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2 episodes with Mean Streak
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With Tory Shepherd.Award-winning journalist Rick Morton talks to Tory Shepherd about his book, Mean Streak, a compelling but horrifying account of the “venality, incompetence and cowardice” behind Australia's shameful Robodebt scandal.Event details:Mon 03 Mar, 5:00pm | West Stage
Robodebt saw more than 526,000 people told they had Centrelink debts, even though it simply wasn't true. To unpack this piece of bureaucratic bastardry, we talk to journalist Rick Morton, who has written a book about Robodebt called Mean Streak, published by HarperCollins. Rick is the Saturday Paper's senior reporter. He won two Walkley Awards for his coverage of the Robodebt royal commission and he is the author of an earlier book, One Hundred Years of Dirt. Also joining us is Solidarity member Tom Orsag, a victim of the Robodebt scandal. Read more about welfare attacks. Find out more about Solidarity. Buy a copy of Mean Streak.
In this edition of 32 Thoughts, Kyle Bukauskas and Elliotte Friedman discuss their experiences at Hockey Day in Canada, highlighting the excitement and memorable moments from the games. They delve into the controversial referee decisions during the Edmonton vs. Vancouver game, particularly focusing on Connor McDavid's frustrations and the implications of his actions (5:51). The conversation shifts to trade rumors surrounding J.T. Miller and the Vancouver Canucks, exploring the dynamics of potential trades and the players' sentiments (23:56). They discuss the salary cap situation in the NHL, including projections for future seasons and the impact on player negotiations (34:29). Elliotte mentions that the Anaheim Ducks are close to signing Artyom Galimov (46:47). The Final Thought focuses on their experiences during Hockey Day in Canada, particularly the electrifying atmosphere in Montreal (48:12). They discuss the ups and downs of the Montreal Canadiens over the weekend, including their performance against the Toronto Maple Leafs and the subsequent game against the Rangers. The conversation shifts to trade talks and team dynamics, highlighting the complexities of player management in the NHL (58:38).Elliotte wraps the first segment recapping his biathlon experience against Kevin Bieksa (1:02:43).Kyle and Elliotte answer your questions and respond to your voicemails in the Thought Line (1:09:47).Email the podcast at 32thoughts@sportsnet.ca or call the Thought Line at 1-833-311-3232 and leave us a voicemail.This podcast was produced and mixed by Dominic Sramaty and hosted by Elliotte Friedman & Kyle Bukauskas.The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates
There's a slight, but unlikely chance you haven't been turned-on yet to the Austin country trio Next of Kin, but you're certainly familiar with the work of its members: Lili Hickman, Madison Baker, and Caelin. As impressive as these three are in their own right, together they are transcendent. It's not just the gut-stirring, deeply […] The post Next of Kin: “Mean Streak” appeared first on KUT & KUTX Studios -- Podcasts.
In this episode of Aftershocks TV, Matt, Chris, and Tom dive deep into Y&T's 1983 album Mean Streak. These classic metal veterans from Oakland, CA, crafted a masterpiece that's often overlooked. The hosts explore why Y&T never broke through to the mainstream despite their undeniable talent. Timing, they argue, was always their biggest obstacle. They discuss how the changing tides of the music industry kept Y&T from becoming a household name in rock and metal. Tune in for insights, untold stories, and a fresh perspective on this iconic band and album. #YandT #MeanStreak #ClassicMetal #HeavyMetal #OaklandMetal #80sRock #UnderratedBands #RockHistory #AftershocksTV #VintageStandard #MetalDocumentary #MusicAnalysis NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not. Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode!
The Robodobt scheme is considered by many to be one of the Australian government's worst scandals. Senior reporter for The Saturday Paper and Walkley Award-winning journalist Rick Morton followed the case closely and he documents the crisis and its devastating effects in his new book. On this episode of Read This, we bring you Michael and Rick's conversation about Mean Streak from Canberra Writers' Festival.
The Robodobt scheme is considered by many to be one of the Australian government's worst scandals. Senior Reporter for The Saturday Paper and Walkley Award-winning journalist Rick Morton followed the case closely and he documents the crisis and its devastating effects in his latest book. This week, we bring you Michael's conversation from Canberra Writers' Festival with Rick as they discuss Mean Streak. Reading list: Mean Streak, Rick Morton, 2024 One Hundred Years of Dirt, Rick Morton, 2023 My Year Of Living Vulnerably, Rick Morton, 2022 Words to Sing the World Alive, Jasmin McGaughey, 2024 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and Twitter Guest: Rick Morton
The Robodebt scheme is considered by many to be one of the Australian government's worst scandals. Senior Reporter for The Saturday Paper and Walkley Award-winning journalist Rick Morton followed the case closely and he documents the crisis and its devastating effects in his latest book. This week, we bring you Michael's conversation from Canberra Writers' Festival with Rick as they discuss Mean Streak.Reading list:Mean Streak, Rick Morton, 2024One Hundred Years of Dirt, Rick Morton, 2023My Year Of Living Vulnerably, Rick Morton, 2022Words to Sing the World Alive, Jasmin McGaughey, 2024You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and TwitterGuest: Rick MortonSee omnystudio.com/listener for privacy information.
Okay - I'll admit, I've never been a big Y&T fan ... especially during the mid to late 80's MTV era. However, between 1981 and 1983 the band issued three good trad metal/hard rock albums with the best material easily filling a 40 minute playlist. Press play and let 'em knock you out!!! Side One Earthshaker (1981) (0:00) Hungry For Rock (3:42) Hurricane (7:05) Knock You Out Black Tiger (1982) (10:02) From the Moon / Open Fire (14:52) Forever Side 2 (20:36) Black Tiger Mean Streak (1983) (24:44) Mean Streak (28:48) Midnight in Tokyo (34:26) Hang 'Em High
LA HORA DEL ROCK N. 290 CON ZENON PEREZ FERNANDO NADALES Y PACO JIMENEZ Issa - Another World (2024)1 - Armed & Dangerous. Blitzkrieg - Blitzkrieg (2024)2. The Spider. Simone Simons - Vermillion (2024)5 - Weight of My World. Stratovarius2024 - Demand (EP)1. Demand. Nija 999 Balada de Muerte Leprous - Melodies Of Atonement (2024)2 - Atonement. Jord Fridnand journey through gaia Impelliteri out of my mind.m THE DEAD DAISIES Light Em Up8 My Way And The Highway. Mogg Hotel Apple Pie ThunderMother So Close Infrared - Manifestation (2024)5. Pressure Syndrome. Badana tiempos extraños Lionville supernatural BON JOVI LIVING PROOF Bunker -Sin Fronteras1 Esclava de la noche Unleash The Archers - Phantoma (2024)2 - Ph4_NT0mA. Riot V - Mean Streets (2024)4 - High Noon.mp3 Sebastian Bach - Child Within The Man (2024)Sebastian Bach - Child Within The Man (2024)7 - Vendetta Six Feet Under2024 - Killing For Revenge13 Hair of the Dog. Evergrey - Theories Of Emptiness (2024)4 - Say. HARD LOVE - Ilusión (MP3)2. Cazador Y & T (Yesterday & Today)AlbumsCD non-remastered1983 - Mean Streak (1995 Japan)4. Midnight In Tokyo Judas Priest (1974 - 2016)1 - Studio Albums1976 - Sad Wings Of Destiny6. Tyrant. Iron MaidenDigitally Remastered 19981990 - No Pryer For The Diyng3 No Prayer For The Dying. METALLICA Albums Japan1984 - Ride The Lightning (1988 Japan 25DP 5340)2 Ride The Lightning. Embellish - A Thousand Lightyears From You I'll be waiting.
Roxanne Perez has gone mad, Stand & Deliver is shaping up, we love Dijak and Trick Willy got beat up by a security guard?? DrapedinGold.com --- Support this podcast: https://podcasters.spotify.com/pod/show/drapedingold/support
A Teacher Banned Gen-A Slang in Class | Family Life Radio's Prayer Journal - Love and Mercy | What Do You Do When Someone Feels Broken? | Lori and Asking "Will You Be OK"? | Amy Weatherly and Jess Johnston - Making Friends (It's OK to Be Weird) | 30-Day Challenge - Rebecca | Good News - Tina's Son-In-Law Alive After Bad Accident | Mysti - Is a Mean Streak a Mirror? | Meg - Our Sin Recognizing Other's Sin | The Value of the Moment | Joy Report - Maria's Birthday and New Baby | Jim's 30-Day Challenge Experience
Chris is kinda drunk, and we discuss how mean Darrell has been over the last few weeks. --- Send in a voice message: https://podcasters.spotify.com/pod/show/two-dolts/message
This week's #13 pick in the Top 25 Guitar Solos From The 80's comes from Jason. He chose "Summertime Girls" from Y&T. Listen to get the scoop on the song's history and the hosts' review. To find the song on your favorite music service, use the link below:https://songwhip.com/yandt/summertime-girls-studio-version1985This week's first bonus bonus song is "Mean Streak":https://songwhip.com/yandt/mean-streakThis week's second bonus bonus song is "Your Mama Don't Dance":https://songwhip.com/yandt/your-mama-dont-danceThis week's third bonus bonus song is "Storm":https://songwhip.com/davemeniketti/stormFollow us on X (Twitter), @GreatestLists, and give us your feedback on this episode's song choice! You can also stream episodes from your browser at our website → https://www.greatestlistspodcast.com/SAVE 15% at HalloweenCostumes.com by clicking this link → https://www.halloweencostumes.com/?CouponCode=trnhalloween2023Savings will be waiting in your cart automatically. Redeem before Oct 31, 2023.
This week we invite Hollywood's brother Danny Pooni to go track by track through the 5th Studio Album Mean Streak release by Y & T. Each month in 2023 we will cover a studio album release celebrating its 40th anniversary. We will go outside the hard rock and metal box at times during this series and visit albums we just think are great. As always we will invite a special guest to tag along and break up the disagreements that Sonny and I will no doubt have. We will also get you the listener involved and have you pick 2 albums from our list for our review to round out the year. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us Email us growinuprock@gmail.com Contact Form Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Music in this Episode Provided by the Following: Y&T and Kiss If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices
Interview by Kris PetersWhen members of Soilwork, Arch Enemy and Mean Streak ventured outside of their comfort zone ten years ago and created The Night Flight Orchestra the seeds of something special were instantly sewn.By defying the "supergroup" handbook at the time, Björn Strid, David Andersson, Sharlee D'Angelo and Jonas Källsbäckbroke broke away completely from the sounds of their original bands and ushered in a new (albeit harking back to days of old) era of music that bears little if no resemblance to the style of music for which the respective members were known.Instead they created an 80s party band with the sole objective of making people dance.Despite the tongue in cheek nature of their music, The Night Flight Orchestra went about their business with a serious and level head, paying homage to a decade of musical fads and trends without actually mocking it.Which was a fine line to tread, but one which was carefully navigated with due caution and respect.Spawning hits like Domino, Lovers In The Rain, West Ruth Ave, Divinyls and This Time, TNFO have pushed the proverbial envelope in as many directions as it would turn, pumping out everything from hard rock to pop to disco infused ditties and love drenched ballads and everything in between.Despite the global success afforded each of their five albums, TNFO have somehow managed to steer clear of Australian shores for the duration of their existence, a blight on their social calendar that is soon to be rectified when the unruly gang of cavalirs touches down for three exclusive shows starting in Brisbane on August 3.Frontman Bjorn Strid cleared his schedule to explain the bands absence and what they plan to do to make it up to us."It's gonna be a hell of a dance party," he promised. "So go get your tickets now!"With the first show under one week away, we ask Strid if he has finished packing in preperation yet."I guess so, yeah," he laughed. "It feels like it was only a matter of weeks ago that we hit Australia with Soilwork but it was in November last year. Regardless, it's gonna be something completely different. I'm really grateful that we're able to come to Australia with The Night Flight Orchestra. We feel like the fan base has grown a lot in Australia so I had to poke Doug from Hardline Media to get us over there. We're definitely ready. We have a beautiful set list coming up for these three shows. It's going to be special."Not ones to take these things lying down, HEAVY presses Strip on why TNFO have neglected Australian fans for so long."Good question," he laughed. "We wanted to come in all those years so many times but it's... it had to grow a little bit but we've definitely felt that the last couple of years that a lot of people come up to you when you're in Australia with Soilwork and say 'hey when is Night Flight coming to Australia and bringing vinyls to the signing sessions so we noticed it's been growing a lot and now is definitely the time. I wish we did it five years ago, but at the same time it was worth waiting for I think."In the full interview Bjorn tells us what to expect from the shows, explains what Death To False A.O.R Australian Tour means, supporting KISS on their last ever Swedish shows, takes us back to the start of the band and where they fit in, his love affair with 80s music and where it comes from, continuing the saga laid out in Aeromantic and Aeromantic 2 and more.
