harassment allegations at Kalakshetra: bbc.com/news/world-asia-india-65237002-Pointe story on Youth America Grand Prix winners: pointemagazine.com/2023-yagp-winners-Dance Data Project's new Global Leadership Report: dancedataproject.com/wp-content/uploads/2023/04/Global-Leadership-Report-2023.pdf-Jakki Kalogridis' Dance Magazine essay on how COVID-prompted digital programming benefited the disabled dance community: dancemagazine.com/disability-dance-equity-New York Times article on the fallout of digital-option cutbacks in the performing arts: nytimes.com/2023/04/14/arts/disabled-people-streaming-performances.html

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How to pivot and create a multi-passionate life.

You Need a Coach B*tch

Play Episode Listen Later Mar 30, 2023 54:32

In this episode, I sit down for a chat with my friend Bryn Cohn (she/Her). We talk career transitions, and the evolution of identity that comes with that. We look at this through the lens of her pursuing creative direction as an expansion of her artistic universe. And we also explore what it means to create sustainability practices both in dance and in this shifting landscape of social media and it's power in advertising and our lives in general. Join us for this wide-ranging and salient discussion. About Bryn- Bryn Cohn is an award-winning choreographer, educator, writer, movement and creative director. Her choreography has been presented by Jacob's Pillow, Danspace Project, Bryant Park, Hudson Valley Dance Festival, 92nd Street Y, Kaatsbaan International Dance Center, McCallum's Choreography Competition and REDCAT Theater among others. She has been commissioned by BalletCollective, Repertory Dance Theatre, Los Angeles Ballet II, Big Muddy Dance Company, Missouri Contemporary Ballet, Youth America Grand Prix and Billy Bell's Lunge Dance. Recent collaborations include with visual artist Olafur Eliasson and composer Alex Somers in her newest work "The First and Last Light" which was performed at Trinity Church in New York City. Cohn has been hired for commercial, fashion and visual art projects with Louis Vuitton, Smartwater, Betsey Johnson, Artists & Fleas and Tribeca Art Night.Cohn was nominated for a Princess Grace Fellowship in Choreography. She was selected to participate in the New Directions Choreography Lab at Alvin Ailey American Dance Theater – a creative residency supported by the Ford Foundation. She has been in artistic residence at Cal State Fullerton, University of Michigan, Ann Arbor, University of Minnesota Duluth, Stockton University, Texas Christian University, Roger Williams College, University at Buffalo and Grand Valley State University. Cohn received a Bachelor of Fine Arts from CalArts and was honored as a distinguished alumni. She has a Master of Fine Arts from University of Wisconsin-Milwaukee as a High Honors, Chancellor's and Regent's award recipient. Cohn is currently pursuing a career as a creative director in Los Angeles. She is enrolled in a professional development course through Art Center and has worked on campaigns for BMW, Converse, Clif Bars and In N Out.Where to find Bryn: On Instagram Bryn's website Where to find me: Connect with me on Instagram Check out my website Sign up for a free consult

