Podcast appearances and mentions of Jonathan Mostow

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's April, so that means it's time for our “No EscApril” series, where we celebrate the wonder of thrillers! Not quite horror, not quite action, that sweet spot in the middle where danger is afoot, and lives are still on the line! In this week's episode, Alex, Tim, and guest Chrissy Kurpeski discuss Kurt Russell's overlooked 1997 open-road thriller, Breakdown!Checkov's donuts! Truck-based CrossFit! A surprisingly explosive car! Vehicular drama with chills and thrills! Jeep Grand Cherokee product placement! Themes of consumerism and classism! Great, terrifyingly-believable villains! A title with multiple meanings! Jaw-dropping stunts! An incredible score from Basil Poledouris! Unbelievable, paranoia-inducing locations! A real nightmare for those with trust issues! Post-Captain Ron Kurt Russell giving a versatile and terrified "fish out of water" performance! M.C. Gainey taking fashion tips from Lemmy Kilmister! Jack Noseworthy from MTV's Dead at 21!  An escalating story with tension, memorable set pieces, and a deeply satisfying finale from the director of Terminator 3, Jonathan Mostow!In addition, Tim shares his spoiler-free thoughts on the first two Naked Gun movies, while Alex does the same for A Working Man, The Woman in the Yard, Drop, and Freaky Tales!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Chrissy Kurpeski, can be found on Instagram @absolutelyicebox or Letterboxd @farthouseflix. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.

Clemens schildert seine Eindrücke von der erneuten Sichtung des Filmes Breakdown. Ein normaler roter Jeep gilt als reiches Auto. Die perfekte Filmlänge. Wenn man keinen Wert auf seine Partnerin legt... Das größte Grundproblem von diesem Film ist der Start. Die Polizei bekommt nichts mit.

Seufz. Die ersten beiden Filme waren auf sehr unterschiedliche Weise beide ziemlich hervorragend. Der dritte lässt diese Serie extrem hart abreißen. Unlogischer, unorigineller, uninspirierter Mist, bei dem nur noch Arnold Schwarzenegger von der Originalformel übrig bleibt, und das reicht halt 2003 nicht mehr für einen Film. Immerhin haben Mariella und Micha viel lachen können.

Mark and Tom discuss the 2003 science fiction action film Terminator 3: The Rise of the Machines. Directed by Jonathan Mostow, and starring Claire Danes, Nick Stahl, Arnold Schwarzenegger, Kristanna Loken and a Toyota Tundra, the movie focuses on what happens when more robots are sent back in time to kill John Connor. In this episode, they also talk about successful sequels, robot mayhem, and Nick Stahl's filmography. Enjoy!

Our esteemed guest is Jack Noseworthy, long-time veteran on Broadway, TV, and film, to talk about his career and his process as an actor. He also is a Individual Giving Officer for Broadway Cares/Equity Fights AIDS. Since 1988 they have led the fight against AIDS, becoming the nation's leading industry-based nonprofit AIDS fundraising and grant-making organizations. They have raised over $300 million dollars to fight AIDS, as well as COVID-19 and other illnesses.Noseworthy also formed Truworthy Productions with his husband, Tony-award winning choreographer Sergio Trujillo, and they are producing a stage production of the 2002 hit film "Real Women Have Curves". The show opened December 2023 at the American Repertory Theater in Cambridge Massachusetts, and they aim to open on Broadway within the near future.For more about Broadway Cares and how to donate, go to https://broadwaycares.orgFor more about Jack's production company and their shows, go to http://www.truworthy.comInstagram @jack_noseworthyFor more info on Athletes and the Arts, go to https://athletesandthearts.comBio: Jack Noseworthy is the co-founder of Truworthy Productions along with Tony and Olivier Award-winning Director/Choreographer Sergio Trujillo. In their Truworthy venture, Jack is passionate about bringing authentic, diverse, and socially conscious works of theater, film, and television to life. He is an acclaimed producer and dynamic, experienced fundraiser on the Major Gifts team at Broadway Cares/Equity Fights AIDS, where he successfully collaborates with colleagues, helping to grow and steward relationships for their annual giving society, the Angels, and Visionary Circle, responsible for raising $4M of the foundation's annual budget. In addition, Jack manages the Broadway Cares NextGen Network—creating giving opportunities for young professionals with a passion for giving back to the community. In partnership with seven-time Tony winning legendary producers Fran & Barry Weissler, Jack is the lead producer on Lisa Loomer's new musical Real Women Have Curves, with music and lyrics by seven-time Grammy award winning artist Joy Huerta (Jesse & Joy) and her partner Fred Ebb/ Jonathan Larson recipient Benjamin Velez. Real Women Have Curves – The Musical will premiere at The American Repertory Theater (A.R.T.) in December 2023. For A.R.T., Jack also produced Arrabal (Elliot Norton Award for Best Production and Gala Production at the Ibero- American Theater Festival in Bogotá, Colombia). Jack produced Playbill's ¡Viva Broadway! Hear Our Voices concert for The Broadway League, Voices for Change at Ars Nova, as well as NextGen Spotlight and Home for the Holidays for Broadway Cares/Equity Fights AIDS, raising over $350k for artists struggling during the Covid-19 pandemic. His producing career has been bolstered by 33 years as a stage and screen actor. Jack made his Broadway debut in Jerome Robbins' Broadway, which was followed by Cats, A Chorus Line, Sweet Smell of Success, and the original Toronto company of the international hit, Come From Away. Some of his favorite screen credits include his debut in Encino Man, as well as ALIVE, Event Horizon, The Brady Bunch Movie, Undercover Brother, Cecil B. Demented, Killing Kennedy, and several Jonathan Mostow films including Surrogates, Breakdown, and U-571. His television credits include Elvis, Mrs. Cage, Shades of Blue, CSI, Judging Amy, Crossing Jordan, Law & Order, Law & Order SVU, and Dead at 21. Jack received his Master's Degree in Performing Arts Administration from New York University and is a proud graduate of The Boston Conservatory at Berklee as well as the Commercial Theatre Institute.

Shawn returns to discuss the WWII submarine adventure thriller U-571 along with Matt & Todd. Released in 2000 U-571 met with some controversy over historical facts despite simply being an adventure film. Taken in it's own merits U-571 is a thrilling and entertaining film comparable to Where Eagles Dare and The Guns of Navarone. Written and directed by Jonathan Mostow. Starring Matthew McConaughey, Bill Paxton, Harvey Keitel, Jake Weber, Jack Noteworthy and Jon Bon Jovi.

Multi genre filmmaker Jonathan Mostow gets a welcome set of complements from us on this week's Schwarzenegger themed specials.   How many of his giant and obscure blockbusters have you seen? Why does he make good use of straightforward suspense and practical effects? Why is he well favored by Arnie and company in Hollywood? What other key movies was he involved in the development stages of at one point? And more fascinating details on a someone prominent B-mainstream crowdpleasing filmmaker!                           MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/          SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222                                           MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/          SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222        

HIGHWAY, 11min,. USA Directed by Douglas Alan Cunningham Betrayed by her husband, Amanda, a former Army Ranger, drives hours to meet a revenge lover but is followed by a mysterious and menacing truck on lonely desert roads. https://www.facebook.com/highwayashortfilm https://www.instagram.com/highway_the_movie/ Get to know the filmmaker: I've always been fascinated by neo-noir westerns, films like Steven Spielberg's Duel (1971), Oren Shai's The Frontier (2015), and the early works of director John Dahl, especially Kill Me Again (1989) and Red Rock West (1993). John Sayles' Lone Star (1996), Jonathan Mostow's Breakdown (1997), and the Coen Brothers' No Country for Old Men (2007) are three other greats in this same subgenre. Although I wouldn't call Wim Wenders' Paris, Texas (1984) a neo-noir western, per se, it shares many of the same aesthetics and was a huge influence on my early thoughts about HIGHWAY. Equally influential were Mad Max 2: The Road Warrior (1982) and Mad Max Fury Road (2015), both directed by George Miller. Finally, Ridley Scott's Themla and Louise (1992) also influenced HIGHWAY, not just because of the road movie aspects, but also because of the theme of sisterhood that features so prominently in that film. When I first saw Lindsey Hawkes (who plays Amanda, the lead in HIGHWAY) in a different short film in late 2021, somehow her look–that mixture of physical toughness and emotional vulnerability–brought all those different influences together into one story in my mind. Once that happened, the script was not difficult to write at all, and I was determined to make the film. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Dom and Q with toni bringing on set is his cousin calvin we had a ball trashing this 3rd outing of terminator.Terminator 3: Rise of the Machines[a] is a 2003 American science fiction action film directed by Jonathan Mostow. Starring Arnold Schwarzenegger, Nick Stahl, Claire Danes, and Kristanna Loken, it is the third installment in the Terminator franchise and a sequel to Terminator 2: Judgment Day (1991). In its plot, the malevolent artificial intelligence Skynet sends a T-X (Loken)—a highly advanced Terminator—back in time to ensure the rise of machines by killing top members of the future human resistance as John Connor's (Stahl) location is unknown. The resistance sends back a reprogrammed T-850 (Schwarzenegger) to protect John and his future wife, Kate (Danes).DONT GET LEFT BEHIND YOU CAN FIND THE PREVIOUS VIDEO https://www.youtube.com/watch?v=uumqiMrxInIIF YOUR EVER BORED PLEASE CHECK OUT https://youtu.be/4Y4D8oN4GTkLIKE WHAT YOU WATCHED ? PLEASE Subscribe here: https://www.youtube.com/channel/UCqbcaf6NSUrElozRGqsiORAREVIEWING REBELS Podcast: https://linktr.ee/reviewinrebelsLOCATE DOM CRUZE THOUGHTS Twitter - https://twitter.com/itzdomcruzehoeInstagram - https://instagram.com/itzdomcruzehoe?igshid=YmMyMTA2M2Y= LACED RHYMES CHANNEL - https://www.youtube.com/@LacedRhymesREVIEWIN REBELS CHANNEL - https://www.youtube.com/channel/UCqbcaf6NSUrElozRGqsiORALOCATE Q THOUGHTS TWITTER-https://twitter.com/king_quisemoe?s=21&t=5Za3tXoDFCF10bAN71ZhnwInstagram -https://instagram.com/king_quisemoe?igshid=YmMyMTA2M2Y=CHECK Q PODCAST AND EVERYTHING ELSE HE IS DOING -https://instabio.cc/208309BQ3Ka?fbclid=PAAaZKNpF7Czdl_TUYFPh_uRwZUB0JhQ9NpyziUKGSvGlrv7hHfdYukzaW-_oI HOPE YOU ENJOY THE VIDEO AND WHAT WE ARE DOING HERE AT REVIEWIN REBELSTHANKS FOR THE WATCH AND I HOPE WE HAVE MADE YOU FANS OF OURS !#podcast #MOVIES #LOVEYOU CAN ALOS FIND TONIIBANKZEpisode 44 is here! Tonii talks about Jenna Ortega & Wednesday, YEs recent outbursts, Fortnite Chapter 4, CDL Online Qualifiers Week 1 & much, much more!Want to be apart of the show ? Email Us! Email - askthebankzcast@gmail.comMake sure to follow the podcast socials! Twitter - @TheBankzcastPod - https://bit.ly/3dJXgUDInstagram - @thebankzcastpod - https://bit.ly/3nfHMLfCheck out my YouTube Channels! Main Channel - ToniiBankz - http://bit.ly/2Li1hQPCOD Gaming Channel - ToniiBankz 2 - http://bit.ly/2ko94myEverything Gaming Channel - More ToniiBankz - http://bit.ly/2kOwRfyToniiBankz VODs Channel - https://bit.ly/3F7hsfuEnjoy watching live gameplay ? Come hang out with me on stream! Twitch - ToniiBankz - Twitch.tv/toniibankz Want to stay up to date with me ? Follow me on social media and get updated as soon as something happens!Tiktok - @ToniiBankz - https://bit.ly/3dfvvpFTwitter - @ToniiBankz - https://bit.ly/2QwtD02Instagram - @toniibankz - http://bit.ly/2J13BKzSnapchat - @toniibankz - https://bit.ly/3M3m1cJBusiness inquires: domcruzemi@gmail.com

