Podcasts about master harold

Athol Fugard's plays, like Blood Knot and Master Harold and the Boys, were about the emotional and psychological consequences of Apartheid. He also formed an integrated theater company in the 1960s, in defiance of South African norms. The playwright, who died Saturday, spoke with Terry Gross in 1986. And we remember soul singer/songwriter Jerry Butler, who sang with Curtis Mayfield and The Impressions before going solo. Jazz historian Kevin Whitehead marks the centennial of the birth of Roy Haynes, one of the most in-demand drummers of the genre.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Athol Fugard's plays, like Blood Knot and Master Harold and the Boys, were about the emotional and psychological consequences of Apartheid. He also formed an integrated theater company in the 1960s, in defiance of South African norms. The playwright, who died Saturday, spoke with Terry Gross in 1986. And we remember soul singer/songwriter Jerry Butler, who sang with Curtis Mayfield and The Impressions before going solo. Jazz historian Kevin Whitehead marks the centennial of the birth of Roy Haynes, one of the most in-demand drummers of the genre.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Professor Chris Thurman joins John Maytham for a tribute to the legendary playwright Athol Fugard. A fearless critic of apartheid, Fugard’s deeply human storytelling shaped theatre both locally and globally. From The Blood Knot to “Master Harold”…and the Boys, his works challenged injustice and amplified silenced voices. They explore his impact on stage, film, and academia, his fight against censorship, and the lasting relevance of his work. How will Fugard’s legacy continue to shape South African theatre and literature?See omnystudio.com/listener for privacy information.

Renowned playwright Athol Fugard has left an indelible mark on South African theatre and beyond, with his passing at the age of 92. His works, such as "Master Harold and the Boys" and "The Road to Mecca", continue to resonate with audiences globally, offering powerful explorations of racial segregation, identity, and the human condition. To reflect on Athol Fugard's legacy and impact, Elvis Presslin spoke to Janice Honeyman, a distinguished theatre Director and Writer

Evan Handler is beloved by millions for portraying Harry Goldenblatt, divorce-lawyer-turned-husband to Kristin Davis's Charlotte York, on HBO's groundbreaking series, and films, “Sex and the City,” it's current MAX follow-up, “And Just Like That,” as well as Charlie Runkle on Showtime's seven season “Californication.” In addition to authoring two highly acclaimed books, Time on Fire: My Comedy of Terrors, and It's Only Temporary: The Good News and the Bad News of Being Alive, Evan has played leading roles in ABC's “It's Like, You Know…,” and NBC's “Studio 60 on the Sunset Strip,” STARZ' “Power,” and made numerous memorable guest appearances on “Lost,” “The West Wing,” “Six Feet Under,” “Necessary Roughness,” and “Friends.” In 2000, Evan played Larry Fine in ABC's TV movie “The Three Stooges,” followed by additional “real life” portrayals of Lloyd Blankfein in HBO's “Too Big to Fail,” Alan Dershowitz in FX's “People vs. OJ Simpson,” and Hal Prince in FX's “Fosse/Verdon,” each of which garnered numerous wide-ranging awards. On the big screen, Evan played a leading role in Ron Howard's “Ransom,” starring Mel Gibson, and featured and leading roles Oliver Stone's “Natural Born Killers,” “Taps,” “The Chosen,” and “Sweet Lorraine.” He's currently visible in David Duchovny's directorial effort, “Reverse the Curse.” Prior to his work in film and television, Evan earned acclaim in seven Broadway productions, all performed between his twenty-first and thirtieth birthdays, and all in spite of losing nearly five years of that span to his fight against a supposedly “incurable” leukemia. During this time Evan starred in Broadway productions of “Six Degrees of Separation,” “I Hate Hamlet,” “Brighton Beach Memoirs,” “Broadway Bound” and “Master Harold...and the boys.” Evan also worked extensively in off-Broadway and regional theater at NY's Public Theater, Manhattan Theater Club, Playwrights Horizons, Seattle Rep, and Steppenwolf, performing early plays by Donald Margulies, Robert Schenkkan, Jez Butterworth, and numerous others. Evan's first book, Time On Fire, details his unlikely recovery from the leukemia diagnosed in the mid-1980s. His second book, It's Only Temporary: The Good News and the Bad News of Being Alive, describes the twenty-year period post-illness, and Handler's surprisingly circuitous journey toward gratitude, using tales of serial dating, absurd relationships, unexpected depressions, and, ultimately, lasting love and a miracle conception. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brendon Daniels is a South African acting heavyweight. His distinctive face and voice hold gravitas on the silver screen. He has been in a plethora of roles on stage and screen, including Trackers, Master Harold and the Boys, Spinners, Unseen, Four Corners, White Lies, I Am All Girls amongst many many others. See omnystudio.com/listener for privacy information.

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Author Rebecca Ginsburg talks about life in South Africa in the time of the play. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hear our conversation with the acclaimed author of "Master Harold"...and the Boys, Athol Fugard.Sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Direct from Canada (where they completely mess up the melody to "Head, Shoulders, Knees and Toes"), Dracula himself kicks off this inaugural podcast episode. James left a slipper on stage on opening night, sometimes forgets to powder his abs, and once or twice has gone out on stage without his fangs. Say what!? James Daly is an award-winning Canadian Actor. Recent theatre credits include: Damn Yankees, Grand Hotel, Oh! What A Lovely War (The Shaw Festival), Mythic (The Segal Centre), Cabaret (The Grand Theatre), Master Harold... and the Boys (The Shaw Festival/Obsidian Theatre). On-camera credits include: Crave's hit comedy series "Letterkenny," Netflix's "Workin' Moms," and CBC's "Frankie Drake." He is a proud graduate of the National Theatre School of Canada. *Instagram: @jamespatrickdaly Learn more about your ad choices. Visit megaphone.fm/adchoices