Lake Arts at The Visionary: Building Bridges Through Bereavement

From Heartache to Healing and Hope

Play Episode Listen Later Aug 2, 2022

A look inside the Process of Lake Arts Project and how they build bridges through bereavement ™, filmed on location at The Visionary during their residency, Summer 2022, interview hosted by Bernadette Winters Bell,LMSW PLLC. Annually, Lake Arts Project (2013 - present) brings together community groups and arts educators to workshop, cleanse, share, and then create. Collaborators include Feast of Crispian, a non-profit organization that brings professional actors and veterans together to strengthen the emotional resources they need to overcome trauma and reintegration issues. Lake Arts Project also works with high school art students, including THE ALLIANCE SCHOOL OF MILWAUKEE, a year-round school and a safe place for students regardless of sexuality, identity, appearance, ability, or beliefs. During the BECOMING WHOLE Visionary Retreat, the founders and directors of Lake Arts Project (Karl von Rabenau, Creative Director of the Minnesota Ballet) and his partner, Jennifer Miller, Milwaukee Ballet Faculty Master Teaching Artist) immersed themselves in the unique process that they have created for those around them, and record their actions, step by step, to create a digital manual for their process, which became their final performance on June 18, 2022 on The Visionary stage. Long time collaborators, dancers Barry Molina and Lizzie Tripp joined Lake Arts to explore and perform the final presentation of work. Bernadette also joined the final performance as a guest speaker. Lake Arts Project's co-founder and co-director, Karl von Rabenau is also Artistic Director for Minnesota Ballet Company. He began his dance training at Duluth Ballet, Minnesota Dance Theatre, Boston Ballet School, and San Francisco Ballet School. Mr. von Rabenau danced for Boston Ballet, Omaha Ballet, Pittsburgh Theater, and Milwaukee Ballet. Mr. von Rabenau is also a passionate dance educator. For the past 21+ years, he has taught throughout the Midwest and Eastern United States. He has been a faculty member at Milwaukee Ballet School & Academy, including his work with the second company, MBII. Mr. von Rabenau has also taught for many years at Point Park University's International Summer Dance in Pittsburgh, PA, and Central Pennsylvania Youth Ballet in Carlisle, PA. As a choreographer, Mr. von Rabenau has created works for Point Park University's International Summer Dance Program and had works performed in Regional Dance of America Festivals in the Northeast Region and Southeast Region. In 2002, Mr. von Rabenau was invited to choreograph his pas de deux, Speranza, for a Milwaukee Ballet presentation at the Milwaukee Art Museum. Jennifer Miller, Lake Arts Project's co-founder and co-director, received her dance training at Central Pennsylvania Youth Ballet. Ms. Miller also studied at Joffrey Ballet and San Francisco Ballet. Ms. Miller danced 16 years for Milwaukee Ballet Company, retiring as Principal Artist. In summer of 2005, Ms. Miller danced for Trey McIntyre Project, performing in Vail International Dance Festival and Jacob's Pillow Dance Festival. Ms. Miller, currently Ballet Master for Minnesota Ballet and School of Minnesota Ballet faculty, has also been on the faculty of Milwaukee area schools: Milwaukee Ballet School & Academy, Danceworks, Dance Arts Center, and Steps of Grace. For many summers, Ms Miller has taught at Central Pennsylvania Youth Ballet, and Point Park University's International Summer Dance. As a private coach, she works with pre-professional dancers of all ages and levels including Youth America Grand Prix performers, ballroom dancers, gymnasts and Irish step dancers. As a choreographer, Ms. Miller created works for Milwaukee Ballet, Milwaukee Ballet II, Central PA Youth Ballet, Point Park University's International Summer Dance, Dance Arts Center and Erie Dance Conservatory. She received the Monticello award for emerging choreographers. PERFORMERS: Barry Molina is originally from Minnesota, where he started dancing at age six with the St. Croix Ballet in Stillwater. He went on to train at New York City's School of American Ballet year-round, after which he joined the Nancy Einhorn Milwaukee Ballet II Program. As a member of the program, he was called in, at the last minute, to perform as Peter's Shadow in the world premiere of Michael Pink's Peter Pan. Since being promoted to the Company in 2011, Molina has performed many featured roles in Michael Pink's repertoire, including Jack in Cinderella, the Bell Boy in Dracula, Pied Piper in Beauty and the Beast, Benno in Swan Lakeas well as Fritz, Jack and Chinese Principal in The Nutcracker. He was recently featured as Vaslav Nijinksy in Timothy O'Donnell's world premiere of Sacre, and Puck in Bruce Wells' A Midsummer Night's Dream. ---------------------------------- Lizzie Tripp trained at Milwaukee Ballet School & Academy (MBSA), and attended the Summer Intensives at American Ballet Theatre and Houston Ballet. In MBSA, Tripp performed lead roles in many ballets choreographed by Rolando Yanes and danced alongside Milwaukee Ballet's corps in Michael Pink's Swan Lake. She joined the Nancy Einhorn Milwaukee Ballet II Program in 2014, where she danced in Michael Pink's Don Quixote, The Nutcracker, Cinderella and Dracula, and performed in contemporary works by Timothy O'Donnell, Nadia Thompson, Lee-Wei Chao, Ilya Kozadayev and Petr Zahradnícek. Since being promoted to the Company, Tripp originated the role of the Enchantress in the world premiere of Michael Pink's Beauty and The Beast, and danced in Pink's Mirror Mirror and contemporary works by Enrico Morelli, Mark Godden and Garrett Glassman.

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Crediting Choreography and the Politics of Hair in Ballet

The Dance Edit

Play Episode Listen Later Apr 28, 2022 21:02

A transcript of this episode is available here: https://thedanceedit.com/transcript-episode-113Subscribe to The Dance Edit Extra: https://podcasts.apple.com/us/podcast/the-dance-edit-extra/id1579075769Links referenced in/relevant to episode 113:-Associated Press coverage of allegations against Break the Floor: https://apnews.com/article/dance-company-sexual-misconduct-allegations-190b7a81d2aeccde252bae59b4509f03-AP (via Washington Post) story on the Egyptian woman sentenced to prison in TikTok dance case: https://www.washingtonpost.com/world/egyptian-woman-sentenced-to-3-years-in-tiktok-video-case/2022/04/19/08471c3a-bff2-11ec-b5df-1fba61a66c75_story.html-New York Times feature on Ballet Black's anniversary: https://www.nytimes.com/2022/04/25/arts/dance/ballet-black-london.html-Dance Magazine feature on Ballet Black: https://www.dancemagazine.com/ballet-black/-Pointe story on the Youth America Grand Prix winners: https://pointemagazine.com/yagp-winners-2022/-Vulture tribute to Robert Morse: https://www.vulture.com/article/robert-morse-mad-men-best-things-dancer-interview.html-Dance Magazine feature on crediting choreography: https://www.dancemagazine.com/credit-where-its-due-handling-credit-on-collaborative-creations/-Pointe story on hair in "Serenade": https://pointemagazine.com/hair-serenade-ballet/-Pointe story on diversifying hair in ballet: https://pointemagazine.com/why-we-need-to-diversify-hair-in-ballet/

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175 - How I Judge at Ballet Competitions

Pas de Chát: Talking Dance

Play Episode Listen Later Feb 12, 2022 66:14

Fresh off his recent experience judging for the international ballet competition Youth America Grand Prix, Barry shares what he often looks for when judging dance competitions.

