Podcasts about Victory Gardens

Use code MAFIA25 and go check out our product Noble Origins.This is a high quality, nutrient packed grass-fed protein powder with colostrum, collagen, and an organ complex (including liver), plus we used beef protein isolate for people who struggle with whey protein or plant protein! Give it a try and let us know what you think!In this episode, we sit down with Ryan Griggs - founder of The Regenaissance - to break down the first 100 days of the Trump administration and the Make America Healthy Again (MAHA) movement. We dive into the real story behind agricultural policy shifts, what's missing from the national conversation around food, and why the future of America's health depends on supporting local farmers and rebuilding from the soil up. From school programs to SNAP reform, to the overlooked role of ranchers in ending chronic disease, this is a deep look at what's being done - and what still needs to happen. What we cover:- What the first 100 days of MAHA reveal- How agriculture policy is shifting under Trump- The hidden battles farmers and ranchers still face- Problems with importing eggs and global food reliance- Why real food must be the cornerstone of MAHATimestamps: (00:00) First 100 days overview (05:00) Problems with food policy shifts (11:00) Brooke Rollins vs RFK focus (17:00) Food imports and local collapse (24:00) Victory Gardens and real solutions (31:00) Schools and food literacy (37:00) Private vs government action (44:00) Cultural and spiritual revival *** LINKS***Ryan on MMP #244Check out our supplement company - Noble Origins- 100% grass-fed beef protein with added collagen, colostrum and organs- Use code MAFIA25 for 25% OFF your orderCheck out our Newsletter - Food for Thought - to dramatically improve your health this year!Join The Meat Mafia community Telegram group for daily conversations to keep up with what's happening between episodes of the show.Connect with Ryan:InstagramXThe Regenaissance Connect with Brett:InstagramXConnect with Harry:InstagramXConnect with Meat Mafia:Instagram - Meat MafiaX - Meat MafiaYouTube - Meat MafiaConnect with Noble Protein:Website - Noble ProteinX - Noble ProteinInstagram - Noble ProteinAFFILIATESLMNT - Electrolyte salts to supplement minerals on low-carb dietThe Carnivore Bar - Use Code 'MEATMAFIA' for 10% OFF - Delicious & convenient Pemmican BarPerennial Pastures - Use CODE 'MEATMAFIA' 10% OFF - Regeneratively raised, grass-fed & grass-finished beef from California & MontanaFarrow Skincare - Use CODE 'MEATMAFIA' at checkout for 20% OFFHeart & Soil - CODE ‘MEATMAFIA' for 10% OFF - enhanced nutrition to replace daily vitamins!Carnivore Snax - Use CODE 'MEATMAFIA' Crispy, airy meat chips that melt in your mouth. Regeneratively raised in the USA.Pluck Seasoning - 15% OFF - Nutrient-dense seasoning with INSANE flavor! Use CODE: MEATMAFIAWe Feed Raw 25% OFF your first order - ancestrally consistent food for your dog! Use CODE 'MEATMAFIA'Fond Bone Broth - 15% OFF - REAL bone broth with HIGH-QUALITY ingredients! It's a daily product for us! Use CODE: MAFIAMaui Nui- 15% OFF. Use CODE: MEATMAFIA

“I've worked in a lot of countries around the world, in the defense attaché system, and then in later positions. There is a cost of doing business in certain parts of the world” Today's conversation is a special two-part series featuring retired Army Sergeant Major Kara Rutter. From her beginnings as an Army cook—despite everyone telling her not to take the job—to working in the Secretary of Defense's mess, and later serving as part of the Defense Attaché system in Ukraine, Kenya, and Namibia, Kara brings a unique and strategic perspective to both military service and food systems. In Part 1 of our conversation, Kara walks us through her journey from enlisting in the Army to traveling the world in high-level diplomatic roles. We talk about what it was like to cook for Secretary Rumsfeld, sit as a fly on the wall as strategic decisions played out in the early days of the wars in Iraq and Afghanistan, and see firsthand how global policy is shaped. Kara also shares her transition out of the military and how she and her husband landed on a 20-acre property in Aiken, South Carolina—fencing pastures, collecting “practice animals,” and building a new chapter on their farm. This episode sets the stage for a larger conversation about national food security, agritourism, and veteran-led farming. In Part 2, we'll pick up with Kara's take on using cattle and local food systems to support military bases, and how that led to the founding of Project Victory Gardens and the creation of veteran-focused boot camps and agritourism incubators. For now, settle in for Part 1 with Kara Rutter—it's a story of service and the earliest seeds of something much bigger. Lets get into it.

Barnaby 1945-06-12 Planting A Victory Garden

Barnaby 1945-06-12 Planting A Victory Garden

Jacqueline Capriotti is a small business owner, passionate advocate, and co-founder of Health Revolution USA, a health-focused consulting firm specializing in PR, political and marketing strategies, campaign consulting, event production, and coalition building. The firm provides strategic solutions for organizations, policymakers, and movements dedicated to transforming public health, advancing wellness initiatives, and driving systemic change. With a diverse background spanning public relations, grassroots coalition building, and policy development, she has been at the forefront of initiatives that challenge the status quo and push for meaningful health reform.Jacqueline's advocacy journey began as a caregiver for her two children, both diagnosed with cystic fibrosis plus multiple related and unrelated co-morbidities. Her son's battle with chronic pancreatitis, which left him unable to eat by mouth for two years and frequently hospitalized, inspired her to co-found the Foundation for Childhood Pancreatitis. She also served as a board member for the Cystic Fibrosis Foundation - Greater NJ Chapter, where she played a key role in helping the CF Foundation launch the CF Caregiver Support Initiative in New Jersey.Jacqueline is the founder of the Victory Garden Alliance, a movement dedicated to food sustainability, revival of patriotism, regenerative farming, and self-sufficient communities. She believes that the intersection of nutrition, environmental health, community collaboration and medical advancements is key to reversing the chronic illness epidemic.On a national level, Jacqueline played a pivotal role in Robert F. Kennedy Jr.'s Presidential campaign, leading community outreach efforts for the chronic illness population and running successful grassroots initiatives. She coordinated the Kennedy Victory Garden Project, and elevated Farmers for Kennedy, amplifying health and sustainability policies within political platforms.Through her leadership at Health Revolution USA, Jacqueline continues to champion policy reforms, public health initiatives, and strategic collaborations that support initiatives enhancing food quality, medical and technological advances in health, strengthening relationships between the public and medical providers, and promoting regenerative agriculture and organic practices to improve quality of life and end the chronic illness epidemic in America. Whether through legislation, grassroots activism, or public awareness campaigns, she remains committed to Making America Healthy Again.Jacqueline CapriottiFounder, Health Revolution USA | Victory Garden AllianceWebsiteEmail: Jacqueline.c@healthrevolutionusa.orgAbout Rev. WendyRev. Wendy Silvers is on a mission to help soul-centered, high-aspiring moms activate their fullest potential, raise empowered, healthy children, and leave a legacy that transcends generations. As a Minister, Intuitive, and Transformational Life Coach, Rev. Wendy guides successful and soulful women toward alignment and fulfillment in their personal and professional lives. She provides guidance and clarity when they feel stagnant, unfulfilled, or unclear on their next steps. Rev. Wendy helps them end sabotage and honor their intuition so they stand in their spiritual power and change their world from the inside out!Follow Rev WendyIg: https://instagram.com/revwendysilvers X: https://x.com/wendysilversFb: https://facebook.com /mamawendysilversTikTok: https://tiktok.comm/wendysilvers

Join us for an intriguing journey as we explore the age-old tradition of canning. We kick things off with a humorous take on unconventional Bitcoin mining strategies, touching on their environmental impacts. This playful banter sets the stage for a fascinating discussion on canning's historical significance, especially its evolution in the 19th century and its essential role in food preservation and extending shelf life beyond harvest seasons. We highlight the advantages canning offered to farmers and producers, such as reducing spoilage and stabilizing prices, and even explore its impact on West Coast union organizing and the processing of wild foods. Our conversation then transitions into the history and modern relevance of community canning centers, revealing how these centers emerged from neighborhood organizing efforts to support rural communities. Discover the incredible efficiency gains they provided compared to individual canning efforts, as well as the vital role they played in supplementing farm incomes and promoting community resilience. We examine the Texas Agricultural Extension Service's involvement in establishing canning centers and the racial disparities in access to these facilities, with a special focus on the expansion of canneries for African Americans by 1918. These centers not only fostered community empowerment but also bolstered self-sufficiency, enabling residents to can their produce without needing upfront capital. Lastly, we delve into the transformative impact of community canning centers during the Great Depression and World War II, particularly for African American communities and women. Uncover the significance of Victory Gardens and the role these centers played in fostering community solidarity, resource sharing, and even interracial collaboration. As we reflect on the class and race dynamics of the era, we celebrate the resilience and leadership that emerged, emphasizing the importance of these efforts in empowering marginalized communities. We wrap up with insights into community-centered business ideas and education, inviting listeners to explore the untapped stories waiting in local archives and inspiring innovative thinking through practical ventures like canning and maple syrup processing.   For sources, transcripts, and to read more about this subject, visit: www.agroecologies.org To support this podcast, join our patreon for early, commercial-free episode access at https://www.patreon.com/poorprolesalmanac For PPA Restoration Content, visit: www.restorationagroecology.com For PPA Merch, visit: www.poorproles.com For PPA Native Plants, visit: www.nativenurseries.org To hear Tomorrow, Today, our sister podcast, visit: www.tomorrowtodaypodcast.org/   Key Words: Bitcoin Mining, Canning, Environmental Impacts, Historical Narratives, Food Preservation, Economic Stability, Farmers, West Coast Union Organizing, Wild Foods, Community Canning Centers, Efficiency, Resilience, Marginalized Groups, Texas Agricultural Extension Service, African Americans, Victory Gardens, Women, Business Ideas, Local History, Community Resilience, Solidarity, Patreon

We've been doing research into the history of Victory Gardens and were blown away by some of the facts we uncovered…so Poldi decided to sit down and record a rant about this amazing gardening movement of the early 1900s and give his reasons for why we should bring it.Use code “yearofplenty” (all lower case) for 15% OFF at www.mtblock.comMY ULTIMATE FORAGING GEAR LIST - Check it outLeave a review on Apple or Spotify and send a screenshot to theyearofplenty@gmail.com to receive a FREE EBOOK with my favorite food preservation recipes.Watch the Video Episode on Youtube:https://youtu.be/tGvJAcYmCAwSupport the podcast via Patreon:https://www.patreon.com/yearofplentySign up for the newsletter:www.theyearofplenty.com/newsletterSubscribe to the Youtube Channel:https://www.youtube.com/@yearofplentyvideoDo you follow the podcast on social media yet?IG: https://www.instagram.com/poldiwieland/X: https://x.com/yearofplentypodI want to hear from you! Take the LISTENER SURVEY: https://www.surveymonkey.com/r/KZW53R

853: 853: Dianne Blazek on Insights on Plant Breeding.Understanding how plants get from seed to our gardens.In This Podcast: We interview Diane Blazek, the executive director of All America Selections and National Garden Bureau, about the process of plant innovation and how new plant varieties make their way into gardens. Diane explains the various stages a plant goes through—from breeding to distribution—highlighting the roles of breeders, brokers, and growers. They discuss different propagation methods, including seeds and vegetative cuttings, and the intricacies involved in each step. Diane also touches on the importance of flowering plants for pollination, how to stay informed about new varieties through the National Garden Bureau, and shares a bit of horticultural history connected to Victory Gardens. Lastly, Diane offers advice for gardeners to try new plants and visit local public gardens..Our Guest:  Diane is the executive director of All America Selections and National Garden Bureau. She has been deeply and happily immersed in gardening from a very early age, from growing up on a small family farm in Missouri to her suburban lot in the Chicagoland area. She is passionate about everything green..Visit UrbanFarm.org/FIXXXXXXXXXXXXX for the show notes and links on this episode! Need a little bit of advice or just a feedback on your design for your yard or garden?The Urban Farm Team is offering consults over the phone or zoom. Get the benefits of a personalized garden and yard space analysis without the cost of trip charges. You can chat with Greg, Janis or Ray to get permaculture based feedback.Click HERE to learn more!Become an Urban Farm Patron and listen to more than 850 episodes of the Urban Farm Podcast without ads. Click HERE to learn more.*Disclosure: Some of the links in our podcast show notes and blog posts are affiliate links and if you go through them to make a purchase, we will earn a nominal commission at no cost to you. We offer links to items recommended by our podcast guests and guest writers as a service to our audience and these items are not selected because of the commission we receive from your purchases. We know the decision is yours, and whether you decide to buy something is completely up to you.