A bordo di un'auto di nuova generazione, Jeff Taylor e la moglie Amy si stanno trasferendo dal Massachusets in California, in cerca di una situazione lavorativa migliore. Durante il viaggio, la macchina ha un guasto ed un camionista si offre di dare un passaggio ad Amy presso la stazione di servizio più vicina onde chiamare il soccorso stradale. La donna svanirà nel nulla e Jeff dovrà ritrovare il conducente del tir per scoprire cosa sia accaduto. Sarà l'inizio di un incubo sulle strade roventi e un'ambiente isolato e ostile. Thriller ad altissima tensione, che vanta la partecipazione di un Kurt Russell in grandissima forma e il compianto J.T. Walsh nel ruolo di un villain terrificante e crudele. Breakdown non concede tregua, portando lo spettatore all'interno di un'atmosfera hitchcockiana, tutta giocata sulla strada, dove le sorprese non mancano ed il finale è tutt'altro che scontato. Un thriller duro e implacabile da recuperare, con una colonna sonora che incalza dal primo all'ultimo minuto.

Another All-Star episode, this time with one of the producers of this film, Jonathan Fernandez! Jonathan was kind enough to join me to discuss, for-real hanging a semi truck above JT Walsh, for-real Kurt Russell hanging on the side of a moving truck, Jonathan Mostow's similarities to Kurt Russell's character, producer Dino De Laurentiis mortgaging his home to get the film made, and more in this fun look at a movie that only gets better with age, Breakdown.Trying to figure out, "What should I stream tonight?" Come back to Watch This Tonight as your podcast for the best movie recommendations for what to watch on streaming platforms. Please leave us a five-star review on Apple Podcasts if you're enjoying the show, and mention a movie or TV show you want me to cover (and I will). Subscribe for future episodes.Reach out to us @BenamorDan (Twitter), watch_this_tonight (Instagram) or @watchthistonightpodcast (TikTok).Watch This Tonight is a movie recommendation podcast and TV recommendation podcast, produced by Voyage Media. You can find other Voyage Media podcasts at voyagemedia.fmThanks for listening.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5626962/advertisement

Hancock is a 2008 American superhero film directed by Peter Berg from a screenplay by Vince Gilligan and Vy Vincent Ngo and co-produced by and starring Will Smith in the title role with Charlize Theron and Jason Bateman. The story was originally written by Vy Vincent Ngo in 1996. It languished in development hell for years with various directors attached, including Tony Scott, Michael Mann (who would later co-produce the film), Jonathan Mostow, and Gabriele Muccino, before being filmed in 2007 in Los Angeles with a production budget of $150 million. In the United States, the film was rated PG-13 by the Motion Picture Association of America after changes were made at their request in order to avoid an R rating, which it had received twice before. The film was released on July 2, 2008, in the United States by Columbia Pictures. Hancock received mixed reviews from critics who praised its humor, performances, visual effects and premise, but criticized its execution and failure to deliver on its potential, especially during its second half. It grossed $629 million worldwide, becoming the fourth highest-grossing film of 2008.   ABAB Poetry-- "So, huh, Hancock came out in 2008? You would think after Will Smith's 2022 I bet he wished he did this today... Could have gotten some character reconstruction, dude." - Spro "Hancock was a jerk. A superhero with no class. Fighting crime with a smirk, shoving head into ass." - MC "Will Smith played a drunk hero. Who doesn't know Charlize is his equal. The fucks he gives equals zero. Dammit, this movie deserved a sequel." - Rudy

Jonathan Mostow's 1997 suspense thriller starring Kurt Russell searching for his missing wife is up for discussion. We talk Kurt's intensity, the late great character actor JT Walsh, the 90s thriller genre, and much much more! WEBSITE: https://linktr.ee/BrokenVCR

BREAKDOWN, oder warum man fremden Menschen eben doch nicht trauen kann. Kurt Russell, J.T. Walsh und Kathleen Quinlan in einem Strassenthriller, der auch von einem Alfred Hitchcock hätte produziert werden können. Unter Regie von Jonathan Mostow wird dem Publikum in BREAKDOWN eine knackige Geschichte erzählt, die jederzeit die Frage aufwirft "wie würde ich reagieren?". Gast in dieser Episode ist Sergej Bjakow. Über Sergej Bjakow Nachtprogramm/Sergej auf den Sozialen Medien Facebook: https://www.facebook.com/sergej.bjakow Twitter: https://twitter.com/nachtprogrammpc Instragram: https://www.instagram.com/nachtprogrammpc/ Nachtprogramm auf Spotify: https://open.spotify.com/show/7ygPt009L92cjnif1J6pf3?si=1287ad87b5e94a2a Das Actionkult-Intro "Cracked Shell" by Furlong https://open.spotify.com/track/4Y7QmE8EkescVPvjJZpYkA?si=1f26ed979200429b Furlong auf den Sozialen Medien https://www.facebook.com/furlongtheband https://www.instagram.com/furlong_basel/ Über Actionkult: Früher wurde über Filme geschrieben (kult.ch), heute wird darüber gesprochen. Meine Gäste und ich freuen uns immer über Feedback oder sonstige Anmerkungen und Ideen. Kontaktieren könnt ihr uns auf Instagram, Facebook oder Twitter - oder herrlich old school via E-Mail: actionkult@gmail.com.

Join our Discord  https://discord.gg/jDrUtNcRq2  In this episode we have the great pleasure of chatting to Jonathan Mostow, the director of this week's featured film "Breakdown." Over the course of the episode, regular co-host Scott talks Jonathan about the films early development, how they accomplished the films stunts and if he was at all nervous about directing Kurt Russell in his debut feature.  Elsewhere in the episode, we talk about the new restoration of the film, the reason why suspense scripts are particularly difficult to sell in Hollywood and his thoughts on the current action movie landscape. You can buy the brand new director approved Blu Ray restoration of "Breakdown" here

Mark and John Leavengood (@MFFHorrorCorner on Twitter) discuss the 1997 thriller Breakdown. Directed by Jonathan Mostow, and starring Kurt Russell, J.T. Walsh, and some powdered sugar doughnuts, the movie focuses on what happens when a group of maniacs attempt to mess with Kurt Russell. In this episode, they also talk about terrible trips, 1997 cinema, and J.T. Walsh. Enjoy!

Sleeper hit de 1997, Breakdown de Jonathan Mostow représente malheureusement un type de film lui bel et bien disparu : les « films du milieu ». Soit financés grâce à un budget modeste, sur un script non puis dans une source identifiée du public, un acteur (re)connu sans être véritablement bankable en tête d'affiche (Kurt Russell) et qui repousse au maximum sa grande scène d'action en fin de métrage pour privilégier une écriture ciselée en une montée de suspense quasi imparable. Contemporains nostalgiques de ce temps que les moins de vingt ans ne peuvent pas connaître, l'équipe de Transmission braque aujourd'hui son projecteur sur ce film qui vient de reparaître en BluRay aux éditions Paramount et dont le succès, et les camions, expliqueront en partie le choix de Jonathan Mostow aux manettes de la première suite hors James Cameron qu'a connu la franchise Terminator au début des années 2000. Notre site officiel: http://transmissionlepodcast.com/Page Facebook: https://www.facebook.com/TransmissionLPCPour ne rien ratez de nos nouveaux contenus, n'hésitez pas à vous abonner Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jonathan Mostow's 1997 suspense thriller starring Kurt Russell searching for his missing wife is up for discussion. We talk Kurt's intensity, the late great character actor JT Walsh, the 90s thriller genre, and much much more! As always, follow theturnbuckletavern.com for all your Tavern needs!

Retrofilm Klubben bryter ner 1997-års nagelbitare "Breakdown" med regi av Jonathan Mostow och Kurt Russell i huvudrollen. Är ni inte rädda för lastbilschaffisar så blir det ni det efter denna filmen

On our RISE triple bill we cover Terminator 3: Rise of the Machines. DIrected by Jonathan Mostow, and starring Clarie Daines, Nick Stahl, Kristina Loken and Arnold Schawrzenegger. Rise of the Planet of the Apes, directed by Rupert Wyatt, starring Andy Serkis, James Franco, Frida Pinto, Jonathan Lithgow, David Oyelowo and Tom Felton. High Rise, directed by Ben Wheatley, starring Tom Hiddleston, Jeremy Irons, Sienna Miller, Elisabeth Moss, Luke Evans and James Purefoy. Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs. We also have t-shirts available via our TeePublic store!

