Podcasts about juke joints

Send us a textTrying to leave their troubled lives behind, podcast hosts return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back - copyright takedowns. On Episode 671 of Trick or Treat Radio we discuss Sinners from director Ryan Coogler! We also reminisce about the nostalgia of going to the mall, why Thomas Edison is such a dick, and culture vampires! So grab a bottle of your favorite Irish beer, make sure to wear your mojo bag, and strap on for the world's most dangerous podcast!Stuff we talk about: Patreon, Attack of the Killer Tomatoes: Organic Intelligence, Eric Roberts, Werewolves in a Girls' Dormitory, Final Exam, Split Second, Harry and the Hendersons, Man with the Screaming Brain, Chicago Massacre, Land of the Lost, Bruce Campbell, After Last Season, The Commune, Mark Wahlberg, Night of the Living Dead, Return of the Living Dead, 4-D Man, Star Trek, Cry of the Werewolf, Charles Ogle, Thomas Edison's Frankenstein, Monroeville Mall, Twin Pines Mall, Back to the Future, House of Pain, Outsiders, Family Guy, York's Steak House, Steak Knives, reminiscing about going to malls and movie theaters, Suncoast Video, Best Buy, Ricky Coogan, Sam Goody, Strawberries, RIP Peter David, Sinners, Ryan Coogler, Danny Elfman, Hans Zimmer, Ludwig Goransson, Eden Lake, Angelina Jolie, Michael B. Jordan, movie stars, Al Capone, Juke Joints, BBC, Pipes of Pan, the lineage of culture, cultural appropriation, Clown in a Cornfield, Fruitvale Station, Black Panther, Creed, Rocky, the divided states of embarrassment, Tucker and Dale vs Evil, Thomas Edison Created the Blues, Putting the Smackdown on Intelligence, and Vampire Cunnilingus.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

June 2025's edition of BLUES TIME. PLAYLIST: ARTIST - ALBUM - TRACK. 1 Joan Osborne - Dylanology - Ballad of Hollis Brown. 2 Robbert Duijf - Silver Spoon - Ticket For The Love Train. 3 Davis Coen - Live At Proud Larry's - Anna Ann. 4 The Barlow - High Spirits - Standing Next to Me. 5 Blind Lemon Pledge - Lemon Live - Black Eyed Susie. 6 Hughes Taylor - Roasted - Midnight Angel. 7 Taj Mahal & Keb' Mo' - Room On The Porch - She Keeps Me Movin'. 8 GA 20 - EP Volume 2 - Cryin' & Pleadin'. 9 Allison August - August Moon - Afraid of Love. 10 Wild Love Tigress - On the Prowl - If I Can't Run. 11 Dudley Taft - The Speed Of Life - Miles And Miles To Go. 12 Jimmy Vivino - Gonna be 2 of those days - Beware The Wolf. 13 Kris Pohlmann - Restless - Don't Leave. 14 Rusty Ends - Road houses, Juke Joints and Honky Tonks - Bad Like Billy The Kid. 15 Anna Laura Quinn - Everybody Wants to Rule the World. 16 Jarkka Rissanen - Here They Come. Size: 179 MB (187,883,871 bytes) Duration: 1:18:15

Topic: Malcolm and Carol have welcomed several influential women on Deep South Dining in the past year. Women chefs, entrepreneurs, farmers, teachers, writers, and more. In honor of Women's History Month, we have compiled a few of those women into one episode!First, Carol Palmer and Chef Enrika Williams welcome Editor in Chief of Cook's Country, food and nutrition journalist, and James Beard Award– winning author of “Jubilee”; “Juke Joints, Jazz Clubs, and Juice” and “The Jemima Code,” Toni Tipton-Martin, back to the show and first-time guest, Executive Editor of Creative Content for Cook's Country, a cast member of the Cook's Country TV show, and passionate Southern woman, Morgan Bolling, to the show to discuss their new book, "When Southern Women Cook." Then, Leigh Bailey joins the show to talk about Salad Days in Flora and its recent expansion news!And finally, we end the show with award winning food writer, recipe developer, cooking teacher, storyteller, and host of the Emmy-award winning show The Key Ingredient from PBS North Carolina, Sheri Castle. Host(s): Malcolm White and Carol Palmer Email: food@mpbonline.org Hosted on Acast. See acast.com/privacy for more information.

These locals are blazing a trail back to the legends that made Mississippi, specifically the Delta, a region that was (and is) vital to the development of modern music.  On this episode of Unpacked, British writer and fiddle player, Emma John, takes you on a musical odyssey through the Mississippi Blues Trail and its role in reviving a blues heartland and connecting travelers to the soul of the genre.  A special thanks to the late Raymond Earl "Pat" Thomas, the legendary musician featured in this episode who passed on February 12 at the age of 64. Mississippi, the Heartland of Modern Music In this episode you'll learn:  The venues, museums and historical establishment you must visit on the Mississippi Blues Trail  The local legends surrounding original blues musicians like Muddy Waters, B.B. King, and W.C. Handy The looks, sounds and feels of authentic Delta blues.  Juke Joints, Shotgun Shacks and the Soul of a Land Don't miss these moments:  [06:19] The Bad Apple Blues Club might seem sketchy at first, but it's got heart.  [11:40] This is where B.B. King insisted on being buried.  [27:07] Muddy Water's nephew proves that in the Delta, the blues is always with you.  Listen to the Locals Who Carry the Legacy of Blues  Muddy Water's great nephew, the son of celebrated bluesman John Thomas and a museum director who met B.B. King as a child—these are some of the local voices that steward the soul of blues on the Mississippi Blues Trail.  Listen along as fiddle player Emma John, gets a local legacy lesson and sees how the heart, soul, and pulse of Delta Blues continues to affect musicians and travelers, alike.  Meet This Week's Guests Big A and the Allstars  at Ground Zero Blues Club Roger Stolle, owner of Cat Head Delta Blues and Folk Art Sean Apple, owner of Bad Apple Blues Club in Clarksdale, Mississippi Robert Terrell, director of operations at the B.B. King Museum and Delta Interpretive Center Barry Bays, professor at the Delta Music Institute Keith Johnson, aka “the Prince of the Delta Blues”  Pat Thomas, Delta blues guitarist and son of James Thomas who often played at the Highway 61 Blues Museum More Resources Read more about Emma John's road trip on the Mississippi Blues Trail. Explore Emma's website, buy her books and read about her musical origins on afar.com. Listen to this playlist featuring the artists from this episode.  Read the transcript of this episode. Be sure to subscribe to the show and to sign up for our podcast newsletter, Behind the Mic, where we share upcoming news and behind-the-scenes details of each episode. And explore our second podcast, Travel Tales, which celebrates first-person narratives about the way travel changes us. ** New Opportunity: What's one tricky travel topic you want us to unpack? Send us a voice message here, for a chance to weigh in and be featured in an upcoming episode. **

Topic: Carol Palmer and Chef Enrika Williams welcome Editor in Chief of Cook's Country, food and nutrition journalist, and James Beard Award– winning author of “Jubilee”; “Juke Joints, Jazz Clubs, and Juice” and “The Jemima Code,” Toni Tipton-Martin, back to the show. And they welcome first-time guest, Executive Editor of Creative Content for Cook's Country, a cast member of the Cook's Country TV show, and passionate Southern woman, Morgan Bolling, to the show to discuss their new book, "When Southern Women Cook." They discuss the 70+ women who contributed stories and over 300 recipes to the new book.Guest(s): Toni Tipton-Martin and Morgan Bolling Host(s): Carol Palmer and Enrika Williams Email: food@mpbonline.org Hosted on Acast. See acast.com/privacy for more information.

Growing up in Los Angeles, Toni Tipton-Martin lived for a time with her Southern-born grandmother who happened to be a professional chef, and who exposed her to what would eventually become a lifelong passion. As Editor-in-Chief of Cook's Country Magazine and as author of books like The Jemima Code, Jubilee, and last year's Juke Joints, Jazz Clubs, and Juice, Toni has spent much of her career as a kind of culinary detective, exploring the legacy and impact of African American food culture. Her work has garnered two James Beard Awards, a Julia Child Award, and just about every other food award there is, and she's also a frequent host of the Cook's Country television show and, recently, a podcast series called 100 Proof: The Golden Age of Cocktails. Sid talks to Toni about some of the memorable women and recipes she's come across in her work, her grandmother's cornbread dressing, and her incredible new book with America's Test Kitchen, When Southern Women Cook: History, Lore, and 300 Recipes with Contributions from 70 Women Writers. Learn more about your ad choices. Visit podcastchoices.com/adchoices

