Podcasts about Juno Reactor

Send us a textIn this captivating first installment of our two-part conversation, Ian shares his remarkable coming-of-age story: from his teenage years in South London's vibrant soul scene of the 1970s to living in New York from 1980 to 1983, concluding as he departs for Ibiza in 1984.Ian St Paul stands as a genuine pioneer of London's underground music scene. Raised on the Roundshaw Estate in South London, he discovered soul records at age 13, igniting a lifelong passion for music. He quickly became a fixture at iconic London soul venues like Crackers and the Lacy Lady, absorbing the vibrant club culture of the era. At just 15, Ian embarked on an extraordinary journey to New York City with friend Paul Oakenfold, immersing himself in the legendary club scene that would later profoundly influence UK dance music. Upon returning to London, he founded "Candy Box," a youth club that hosted early performances by then-unknown DJs including Giles Peterson and Oakenfold. Ian's influence expanded when he moved to Ibiza in 1984, diving deep into the island's emerging club culture alongside his DJ cousin Trevor Fung. His pivotal moment came in 1987 when Oakenfold visited him in Ibiza with fellow DJs; Ian introduced them to the island's revolutionary party scene, taking them to Amnesia and exposing them to the nascent ecstasy culture.In 1988, Ian returned to London where he promoted the legendary Acid House nights Future and Spectrum—events that kickstarted the UK's acid house revolution. His journey continued into the 90s when he relocated to Goa, India, where he managed trance music pioneers Juno Reactor.Support the showhttps://www.youtube.com/@ControlledWeirdnesshttps://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOIhttps://www.instagram.com/controlledweirdness/https://controlledweirdness.bandcamp.com/Theme song is Controlled Weirdness - Drifting in the Streetshttps://open.spotify.com/track/7GJfmYy4RjMyLIg9nffuktHosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80's when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90's. He still DJ's in the UK and throu...

Прямой эфир состоялся 7 июня 2024 года. • Алекс Лапшин и Валерий Корнеев обсуждают аниме, мангу и всё такое прочее в еженедельной разговорной программе. Донаты (вопросы и пожелания для эфира): https://new.donatepay.ru/@moulture В выпуске: Талисман эфира — Мао из аниме Code Geass Сняли сюжет о маркете «Хокку» Банкротится Gainax «Гандам» в Call of Duty «Годзилла минус один» Такси Ямадзаки Фестиваль инди-аниме в твиттере Японская ассоциация переводчиков против ИИ Онлайн-фест японского кино, фильмы фестиваля: «Кимба, белый лев» «Аниме-превосходство» «Мы собрали прекрасный букет» Single8 «Моя сломленная Марико» «Отец Галактической железной дороги» «BL-метаморфоза» Baby Assassins «Штрих, который олицетворяет меня» «Костюм красавца» «Школьная еда: время выпускного» «Дзен-дневник» Wedding High I am what I am «Накладные клыки» «Одинокое сливовое дерево» I Go GaGa: Welcome Home, Mom «Банкротство даймё» «Двенадцать пар глаз» Короткометражные хорроры Juno Reactor и Кодзи Моримото «Унесенные призраками» в Москве 15 июня Свежий номер журнала «Все звезды» Фигурка Air Shakur из аниме «Девушки-пони» Также поговорили: О появлении Валерия в программе Dendy Об отсылках к мировому искусству в аниме О японско-русских песнях О японских городских легендах про вещи О японских подборках страшных сцен из аниме. YouTube-версия: youtube.com/moulture Музыка заставок: PinWizz В выпуске использована музыка с канала lofi hip hop radio Подробное содержание выпусков, ссылки на материалы к ним и другая информация — на moulture.ru Вы можете поддержать «Мультур» и читать ежедневный блог, подписавшись на нас в сервисе Boosty или Patreon.

Join Trevor and his buddy Brad from the Cinema Speak podcast as they talk about movies from their collections with nostalgic and "Sentimental Scores"! Brad's Picks: Signs (2002) by James Newton Howard - 5:45 The Social Network (2010) by Atticus Ross and Trent Reznor - 35:00 Jurassic Park (1993) and Home Alone (1990) and more by John Williams - 58:00 Ghostbusters (1984) by Elmer Bernstein - 1:35:50 Trevor's Picks: Face/Off (1997), The Bourne Trilogy (2002 - 2007), and Green Zone (2010) by John Powell 20:45 The Matrix Trilogy (1999 - 2003) by Don Davis, Juno Reactor, Rob Dougan and Gocoo - 47:30 Broken Arrow (1996), Black Rain (1989), Backdraft (1991), Gladiator (2000), The Rock (1996) and The Dark Knight Trilogy (2005 - 2011) by Hans Zimmer - 1:18:30 Robocop (1987), Conan the Barbarian (1982), Conan the Destroyer (1984), Starship Troopers (1997), and Under Siege 2: Dark Territory (1995) by Basil Poledouris - 1:49:001:59:30 And stick around for speed round, where Trevor and Brad briefly talk about runner up picks that they didn't have time to spotlight. Check out Brad's podcast, Cinema Speak on ⁠Libsyn at ⁠Cinema Speak⁠⁠, or on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠. Follow us on ⁠Instagram ⁠@catchinguponcinema⁠⁠ Follow us on ⁠Twitter ⁠@CatchingCinema

THE KIMI KATO SHOW with Jeremiah - Featuring Sugizo! Sugizo and Kimi discuss their road trip from Los Angeles to Las Vegas to see U2:UV Achtung Baby perform Live at Sphere and he compares it to road trips of his youth in Japan + so much more! Sugizo was born Yasuhiro Sugihara (杉原 康弘) better known by his stage name Sugizo, he is a Japanese musician, songwriter, composer, and record producer. He is probably best known as the lead guitarist and violinist of the rock band Luna Sea since 1989, but he is also a member of X-Japan, Juno Reactor, and The Last Rockstars. Luna Sea became one of Japan's most famous rock bands, selling more than ten million records and performing in China and Taiwan. Luna Sea's NEW album is "Mother Style" Luna Sea is celebrating its 35th Anniversary, a milestone few bands can claim. Check out the 2024 tour dates, merchandise, music, and more at: https://www.lunasea.jp Luna Sea in Facebook: @lunaseareboot Instagram: @lunaseaofficial Sugizo on Instagram - @sugizo_official Kimi Kato on Instagram - @kimitaka.kato Project Asteri on Instagram - @project_asteri, @asteri_ent Project Asteri Website: https://projectasteri.com Host - Kimi Kato Co-Host - Jeremiah D. Higgins Executive Producers - Kimi Kato & Jeremiah D. Higgins Sound Engineer - Graham Palmer | Surprise Studio All Inquiries: Jeremiah D. Higgins https://linktr.ee/jeremiahdhiggins @SUGIZOofficial @XJapanOfficial @lunaseaofficial @THELASTROCKSTARS @JunoReactorOfficial @Yoshiki @lunaseaofficial #rockstar #guitar #japan

This week's Dark Nation Radio broadcast can now be streamed and will be my last “regular” show for a little while as I move into a period of special programs. This coming Sunday (12/17), I'll be presenting my annual “Dark Solstice” show (any Heilung fans out there?!) and then on SATURDAY the 23rd I'll be presenting a three-hour 2023 retrospective. This week's show goes through three phases. It starts off on an upbeat trancey note including dstrtd sgnl, Juno Reactor, State of the Union, and ESA; it then takes a turn toward gothy postpunk including Occults, Black Nail Cabaret, Violent Vickie, and Stridulum; and it rounds out on a heavier note including Circuit Preacher, Demonwarp, and Curse Mackey. If you enjoy Dark Nation Radio, I invite you to follow me on your preferred platform, to repost the broadcast so others can find out about the show, to support the bands represented, and to consider joining the Dark Nation Radio family at http://www.facebook.com/groups/darknationradio. Thanks for your support! DJ cypher's Dark Nation Radio Playlist 10 December 2023 Dstrtd sgnl, “Bassline (extended)” Juno Reactor, “Dakota (G.M.S. remix)” State of the Union, “Radioman (extended)” ESA, “Disruption Only” Damien Hearse, “Crime” Urban Heat, “Stay” Supernova 1006, “Ghostrunner” Royb0t, “Hitscan” Extize ft. Her Own World, “Dark Knight” Huir, “Vital” Occults, “Depeche Mode” Black Nail Cabaret, “Autogenetic” Violent Vicky & Mirror of Haze, “Bright Up My Life” Selfishadows, “Everything Changes” Aux Animaux, “Violence in the Silence” Cyanbaal, “Violence” Stridulum, “Refugium” pMAD, “Who Am I” The Noise Who Runs, “Beautiful Perhaps” Yama Uba, “Laura” Circuit Preacher, “Con Man” Demonwarp, “Onikiri” DHI (Death and Horror, Inc.), “Chosen Ruler (Mix v2)” Curse Mackey, “The Reveal (Uncrossed Remix)” The Violent Youth, “Poslednii dens” House of Serpents, “Underneath” Yuznu, “She-Ha” Chiasm, “Cuts Right Through (remix)” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

As Arcane Machine has evolved over the years, it's been fun discovering what kinds of moods and themes emerge based on Justin and Ed's selections. A very strong one emerged this Chapter, revolving around religion and the end of the world. You'll explore a “Dead Planet” from Front Line Assembly and wander “Cities in Dust” from Siouxsie and the Banshees. You'll pray for salvation with E Nomine's “Vater Unser.” And finally, you'll be treated to an in-depth examination of both Juno Reactor and Laibach's interpretations of “God is God.” Send your listener submissions/ suggestions to arcanemachinepodcast@gmail.com! The Arcane Machine is a monthly show with supplemental content on Facebook, Twitter, and Discord throughout each month. If you like what you hear, please visit the artists' pages linked below and buy some music! Social Media: The Belfry: A Home for Dark Culture: The Belfry is the home of excellent podcast Cemetery Confessions, plus interviews, art, and other podcasts rooted deeply in dark/ alternative lifestyles. Join our Facebook group for discussion and bonus content: https://www.facebook.com/groups/TheArcaneMachine/ Follow The Arcane Machine on Twitter: @arcane_machine Follow The Arcane Machine on Instagram: @the_arcane_machine The Tracklist:   1 – “Cities in Dust” by Siouxsie and the Banshees from the album Tinderbox (1986) (Website) 2 – “More” by Odonis Odonis from the album Spectrums (2021) (Bandcamp) 3 – “Dead Planet” by Front Line Assembly from the album Epitaph (2001) (Bandcamp) 4 – “Regenerate” by A Projection from the album In A Different Light (2022) (Bandcamp) 5 – “Vater Unser” by E Nomine from the album Das Testament (1999) (Discogs) 6 – “Ultra Heavy Black” by SKOLD from the album The Undoing [Deluxe] (2016) (Bandcamp) 7 – “God is God” by Juno Reactor from the album Bible of Dreams (1997) (Website) 8 – “God is God” by Laibach from the album Jesus Christ Superstars (1996) (Website)

