Podcasts about international seminar

1. His Holiness the Dalai Lama Attended Long-life Prayer Offering 2. His Holiness the Dalai Lama Extends Warm Wishes to Prime Minister Shri Narendra Modi Ji on His 74th Birthday 3. SikyongPenpaTsering Expresses Concerns Over Two Parisian Museums for Employing Chinese Terminology in Tibetan Art Catalogues 4. Eighth session of the 17th Tibetan Parliament-in-Exile concludes extending solidarity with Tibetans inside Tibet 5. Ocean of Wisdom School Receives Charter Approval from Minnesota Department of Education 6. Fourth Europe Tibetan Buddhism Conference Held in Belgium 7. Mongolian Representative to Taiwan Visits Office of Tibet in Taipei: Emphasises Cultural and Religious Ties Between Tibet and Mongolia 8. A Journal on Mongol – Tibet Relationship and Treaty of 1913 Released in Tokyo 9. Department of Religion and Culture Presents Tibetan Digital Library Project During 7th International Seminar of Young Tibetologists at Oxford University

Visit www.ThinkTenacity.com for more information about  this Health Inequalities International Seminar | Making Time for Black Mental Health EventsRoyal borough of Kensington and Chelsea sponsored podcast series:Opened by: CLLR Aarien Areticllr.aarien.areti@rbkc.gov.uk 

Grand Master Douglas began his Taekwon-Do career in 1973 at Dublin's number 2 club in Sean McDermott Street. Under Mr Robert Howard now (G.M Howard).In his 50 years of TaeKwon-Do, Grand Master Douglas has not only limited his skills to the physical side of TaeKwon-Do. He is also the organiser of many Courses, Seminars, National and International Tournaments; Grand Master Douglas has been on various committees to promote TaeKwon-Do around Ireland. He has been a highly regarded instructor for over 46 years. From 2002-2007 he coached the ITF Ireland National squad with distinction.From 2007 -2009 he was the Director of Coaching for the I.T.F. Ireland National squad.1977 1st Degree Black Belt Under Grand Master Choi-Hong Hi1977 Irish National Champion; Power 1st Place1978 International Seminar under Grand Master Choi Hong Hi1980 2nd Degree Black Belt under Master Rhee Ki Ha1980 European Championships, London; Irish Team Member1982 European Championships, Italy; Irish Team Member1982 Irish National Champion; Special Technique.1983 Irish National Champion; Special Technique.1984 World Championships, Scotland Irish squad member1985 3rd Degree Black Belt 1985 Waterford Championships, Ireland; Overall Champion1986 Arklow Championships, Ireland; Patterns 1st Place1986 Open TaeKwon-Do Championships, Dublin; Sparring 1st Place1987 Open TaeKwon-Do Championships, Dublin; Patterns 1st Place1987 British TaeKwon-Do Championship, U.K.; Patterns 2nd Place1988 4th Degree Black Belt 1989 Coach for two Junior Teams for British TaeKwon-Do Championships; 1st and 2nd Place1990 Tournament Director for 4 Nations Tournament (Ireland, England, Germany & Holland)1993 Tournament Director for 12 Nations Tournament Including Russia & Australia1991-94 Irish Team Manager1994 5th Degree Black Belt 1994 International Instructors Certificate from I.T.F. Technical committee 1995 International Seminar under Grand Master Choi Hong Hi1996 Class A International Umpire Certificate1999 International Seminar under Grand Master Choi Hong Hi (Ireland)1999 6th Degree Black Belt under Master Choi Jong-Hwa (Ireland)2002 Irish National Coach for European Championships Squad, Czech Republic2003 Irish National Coach to I.T.F. Ireland Squad for European Championships, Croatia; Gold Medal for Team Power2003 Irish National Coach for World Championships Squad, Poland; Gold Medal for Team Power; Gold Medal for Team Pattern2004 Irish National Coach for World Championships Squad, Finland; Bronze Medal for Team Pattern; Bronze Medal for Team Power; 6 Individual Medals2004 Irish National Coach for the Junior World Championships Squad, Italy; Gold Medal for Individual Pattern; Bronze Medal for Individual Sparring2004 International Instructors Course ( Belgium) under I.T.F. Technical Committee2005 Head Coach, Irish National Team, European Championships, Terracina, Italy 1 Gold, 3 Silver, 3 Bronzes.2005 7th Degree Black Belt under, Grand Master Van Bihn IX Degree, Master Pablo Trajtenberg VIII Degree, Master Hector Marano VIII Degree, and Master Trân Trieu Quân VIII Degree. (Ireland)2005 International Instructors course( Ireland ) under I.T.F. Technical Committee2005 Head coach for Irish National team, World Championships, Germany, 1 Gold, 2 Silver and 2 Bronze Medals2006 International Instructor Course (Germany) I.T.F. Technical Committee and Master Trân Trieu Quân VIII Degree.2007 Director of coaching ITF Ireland Squad2008 Director of Coaching ITF Ireland Squad2008 European Championships Wroclaw, Poland, Umpire2008 International Instructors Course, (Ireland) I.T.F. Technical Committee2009 Director of Coaching ITF Ireland Squad2009 Tournament Organiser, INTA International ITF Open Championships2010 Tournament Organiser, INTA International ITF Open Championships 2011 International Instructors course( Ireland ) under I.T.F. Technical Committee2011 Tournament Organiser, INTA International ITF Open Championships2012 International Instructors course( England ) under I.T.F. Technical Committee2012 International Instructors Course (Scotland) Under I.T.F Technical Committee2012 8th Degree Black Belt under Grand Master Marano, Grandmaster Ung Kim Lan, Grand Master Wim Bos.2015 International Instructors Course (Scotland) under I.T.F. Technical Committee2018 International Instructors Course (Ireland) under I.T.F. Technical Committee2020 Promoted to 9th degree Grand Master by the I.T.F. Promotions committee2022 International Instructors Course (Ireland) under I.T.F. Technical Committee