 The sisters chat with Kayleigh Mathews about her Josie award nominations, her newest single, and about just being yourself.   Country Singer/Songwriter Kayleigh Mathews has gone from dreaming big in her Southwestern hometown to becoming part of the epicenter of America's music industry. Moving to Nashvillein 2018, she hit the ground running by writing, recording, and releasing music. Kayleigh continues to showcase her talent as an independent, international touring artist drawing from her own experiences and releasing music that reflects the broad tapestry of America's blue jeans & dirt.  Traditional with a hint of dusty blues, her music is full of laconic guitar playing & a voice that canbe compared to some of the icons of the game. Starting in 2020 with her debut single “Crashing Down”, she has released two EP's & a catalog of singles that have seen her perform all over the country from East to West & everywhere in between. She has also been featured on the airwaves both in the UK & USA and showcased in countless articles, magazines, and podcastsaround the country.  It's her authenticity and storytelling underpinned by her desire to hone her craft by cutting her teeth in Honky Tonks and Juke Joints around the country that truly set her apart.These bars are known for their lively atmosphere and a casual, down-to-earth ambiance that Kayleigh mirrors in her own work. Sometimes rough and sometimes rowdy but always honest, the music was first & foremost for the people & something she firmly believes in.   Check her out here:   Website: kayleighmathews.com  FB: Kayleigh Mathews  IG: KayleighMathewsmusic  TikTok: Kayleighmathews.music  Youtube: Kayleighmathewsmusic 

In keeping with the theme of the summer issue of The Cocktail Lovers magazine, we're dedicating this episode to some of the many amazing people of colour in the world of drinks.Our first product is a rum, but this one is different. It's Matugga Rum – rooted in Jamaica, with East African flavours but blended in, wait for it – Scotland! We then crack open another bottle with an equally surprising story: it's the world's first clear lassi gin from the husband and wife team behind the Crazy Gin Co.The history of Black mixology and its influence on drinking culture comes under the spotlight in Toni Tipton-Martin's fascinating book, Juke Joints, Jazz Clubs & Juice – Cocktails from two centuries of African American cookbooks, and we're treated to ace cocktails via the wonderful cymatic-themed menu at Deano Moncrieffe's agave-centric Hacha Bar in Dalston.Lastly, we head to Goa where we chat to Anand Virmani and Aparijita Ninan about drinking in India, their gin brand Hapusa and their recently launched cocktail competition, The Forager's Championships.Subscribe to the latest issue of The Cocktail Lovers magazine here For more from The Cocktail Lovers, visit thecocktaillovers.comFor the products featured in this episode, see websites below:What we're mixing:Arrival Thyme60ml Don Julio Reposado Tequila15ml agave syrup15ml fresh lime juice15ml Campari3 thyme sprigs (garnish)Method:Shake all ingredients over ice. Double-strain into a Rocks glass filled with ice. Garnish with fresh thyme sprigs.Recipe by Tiffanie Barriere, adapted from Black Mixcellence – A comprehensive guide to Black mixcellence by Tamika Hall with Colin Asare-AppiahCrazy Gin CoHacha BarHapusa GinJuke Joints, Jazz Clubs & Juice – Cocktails from two centuries of African American cookbooks by Toni Tipton-MartinMatugga RumThe Cocktail Lovers theme music is by Travis 'T-Bone' WatsonEdited by Christian Fox Hosted on Acast. See acast.com/privacy for more information.

This week on The Whiskey Trip Podcast, Big Chief takes listeners on a ride to Memphis, Tennessee to chat with Logan Welk President and Chief Operating Officer, from B. R. Distilling Company. Logan takes the Big Man on a ride learning about the Blue Note Whiskey and B. R. Distilling Company. They chat about Memphis and its love of whiskey in Juke Joints that belt out the blues and give the city soul. On the first half, they start the show with Blue Note Juke Joint, a straight bourbon whiskey which is a small batch at 93 proof. This is perfect for the 1920 Juke Joint on the banks of the Mississippi River. To take the listeners into the break Big Chief pours a dram of their Blue Note straight rye whiskey. This is a 3 year old, 93 proof, 95% rye, 5% malted barley whiskey that is contract distilled at Green River. Perfect for any cocktail. To close out the show, Logan and Big Chief sip on a straight rye whiskey finished with toasted French oak that is called Crossroads. A tribute to the place that is said to have given Robert Johnson his magic fingers and voice to belt out the Blues. At 100 proof to sip on in any juke joint. This ride on The Whiskey Trip gives you another glimpse of something the big man loves - classic blues musicians like Al Green, Ottis Redding, and newer artists like Marcus King are always on Big Chief's playlist. Cheers!

Toni Tipton-Martin is a renowned food and culinary historian, journalist, and author known for her work in celebrating African American culinary heritage. She joined Deep South Dining to share about her career in food and details on her latest book, Juke Joints, Jazz Clubs, and Juice: A Cocktail Recipe Book: Cocktails from Two Centuries of African American Cookbooks. Guest(s): Toni Tipton-MartinHost(s): Malcolm White, Carol Palmer, and Java ChatmanEmail: food@mpbonline.org. Hosted on Acast. See acast.com/privacy for more information.

This week, we have just what you need to prepare for this holiday season. First, award-winning author and food scientist Nik Sharma shares his favorite holiday traditions and food pairings that will make your vegetables shine at the table. He is the author of Veg-Table, Recipes, Techniques and Plant Science for Big-Flavored, Vegetable-Focused Meals, and he left us with his recipe for Stuffed Cabbage Rolls. Then, the internet's most beloved cooking star, Claire Saffitz, brings us her top holiday dessert ideas. She covers everything from citrus desserts, like her Souffleed Lemon Bread Pudding, to her holiday cookies, like the Chewy Molasses Spice Cookie, and what to make for New Year's. Her latest book is What's for Dessert, Simple Recipes for Dessert People. Then, award-winning author Toni Tipton–Martin, talks about historical cocktail recipes and their modern interpretations. Her latest book is Juke Joints, Jazz Clubs and Juice: Cocktails From Two Centuries of African American Cookbooks. And she left us with her recipe for Pomegranate Demerara Rum Punch.Broadcast dates for this episode:December 22, 2023 (originally aired)Your support is a special ingredient in helping to make The Splendid Table. Donate today

Tiffanie Barriere is an award-winning bartender and cocktail educator who goes by the title “The Drinking Coach.” As the holidays approach, Tiffanie joins us to share some cocktail inspiration, talking with Dan about drinks for every season. She's also created a cocktail perfect for this season — find it on Dan's Instagram and in newsletter! Tiffanie reflects on going from bartending at Applebee's to being the beverage director at a place known as one of the best airport bars in the world, and discusses her collaboration with the esteemed food journalist Toni Tipton-Martin on Toni's new book, Juke Joints, Jazz Clubs, and Juice: Cocktails from Two Centuries of African American Cookbooks. Get your Sporkful collection pastas, a signed copy of Dan's cookbook, and limited edition cascatelli posters in time for the holidays!The Sporkful production team includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, Jared O'Connell, and Julia Russo.Transcript available at www.sporkful.com.

Award-winning culinary historian and author Toni Tipton-Martin talks to Jesse this week about her new book, Juke Joints, Jazz Clubs and Juice: A Cocktail Recipe Book. It's a fascinating conversation about how the creativity, hospitality, and excellence of Black drinking culture shaped the American cocktail scene, how the discovery of old cookbooks became the doorway to a deeper understanding of her African-American historical studies, how she went from being a “bubbly wine” person to one who can appreciate the nuance of fine bourbon and her One: Blackberry-Ginger Bourbon Smash. Toni is editor-in-chief of Cook's Country and the author of many books, including the award-winning Jubilee: Recipes from Two Centuries of African American Cooking: A Cookbook. You can follow her on Instagram @tonitiptonmartin.If you like our show, don't forget to hit like and subscribe and leave us a review!Help support The One Recipe with a donation of any amount today.

Juke Joints, The – My baby - Juke Joints, The - Live 35 years – 2018Harlem Lake – Whiskey drinkin woman - volution live - 2023Bluesanovas – Devil's mule - The Moonshine Record - 2022Robert Jon & The Wreck -  Bring Me Back Home Again  - new single – 2023Errol Linton – Hoodoo man - Packing My Bags - 2018Brian Templeton – Let me down easy - Live At Bluesiana Rock Cafe - 2007Spencer Mackenzie – Battle from within - Preach To My Soul - 2022Devon Allman – Midnight lake Michigan - Ragged and Dirty – 2014Saverioa Maccne - No one does that magic like you - (2023) - single

 | Artist  | Title  | Album Name  | Album Copyright | Shemekia Copeland  | Done Come Too Far  | Done Come Too Far  |  | Mike Ross  | Peach Jam Radio Edit Pt 3 (promo only)  | Peaach Jam - Radio Edits | Ian Siegal  | Onwards And Upwards  | Stone By Stone  |  | John Brim  | Be Careful  | Blues Before Sunrise Live | Mudlow  | Crocodile Man  | Bad Turn  |   |  | Jack Whittle  | Going Down to Bloomington  | Jack Whittle  |  | Mean Mary  | Butterfly Sky  | Portrait of a Woman' (Part 1) | The Cinelli Brothers  | Dish It Out  | No Country for Bluesmen | Katie Webster  | No Bread, No Meat  | Swamp Boogie Queen | Joanne Shaw Taylor  | Just Another Word  | Blues From The Heart Live | Brick Fields  | Lord I'm Coming Home  | Gospel Blue  |  | The Juke Joints  | Born In Chicago  | 35 Years Of Rock Rollin' Blues | Johnnie The Gash Gray And Ken Jones  | Tequila  | The Best Of British Rock 'n' Roll (Disc 3) | Shemekia Copeland  | The Talk  | Done Come Too Far  |  | Big Jack Johnson with Wild Child Butler  | Going To Norway  | Stripped Down In Memphis

In honor of Juke Joint Festival- We are talking about the Blue Front Cafe and Po'Monkey's to have a little fun. An experience is an experience and you have to get off a travel guide and ask sometimes where to go. 