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Musical sobre Jesus no Madre Esperança Garrido; Youth America Grand Prix no Basileu França; Pádua no Sesi | 21/12/2021

Agenda Cultural

Play Episode Listen Later Dec 21, 2021 3:12

Cultura em Pauta #160 - 21 de dezembro de 2021 ✝️ (00:11) Espetáculo musical sobre Jesus contemporâneo

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Hannah O'Neill

A Body's Language

Play Episode Play 58 sec Highlight Listen Later Sep 19, 2021 49:04

The guest on episode 2, season 2 of 'A Body's Language', is Hannah O'Neill, Premier Danseur with the Paris Opera Ballet.From 1998 to 2007, O'Neill studied at the Kishibe Ballet Studio in Tokyo, Japan. When she turned eight, she moved with her family to Aukland, New Zealand. There, she studied ballet at the Mt Eden Ballet Academy and then in 2008, at the age of 15, moved to Melbourne to study at The Australian Ballet School. In 2011 she graduated as dux of the ballet school.In 2009, O'Neill won the Pros de Lausanne, the world's most prestigious competition for young dancers. The next year, she won first place in the senior woman's section at the Youth America Grand Prix in New York. Following these achievements, she passed The Paris Opera Ballet's external audition in July 2011 and was accepted into its Corps de Ballet with a seasonal contract. In August 2012 she was offered a second short-term contract with the company.Succeeding in the external audition in July 2013, O'Neill was offered a life-time contract. Now a regular member of the Paris Opera Ballet, O'Neill moved up through the ranks, being promoted in each Paris Opera Ballet internal promotion contest from 2013 to 2015. On 3 November 2015, she was ranked first in the Paris Opera Ballet internal promotion contest. Consequently, since 1 January 2016 she dances as a premier danseur, the second highest rank in the company.

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Anais Bueno - T3E4

Play Episode Listen Later Jun 2, 2021 48:28

Anais Bueno creció en Córdoba, Veracruz, donde empezó sus primeras clases de Ballet en Fomento Artístico Cordobés bajo la dirección de Martha Sahagún en 1995. A los pocos años participó con éxito en diferentes concursos. En el "IV Concurso Nacional de Ballet Infantil y Juvenil" ganó la medalla de plata y en el "V Concurso Nacional de Ballet Infantil y Juvenil" la medalla de oro. En el año 2003 participó en el "Youth America Grand Prix" de Nueva York ganando una beca para continuar sus estudios de ballet en la Escuela John Cranko en Stuttgart, Alemania donde estudió hasta graduarse en el año 2007. En la temporada 2007/08 fue contratada como parte del cuerpo de baile del Stuttgart Ballet en donde bailó por cuatro años bailando numerosos ballets de John Cranko como Romeo y Julieta, Onegin, La Fierecilla Domada y El Lago de los Cisnes. Fué en Stuttgart dónde Anais recibió su primera oportunidad como solista en el ballet “Giselle” bailando el pas de deux de Paysan y trabajó con coreógrafos como John Neumeier, Marco Goecke, Christian Spuck y Demis Volpi. En el 2012, bailó por una temporada con el Boston Ballet obteniendo el papel principal en el ballet “Tar and Feathers” del renombrado coreógrafo Jiri Kylian, papeles de solista en el ballet “La Bella Durmiente” de Sir Frederick Ashton y varios papeles en diferentes ballets de George Balanchine como “Serenade”, “Symphony in C” y “Coppelia”. En el año 2013 fue contratada por el Joffrey Ballet de Chicago donde baila actualmente. En su tiempo con la compañía Anais ha bailado numerosos papeles en los ballets “Maninyas” y “La Bayadere” de Stanton Welch, “EL Lago de los Cisnes”, “Continuum” y “Fools Paradise” de Christopher Wheeldon, “Episode 31” y “Tulle” de Alexander Ekman, “In Creases” y “The Times are Racing” de Justin Peck, papeles solistas en “Incantations” de Val Caniparoli, “Infra” de Wayne McGregor y “Mammatus” de Annabel López Ochoa, así como también los papeles principales en “El Cascanueces” de Christopher Wheeldon, “Jane Eyre” de Cathy Marston, “Midsummer Night's Dream” de Alexander Ekman y creó el papel original de “Kitty” en el ballet “Anna Karenina” de Yuri Possokhov. Anais ha bailado en diferentes países del mundo como Alemania, Canadá, Hungría, Japón, China, Corea, Inglaterra, España y Estados Unidos. En el 2005 formó parte de la gala “Jóvenes Talentos” presentada en el Palacio de Bellas Artes junto con bailarines de la Compañía Nacional de Danza y ha salido en la portada de la revista “Danza Europa”.