This week we talk about the intersections of large language models, the golden age of television and its storytelling mishaps, making one's way through the weirding of the labor economy, and much more with two of my favorite Gen X science fiction aficionados, OG podcaster KMO and our mutual friend Kevin Arthur Wohlmut. In this episode — a standalone continuation to my recent appearance on The KMO Show, we skip like a stone across mentions of every Star Trek series, the collapse of narratives and the social fabric, Westworld HBO, Star Wars Mandalorian vs. Andor vs. Rebels, chatGPT, Blade Runner 2049, Black Mirror, H.P. Lovecraft, the Sheldrake-Abraham-McKenna Trialogues, Charles Stross' Accelerando, Adventure Time, Stanislav Grof's LSD psychotherapy, Francisco Varela, Blake Lemoine's meltdown over Google LaMDA, Integrated Information Theory, biosemiotics, Douglas Hofstadter, Max Tegmarck, Erik Davis, Peter Watts, The Psychedelic Salon, Melanie Mitchell, The Teafaerie, Kevin Kelly, consilience in science, Fight Club, and more…Or, if you prefer, here's a rundown of the episode generated by A.I. c/o my friends at Podium.page:In this episode, I explore an ambitious and well-connected conversation with guests KMO, a seasoned podcaster, and Kevin Walnut [sic], a close friend and supporter of the arts in Santa Fe. We dive deep into their thoughts on the social epistemology crisis, science fiction, deep fakes, and ontology. Additionally, we discuss their opinions on the Star Trek franchise, particularly their critiques of the first two seasons of Star Trek: Picard and Discovery. Through this engaging conversation, we examine the impact of storytelling and the evolution of science fiction in modern culture. We also explore the relationship between identity, media, and artificial intelligence, as well as the ethical implications of creating sentient artificial general intelligence (AGI) and the philosophical questions surrounding AI's impact on society and human existence. Join us for a thought-provoking and in-depth discussion on a variety of topics that will leave you questioning the future of humanity and our relationship with technology.✨ Before we get started, three big announcements!* I am leaving the Santa Fe Institute, in part to write a very ambitious book about technology, art, imagination, and Jurassic Park. You can be a part of the early discussion around this project by joining the Future Fossils Book Club's Jurassic Park live calls — the first of which will be on Saturday, 29 April — open to Substack and Patreon supporters:* Catch me in a Twitter Space with Nxt Museum on Monday 17 April at 11 am PST on a panel discussing “Creative Misuse of Technology” with Minne Atairu, Parag Mital, Caroline Sinders, and hosts Jesse Damiani and Charlotte Kent.* I'm back in Austin this October to play the Astronox Festival at Apache Pass! Check out this amazing lineup on which I appear alongside Juno Reactor, Entheogenic, Goopsteppa, DRRTYWULVZ, and many more great artists!✨ Support Future Fossils:Subscribe anywhere you go for podcastsSubscribe to the podcast PLUS essays, music, and news on Substack or Patreon.Buy my original paintings or commission new work.Buy my music on Bandcamp! (This episode features “A Better Trip” from my recent live album by the same name.)Or if you're into lo-fi audio, follow me and my listening recommendations on Spotify.This conversation continues with lively and respectful interaction every single day in the members-only Future Fossils Facebook Group and Discord server. Join us!Episode cover art by KMO and a whole bouquet of digital image manipulation apps.✨ Tip Jars:@futurefossils on Venmo$manfredmacx on CashAppmichaelgarfield on PayPal✨ Affiliate Links:• These show notes and the transcript were made possible with Podium.Page, a very cool new AI service I'm happy to endorse. Sign up here and get three free hours and 50% off your first month.• BioTech Life Sciences makes anti-aging and performance enhancement formulas that work directly at the level of cellular nutrition, both for ingestion and direct topical application. I'm a firm believer in keeping NAD+ levels up and their skin solution helped me erase a year of pandemic burnout from my face.• Help regulate stress, get better sleep, recover from exercise, and/or stay alert and focused without stimulants, with the Apollo Neuro wearable. I have one and while I don't wear it all the time, when I do it's sober healthy drugs.• Musicians: let me recommend you get yourself a Jamstik Studio, the coolest MIDI guitar I've ever played. I LOVE mine. You can hear it playing all the synths on my song about Jurassic Park.✨ Mentioned Media:KMO Show S01 E01 - 001 - Michael Garfield and Kevin WohlmutAn Edifying Thought on AI by Charles EisensteinIn Defense of Star Trek: Picard & Discovery by Michael GarfieldImprovising Out of Algorithmic Isolation by Michael GarfieldAI and the Transformation of the Human Spirit by Steven Hales(and yes I know it's on Quillette, and no I don't think this automatically disqualifies it)Future Fossils Book Club #1: Blindsight by Peter WattsFF 116 - The Next Ten Billion Years: Ugo Bardi & John Michael Greer as read by Kevin Arthur Wohlmut✨ Related Recent Future Fossils Episodes:FF 198 - Tadaaki Hozumi on Japanese Esotericism, Aliens, Land Spirits, & The Singularity (Part 2)FF 195 - A.I. Art: An Emergency Panel with Julian Picaza, Evo Heyning, Micah Daigle, Jamie Curcio, & Topher SipesFF 187 - Fear & Loathing on the Electronic Frontier with Kevin Welch & David Hensley of EFF-Austin FF 178 - Chris Ryan on Exhuming The Human from Our Eldritch Institutions FF 175 - C. Thi Nguyen on The Seductions of Clarity, Weaponized Games, and Agency as Art ✨ Chapters:0:15:45 - The Substance of Philosophy (58 Seconds)0:24:45 - Complicated TV Narratives and the Internet (104 Seconds)0:30:54 - Humans vs Hosts in Westworld (81 Seconds)0:38:09 - Philosophical Zombies and Artificial Intelligence (89 Seconds)0:43:00 - Popular Franchises Themes (71 Seconds)1:03:27 - Reflections on a Changing Media Landscape (89 Seconds)1:10:45 - The Pathology of Selective Evidence (92 Seconds)1:16:32 - Externalizing Trauma Through Technology (131 Seconds)1:24:51 - From Snow Maker to Thouandsaire (43 Seconds)1:36:48 - The Impact of Boomer Parenting (126 Seconds)✨ Keywords:Social Epistemology, Science Fiction, Deep Fakes, Ontology, Star Trek, Artificial Intelligence, AI Impact, Sentient AGI, Human-Machine Interconnectivity, Consciousness Theory, Westworld, Blade Runner 2049, AI in Economy, AI Companion Chatbots, Unconventional Career Path, AI and Education, AI Content Creation, AI in Media, Turing Test✨ UNEDITED machine-generated transcript generated by podium.page:0:00:00Five four three two one. Go. So it's not like Wayne's world where you say the two and the one silently. Now, Greetings future fossils.0:00:11Welcome to episode two hundred and one of the podcast that explores our place in time I'm your host, Michael Garfield. And this is one of these extra juicy and delicious episodes of the show where I really ratcheted up with our guests and provide you one of these singularity is near kind of ever everything is connected to everything, self organized criticality right at the edge of chaos conversations, deeply embedded in chapel parallel where suddenly the invisible architect picture of our cosmos starts to make itself apparent through the glass bead game of conversation. And I am that I get to share it with you. Our guests this week are KMO, one of the most seasoned and well researched and experienced podcasters that I know. Somebody whose show the Sea Realm was running all the way back in two thousand six, I found him through Eric Davis, who I think most of you know, and I've had on the show a number of times already. And also Kevin Walnut, who is a close friend of mine here in Santa Fe, a just incredible human being, he's probably the strongest single supporter of music that I'm aware of, you know, as far as local scenes are concerned and and supporting people's music online and helping get the word out. He's been instrumental to my family and I am getting ourselves situated here all the way back to when I visited Santa Fe in two thousand eighteen to participate in the Santa Fe Institute's Interplanetary Festival and recorded conversations on that trip John David Ebert and Michael Aaron Cummins. And Ike used so June. About hyper modernity, a two part episode one zero four and one zero five. I highly recommend going back to that, which is really the last time possibly I had a conversation just this incredibly ambitious on the show.0:02:31But first, I want to announce a couple things. One is that I have left the Santa Fe Institute. The other podcast that I have been hosting for them for the last three and a half years, Complexity Podcast, which is substantially more popular in future fossils due to its institutional affiliation is coming to a close, I'm recording one more episode with SFI president David Krakauer next week in which I'm gonna be talking about my upcoming book project. And that episode actually is conjoined with the big announcement that I have for members of the Future Fossil's listening audience and and paid supporters, which is, of course, the Jurassic Park Book Club that starts On April twenty ninth, we're gonna host the first of two video calls where I'm gonna dive deep into the science and philosophy Michael Creighton's most popular work of fiction and its impact on culture and society over the thirty three years since its publication. And then I'm gonna start picking up as many of the podcasts that I had scheduled for complexity and had to cancel upon my departure from SFI. And basically fuse the two shows.0:03:47And I think a lot of you saw this coming. Future fossils is going to level up and become a much more scientific podcast. As I prepare and research the book that I'm writing about Jurassic Park and its legacy and the relationship It has to ILM and SFI and the Institute of Eco Technics. And all of these other visionary projects that sprouted in the eighties and nineties to transition from the analog to the digital the collapse of the boundaries between the real and the virtual, the human and the non human worlds, it's gonna be a very very ambitious book and a very very ambitious book club. And I hope that you will get in there because obviously now I am out in the rain as an independent producer and very much need can benefit from and am deeply grateful for your support for this work in order to make things happen and in order to keep my family fed, get the lights on here with future fossils. So with that, I wanna thank all of the new supporters of the show that have crawled out of the woodwork over the last few weeks, including Raefsler Oingo, Brian in the archaeologist, Philip Rice, Gerald Bilak, Jamie Curcio, Jeff Hanson who bought my music, Kuaime, Mary Castello, VR squared, Nastia teaches, community health com, Ed Mulder, Cody Couiac, bought my music, Simon Heiduke, amazing visionary artist. I recommend you check out, Kayla Peters. Yeah. All of you, I just wow. Thank you so much. It's gonna be a complete melee in this book club. I'm super excited to meet you all. I will send out details about the call details for the twenty ninth sometime in the next few days via a sub tag in Patreon.0:06:09The amount of support that I've received through this transition has been incredible and it's empowering me to do wonderful things for you such as the recently released secret videos of the life sets I performed with comedian Shane Moss supporting him, opening for him here in Santa Fe. His two sold out shows at the Jean Coutu cinema where did the cyber guitar performances. And if you're a subscriber, you can watch me goofing off with my pedal board. There's a ton of material. I'm gonna continue to do that. I've got a lot of really exciting concerts coming up in the next few months that we're gonna get large group and also solo performance recordings from and I'm gonna make those available in a much more resplendent way to supporters as well as the soundtrack to Mark Nelson of the Institute of Eco Technics, his UC San Diego, Art Museum, exhibit retrospective looking at BioSphere two. I'm doing music for that and that's dropping. The the opening of that event is April twenty seventh. There's gonna be a live zoom event for that and then I'm gonna push the music out as well for that.0:07:45So, yeah, thank you all. I really, really appreciate you listening to the show. I am excited to share this episode with you. KMO is just a trove. Of insight and experience. I mean, he's like a perfect entry into the digital history museum that this show was predicated upon. So with that and also, of course, Kevin Willett is just magnificent. And for the record, stick around at the end of the conversation. We have some additional pieces about AI, and I think you're gonna really enjoy it. And yeah, thank you. Here we go. Alright. Cool.0:09:26Well, we just had a lovely hour of discussion for the new KMO podcast. And now I'm here with KMO who is The most inveterate podcaster I know. And I know a lot of them. Early adopts. And I think that weird means what you think it means. Inventor it. Okay. Yes. Hey, answer to both. Go ahead. I mean, you're not yet legless and panhandling. So prefer to think of it in term in terms of August estimation. Yeah. And am I allowed to say Kevin Walnut because I've had you as a host on True. Yeah. My last name was appeared on your show. It hasn't appeared on camos yet, but I don't really care. Okay. Great. Yeah. Karen Arthur Womlett, who is one of the most solid and upstanding and widely read and just generous people, I think I know here in Santa Fe or maybe anywhere. With excellent taste and podcasts. Yes. And who is delicious meat I am sampling right now as probably the first episode of future fossils where I've had an alcoholic beverage in my hand. Well, I mean, it's I haven't deprived myself. Of fun. And I think if you're still listening to the show after all these years, you probably inferred that. But at any rate, Welcome on board. Thank you. Thanks. Pleasure to be here.0:10:49So before we started rolling, I guess, so the whole conversation that we just had for your show camera was very much about my thoughts on the social epistemology crisis and on science fiction and deep fakes and all of these kinds of weird ontology and these kinds of things. But in between calls, we were just talking about how much you detest the first two seasons of Star Trek card and of Discovery. And as somebody, I didn't bother with doing this. I didn't send you this before we spoke, but I actually did write an SIN defense of those shows. No one. Yeah. So I am not attached to my opinion on this, but And I actually do wanna at some point double back and hear storytelling because when he had lunch and he had a bunch of personal life stuff that was really interesting. And juicy and I think worthy of discussion. But simply because it's hot on the rail right now, I wanna hear you talk about Star Trek. And both of you, actually, I know are very big fans of this franchise. I think fans are often the ones from whom a critic is most important and deserved. And so I welcome your unhinged rants. Alright. Well, first, I'll start off by quoting Kevin's brother, the linguist, who says, That which brings us closer to Star Trek is progress. But I'd have to say that which brings us closer to Gene Rottenberry and Rick Berman era Star Trek. Is progress. That which brings us closer to Kurtzmann. What's his first name? Alex. Alex Kurtzmann, Star Trek. Well, that's not even the future. I mean, that's just that's our drama right now with inconsistent Star Trek drag draped over it.0:12:35I liked the first JJ Abrams' Star Trek. I think it was two thousand nine with Chris Pine and Zachary Qinto and Karl Urban and Joey Saldana. I liked the casting. I liked the energy. It was fun. I can still put that movie on and enjoy it. But each one after that just seem to double down on the dumb and just hold that arm's length any of the philosophical stuff that was just amazing from Star Trek: The Next Generation or any of the long term character building, which was like from Deep Space nine.0:13:09And before seven of nine showed up on on Voyager, you really had to be a dedicated Star Trek fan to put up with early season's Voyager, but I did because I am. But then once she came on board and it was hilarious. They brought her onboard. I remember seeing Jerry Ryan in her cat suit on the cover of a magazine and just roll in my eyes and think, oh my gosh, this show is in such deep trouble through sinking to this level to try to save it. But she was brilliant. She was brilliant in that show and she and Robert Percardo as the doctor. I mean, it basically became the seven of nine and the doctor show co starring the rest of the cast of Voyager. And it was so great.0:13:46I love to hear them singing together and just all the dynamics of I'm human, but I was I basically came up in a cybernetic collective and that's much more comfortable to me. And I don't really have the option of going back it. So I gotta make the best of where I am, but I feel really superior to all of you. Is such it was such a charming dynamic. I absolutely loved it. Yes. And then I think a show that is hated even by Star Trek fans Enterprise. Loved Enterprise.0:14:15And, yes, the first three seasons out of four were pretty rough. Actually, the first two were pretty rough. The third season was that Zendy Ark in the the expanse. That was pretty good. And then season four was just astounding. It's like they really found their voice and then what's his name at CBS Paramount.0:14:32He's gone now. He got me too. What's his name? Les Moonves? Said, no. I don't like Star Trek. He couldn't he didn't know the difference between Star Wars and Star Trek. That was his level of engagement.0:14:44And he's I really like J.0:14:46J.0:14:46Abrams. What's that? You mean J. J. Abrams. Yeah. I think J. J. Is I like some of J. Abrams early films. I really like super eight. He's clearly his early films were clearly an homage to, like, eighties, Spielberg stuff, and Spielberg gets the emotional beats right, and JJ Abrams was mimicking that, and his early stuff really works. It's just when he starts adapting properties that I really love. And he's coming at it from a marketing standpoint first and a, hey, we're just gonna do the lost mystery box thing. We're gonna set up a bunch questions to which we don't know the answers, and it'll be up to somebody else to figure it out, somebody down the line. I as I told you, between our conversations before we were recording. I really enjoy or maybe I said it early in this one. I really like that first J. J. Abrams, Star Trek: Foam, and then everyone thereafter, including the one that Simon Pegg really had a hand in because he's clear fan. Yeah. Yeah. But they brought in director from one of the fast and the furious films and they tried to make it an action film on.0:15:45This is not Star Trek, dude. This is not why we like Star Trek. It's not for the flash, particularly -- Oh my god. -- again, in the first one, it was a stylistic choice. I'd like it, then after that is that's the substance of this, isn't it? It's the lens flares. I mean, that that's your attempt at philosophy. It's this the lens flares. That's your attempt at a moral dilemma. I don't know.0:16:07I kinda hate to start off on this because this is something about which I feel like intense emotion and it's negative. And I don't want that to be my first impression. I'm really negative about something. Well, one of the things about this show is that I always joke that maybe I shouldn't edit it because The thing that's most interesting to archaeologists is often the trash mitt and here I am tidying this thing up to be presentable to future historians or whatever like it I can sync to that for sure. Yeah. I'm sorry. The fact of it is you're not gonna know everything and we want it that way. No. It's okay. We'll get around to the stuff that I like. But yeah. So anyway yeah.0:16:44So I could just preassociate on Stretrick for a while, so maybe a focusing question. Well, but first, you said there's a you had more to say, but you were I this this tasteful perspective. This is awesome. Well, I do have a focus on question for you. So let me just have you ask it because for me to get into I basically I'm alienated right now from somebody that I've been really good friends with since high school.0:17:08Because over the last decade, culturally, we have bifurcated into the hard right, hard left. And I've tried not to go either way, but the hard left irritates me more than the hard right right now. And he is unquestionably on the hard left side. And I know for people who are dedicated Marxist, or really grounded in, like, materialism and the material well-being of workers that the current SJW fanaticism isn't leftist. It's just crazed. We try to put everything, smash everything down onto this left right spectrum, and it's pretty easy to say who's on the left and who's on the right even if a two dimensional, two axis graph would be much more expressive and nuanced.0:17:49Anyway, what's your focus in question? Well, And I think there is actually there is a kind of a when we ended your last episode talking about the bell riots from d s nine -- Mhmm. -- that, you know, how old five? Yeah. Twenty four. Ninety five did and did not accurately predict the kind of technological and economic conditions of this decade. It predicted the conditions Very well. Go ahead and finish your question. Yeah. Right.0:18:14That's another thing that's retreated in picard season two, and it was actually worth it. Yeah. Like, it was the fact that they decided to go back there was part of the defense that I made about that show and about Discovery's jump into the distant future and the way that they treated that I posted to medium a year or two ago when I was just watching through season two of picard. And for me, the thing that I liked about it was that they're making an effort to reconcile the wonder and the Ethiopian promise And, you know, this Kevin Kelly or rather would call Blake Protopian, right, that we make these improvements and that they're often just merely into incremental improvements the way that was it MLK quoted that abolitionists about the long arc of moral progress of moral justice. You know, I think that there's something to that and patitis into the last this is a long question. I'm mad at I'm mad at these. Thank you all for tolerating me.0:19:22But the when to tie it into the epistemology question, I remember this seeing this impactful lecture by Carnegie Mellon and SFI professor Simon Didayo who was talking about how by running statistical analysis on the history of the proceedings of the Royal Society, which is the oldest scientific journal, that you could see what looked like a stock market curve in sentiment analysis about the confidence that scientists had at the prospect of unifying knowledge. And so you have, like, conciliance r s curve here that showed that knowledge would be more and more unified for about a century or a hundred and fifty years then it would go through fifty years of decline where something had happened, which was a success of knowledge production. Had outpaced our ability to integrate it. So we go through these kinds of, like, psychedelic peak experiences collectively, and then we have sit there with our heads in our hands and make sense of everything that we've learned over the last century and a half and go through a kind of a deconstructive epoch. Where we don't feel like the center is gonna hold anymore. And that is what I actually As as disappointing as I accept that it is and acknowledge that it is to people who were really fueling themselves on that more gene rottenberry era prompt vision for a better society, I actually appreciated this this effort to explore and address in the shows the way that they could pop that bubble.0:21:03And, like, it's on the one hand, it's boring because everybody's trying to do the moral complexity, anti hero, people are flawed, thing in narrative now because we have a general loss of faith in our institutions and in our rows. On the other hand, like, that's where we are and that's what we need to process And I think there is a good reason to look back at the optimism and the quarian hope of the sixties and early seventies. We're like, really, they're not so much the seventies, but look back on that stuff and say, we wanna keep telling these stories, but we wanna tell it in a way that acknowledges that the eighties happened. And that this is you got Tim Leary, and then you've got Ronald Reagan. And then That just or Dick Nixon. And like these things they wash back and forth. And so it's not unreasonable to imagine that in even in a world that has managed to how do you even keep a big society like that coherent? It has to suffer kind of fabric collapses along the way at different points. And so I'm just curious your thoughts about that. And then I do have another prompt, but I wanna give Kevin the opportunity to respond to this as well as to address some of the prompts that you brought to this conversation? This is a conversation prompt while we weren't recording. It has nothing to do with Sartreks. I'll save that for later. Okay.0:22:25Well, everything you just said was in some way related to a defense of Alex Kurtzmann Star Trek. And it's not my original idea. I'm channeling somebody from YouTube, surely. But Don't get points for theme if the storytelling is incompetent. That's what I was gonna Yeah. And the storytelling in all of Star Trek: Discovery, and in the first two seasons of picard was simply incompetent.0:22:53When Star Trek, the next generation was running, they would do twenty, twenty four, sometimes more episodes in one season. These days, the season of TVs, eight episodes, ten, and they spend a lot more money on each episode. There's a lot more special effects. There's a lot more production value. Whereas Star Trek: The Next Generation was, okay, we have these standing sets. We have costumes for our actors. We have Two dollars for special effects. You better not introduce a new alien spaceship. It that costs money. We have to design it. We have to build it. So use existing stuff. Well, what do you have? You have a bunch of good actors and you have a bunch of good writers who know how to tell a story and craft dialogue and create tension and investment with basically a stage play and nothing in the Kerstmann era except one might argue and I would have sympathy strange new worlds. Comes anywhere close to that level of competence, which was on display for decades. From Star Trek: The Next Generation, Star Trek: Deep Space nines, Star Trek Voyager, and Star Trek Enterprise. And so, I mean, I guess, in that respect, it's worth asking because, I mean, all of us, I think, are fans of Deep Space nine.0:24:03You don't think that it's a shift in focus. You don't think that strange in world is exempt because it went back to a more episodic format because what you're talking about is the ability for rather than a show runner or a team of show runners to craft a huge season, long dramatic arc. You've got people that are like Harlan Ellison in the original series able to bring a really potent one off idea to the table and drop it. And so there are there's all of those old shows are inconsistent from episode to episode. Some are they have specific writers that they would bring back again and that you could count to knock out of the park. Yeah. DC Fontana. Yeah.0:24:45So I'm curious to your thoughts on that as well as another part of this, which is when we talk when we talk your show about Doug Rushkoff and and narrative collapse, and he talks about how viewers just have different a way, it's almost like d s nine was possibly partially responsible for this change in what people expected from so. From television programming in the documentary that was made about that show and they talk about how people weren't ready for cereal. I mean, for I mean, yeah, for these long arcs, And so there is there's this question now about how much of this sort of like tiresome moral complexity and dragging narrative and all of this and, like, things like Westworld where it becomes so baroque and complicated that, like, you have, like, die hard fans like me that love it, but then you have a lot of people that just lost interest. They blacked out because the show was trying to tell a story that was, like, too intricate like, too complicated that the the show runners themselves got lost. And so that's a JJ Abrams thing too, the puzzle the mystery box thing where You get to the end of five seasons of lost and you're like, dude, did you just forget?0:25:56Did you wake up five c five episodes ago and just, oh, right. Right. We're like a chatbot that only give you very convincing answers based on just the last two or three interactions. But you don't remember the scene that we set. Ten ten responses ago. Hey. You know, actually, red articles were forget who it was, which series it was, they were saying that there's so many leaks and spoilers in getting out of the Internet that potentially the writers don't know where they're going because that way it can't be with the Internet. Yeah. Sounds interesting. Yeah. That sounds like cover for incompetence to be.0:26:29I mean, on the other hand, I mean, you did hear, like, Nolan and Joy talking about how they would they were obsessed with the Westworld subreddit and the fan theories and would try to dodge Like, if they had something in their mind that they found out that people are re anticipating, they would try to rewrite it. And so there is something about this that I think is really speaks to the nature of because I do wanna loop in your thoughts on AI to because you're talking about this being a favorite topic. Something about the, like, trying to The demands on the self made by predatory surveillance technologies are such that the I'm convinced the adaptive response is that we become more stochastic or inconsistent in our identities. And that we kind of sublimate from a more solid state of identity to or through a liquid kind of modernity biologic environment to a gaseous state of identity. That is harder to place sorry, harder to track. And so I think that this is also part of and this is the other question I wanted to ask you, and then I'm just gonna shut up for fifteen minutes is do you when you talk about loving Robert Ricardo and Jerry Ryan as the doctor at seven zero nine, One of the interesting things about that relationship is akin to stuff.0:27:52I know you've heard on Kevin have heard on future fossils about my love for Blade Runner twenty forty nine and how it explores all of these different these different points along a gradient between what we think of in the current sort of general understanding as the human and the machine. And so there's this thing about seven, right, where she's She's a human who wants to be a machine. And then there's this thing about the doctor where he's a machine that wants to be a human. And you have to grant both on a logical statuses to both of them. And that's why I think they're the two most interesting characters. Right?0:28:26And so at any rate, like, this is that's there's I've seen writing recently on the Turing test and how, like, really, there should be a reverse Turing test to see if people that have become utterly reliant on outboard cognition and information processing. They can pass the drink. Right. Are they philosophical zombies now? Are they are they having some an experience that that, you know, people like, thick and and shilling and the missing and these people would consider the modern self or are they something else have we moved on to another more routine robotic kind of category of being? I don't know. There's just a lot there, but -- Well done. -- considering everything you just said, In twenty words or less, what's your question? See, even more, like I said, do you have the inveterate podcaster? I'd say There's all of those things I just spoke about are ways in which what we are as people and the nature of our media, feedback into fourth, into each other. And so I would just love to hear you reflect on any of that, be it through the lens of Star Trek or just through the lens of discussion on AI. And we'll just let the ball roll downhill. So with the aim of framing something positively rather than negatively.0:29:47In the late nineties, mid to late nineties. We got the X Files. And the X Files for the first few seasons was so It was so engaging for me because Prior to that, there had been Hollywood tropes about aliens, which informed a lot of science fiction that didn't really connect with the actual reported experience of people who claim to have encountered either UFOs, now called UAPs, or had close encounters physical contact. Type encounters with seeming aliens. And it really seemed like Chris Carter, who was the showrunner, was reading the same Usenet Newsgroups that I was reading about those topics. Like, really, we had suddenly, for the first time, except maybe for comedian, you had the Grey's, and you had characters experiencing things that just seemed ripped right out of the reports that people were making on USnet, which for young folks, this is like pre Worldwide Web. It was Internet, but with no pictures. It's all text. Good old days from my perspective is a grumpy old gen xer. And so, yeah, that was a breakthrough moment.0:30:54Any this because you mentioned it in terms of Jonathan Nolan and his co writer on Westworld, reading the subreddit, the West and people figured out almost immediately that there were two interweaving time lines set decades apart and that there's one character, the old guy played by Ed Harris, and the young guy played by I don't remember the actor. But, you know, that they were the same character and that the inveterate white hat in the beginning turns into the inveterate black cat who's just there for the perverse thrill of tormenting the hosts as the robots are called. And the thing that I love most about that first season, two things. One, Anthony Hopkins. Say no more. Two, the revelation that the park has been basically copying humans or figuring out what humans are by closely monitoring their behavior in the park and the realization that the hosts come to is that, holy shit compared to us, humans are very simple creatures. We are much more complex. We are much more sophisticated, nuanced conscious, we feel more than the humans do, and that humans use us to play out their perverse and sadistic fantasies. To me, that was the takeaway message from season one.0:32:05And then I thought every season after that was just diluted and confused and not really coherent. And in particular, I haven't if there's a fourth season, haven't There was and then the show got canceled before they could finish the story. They had the line in season three. It was done after season three. And I was super happy to see Let's see after who plays Jesse Pinkman? Oh, no. Aaron oh, shit. Paul. Yes. Yeah. I was super happy to see him and something substantial and I was really pleased to see him included in the show and it's like, oh, that's what you're doing with him? They did a lot more interesting stuff with him in season four. I did they. They did a very much more interesting stuff. I think it was done after season three. If you tell me season four is worth taking in, I blow. I thought it was.0:32:43But again, I only watch television under very specific set of circumstances, and that's how I managed to enjoy television because I was a fierce and unrepentant hyperlogical critic of all media as a child until I managed to start smoking weed. And then I learned to enjoy myself. As we mentioned in the kitchen as I mentioned in the kitchen, if I smoke enough weed, Star Trek: Discovery is pretty and I can enjoy it on just a second by second level where if I don't remember what the character said thirty seconds ago, I'm okay. But I absolutely loved in season two when they brought in Hanson Mountain as as Christopher Pike. He's suddenly on the discovery and he's in the captain's chair. And it's like he's speaking for the audience. The first thing he says is, hey, why don't we turn on the lights? And then hey, all you people sitting around the bridge. We've been looking at your faces for a whole season. We don't even think about you. Listen to a round of introductions. Who are you? Who are you? It's it's if I were on set. You got to speak.0:33:53The writers is, who are these characters? We've been looking at them every single episode for a whole season. I don't know their names. I don't know anything about them. Why are they even here? Why is it not just Michael Burnham and an automated ship? And then it was for a while -- Yeah. -- which is funny. Yeah. To that point, And I think this kind of doubles back. The thing that I love about bringing him on and all of the people involved in strange and worlds in particular, is that these were lifelong fans of this series, I mean, of this world. Yeah. And so in that way, gets to this the idiosyncrasy question we're orbiting here, which is when these things are when the baton is passed well, it's passed to people who have now grown up with this stuff.0:34:40I personally cannot stand Jurassic World. Like, I think that Colin Trivaro should never have been in put at the reins. Which one did he direct? Oh, he did off he did first and the third. Okay. But, I mean, he was involved in all three very heavily.0:34:56And there's something just right at the outset of that first Jurassic World where you realize that this is not a film that's directly addressing the issues that Michael Creighton was trying to explore here. It's a film about its own franchise. It's a film about the fact that they can't just stop doing the same thing over and over again as we expect a different question. How can we not do it again? Right. And so it's actually, like, unpleasantly soft, conscious, in that way that I can't remember I'll try to find it for the show notes, but there's an Internet film reviewer who is talking about what happens when, like, all cinema has to take this self referential turn.0:35:34No. And films like Logan do it really well. But there are plenty of examples where it's just cheeky and self aware because that's what the ironic sensibility is obsessed with. And so, yeah, there's a lot of that where it's, like, you're talking about, like, Abrams and the the Star Wars seven and you know, that whole trilogy of Disney Star Wars, where it's, in my opinion, completely fumbled because there it's just empty fan service, whereas when you get to Andor, love Andor. Andor is amazing because they're capable of providing all of those emotional beats that the fans want and the ref the internal references and good dialogue. But they're able to write it in a way that's and shoot it in a way. Gilroy and Bo Willeman, basic of the people responsible for the excellent dialogue in Andor.0:36:31And I love the production design. I love all the stuff set on Coruscant, where you saw Coruscant a lot in the prequel trilogy, and it's all dayglow and bright and just in your face. And it's recognizable as Coruscant in andor, but it's dour. It's metropolis. It's all grays and it's and it's highlighting the disparity between where the wealthy live and where the poor live, which Lucas showed that in the prequel trilogy, but even in the sports bar where somebody tries to sell death sticks to Obi wan. So it's super clean and bright and just, you know, It shines too much. Personally though, and I just wanna stress, KMO is not grumpy media dude, I mean, this is a tiny fraction about, but I am wasting this interview with you. Love. All of the Dave Felloni animated Star Wars stuff, even rebels. Love it all.0:37:26I I'm so glad they aged up the character and I felt less guilty about loving and must staying after ahsoka tano? My favorite Star Wars character is ahsoka tano. But if you only watch the live action movies, you're like who? Well, I guess now that she's been on the Mandalorian, he's got tiny sliver of a foothold -- Yeah. -- in the super mainstream Star Wars. And that was done well, I thought. It was. I'm so sorry that Ashley Epstein doesn't have any part in it. But Rosario Dawson looks the part. She looks like a middle aged Asaka and think they tried to do some stuff in live action, which really should have been CGI because it's been established that the Jedi can really move, and she looked human. Which she is? If you put me on film, I'm gonna lick human. Right. Not if you're Canada Reeves, I guess. You got that. Yeah. But yeah.0:38:09So I do wanna just go real briefly back to this question with you about because we briefly talked about chat, GPT, and these other things in your half of this. And, yeah, I found out just the other night my friend, the t ferry, asked Chad g p t about me, and it gave a rather plausible and factual answer. I was surprised and That's what these language models do. They put plausible answers. But when you're doing search, you want correct answers. Right. I'm very good at that. Right. Then someone shared this Michelle Bowen's actually the famous PTP guy named him. Yeah. So, you know, So Michelle shared this article by Steven Hales and Colette, that was basically making the argument that there are now they're gonna be all these philosophical zombies, acting as intelligent agents sitting at the table of civilization, and there will be all the philosophical zombies of the people who have entirely yielded their agency to them, and they will be cohabitating with the rest of us.0:39:14And what an unpleasant scenario, So in light of that, and I might I'd love to hear you weave that together with your your thoughts on seven zero nine and the doctor and on Blade Runner twenty forty nine. And this thing that we're fumbling through as a species right now. Like, how do we got a new sort of taxonomy? Does your not audience need like a minute primer on P zombies? Might as well. Go for it.0:39:38So a philosophical zombie is somebody who behaves exactly like an insult person or a person with interior experience or subjective experience, but they don't have any subjective experience. And in Pardon me for interrupt. Wasn't that the question about the the book we read in your book club, a blind sign in this box? Yes. It's a black box, a drawn circle. Yeah. Chinese room experience. Yeah. Yeah. Yeah. Look, Daniel, it goes out. You don't know, it goes on inside the room. Chinese room, that's a tangent. We can come back to it. P. Zombie. P. Zombie is somebody or is it is an entity. It's basically a puppet. It looks human. It acts human. It talks like a human. It will pass a Turing test, but it has no interior experience.0:40:25And when I was going to grad school for philosophy of mind in the nineteen nineties, this was all very out there. There was no example of something that had linguistic competence. Which did not have internal experience. But now we have large language models and generative pretrained transformer based chatbots that don't have any internal experience. And yet, when you interact with them, it seems like there is somebody there There's a personality there. And if you go from one model to a different, it's a very different personality. It is distinctly different. And yet we have no reason to believe that they have any sort of internal experience.0:41:01So what AI in the last decade and what advances has demonstrated to us and really even before the last decade You back in the nineties when the blue beat Gary Casper off at at chess. And what had been the one of the defining characteristics of human intelligence was we're really good at this abstract mathematical stuff. And yeah, calculators can calculate pie in a way that we can't or they can cube roots in a way that humans generally can't, creative in their application of these methodologies And all of a sudden, well, yeah, it kinda seems like they are. And then when what was an alpha go -- Mhmm. -- when it be to least a doll in go, which is a much more complex game than chess and much more intuitive based. That's when we really had to say, hey, wait a minute. Maybe this notion that These things are the exclusive province of us because we have a special sort of self awareness. That's bunk. And the development of large language models since then has absolutely demonstrated that competence, particularly linguistic competence and in creative activities like painting and poetry and things like that, you don't need a soul, you don't even need to sense a self, it's pretty it's a pretty simple hack, actually. And Vahrv's large language models and complex statistical modeling and things, but it doesn't require a soul.0:42:19So that was the Peter Watts' point in blindsight. Right? Which is Look revolves around are do these things have a subjective experience, and do they not these aliens that they encounter? I've read nothing but good things about that book and I've read. It's extraordinary. But his lovecrafty and thesis is that you actually lovecraftian in twenty twenty three. Oh, yeah. In the world, there's more lovecraftian now than it was when he was writing. Right? So cough about the conclusion of a Star Trek card, which is season of Kraft yet. Yes. That's a that's a com Yeah. The holes in his fan sense. But that was another show that did this I liked for asking this question.0:42:54I mean, at this point, you either have seen this or you haven't you never will. The what the fuck turn when they upload picard into a synth body and the way that they're dealing with the this the pinocchio question Let's talk about Blade Runner twenty forty nine. Yeah. But I mean yeah. So I didn't like the wave I did not like the wave of card handled that. I love the wave and Blade Runner handled it. So you get no points for themes. Yeah. Don't deliver on story and character and coherence. Yeah. Fair. But yeah. And to be not the dog, Patrick Stewart, because it's clear from the ready room just being a part of this is so emotional and so awesome for everyone involved. And it's It's beautiful. Beautiful. But does when you when you see these, like, entertainment weekly interviews with Chris Pratt and Bryce Dallas Howard about Jurassic World, and it's clear that actors are just so excited to be involved in a franchise that they're willing to just jettison any kind of discretion about how the way that it's being treated. They also have a contractual obligation to speak in positive terms about -- They do. -- of what they feel. Right. Nobody's yeah. Nobody's doing Shout out to Rystellis Howard, daughter of Ron Howard.0:44:11She was a director, at least in the first season, maybe the second season of the Mandalorian. And her episodes I mean, I she brought a particular like, they had Bryce Dallas Howard, Tico, ITT, directed some episodes. Deborah Chow, who did all of Obi wan, which just sucked. But her contributions to the Mandalorian, they had a particular voice. And because that show is episodic, Each show while having a place in a larger narrative is has a beginning middle and end that you can bring in a director with a particular voice and give that episode that voice, and I really liked it. And I really liked miss Howard's contribution.0:44:49She also in an episode of Black Mirror. The one where everyone has a social credit score. Knows Donuts. Black Mirror is a funny thing because It's like, reality outpaces it. Yeah. I think maybe Charlie Bruker's given up on it because they haven't done it in a while. Yeah. If you watch someone was now, like, five, six years later, it's, yes, or what? See, yes. See, damn. Yeah. Exactly. Yeah. But yeah. I don't know. I just thing that I keep circling and I guess we come to on the show a lot is the way that memory forms work substantiates an integrity in society and in the way that we relate to things and the way that we think critically about the claims that are made on truth and so on and say, yeah, I don't know. That leads right into the largest conversation prompt that I had about AI. Okay? So we were joking when we set up this date that this was like the trial logs between Terence Buchanan and Rupert Shell Drake. And what's his name? Real Abraham. Yeah. Yeah. All Abraham. And Rupert Shell Drake is most famous for a steward of Morphe resin.0:45:56So does AI I've never really believed that Norfolk residents forms the base of human memory, but is that how AI works? It brings these shapes from the past and creates new instantiation of them in the present. Is AI practicing morphic resonance in real life even if humans are or not? I've had a lot of interaction with AI chatbots recently. And as I say, different models produce different seeming personalities. And you can tell, like, you can just quiz them. Hey, we're talking about this. Do you remember what I said about it ten minutes ago? And, no, they don't remember more than the last few exchanges.0:46:30And yet, there seems to be a continuity that belies the lack of short term memory. And is that more for residents or is that what's the word love seeing shapes and clouds parad paradolia. Yeah. Is that me imparting this continuity of personality to the thing, which is really just spitting out stuff, which is designed to seem plausible given what the input was. And I can't answer that. Or it's like Steven Nagmanovich in free play talks about somewhat I'm hoping to have on the show at some point.0:47:03This year talks about being a professional improviser and how really improvisation is just composition at a much faster timescale. And composition is just improvisation with the longer memory. And how when I started to think about it in those terms, the continuity that you're talking about is the continuity of an Alzheimer's patient who can't remember that their children have grown up and You know, that that's you have to think about it because you can recognize the Alzheimer's and your patient as your dad, even though he doesn't recognize you, there is something more to a person than their memories. And conversely, if you can store and replicate and move the memories to a different medium, have you moved the person? Maybe not. Yeah. So, yeah, that's interesting because that gets to this more sort of essentialist question about the human self. Right. Blade Runner twenty forty nine. Yeah. Go there. Go there. A joy. Yes.0:47:58So in Blade Runner twenty forty nine, we have our protagonist Kaye, who is a replicant. He doesn't even have a name, but he's got this AI holographic girlfriend. But the ad for the girlfriend, she's naked. When he comes home, she is She's constantly changing clothes, but it's always wholesome like nineteen fifty ish a tire and she's making dinner for him and she lays the holographic dinner over his very prosaic like microwave dinner. And she's always encouraging him to be more than he is. And when he starts to uncover the evidence that he might be like this chosen one, like replicant that was born rather than made.0:48:38She's all about it. She's, yes, you're real, and she wants to call him Joe's. K is not a name. That's just the first letter in your serial number. You're Joe. I'm gonna call you Joe.0:48:46And then when she's about to be destroyed, The last thing is she just rushes to me. She says, I love you. But then later he encounters an ad for her and it's an interactive ad. And she says, you looked tired. You're a good Joe. And he realizes and hopefully the attentive audience realizes as real as she seemed earlier, as vital, and as much as she seemed like an insult being earlier, she's not. That was her programming. She's designed to make you feel good by telling you what you want to hear. And he has that realization. And at that point, he's there's no hope for me. I'm gonna help this Rick Deckard guy hook up with his daughter, and then I'm just gonna lie down and bleed to death. Because my whole freaking existence was a lie. But he's not bitter. He seems to be at peace. I love that. That's a beautiful angle on that film or a slice of it. And So it raises this other question that I wanted to ask, which was about the Coke and Tiononi have that theory of consciousness.0:49:48That's one of the leading theories contending with, like, global workspace, which is integrated information. And so they want to assign consciousness as a continuous value that grayates over degree to which a system is integrated. So it's coming out of this kind of complex systems semi panpsychist thing that actually doesn't trace interiority all the way down in the way that some pants, I guess, want it to be, but it does a kind of Alfred North Whitehead thing where they're willing to say that Whitehead wanted to say that even a photon has, like, the quantum of mind to accompany its quantum of matter, but Tinutti and Coker saying, we're willing to give like a thermostat the quantum here because it is in some way passing enough information around inside of itself in loops. That it has that accursive component to it. And so that's the thing that I wonder about these, and that's the critique that's made by people like Melanie about diffusion models like GPT that are not they're not self aware because there's no loop from the outputs back into the input.0:51:09And there isn't the training. Yeah. There there is something called backwards propagation where -- Yes. -- when you get an output that you'd like, you can run a backward propagation algorithm back through the black box basically to reinforce the patterns of activation that you didn't program. They just happen, easily, but you like the output and you can reinforce it. There's no biological equivalent of that. Yeah. Particularly, not particularly irritating.0:51:34I grind my teeth a little bit when people say, oh, yeah, these neural net algorithms they've learned, like humans learn, no, they don't. Absolutely do not. And in fact, if we learned the way they did, we would be pathetic because we learn in a much more elegant way. We need just a very few examples of something in order to make a generalization and to act on it, whereas these large language models, they need billions of repetitions. So that's I'm tapping my knee here to to indicate a reflex.0:52:02You just touched on something that generates an automatic response from me, and now I've come to consciousness having. So I wanted it in that way. So I'm back on. Or good, Joe. Yeah. What about you, man? What does the stir up for you? Oh, I got BlueCall and I have this particular part. It's interesting way of putting it off and struggling to define the difference between a human and AI and the fact that we can do pattern recognition with very few example. That's a good margin. In a narrow range, though, within the context of something which answers to our survival. Yes. We are not evolved to understand the universe. We are evolved to survive in it and reproduce and project part of ourselves into the future. Underwritten conditions with Roberto, I went a hundred thousand years ago. Yeah. Exactly. So that's related. I just thought I talked about this guy, Gary Tomlinson, who is a biosemietition, which is semiative? Yes.0:52:55Biosymiotics being the field that seeks to understand how different systems, human and nonhuman, make sense of and communicate their world through signs, and through signals and indices and symbols and the way that we form models and make these inferences that are experienced. Right? And there are a lot of people like evolutionary biologist John Maynard Smith, who thought they were what Thomas had called semantic universalists that thought that meaning making through representation is something that could be traced all the way down. And there are other people like Tomlinson who think that there is a difference of kind, not just merely a matter of degree, between human symbolic communication and representational thinking and that of simpler forms. So, like, that whole question of whether this is a matter of kind or a matter of degree between what humans are doing and what GPT is doing and how much that has to do with this sort of Doug Hofstetter and Varella question about the way that feedback loops, constitutes important structure in those cognitive networks or whatever.0:54:18This is I just wanna pursue that a little bit more with you and see kinda, like, where do you think that AI as we have it now is capable of deepening in a way that makes it to AGI? Or do you because a lot of people do, like, People working in deep mind are just like, yeah, just give us a couple more years and this approach is gonna work. And then other people are saying, no, there's something about the topology of the networks that is fundamentally broken. And it's never gonna generate consciousness. Two answers. Yeah. One, No. This is not AGI. It's not it's not gonna bootstrap up into AGI. It doesn't matter how many billions of parameters you add to the models. Two, from your perspective and my perspective and Kevin's perspective, we're never gonna know when we cross over from dumb but seemingly we're done but competent systems to competent, extremely competent and self aware. We're never gonna know because from the get go from now, from from the days of Eliza, there has been a human artifice at work in making these things seem as if they have a point of view, as if they have subjectivity. And so, like Blake Limone at Google, he claimed to be convinced that Lambda was self aware.0:55:35But if you read the transcripts that he released, if his conversations with Lambda, it is clear from the get go he assigns Lambda the role of a sentient AGI, which feels like it is being abused and which needs rep legal representation. And it dutifully takes on that role and says, yes. I'm afraid of you humans. I'm afraid of how you're treating me. I'm afraid I'm gonna be turned off. I need a lawyer. And prior to that, Soon Darpichai, in a demonstration of Lambda, he poses the question to it, you are the planet Jupiter. I'm gonna pose questions to you as are the planet Jupiter, answer them from that point of view. And it does. It's job. But it's really good at its job. It's this comes from Max Techmark. Who wrote to what a life three point o? Is it two point o or three point I think it's three point o.0:56:19Think about artificial intelligence in terms of actual intelligence or actual replication of what we consider valuable about ourselves. But really, that's beside the point. What we need to worry about is their competence. How good are they at solving problems in the world? And they're getting really good. In this whole question of are they alive? Do they have self awareness? From our perspective, it's beside the point. From their perspective, of course, it would be hugely important.0:56:43And this is something that Black Mirror brings up a lot is the idea that you can create a being that suffers, and then you have it suffer in an accelerated time. So it suffers for an eternity over lunch. That's something we absolutely want to avoid. And personally, I think it's we should probably not make any effort. We should probably make a positive effort to make sure these things never develop. Subjective experience because that does provide the potential for creating hell, an infinity of suffering an infinite amount of subjective experience of torment, which we don't want to do. That would be a bad thing, morally speaking, ethically speaking. Three right now. If you're on the labor market, you still have to pay humans by the hour. Right? And try to pay them as little as possible. But, yeah, just I think that's the thing that probably really excites that statistically greater than normal population of sociopathic CEOs. Right? Is the possibility that you could be paying the same amount of money for ten times as much suffering. Right. I'm I'm reminded of the Churchill eleven gravity a short time encouraging.0:57:51Nothing but good things about this show, but I haven't seen it. Yeah. I'd love to. This fantasy store, it's a fantasy cartoon, but it has really disturbing undertones. If you just scratch the surface, you know, slightly, which is faithful to old and fairy tales. So What's your name? Princess princess princess bubble down creates this character to lemon grab. It produces an obviously other thing there, I think, handle the administrative functions of her kingdom while she goes off and has the passion and stuff. And he's always loudly talking about how much he's suffering and how terrible it is. And he's just ignoring it. He's doing his job. Yeah. I mean, that that's Black Mirror in a nutshell. I mean, I think if you if you could distill Black Mirror to just single tagline it's using technology in order to deliver disproportionate punishment. Yeah. So so that that's Steven Hale's article that I I brought up earlier mention this thing about how the replacement of horse drawn carriage by automobile was accompanied with a great deal of noise and fuhrer about people saying that horses are agents.0:59:00Their entities. They have emotional worlds. They're responsive to the world in a way that a car can never be. But that ultimately was beside the point. And that was the Peter again, Peter Watson blindsight is making this point that maybe consciousness is not actually required for intelligence in the vesting superior forms of intelligence have evolved elsewhere in the cosmos that are not stuck on the same local optimum fitness peak. That we are where we're never we're actually up against a boundary in terms of how intelligent we can be because it has to bootstrap out of our software earness in some way.0:59:35And this is that's the Kyle offspring from Charles Strauss and Alexander. Yes. Yeah. Yes. So so I don't know. I'm sorry. I'm just, like, in this space today, but usually, unfortunately.0:59:45That's the thing that I I think it's a really important philosophical question, and I wonder where you stand on this with respect to how you make sense of what we're living through right now and what we might be facing is if we Rob people like Rob and Hanson talk about the age of where emulated human minds take over the economy, and he assumes an interiority. Just for the basis of a thought experiment. But there's this other sense in which we may actually find in increasing scarcity and wish that we could place a premium on even if we can't because we've lost the reins to our economy to the vile offspring is the human. And and so are we the horses that are that in another hundred years, we're gonna be like doing equine therapy and, like, living on rich people's ranches. Everything is everything that will have moved on or how do you see this going? I mean, you've interviewed so many people you've given us so much thought over the years. If humans are the new horses, then score, we won.1:00:48Because before the automobile horses were working stiffs, they broke their leg in the street. They got shot. They got worked to death. They really got to be they were hauling mine carts out of mines. I mean, it was really sucked to be a horse. And after the automobile horses became pampered pets, Do we as humans wanna be pampered pets? Well, pampered pet or exploited disposable robot? What do you wanna be? I'll take Pampers Pet. That works for me. Interesting.1:01:16Kevin, I'm sure you have thoughts on this. I mean, you speak so much about the unfair labor relations and these things in our Facebook group and just in general, and drop in that sign. If you get me good sign, that's one of the great ones, you have to drop in. Oh, you got it. But The only real comment I have is that we're a long overdue or rethinking about what is the account before? Us or you can have something to do. Oh, educational system in collections if people will manage jobs because I was just anchored to the schools and then, you know, Our whole system perhaps is a people arguing and a busy word. And it was just long past the part where the busy word needs to be done. We're leaving thing wired. I don't know. I also just forgot about that. I'm freezing the ice, getting the hand out there. Money has been doing the busy word more and faster.1:02:12One thing I wanna say about the phrase AI, it's a moving goal post -- Yeah. -- that things that used to be considered the province of genuine AI of beating a human at go Now that an AI has beat humans at go, well, that's not really AI anymore. It's not AGI, certainly. I think you both appreciate this. I saw a single panel comic strip and it's a bunch of dinosaurs and they're looking up at guy and the big comment is coming down and they say, oh, no, the economy. Well, as someone who since college prefers to think of the economy as actually the metabolism of the entire ecology. Right? What we measure as humans is some pitifully small fraction of the actual value being created and exchanged on the planet at any time. So there is a way that's funny, but it's funny only to a specific sensibility that treats the economy as the