I really wanted this talk and it was on a drive from seeing family on back ways to Bentonia that I had this chat. There is more I hope to use in another episode down the road, but here is a great talk. It sound like you live your life and play/do what you will from the soul is what I'm learning from these artists. Amazing. It's worth the drive off the beaten path to this surviving Juke Joints and see Mr.Holmes. 

 | Artist  | Title  | Album Name  | Album Copyright | Kerry Kearney Band  | Goin' To The Mardi Gras  | Smokehouse Serenade | Sean Ardoin & Kreole Rock and Soul  | Stay Here (Live)  | Live In New Orleans  |  | John Mayall  | 03 I'm As Good As Gone (Feat. Buddy Miller)  | The Sun is Shining Down | Bob Corritore & Friends  | Asked For Water  | Down Home Blues Revue 2 | Dick Van Dyke  | Is You Is Or Is You Ain't My Baby  | Blind Raccoon NOLA Blue Collection - Disc Two | Scott Ellison  | Where Do You Go When You Leave  | There's Something About the Night | Bubba And The Big Bad Blues  | I Own The Road  | Drifting  |   |  | Tom Rodwell  | Carry On  | Wood & Waste  |  | Professor Longhair & His Shuffling Hungarians  | Mardi Gras in New Orleans  | New Orleans - Blues, Soul & Jazz Gumbo - CD2 | Chickenbone Slim  | Hook Me Up  | Serve It To Me Hot  |  | Odetta With The Holmes Brothers  | Two Little Fishes And Five Loaves Of Bread  | Shout Sister Shout  |  | The Juke Joints  | Born In Chicago  | 35 Years Of Rock Rollin' Blues | Chuck Berry  | Rock and Roll Music  | The Ultimate Collection cd 1 | Doc Watson & Rec Live Newport Folk Fest 1963/4  | Blackberry Blossom  | The Essential Doc Watson | The Meters  | Talkin' 'Bout New Orleans  | Fire On The Bayou  | 

Travel writer/musician authors Josephine Matyas and Craig Jones share stories and experiences from their book about music, travel and the black experience in the heart of the South.Major Delta destinations include Clarksdale, Tunica, Greenville, Dockery Farm, Greenwood and Tupelo, in Mississippi; and Memphis, Tennessee. Museums, homesteads, gravesites, juke joints, frolicking houses, Beale Street, Graceland and Sun and Stax recording studios  are just some of the sites discussed in relation to the blues and the music it influenced. Artists range  from Robert Johnson and BB King to Elvis Presley.Civil rights plays a part as well, from the  grocery store in  Money Mississippi, where Emmet Till meet the woman who would lead to his murder, to the Lorraine Motel, where blacks and whites stayed together during are discussed as part of the experience that related to the music."The Blues are the root. The rest are the fruit." And Craig ends with a fine rendition of a blues song.___Josephine Matyas has published in every major Canadian newspaper and specialized magazines, including a number of American-based publications. Jo specializes in history and culture, soft-adventure and eco-tourism. She loves to talk travel. Craig Jones holds a doctorate in International Political Economy from Queen's University in Kingston, Ontario. His main gig – and lifelong passion – is as a full-time musician, bandleader, and music teacher. Craig has stepped onto bandstands to play bass and guitar in jazz, blues, rock and roll, Motown, Zydeco, and soul.  Chasing the Blues: A Traveler's Guide to America's Music  is their first book together. The book's Facebook site is: https://www.facebook.com/ChasingtheBluesTravelersGuide _____Podcast host Lea Lane blogs at forbes.com, has traveled to over 100 countries, written nine books, including Places I Remember, and contributed to guidebooks. Contact Lea  @lealane on Twitter; PlacesIRememberLeaLane on Insta; on  Facebook, it's Places I Remember with Lea Lane. Website: placesirememberlealane.com.  New episodes every other week, on Tuesdays. Please follow, rate and review this award-winning travel podcast!

Steve Baker & Dick Bird – I'll never let you go (kazoo, 2008)Muddy Waters – Let the good times roll (Woodstock album, 1975)Nick Moss & the Fliptops – Lonesome bedroom blues (Live at Chans - Combo platter no 2, 2009)Alvin Lee and Ten years after – the Bluest blues (pure blues , 1995)Hokie Joint – The way it goes sometimes (the way it goes sometimes -2009)The mannish boys – These kind of blues (Lowdown feelin , 2008)Juke Joints and Willie Foster – everyday I have the blues (Willie foster & the juke joints live, 1999)Popa Chubby – The fight is on (The fight is on, 2010)Keb mo – perpetual blues machine (live and mo , 2010)Buddy Guy – Damn' right I've got the blues (damn right I've got the blues, 1991)

01: KING MO – The Milkman – Sweet Devil, 2010)02: Twelve bar Bluesband – Can you Hear me Howlin” (Key to your Heart, 2010)03: Ruben Hoeke Band – The Last goodbye (CoExist, 2010)04: Rob Orlemans and Halfpast midnight – Morning Dew (Into the Spirit, 2009)05: Mariëlla Tirotto & the Blues Federation –confused woman Blues (Somewhere down the road -2008)06: Cuby & the Blizzards – Distant Smile (Best of 66-68)07: Wolfpin – Southern man (demo, 2009)08: Lohues & The Louisiana Bluesclub – Boggel in ‘t rad (Grip – 2005)09: The Veldman Brothers –waitin' ( Home – 2007)10: Big Blind – Like me (Circus left town, 2009)11: The Juke Joints – walking down memphis (Walking Down Memphis – 1999)12: Livin'Blues – Shylina (a blues legend)

Charlie Jamieson  Bret and Larry welcome Charlie Jamieson a good friend,  drinking buddy, and the talented leader of the Charlie Jamieson Trio Jazz Band. Charlie is a well known and beloved bon Vivant and raconteur who regales the boys with behind the scenes stories  from his musical career. From his days in the US Navy Band playing for Presidents to his gigs in Juke Joints and Church choir lofts Charlie and the boys drink and laugh through another hilarious (and sometimes NSFW) fun filled episode. Tune in to hear which US Senator all 3 of the guys coincidentally met, which giant of the wrestling world Charlie knocked back beers with and which raven haired Hollywood actress gave Charlie the cold shoulder!    

It's so important to know our history...On this episode we are in for a real treat as we have to pleasure to sit down with one of the most noted and prolific music documentarians of the modern age; Robert Mugge.With his iconic trip down to the crossroads and inside the Mississippi Juke Joints in the film 'Deep Blues' which just under went a gorgeous 4K restoration and is playing a limited run at the Metrograph in New York before it bows on DVD & Blu-Ray in November from our friends at Film Movement.  We got the distinct pleasure to sit down and talk with Robert not only about this film but his work on some very intimate music profiles of the likes of Gil Scott Heron and Al Green and so very much more...

Like a scene from "O Brother Where Art Thou" I stumbled upon a radio station out in the middle of a Mississippi field. And there, I met a radio man whose love of his craft led him to buying his own radio station. His music scans the genres, from rock to country to R&B, but most especially the blues. People tune in from all over the world to hear some great Mississippi Delta blues. Join me as we talk Juke Joints, moonshine, and the blues.

From upstairs at the historic Peabody Hotel, I talk with Shelby County Historian Jimmy Rout about the surprising history of Beale Street, W.C. Handy, "Boss" Crump's mafia like rule over the city, the Tennessee Ouster Law, and Juke Joints and hangouts like Pee Wee's Saloon. We'll also dive into the lore surrounding the city's founding in Belle's Tavern. From Handy to Elvis to today, we'll investigate the whiskey past of Memphis.

I sat down with TJ from UnDead Asylum on this episode. We spoke about his early days playing blues in the Juke Joints and his refreshing opinions about fake followers, fudged numbers and over aggressive promoters. We discussed recording techniques, mastering services and industry standards. An awesome episode with great music including intro music from Robot Gods!

Continuing my journey through the Mississippi Delta, I made a couple of stops including Rosedale, mentioned in Robert Johnson's Traveling Riverside Blues, and Dockery's Plantation. My final stop was to be the final resting spot of Robert Johnson, but a surprise awaited me - and it would lead to a voice with first hand experience at partying at the juke joints - Poe of WABG-AM in Greenwood, MS.

Join me as I go on a hunt for juke joints in the Mississippi Delta. Along the way I'll taste a hamburger fried in 100 year old grease. I'll talk about the Father of the Blues and the Home of the Blues. I'll search for Robert Johnson's home in the Delta. I'll spend some time relating some of the great information I learned from Roger Stolle and his book Juke Joint Confidential and I'll have someone offer me a building Ike Turner worked in. It was a fun trip from Memphis to Clarksdale, MS and I'm excited to share it.