Alejandro Jáuregui - T3E1

La hora del regreso con Carlos Montoya

Play Episode Listen Later May 12, 2021 75:47

Alejandro Jáuregui es originario de Monterrey, México, es Licenciado en Danza, con especialidad en Danza Clásica, por la Escuela Superior de Música y Danza de Monterrey (ESMDM). Siendo aún estudiante de la carrera de Enseñanza de la Danza Clásica, fue contratado para formar parte del equipo de maestros de La Superior. A lo largo de más de 20 años de carrera como docente, ha desempeñado distintas funciones académicas dentro del área de Danza Clásica de la ESMDM, de la cual fue Coordinador de 2002 a 2010. Asimismo, ha entrenado a varias generaciones de estudiantes a través de la enseñanza de los cursos de técnica, repertorio, pas de deux, prácticas escénicas y didáctica del dúo clásico. El maestro Jáuregui fue fundador del Programa Especial para Varones de la especialidad en danza clásica, de la ESMDM. Como resultado de esta estrategia, el área de danza clásica incrementó notoriamente su matrícula de estudiantes varones, mismos que se han incorporado a prestigiadas compañías de danza clásica y contemporánea, en México, Estados Unidos, Ecuador, Alemania y Reino Unido. Ha sido Regisseur de diferentes obras clásicas y contemporáneas, entre ellas la obra Legión del coreógrafo Jaime Sierra, la cual obtuvo segundo lugar en el Youth America Grand Prix. Ha impartido cursos en diferentes eventos y participado como jurado en concursos nacionales e internacionales de danza clásica. El maestro Alejandro ha ensayado y montado coreografías para sus estudiantes que han participado en diferentes concursos nacionales e internacionales de danza clásica en donde un número importante de sus estudiantes han obtenido los primeros lugares. Entre otras actividades, es colaborador de la Monterrey International Ballet Gala desde su primera edición. Forma parte del Comité Organizador del Concurso Internacional de Ballet La Superior y ha organizado, y coordinado, múltiples viajes de estudio, con alumnos y maestros del área de danza clásica, a ciudades como La Habana, Nueva York, Houston, Ciudad de México, Veracruz, Los Cabos, entre otros.

Dos jóvenes colombianas brillan en el mejor ballet del mundo

Play Episode Listen Later Apr 26, 2021 8:05

Las bailarinas Emma Pearl y Valentina Mejía estuvieron en La Hora del Regreso donde contaron su experiencia en el Youth America Grand Prix.

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First Position

Motherhood On Tap

Play Episode Listen Later Apr 8, 2021 103:55

Hey listeners! Yes, this is late still (I have a four year old who no longer wants to sleep without me), but so worth a listen! We delve into the world of ballet in First Position. You can find First Position on Amazon Prime Video here, https://www.amazon.com/First-Position-Bess-Kargman/dp/B008JAG6RE Here is the film's synopsis: "Six young ballet students, all from different backgrounds, prepare for the Youth America Grand Prix, a competition in which dance schools and companies from around the world scout for new talent." We hope you enjoy!

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Dominique Klein - Leading a performing arts academy

Global Dance Network

Play Episode Play 15 sec Highlight Listen Later Feb 28, 2021 23:49

If you're a director, leader or teacher of a dance studio, or have ever dreamt of starting one, this interview is for you! Dominique Klein, Artistic Director of Amplified Arts Academy in Sydney, Australia, shares what it takes to run a successful performing arts studio. Having taken on the studio at age 21, Dom shares her journey of overcoming challenges, growing through consistency, and practical steps in becoming a great dance teacher and leader. She also provides wisdom and vision for leaders within the Church environment and highlights the opportunities an academy can open up for you and your community. ----Dominique Klein is the Artistic Director of Amplified Arts Academy in Sydney, Australia. Dominique believes every young person should have the opportunity to explore their passion for the arts, and at Amplified Arts she hopes to raise up a new generation of creative talent. Dominique is a very talented dancer and teacher with twenty-one years of classical training and performance experience. She is from California, United Sates. Dominique trained under the direction of Salwa Rizkalla and Dmitri and Jennifer Kulev, where she received a strong foundation in classical ballet, contemporary and jazz. Dominique received additional training and experience through summer intensives with Ballet West and American Ballet Theatre. Dominique participated and qualified for finals in Youth America Grand Prix, an international ballet competition, from 2004-2013. She has performed in numerous ballets including The Nutcracker, Giselle, Swan Lake, Sleeping Beauty, Don Quixote, Firebird, and Midsummer Night's Dream. Dominique has performed at the ICC Sydney and Qudos Bank Arena for Hillsong Conferences from 2015-2020. She has had the opportunity to share the stage with many well renowned professional ballet and contemporary dancers. Dominique completed an Advanced Diploma of Ministry at Hillsong International Leadership College.----To find out more about Amplified Arts Academy visit: https://hillsong.com/amp/We would love for you to subscribe to our podcast and share it with others. To find out more visit: https://globaldancenetwork.com/Instagram: https://www.instagram.com/globaldancenetworkFacebook: https://www.facebook.com/globaldancenetwork/