We're meeting writer Erin Schwartz in the great, drone-filled state of New Jersey this week to shop for holiday gifts! It's a One of Us Mall Party, complete with magic, moth-ridden clothing, and an homage to Italian American culture. Erin is on Instagram @dog_foundation. Make sure to check out their writing for New York Magazine's The Strategist, including their contributions to The Transgender Family Handbook. One of Us is hosted and produced by Chris Renfro and Fin Argus. It's executive produced by Myrriah Gossett and Erica Getto for Good Get. Myrriah Gossett is our sound designer, and our theme music is produced by Fin Argus and Brendan Chamberlain-Simon. Our show art was drawn by Fin Argus, and photographed by Mike and Matt McCarty. You can follow One Of Us on Instagram and TikTok at @oneofus.pod. Learn more about your ad choices. Visit megaphone.fm/adchoices

00:00 Introduction to The Garden Question Podcast00:41 Meet Diane Blazek: A Journey in Gardening01:29 The Legacy of National Garden Bureau05:10 Victory Garden 2.0: Reviving a Historic Movement06:23 The Impact of COVID-19 on Gardening08:09 Challenges and Successes in Modern Gardening10:44 Exploring New Plant Programs14:13 All American Selections Trials16:20 Display Gardens: Showcasing AAS Winners18:45 Year of Program: Celebrating Plant Classes21:33 Promoting Garden Authors and Books22:16 Therapeutic Garden Grants24:33 Understanding Our Members26:14 Finding Information and Social Media Presence27:08 Debunking Garden Myths27:55 Personal Garden Memories28:54 Career in Horticulture29:59 Funny Garden Stories30:54 Influences and Mistakes in Gardening34:47 Current Garden and Future Plans37:19 Recent Learnings and Favorite Plants39:25 Final Thoughts and Connecting with DianeToday's guest is someone whose love for all things green goes beyond the ordinary – Diane Blazek, Executive Director of All-America Selections and the National Garden Bureau.Diane's journey started early, growing up on a small family farm where she was surrounded by fields, gardens, and the wonder of cultivating life from the soil. This passion only grew stronger, leading her to work with Ball Publishing for 15 years before taking on her current role. As Executive Director, Diane is now at the forefront of consumer gardening, helping to shape and inspire how we all interact with our own green spaces.In this episode, we'll explore the rich legacy and ongoing influence of the National Garden Bureau, a nonprofit founded in 1920 by James Burdett with a mission to educate and inspire the public about gardening. Even as the Bureau celebrated its 100th anniversary during the challenges of the pandemic, it found new ways to connect with gardeners, launching initiatives like Victory Garden 2.0 to rekindle the spirit of community growing.Diane will also share details about the All-America Selections Trials, the 'Year of' plant program, and the Therapeutic Garden Grant – all key projects that continue to benefit gardeners of all kinds.

Unlock the secrets of financial resilience with our latest episode! We're diving deep into the money vaults of history to extract golden nuggets of wisdom that can fortify your finances today. In this episode, you'll discover: • The "Three R's of Recession Resilience" that have stood the test of time • How your great-grandparents' Depression-era tricks can beef up your modern budget • Why the 2008 financial crisis might hold the key to your side-hustle success • Inflation-fighting strategies from the 1970s that still pack a punch today  • The surprising parallels between 1929's market crash and today's economic challenges   Plus, we'll reveal: • How to build a financial emergency kit that would make a Depression-era survivor proud • The "Victory Garden" approach to diversifying your income streams • Why becoming the "Renaissance Person" of your finances could be your recession superpower   Whether you're a seasoned investor or just starting your financial journey, this episode is packed with actionable strategies to help you weather economic storms. Don't let history repeat itself – learn from it instead! 00:00 Introduction to Timeless Financial Wisdom 00:36 Welcome to Wealth Wisdom Financial Podcast 01:14 Exploring Financial Fortitude and Resilience 01:46 Learning from Past Financial Crises 03:05 Special Invitation: Transform Your Financial Future 05:37 The Three R's of Recession Resilience 05:40 Reserves: The Power of Cash Savings 08:20 Reduce: Living Lean and Building Relationships 10:35 Reinvent: Diversifying Income Streams 15:56 Conclusion and Next Steps   Links mentioned in the show: 

Today, we are talking about Victory Gardens from WWI and WWII.This was a topic suggested by one of our listeners and it has been interesting researching Victory Gardens and we believe you will enjoy this episode.Mentioned in the episode: Magic Mind 40% DiscountIf you would like to have the expanded notes on today's episode, along with the links mentioned in the episode, you'll find them at practicalprepping.info/479If you find value in the podcast, would you be willing to give back a little?You can do that one of two ways (or both).(1) Buy Us A  Cup of Coffee --->  CLICK HERE          OR(2)  By starting your Amazon shopping from our website? --->  CLICK HERE               (We earn from qualifying Amazon purchases)Contact us:Practical PreppingWebsite: www.practicalprepping.infoEmail at info@practicalprepping.infoOur Sponsors:Magic Mind Productivity Shotshttp://www.magicmind.com/practicalpreppingUse discount  code "practical"Contingency Medical - resource for antibioticshttps://contingencymedical.com/practicalProLine Digital Grouphttps://www.prolinedigitalgroup.comEmail: info@prolinedesigns.usAURA - Your total online protection against identity theft , and for VPN.Jim Curtis Kniveshttps://www.facebook.com/JimcurtisknivesEmail Jim:  j.curtis7mm@yahoo.comPodcast music written and recorded by Krista LawleyWebsite design and hosting by ProLine Digital Group.Podcasts Copyright 2024, P3 Media Group, and Practical Prepping Podcast

Hosts: Christine Westermire, Mollie Shepardson Guest: Kathy Kimbell Air date: Jun 20, 2024

In this episode three children, Donovan, Layla, and Ruby, explore the idea of resilience — being able to move through the hard things we face and bounce back or recover afterward. They share times they have had to practice resilience, and then they help a Link-a-deedle friend, LaLeek, who lives in the Land of Qook-a-lackas, learn about resilience. The guest star in this episode is Marc Grapey, an actor, director, writer and producer, with credits on stage, as well as in movies and TV. Marc has been a fixture of the Chicago Theatre community for the last 25 years, often appearing at Victory Gardens, The Goodman, Steppenwolf, and Writer's Theatre. He made his Broadway debut in 2005 opposite Nathan Lane and Matthew Broderick in the hit revival of Neil Simon's The Odd Couple. His numerous films include SuperBad, Adventureland, The Day Trippers, While You Were Sleeping, At Any Price, Keeping up with the Joneses, and the upcoming Steven Spielberg produced Captive State. He has made over 60 guest appearances on television. The original song in the episode, "On With The Show," was written and performed by educator/composer Benjamin Weiner. Sound design and mixing is by Ahmed Ashour, and the ukulele music you hear is by actor and composer Bill English.Find more resources and activities to keep the learning going online at https://playsparkler.org/little-kids-big-hearts-resilience/.

WeatherJazz® host Andre Bernier addresses a listener question about "contrails," plus a trip to his new garden to see what's growing. If ypou'd like to watch the garden segment, go to WeatherJazz.com, Episode #628. --- Support this podcast: https://podcasters.spotify.com/pod/show/andrebernier/support

Jonathan Nazeer visits Palmetto Mornings.

As we await the beautiful produce that will soon be arriving at our Farmer's Markets, I thought it would be a good time to celebrate Spring with this encore piece featuring Alice Waters. Always remember to take a moment and Savor the Day! Chef Alice Waters is a counterculture culinary hero who has helped pioneer the farm to table movement in the United States at her iconic restaurant Chez Panisse. At age four, she won a costume contest dressed as “Queen of the Garden” that featured produce from her parents' Victory Garden. This win was just a mere glimpse into her future as an award winning chef, cookbook author, philanthropist, activist and advocate for sustainability and freshly grown produce. Recently, Chef Alice Waters graciously greeted me at her Chez Panisse office in Berkeley. A lovely glass teapot sat atop the small round table. She had filled the teapot with her favorite recipe from the garden — fresh mint with hot water. We sipped and chatted about her latest book Coming to My Senses: The Making of A Counterculture Cook. She shared stories and lessons from her edible education including life changing moments in France when she discovered the incomparable tastes of the farmers markets, including les fraises des bois (strawberries from the woods). Chef Alice Waters brought back the literal and figurative seeds that would become the harvest of a delicious revolution. The actual seeds she planted in her backyard at Berkeley were the ingredients of a Mesclun Salad originating in Provence, France. Almost every dish at Chez Panisse has a little salad. Chef Waters explains, “A salad punctuates something that is rich and brings balance to the plate.” Her favorite quotes include: “The destiny of nations depends upon the manner in which they were fed” Brillat-Savarin and “We are what we eat.” Chef Alice Waters explains that “When you eat fast food, you eat the values of the fast-food culture – that farming and cooking are drudgery. Food is something precious and should not be wasted.” Her passion for sharing this lesson with others, especially children, became the impetus of The Edible Schoolyard Project. Chef Waters emphasizes a key tenet to an edible education: “Don't ever compromise the idea of sustainability. That's the bottomline.”  

On this episode, I spoke to writer and co-director Kelly O'Sullivan, co-director Alex Thompson, and lead actor Keith Kupferer about their work on Ghostlight.  Another reminder for all movie lovers! Win a gift card to your favorite local cinema! Subscribe to Silver Screen Social on iTunes or Spotify, leave a rating/review, and DM us a screenshot on Instagram @jacksonvickery or @silverscreensocialpod for your chance to win!  A bit about the three… KELLY O'SULLIVAN (Writer and Co-Director): Kelly O'Sullivan is a writer, director and actor. She wrote and starred in SAINT FRANCES which premiered at SXSW and won a Special Jury Prize for "Breakthrough Voice" and the Audience Award for Narrative Feature. SAINT FRANCES, released by Oscilloscope Laboratories, is one of the most acclaimed independent films of 2020. Kelly received a Gotham Award nomination for Breakthrough Actor, a John Cassavetes nomination from the Independent Spirit Awards and was also named one of Filmmaker Magazine's "25 New Faces of Independent Film."  Kelly was recently seen in Cooper Raiff's acclaimed 2022 film CHA CHA REAL SMOOTH, and will next be seen in the independent films HANGDOG, directed by Matt Cascella and THE GRADUATES by Hannah Peterson. On the small screen Kelly has appeared in two seasons of "Sirens" as well as Hulu's "Battleground" and FOX's "The Mob Doctor." Her theater credits include THE SEAGULL at The Goodman and seven productions at the Steppenwolf including THE CRUCIBLE. Kelly recently made her debut behind the camera with the short film "My Summer Vacation." ALEX THOMPSON (Co-Director) Alex Thompson is a writer, director and producer based in Chicago. His debut feature, SAINT FRANCES, premiered at the '19 SXSW Film Festival and won the Grand Jury prize for "Breakthrough Voice" and the Audience Award. KEITH KUPFERER (Dan) Keith Kupferer's more recent stage credits include West Side Story (Lyric Opera) The Seagull and The Great Leap at Steppenwolf Theatre; The Cake, Cal in Camo (Jeff Award for Supporting Actor), American Wee-Pie, and 26 Miles at Rivendell Theatre Ensemble where he is a founding member; Sweat, Support Group for Men (Jeff nomination for Ensemble), God of Carnage, Passion Play, High Holidays at The Goodman Theater; Murder on the Orient Express at Drury Lane; The Mystery of Love and Sex (Jeff Nomination for Supporting Actor), and Death of a Streetcar Named Virginia Wolf at Writer's Theatre; The Qualms, Good People, and Middletown, Of Mice & Men also at Steppenwolf Theatre; the world premiere of The Humans at American Theatre Company; Hillary and Clinton, Never the Sinner, and Appropriate at Victory Gardens; Gypsy at Chicago Shakespeare Theater; The Legend of Georgia McBride at Northlight Theatre; Big Lake, Big City and Trust for Lookingglass Theatre. Film credits include Emperor of Ocean Park (currently filming); Ghostlight; Widows; Monuments; The Dilemma; Dark Knight; Public Enemies; The Express; Stranger Than Fiction; Road to Perdition; Finding Santa; Fred Klaus; The Last Rights of Joe May; and The Merry Gentleman directed by Michael Keaton. TV credits include Southside, The Big Leap, 61st Street, The Chi; Proven Innocent; Better Call Saul; Empire; Chicago P.D.; Betrayal; Crisis; Chicago Fire; and Detroit 187.