Men Talk interviews the one and only, Leroy Springer. Leroy is a foremost authority on an array of subjects. We discuss the area called, "ShakeRag". The area within Tupelo, Mississippi that was frequented by many great artists of the 50s and 60s and had a great influence on the life of Elvis Presley. Leroy explains what live was really like with no filters. Leroy gives us the unfiltered story of life in Shot Gun houses, Juke Joints and placed s of "so-called" ill repute. He also explains what it was like being LGBTQ in the South before it was a more accepted way of life.

The Times-Picayune and The Advocate's investigations editor Gordon Russell made his co-hosting debut on Thursday's Louisiana Considered.  The Advocate's Andrea Gallotalks about her story uncovering a decade-old settlement between former LSU football coach Les Miles and a student intern who accused the coach of harasing her. Roger Stolle on his article in Spin on how the region's last remaining juke joints are at a crossroads.   Ian McNulty of The Times-Picayune and The Advocate on crawfish boils and how people are celebrating the season during the pandemic. See omnystudio.com/listener for privacy information.

It's always great to chat with someone who love to share information about their town. Jimmy Rout (Shelby County Historian) had a chance to see the rebirth of Beale Street in Memphis and he is going to take us around the town that was and the town that now is. We'll hear about W.C. Handy, Boss Crump, and even Old Hickory makes an appearance in a tavern in Memphis...or did he? Enjoy these subjects: Working for Beale Street - the rebirth of the street The soul of black community was Beale Street WC Handy sees Beale Street for the first time  Pee Wee's Saloon at Cigar Counter - Mr Crump Ragtime from WC Handy Juke Joint and the origin of the term They are a sanctuary Belle Tavern - laying out the city of Memphis over drinks Rowdy River Town Prohibition and 600 saloons (+300 more) Mr Tate's shotgun shack - best Juke Joint in town Still around Hernando's Hideaway - Juke Joint and Dive Alex Tavern Earnestine and Hazels (near where MLK killed) What was Beale Street's feel in the 1920s? So busy Yellow Fever and Irish and Black Drinking in whiskey because it is safe EH Crump's ties to Whiskey Saloons as polling places Tennessee Ouster Law The King Maker A fifth of bourbon

Miniseries 1 Episode 1: In this first Miniseries episode we begin our look at The 27 Club as Billi recounts poorly documented, yet undeniably influential life of Robert Johnson; who is widely considered the first member of The 27 Club.Legend has it that Robert made a deal with the devil in exchange for his unique guitar style that influenced generations to follow, as he quickly mastered the Blues and laid the ground work for Rock and Roll itself.

Join correspondent Tom Wilmer in Baton Rouge, Louisiana for a conversation with blues singer April “Sexy Red” Jackson as she shares insights about the juke Joint culture. At one time juke joints dotted the rural countryside throughout the South.

CityBillyHowl'sRockin' Renegades(From Outer Space)With some of the best Rockabilly, Psychobilly & Punk Rock(And Whatever the Alley Cat drags in) The Rockabilly scene in it's genesis was unique. In the early years of the 1950's Rockabilly was alot like Punk - Rockabillies were some of the only, primarily white musicians (and their fans), sometimes Latino as well, who at that time, rejected the Establishment's refusal to play Black music on the radio (or display it on TV) -- which the Status Quo called "Race Music" -- the Rockabillies (sometimes mistakenly called "Greasers" or "Teddy Boys") loved this African-American music so much that they began to form their own bands and cultivated their own DJ's and Juke Joints to highlight Rock & Roll and they didn't call this brilliant music "Race Music" -- they called it what it was and still is -Rock & Roll And their version of Rock & Roll with a Southern accent, with musicians like Rusty York, Hasil Adkins, Laura Lee Perkins, Peanuts Wilson, The Maddox Brothers and Rose, who brought that "Hillbilly Boogie" that would synthesize with Black music and become known as Rockabilly.What would visitors from a distant galaxy think of this new development of sound and communication, would these Little Green Mensch see the Rockabilly musicians & fans as Rockin' Renegades or see them as another step forward in Evolution for mankind that would cause these Music-Loving Martians to climb down from their Flying Saucers and do the Ubangi Stomp ?Featuring all of the best by :Billy Lee Riley (Arkansas)Blackie Jenkins (Mississippi)Buck Trail (Miami)Connie Allen (Tennessee)Dell Vaughan (Flint)Delta 88 (Exeter)Dick Robinson (Boston)Frenzy (Bristol)Gene Vincent (Virginia)Jackie Fautheree (Arkansas)Jackie Lowell (Denver)Jimmy Stewart (Tennessee) Joe Carson (Memphis)Klingonz (Dublin)Koffin Kats (Detroit)Les Vogt (Vancouver)Marcel Bontempi (Kassel)Omar Romero (Los Angeles)Radarmen (San Gabriel Valley)Red Elvises (Los Angeles)Ronnie Dawson (Texas)Rumble Club (Kentucky)Screamin' Jay Hawkins (Cleveland)Stressor (Tula)Terry Dunavan (California)The Barnshakers (Helsinki)The Epileptic Hillbillys (Sheffield)The Guana Batz (Feltham)The Guitaraculas (St. Petersburg)The Krewmen (London)The Magnetix (Tula)The Phenomenauts (Oakland)The Polecats (London)The Radium Cats (Edinburgh)The Raymen (Berlin)The Rezillos (Edinburgh)The Saucer-Mens (Toul)The Spastiks (New York)The Test Pilots (Gothenburg)The Velvetones (Texas)The Wild Tones (Orlando)Three Bad Jacks (Los Angeles)Three Blue Teardrops (Chicago)1.) Switchblade Pompadour - Three Blue Teardrops [One Part Fist]2.) Sinner's Spiritual - Three Blue Teardrops [One Part Fist]3.) I'm Movin' Out - Three Bad Jacks [Made Of Stone]4.) Downtown Gonna Rumble - Three Bad Jacks [Made Of Stone]5.) Black Magic - The Polecats [Polecats Are Go ! ]6.) Men from Mars - The Epileptic Hillbillys [Atomic - It's The Bomb !]7.) Flying Saucers - Klingonz [Psychos from Beyond]8.) Flyin' Saucers Rock'n'Roll - Billy Lee Riley & The Little Green Men [1957 Single]9.) Needles & Blades - Koffin Kats [Koffin Kats]10.) Martian Princess - The Guana Batz [Back To The Jungle]11.) Tiny Robots - The Phenomenauts [Rockets And Robots]12.) Mission - The Phenomenauts [Re-Entry]13.) Roswell Area 51 - The Guitaraculas [Two Bottles Of Blood]14.) Planet Zero - The Magnetix [With Their Amazing First Album ! ]15.) Crazy For Your Love - The Magnetix [Boo-Bop-A-Boo]16.) Asteroid Rock - The Magnetix [Boo-Bop-A-Boo]17.) Creature From Outer Space - Stressor [The Cat]18.) It Came From Outer Space - The Raymen [Going Down to Death Valley]19.) Man from Mars - The Raymen [Going Down to Death Valley]20.) Flying Saucer Attack - The Rezillos [Can't Stand The Rezillos]21.) The Day the World Turned Dayglo - X-Ray Spex [Germ-Free Adolescents]22.) I Married A Monster From Outerspace - The Radium Cats [1989 Demo]23.) The Bug of Planet Zee - The Krewmen [The Adventures Of The Krewmen]24.) Interstellar - Radarmen [Radarmen]25.) Thin Blue Line - The Test Pilots [Parachute Party]26.) Knocked Out Joint On Mars - Buck Trail [1957 Single]27.) Rockin' Calaveras - Ronnie Dawson [More Bad Habits]28.) Living Death - Marcel Bontempi [The Headless Horseman And Other Tales...]29.) Bury All My Troubles - Marcel Bontempi [Bury All My Troubles]30.) Coffin Nails - Omar Romero [Omar Romero]31.) Twilight Zone - Rumble Club [Rumble Club Rides Tonight]32.) Surfing In Siberia - Red Elvises [Surfing In Siberia]33.) Space Mutants 4 - The Phenomenauts [Rockets And Robots]34.) 10,000 Light Years - The Phenomenauts [Escape Velocity]35.) Rock The Universe - Dell Vaughan & The Fortune Aires [1958 Single]36.) Spaceship to Mars - Gene Vincent [1962 Single]37.) Spaceship Life - Blackie Jenkins & The Satellites [1967 Single]38.) Hillbilly Band from Mars - Joe Carson [1957 Single]39.) The Martian Band - The Wild Tones [1958 Single]40.) Spacemen - The Velvetones (w/ Tommy Hudson & the Savoys) [1959 Single]41.) Boppin' Martian - Dick Robinson & His Makebelievers [1958 Single]42.) The Flying Saucer Part 1 - Dickie Goodman [1956 Single]43.) First Man On Mars - Jackie Fautheree [1960 Single]44.) Rock-It On Mars - Terry Dunavan & The Earthquakes [1958 Single]45.) Honeymoon On A Rocket Ship - Hank Snow [1953 Single]46.) Boppin' In Roswell - The Barnshakers [Five Minutes to Live]47.) The Flying Saucer Part 2 - Dickie Goodman [1956 Single]48.) The Little Moon Men - Lee George [1958 Single]49.) Rocket Trip - Jackie Lowell (w/ Duane Diamond & The Astronauts) [1961 Single]50.) Moon Rocketin' - Les Vogt [1960 Single]51.) Rocket 69 - Connie Allen [1951 Single]52.) Rock On The Moon - Jimmy Stewart [1959 Single]53.) Galactica - The Saucer-Mens [Réalité ou Fiction]54.) My Baby Was Abducted - The Spastiks [Sewer Surfing]55.) Rocket Powered - Delta 88 [Rocket Powered]56.) Space Girl - The Phenomenauts [Re-Entry]57.) Neptune City - The Phenomenauts [Re-Entry]58.) Space Crazy - The Krewmen [The Final Adventures Of The Krewmen Part 1]Psychobilly & RockabillyKeep A' Howlin'