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Rosario Murillo - T2E2

Play Episode Listen Later Feb 10, 2021 61:33

ROSARIO MURILLO - Graduada con felicitación por su nivel técnico y artístico de la Escuela Superior de Música y Danza de Monterrey en 1989. Se desarrolla profesionalmente en Cuba, Argentina, Estados Unidos y México. Maestra de la ESMDM desde 1993. Sus estudiantes han destacado en diferentes concursos a nivel nacional e internacional y actualmente bailan en algunas de las compañías más importantes de México y el extranjero. Con más de 100 obras coreográficas ha sido invitada por la Compañía Nacional de Danza, Ballet de Monterrey, Taller Coreográfico de la UNAM, Ópera de Nuevo León y Fomento Artístico Cordobés, por mencionar algunos y sus piezas se han presentado en Cuba, Perú, Panamá, Estados Unidos, Alemania, China, Corea y México. Recibe en 4 ocasiones Mención Especial por su creatividad y calidad coreográfica dentro del Concurso Nacional de Ballet Infantil y Juvenil en 1995,1996, 1999 y 2019. En 2007 recibe el Outstanding Choreographer Award del Youth America Grand Prix en Nueva York, así como el Segundo Lugar en 2008 y 2010 y el Tercer Lugar en 2012. En 2014, se estrena “Marchas de Duelo e Ira” con música de Arturo Márquez en el marco de los festejos del 75 aniversario de la autonomía de la UNAM. Miembro del Consejo Editorial ”Vida” del periódico El Norte en 2016 y 2017. Forma parte del Festival de Danza Córdoba desde su fundación como maestra, coreógrafa y jefe de foro. Asesora Artística y Stage Manager de la Monterrey International Ballet Gala en todas sus ediciones.

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Rocío Alemán - T1E12

Get To The Pointe with Kali Kleiman

Play Episode Listen Later Jan 20, 2021 58:19

ROCÍO ALEMÁN nació en Monterrey, México. Inició su formación de ballet en la Escuela Superior de Música y Danza de Monterrey, en 2003. En 2008 se trasladó a Stuttgart para continuar su formación en la John Cranko Schule donde se graduó en 2011. En la temporada 2011-12 pasó a ser aprendiz y una temporada más tarde fue incorporada al cuerpo de baile. Durante la temporada 2014-15 fue ascendida a demi solista y con el inicio de la temporada 2018-19, a solista. En el año 2005 ganó la medalla de Oro en el “Concurso Nacional de Danza Clásica Infantil y Juvenil”; en 2008 la medalla de Bronce en el “Concurso Internacional para Jóvenes Estudiantes de Ballet”, en Cuba, así como la medalla de Oro “División Senior” en el Youth America Grand Prix. Rocío ha bailado papeles de solista en ballets de John Cranko, Jiří Kylián, Hans van Manen, Marco Goecke, George Balanchine y William Forsythe. Los coreógrafos Katarzyna Kozielska y Fabio Adorisio crearon papeles especialmente para ella. Síguela en Instagram: https://bit.ly/3hsEoK2 Suscríbete, síguenos y disfruta de cada episodio en: - Spotify: https://spoti.fi/35XzLT2 - Apple Podcasts: https://apple.co/3886nw3 - Instagram: https://bit.ly/34TL1jR - WWW.DANS.MX

GET TO THE POINTE-EP 7 W/HANHI TRAN

Play Episode Listen Later Nov 10, 2020 59:00

Episode seven is really something special! Hanhi offers a new perspective on dance competitions that we haven't discussed on the podcast yet. For Hanhi, who was born in Vietnam, international ballet competitions like Canaan Dance, Youth America Grand Prix, and ADC IBC - Youth International Ballet Competition connected her to schools that provided scholarships for her training that have been life changing! They afforded her the opportunity to train at Kirov Academy of Washington DC, Ellison Ballet, The Bolshoi Ballet Academy, and now Nationale Balletacademie- The Dutch National Ballet Academy! Now, in her final year of highschool, she will be able to pursue a associates or bachelors degree in coordination with Academie voor Theater en Dans ! AND hear how an international student experienced the pandemic. I admire Hanhi so much and so thankful she joined me as a guest! Episode will be live tomorrow morning whereever you get your podcasts! This podcast is owned and operated by Kali Kleiman. It does not represent the views, positions, or opinions of any of the schools, businesses, or the company’s that my guests or I are have attended or are currently associated with. All audio is property of Kali Kleiman and not for private use, unless written authorization is obtained. A license to use the media Stravinsky Dance From Petroushka was purchased under Pond5's Content License Agreement, a copy which is available for review upon request. --- Send in a voice message: https://anchor.fm/gettothepointe-pod/message Support this podcast: https://anchor.fm/gettothepointe-pod/support

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Na Quarentena: mostra de José Roberto Aguilar no Centro Cultural Fiesp é aberta ao público

Notícia no Seu Tempo

Play Episode Listen Later Oct 27, 2020 3:28

Confira os destaques do caderno Na Quarentena desta terça-feira (27/10/20)See omnystudio.com/listener for privacy information.