Johnny Vedmore is an independent investigative journalist and musician from Cardiff, Wales. His work aims to expose the powerful people who are overlooked by other journalists and bring new information to his readers. On this episode of the podcast, Matt and Jason sit down with Johnny to discuss the deep ties of the Council on Foreign Relations, and Henry Kissinger to the new non-government "think tank" that dictates policy world wide known as the World Economic Forum. The World Economic Forum's Young Global Leaders program, Klaus Schwab's supposed brainchild, is actually an almost exact replica of Henry Kissinger's International Seminar that was originally run out of Harvard and was funded by the CIA. (Length: 59:12) You can follow Johnny's work at https://unlimitedhangout.com/author/johnnyvedmoregmail-com/ Johnny's Twitter: https://twitter.com/JohnnyVedmore Johnny's Website: https://johnnyvedmore.com/ Fungi Monkey: https://www.fungimonkey.com/  

Richard Harris MD, PharmD, MBA, joins co-hosts Mike De Lisio, Sebastian Denison, RPh, FAARM (candidate), & Renee Prescott, PharmD, to discuss his diversified professional background, how he views treating patients and helping them on their wellness journey. They also give a brief preview of his upcoming lecture at PCCA's International Seminar. 

Lizzie Harbin, Vice President of Public Affairs, Communications, Education and Human Resources at PCCA and Renee Prescott, PharmD, Director of Education at PCCA, join host Mike De Lisio to discuss PCCA's upcoming International Seminar in Houston, Texas. They discuss the opportunity of being able to network with other compounding pharmacists, the education being offered, and the hybrid nature of the event if you're not able to attend in person. Register today at pccainternationalseminar.com!