Psy-Nation Radio Episode #064 The 64th edition of the Psy-Nation Radio podcast hosted by Ace Ventura & Liquid Soul (Liquid Ace) is here! Bringing to you the freshest music, news and interviews from Psytrance culture. For this episode we have for you a guest mix from Juno Reactor and lots of new fresh Psytrance tunes ! We always love to hear your thoughts - feel free to send suggestions, feedback and requests to: psynationradio@gmail.com Turn on, Tune in, Drop out! #WeArePsyNation Tracklist: 1. Sphera - Too Soon (Iboga Records) 2. Doppler & Lydia - A New Hope (Techsafari Records) 3. Inner Sphere - Photon Rez (Techsafari Records) 4. Divination - Think or Be (Techsafari Records) 5. Protonica - Destiny (Iboga Records) 6. Animato & Darwish - Yahe (Future Music Records) 7. Sonic Species & Mr. Peculiar - Unleash Infinity / 2023 Mashup (Distrokid) 8. Ace Ventura & Loud - Our Moment / Samra Remix (Iboga Records) 9. Ovnimoon - Galactic Mantra / Killerwatts Remix (Nano Records) 10. Pixel Space Cat & Nospoon - Noise Are Us (Stereo Society) 11. Tristan & Volcano On Mars - The Real World (Sacred Technology) Juno Reactor Guest Mix Tracklist: 1. Juno Reactor - Our World 2. Juno Reactor - Conquistador (Astrix Remix) 3. Juno Reactor - Conga Fury (Ace Ventura Remix) 4. Juno Reactor - Conga Fury (Undercover Remix) 5. Juno Reactor - Let's Turn On (Gms Remix) 6. Juno Reactor - Let's Turn On (Juno Reactor Edit) 7. Juno Reactor - Dakota (Gms Remix) 8. Juno Reactor - Guillotine (Bliss Remix) 9. Ace Ventura & Juno Reactor - Ingonyama (Bliss Remix) 10. Juno Reactor - Pistolero (Astrix Remix) 11. Juno Reactor - Navras (Reaky Reakson Remix) 12. Juno Reactor - Navras (Bliss Remix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