Episode 80: The Birth of the Youth America Grand Prix — Larissa Saveliev and Sergey Gordeev

Play Episode Listen Later Oct 27, 2020 40:57

This week on 5.6.7.EIGHT, Aleksandra interviews Larissa Saveliev — Founder and Artistic Director at the Youth America Grand Prix (YAGP) — and Sergey Gordeev, who is the Founding Director of Communications and External Affairs at the Youth America Grand Prix. Larissa, who was trained at the Bolshoi Ballet, has received a mountain of accolades, including being named one of Dance Magazine’s top 25 most influential people in dance. Sergey is an Emmy Award-winning broadcaster, actor, writer, jazz pianist, journalist, translator, and composer. The Youth America Grand Prix has literally changed the dance industry since its founding in 1999 and has allowed young dancers from all areas of the globe to be celebrated for their talents, regardless of economic status. On the podcast, Larissa and Sergey dive deep into the fascinating (and funny) story of how the competition was born, discuss how coming up with “the big idea” is the easiest part of the process, and explain how life’s real winners are the ones who are willing to put in the work to make their ideas a reality. Moving Quotes: “We didn’t want to have a competition for the sake of competition. We wanted to have a competition with a purpose where the kids can receive something more than just a trophy." “[YAGP] has created a different paradigm that dancers grow up in. The world is literally their oyster. They can go anywhere if they’re good enough." “The fact that Youth America Grand Prix is still here after 21 years shows that this is needed, this will go on. Whatever form this takes, this is here because people need it to be here." “It’s not enough to just have a good idea. It’s the central ingredient — the necessary start — but it’s not enough. You have to put in the work and be willing to literally go the distance to get there." “Like any good idea, unless you can communicate the idea to other people in a way that they really can understand, it’s just an idea." “Success at any endeavor all depends on developing a great team." “Even if you have nothing, if you have a good idea and the willingness to put the time, energy, and effort into the idea, it will for sure blossom. You just have to believe in it and keep working." Bullet Points (w/ timestamps) - Highlighting key topics discussed: 4:05: Larissa and Sergey discuss the founding idea behind the Youth America Grand Prix and how they wanted to rethink the modern dance competition. 9:19: Sergey retells the funny story of how he and Larissa initially met and how the YAGP was born inside of a humble NYC café. 14:32: Larissa and Sergey explain how Youth America Grand Prix has grown and has literally changed the paradigm for young dancers. 19:20: Larissa and Sergey discuss the nature of ideas and how every idea — even the great ones — require hard work and grit to make a reality. 25:08: Larissa explains why she believes there is a discrepancy between males and females in dance leadership. 27:38: Larissa and Sergey share some ideas that could possibly help prepare and advance more women into dance leadership roles. 36:09: Sergey shares his vision for the future of YAGP, which includes using technology to reach an even broader audience. Bullet List of Resources – Larissa Saveliev On Wikipedia Sergey Gordeev Personal Website LinkedIn Instagram Vimeo Youth America Grand Prix Company Website Instagram Facebook Twitter YouTube

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English National Ballet’s Isabelle Brouwers on her lockdown dance life, going back to the studio & dancing in a mask

Ballet & Dance Podcast

Play Episode Listen Later Aug 23, 2020 54:16

In this podcast, English National Ballet's Isabelle Brouwers gives us an insight into her lockdown experience that coincided with recovering from an injury; she also talks about how she prepared to return to the studio and what it's like dancing with a mask. https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Isabelle+Brouwers.mp3 It is an understatement to say that Covid has presented enormous challenges for the dance industry. Dancers have been especially hit, as they have strived to maintain their physical and mental wellbeing within the confines of their homes, often isolated and separated from their families as well as their dance colleagues. And this is before the industry-wide redundancies, covid infections and shifting government policies restricting and delaying live performances around the world. Isabelle Brouwers, English National Ballet (c) Nath Martin However, throughout this period Isabelle has remained positive. She shares how she used the time at home with her sister to rehabilitate her injured foot, while taking courses to further her academic career, and writing about dance and reviewing online shows. These goals helped to keep her focused and ensure she was ready to return to ENB's new multi-million pound home in East London. Listen to Isabelle describe the feeling of finally being back in the studio, and how the company has managed the dancers' return to keep them safe, with staggered start times, one-way systems and dance social 'bubbles'. Isabelle is absolutely relishing being back at the barre, even though this means taking company class in a mask - something dancers around the world are having to get used to. It's intriguing to hear a dancer describe how a small piece of cloth has an impact on how a dancer experiences their space, their body and their artform. Isabelle Brouwers, English National Ballet (c) Alex Fine Isabelle also looks back at her journey from Germany to the Royal Ballet School and English National Ballet School; her experience of joining ENB where she's risen through the ranks from the corps de ballet to First Artist. Isabelle talks about picking up awards including Youth America Grand Prix (2007), Genée International Ballet Competition (Silver Medal 2013), Young British Dancer of the Year in 2013 with nominations in 2015 & 2016, and ENB's Emerging Dancer Finalist in 2017. As Isabelle looks to the future, she discusses how Covid is affecting the upcoming season that would normally see her touring the UK and the world. And after six years with the company, she's drawing on her experiences of working with acclaimed choreographers like Akram Khan and the hope of performing his new work 'Creature' later this year, to keep her inspired as the dance world and devoted audiences wait for live performances to recommence and for the show to go on. PRESS PLAY or LISTEN ON ITUNES, GOOGLE PODCASTS, SPOTIFY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Isabelle+Brouwers.mp3 Isabelle Brouwers, English National Ballet (c) Nathan Carlson Isabelle Brouwers, English National Ballet (c) Alexander Yip

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Episode 35: Quick Success is Fleeting — Heather Iler