After honing his craft on the stage, in productions including Barber Shop Chronicles, Master Harold and the Boys and Mogadishu, Hammed Animashaun has landed his first leading on screen role in the BBC comedy thriller Black Ops.Co-created and starring BAFTA award-winners Akemnji Ndifornyen & Gbemisola Ikumelo Black Ops sees Dom (Animashaun) and Kay (Ikumelo) as PCSOs (PoliceCommunity Service Officers) get roped into going undercover to infiltrate a notorious drug dealing gang. We spoke to Hammed about working with this career idols Akemnji and Gbemisola, the importance of characters like Dom for the image of black men on screen and the bad weather in Prague. Black Ops comes to BBC & BBC iPlayer Friday May 5th

KIRBY: The Musical  is a brand new musical by Richard Gustin, based on a 2021 novel by Iris Iglarsh. It is a heart-warming ghost story and a tale of friendship, loss, and family secrets. Richard drops in to tell us how it's going in these early stages of development. In this episode, we discuss:The origin and adaptation process of KIRBYRichard's work as an actor/director/playwright and how each of those roles informs how he approaches the others His Star Trek analogy for actors His upcoming play, Being Seen and planning next year's Chicago runAnd more!Resources MentionedKirby's Dilemma by Iris IglarshUbiquitous PlayersBeing Seen by Richard GustinWorld Premiere WisconsinWrite On, Door CountyMilwaukee Fringe FestivalAbout Our GuestRichard Gustin is an emerging playwright whose plays include Being Seen, KIRBY: The Musical, Surviving the Cycle, Flat World, A Sparrow Falls, Leviathan, Mercy, Someone Like Me, Concentric Circles, Found Objects, Switch, CruciFiction and an original adaptation of Everyman.Richard is a member of Dramatists Guild and Actors' Equity Association. He has been seen in major roles at various regional theatres including: the Great Lakes Theatre Festival in Cleveland, Kansas City Rep, the Walnut Street Theatre in Philadelphia, the Ivanhoe in Chicago, and Milwaukee Rep.Directing credits include The Dream of The Burning Boy, A Midsummer Night's Dream, Godspell, How the World Began, Almost, Maine, Waiting for Godot, Antigone, The Miracle Worker, Rabbit Hole, Everyman, Wings, My Fair Lady, Master Harold. . .and the boys, Our Town, Lobby Hero, True West, Steel Magnolias, Proof, Doubt, Silent Sky, Surviving the Cycle, The Glass Menagerie, and many others.Connect with Our Guestwww.richardgustin.comFacebookRead Richard's plays on Connect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

 In today's episode, we will be talking about letters we write to loved ones and new stuff hitting Kickstarter.New acquisitions?John bought another Mythic Pen, this one is in Brook's Golden Rule, cannot wait to see it in personI can talk about the pens I got for my sister's wedding, and what a ketubah is Stellios Postal BulletinNancy Reagan (the stamp that should totally be laced with LSD)And Pete Seeger (I know there is a way of getting to more diametrically opposed individuals into this kind of proximity, but you'd have to work at it)Japan encouraging love letters (from the Straits Times)And I am including this entirely for the last line in the articleI can relate to this one a bit more than most.I think this is a great idea for any Dad out there.Mark 3 PencilThoroughly Considered podcastMore Kickstarter pen goodnesshttps://www.digitaljournal.com/pr/the-cocoon-pen-co-launches-kickstarter-campaign-for-its-nano-fountain-penhttps://www.kickstarter.com/projects/silhouettepen/cocoon-nano-fountain-penhttps://www.kickstarter.com/projects/ensso/japanese-ebonite-fountain-pens?ref=recommendation-projectpage-footer-discover-moreHappy birthday to the ballpoint!Fun, quirky, long article about a South African playwright that uses fountain pens. (the good part is just past the picture for Master Harold)

We preview the Fleeing Artists Theater Company's production of Athol Fugard's anti-apartheid play "Master Harold and the Boys," which opens this weekend.

Today we will be diving into the character of Mercutio and his loaded relationship throughout the play with Romeo with one of our all-time favorite humans -- Will Block. Will Block is an LA-based classical actor and director. He is the Artistic Director of Method and Madness and is an Associate Artist with the Porters of Hellsgate. Regional creds include The Two Noble Kinsmen (Kingsmen Shakespeare), Master Harold...and the boys, A Christmas Carol, Treasure Island (Sacramento Theatre Co), A Midsummer Night's Dream (LA Phil), and the West Coast Premiere of Ken Ludwig's Murder on the Orient Express (La Mirada). Links: http://www.thewillblock.com https://www.methodandmadnessco.com/ --- Support this podcast: https://anchor.fm/shakeshakeshake/support

These three writers used the power of their pens to expose and explore man's inhumanity to man.  You'll hear the presentations they gave at the Academy of Achievement's International Summits.  South African novelist and anti-Apartheid activist Nadine Gordimer was the author of "Burger's Daughter" and "July's People", and she received the 1991 Nobel Prize in Literature.  Playwright Athol Fugard, also South African and an outspoken critic of Apartheid, received the Tony Award for Lifetime Achievement in 2011.  His most famous plays include "Master Harold and the Boys" and "The Blood Knot". The third writer we'll hear from is Elie Wiesel, the legendary Auschwitz survivor who wrote many novels and non-fiction books about the horrors of the Holocaust, but always with a sense of hope for humankind.  He was also an unrelenting advocate for human rights around the world, and received the Nobel Peace Prize in 1986.  All three writers speak here about their lives and give profound advice to young people about how to live a meaningful life. 