Thinking Cap Theatre's Artistic Director Nicole Stodard talks with Carla Della Gatta PhD,  theatre historian and performance theorist on Shakespeare's problematic play The Taming of the Shrew. CARLA'S BIO Carla Della Gatta is a theatre historian and performance theorist whose research focuses on adaptation, ethnicity, and aurality. She is Associate Professor of Theatre and Performance Studies at University of Maryland. Della Gatta is author of Latinx Shakespeares: Staging US Intracultural Theater (2023) and co-editor of Shakespeare and Latinidad (2021). In 2023, she launched the first archive of Latinx theatrical adaptation, LatinxShakespeares.Org. She has received grants and fellowships from the Woodrow Wilson Foundation (now Citizens and Scholars), Folger Shakespeare Library, the New York Public Library, and The Wallace Foundation (Project Lead and co-PI). She has served as a scholar for the theatre for Shakespeare Center Los Angeles, The Public Theater, Chicago Shakespeare Theater, Victory Gardens, and more. She is on the Steering Committee for the Latinx Theatre Commons and a board member for the Arden series, Shakespeare and Social Justice, and the journal, Shakespeare Survey. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

How students at UW-Milwaukee are being impacted by the cuts to DEI. Capitol Notes explains the Trump leadership PAC's campaign finance scheme. We visit Component Brewing to learn about raising awareness about rare diseases. The Victory Garden Initiative garden blitz is back

Victory Garden Initiative in Milwaukee's Harambee neighborhood. How one DACA recipient in Wausau is navigating her education. Milwaukee Public Library's Black History Month Challenge. James Beard Award semi-finalists from Wisconsin.

As February 1944 got underway the Soviet Leningrad Front was fighting a heavy ground war against the German eighteenth army in Estonia. The battle would last the entire month with the Soviet's eventually winning. French Resistance unified under the French Forces of the Interior. The Germans won the Battle of Cisterna in Italy against the Allied army, but at that point, four months before the Normandy invasion, the Allies kept pushing into Italy. Meanwhile, the Battle of the Admin Box began in the Burma campaign with Japanese forces attempting to counter-attack an Allied offensive, trying to draw Allied reserves from the Central Front in Assam, where the Japanese were preparing their own major offense. On the morning of Saturday February 5th, 1944 at 7AM eastern war time, the NBC World News Roundup signed on from WEAF in New York. On the date of this broadcast, Allied powers were slowly inching into western Europe with the body count mounting, while Soviet forces captured cities in Ukraine. Overnight on February 6th into the 7th Soviet bombers attacked Helsinki, the heaviest bombing of the Finnish capital since the war began. Meanwhile, a growing border issue between Poland and Russia caused President Roosevelt to step in, Asking Stalin not to allow it to undermine future international co-operation. Roosevelt proposed that the Polish Prime Minister accept the desired territorial changes and then be allowed to alter the makeup of his government without any evidence of foreign pressure. Wartime needs stretched agricultural production. The U.S. not only had to feed its own civilian and military population, but many of the Allies relied on America's bread basket. In addition, German U-boats sank hundreds of food-laden ships bound for Britain. Canned fruits and vegetables were rationed starting March 1st, 1943. Less canned goods meant less civilian tin use and less strain on the heavily taxed rail and road systems. Even as early as 1941, civilians were encouraged to grow their own produce to supplement their food. These were referred to as Victory Gardens. The Department of Agriculture produced pamphlets to guide urban and suburban gardeners. Magazines and newspapers published helpful articles, and patriotic posters urged participation. In the Pacific northwest state of Oregon, wartime farm labor shortages led to the creation of the U.S. Crop Corps in 1943. It umbrellaed labor services like the Women's Land Army and the Victory Farm Volunteers. The latter was a group that got parental consent to employ youths aged eleven to seventeen. Migrant workers from Mexico also helped, made possible thanks to the joint U.S./Mexican "Bracero Program." By 1944 farmers could request help from POW laborers held at Oregon Army camps. More than thirty-five-hundred prisoners, mostly Germans, worked in Oregon fields.

Clay talks with Jeremy Gill of Hays, Kansas, about former Vice President Henry Wallace. Wallace served several presidential administrations, some Republican but more Democrat. He was FDR's New Deal Secretary of Agriculture, then FDR's vice president in his third term, 1940-1944. The Democrats dropped Wallace as too radical in 1944, nominating Harry S. Truman in his place. So, Truman became the accidental president on April 12, 1945, not Henry Wallace. Wallace ran for the presidency against Truman as an independent in 1948 but lost badly. Wallace was a serious agrarian who experimented with new corn varieties and had a Victory Garden in Washington, D.C., during his tenure as vice president.

TWIRL: Two Women Inspiring Real Life with Stephanie Coxon and Kathy Anderson-Martin – Discover the resurgence of Victory Gardens and the joy of growing your own food! Join master gardener Heather Andrews as we explore container gardening, attracting pollinators, and navigating today's food system concerns. Embrace self-sufficiency, support local farmers, and relish the satisfaction of homegrown meals. It's time to take action...

In my travels across the Internet, I hear the topic of pollination coming up more and more. While I think most of us are aware of the decline in bee populations, I want to get to the heart of the issue today. In this podcast episode, I'm joined by the brilliant Kim Eierman, author and ecological gardener, to discuss what's really going on with the decrease in pollinators, how can we introduce plants into our gardens and landscapes that SOLVE problems, and how you can plant your own pollinator victory garden.Learn more about the xerces society here: https://www.xerces.orgLearn more about Kim and her book here: https://www.ecobeneficial.com/ Order my NEW book Old-Fashioned on Purpose now and get exclusive bonuses! http://oldfashionedbook.com/Have a message you want to share with the world? Apply to be a guest on the Old-Fashioned on Purpose podcast here: https://www.theprairiehomestead.com/podcast-guest-application Weekly musings from my homestead: http://theprairiehomestead.com/letterMy essays on an old-fashioned life: www.prairiephilosophy.comMy homesteading tutorials & recipes: www.theprairiehomestead.comOur Wyoming-raised, grass-finished beef: http://genuinebeefco.comJill on Twitter: http://twitter.com/homesteaderJill on Instagram: @jill.wingerJill on Facebook: http://facebook.com/theprairiehomestead

Peter Bell is a guitarist, singer, songwriter, producer, and teacher at Berklee College of Music. He composed the themes for This Old House, New Yankee Workshop, Victory Garden, the ABC After School Special, the award-winning film Radio Cape Cod, and countless jingles and production tracks. He recorded with Bonnie Raitt and the James Montgomery Band and has two Emmys, seven NEBA awards, and six ASCAP awards. Peter and I had a great conversation following our week together during the Monterey Songwriting Retreat. Pete discussed the importance of working with other musicians and played some of his collaborations with former Berklee students. He also shared the fascinating story of meeting a young Bonnie Raitt and playing on her first album.   This episode is sponsored by Kits.ai, a platform for artists, producers, and fans to create AI voice models with ease. Listen on Apple, Spotify, Google, YouTube Show Notes: Peter's Website - https://peterbellmusic.com/ Creating Commercial Music by Peter Bell - https://amzn.to/3EUUnxa Just Sayin' by Peter Bell - https://peterbellmusic.com/just-sayin/ Bar of 2 Productions - https://barof2.com/ David Mash - http://www.mashine.com/ This Old House theme by Peter Bell - https://www.youtube.com/watch?v=PIday2U1x3Y "Natural Ball" by Peter Bell - https://www.youtube.com/watch?v=j_qmvijwg00 Peter's YouTube - https://www.youtube.com/@bellmusicproductions7840 Peter's Studio Gear - https://drive.google.com/file/d/1GezGn2gPcvNGG5eUajNt1S9Xt3ScELwm/view?usp=share_link Matt Jones on the Music Production Podcast - https://brianfunk.com/blog/matt-jones "Where Did My Heart Go" by Some Good Evil - https://soundcloud.com/somegoodevil/05-where-did-my-heart-go Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

One of the last remaining World War II Victory Gardens in the U.S is quietly growing across from Boston's Fenway Park. 

This episode I'm speaking with author and expert gardener Maggie Stuckey about growing food in containers. We talk about growing a container garden of vegetabhttps://rootsandall.co.uk/podcast/episode-52-grow-fruit-vegetables-in-pots-with-aaron-bertelsen/les, herbs, and edible flowers and the inspirational history of wartime Victory Gardens and their legacy for today's gardeners.  Dr Ian Bedford's Bug of the Week: Painted Lady Butterflies What We Talk About  Victory gardens  Growing food in containers With container space at a premium, how can you choose what to grow?  Essential equipment Cool season and warm season plants Maggie's neat trick for planting garlic cloves Root vegetables in containers Should you try to focus on one type of plant or can you grow a mixture of things? Succession planting  About Maggie Stuckey Bestselling author Maggie Stuckey is an expert in the art of growing good things to eat in containers. For more than twenty years, Maggie has been enjoying vegetables, herbs, and edible flowers grown in her own container garden — and inspiring others to transform even the tiniest spaces into vibrant personal foodways. In her book The Container Victory Garden, Maggie shares practical and comprehensive tips and techniques for container gardening alongside the rich history of the original wartime Victory Gardens, which date back to 1917.  Links The Container Victory Garden: A Beginner's Guide to Growing Your Own Groceries by Maggie Stuckey - HarperCollins Focus, April 2023 Move with Adele Other episodes if you liked this one: Fruits and Vegetables in Pots Container Planting with Harriet Rycroft Patreon

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Happy 4th of July! I hope you are enjoying this Independance Day. In today's episode, we are discussing something very appropriate for the holiday. This is Maggie Stuckey, author of The Container Victory Garden. We are talking all about the victory gardens of past and present with some container ideas mixed in. I hope you enjoy!  Show Notes: (*links below contain affiliate links, which means if you click through and make a purchase, we will earn a commission at no extra cost to you.) Link to Maggie's New Book ‘The Container Victory Garden': https://amzn.to/3X0UyiH  Wood Prairie Family Farms A small family farm on the edge of Maine's North Woods is located just six miles from the Canadian border. For over 45 years they have dedicated themselves to time-honored organic regenerative farming practices and building up the fertile soil of Wood Prairie Family Farm. Certified Organic by MOFGA (USDA-Accredited) since 1982. Their organic crops are sold to customers like you through their website and their FREE mail order catalog.  Check them out and use my code JILL5 for 5% off. Organic REV The first thing to understand about REV is that it is not an ordinary humic acid product that is chemically-extracted from leonardite, lignite, or other coals.   Rather, it is a 100% naturally-occurring carbon, humic acid & fulvic acid source - along with exceptionally high levels of naturally-occurring microbial biomass  that can increase nitrogen efficiency by up to 25%.  REV replaces depleted soil carbon & bacterial biomass - and absorbs nutrients to make them more readily  available to plants via their root systems. Promo Code for 10% off JILL10 Want to see more? Patreon Channelhttps://journeywithjill.net/patreon  My Products: 2023 Complete Garden Plannerhttps://journeywithjill.net/shop/ Vegetable Gardening for Beginners Book: https://amzn.to/3TZeJux Products I recommend: Recommended Brands & Products page: https://journeywithjill.net/recommended-brands-and-products/ https://www.amazon.com/shop/thebeginnersgarden Connect with Jill:    Sign up for Friday Emails: https://journeywithjill.net/gardensignup YouTube Channel: https://youtube.com The Beginner's Garden Instagram: https://www.instagram.com/thebeginnersgarden/ Link to Beginner's Garden Podcast past episodes: https://journeywithjill.net/podcast  