Get ready for a journey back in time, as we pull back the curtain on the ninth studio record by The Hip - 'In Between Evolution'. We'll bring you face-to-face with the record's unique evolution, the masterful production by the iconic Adam Kasper, and the first impression this album left on us. We also promise to share our thoughts on what sets this record apart - from Gord's powerful vocals and the band's rhythmic arrangements to the irrefutable political undertones.We'll further dissect the elements of this extraordinary record, including the band's focus on rhythm guitar and the magnetic chorus that simply pulls you in. Our discussion explores the influence of Neil Young on this album, the importance of the first single 'Vaccination Scar', and how it resonates politically, even in today's world. We'll also touch upon the story of Gus, the polar bear from Central Park, and how it adds a unique dimension to the album.Last but not least, we'll delve deep into the legacy of Gordon Downie and his indelible impact on music and society. We'll reflect on the loss of his unique perspective in the current global scenario. So, brace yourself for an enlightening conversation about this remarkable record and the creators who brought it to life. We promise a captivating experience that will leave you with a renewed appreciation for The Hip's musical brilliance. Let's embark on this journey together, shall we?Track ListingSummer's Killing Us - Studio VersionGus: The Polar Bear from Central Park - Live from Chicago 2012Makeshift We Are - Live from Toronto 2004Are We Family - Live Detroit 2009TranscriptTrack 1:[0:00] Well, welcome back guys. How are you doing this week? Track 2:[0:02] Fantastic. Couldn't be better. Yeah. Life couldn't be better. Track 3:[0:09] Pretty good. Pretty good. Excited to be back. And so it's my birthday. Track 1:[0:15] It's July 24th. Track 3:[0:16] Holy shit. Track 2:[0:18] Today's your birthday. Holy shit. Track 3:[0:20] Wow. Track 1:[0:21] July 24th, man. Yeah. Track 2:[0:24] Happy birthday, man. Track 1:[0:26] Thanks. Track 3:[0:27] I'm going to blame the time change on me forgetting. Track 1:[0:30] No, it's July 24th. Get it? Wink wink? Yeah. Track 2:[0:39] It's your birthday, man. Cuantos anos? Oh. Tienes. Track 1:[0:44] Awesome. What's the last part mean? Track 2:[0:48] How old are you? How many years do you have? Yeah. Is the literal translation. Track 3:[0:53] Countless. I mean, change. Track 1:[0:54] 49, baby. 49. Track 2:[0:55] Oh, knock, knock, knockin' on 50 years. Track 3:[1:02] Let's do this. You know, when we entered our 40s, we were like, 40s are gonna be awesome. This is the decade. And we got to our 50s, we're like, maybe 50s will be awesome. Yeah.Yeah. Oh, it's all awesome. It's all awesome. Track 2:[1:16] Did you ever see the movie City Slickers? Track 3:[1:18] Yeah. Track 1:[1:19] Yeah, years ago. Track 2:[1:19] There's a great, the great monologue by Billy Crystal in the beginning of that. He's like, your 20s are a blur. Your 30s, you make a little money, raise a wife, have a couple of kids, buy a house. Your 40s, you wake up one day and you think to yourself, what happened to my 30s? He goes on to every decade and then he's like, your 80s, you end up like, you eat breakfast at, or whatever, you eat dinner at five, lunch at 10, breakfast the night before. Track 3:[1:52] It's just like, dinner's at four. Track 1:[1:55] Yeah, exactly. Track 3:[1:56] Dinner's at four. Track 2:[1:56] Oh, it's so good. Track 1:[1:58] They're taking all Tim's happy hour seats. Yeah. All the octogenarians. Track 3:[2:03] My father's in a retirement home and when I talk to him, he says, they're coming for me for dinner earlier every day. It's three o'clock. It's coming for dinner. Track 1:[2:20] Like, dude, just call a happy hour. Fuck it. Yeah. So in 2004, we got the ninth studio record by The Hip, In Between Evolution. This is a, you know. Like Clockwork, every two years we've got a record from this band, you know, and they were still touring their brains out. I think it's a staggering feat, you know, that a band with their original lineup can put out a record every two years, you know, guided by voices or bands like that, notwithstanding, thosesongwriters are, you know, Bob Puller, it's just so prolific. It's, it's unreal. But in terms of band work, bands that tour extensively, I don't know of many other bands that have had this kind of halcyon run. But here we are, talking about it. And as we always do, I want to find out environmentally what you thought of the record, where you listened to it, where you first heard it and what your overall general thoughts are onthis 9th record produced by Adam Kasper. What do you think? Track 2:[3:45] I think the name is very fitting, In Between Evolution, because I feel like this record is a bit in between. And I say that, you know, when you're in elementary school, you see the monkey going, you know, to like Croag Magnon Man and then like getting up through the ages to get to the likemodern day man, modern day human. I feel like this record is maybe not any of those, but something like in between that we sort of haven't seen before, you know. It's certainly an evolved version of the hip, but I can't really attribute it to anything they've ever done before or anything I think they will do. It's very different in a lot of ways. Track 1:[4:38] Where do you listen to this one? Track 2:[4:41] I listen to it everywhere. I listen to it out and about. I listen to it in my office, working. Probably best place was in the car, you know. The car really, this record was, I feel like, made for driving, you know, like a lot of their records, you know. So I would say if I had to pick any environment, definitely my car, I mean, I don't know if it's everybody's car, I have a bit of a bias, given that, you know, I've got a pretty solid soundsystem in my car, like a premium. But yeah, I enjoyed it in the car. Track 3:[5:23] We need a soundbite that's like, that's like, premium sound system. Track 2:[5:31] We can drop that in post. Track 3:[5:32] Yeah. Well, I, you know, I'll disagree with Pete. I, to me, this felt more hip, right out the gates and you know I think Pete and I differed a little bit on the last album and I'm really liking our, you know, compare and contrast. I'll just quickly add Pete's haircuts throwing me off a little bit today, but I can deal. I can deal. But anyways, that looks good. [6:06] I thought In Violet Light, the last album, what we reviewed was a little bit of a departure and super polished and, you know, made for like, I don't know, an award stage or something.Maybe have the Oscars on the mind. but I thought in Between Evolution, I looked at the title wondering if that meant they were coming back to their own production type, style, soundrecording. You know, I didn't really understand the title for this one because it felt more like a hip album to me. [6:43] The producer, you know, I looked up to see who did this one. Adam Kasper, he did all kinds of bands in Seattle. Mudhoney, Nirvana, you know, the Foo Fighters, he worked with REM. I don't know if it was all in Seattle, but Soundgarden. He even did some work with Cat Power, who Amy and I adore. One of our favorite singer-songwriters. Just, you know, you worked with amazing musicians. And all these musicians I just listed, maybe except for kind of Aerosmith, I'm not exactly a fan of. But, you know, these are bands, maybe Aerosmith, who wear their hearts on their sleeve and really are just going for it. And almost achieving a status where they have a following and they have their shit down and they can kind of do what they want, you know? And I felt like this album went back to the band a little bit more doing what they want. So I was pretty excited, pretty excited by it. Track 1:[7:43] Can you describe that a little bit more? Like, what do you mean by what they want? Track 3:[7:49] Well, the last album I thought was overproduced. I thought it was... Track 1:[7:52] Right, right. Track 3:[7:53] I thought it was too scripted, you know, I thought it was too, like, ha, here we go back to food metaphors. It's like showing up at a restaurant with a preset menu. That's what I felt the last album was, and I felt like this one was a little bit more carefree. It was a little bit more back to experimental. The lyrics, the themes behind all the songs were, in certain ways, like what I've experienced from other albums past themes, with variation and variety. I don't know, this felt more hip to me. This just felt more like the first handful of albums that got me excited about where the band was going. So in that regard, it's like, yeah, fuck. Let's do this every two years. We're going on 10 years. Or this was the ninth album, right? So it's over 10 years. And that, that to me, as Pete knows, as someone who has recorded, that is such a... [8:58] Heroic work with Yeah with touring to as much as these guys toured I mean It's remarkable that they're all still digging each other so much, you know Yeah, but from also from acouple of things that I read during this tour Is when Gord at one point commented about, even if there's differences going on behind the scenes or Or there was some tour manager issues, Iguess, that once they got on stage and started playing, that they just were a band. They were like NSYNC and just super, super in the groove. Track 2:[9:41] Not like NSYNC. Track 3:[9:42] Yeah, they were very much NSYNC. Just super in the groove, which means they're like this fucking locomotive still. So I think it's still super impressive. Even with a band that I'm not as impressed with or fond of, it's still an impressive feat to go this far with recording, producing, touring, everything. Track 1:[10:05] Yeah. Track 2:[10:07] Yes. Track 3:[10:08] Hands down. Absolutely. Track 2:[10:09] Kudos. Track 1:[10:11] And in terms of environments for you? Track 3:[10:14] Yeah, so it was a lot of car. I listened to it pretty quick after our last review. There's a lot of car time and some home time. I don't play their music much at home over my home systems. So it's a lot of car, a lot of headphones. It's a little more intimate for me to do it that way and I also really enjoy when bands geek out on recording, and you can hear things with headphones on that you wouldn't normally reallybe in tune with if you're just walking around the house playing it through your ear. Track 2:[10:56] There's a few of those on this record. Track 3:[10:57] Yeah, there's a few of those on this record, and I love that stuff. I mean, that to me shows that a band is really caring about their listeners and their fans and their art. There's a few of that. Track 1:[11:14] Well let's dig in then. Heaven is a better place today. Track 3:[11:21] So, yeah, this one, you know, there's been a few albums where... My first listen to the first song. I've never done a random listen first try, you know, and that's the way so many people experience music these days. I hear a song from an artist. So I might have to try that as an experiment on some album. But you know, first listen to Heaven is a Better Place Today in the car. It was like, yes, here we go. Like, Pete, you mentioned a great road trip soundtrack or whatever. This is totally it. It felt like a good, fun, solid opener with a drive and the carry of the drums and the bass really throughout this album seemed a little more...I mean they're always solid butthis one just even seemed more gelled, which is kind of hard to even imagine these guys doing. I loved Gord's singing. He's kind of at an elevated pitch with this one and, you know, from what I understand, it's...well. [12:33] My first take was like, this feels like a memorial song, like this is a tribute to somebody and Of course later learned that it's in part about Dan Snyder. I mean, I'm not a hockey guy I mean even I couldn't even tell you who Atlanta's team is or was Atlanta thrashers. That's probably my favorite hockey team name though so, you know read a little bit about Danny Heatley, did I just say his name wrong? No, don't sorry Dan Snyder Snyder Um, he was killed when is with his teammate Danny Healy. Track 1:[13:08] That's right. Track 3:[13:09] They're the ones who were Wrecked some sports car, which is such a tragic story, you know to hear about somebody famous wrecking in a sports car. It's just It's kind of an awesome way to go. But anyways, you know, I thought it was good solid Opener really really easy ending. It was like, okay, let's keep going How about you Pete I dug it. Track 2:[13:32] I mean, I echo a lot of what Tim said. I mean, I feel like a great opening track. I really got some some some cure vibes here. I really felt like this song had, Yeah, just I heard a lot of the cure in here. I think Gord's vocals, clearly this is a record and we'll kind of get into it with more songs and stuff. Not just, I feel like there's so many songs that probably killed it live on this record, but that Gord's vocals really just keep evolving into something new. I mean, I feel like every member of the band grows a lot, but he's just, it's like everybody takes three steps forward and Gord takes like nine. You know, he skips where everybody just takes steps. It's crazy, man. Track 3:[14:36] Completely. Track 2:[14:37] That's not like a diss on anybody in the band. It's just, I think he thinks differently, or he thought differently, either way, I dug this song. I thought it was a great opener. The second track, Summer's Killing Us, yeah, this is another one where the vocals really do it for me. Um, there's a, there's a part, well, during the chorus, when Gord's singing, um, Summer is Killing Us, like his voice is cracking. You can hear it breaking on the recording. And it's just like, it doesn't crack. Like it's, it just fits. It's perfect. And you're like, this guy's, this guy's, he's redlining the engine and the car is still going. you, You know what I mean? Track 3:[15:33] Like, and the car, I think, has like, 300,000 kilometers on it, you know? Yeah, and it's just like, go, go, go, who cares? Track 1:[15:43] Yeah, they could sing, sing, sing all day. Track 2:[15:47] Yeah, it's I mean, it's had its oil changes and services, I'm sure. Track 3:[15:51] Exactly. Track 2:[15:52] The drums, another thing about the drums on this, I watched some, well, you guys know, I'll talk about a little more later songs, but the drums on this song, A song that just seemslike it's probably so much fun to play for Jonny Faye. Just the stops, the fills, just, it just seemed like if anybody's having a blast, it's him and Gord Downie are just fucking having a ball to this song. Track 3:[16:20] I think you've commented on that before, too. And this one, this one I noticed, you know, first listen was like, oh, he's having fun. There's some fills in there, and that made me think this one live, you know, probably varied a little bit, but probably just kicked ass, too. Yeah, I think. Track 2:[16:39] Yeah, and I gotta say, this is gonna sound really bad, so I want to frame it right. I just want to throw this in because I feel like if I didn't throw it in, I'd be... My initial thought... So this is 2004, right? Yeah. 2003, 2004. 