My guest today is Mark Juergensmeyer. Our conversation explores: the spirit of Sant Mat "ecumenism" and dialogue of the historic Spircon conference, the International Seminar on the Religion of Sants -- Radhasoami Faith -- Spiritual Consciousness Studies; also some Sant Mat history speculation on the origins of the Radhasoami Faith: the ashram of the Tulsi Sahib group in Hathras, "the People of the Anurag Sagar" or the "Esoteric Santism" of Sant Dariya Sahib and the Dharamdasi Branch of Kabir Panth.   Mark Juergensmeyer is director of the Orfalea Center for Global and International Studies, professor of sociology, and affiliate professor of religious studies at the University of California, Santa Barbara. He is an expert on religious violence, conflict resolution and South Asian religion and politics, and has published more than two hundred articles and twenty books, including, "Radhasoami Reality, The Logic of A Modern Faith", Princeton University Press; "Songs of the Saints of India" (Mystic Poetry of Kabir, Guru Nanak, Ravidas, Mirabai, Sur Das, and Tulsi Das), Oxford University Press; contributed chapters to, "The Sants - Studies in A Devotional Tradition of India", Motilal Banarsidas Books of Delhi.   I've always been supportive of the goals of, The Murar Declaration, which lead to the Spircon event: the universal principles of peace, affection, harmony and cooperation as outlined at the Sant Mat conclave known as Spircon 2010, a historic gathering convened in Agra attended by the leadership and representatives of several branches of Sant Mat and Radhasoami lineages:    "We are all pilgrims treading the same path and desirous of reaching the same destination ultimately. Satsang movement has been started to spread the true religion and peace and tranquility in the world and to draw people towards the Holy Feet of Huzur Radhasoami Dayal. This object can be better served by maintaining mutual affection and brotherly relations among different Centres of Radhasoami Faith and working in cooperation to attain the common goal 'as the object of worship of everyone is the same (i.e. Merciful Radhasoami) and the Original Home of everyone is the same (i.e. the Abode of Radhasoami) and the real teachers of everyone are the same Bani and Discourses of Merciful Radhasoami, obviously then, all should have amity and heart-felt love and affection for each other.'" (Huzur Maharaj Rai Saligram Bahadur, Prem Patra Radhasoami)   Radhasoami, Peace Be To You,  James Bean Spiritual Awakening Radio Podcasts Sant Mat Satsang Podcasts For An Introduction to Sant Mat and RadhaSoami Spirituality, GO TO:  https://www.SpiritualAwakeningRadio.com/sant-mat    

Johnny Vedmore discusses the CIA roots of the World Economic Forum which began at a Harvard "International Seminar". It's focus was to bring Europe and America into supranational union and was originally called the European Management Forum. He believes nuclear war planners like Herman Kahn concluded it would never come to Mutually Assured Destruction (MAD) and instead, the threat of thermonuclear war was used to scare populations into advancing elite agendas. He discusses their plan of subverting democracy by training only a certain group in society as potential leaders. Schwab then made the pivot toward the Green Agenda thanks to the Club of Rome. He believes WEF is reaching its maximum level of expansion before its inevitable collapse because you cannot make everyone a globalist. Watch On BitChute / Brighteon / Rokfin / Rumble Geopolitics & Empire · Johnny Vedmore: Is WEF a CIA-backed Creation with Goal of World Government? #275 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.comDonate https://geopoliticsandempire.com/donationsConsult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopoliticseasyDNS (use code GEOPOLITICS for 15% off!) https://easydns.comEscape The Technocracy course (15% discount using link) https://escapethetechnocracy.com/geopoliticsPassVult https://passvult.comSociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.comWise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Show Notes Dr. Klaus Schwab or: How the CFR Taught Me to Stop Worrying and Love the Bomb https://unlimitedhangout.com/2022/03/investigative-reports/dr-klaus-schwab-or-how-the-cfr-taught-me-to-stop-worrying-and-love-the-bomb Websites Website https://johnnyvedmore.com Fungi Monkey https://www.fungimonkey.com Twitter https://twitter.com/JohnnyVedmore Unlimited Hangout https://unlimitedhangout.com About Johnny Vedmore Johnny Vedmore is a completely independent investigative journalist and musician from Cardiff, Wales. His work aims to expose the powerful people who are overlooked by other journalists and bring new information to his readers. If you require help, or have a tip for Johnny, then get in touch via johnnyvedmore.com or by reaching out to johnnyvedmore@gmail.com *Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