Episode 016 comes to us from Australia’s vinyl specialist, DJ Obliveus. A Melbourne resident with US roots, Obliveus has spent the better part of the last two decades mastering the art of the 45. Co-founder of the 7-inch record label Juke Joints, he has carried his craft across Australia’s top clubs and festivals, also hosting multiple all-vinyl parties such as Jukebox Jams, Hot Wax and 45 Sessions. On Iso Vibes, Obliveus gives us a window into this world with an all-45s mix of hip hop, soul, funk, and much more. Expect old classics and new sounds alike, all fused into a seamless mix for the heads. Tracklist: Roy Ayers – Everybody Loves the Sunshine (Jorun Bombay Edit) Continental IV – Our Dream World (Naughty NMX Harlem Mix) Black Milk – Brain Boca 45 – Powerful SLY5THAVE – Let Me Ride The Herbaliser – Some Things Gregory Porter – Redrum Genocide (DJ Goce Edit) Lee Dorsey – Occapella (Professor Shorthair Remix) A Tribe Called Quest – Bonita Applebum Ramp – Daylight (Doc Flex & NMX Booty Mix) Remi – One Love (Cover) Nas – One Love RJD2 – Ghostwriter Bill Withers – Lovely Day (Sunshine Mix) Marvin Gaye – Ain’t Got Time (The Gaff Remix) Soul II Soul – Back To Life (Mat The Alien Whisper Soul Remix) J Rocc – Brothers Party Link DJ Obliveus here: www.obliveus.com www.instagram.com/obliveusdj www.facebook.com/obliveusdj www.twitter.com/obliveus www.soundcloud.com/obliveus www.mixcloud.com/obliveus ⚡️⚡️⚡️ 30m: High quality DJ mixes, always thirty minutes long. Subscribe for more shows. Join the movement, tag us: #30mDJmixes

Where Robert Johnson sold his soul to the Devil and where the first juke joints started playing a new kind of American music, Clarksdale is the birthplace of Delta Blues.

Our second episode brings us to a small town in the Northern part of the U.S. where we, surprisingly, find a deep Blues history. We follow Paramount Records through the peak of success, recording landmark artists that changed Western popular music forever, but this music, at several times, was almost lost forever. We follow the thin thread of events and recent efforts that have gone into preserving this important musical history.   Here’s an external link to every Musical Mention in this episode: 0:50 Muddy Waters 0:51 B.B King 0:54 Blind Lemon Jefferson 0:56 Charley Patton 0:57 Skip James 1:09 Blues 1:12 Africa 1:50 Skip James 2:03 Big Bill Broonzy 2:07 Bill Big Broonzy: The Man That Brought The Blues to Britain 2:14 Paramount Records 3:44 Jazz 3:55 Johann Sebastian Bach 3:55 Ludwig Van Beethoven 3:55 Johannes Brahms 3:59 Franz Joseph Haydn 3:59 Wenzel Müller 3:59 Wolfgang Amadeus Mozart 4:06 Vaudevillan Performers 4:08 Dixieland Jazz 4:10 Creole Music 4:14 Military Bands 4:49 Al Jolson 6:11 Pop music 6:19 Wisconsin Chair Company 6:28 Phonographs 7:21 Alex Van Der Tuuk 7:31 Paramount’s Rise and Fall 7:55 Classical Music (Western) 8:05 Vaudeville 8:10 Country Music 8:37 Mamie Smith 8:38 Crazy Blues 9:09 Race Records 10:10 J. Mayo “Ink” Williams 10:31 Blues Music 11:15 Bessie Smith 11:17 Jelly Roll Morton 12:31 Alberta Hunter 12:32 Monette Moore 12:53 Blind Lemon Jefferson 13:48 Charley Patton 13:52 Dockery Farms 13:57 Robert Johnson 14:29 Pony Blues 14:31 Banty Rooster Blues 15:10 Swanee River 15:21 Juke Joints 15:46 Delta Blues 16:59 Metal Masters 19:25 Grafton House of Blues 19:34 Angie Mack Riley 19:56 Blues 19:56 Jazz 19:56 Country Music 22:43 PBS History Detective: Paramount Records Episode 22:59 Charley Patton 22:59 Skip James 22:59 Blind Lemon Jefferson 23:27 Louis Armstrong 23:27 Ma Rainey 23:27 Son House 24:28 Delta Blues 24:49 Elvis Presley 25:22 Paramount’s Rise and Fall 25:29 Agram Blues 25:41 Jack White Box Set 25:54 Dean Blackwood 25:55 Revenant Records 27:10 Paramount Box Set #1 27:28 Grammy Award 27:57 The World Music Foundation 28:05 World Music 29:10 Folklore Music 29:18 Zydeco 29:22 Cajun Music 29:36 Rolling Stones 29:41 Love in Vain 30:10 Elmore James 30:01 Howlin’ Wolf 30:04 Muddy Waters 30:28 The Country Blues, by Samuel Charters 30:40 Columbia Records 30:42 Okeh Records 30:43 Paramount Records

Mike and Kenneth talk Moroccan Mint Tea, Honeysuckle and Chicory, and Mississippi Juke Joints with their guest Ali Besten from Cathead Distillery.

Vandaag met muziek van The Haigs, Juke Joints, Smoke Stack Rhino, Pasquale Aprile en Luke Combs.

Alex V. Cook is author of Seat Yourself: The Best of South Louisiana's Local Diners, Lunch Houses, and Roadside Stops, Louisiana Saturday Night: Looking For a Good Time In South Louisiana's Juke Joints, Honky Tonks, and Dance Halls, and a member of Baton Rouge band The Rakers and More Kaftans. This episode features 3songs from The Rakers: Bleed It (vocals by Alex V. Cook), Man (vocals by Alex V. Cook) and Stealing Cool (vocals by Lance Porter) Support the show (http://www.patreon.com/extracrispypodcast)