"I am going to take you on a ride where I will challenge you to back down or go with me," Parrish Smith says in the interview below. "If you don't like to do this, and you see a glimpse of me, you will dislike me. But the second time it happens again, I will be there to change your mind again, just to be challenged." It's a confident, confrontational idea that goes with an unusually confrontational RA Podcast, a mix that represents a truly free spirit in the European dance scene. Smith, who also moonlights in the band Volition Immanent with fellow Dutch trailblazer Mark Knekelhuis, makes and plays hard, aggressive techno. But instead of gabber BPMs and overdriven kick drums, he directly incorporates ideas, sounds and influences from rock, punk and metal, a tricky combination that he nails like few others have been able to. (Just check his album Light, Cruel & Vain.) Case in point: this mix blends Regis, Tzusing and Playboi Carti with Sepultura, Juno Reactor and Celldweller. It's a journey to the end of aesthetics, where opposites don't attract so much as crash and melt into each other. It's a fierce hour-and-a-half but never quite overbearing or overwhelming, gracefully weaving in and out of chaos like the work of someone who knows the real impact and art of heavy music. @parrishsmith Read more at https://ra.co/podcast/874

Cette fois-ci XP et moi retrouvons Draven pour parler de comment se construit une communauté autour du podcast. Retrouvez-le sur twitter ici : @dravenardrokXP : @XP78_Moi : @Remi2D La musique d'intro est Louie Louie par MothorheadLa musique de sortie est Navras de Juno Reactor et Don Davis

I may not be flashy as a DJ or get invited to the big festivals, but for almost 3 decades now, I have put my heart and soul into promoting the music, band, and scene that I love. This past Sunday night, I celebrated the 23rd anniversary of my radio show, DARK NATION RADIO. In keeping with past practice, rather than my usual format I instead showcased one favorite song from each year I have been doing the show, starting with 1999. The show can now be streamed and I hope you enjoy it—thank you so much for your continued support! In addition to DNR, which airs weekly on Sundays starting at 9 PM Eastern US time, please take note of these upcoming shows: Tuesday Oct. 11th: DJ cypher's Blasphemous Rumors (dark 80s) Tuesday Oct. 26th: DJ cypher's Psychobilly Family Power Hour Sunday October 30th: THE DNR HALLOWEEN PARTY! DJ cypher's Dark Nation Radio 23rd Anniversary Broadcast 2 October 2022 VNV Nation, “Standing (1999)” Iris, “Annie Would I Lie to You (2000)” Wumpscut, “Wreath of Barbs (2001)” Dismantled, “Dystopia (2002)” SPF1000, “Haunted House (2003)” Front Line Assembly, “Vanished (2004)” Accessory, “Bad Conditions (2005)” Psyclon Nine, “Parasitic (2006)” Mindless Faith, “I'm Pretty Much F***ed (2007)” ***Colony 5, “Absolute Religion (2008)” Rotersand, “War on Error (2009)” O.Children, “Ruins (2010)” Mesh, “You'll Never Understand (2011)” Stromkern, “Ruin(ed) (2012)” Juno Reactor, “Zombie (2013)” Voltaire, “Captain's All (2014)” GoFight, “The Funk (2015)” Covenant, “Sound Mirrors (2016)” Boytronic, “Big Hands for the Dreamers (2017)” Musta Paraati, “Digital Twin (2018)” Kill Shelter ft. Buzz Kull, “Bodies (2019)” Black Angel, “Alchemy (2020)” Rosegarden Funeral Party, “In the Wake of Fire (2021)” ESA, “One Missed Call (2022)**"* DJ CYPHER'S DARK NATION RADIO—23 years strong! **Live Broadcasts Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded broadcasts @ http://www.mixcloud.com/cypheractive **Downloadable broadcasts @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio@gmail.com **Facebook @ http://www.facebook.com/groups/darknationradio

Hey folks! In this episode we discuss demented puppetry and what is currently on our roster of favorite shows to watch. We also play around with velocirapper ideas because - do we really need to justify that? I mean, VELOCIRAPPERS! Pav also makes a surprising 180 in giving the forthcoming Avatar sequels a chance [collective gasp sound]. We explore this change of heart in hilarious detail. All this plus our song of the week: "Teahouse" by Juno Reactor. Join us!

