Podcast appearances and mentions of Brad Pitt

A title fight full of twists and turns, a new World Champion, rookies reaching major milestones and Formula 1 on the big screen. The 2025 season was nothing short of dramatic on and off track. Here, on F1 Beyond The Grid, Tom Clarkson has sat down with the people in the thick of all that drama and in this end-of-year special, Tom picks out his highlights. You'll hear from the new World Champion Lando Norris, who reveals how he changed his mental approach to racing, and his race engineer Will Joseph. Lando's title rival and teammate Oscar Piastri explains how he made so much progress from 2024 to 2025. And McLaren CEO Zak Brown and Team Principal Andrea Stella tell us how they've managed to get Lando and Oscar to buy into the team's racing philosophy. Away from the champions, Isack Hadjar reflects on how he bounced back from a nightmare F1 debut in Australia. Esteban Ocon and his race engineer Laura Mueller explain how they've built a relationship in their first year working together at Haas. And Valtteri Bottas tells Tom why he's got unfinished business with F1 ahead of his return with Cadillac in 2026. From the cockpit to the pitwall, Williams Team Principal James Vowles shares his pride after Carlos Sainz secured the team's first podium since 2021 and Ferrari boss Fred Vasseur gives his thoughts on Lewis Hamilton's first year in red. Plus, four-time World Champion Sebastian Vettel reflects on the highs and lows of his career and Hollywood icon Brad Pitt reminisces on what it was like becoming F1 driver Sonny Hayes for F1: The Movie. Thank you for listening in 2025. F1 Beyond The Grid will return in 2026. To hear the full interviews with the guests featured in this show, click on the links below… Lando Norris  Oscar Piastri   Andrea Stella + Zak Brown Helmut Marko  Fred Vasseur James Vowles  Brad Pitt  Sebastian Vettel

Legendary auteur Terry Gilliam (Brazil, Time Bandits, The Fisher King, Monty Python & the Holy Grail) directs this time-bending sci-fi thriller focusing on one man's unique journey to the past to save the future.  That man is James Cole (Bruce Willis) who is currently living in a dystopian 2035 so ravaged by disease that no humans can actually live on the surface of the Earth so he has been tasked by scientists to travel back to the 1990's in Philadelphia to pinpoint the very beginning of a fatal virus which would eventually spread and wipe out most of the Earth's population.  As would be expected, several complications occur along the way including being commited to a mental facility where he meets the mad son (Brad Pitt who received an Oscar nomination for his performance) of a reknowned virologist (Christopher Plummer).  And he also encounters a therapist (Madeline Stowe) who initially believes him to be crazy though they build a unique relationshiop over time.  Co-written by David Webb Peoples (the Oscar-nominated writer of Unforgiven and Blade Runner), this dizzying tale takes features several dizzying turns carried by sterling performances.  Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

 How monogamous are humans? Dive into this hilarious episode of The JB and Sandy Show where hosts Sandy, JB, and Tricia spill the beans on everything from holiday mishaps to wild animal facts! JB shares his empty-nester struggles with wife Aaron over movie nights—loving the high-speed thrills of F1 with Brad Pitt but cringing through the absurd chaos of Cocaine Bear (spoiler: he calls it a total disaster, while she adored it!). Relive festive tales of Christmas tree triumphs, like JB's heartwarming adventure strapping a tree to his daughter's station wagon , and JB's allergy-fueled avoidance of real trees. Things get cheeky with a monogamy ranking: humans beat beavers but lose to meerkats, while chimpanzees and dolphins top the "cheater" list! Don't miss memorable moments like Tricia's guilty confessions of swinging by 7-Eleven for donut breakfasts and the hosts' banter on parenting fails, from entrusting dads with eggs (penguin-style) to cereal-for-dinner habits. Plus, shoutouts to local spots and life hacks that keep things real. Tune in for laughs, relatable vibes, and a dose of holiday spirit that'll have you hitting replay! Subscribe now, leave a glowing review, and share with your crew to spread the fun—your next binge session starts here!

"Based on a true story." "Inspired by actual events." "The following actually happened."These five words might be Hollywood's greatest magic trick, transforming entertainment into education, fiction into fact, and Brad Pitt's abs into ancient Greek warfare. More Americans learn their history from movies than from any other source. Think about that for a moment. Our understanding of the past - of who we were, what we've done, and where we're going - can be shaped more by screenwriters than scholars, more by CGI than citations.So what happens when Hollywood gets it wrong? When the decade-long siege of Troy gets compressed into a long weekend? When a president's decision to invade Iraq gets reduced to daddy issues?And yet - what about when they get it right? When a film captures not just the facts but the feeling of a moment? When Colin Firth's king reminds us that history turns on personal struggles as much as grand strategies? When Spielberg refuses to look away from humanity's darkest hour and finds light anyway?Join Jon, Dan, and Joe as they wade through Hollywood's version of history - celebrating the films that honor the past and calling out the ones that butcher it for a buck. From newsrooms to royal courts, from Warsaw ghettos to Trojan beaches, we're asking the question that matters: in an age where movies are our history teachers, what exactly are we teaching ourselves? And more importantly - who gets to decide what's worth remembering?

Welcome Back! Your go-to for the latest in movies, TV shows, and video games news, reviews, and rants all in one place! & this week we are reviewing "Silent Night, Deadly Night" ==========================Lets Connect

SPY GAME (2001) looks like a slick, early-2000s spy thriller, but beneath Tony Scott's kinetic style is a surprisingly thoughtful film about loyalty, institutional cynicism, and the quiet mechanics of real espionage. Rather than gadgets or superhuman assassins, SPY GAME is about phone calls, favors, leverage, and knowing the system well enough to bend it without breaking it.   Robert Redford plays Nathan Muir, a veteran CIA operative on his final day before retirement, racing against the clock to save his former protégé Tom Bishop (Brad Pitt), who has been captured in a Chinese prison after going off-mission. What unfolds is less an action spectacle and more a chess match fought through bureaucracy, institutional blind spots, and decades of accumulated spycraft.   As the film moves between past missions and present-day interrogation rooms, SPY GAME becomes a story about mentorship, moral compromise, and the cost of serving systems that treat people as expendable assets. Redford delivers one of his most restrained performances, while Tony Scott proves that a “popcorn director” can still find real heart beneath the spectacle. Visit https://prizepicks.onelink.me/LME0/FOURPLAY and use code FOURPLAY and get $50 in lineups when you play your first $5 lineup! Raycon audio products are up to 20% off this holiday season! Go to https://buyraycon.com/FOURPLAYOPEN to save on Raycon audio products sitewide. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Go to https://surfshark.com/yarn or use code YARN at checkout to get 4 extra months of Surfshark VPN!In this Proper True Yarn quick-fire session, Gocsy sits down for a loose Q&A that bounces from dream autographs and comedy heroes to busted cars, late-blooming romance, and wild Mad Monday benders with the St Kilda boys.He talks about the musicians and comics that shaped him, why Carl Barron sits on top of the Aussie comedy pyramid, the headbutt that nearly earned him a carpark bashing a year later, and what it's really like growing up fiery on the footy field. We finish with Hollywood biopic casting (Brad Pitt, if he had his way), his love for rottweilers and capybaras, and a classic Gocsy sign-off: if you're gonna be a cunt, be a good cunt.#propertrueyarn Hosted on Acast. See acast.com/privacy for more information.

Itt a Telex tíz kedvenc karácsonyi gyerekkönyve Könyveket ajánlunk a fa alá Már otthonról nézheted: Brad Pitt sci-fijével bővült a streamingóriás katalógusa Az Avatar: Tűz és hamu minden idők legdrágább mozifilmjei között van Mától a Netflixen: Végre megérkezett az év egyik legjobban várt filmje! Vészjósló Stranger Things-elmélet terjed a rajongók között Felgyújtották a karácsonyfát, nem lesz másik Valami nagyon csípőset keresel? Így készül az igazi koreai kimchi! Mikor és hol nézheted vissza az X-Faktor 2025 összes epizódját? Meg akarták késelni Fluor Tomit - "Azt mondták pakoljak ki!" Élő rádióműsorban mondta ki az első boldogító igent a százéves komikus A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Itt a Telex tíz kedvenc karácsonyi gyerekkönyve Könyveket ajánlunk a fa alá Már otthonról nézheted: Brad Pitt sci-fijével bővült a streamingóriás katalógusa Az Avatar: Tűz és hamu minden idők legdrágább mozifilmjei között van Mától a Netflixen: Végre megérkezett az év egyik legjobban várt filmje! Vészjósló Stranger Things-elmélet terjed a rajongók között Felgyújtották a karácsonyfát, nem lesz másik Valami nagyon csípőset keresel? Így készül az igazi koreai kimchi! Mikor és hol nézheted vissza az X-Faktor 2025 összes epizódját? Meg akarták késelni Fluor Tomit - "Azt mondták pakoljak ki!" Élő rádióműsorban mondta ki az első boldogító igent a százéves komikus A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This month's Out Now with Aaron and Abe commentary wants the future to be unknown. The Brandon Peters Show's Brandon Peters and The Outside Scoop's Scott Mendelson join Aaron to discuss 1995's 12 Monkeys from director Terry Gilliam. Listen in to hear the group discuss this time-travel favorite from a director notorious for tough shoots, yet nevertheless had a hit film starring Bruce Willis, Madeleine Stowe, and Brad Pitt. Additionally, there are numerous stories about the film, its connection to the hosts, tangents about other movies, and other absurdist bits. So now, if you've got an hour to kill… Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @ScottMendelson, @Brandon4KUHD Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, The Outside Scoop Watch the trailer for 12 Monkeys

If Who Framed Roger Rabbit invented a genre, Cool World ended it. This week we revisit the early Brad Pitt vehicle and find what works, or at least make sense of what we just watched.Join the Best of the Rest discord: https://discord.gg/86P7jJXNPb Merch: https://www.teepublic.com/user/botrcast Email: bestoftherestpod@gmail.com Social Media @BotRCast on Twitter, Instagram, Facebook Bonus content: Youtube Theme song (vocals) by Mark Benavides: Instagram Music by Mitch: BlueSky, SoundCloud Logo by Alex Brinegar: https://itsdesignthyme.com/ Additional artwork by Phillip Chacon, C7Productions: Instagram

#133 - Marc-Marie is na zijn bezoek aan de kerstmarkt een illusie armer. Dat is overigens niet de eerste keer dat hij zich opgelicht voelt door een feestelijke aangelegenheid: Sinterklaas is toch wel echt een oplichter van de bovenste plank. Gelukkig trapt Isa, door alle tips van Kees van der Spek, niet meer in de oplichtingspraatjes van prinsen in een land hier ver vandaan.

"Yer man's in the pits, boss!" Joseph Kosinski's crowd-pleasingly kinetic F1 was one of the success stories of the year at the box office, displaying impressive legs (or wheels) to take the chequered flag with over $600 million in the global bank, making it the biggest hit of Brad Pitt's career. And now that the film is making its debut on Apple TV, our Chris Hewitt sat down with the film's producer, the legendary Jerry Bruckheimer, and stars Damson Idris and Kerry Condon for a fun, frank and fascinating look back at the movie. It's not a spoiler special, per se, but familiarity with F1 (the movie, not the sport, although that might help too) couldn't hurt. However you're listening to this, we hope you enjoy.