In this edition, we reproduce the seventh podcast episode from the International Seminar "Automation and Digitalization in Contemporary Capitalism”, an initiative organized by GEPD, Digilabour and NETS. The guest is Sabine Pfeiffer who is a professor at the Friedrich Alexander University, of Erlangen and Nuremberg, where she holds a chair of Sociology, Technology and Labour. In her presentation, Mrs. Pfeiffer discusses topics over her book titled "Digital Capitalism and Distributive Forces", which has already been published in German and will have en English version in 2022. The work seeks to investigate the true novelties of the digital capitalism. In her analysis, she juxtaposes Marx's concept of productive forces with the idea of distributive forces. From platform economics to artificial intelligence, Pfeiffer shows that digital capitalism is less about the efficient production of value, but rather about its fast, risk-free and permanently guaranteed realization in the markets. *** Nesta edição, reproduzimos o sétimo episódio do Seminário Internacional “Automação e Digitalização no Capitalismo Contemporâneo”, uma iniciativa organizada pelo GEPD, Digilabour e NETS. A convidada é Sabine Pfeiffer, que é professora na Universidade Friedrich Alexander, de Erlangen e Nuremberg, na Alemanha, onde detém a cadeira de Sociologia, Tecnologia e Trabalho. Em sua apresentação, Pfeiffer discute tópicos de seu livro intitulado "Digital Capitalism and Distributive Forces", já publicado em alemão e cuja versão em inglês sairá em 2022. O trabalho procura investigar as verdadeiras novidades do capitalismo digital. Em sua análise, ela justapõe o conceito de forças produtivas de Marx com a ideia de forças distributivas. Da economia de plataforma à inteligência artificial, Pfeiffer mostra que o capitalismo digital é menos sobre a produção eficiente de valor, mas sim sobre sua realização rápida, livre de risco e permanentemente garantida nos mercados. O exame dessa dinâmica e de suas consequências também leva à questão de quão destrutivas as forças distributivas do capitalismo digital podem ser.

In this edition, we reproduce the sixth podcast episode from the International Seminar "Automation and Digitalization in Contemporary Capitalism”, an initiative organized by GEPD, Digilabour and NETS. The language spoken this time is Portuguese. The guest is the Brazilian Rodrigo Ochigame, who is an assistant professor in the Institute of Cultural Anthropology and Development Sociology at Leiden University and a PHD student at the Massachussets Institute of Technology. In his presentation, he talks about the main points of his article “Informática do Oprimido”, published in 2020. According to him, the main commercial search engines of today use what he calls the "Algorithms of Oppression", for racist and sexist standards in terms of exposure, invisibility and marginalization. As a counterpoint, Rodrigo discusses some possible alternatives algorithms, citing examples from the first decades of Informatics provided by scientists with an anti-capitalist bias. *** Nesta edição, reproduzimos o sexto episódio do podcast do Seminário Internacional “Automação e Digitalização no Capitalismo Contemporâneo”, uma iniciativa organizada pelo GEPD, Digilabour e NETS. O convidado é o brasileiro Rodrigo Ochigame, que é professor-assistente no Instituto de Antropologia Cultural e Sociologia do Desenvolvimento na Universidade de Leiden, na Holanda, além de doutorando no Instituto de Tecnologia de Massachussets, nos Estados Unidos. Em sua apresentação, Rodrigo fala sobre os principais pontos a respeito de um artigo de sua autoria intitulado “Informática do Oprimido” e publicado em 2020. Segundo o pesquisador, os principais motores de busca comerciais da atualidade se utilizam do que ele chama de "Algoritmos da Opressão", por reforçar padrões racistas e sexistas em termos de exposição, de invisibilidade e de marginalização. Como contraponto, Rodrigo aborda algumas alternativas possíveis de algoritmos, citando exemplos das primeiras décadas da Informática proporcionados por cientistas de viés anticapitalista.