Pour cette dernière partie de l'épisode de « Tu L'As Vu ? » sur les films de complots, le trio Gravlax – Papa(Gubi)da – Casa s'attaque aux films de complots autour d'une personne. Le film de Casa choisi pour ce thème est : “**The Game**” de David Fincher ( 1997 ; **Attention SPOILERS entre 22'30 et 27'55**) : https://www.allocine.fr/film/fichefilm_gen_cfilm=9325.html L'autre film évoqué un peu plus longuement est : « L'honneur perdu de Katarina Blum » de Volker Schlöndorff et Margarethe von Trotta (1975 ) https://www.allocine.fr/film/fichefilm_gen_cfilm=2381.html Les « recos » sont : (Gubi) : « Dark Waters » de Todd Haynes ( 2019 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=269509.html (Casa) : “JFK” d'Oliver Stone ( 1991 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1417.htmlET “JFK Revisited ( JFK – L'Enquête)” d'Oliver Stone ( 2021 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=293308.html (Gravlax) : « Cadavres Exquis » de Francesco Rosi ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=12486.html Dans les films de complots contre une personne, Gubi avait traité de « The Truman Show » de Peter Weir ( 1998 ; https://www.allocine.fr/film/fichefilm_gen_cfilm=18671.html ) dans l'épisode de « Tu L'As Vu ? » sur les comédies ( https://podcloud.fr/podcast/tu-las-vu/episode/07-les-comedies ). Films évoqués durant l'épisode : « Moonwalkers » d'Antoine Bardou-Jacquet ( 2015 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=229906.html « Jackie Brown » de Quentin Tarantino ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=16876.html « JF partagerait appartement » de Barbet Schroeder ( 1992 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=7679.html « Breakdown » de Jonathan Mostow ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9977.html « Terminator 3 – Le Soulèvement des Machines » de Jonathan Mostow ( 2003 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=26840.html « Dans la peau de John Malkovich » de Spike Jonze ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=20588.html « Eternal Sunshine of the Spotless Mind » de Michel Gondry ( 2004 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=40191.html “Babel” d'Alejandro González Iñárritu ( 2006 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=20151.html La série “True Detective” de Nic Pizzolatto ( 2014 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=11058.html La série « Mr Robot » de Sam Esmail ( 2015 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=17966.html « Sept jours en mai » de John Frankenheimer ( 1964 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4424.html « Contact » de Robert Zemeckis ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15753.html « Panic Room » de David Fincher ( 2002 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29202.html La série « Alfred Hitchcock présente » ( 2ème génération ; 1985-1989 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=4521.html « Les chasses du comte Zaroff » d'Ernest B. Schoedsack et d'Irving Pichel ( 1932 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=30814.html « Basic Instinct » de Paul Verhoeven ( 1992 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=7342.html « Independence Day » de Roland Emmerich ( 1996 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15336.html « L'Impasse » de Brian de Palma ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9530.html La série « Homeland » de Gideon Raff, Alex Gansa, Howard Gordon ( 2011 – 2020 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=9285.html « Silent Hill » de Christophe Gans ( 2006 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=54015.html « Crash » de David Cronenberg ( 1996 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15119.html « Highlander 3 » d'Andrew Morahan ( 1994 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29572.html « Payback » de Brian Helgeland ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=11703.html La série « Succession » de Jesse Armstrong ( depuis 2018 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=20697.html « Titanic » de James Cameron ( 1997) :https://www.allocine.fr/film/fichefilm_gen_cfilm=5818.html « Sueurs Froides » d'Alfred Hitchcock ( 1958 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=980.html « La mort aux trousses » d'Alfred Hitchcock ( 1959 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=531.html « Le Magicien d'Oz » de Victor Fleming, King Vidor & George Cukor ( 1939 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=29738.html « À cause d'un assassinat ( The Parallax View ) » d'Alan J.Pakula ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1349.html « Apportez-moi la tête d'Alfredo Garcia » de Sam Peckinpah ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=34003.html « Fight Club » de David Fincher ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=21189.html “Snowden” d'Oliver Stone ( 2016 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=229359.html Le documentaire “Citizenfour” de Laura Poitras ( 2015 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=231662.html « The Human Centipede ( First Sequence ) » de Tom Six ( 2009 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=171252.html « Le dernier métro » de François Truffaut ( 1980 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=169.html « Le Tambour » de Volker Schlöndorff ( 1979 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1153.html « Danton » d'Andrzej Wajda ( 1982 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2539.html « Suspiria » de Luca Guadagnino ( 2018 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=138600.html La série « Dark » de Baran bo Odar et Jantje Friese ( 2017-2020 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=20328.html « Révélations » de Michael Mann ( 1999 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=22767.html La mini-série « 22/11/63 » de Bridget Carpenter ( 2016 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=18160.html La mini-série « Chernobyl » de Craig Mazin ( 2019 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=22429.html La saga « Jason Bourne » ( 2002 – 2016 ) :https://www.senscritique.com/liste/Saga_Jason_Bourne/2253563 « Mission : Impossible » de Brian de Palma ( 1996 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=15308.html « Les 3 jours du Condor » de Sydney Pollack ( 1975 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33360.html « Le Salaire de la Peur » d'Henri-Georges Clouzot ( 1952 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2513.html « French Connection » de William Friedkin ( 1971 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4423.html “Emmanuelle” de Just Jaeckin ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=666.html “Garde à vue “ de Claude Miller ( 1981 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1361.html « L'armée des ombres » de Jean-Pierre Melville ( 1969 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=4248.html « La nuit du risque » de Sergio Gobbi ( 1986 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=178940.html « Donald Trump The Chosen » de Wilfredo Torres Jr ( 2020 ) :https://www.senscritique.com/film/Donald_Trump_The_Chosen/43420038 “Unplanned” de Chuck Konzelman et Cary Solomon ( 2019 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=271469.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) William Alexander & Michael Dune « Army of Ghosts** » Howard Shore ( B.O. de “The Game” ) : « Congratulations on choosing CRS » / « Attempted Murder » / “Reckless Endangerment” / “Pulling Back The Curtain” / “Tung Hoy” / “Harlequin Clown” Le Fat Club “Dolce Vita” Hans Werner “Suite da Concerto dalle muscihe del film Katarina Blum” Michael John Baiardi & David Lodge Parker “Fresh & Refined” John Williams “Prologue JFK” Piero Piccioni ( B.O. de « Cadavres Exquis » ) : « Project for a dream » / « Kress or the Ambiguities » David Bagatelle, Charles Breteville & Jean Villa “Forbidden Door” Liens : L'épisode d' “Alfred Hitchcock présente” qui a inspiré le scénario de base de « The Game » de David Fincher, « Happy Birthday » ( 1986 ) :https://youtu.be/U19SGSls4HA Le numéro de « Blow Up » ( Arte ) sur « L'assassinat de Kennedy au cinéma » :https://youtu.be/w-6UkulRBrw L'épisode de “Nanarologie” sur « Unplanned » de Chuck Konzelman et Cary Solomon (2019) :https://www.youtube.com/watch?v=I0Smb7lDVH0 Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

Kurt & Chris from Parents Just Don't Understand return to discuss the lean, mean and underseen 1997 thriller 'Breakdown' starring Kurt Russell, Kathleen Quinlan, and indelible character actor J.T. Walsh. We discuss the simple pleasures of discovering a great movie while watching cable TV, the film's economical mastery of multiple subgenres, and the 90s resurgence of hicksploitation cinema as managerial class gratification. Follow Kurt and Chris on Twitter. Follow Parents Just Don't Understand on Twitter. Follow Blood Knife Magazine on twitter and support the show on Patreon. For the month of December, we will be donating all of our Patreon funds to the donorbox project to Protect Pasadena Tenants. The more cities we win rent control in, the easier it is to combat bad-faith arguments about the chaos it will supposedly cause. This is an important campaign to win rent control in Pasadena for renters and housing activists everywhere, particularly as rents are being raised going into the holidays. Consider becoming a Hit Factory Patron to support the cause and get access to exclusive bi-weekly episodes and bonus content. ...Our theme song is "Mirror" by Chris Fish

¿Es posible que hoy en día se reproduzcan herejías que antiguamente fueron combatidas por la Iglesia?. Es verdad, que el término herejía parece algo del pasado, pero no deja de ser algo que contradice la doctrina de la Fe y por lo tanto puede producirse. En nuestro empeño por sacar la teología de las universidades a la calle, vamos a intentar analizar como las antiguas corrientes neoplatónicas y gnósticas pueden tener, al menos, algún reflejo en nuestra sociedad actual, donde lo virtual crece (redes sociales, teletrabajo, realidad virtual, etc.) y puede hacer que caigamos en una cierta pérdida de la realidad, las relaciones personales o el contacto físico. Lo analizamos, espero que os guste.Cultura:Miguel: película "Ready Player One" de Steven Spielberg.Laura: película "Her" de Spike Jonze.Israel: película "Los sustitutos" de Jonathan Mostow.

We just watched Jonathan Mostow's 1997 desert thriller Breakdown! Join us for the latest episode of the Celluloid Junkies mini-show.

Some movies just stick with you...On this episode we had the distinct pleasure to tackle a personal favorite movie from back in 1997.  The movie is 'Breakdown' and it just came out on Blu-Ray from our friends at Paramount Pictures Home Entertainment.  We had the pleasure of sitting down with writer/director Jonathan Mostow to discuss the genesis of the film, it's enduring legacy and so very much more....

In this episode we have the great pleasure of chatting to Jonathan Mostow, the director of this week's featured film "Breakdown." Over the course of the episode, regular co-host Scott talks Jonathan about the films early development, how they accomplished the films stunts and if he was at all nervous about directing Kurt Russell in his debut feature. Elsewhere in the episode, we talk about the new restoration of the film, the reason why suspense scripts are particularly difficult to sell in Hollywood and his thoughts on the current action movie landscape. You can buy the brand new director approved Blu Ray restoration of "Breakdown" here "All '90s Action, All The Time" is produced by Scott Murphy, Kyle Hintz and Craig Draheim. Music by Elyssa Vulpes. Editing by Scott Murphy.