Andre is a Toronto-based Actor, Director, Producer and Writer.  He has spent most of his career working in the Theatre across the country. This is his 7th season at Stratford where he is playing Bottom in A Midsummer's Night Dream, opening the new Tom Patterson Theatre Parking Lot under a tent. He also played the title character in the 2018 Stratford hit Coriolanus directed by the World Renowned Robert Lepage, and was in the top 10 shows of 2018 in the Washington Post and The Globe & Mail and more.  In addition, he spent four seasons at The Shaw Festival where he played Tom in The Glass Menagerie and received a My Entertainment World Best Actor Award for his work in An Octoroon and a Dora Award & Toronto Theatre Critics Award for Best Actor for his work in Master Harold and the Boys.  He has also worked at Soulpepper Theatre where he toured with Kim's Convenience across the country, and also played Othello at The St. Louis Black Rep, and many other companies across the country. He is a Resident Artist with The Actors Repertory Company (ARC). Online: Check out his new web series on YouTube called Private Idiots. Instagram: @dre373 Twitter: @andresills373 Private Idiots Instagram: @privateidiotsseries Twitter: @Privateidiots Support Stageworthy by contributing to their Tip Jar: https://tips.pinecast.com/jar/stageworthy

Such a moving conversation with Lonny Price, actor and director, on the podcast this week. Lonny spoke about his life in the theatre beginning in legendary producer Hal Prince’s office, acting in Stephen Sondheim’s “Merrily We Roll Along,” transitioning to directing, and even revealing moments and memories he hasn’t shared before. In the fall of 2019, Lonny directed the world premiere of the Mitnick/Gwon collaboration, SCOTLAND PA., for the Roundabout Theatre (produced in association with Hal Luftig). On Broadway, he directed Sunset Boulevard, (starring Glenn Close) Lady Day at Emerson’s Bar & Grill, (Starring Audra McDonald) 110 in the Shade, 'Master Harold'... and the Boys, (starring Danny Glover) Sally Marr and Her Escorts (co-written with Joan Rivers and Erin Sanders), Urban Cowboy, and A Class Act (Tony Award nominated book co-written with Linda Kline). West End credits include Lady Day at Emerson’s Bar and Grill at the Wyndham’s, as well as Carousel, Sunset Boulevard, Sweeney Todd, and Man of La Mancha, all for the English National Opera. Film and television credits include his film version of the New York Philharmonic’s Sweeney Todd (Emma Thompson and Bryn Terfel), and Company, (Neil Patrick Harris, Stephen Colbert, etc). He also directed the stage and filmed versions of his tribute to Stephen Sondheim, Sondheim: The Birthday Concert! (Emmy Award). Other Philharmonic collaborations include the “Live From Lincoln Center” broadcast of Camelot, Candide, Sweeney Todd (George Hearn and Patti LuPone, Emmy Award), and Sondheim’s Passion (Emmy Award). Additional television credits include Lady Day at Emerson’s Bar and Grill for HBO, as well as episodes of “2 Broke Girls,” “Desperate Housewives,” and the upcoming ‘Plan Z.' For his first feature, ‘Master Harold’ ... and the Boys, he received a Best Director Award from the New York International Independent Film and Video Festival. His documentary, Best Worst Thing That Ever Could Have Happened premiered at the New York Film Festival and was named one of New York Times’ Top 10 Films of 2016, and his other documentary Hal Prince: The Director’s Life (PBS) was released to critical acclaim as well. With Hal, Lonny has two projects in development, a musical adaptation of the cult-classic film, Scotland, PA, and a new play. Stay tuned for news of these projects as they further develop! For all things Broadway Biz, visit our Instagram @BroadwayBizPodcast or our website broadwaybizpodcast.com. Have a question for Hal or a topic you'd like him to explore? Send Hal an email at broadwaybiz@halluftig.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Perspective is truly mind-changing. The word deserves its own episode for a plethora of reasons! For this episode. Suzanne brings on Ethan Paulini, a NYC based actor, director, and artistic producer. He is the producing artistic director of the Weathervane Theatre in New Hampshire, which was featured in a huge spread in the NY Times this fall. He is also the Associate Artistic Director of the off-Broadway company, OOTB theatrics. He runs his own private coaching business working with artists from all different mediums, helping them exceed their potential. Perspective is one of his favorite words; he delves into detail with Suzanne about how he uses this mantra and ethos to change the lives of his clients, himself, and his work. Enjoy!QUOTE: “ Perspective is the way that we view our world and our relationships.”More About Ethan:Ethan Paulini is a NYC based theatre artist. NYC and regional work includes Roundabout Theatre Co., New York Theatre Workshop, Spontaneous Evolution Ensemble, Arkansas Rep, Northern Stage, Arts Center of Coastal Carolina, WHAT, Vineyard Playhouse and many more. His show, Mama and Her Boys has been performed over 500 times all over the country including an 18 month Off-Broadway run. In 2011, he established #ethancoaches, a private acting and career coaching studio which now boasts over 300 clients. He is currently the Producing Artistic Director of the Weathervane Theatre in Whitefield, NH and Associate Artistic Director of Off-Broadway's Out of the Box Theatrics. For OOTB he directed and choreographed their inaugural production of You're a Good Man, Charlie Brown. He has since directed "Master Harold"...and the Boys, Into the Woods and the recent revival of Baby starring Alice Ripley. He also created their new works initiative Building the Box. He is a proud member of AEA, SAG-AFTRA, and SDC. www.ethanpaulini.com and www.ethancoaches.comhttps://www.weathervanenh.org/https://www.ootbtheatrics.com/https://www.ethanpaulini.com/Where to Find Me:InstagramTwitterFacebook

TBB Talks ... to Msamati ahead of BBC's upcoming release of series three of Alan Bennet's Talking Heads. Playing the part of 'Wilfred Patterson' and performing the monologue ‘Playing Sandwiches', Msamati will feature in a double bill with Jodie Comer. Msamati's long-standing career across screen and stage has made him one of the most iconic Black actors working in Britain today.He is probably most famous for being the first black actor ever to play the part of 'Iago' in Iqbal Khan's 2015 production of Othello for the Royal Shakespeare Company. He has also repeatedly performed at the National Theatre, most recently starring as 'Sam' in http://thebritishblacklist.co.uk/master-harold-and-the-boys-56-out-of-100/ (Master Harold and the Boys) (2019) and 'Antonio Salieri' in Amadeus (2019). Iconic television roles also include playing 'Tobi Akindele' in Channel Four's http://thebritishblacklist.co.uk/premiering-tonight-channel-4s-four-part-drama-kiri-will-spark-debate-interracial-adoption/ (Kiri) (2018), and currently starring as 'Ed Dumani' in Sky Atlantic's http://thebritishblacklist.co.uk/tbb-talks-to-star-of-gangs-of-london-pippa-bennett-warner/ (Gangs of London). Talking Heads is available to watch via BBC iPlayer now.