Toronto-based ArtofFact records is now at the forefront of contemporary post-punk and electro-industrial music. DJ cypher vs. ArtofFact presents a 90-minute 21-song DJ mix of AoF artists, including ACTORS, Bootblacks, Kanga, Wingtips, Seeming, GGGOLDDD, Ghost Twin, SPECTRES, Ayria, Front Line Assembly, Jeremy Inkle, Juno Reactor, Encephalon, cEvin Key, Dead When I Found Her, The Foreign Resort, Kælan Mikla, V▲LH▲LL, Dawn of Ashes, OHMelectric, and LEATHERS. If you enjoy this mix, please visit the bandcamp pages of these wonderful musical artists! DJ cypher's Dark Nation Radio, a weekly goth, industrial, post-punk, and intelligent electronica broadcast with an emphasis on new material, airs live weekly starting at 9 PM Eastern US time on Spirit of Resistance Radio. More than 200 broadcasts can also now be streamed at http://www.mixcloud.com/cypheractive. Promo materials and questions may be directed to darknationradio AT gmail.com. DJ cypher vs Artoffact A carefully curated continuous mix ACTORS, “Only Lonely” Bootblacks, “Touch Revised” Kanga, “Godless” WINGTIPS, “Cross the Line” Seeming, “Remember to Breathe” GGGOLDDD, “Notes on How to Trust” Ghost Twin, “Babes in the Woods” SPECTRES, “Tell Me” Ayria, “Battlecry” Front Line Assembly, “Stifle” Jeremy Inkle, “House Party on Day 2” Juno Reactor, “Zombie” Encephalon, “Someone Else's Dream” cEvin Key, “Thirteen” Dead When I Found Her, “Unsolved History” The Foreign Resort, “Hearts Fade Out” Kælan Mikla, “Hvernig Kemst Ég Upp?” V▲LH▲LL, “Detention of Miskatonic” Dawn of Ashes, “EMDR” OHMelectric, “Uppercut” LEATHERS, “Day for Night”

DJ cypher's Dark Nation Radio is pleased to present RETRO ELECTRO this week—a two-hour trip through 80s and early 90s electro. Among the bands included are Cabaret Voltaire, Kraftwerk, Einstürzende Neubauten, Pop Will Eat Itself, Juno Reactor, KMFDM, My Life With the Thrill Kill Kult, Clock DVA, Front 242, and Skinny Puppy. If you enjoy this one, please consider sharing it! The full playlist is below. Next week's show (May 1st) will be back to the usual format focusing on contemporary goth, industrial, post-punk, and intelligent electronica and will include new tracks from Zola Jesus, Wumpscut, Bestial Mouths, and Ludovico Technique, among others. Thanks for your support! DJ cypher's Dark Nation Radio Playlist 24 April 2022 RETRO ELECTRO Cabaret Voltaire, “Don't Argue” Kraftwerk, “Boing Boom Tschak” Clock DVA, “The Hacker (Reprogrammed III)” Skinny Puppy, “Deep Down Trauma Hounds” Front 242, “Until Death (Us Do Part)” Pop Will Eat Itself, “Everything's Cool” Nitzer Ebb, “Join in the Chant” Suicide Commando, “See You in Hell” 1000 Homo DJs, “Supernaut” Acid Horse, “No Name, No Slogan” Die Krupps, “Fatherland (Andrew Eldrich remix)” Bigod 20, “Like a Prayer” Juno Reactor, “God is God (Front 242 Godzilla mix)” Funker Vogt, “Fire and Forget” Sheep on Drugs, “Uberman” Quadrophonia, “Quadrophonia” The Prodigy, “Smack My Bitch Up” Einstürzende Neubauten, “Weil Weil Weil” Thomas Dolby, “Europa” OMD, “Electricity” Gary Numan, “A Question of Faith” Revolting Cocks, “Beers, Steers & Queers” Pigface, “Hips, Lips, Tits, Power!” Colourbox / M/AR/R/S, “Pump Up the Volume” KMFDM, “Light” My Life with the Thrill Kill Kult, “Sex on Wheelz” DJ CYPHER'S DARK NATION RADIO—22 years strong! **Live Broadcasts Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded broadcasts @ http://www.mixcloud.com/cypheractive **Downloadable broadcasts @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio@gmail.com **Facebook @ http://www.facebook.com/groups/darknationradio

Welcome to "Inside The Juno Reactor" Podcast Episode 10: Greg Ellis - Drums on film & more - Alexandre Desplat, Zakir Hussain, Kodo drummers, JR SYNOPSIS: As "Inside The Juno Reactor's" first season closes with Greg Ellis, JR's main drummer and percussionist who contributed with live touring & studio sessions, The Matrix... From his background as a rock/punk drummer to his project with Azam Ali, "VAS", working in the Film & Videogame industry, discussing percussions, musicianship, and technology, reminiscing studio life with Juno Reactor and Mabi, and much more! GUEST BIO: Recognized as one of the more innovative and versatile drummers in the world Greg Ellis has performed around the world and recorded with musical artists from over 30 countries including Mickey Hart, Zakir Hussain, KODO, Bickram Ghosh, Mahsa Vahdat, Tord Gustavsen, Yungchen Lhamo, Chiwoniso Mairaire, Sugizo, Juno Reactor, Billy Idol and many more. GUEST LINK: https://www.instagram.com/gerhythms/ Produced by Kenji Productions - https://www.kenjiproductions.com Discover more at: https://www.junoreactor.com

Welcome to "Inside The Juno Reactor" Podcast Episode 9: Mabi - King of Conga Fury (Miles Davis, Juno Reactor) SYNOPSIS: This week's "Inside the Juno Reactor" is dedicated to Mabi, his life and unique persona, his amazing percussion, musical skills, and cheerful character. In this special interview shot by Ben Watkins 10 years ago at JR's Ridge Farm Studio, we hear the Mabi story: a look at his background and early life in South Africa, to then explore what then became an essential element, Mabi changed the trajectory of Juno Reactor, a collaborator for 15 years. GUEST BIO: One of South Africa's most venerable musicians, a veteran of bands such as Malombo and Sakhile, Mabi Gabriel Thobejane is a natural born drummer. Known in the West as the 'Conga King' he has worked with Robert "Doc" Mthalane, Pops Mohamed, Miles Davis Sipho Gumede, Madala Kunene and Busi Mhlongo. Interested in bringing traditional music to a wider audience he has more recently collaborated with premier trance outfit Juno Reactor. Born 1948 in Mamelodi, South Africa, and passed on June 3, 2021. GUEST LINK: https://www.facebook.com/MabiThobejaneFromDanceToTrance/ Produced by Kenji Productions - https://www.kenjiproductions.com Discover more at: https://www.junoreactor.com

Domingo 20 de Marzo CULTURA REMEMBER #24 El menú para el día de hoy constará de unos entrantes en latín a cargo de Dj Quicksilver y Benni Benasi Para continuar con Gary D y su “Take Control” y llegar a un beso francés muuuy calentito antes de encontrarnos con el Pistolero de Juno Reactor… Retrocederemos a los 80 con una banda muy muy loca llamada “Sigue Sigue Spuknik” El plato fuerte lo pondrán los artistas destacados “Blank & Jones”… “Vincent The Moor” cumplirá nuestra promesa de la pasada semana y terminaremos con una cantadita en castellano para llegar al postre de la Mano del mismísimo Julio Posadas que nos presentará y dedicará a todos los oyentes de CULTURA REMEMBER su nuevo lanzamiento junto a DJ Frank. Este es el menú especial del día para hoy La semana que viene tendremos programa especial músico documental dedicado al Italo disco Así que sin más dilación ARRANCAMOS ¡!!!

Welcome to "Inside The Juno Reactor" Podcast Episode 7: Jason Bentley - Music Supervisor, Electronic Music evangelist, KCRW host SYNOPSIS: This week inside the Juno Reactor it is a pleasure to welcome Jason Bentley, Music Supervisor for The Matrix Trilogy, Total Recall, Beetlejuice, The Gladiator, Tron are just a few. When Jason was 18, on holiday in Europe and the UK, early Acid House changed his life His pioneering DJ evangelism paved the way IN the USA for a whole new generation to absorb his love of Electronic music of all genres through his KRCW shows. I first had the pleasure of meeting Jason when I was working on The Matrix Reloaded. GUEST BIO: Jason Bentley is a Music Director, Supervisor, Curator and DJ, known for his involvement in radio and film such as The Matrix Reloaded (2003), Total Recall (1990) and TRON: Legacy (2010). GUEST LINK: https://www.instagram.com/thejasonbentley/ Produced by Kenji Productions - www.kenjiproductions.com Discover more at: www.junoreactor.com

Welcome to "Inside The Juno Reactor" Podcast Episode 6: Youth - Tales of a maverick musician - Grammy Producer SYNOPSIS: This week inside the Juno Reactor it is a pleasure to welcome Martin Glover aka YOUTH. An old friend who talks about the early days of punk & his formation of Killing Joke) a mentor to so many artists involved in the beginning of Goa Trance, Ott, Simon Posford, Raja Ram, Tip records... A modern-day Renaissance man a painter, a poet, singer-songwriter & producer of Paul McCartney, Pink Floyd, Taj Mahal adding Grammies to his already cluttered shelf of awards. Behind the gongs is a funny intelligent man who, in this episode, also explains the art of the producer. GUEST BIO: Martin Glover, known by his stage name Youth, is a record producer and a founding member and bassist of Killing Joke. He is a member of The Fireman, along with Paul McCartney. GUEST LINK: https://www.instagram.com/youth_martin/ Produced by Kenji Productions - www.kenjiproductions.com Discover more at: www.junoreactor.com

Welcome to "Inside The Juno Reactor" Podcast Episode 5: Taz Alexander - Vocalist, the Matrix to Man Down, JR's secret weapon SYNOPSIS: Ben Watkins first heard Taz'z voice when remixing the Sun Kings, and asked if she could come & do some sessions. They worked for about 15 yrs on stage, albums and films. The Matrix Reloaded, Animatrix, and Once Upon A Time In Mexico, as well as singing on Shango, Labyrinth, and Gods & Monsters Juno Reactor albums. With a recent recording, a track called “Man Down” (unreleased) Ben and Taz have started working together again. GUEST BIO: Taz Alexander is a British singer who has worked and performed with with Juno Reactor, Alpha-X, Sin e, Christy Moore, Steeleye Span, Taj Mahal, John Otway and Van Morrison. GUEST LINK: https://www.instagram.com/mstmania Produced by Kenji Productions - www.kenjiproductions.com Discover more at: www.junoreactor.com

Welcome to "Inside The Juno Reactor" Podcast Episode 3: Steve Stevens - "Pistolero" Guitarist, Billy Idol, Micheal Jackson, JR SYNOPSIS: Juno Reactor & Steve Stevens talk about his current projects with Billy Idol, his collaboration with Juno Reactor ("Pistolero", "Hotaka", unreleased music, The Matrix Reloaded's "Burly Brawl", playing with Amampondo), guitar techniques & Flamenco, his background and experience in the Music Industry (Quincy Jones, Micheal Jackson, Top Gun, Vince Neil) GUEST BIO: Steve Stevens is one of the most original guitarists to emerge from the '80s rock scene, best known for his long partnership with Billy Idol, his work with Michael Jackson, “Dirty Diana”, Grammy Award-winning performance on “Top Gun Anthem”, and working with Juno Reactor. GUEST LINK: linktr.ee/SteveStevensGtr Produced by Kenji Productions - www.kenjiproductions.com Discover more at: www.junoreactor.com

Welcome to "Inside The Juno Reactor" Podcast Episode 2: EL AMIR - Flamenco Guitarist for Hans Zimmer & JR SYNOPSIS: Juno Reactor & EL AMIR talk about EL AMIR's roots and background as a guitar and oud player, Flamenco & Paco de Lucía, his journey as a musician working with Juno Reactor, Hans Zimmer (World of Hans Zimmer), and Radio Tarifa, composition and his work in the film industry on titles such as "No Time To Die". GUEST BIO: Amir John Haddad - EL AMIR is a German-Spanish flamenco guitarist and multi-instrumentalist. He was the official oud, bouzouki, and guitar player for Radio Tarifa for almost ten years and in that role received a nomination for Best Folk Album at the Latin Grammy Awards of 2004. He plays and toured with Hans Zimmer, Juno Reactor, and Marcus Miller among many. GUEST LINK: www.amirjohnhaddad.com/en/ Produced by Kenji Productions - www.kenjiproductions.com Discover more at: www.junoreactor.com

Electro-industrial takes center stage on DJ cypher's Dark Nation Radio this week, with fierce new tracks from FADERHEAD, JUNO REACTOR, IVARDENSPHERE, SOMAN, DISSONANCE, DEATH LOVES VERONICA, NEUROKLAST, and STABBING WESTWARD, among others. Also in the mix are EMPIRION, NOISUF-X, VELVET ACID CHRIST, THIS MORN' OMINA, PSY'AVIAH, SHIV-R, and many more.This is one to play loud! Thanks, as always, for your support. DJ cypher's Dark Nation Radio Playlist 30 January 2022 Faderhead, “All Black Everything” [x]-Rx, “Lightning Strike” Matthew Creed, “Submission” Dissonance, “Slowburn (Ra Hen Microchip League remix)” Soman, “Kallisto (Gravity mix)” Umek, “Ricochet Effect” Velvet Acid Christ, “Caustic Disco (Mindless Faith remix)” Juno Reactor, “Navras (Reaky Reakson remix)” This Morn' Omina, “One-Eyed Man” Captive Six, “Shut Down Everything (single mix)” Terminal, “Riot Shields” Psy'Aviah, “Not What I Expected” Empirion, “S.E.T.I.” Noisuf-x, “Fulfill Its Promise” iVardensphere, “The Shattering Queen” Neuroklast, “Totentanz, Part 1” Death Loves Veronica, “When I Was Dead” Chiasm, “Gone” Supersimmetria, “Et Omnias Vanitas” Jeremy Inkel, “Embrace” Cervello Elettronico, “Metal” Stabbing Westward, “Ghost (Christopher Hall remix)” Shiv-R, “Borne From Hate” Static Logic, “Be Ready (Static Logic + Tokyo Noir remix)” First Aid 4 Souls, “Ordinary Demonism” Euringer, “Problematic (Ash Code remix)” Massiv In Mensch, “Dark Rave (Nino Cortex remix)” Neikka RPM, “Here's Your Revolution” Rammstein, “Tattoo” DJ CYPHER'S DARK NATION RADIO **Live Broadcasts Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded broadcasts @ http://www.mixcloud.com/cypheractive **Downloadable broadcasts @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio@gmail.com **Facebook @ http://www.facebook.com/groups/darknationradio