We're launching Fastercise in Brazil! Dr. Wilson, aka Dad, will be the keynote speaker here in Sao Paulo, Brazil, at the International Seminar on Human Longevity Sciences. Wish him luck! He'll be speaking for 6 HOURS tomorrow on his two discoveries: Wilson's Temperature Syndrome and Fastercise.

In this edition, we reproduce the fifth podcast episode from the International Seminar "Automation and Digitization in Contemporary Capitalism”, an initiative organized by GEPD, Digilabour and NETS. The guest is Cecília Rikap, who is a researcher at the University of Paris, at the University of Technology de Compiegne, in France, and at the National Council for Scientific and Technical Investigations, in Argentina. In her presentation, Cecilia talks about her book titled "Capitalism, Power and Innovation: Intellectual Monopoly Capitalism Uncovered", released by the publisher Routledge in 2021. The mediation of the event is up to Esther Majerowicz, from GEPD and NETS. Rikap's work focuses on how private ownership and control of knowledge and data have become a major source of rent and power, especially in the United States and China throughout a handful of intellectual monopolies on the digital and pharmaceutical industries, while underdeveloped countries are left further behind. *** Nesta edição, reproduzimos o quinto episódio do podcast do Seminário Internacional “Automação e Digitalização no Capitalismo Contemporâneo”, uma iniciativa organizada pelo GEPD, Digilabour e NETS. A convidada é Cecília Rikap, que é pesquisadora da Universidade de Paris, da Universidade de Tecnologia de Compiegne, na França, e do Conselho Nacional de Investigações Científicas e Técnicas, da Argentina. Em sua apresentação, Cecilia fala sobre seu livro intitulado "Capitalism, Power and Innovation: Intellectual Monopoly Capitalism Uncovered", lançado pela editora Routledge em 2021. A mediação da atividade fica por conta de Esther Majerowicz, do GEPD e NETS. A obra de Cecilia aponta como a propriedade privada e o controle do conhecimento e dos dados se tornaram uma importante fonte de renda e poder, especialmente nos Estados Unidos e na China, por meio de um conjunto de monopólios nas indústrias digital e farmacêutica, enquanto os países em subdesenvolvidos ficam para trás.

In this edition, we reproduce the fourth podcast episode from the International Seminar "Automation and Digitization in Contemporary Capitalism”, an initiative organized by GEPD, Digilabour and NETS. The guest is Amy Wendling, who is professor and chair of the philosophy department at Creighton's College of Arts and Sciences, located in the USA. In her presentation, she speaks about the main arguments of her book “Karl Marx on Technology and Alienation”, which was published by Palgrave Macmillan in 2009. The mediation of the event is up to Edemilson Paraná, from NETS. The work draws on lesser known archival materials, including Marx's notebooks on women, patriarchy and technology to offer a new interpretation of Marx's concept of alienation as this concept develops in his later works. *** Nesta edição, reproduzimos o quarto episódio do podcast do Seminário Internacional “Automação e Digitalização no Capitalismo Contemporâneo”, uma iniciativa organizada pelo GEPD, Digilabour e NETS. A convidada é Amy Wendling, professora e chefe do departamento de filosofia da Faculdade de Artes e Ciências de Creighton, localizada nos Estados Unidos. Em sua apresentação, ela fala sobre os principais argumentos de seu livro “Karl Marx on Technology and Alienation”, publicado pela Palgrave Macmillan em 2009. A mediação do evento cabe a Edemilson Paraná, do NETS. O livro baseia-se em materiais de arquivo menos conhecidos, incluindo os cadernos de Marx sobre mulheres, patriarcado e tecnologia para oferecer uma nova interpretação do conceito de alienação de Marx à medida que esse conceito se desenvolve em seus trabalhos posteriores.