On this episode of THE GEEK BUDDIES, John Rocha, Michael Vogel and Shannon McClung talk the trailers for Supergirl, Street Fighter, Lanterns and Avatar S2, the rumor that Brad Pitt is in The Batman Part 2, Disney's $1B deal with OpenAI, Jennifer Lawrence and Josh Hutcherson returning for Hunger Games sequel and more! Remember to Like and Share this episode on your social media and to Subscribe to The John Rocha Channel below. #DC #jamesGunn #supergirl #superman #batman #streetfighter #disney #OpenAi #johnrocha #michaelvogel #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 Intro and Rundown 2:20 Supergirl Trailer Breakdown and Discussion 16:51 Street Fighter, Lanterns, Avatar S2 Trailers Talk 34:08 Disney's Deal with OpenAI- Troubling or Necessary? 47:18 Jennifer Lawrence, Josh Hutcherson Returning to Hunger Game 53:32 Brad Pitt in The Batman Part 2? Who Could He Play? FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Teen Girl Talk, we're covering the sequel to Five Night's at Freddy's.  Should be great for the fans, less so for the uninitiated.  Also on this episode, Suesie loses it at fake Brad Pitt pics.  Frank gets offended by Suesie.  Intro and outro is Rebel Girl by Bikini Kill.  Please rate, review and subscribe to the show on iTunes and SpotifyE-mail: realteengirltalk@gmail.comTeen Girl Talk's Instagram: https://www.instagram.com/realteengirltalk/ Frank's writing website: franklincota.com Suesie's Instagram: https://www.instagram.com/susieboboozy/Frank's Instagram: https://www.instagram.com/siriwouldchallenge/Frank's YouTube: https://www.youtube.com/channel/UCJcUttxP0ujvc6HXBz-4kIw   Frank's Book: https://books2read.com/u/3nJPzP

On this episode of The Movie Podcast, we're joined by Director Joseph Kosinski to discuss Apple Original Films' “F1” which makes its global streaming debut today on Apple TV. Dubbed “the greatest that never was,” Sonny Hayes (Brad Pitt) was FORMULA 1's most promising phenom of the 1990s until an accident on the track nearly ended his career. Thirty years later, he's a nomadic racer-for-hire when he's approached by his former teammate Ruben Cervantes (Javier Bardem), owner of a struggling FORMULA 1 team that is on the verge of collapse. Ruben convinces Sonny to come back to FORMULA 1 for one last shot at saving the team and being the best in the world. He'll drive alongside Joshua Pearce (Damson Idris), the team's hotshot rookie intent on setting his own pace. But as the engines roar, Sonny's past catches up with him and he finds that in FORMULA 1, your teammate is your fiercest competition — and the road to redemption is not something you can travel alone. APXGP Team Race Car from F1® The Movie Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian and Hannah review the biggest new films and bingeable shows on UK streaming services for the week beginning Friday 12th December 2025, including:Six divorce support group members shift from seeking healing to plotting revenge. Their shared pain creates an unexpected alliance, turning therapeutic meetings into something more sinister, in Paramount+ original series The Revenge Club.A Formula One driver comes out of retirement to mentor and team up with a younger driver. Brad Pitt stars in Apple TV's F1: The Movie.In a world where he survived the events of Spartacus (2010), Ashur clawed his way to power, owning the same ludus that once owned him. Allying with a fierce gladiatrix, Ashur ignites a new kind of spectacle that offends the elite in MGM+ original series Spartacus: House of Ashur.After a disastrous experience housesitting a high-tech mansion hampered by an inconvenient insect in Man vs Bee, Trevor Bingley is now looking after a luxurious London penthouse, with another unlikely, un-asked-for companion. Rowan Atkinson returns in the festive Man vs Baby, on Netflix.Follow Bingewatch on all major podcast players for your weekly rundown of the best binge-worthy shows across Netflix, Prime Video, Disney+ and more.Remember to leave a 5 star review on Apple Podcasts, Podchaser and Goodpods AND you can now show your support and leave a tip for Ian and Hannah.You can also stay in touch with the team via Twitter AND if you like Bingewatch but you're looking for a specific review, check out BITESIZE BINGEWATCH, our sister show making it easier to get the bits you want!Discover your next favourite restaurant with NeoTaste, the exclusive membership unlocking huge discounts at hundreds of restaurants. Get 2 MONTHS FREE on us! Simply use the code BINGE at checkout. Sign up here: https://bingewatch.captivate.fm/neotaste For ad and sponsorship enquiries, email liam@mercurypodcasts.com now!

On this week's Haven't Scene It, Tim & Tommy head back to the past of 1995 to discuss 12 Monkeys for its 30th Anniversary! This is everyone's first time watching the film.What was Brad Pitt's career up to this point? Why wasn't Madeleine Stowe a bigger star? Was Bruce Willis character crazy or telling the truth? Plus we revisit It's a Wonderful Life! All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

It's Christmas Month on CITIZEN FRAME! And what better way to celebrate the season of giving than with an apocalyptic virus wiping out humanity and a violent criminal being sent on a mind-bending, time-travelling journey into insanity! Join us as we discuss Terry Gilliam's 12 MONKEYS (1995) starring Bruce Willis and Brad Pitt -- and which is also set at Christmas before anyone asks!

In der heutigen Folge gibt es die Weltmeisterkrönung von Lando Norris und Rennanalyse zu Abu Dhabi 2025 Wir sind auch auf Instagram erreichbar: https://www.instagram.com/formulanerdpodcast Wir freuen uns über Kritik, Ideen und weitere Anregungen, um unser kleines Projekt für euch immer Besser zu machen. Viel Spaß wünschen Marc und Manu. E-Mail: formulanerdpodcast@web.de Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

In der heutigen Folge gibt es die Weltmeisterkrönung von Lando Norris und Rennanalyse zu Abu Dhabi 2025 Wir sind auch auf Instagram erreichbar: https://www.instagram.com/formulanerdpodcast Wir freuen uns über Kritik, Ideen und weitere Anregungen, um unser kleines Projekt für euch immer Besser zu machen. Viel Spaß wünschen Marc und Manu. E-Mail: formulanerdpodcast@web.de Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Er brachte uns das ALIEN, den BLADE RUNNER und mit GLADIATOR den Sandalenfilm zurück ins Kino. Jetzt ist Sir Ridley Scott 88 Jahre alt geworden und das nehmen Andi, Wolf und Schröck zum Anlass einmal auf das Werk des Mannes zu blicken, um eine hauseigene Bestenliste zu erstellen. Also gehts von ALIEN - DAS UNHEIMLICHE WESEN AUS EINER FREMDEN WELT, BLADE RUNNER und GLADIATOR einmal durch die gesamte Vita des Briten, um zu erörtern, welcher der insgesamt 27 anderen Filme noch auf die Liste gehören. Und dann auch an welchen Platz. Gefolgt von mal längeren, mal kürzeren Plaudereien zu KÖNIGREICH DER HIMMEL, zu der Screentime von Brad Pitt in THELMA & LOUISE, um die Vorderzähne von Tom Cruise in LEGENDE, den Humor in DER MARSIANER, die Action und das Star-Aufgebot in BLACK HAWK DOWN, den Style von BLACK RAIN, den Wiederschauwert von AMERICAN GANGSTER, die unterschätzte Klasse von THE LAST DUEL und um ALIEN COVENANT, ah, ne doch PROMETHEUS – DUNKLE ZEICHEN. Nur bei HANNIBAL entstehen ein paar Fragezeichen, auch bei denjenigen, die ihn in ihre privaten Listen mit aufgenommen haben. Darüber hinaus soll es aber auch um ein paar Highlights aus dem Jahre 2025 von Wolf und Andi gehen, was kürzere Infos zu STROMBERG - ALLES WIEDER WIE IMMER, ONE BATTLE AFTER ANOTHER; BRING HER BACK, EDDINGTON oder WEAPONS zur Folge hat. Komplettiert durch einen kurzen Talk zum NETFLIX-WARNER-Deal, den die Drei allerdings vor der Nachricht geführt haben, dass das Studio nun endgültig für rund 82 Milliarden Dollar an den Streaminganbieter verkauft wurde. Dabei wünschen wir Euch nun viel Spaß und noch ein schönes Wochenende. Bleibt so gesund wie gut drauf und auf Wiedersehen. Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar-nominated actor Andy Garcia joins Rich in-studio to discuss his huge role in the new season of ‘Landman,' his die-hard Miami Dolphins fandom, reviving his ‘Terry Bennedict' role in the upcoming ‘Ocean's 14' movie and his best memories from making the original ‘Ocean's 11' with George Clooney, Brad Pitt, Don Cheadle, Carl Reiner, Julia Roberts and others, and reveals what it's like to play golf with good friend Joe Pesci. Rich previews NFL Week 14 and lays out what's at stake in Rams vs Cardinals, Steelers vs Ravens, Falcons vs Seahawks, Bengals vs Bills, Colts vs Jaguars, Commanders vs Vikings, Dolphins vs Jets, Titans vs Browns, Broncos vs Raiders, Bears vs Packers, Texans vs Chiefs and Eagles vs Chargers. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Why didn't George Clooney watch Thelma & Louise for years after it hit theatres? Kelly & Sharon uncover the surprising story featuring none other than Brad Pitt and break down the casting decisions that shaped the film into a 90s classic. This episode of 90's NOW also dives into: • Guns N' Roses and their big plans for 2026, including new music and a massive North American tour. • How GNR has kept things surprisingly stable over the last decade. • A look back at the early 90s, including the notorious Montreal riot after a GNR show went sideways. • The rise of Parental Advisory stickers and why they encouraged more listeners instead of fewer. • Simon Cowell's heartfelt comments following the tragic 2024 passing of Liam Payne and how early fame with One Direction impacted his life. Plus:

On today's episode, we discuss the 4th highest rated Tarantino movie on IMDB and his 3rd highest rated on Rotten Tomatoes.  It's a hilarious, inspiring and brutal alternate history tale of the ages.  this movie Tarantino's masterpiece?  Does Mike Myers really need to be in this movie?  Is the opening scene of this movie the greatest of all-time?  Is Brad Pitt perfect for this role?  We tackle these questions and more in our full blown review of 2009's Inglorious Basterds.  •0:00:00 - Introductions •0:03:00 - Memories of first viewing •0:07:45  - Pertinent movie details  •0:14:00  -  Critical and fan reviews •0:26:30 - Scene by scene breakdown  •1:49:00 - Modern day ratings —————————————————————— SPONSORS-  **BIG GROVE- Check out our beers of the episode here- http://BigGrove.com  **ASPCA-  To learn more about Pet Health Insurance, visit http://aspcapetinsurance.com/breakfast  **UNCOMMON GOODS-  To get 15% off your next gift, go to http://uncommongoods.com/CONFUSED  **WARBY PARKER-  You can head over to http://WarbyParker.com/CONFUSED right now to try on any pair virtually! **RULA-  Take the first step towards better mental health today and go to http://Rula.com/confused  —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Michael Guiliano and NicMad. Learn more about your ad choices. Visit megaphone.fm/adchoices

En janvier 2025, l'histoire d'Anne Deneuchatel et du faux Brad Pitt a fait le tour du monde. Pendant des mois, cette femme d'une cinquantaine d'années a été la cible d'une arnaque sentimentale : convaincue de vivre une histoire d'amour avec Brad Pitt, elle lui a envoyé près de 830 000 euros. Derrière cette fausse romance se cachait un brouteur : un escroc qui piège ses victimes sur Internet à travers une promesse amoureuse bien huilée, calibrée sur leurs faiblesses.Quelle est la mécanique des arnaques sentimentales ? Sur quels mythes romantiques les arnaqueurs se reposent-ils pour piéger leurs victimes ? Comment peut-on tomber dans l'emprise d'une personne qu'on n'a jamais rencontrée ? Pour en parler, Tal Madesta reçoit Valentina Péri, anthropologue et autrice du livre Le Brouteur galant : manuel de l'arnaqueur sentimental (Éditions UV, 2024) ainsi qu'Alexandre Kauffmann, journaliste et auteur de La Captive (Goutte d'Or, 2025), une enquête sur l'histoire d'une victime de cyber-escroquerie amoureuse. Dans ce premier volet de leur entretien en deux parties, ils et elle décryptent les manigances et les ressorts psychologiques qui permettent aux brouteurs d'installer puis d'entretenir l'emprise sur leurs proies.RÉFÉRENCES CITÉES DANS L'ÉMISSION Retrouvez toutes les références citées dans l'épisode à la page : https://www.binge.audio/podcast/les-couilles-sur-la-table/les-escrocs-de-lamour-1-2CRÉDITSLes Couilles sur la table est un podcast créé par Victoire Tuaillon produit par Binge Audio. Cet entretien a été préparé, mené et monté par Tal Madesta et enregistré le 27 novembre 2025 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, réalisation et mixage : Paul Bertiaux et Jude Rigaud. Supervision éditoriale et de production : Naomi Titti. Production et édition : Marie Foulon. Communication : Lise Niederkorn. Rédacteur en chef : Thomas Rozec. Direction de production : Albane Fily. Responsable administrative et financière : Adrienne Marino. Musique originale : Théo Boulenger. Identité graphique : Marion Lavedeau (Upian). Composition identité sonore : Jean-Benoît Dunckel. Voix identité sonore : Bonnie El Bokeili. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this special episode, Jason Kelly speaks with Formula 1 CEO Stefano Domenicali about how F1 is bringing its booming business to Miami, why he's excited about the addition of Cadillac to the F1 grid, how he's pushing to bring more women into racing through F1 Academy, and why he teamed up with the folks behind the Brad Pitt movie "F1." This interview was part of the third episode of Bloomberg Originals' documentary mini-series, Power Players. Listen to previous episodes of The Deal with Alex Rodriguez and Jason Kelly featuring Tom Garfinkel, CEO of the Miami Dolphins and Hard Rock Stadium, and Susie Wolff, managing director of F1 Academy. See omnystudio.com/listener for privacy information.