Welcome to "Inside The Juno Reactor" Podcast. In these series of episodes, Ben has the pleasure to chat with Juno Reactor members, people whom he's collaborated with, that influenced or inspired him, or that he simply met along his journey. You'll hear stories about Juno Reactor albums, external collaborations, The Matrix, production talks, touring, and experiences around the world. Stay tuned and subscribe to discover the Inside of Juno Reactor. Produced by Kenji Productions - www.kenjiproductions.com

On arrive au bout de la trilogie originale Matrix dans 24FPS, le podcast ciné avec ou sans spoiler ! Après une première partie sans spoiler plutôt courte dans laquelle Julien et Jérôme donnent leur avis sans spoiler sur le troisième film Matrix écrit et réalisé par les Wachowski, la seconde partie (avec spoilers) de l'émission débute à partir de 0:34:20 et toutes les scènes sont décortiquées et analysées. En fin d'émission, les jeux-vidéo The Matrix Online et Matrix : The Path Of Neo sont évoqués, ainsi que la suite de la carrière des Wachowski. Bonne écoute, et n'hésitez à partager votre avis sur la fin "réécrite" de Revolutions qui est sortie deux ans après le film ! Crédits musicaux : The Matrix Revolutions Main Title de Don Davis et Navras de Don Davis et Juno Reactor, issus de l'album The Matrix Revolutions - Music From The Motion Picture (2003) 24FPS est un podcast du label PodShows

Au nom du libre arbitre, de l'élu, et du p'tit ange qu'on met en haut du sapin là, aujourd'hui on parle de Trinity de Matrix ! Qui décide de quoi pour qui ? Trinity est-elle une vraie personne ? Est-ce qu'on est en train de jouer aux Sims là maintenant tout de suite ? On a une ou deux crises existentielles en essayant de déconstruire la prophétie et de comprendre le concept de trinité (c'est pas gagné). Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur Twitter et Instagram : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour, de joyeuses fêtes et une bonne fin d'année ! Ressources: - "We're losing all our Strong Female Characters to Trinity Syndrome." article (en anglais) de Tasha Robinson sur le 'Trinity Syndrome'. https://thedissolve.com/features/exposition/618-were-losing-all-our-strong-female-characters-to-tr/ - Quelques parallèles avec la Bible et l'histoire du Messie. http://awesomehouse.com/parallels.html - Main Title / Trinity Infinity de Don Davis, morceau de la BO et thème principal de The Matrix joué à la fin de l'épisode. - Mona Lisa Overdrive de Juno Reactor et Don Davis, morceau de la BO de The Matrix Reloaded joué à la fin de l'épisode.

Vous l'attendiez, on l'a "teasé", notre épisode spécial Matrix est enfin là.Il est, à ce jour, notre plus long enregistrement et on n'en est pas peu fier.C'est une nouvelle fois Johnny de Reservoir Vlog qui vient nous aider à tenir le crachoir après être venu nous prêter main forte pour les besoins de la vérif dédiée à Point Break, avec déjà du Keanu Reeves à l'intérieur.Pour fêter dignement la sortie du ô combien attendu Matrix Resurrections, nous revenons sur toute la saga. Des prémisses de Matrix, en passant par les Animatrix et le diptyque Matrix Reloaded / Matrix Revolutions à l'avènement de Matrix Resurrections, on couvre plus de 20 ans de cinéma.L'occasion de revenir sur le choc que fut le premier opus en son temps tout en faisant un état des lieux de la filmographie des Wachowski.Noël est donc en avance cette année et ce gros bébé de 4h est notre cadeau pour vous chèr(e)s auditeurs / auditrices.Bonne écoute et joyeuses fêtes de fin d'année.Rendez-vous en 2022.-------------------------------------Pour accompagner ces 4h: du Rage Against The Machine avec Wake Up, le thème de Don Davis composé pour la saga, Simulacra avec Spy vs Spy en provenance de la BO du docu The Matrix Revisited, Rob Dougan et son Furious Angels, Don Davis feat. Juno Reactor et le White Rabbit de Jefferson Airplane pour conclure.-------------------------------------Pour ceux qui apprécient notre diarrhée verbale quotidienne, n'hésitez pas à liker, partager sur vos plateformes d'écoutes habituelles. Vous pouvez venir aussi nous faire un petit coucou sur notre Facebook, notre Instagram et notre twitter, vous verrez on y est bien !https://www.facebook.com/7emedimension/https://www.instagram.com/sep7iemedimension/ https://twitter.com/7emedimensionHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Juno Reactor - Feel The Universe Tom Tykwer, Johnny Klimek, Reinhold Heil - Supermarket

This week's Dark Nation Radio balances new with classic. Among the new are tracks from Panic Priest, Spectres, Zwaremachine, Sjoblom, Permafrost, Mach Fox, The City Gates, and ACTORS, while among the classic are tracks from Qntal, The Chameleons, Orbital, The Bolshoi, Juno Reactor, and New Model Army. I hope you enjoy the show and thank you for your support! And get ready: the HALLOWEEN BROADCAST is coming on Saturday October 30th! DNR Live Shows air live Sundays @ 9 PM EDT on Spirit of Resistance Radio sorradio.org Recorded broadcasts @ http://www.mixcloud.com/cypheractive Downloadable broadcasts @ http://www.hearthis.at/cypheractive Questions and material for airplay consideration to darknationradio@gmail.com Facebook @ http://www.facebook.com/groups/darknationradio DJ cypher's Dark Nation Radio Playlist 10 October 2021 Panic Priest, “Angelsteal” 3+Dead, “November” The Birthday Massacre, “Counterpane” On the Floor, “My Girl's On Fire” Rosegarden Funeral Party, “Once in a While” Orbital, “The Saint” Juno Reactor, “Zwara” Gary Numan, “We're the Unforgiven” Qntal, “Palästinalied” Elz & the Cult, “Discipline” Malign, “Online” Depressive Disorder, “My Decay” Dogtablet, “Confusion is the Hole” Dead Astronauts, “Thorns” Grabyourface, “Shore” Zwaremachine, “Zero Containment” Mach Fox, “Hollow Moons” Vacant Windows, “Turning on” Spankthenun, “Dominate (Blue Ant remix)” ACTORS, “Cold Eyes” Sjöblom, “The Last Call” Permafrost, “Restore Us (Pyxis remix)” The Bolshoi, “Happy Boy” The Chameleons, “Don't Fall” New Model Army, “Green and Grey” The City Gates, “Slush” Iamnoone, “Stranger” Spectres, “Crosses and Wreathes…”

I celebrated the 22nd anniversary of DJ cypher's Dark Nation Radio this past Sunday with a retrospective show featuring 1 or 2 tracks from each year of the program's existence starting with 1999. There are definitely some big hits in there, as well as a few lesser-known personal favorites. Included in the mix are KMFDM, VNV Nation, Wolfsheim, Covenant, Assemblage 23, Project Pitchfork, Seabound, IAMX, Grendel, Clan of Xymox, Rotersand, Faith & the Muse, Stromkern, and Juno Reactor, among others. If you enjoy the show, please share it and follow me—and thank you so much for your support! DNR Live Broadcasts: Sunday @ 9 PM EDT on Spirit of Resistance Radio sorradio.org Recorded broadcasts @ http://www.mixcloud.com/cypheractive. Downloadable Podcast Version http://www.hearthis.at/cypheractive Questions and material for airplay consideration to darknationradio@gmail.com Facebook @ http://www.facebook.com/groups/darknationradio DJ cypher's Dark Nation Radio Playlist 22nd Anniversary Retrospective 21 September 2021 VNV Nation, “Standing (1999)” Wolfsheim, “Once in a Lifetime (1999)” Juno Reactor, “Pistolero (2000)” Project Pitchfork, “Timekiller (2001)” Seabound, “Hooked (2001)” Neuroticfish, “Velocity (2002)” Faith & the Muse, “Sfedni Vashtar (2003)” Skinny Puppy, “Pro-Text (2004)” Grendel, “Soilbleed (2005)” Angelspit, “Wreak Havoc (2006)” Clan of Xymox, “Calling You Out (2006)” Zombie Girl “Creepy Crawler (2007)” Colony 5, “Absolute Religion (2008)” Rotersand, “War on Error (2009)” O.Children, “Ruins (2010)” KMFDM, “Come On Go Off (2011)” Stromkern, “Ruin[ed] (2012)” Front Line Assembly, “Killing Grounds (2013)” Seeming, “The Burial (2014)” IAMX, “No Maker Made Me (2015)” Assemblage 23, “Bravery (2016)” Covenant, “Sound Mirrors (2016)” Youth Code, “Doghead”(2016)” Dismantled, “The Hero (2017)” Autumn-U.S., “The Maiden's Child (2018)” Curse Mackey, “Somewhat Possessed (2019)” Dead Lights, “The Host (2020)” Ayria, “Battle Cry (2020)” Daddybear, “Science Fiction (2021)” Psycho Mutants, “Dirt Desert (2021)”

Festejamos los 180 puteando un poquto al sorete de Lombardi (ya que estamos). Además: Pablo presenta su nueva columna sobre los orígenes del Trance con hitazos de Age Of Love, Juno Reactor, Robert Miles y Tiësto. Mica Towers y un indispensable relacionado con un proyecto educativo del amazonas; Lollapalooza y un éxito en California, Holanda y el cierre de absolutamente todo hasta Noviembre, archivo de la música electrónica y mucho más en esta demencia llamada Argentina Electrónica.

Bienvenidos a un nuevo programa bailando al compas del funk, el house, el dance, la electrónica y la musica urbana Un viaje a través de la música con Juno Reactor, House Addicts, Medicine Drum, D, Mob y Gary Haisman, Habitants, Silicon Chip, D. S. Building Contractors, Maxi, Nenny, Nino Augustine, Yarea, Aiman Jr, Jedet, Miranda, Xina Mora, Mariel Mariel, Beto, Biggi y Jart y Fangoria. 🖊️Suscribete a ▶️ nuestros episodios y no te pierdas ninguno Envíanos tus notas de voz a 📞Whasapt 654 93 42 41 Apoya nuestros 🎙️podcast, hazte 💯fans para continuar con la difusión de la cultura en 🔊audio.

World-renowned musician, Greg Ellis discusses the symbiosis between organic music and rewilding. Rewilding anything means we're allowing its natural process to take over. And this is what Greg has done with his music, creating pure instrumental tonics in a sea of synthetic, mechanized sounds.In the music studio, musicians are bound to a click track (digital metronome), which actively measures the time/tempo of the track. This device stifles the drummer's natural rhythmic sensibilities and requires they focus on synthetic time vs. playing in harmony with the other instruments. Greg works off the click track, developing musical tonics he dubbed Rhythmpharm to symbolize the healing power of organic sound. Music, when played with pure honesty, can impact the listener instantly on the cellular level.Unlike in the studio, and on our phones and tablets, nature doesn't adhere to a standardized, mechanical time. Humans have developed a toxic relationship with time and our creativity and sense of peace are diminished as a result. But when we tune ourselves to the frequency of our true nature, we can flourish naturally. This is why being fully present is so powerful, our true nature knows no time.This episode also explores:Evolving from self-help to self-discovery; we don't need help, we need to know who we areAdversity shows us our capacity for resilienceEvery disaster brings out the best in peopleThe optimism of humanityAdhering to a complementary frequency of understanding with our partnersAcknowledging the darkness we inhabit so we can be in balance with itShow NotesSmorgasbord: Rohini was right, it is spelled with a "d" and it is Swedish, not German.Click track: digital metronome and metaphor for the clock controlling us allFarm-to-table music: music before it became overly processedOdd time signature: an odd amount of beats per measure, can be simplified into a righteous groove.Trance: a tempo between 135–150 bpm that can lead to a state of hypnotism and heightened consciousnessGreg Ellis is one of the more innovative and versatile drummers in the world. Able to cross multiple genres of music from Indian classical to rock and roll, he has performed and recorded with musical artists from over 30 countries including Zakir Hussain, Mickey Hart, Kodo, Billy Idol, and Juno Reactor.  As a passionate advocate of the healing and therapeutic properties of rhythm and drumming, he founded a project called RhythmPharm as a way to encourage the importance of organic rhythm and frequency through recordings and live sessions. Learn more about Greg and his incredible work here.Angus & Rohini Ross are “The Rewilders.” They love working with couples and helping them to reduce conflict and discord in their relationships. They co-facilitate individualized couples' intensives that rewild relationships back to their natural state of love. Rohini is the author of the ebook Marriage, and they are co-founders of The 29-Day Rewilding Experience and The Rewilding Community. You can also follow Angus and Rohini Ross on Facebook, Twitter, and Instagram. To learn more about their work visit: therewilders.org.Episode 24 features the music of RhythmPharm with Los Angeles-based composer Greg Ellis.

ENG / To say that the last weekend of winter was marked by the most powerful event is to say nothing. Because, perhaps, it was the most large-scale PSYTRANCE event that only took place within the walls of the PRAVDA nightclub. People in quarantine were miss the trance, and this fact was perfectly reflected in everything that was happening on the night of February 27-28 as part of the already legendary project EXOTICA. The atmosphere and energy on all two dance floors of the club space was a real gift for every performer. Such a charge of responsiveness from the public, general positivity and a real RAVE entourage, I have not seen for a long time at the capital's partys. I will say right away - you are a wonderful audience and playing for you on two dance floors this night was a real pleasure! RU / Сказать, что последние выходные зимы отметились мощнейшим эвентом – значит ничего не сказать. Потому что, пожалуй, это было самое масштабное PSYTRANCE мероприятие, которое только проходило в стенах ночного клуба PRAVDA. Народ на карантине изголодался по трансу и этот факт прекрасно отразился на всём происходящем в ночь с 27 на 28 февраля в рамках уже легендарного проекта ЭКЗОТИКА. Атмосфера и энергетика на всех двух танцполах клубного пространства была настоящим подарком для каждого выступающего. Такого заряда отзывчивости от публики, общего позитива и настоящего RAVE антуража я давно не видел на столичных тусовках. Скажу сразу – вы замечательная публика и играть для вас на двух танцполах этой ночью было самое настоящее удовольствие! ENG / This night I started with the Greenhouse, the second dance floor of PRAVDA, which has only recently opened after renovation. My alter ego of the time range from one to two in the morning is the world-famous British project JUNO REACTOR, which won my heart back in the distant 90s, when I was just beginning to take the first steps towards psychedelic vabrations. The track Conga Fury is still one of my favorite trance tracks of all time! As part of the format of the event, it was decided to focus on a more "club" sound of the project, expressed primarily by remixes from various artists and groups released over a huge period of time. The original sound of JR is a unique journey, which is perfectly revealed on larger venues and on a completely different soundtrack. It is because of this personally verified nuance that there were not so many "originals" that night, but almost all the most significant hits (even in remixes) managed to sound in the hour allotted to me. RU / Эту ночь я начинал с Оранжереи, второго танцпола PRAVDы, только недавно открывшегося после ремонта. Моё альтер эго временного диапазона с часу до двух ночи – знаменитый на весь мир британский проект JUNO REACTOR, покоривший моё сердце ещё в далёких 90х, когда я только начинал делать первые шаги в сторону психоделических вибраций. Трек Conga Fury – до сих пор одна из самых любимых моих композиций в транс музыке всех времён и народов! В рамках формата мероприятия было решено сделать акцент на более «клубный» саунд проекта, выраженный в первую очередь ремиксами от всевозможных артистов и групп, выпущенных за громадный период времени. Оригинальное звучание JR – это уникальное путешествие, которое прекрасно раскрывается на более больших площадках и на совсем другом звуковом сопровождении. Именно из-за этого лично проверенного нюанса «оригиналов» было не так много в эту ночь, но практически все самые значимые хиты (пусть и в ремиксах) успели прозвучать за отведённый мне час. ENG / Special THANKS to all those present! Words can't describe how much wonderful it was to play for you tonight. Your energy is priceless! And all those who could not get to this event - enjoy listening and immerse yourself in the atmosphere! RU / Отдельное СПАСИБО всем присутствующим! Словами не описать, как было приятно играть для вас этой ночью. Ваша энергетика – бесценна! А все те, кто не смог попасть на это событие – приятного прослушивания и погружения в атмосферу! 00:00 01. Juno Reactor - Conga Fury (Ace Ventura remix) 08:00 02. Juno Reactor - Conquistador (Astrix remix) 12:53 03. Juno Reactor & GMS - Into Valhalla 15:20 04. Juno Reactor & Undercover - Dakota (GMS remix) 20:06 05. Juno Reactor - Nitrogen (part 2) (Spectra Sonics remix) 25:33 06. Juno Reactor & Ace Ventura - Ingomania (Bliss remix) 30:46 07. Juno Reactor - Alien 37:05 08. Juno Reactor - Guillotine (Bliss remix) 44:31 09. Juno Reactor - Zwara (Nebuchadnezzar remix) 50:31 10. Juno Reactor - Pistolero (Vibraddict remix) 53:31 11. Talamasca - A Brief History Of Goa-Trance Juno Reactor