Eric Pennycoff (writer/director of SADISTIC INTENTIONS) joins the Video Monsters to discuss Jonathan Mostow's underrated 90s action thriller BREAKDOWN (1997). We're absolutely thrilled that he picked this for our TRANSPORTATIONSPLOITATION: or HORROR IN MOTION series because this flick rocked our engine blocks and deserves far more love than it's received over the years. In this episode, we lament the death of the era when mid-budget studio movies were made for adults, discuss the incomparable face acting of Kurt Russell, talk about the spiritual connections this shares with Steven Spielberg's DUEL, and just generally drool over the lean, mean practical craftsmanship on display in every ounce of this movie's DNA. So grab a pack of donuts, crank up the A/C in your luxurious ‘96 Jeep Grand Cherokee, and be prepared to have that Tom Petty song stuck in your head for at least a week after listening to our review of Jonathan Mostow's BREAKDOWN. Video Monsters is brought to you by the Chattanooga Film Festival and Central Cinema in Knoxville, TN. Follow them on Facebook, Twitter, and Instagram, or online at chattfilmfest.org and centralcinema865.com. Links for each of these can also be found on our pages, so be sure to follow us at videomonsterpod on Facebook, Twitter, and Instagram as well. music for Video Monsters by Evan Simmons

In the new episode of Film Stories with Simon Brew, an action favourite with a lot of writers, and a war movie hit that ended up criticised in UK Parliament. The Rock (1996) utilised lots of writers, and its stars - Sean Connery, Nicolas Cage, Ed Harris - all had significant input. Director Michael Bay meanwhile would do a bit of battle with Disney over the film. Jonathan Mostow first had the inspiration for U-571 when he was developing The Game. But as he lost control of that film, his submarine movie bubbled up - and hit some controversial waters. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support our work at www.patreon.com/simonbrew.

In this episode of Subgenre, host Josh Dasal is joined by his guest host, playwright Allan Maule, to discuss the 2000 "we just stole a Nazi submarine" movie, U-571, directed by Jonathan Mostow, and starring  Matthew McConaughey, Bill Paxton, and Harvey Keitel. Topics of discussion include favorite films of the World War II era, why you should never send a big person to do a tiny person's job, and how to make your submarine dive faster by eating an orange. Guest host: Allan Maule, playwrightTwitter: @maulerballerInsta: @maulerballerRead more about U-571 at:IMDB: https://www.imdb.com/title/tt0141926/Wikipedia: https://en.wikipedia.org/wiki/U-571_(film)Our theme music: Still Room on the Night Train by Ketsa feat. SoularflairLearn more about Subgenre, make a donation, and register for our mailing list, at https://www.subgenrepodcast.com/  ★ Support this podcast ★

Have you seen Kurt Russell's wife?! He's looking for her in the 1997 Jonathan Mostow thriller Breakdown, the newest film during Forgotten Summer! Mike Butler and Mike Field "Ehem" breakdown this film, discussing their FOURTH film starring JT Walsh! They must really like the guy. The Mikes also talk about the way the film is shot and written. They go over the fact that the film is a purely external conflict that presents a situation and a protagonist who acts in a way that the viewer probably wishes they would if forced into the same position. Of course, who better to play the "everyman" protagonist than Kurt Russell? The Mikes talk about how the underrated star is one of the few big name actors who can realistically play the everyman, however his casting may have been to the detriment of the film's success compared to some of the others who were potentially up for the lead role. Who, you might ask? Well, you'll just have to listen to find out! So grab your car keys and map, please notice the rest stops to the left and right of you, and settle down for https://my.captivate.fm/Forgottencinemapodcast.com (Forgotten Summer). 

Análise (com SPOILER) do filme “Substitutos” de 2009, dirigido por Jonathan Mostow. Falamos sobre o uso da tecnologia dos substitutos para proteção da vida e alteração da aparência física, e sobre como o filme carrega muitos conteúdos que ficam sem argumentos ou aprofundamento. Também falamos sobre como podemos associar o filme a pandemia que estamos vivendo. Vem conferir!! Participação: Jean, Rayane, Tayla e, como convidado especial, Tiago Magrelo. Para mais conteúdo segue link do Site/Instagram/Face: linktr.ee/logopatia7arte

Story: Die Zukunft findet jetzt statt: Die Menschen verlassen ihre Häuser nicht mehr, stattdessen schicken sie ihre besser aussehenden Roboter-Avatare auf die Straßen. Verbrechen ist seither quasi nicht mehr existent. Als zwei Roboter und mit ihnen ihre menschlichen Vorbilder getötet werden, wird der FBI-Agent Greer mit seiner Kollegin Peters auf den Plan gerufen - oder besser gesagt: ihre Stellvertreter. Doch erst als sie auf eigene Faust aus Fleisch und Blut zu ermitteln beginnen, kommen sie weiter und stoßen auf eine weit reichende Verschwörung.

In der aktuellen Sendung präsentiert sich die das Team von Deep Red Radio erstmals vollständig (Julia, Lisa, Tobe, Benedikt, Stefan und Max), was Einleitung und Feedback-Talk angeht. Feedback? Talk? Ja wir haben doch tatsächlich Rückmeldungen zu einer Review der letzten Sendung erhalten und hatten das Gefühl, darüber herrscht globaler und teaminterner Redebedarf. Gemeint ist Julias und Lisas Besprechung zu DIE KLAPPERSCHLANGE, die bei den beiden Kolleginnen, aus verschiedensten Gründen, nicht ganz im Sinne vieler Verehrer des Carpenter-Klassikers (?!) ausgefallen ist. Wir sprechen also darüber, was Filmkritik leisten soll, muss, kann oder darf und welche unterschiedlichen Perspektiven dabei eingenommen werden. Auf jeden Fall ein Format auf das wir in Zukunft aufbauen wollen und von dem Ihr noch so einiges erwarten könnt. Erwarten könnt Ihr in dieser Sendung natürlich auch noch die gewohnten Reviews in bewährter Qualität sowie Quantität und unterschiedlichster Zusammensetzung. Da hätten wir Benedikt und seine Einschätzung zu dem skandinavischen Katastrophenfilm THE TUNNEL – DIE TODESFALLE, der hier einer fachmännischen Einordnung ins Genre unterzogen wird. Diese erfolgt natürlich auch in unserem Wicked-Cinema-Block heute in doppelter Ausführung. Zunächst beschäftigt sich Tobe mit RED WEDDING NIGHT und verrät nicht nur, unter welchem bekannteren Titel Euch der Film von Mario Bava sicher schon einmal unter die Augen gekommen ist. Stefan seinerseits referiert über Roger Cormans BLOODY MAMA und findet klare Worte zu diesem Gangsterdrama mit psychologischem Touch. Julia wiederum nimmt sich nach Sylvester Stallone und Kurt Russel mit Bruce Willis und THE SUROGATTES den nächsten Action-Heroen vor und beleuchtet unter anderen ob dieser im Film von Jonathan Mostow in der gewohnten Rolle bleibt oder ob der futuristische Sci-Fi-Actioner hier seinen Hauptdarsteller anders einsetzt. Im Anschluss daran findet sich Benedikt vor dem Spiegel wieder und beschwört Tony Todds Rückkehr in CANDYMAN 2: BLUTRACHE. Ob sich der Aufwand lohnte, verrät er Euch natürlich auch, wenn er es denn überlebt hat.... Hat er natürlich, so dass er im Anschluss zusammen mit Max und dem „Brat-Pack-Beitrag“ CLASS – VOM KLASSENZIMMER ZUR KLASSEFRAU die Sendung abrunden kann. Die beiden bekunden dabei ihre wohlwollende Einschätzung der 80s-Komödie mit Mrs. Robinson, Tiefgang, Slapstick, Rob Lowe und Andrew McCarthy. Durch die Sendung geleitet Euch wie immer fundiert der Tobe und nicht nur er dankt für die gewohnte Aufmerksamkeit und wünscht angenehmes Zuhören.

*Imprint Companion is the only podcast on the Australian Internet about "DVD Culture."* Hang onto your slipcases because Alexei Toliopoulos (Finding Drago, Total Reboot) and Blake Howard (One Heat Minute) team up to unbox, unpack and unveil upcoming releases from Australia's brand new boutique Blu-Ray label *Imprint Films.* This our February 2021 episode and we're talking Imprint spine numbers 29-34: * Jonathan Mostow’s action thriller *Breakdown* * Korean War epic for Grace Kelly and Mickey Rooney blu-ray completists *The Bridges at Toko-Ri* * the sports comedy classic starring legend Walter Matthau *The Bad News Bears* * A missing Francis Ford Coppola movie, Robert Duvall’s tale of religion and redemption *The Apostle* * A pioneering post-apocalyptic survival tale with *FIVE* * And finally John Frankenheimer’s epic tale of terror, espionage and sabotaging the Superbowl, *Black Sunday.* *Blake Howard -* Twitter ( https://twitter.com/OneBlakeMinute ) & One Heat Minute Website ( https://oneheatminute.com/ ) *Alexei Toliopoulos -* Twitter ( https://twitter.com/ThisisAlexei ) & Total Reboot ( http://sanspantsradio.com/total-reboot ) Visit imprintfilms.com.au ( https://viavision.com.au/imprint-films/ ) Support this podcast at — https://redcircle.com/imprint-companion/donations

Surrogates is a 2009 American science fiction action film based on the 2005–2006 comic book series The Surrogates. Directed by Jonathan Mostow, it stars Bruce Willis as Tom Greer, an FBI agent who ventures out into the real world to investigate the murder of surrogates (humanoid remote-controlled robots). It also stars Radha Mitchell, Rosamund Pike, Boris Kodjoe, Ving Rhames, and James Cromwell.