2004 you think when they're recording writing this song I got just Gord's vocals and his phrasing very much got some like early 2000s emo vibes to it. I actually heard and I don't mean this in a disrespectful way So no, no do not give away my address JD. I don't I mean Canada's a far away from Spain, but I got getting hip to the hip calm. Yeah for for comments Emo my ass No, but I really heard I heard a dashboard confessional song Yes pretty mind-blowing, you know Yeah, okay. You hear me? Track 3:[17:41] Okay, I do. I do. I would a million times rather listen to this band. No, 100%. Track 2:[17:48] But I hear you. Track 3:[17:50] But I hear you. Track 2:[17:51] And no, no offense, because I think that I think the guy I can't remember his, his name, the guy. Track 3:[17:56] That's okay. Track 2:[17:57] No, I know. No, just respect him as a musician. I think he's a good musician. I just don't fancy his music much. Anyway. Track 3:[18:08] You know, I was shouting this chorus in the car. Like, first listen, you could sing along to this one. If you know the band, you're like, fucking hyped. Hell yeah, it's a song about summer. Who doesn't like a song about summer? Track 1:[18:19] That's right. Track 3:[18:20] That band always sings about summer, said no one ever. So this one, you could just go. There's awesome stops, there's a good bridge, there's... A few times on this album I think there's more of a focus on just I don't know how to say it Pete but just a better rhythm guitar less riffy like the feel like this album has riff sections thatare a little bit more defined or declared maybe yeah yeah yeah this one gourds at like the three-minute He's like, whoo, you know when he left that it is so good I love that. I love that. Track 1:[19:05] I mean I like exhausted slash. Track 3:[19:06] I'm awesome slash I don't even know what the other slash would be but it's like it's great Yeah, if you're having a moment and you stop and you can actually breathe and do thatwhoo I mean you're having a good day like something's going on something's going on that you're enjoying or you're relieved But I also thought this song was like a song about being tiredand touring and working. Also, you know, maybe some of the research I did, that maybe there were some references again to the South, or slavery, or prison life, you know, that's just like, summer's killing us, youknow? It's amazing and beautiful and tough at the same time. That's kind of what I thought about this song. It's, it felt, this is a few times I have had this happen where the song feels long, but it's like measured in a good way. It's like, it's just, there's enough verses, enough choruses. Track 1:[20:12] I think this is one of the longer songs on the record. Track 3:[20:15] Yeah, yeah. This was, this was fun. Track 2:[20:19] This song, this song also, I just wanted to throw this in too, because I kind of forgot to mention it, one of the cool things about it is that it just goes from this, the chorus is sofucking, but then when it goes back into like the verse, it just, it brings it down again. It just, it just, it flattens it like a, like a compressor. It just flattens it really quick and just makes it even again. You're like, whoo, like the dynamic of the band recordings. It's really cool. That's a hard thing to pull off, man. Track 1:[20:53] I really regret not seeing this tour. Like, really. I have so much regret not seeing this tour. Because this is the first tour that I missed since the beginning. This is the first one that I didn't go see a show. And listening to the record now, it's like, oh man, it's again, so much of it seems to be written to be live, you know? Track 3:[21:18] She must have been really cute, JD. Pardon me? Your girlfriend at the time, I guess. You were busy. Track 1:[21:29] Oh, yeah. Track 2:[21:30] Yeah. Track 3:[21:31] Dude, the next song, you know, Gus, I faintly remember hearing about this. Track 1:[21:35] Yes. Track 3:[21:37] Back then. I mean, if we go back to 2004, you know, this is like the era, politics aside, because we'll probably get into that, but this is like the era when shit online started to take off,you know? Everybody's looked at YouTube. Some of your friends might be listening to Pandora, which at that time had the best radio feature. You could like mix stations and you know There's a lot there's a lot going on electronically The zeros are ones then i'm pretty sure i heard about this song and um, I was telling amy wifeamy yesterday this story about gus This polar bear from central park and uh how they they just deduced that, He was depressed And amy's like no shit polar bear and Activity it was likeyeah, I mean a polar bear's life is what? [22:39] Sleeping, drinking, killing, eating, fucking. I mean, let's put a polar bear in captivity and see how hyped he is. I mean, that's just terrible. So this is amazing that they, I guess, Gord, I don't know who exactly picked up on the story and wrote this one. And, you know, this is also where there was some, maybe the beginning of this album with some political under things here as well but there's this first guitar riff at the beginning of thissong Pete I'm sure you heard it but there's like this there's this weird guitar kind of distortion distortion yeah like that that attack at the beginning is like I wish also I mean live it wouldprobably been so fun to hear that I'm sure it varied a little bit but that's like that outro that outro live must have been so yeah banging yeah drums are huge in this one you know and i'vejust i dug this song it was it was fun there's i could go on and on about it but you know just this poor guy gus he's staring at food all day at the zoo i mean he would eat all these people yesgawking at him so of course he's suffering from depression this is like during this era, scientists were like, he might be depressed. [24:06] Bears, animals can have sentiments of depression. [24:11] It's fucking hilarious. Terrible. Track 2:[24:16] I mean, where do I put down my fucking flag here with this one, dude? First of all, if I was going to start a bar fight, this would be the fucking song I'd put on the J-box right before I picked up the neck of a Labatt Blue, fucking break it over somebody's headand just start a melee. Track 3:[24:41] Shit. Track 2:[24:42] Okay. Track 3:[24:43] Watch out, Hamilton. Yeah. Track 2:[24:49] So, Tim, you're telling the story of the polar bear from Central Park, right? And now that you're telling the story, I remember it. Yeah. Track 3:[24:57] Yeah, me too. Track 2:[24:58] But during listening to this, I didn't remember it because that was a long time ago. And I drank a lot of beer and done a lot of shit since then. And so it didn't register. And so I pictured like a bearded homeless man, a giant bear of a man who was depressed and an alcoholic sitting and fucking with people in Central Park. That's who I heard when I heard this song. I didn't, I didn't at all have any correlation with the actual story of Costa Polar Bear. But this is the now this this album, and then some subsequent YouTube videos that I explored this week, really got me digging into the vibe that is Paul Langlois, because you could Youcan just hear this thumping, it's a thumping vibe that he has with this Les Paul that he's playing and it just fucking rips. This song is the tiger, the lion of this record. Track 3:[26:13] I had the same sentiment for sure. Track 2:[26:17] It's the fucking tiger, the lion of this record. What else? I would say I literally, I literally wrote, I literally wrote that, that, that, that I would be cracking balls a little bit blue, a little bit blue over people's heads. But no, it's the tiger, the lion of this record. And I feel like Neil Young is a lot of guitar on this this record is very Neil Young focused. Track 1:[26:50] I can hear Crazy Horse in this. Track 2:[26:53] Yeah, there's another song that's undoubtedly Crazy Horse. But the end, the solo, Rob Baker proceeds, and I'm going to read this verbatim. The solo, Rob Baker proceeds to melt your fucking face off with a complete and utter disregard for human life. Track 3:[27:10] And that he does. Track 2:[27:13] He starts off that way. He just, well, it just, the solo towards the end is just, it's just fucking, fuck me, man. Track 1:[27:25] Yeah, very good. Track 2:[27:26] Great fucking tune. Probably, yeah, this is, this may end up on the, for my pick, who knows. Track 1:[27:33] All right, we roll into the first single from the record. So this would be the song that introduced most people to this record and it's it's a song called vaccination scar First of all before we get into vaccination scar to either you guys have avaccination scar Nope. No, my cousin has one and she's a year younger than me And I don't understand how she has one and I don't like expired shit. Track 3:[27:59] They put in her arm, I guess maybe it's all my ears on your arm no it's on my calf oh wow okay it's on my calf well it's almost gone now but it was pretty prominent um almost untili turned 20 or something around there i mean my my brain with this one went just went to you know Pfizer and all the all the crazy bullshit oh no oh no i mean that's where i went i readthe song Title and I know okay. This is probably about the booster the the cigar look bird Vaccination scar on my sister's left arm. She's got right here. She's like three years older than me So she's got it. But you know and that's like why the fuck did that thing scar like that? I don't know. Could you imagine I mean, why didn't they build that into the the Johnson Johnson? Johnson and Johnson could have had like, they have that trippy logo. Have you ever seen their actual brand logo? Track 1:[28:59] No. Track 3:[28:59] Oh, people say it has like Satan in it, basically. Oh, of course. It's hilarious. Pete, you would like that research. It's too bad. Track 1:[29:08] But I'll tell you, this song would be a completely different song if the band still existed and they released a song called Vaccination Scar now. Oh, big time. Wonder what the fuck it would be about. Track 3:[29:21] Yeah They might lose listeners and gain listeners at the same. Track 1:[29:25] Yeah, it's true Well, this one a throwback to a throwback, you know We've got the slide guitar again that we haven't really rolled out for a couple records. I don't think What you guys think? Track 3:[29:37] I You know the whole when they get into the slide guitar and kind of go back to So, you know the southern belt of the US kind of sound of rock and that's it's not my favorite thatthey do but right yeah I was a little surprised to hear this is the most listened song song on Spotify I look at that at those that I know I look at that data at the end of kind of my listening Idon't look at that at the beginning. Track 1:[30:09] It does blow my mind because I get it that it's a single. Track 3:[30:11] Yeah why? Is it because it has vaccination in the name? Track 1:[30:15] It might be, because the fact that it's a single shouldn't factor into Spotify at this point. Yeah, yeah. Unless they do, unless they sort of do. Track 2:[30:27] No, they don't retroactive, they don't retroactive shit like that. No. Track 3:[30:32] Yeah, I wouldn't think so either. Yeah, but I thought, you know, this is really, It's the second song. With political references to George Bush, the Iraq invasion, the WMDs that didn't exist, like this, there's references in the song about all of that. And that in and of itself is like a time capsule of sorts. Track 1:[30:57] Yeah, and we were thinking the world was a pretty bad place then. Track 3:[31:00] Yeah, it's basically an anti-war song, even though like during that era, I don't know, there were like six or eight other countries that were on board with this whole attack, you know,I believe Spain was one of them. Track 2:[31:13] So it's for everyone. Yeah. Right. States. Track 3:[31:19] So, you know, I, I hate to say it, but I enjoy like hearing something political referencing the times and, you know, it becomes a time capsule type of song with, with those themesduring, let's see, I guess late 80s, in which these guys would have been totally in tune with. You know, that's when the Bushes were really rising to power and going after mega weapons developments. And a buddy of mine grew up in the Carolinas during those George Bush senior years and knew the family, and they have crazy stories about shit they were doing. I don't need the FBI chasing me, but like, a lot of bullshit activity that involves war and weapons in the corporate aspect of America's machine and economy running on just. The war machine. So that's where I feel like Gord's really tapping into in this album. And it keeps going. He's kind of in it in this album. Track 1:[32:27] It was a tough environment to not be in it. And it rips my heart right out of my ribcage and throws it on the ground to think that this band isn't around anymore. Because I would love to know what Gord's thinking about... Track 2:[32:41] You're burying my fucking lead, JD. Track 