Discover how Kate Wik, CMO of Las Vegas, drives bold innovation and storytelling to transform the city into a global destination brand. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio. Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today we're joined by Kate Wik, chief Marketing Officer at the Las Vegas Convention and Visitors Authority. The team behind the city's newest brand campaign, which launched in September,Damian Fowler (00:20):Las Vegas, is known around the world for its energy, its entertainment, and its edge. But this ladies' campaign takes a closer look at what the city means today beyond the casinos and into its growing identity as a cultural and sports destination.Ilyse Liffreing (00:34):We'll talk with Kate about the ideas behind the campaign, how Vegas is connecting with new audiences, and what it takes to evolve one of the most recognizable brands in the world. Q,Damian Fowler (00:45):Frank Sinatra. It's okay. You have an unusual role in that you represent a city as an iconic one, but could you tell us about the role?Kate Wik (00:56):That's exactly right. So I work for the Las Vegas Convention and Visitors Authority. Nobody knows what that is or what that means. So really, I shorthand it and I say I am the CMO of four Las Vegas. Las Vegas is my product, which is very unique. It is a city, it's a destination. It's unbelievably dynamic. And what's so unique and thrilling for a CMO of Las Vegas is that our product is always changing, always evolving. If you think back, we were known as the gaming destination. We've evolved into, we're the number one hospitality destination in the US with more hotel rooms than any other destination. And we are the entertainment capital of the world. You've got the world's best artists coming and performing on stages across destination every single night. And we've worked really hard to evolve ourselves into the sports destination as well through a lot of recent things. So really the exciting thing for me in this role is no one day is ever the same. Our product is constantly iterating and evolving, and that is a marketer's dream come true.Damian Fowler (02:10):Just on that point about the evolution of the city and the perception of it, how fast has that happened in the last, say, five, 10 years?Kate Wik (02:20):Yeah, absolutely. Incredibly fast. And so today we are known as the sports and entertainment capital of the world, but less than 10 years ago, we did not have any sports teams. Yes, sports has kind of always been in our DNA. We'd host major boxing matches in the eighties, NFR we've had for decades. NBA, we hosted their in-season tournament, NBA Summer League, but really it was through infrastructure development that really led to the explosion of sports today. So what I mean by that is we had T-Mobile Arena, which was a joint venture between MGM resorts and a EG that enabled NHL to come to town with the Vegas Golden Knights in 20 17, 20 18, we purchased the WNBA team, which we renamed the Las Vegas ACEs. And so now we've got A-W-N-B-A team. And then in 2020, of course with Allegiant Stadium, we welcome the Raiders. And so now we've got the Las Vegas Raiders, and we are, so actually in four years, we went from having zero professional sports teams to having three, and we're actively working to bring our fourth to town, which is the major league baseball. We're welcoming the Las Vegas a,Damian Fowler (03:34):Not to mention Formula One.Kate Wik (03:36):Yes, exactly. And Formula One now an annual event on our calendar. So it's a lot. It's a lot. And it creates new reasons to come to Las Vegas for our visitors. And what we found through research actually, is that the sports traveler, number one, we know sports tourism has just exploded the sports traveler. Through our research, we found that it creates a new reason to come to Las Vegas for those that haven't been here before. It creates a reason to explore the destination, see it, consider it, and then ultimately come. And then most importantly, we find that they spend more money than the average leisure traveler. So it's a really rich new audience for Las Vegas. And F1 has definitely exploded that for us too.Ilyse Liffreing (04:24):Do you know by just how much more do they spend?Kate Wik (04:27):It's usually anywhere from 500 to 800 more per trip.Ilyse Liffreing (04:31):Wow, that's a lot. And the rest on gambling,Kate Wik (04:36):AnythingIlyse Liffreing (04:36):Extra? It'sKate Wik (04:37):Funny. Gambling hasn't been, revenue from gaming hasn't been the primary source of how consumers are spending their budget while they're in town. Hasn't been that for over a decade.Ilyse Liffreing (04:51):AndKate Wik (04:51):I think it speaks to the diversification of the experience in Las Vegas. And when I say we're the entertainment capital of the world, we absolutely are. People come here to see shows, to see comedians, to experience not just like a touring show, but unbelievable residencies where our property resorts will build these amazing theaters where Lady Gaga performs, Bruno Mars performs, Adele performs, they'll create these residencies, which is unlike nowhere else in the US or world.Damian Fowler (05:26):I mean, I've been aware of that. I mean, obviously it goes right back to the Rat Pack, but more recently, like Sting had a residency there. I've been aware, IKate Wik (05:34):Just saw Backstreet Boys at the Spear, which was probably mind blowing, which was mind blowing. That's a whole nother level to the entertainment experience where it's just completely immersive that has changed the game for live music.Damian Fowler (05:48):The perception of Vegas has changed or is changing, and maybe that teases up to talk a little bit now about the new brand campaign and why this is the right moment to do it.Kate Wik (06:00):Yeah, absolutely. So we just launched a new campaign September of this year, so just a couple of weeks ago really. And the intent behind it is this notion that there are so many different reasons to come to Vegas, but there are also so many different vacation options. What we wanted to do was break through the noise and make sure that people understood that Vegas is the ultimate destination regardless of the experience you're looking for. We have it all, the breadth and depth that exists within our destination iss, it's uncomparable to any other destination. So we needed to get out there and get that message out there in big form. And why now what we found was through a lack of big brand messaging over the summer, we actually took a hit with a lot of negative headlines. And so we needed to get in front of that. And I think one of the big takeaways for marketers out there is that if you're not actively talking about your brand day in and day out, you create room for others to create their own narrative. And so after we launched the campaign, it's been about a month in market, we've seen a lot of that negativity drop because now everybody's covering, oh, here's the new elements, here are the new promotions they're doing, here are the new experiences that you can find. So it's really about driving the narrative that you want for your brand.Ilyse Liffreing (07:29):Very cool. And could you tell us a little bit about the campaign itself, maybe the creative, and then what channels are you leaning into?Kate Wik (07:36):Yeah, absolutely. In looking at how we were going to develop the work around this new brand campaign, what we wanted first and foremost was to be really authentic about Las Vegas and be very unique to a message that only Las Vegas can deliver. And so we took inspiration from our iconic welcome to Fabulous Las Vegas sign. So it's the sign that exists literally on Las Vegas Boulevard as you drive into town. And that sign, it's 65 years old today, but it is more iconic. And the awareness on that is it puts it as one of the highest elements assets within our portfolio. So you think Las Vegas, you think of Bellagio, you think of Wynn, even Luxor or all these amazing resorts. When we show that sign, the amount of awareness of what that is and where it is and what it's for just exceeds every other asset that we have out there. So we took inspiration from that. We took the neon, the lights, the really, the notion of setting the example of fabulous Las Vegas. That's the experience that our visitors can come to expect when they come to Las Vegas. So it truly has been our brand promise for over 65 years. So that's the inspiration behind the campaign.Damian Fowler (08:57):Yeah, I can see that sign now.Ilyse Liffreing (08:59):Yes,Kate Wik (08:59):That's right.Ilyse Liffreing (09:00):Yeah, that's right. Do you have a sense of the audience that you're trying to reach and through, I guess, which channels are you trying to reach them?Kate Wik (09:10):Yeah, so we have a really diverse audience set, which is very unique for a marketer, which usually has a single product or they've got a very specific audience for that product. Vegas is really the 21 and older adult playground. And so if you look at just an average audience, it's like a 45-year-old split, 50 50 male, female, et cetera. But what we offer is an unbelievable unbeatable experience at every single price point. So we absolutely cater to that high-end luxury market, that luxury traveler, all the way down to the entry level budget conscious traveler. And so we've got products from a circus circus all the way up to a win Las Vegas. And so for us, our audience is very broad, but generally it's adult travelers, people that have traveled in the past year looking to travel again,Ilyse Liffreing (10:11):We just had Marriott on the podcast and we were talking about how more travelers now are singles and single people. And I would think that might be particularly true for Vegas. For some reason, people are coming for a new experience and to get away.Kate Wik (10:28):I think that's exactly right. Not necessarily single travelers, but the idea of it's a getaway, it's a new experience. What we find from our visitors is number one, it's really high repeat visitation because every time they come, they're finding something new. So we usually get at least 80% repeat visitation from our visitors and really high satisfaction rate, but it's that mindset of wanting to try something new. For sure. Yeah.Damian Fowler (10:56):One thing that just occurs to me as we are talking is how the awareness of Las Vegas has been so kind of embodied in so many movies and TV shows. I was just thinking, I watched the studio recently, the Seth RoganKate Wik (11:09):Show,Damian Fowler (11:09):Which I think that has a combination in Vegas whileKate Wik (11:12):I actually haven't seen it yet. So no spoilers on my list.Damian Fowler (11:16):I mean, I was thinking about Oceans 11, you can go back and back. I have to see it. But that is all kind of part of the kind of braided cultural iconography as it were of the city, I guess.Kate Wik (11:27):Yeah, I think movies represent, you almost have to think of it as a channel for marketing. It represents an amazing opportunity to penetrate culture, reach new audiences that you wouldn't normally get to talk to. And so we have a history of iconic movies. Actually this past summer, you might've seen it, but the F1 movie, that was a partnership that we did with them to make sure that they filmed in Las Vegas and the Las Vegas Grand Prix circuit. That was really important. But again, reaching new audiences, keeping us sort of at the pinnacle and sort of leading culture. Also really awesome to have Brad Pitt lead in that. I'm not going to lie. That was pretty awesome. But a ton of movies. And it's kind of interesting to think of it as almost like a marketing channel, not a traditionalIlyse Liffreing (12:17):One, but yes. Yeah, like free marketing too sometimes, because a lot of things are based in Vegas,Kate Wik (12:22):Right? On the marketing channel front, I know you had sort of asked about how do we launch the campaign, and it was very much an integrated multi-channel approach. We did everything from brand marketing, product marketing, I call it value, but it's really promotional as well as experiential. So of course, from a brand marketing point of view, TV or movies are wonderful, but there's also tv. And we launched the campaign actually with NFL kickoff, so September 4th. We know that when people tune into tv, they're tuning in really into an NFL game. That's where the most eyeballs are at any single time. So from a marketing point of view, it's great return on your investment there. So we launched with a 62nd ad on September 4th on kickoff, but really it was about making sure that this is not just a TV campaign, but it's a platform that reaches the consumer at every different touch point throughout their travel journey or through their daily life.(13:27):And so we maximized the viewership by making sure that, yes, we had a TV spot, but we partnered with the Raiders to actually take over the tunnel walk. And so when players arrive at the stadium, any stadium across the us, it's usually sort of this gray back of house space. And what we did was we installed neon all over the wall as the backdrop. And so it gave our players the sense of pride as they're walking in where they see this huge fabulous Las Vegas neon sign, and then they get a bit of a swagger. And then we partnered with GQ to cover sort of the fit that the players are wearing because that's a whole thing, this sort of new cultural moment where you've got the intersection of professional sports and these athletes in fashion. And so GQ wants to cover that. And so now the backdrop for all of this is the fabulous Las Vegas neon sign that we installed.(14:22):And so then CVS and ESPN want to cover it because they're like, oh, what's going on with the Vegas tunnel walk? And so every time Vegas shows up, we want to make sure that we're sort of breaking through the clutter. We're doing something very unique, bold and different, and whatever we do, it's sort of Vegas worthy. So I guess another channel is outdoor. We don't just buy outdoor. We worked with media partners to find these super high impact spectacular units that just command attention. So around the corner, in Times Square, we have this huge 3D board where you've got a 3D view of the iconic welcome to Las Vegas sign that rotates and dice come out, chips come out, an F1 race car comes out, right? It's a showstopper. And when you walk into Times Square, you see people taking pictures of advertising and that blows your mind.(15:21):And then on the other side of the country, we've got an actual neon installation on Sunset Boulevard. So we took, quite frankly, one of the ideas behind the campaign is let's take the neon and export it. Let's take our Neon National. And so we've got these big neon relics all across the us and so this one on Sunset Boulevard is spectacular. And then you walk across any of our resorts in Las Vegas and you see our Neon Signs Launch week. We took over all of our, well in our top 10 markets, we took over our digital outdoor boards and we had a roadblock for the whole week of launch. So just doing these big spectacular moments to capture the attention of our viewers. Wow,Damian Fowler (16:08):That's a lot that you're doing a tremendous amount, but on the other side of it, how are you kind of measuring and tracking all of these moments that you've created?Kate Wik (16:18):Yeah, I think measurement is incredibly important for any brand. We are actually consistently in market every single week with a research tracker, a brand health tracker. We've been doing it for decades. Making sure that we're keeping a finger on the pulse of our consumer is really important to us. So before we launched the campaign, obviously we tested it to see, number one, does it break through? Does it resonate? Does it deliver on the message of escape? Does it make people want to go to Las Vegas? It actually tested stronger than any other campaign that we've tested, and we test all of our campaigns. So that was pretty exciting. And then post-launch, again, we're in the market every single week. We found that we continue to uptick in terms of likability of the campaign, the campaign that makes you want to travel to Las Vegas. Those metrics are really important to us, intent to travel, and so it's continued to climb every single week since we've been in market. That's really strong. I think outside of traditional campaign testing, something that we consistently do is social listening, and so understanding what the current conversation is on social, I had mentioned this summer was a little bit rough. There was a lot of negativity out there for us. What we found was we had peaked in terms of negativity online in, gosh, in August. We launched Campaign in September, and that number has dramatically reduced, which is fantastic. It goes back to this point of you have to constantly be talking and driving your own narrative.(18:01):Otherwise if there's a void, others are going to fill it for you. That's was aIlyse Liffreing (18:05):Quick turnaround time too fromKate Wik (18:07):InIlyse Liffreing (18:07):August to launching inKate Wik (18:08):September. Absolutely. So a couple weeks. So I would say early August was peak and then Campaign formally launched September 4th, but working with our property partners to seed components of the campaign before, that was a big part of it as well. And then I think a very tactical measurement is we launched actually the first ever destination wide sale, so we called it the Fabulous Five Day Sale. Our campaign is Welcome to Fabulous, so fabulous five day sale. We wanted to make sure that we were putting a spotlight on the value that exists across the destination. And what we found was we drove four times the amount of website volume that we normally do to visit las vegas.com and that we actually were driving more referrals, so people were coming in to see what these deals were, what the sale was, this first ever limited sale, and then the traffic, the referral traffic that we were sending out to the booking engines of each of our property partners. That was 120 times the normal weekly average that we have in terms of, oh my gosh, yeah, referral, wait. So really unbelievable. It was kind of mind blowing for us in terms of the results of that. Nice.Ilyse Liffreing (19:28):And what was the reception from businesses in Las Vegas too, because that involved all of them?Kate Wik (19:34):Absolutely. Yeah. We don't launch a campaign without the support of our property partners. The reception was fabulous to use a cliche, incredibly fabulous. They leaned into it, you'll see part of the campaign. We created these neon elements and literally handed over this toolkit to our property partners so they can push out on all of their digital signage, on all of their marketing elements, sort of reflections of the campaign work as well and tie into it.Damian Fowler (20:05):Great. Just out of curiosity, is the campaign driven from the ground up by businesses or does it come top down as it were, from what your office, what's the kind of interaction?Kate Wik (20:19):Yeah. Well, the interaction is we are the DMO, the destination marketing organization for Las Vegas. So what we do is we work closely with our property partners to understand what's the business needs, what are the trends they're seeing. We do research and provide them top level trends, and then we work with them on what do we need the advertising to accomplish, and then we develop the campaigns. We're funded by them. We're actually funded by a room tax, which is paid by our visitors. And so there is complete coordination with our property partners, and we really do all of the upper funnel marketing for them. That's kind of the role we play for them.Damian Fowler (21:00):Interesting. Yeah. Yeah. I want to ask you, actually, I guess this is a big picture question. Are there other big cities that kind of have similar outreach or similar marketing campaigns, or are you unique in lots of ways?Kate Wik (21:15):I think the big destinations like New York, la, they will have a tourism authority within their destination that we'll do it for them. I think what's unique about Las Vegas is how we're funded. Again, it is through this room tax. And so generally, I'm not out there every day trying to drum up membership funds or anything. Our job is to go market the destination 365 days a year. That is why we exist. And so I think other destinations have something similar, but not quite the structure or the support behind it. And I think what is unique for Las Vegas is tourism is the number one economic driver for southern Nevada, and so we're the engine behind that. We have to make sure we're continuing to fuel that. Tourism represents 55 million or 55 billion, excuse me, in direct economic impact. That's visitors coming, spending fueling the local economy. And so the role we play matters. The advertising that we do matters because it fuels the entire ecosystem and the economic climate for Southern Nevada. Wow.Damian Fowler (22:33):Another quick question, follow up question there because you keep making me think of things. You have a lot of international visitors. Do you have a sense of where the majority of them are comingKate Wik (22:42):From? Yeah. Yeah. So international visitors are really important to us. Interesting. Canada's typically is our number one market. We have seen a decrease this year from our Canadian visitors. That's true for the US overall. We love our neighbors to the north and we welcome them back. But Canada is generally number one. Mexico is number two. Mexico is still going strong. They've actually seen growth year over year. UK is our number three market. We love our UK visitors and our partnership with F1 continues to grow that, which is phenomenal. And then interesting, our fourth market is actually Australia, and we don't have a direct flight there today, but it's an easy stopover from la. But the Australians and the Aussies, they love coming to Las Vegas. Great cultural alignment, but in general, we love all of our international visitors, and it's about anywhere from 10 to 15% of our overall visitor mix,Damian Fowler (23:46):So Cool.Ilyse Liffreing (23:47):Well, so along with just how many changes Las Vegas has seen, how would you, I guess, describe the expectations around hospitality and how that has changed over the years?Kate Wik (23:59):Gosh, hospitality, not unlike marketing, it's really fueled by tech innovation. Everything from keyless check-in, you can check in on your phone, you can use your phone as your key. All of these things have been unbelievable accelerants to a great experience, but that's across the board in every city, across the world. Technology has fueled that. I think what's unique for Las Vegas is actually doubling down on the core of who we are. And that's about service, and that's about kind of going back to the brand promise of the campaign where the welcome to fabulous Las Vegas isn't just a sign. It is the brand promise of the experience you're going to have here. And before we launched the campaign, we actually went around to all the CEOs and all the presidents of all our resort property partners to say and to remind them, we're going to launch this campaign, we're going to go back to the roots of Las Vegas. And the roots of that is hospitality, and it's about making every individual feel like somebody special that is so uniquely Las Vegas. You can walk into a circus, circus, an Excalibur, and have this mind blowing unbelievable experience. You could also walk into a Bellagio, an aria, a fountain blue, and have a mind blowing unbelievable experience. It's not based on your economic value or your financial worth. It's based on who you are as a visitor coming. We're going to deliver that unbelievable experience, and that is service related, hospitality related for us.Ilyse Liffreing (25:39):Very cool. So what's next then? How are you planning to build on the success?Kate Wik (25:44):I think for us, welcome to Fabulous is not just like an A Flash in the Pan ad campaign. What we intended to do was create a marketing platform that will just stand the test of time that will continue to iterate off of it. We have three big announcements, not yet announced, but still coming out later this year that just continue to build on this platform. So it's a platform for us as the DMO, but it's also a platform for our property partners to continue to iterate because it is so unique to us.Damian Fowler (26:20):Now we've got some kind of quickfire questions now we've looked at that bigKate Wik (26:24):Picture.Damian Fowler (26:25):What are you obsessed with figuring out right now?Kate Wik (26:29):I am obsessed with figuring out how you hack the social algorithms. And I think what's super interesting is something that can go viral that isn't necessarily representative of the brand or the experience that you have. And so really making sure that for us, it's fueling a ton of content out there to make sure that we're dominating what that narrative is. And that's not just from brand voice, it's influencers or whatever, but that social algorithms I think is really important forDamian Fowler (27:05):Brands. Yeah, absolutely. I would love to figure that out too. It seems like a kind of a magic unlock.Ilyse Liffreing (27:11):Yes. Right.Damian Fowler (27:14):Okay.Ilyse Liffreing (27:15):This year you are included on the Forbes list of 50 Fierce Global leaders.Kate Wik (27:20):Yes.Ilyse Liffreing (27:20):Congratulations. Thank you. What is one piece of wisdom you'd pass on to other marketers?Kate Wik (27:27):Oh gosh. Constant learning, constant iteration. Nothing is ever done, right? You put something out in the world, there's always a chance to continue to iterate and learn and get feedback and continue to push it further. Yeah.Damian Fowler (27:44):Another is ai, a marketer's friend.Kate Wik (27:46):Yeah, absolutely. But actually, let's be careful with that. It's a friend, but it's like a starting point, right? I think using it as information, as research, as sort of an input but not a final output is really important.Damian Fowler (28:01):I like that. That distinction is important.Ilyse Liffreing (28:03):One last fun one for you, maybe outside of the Brad Pitt movie from the summer. What's your favorite movie set in LasKate Wik (28:12):Vegas? Oh, gosh. I love Oceans 11. I mean, how can you not? I mean, it's still Brad Pitt, butDamian Fowler (28:20):Oh, yeah.Kate Wik (28:20):But it's an icon. He can be at anything, everything.Ilyse Liffreing (28:27):And that'sDamian Fowler (28:27):It for this edition of The Big Impression.Ilyse Liffreing (28:29):This show is produced by Molten Hart. Our theme is by Love and caliber, and our associate producer is Sydney Cairns.Damian Fowler (28:36):And remember,Kate Wik (28:37):If you're not actively talking about your brand day in and day out, you create room for others to create their own narrative.Damian Fowler (28:45):I'm Damian, and I'm Ilyse, and we'll see you next time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dave and Chuck the Freak talk about things to look forward to in December, Al Roker gave kid Golden Ticket and she wasn’t pleased, old story of Cabbage Patch Kids on Black Friday, complicated pizza order, things that are normal to have one of but not 2, woman tried to stab BF at Thanksgiving, shooting at mall on Black Friday, 2 ladies driving crashed into tree and went into water, FedEx driver crashed into creek, life saved by pet rabbit, Cort tried Dave’s sweet cream, man stabbed in parking lot after UofM-OSU game, kid who is world champion bull rider, 50 Cent’s Diddy doc, Amy Schumer pictured without wedding ring, new name in running for James Bond, Clooney lost out on role to Brad Pitt, Johnny Cash estate suing Coke, Dolly asked about wearing wigs by bald man, Chinese man had lighter in stomach for 30 years, people arrested for Florida Keys threesome in public, road rage incident, woman gained 2 lost sisters on 23 & Me, cat loose on plane, someone walked in on guy in plane bathroom, OnlyFans star busted peeing over stuff in store, teacher struck by lightning, Hertz AI scanners, unintended date you share when you post pictures, Oxford Dictionary word of the year: Rage Baiting, 90-year-old man still skateboarding, missing art found in home put up for sale, and more!