Gardening is already a popular hobby, but the pandemic has revived an interest in growing plants. Many of us plant parents turned to gardening to keep busy, improve our mental health, and even grow food as we were forced to spend more time at home. Similar to this occurrence is the Victory Gardens of the past. In this episode, Maggie Stuckey joins us to review the history of Victory Gardens and their surprising role in society throughout the last hundred years. We also explore why people are so drawn to plants in tough times!In this episode, we learn:[00:00] War Gardens, Victory Gardens, or Pandemic Gardens[05:30] Maggie shares an excerpt from her book about gardening as a manifestation of hope[08:07] Growing up in rural South Carolina where farming and vegetable gardens were prominent[10:46] How Maggie's book on container gardening became a go-to gardening resource, challenging the belief that vegetables couldn't be grown in containers[13:46] Drawing parallels between the current gardening movement and past Victory Gardens[14:13] Where can you find trusted products for gardening, such as potting mix, garden soil, and fertilizer?[16:18] Where can you listen to enchanting wind chimes and choose from various colors, sizes, and sounds?[20:47] What is the history of Victory gardens?[26:45] Community gardens during World War II in Boston, Washington, D.C., and Minneapolis[27:50] The concept and history behind community gardens[29:40] What motivates people to start gardens during challenging times like war, pandemics, or personal struggles?[33:22] The therapeutic nature of gardening and how it simplifies life and reconnects people with nature[36:36] The importance of in-person human interactions and actions[37:18] What are common mistakes made by new gardeners and why do they occur?[44:16] Why did Maggie include edible flowers in her book?[47:40] What should beginner gardeners grow in three containers for a successful first garden experience?[50:26] Heartwarming stories in Maggie's book and the one that warmed her heart the most[53:55] Where can you find Maggie's book, The Container Victory Garden: A Beginner's Guide to Growing Your Own Groceries?Mentioned in our conversation:Territorial Seed Company Kitchen Counter CollectionHydroponic planterMaggie Stuckey's book The Container Victory Garden: A Beginner's Guide to Growing Your Own GroceriesFor Maggie's recommendations on best container gardening plants,check out the full show notes and blog here!Thank you to our episode sponsors:Espoma OrganicSet your garden up for success with the right products! Espoma Organic is dedicated to making safe indoor and outdoor gardening products for people, pets, and the planet. They have an amazing variety of high-quality, organic potting mixes, garden soil, fertilizers, and pest control products that are organic and eco-friendly. To top it all off, they have a huge sustainability commitment with a 100% solar powered plant, zero waste manufacturing and eco-friendly packaging.Visit espoma.com to find your local Espoma dealer or check my Amazon storefront.Wind River ChimesBring more peace, serenity, and magic into your home with chimes. Wind River is a Virginia-based company creating premium handcrafted and hand-tuned wind chimes for over 35 years. If you are looking for a new way to grow joy in your life and find a moment of peace, a Wind River chime is the perfect addition for your home or garden. Plus, it's a perfect personalized gift for your loved ones!Visit windriverchimes.com and use code GROWINGJOY to receive free engraving on all Corinthian Bells wind chimes.Follow Maggie:WebsiteFacebookBookFollow Maria and Growing Joy:Order my book: Growing Joy: The Plant Lover's Guide to Cultivating Happiness (and Plants) by Maria Failla, Illustrated by Samantha LeungJoin the Bloom and Grow Garden Party Community Platform & App AKA the plantiest and kindest corner of the internet! Get your FREE 2-week trial here!Take the Plant Parent Personality Quiz (Get the perfect plants, projects and educational resources for YOUR Lifestyle)Support Bloom and Grow Radio by becoming a Plant Friend on Patreon!Instagram: @growingjoywithmariaTiktok: @growingjoywithmariaSubscribe to the Growing Joy Youtube channel! /growingjoywithmariaWebsite: www.growingjoywithmaria.comPinterest: @growingjoywithmariaOur Sponsors:* Check out Quince: https://www.quince.com/Advertising Inquiries: https://redcircle.com/brands

What Is a Victory Garden? Join us today as we learn about how people all across the US contributed to the war effort by planting gardens. Sources: https://www.history.com/news/americas-patriotic-victory-gardens  http://enroll.nationalww2museum.org/learn/education/for-students/ww2-history/at-a-glance/victory-gardens.html  https://newenglandhistoricalsociety.com/how-victory-gardens-helped-win-world-war-2/   Send us listener mail!  Send an audio message: anchor.fm/inquisikids-daily/message  Send an email: podcast@inquisikids.com   

Barnaby 1945-06-12 Planting A Victory Garden

Welcome to Episode 81 of the Monday Night MasterDebaters where I am joined by Ryan from Dangerous World Podcast and Vlynn & Mic from the Patriot Party Podcast. This is another great conversation where we touch on Victory Gardens, Paul Harvey, Dr David Martin, Japanese Paperclip, Anthrax, Demolay, Tower of Babel/DNA manipulation, MRNA, Good vs Nothing, Free Will, Conspiracy Iceberg/Snowcone, Maria Orsitsch & Vril Society, Electroculture, and much more! Please Donte to our good friend Ryan Chesnutt, Rest In Power Buddy GoFundMe: https://gofund.me/5259ecb4 Please leave a review & share the show! Go support the great guests at: Vlynn & Mic from The Patriot Party Podcast https://www.instagram.com/patriotpartypodcast/ patriotpartypod.com patriotpartypod.Substack.com Ryan from Dangerous World Podcast Patreon: https://www.patreon.com/DangerousWorldPodcast/posts IG: @dangerousworldpod linktr.ee/dangerousworldpodcast Mat from The Great Deception Podcast Linktree: https://linktr.ee/thegreatdeceptionpodcast IG: https://www.instagram.com/thegreatdeceptionpodcast/ https://www.instagram.com/thegreatdeceptionpodcast_v2/ YouTube: https://youtube.com/user/Barons44 To Make Contributions: Patreon: https://www.patreon.com/thegreatdeceptionpodcast Merch: https://my-store-cb4b4e.creator-spring.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-great-deception-podcast/support

Edmund Williams on The Phoenix Backyard Garden Program.Changing the face of food in phoenix.Ed Williams joins Greg on the podcast to bring us up to date on the project he is tackling in the heart of Phoenix to transform the world of urban agriculture with one simple way of growing food. Ed has been working hard to create a system that will make a difference in reducing food deserts at a level that the individual gardener can reach, yet can be supported by cities anywhere. He goes further and explains what democratizing the food system.Ed is a civil engineer and urban agriculture innovator. He has developed a new method of gardening called a LEHR Garden, a garden system that combines 12 different methods and practices of gardening, soil creation, and ecosystem repair into one cohesive system that is designed to meet the unique challenges of urban agriculture. Between water struggles and the decline of urban farmland, Phoenix has an urgent need to develop a resilient food system. Like in most cities a massive, largely unused, land resource in the form of large backyards is available. As one part of the solution to food insecurity and resilience, the City of Phoenix is reviving the concept of Victory Gardens. Just as everything else has changed since the 1940s, gardening and farming have changed drastically. Phoenix is testing building gardens in backyards and LEHR Innovations is one of the partners. Ed is not just trying to figure out how to get people gardening, but KEEP them gardening, all through the power of living, regenerative soil. Visit https://www.urbanfarm.org/2023/05/05/738-edmund-williams/ for show notes and links.Edmund Williams on The Phoenix Backyard Garden ProgramMentioned in this episode:Worm Composting Class and Worm bin discountWorm Composting Class and Worm bin discountWorm Composting Class and Worm bin discountWorm Composting Class and Worm bin discount

BiographyJennie helps people find their voice. Whether in a corporate or studio setting, customized group workshops, or one-to-one coaching sessions, she empowers her clients to discover, create, and deliver magnetic messages. She has worked with professionals across a wide range of industries, from executives and their safety teams at a steel manufacturer in the Midwest to global nonprofits working to tell the stories and change the lives of those they serve to technologists leading innovation in Silicon Valley. She uses her years of experience as a professional actor and coach to identify clients' core strengths, teach vital communication skills, refine essential content, and utilize all to enable conversations that unite speakers and listeners. She is a graduate of the 2021 Applied Compassion Training, part of the CCARE program at Stanford, and is certified as a Print coach and Crucial Conversations trainer, valuable resources which influence her work. Jennie works with global leaders and teams both virtually and in face-to-face sessions. Representative clients include SAP, Mercedes Benz Research and Development North America, Steel Dynamics Inc., Americas' SAP Users' Group (ASUG), JLL, Heartland Alliance, Gads Hill Chicago, Women in Bio, Public Communications Inc. (PCI), Dominican University, speakers for TEDx, and the School, Institute of Design at Stanford. As an actor, Jennie has worked extensively on stage, film, and television. In New York, she acted at Manhattan Theatre Club, Second Stage, and Minetta Lane. In Chicago, she has performed at Steppenwolf, the Goodman Theatre, and Victory Gardens. She has done numerous commercials, episodic television shows (Law and Order, Chicago Fire, Chicago PD, and Chicago Med), and independent films. She has taught actors at Acting Studio Chicago, Victory Gardens Theatre, and Act One Studios.LACC: Contact@LACCinc.com Innovative SimSolutions Your turnkey solution provider for medical simulation programs, sim centers & faculty design.Innovative SimSolutions.Your turnkey solution provider for medical simulation programs, sim centers & faculty design.

How can farmers serve their communities in unique ways?   In this podcast, we're hosting Reese Jones, Co-owner and Manager of Jones Family Farm, located in Edgewood, Maryland. As far back as the 1950s, the Jones Family has been growing award-winning fruits and vegetables for both Baltimore and Harford County.   They have remained the first choice grower for those who wish to buy directly from the farmer. Today, the farming operation has grown extensively to accommodate greater retail selections and services, with numerous retail greenhouses for plants and flowers, two farm markets, pick your own strawberries, and Christmas trees and wreaths.   Tune in to hear about the Jones Family Farm and Reese's continued work as a social entrepreneur for Victory Gardens to promote the need for cultural individuality and a life centralized on Faith, Family, and Plants!  You'll hear: What is social enterprise 1:54 The history behind Jones Family Farm 3:36 The kind of experiences they provide on their school tours 9:28 When does the farming season typically start on their farm 14:02 How their CSA works 17:56 A look at their farm team 29:52 The beginning of Victory Gardens 31:55 Reese's involvement with the Farm Bureau 36:29 Reese's favorite farming tool 39:40 About the Guest: Growing up on a retail oriented vegetable farm in southern Harford County, Reese Jones is currently a co-owner and manager of Jones Family Farm, as well as president of Victory Gardens, which is a social enterprise aimed at growing culturally relevant food for populations in the Baltimore/Harford vicinity. Resources: Website: https://jonesfamilyfarmmd.com/ Facebook: https://www.facebook.com/jonesfamilyfarmmd Instagram: https://www.instagram.com/jones_produce_md/     The Thriving Farmer Podcast Team would like to thank our amazing sponsor!   Real Organic Project is a farmer-led movement that provides an add-on certification held by over 1,000 certified organic, family-owned operations across North America. Real Organic Project strives to uplift farms working within the spirit, not just the letter, of organic principles. Real Organic certified farmers use practices that are centered around the foundational organic principles of soil-based crop production and pasture-based livestock agriculture. To remain accessible to all types of farmers, Real Organic Project fundraises year round to keep this certification available at no cost to farmers. You can apply today at realorganicproject.org/thrivingfarmer.  

Victory gardens are perhaps the U.S. government's most successful and long-lasting propaganda campaign. It began during World War One, when the War Garden Commission offered free handbooks for garden tips and published stories in newspapers to encourage citizens to plant food crops in any little piece of unused land so citizens could help provide food for America's allies fighting in Europe. The idea caught on, and by the end of the war, over 5 million gardens were planted, producing nearly $10 billion (in today's dollars) worth of food. By World War 2, nearly 60 percent of U.S. households had some kind of garden. Over 40 percent of the nation's fresh produce was grown in a local garden. Today's guest is Maggie Stuckey, author of “The Container Victory Garden: A Beginner's Guide to Growing Your Own Groceries.” With a renewed interest in home gardening during the 2020 lockdowns, she realized the astonishing surge of gardening activity was a modern-day version of wartime Victory Gardens, when Americans planted a few vegetables in whatever little patch of ground they could find. And even more surprising was how eerily the tragedies mirrored each other through the decades: World War I with its gardens and its influenza pandemic, World War II with its gardens and its devastating loss of life, and 2020's gardens in response to the coronavirus pandemic. We look at the surprising relevance of Victory Gardens today.

We talk with Elsa Panciroli about BEASTS BEFORE US: The Untold Story of Mammal Origins and Evolution. Then, we kick off the gardening season talking with gardening book author Maggie Stuckey about The Container Victory Garden: A Beginners Guide To Growing Your Own Groceries. The post Elsa Panciroli on mammal evolution, BEASTS BEFORE US & gardening author Maggie Stuckey, THE CONTAINER VICTORY GARDEN appeared first on Writer's Voice.