Cette semaine, STEROIDS – LE PODCAST se penche sur une autre suite controversée avec TERMINATOR 3 – LE SOULÈVEMENT DES MACHINES. Une suite méritante certes, mais qui a cependant le gros défaut de ne pas être pensée, écrite et réalisée par James Cameron ! Se désintéressant totalement de la franchise TERMINATOR après l’énorme succès mondial de TITANIC, James Cameron pousse Arnold Schwarzenegger à reprendre son rôle dans une autre suite, à condition qu’il exige un gigantesque cachet auprès de la production. C’est ainsi que les producteurs Andy Vajna et Mario Kassar lui signent un chèque monumental de 30 millions de dollars pour reprendre le rôle du T-800 (ou T-850 ici) dans TERMINATOR 3 – LE SOULÈVEMENT DES MACHINES en 2003. Jonathan Mostow remplace James Cameron derrière la caméra, et le film démarre quelques années après les événements de TERMINATOR 2 – LE JUGEMENT DERNIER. Alors que la fin du monde a Continue Reading

This episode of From the Front to the Films Zoom Podcast focuses on the 20th anniversary of the World War II film U571. The cast reunion featured U571 director Jonathan Mostow and actors Will Estes, Erik Palladino, Derk Cheetwood and Tom Guiry.

Jonathan Mostow's 2009 movie SurrogatesSupport the show (https://www.patreon.com/flickfaced)

John Carpenter’s THE THING got a bad rap when it was released in 1982. Though a special effects marvel and unique to the science-fiction/horror genre, it is now considered a well-respected, beloved cult film. Isolation and paranoia had not reached such monstrous, cinematic proportions until this landmark achievement in Carpenter’s career. And nearly 40 years later, THE THING still holds strong as a brilliant, deliberately atmospheric display of well-rounded artistry.   ▶️Synopsis: Set in Antarctica, a team of researchers are infiltrated and attacked by a shape-shifting, body assimilating creature that takes over the camp one person at a time. ⏩⏩Discussions include: THE THING’s source material and how Carpenter re-envisioned the story; how tone and pacing create the mood of this ensemble film; Rob Bottin’s visceral special effects, Dean Cundey’s cinematography and the expansive set design; pre-production cast bonding and character interplay; physical challenges faced by cast and crew; Carpenter’s relationship with THE THING star, Kurt Russell; behind-the-scene tidbits, along with Justin and Lindsay’s favorite scenes. **Starring Kurt Russell, Keith David, Wilford Brimley. Directed by John Carpenter.**   ▶️**PICKS OF THE WEEK**—Lindsay’s Pick, BREAKDOWN (1997): In this taught, cautionary tale, a woman is kidnapped in the middle of nowhere by a mysterious trucker driver, leaving her husband to stop at nothing to track her down. **Starring Kurt Russell, Kathleen Quinlan, J.T. Walsh. Directed by Jonathan Mostow.** —Justin’s Pick, ELVIS (1979): This made-for-tv movie condenses the biggest life moments of music legend, Elvis Presley — from high school to his rise to stardom, relationship with his parents, marriage and segueing into acting. **Starring Kurt Russell, Shelley Winters, Bing Russell. Directed by John Carpenter.**   ▶️MURRAYMOMENT: Revisiting the commercially unsuccessful Billy film, LARGER THAN LIFE (1996), which also featured THE THING’s Keith David, and why this movie deserves another chance.   ▶️FINAL THOUGHTS: Ennio Morricone’s score mixing with Carpenter’s musical contributions for THE THING; critical reception and open-ended climax to the film; THE THING as an AIDS epidemic metaphor; some love for canine actor, Jed the dog.   ▶️NEXT UP: I SHOT ANDY WARHOL (1996)!

Director Alfonso Gomez-Rejon discusses his new film, The Current War: Director's Cut, with fellow director Jonathan Mostow. The film reveals how electricity titans Thomas Edison and George Westinghouse engaged in a battle of technology and ideas to determine whether direct current or alternating current would power the modern world. See photos and a summary of this event below: https://www.dga.org/Events/2019/Nov2019/CurrentWar_QnA_1019.aspx

(Attention, spoiler Schwarzeneggeresque à la fin de l’épisode) Fiévreux, fauché et fana de SF, James Cameron, une nuit, rêve d’un torse tout fait de chrome. Juste après une explosion nucléaire, le buste métallique, désarticulé surgit des flammes et s’avance lentement dans un nuage de cendres. C’est cette vision qui est à l’origine de la saga que tout le monde connaît. C’est cette vision qui donnera naissance à l’une des plus grandes figures tutélaires du cinéma.Malgré un budget riquiqui et des conditions de tournage compliquées, le premier volet remporte, dès sa sortie, en 1984, un succès tonitruant. Succès qui permet au réalisateur d’avoir les moyens de ses ambitions pour le deuxième film. Terminator se mue alors en blockbuster. Suivra T3,T4, T5 et enfin, Dark Fate. Hasta la vista, baby ?Animé par Thomas Rozec avec Julien Dupuy, Julie Le Baron et Stéphane Moïssakis.RÉFÉRENCES CITÉES DANS L’ÉMISSION The Terminator (James Cameron, 1984), Tim Miller, Arnold Schwarzenegger, Short Circuit (John Badham, 1986), Terminator Genisys, fatal reboot (NoCiné, Binge Audio, 2015), Terminator 2 : Le Jugement dernier (James Cameron, 1991), Terminator 3 : Le Soulèvement des machines (Jonathan Mostow, 2003), Terminator Renaissance (McG, 2009), Terminator Genisys (Alan Taylor, 2015)CRÉDITS NoCiné est un podcast de Binge Audio animé par Thomas Rozec. Cet épisode a été enregistré le 17 octobre 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Jules Krot Quentin Bresson. Générique : Corentin Kerdraon. Chargées de production : Juliette Livartowski et Fatima Bahhou (stagiaire). Chargée d’édition : Diane Jean. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

Après l’épisode sur RAMBO, qui nous a permis de crier notre amour pour Sylvester Stallone, on va à nouveau faire les beaux yeux aux gros muscles et aux gros flingues, mais cette fois-ci à ceux d’Arnold Schwarzenegger, qui réendosse en ce moment au cinéma dans TERMINATOR : DARK FATE, son personnage de robot futuriste qui voyage dans le temps, pour tuer ou pour protéger Sarah Connor. Forcément, on va louer un culte à Schwarzy, mais aussi au réalisateur James Cameron qui est à l’origine de cette saga de science-fiction culte débutée en 1984, qui a profondément marqué le cinéma et la pop culture. L’histoire de TERMINATOR débute alors que James Cameron n’a pas encore fait TITANIC et AVATAR. Mais il signe là son premier grand film et son premier carton. À l’époque il était responsable d’effets spéciaux ou directeur artistique, et n’avait signé qu’un court métrage, XENOGENESIS, qui mettait déjà en scène un héros mi-homme mi-machine, et un long-métrage d’horreur, PIRANHA 2. Passionné par la science-fiction, la cybernétique, la technologie, l’intelligence artificielle et le voyage dans le temps, c’est à la suite d’un rêve, celui d’un torse métallique sorti d’une explosion qui s’empare d’un couteau pour le menacer, qu’il donne naissance à TERMINATOR, avec le bodybuilder Arnold Schwarzenegger dans le rôle titre. Immense succès inattendu qui permettra à Cameron de signer une suite en 1991, le chef d’œuvre d’action TERMINATOR 2 : LE JUGEMENT DERNIER. Et depuis… Cameron s’est distancé de sa franchise après l’avoir lancée pour mieux s’occuper des projets qu’on lui connaît. Naitront alors les suites plutôt discutables TERMINATOR 3 : LE SOULEVEMENT DES MACHINES de Jonathan Mostow, en 2003, TERMINATOR RENAISSANCE, mais sans Schwarzy, de McG en 2009, et même le reboot que l’on préfèrerait carrément oublier TERMINATOR GENISYS d’Alan Taylor, en 2015. Une émission animée par Alexandre Caporal avec Charlotte Klinke, Thomas Gerber et Thibaud Ducret

This week Gary and Iain review and discuss, Terminator 3: Rise of the Machines (2003) by Director, Jonathan Mostow. Starring, Arnold Schwarzenegger, Nick Stahl, Kristanna Loken and Claire Danes. For more Off The Shelf Reviews:https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/joinPodcasts: https://offtheshelfreviews.podbean.com/Follow us on Twitter: https://twitter.com/@OTSReviewsYoutube: https://www.youtube.com/c/OffTheShelfReviewsFacebook: https://www.facebook.com/OffTheShelfReviewsSupport us: http://www.patreon.com/offtheshelfreviewsTwitch: https://www.twitch.tv/offtheshelfreviewsDiscord: https://discord.gg/Dyw8ctf

In this episode of the science fiction podcast 'The ACE: Atomic Cinema Experiment,' we discuss the sequel 'Terminator 3: Rise of the Machines' The film is Directed by Jonathan Mostow and stars Arnold Schwarzenegger, Nick Stahl, Claire Danes & Kristanna Loken. patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/Mild_Fuzz facebook: https://www.facebook.com/mildfuzznetwork Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co UK Merch store: https://shop.spreadshirt.co.uk/mild-fuzz-tv/ US Merch store: https://shop.spreadshirt.com/mild-fuzz-tv-us SciFiPodcast #SciFi #ScienceFiction

Hop in a colossal crane truck and slap on some star-shaped shades because hosts Cam Smith and Tony G are fighting the future once more with the polarizing third Terminator adventure Rise of the Machines! Does this Jonathan Mostow-helmed thriller meet the franchise expectations James Cameron so magnificently set? And how does the movie fare now in the wake of Salvation and Genisys? Tune in and find out!DOWNLOAD HEREWe're also on iTunes, Google Play & Stitcher Radio!Track us via Twitter, or email us at arniegeddonpod@gmail.com.We'll be back in two weeks with Raw Deal!

On this week’s episode, we discuss Jonathan Mostow’s 1997 thriller BREAKDOWN, in which Kurt Russell’s hair tracks down the sinister backwoods truckers who have kidnapped his wife. Yeah, it’s as badass as it sound. All hail The Russell!

Director John Lee Hancock discusses his new film, The Founder, with Jonathan Mostow. The film tells the story of Ray Kroc, a floundering Illinois salesman, who connects with Mac and Dick McDonald, two brothers running a burger operation in southern California in the 1950s. When Kroc realizes the franchise possibilities, he maneuvers himself into a position to buy them out and create a fast-food empire which would eventually become McDonald's.