Wynton Marsalis joined us for Behind The Note Podcast today! We talked many things including leadership, building a team, and turning vision into reality. Rate Behind The Note Podcast on the platform you're using right now to read this script and to listen to the show. Press Play. Enjoy. Share. ---------------------------------------------------------------------------- Here is Wynton's Bio straight from his website: Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers. The Early Years Wynton was born in New Orleans, Louisiana, on October 18, 1961, to Ellis and Dolores Marsalis, the second of six sons. At an early age he exhibited a superior aptitude for music and a desire to participate in American culture. At age eight Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker, and at 14 he performed with the New Orleans Philharmonic. During high school Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and with the popular local funk band, the Creators. At age 17 Wynton became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center. Despite his youth, he was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student. Wynton moved to New York City to attend Juilliard in 1979. When he began to pick up gigs around town, the grapevine began to buzz. In 1980 Wynton seized the opportunity to join the Jazz Messengers to study under master drummer and bandleader Art Blakey. It was from Blakey that Wynton acquired his concept for bandleading and for bringing intensity to each and every performance. In the years to follow Wynton performed with Sarah Vaughan, Dizzy Gillespie, Sweets Edison, Clark Terry, John Lewis, Sonny Rollins, Ron Carter, Herbie Hancock, Tony Williams and countless other jazz legends. Wynton assembled his own band in 1981 and hit the road, performing over 120 concerts every year for 15 consecutive years. With the power of his superior musicianship, the infectious sound of his swinging bands and an exhaustive series of performances and music workshops, Marsalis rekindled widespread interest in jazz throughout the world. Wynton embraced the jazz lineage to garner recognition for the older generation of overlooked jazz musicians and prompted the re-issue of jazz catalog by record companies worldwide. He also inspired a renaissance that attracted a new generation of fine young talent to jazz. A look at the more distinguished jazz musicians of today reveals numerous students of Marsalis’ workshops: James Carter, Christian McBride, Roy Hargrove, Harry Connick Jr., Nicholas Payton, Eric Reed and Eric Lewis, to name a few. Classical Career Wynton’s love of the music of Bach, Beethoven, Mozart and others drove him to pursue a career in classical music as well. He recorded the Haydn, Hummel and Leopold Mozart trumpet concertos at age 20. His debut recording received glorious reviews and won the Grammy Award® for “Best Classical Soloist with an Orchestra.” Marsalis went on to record 10 additional classical records, all to critical acclaim. Wynton performed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pops, The Cleveland Orchestra, Saint Louis Symphony Orchestra, English Chamber Orchestra, Toronto Symphony Orchestra and London’s Royal Philharmonic, working with an eminent group of conductors including: Leppard, Dutoit, Maazel, Slatkin, Salonen and Tilson-Thomas. A timeless highlight of Wynton’s classical career is his collaboration with soprano Kathleen Battle on their recording Baroque Duet. Famed classical trumpeter Maurice André praised Wynton as “potentially the greatest trumpeter of all time.” Record Production To date Wynton has produced over 80 records which have sold over seven million copies worldwide including three Gold Records. His recordings consistently incorporate a heavy emphasis on the blues, an inclusive approach to all forms of jazz from New Orleans to modern jazz, persistent use of swing as the primary rhythm, an embrace of the American popular song, individual and collective improvisation, and a panoramic vision of compositional styles from dittys to dynamic call and response patterns (both within the rhythm section and between the rhythm section and horn players). Always swinging, Marsalis blows his trumpet with a clear tone and a unique, virtuosic style derived from an encyclopedic range of trumpet techniques. The Composer Wynton Marsalis is a prolific and inventive composer. The dance community embraced Wynton’s inventiveness by awarding him with commissions to create new music for Garth Fagan (Citi Movement-Griot New York & Lighthouse/Lightening Rod), Peter Martins at the New York City Ballet (Jazz: Six Syncopated Movements and Them Twos), Twyla Tharp with the American Ballet Theatre (Jump Start), Judith Jamison at the Alvin Ailey American Dance Theatre (Sweet Release and Here…Now), and Savion Glover (Petite Suite and Spaces). Marsalis collaborated with the Lincoln Center Chamber Music Society in 1995 to compose the string quartet At The Octoroon Balls, and again in 1998 to create a response to Stravinsky’s A Soldier’s Tale with his composition A Fiddler’s Tale. With his collection of standards arrangements, Wynton reconnected audiences with the beauty of the American popular song (Standard Time Volumes I-VI). He re-introduced the joy in New Orleans jazz with his recording The Majesty Of The Blues. He extended the jazz musician’s interplay with the blues in Levee Low Moan, Thick In The South and other blues recordings. With Citi Movement, In This House On This Morning and Blood On The Fields, Wynton invented a fresh conception for extended form compositions. His inventive interplay with melody, harmony and rhythm, along with his lyrical voicing and tonal coloring assert new possibilities for the jazz ensemble. In his dramatic oratorio Blood On The Fields, Wynton draws upon the blues, work songs, chants, call and response, spirituals, New Orleans jazz, Ellingtonesque orchestral arrangements and Afro-Caribbean rhythms; and he uses Greek chorus-style recitations to move the work along. The New York Times Magazine said the work “marked the symbolic moment when the full heritage of the line, Ellington through Mingus, was extended into the present.” The San Francisco Examiner stated, “Marsalis’ orchestral arrangements are magnificent. Duke Ellington’s shadings and themes come and go but Marsalis’ free use of dissonance, counter rhythms and polyphonics is way ahead of Ellington’s mid-century era.” Wynton extended his achievements in Blood On The Fields with All Rise, an epic composition for big band, gospel choir, and symphony orchestra – a classic work of high art – which was performed by the New York Philharmonic under the baton of Kurt Masur along with the Morgan State University Choir and the Lincoln Center Jazz Orchestra (December 1999). Marsalis collaborated with Ghanaian master drummer Yacub Addy to create Congo Square, a groundbreaking composition combining elegant harmonies from America’s jazz tradition with fundamental rituals in African percussion and vocals (2006). For the anniversary of the Abyssinian Baptist Church’s 200th year of service, Marsalis blended Baptist church choir cadences with blues accents and big band swing rhythms to compose Abyssinian 200: A Celebration, which was performed by the Jazz at Lincoln Center Orchestra and Abyssinian’s 100 voice choir before packed houses in New York City (May 2008). In the fall of 2009 the Atlanta Symphony Orchestra premiered Marsalis’ composition Blues Symphony. By infusing blues and ragtime rhythms with symphonic orchestrations Wynton creates a fresh type of enjoyment of classical repertoire. Employing complex layers of collective improvisation, Marsalis further expanded his repertoire for symphony orchestra with Swing Symphony, premiered by the renowned Berlin Philharmonic in June 2010, creating new possibilities for audiences to experience a symphony orchestra swing. Marsalis’ rich and expansive body of music for the ages places him among the world’s most significant composers. Television, Radio & Literary In the fall of 1995 Wynton launched two major broadcast events. In October PBS premiered Marsalis On Music, an educational television series on jazz and classical music. The series was written and hosted by Marsalis and was enjoyed by millions of parents and children. Writers distinguished Marsalis On Music with comparisons to Leonard Bernstein’s celebrated Young People’s Concerts of the 50s and 60s. That same month National Public Radio aired the first of Marsalis’ 26-week series entitled Making the Music. These entertaining and insightful radio shows were the first full exposition of jazz music in American broadcast history. Wynton’s radio and television series were awarded the most prestigious distinction in broadcast journalism, the George Foster Peabody Award. The Spirit of New Orleans, Wynton’s poetic tribute to the New Orleans Saints’ first Super Bowl victory (Super Bowl XLIV) received an Emmy Award for Outstanding Short Feature (2011). From 2012 to 2014 Wynton served as cultural correspondent for CBS News, writing and presenting features for CBS This Morning on an array topics from Martin Luther King, Nelson Mandela and Louis Armstrong to Juke Joints, BBQ, the Quarterback & Conducting and Thankfulness. Marsalis has written six books: Sweet Swing Blues on the Road, Jazz in the Bittersweet Blues of Life, To a Young Musician: Letters from the Road, Jazz ABZ (an A to Z collection of poems celebrating jazz greats), Moving to Higher Ground: How Jazz Can Change Your Life and Squeak, Rumble, Whomp! Whomp! Whomp! a sonic adventure for kids. Awards and Accolades Wynton Marsalis has won nine Grammy Awards® in grand style. In 1983 he became the only artist ever to win Grammy Awards® for both jazz and classical records; and he repeated the distinction by winning jazz and classical Grammys® again in 1984. Today Wynton is the only artist ever to win Grammy Awards® in five consecutive years (1983-1987). Honorary degrees have been conferred upon Wynton by over 25 of America’s leading academic institutions including Columbia, Harvard, Howard, Princeton and Yale (see Exhibit A). Elsewhere Wynton was honored with the Louis Armstrong Memorial Medal and the Algur H. Meadows Award for Excellence in the Arts. He was inducted into the American Academy of Achievement and was dubbed an Honorary Dreamer by the “I Have a Dream Foundation.” The New York Urban League awarded Wynton with the Frederick Douglass Medallion for distinguished leadership and the American Arts Council presented him with the Arts Education Award. Time magazine selected Wynton as one of America’s most promising leaders under age 40 in 1995, and in 1996 Time celebrated Marsalis again as one of America’s 25 most influential people. In November 2005 Wynton Marsalis received The National Medal of Arts, the highest award given to artists by the United States Government. United Nations Secretary-General Kofi Annan proclaimed Wynton Marsalis an international ambassador of goodwill for the Unites States by appointing him a UN Messenger of Peace (2001). In 1997 Wynton Marsalis became the first jazz musician ever to win the Pulitzer Prize for Music for his epic oratorio Blood On The Fields. During the five preceding decades the Pulitzer Prize jury refused to recognize jazz musicians and their improvisational music, reserving this distinction for classical composers. In the years following Marsalis’ award, the Pulitzer Prize for Music has been awarded posthumously to Duke Ellington, George Gershwin, Thelonious Monk and John Coltrane. In a personal note to Wynton, Zarin Mehta wrote: “I was not surprised at your winning the Pulitzer Prize for Blood On The Fields. It is a broad, beautifully painted canvas that impresses and inspires. It speaks to us all … I’m sure that, somewhere in the firmament, Buddy Bolden, Louis Armstrong and legions of others are smiling down on you.” Wynton’s creativity has been celebrated throughout the world. He won the Netherlands’ Edison Award and the Grand Prix Du Disque of France. The Mayor of Vitoria, Spain, awarded Wynton with the city’s Gold Medal – its most coveted distinction. Britain’s senior conservatoire, the Royal Academy of Music, granted Mr. Marsalis Honorary Membership, the Academy’s highest decoration for a non-British citizen (1996). The city of Marciac, France, erected a bronze statue in his honor. The French Ministry of Culture appointed Wynton the rank of Knight in the Order of Arts and Literature and in the fall of 2009 Wynton received France’s highest distinction, the insignia Chevalier of the Legion of Honor, an honor that was first awarded by Napoleon Bonaparte. French Ambassador, His Excellency Pierre Vimont, captured the evening best with his introduction: “We are gathered here tonight to express the French government’s recognition of one of the most influential figures in American music, an outstanding artist, in one word: a visionary… I want to stress how important your work has been for both the American and the French. I want to put the emphasis on the main values and concerns that we all share: the importance of education and transmission of culture from one generation to the other, and a true commitment to the profoundly democratic idea that lies in jazz music. I strongly believe that, for you, jazz is more than just a musical form. It is tradition, it is part of American history and culture and life. To you, jazz is the sound of democracy. And from this democratic nature of jazz derives openness, generosity, and universality.” Jazz at Lincoln Center In 1987 Wynton Marsalis co-founded a jazz program at Lincoln Center. In July 1996, due to its significant success, Jazz at Lincoln Center was installed as new constituent of Lincoln Center, equal in stature with the New York Philharmonic, Metropolitan Opera, and New York City Ballet – a historic moment for jazz as an art form and for Lincoln Center as a cultural institution. In October 2004, with the assistance of a dedicated Board and staff, Marsalis opened Frederick P. Rose Hall, the world’s first institution for jazz. The complex contains three state-of-the-art performance spaces (including the first concert hall designed specifically for jazz) along with recording, broadcast, rehearsal and educational facilities. Jazz at Lincoln Center has become a preferred venue for New York jazz fans and a destination for travelers from throughout the world. Wynton presently serves as Managing and Artistic Director for Jazz at Lincoln Center. Under Wynton’s leadership, Jazz at Lincoln Center has developed an international agenda presenting rich and diverse programming that includes concerts, debates, film forums, dances, television and radio broadcasts, and educational activities. Jazz at Lincoln Center is a mecca for learning as well as a hub for performance. Their comprehensive educational programming includes a Band Director’s Academy, a hugely popular concert series for kids called Jazz for Young People, Jazz in the Schools, a Middle School Jazz Academy, WeBop! (for kids ages 8 months to 5 years), an annual High School Jazz Band Competition & Festival that reaches over 2000 bands in 50 states and Canada. In 2010 the Jazz at Lincoln Center Orchestra established its first residency in Cuba with a rich cultural exchange of performances with Cuban musicians including Chucho Valdes and Omara Portuondo and education programs for kids. Education In 2011 Harvard University President Drew Faust invited Wynton to enrich the cultural life of the University community. Wynton responded by creating a 6 lecture series which he delivered over the ensuing 3 years entitled Hidden In Plain View: Meanings in American Music, with the goal of fostering a stronger appreciation for the arts and a higher level of cultural literacy in academia. From 2015 to 2021 Wynton will serve as an A.D. White Professor at Cornell University. A.D. White Professors are charged with the mandate to enliven the intellectual and cultural lives of university students. Giving Back Wynton Marsalis has devoted his life to uplifting populations worldwide with the egalitarian spirit of jazz. And while his body of work is enough to fill two lifetimes, Wynton continues to work tirelessly to contribute even more to our world’s cultural landscape. It has been said that he is an artist for whom greatness is not just possible, but inevitable. The most extraordinary dimension of Wynton Marsalis, however, is not his accomplishments but his character. It is the lesser-known part of this man who finds endless ways to give of himself. It is the person who waited in an empty parking lot for one full hour after a concert in Baltimore, waiting for a single student to return from home with his horn for a trumpet lesson. It is the citizen who personally funds scholarships for students and covers medical expenses for those in need. Immediately following Hurricane Katrina, Wynton organized the Higher Ground Hurricane Relief Concert and raised over $3 million for musicians and cultural organizations impacted by the hurricane. At the same time, he assumed a leadership role on the Bring Back New Orleans Cultural Commission where he was instrumental in shaping a master plan that would revitalize the city’s cultural base. Wynton Marsalis has selflessly donated his time and talent to non-profit organizations throughout the country to raise money to meet the many needs within our society. From My Sister’s Place (a shelter for battered women) to Graham Windham (a shelter for homeless children), the Children’s Defense Fund, Amnesty International, the Sloan Kettering Cancer Institute, Food For All Seasons (a food bank for the elderly and disadvantaged), Very Special Arts (an organization that provides experiences in dance, drama, literature, and music for individuals with physical and mental disabilities) to the Newark Boys Chorus School (a full-time academic music school for disadvantaged youths) and many, many more – Wynton responded enthusiastically to the call for service. It is Wynton Marsalis’ commitment to the improvement of life for all people that portrays the best of his character and humanity. In 2011 Wynton joined with Harvard University President, Drew Faust to present a series of 6 lectures to the student body over 3 years. The series entitles Hidden In Plain View: Hidden Meanings in American Music was developed to foster a stronger appreciation of the arts and a higher level of cultural literacy amount college students.