1:[32:43] Sorry, buddy. Go ahead. Track 2:[32:44] No, no, dude, no, run with it, run with it. Track 3:[32:47] They'd be the Pussy Riot of Canada, I'll tell you that. Track 2:[32:49] JD, please, please continue, I'm sorry. Track 1:[32:51] I just, I just, you know, I just, I would just love to hear his take on what's been going on the last five or six years, you know? And we really missed out on that. And that's like, fuck cancer, you know? Fuck cancer. Yeah, yeah. Some of the lyrics in this, I think they just roll. I think the way he sings in this song He's he's into that lower register, you know Like you said the with the side guitar like it's it's almost anolder version of the band and he's singing again in that older Version voice but man some of the lyrics that he strings together like even the chorus. There's one thing I remember is the tear and the there's one thing I remember is this tear on your bare shoulder this little silver boulder the slowly falling star we're rolling so what nevergetting older where the moon shock curtains part to the start of enough a teardrop then a vaccination scar like holy shit I don't know how I get all that out imagine that writing moment inpen in hand and, you're just like it's just yeah it's incredible yeah well yeah I mean, I echo everything that you guys have said. Track 2:[34:09] Funny point. Just I don't want to leave it out because you made me think of it, Tim, when you were talking about George Bush. This is not unknown, but a great George H.W. Bush fact, Bush number one, our first Bush president, doesn't remember where he was the day Kennedy was shot. What? Track 1:[34:34] Yeah, yeah. Track 2:[34:35] Look that up. That's a total fact. And he was actually in Dallas because there's There's like evidence of it, but you know, everybody's like, I mean, I remember where I was in thechallenge of blew up I remember where I was when Kobe Bryant died when I remember when yeah 9-11 out. Sorry Yeah, Kobe Bryant was you know, now that was a big bit bigger. No offense to Kobe fans But yeah, and he was asked where were you when Kennedy was shot? He's like, I don't remember like what? Track 1:[35:05] Yeah Everybody of that generation, my mom knew where she was and she was a Canadian in Waterford. Track 3:[35:10] You know, they're so detached. The, the, the, the, that whole section of political history just lived on. Track 2:[35:17] If by detached, you mean culpable, Tim, then yes. Track 3:[35:21] Yeah, yeah, completely. I mean, like just not relatable. They just, honestly, like my, my buddy and his family in the late eighties, early 90s, used to meet up at one of their homes. This is the story. Used to meet up at one of their homes on the coast, Bush's homes. And like, oh, our new whatever jet boat is going to come by. Can't wait to show you guys. We'll go for a ride. Like just completely alternative, horrible reality of life and what's appropriate. Track 2:[35:59] Yeah, I mean, that family's, I mean, what more could you say without getting too political? Track 3:[36:04] There was a moment when, we'll get off of politics here, there was a moment during the Trump administration where I was like, damn, I would take Mr. Bush Jr. any moment, bring him back right now, let's swap him out. And I never would have thought that when he was in office. You know? Track 2:[36:22] Well, yeah, it's pretty sad. Track 1:[36:24] For sure, I feel the same way. Track 2:[36:26] It's pretty sad, though, that we're at, that stage, I mean, to bring it back to the record and sort of to not bring it back to the record, because musically, I feel like this song, you guyssummed it up. But in terms of what JD said about the one thing I thought about this song, I kept thinking about was Gord and if he was alive today and this band was alive today. And I say that because he was such a unifying icon for Canada and the band was, I mean, the guy could bring people together completely. And I think America's been divided for a long time. Tim and I both know that pretty well and anybody from the outside who's windowed… That's like his West Coasters, right? You guys really have felt it. Track 3:[37:26] Yeah, yeah, yeah. Track 2:[37:29] But I think that in terms of Canada and everything that went on during the whole COVID lockdown and stuff, I feel like Gord would have had a really interesting take on it. Because I feel like there was the... You know, it's, there's always three sides of every story. And the way we kind of, most people experience COVID, most people, you either were fucking hardcore on the left, or you'rehardcore on the right. But there's one thing I've learned in life. There's the way you think it happened. It's the way the other person thought it was happened. And then there's the way it really happened. Track 1:[38:06] Look at you dropping extreme references, three sides to every story. Track 2:[38:10] I'm just saying, I feel like Gordon would bring a fucking take, and the band would bring a take to, you know, what's going on in life at this time. That just would open people's eyes. And a lot of people on both the right and the left would shut the fuck up and listen to A Voice of Reason, which- I think you're right. Would have been Gord Downie, had it not been for his untimely death. Track 3:[38:35] But I mean, we have that in this day and age, but it's just spread out. And I don't know, less, it's smaller, smaller doses more widely spread out through music today. Well, there's plenty of bands doing it, but like, I don't know. Track 2:[38:53] I agree sort of, Tim, but I think musically, it's one thing to do it musically, but Gord was more than a musician. Track 3:[39:00] Yeah, yeah. Track 2:[39:01] From what I've seen, he's a guy that would get up and make a fucking statement, like outside of music and nowadays I feel like when people make a statement that it's against, thecommon narrative of whatever, They're tarred and feathered as either. You're a racist fuck or you're a liberal Nancy or whatever it is. And the funny thing about Gord is you couldn't do that to him because he was Canada's fucking golden boy. So I would have loved to have seen anybody in Canada try to throw shade onthat motherfucker when he was... Had he been here to dispel the truth like he always liked to do. Anyway, I digress. How about... Track 3:[39:43] I have a feeling like only rednecks in the South were throwing shade at him, you know. Track 1:[39:49] There's a reference in this song about singing Life is Forgetting, and Life is Forgetting is in quotes. I looked it up, I can't find a song called Life is Forgetting. Is that something that rings the bell for you guys? Or is that just, you know, the narrator basically saying that that's a song that somebody's singing that's made up? Track 3:[40:12] Not sure. Track 2:[40:15] No. I'm not sure either. But if I take it into context of what we're talking about, I think people forget, life is forgetting. Tim made the reference earlier about wanting George Bush over Donald Trump at the height of whatever. And I think people forget, you know, I am not Not a Donald Trump fan, didn't vote for the guy, but you can take all the shit that's said and everything, and I'm not carrying water foranybody, let me make this fucking clear, but it's mind boggling to me how we can think that, and I thought it at times too Tim, you're not alone in that, I think a lot of people thought it, buthow we could, be like, I'd rather have a guy who started a war, an illegal war on lies that killed upwards of a million people. In the White House right now, rather than a guy who's just a total piece of shit scumbag who shouldn't be there in the first place. Like we forget that there's a guy who is literally responsible for killing a million people and starting multiple illegal wars. And we'd rather have that person. So life is forgetting, JD. I think that line belongs in that song. If we're talking about politics. Track 1:[41:41] Well, he said fuck this and fuck that and this guy's the diplomat. It can't be Nashville every night. Track 3:[41:52] I love the simplicity of this one. It's quick. You know, what we are is what we lack. That song was just like, if anything's going to make you think about oneself and what you're portraying and working on, or I don't know, that statement just slapped me. There's Gord, I think, is faintly doing his own backup singing in this one, if you really crank it in your headphones, and it's fucking awesome, and it was even kind of cute. I just dug it. The chorus, or maybe it's a verse, I don't know, the la-la-oh-oh-yas, you know, just simple, good rock and roll. Apparently, he's poking fun at Toby Keith with this song. Track 1:[42:41] Oh, did not know that. Track 3:[42:42] He was a country music singer who was pro-America, pro-military, pro-goat. Track 2:[42:51] He was Tarn and Feather the Dixie Chicks, man. He was one of the guys that went against the grain on that and threw them out to try. Track 3:[42:59] Yeah, I also think this is like a song that's, Trying to let artists know that there's more to life than producing a single, you know? This is a time of this era, fucking Maroon 5, Nickelback, you know? This is a little bit later Lenny Kravitz, but when Lenny Kravitz is just like glossed up and just everyone knows the chorus, you know? But nobody has bought the album, maybe. I don't know. I'm not dissing Lenny Kravitz too much. You can diss Lenny Kravitz. He's his own... Well, he's the institution. I mean, I saw him play live and he was incredible. Track 1:[43:37] I did too. That first record was really good with the cab driver on it. Track 3:[43:42] Yep. I saw Blind Melon open for them. Me too! Track 1:[43:46] Oh, shit. Track 3:[43:47] Dude, okay, just to digress. Blind Melon kicked Lenny and his band's ass. Like, Blind Melon, they were so good then. You know, they... Track 2:[43:59] Yeah, we've had this conversation, Jake. Track 3:[44:00] Yeah, so good. So good. So anyways, you know, the song I thought was short and great. And it's just, it's got some good quick statements. It was, I don't know, it just fit for where it was at and everything. That's about it. Track 2:[44:17] Cool. I dug this tune. Real quick, just to my Lenny Kravitz comment, not dissing the guy, I like the music. I think his daughter is a great actress. Track 3:[44:30] Gorgeous. Track 2:[44:31] Just never trust a guy who only plays a flying V. Track 3:[44:33] Never. Track 2:[44:38] It's a fucking red flag, ladies. Track 3:[44:40] At the beginning of COVID, he was apparently stuck on his island in the Caribbean, or like a island with just a handful of other people living there. And he's just like, just living off coconuts and pineapples and avocados, bro. I was like, fuck you. That sounds perfect. Yeah, I would have killed for that. Track 2:[45:03] Yeah, I dug the song. I thought, I thought this is another one that would have been awesome live. The groove was just fantastic. There's a line that he delivers that I'm sure you guys all noticed, but I love the the way it's, one is stares into the blur, stares into the glare, stares into the queer. And it's just fucking, like the way he delivers it, I was like, what is he saying there? And I had to look up the lyrics, cause it was so cool. Cool. Johnny Faye, literally, I don't know what it is, man. But like, this is when he's around early 2000. He started like getting like destroying crash cymbals. And I know I pointed out to you guys this week as I was watching the video, like there's a, there's a concert they were playing, maybe it was at the Fillmore where he just broke a fuckingcymbal, because the motherfucker hit it so hard. And you can see a guy replacing the cymbal like just coming in. Track 3:[46:04] He has a drum tech, you know? Track 2:[46:06] Oh, yeah, I know. Well, I mean, he's got something to come in and do it. But like, middle of the song, guy's got to come in and replace the cymbal. I love it. Track 3:[46:14] So cool. Track 2:[46:14] So cool. This is this song and a number of others to point out at the end of the song, if you're wearing headphones, you can hear a couple drumsticks click. Mm hmm. Oh, so this is this is one of the many Easter eggs on this record. Track 3:[46:31] Yeah, I heard that too at first. I was like, is he hitting the rim? But it really sounded like sticks. Track 2:[46:36] There is one that he does. Track 3:[46:37] He does. Track 1:[46:38] He's just putting them down, though, right? He's just putting the sticks down kind of thing? Track 3:[46:41] I mean, in general, yeah. You hear a little more drum nuggets on this album. Track 2:[46:47] But I feel like these songs are like, it's just a signal to like, that was Johnny's song. Like, all the ones that have those, this is Johnny's song. Because he just fucking ripped on these ones. Track 3:[46:59] Yeah, I feel like when a drummer does that, when a drummer just slaps down the sticks, It's like at the end of a good meal, and you just set your knife and fork down, and you'relike, fuck. Just nailed it. And drummers do that with drummers that care. When bands nail it, you can't. I wish I could produce, because I would love to just yell at musicians, and tell them they're awesome, and tell them they're terrible. Track 2:[47:26] Just kidding. Track 3:[47:28] Just kidding. But that's that sound. That's like that triumphant sound of just killing it. Track 1:[47:34] I win. Yeah, touchdown. We move next to Back, in fact. Back to New Orleans. This is the second geographical song on the record of three, which is interesting. But it's also a trip back to New Orleans. And I can't think of many other bands that would have a song as iconic as New Orleans is sinking, which would still be so heavy in the tourrotation and then they release another song with the same name in it. I know that sounds like really trivial but it's interesting to me. It's really interesting. And this is a very different look at New Orleans and a very different sound but I dig this song. Track 3:[48:23] Did they play there? Chady? They played like a small clubs there, right? Track 1:[48:29] Yeah, likely. Yeah