"None of us are safe until all of us are safe." -A bold and true statement from this episode's guest, Monique Ana.Creating spaces where Survivors can experience different healing modalities is the mission at Victory Garden Sanctuary.  Born and raised in the same Children of God cult, Monique is now putting everything she has into making a safe space where survivors of human trafficking, labor trafficking and cult trafficking can find needed respite, regain connection with their deeper selves, and experience the healing power of nature all in one place. www.victorygardensanctuary.orgHeal Your Story ~ Find Your Magick by Monique Ana: https://youtu.be/BFXpSuN-bzsSupport the showVisit our WebsiteFollow us:InstagramFacebookTwitter

SPECIAL GUEST Anthony Bracco Bracco Farms in Pine Island, NY Bracco Farms Website - http://braccofarms.com/home.html The Bracco Family, lives in Cedar Grove, NJ and also own/run a very pure, independent, small batch, naturally-grown, sustainable family farm in Pine Island NY.   After running his graphic design business for nearly 30 years, in 2009 we decided to buy a farm to have a large garden where we would grow for ourselves the cleanest produce possible while working with the individual character of each natural season.   We set out using Safe-Seed-Pledge Non-GMO seeds and instituting time-tested natural sustainable farming techniques along with hand-cultivation of weeds without the use of any herbicides, pesticides, fertilizers, weed killers, chemicals or glyphosate.  To our surprise, so many people approached us to purchase what we were growing Bracco Farms was born.  Now, while still maintaining our original farm ethics and techniques, Bracco Farms supplies our farm stand, many farm2fork chefs and organic farmers who purchase our produce for their own farm stands.   25 acre farm in New York  Golf resort near our farm was our very first commercial customer, they wanted fresh produce for their restaurant there.  It really builds character to work on a farm when you are young. Victory Garden - growing essential foods to sustain your family. Small Space Gardening  Raising a small flock of hens Saving Seeds  Starting a small farm All of these classes/talks are LIVE and they have been very well received.  Hudson Valley - there is an area known as the Black Dirt Region  What was left behind when the ice receeded.  A lot of low areas that were marshy they filled w/ organic material. Very rich peat moss on steroids b/c there is so much organic matter there. ANYONE can grow anything in this soil that is how spectacular it is. There is a big thing now with tilling or not tilling. Book written in 1930 Edward H. Faulkner's book ——-  Plowman's Folly  He attributes the Dust Bowl to massive tilling and using heavy farming equipment. 

Sell me bottled water! hahaha, what the Farm?Save your eyes, Listen to an audio experience instead of a tv show!  Its only 14 minutes!!! Enjoy this strange show, we explore the sounds of music outside the confines of genre and theory.  Maybe this is closer to a combination of Free Jazz and the chaos of the music birds create in nature.  All instruments and sounds are generated by Host Ande the Elf and his instruments and effect  filters.  The sample used in the beginning is from the Victory Garden ads of the early 1900s.Pairs well with a curious mind, whats next!?!  Its NOT a song!!! Its probably not a podcast, but whatever. here it is!!!Listen to this on the way to a live Wake the Farm Up Show!!!Support the showLinks to Stefin101 and Doctor Bionic Check us out on instagram @wakethefarmup @maintaining_ground_podcast@kastle_369Ask how you could be involved in the show, Subscribe and Support the Show

APOLOGIES TO ALL OF MY LISTENERS FOR THE DELAY IN BROADCASTING. Join us for the BIRD HUGGER Year-End Wrap Up! We are also speaking with Kim Eierman, author of the fantastic new book, The Pollinator Victory Garden. Find out more about Kim at her website: www.ecobeneficial.com. HAPPY NEW YEAR! Some larval host plants for moths: native black cherry tree; willows (including pussy willow); raspberries; carolina rose; and spirea. Join Catherine Greenleaf, a certified wildlife rehabilitator with 20 years of experience rescuing and rehabilitating injured birds, for twice-monthly discussions about restoring native habitat and helping the birds in your backyard. Access the BIRD HUGGER Newsletter here: www.birdhuggerpodcast.com. Send your questions about birds and native gardening to birdhuggerpodcast@gmail.com. (PG-13) St. Dymphna Press, LLC.

Interview: We talk to star of stage and screen Desmin Borges about The Theatre School,  Minneapolis Children's Theatre Company, Peter Brosius, improvising and workshopping new works at Teatro Vista, Dennis Začek Sandy Shinner,  Victory Gardens, phonetic pillows, Arthur Lessac's work, speaking creatively through rhythm instead of words, Ann Wakefield, Ric Murphy, John Leguizamo aka Johnny Legs, winning a preschool talent show televised on Telemundo with his rendition of La Bamba, growing up in a barber shop, losing his dad to cancer at age 15, Elaborate Entrance of Chad Deity by Kristoffer Diaz, The Buddy Holly Story musical with Janey Lauer, Barry Brunetti, Dominic and Eugene, The Room Upstaris, Stephen Belber's Tape, Tokoloshe, stereotyping of Latine actors, Brian Cox, Boleros for the Disenchanted, being #1 on the call sheet.