“We're as real as a f**king donut!” Join Ian, Liam & Beadle Steve for our 307th episode as we cruise down Sunset Boulevard, slip into our moccasins, and take a long, nostalgic look at Quentin Tarantino's sun-drenched fairytale Once Upon a Time in Hollywood (2019). Megs and Kev? They're not with us this week — Megs got invited to a last-minute audition on a Spaghetti Western set outside Rome, and Kev got lost trying to hitchhike to the Playboy Mansion. We wish them both luck. We're also waxing poetic about Jay Glennie's excellent history of the film with "The Making of Quentin Tarantino's Once Upon a Time In Hollywood" available everywhere now. This week we discuss: How Tarantino utilises revisionist history and a clear late sixties aesthetic into his most affectionate, laid-back film yet. Leonardo DiCaprio's turn as Rick Dalton — insecure, electric, and oddly sympathetic. Brad Pitt's Cliff Booth — stuntman, handyman, maybe-murderer, absolute legend. Beadle Steve weighs in on the film's leaving of breadcrumbs and its toasty payoff How the film handles Sharon Tate with grace, warmth, and unexpected emotional weight much to Liam's appreciation The Manson Family sequences — slow-burning dread done right but where is Charlie and why does Ian argue it's the right call for the film? Ian breaks down Tarantino's structural choices: meandering brilliance or indulgent reimagining? The film's controversial ending — catharsis, fantasy, or simply Tarantino being Tarantino?  Does it help if you know the real life history? Someone argues it doesn't matter and the film still works. Nostalgia vs. narrative: does the film rely too heavily on vibes, or is that the point? We question whether OUATIH is a buddy film, a fairy tale, a love letter, or all of the above. The “Rick Dalton meltdown” scene — one of the great comedic acting moments of the decade? Which parts got combined and then split again on account of scheduling conflicts Who was supposed to be in the film if not for tragedy occurring? And finally, whether Once Upon a Time in Hollywood is the Best Film Ever — or just Tarantino's most beautifully crafted hangout movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Buy Jay Glennie's book at https://amzn.eu/d/fTGfDBu We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Both the Lions and Michigan lose, Eli Zaret joins us as MSU hires Pat Fitzgerald, Tara Reid is a mess, Me-Me-Meghan Markle is a menace, Try Guy Ned Fulmer turns into Cry Guy, and Akaash Singh's wife continues her reign of terror. Eli Zaret joins the show as Michigan falls to the Ohio State Buckeyes, CFB coaching carousel, too much Tom Brady (and why you look different?), MSU's terrible attendance at Ford Field, Jonathan Smith blown OUT, Jordon Hudson at the pump, Michigan basketball wins the Players Era Festival, MSU wins the Fort Myers Tip-Off, the Detroit Lions lose on Thanksgiving, Aidan Hutchinson MIA, Frank Ragnow un-retires and then re-retires, the MLB Winter Meetings, another University of Georgia driving violation, and RIP Fuzzy “Jokester” Zoeller (nice joke, btw). Oh, and Donald Trump nailed a chip shot. The Lions suck, the season is probably over… but Jack White and Eminem rocked the Thanksgiving Halftime show. Drew breaks down the 10 most memorable Thanksgiving Day Halftime Shows. South Park crushed it once again. Ned Fulmer has had a rough time in entertainment recently… so now he turns to his Multiple Sclerosis diagnosis for views. Tara Reid vs YouTuber ‘Sean P'. She's looking great these days. She's totally single now. Why You Look Different?: Kelly Osbourne? Ariana Grande? Kim Mathers? Come out to the Lodge Friday night (9pm – 10pm) to hang with us and support Killer Cares. Amy Schumer is only posting pics of how hot she is thanks to Mounjaro. Hollywood Confidential used our show clips to bash Meghan Markle. Ha ha! She has an As Ever pop-up store at the Soho Home. She has been labeled the ‘Salmonella Sussex'. She'll do anything for a photo op. King Charles wants her to reconnect with Thomas. Akaash Singh's wife remains a human toilet. It's all about Jasleen. Turns out OnlyFans may be problematic for some girls. Jess Brolin is a slob and Drew thinks he looks like Brad Pitt. Gays Against Groomers vs Baltimore teacher James Stilipec. Breaking News: Pat Fitzgerald to MSU. Don't forget to grab your Drew Lane Show merch right here! If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Time to rev the engines today with the blockbuster hit of Summer 2025... F1! Joseph Kosinski's follow-up effort to Top Gun: Maverick doesn't disappoint and lives up to the hype! We break down our top 5 Brad Pitt performances and then we dive into all the racing and movie goodness. We break down things the movie didn't explain to give you even more knowledge about what you saw on screen. If you love racing, or if you don't, this movie is for everyone! So grab tennis balls, don't drop the wheel gun, and make sure you go for Plan C... it's time for F1 on The Movie Defenders Podcast! Click here to listen and connect anywhere: https://linktr.ee/moviedefenders 00:00:00 A Bit About our Podcast 00:11:22 Top 5 Brad Pitt Performances 00:37:16 F1 Discussion Begins 01:21:06 Ruben Makes an Offer 01:36:29 Sonny Joins the Team 02:00:40 First Race Disaster 02:21:23 Dinner and a Bet 02:27:43 "In that moment... I'm Flyin'" 02:37:02 Sonny's Back 02:48:32 A Miracle 03:00:50 "He's Flyin'" Special thanks to our amazing Patreon supporters! Alex Kirkby  Alexis Helman Barrett Young Bart German Brett Bowen Daryl Ewry Doug Robertson Ena Haynes Eric Blattberg Jason Chastain Josh Evans Joshua Loy Katherine Boulware Kevin Athey Mark Nattress Mark Martin Megan Bush Michael Puckett Nick Nagher Randal Silver Sean Masters Stephanie Ewry Tim TJ Walker Attack of the Killer Podcast