down in the down in the south. They weren't you know quite as As big as they were on the west coast and across the border for sure there was yeah They always but they always played like I mean they would do like au.s. Track 3:[48:45] Tour that would be like 40 dates probably, you know, like they they were fairly thorough There was some reference it with this one about him him going back to New Orleans withfriends or something, just for vacation. And I guess maybe in part this is about that visit, because he found places he wanted to go to that were closed, or... Track 1:[49:08] Oh, okay. It's post-Katrina? Track 3:[49:11] I mean, it's 2004. Track 2:[49:11] No, it's pre-Katrina. Track 1:[49:13] Yeah. Track 3:[49:13] Pre-Katrina. Track 1:[49:14] Okay. Track 3:[49:16] I thought this, you know, it's probably the most beautiful song on the album. It's just serene. I don't know, it's love, it's death, it's fading, you know, rashing away the smiles. It's like, fuck, that's just like storing up in your heart for the future, you know, it's just gorgeous guitar during the chorus. It's just, this is a great one. Track 2:[49:39] Yeah, I thought that, I think this probably might be one of the better, if not one of the best hip songs. And I say that, I don't say that lightly. I think it's a really good song and yeah, JD, I mean, I wrote the notes like, what's the deal with New Orleans? You know, why? Just the song was beautiful. There's the lead in to it and then throughout the song, Rob Baker's using what I think by that time was probably pretty dialed in. He was using an Ebo on his guitar, which is like one of those. You ever seen one of those before? No. I've never been able to use it. I'm not a good enough guitar player to be able to use it. Track 1:[50:27] You stop. Track 2:[50:27] No, dude, they're fucking hard to use. Track 1:[50:29] Everybody go out and buy the record, Marchika, and the first one is out. The second one is in production? Track 2:[50:39] So the the the ebow is like a light it's like a ultraviolet light on this thing and you hold it over the guitar string and it it vibrates the string so it makes it sound like a violin bow henceebow electric bow. Oh okay I had no idea. Track 3:[50:57] Me neither. Track 2:[50:58] It's an amazing effect and it's really cool um some guys can pull it off with like volume and sustain but like he's not He's using an EBO on this shit. And it's fucking, it's just a testament to the, like how talented these guys are. how you can. Take what we've heard for the first five songs of this record and then bring it to this and just you're like transported to New Orleans and just you just I thought I kept thinking I saw NewOrleans in this and then hearing this song I felt like God I wish I could have heard this live at like Red Rocks. Track 3:[51:35] Hell yeah yeah oh man. Track 2:[51:39] Clear sky completely pitch black No lights, just drop the lights. Give me a spotlight on Gordon, nothing else. And Rob Baker during the EBO, but other than that. Track 1:[51:49] **Matt Stauffer** Of course. Track 3:[51:51] You have to be on psychedelics to use that thing or what? That sounds difficult. Track 2:[51:54] **Robert Walsh** Dude, it's hard. Track 3:[51:54] **Matt Stauffer** That sounds, yeah. Track 2:[51:56] **Robert Walsh** It looks easy and everybody's like, yeah, it's not easy. It's not easy. Track 1:[52:04] **Matt Stauffer** All right, let's go to to You're Everywhere and Reel Our Irish In. Track 2:[52:12] The, I dug this song. The fucking melody in this song is just, it's wild. I dug it. I dug it. It has a cool, it straps you in a little bit, like kind of soft and easy, but it just builds. I feel like the lyrics to this song are scathing. I didn't dig much into the meaning. But like reading them, just reading them once, I think when I had listened to it a number of times, I was like, Whoa, whoever or whatever this ismaking reference to is a tense subject. Track 3:[53:00] Yeah, so to speak. Gord's angry. Track 1:[53:03] Can you guys be more specific? Track 2:[53:08] If I'd brought up lyrics, I could've. Track 3:[53:10] I mean, on that note, I heard this song and I knew these guys were recording in Seattle and I figure that probably at this point in their career, probably not everything is writtenbefore recording, you know, like ahead of time, weeks or anything. And I imagine these guys, you know, what are they doing, staying in some hotel in Seattle near this recording studio? And the fucking news during this era is nonstop all the time. You know, it's just like, bad news all the time about the war and GWB. And I mean, I wrote, you know, the heaviness of this song, I wrote, we're bombarded by by fear, we were then and now, fear and despair, and then driven out to be sold by hope, tarnishedby soldiers dying, or not having proper access to healthcare, or being addicts, or suicide rates, you know, when vets return from all of our glorious wars, and it's just kind of like the bandfeeling. That the only way that anyone can attack this kind of corporate war machine that's happening is Is to sing about it, you know produce art about it there's a line in there that it keeps theeconomy alive it's like This song is the fuck that bullshit song, you know, you're everywhere point of the war man smedley butler's War is a racket. Track 2:[54:38] Yeah, you haven't read it. It's pretty it's pretty quick read Yeah. Fuck, yeah, I got a lot of what was going on during this time in this record. It felt very like, if I closed my eyes and listened to this record and I had no idea when it was made, I would have been like, 2003, 2005, somewhere in there. And not just because of the music itself, but yeah, because the content of it was just But this is another one that has drumsticks sound, putting down the drumsticks at the end. So this is another one. Yeah. This is the second song that uses a slide too, so I'm not a big fan of the slide, but It's hard to not enjoy it when it's placed properly. And a song, if it's done well. So I think this song does a good job. Track 3:[55:43] I mean, sometimes there's a time and a place. I don't know. It's more of a historical feature to guitar playing for me. I can't imagine some new song that would really enjoy that's featuring a slide. Track 1:[55:58] Well, that's why I was so strange that Vaccination Scar was the first single. Especially when Heaven is a Better Place Today is such a banger to open the record. Yeah, why yeah Don't know. Don't know. I mean it wasn't it wasn't having this place better place today Wasn't a single at all. The singles were vaccination scar. It can't be Nashville every night and then Gus Was the third single which is like pretty ambitious for a band to release that as a, single Yeah are gonna get that. That's right, that's right. Sothey're well past giving a fuck about trying to use singles to bring people in. Yeah, yeah. Track 3:[56:46] Which, how wonderful. Track 1:[56:48] How wonderful, right? Track 3:[56:49] How wonderful. Track 1:[56:50] They're just doing it for art's sake. Track 2:[56:51] Freeing. Track 1:[56:53] Yeah. Track 3:[56:54] I mean, I have a close cousin of mine who plays in a band here in Portland, I'll give him a quick plug, 40 feet tall. And they're super fun. And they just hit it so hard and they have a few total fuck it songs and they do covers every once in a while. They're courageous in their art, which I love, but it's one of those things also that not everybody gets. Sometimes I think maybe the hip missed some listeners in the USA because fucking half Half the countries are dipshits. Track 2:[57:35] You know what, and Tim, I don't disagree with you on there too, but I will say one thing too, just being from America and now not living there, and I know you've lived in Russiafor for some time too, Tim, but. I think the difference with Russia and the United States, and this is somebody who hasn't lived in Russia, but there's somebody who's also lived outside the United States. I think America is the most, probably the most propagandized country in the world that doesn't know it's being propagandized. Like at least in Russia, you're like, yeah, this is all bullshit, but we just kind of go along with it anyway. The United States, like people actually believe like when they watch like FoxNews or MSNBC, They actually believe the shit they're seeing on TV. And so when I think about, like both the left and the right, when I think about a band like this, I think like Americans attention span is like that of a fucking housefly. They couldn't appreciate this fucking band if they had a gun to their head. Could be. Most couldn't, dude. They just couldn't. Track 3:[58:42] Could be. Track 2:[58:42] It's just like, and so I think the hip probably just got like, fucking, why are we going to waste our time on these fucking dickheads this was like i said this was a fucking era ofmaroon five and britney spears you know yeah i mean jenny do you have to put explicit lyrics or explicit content on all of these because i just realize i'm dropping a few f-bombs oh yeahyeah okay okay yeah it's and on the old podcast on fully and completely we got a few comments that we swore too much oh really yeah yeah Yeah, Greg and I were like, oh, what thefuck. It was Sam Elliott, and he was drinking a beer, and he was like, do you have to swear so much, dude? Track 3:[59:23] It was all the Toby Keith fans who were like, yeah, I still don't like the hip. Track 1:[59:29] Well, we move next into a real banger, coming out of that moody section with New Orleans is beat and you're everywhere. And we go into as makeshift as you are, or as makeshift as we are. What did you vibe on that one, Pete? Track 2:[59:49] So this song comes on right when I put the quarters into the pool table and I push the slide in and those balls drop and I'm just racking it up. Racking up a game of pool. That's what this song is for me. Track 3:[1:00:06] That's fucking beautiful. Track 2:[1:00:08] Popping a cold Coors Light. There's some really low tone. This is another song and this record really opened up my eyes because I feel like I've been a bit of a fucking Rob Baker fanboy. I'll cop to that. Track 1:[1:00:26] No. Track 2:[1:00:27] Last couple of pods, but Paul Langlois is a fucking solid guitar player, dude. You don't notice it unless you look to it. As a matter of fact, one of the things I was thinking of on this song... And also this week and I was watching some live hit videos and I challenge anybody in the community to do this. Listen to a song or and or watch a live recording a live, you know, performance. Watch it five times and each time focus on the instrument of the person you're focusing on and listen to them play their instrument. It is fucking cool. And I did that a number of times with Paul Aigloire. I've done it many times with Rob Baker more than I care to admit. Track 3:[1:01:25] But no, Paul- Are you having dreams about him? Track 2:[1:01:29] No, no, no, I'm making wisecracks. But it's easy to, it's easy to, the focus to just go right to gourd when the chorus hits or he does some fucking amazing shit. But if you really focus on the individual instruments, you will see how fucking polished these musicians are. Track 3:[1:01:48] Yeah, super pro. Track 2:[1:01:49] And then one line that stuck out to me, I love the bridge in the song. I love the harmonies when they all come in together because it
Welcome to Ep #285: only 10 shows left. This go-around, we have an interview with Chvasta and Avril of the Atlanta, GA based band Dead Register. Also. we talk with Micke Ödegarden from Deville. Plus, we have music by the following bands:Mean Streak, Hedra, Ruby the Hatchett, White Hills, Dead Register, Shape of Water, White Skull, Deville, Böllverk, and HammerstarJoin Randy and Troy, for this and every episode of Ouch, You're on my Hair and subscribe to the show on ApplePodcasts, Spotify, iHeartRadio, Amazon Music, Podomatic, Podbean, and more. You can find them on Instagram, Twitter and Facebook as well.
The post Paul had a godly mean streak. appeared first on Key Life.
Avances: Shakra y Queensryche. Novedades: Dramah y Sweet Hole. En el Recuerdo: Heir Apparent y Psychotic Waltz. Sección "West Coast" con Raúl Pérez: Jim Photoglo Homenaje especial a la memoria del guitarrista y compositor David Andersson [1975-2022 D.E.P] con The Night Flight Orchestra, Mean Streak y Soilwork. Con Pedro Barroso.
Avances: Shakra y Queensryche. Novedades: Dramah y Sweet Hole. En el Recuerdo: Heir Apparent y Psychotic Waltz. Sección "West Coast" con Raúl Pérez: Jim Photoglo Homenaje especial a la memoria del guitarrista y compositor David Andersson [1975-2022 D.E.P] con The Night Flight Orchestra, Mean Streak y Soilwork. Con Pedro Barroso.
Kristian and Bobby dissected Saints training camp audio from running back Dwayne Washington and offensive tackle Trevor Penning. Bobby praised Washington's effort on special teams, and Kristian explained why he loves Penning's attitude.
Tales of teens who went through a super crabby phase and captured it all in their journals. An episode that proves diaries are definitely the best place to vent your most frustrations and judgments. The Mortified Podcast is a proud member of Radiotopia from PRX. Bing the series. Check out upcoming Mortified live events in your area.
Our first interview this episode is with Steph Paynes from the all-girl band Lez Zeppelin. Steph started the band and spends a little bit of time letting us know all about her and the band. Also joining us this week, Becky Brideau and Erich Bender from the band Dystopica. This Connecticut based band is awesome and we hear all about them from Becky and Erich.Plus, we have music by the following bands:Dead Register, White Crone, Tokyo Metal Club, Hookers & Blow, Lez Zeppelin, Udo Dirkschneider, Mean Streak, Dystopica, Grave Digger & Old Heavy Hands Join Randy and Troy, for this and every episode of Ouch, You're on my Hair and subscribe to the show on ApplePodcasts, Spotify, iHeartRadio, Amazon Music, Podomatic, Podbean, and more. You can find them on Instagram, Twitter and Facebook as well.