This episode begins with a strong denunciation of Donald Trump, and Lindsay then moves on to describe her adventures for the week, which include a religious discussion in a Mississippi fire house, an inspirational talk from a 97-year-old juke joint proprietor, some great food, a walk from Mississippi to Graceland, and a blessing from Pastor Al Green in his church in Memphis. She also clarifies an important point about Glen, Mississippi.

Roadhoue 581 is a Roadhouse Rewind this week, as I'm in New England for a few weeks. Enjoy Roadhouse 321 from April 16, 2011. This edition of The Roadhouse proves the statement we've been making for six years of Saturdays - that the blues isn't just about the old guy on his porch, an acoustic guitar in his lap. Blues can be upbeat, too. The Chris O'Leary Band, Kelley Hunt, Hamilton Loomis, Janiva Magness, and The Juke Joints set the tone for a chair-dancin' hour of the finest blues you've never heard - the 321st Raodhouse.

Cedric Phillips sits down with Patrick "PSulli" Sullivan to go over the results of #GPAtlanta, help Cedric prepare for #GPPitt before it's too late, and seek Patrick's approval for a new sponsor for the podcast.

Juke Joints, The – You got em where you want me - Heart on Fire - 2015 (NL)St Louis Slim – I wants to be loved - Desolated track - 2015 (NL)Leslie West & Mountain – theme form an imiaganry western - Live Hits (2015)T-99 – Hungry Wolf – strange things happen - 2004Matt Andersen – Weightless - Weightless (2014)Scott H. Biram – Alcohol Blues - Nothin But Blood - 2014 BluesBones, The – The devils Bride - Saved by the Blues - 2015 (B)CD 2014Doug MacLeod – Rockit till the cows come home - Exactly Like This – 2015Tiny legs Tim – Big City Blues - Stepping Up – 2015Temporary Roads – Bluesolution - Bluesolution (2015)Robin Trower – Fallen - Something's About To Change (2015)Mariëlla Tirotto & the Blues Federation – playing the game - Live in Concert - 2015 (NL)

show#51411.09.13Willie White - Too Late from Party Hardy 2008 (3:44)John Hiatt - Alone in the Dark from Bring the Family 1987 (4:45)Captain Beefheart & the Magic Band - Old Folks Boogie from Grow Fins: Rarities (1965-1982) 1999 (3:06)Holland K Smith - Just One More Heartache from Cobalt 2013 (3:23)    Spinner's Section:more vinyl, all 1980's this timeHubert Sumlin & Mighty Sam McClain: can't call you no more (2:41) (Hubert Sumlin's Blues Party, Black Top/Demon, 1987)Ron Levy's Wild Kingdom: I know you know I know (3:36) (-, Black Tp/Demon, 1986)Blues 'n' Trouble: when the lights go down (2:41) (Hat Trick, Blue Horizon, 1987)Crew: watch your moves (4:35) (No Peace Of Mind, Blue Sting, 1988)Freelance Band: jazz'n my legs (3:58) (Midnight Power House, 21 Records, 1985)Anson Funderburgh & the Rockets: keep what I've got (2:50) (Knock You Out!, Black Top, 1983)Phillip Walker: big rear window (3:48) (Blues, Hightone/Demon, 1988)Robert Cray: foul play (4:00) (Strong Persuader, Hightone, 1986)Juke Joints: don't let you down (4:22) (Dancing Shoes, Don Quixote, 1986)Paul deLay Band: who will be next? (2:53) (-, Criminal, 1985)Lloyd Jones Struggle: me and my woman (4:10) (-, Criminal, 1986)Sultans: can't get no grindin' (2:53) (Little By Little, Banana Peel, 1987)Omar & the Howlers: rocket to nowhere (2:41) (I Told You So, Austin, 1984)Back To Beardo:Mark Wenner - Nothin' But The Devil from Nothin' But... 1989(3:05)Dirty Blues Band - Bring It On Home from Stone Dirt 1969 (3:04)Tab Benoit - Heart Of Stone from Live: Swampland Jam 2006 (7:45)John Ginty,Todd Wolfe - Peanut Butter from Bad News Travels 2013 (5:14)Gracie Curran & The High Falutin' Band - Even With The Rain from Proof Of Love 2013 (3:19)Dan Bubien - Irony from Empty Roads 2013 (3:57)Deb Ryder - Them Blue Collar Blues from Might Just Get Lucky 2013 (2:41)Rick Holmstrom • John "Juke" Logan • Stephen Hodges - Wild About You from "Twist-O-Lettz" 2010 (2:50)Roomful Of Blues - It All Went Down The Drain from 45 Live 2013 (5:28)The Persuasions - My Guitar Wants To Kill Your Mama from The Persuasions Sing Zappa - Frankly Accapella 2000 (4:26)