Intro: Sometimes the little guy just doesn't cut it.Let Me Run This By You: Time's a wastin' - giddyup, beggars and choosers.Interview: We talk to star of Parks and Recreation, Easter Sunday, and Barry - Rodney To about Chicago, Marquette University, Lane Tech,  getting discovered while pursuing a Chemistry degree, The Blues Brothers, Dürrenmatt's The Physicists, playing children well into adulthood, interning at Milwaukee Rep, Lifeline Theatre, Steppenwolf, doing live industrials for Arthur Anderson, Asian American actors and their representation in the media, IAMA Theatre Company, Kate Burton, and faking a Singaporean accent.FULL TRANSCRIPT (UNEDITED):1 (8s):I'm Jen Bosworth RAMIREZ2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand2 (15s):It. 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (30s):How's your, how's your eighties decor going for your1 (35s):New house? Okay, well we closed yesterday. Well,2 (39s):Congratulations.1 (40s):Thank you. House buying is so weird. Like we close, we funded yesterday, but we can't record till today because my lender like totally dropped the ball. So like, here's the thing. Sometimes when you wanna support like a small, I mean small, I don't know, like a small bank, like I really liked the guy who is the mortgage guy and he has his own bank and all these things. I don't even, how know how this shit works. It's like, but anyway, they were so like, it was a real debacle. It was a real, real Shannon situation about how they, anyway, my money was in the bank in escrow on Friday.1 (1m 20s):Their money that they're lending us, which we're paying in fucking fuck load of interest on is they couldn't get it together. And I was like, Oh no.2 (1m 29s):They're like, We have to look through the couch cushions,1 (1m 31s):Right? That's what it felt like, Gina. It felt like these motherfuckers were like, Oh shit, we didn't actually think this was gonna happen or something. And so I talked to escrow, my friend Fran and escrow, you know, I make friends with the, with the older ladies and, and she was like, I don't wanna talk bad about your lender, but like, whoa. And I was like, Fran, Fran, I had to really lay down the law yesterday and I needed my office mate, Eileen to be witness to when I did because I didn't really wanna get too crazy, but I also needed to get a little crazy. And I was like, Listen, what you're asking for, and it was true, does not exist. They needed one. It was, it was like being in the, in the show severance mixed with the show succession, mixed with, it was like all the shows where you're just like, No, no, what you're asking for doesn't exist and you wanna document to look a certain way.1 (2m 25s):And Chase Bank doesn't do a document that way. And she's like, Well she said, I don't CH bank at Chase, so I don't know. And I said, Listen, I don't care where you bank ma'am, I don't care. But this is Chase Bank. It happens to be a very popular bank. So I'm assuming other people have checking accounts that you deal with at Chase. What I'm telling, she wanted me to get up and go to Chase Bank in person and get a printout of a certain statement period with an http on the bottom. She didn't know what she was talking about. She didn't know what she was talking about. And she was like, 18, 18. And I said, Oh ma'am, if you could get this loan funded in the next, cuz we have to do it by 11, that would be really, really dope.1 (3m 6s):I'm gonna hang up now before I say something very bad. And then I hung up.2 (3m 10s):Right, Right. Yeah. Oh my God, I know. It's the worst kind of help. And regarding like wanting to support smaller businesses, I what, that is such a horrible sadness. There's, there's no sadness. Like the sadness of really investing in the little guy and having it. That was my experience. My big experience with that was going, having a midwife, you know, with my first child. And I really, I was in that whole thing of that, that time was like, oh, birth is too medicalized. And you know, even though my husband was a doctor, like fuck the fuck the medical establishment we're just, but but didn't wanna, like, I didn't wanna go, as my daughter would say, I didn't wanna be one of those people who, what did she say?2 (3m 52s):You know, one of those people who carry rocks to make them feel better.1 (3m 57s):That's amazing. Super.2 (4m 0s):So I didn't wanna go so far as to be one of those rock carrying people to have the birth at my house, but at the same time I really wanted to have this midwife and then there was a problem and she wasn't equipped to deal with it. And it was,1 (4m 11s):I was there,2 (4m 13s):Fyi. Yes, you were1 (4m 15s):The first one, right? For your first one.2 (4m 16s):The first one.1 (4m 18s):Here's the thing you're talking about this, I don't even remember her ass. What I, she, I don't remember nothing about her. If you had told me you didn't have one, I'd be like, Yeah, you didn't have one. I remember the problem and I remember them having to get the big, the big doctor and I remember a lot of blood and I remember thinking, Oh thank God there's this doctor they got from down the hall to come or wherever the hell they were and take care of this problem because this gene is gonna bleed out right here. And none of us know what to do.2 (4m 50s):Yes. I will never forget the look on your face. You and Erin looking at each other trying to do that thing where you're like, It's fine, it's fine. But you're such a bad liar that, that I could, I just took one look at you. I'm like, Oh my God, I'm gonna fucking bleed out right here. And Aaron's going, No, no, no, it's cool, it's cool, it's cool. And then of course he was born on July 25th and all residents start their residency on July 1st. So you know, you really don't wanna have a baby or have surgery in July cuz you're getting at a teaching hospital cuz you're getting a lot of residents. And this woman comes in as I'm bleeding and everything is going crazy and I haven't even had a chance to hold my baby yet. And she comes up to me and she says, Oh cuz the, the midwife ran out of lidocaine. There was no lidocaine.2 (5m 30s):That's right. They were trying to sew me up without lidocaine. And so this nurse comes in, she puts her hand on my shoulder, she says, Hi, I'm Dr. Woo and I'm, and I said, Dr. W do you have any lidocaine? I need some lidocaine stat right up in there. Gimme some lidocaine baby. And she had to call her boss. You know who I could tell when he came in, of course he was a man and I could tell when he came in, he looks at my midwife and is like, Oh, this is what you did here. I see we have to come in and clean up. But sometimes that's the case. Sometimes it's really just true that, you know, it's that the, that the bigger kind of like more corporate option is better cuz it just works better.1 (6m 8s):Well, and they've done this before, like there is, they've done the job before in a way, and they've seen the problems. They know how to troubleshoot in a way because they just have the fucking experience. Now you could say that getting that experience is like super fucked up and patriarchal and, and all the isms, it's, and you'd be right, but when you are bleeding to death or when you know you are in a big financial negotiation that could go south at any moment and lead to not having a ho like a all feeling lost. You want someone who knows how to fucking troubleshoot, dude. Like, come on. And I, you know, and it is sad, it's heartbreaking when you like, fuck man.1 (6m 50s):I really wanted this, like Dr. Altman always said, and I have an update on Dr. Altman, my favorite psychiatrist mentor of mine. But he always said like, well when I was going through med titration, when they put this dingling at Highland Park Hospital, who tried her best but put me on lithium thinking I was bipolar and then I was and all the meds, right? All the meds. And he's like, well they could've worked2 (7m 15s):It could've worked it1 (7m 17s):All's. And I was like, you are right. So like, it could've worked, it could've gone differently, but it just didn't. So it's like, yeah, it's better to look at it like that because, or else it's just infuriating that it didn't work in the first place, Right? Like, you're like, well fucker, Well they tried.2 (7m 35s):Yeah. I use that all the time that it could have worked. Things that I got through you from Dr. Altman, you know, my husband is having like some major, you know, growth moments. Like come like those moments where all the puzzle pieces become clear and you go, Okay, my childhood isn't what I thought it was and this person has got this and this person has got that. Yes. You know? And, and whenever he's doing the thing that we all do, which is like lamenting the life, the family he wish he had had, I always say like, well, as Dr. Almond says, it could have worked. Yes, these parents could have been just fine for you if you were a different person, but you're you.2 (8m 16s):And so, and they're them and it wasn't a good match. And like that happens sometimes.1 (8m 21s):And I think it's really good with kids maybe too. Cause it's like, listen, like, like I say to my niece, like it could, this could have been whatever it is the thing or my nephew too that worked and like that you loved volleyball or that you loved this. Like you are just looking, and I think it's all about titration, right? Like it's all about figuring out where we fit in, where we belong, where we don't. And it's a fucking process, which is what he was saying and like, and that you don't, we don't get it right the first time. Even in medicine, even in it's maybe especially in medicine, maybe in especially in relationships, like, so it, it also opens the door for like, possibility, right? That like, it's an experiment and like, we don't know, even doctors don't know, Hey, run this by you, Miles did of course.1 (9m 14s):And done. What about you? What about you?2 (9m 17s):I'm gonna do it after this, after we're done recording today, I'm gonna go over and I always like to take one of my kids so they, you know, see that this is the process and you have to do it and it's everybody's responsibilities to do it. That doesn't mean that I didn't get all angry at my own party this week. You know, my mom has a great expression. I think it's her expression. She says it. In any case, all politics is local, right? Like where it really, where the really meets the road is what's happening in your backyard. And like, I have a lot of problems with my town,1 (9m 52s):So Right.2 (9m 53s):They don't wanna have, you know, they voted down this measure to put a a, like a sober living place, wanted to take up residence here. Couldn't think of a greater idea. Nobody wanted it. You know, it's a lot of nis not in my backyarders over here. And it really drives me crazy. And in the, in the paper this week, there was a big scandal because there's this particular like committee in our town, Okay. That was in charge of, there was gonna be this, what is it, like a prize maybe or an honor or not a scholarship Okay. But something where they were gonna have to name it.2 (10m 33s):Okay. And they were, you know, really looking around for names. They were trying to think up what names would be appropriate. And somebody put forward the name of this person who is already kind of a named figure in our town. Like, we had this beautiful fountain, it's named after him. He was, he was a somewhat of a big guy, you know, he was an architect, whatever. Sure. So this name gets put forward in this woman who's on this committee says, I don't think this is a great time to name something after an old white man. Now, to me couldn't be a more reasonable thing in the world to say everybody's calling for her resignation. And these, you know, the thing that I hate the most about, not just conservatives, but it seems like it's especially conservatives.2 (11m 20s):I hate this saying. And I remember, I think I've said this before on the podcast, I remember hearing some black activists saying a lot of white, you know, a lot of racism perpetrated by white people is like founded on pretending. Pretending like you don't see color pretending like, you know, saying things like, Oh, well why would you have had that experience, you know, walking down our street at night? Like, or why would you have had that difficulty getting that job? I don't understand. And pretending like they don't know that this person just got1 (11m 51s):That job because of2 (11m 52s):The color biscuit and that kind kind of a thing. So of course the way that people are coming down on this woman is to say, Well, I don't know about you, but I was taught that we have to look beyond race and we have to recognize the person before the color of their skin. And if you can't be, you know, representing the needs of white men, then I just don't really think that you, there's a place on this council. And of course, you know, somebody who I know and have in the past really respected was quoted in this article as saying, Oh, somebody who considers himself like a staunch liberal. Yeah. I mean, I just really can't think of any people of note from our town who weren't white men.2 (12m 34s):Sure. And this motherfucker let himself be quoted in our newspaper as saying this. Now maybe he feels fine about it. Maybe he doesn't think there's anything wrong with it. But I I I think it's completely, completely disgusting. Of course. So then I went and I just did this research of like all the people who have lived in our town historically, they're not just white men. We, there's other people to choose from. Needless1 (12m 58s):To say. Yeah. Well also, like, it's so interesting. I mean, it's just that that quote just is so problematic on so many levels. It like goes so deep. But like the other thing is like, maybe they miss, the only thing I can think of is that dude, did they miss the second half of your quote? Which was, and that's a problem. Like, like if, if you can't, if you can't finish that quote with, you know, I can't really think of like anyone of note in our being or anyone being recognized in our town in this way that wasn't a white dude and that's really crazy. We should really reevaluate how we're doing things here.1 (13m 39s):Period. You're so2 (13m 41s):To offer, you're so, you're so sweet to offer him this benefit of the doubt. Of course I don't offer that to him because this is a person who, you know, there's been a few people in my life who I've had the opportunity to, you know, know what they say privately and then know what they say publicly. Right? And I, and I know this, you know, I know this person personally. And no, it doesn't surprise me at all that, that that would've been the entirety of the quote. It would've been taken out of context. Now it might have been, and I don't know, and I'm not, I'm not gonna call him up to ask him, but you know, at a minimum you go on the local Facebook page and say, I was misquoting.1 (14m 20s):No, no, yeah. Chances are that this, this person just said this. And actually the true crime is not realizing if, if, if that's the case, that they, that that statement is problematic. So that's really fucked up. And also, like, think of all the native people that were on that land, on our land. Like, you're gonna tell me that just because you haven't done, they haven't done the research. They don't think that a native person from the northeast did something of greatness. Shut up, man. Excellent. Before it was rich.2 (14m 56s):Excellent point, Excellent point. Maybe when I write to my letter to the editor, maybe I'll quote you on that because Yeah, yeah. It's like, it's so, it's just, and I'm, by the way, I'm, I have been, I'm sure I'm still am guilty of the same thing too, of just being the laziness of like, well, I don't know, we'd love to, you know, hire a person of color, but none have applied. I mean, I have definitely said things like that and I just understand differently now I understand. No, no, no, they're not gonna be at the top of the pile of resumes that you're gonna get because historically these people haven't felt like there's a place for them at your table. So what you have to do is go above and beyond and say, we are specifically recruiting people of color for this position. I understand.1 (15m 35s):And how about even like, do some research online and find out who those people are and try to like, hire them away from wherever they are to and make them a great offer. You know what I mean? Like all those things. Well,2 (15m 48s):This experience did cause me to go on my little Wikipedia and look up, you know, people who have lived here and I was really like, surprised to learn how many people have known. Now it's true to say that, you know, when, when you're just looking up a list of famous people, it is gonna mostly be white men because that's who mostly, you know, sort of, she made, made history, made the news, whatever. But yeah, one of the very first things that come up, comes up when you look it up my town on Wikipedia, is that the fact that this was the Ramapo tribe that lived here. You know, this is who we took the land away from. I was also surprised to that.1 (16m 29s):I've never,2 (16m 30s):Yeah, Yeah. It was also interesting to learn, supposedly according to this, how many people of live here currently, including people like Harvey Firestein, who