Music Monday, Christmas Edition! We are talking abut your holiday favorites, especially some of these remakes of the old Christmas classics by new artists! Lisa tells us about George Clooney still being annoyed with Brad Pitt for getting Thelma and Louise, weekend box office updates, and more! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week Nicola and Di chat with the warm and charming Nelson Aspen. Nelson is one of the most popular and well-known entertainment reporters, having spent three decades on morning television shows around the world, bringing the latest in entertainment, celebrity news and pop culture to millions of viewers. He has interviewed just about everyone in Hollywood, from Robin Williams to Merryl Streep, Lady Gaga, Tom Cruise, Brad Pitt, Joan Rivers and the list goes on and on. Nelson is also a talented cabaret performer and the author of 10 books, including his latest book Kindred Spirits: A Titanic Tale. In this episode, we get to hear about some of the more memorable moments from Nelson’s career as a Hollywood reporter - including the stars who were rude and disrespectful, his favourite celebrities to interview, what it was like to interview Robin Williams, and why Nelson loves older stars in their 60s, 70s and beyond! We also hear the incredible story of how Nelson got his start on breakfast television - it involves teaching step aerobics to Princess Diana! We talk to Nelson about his funny obsession with Titanic, including his podcast, his latest book Kindred Spirits: A Titanic Tale, and a trip he took to Belfast to visit the Titanic museum, which has now turned into Nelson leading a tour of Ireland next year. We also chat to Nelson about his cabaret career and he treats us to a little sing-a-long! We had so much fun chatting to Nelson and hearing all of his Hollywood stories. He’s so friendly and such an entertainer and we hope you love this episode as much as we did. This episode is proudly supported by Montgomery Investment Management, trusted experts helping you build and protect your financial future. For further information, please contact David Buckland, Chief Executive Officer or Rhodri Taylor, Account Manager on (02) 8046 5000 or investor@montinvest.com Follow Nelson on IG here - https://www.instagram.com/nelsonaspen/ Buy Nelson’s book Kindred Spirits: A Titanic Tale here - http://www.nelsonaspen.com/KindredSpirits/ Travel with Nelson to Ireland in 2026! - http://nelsonaspen.com/TravelWithNelson/ Brekky with Nelson on line, Wed Feb 4. 9-10am Register here: https://events.teams.microsoft.com/event/dd394281-dc0d-489d-b25f-2f933fde48b9@d1a98fdf-2a28-4e76-892d-6aefaf259c79 Nelson's Steamy Semi-Autobiographical Series (Adults Only!) Dancing Between the Raindrops - http://nelsonaspen.com/dancingBetweenTheRaindrops/ Dancing Between the Raindrops: The Hollywood Years - http://nelsonaspen.com/DancingBetweenTheRainDrops-HollywoodYears Follow Nicola and Di on IG here - https://www.instagram.com/overthebackfencepodcast/ Watch Over The Back Fence on YouTube here - https://www.youtube.com/@Overthebackfencepodcast/podcastsSee omnystudio.com/listener for privacy information.

The future is history as NostalgiaCast winds the clock back... then forward... then back again for a mind-altering discussion of TWELVE MONKEYS, directed by Terry Gilliam and starring Bruce Willis, Brad Pitt, and Madeleine Stowe. Jonny and Darin are joined by friend, film scholar, and Sonic Cinema podcast host Brian Skutle for an attempt to unravel the timey-wimey plot twists and wackadoo acting choices of a movie so apocalyptic, it takes several watches just to get your bearings on it. Plus, Jonny, Darin, and Brian rank their Top 3 films from Gilliam, Willis, and Pitt. Colonics for everyone! Listen now!

In this conversation, Chase Brown discusses his experiences with gambling, particularly focusing on betting on table tennis. He humorously reflects on his strategies, wins, and losses, while also touching on the addictive nature of gambling. The conversation then transitions into a recap of the anime 'Chainsaw Man', specifically episodes 3 and 4, where themes of friendship, loyalty, and the struggles of the characters are explored. The discussion highlights the absurdity and excitement of both gambling and the anime's plot. In this segment of the conversation, the discussion revolves around the dynamics between characters in 'Chainsaw Man', particularly focusing on the breach of contract, daily life interactions, emotional depth, and the political implications of devils. The characters' motivations, betrayals, and the introduction of the Bat Devil are explored, highlighting the complexity of their relationships and the overarching themes of manipulation and control. In this conversation, Chase Brown delves into the intricate dynamics of characters in 'Chainsaw Man,' particularly focusing on the epic battles, moral dilemmas, and the evolving relationships between Denji, Power, and Aki. The discussion highlights the transformation of Power, the contrasting personalities of Denji and Power, and the deeper themes of dreams and sacrifices within the devil hunter world. The conversation culminates in a humorous yet profound ending that reflects on the nature of power dynamics and control. takeaways Gambling can create a false sense of increased chances of winning. Betting on obscure sports like table tennis can be entertaining. The thrill of gambling often overshadows the risks involved. Character names can influence betting decisions in a humorous way. The conversation shifts from gambling to anime seamlessly. Chainsaw Man explores deep themes of friendship and loyalty. The absurdity of betting on table tennis reflects a larger commentary on gambling culture. The stakes in both gambling and anime can lead to unexpected outcomes. Humor plays a significant role in discussing serious topics like addiction. The recap of Chainsaw Man highlights character development and plot progression. They abandoned their approved area, a big breach of contract. Aki's daily routine reveals character dynamics. Power's emotional attachment to her cat shows depth. Denji's motivations are often juvenile and self-serving. Makima's control over characters is chilling and powerful. The devils' power is based on the fear they instill. Power's betrayal highlights her self-serving nature. Denji's instincts are strong despite his lack of intellect. The political implications of devils are significant. The introduction of the Bat Devil adds complexity to the narrative. The action scenes in 'Chainsaw Man' are both creative and meaningful. Power's character development shows her moral dilemmas and growth. Denji and Power share a complex dynamic that reveals their similarities. The fight scenes highlight Denji's motivations beyond just physical desires. Aki's disciplined nature contrasts sharply with Denji's chaotic personality. The concept of dreams and sacrifices is central to the characters' motivations. Power's cat-like traits are cleverly woven into her character design. The relationship between devils and humans raises questions about morality. Machima's control over characters reflects broader themes of power dynamics. The humor in the series often masks deeper emotional truths. timestamp00:40:22 titles Betting on Table Tennis: A Gambler's Tale From Gambling to Chainsaw Man: A Wild Ride The Addictive Nature of Betting and Anime Exploring the Absurdity of Gambling Chainsaw Man: A Deep Dive into Episodes 3 and 4 The Thrill of the Bet: Table Tennis Edition Gambling Strategies and Anime Recaps A Journey Through Betting and Chainsaw Man The Intersection of Gambling and Anime Culture Understanding Addiction Through Humor and Storytelling Breach of Contract and Unlikely Alliances Character Dynamics and Daily Life Sound Bites "I feel like the more I play, the more my chances increase." "I am Brad Pitt in this situation." "I won $216 just because I kept playing." "It's really not as great as they would seem." "You have a problem." "I don't watch these people." "Profit is profit." "Why did you save me after I attempted to kill you?" "A big breach of contract." "What a dismal abode you have here!" "I'm the type who seldom chooses to bathe." "Fondle away!" "This episode was pretty sick, man." "Power is just a bloodthirsty fiend." "Power's emotional side is starting to show." "Denji is the least intelligent of the group." "The devils' power is based on fear." "The Bat Devil is a cool ass villain." "It was badass, too, man." "Denji realizes, sympathizes with her." "Think about how powerful Machima must be." "Every life is equally trivial." "Power is literally a cat." "This is like something out of 50 fucking shades of gray." Chapters 00:00 The Thrill of Gambling 10:03 The World of Table Tennis Betting 14:09 Chainsaw Man Recap: Episodes 3 and 4 31:17 The Aftermath of the Bat Devil Encounter 40:22 Breach of Contract and Unlikely Alliances 44:11 Character Dynamics and Daily Life 51:29 Power's Betrayal and Emotional Depth 01:00:51 Intellectual Dynamics and Manipulation 01:06:59 The Political Landscape and Devil Control 01:13:09 The Bat Devil and Thematic Connections 01:21:13 Epic Battles and Character Dynamics 01:24:06 Power's Transformation and Moral Dilemmas 01:26:59 Contrasting Personalities: Denji and Power 01:30:21 The Nature of Devils and Human Qualities 01:35:30 Dreams and Sacrifices in the Devil Hunter World 01:41:09 Aki's Discipline and the Cost of Power 01:44:02 Team Dynamics and Loyalty 01:48:44 Power's Cat-Like Nature and Aki's Routine 01:51:57 Power Dynamics and Control 01:53:48 The Climax: A Humorous Yet Profound Ending  