New episode with Roy Alexander Weise (MBE), co-Artistic Director of the Royal Exchange Theatre, Manchester, and Director of plays such as 'Nine Nights, The Mountaintop, Master Harold and the boys' to name but a few. Roy spoke about the learnings he gained from biblical stories (fun fact Roy could’ve ended up a Pastor), the UK education system penalising ‘energy, and of course, the stories that made a huge impact on him like ‘The Chatroom’ a play by Enda Walsh. You can contact Roy on:Twitter: https://twitter.com/RAWeiseArtist And as always, please subscribe, rate and review because it really does help us grow. You're the best!Blacticulate

Kent Gash (Founding Director of New Studio on Broadway at NYU Tish School of the Arts, Director of Master Harold and the Boys at Arizona Theatre Company) and Carley Elizabeth Preston (Chief Development Officer) discuss racism, current events and how we as artists and theatre makers can be actively anti-racist.

Michael Boatman is an actor of great versatility. He is perhaps best known for his six year run on the hit comedy series “Spin City” for which he received two NAACP Image Awards, while simultaneously doing double duty as sports agent Stanley Babson on the HBO series “Arli$$.” Most recently, Boatman completed a recurring role on MADAM SECRETARY, on the Network. Prior to that he did double duty as a series regular on Nickelodeon’s “Instant Mom,” opposite Tia Mowry, and recurred as Charlie Sheen’s best friend on the FX series “Anger Management.” In addition, he had a recurring role on CBS’ “The Good Wife.” Boatman was born in Colorado Springs and grew up in Chicago as the oldest of three children. He studied theater at Western Illinois University, playing major roles in plays ranging from “Purlie Victorious” to “The Seagull” and “A Midsummer Night’s Dream.” He performed at the Kennedy Center in the Irene Ryan National Competition, for which he won the Best Supporting Actor award. After graduating, Boatman was cast as Motown in the film “Hamburger Hill.” It was there that he met lifelong friends Steven Weber and Don Cheadle. Shortly after, he moved to Los Angeles where he starred in the award-winning ABC drama “China Beach.” Following that series run, he starred in “Muscle” opposite Alan Ruck and then moved on to the much-loved series “Spin City” for six seasons. Over the years, Boatman has recurred on shows such as “The Larry Sanders Show,” “Living Single,” “The Jackie Thomas Show,” “Law & Order: Special Victims Unit,” “Sherri” opposite Sherri Shepherd. Boatman has appeared in numerous movies for television, including “In the Line of Duty: Street War,” the PBS special, “The Trial of Bernard Goetz” and ABC’s “Once Upon a Mattress.” Boatman’s feature films include the lead role of J.J. Johnson in “The Glass Shield,” “Woman Thou Art Loosed,” “Bad Parents,” “Peacemaker” and Sidney Lumet’s “Running on Empty,” among others. His theater work includes “Master Harold and the Boys” at the Roundabout Theatre Company on Broadway starring opposite Danny Glover, “The Glass Menagerie” in San Francisco and “Tiny Mommy” at Playwright’s Horizons. Most recently, Boatman starred in San Diego’s Old Globe production of “Robin Hood!”

In this second episode of Half Hour, Audrey Francis meets up with fellow Steppenwolf Ensemble Member (and her former acting teacher) K. Todd Freeman. The conversation covers what is was like for Freeman when he joined the ensemble, how he prepares to play unsavory characters onstage, and why he will never perform in a two-man show again.Interview begins at 6:48.K. Todd Freeman has been a Steppenwolf ensemble member since 1993. At Steppenwolf, he has appeared in Downstate ( Jeff Award; National Theatre London, Evening Standard nomination), Airline Highway (Broadway: Drama Desk Award and Tony Nomination), The Brother/Sister Plays, The Tempest, Art, Topdog/Underdog, A Clockwork Orange, We All Went Down to Amsterdam, One Flew Over the Cuckoo’s Nest (also Broadway) and The Song of Jacob Zulu (Broadway; Tony Nomination) and has directed The Christians, Good People (Jeff Award for Best Production starring the wonderful Mariann Mayberry) and Master Harold. . .and the Boys for Steppenwolf for Young Adults. Off-Broadway credits include Fetch Clay Make Man (NYTW: Obie Award); Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, Spunk (The Public Theatre); and Uncle Tom’s Cabin (Drama Department). Regional credits include Miss Evers’ Boys, Angels in America (Mark Taper Forum). Television and film credits include the upcoming Netflix exclusive A Series of Unfortunate Events, Blindspot, The OA, Anesthesia, Weightless, Believe, Law and Order: SVU, Buffy the Vampire Slayer, NYPD Blue, A Different World, A Gifted Man, The Dark Knight, The Cider House Rules, Gross Pointe Blank and for a very brief moment in Pirates of the Caribbean 5.Learn more at steppenwolf.org