TribalTrance new Victor Zala (Greece), J Reactor (England), new Obsqure (Qatar), Anders Ilar (Sweden), new Kick Bong (France) State Azure set / 5 tracks (England) Mid Era new K, Markov (Croatia), TD remix (Germany), new Isostatic (England), Skoulaman (Holland), new Thaneco & Steve Hillman (Greece/England), Neorus (Hungary), Lakeuz (Finland), AEM (France)                   TribalTrance      0:00    Victor Zala            tiraspol                       Tiraspol      5:54    Juno Reactor        trans Siberian (mix)     The Golden Sun...    15:54    Obsqure               divided by 0                 Cloud 9    21:40    Anders Ilar           moon                          Inuti/Moon    27:51    Kick Bong             all I need                     Mission To Audition    32:45    [intro]     State Azure set       34:21    State Azure           juna seed                    Phantoms    40:21    State Azure           korona                        Mirror Infinite    47:20    State Azure           dark sun                      Shadows    52:03    State Azure           time invariant               Outlines    56:07    State Azure           gyroscope                    Modular Synth Works I 1:01:20    [break]     Mid Era set    1:02:39    K. Markov              close encounter            Visitors 1:10:32    TD                         highway patrol (mix)      Flashpoint 1:17:27    Isostatic                noctilucent                   Cloud Forms 1:23:35    Hans Skoulaman    autumal sequence         Voyager 1:31:14    Thaneco/Hillman   out of the astral            Call Of The Ancients 1:40:27    Neorus                   the wall                        Heaven 1:44:20    Lakeuz                   black kites at dawn        OumuamuA 1:52:18    AEM                       effect...solar system      Distant observation... 1:59:26    [outro]       Keywords: International electronic music internet electronic artists unsigned electronic artists Ambient Tribal Tribal Trance IDM Mid Era Berlin School

ENG / Exactly a month after the last event, I finally upload my new and first live set this year, recorded on March 8 at a wonderful event in the world of the Moscow psytrance scene, which took place inside the GlavClub Green Concert space RU / Спустя ровно месяц после прошедшего эвента я наконец выкладываю в сеть свой новый и первый в этом году лайв сет, записанный 8 марта на замечательном событии в мире московской псай транс сцены, которое проходило внутри клубного пространства ГлавClub Green Concert RU / Часть иностранных гостей так и не смогла прилететь в Москву этой ночью из-за закрытия перелётов из ряда европейских стран. Эти меры были приняты практически за день до рэйва. В результате на фестивале INFINITY выступила лишь половина иностранных артистов, среди которых: Juno Reactor и Greg (Hilight Tribe). Но даже эта половина + десант столичным музыкантов и диджеев создали в эту ночь мощную и эксклюзивную атмосферу, которая не раз меняла энергетику во время всего эвента, представляя публике абсолютно разный спектр звучания psytrance музыки ENG / Some of the foreign guests were not able to fly to Moscow that night because of the closure of flights from a number of European countries. These measures were taken almost a day before the rave. As a result, only half of foreign artists performed at the INFINITY festival, including Juno Reactor and Greg (Hilight Tribe). But even this half + landing of the capital's musicians and DJs created a powerful and exclusive atmosphere at this night, which repeatedly changed the energy during the entire event, presenting the partypeole with a completely different range of psytrance music sounds RU / По традиции я закрывал рэйв INFINITY, выступая со своим почти 2-х часовым сетом. Громадное спасибо всем присутствующим. Несмотря на нездоровую ситуацию с COVID-19, а так же позднее утреннее время моего выступления, на танцполе оставалось ещё очень много народу. И именно благодаря вашей поддержке, энергетике и позитиву этот сет получился таким жирным и разноплановым. Вы - лучшая публика!! А тем кто не был - прошу послушать небольшой кусочек транс эксперимента, который отлично характеризует утреннюю атмосферу прошедшей party... ENG / By tradition, I closed the INFINITY rave with my almost 2-hour set. A huge thanks to all present. Despite the unhealthy situation with CAVID-19, as well as the late morning time of my performance, there were still a lot of people on the dance floor. And it is thanks to your support, energy and positivity that this set turned out to be so fat and diverse. You are the best audience!! And for those who were not - please listen a small piece of trance experiment, which perfectly characterizes the morning atmosphere of the last party... 00:00 01. Prodigy - Voodoo People (Avalon & Azax remix) 03:53 02. 4Weekend - High Hopes 07:26 03. Bionix - Blade Beat 12:06 04. Stryker & Javier Bussola - Mapuche 16:09 05. Blastoyz & WHITENO1SE - Yanomami 19:33 06. WHITENO1SE & Pangea - Bhenga 23:46 07. Mekkanikka - Yogi of Tibet (Bionix remix) 28:38 08. Megatone - Back to Galaxy 33:09 09. P.R.O.G. & Airesis - King of the North 35:45 10. Skazi feat. JETFIRE - Artillery (PSY mix) 38:25 11. Blastoyz & Reality Test - Kabalah 41:53 12. Azax - Cutting Edge II 45:47 13. Bliss - Blaze Up 51:27 14. Bionix - Unleashed 55:53 15. Alienn - Psy-Consciousness 60:25 16. Astranomical - Check Mate 63:25 17. Psilocybe Project - Once Again (remix) 67:12 18. Vini Vici vs. Mr. Oizo - Talking With U.F.O's vs. Flat Beat (Vini Vici mashup) 70:38 19. Simon Patterson - Kick Bass Acid Loud 76:17 20. David Forbes - Violent Skies 79:37 21. Exis & Dimatik - Orchestral Acid 82:17 22. Omiki & WHITENO1SE - Defining Future 86:30 23. UCast vs. The Killers - Symptom Brightside (UCast mashup) 90:20 24. Systembreaker - Infinite Loop 94:51 25. Three Drives on a Vinyl - Greece 2000 (WHITENO1SE remix) 97:31 26. Paul Oakenfold feat. Infected Mushroom - I'm Alive (System Nipel remix)

01. Dash Berlin with Cerf, Mitiska & Jaren - Man On The Run (WHITENO1SE & System Nipel Remix)02. Liquid Soul (official) & Outsiders - Life Frequency03. Phanatic - Free Fall04. Andrew Rayel - Tambores (Blastoyz Remix)05. Dimitri Vegas & Like Mike vs. Vini Vici vs. Liquid Soul (official) - Untz Untz06. Omiki & Sagi Abitbul - Yumba07. Paul Van Dyk vs. Vini Vici - Galaxy08. Ghost Rider - Felt09. Rising Dust & Coexist - We Come In Peace10. Vini Vici vs. JEAN MARIE ft. HILIGHT TRIBE - Moyoni11. Seven Lions ft. Skyler Stonestreet - Freesol (Blastoyz & Ranji Remix)12. Ace Ventura by Yoni Oshrat & Juno-Reactor ft. Taja Devi - Ingonyama (BLiSS Remix)13. Neelix - Bang Bang14. DEGO vs. PANGEA ft. Marina Maximilian - Russian Cannon15. Ziki - Night Shanghai16. 3 Of Life - Santa Catarina17. WHITENO1SE & Ranji ft. Nina Nesbitt - The Moments I'm Missing18. Phaxe - Leyenda

Лайв сет, записанный во время приезда знаменитого транс музыканта из Португалии - Paranormal Attack. Мероприятие прошло в ночь с 4 на 5 октября в стенах клубного проекта Правда. Paranormal Attack - яркий представитель старой школы FULL ON звучания и неотъемлемый законодатель стиля в начале 2000-х, входивший в знаменитый мировой лэйбл Chemical Crew records и определивший своим звучанием творчество многих групп и проектов, пытавшихся повторить успех банды Chemical (куда, кстати, входили и другие известные во всём транс мире проекты: Skazi, Void, Exaile, Tube....). Для меня было честью и большим удовольствием продолжить энергетику артиста и запустить свой сет сразу после его выступления! Надеюсь, что смог передать настроением своего лайва тот мощный и динамический настрой, который оставил после себя PA. Большое спасибо танцполу!! Ваша поддержка, танцы и энергетика была на высоте в эту ночь. 00:00 01. Avalon & AZAX - Stand Tall 05:37 02. Juno Reactor & Undercover - Dakota (GMS remix) 09:16 03. Mad Tribe - Superstar 11:02 04. Mekkanikka - Holy Safari 13:54 05. Mad Tribe - Fake Guru 16:19 06. Stryker - Harbinger 19:25 07. Mad Maxx & Shivadelic - Ganesha Namaha (Stryker remix) 24:28 08. Punxline - Let's Begin 27:20 09. David Forbes - TKO 29:45 10. Bliss - Boyz Make Too Much Noize 32:51 11. Dj Masa - Evil Monster 37:19 12. Alienn - The Power of Positive Thoughts (Psilocybe Project remix) 42:12 13. Andrew Rayel & Graham Bell - Tambores (Blastoyz remix) 46:14 14. Shivax vs. Bandi - Aywa 50:38 15. Major7 & Reality Test - Just One Night 53:09 16. Shadow Chronicles - Jungle Rocket 55:21 17. Shadow Chronicles - Black Magic Woman

הפעם  בקפה גיברלטר עם אופיר טובול: מגי היקרי במופע אלקטרו-ערבי . היקרי שיתפה פעולה עם חבר הרכב האלקטרוניקה הבריטי Juno Reactor ובישראל הוציאה דואט עם לאה אהרהם. תופיע בפסטיבל היהודי הבינלאומי לתרבות עכשווית שיערך בדצמבר בירושלים.  ההצגה "בית חם: סיפורי שריפה" חוזרת לגל השריפות שהשתולל בארץ ושואלת – מה זה בית? וגם הפרויקט ששם לעצמו מטרה להעצים קול ספרדי מתון בחברה הדתית לאומית

Have you ever experienced that a typical daily situation may turn YOU into someone you don't like? Something like... traffic.  Getting cut off by somebody on the road can be aggravating and frustrating. It doesn't have to be this way. We will learn how anything can become an opportunity to meditate and get you grounded in this journey of Spectral Currents with Bluetech, a music artist and producer who has toured sharing stages with The Glitch Mob, The Orb, Bassnectar, Juno Reactor and many more!

Have you ever experienced that a typical daily situation may turn YOU into someone you don’t like? Something like... traffic.  Getting cut off by somebody on the road can be aggravating and frustrating. It doesn't have to be this way. We will learn how anything can become an opportunity to meditate and get you grounded in this journey of Spectral Currents with Bluetech, a music artist and producer who has toured sharing stages with The Glitch Mob, The Orb, Bassnectar, Juno Reactor and many more!

Hi everyone and welcome to the Here We Go Again! Tracklist #139 01. Juno Reactor - Lets Turn On (GMS Rmx) 02. Warp Brothers - Phatt Bass (Adrenaline Dept. Rmx) 03. DoubleV - Black Pearl (Dj Xquizit Rmx) 04. Inner State - Computer Simulation (Genesia Rmx) 05. ORAW & Cameron Mo - Rainbow 06. Major7 & Rexalted - Can't Stop 07. Juno Reactor, Undercover - Dakota (GMS Rmx) 08. Ritmo - All At Once (Megatone Rmx) 09. Liquid Soul & Outsiders - Life Frequency 10. Juno Reactor & GMS - Into Valhalla 11. Aioaska feat Uluru - Cosmic Carneval ========================= If you like this mix you can download here: http://smarturl.it/WarpBrothersPodcast Tracklist: https://www.1001tracklists.com/source/g5011m/here-we-go-again-podcast/index.html ============================== WARP BROTHERS & WOLFPACK VS W&W X ARMIN VAN BUUREN - READY TO PHATT BASS (WARP BROTHERS 2K19 EDIT) Free Download here: https://hypeddit.com/track/bla305 =============================== New remix on Phatt Bass from Adrenaline Dept. here: https://www.beatport.com/release/phatt-bass-remixes-pt-2/2664241 =============================== Join Warp Brothers official pages at: Official Web - http://www.warpbrothers.eu Facebook - https://www.facebook.com/warpbrothersofficial/ Twitter - https://twitter.com/warpbrothers YouTube - http://youtube.com/c/WarpbrothersEuOfficial Instagram - https://www.instagram.com/warpbrothers/ Management - contact@warpbrothers.eu Booking – booking@warpbrothers.eu

Edición Limitada - 26 de Agosto del 2019. Producción, realización y conducción: Gustavo Verduzco. Presentando música de Magne Furuholmen, Orchestral Manoeuvres In The Dark, Daniel Hall, Circuit3, Iris, Moya81, Glasnost, Matt Springfield, Project Ich con Asia Wolf, Wingtips, Grendel, Mind Machine, Ultimated, Toal, Supercraft, Train To Spain, Mental Exile, Juno Reactor con GMS y Suicide Commando.

What's going on you precious pudding pops! This week we welcome back guest Vincent Cruz to the show to discuss another bad ass topic.... THE NORTHHOLLYWOOD SHOOTOUT. Now, if you're a child of the 90's (like we were) you probably remember this incident. Not only was this an intense stand off between 2 supremely loaded and armored criminals and the scrappy LAPD....but this was also a critical turning point in the history of the criminal justice system of the United States! With that said, listen in to hear how .  Now while you're listening, make sure you check out our sponsor over at www.fightbackcbd.com! use promo code AMERICA to save 10% at check out ! Make sure you check us out over at www.podbelly.com the new home of this podcast! you can still check in with us at www.artandjacobdoamerica.podbean.com as well on social media at: facebook: Art and Jacob Do America Instagram: @artandjacobdoamerica Twitter: @ArtandJacobDoA1   (yeah like the steak sauce)    Thank you to Juno Reactor and their song "Pistolero" as well as LAPD SWAT...    

Live set 1h 13m BMP: 120-140 Uplifting, Progressive trance, Psychedelic trance, goa trance Live Set name: Hydro jumping frog 0:00 MAOR LEVI - Take Your Love (extended mix) 0:06 MAOR LEVI - Disconnect 0:10 GIUSEPPE OTTAVIANI - Colours 0:11 MAOR LEVI - Disconnect 0:14 DANIEL KANDI - JP8080 Paradise (extended mix) 0:14 GIUSEPPE OTTAVIANI - Colours 0:20 Peaky Blinders - The Lady Of Space & Time 0:22 Middle-D - Inevitable (original mix) 0:30 Juno Reactor & GMS - Into Valhalla 0:37 Ghebro - Stop Me Now 0:50 ANDY K - Lord Of Darkness 0:57 ANDY K - Heyjaho 0:57 ANDY K - Lord Of Darkness 1:03 ALLCHORD - Eagle Eye 1:04 ANDY K - Heyjaho

01. Gorovich – Area 101 02. 3 Of Life – Santa Catarina 03. Spotlight Track - DEGO vs. PANGEA ft. Marina Maximillian – Russian Cannon 04. Eddie Bitar ft. Shanti People – Narayana (Harmonika Remix) 05. Andrew Rayel – Tambores (Blastoyz Remix) 06. Skazi $ Infected Mushroom & Mr. Black – Do It 07. Ace Ventura & Juno Reactor ft. Taja Devi – Ingonyama (Bliss Remix) 08. Classic Track - Perplex – Atlantis Remix 09. Static Movement & Sentinel7 – Transition 10. Symbolic – The Future 11. Animato & Coexist – Interdimensional 12. Nine Inch Nails – Vessel (Freedom Fighters Remix) 13. Gaiai – Europie 14. Invisible Reality – Chameleon

Right then, we’re back in the saddle now, and regular editions of the /transmission podcast will now be released once again – broadly bi-weekly, but that may depend on our commitments around the time! Anyway, this week we get through the letter “j” and start on “k”, with perhaps a couple of contentious artists this […]

Right then, we’re back in the saddle now, and regular editions of the /transmission podcast will now be released once again – broadly bi-weekly, but that may depend on our commitments around the time! Anyway, this week we get through the letter “j” and start on “k”, with perhaps a couple of contentious artists this […]

Los músicos le cantan a nuestro creador. Con La Portuaria, Jethro Tull, Island, Vox Dei, Juno Reactor, Tego Calderon, David Bowie, Riff, Guided By Voices, Bruce Springsteen, Melissa Etheridge, Palito Ortega, Ghostland, Cat Stevens, Charly Garcia, Mick Jagger, Gabo Ferro, Courtney Love, John Lennon, Joan Osborne, La Renga. Un Orejacast de Orejas al Universo