LÄNKLISTA Webhallens Julkalender https://goo.gl/AtqNTR   The Sims (spel, Maxis, 2000) https://en.wikipedia.org/wiki/The_Sims_(video_game)   How the Grinch Stole Christmas (film, Ron Howard, 2000) https://en.wikipedia.org/wiki/Dr._Seuss%27_How_the_Grinch_Stole_Christmas_(2000_film)   The Legend of Zelda: Ocarina of Time (spel, Nintendo, 1998) https://en.wikipedia.org/wiki/The_Legend_of_Zelda:_Ocarina_of_Time   The Legend of Zelda: A Link Between Worlds (spel, Nintendo, 2013) https://en.wikipedia.org/wiki/The_Legend_of_Zelda:_A_Link_Between_Worlds   The Legend of Zelda: Majoras Mask (spel, Nintendo, 2000) https://en.wikipedia.org/wiki/The_Legend_of_Zelda:_Majora%27s_Mask   Space Quest 1: The Sarien Encounter (spel, Sierra On-Line, 1986) https://en.wikipedia.org/wiki/Space_Quest_I   Tomb Raider (spel, Core Design, 1996) https://en.wikipedia.org/wiki/Tomb_Raider_(1996_video_game)   Jazz Jackrabbit (spel, Epic Megagames, 1994) https://en.wikipedia.org/wiki/Jazz_Jackrabbit#Jazz_Jackrabbit_.281994.29   Christmas Lemmings (spel, Psygnosis, 1991) https://en.wikipedia.org/wiki/Lemmings_(video_game)   Jack in the Dark (spel, Infogrames 1993)  https://en.wikipedia.org/wiki/Alone_in_the_Dark_2_(video_game)#Jack_in_the_Dark   Ivanhoe (tv-film, Douglas Camfield, 1983) https://en.wikipedia.org/wiki/Ivanhoe_(1982_film)   Göta Kanal 2: Kanalkampen (film, Pelle Seth 2006) https://sv.wikipedia.org/wiki/Göta_kanal_2_–_kanalkampen   Tomten är far till alla barnen (film, Kjell Sundvall, 1999) https://sv.wikipedia.org/wiki/Tomten_är_far_till_alla_barnen   Kalle Anka och hans vänner önskar god jul (tv-program, Disney, 1958) https://sv.wikipedia.org/wiki/Kalle_Anka_och_hans_vänner_önskar_God_Jul   Karl Bertil Jonssons julafton (kortfilm, Per Åhlin, 1975) https://sv.wikipedia.org/wiki/Sagan_om_Karl-Bertil_Jonssons_julafton   Love Actually (film, Richard Curtis, 2003) https://en.wikipedia.org/wiki/Love_Actually   Die Hard (film, John McTiernan, 1988) https://en.wikipedia.org/wiki/Die_Hard   Raka spåret till Chicago (film, John Hughes, 1987) https://en.wikipedia.org/wiki/Planes,_Trains_and_Automobiles   You´ve got Mail (film, Nora Ephron, 1998) https://en.wikipedia.org/wiki/You%27ve_Got_Mail   Medan du sov (film, John Turtletaub, 1995) https://en.wikipedia.org/wiki/While_You_Were_Sleeping_(film)   Alice’s Adventures in Wonderland (bok, Lewis Carroll, 1865) https://en.wikipedia.org/wiki/Alice%27s_Adventures_in_Wonderland   The Holiday (film, Nancy Meyers, 2006) https://en.wikipedia.org/wiki/The_Holiday   Ensam Hemma (film, Chris Columbus, 1990) https://en.wikipedia.org/wiki/Home_Alone   Ensam Hemma 2: Vilse i New York (film, Chris Columbus, 1992) https://en.wikipedia.org/wiki/Home_Alone_2:_Lost_in_New_York   White Christmas (film, Michael Curtiz, 1954) https://en.wikipedia.org/wiki/White_Christmas_(film)    Miraklet på 34:e gatan (film, Les Mayfield, 1994) https://en.wikipedia.org/wiki/Miracle_on_34th_Street_(1994_film)   Through the Looking-Glass (bok, Lewis Carroll, 1871) https://en.wikipedia.org/wiki/Through_the_Looking-Glass   Miracle on 34th Street (film, George Seaton, 1947) https://en.wikipedia.org/wiki/Miracle_on_34th_Street   Nu är det jul igen (film, John Pasquin, 1994) https://en.wikipedia.org/wiki/The_Santa_Clause   Klappjakten (film, Brian Levant, 1996) https://en.wikipedia.org/wiki/Jingle_All_the_Way   Twins (film, Ivan Reitman, 1988) https://en.wikipedia.org/wiki/Twins_(1988_film)   Dagissnuten (film, Ivan Reitman, 1990) https://en.wikipedia.org/wiki/Kindergarten_Cop   Terminator 3 (Jonathan Mostow, 2003) https://en.wikipedia.org/wiki/Terminator_3:_Rise_of_the_Machines   6:e dagen (film, Roger Spotiswoode, 2000) https://en.wikipedia.org/wiki/The_6th_Day   Ett Päron till farsa firar jul (film, Jeremiah Chechik, 1989) https://en.wikipedia.org/wiki/National_Lampoon%27s_Christmas_Vacation   Bad Santa (film, Terry Zwigoff, 2003) https://en.wikipedia.org/wiki/Bad_Santa   The Nightmare Before Christmas (film, Henry Selick, 1993) https://en.wikipedia.org/wiki/The_Nightmare_Before_Christmas   Edward Scissorhands (film, Tim Burton, 1990) https://en.wikipedia.org/wiki/Edward_Scissorhands   Batman Returns (film, Tim Burton, 1992) https://en.wikipedia.org/wiki/Batman_Returns   Gremlins (film, Joe Dante, 1984) https://en.wikipedia.org/wiki/Gremlins   Gremlins II (film, Joe Dante, 1990) https://en.wikipedia.org/wiki/Gremlins_2:_The_New_Batch   Ghostbusters II (film, Ivan Reitman, 1989) https://en.wikipedia.org/wiki/Ghostbusters_II   Teenage Mutant Hero Turtles (tv-serie, David Wise, 1987 – 1990) https://en.wikipedia.org/wiki/Teenage_Mutant_Ninja_Turtles_(1987_TV_series)   Seinfeld – The Strike (tv-avsnitt, Andy Ackerman, 1997) https://en.wikipedia.org/wiki/The_Strike_(Seinfeld)   The Simpsons (tv-serie, Matt Groenig, 1989–) https://en.wikipedia.org/wiki/The_Simpsons   Futurama (tv-serie, Matt Groenig, 1999 – 2013) https://en.wikipedia.org/wiki/Futurama   The Office Christmas Specials (tv-program, Ricky Gervais, 2003) https://en.wikipedia.org/wiki/The_Office_Christmas_specials   Doctor Who – Last Christmas (tv-program, Steven Moffat, 2014) https://en.wikipedia.org/wiki/Last_Christmas_(Doctor_Who)   Downton Abbey (tv-serie, Julian Fellowes, 2010 – 2015) https://en.wikipedia.org/wiki/Downton_Abbey   Mario Kart 8 (spel, Nintendo, 2014) https://en.wikipedia.org/wiki/Mario_Kart_8   Ticket to Ride (brädspel, Alan R. Moon, 2004) https://en.wikipedia.org/wiki/Ticket_to_Ride_(board_game)   The Legend of Zelda: Twilight Princess (spel, Nintendo, 2006) https://en.wikipedia.org/wiki/The_Legend_of_Zelda:_Twilight_Princess   Gilmore Girls (tv-serie, Amy Sherman-Palladino, 2000 – 2007) https://en.wikipedia.org/wiki/Gilmore_Girls   Särskilda jultips - TV: Black Mirror (tv-serie, Charlie Brooker, 2011–) https://en.wikipedia.org/wiki/Black_Mirror   RuPauls Drag Race (tv-serie, Nick Murray, 2009–) https://en.wikipedia.org/wiki/RuPaul%27s_Drag_Race   The Crown (tv-serie, Peter Morgan, 2016) https://en.wikipedia.org/wiki/The_Crown_(TV_series)   Särskilda jultips - läsa: Hemfrid (grafisk roman, Alison Bechdel, 2006)  https://en.wikipedia.org/wiki/Fun_Home   Alice’s Adventures in Wonderland (bok, Lewis Carroll, 1865) https://en.wikipedia.org/wiki/Alice%27s_Adventures_in_Wonderland   Through the Looking-Glass (bok, Lewis Carroll, 1871) https://en.wikipedia.org/wiki/Through_the_Looking-Glass   Hercule Poirots jul (bok, Agatha Christie, 1938) https://en.wikipedia.org/wiki/Hercule_Poirot%27s_Christmas   Särskilda jultips - spel: Inside (spel, Playdead, 2016) https://en.wikipedia.org/wiki/Inside_(video_game)   Mass Effect (spel, Bioware, 2007) https://en.wikipedia.org/wiki/Mass_Effect_(video_game)   Mass Effect 2 (spel, Bioware, 2010) https://en.wikipedia.org/wiki/Mass_Effect_2   Mass Effect 3 (spel, Bioware, 2012) https://en.wikipedia.org/wiki/Mass_Effect_3   The Legend of Zelda: Wind Waker (spel, Nintendo, 2003) https://en.wikipedia.org/wiki/The_Legend_of_Zelda:_The_Wind_Waker   The Legend of Zelda: Wind Waker HD (spel, Nintendo, 2013) https://en.wikipedia.org/wiki/The_Legend_of_Zelda:_The_Wind_Waker_HD   Särskilda jultips - film: Fönster åt gården (film, Alfred Hitchcock, 1954) https://en.wikipedia.org/wiki/Rear_Window   Fyra nyanser av brunt (film, Killinggänget, 2004) https://sv.wikipedia.org/wiki/Fyra_nyanser_av_brunt   Joyeux Noël (film, Christian Carion, 2005) https://en.wikipedia.org/wiki/Joyeux_No%C3%ABl Bonustips: Outlander (tv-serie, Ronald D. Moore, 2014–) https://en.wikipedia.org/wiki/Outlander_(TV_series)   Firefly (tv-serie, Joss Whedon, 2002) https://en.wikipedia.org/wiki/Firefly_(TV_series)   Serenity (film, Joss Whedon, 2005) https://en.wikipedia.org/wiki/Serenity_(film)   Scott Pilgrim vs. the World (film, Edgar Wright, 2010) https://en.wikipedia.org/wiki/Scott_Pilgrim_vs._the_World   Scott Pilgrim (tecknad serie, Bryan Lee O´Malley, 2004 – 2010) https://en.wikipedia.org/wiki/Scott_Pilgrim  

Mit der Nummer 69 meldet sich das Team von Nightcrow zurueck und hat auch frische neue Themen im Gepaeck. Wir machen weiter in der Terminator Reihe. Den ersten und zweiten Teil haben wir ja schon besprochen und als logische Konsequenz folgt darauf natuerlich der dritte und somit einer der umstrittensten Teile der Reihe. Ferner sprechen wir in Kino Aktuell noch ueber Sausage Party und Doctor Strange.