I have, I've never seen around town, but God I would really love to. And like some other, you know, sort of famous people. But anyway, That's1 (16m 50s):So cool.2 (16m 51s):Yeah. So, so I will be voting after this and I really, I don't have a great feeling about the election, but I'm, you know, I'm just like, what can you do? You can just sort of go forward and, you know, stick to your values. Yeah. I mean,1 (17m 7s):The thing is, stick to your values, move forward. And like my aunt, happy birthday, Tia, it's her birthday today, and she is like super depressed that, you know, she, she said, what she says is like, fascism is really, today is the day that we really something about fascism, it's like really dire and like really, Okay. So my, it's so interesting that I think boomers feel really bad because they had it so good, even though it wasn't really good, there was an illusion of goodness. Right? So I, I am depressed. But here's the thing, and I was, I was gonna bring this up to you.1 (17m 47s):It's like I, I had an experience last night where I went to this theater and saw the small theater, which I really wanna do my solo show in which is this famous theater called The Hayworth, which is, they show silent movies and all, but there's now it's like an improv sort of venue and, and it's really cute and throwbacky. But anyway, I went there and I just was thinking like, as I was watching these performers, like, oh, it is not even that, Like, it's literally that I spent 45 years thinking that I was worse than everybody else, right? And so now that I don't really think that, I actually don't have that much time left to accomplish what I would like to accomplish. So I, I spent all this time feeling like I couldn't do what she's doing.1 (18m 29s):I can't do what he's doing, can't do what theirs doing. They're, they are doing because I'm not good enough. Like literally. And now I'm like, Oh my God, I'm good enough. I have things to say. I really wanna leave a legacy. And literally the clock is ticking. Now, I'm not saying I'm running around like a nut, but what I'm saying is like, I, I, I do feel that I literally don't have the time left to participate in half-assed measures of art or whatever we're gonna do. We gotta make it purposeful because I w i, I spent all this time getting ready 45 years to not hate myself. And now the clock is ticking, I donate myself and there are things to do.1 (19m 13s):That's literally how I feel. So then when I see art or something where I'm like, Why are you using your platform this way? What are you talking about? What are you saying? Oh no, I can't, I even now I know why people leave movies early, plays early if it is, and some, for me anyway, like some people probably just assholes and like the, the person on stage doesn't look cute and they're out or whatever, but, or they're having panic attacks like I used to and I have to leave. But like, mostly I understand where it's like this is wasting my, my time, time I could be using to sort of plant seeds that may do something to be of service.1 (19m 53s):So I'm gonna jet and good luck to you. But yeah, it's the first, I just really feel like time is of the essence. And I always thought that was such a stupid thing that old people said, which was, you know, time is our most precious commodity. And I was always like, that is the dumbest thing I've ever heard. And now I'm like, oh shit. Yeah, it's really true Dude.2 (20m 15s):Yeah. Yeah. I actually had an experience some that I relate to with that, which is that, you know, I, I volunteered to be part of this festival of one act and you know, the thing we were supposed to do is read all of the submissions and then pick our top three. And then they were gonna do this rank order thing where they're attempting to put each director with one of their top three choices. Well, I read, it was like 10 plays I read them and I, I didn't have three, three ch choices. There was only one play that I felt frankly was worth my time.2 (20m 56s):And I felt really uncomfortable about having that feeling. And I was doing all of the like, who do you think you are? And you know, it's, you haven't directed something in three years and beggars can't be choosers in the whole thing. And I just thought, you know, I know what I'm gonna do if I don't stand up for whatever it is I think I can do here is I'm gonna resent the thing that I get, you know, pitted with and then I'm gonna do something self-destructive or I'm gonna kind of like blow up the relationship and I don't wanna do that. So I spend a lot of time thinking about how I was gonna write this email back saying basically like, I don't have three choices. I only have one choice. And I understand if you don't want to give that to me that this, I might not be a good fit for you.2 (21m 37s):You know? But I really, I really kind of sweated over it because when you don't, you know, when you're a very, if I was an extremely established theater director, you know, I wouldn't have thought twice about it. But I'm not, I'm trying to be established here and I, you know, so my, my, my go-to has always been well having opinions and choices and stuff like that is for people who, you know, have more than you do or have more to offer than you do. And it doesn't always work out that when you kind of say, This is me and take me or leave me. It doesn't always work out. But in this case it doesn't. They gave me my first choice. And so I'm, I'm happy about that, but there's a lot.2 (22m 18s):Thank you. Thank you. Yeah, there's a lot that just goes into the, it's all just work I have to do on myself. Like, I have this, a way of thinking about things is like, I have to do this work with this other person or I have to convince them why it has nothing to do with that. It's just that I have to do this.1 (22m 34s):Well that's what I'm realizing, like Gina, Absolutely. And good for you for like, coming at it from a place of like, okay, like this might not work, but I have to do it to see and put it out there and it may not work and they may say, go fuck yourself. But the alternative one is resentment, but also is like, hmm, not doing anybody else any favors either. If you aren't saying like, I actually don't have three choices here, I'm not gonna do justice. And I also, it brings me to my other thing, which I thought was so full of shit, which is so true. It's like most things are just not, it's about not being a right fit. It's not about you're bad and I'm good, I'm good and you're bad.1 (23m 15s):It's like, this is not a good match. And I, I think it just takes what it takes to learn that it is a not, it's about a matching situation. So like you knew that like those other two wouldn't be good matches and you wouldn't do a service to them or yourself. And it's not, And also like this thing about beggars can't be choosers. I fucking think it's so dumb because like most of us are beggars all the time and, and we, we settle for garbage. And it doesn't, like, I feel like we can, like beggars should be more choosy. And I also feel like, I'm not saying not be humble, but like, fuck you if you take away our choices, like we have to have choices.1 (23m 57s):That's the thing. It's like beggars have choices, whatever you call a beggar, we still have choices. Like how we're gonna interact and how and how we're gonna send emails and shit. I'm just like,2 (24m 9s):Yeah. Plus that whole phrase is so like, in a way rooted in this kind of like terrible supremacy structure that we're trying to fight against, which is like, we wanna tell, of course we wanna tell beggars that they can't be choosers cuz we just, we don't wanna think about them as people who have the same agency in life as we do.1 (24m 25s):Sure. And now I've started saying to people when I have this conversation about like, about unhoused, people like having tent encampments and I get it, like, you're going to school, you're walking your kid to Montessori and there's a fucking tent encampment in your front yard. You did not pay for that. You did not sign up for that. You are, I get it. And also my question is, what are we gonna do when the tents outnumber the people in homes? Because then it's a real fucking problem. So like, how are we gonna do that? You think it's uncomfortable? I think it's uncomfortable to walk by a tent encampment as I'm on my way to a coffee date with someone or whatever.1 (25m 8s):That's uncomfortable. But what are we gonna do when, like in India, the, the quote slums or whatever people, you know, whatever people choose to call it, outnumber the goddamn people in the towers. Then we, then it's gonna be a different problem.2 (25m 35s):Today on the podcast, we were talking to Rodney Toe. Rodney is an actor, you know him from Parks and Recreation, Barry good girls Rosewood. He was in a film this summer called Easter Sunday. Anyway, he's a delight. He's also a professor of theater at USC and he's charming and wonderful and we know you are going to love listening to him as much as we loved talking to him. So please enjoy our conversation with Rodney Toe.3 (26m 8s):Can you hear me? Can you hear me okay?2 (26m 11s):Yes, you sound great. You sound1 (26m 13s):Happy. No echo. You have beautiful art behind you. We can't ask for a2 (26m 17s):Better Easter Sunday. We were just talking about Easter Sunday, so we're gonna have to ask you Oh sure about it, Beth. But first I have to say congratulations, Rodney tell you survive theater school.3 (26m 28s):Oh, thank you. Yes, I did. I sure did. Was2 (26m 31s):It usc? Did you go to3 (26m 32s):Usc? No, I, I'm a professor. I'm currently a professor at usc. So1 (26m 36s):We just assumed you went there, but where did you go3 (26m 38s):To No, no, no, no, no. I, that, that came about like in a roundabout way, but no, I, I totally, I went, went to Marquette University. Oh, in Milwaukee?1 (26m 46s):In Milwaukee. Oh my gosh. Yeah. So3 (26m 48s):Everybody's reaction, everybody's reactions like, well1 (26m 53s):I actually love Mil, I'm from Chicago and Evanston you do and then you are,3 (26m 58s):Yeah, born and raised north side. My family's still there. What1 (27m 1s):The hell? How did I not know this? Yeah, I'm from Evanston, but lived in Rogers Park and went to, we went to DePaul.3 (27m 7s):Well I hear the park. Yes, yes. Born and raised. My family's still there. I am a Chicago, I'm an undying Chicago and through and through. Yeah.1 (27m 15s):Wait a minute. So, so, okay, okay, okay. So you grew up on the north, you grew up in, on the north side.3 (27m 20s):Yeah, I grew up in, I, I grew up and I went to Lane Tech. Oh1 (27m 24s):My gosh, that's where my niece goes right this very minute. She goes, Yeah,3 (27m 28s):It's1 (27m 28s):Quite the school. I dunno how it was when you went, but it went through a hard time and now it's like one of these3 (27m 34s):Go, I mean when I went it was, it was still considered a magnet school. And I I, you know, I think like in like it went maybe through a period of like, sort of like shifting, but then it's like now it's an incredible school. I'm September 17th is apparently Rodney to day at Lane 10. No, Yeah, it just happened. I mean it's, it's silly. It's Easter significance. No, cause of Easter Sunday they did like a bunch of, you know, I do a lot of advocacy for the Asian American for Asian-American representation. So sort like all together1 (28m 4s):That movie had broke so many, broke so many barriers and was, I mean it was a phenomenal, and also I just feel like it's so obviously so needed. Duh. When people say like, more representation is needed, I'm like, okay, no shit Sherlock. But it's true. It bears repeat again. Cause it still is true that we need more representation. But I am fascinated. Ok, so you went to Lane Tech and were you like, I'm gonna be a famous actor, comedian? No, what,3 (28m 34s):What anything about it? Didn't I, you know, it's called Lane Tech for a reason, right? It's a technical school. Correct. So like we didn't, you know, it didn't, I mean there were arts, but I, it never really, you know, it was one of those things that were like, you know, I guess like when you were a kid, it's all like, hey, you wanna learn how to like macrame. But there were theater arts in my, in my high school, but it wasn't like,1 (28m 54s):In fact, my mother did macrame. And let me tell you something, it has come back in style. And the shit she made, we could be selling for $199 at Urban Outfitters right now. I'm just,3 (29m 4s):Oh yeah, it's trendy now. Yeah. It's like, yeah, it's in style.1 (29m 7s):Anyway, side note, side note. Okay, so you were like, I'm not doing, there was no performing at Lane Tech. There was no like out there, there,3 (29m 13s):There was, and there was, but it wasn't, again, you know, in terms of representation, there was nothing that like, I mean there was nothing that that showed me any kind of like longevity in, in, you know, it didn't even really occur to me that this was a business that people sort of like, you know, pursued for themselves. So it wasn't until I went to Marquette that I discovered theater. And so it was one of those things that like, I was like, oh, there's something here. So it wasn't like, it wasn't fostered since I was a kid.1 (29m 43s):This,2 (29m 44s):And this is my favorite type of origin story because it means, you know, like there are people who grow up in LA or their, their parents are in the industry. And then, so it's always a question like, am I gonna go into this industry? But, but people like you and like me and like Boz, who, there's no artist in our family, you know,3 (30m 4s):You2 (30m 4s):Just have to come to it on your own. So I would love to hear this story about finding it at Marquette.3 (30m 10s):So like the, this, I, I've told this story several times, but the short version of it is, so I went to college for chemistry. And so again, because I came from, you know, that that was just sort of the path that, that particularly, you know, an Asian American follows. It's a very sort of stem, regimented sort of culture. And when I went to Marquette, my first, my sort of my first like quarter there, it was overwhelming, you know, I mean, college was, was a big transition for me. I was away from home and I, I was overwhelmed with all of the STEM courses that I was taking, the GE courses. And I, I went to my advisor and at the time, you know, this is pre-internet, like he, we sat down, I sat down with him and he pulled out the catalog.3 (30m 52s):Oh yeah, the catalog, right? I1 (30m 54s):Remember the catalog. Oh yeah.3 (30m 56s):And so he was like, let's take a class that has nothing to do with your major. Oh,1 (30m 60s):I love this. I love this advisor. I love this advisor. Do you know, can he you say his name3 (31m 7s):At the, was it Daniel? Dr. Daniel t Hayworth. I mean, it's been a while I went to college with Dahmer was arrested. So that's been a1 (31m 15s):While. Okay. Yeah's, same with us. Same with me. Yeah.3 (31m 18s):Yeah. So like, I think it was Daniel Daniel Hayworth. Yeah. Cuz he was a, he was a chemistry professor as well. So he opened up, he opened up the, the thing in the, the catalog and it said acting for non-majors. And I remember thinking, that sounds easy, let's do that. And then I went to the class, I got in and he, he, he was able to squeeze me in because already it was already in the earl middle of the semester. And so I, the, the, the, the teacher for that class was a Jesuit priest. His name is Father Gerald Walling. And you know, God rest his soul. And he, his claim to fame was he had like two or three lines on Blues Brothers, the movie.1 (31m 59s):Amazing. I mean like great to fame to have Yes. Get shot in Chicago. Yeah. And if you're a Jesuit priest that's not an actor by trade, like that is like huge. Like most people would like die to have two to three lines on Blues Brothers that are working anyway. So, Okay, so you're, so he, so how was that class?3 (32m 19s):So I took the class and he, after like the first week he asked me, Hey is, and it was at 8:00 AM like typical, like one of those like classes that I was like, Oh my gosh, I'm gonna go in here miserable. Yeah. But he said to me early on, he said, Do you have any interest in doing this professionally? And I said, no. And he's like, and he, he said, and he said, I was like, You're hilarious. You know,1 (32m 43s):You're a hilarious Jesuit.3 (32m 45s):Yeah. I'm like, Good luck with God. He, he then he was directing, he was directing the university production of, and he asked me to audition for it. And I was, I don't even know what an audition was. That's amazing. So like, it was one of those things that I didn't really know how to do it. I didn't know much about it. And so he's like, Can you come in and audition for it? And I did and I got it and it was, it was Monts the physicist,1 (33m 12s):What the fuck is that?3 (33m 14s):Oh man, I love that play. It's Amont, it's the same, you know, it's the same. He's, you know, Exactly. It's really, it's one of those like sort of rarely done plays and it's about fictitious Albert Einstein, the real, lemme see if I, it's been so long since I recall this play. The real, So Isaac Newton and what was the other Mobius? A fictitious, So the real, I'm sorry, The real Albert Einstein, The real, the real Albert Einstein, the real Isaac Isaac New and a fake, a fictitious play