Play Episode Listen Later Dec 3, 2019 29:13

This week on 5.6.7.EIGHT, Aleksandra speaks with Heather Iler, ballet director for the internationally recognized Cary Ballet Conservatory (CBC), associate artistic director for the non-profit Cary Ballet Company and lead faculty member of CBC’s professional training program. In all of her roles, Heather brings her 20 plus years of teaching experience to the table, giving Cary Ballet an edge unlike many others. Over the past three years, Cary Ballet has earned three outstanding school awards from the Youth America Grand Prix and two outstanding school awards from the ADC Youth International Ballet Competition. On the podcast, Heather unveils the secret to her achievements — the fundamental idea that true success is found in the long game, rather than the quick wins — and describes how this philosophy is the foundation of Cary Ballet Conservatory. Iler also spends time discussing what brings her most joy as a ballet director and teacher and shares some advice for both teachers and students that she’s picked up in her seasoned tenure as a ballet professional. Moving Quotes: “Ballet is such a slow process, but there’s such a reward in taking that process and watching it grow slowly every year — every moment." “I think ballet has every single life skill you could ever need. It has resilience, goal setting, discipline, respect, and something that nurtures the soul." “I don’t think that most people enter any type of the arts thinking they’re going to become a professional in it. [The arts] give people such a different outlook on life — a sense of discipline and a sense of accomplishment, especially in today’s immediate gratification society." “We feel very fortunate and grateful for all of the accolades that [our dance school] has received, but that’s never the goal. The goal is about making sure that the kids are first." “Success isn’t getting first place — that is fleeting. Success is knowing that you have achieved something." “You don’t know how long your road is to getting to where you need to be… So be patient with yourself. Work hard but be patient for the journey that you’re on. Because all of this is what is making you more interesting as an artist. You need this journey to make you an artist." “Once dance students hit middle school or high school, dance is such a part of who they are. Allowing them to build that identity and giving them that confidence influences them when they move forward into whatever career they choose." Bullet Points (w/ timestamps) - Highlighting key topics discussed: 3:34: Heather describes Cary Ballet Conservatory, her history with the conservatory, and her various roles within the conservatory. 5:50: Heather discusses the evolution she has seen at Cary Ballet throughout her 9-year tenure and the friction of wanting to expand her school without too much growth. 7:36: Iler explains the importance of dance in modern society and how dance teaches the value of hard, persistent work in an instant gratification culture. 11:32: Heather gives examples of how she has seen her dancers get an advantage by applying lessons learned in dance to non-dance situations. 12:40: Iler shares some words to parents who may be contemplating the value of dance, given that their children may very well not be professional dancers one day. 13:59: Heather explains the satisfaction of witnessing students achieve their goals and attain belief in themselves. 15:01: Heather shares two hilarious stories from her ballet journey, proving the idea that you must always be ready for anything during performances. 18:21: Iler gives some quality advice for teachers around preparing students for competitions and how the best competition results usually accompany a perspective shift. 22:45: Heather also shares some advice for students who are preparing for competitions and encourages students to be patient on their unique dance journeys. 25:48: Heather discusses what’s next for her, both personally and professionally, and what’s next for Cary Ballet Conservatory. Bullet List of Resources – Heather Iler LinkedIn Cary Ballet Conservatory Company Website Twitter Facebook Instagram

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Episode 23: Silence the Critics — Kathryn Morgan

Ballet and Beyond Podcast

Play Episode Listen Later Sep 10, 2019 45:23

This week on 5.6.7.EIGHT, Aleksandra sits down with Kathryn Morgan, an accomplished ballerina who, in spite of an autoimmune illness, has become a multimedia dance superstar — running a YouTube channel nearing 160,000 subscribers, recording her own podcast, and writing a regular column for Dance Spirit Magazine. Kathryn studied at the School of American Ballet, danced for the New York City Ballet, and is currently a soloist at the Miami City Ballet. Morgan also serves as a judge for the Youth America Grand Prix. Kathryn’s story is one filled with determination, perseverance, and reinvention. Kathryn, who saw an early rise to ballet prominence, was hired onto the New York City Ballet at the young age of 17, but just years later, she was diagnosed with an autoimmune disorder that forced her to step away from the stage for 7 years. However, in her time away, Kathryn birthed an incredible online presence and has ultimately now found her way back to the stage. On the podcast, Kathryn walks through her entire journey and recaps incredible lessons that she’s picked from her eventful life, which are many. Moving Quotes: “[With critics] you have two choices. You can either agree with them or disagree with them. And it’s a matter not of what they think but of how you react to it." “Don’t let other people put you down… It’s not me trying to prove [my critics] wrong. It’s me trying to prove to myself that, no, I’m not any of that. And I have more to offer. And that’s no matter what field you’re in." “I know so many people have big ideas and goals, and yes, you need to think positive. But if you don’t act on those goals — if you don’t go for it — you can’t just wish things into happening.” “[In auditions], the judges only see 50 percent of your solo. Because during the other 50 percent, they’re looking down, writing. So, if something goes wrong, don’t let it throw you off… Mistakes don’t necessarily count against you. It’s how you handle them." “If you want to be a dancer, you have to have the proper training. It’s not one of those careers you can wish to happen. You’ve got to put in the work for it." [On overcoming adversity] “I didn’t want to tell that little 3-year-old me that you’re done. I’ve worked my whole life to be in this industry, and just to have it end was not an option for me. So, I was going to try and stay relevant however I could." Bullet Points (w/ timestamps) - Highlighting key topics discussed: 2:16: Kathryn walks through her entire story, from her quick rise to her sudden fall to finding unforeseen success in a new arena to being reunited with the artform she loves. 11:24: Kathryn speaks on the origins of her personal branding and discusses how her YouTube topics come to be. 13:10: Kathryn describes the mixture of emotions she felt as she, after 7 years, made her return to dance with the Miami City Ballet. 14:52: Morgan discusses how she stayed in dance-ready shape through her time away from the ballet spotlight. 17:10: Morgan shares what she believes may be the source of her entrepreneurial “go-getter” spirit. 18:38: Kathryn discusses what she hopes others will learn from her incredible life journey and gives some wise words on fighting back against adversity. 21:37: Kathryn shares a hilarious story about an on-stage blunder during a rather emotionally-charged scene. 24:37: Kathryn gives some details around her quarterly subscription box, full of themed ballet goodies. 27:52: Kathryn shares some tips on leaving a lasting impression in the audition process, including one extremely valuable piece of advice that she has learned since being in the judge’s chair. 33:47: Morgan, who has traveled quite a bit, gives some advice on staying healthy and dance-ready while enduring long bouts of travel. 41:56: Kathryn rounds out the podcast by discussing what people can do, practically, to achieve their dreams in dance or in entrepreneurship. Bullet List of Resources – Kathryn Morgan Personal Website YouTube Instagram