Alltid lika aktuella Fulkultur snackar dystopier och lyckas tajma det med USA-valets upplösning och landets nya ledare, den minst sagt kontroversiella affärsmagnaten Donald Trump.   Länklista Webhallens Survive 2017 campaign kithttp://www.webhallen.com/se-sv/lek_och_gadgets/kampanjer/survive_2017_campaign/   1984 (bok, George Orwell, 1949) https://en.wikipedia.org/wiki/Nineteen_Eighty-Four   Utopia, (bok, Tomas More, 1516)https://en.wikipedia.org/wiki/Utopia_(book) Kallocain (bok, Karin Boye, 1940) https://en.wikipedia.org/wiki/Kallocain   Black Mirror, Fifteen Million Merits, (serie, säsong 1, avsnitt 2, Euros Lyn, 2011)https://en.wikipedia.org/wiki/Fifteen_Million_Merits   Black Mirror, Nosedive, (serie, säsong 3, avsnitt 1, Joe Wright, 2016)https://en.wikipedia.org/wiki/Nosedive   Black Mirror, Men against Fire, (serie, säsong 3, avsnitt 5, Jakob Verbuggen, 2016)https://en.wikipedia.org/wiki/Men_Against_Fire   Du sköna nya värld (bok, Aldous Huxley, 1932)https://en.wikipedia.org/wiki/Brave_New_World   A clockwork orange, (film, Stanley Kubrick, 1971)https://en.wikipedia.org/wiki/A_Clockwork_Orange_(film)   A clockwork Orange (bok, Anthony Burgess, 1962)https://sv.wikipedia.org/wiki/En_apelsin_med_urverk   Death Race 2000, (film, Paul Bartel, 1975) https://en.wikipedia.org/wiki/Death_Race_2000   Blade Runner (film, Ridley Scott, 1982)https://en.wikipedia.org/wiki/Blade_Runner   Do androids dream of electric sheep? (bok, Philip K. Dick, 1968)https://en.wikipedia.org/wiki/Do_Androids_Dream_of_Electric_Sheep%3F Wall-E (film, Andrew Staton, 2008)https://en.wikipedia.org/wiki/WALL-E   Judge Dredd (serie, 1977-)https://sv.wikipedia.org/wiki/Judge_Dredd   Dredd, (film, Pete Travis, 2012)https://en.wikipedia.org/wiki/Dredd   Idiocracy, (film, Mike Judge, 2006) https://en.wikipedia.org/wiki/Idiocracy   Cloud Atlas, (film, syskonen Wachowski, 2012)https://en.wikipedia.org/wiki/Cloud_Atlas_(film)   Soylent Green /film, Richard Fleischer, 1973)https://en.wikipedia.org/wiki/Soylent_Green   The Road (bok, Cormac McCarthy, 2006)https://en.wikipedia.org/wiki/The_Road   Deepmind tar sig an Starcraft II (2016)https://deepmind.com/blog/deepmind-and-blizzard-release-starcraft-ii-ai-research-environment/   Stake Land (film, Jim Mickle,  2010)https://sv.wikipedia.org/wiki/Stake_Land   Westworld (film, Michael Crichton, 1973)https://en.wikipedia.org/wiki/Westworld Westworld (serie, HBO, 2016-) https://en.wikipedia.org/wiki/Westworld_(TV_series)     Decoding Westworld (podcast) http://www.slashfilm.com/category/features/slashfilmcast/decoding-westworld/     Hungerspelen, (bokserie, Suzanne Collins, 2008, 2009, 2010) https://en.wikipedia.org/wiki/The_Hunger_Games   Hungerspelen, (filmserie, Nina Jacobson, 2012, 2013, 2014, 2015)https://en.wikipedia.org/wiki/The_Hunger_Games_(film_series)   Battle Royal, (film, Kinji Fukasaku, 2000)https://en.wikipedia.org/wiki/Battle_Royale_(film) T he Island, (film, Michael Bay, 2005)https://en.wikipedia.org/wiki/The_Island_(2005_film) Brazil (film, Terry Gilliam, 1985) https://en.wikipedia.org/wiki/Brazil_(1985_film)   12 Monkeys (film, 1995, Terry Gilliam) https://en.wikipedia.org/wiki/12_Monkeys   12 Monkeys (serie, SyFy, 2015-) https://en.wikipedia.org/wiki/12_Monkeys_(TV_series)     Surrogates, (film, Jonathan Mostow, 2009) https://en.wikipedia.org/wiki/Surrogates   Children of Men (film, Alfonso Cuarón, 2006)https://en.wikipedia.org/wiki/Children_of_Men   Det sovande folket (bok, Fredrik Reinfeldt, 1993) https://sv.wikipedia.org/wiki/Det_sovande_folket

Does it get much bleaker than the literal end of the world? Probably not, but Dustin and Mallie are still going to try and find a silver lining to 2003's Terminator 3: Rise of the Machines anyway. The fact the next entry into the Terminator franchise is apparently trying to undo everything that's happened because of this one is never a good sign.Terminator 3: Rise Of The Machines stars Arnold Schwarzenegger, Nick Stahl, Claire Danes, and Kristanna Loken. Directed by Jonathan Mostow.If you enjoy what we do, please subscribe to our show. Leave us a rating in the iTunes Store and Stitcher. You can also listen on Spotify, Google Play, or YouTube as well. Like us on Facebook Join us on YouTube Subscribe on Spotify Find us on Stitcher Listen on Google Play Brought to you by HOLY Propaganda

This week our request comes from long time listener/collaborator/WestCoastCorrespondent/All-Around-Great-Dude MATT DeLUNA! We’re watching BREAKDOWN, directed by Jonathan Mostow and starring Kurt Russel, J.T. Walsh, and Kathleen Quinlan! Don’t…trust…ANYONE.  It’s time to commit MASS MOVIECIDE!

Help support The Sci-Fi Movie Podcast by becoming a Patron! Hosted by Remi Lavictoire and Jonathan Colbon Get the Sci-Fi Movie Podcast Archive for 5 Bucks! This week on The Sci-Fi Movie Podcast, Jonathan and Rem dig deeper into Terminator 3: Rise of the Machines from 2003 and directed by Jonathan Mostow.   Listener Feedback Shane WestI've been a huge fan of the show since I heard about it on The Walking Deadcast. I'm a huge fan of the Terminator franchise in that it made me want to study history due to it's Cold War themes. Basically, this franchise is one of the reasons I became a History Professor. As it pertains to Terminator 3, I have to say that this is in no way, shape, or form essential sci-fi viewing. Besides the fact that there were some essential continuity errors (ie//Arnold is a T-800 Cyberdyne Series Model 101 NOT a T-101 and that John was 10 years old during the events of T2 NOT 13), this film spits in the face of a wonderful story. T2 was the perfect ending of that story. Even though T2 ended in uncertainty, you couldn't help but have unbridled hope in the future. Because of T3, I wish they would have used the original ending. T3 neutralized all the sacrifices made in T2. (i.e.// Uncle Bob and Miles Dyson) Those two died for absolutely nothing. With the first 2 movies, I was emotionally invested in the characters. Even today, after seeing these movies over and over again, I still hold out hope for Kyle. I still get emotional when Uncle Bob gives one final thumbs up as he's consumed by the molten steel. I don't get that from T3. The plot is full of holes. Judgement Day is inevitable!? Really!? What was all that “there is no fate but what we make ourselves” talk? T3 left me cheated. Instead of the perfect ending to a franchise in T2, we have this followed by Christian Bale grunting for 2 hours pretending to be John Connor. The only positives we got out of this were The Sarah Connor Chronicles and Terminator Genisys (yes, I loved that flick). Can we just pretend that T3 just doesn't exist? Ray RThis isn't the kind of film people feel strongly about. I enjoyed it and it has some rewatchability but "love" is a bridge too far. I don't think it lived up to the legacy of T2 but it was an entertaining and amusing film in it's own right. The ending was a nice twist but it's so late in the movie before the film takes any real risks by that point it's almost too late to really matter. That said, the twist does have a classic sci-fi feel to it - like a good Outer Limits episode from the 90s.Best Line Of The Film (also known as the "Jimmy Shaker Day", ask Jon): "Next time bring a clue, not a paintball gun" Mitch ToddI never engaged with the characters, so I never cared what happened. It just seemed to miss. Jim GoodmanT3 is not an awful movie, but it pales in comparison to the two films that came before it. It kinda breaks/bends the "rules" that were set in the previous movies, but they had to to make this a film franchise. With the time in between the releases of T2 and T3, I would have hoped that a stronger story would have evolved, but the plot just seems to be a bit of a rehash of what came before and that was disappointing. The T-X lacks the character menace of the T-1000, but the action sequences in the film are very well done. Brian CampbellIt's tired. It's been done. The only change in the "Kill John Connor" story is we finally get to see the Apocalypse happen at the end, but even still we don't get to see a large scale war between humans and machines. By the way, the lead actor was totally miscast. Hard to believe this mousy guy becomes the leader of mankind. Ton de WitteBasically a rehash of T2 with some T1 injected. An enjoyable rehash nevertheless but nothing special. Michael SimshauserI saw this movie gratis during my brief tenure in recruitment and I'm glad I didn't pay to see it. Still more enjoyable than Terminator Salvation and a clearer story than Terminator Genisys. Not required sci-fi viewing but an mildly enjoyable sci-fi action movie with a kind of downer ending. Nick JensenThe Rise of the Machines is the beginning of Hollywood rehashing great original material and making an underwhelming franchise out of what were two of the best sci-fi movies ever, as they love to do. Some of the storylines were interesting and intriguing; I liked the TX going after people other than John Connor and killing his lieutenants as teenagers, the sub-plot of the terminator in this film being used to assassinate John was pretty cool, and I get a guilty pleasure out of the amped up chase scene with the firetruck and crane truck. Probably the biggest mistake of this movie is the casting of Nick Stahl as John Connor...he is not a good actor and completely not believable as the leader of the human resistance, the future scene with him and his scar makes me laugh every time. If a better actor had been cast as John it would've improved this film a lot. I view Terminator and T2 completely separately from the rest of the 'Terminator' films, the original two are amazing and sci-fi classics that everyone should see. From Rise of the Machines on the series is definitely NOT essential viewing, but I can watch this movie and be entertained by what it is; not even in the same league as 1 and 2 but still enjoyable enough to turn your brain off and watch. Doug FergusonThe main problem with this film is that it shouldn't exist. Terminator 2 was the ideal ending for the series, but the studio just keeps milking the premise.That being said, it's actually an entertaining film. Some of those action sequences are amazing, like the destruction of that highway as Arnold is hanging from that truck. So impossible... so much fun. You just have to get over the fact that this film ruins the significance of T2's ending.Not a big fan of the T-X. Couldn't match the menace of the T-1000 despite being the newer, hotter model, so to speak. Bill MadiaWhat I liked about this film was the concept of the apocalypse being unavoidable. As far as recycling plot elements from earlier films, if time travel IS a possibility, the machines, just to be sure, would use it to send agents back to various time periods in the hope that ONE will succeed. I also liked that John Connor did not want the responsibility that he was destined for. To me, it added a dimension to an archetype we rarely see. Luke Skywalker, Paul Atreides, Harry Potter, etc. all accept their destinies. It took years of convincing, alone in a bunker with his soon-to-be wife to make him into the fighter he became. Is it essential viewing? Not really, but it is a good extension of the story. In my opinion. John Sheehy1 Pair of Cracked Sunglasses out of 5 from me, for this awful movie. Topher Grace would have made a more convincing John Connors. I was surprised you gave this film a full podcast. It would probably be best featured in a "Top 5 Movies from Essential Franchises that are Not Essential Viewing"… For me this is the Alien: Resurrection of the Terminator series Jennifer RobertsonUtterly forgettable.     The Sci-Fi Movie Podcast is a member of the Podcastica Network, visit Podcastica.com The Sci-Fi Movie Podcast is partially funded by Patreon. You can help make the Sci-Fi Movie Podcast even better by becoming a support. Go to our Patreon page and show your support! Please share your comments and thoughts on The Sci-Fi Movie Podcast Facebook page or send us Email and we'll add your feedback to the show! 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Welcome back to another episode of Sci Fi Onscreen!  This week I’ll be taking a look at Jonathan Mostow’s Terminator film.  Worthy to successor to Cameron’s films or a walking toaster?  Talk to the hand!   The post Episode 48 – Terminator 3: Rise of the Machines (2003) appeared first on SciFi Onscreen Podcast.