In this edition, we reproduce the third podcast episode from the International Seminar "Automation and Digitization in Contemporary Capitalism”, an initiative organized by GEPD, Digilabour and NETS. The guest is Svitlana Matviyenko who is Assistant professor of Critical Media Analysis in the School of Communication at the Simon Fraser University, in Canada. In her presentation, Matviyenko speaks about her book “Cyberwar and Revolution: Digital Subterfuge in Global Capitalism”, which is also co-authored by Nick Dyer-Witheford. The mediation of the event is up to Esther Majerowicz, from GEPD. Confronting the concept of cyberwar through the lens of both Marxist critical theory and psychoanalysis, the book provides a wide-ranging examination of the class conflicts and geopolitical dynamics propelling war across digital networks. The core argument is that digital warfare is not a bug in the logic of global capitalism but rather a feature of its chaotic, disorderly unconscious. *** Nesta edição, reproduzimos o terceiro episódio em podcast do Seminário Internacional “Automação e Digitalização no Capitalismo Contemporâneo”, iniciativa organizada pelo GEPD, Digilabour e NETS. A convidada é Svitlana Matviyenko, professora-assistente de Análise Crítica de Mídia na Escola de Comunicação da Universidade Simon Fraser, no Canadá. Em sua apresentação, Matviyenko fala sobre seu livro “Cyberwar and Revolution: Digital Subterfuge in Global Capitalism”, de coautoria com Nick Dyer-Witheford. A mediação do evento é feita por Esther Majerowicz, do GEPD. Confrontando o conceito de guerra cibernética por meio das lentes da teoria crítica marxista e psicanálise, o livro fornece um exame abrangente dos conflitos de classe e dinâmica geopolítica que impulsiona a guerra em redes digitais. O argumento central é que a guerra digital não é um defeito na lógica do capitalismo global, mas sim uma característica de seu inconsciente caótico e desordenado.

In this edition, we reproduce the second podcast episode from the International Seminar "Automation and Digitization in Contemporary Capitalism”, an initiative organized by GEPD, Digilabour and NETS. All the lectures are in English. In this episode, the guest is Aaron Benanav, who is an economic historian, a social theorist and a post doctoral researcher at the Humboldt University of Berlim. On his presentation, Benanav speaks about his recent book, “Automation and the Future of Work”, published by Verso in the end of 2020. The work talks about the structural economic trends what will shape our working lives in a possible future of post-scarcity. The mediation of the event is up to Edemilson Paraná, leader researcher from NETS. The objective of the seminar is to promote high-level debates on key themes associated with the development and dissemination of information and communication technologies in today's world. *** Nesta edição, reproduzimos o segundo episódio de podcast do Seminário Internacional “Automação e Digitalização no Capitalismo Contemporâneo”, iniciativa organizada pelo GEPD, Digilabour e NETS. Todas as apresentações são em inglês. Neste episódio, o convidado é Aaron Benanav, que é historiador econômico, teórico social e pós-doutorando na Universidade Humboldt de Berlim. Em sua apresentação, Benanav fala sobre seu recente livro, "Automação e o Futuro do Trabalho", publicado pela editora Verso no fim de 2020. A obra trata das tendências econômicas estruturais que irão formatar nossa vida laboral em um possível futuro de pós-escassez. A mediação do evento está a cargo de Edemilson Paraná, pesquisador-líder do NETS. O objetivo do seminário é promover debates de alto nível sobre temas-chave associados ao desenvolvimento e difusão das tecnologias de informação e comunicação no mundo atual.

(English) In light of the urgent situation of climate change, is there an effective way to immediately curb global warming? During the SOS International Conference on Global Warming held in Korea, Supreme Master Ching Hai emphasized once again, “The vegetarian diet. It's the moral code of being a human. It is the mark of being a great human.” The Supreme Master said, “We create peace and then we will have peace. Peace not only among humans but among all co-inhabitants. … So, right now, ...