show#46010.20.121st one for Mitten Robme:Creedence Clearwater Revival - Fortunate Son (Chronicle - The 20 Greatest Hits 1976)Contino - Dino’s (Back Porch Dogma 2012)David Maxwell - Cryin' The Blues (Blues In Other Colors 2012)Little G Weevil - Big City Life (The Teaser 2011)Kid Andersen - Slimy Town (Greaseland 2006)The Mannish Boys - I Woke Up Screaming (Double Dynamite [Disc 2] 2012)Omar & The Howlers - I'm Gonna Move To The Outskirts Of Town (Too Much Is Not Enough 2012)Claude Hay - I Love Hate You (I Love Hate You 2012)Johnny Moeller - Everybody's Got to Cry Sometime (BlooGaLoo! 2010)Paul Reddick - The Devil's Load (Wishbone 2012)Spinner's Section:David Gogo: too late to stop now (2:38) (Different Views, Cordova Bay, 2009)San Pedro Slim: door to door (2:51) (Barhoppin', Barroom Blues, 2008)Studebaker John & the Hawks: blue feelin' (5:47) (Nothin' But Fun, Double Trouble, 1990)Moreland & Arbuckle: purgatory (4:11) (Just A Dream, Telarc, 2011)Juke Joints: this is it (3:05) (Going To Chicago!, CRS, 2010)Nick Curran & the Nitelifes: juke box mama (3:56) (Nitelife Boogie, Texas Jamboree, 2001)Sue Foley: deep freeze (3:16) (New Used Car, Ruf, 2006)Paul deLay Band: givin' up the body (4:10) (Heavy Rotation, Evidence, 2001)T-99: Betty (2:28) (Vagabonds, Cool Buzz, 2007)Charlie Musselwhite: no (4:50) (Continental Drifter, Virgin, 1999)Back To Beardo:The Nighthawks - Minimum Wage (Damn Good Time 2012)David Migden and the Dirty Words - Desert Inside (Killing It 2012)Lee Sankey w/David Migden vocal - Where We Going To (My Day Is Just Beginning 2001)The Lee Sankey Group w/ Ian Siegel vocal - He Doesn't Live Like the Others 2003)Ian Siegal & The Mississippi Mudbloods - I Am The Train (Candy Store Kid 2012)Levon Helm - Tie That Binds (Levon Helm & The RCO All-Stars LP 1972)Asylum Street Spankers - My Favorite Record (My Favorite Record 2002)Savoy Brown - When I Was a Young Boy (Raw Sienna 1970)John Zorn - Two Lane Highway: Hico Killer/Long Mile to Houston (Spillane 1986)

The 396th Roadhouse is a veritable river of blues. Teresa James & The Rhythm Tramps, Ian Siegal & The Mississippi Mudbloods, The Blues Broads, The Juke Joints, and Dave Fields light up the hour. Buckle up the lifejacket and strap in - there's a heavy undertow in this edition. It's fast-moving hour of the finest blues you've never heard.

show#43905.26.12Memorial (and Becca Jane) Day ShowFirst 8 songs by some of the artists that played at The Bandana Blues BBQ 1991-2008Cobalt Blues Band - CrazyMikey Jr - What Have I Done (it ain't hard to tell 2011)Dennis Gruenling - Hot Shot (I Just Keep Lovin' Him Tribute to Little Walker 2008)Paul Mark & the Van Dorens - 40 Ft. of Rope (Smartest Man in the Room 2012)Steve Guyger - School Is Over (Radio Blues 2008)Stringbean & the Stalkers - Bring It on Home (Hey Hey 2000)Tino Gonzales - Hold On (The Right Time 2012)Albert Castiglia - Public Enemy #9 (Living the Dream 2012)Spinner's Section:strong (arm) stuffKris Pohlmann Band: soulshaker (3:15) (One For Sorrow, self-release, 2012)Aynsley Lister: she's a woman (4:26) (-, Ruf, 1999)John Nitzinger: even my tears are cold (5:02) (Didja Miss Me, ITR, 1997)Arno: black doll (4:07) (Charlatan, Virgin, 1988)Tinsley Ellis: bringin' home the bacon (6:15) (Moment Of Truth, Alligator, 2007)Juke Joints: bad bad feeling (5:50) (Going To Chicago!, CRS, 2010)Chris Duarte Group: slapstak (5:55) (Vantage Point, Provogue, 2008)Jonny Lang: cherry red wine (3:32) (Wander This World, A&M, 1998)Big Blind: freak show (2:58) (Circus Left Town, Cool Buzz, 2009)Dick Destiny & the Highway Kings: Dweezils ripped my flesh (0:38)Back To Beardo:The Siegal-Schwall Band - I'd Like To Spend Some Time Alone With You Tonight My Friend (The Wooden Nickel Years (1971-1974) 1999)Tee - Happy Guy (This Is Tee 2008)Aaron Williams And The Hoodoo - Sick And Tired (10:49)Omar & The Howlers - I'm Mad Again (I'm Gone 2012)Rick Estrin & The Nightcats - A Ton Of Money (Twisted 2009)Bobby Jones/The Mannish Boys - How Long Will It Last (Comin Back Hard 2009)Lisa Biales - Sugar (Just Like Honey 2012)George Thorogood & The Destroyers - Wild Weekend (Live In Boston 1982)

show#42602.25.12 OK...OK...OK... the file will say #246 in your player... it's not...it's #426!! Beardo & Spinner are married to the blues, so Something Old, Something New, Something Borrowed AND EVERYTHING BLUE!!!!Chicken Shack - I Wanna See My Baby (O.K.Ken 1969)Shawn Starski - Was It You (Shawn Starski 2012)The Smashing Pumpkins - Girl Named Sandoz (Pisces Iscariot 1994)Spinner's Section:old-new-borrowed & BLUE!!!!Duane Eddy: three-30-blues (1959) (3:31) (Movin' 'n' Groovin', Decca, 1970)Eric Bibb: one soul to save (3:01) (Booker's Guitar, Telarc Blues, 2010)Th' Legendary Shack Shakers: help me (3:47) (Believe, Yep Rock, 2004)Eric Clapton & the Powerhouse: steppin' out (3:17) (What's Shakin', Elektra, 1966)Johnny Mastro & Mama's Boys: wineheaded (2:48) (Beautiful Chaos, self-release, 2010)Zoots: just your fool (3:00) (Bad Days Are Gone, Blue Sting, 1985)Chicken Shack: you ain't no good (3:35) (40 Blue Fingers…, Blue Horizon, 1968)Kris Pohlmann Band: bad for me (4:35) (One For Sorrow, self-release, 2012)Gary Primich: caravan (2:36) (Travellin' Mood, Flying Fish, 1994)Tramline: look over yonder wall (4:38) (Somewhere Down The Line, Island, 1968)Juke Joints: magic shoes (2:54) (Going To Chicago!, CRS, 2010)White Stripes: stop breaking down (2:20) (-, XL, 2001)Back To Beardo:Charlie Musselwhite (Robben Ford) - Fell On My Knees (Louisiana Fog 1968)Patrick Dodd Trio - Evil Way (Future Blues 2011)Colin James - Sit Right Here (Colin James And The Little Big Band 1993)Kid Thomas - Come in This House [#][Take 5] (Here's My Story 1991)Microwave Dave & The Nukes - Jesus Was Smart (Last Time I Saw You 2011)Aynsley Lister - Crosstown Traffic (Tower Sessions 2010)Louisiana Red & Sugar Blue -  Lamplight Baby (Red Funk and Blue 1978 LP) Ian Siegal - Stud Spider (Ian Siegal & The Youngest Sons 2011)Frank Zappa with Lady Bianca - Advance Romance (Philly '76 Disc 2 1979 at The Spectrum)Blind Willie McTell - Dying Crapshooter's Blues (Box of the Blues Disc 1 2003)Big James and the Chicago Playboys - That’s Why I’m Crying (Big James and the Chicago Playboys 2012)Amos GARRETT, DOUG SAHM, GENE TAYLOR - Teardrops on Your Letter (The Return Of The Formerly Brothers 1988)The Nighthawks - Heat Wave (Rock & Roll 1972)Melody Gardot - Your Heart Is As Black As Night (My One And Only Thrill 2009)Al Copley - Boogie at Midnight (1989) Automatic Overdrive

This edition of The Roadhouse proves the statement we've been making for six years of Saturdays - that the blues isn't just about the old guy on his porch, an acoustic guitar in his lap. Blues can be upbeat, too. The Chris O'Leary Band, Kelley Hunt, Hamilton Loomis, Janiva Magness, and The Juke Joints set the tone for a chair-dancin' hour of the finest blues you've never heard - the 321st Raodhouse.