As an accomplished theatre director, Gregg is the Artistic Director of the Los Angeles-based Lower Depth Theatre Ensemble, and was nominated for a 2013 NAACP Image Award for helming the Los Angeles production of Elmina's Kitchen, which also won the NAACP Award for Best Ensemble for 2103. Prior to that, his stage direction included 2009's acclaimed production of Tom Stoppard's Heroes, Sybyl Walker's Beneath Rippling Waters, Lee Blessing's Cobb, and Frank McGuinness's Someone Who'll Watch Over Me.Gregg also directed the world premiere of solo performance artist Joyce Guy's War Stories at the Los Angeles Theatre Center and at St. Mark's Church in New York. For Theatre 150 in Ojai, California, he directed Athol Fugards' Sizwe Bansi, Diana Son's Stop Kiss, and the 2004 Pulitzer Prize winner, I Am My Own Wife by Doug Wright. A trained theatre actor from NYU's Tisch School of the Arts, Gregg's stage acting credits Shakespeare Center of L.A.'s production of Romeo & Juliet, the Williamstown Theatre Festival productions of Back Country Crimes, and Gogol, The Mark Taper Forum's Joe Turner's Come and Gone, the Pasadena Playhouse's Jitney, Actors Theatre of Louisville's Master Harold, Hartford Stage Company's Peer Gynt, and South Coast Repertory's Fences, and Death Of A Salesman.In this episode we discuss the concepts of acting, how its an ever evolving process, and if there is anything else in life you want to do besides acting, do that. We covered these topics and much more!

This episode covers Monday 3 February to Sunday 9 February 2020. We start at the theatre with The Producers at Theatre on the Bay, Master Harold and the Boys at the Fugard Studio, and the Rolex Arts Weekend at the Baxter Theatre. Then, after treating our ears at the annual Up The Creek Music Festival and thanks to a special offer from Audible, we head to the winelands for the best accommodation options and continue the celebrations at the Wine Harvest Commemoration at Groot Constantia, the Harvest at Dusk Festival at Nederburg, and the Cape Town Pizza and Pasta Festival in Green Point. (Detailed show notes are available exclusively at www.capetowntravel.guide.)

Episode Notes Amber (Claire Renaud) and Tom (Tony Ofori), finding their way as freshmen at Princeton, spend a night together that alters the course of their lives. They agree on the drinking, they agree on the attraction, but consent is foggy, and if unspoken, can it be called consent? Anna Ziegler investigates gender and race politics, our crippling desire to fit in and the three sides to every story. Playwright ANNA ZIEGLER is an award-winning playwright whose widely produced play PHOTOGRAPH 51 (starring Nicole Kidman) won London’s 2016 WhatsOnStage award for Best New Play. It was selected as a “Best of the Year” by The Washington Post and the Telegraph. In 2017, The Williamstown Theatre Festival, The Manhattan Theatre Club and The Geffen Playhouse premiered her play ACTUALLY, and The Roundabout Theatre Company produced THE LAST MARCH. Her play THE WANDERERS won the 2018 San Diego Critic’s Circle Award for Outstanding New Play and BOY was nominated for the 2016 John Gassner Award by the Outer Critics Circle. Director PHILIP AKIN has been acting and directing for over 40 years. In 2000, he was a founding member of Obsidian Theatre, Canada’s leading black theatre company, and has served as its Artistic Director since 2006. Award include the Premier’s Award for Excellence in the Arts (2018), William Kilbourn Award for the Celebration of Toronto’s Cultural Life ( 2014) and the Toronto Alliance for the Performing Arts, Silver Ticket Award for Outstanding Contribution (2010). Dora Nominations for Best Director in the General Theatre Division 2008, 2011, 2012 (winning in 2012 – Topdog Underdog), two nominations in 2017 (winning in 2017 for Master Harold…and the Boys) www.obsidiantheatre.com Twitter: @obsidiantheatre Facebook: https://www.facebook.com/Obsidian-Theatre-Company-214760735208818/www.hgjewishtheatre.com Twitter: @HGJewishTheatre Instagram: hgjewishtheatre Facebook: https://www.facebook.com/HGJewishTheatre/Tickets: https://www.hgjewishtheatre.com/2019-2020-Actually.html

On this week’s edition of Arts Magazine, guests from the Kansas City Actors Theatre will talk about their upcoming production of “Master Harold…And The Boys”, and representatives for The Alcott […] The post “Master Harold…And The Boys” & Shakespeare At The Alcott appeared first on KKFI.

On this episode, Norman and I entertain LaMont Ridgell, a veteran actor, who blessed the stage of Bindlestiff Studios, Town Hall Theatre (Angels In America) and Off Broadway West, where he was in the TBA Award winning Master Harold and the Boys. LaMont talks about growing up in Michigan, being in the bay in the early 90s working in the video game industry, and his take on Bay Area theater as of now. The Yay is now on Spotify! Go on Spotify, look up The Yay and check us out! SHOUTOUTS: Bukaka (Bindlestiff Studios – Granny Cart Gangstas) Aug 8 – Aug 24 www.bukaka.bpt.me Roan @ The Gates (Central Works) Extended until Aug 25 http://centralworks.org/roan-the-gates/ The Glass Menagerie (Role Players Ensemble) Aug 30 – Sept 15
www.roleplayersensemble.com Reg Clay (@Reg_Clay) Norman Gee (@WhosYrHoosier)

Regional: The Three Musketeers, Romeo and Juliet (Denver Center Theatre Company); Othello, Julius Caesar, The Man in the Iron Mask, Henry IV, Parts One and Two(Shakespeare Santa Cruz); Circle Mirror Transformation, No Man’s Lands, Seven Guitars, Invisible Hand, The Duchess of Malfi (Artists Repertory Theatre); A Lesson Before Dying; Lips Together, Teeth Apart; Master Harold . . . and the Boys (Profiles Theatre Company); Hansel and Gretel, Snow White, Pinocchio, El Zorrito, Peter Pan(Northwest Children’s Theater); Lorca in a Green Dress; Adriente Paciencia; Elliot, a Soldier’s Fugue (Miracle Theatre); Charlotte’s Web, Tuck Everlasting, BFG, Holes, Cyrano (Oregon Children’s Theatre).Other credits: Associate artist in composition, Shakespeare Santa Cruz. Awards: 2000–2001 Drammy, Sound Design and Composition, for a season of outstanding work at multiple theatres; 2001–2002 Drammy in Composition (Tuck Everlasting); 2004 Drammy in Composition (Lorca in a Green Dress). Education: MA, Music, Manhattan School of Music; BA, Music, University of Arizona.