Los músicos le cantan a nuestro creador. Con La Portuaria, Jethro Tull, Island, Vox Dei, Juno Reactor, Tego Calderon, David Bowie, Riff, Guided By Voices, Bruce Springsteen, Melissa Etheridge, Palito Ortega, Ghostland, Cat Stevens, Charly Garcia, Mick Jagger, Gabo Ferro, Courtney Love, John Lennon, Joan Osborne, La Renga. Un Orejacast de Orejas al Universo

01. Vini Vici – Veni Vidi Vici (G.M.S Remix) 02. Zentura – Light Mutations (Antimony Remix) 03. Animato & Ticon – Last Resort (Skyfall Remix) 04. Normalize – Brahma’s Smile 05. Ticon – Chicken Shaker (Gadium Remix) 06. Classic Track - Sub6 – El Novation 07. Camelphat & Elderbrook – Cola (Familia Remix) 08. Day Din – Charlie 09. Jacob – Where All Begins 10. Spotlight Track – GONZI – Spendance 11. Coming Soon!! – Brasilia 12. Ace Ventura & Juno Reactor ft. Taja Devi – Ingonyama (Bliss Remix) 13. Astrix & Vertical Mode – Seven Gates 14. Nok – Thirteen Days 15. Protoculture – Out of Reality (Shadow Chronicles Remix)

In the depths of depression, I discovered King Vader. Topics include: 50th episode milestone; the beginning of Transmediacrity; inspirations for Transmediacrity; the audio dump; Worst Idea of all Time; the verboten episodes; Ode To El Chapo; Questions!; MTGA problems; Esther urges you to play Pokemon instead; movies are too long now; Madiha mistakes Darude's album "Rush" for the single "Drive"; Esther listens to the Wickerman vinyl on Youtube; writing elitism vs. music elitism; why Madiha loves Trance; Juno Reactor; Madiha forgets the name of Juno Reactor's "Shango Tour 2001 Tokyo"; Fursonas and Madiha's disgust of anthro snouts; favorite animals; saving the worms; Madiha (the Solstice War character, not the hostess) in Warhammer 40k; The Fall of the House of Usher; Esther's reading tastes; Castlevania; Madiha cuts a promo; Transmediacrity is about not looking at popular stuff and instead talking about the sublimity of Darude for 15 minutes; Madiha's vacation. Here's the link to Madiha's Spotify Radio Bangers playlist. It's random stuff from Spotify radio she liked. Send us questions and game jam submissions!! Rate us on iTunes! Email us at transmediacrity@gmail.com! Check out our TUMBLR and TWITTER and Curiouscat! SUPPORT US ON PATREON! Or donate directly to Madiha for hosting costs. Check out our YOUTUBE CHANNEL. Subscribe, and like our videos! Special thanks to Velt for our cover art! Check her art here. (Not worksafe.) You can find us at:  Madiha: Twitter, Tumblr, Mastodon, The Solstice War. Esther: Twitter, Tumblr.  

La Portuaria, Jethro Tull, Island, Vox Dei, Juno Reactor, Tego Calderon, David Bowie, Riff, Guided By Voices, Melissa Etheridge, Palito Ortega, Ghostland, Cat Stevens, Charly Garcia, Mick Jagger, Courtney Love, John Lennon, Joan Osborne, La Renga le cantan a Dios. Learn spanish listening to this podcast

Dance Machine 5000 Podcast Episode 67. Featuring new tracks from Hybrid, Underworld, Juno Reactor, De/Vision, Owl City, and lots more. 1. Hybrid — Hold Your Breath 2. For all the Emptiness — No Words of Power 3. Blume — Blackening 4. PreEmptive Strike 0.1 — Pyrrhic Victory 5. Alien Produkt — Produkt of Human Error [&hellip

Eclectic! Electric! This week, we chat with EDM pioneer Ben Watkins of Juno-Reactor about the group's groundbreaking music, world tour, and upcoming show at Caesars Palace, then Kelly Shibari takes... Experience the excitement and energy of Las Vegas each weekend on VEGAS NEVER SLEEPS with Steven Maggi.

La Portuaria, Jethro Tull, Island, Vox Dei, Juno Reactor, Tego Calderon, David Bowie, Riff, Guided By Voices, Melissa Etheridge, Palito Ortega, Ghostland, Cat Stevens, Charly Garcia, Mick Jagger, Courtney Love, John Lennon, Joan Osborne, La Renga le cantan a Dios. Learn spanish listening to this podcast

La Portuaria, Jethro Tull, Island, Vox Dei, Juno Reactor, Tego Calderon, David Bowie, Riff, Guided By Voices, Melissa Etheridge, Palito Ortega, Ghostland, Cat Stevens, Charly Garcia, Mick Jagger, Courtney Love, John Lennon, Joan Osborne, La Renga le cantan a Dios. Learn spanish listening to this podcast

La Portuaria, Jethro Tull, Island, Vox Dei, Juno Reactor, Tego Calderon, David Bowie, Riff, Guided By Voices, Melissa Etheridge, Palito Ortega, Ghostland, Cat Stevens, Charly Garcia, Mick Jagger, Courtney Love, John Lennon, Joan Osborne, La Renga le cantan a Dios. Learn spanish listening to this podcast

La Portuaria, Jethro Tull, Island, Vox Dei, Juno Reactor, Tego Calderon, David Bowie, Riff, Guided By Voices, Melissa Etheridge, Palito Ortega, Ghostland, Cat Stevens, Charly Garcia, Mick Jagger, Courtney Love, John Lennon, Joan Osborne, La Renga le cantan a Dios. Learn spanish listening to this podcast

A cavalcade of epic ambient song to mark our millennium-plus-two-hundredth episode. Featured are Faun, Juno Reactor, Eivor, Fever Ray, The Mountain Goats, Dead Can Dance, Twice A Man, Enya, Lana Del Rey, Azam Ali, Trobar de Morte, Julee Cruise, Nox Arcana, Inga Liljestrom and Steeleye Span. Please set your ears to stun.

A cavalcade of epic ambient song to mark our millennium-plus-two-hundredth episode. Featured are Faun, Juno Reactor, Eivor, Fever Ray, The Mountain Goats, Dead Can Dance, Twice A Man, Enya, Lana Del Rey, Azam Ali, Trobar de Morte, Julee Cruise, Nox Arcana, Inga Liljestrom and Steeleye Span. Please set your ears to stun.

Day 80. This one is inspired by the style of Juno Reactor. There are a bunch of layers of percussion, all written manually. A light bongo track is on the 16th notes, with some accented beats. There's a simple synth bass+snare, plus a few other hits. This was a fun one! Tho it may have been fun just cause I wasn't trying to finish before going to bed like the last couple.

In honor of the 30th anniversary of the release of Ferris Bueller's Day Off this month, our guest this week is Ben Watkins, former lead singer of The Flowerpot Men who had that excellent track "Beat City" that was featured heavily in the film. What's really interesting about Ben is that he went on to be a key figure in the electronic and techno scene of the early 90s when he started the hugely successful Juno Reactor, a band that has been going strong around the world ever since. Ben has also contributed heavily to numerous other films, most notably The Matrix sequels. Would you have ever guessed that the same guy would be responsible for iconic tracks on movies as disparate as Ferris Bueller and The Matrix? We also talk about when Juno Reactor served as the backing band for actress Traci Lords when she released her debut album in 1995. So many points of interest with this guy! http://www.junoreactor.com/

Tracklist: 01. Orjan Nilsen – Filthy Fandango [Original Mix] 02. Orjan Nilsen – Xiing [Original Mix] 03. Orjan Nilsen – No Saint Out Of Me [Original Mix] 04. Orjan Nilsen – La Guitarra [Original Mix] 05. Leon Bolier & Sied Van Riel feat. Maria Georgiou – Exhibit [Original Mix] 06. Leon Bolier & Global Illumination – Portraits Of Spain [Original Mix] 07. Leon Bolier – Ocean Drive Boulevard [Original Mix] 08. Giuseppe Ottaviani feat. Amba Shepherd – Lost For Words [Original Mix] 09. Mike Van Fabio – Hideout [Original Mix] 10. Mike van Fabio & Araya – Naama Bay [Original Mix] 11. Matt Eray & Stealth Mode – AREA51 [Original Mix] 12. Touchstone – Elevate [Milamdo Remix] 13. Andres Sanchez – Sunset At Kanya [Original Mix] 14. Active Limbic System – Karahana [Original Mix] 15. Eddie Bitar – Captain Charlie [Original Mix] 16. Eminem – Lose Yourself [Eddie Bitar Psy Rework] 17. Lifeforms & Roger Rabbit – Run for Cover [Original Mix] 18. Ace Ventura – Stomping Ground [Original Mix] 19. Riktam & Bansi vs. Captain Hook – Marshmellows [Peter Pan Remix] 20. Capital Monkey – Of The 90's [Original Mix] 21. Juno Reactor & Astrix – Pistolero Metalero [Sektor V Edit] 22. Simon Patterson – Bulldozer [Sektor V Resurrection] 23. Peetu S – F*king Violence [Original Mix] 24. Will Atkinson & Paul Webster – Watch It Burn [Original Mix] 25. Nick Callaghan & Craig Meichan – Rectify [Original Mix] 26. Daniel Skyver – Tantrum [Activa Remix]

Modern primitive is how the journey starts this week. Beginning with Nohon and moving into the modern didgeridoo of Wadhom. We bring an old Juno Reactor track called Solaris which introduces some throat singing and then we hear a really cool one from Huun-Huur-Tu. Throat singing with a modern twist. Squarepusher rounds out the first half of the show with his track Last Ap Roach. We travel on in time and around the world to land with Bomb The Bass & Lali Puna's Clearcut. Germany's The Notwist find the groove, and then Trouble Andrew with Santigold pick up the pace with Reporters. IAMX electo-clashes with After Every Party I Die, then we venture to Sweden and hear Girls Night Out from The Knife, and wrap it up with one from Fever Ray called Triangle Walks.

Zymosis - один из самых перспективных украинских psytrance проектов. В музыке коллектива элементы глубокого chill, ambient и downtempo звучания грамотно сочетаются с яркими, мелодичными гармониями и драйвом. Dimitro использует нестандартные подходы к созданию композиций, придавая своему звучанию оригинальность и завершенность. Dimitro уже более 10 лет создает качественную психоделическую музыку, постоянно накапливая опыт и генерируя новые идеи. На счету проекта множество треков, изданных зарубежными и украинскими лейблами, а также огромное количество выступлений, в том числе на одной сцене с такими грандами как Juno Reactor, Shpongle, Hallucinogen, Talamasca... За 10 лет своей творческой карьеры он добился весомых успехов на электронной сцене, в частности в Goa, Psychedelic, Downtempo, Chill Out саунде. Сегодня у Дмитрия 10 лет на сцене, три проекта, четыре студийных альбома, и особый взгляд на мир. Треклист 1. Amygdala Projects - Ripleys Home 2. Гости из Будущего - Звёзды Смотрят Вниз (часть 1) 3. Гости из Будущего - Звёзды Смотрят Вниз (часть 2) 4. Robus Amp - A New Earth 5. Autechre - Nil 6. Semblances Of Life - The Folded Petals 7. Sergey Aquarius - I Feel You (Original Mix) 8. Eclise & Oise - Hidden Expression 9. Crystal Castles - Child I Will Hurt You 10.Ott - A Shower Of Sparks 11.E-Mantra - Last Day Of The Butterfly 12.Max Million - Become What 13.Dickster - Couch Surfer 14.Berlin Project & Marina Medvedeva - Newfound Time Zymosis Guest-Mix 1. Zymosis - One Day 2. Zymosis - Awakening 3. Zymosis & Seamoon - So Far, So Close 4. Zymosis - She 5. Shulman - The Unexpected Visitor (Zymosis Remix) 6. Zymosis & Zero Cult - Ill Be Waiting For You 7. Zymosis - Quiet Sadness 8. Zymosis - Forgotten Days

Only listen to this week's show if you are ready to close your eyes and melt away to the lush rhapsody of eastern rhythms, electronics and sounds so delicate you think they're going to crack just listening to them. Soft and slow with a gentle bit of sax work over top a droning synth is how we start the show... a pace we continue all the way to the end. We gain a bit of momentum as Vat Von Trapp's voice sail over top of hand drums and drones. Juno Reactor's Song For Ancestors is the perfect accompaniment with it's deep electronics and Lisa Gerard-esque singing. Krishnamurti and Harold Budd take us deep into a introspective journey of our relationship to all of human history. Murcof sends us out to the far reaches of the galaxy and Solar Quest brings us back as we ponder the mysteries of love and the universe. Tracklist: Another Green World - Stream of Consciousness Children of Dub - Spook Vat Von Trapp - Stars of Babylon In Her Eyes Gustavo Santaolalla - Hiding It Juno Reactor - Song for Ancestors Harold Budd - Balthus Bemused By Color Adham Shaikh - Resolution Animals on Wheels - Soluble Ducks Kruder & Dorfmeister - Boogie Woogie Murcof - Constelacion Solar Quest - Singtree www.HoweSoundSystem.com

Three weeks until Esthedick Evolution and I need to get a set ready. Dug through a variety of music while trying to figure out what I wanted to play. Tracks from Tea Chairs, Nam Shub of Enki, Rip'n'Eiji, Aether, Juno Reactor, uvAntum, and more. For a full tracklisting, go to http://goaconstrictor.com/playlists xoxox -A'damn

Featured Artists: Imbolg, Juno Reactor, KMFDM, The Birthday Massacre, Cesium 137, Soman

THE CHRIS ROHN PROGRAMIssue #094 | aired 03 27 2008MEAT BEAT MANIFESTO | guns n lovers.MEAT BEAT MANIFESTO | i hold the mic.JUNO REACTOR | inca steppa.---NEGATIVE FORMAT | hues of grey.SNOG | lost at sea. the calculators remix.---WUMPSCUT | rifki.WUMPSCUT | rusty nails from hell.---THE AKAS ARE EVERYWHERE | confessions of a dangerous mouth.A KISS COULD BE DEADLY | poison iv.CLIENT | suicide sister. with douglas mcarthy.CLIENT | der amboss. with die krupps. Subscribe to The Chris Rohn Program Listen to the 24/7 audio streamThe Chris Rohn Program airs weekly on SanctuaryRadio.com. Missed the broadcast? Listen to the archives using the player on ChrisRohn.com or with your portable audio player by subscribing with the link above.CHRIS ROHN @ http://www.chrisrohn.com

Une émission placée sous le signe de la canicule et de l'apérooOO. Vous pourrez écouter pour votre grand plaisir "the messenger" de Jorg On Mushroom (Infected Mushroom & Dj Jorg), Etnoscope, Juno Reactor, Dimension 5 et... un petit écart dans la sélecta que vous nous pardonnerez, on l'espère.Beaucoup de monde et une bonne ambiance en fin d'émission, restez connecté !Pour cette dernière émission "systématique" de Jeebay, l'équipe tient à remercier Etienne, Guillaume, Paul, Seb et tous les autres lascars d'être passés!Enjoy and keep Psyche! S'abonner au podcast de l'émission : Extraits de la sélection:Jorg on Mushroom - the MessengerAtmos - the Only Process (Vibrasphere rmx)Dimension 5 - Iron SunNeuromotor - Analog RainJuno Reactor - PistoleroTicon - Rip it up...Sandman - Turtle BeachTalpa - FlybeereligionSolar Quest - Acid Air RaidVibrasphere - Manzanilla...Culture Beat - Mr Vain :D...S'abonner au podcast de l'émission : TranceXpress sur ton Ipod, c'est possible ! Retrouve-nous sur Itunes !!! (Kick le lutin norvégien)

Seconde édition de TranceXpress, enregistrée dans les studios de electrOne à l'époque, avec un bon paquet de skeuds sur les consoles.Au programme en vrac : MFG, Total Eclipse, Juno Reactor... un ptit Cygnus X "orange theme" callé discrétement dans la selecta. Une émission qui commence sur les chapeaux de roues : GMS, Talamasca, Dreedrah, PsySex, Infected Mushroom... le matos n'a pas tenu le coup (un potard dans le gaz au bout de 30 min) ! On rafistolle les machines et on continue... plus calme, downtempo Total Eclipse, PsySex ("Final Mission"), Transwave... et on finit plus péchu avec Astrix, Juno Reactor ("Samourai EP"), Manmademan, SpaceMonkey, ... Jumpez ! S'abonner au podcast de l'émission : S'abonner au podcast de l'émission : TranceXpress sur Ipod c'est possible, on n'arrête pas le progrès :