Welcome to episode 2 of our 4 part Cedar Point Month!! While last week we discussed our trip to Cedar Point as part of our 125 Roller Coaster Challenge, today Paul is discussing his first two visits to this amazing park. Yep, we are going back in time and will be discussing some of the defunct coasters that they got to ride and how these two trips were the foundation to creating the 125 adventure you have grown to love. We will be discussing Mean Streak, Mantis, Disaster Transport, and even Wildcat so sit back and enjoy our family adventure and let us know your favorite defunct coasters at Cedar Point. Check us out on social media at : 125rollercoaster on Facebook and Instagram. Also vote in our weekly polls for a chance to win our weekly drawing. See you in the queue
Season Two has begun and we are kicking it off with Cedar Point Month!! That's right, this is the first of four upcoming episodes focusing on this gem of an amusement park on the shores of Lake Erie. Paul is flying solo (Janine is opening a new store this month so her time is LIMITED) and this episode is focusing on the roller coasters that were ridden in 2017 by Paul & Devin for the first year of the 125 Roller Coaster Challenge. That's right, no mention of Steel Vengeance yet (or Mean Streak, Disaster Transport, etc...) because those are coming in future episodes, this one is about the lucky 13 coaster they conquered that day. So if you love Millie, Magnum, Rougarou, and Gemini. Sit back and enjoy this episode as we kick off season 2. You want to win cool stuff like Greg and Adrian have already? Check us out on Facebook & Instagram at 125rollercoaster and vote in our polls. Each vote gets you into our weekly Sunday drawing for some amusement park gear. Remember to Follow Us, Write a Review, or Comment on an episode to get additional entrees and we can't wait to see you in the queue in 2021.
On this episode of the Airtime Misfits Podcast we're continuing our "The Making of A Coaster Enthusiast" series. The purpose of these episodes are for you, our awesome listeners, to learn a little bit more about us and how we became coaster enthusiasts.In our part two episode of "The Making Of A Coaster Enthusiast," we're putting the focus on Adam to learn where his love for coasters all started. Listen to find out what it was like for Adam visiting Cedar Point in the early 90's and how he was tricked into riding Mean Streak for the first time.Thanks for listening!
Join Sandra Brown in conversation with Pamela Fagan Hutchins on this episode of Wine Women & Writing as the two authors discuss Sandra's historical fiction release BLIND TIGER, 1920 as the mirror image of 2020, characters that hijack books, great female villains, and much more. About Sandra Brown: Sandra Brown is the author of more than sixty New York Times bestsellers, including STING (2016), FRICTION (2015), MEAN STREAK (2014), DEADLINE (2013), LOW PRESSURE (2012), LETHAL (2011), and the critically acclaimed RAINWATER (2010). Brown began her writing career in 1981 and since then has published over seventy novels, bringing the number of copies of her books in print worldwide to upwards of eighty million. Her work has been translated into thirty-three languages. Brown recently was given an honorary Doctorate of Humane Letters from Texas Christian University. She was named Thriller Master for 2008, the top award given by the International Thriller Writer's Association. Other awards and commendations include the 2007 Texas Medal of Arts Award for Literature and the Romance Writers of America's Lifetime Achievement Award. About BLIND TIGER: With a “knack for romantic tension and page-turning suspense, this one is a winner.” The year 1920 comes in with a roar in this rousing and suspenseful New York Times bestselling novel by Sandra Brown. Prohibition is the new law of the land, but murder, mayhem, lust, and greed are already institutions in the Moonshine Capitol of Texas (Booklist, starred review). Thatcher Hutton, a war-weary soldier on the way back to his cowboy life, jumps from a moving freight train to avoid trouble . . . and lands in more than he bargained for. On the day he arrives in Foley, Texas, a local woman goes missing. Thatcher, the only stranger in town, is suspected of her abduction, and worse. Standing between him and exoneration are a corrupt mayor, a crooked sheriff, a notorious cathouse madam, a sly bootlegger, feuding moonshiners . . . and a young widow whose soft features conceal an iron will. What was supposed to be a fresh start for Laurel Plummer turns to tragedy. Left destitute but determined to dictate her own future, Laurel plunges into the lucrative regional industry, much to the dislike of the good ol' boys, who have ruled supreme. Her success quickly makes her a target for cutthroat competitors, whose only code of law is reprisal. As violence erupts, Laurel and—now deputy—Thatcher find themselves on opposite sides of a moonshine war, where blood flows as freely as whiskey. For more information about Sandra Brown, Blind Tiger, and her other books, visit http://sandrabrown.net. For more information about Pamela, Wine Women & Writing, and her books, visit http://pamelafaganhutchins.com. This is a fully owned and copyrighted production of Authors on the Air Global Radio Network.
Join Sandra Brown in conversation with Pamela Fagan Hutchins on this episode of Wine Women & Writing as the two authors discuss Sandra's historical fiction release BLIND TIGER, 1920 as the mirror image of 2020, characters that hijack books, great female villains, and much more. About Sandra Brown: Sandra Brown is the author of more than sixty New York Times bestsellers, including STING (2016), FRICTION (2015), MEAN STREAK (2014), DEADLINE (2013), LOW PRESSURE (2012), LETHAL (2011), and the critically acclaimed RAINWATER (2010). Brown began her writing career in 1981 and since then has published over seventy novels, bringing the number of copies of her books in print worldwide to upwards of eighty million. Her work has been translated into thirty-three languages. Brown recently was given an honorary Doctorate of Humane Letters from Texas Christian University. She was named Thriller Master for 2008, the top award given by the International Thriller Writer's Association. Other awards and commendations include the 2007 Texas Medal of Arts Award for Literature and the Romance Writers of America's Lifetime Achievement Award. About BLIND TIGER: With a “knack for romantic tension and page-turning suspense, this one is a winner.” The year 1920 comes in with a roar in this rousing and suspenseful New York Times bestselling novel by Sandra Brown. Prohibition is the new law of the land, but murder, mayhem, lust, and greed are already institutions in the Moonshine Capitol of Texas (Booklist, starred review). Thatcher Hutton, a war-weary soldier on the way back to his cowboy life, jumps from a moving freight train to avoid trouble . . . and lands in more than he bargained for. On the day he arrives in Foley, Texas, a local woman goes missing. Thatcher, the only stranger in town, is suspected of her abduction, and worse. Standing between him and exoneration are a corrupt mayor, a crooked sheriff, a notorious cathouse madam, a sly bootlegger, feuding moonshiners . . . and a young widow whose soft features conceal an iron will. What was supposed to be a fresh start for Laurel Plummer turns to tragedy. Left destitute but determined to dictate her own future, Laurel plunges into the lucrative regional industry, much to the dislike of the good ol' boys, who have ruled supreme. Her success quickly makes her a target for cutthroat competitors, whose only code of law is reprisal. As violence erupts, Laurel and—now deputy—Thatcher find themselves on opposite sides of a moonshine war, where blood flows as freely as whiskey. For more information about Sandra Brown, Blind Tiger, and her other books, visit sandrabrown.net. For more information about Pamela, Wine Women & Writing, and her books, visit pamelafaganhutchins.com. This is a fully owned and copyrighted production of Authors on the Air Global Radio Network. --- Support this podcast: https://anchor.fm/wine-women-writing/support
Join Sandra Brown in conversation with Pamela Fagan Hutchins on this episode of Wine Women & Writing as the two authors discuss Sandra's historical fiction release BLIND TIGER, 1920 as the mirror image of 2020, characters that hijack books, great female villains, and much more. About Sandra Brown: Sandra Brown is the author of more than sixty New York Times bestsellers, including STING (2016), FRICTION (2015), MEAN STREAK (2014), DEADLINE (2013), LOW PRESSURE (2012), LETHAL (2011), and the critically acclaimed RAINWATER (2010). Brown began her writing career in 1981 and since then has published over seventy novels, bringing the number of copies of her books in print worldwide to upwards of eighty million. Her work has been translated into thirty-three languages. Brown recently was given an honorary Doctorate of Humane Letters from Texas Christian University. She was named Thriller Master for 2008, the top award given by the International Thriller Writer's Association. Other awards and commendations include the 2007 Texas Medal of Arts Award for Literature and the Romance Writers of America's Lifetime Achievement Award. About BLIND TIGER: With a “knack for romantic tension and page-turning suspense, this one is a winner.” The year 1920 comes in with a roar in this rousing and suspenseful New York Times bestselling novel by Sandra Brown. Prohibition is the new law of the land, but murder, mayhem, lust, and greed are already institutions in the Moonshine Capitol of Texas (Booklist, starred review). Thatcher Hutton, a war-weary soldier on the way back to his cowboy life, jumps from a moving freight train to avoid trouble . . . and lands in more than he bargained for. On the day he arrives in Foley, Texas, a local woman goes missing. Thatcher, the only stranger in town, is suspected of her abduction, and worse. Standing between him and exoneration are a corrupt mayor, a crooked sheriff, a notorious cathouse madam, a sly bootlegger, feuding moonshiners . . . and a young widow whose soft features conceal an iron will. What was supposed to be a fresh start for Laurel Plummer turns to tragedy. Left destitute but determined to dictate her own future, Laurel plunges into the lucrative regional industry, much to the dislike of the good ol' boys, who have ruled supreme. Her success quickly makes her a target for cutthroat competitors, whose only code of law is reprisal. As violence erupts, Laurel and—now deputy—Thatcher find themselves on opposite sides of a moonshine war, where blood flows as freely as whiskey. For more information about Sandra Brown, Blind Tiger, and her other books, visit http://sandrabrown.net. For more information about Pamela, Wine Women & Writing, and her books, visit http://pamelafaganhutchins.com. This is a fully owned and copyrighted production of Authors on the Air Global Radio Network.
Doug is on course to break the record for the number of days without an "incident" - no complaints and no broken packages. The older members of the IPS depot aren't too happy that Doug is going to break the record held by their friend.
n this episode we discuss a development in the Nation's Capitol over a possible name change, and the Hall of Fame celebration of a couple of powerful D-linemen and a crafty running back on their birthday! Come join us at the https://pigskindispatch.com/ (Pigskin Dispatch website) to see even more Positive football news! Sign up to get daily football history headlines in your email inbox @ https://pigskindispatch.com/home/Email-subscriber (Email-subscriber) Get a free one week subscription to Newspapers.com by visiting http://SportsHistoryNetwork.com/newspapers (SportsHistoryNetwork.com/newspapers). And with a paid subscription, you'll also be helping to support the production of this and other Sports History Network shows. We also feature great music by Mike and Gene Monroe along with Jason Neff & great graphics from time to time from the folks at http://www.gridiron-uniforms.com/GUD/controller/controller.php?action=main (Gridiron-Uniform Database). Want more Sports History delivered to your ears, come see this podcast and many more at the https://sportshistorynetwork.com/ (Sports History Network - The Headquarters of Sports' Yesteryear!) We would like to thank the https://footballfoundation.org/ (National Football Foundation), https://www.profootballhof.com/players/ (Pro Football Hall of Fame), https://www.onthisday.com/ (On this day.com) and https://www.pro-football-reference.com/ (Pro Football Reference) Websites for the information shared with you today. Support this podcast
Tyson Alger (@tysonalger) from The Athletic, covering the Oregon Ducks, joins First Byte to discuss new Lions OT Penei Sewell. Selected seventh overall, Tyson tells Chris and Jeremy what makes him so special and why Oregon started him on the offensive line so young. They talk about his strengths, what he needs to work on and how he was used in Oregon's offense. Learn more about your ad choices. Visit megaphone.fm/adchoices
Everything makes more sense after a win. At least for a moment. The Minnesota Timberwolves’ 4th quarter comeback against the New York Knicks on Wednesday highlighted what the Wolves are hopefully evolving into. On today’s pod we discuss: - Chris Finch’s heaping of praise on the “special” defense Jaden McDaniels has been playing lately - McDaniels’ mean streak propelling him to confront matchups against Luka Doncic, James Harden and Julius Randle - How the Wolves came back from 11 down in the 4th quarter to squeeze out a cluster of a late-game win in a battle of Anthony Edwards versus Julius Randle - The budding friendship and on-court synergy of Edwards and Malik Beasley - Edwards explains how the presence of himself, Beasley and D’Angelo Russell can free Karl-Anthony Towns from the endless cycle of double teams he receives in the post Submit your Blue Wire Hustle application here: http://bwhustle.com/join Sign up for Dane's Patreon ($5 a month) at: Patreon.com/DaneMooreNBA
Chris Schmit and Elijah Herbel are in to break down comments from the Nebraska assistant coaches, including offensive line coach Greg Austin. Hail Varsity's Mike Babcock joins to discuss the offensive line before Mike Schuchart joins to talk about Husker golfer Kate Smith, who finds herself at the top of the leaderboard after day one of the Augusta National Women's Amateur. Hail Varsity's Greg Smith also joins for another Recruiting Recon segment. A Hurrdat Media Production. Hurrdat Media is a digital media and commercial video production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network and learn more about our other services today on HurrdatMedia.com.