Tony Black hosts a special episode, alongside guest Lee Chrimes, to discuss the TERMINATOR franchise, with a sneaky look at the UK Box Office along the way... They begin with an examination of THE TERMINATOR, James Cameron's original 1984 classic... TERMINATOR 2: JUDGMENT DAY is up next, Cameron's 1991 sequel, which Lee judges as 'better than The Godfather Pt 2'... Onto TERMINATOR 3: RISE OF THE MACHINES, from Jonathan Mostow in 2003, which Tony argues is much better than people give it credit for... Then TERMINATOR SALVATION, the McG 2009 franchise continuation, which Lee passionately defends from its critics... Taking a momentary T-break, Tony pops into his DIRECTOR'S CORNER to discuss the filmography of James Cameron - which one of his movies will turn out to be Lee's favourite ever movie? Before finally the boys get into TERMINATOR GENISYS, the brand new franchise kickstarter from Alan Taylor - but is it any good? Come with us if you want to listen... See acast.com/privacy for privacy and opt-out information.

Tony Black hosts a special episode, alongside guest Lee Chrimes, to discuss the TERMINATOR franchise, with a sneaky look at the UK Box Office along the way... They begin with an examination of THE TERMINATOR, James Cameron's original 1984 classic... TERMINATOR 2: JUDGMENT DAY is up next, Cameron's 1991 sequel, which Lee judges as 'better than The Godfather Pt 2'... Onto TERMINATOR 3: RISE OF THE MACHINES, from Jonathan Mostow in 2003, which Tony argues is much better than people give it credit for... Then TERMINATOR SALVATION, the McG 2009 franchise continuation, which Lee passionately defends from its critics... Taking a momentary T-break, Tony pops into his DIRECTOR'S CORNER to discuss the filmography of James Cameron - which one of his movies will turn out to be Lee's favourite ever movie? Before finally the boys get into TERMINATOR GENISYS, the brand new franchise kickstarter from Alan Taylor - but is it any good? Come with us if you want to listen...

Our Summer Blockbuster Extravaganza (#SBE2015) rolls on as we take a look at a pretty silly sequel, 2003's Terminator 3: Rise of the Machines! How lame is it to have Sarah Connor die from leukemia instead of going out in a blaze of glory like she deserves to? What's with all the lame comedy - including "Talk to the hand!" - peppered throughout this film? And how did we not figure out a way to get Robert Patrick in this movie? PLUS: Give it a rest with that boob joke! Terminator 3: Rise of the Machines stars Arnold Schwarzenegger, Claire Danes, Nick Stahl and Kristanna Loken; directed by Jonathan Mostow.

Jeff submits himself to the torture of Terminator 3: Rise Of The Machines, while Daley and Bart discover that the movie may have played better in their memories. But the group discovers director Jonathan Mostow's incredible songwriting skills and they all agree that the best scene in the movie is the one that was cut from the movie.

Tedi Sarafian's early training in film came from two legendary iconoclasts in the industry: his father, award winning screenwriter/director Richard C. Sarafian (Vanishing Point) and his uncle, Academy Award winning director, Robert Altman (M*A*S*H). Growing up on sets and trained in his youth as a production assistant, he was given a rare inside education in all aspects of filmmaking and by his late teens was working as an assistant editor. He took a hiatus from the family business to attend North Texas University where he studied film and music. While in college, Tedi wrote his first screenplay. Imaginative, his storylines were fast-paced with smart characters and his affinity for epic action sequences quickly got the attention of major studios. His first produced credit, Tank Girl, starring Lori Petti, became an underground cult film. He then went on to write and co-produce Roadflower (aka Road Killers) for Miramax. Some more of his writing projects include, Man Plus, for Warner Bros., Flying Tigers, for Morgan Creek; William The Magnificent, which he sold in a bidding war to Steven Spielberg; Metal Heads, which he sold in a bidding war to United Artists; The Radda Condition, which he wrote for John Calley and United Artists; Adaptive Ultimate, which he wrote for 20th Century Fox and Jody Foster. Now, garnering seven figures per project, Tedi branched out to deliver rewrites of existing material on such major projects as the television mini- series, Dinotopia and the hit feature film, Rush Hour. He wrote an original screenplay that attracted Arnold Schwarzenegger and director Jonathan Mostow. The resulting feature film, Terminator 3: Rise of the Machines, became the 3rd installment of Sony Pictures' blockbuster franchise grossing $450 mil worldwide firmly establishing Tedi as a major screenwriter. Working for top directors such as Ridley Scott, John Singleton, Gary Ross, Michael Bay and Sam Raimi, Tedi has several screenplays presently in development including, The 8th Voyage Of Sinbad for Sony and “Arabian Nights” based on a treatment by Sam Raimi and 20th Century Fox, Creature From The Black Lagoon. His television projects include the half-hour sci-fi comedy, “Hoax,” for Fox Television; and a dark, twisted family drama titled, “Blood Relatives.” This project is currently set up at NBC. Tedi is also developing his original TV pilot, The Bus, with actress Charlize Theron, who is attached to produce and play a cameo roll. This project is out for funding. Tedi sold his action/comedy pilot titled Indigo to Katie O'Connell, a project with which he is teaming up with his brother, director Deran Sarafian (House, MD). Currently, he is preparing to pitch Volt, a project that he co-created with comic icon Stan Lee (Spider-Man, Iron man). Tedi recently completed his directorial debut, Altergeist. A psychological thriller that he also wrote, starring Kristina Anapau (Black Swan). Altergeist was filmed entirely on location in Sonoma, California at Korbel Champagne Cellars. This film is scheduled to be released in October, 2014. Tedi's most recent endeavor is an original screenplay titled Lilith, which he is attached to direct. Academy Award winning producer Phillip Goldfine is producing.   His latest spec screenplay, Bot, is a tent pole blockbuster science fiction/action trilogy. Mario Kassar (Terminator/Rambo) is attached to produce.

Film Reviews - The Informant and Surrogates It's a been a week or two, but we're back and running with our double feature of reviews for Steven Soderberg's zany character comedy The Informant and Jonathan Mostow's adaptation of the indie-hit graphic novel Surrogates. Discover the ironies of Matt Damon gaining forty pounds to look like an old man while Bruce Willis goes from meatbag to metalhead in the quest to younger facade and stay tuned past the reviews as we chat about the myth and realities of Surrogate robot bodies, and why piloting one around might just ruin your next cruise down the interstate. Sit back in your stem chair and put your money on lysene, it's Weekly Monotony. Weekly Monotony Episode 30 - Bandwidth Issues The music for the intro and outro are both from The Informant soundtrack by legendary film composer and song writer Marvin Hamlisch (The Sting), and is just a sample of what I think is one of the best film scores this year. Show Notes:

Jack Szostak, who just shared the 2009 Nobel Prize in Physiology or Medicine, talks about his latest research on the origin of life. And Scientific American editor George Musser talks to Jonathan Mostow, director of the new Bruce Willis sci-fi thriller Surrogates . Web sites related to this episode include www.snipurl.com/surrogates; www.snipurl.com/telomere; www.snipurl.com/origin