It’s Thanksgiving, and we’re making the trip from TGIF to to Must See TV for a recap of the beloved Friends episode, “The One with the Rumor” (which you probably know as the “The One with Brad Pitt.”) While planning a feast with Ross, Rachel, Chandler, Monica, Phoebe and Joey, the gang tries to figure out which “Friend” reminds them most of Will…and realize there’s only one clear answer. They also break down why seeing a movie star on TV was such a monumental moment and Rider shares his hot take on Thanksgiving turkey. So grab a plate with plenty of sides - it’s a Thanksgiving edition of Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

It's auction time! We bid for the best movies from Leonardo DiCaprio and Brad Pitt's filmographies. Let us know who won and which movies were snubbed!#bradpitt #dicaprio #tarantino Become a Patron! Join to gain access to exclusive perks like Discord access, giveaways, & more: https://www.patreon.com/reeltokpodcastGrab some ReelTok merch: https://reeltokpodcast.com/Follow ReelTok everywhere:ReelTok PodcastYouTube: https://www.youtube.com/@reeltokpodcastTikTok: https://www.tiktok.com/@reeltokpodcastInstagram: https://www.instagram.com/reeltokpodcast/Twitter: https://twitter.com/reeltokpodcastLetterboxd: https://letterboxd.com/reeltokpodcast/Patreon: https://www.patreon.com/reeltokpodcastListen and Rate Us 5 Stars on Spotify and Apple Podcasts:Spotify: https://open.spotify.com/show/3V214vWwkO823aa4OaeDrOApple Podcasts: https://podcasts.apple.com/us/podcast/reeltok-podcast/id1644680412George CarmiLetterboxd: https://letterboxd.com/georgecarmi/TikTok: https://www.tiktok.com/@moviesandstuff14YouTube: https://www.youtube.com/@moviesandstuff14Instagram: https://www.instagram.com/georgecarmi/Twitter: https://twitter.com/georgecarmiTyler WhitmoreLetterboxd: https://letterboxd.com/TylerCWhitmore/TikTok: https://www.tiktok.com/@tylercwhitmoreYouTube: https://www.youtube.com/@tylercwhitmoreInstagram: https://www.instagram.com/tylercwhitmore/Twitter: https://twitter.com/TylerCWhitmoreSeth's Film ReviewsLetterboxd: https://letterboxd.com/sethsreviews/TikTok: https://www.tiktok.com/@sethsfilmreviewsYouTube: https://www.youtube.com/@SethsfilmreviewsInstagram: https://www.instagram.com/sethsfilmreviews/Twitter: https://twitter.com/sethsfilmreviewCam WalshLetterboxd: https://letterboxd.com/cjwalsh27/TikTok: https://www.tiktok.com/@camwalsh27Instagram: https://www.instagram.com/camwalsh/Twitter: https://twitter.com/CamWalsh27YouTube: https://www.youtube.com/@camwalsh27Twitch: https://www.twitch.tv/camwalsh27New episodes every Monday reviewing the latest movie releases and covering the most recent movie trailers and industry news. Reviews, rankings, deep-dives, drafts, movie trivia, and so much more. The ReelTok Podcast is co-hosted by 4 of the largest film social media content creators, George, Seth, Tyler, and Cam. Bonus episodes every Thursday doing a movie-related draft, ranking, or game, and more bonus episodes every Friday reviewing a movie recommended by our viewers. Make sure to follow us as you have now found your new favorite podcast.#movies #moviereviews #podcast #moviepodcast #reeltok #reeltokpodcastHelp us become the #1 movie podcast in the entire world!

It's that time again, folks! No, not just Thanksgiving - it's It Happened One Year's annual trip to the Love Corner, and romance abounds! Highlighted by the dazzling union of gorgeous Hollywood types Brad Pitt and Jennifer Aniston, the year 2000 was no slouch in the famous marriages department. Listen as Sarah & Joe breakdown the various millennial weddings, dig into the forgotten pairings of celebs throughout recent history, discuss the longest (and shortest) marriages, take a brief sojourn through a tawdry Eskimo Brother tree, and ultimately examine way more of Gary Oldman's love life than anyone could've anticipated!

Degens Andy S and Brandon Bombay embrace the seven deadly sins even more than usual as they talk about one of the greatest crime thrillers of all-time, 'Seven.' The movie takes place in an unnamed rainy city, and it makes Andy recall a rainstorm that led to a fight while on vacation. Then the fellas discuss the movie that announced David Fincher's true arrival, and just how gnarly the film is for a mainstream movie. Featuring a wonderful steady performance from Morgan Freeman, and  a role from Brad Pitt that helped him shake his himbo label. The flick is so good it even has Gwyneth Paltrow back when she was lovable, as her relationship with Pitt's Mills is the catalyst for one of the most nihilistic endings in a '90s studio film. This flick kicks off with a Nine Inch Nails intro, and closes with a heartbreaking twist that leaves everyone, even the viewers, filled with wrath. 

On nous annonce Mission Impossible : le retour, avec Daniel Craig, Tom Cruise et Brad Pitt et là, on arrive, c'est Dany Boon. On parle du premier UFC numéroté de 2026.

"Well, I always tell actors to always bring your A game to every audition. Because you never know. Like exactly what Matt just said. I have extensive notes on actor's that I've read. And I go, 'This guy is really good we can bring him in for another part.' Sometimes for the same project. Sometimes I go, 'Oh yeah we are going to bring him in for this project down the road.' So you know what I mean, you always bring your A game to every audition. And you don't get it, you don't get it. There's a million factors that go into the casting process."Today's episode is a sit down with Casting Director Lisa London. Lisa has been a Casting Director for 30 plus years and has cast over a 100 successful film and television shows. Along with her business partner, Catherine Stroud, they have cast many notable actors and actresses at the beginning of their careers who have all gone on to become stars; such as Miley Cyrus in Hannah Montana, Jonah Hill in Grandma's Boy, Emma Stone, Katharine McPhee and Kat Dennings in House Bunny, Selena Gomez in two Disney pilots - What's Stevie Thinking and Arwin, Jennifer Aniston in her first feature, Leprechaun, Mark Ruffalo in the CBS series, Due South, Brad Pitt in an episode of the series, Freddy's Nightmares, Megan Hilty, Adrian R. Mante, Cierra Ramirez and Joey King in The Suite Life of Zack and Cody, Yara Shahidi in her first television series, The First Family and Noah Centineo in a Disney pilot, Growing Up and Down.In today's conversation Matt and Lisa discuss what it takes to be a successful working actor and how to leave an impression while enjoying the process of being an actor.Lisa's Book, From Start to Stardom: The Casting Director's Guide For Actors, is available now on Amazon.Lisa's classes can be found on her website From Start to Stardom.10,000 NOs is here to inspire you and help you realize you are not alone if you're battling to overcome rejection in your career or life.So, if you're an actor, writer or filmmaker and you like what you hear in the snippets from our Working Actors Community zooms enough to want to be a part of it, CLICK HERE.Remember, “failure” is just opportunity in disguise, and you can flip the script to make your setbacks serve you.SHOW LINKS:10,000 NOs: THE BOOKSUBSCRIBE TO OUR (WEEKLY) NEWSLETTERFOLLOW MATT ON SOCIALFIND OUT HOW YOU CAN JOIN THE WORKING ACTORS COMMUNITY

Pour chaque abonnement de 2 ans à Nord VPN, on vous offre 4 mois supplémentaires !C'est satisfait ou remboursé pendant 30 jours.Pour en profiter ➡️ https://nordvpn.com/legendvpn Collaboration commerciale Merci à Kad Merad d'être venu sur Legend ! Il est revenu avec nous sur son parcours, son ascension fulgurante après le succès de Bienvenu chez les Ch'tis , mais aussi sur ses échecs, ses castings manqués et ses anecdotes les plus incroyables. À 60 ans, il nous partage également ses nouveaux désirs et sa vision de la vie ! Retrouvez toute les informations sur Kad Merad par ici ⬇️Son compte Instagram ➡️ https://www.instagram.com/merad.kad/Pour accéder à la billetterie de son spectacle ➡️ https://lage-bete.com/ Retrouvez l'interview complète sur YouTube ➡️ https://youtu.be/IJIuaRarULoRetrouvez la boutique LEGEND ➡️ https://shop.legend-group.fr/Pour toutes demandes de partenariats : legend@influxcrew.comRetrouvez-nous sur tous les réseaux LEGEND !Facebook : https://www.facebook.com/legendmediafrInstagram : https://www.instagram.com/legendmedia/TikTok : https://www.tiktok.com/@legendTwitter : https://twitter.com/legendmediafrSnapchat : https://t.snapchat.com/CgEvsbWV Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Actor and writer Mary Elizabeth Ellis (It's Always Sunny in Philadelphia, Licorice Pizza, New Girl) and actor, writer, filmmaker, and "everyone's sexual awakening", Lake Bell (Bless This Mess, In a World, Harley Quinn) join Jameela for a gloriously unfiltered session of tiny humiliations and lifelong cringes.Mary Elizabeth shares the on set moment a costumer quietly asked if she'd braided her pubic hair, plus the C section experience where she tried to keep everyone comfortable by joking about the smell of her own burning flesh. Lake relives the day she introduced herself to Brad Pitt in a way that could not have landed worse, along with the colonoscopy story that still makes her sweat with embarrassment.Together they unravel convertible rage spirals, postpartum clothing fails, and the universal effort to look put together while feeling anything but.Catch Mary Elizabeth Ellis in the Netflix series Man on the Inside and Lake Bell in The Chair Company on HBO Max.Jameela's Substack is A Low Desire To Please, you can also find her on Instagram, TikTok and YouTube.Our consulting producer is Colin Anderson.Wrong Turns was created and produced by Jameela Jamil and Stewart Bailey.Listen to Wrong Turns on Amazon Music or wherever you find your podcasts. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Dev Game Club, where this week we add to our Portal and Portal 2 discussion with an interview with Chet Faliszek. We cover tons of Valve time. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:45 Interview 1:09:15 Break  1:09:45 Outro Issues covered: text-based football, all the early computers, programming for the first time, committing fraud, the first zombie game and losing it all, campaign finance reform, getting an opportunity to practice your shtick, selling gray market games, dissing games you're selling, going back and forth with Valve, petting the dog, thanking yourself for being awesome, the Crab Cracker, walking out, diving in on a team, thinking everyone is smarter than you, iterating on Team Fortress and finding its identity, archetypes/stereotypes, multiplayer silhouettes, game lineages, iterating dialogue systems, pushing against the need for a story and being challenged, not having QA and dealing with cert, avoiding the bureaucracy, picking the vibe, negativity with a replacement, symphonies vs rock and roll, DNFing the bugs, a split code base, supporting the player story, playing with friends vs strangers, replaying the game in different roles, tasks vs moving through a space, having three of everything, moments that stick with you, wanting to play the game, getting roped into Portal 2, splitting responsibilities and not commenting on the other, living a little outside the space, playing couch co-op via over the Internet, game face and social cues, being excited about the song, bodies in the space, shipping all the time, shipping hardware and making an ecosystem, iterating and learning, letting the community support and learn from a game, a great storyteller, the logistics of starting up a company, helping each other out, islands, shifting strategy to console.  Games, people, and influences mentioned or discussed: Erik Wolpaw, Valve, Bossa Studios, Vertigo Games, Kimberly Voll, Stray Bombay, The Anacrusis, Heath Kit, Stratomatic Football/Baseball, TRS-80, Timex Sinclair, Vic 20, Commodore 64, Amiga, PET, Nintendo, Brandon Lee, Project Zomboid, Zombieworld, Open Secrets, Old Man Murray, Computer Shopper, Myth: The Forgotten Lords, Ultima Online, UGO, Penny Arcade, Pointless Waste of Time, Jason Pargin (aka David Wong), Team Fortress (series), Day of Defeat, Half-Life (series/episodes), Scott Lynch, Gabe Newell, Left 4 Dead, Turtle Rock Studios, Mike Booth, Portal, Overwatch, Elan Ruskin, Crystal Dynamics, Night of the Living Dead, Dawn of the Dead, World War Z, Brad Pitt, Counterstrike, Reed Knight, Jay Pinkerton, Mark Laidlaw, Ellen McLain, The New York Times, The National, Thom Yorke, Kim Swift, The Sock Puppet, Steam Link, A View to a Kill, Far Cry 2, Spelunky, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: TBA! Links: Exile, Vilify... with sock puppet Twitch: timlongojr and twinsunscorp YouTube  Discord  DevGameClub@gmail.com 

On Episode 142 of The Film ‘89 Podcast, Neil, Skye and regular co-host, Jacob Rivera are celebrating the 30th anniversary of an all time classic from 1995, David Fincher's serial killer thriller, Seven, starring Morgan Freeman, Brad Pitt, Gwyneth Paltrow and Kevin Spacey. Based on an original screenplay by Andrew Kevin Walker, Seven would go on to become one of the most successful films of 1995, a year replete with incredible films and this one in particular, is now considered a genre defining classic, notorious for it's bleak tone and THAT gut-punch ending. Featuring phenomenal performances from its leads, stunning cinematography, a wonderfully atmospheric score, and the very epitome of assured, precise direction from Fincher, Seven is surely one of the greatest films of all time and one worthy of the deluxe Film '89 treatment.