Welcome back to The High Way with Kyle Shutt! This week I talk with GWAR's Blothar the Berserker, Mike Bishop. From the early days of touring as the original Beefcake the Mighty to returning as their latest epic frontman, we go over this man's wild musical journey. We stop along the way to talk about his time with Kepone as well as a little known band called The Tips, featuring The Sword's original drummer, Trivett Wingo. Hang until the end of the episode to hear The Tips' "Mean Streak", a never before released slab of punk fury. Be sure not to miss an episode by subscribing to our channel! Help us keep the show moving along by visiting our Patreon page at the link below. For a few dollars a month you can get early access to next week's episode, exclusive content only available on the Patreon page, and even get a shoutout on a future episode. https://www.patreon.com/thehighway We couldn't do it without your support and we thank every one of you for listening. Listen to this episode anywhere podcasts are streaming. For any inquiries please contact thehighwaywithkyleshutt@gmail.com Support this podcast
Did the artists make MTV, or did MTV make the artists? There is no doubt about the complementary relationship between the then-new music video channel and rocker Billy Idol. He had exploded on the scene with his debut solo album featuring hits such as "White Wedding" and "Dancing With Myself." His popularity would continue with his second studio album, Rebel Yell. Born as William Michael Albert Broad, Billy Idol found his studio name in a schoolteacher's derogatory description of him as "idle." Billy Idol got his start in the punk scene. He started performing with a retro-rock band called Chelsea in 1976, but quit after a few weeks to co-found a punk band called Generation X. While the music was punk, the image Idol created was more 1950's Elvis-styled rocker with a dash of glam rock thrown in. Billy Idol was a prominent member of the "second British invasion" on MTV in the early 80's, and would see mainstream success with Rebel Yell. Singles like the title track and "Eyes Without a Face" got heavy airplay on rock stations in the US. Idol's iconic look and "whiplash smile" was especially appealing to the new media of music videos shown prominently on MTV but also on other stations both on cable TV and the airwaves. If you enjoyed music videos back in the day, this episode will leave you saying "more, more more!" Daytime DramaThis slower and deeper cut was the second track on the album and was not released as a single. It compares life and relationships to a soap opera. "Beautiful star of my daytime drama...you're my hope for a future."Blue HighwayA faster rocking song, this track was also not released as a single. However it was the B-side to the single "Flesh for Fantasy," and it did get significant airplay on rock stations at the time.Flesh for FantasyThis track was the third single from the album and a significant hit, peaking at 29 on Billboard's Hot 100. It is heavily produced, and while a rock song it also was played in dance clubs as well. "Face to face and back to back, you see and feel my sex attack. Sing it!"Catch My FallPerhaps less popular than other album singles, this was the fourth single from the album. It has a new wave feel as well, and continues to have a dance beat. The saxophone is played by Mars Williams. ENTERTAINMENT TRACK:"Bob's Major Award" (from the motion picture “A Christmas Story")This now-classic Christmas movie was surprisingly not that successful as a first run movie in 1983. This song gets its title from the "leg lamp." STAFF PICKS:“The Safety Dance” by Men Without HatsRob's staff pick spent 4 weeks at number 3 on Billboard's hot 100, and was another big hit from MTV. The song was meant to be a statement about people "pogoing" - flailing around on the dance floor in a way that could cause people to get hurt.“Mean Streak” by Y&TWayne features a heavy metal song from a group originally known as "Yesterday & Today." Y&T formed in 1974 in Oakland, and opened for a number of bands like Wild Cherry and Kiss. The lead singer is still performing with the group, but unfortunately all other members have died. Lars of Metallica credits Y&T with inspiring him to become a musician.“Mama” by GenesisBruce's staff pick is the opening track to Genesis' self-titled album. This dark song is about a young man with a mother fixation towards an older prostitute. Mike Rutherford wrote the electric drum machine parts that start the song and continue throughout the piece.“This Time” by Bryan AdamsBrian closes out the staff picks with the lead track from Adam's "Cuts Like a Knife" album. Bryan Adams was another beneficiary of MTV's influence, and this album was his breakthrough hit. LAUGH TRACK:Jim Carrey premieres on Johnny CarsonThis month marked the first time Canadian Jim Carrey appeared on American television on "The Tonight Show." He would go on several years later to fame after his stint on the television show "In Living Color"
Coach Tompkins (Jubal Fresh) calls a mom and lets her know that her son is a bully on the team and would do much better on a juvenile delinquent flag football team instead... She does not like what she is hearing! Let us know what you think on social!Follow us at: @thejubalshow @jubalfresh @thatdreas @evanontheradioSee omnystudio.com/listener for privacy information.
Coach Tompkins (Jubal Fresh) calls a mom and lets her know that her son is a bully on the team and would do much better on a juvenile delinquent flag football team instead... She does not like what she is hearing! Let us know what you think on social!Follow us at: @thejubalshow @jubalfresh @thatdreas @evanontheradio
Le couvre-feu n'aura pas raison de Killer On The Loose ! Cette semaine, émission enregistrée et non en direct ! Les studios se trouvant en région parisienne, cela nécessite pour notre équipe quelques réajustements. Mais nous pouvons déjà vous le dire : L'émission Metal continuera ! Au programme cette semaine : Toutes les nouveautés en Metal et Metal Extrême, mais aussi quelques retours en arrière avec des albums et artistes Metal essentiels : Fear Factory, Diablo Blvd, Phil Campbell and the bastard sons, Tagada Jones, Stormzone, Mean Streak, Scarlet Desire, Cypecore, Azarath, End Of Mankind, Necrophobic, Heretical Sect et plein d'autres ! Nous faisons également un point sur la musique live et le retour des concerts en France, qui risque de se faire attendre encore quelques temps. Tracklist et podcasts sur https://www.killerontheloose.com Nous suivre du facebook : https://www.facebook.com/killerontheloose Sur Twitter : https://www.twitter.com/lemissionmetal
Oh my goodness there is SO much I can say about this episode. Lisa and I go way, way back: not just years, but probably lifetimes. She's a cool cat, a true punk, a moody and marvelous purple Egyptian queen with attitude, sass, and the wisdom that comes with age and scars. My sinistah twisted sistah from another mistah joins me from Lisbon, Portugal, and we have a BLAST exploring our dark sides, our shadow selves, our mean streaks honestly and openly together. If you've ever wondered what it's like when mischievous witches meet in secret, well, this is it. Featuring the song MEAN STREAK by Lisa's former band Piramid Scheme from their 2020 EP "Seen This Before".
The Canadian Geeks have come up with yet another ridiculous idea. It seems they continue to come up with ridiculous ways of selecting music to enjoy on the show. In a spin off of the "six degrees of Kevin Bacon" , episode #110 delivers SIX DEGREES OF HEAVY METAL! Wallygator came up with the idea early one morning. That lead to an expletive filled phone call as he attempted to explain the intricacies of how the episode would unfold. The planning for this episode would have made for very entertaining show in of itself. The concept is really simple. The geeks used Wally's Ipod to randomly select the starting song. The metal gods randomly selected "Mean Streak" from Y&T! Thanks goodness it didn't select something from Wallygator's secret Banarama collection. From there each geek had to select a song that somehow connected to Y&T's Mean Streak. From there Wallygator had to connect the Meister's selection and the Meister had to connect Wallygator's. The process continues until there were 12 songs all interconnected. They kept their "connections" a secret and were revealed during the recording. How does UFO connect to Kiss's Crazy Nights? You will soon find out right here.
Alex B joins with tales of nasty cuts from the WWE, while they sit on a pile of money. Alexander Zotov of the All Russia Football Players Union joins to tell about a huge charitable project led by the Footballers Union, Union of Football Veterans and leading Russian player past and present. Good news beating bad on a Saturday sports roundup!
Steve Cooper talks with musician Dave Meniketti. Dave is the singer, songwriter and lead guitarist for hard rock/heavy metal band Y&T. He has also released three solo efforts, one of which is more blues-oriented. He currently tours worldwide with Y&T. Y&T has a discography of 18 albums, three greatest hits collections, plus a boxed set and has sold over four million albums since their 1974 inception. They have received extensive airplay with hits such as Forever, Rescue Me, Mean Streak, Don’t Stop Runnin’, and Summertime Girls—which played in heavy rotation on MTV. Their songs have been featured in a multitude of movies and television shows, including Real Genius, Out of Bounds, Baywatch, and Hunter. After five top 100 albums, songs that tipped into the 40s, two Bammie Awards, and many international television appearances, their hits are still played on VH1 Classic and classic rock radio stations worldwide.
Disinfect your airpods and pop em in! This week on Mean Streak, Alex tries his best to talk about something that isn't related to COVID-19 but he mostly fails (wouldn't it be awesome if it was COVID-18 so we could make barely legal jokes?)Follow your host @alexbironcomedy and fear everything!
We dive into Mean Streak with a solo episode covering rejection, alpha males, Indian scam call centres, and more!Follow your man in the field @alexbironcomedy
Well well well. look who's back... It's the Gab To-Go, and this week we are joined by big star, our good friend Liz Fitzgerald! Listen as she schools us on what it means to be a writer, while we gab about Mrs. Vicky Lachey, Jessica Simpson's Open Book, Ashlee Simpson, Lisa dragging Millie Bobby Brown, Meghan and Harry changing their instagram handle, Lisa watching intelligent TV, The Friend's Reunion, HBO Go Vs HBO Max vs HBO Now, Wild Boars as an existential threat, and Argo 2: This Time On The Court! Listen and rate 5 stars ONLY! ======================== FOLLOW US: Garrett (@badboygargar) Lisa (@lisa.albano) Jake (@jakewallachfitness @jaking_photos) Liz (Very bravely off social media) EMAIL US: thegabtogo@gmail.com ======================== SEE OUR SHOWS: Gemma & Jemma's Wine Night: https://www.facebook.com/events/2574736329299645/ Mothership: https://www.ioimprov.com/shows/mothership/ Mean Streak: https://www.ioimprov.com/shows/mean-streak/ Stacks: https://thechicagoimprovden.com
As the Wednesday Night Wars wage on between NXT and AEW, so do the fired up thoughts and opinions of Adam, Rob and Brian. The guys are back inside Y-Table Studio discussing the results from the 1/8/20 editions of NXT and AEW Dynamite. Did Adam enjoy the NXT Women's segments? Did Rob catch up on Dark and BTE? Will Brian finally give the nod to NXT? All of this, AND MORE.... ___________________________________________________________ Use Discount Code MARKEDOUT at collarxelbowbrand.com for 10% off your entire order! Use Discount Code MARKEDOUT at markedoutgear.com for 10% off your entire order! ___________________________________________________________ ____________________RATE/REVIEW/SUBSCRIBE__________________ TWITTER: @smartmarkshow IG: @markedoutwrestling FB: MarkedOut1
More penis talk than any other episode? Possibly. 2 holiday themed books and two regular books are reviewed as well!
Jon and Sam allude to Sam having a mean streak and discuss prepping for the show.
Shadow of the Tomb Raider's launch is imminent, and we've been playing it, so we decided to dedicate a portion of this week's episode to Eidos Montreal's latest. Our conversation focuses not only on the finer points of the game, though, but on Lara Croft herself. Does her selfishness and callousness make her an unlikable protagonist? We discuss. We also go into the copious news that's emerged over the last seven days. Rocksteady is openly hiring for a next-gen game. THQ Nordic's buying streak continues unabated, this time with the Kingdoms of Amalur IP. Henry Cavill has been cast in the upcoming Netflix Witcher series. And that's just the beginning of a heavy news week. Learn more about your ad choices. Visit megaphone.fm/adchoices
Alex Raynor is an improviser living in Chicago, who can be seen performing with the Harold team Mean Streak at iO Theater and the house team, The Dark Web at CIC Theater
Liz Fitzgerald is a performer on the Harold team, Mean Streak at iO Theater, host/producer of the Love/Hate podcast and graduate of the Harold Ramis Film School, based at The Second City Theater.