In this podcast, Kylie and Emma compare and contrast the two main characters of Master Harold and Thousand Splendid Suns: Rasheed and Hally.

Interesting and detailed conversation between four great books. There are two book battles within our first episode between A Thousand Splendid Suns and The Alchemist, and A Brave New World and Master Harold. Listen to our first episode of season one to figure out the victors of these two book battles.

GISELLE E. LANGTON Director, Stage Manager, Producer Ms. Langton has produced Rick Abbot’s Play On! (1993), Larry Kramer’s The Normal Heart (1993), Charles Busch’s The Lady In Question (1994). Athol Fugard’s “MASTER HAROLD” …and the boys (in association with J. Austin Forsyth and the Little Carib Theatre (1995), Dan Coggin’s Nunsense (1996), Eve Ensler’s The Vagina Monologues (2002) and the award-winning production of Earl Warner’s MANTALK in association with MSJ Productions (2004). In a thirty-two year career, she has stage-managed countless presentations for drama, choral, steelband and dance companies in Trinidad. She has also worked on numerous film and television productions, including Asha Lovelace’s Joebelle and America. Ms. Langton has been Production Manager for The Callaloo Company, notably for the Carnival presentations of Picoplat and The Sacred Heart. In 2007 she stage managed two back to back performances at Madison Square Garden for Machel Montano’s Rezzerek, designed and directed by Peter Minshall. She is the holder of six (6) Cacique Awards. In 2003, Ms. Langton made her directorial debut with Charles Busch’s Shanghai Moon. In 2009, she was the Production Stage Manager for Machel Montano’s first children’s alternative concert “Boy Boy and the Magic Drum” directed by Mervyn de Goeas. She has served as an Executive member of the National Drama Association and, has been the Coordinator of the Cacique Awards Evaluators. Her television career began with Television Enterprises (TVE). For the television series Westwood Park, she has worked as Script/Continuity and 1st A.D. Ms. Langton was also the Producer for the creative concept company, CedarHouse Company Limited. In 2011, she was the Stage Manager for Heather Headley’s concert “Home”, at the National Academy for the Performing Arts. Ms. Langton directed David Lindsay-Abaire’s “Rabbit Hole” in November 2011, at the Trinidad Theatre Workshop for Proscenium Theatre. She was Operations Manager, for the National Theatre Arts Company, from 2015 to 2016. Ms. Langton, has been the Unit Coordinator, for the Stage Department at the Lord Kitchener (Aldwyn Roberts) Auditorium – NAPA, from 2012 to present.

In celebration of 100 episodes Matthew Broderick joined Ilana for a live podcast event with  proceeds from ticket sales going to The Trevor Project. Listeners will feel like they are  part of the conversation between  old friends catching up. Broderick is a two-time Tony award-winning stage actor and instantly recognizable film presence, Matthew Broderick was most recently on screen in Rules Don’t Apply opposite Warren Beatty, Annette Bening and Lily Collins. He will next star in Look Away alongside Chloe Sevigny and Aidan Turner set for a 2016 release. On stage, Broderick most recently starred in A. R. Gurney’s comedy Sylvia alongside Annaleigh Ashford. Previously he starred in the smash Broadway hit It’s Only a Play opposite his frequent co-star Nathan Lane, as well as the award-winning Broadway run of Nice Work If You Can Get It. Additionally, he starred in the Broadway production of Neil Simon’s The Odd Couple and The Foreigner at the Roundabout Theatre. In 2005, he starred in the feature film version of The Producers, reprising the Tony-nominated performance he gave on Broadway in this smash hit musical. A New York native, he made his professional stage debut opposite his father, James Broderick, at age 17 in the production of On Valentine’s Day.  His performance in Harvey Fierstein’s Torch Song Trilogy, won him the Outer Critic’s Circle Award for Best Supporting Actor. Broderick won his first Tony Award for Neil Simon’s Brighton Beach Memoirs, and starred in the play’s sequel, Biloxi Blues.  He won his second Tony for his role as J. Pierrepont Finch, in the Broadway revival of How to Succeed in Business Without Really Trying. Broderick also starred in the record-breaking production of The Producers for which he was nominated for a Tony Award and a Drama Desk Award for his role as Leo Bloom. Additional theater credits include Night Must Fall and Taller Than a Dwarf. On screen, Broderick starred in the critically acclaimed You Can Count on Me opposite Laura Linney.  He also earned considerable acclaim starring opposite Reese Witherspoon in the Independent Spirit Award winning political satire Election, directed by Alexander Payne.  Broderick has also starred in such blockbuster movies as Ferris Bueller’s Day Off, Glory, War Games, and Disney’s The Lion King, as the adult voice of Simba. Additional credits include Dirty Weekend, Tower Heist, Margaret, Bee Movie, Then She Found Me, Deck the Halls, The Last Shot, The Stepford Wives, Inspector Gadget, Godzilla, Addicted to Love, The Cable Guy, Mrs. Parker and the Vicious Circle, The Night We Never Met, The Freshman, Family Business and Max Dugan Returns.In addition to his stage, screen and Broadway credits, he has also appeared on Modern Family, 30 Rock, the Showtime film Master Harold…and the Boys and received an Emmy nomination for the TNT production of David Mamet’s A Life in the Theater in which he starred opposite Jack Lemmon.