Formula 1 Chief Commercial Officer Emily Prazer joins The Big Impression to accelerate the motorsport's hold on Americans with year-round content and venue in Las Vegas. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse LiffreingDamian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:09):Today we're joined by Emily Prazer, president and CEO of the Las Vegas Grand Prix and the Chief Commercial Officer of Formula One. She's helping transform F1 into one of the fastest growing sports brands in the world, leading strategy partnerships and fan engagement across markets from Miami to Melbourne.Damian Fowler (00:30):Emily's here to talk about the road to the last Vegas Grand Prix on November the 22nd. Now, in its third year, the Vegas Grand Prix turns the strip into a global stage where sport, entertainment and culture collide under the neon lights.Ilyse Liffreing (00:46):I love that. From the 100 day countdown events to new sponsorship models and digital fan experiences, formula One is redefining what a modern sports brand can look like, especially in the U.S. market.Damian Fowler (01:02):In past years, the marketing around Las Vegas, the Grand Prix has felt like a crescendo building over several months. What's been your strategy this year as you build, it's the third year, right? As you build towards those?Emily Prazer (01:14):Yeah, this third year, so I think the difference this year is we've had two years of a foundation to figure out what works and what doesn't work, but equally we've had our building open all year, so prior, well the first year we're obviously building the building for those that dunno, it's called Grand Prix Plaza. It's the length of three NFL fields, so it's not small. It's designed and built to service the Formula One Paddock Club, which is the most high-end hospitality that we offer in Formula One. Underneath that is where the garages are and where the teams hang out, so it's quite a significant building. When we first moved to Vegas, we purchased the 39 acres of land and have invested around $500 million in this infrastructure and so the difference I think is obviously the first year we were building it, the second year we were getting to grips with owning such a significant property in Las Vegas and then moving into the third year of the event, the building's been open all year and we built something called F1 Drive, which is carting.(02:10):We've had a restaurant up there called Fool and Fork, which is Formula One, themed food and beverage as you'd expect. We built an immersive Formula one experience called F1 X and so the marketing's ramped up, but that's because locally we've been able to activate since the day after the race last year all the way through to this year, and obviously how we market is very different depending on what we're trying to do, whether it's selling tickets or whether it's driving foot traffic to the building. It's all the awareness that we need in Las Vegas to continue to grow our fan base.Damian Fowler (02:41):The a hundred day countdown, that's important,Emily Prazer (02:43):Right? That was a big one. We always go big around a hundred days. We did a strip takeover, we made sure people understood that it was a hundred days ago. We did similar for 50 days, so we use those milestones to make sure, obviously Vegas is somewhat a last minute market. Some Grand Prix go on sale and sell out in 90 minutes. We see the most amount of activity from a hundred days through to November.Damian Fowler (03:04):That's very interesting. How do you decide which moments where you target your marketing strategy in that a hundred day buildup?Emily Prazer (03:12):Oh, well, we're very fortunate that the racing continues For those, again, that aren't familiar, formula One is a 24 race calendar, which spans globally, so we typically go big around the big races as you'd expect. We've just come out of Singapore where hopefully people have seen that McLaren won the Constructors Championship. We'll go big again around Austin and Mexico. They're both feeder markets to the Las Vegas Grand Prix and we'll just continue to make sure we've got major announcements, whether it be food and beverage merchandise programming all the way through between now and race day.Ilyse Liffreing (03:42):Now, can you also talk a little bit about the F1 business summits because you're also launching that during race week? Sure. How intentional is the idea of making Vegas not just a race, but a business and cultural destination?Emily Prazer (03:56):Sure. Well, if you look at what Vegas do around other major sports, it's not that we're trying to reinvent the wheel, we're taking learnings from how well the NFL have operated there with the Super Bowl, even around WWE where you see them extend from a one or two day event through to a whole week. We are very fortunate that again, for those that dunno, formula One kicks off on Thursday with free practice, we have qualifying on Friday and then on Saturday is the race. And so we are lucky that we actually have really good opportunity for shoulder programming and so it was a lot of requests coming through from multiple stakeholders saying we'd love to get the ecosystem together and talk about how we've shifted Formula One culturally into something very different. Obviously it's a sport first and foremost, but I think everyone's now seeing the change into more of a lifestyle brand and a proposition around how we're executing with some partners, which I'm sure we'll get to, but I think a lot of it has been around how we kind of talk about that strategy and how we've grown the sport over the last five years.(04:54):So it was very intentional, it's had really great uptake and as you'll see as we get closer to the race, we'll start talking about what we're doing kind of Tuesday, Wednesday all the way through.Damian Fowler (05:04):It was interesting you brought up the mention of partners and the fact that Formula One now transcends the racetrack and I for one say follow some Formula One drivers on Instagram. How do you play into that whole notion now that Formula One is this lifestyle brand and what does that mean when it comes to partnerships?Emily Prazer (05:26):Well, we've been really fortunate that we've, formula One was bought by Liberty Media in 2017 and the handcuffs were taken off per se, where social media was something that didn't really exist in the sport prior to that and the drivers have done a great job and the teams have done a great job of giving us access collectively to the drivers. They're all a lot younger than they have been before, so we've been fortunate enough to help them build their profiles through social, but obviously the pivot came with Drive to Survive. Everyone knows that that was a big leap of faith that Formula One took to be able to give behind the scenes access. It's a complicated sport that had traditionally been kept to a different type of club and we've opened up those floodgates and obviously we're reaping the rewards of that at the moment.(06:10):It hasn't been easy, but ultimately when you have the likes of Netflix wanting to display what we do, hopefully everyone's seen the Formula One movie with Brad Pitt, which is now I think the highest grossing sporting movie of all time and Brad Pitt's highest grossing movie of all time. So that again, is a great explainer if you take that concept, the strategy around all of it has to create this always on dynamic, which isn't just about the 24 race weekends, it's about how to have brand extension through partnerships 24 7, 365 days a year that's come to life through our licensing business, which I can get to and also our sponsorship business, that the thought process was we want to sign less B2B organizations more consumer brands, not because we don't appreciate, we are always going to have a B2B element Formula One lives in that space, especially on the technical side of the sport, but as it talks about how we penetrate the fan base, how we acquire new fans and how we talk to fans differently.(07:06):One of the big pieces of it was, well, how do we show up in every shopping mall, not just in North America, but globally and using the likes of Lego? You would've seen our recent announcement with Tag Hoya. You now go to these shopping malls and you see these different brands actually activating and taking some learnings from how the US sports do it, where everywhere you go you can buy a t-shirt. I think one of my proudest moments was being at the Super Bowl last year in New Orleans and seeing people in the parade wearing Formula one T-shirts.(07:32):I was like, that shows that the strategy is working. In addition to we acknowledge that pricing of Grand Prix is expensive, they're also places you typically have to travel to, and so brand extension through license partners has been really important. We have something called F1 Drive, which we'll be rolling out, which is the carting proposition I mentioned in Vegas we have F1 arcade, which is now opening up and popping up all over North America. We have F1 exhibition, which is a tribute to the history of the sport and we'll keep growing as we want to keep penetrating and explaining to those fansIlyse Liffreing (08:07):Fans. That is really interesting hearing you describe just how different the strategy here is in the US too because F1 is such a global brand. How do you I guess, keep the brand though true to its global roots at the same time as also making it feel like America's race?Emily Prazer (08:25):Definitely not trying to make it feel like America's race. I think taking the learnings of how to speak to the audience we've acquired wherever we go, the benefit of being a global sport is we're global, but in each of those destinations we act very local. So when you're there, you very much know that when you're at the British Grand Prix that you're at Silverstone and there's all of the heritage around it, Monza, there's nothing more special in global sport in my opinion, than seeing the ZI on a Sunday run onto the grid with the Ferrari flags and what have you that you can't take that passion and bottle it up and just pop it into a US race. The US market is different, but if you look at how Miami has identified itself, you for sure know where you are. Same with Austin, where it's Texas and everybody is in cowboy boots and you know that you're in Texas and then Vegas takes it to a different level because we partner with our friends at the L-B-C-V-A and other partners in Vegas to bring that kind of extreme entertainment to life. So yeah, wherever you go, you really do know where you are and that's where I think the local element comes into play.Ilyse Liffreing (09:28):Has anything changed in the sports rights context in order for Formula One to really be able to create more social and organic marketing tied to the event?Emily Prazer (09:41):Yeah, I think it's that we've got the confidence to try different things and have given different types of access. So you'll see obviously that we have lots of short form content. Now we're noticing that this generation of fandom that we're trying to continue to excite wants to look at things slightly differently, whether it be through YouTube or TikTok. I think we're launching our first TikTok store in a couple of weeks, which I never thought we would be in a place to do, but it's a testament to where the sports got to. So I don't think the rights have changed. I think our approach to it has changed where we have the confidence because of the excitement around destinations like Las Vegas to shift our mindset. Like I say, we're not going to do it everywhere. We're going to pick specific places to test it, and Vegas for us for the last three years has served as that test testbed.(10:28):You'll see the collaborations alone that we do in the merchandise space we've not been able to replicate prior and we're proud of it. What we're doing there is giving us the confidence to deliver new partnerships across the sport. American Express is a prime example where they came in as a Vegas only partner, did a year of that, a year later became a regional partner, so they activated across the Americas and then a year after that became a global partner. So it's just showing that we can bring in these more consumer led brands, but also how we've shifted our mindset to be able to deliver against it.Damian Fowler (11:00):That happened very fast. It's kind of amazing. You touched on this a little bit, but the different audiences in the different markets. What have you learned after the first two years of hosting Grand Prix in the United States about American fans specifically?Emily Prazer (11:16):Just that you need to give them variety. They aren't going to come in and behave the same way as a traditional Motorsport fan that has been or has grown up with. The heritage of the British audience is a great example where I mentioned Silverstone goes on sale and sells out. We've had to adjust the product to make sure that we're very much catering to that audience and the programming around it, like we talked about, has been super important. People don't want to come just for one session, but they want the option to come and leave and go to a casino or go to a different show and what have you. So they're looking for all round entertainment, not just coming to watch the Formula One event, which we focus specifically on making sure that we deliver against.Damian Fowler (11:59):One thing that's interesting about Vegas as well is that it's a big draw for tourism globally as well and people fly in. So maybe that fan base is also kind of a mix of international and local.Emily Prazer (12:11):Yeah, well interestingly, we've seen the majority of our fan base come from Mexico, Canada, and within the United States. I think Vegas obviously is incredibly special that they cater to everyone. I think they have something like 150,000 hotel rooms that spam from five star all the way through, and so one of the things that we had to pivot from in the first year where we expected Vegas to be this really, really high end proposition was actually that we needed to cater for all different types of ticket package and hospitality package. So we've learned those differences. We thought that it would be very, very high end and mostly international. It's actually around 80% domestic, but drive in traffic and fly in traffic from other US markets in. Like I said, Canada and Mexico have been significant buyers of the Grand Prix and Vegas.Ilyse Liffreing (12:59):Very cool. I'm very curious what kind of feedback you've gotten so far from those fans, sponsors, broadcasters, anybody watching the sport in Vegas?Emily Prazer (13:09):Well, the sponsors love it because it's something different. Like I said, we put a lot of emphasis on the production. What we were all really surprised about was the quality of the