In this edition, we will start reproducing the audios from the International Seminar "Automation and Digitization in Contemporary Capitalism”, an initiative organized by GEPD, Digilabour and NETS. All the lectures are in English. The objective of the seminar is to promote high-level debates on key themes associated with the development and dissemination of information and communication technologies in today's world. In the first episode, the guest is Cédric Durand, professor of Economy at the University of Geneva, in Switzerland, who will speak about his most recent book, “Techno-feudalism: critique of the digital economy”, published in 2020. The mediation of the event is up to Esther Majerowicz, from GEPD. *** Nesta edição, iniciaremos a reprodução dos áudios do Seminário Internacional “Automação e Digitalização no Capitalismo Contemporâneo”, iniciativa organizada pelo GEPD, Digilabour e NETS. Todas as apresentações são em inglês. O objetivo do seminário é promover debates de alto nível sobre temas-chave associados ao desenvolvimento e difusão das tecnologias de informação e comunicação no mundo atual. No primeiro episódio, o convidado é Cédric Durand, professor de Economia da Universidade de Genebra, na Suíça, que falará sobre seu mais recente livro, “Tecnofeudalismo: Crítica à Economia Digital”, publicado em 2020. A mediação da atividade é feita por Esther Majerowicz, do GEPD.

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

In this episode, we revisit a fascinating conversation with Pastor Greg Laurie and Bible scholar Don Stewart. They look at the topic of the rapture and answer some questions many people have about this prophetic event.  In addition to answering objections and evaluating different views of this event, they underscore the importance of biblical prophecy in the lives of believers. Pastor Greg says, "Scripture says he that has this hope purifies himself, even as He is pure. It has a purifying effect when you know Christ can come back. I think when you are walking with God, you love it." Don Stewart is an internationally recognized Christian apologist and speaker. He graduated cum laude from Talbot Theological Seminary and the International Seminar in Theology and Law in Strasbourg, France, as well as from Biola University. Don is also a best-selling and award-winning author/co-author of over seventy books. Learn more at educatingourworld.com. If you would like to know more about having a personal relationship with Jesus Christ, just go to KnowGod.org. --- Learn more about Greg Laurie and Harvest Ministries at harvest.org. This podcast is supported by the generosity of our Harvest Partners. Support the show: https://harvest.org/donate/ See omnystudio.com/listener for privacy information.

In this episode, we revisit a fascinating conversation with Pastor Greg Laurie and Bible scholar Don Stewart. They look at the topic of the rapture and answer some questions many people have about this prophetic event.  In addition to answering objections and evaluating different views of this event, they underscore the importance of biblical prophecy in the lives of believers. Pastor Greg says, "Scripture says he that has this hope purifies himself, even as He is pure. It has a purifying effect when you know Christ can come back. I think when you are walking with God, you love it." Don Stewart is an internationally recognized Christian apologist and speaker. He graduated cum laude from Talbot Theological Seminary and the International Seminar in Theology and Law in Strasbourg, France, as well as from Biola University. Don is also a best-selling and award-winning author/co-author of over seventy books. Learn more at educatingourworld.com. If you would like to know more about having a personal relationship with Jesus Christ, just go to KnowGod.org. --- Learn more about Greg Laurie and Harvest Ministries at harvest.org. This podcast is supported by the generosity of our Harvest Partners. Support the show: https://harvest.org/donate/ See omnystudio.com/listener for privacy information.

In this episode, we revisit a fascinating conversation with Pastor Greg Laurie and Bible scholar Don Stewart. They look at the topic of the rapture and answer some questions many people have about this prophetic event.  In addition to answering objections and evaluating different views of this event, they underscore the importance of biblical prophecy in the lives of believers. Pastor Greg says, "Scripture says he that has this hope purifies himself, even as He is pure. It has a purifying effect when you know Christ can come back. I think when you are walking with God, you love it." Don Stewart is an internationally recognized Christian apologist and speaker. He graduated cum laude from Talbot Theological Seminary and the International Seminar in Theology and Law in Strasbourg, France, as well as from Biola University. Don is also a best-selling and award-winning author/co-author of over seventy books. Learn more at educatingourworld.com. If you would like to know more about having a personal relationship with Jesus Christ, just go to KnowGod.org. --- Learn more about Greg Laurie and Harvest Ministries at harvest.org. This podcast is supported by the generosity of our Harvest Partners. Support the show: https://harvest.org/donate/ See omnystudio.com/listener for privacy information.