This week on Love Your Bodd we've got a LIVE recording of the Out of the Box Theatrics' Women in Theater Panel! This live recording was moderated by Love Your Bodd Host, Heather Boddy. She interviewed panelists Elizabeth Flemming, Amiee Turner, Sammi Cannold, Alex Chester, Awoye Timpo about their experiences being a woman in the theater industry.  Meet the Panelists: Sammi Cannold is a theater director whose recent credits include Ragtime on Ellis Island and Violet on a moving bus at the American Repertory Theater (A.R.T.). Sammi recently served as the associate director on the Broadway production of Natasha, Pierre & The Great Comet of 1812 (dir. Rachel Chavkin) and is currently the associate director on In the Body of the World (dir. Diane Paulus/MTC) as well as Lempicka  (dir. Rachel Chavkin/Williamstown). Sammi has directed numerous concerts, workshops, and readings at A.R.T., 54 Below, Playwrights Realm, The Montalban Theater, New York Theatre Barn, (Le) Poisson Rouge, Don’t Tell Mama, and Primary Stages. She has also served as an Artistic Fellow at the A.R.T. and a Sundance Institute Fellow (for which she directed a developmental workshop of a new musical by Jeanine Tesori and David Lindsay-Abaire). She holds a B.A. from Stanford University and an M.A. from Harvard University. www.sammicannold.com    Alex Chester is a proud member of Broadway Diversity Project. She is a former contributor to HuffPo and currently writes for Onstage Blog and Manhattan Digest. She is the creator of Hapa Mag - an online magazine by Hapas for Everyone, and is the founder/producer of WeSoHapa, a multiracial inclusive theatre company. Alex is also part of the podcast “We’re Not All Ninjas.” Theatre credits include: “How the Grinch Stole Christmas” - Madison Square Garden (NYC), Minnie Fay in “Hello Dolly” directed by Lee Roy Reams at NAAP(Off-Broadway), “Bubble Boy” at 54 Below (NYC/Original Cast Recording), “Brass Heart” - Royal Family Productions (NYC). Her resume of commercial work includes campaigns for companies including UPS, H&M, AT&T and Major League Baseball.  Follow her on Twitter/Insta @AlexFChester @WeSoHapa @TheHapaMag www.WeSoHapa.com www.HapaMag.com www.AlexChester.com   Liz Flemming is the Founding Producing Artistic Director of Out of the Box Theatrics, an Actor's Equity Non Profit Off-Broadway Theater here in NYC. After several years touring and working in the regional circuit as a professional actor, Liz shifted focus to make a difference within our theatre community taking on inclusivity on the stage with the creation of OOTB. With OOTB she produced site-specific immersive productions of You’re a Good Man, Charlie Brown , "Master Harold"...and the Boys , The Owl and the Pussycat , and Songs for a New World . Along with her completion of two sold out seasons, she produced Alice at Alice's starring Alice Ripley, a series of Open Mics, and several cabarets and special events for OOTB. Independently she was asked to produce the new musical Mommie Dearestwritten by Christina Crawford with music by David Nehls, and Sam’s Room with New York Theater Barn. This year she will join The Cell Theater as Lead Producer along with her development of Out of the Box Theatrics. She hopes to #changethestage one show at a time.   Awoye Timpo ’s directing credits include: The Homecoming Queen (Atlantic Theater), Skeleton Crew (Chester Theater), Sister Son/ji (Billie Holiday Theater), Carnaval (National Black Theatre), Ndebele Funeral (59E59, South African tour, Edinburgh Festival); The Libation Bearers (Shakespeare Theatre of NJ), Araby (La MaMa), In the Continuum(Juilliard); Clybourne Park (Farmers Alley), The Vanished (Novisi). Producer: CLASSIX, a reading series exploring classic plays by Black playwrights. Broadway: Associate Director, Jitney ; Assistant Director, Shuffle Along . Other: ABC/Disney, Cherry Lane, Lincoln Center Directors Lab, Ma-Yi, New Dramatists, NOW Africa, Page 73, PEN World Voices, Rising Circle, Royal Shakespeare Company, Soho Rep Writer/Director Lab and WNYC.   Amiee Turner began her career at a very young age and never stopped blazing a unique trail. While still a teenager Amiee had already toured as Kristine in A Chorus Line and Cassandra in CATS and made her Broadway debut in David Merrick's 42nd Street . She quickly established herself as a NYC actress and added another five Broadway shows to her list of credits. As an actress, Amiee is a proud member of AEA. She has toured the USA and Europe and played many regional theatres including The Huntington and Goodspeed. Her work as a director began in Connecticut and has taken her up and down the East Coast. As a producer she oversaw 23 productions at Theatre By The Sea, 42 productions at Ocean State Theatre, founded A.I.S.O.P.  Theatre Co. in NYC, and produced and starred in the award winning independent film "Sunday on the Rocks"  with Tony Award winners Cady Huffman and Julie White. Amiee currently travels across the country as an actor and director and teaches audition workshops at the university level. Other job titles Amiee has held include restaurant manager, Director of Entertainment for an NBA-D League team, Development Director for a major regional theatre, choreographer, and mother of two college age kids.     Find Out of the Box Website: ootbtheatrics.com Twitter: @OOTBTheatrics Instagram: @ootbtheatrics Facebook: Out of the Box Theatrics   Nocturne Tickets - web.ovationtix.com By Adam Rapp | Directed by Amiee Turner April 24-29 - Extended to May 6th 440 East 9th Street, NYC   Open Mic Nights  05/07/18 - 7:30pm–10:00pm ($10 cover charge) - Scone, Tea, and wine available for purchase. Where: Alice’s Tea Cup 220 East 81st street (between 2nd and 3rd Avenue)   Love Your Bodd Stuffz   Email LYB: loveyourboddcast@gmail.com   Tweet: @LoveYourBodd   Instagram: @love_your_bodd   Facebook: Love Your Bodd     Find Heather @HeatherBoddy on Snapchat, Twitter & Instagram www.heather-boddy.com/loveyourbodd   Get Resources: Love Your Bodd is a proud supporter of the Born This Way Foundation - check out their resources page to get help for whatever issue you might be facing -  https://bornthisway.foundation/get-help-now/   Wanna become a Pop Pilates Instructor? Follow this link to find a training near you: https://www.poppilateslife.com/a/527/osBvwVQc   Outside of the US? Don’t worry you can get online international training here: https://www.poppilateslife.com/a/528/osBvwVQc   Love Popflex Activewear? Buy here and save: http://rwrd.io/bqhuiwv   Sign up for your BEACHBODY ON DEMAND 14 DAY FREE TRIAL: https://www.teambeachbody.com/signup/-/signup/club?referringRepId=445873 (Select the bottom right option unless you wanna bite the bullet and sign up for the full monty! Heather will be your coach if you follow the link above!)   The views expressed on this podcast are mine and do not necessarily reflect the views of my employer(s).    