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Tamako Miyazaki

Play Episode Listen Later Sep 9, 2019 15:50

Today we're joined by Washington Ballet principal Tamako Miyazaki. We discuss her transition from Japan to the U.S., what it was like for her to compete, and her experience in Washington Ballet.Tamako began her ballet training in Japan, before moving to the US, where she has won many awards and scholarships on the competition circuit, including first place in the Youth America Grand Prix finals in 2002. After dancing for two seasons with the Washington Ballet Studio Company, and then briefly with Columbia Classical Ballet, she joined the Washington Ballet as a company member and is currently in her sixth season.

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Episode 22: Finding Tomorrow’s Stars — Alexei Moskalenko

Play Episode Listen Later Sep 3, 2019 32:11

This week on 5.6.7.EIGHT, Aleksandra interviews Alexei Moskalenko, Assistant Artistic Director at the Youth America Grand Prix (YAGP). Alexei, a graduate of the Moscow Bolshoi Ballet Academy and the Moscow State Academy of Choreography, came to the United States with a touring ballet company and eventually opened his own ballet school, before transitioning into his work with Youth America Grand Prix. During his incredible 20-year run with the YAGP, Alexei has served as a judge, Tour Director, Master Teacher, Rehearsal and, now, Assistant Artistic Director. On the podcast, Alexei recaps his life in ballet, from his upbringing in Russia to his transition to the United States. But, most interestingly, Alexei spends time describing his current with the YAGP and how he is tasked with the seemingly impossible feat of identifying talent potential in extremely young dancers — dancers who are only performing three- or four-minute routines. Alexei expands on the challenge of spotting tomorrow’s stars, while providing some solid advice for anyone who desires to be one of the chosen few to dance professionally. Moving Quotes: “[Aspiring ballet dancers] need to learn what a day in the life of a ballet dancer is like. What kind of job is it? What’s your schedule like? … After learning all of that, they will be equipped to make as best a decision in their life as they can." “Don’t put all of your eggs in one basket… Don’t dream only about one dance company. Diversity your portfolio around different company sizes." “I think every dancer thinks deep inside about touring opportunities — what it is to work in a different country, what it is to be a dancer in another company, how it works, can I do that." “To be healthy and just to be able to walk — I’m already advantaged. I’m already lucky." “Some important skills that no one talks about that you have to really work on — it’s around the world, everywhere, no matter where you go — are your communication skills." Bullet Points (w/ timestamps) - Highlighting key topics discussed: 2:11: Alexei remembers his first touches with ballet and how, retrospectively, he appreciates his mom for pushing him to first explore this art. 6:28: Alexei explains how he never fully felt that ballet was his destiny but relives a story that taught him to be thankful for his ability to be a ballet professional. 11:35: Moskalenko discusses how he first found himself in the United States and how every dancer has an innate desire to join an internationally touring ballet company. 15:56: Alexei explains his role with the Youth America Grand Prix and why his job, specifically, is a difficult job to carry out. 19:12: Alexei describes what he looks for in a dancer when trying to evaluate his or her future potential and how dancer “quality” is gauged differently in the US, from what it was in Russia. 23:31: Alexei shares some extremely practical (and unexpected) advice for any dancers that are preparing for dance competitions. 26:26: Moskalenko shares some advice for aspiring dancers, including a quick encouragement to be grateful for YouTube. 29:32: Alexei explains his life aspirations moving ahead, both for his career and for his personal life. Bullet List of Resources – Alexei Moskalenko Alexei on YAGP Website LinkedIn

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Ep 14: Dancing Out of the Box — Meredith Harrill