racing. I think it has the most overtakes on the Formula one calendar, so that was something we weren't going to know until you can do simulations, but until you see cars going around the track in the first year, we didn't really acknowledge or understand how great the actual racing would be. So I think that was the biggest surprise around feedback and what the broadcasters and general audience have been quite positive about shifting. The mentality and mindset has been something that we're proud of, but it's all stemming from the confidence we've gained through promoting our own event.Ilyse Liffreing (13:47):When you look at success, what KPIs are you most interested in? Is it ticket sales or,Emily Prazer (13:54):I think it's all around halo effect for the sport ticket sales and revenue is obviously my ultimate goal. I'm the chief commercial officer of Formula One, so I don't think I can sit here and say otherwise, but brand extension and growing the fandom and being engaged, giving another touch point to the US audience when again, I mentioned Liberty bought Formula One in 2017, they were very clear that they had two very strategic objectives. One was growing the sport in the United States, the other was growing the sport in Asia and obviously Asia's taken a little bit longer for obvious reasons with COVID and what have you, but we're starting to see the momentum pick up again there. The US we heavily focused on signing Miami as a starting point as a partnership with the Miami Dolphins, which we're really happy with, proud of as they have shown us how to do it. Seeing how they put their event on before we even put on Vegas meant that we could really take their learnings. But yeah, the expectations are that we continue to grow it, that the production level remains incredibly high and that it's our tempo event in the Formula one calendar.Damian Fowler (14:55):Now, you mentioned the Netflix show Drive to Survive, and obviously there's been a lot of media around the importance of that show. Could you talk a little bit about the significance of that show, how it helps or not inspire marketing strategy?Emily Prazer (15:09):Yeah, it comes back to this always on point that I mentioned before, which is Formula One needs to be accessible for the next generation of fans to truly understand it and the next generation of fans care about the competitive nature of the racing, but they also want to understand the personalities behind the sport, and I think it gave us the opportunity to open up to be able to show who we all are. The technical terminology, the filming that went into that and the movie to be honest, has given us the opportunity to use that content to be able to explain what DRS means or what is the significance of each Grand Prix, what does it actually mean? So these drivers like the NFL, when a player puts on a helmet, it's hard to understand the emotion, but being able to get to know the drivers and the team behind the drivers, which is also incredibly important, has been really helpful in our marketing strategy.(16:01):But what it inspired was how do we talk to the different audience? Like I said before, you can't talk to that audience the same way that you talk to the 75-year-old fan that's been going to Silverstone since its inception. So a lot of it has been about how we change our thoughts around short form content and how we use different platforms. To talk to a different audience in different markets has just meant that we've had to learn how to engage and pivot from just broadcast on a Sunday to every minute of every day coming up with new ideas to talk to the fan base.Damian Fowler (16:34):That's pressure for sure. You also mentioned the different channels, and we do talk about a lot about how live sports is now available across many, many different channels and tech platforms are bidding next to traditional broadcasters. I wonder in the mix of things, and especially when it comes to the show and when you broadcast it, how important has that kind of explosion as it were of channels been?Emily Prazer (17:00):I mean we have been ahead on the curve on that somewhat for we are different. Formula One owns its own broadcast capability. We have an office or a building in the UK in Big and Hill and Kent for those that have been in London, been to Kent around London and it's incredible. We own and operate again the whole thing. So every camera, every fiber optic cable, everything you see at a Grand Prix is being produced by Formula One. We have remote operations at the track that go back to Big and Hill and we have 180 broadcasters globally. So we've always been slightly different to other mainstream sports in that regard because we produce our own show, which is helpful for us around sponsorship and what have you. But generally speaking, I think obviously the world is changing and we've got to make sure we keep up with it.Ilyse Liffreing (17:47):Looking forward, which marketing innovations, there's obviously a lot right now, but ai, contextual, programmatic, what excites you the most? Is there any digital marketing innovations?Emily Prazer (18:02):Yeah, I think AI is something that we are excited but cautious. Again, with the sport that's so technologically advanced, you've got to be thoughtful about how we use it. We also don't want to lock ourselves in one direction or the other. So we're doing a lot of work without Formula One has the most unbelievable roster of tech partners. If you think about Salesforce, AWS, Lenovo globin to name a few, they're going to tell us how to use AI to benefit our sport, not just commercially, but on the tech side. So we are very excited about it, not just from a marketing point of view, but from a just general point of view. How does AI benefit the sport? We're taking a massive amount of time to think about just general activations. I know that sounds kind of immature if you think about Formula One, but how do we bring different activity to the track outside of just races? I'm not sure if either of you saw what we did in Miami with Lego, where Lego built 10 full size cars for the drivers to race Lego cars around the track.Damian Fowler (19:05):I show my son that. That'sEmily Prazer (19:06):So cool. If you think about the content that that created around marketing, that was probably the most viral thing we've done in a very, very long time. So our marketing strategy at the moment is about solidifying the brand equity, making sure that we deliver against our partnership objectives and that we continue to grow our social platforms. I'm not going to say that we're not technically as advanced, but the data capabilities is all quite new to Formula One. Loyalty programs are all quite new to us, so for us, I keep coming back to it, but it's really about figuring out how to engage with the audience and have something to sell them. Again, we're a rights holder that doesn't have tons of assets to sell ourselves. We license a lot out, and so really it's about coming up with these creative ideas to be kind of 10 steps ahead of anyone else.(19:53):And I think we are in a very unique space. We're very lean, which means we can be very nimble. So when we're making a lot of these decisions, it's me going to Stefano who's the CEO of Formula one saying, how do you feel about us trying something like this? And that's again, where we link the Vegas piece together with the broader marketing strategy to continue to keep everyone engaged rather than it just being like a technical marketing play. Obviously we do that day in, day out, but I think for us it's the confidence we've got now to really push the boundaries and be the first to do a lot of different things, whether it be what we're doing in the broadcast around all of the different types of digital advertising and what have you. I think again, if you watch the races, you'll start to see that we are trying and testing new technologies in thatIlyse Liffreing (20:37):Way. And on that note, we talked a little bit before about the timing of the race in Vegas. InEmily Prazer (20:46):Vegas. Yeah.Ilyse Liffreing (20:47):Because it's a new time for you guys thatEmily Prazer (20:49):10:00 PM Yeah, we moved it forward from 10:00 PM to 8:00 PM which is great. I think a lot of people were struggling with how that's local time, right? Local time, yeah. When we first went to Vegas, the idea was that the timing would be in line with the boxing match or the show. So it wasn't done for any other reason than 10 o'clock on a Saturday night in Vegas is when typically you start seeing things happen. The difference being is that the distance or time you need to keep between certain amounts of sessions meant that it created gaps. So if there were delays that 10:00 PM could technically be pushed. And so we had our issues in the first year. We learned from those last year operationally delivered really well, but we still felt that it was slightly too late, hence the 8:00 PM start. So everything has shifted forward. We have F1 Academy this year, which we're really excited about, so that will, I think doors now open at 2:30 PM rather than four. So it means everything will be a lot earlier, but it's all for the show.Damian Fowler (21:48):And presumably you have a kind of global viewership as well, so that all impactsEmily Prazer (21:53):The trends. Yeah, I think it obviously will be beneficial to the east coast market, not so beneficial to the rest of the world, but we still feel good about the viewership numbers and what we're seeing. SoDamian Fowler (22:03):The true fans willEmily Prazer (22:05):Watch you, right? If not next. Exactly. Hands always come through. Exactly.Damian Fowler (22:08):Alright, so we've got some kind of quick fire questions here to wrap this up. So first off, what keeps you up at night in the lead up to this?Emily Prazer (22:16):Everything in the lead up? The lead up. I'm not sleeping at all my first year as A CEO, I think last year it would've been ticket sales. This year it's probably just security and all round operations. So as my role has expanded on the Vegas race particularly, it's just we are opening and closing the track every three hours. It's not like other street races keep their roads closed for up to seven days. We are having to keep it open and close it regularly. You're in one of the busiest roads in North America, so we don't really have much of a choice and we don't want to impact the locals any further. So I think it's just being responsible for the logistics is scary.Damian Fowler (22:58):Wow. I agree. Closing the road down is like mind blowing.Emily Prazer (23:00):Yeah, it is genuinely mind blowing. If you go to Vegas now, you can see that things are still are on their way to being built and it's like, oh wow, this is happening.Ilyse Liffreing (23:10):That is scary. I'm scary for you. What would you say is missing in the US sports sponsorship marketplace that you would love to see happen?Emily Prazer (23:19):Ooh, good question. I haven't thought about the answer to that. That's a hard one. I'm going to have to sit on that one for a minute. Don't worry. Yeah, I mean I can't speak for, I can only really speak for my sport, but I'd love to have the same access to the teams that N-F-L-N-B-A have as the rights holder. We definitely don't get to just sell the team IP as we see fit. We have something in Formula One called the Concord Agreement, which means that we have some restrictions there. But yeah, let me have a think about the broader space. Sorry. I like that answer One hit me.Damian Fowler (23:52):That's a good answer there. We can circle back and do it again if you want, but I like that to be honest. Okay. So which other sports or entertainment brands do you think are nailing their brand positioning right now?Emily Prazer (24:03):I think the NBA and the NFL, they just do it so unbelievably well and they have fandom here. I've never witnessed in the UK you very much see the fandom around a specific team. Here you see genuine fandom around the NFL. And what I love as a Brit in the US obviously is I still can't believe how each of the TV channels cross-promote each other for other games. So you'll be watching Fox and they'll be like, tune into CBS to watch this game. And you're like, oh wow. They really do do it for the greater good of the league. We would obviously it's different. We don't have multiple games in Formula One, but if I think about it in comparison to the Premier League, you really do follow the team. If I'm a Chelsea fan by the way, but I would watch Chelsea, I wouldn't then flip channels to watch Man United in the us.(24:57):I find myself on a Sunday watching three or four games and I'm like, I'm not even your core audience. It has to be something to do with the marketing that it's always there telling me what to do, telling me how to watch it. And I really admire, maybe this is actually the answer to the previous question. I actually admire how good they are at getting in my head because I think about it, I'm like, what games are on a Sunday or what playoffs are happening in the NBA and I go to watch it because it's there. Whereas like I said, premier League, as much as I'm a huge Chelsea fan and grew up with it, you just don't seem to be able to follow it like that.Damian Fowler (25:35):Yeah, that's very interesting. Would you say you were an NFL fan before you came to theEmily Prazer (25:39):Us? No, not at all. Didn't know the rules and now I'm like hardcoreDamian Fowler (25:42):Because of the marketing, I guess.Emily Prazer (25:43):Wow. Must be. They just got in my head.Damian Fowler (25:46):Amazing. Yeah. And that's it for this edition of The Big Impression.Ilyse Liffreing (25:54):This show is produced by Molten Hart. Our theme is by love and caliber, and our associate producer is Sydney Cairns.Damian Fowler (26:01):And remember,Emily Prazer (26:02):We've had to learn how to engage and pivot from just kind of broadcast on a Sunday to every minute of every day coming up with new ideas to talk to the fan base.Damian Fowler (26:13):I'm Damian. Ilyse Liffreing (26:14):And I'm Ilyse.Damian Fowler (26:14):And we'll see you next time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to our Monthly Zodiac Bonus Episode, dropping the third week of every month! This November, we're giving you the ultimate guide to making a Sagittarius man obsessed with YOU.Get ready to discover:

On this episode Aries and Andy talk about I went blind in 2020, he should be on tv, butt dial, Muhammed Ali, Kendri..., fake life stories, Charlie Kirk, bad Brad Pitt movie, DEI, serial killers & Dexter, I Heard Myself!, getting something off my chest, the Smokebox, Chicago, and The Apollo. Social Media Instagram: @SpearsBergPod Twitter: @SpearsBergPod Facebook: SpearsBergPod Patreon: SpearsBergPod Youtube: SpearsBergPod  Learn more about your ad choices. Visit megaphone.fm/adchoices