A two-time Tony award-winning stage actor and instantly recognizable film presence, Matthew Broderick will next be seen on screen in Rules Don’t Apply opposite Warren Beatty, Annette Bening and Lily Collins. He will next star in Look Away alongside Chloe Sevigny and Aidan Turner set for a 2016 release.  On stage, Broderick most recently starred in A. R. Gurney’s comedy Sylvia alongside Annaleigh Ashford. Previously he starred in the smash Broadway hit It’s Only a Play opposite his frequent co-star Nathan Lane, as well as the award-winning Broadway run of Nice Work If You Can Get It. Additionally, he starred in the Broadway production of Neil Simon’s The Odd Couple and The Foreigner at the Roundabout Theatre. In 2005, he starred in the feature film version of The Producers, reprising the Tony-nominated performance he gave on Broadway in this smash hit musical.   A New York native, he made his professional stage debut opposite his father, James Broderick, at age 17 in the production of On Valentine’s Day.  His performance in Harvey Fierstein’s Torch Song Trilogy, won him the Outer Critic’s Circle Award for Best Supporting Actor. Broderick won his first Tony Award for Neil Simon’s Brighton Beach Memoirs, and starred in the play’s sequel, Biloxi Blues.  He won his second Tony for his role as J. Pierrepont Finch, in the Broadway revival of How to Succeed in Business Without Really Trying. Broderick also starred in the record-breaking production of The Producers for which he was nominated for a Tony Award and a Drama Desk Award for his role as Leo Bloom. Additional theater credits include Night Must Fall and Taller Than a Dwarf.  On screen, Broderick starred in the critically acclaimed You Can Count on Me opposite Laura Linney.  He also earned considerable acclaim starring opposite Reese Witherspoon in the Independent Spirit Award winning political satire Election, directed by Alexander Payne.   Broderick has also starred in such blockbuster movies as Ferris Bueller’s Day Off, Glory, War Games, and Disney’s The Lion King, as the adult voice of Simba.  Additional credits include Dirty Weekend, Tower Heist, Margaret, Bee Movie, Then She Found Me, Deck the Halls, The Last Shot, The Stepford Wives, Inspector Gadget, Godzilla, Addicted to Love, The Cable Guy, Mrs. Parker and the Vicious Circle, The Night We Never Met, The Freshman, Family Business and Max Dugan Returns. In addition to his stage, screen and Broadway credits, he has also appeared on Modern Family, 30 Rock, the Showtime film Master Harold…and the Boys and received an Emmy nomination for the TNT production of David Mamet’s A Life in the Theater in which he starred opposite Jack Lemmon. Broderick resides in New York with his wife Sarah Jessica Parker and their three children. 

Trena interviews actor and filmmaker Chike Johnson on his career and current projects. Chiké Johnson most recently appeared in the Broadway production of A Time To Kill.  He spent most of 2013 in the Midwest where he was part of The Goodman Theatre’s production of Meet Vera Stark and Milwaukee Rep’s production of Raisin in the Sun. His New York credits include; Manhattan Theatre Club’s Wit on Broadway and Off Broadway’s Lost In The Stars in New York City Center’s Encores! He also appeared in the Off Broadway production of Ruined co-produced by the Manhattan Theatre Club and The Goodman Theatre. Some of his other Chicago credits include: Sizwe Banzi is Dead at the Court Theatre and The Crucible, The Unmentionables and Huck Finn at Steppenwolf Theatre Company. Regional credits include a revival of The Unmentionables at Yale Repertory Theatre; Lincoln in Topdog/Underdog at Renaissance Theaterworks; Duke of Cornwall in King Lear at Milwaukee Repertory Theater; Cephus Miles in Home at In Tandem Theatre; Willie in Master Harold and the boys at Milwaukee Chamber Theatre; and Martin Luther King, Jr. in Smoldering Fires at First Stage Children’s Theater. Some of Mr. Johnson’s film credits include Friends with Benefits, Sleepwalk with Me, The Machinist and his television credits include Law & Order, Girls, Veep and Prison Break.

Theatrical Photographer T. Charles Erickson captures two-dimensional representations that become the historical record of live stage productions. Erickson grew up with a camera always by his side, from childhood through "Woodstock" to his first photography job at Yale University. At a Yale Repertory Theatre rehearsal for "Master Harold...and the Boys" he encountered playwright Athol Fugard who encouraged him. Erickson went on to photograph shows at the Long Wharf Theatre, Hartford Stage, Lincoln Center Theater, and many more; and is shown here at a dress rehearsal of "American Buffalo" at Princeton's McCarter Theatre.

Theatrical Photographer T. Charles Erickson captures two-dimensional representations that become the historical record of live stage productions. Erickson grew up with a camera always by his side, from childhood through "Woodstock" to his first photography job at Yale University. At a Yale Repertory Theatre rehearsal for "Master Harold...and the Boys" he encountered playwright Athol Fugard who encouraged him. Erickson went on to photograph shows at the Long Wharf Theatre, Hartford Stage, Lincoln Center Theater, and many more; and is shown here at a dress rehearsal of "American Buffalo" at Princeton's McCarter Theatre.

416 april 1985/81 februari 1986 Gasten: acteur Dick van den Toorn (studio), journalist Joop van Tijn (telefoon) Met ondermeer en onder andere: Theaterpraat. Dick van den Toorn over het toneelstuk ‘Master Harold & The Boys’ van Athol Fugard. P: “Ik moet hier even over tekeer gaan…het boeit van A tot Z. Maar hoe moet joe [...]