A three part bonanza! Yes THREE separate files! Alan is joined by Alex to talk Mean Streak, the Ohio State Fair fatality, Wonder Woman Golden Lasso, RMC, Lake Compounce, Balderdash, the SkyRide, Coney Island, Atlantic City, Jersey Shore, New England parks, closing out the last few trip reports of Summer 2017, and MORE!
A three part bonanza! Yes THREE separate files! Alan is joined by Alex to talk Mean Streak, the Ohio State Fair fatality, Wonder Woman Golden Lasso, RMC, Lake Compounce, Balderdash, the SkyRide, Coney Island, Atlantic City, Jersey Shore, New England parks, closing out the last few trip reports of Summer 2017, and MORE!
A three part bonanza! Yes THREE separate files! Alan is joined by Alex to talk Mean Streak, the Ohio State Fair fatality, Wonder Woman Golden Lasso, RMC, Lake Compounce, Balderdash, the SkyRide, Coney Island, Atlantic City, Jersey Shore, New England parks, closing out the last few trip reports of Summer 2017, and MORE!
Meditation: "Walked a mile with pleasure, she chattered all the way. Left me none the wiser with all she had to say. Walked a mile with sorrow, never a word said she. But oh the things I learned from her, when sorrow walked with me." - Barry McGuire
Alan, Jeff, and Joe talk about the mess of an opening of Volcano Bay, the inevitability of Pandora doing "well", Flight of Passage ride system issues, Nintendo announcements (no, not the leaked plans), Mean Streak 2.0 teaser, and Kennywood's 2018 plans. Finally they all talk about their trips over the past month to Cedar Point, Lake Compounce, Hersheypark, Holiday World, Kennywood, Carrowinds, and more!
Host Greg Johnson is joined by Greg Lea and James Dale to analyse the weekend's action in the FA Cup, the Premier League and El Clasico, as well as previewing a hectic week of action across Europe.
THE THEME PARK DUO PODCAST: SUBSCRIBE ON ITUNES, GOOGLE PLAY AND STITCHER! Sit down with Nikki and Gabriel as the hosts of The Theme Park Duo Podcast bring you all the tasty and fun details of this years Boysenberry Festival at Knott's Berry Farm! From mouth watering foods utilizing the world famous Boysenberry to the cute and fun entertainment, this years Boysenberry Festival is a sight to be seen and an event NOT to be missed. We also talk Halloween Horror Night Orlando news with their American Horror Story Maze announcement, The rumor that both Walt Disney World and Disneyland will be receiving a TRON style attraction, the Gondola system being implemented at Walt Disney World and the cryptic video that was released for the RMC (Rocky Mountain Construction) remodel of Mean Streak at Cedar Pointe. Check out our website: themeparkduo.com Follow us on social media: @themeparkduo Contact us: themeparkduo@gmail.com
The guys are joined this week by DBG VIP The Rockin' Donkey for a Y&T Discussion. Formed in 1973 in Oakland, California, Y&T were originally known as Yesterday and Today. After two good, but poorly received, albums for London Records the band, featuring singer/guitarist Dave Meneketti, guitarist Joey Alves, bassist Phil Kennemore, and drummer Leonard Haze, were signed to A&M Records. 1981's Earthshaker would kick off the newly re-branded Y&T and launch a trilogy of albums that formed the backbone of their concert set list and solidified their fan base. Rounding out that trilogy were 1982's Black Tiger and 1983's Mean Streak. While these albums had moderate success, the higher positions of the Billboard charts continued to elude Y&T. That theme would continue with 1984's In Rock We Trust but the tide would change with the release of the song Summertime Girls. Originally appearing as the lone studio track on the live Open Fire album, the song would get added to 1985's Down for the Count and give Y&T some serious commercial attention. That attention would be fleeting however as Summertime Girls remains their biggest hit single and Y&T was subsequently dropped from A&M Records. Y&T 1987 saw the band re-emerge on the rock-heavy Geffen label. Original drummer Leonard Haze was out and new drummer Jimmy Degrasso was in. Contagious had every ingredient from the keyboard to the hooks to the hairspray that should've assured bigger success. Unfortunately, the guiding hand of John Kalodner couldn't pull Y&T to the success of which he had with Aerosmith. After releasing 1990's Ten album (featuring new guitarist Stef Burns replacing Alves), Y&T took a long break as the new wave of Grunge music started to take over. 1995 saw the band return with Musically Incorrect; an album that had solid material yet certainly was not flavor-of-the-week fare. That trend would continue with 1997's aptly titled Endangered Species. Y&T would go on an extended hiatus as guitarist/singer Dave Meneketti focused on a solo career. The band would come back to rave reviews in 2010 with Facemelter (featuring new drummer Mike Vanderhule); an album that showed a serious return to form for the band. Tragically, this would be the final album for bassist Phil Kennemore who succumbed to cancer during the touring cycle for the album. Y&T would soldier on with replacement bassist Brad Lang before being replaced in 2016 by Aaron Leigh. The band had two more tragic losses in 2016 as original drummer Leonard Haze and longtime sound man Tom Size both passed away. In this in-depth discussion your hosts and guest discuss the history of the band and go through each album in the studio discography. Favorite and least favorite tracks are discussed as well as album covers and lyrics. Underlining much of the conversation are theories of why this amazing band never achieved bigger success. It's a long, fun discussion about a band that continues to wow crowds 40 years after the release of their first album. We hope you enjoy Y&T Discussion - Ep263 and SHARE with a friend! Buy Music! Y&T iTunes Review: Okay... I'm hooked! by DaveChandler22 on Nov 09, 2016 Rating: ★★★★★ I just started listening a last week. I listened to "1974 in Review" and that was cool! I grew up a Kiss fan. I loved that so much Kiss came up and the Casablanca insight. Also, I really enjoyed the Ratt/Alexi show! I had forgotten how great Ratt was. I'll be looking for some of those songs you guys played. I will going back and listening to more past shows (more than likely all of the past shows) as well as looking forward to your new ones. Thanks guys! Geeks of the Week: Crash Crafton, Ryan Cook, The Riff of the Day, Gino Ames, Sandi Peterson, Joe Royland, Sit and Spin with Joe, Dennis Gamez, Thomas Mucaji, Podcast Rock City, Donnie Lemmon, Earl Thunders, Guns of Nevada, Matt Ashcraft, Ian Wadley (Rock Metal Combat Podcast), Awesomesauce Podcast, Cool World, James Brendon Dunn, Andrew Jacobs, Joey Vanchieri, Shane Hebert, Greg York, Rob Harris, Darren Parkin, Kevin Williams, Brandt Cattell, Sean Cullen, Cobras & Fire Rock Podcast, Anthony Britt, Brent Walter, Mikael Burell, Trevor McDougall, Todd Cunningham, Martin Wenham, Dan Chaput, Jeffrey Mendenhall, Adam Cox, Wayne Cross, Greg McGlone, Brent Tibbetts, Kenneth Roy, Rockin’ Ron Runyon, Marc Alden Taylor (Free Form Rock Podcast), Eric Moore, The Off Our Meds Podcast, Daniel Lee, The Rockin’ Donkey, Billy Hardcore, MusicMagsAndWax, James Mcellhiney, Frank D. Colin Francis, Derik Novak, Stephen Atchison, Michael Charles, God Bless Pres Trump, Visit Our Sponsor! HK Collecitbles, Inc. 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We start off this week's show with THREE First Drop stories! First up, is news about the new roller coaster coming to Sea World San Diego in 2017 - Wave Breaker: The Rescue Coaster. Then, we get into a debate on what is really happening with Mean Streak at Cedar Point. Finally, we review a story about a doctor who found that taking a ride on a roller coaster could cure a person of kidney stones. Heck, we'll even do an experiment live on-the-air to see if it's true. Then, we'll interview Phil Raybourn, Senior Manager of Consumer Event Production at Busch Gardens Williamsburg. Phil is in charge of Howl-O-Scream, so we'll talk with him all about it. We'll also find out about their new Escape Rooms and the new haunted house Circo Sinistro! We'll also have a Live Trip Report from Six Flags Magic Mountain and an Interactive Discussion about Amusement Today's Top 50 Steel Roller Coaster list. It's all this week on CoasterRadio.com!
Dan and Eric talk about Eric's cat, Tulsa shooting, grammar, punctuation, U-2 plane crash, Kratom, drugs, marijuana, Bath school bombing, Andrew Kehoe, terrorism, Cedar Point, Mean Streak, Colossus, Apple Watch, Gotham, Longmire, Patton Oswald: Talking for Clapping, Westward, The Lobster, The Thing,. Steven Wilson, P.J. Harvey, Jorn
Joe is joined by Kenny from In the Loop and we go off the rails for the first 10 minutes talking about beer and baseball stadiums. Sorry. Then we jump into Mean Streak, Food & Wine, Tower of Terror at DCA, seasonal Stitch, Toothsome, Halloween Horror Nights, and your questions!
There were two big announcements in the amusement industry this week and we talk about them both! First up, Cedar Point has announced that "Mean Streak" will "get the axe" later this fall. What does this mean and who is the "old coot" in the teaser video? We also talk about the Triple Tower at Hersheypark. CoasterBoys aren't very excited about this one... even going so far as to say they're more excited about the new Chick-fil-a Restaurant being installed in 2017. Why is this? We also have an interview with Adam House from Great Coasters International minutes after the announcement of "Mystic Timbers" at Kings Island. We'll talk with him about what it's like to design a roller coaster for your his home park Plus, Mr. Shapiro is back with ideas on how to "monetize" Pokemon Go and... the return of LIGHTNING RODNEY!
Thank you to everyone that listened last week. This a special episode of the Heartland Podcast. We discuss a range of topics from Drake, Frank Ocean, Uber, Didi, Hulk Hogan, Rob Hill Sr, LaToya Luckett, Lil Uzi Vert and The Mean Streak. Subscribe to Me on Facebook for live videos for instructions hop in the comments. Get More of B Diddy here: http://www.DjBrandonDix.com https://instagram.com/BDiddyRadio Snap Chat BrandonFromJnoG Check out more of Heartland here: http://www.heartlandhiphoptv.com https://instagram.com/HeartlandHipHop https://twitter.com/HeartlandHipHop https://www.HeartlandPodcast.com https://www.facebook.com/heartlandhiphop http://www.theheartlandlive.com Putting the Midwest on a Pedestal....Get with the movement or get left! #HLHH. Heartlandhiphop@gmail.com @RCPasker @BDiddyRadio
Motion Traxx: Upbeat Workout Music for Running and General Exercise
Stressed out. Let it out with one of our most aggressive mixes to date. Styles/Genres: Techno, Tribal Techno http://www.motiontraxx.com/episodes/MotionTraxx_Ep106_165bpm_Mean_Streak_vol_3.mp3 Motion Traxx is your ‘Fuel for Running’ - a free running music / workout music podcast, produced by Deekron ‘The Fitness DJ.’ For more info and episodes visit: http://www.MotionTraxx.com © 2008 Deekron ‘The Fitness DJ’; copyright to songs held by their respective artists.
Motion Traxx: Upbeat Workout Music for Running and General Exercise
Stressed Out. Let it out. Another round of driving, aggressive beats for serious run motivation. Styles/Genres: Techno, House http://www.motiontraxx.com/episodes/MotionTraxx_Ep076_165bpm_Mean_Streak_Vol_2.mp3 Motion Traxx is your ‘Fuel for Running’ - a free running music / workout music podcast, produced by Deekron ‘The Fitness DJ.’ For more info and episodes visit: http://www.MotionTraxx.com © 2008 Deekron ‘The Fitness DJ’; copyright to songs held by their respective artists.
Motion Traxx: Upbeat Workout Music for Running and General Exercise
Stressed Out? Let it out! Driving, aggressive beats for serious run motivation. Styles/Genres: Techno, Electro House, Progressive. http://www.motiontraxx.com/episodes/MotionTraxx_Ep049_165bpm_Mean_Streak.mp3 Motion Traxx is your ‘Fuel for Running’ - a free running music / workout music podcast, produced by Deekron ‘The Fitness DJ.’ For more info and episodes visit: http://www.MotionTraxx.com © 2008 Deekron ‘The Fitness DJ’; copyright to songs held by their respective artists
Fall Affair at Holiday World, Splashin' Safari capacity, road tripping, Six Paramount Flags, exceptional size mods and culture, SeaWorld, Big Dipper, Chang, Busch parks, Coney, Mean Streak fire, Epcot restaurants.
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