(English) In light of the urgent situation of climate change, is there an effective way to immediately curb global warming? During the SOS International Conference on Global Warming held in Korea, Supreme Master Ching Hai emphasized once again, “The vegetarian diet. It’s the moral code of being a human. It is the mark of being a great human.” The Supreme Master said, “We create peace and then we will have peace. Peace not only among humans but among all co-inhabitants. … So, right now, ...

Inga Läänemets- World Women Conference and Awards of Estonia, Piret Kesküla is the leader of Estonian Beautician Union, and Katrin Saarloo has worked in the field of beauty services for 16 years as a beautician, spa therapist, trainer, owner of a beauty salon in Estonia. The aim of the I AM BEAUTIFUL seminar is to bring innovative news to the target group – thereby giving added value to the community, establishing contacts and bringing awareness to experts in their field.This seminar is a unique and exclusive and global event, so only the best representatives of their specialties are invited to speak.Topics covered by the seminar include: BEAUTY AND HEALTH & MODERN DIGITAL INNOVATIVE TOOLS. You can find your tickets here https://www.eventbrite.com/e/i-am-beautiful-2020-virtual-beauty-seminar-tickets-124934814393?fbclid=IwAR0N7g7QS7HuVJqoZGgJsTTtRjHXkakydg5DZQ2sf6Ktx145paifZeBybC0

Day 3 -sustainable dairy, thoughts on the culture

Pamela Wartian Smith, MD, MPH, MS, joins co-hosts Mike De Lisio and Sebastian Denison, RPh. Recorded live at the 2018 International Seminar in Houston, Texas, Dr. Smith, Mike and Sebastian discuss the role of physicians in helping patients through personalized medicine.

Saad Dinno, RPh, FIACP, FACA, joins co-hosts Mike De Lisio and Sebastian Denison, RPh. Recorded live at the 2018 International Seminar in Houston, Texas, Saad, Mike and Sebastian discuss how compounders can touch patients' lives through personalized medicine. 

July 22, 2015. Historian Jordanna Bailkin examines two sets of British camps that served the refugees of decolonization: Anglo-Egyptians in 1956 and Ugandan Asians in 1972. Part of the 10th International Seminar on Decolonization. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6877

July 15. 2015. Historian Todd Shepard examines public debates about sex in France during the 1960s and 70s, and explores how what made this so-called revolution "French," rather than "Western" or "late modern." Part of the 10th International Seminar on Decolonization. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6870

Michael Ramsden has been European Director of RZIM Zacharias Trust since its foundation in 1997. He is also Director of the Oxford Centre for Christian Apologetics (OCCA) and Lecturer in Christian Apologetics at Wycliffe Hall, Oxford. While at Sheffield University doing research in Law and Economics, Michael taught Moral Philosophy and lectured for the International Seminar on Jurisprudence and Human Rights in Strasbourg. He has been invited to lecture to a variety of groups including the White House staff in Washington, D.C., leaders at NATO HQ in Brussels and Members of the European Parliament.

Urban Morphology August 24, 2010 Urban morphology seeks to understand the spatial structure and character of an urban area by examining its patterns and the process of its development. While urban morphology has been a disciplinary specialization amongst American geographers for years, only in southern Europe, where there was no historical separation of planning and architecture, has the work of urban morphologists been brought to bear in the training of architects. In the ongoing work of the International Seminar on Urban Form, Christopher Miller, from Judson University, is exploring with his students a more research-oriented approach to the American architectural value in contextual design. Miller shared recent student work that examines questions like: Can typology be used to solve the problem of the big box in a 19th-century fabric? How is morphology a condition for pedestrian connectivity? Can the connectivity inherent in a historic fabric be the prescriptive standard for infill.

Daniel Bitran, associate professor of psychology, visited Yad Vashem in Jerusalem in 2008 and participated in the intensive International Seminar for Educators Teaching about the Shoah and Antisemitism. His lecture reflects on his experience and the ways we can better understand and teach the Holocaust at Holy Cross.