scientist named Mobius.3 (33m 55s):And they were, they were all in, in a mental institution. And I1 (33m 60s):Think that I have this play and my shelves and I just have never read it before. Okay, so3 (34m 4s):Who did you play? It's extraordinary. Extraordinary. And so I played, I played a child like I did up until my mid thirties. I played a child who had like one line, and I remember it took, it took place in Germany, I believe. And I remember he's like, Do you have a German accent? I was like, No. You're1 (34m 20s):Like, I I literally am doing chemistry 90.3 (34m 23s):Yeah. I was all like, you're hilarious. Yeah. Only children do accents, You know what I mean? Like, it was totally, I was like, whatever's happening, I don't even know what's happening. And, and then I made up a European accent. I mean, I, I, I pulled it on my ass. I was like, sure, don't even remember it. But I was like, one of,1 (34m 39s):I love when people, like, recently Gina showed me a video of her in college with an accent. Let me tell you something, anytime anyone does an accent, I'm like, go for it. I think that it's so3 (34m 51s):Great. Yeah. I've got stories about, about, I mean, I'm Asian, right? So like, I mean it's been one of those things that all my life I've had to sort of navigate people being like, Hey, try this on for Verizon. I was like, Oh gosh. And you know, anyway, I can go on forever. But I did that, I had a line and then somebody saw me in the production with one line and said, Hey, this is at the Milwaukee Repertory Theater, somebody from the Milwaukee Repertory Theater. It's huge1 (35m 18s):Theater. Fyi. Right,3 (35m 20s):Right. Again, it's, it's to this day. And so they asked if I would intern, if I would be considered interning while I was in school. And I said, I didn't even know what that was. So I met with them. And when I walked into that theater, it was one of those, it's one of the biggest, most extraordinary music theaters in the wor in the country. Right. Won the regional, Tony and I, again, I had no frame of reverence for it. So walking in, it was like this magical place. And so I started, I started interning right, right off the bat. And it was one of those like life changing experiences. I, I mean, to this day, the best acting I think I've ever seen, you know, face to face has been on that stage. It's, you know, many of those actors are still, I'm still in touch with to this day.3 (36m 3s):Some of them have passed away. However, it was the best training, right? I mean, I got thrown into the deep end. It was like working with some of the greats who never, no one ever knew. Right. So it really, it was really a wonderful experience. And that's when I sort of, you know, that's when I was like, Oh, I actually can do this for a living. So it was,1 (36m 21s):Oh yeah, Milwaukee rep. I've seen some amazing stuff there. And also what would've been great is, yeah, we like, I mean there's so many things that would've been great at DePaul at the theater school, but one of them would've been, Hey, there's all these regional theaters, like if you wanna make some dough, it was either like, you are gonna be doing storefront and Die of Hunger, or you're gonna be a star. Hilarious was no like, what about Milwaukee Rep? What about the Guthrie? Like all the things3 (36m 50s):Gut, Yeah. Never1 (36m 51s):Told at least. Or I didn't listen or I was like in a blackout drunk state. But like, I just feel like hilarious. I just feel like that is so amazing that you got to do that. So then, Wait, did you change3 (37m 2s):Your It wasn't, I did. I eventually did. Yes. So I have both. And so now it was one of those, like, it was, it was harrowing, but eventually, I mean, I did nothing with my chemistry degree. Nothing. Like literally nothing. That's,2 (37m 16s):Most people do nothing with their theater degree. So, so it all evens out. Wait, I have a question. Now. This is a question that would be difficult for me to answer. So I wouldn't fault to you if it's difficult for you. What do you think it was in you that this person saw and said, have you ever considered doing this professionally? I mean, just trying to be really objective about the, the asce the essence of you that you bring to the table. Always. How, what did that person identify, do you think, if you3 (37m 44s):Had to guess? You know, I'd like to say it was talent. I'd love to be that person and be like, you know, they recognized in me in one line that ordinary artist was going to emerge into the universe and play children into his thirties. I, I wish I could. It was that, I mean, honestly, I looked different than everybody else on that's a white school and Milwaukee rep, you know, God, forgive me for saying this, but it was a sensibly all white institution.1 (38m 12s):Super white. Super white. Yeah.3 (38m 14s):So in comes this little Asian guy who like they thought might have had potential and also is Asian. And I checked off a lot of boxes for them. And you know what I could easily say, like I, I could easily sort of, when, if you asked me like 20 years ago, I was like, Oh, I was talented, but now I'm like, no, I made my way in because of, because I, I checked boxes for people and, and1 (38m 37s):Talented,3 (38m 38s):You couldn't,1 (38m 39s):You3 (38m 39s):Couldn't have done it if you didn't have talent to thank you. And I can, I can, you know, whatever, I can own that now. But the, but the reality is like, I made it in and that's how I got in. And I'm okay with that. And I'm not saying that it's not taking anything away from talent, but the reality is it's like you gotta get in on the inside to work your way out. And if I didn't have that exposure early on, I certainly wouldn't have had the regional career that I did for a little while. You know? So like that credit, like you, like you said Jen, it's like, it's a, it's a huge credit. So like I would not have made it in any other way. Right. And I certainly,1 (39m 12s):Yeah, I just am like noticing also like my reaction to, Yeah, it's interesting too as other humans in this industry or any industry, it's like, it's like we have had to, especially those of us that are, you know, I'm 47 and like those of us who have made it in or sort of in for, in my, I'm just speaking for myself. Like I, I sort of, right, It could have been fucked up reasons or weird reasons that we got in the door or even filling someone's need or fantasy. But then it's like what we do with it once we're in the room, that really, really matters. And I think that yeah, regardless of how you ended up in Milwaukee rep, like I think it's smart and like I really like the idea of saying okay, like that's probably why I was there.1 (39m 58s):I checked, I've checked boxes, but Okay. But that's why a lot of people are a lot of places. And so like, let's, let's, let's, you could stop there and be like, that is some fucked up shit. Fuck them. Or you could say, Wait a second, I'm gonna still have a fucking career and be a dope actor. Okay, so you're there, you're, you're still, you graduate from Marquette with a double major, I'm assuming, right? Chemistry and, and was it theater, straight up theater or what was your degree?3 (40m 23s):It's, well, no, no, it's called, it's, it's, it's the, at the time it's called, they didn't have a theater degree. Right. It was called the, you graduated with a degree in Communications. Communications,1 (40m 32s):Right? Yes. Okay, okay. Yeah. My, my niece likes to say Tia, all the people in communications at UCLA are the dumbest people. I'm like, No, no, no, no, no. That would've been me. And she's like, Well, anyway, so okay, so, so you graduate and what happens? What happens to you?3 (40m 54s):So, you know, I, I went from there. I went to, I got my equity card pretty ear pretty early cuz I went for my, I think it was my final between my, the summer, my junior year and my senior year I went to, because of the Milwaukee rep, I got asked to do summer stock at, at ppa, which is the Pacific Conservatory, the performing Arts, which is kind of like an Urda contract out in the West Co on the west coast. And so I was able to get credits there, which got me my equity card very quickly after, during that time I didn't get it at the institution, but I got like enough, you know, whatever credit that I was able to get my equity card. And again, at the time I was like, eh, what are the equity? I didn't even know know what that was really.3 (41m 34s):I don't know if anybody truly knows it when they're, when they're younger. So I had it and I went, right, I had my card and I went right to Chicago because family's there. So I was in Chicago. I did a couple of shows, I did one at at Lifeline at the time. I did one at North. Yeah. So it was nice to sort of go back and, and, and, and then I, you know, right then I, it's my favorite story, one of my favorite stories. I, I got my, my my SAG card and my after card in Chicago that summer, because at the time the union was separate. That's how old I am. And I got my SAG card doing a Tenax commercial, and I got my after card doing, I'm not sure if they're still there.3 (42m 18s):I think they are actually. It is a company called Break Breakthrough Services and they did it live industrial. Oh yeah.1 (42m 24s):They, I think they still wait live. How does that work? Yeah,3 (42m 29s):Exactly. So it's a lot of like those training, you know, you see it a lot, like the people do it, like corporate training stuff. Right. So they used, at the time it was really new. So like they used a lot of actors and they paid well.1 (42m 42s):Well, I did an Arthur Anderson one that like paid my rent3 (42m 45s):Long time. Yeah, yeah, yeah. So exactly when Arthur Anderson was still a, I think I did one too. So like, they,1 (42m 53s):Rodney,3 (42m 55s):Were you in St. Charles, Illinois?1 (42m 57s):I don't know. I had to take the Amtrak. It could have been,3 (42m 59s):Yeah. In St. Charles. Right? That's where they were centered. Yes. Yeah.1 (43m 2s):Okay, go ahead. Go ahead. So you, okay, so you got your, I know our world. Do you live, Where do you live?3 (43m 8s):I'm in, I'm in LA right now. This is my home. Yeah.1 (43m 11s):Okay. Well I'm coming to your home. Okay, great. I'm in Pasadena right now. Okay. Anyway, go ahead. Oh yeah.3 (43m 17s):Okay. So we, yeah, I went to Chicago, got my cards, and then was there for, you know, a hot minute and then I moved to New York. Okay.1 (43m 25s):Wait, wait, wait. Moved. Did you have, what years were you working in Chicago? Like were we still, were Gina and I in school? What, what, what years were that were you were like, Tampa, a man Chicago.3 (43m 35s):I did God bless that commercial. Yeah, it was so good. I did, let's see here, I grad, I was there in 90, let's see, 97,1 (43m 47s):We were there. Well, Gina was graduating and I, I was, yeah. Anyway, we were there.3 (43m 52s):And then I moved to New York in 98 and then I moved to New in 98. So1 (43m 55s):You were only in Chicago a hot minute? Yeah, yeah, yeah.3 (43m 57s):Okay. Yeah. But then I came back, I came back in 2004 five to do a show at Victory Gardens. Oh. And then I did a show at Victory Gardens, and then I did a workshop at Stepin Wolf. So it was nice. Look at1 (44m 12s):Victory Gardens. Victory Gardens. That was a whole,3 (44m 15s):I'm sorry, what was that?1 (44m 16s):R i p, Victory Gardens.3 (44m 17s):Oh, yeah. I mean, well I was there pre-K. Yeah. And so, but it was, yeah, r i p I mean, r i it was truly one of the most magnificent, magnificent shows that I've been part, but I mean,1 (44m 30s):Okay, so wait, wait, wait. Okay, so why New York? Why weren't you like, I'm gonna bust out and go to LA and be a superstar on,3 (44m 38s):It's all about representation. I mean, I didn't see at the time, and you know, if you think about it, like there were people on television, but, you know, in terms of like the, the, the, it wasn't pervasive. It was like sort of every once in a while I'll turn on my TV and I'll see like Dante Bosco or I'll see like, you know what I mean? But it wasn't like I saw like, you know, I wasn't flooded with the image of an Asian American making it. However, at the time, you know, it was already Asian Americans were starting to sort of like flood the theater world, right? So I started, you know, through James c and, and Lisa Taro in Chicago, and like, people who are like, who are still friends of mine to this day, Asian American actors, they were doing theater. And so I was like, you know what, I'm gonna do theater. And so I, it was just one of those, like, I went to, and I already had these credits.3 (45m 19s):I had my equity card, I had some credits. My natural proclivity was then to go to, to, to first theater in New York. So it wasn't, I didn't even think about LA it wasn't like, oh, let me, let me like think about doing television and film. So I went1 (45m 32s):To York. I just feel like in LA it's so interesting. As an actor, writing is a little different, but as an actor, it, most of us, if we plan to go to LA as actors, we're gonna fail. I just feel like you have to end up here as an actor by accident because you do something else that you love and that people like, and then they're like, I just, it's not the most welcoming. Right. Medium film and tv. So like, it's so hard. So I think by accident is really sort of the only way, or if you're just already famous for something else, but like, anyway, So you're in New York. Did you, did you love it? Wait, can I,2 (46m 9s):Can I hang on Buzz, Can I do a timeout? Because I've been wanting to ask this just a little bit back to, you know, your undergrad experience. Did you wanna be, did you love chemistry or did you just do that because Oh, you did, Okay. So it wasn't, it wasn't like, oh, finally I found something that I, like you liked chemistry.3 (46m 29s):Yeah. To this day, to this day, I still like, it's still very much like, you know, the, the, the values of a stem field is still very much in how I teach, unfortunately. Right? Like, I'm very empirical. I, I, I need to know an, I need to have answers. Like, you know, it tends to, sometimes it tends to be a lot of it, like, you know, you know, sort of heady and I'm like, and now I need, I need, I'm pragmatic that way. I need to understand like why, Right? That2 (46m 53s):Doesn't seem unfortunate to me. That seems actually really fortunate because A, you're not the only artist who likes to think. I mean, you know, what about DaVinci? Like, a lot of people like to think about art in a, in a, I mean it's really, they're, they're, they're really kind of married art and science.3 (47m 8s):Yeah. They really are people. I, I think people would, It's so funny. Like people don't see it as such, but you're absolutely right. I agree. It's so more, Yeah. There's so much more in common.1 (47m 18s):The other thing that I'm glad Gina brought that up is cuz I'm questioning like, okay, so like, I don't know about at Marquette, but like at DePaul we had like, we had, like, we had these systems of, you got warnings if you, you weren't doing great and I bet like you probably didn't have the cut system cause that just is okay, good. But okay.3 (47m 36s):Well we were, we remember we were, we weren't a conservatory, right? So we were very much a, a liberal programming.1 (47m 42s):Yeah, I love it. Oh God, how I longed for that later, right? But anyway, so what would've helped is if someone with an empirical, like someone with more a stem mind sat down with me and said, okay, like, here are the things that aren't working in a practical way for you, and here are the things that you can do to fix it. Instead, it was literally this nebulous thing where my warning said, You're not living up to your star power now that's not actually a note. So that, that, that Rick Murphy gave me, and I don't, to this day, I'm like, that is actually, so I would love if I had someone like you, not that you'd be in that system, but like this to say like, okay, like here's the reasons why.1 (48m 25s):Like there was no why we were doing anything. It was like, you just do this in order to make it. And I said, Okay, I'll do it. But I was like, what the hell? Why are we doing this? That's,3 (48m 35s):That's like going to a doctor and a doctor being like, you're sick. You know what I mean? And you're like, but can, that's why I'm here is for you to help me get to the root of it and figure it out. Right. Being like, you're,1 (48m 46s):I think they didn't know, Here's the thing, I don't think it, it3 (48m 50s):Was because they're in.1 (48m 51s):Yeah. I I don't think it was because they were, I mean, they could have been rude in all the things. I literally, now that I'm 47, looking back on that experience, I'm like, Oh, these teachers didn't fucking know what they were, how to talk. And3 (49m 3s):This is how I came. Yeah, yeah. Which is how I came back to usc. So like that's,1 (49m 7s):Anyway, continue your New York adventure. I just wanted to know.3 (49m 11s):No, no, no. New York is was great. New York is New York was wonderful. I love it. I still love it. I I literally just got back with it. That's why, remember I was texting you, emailing you guys. I I just got back, Yes. The night before. Some amazing things. My husband would move back in a heartbeat if I, if I like texted him right now. And I was like, Hey, like let's move back. The house would be packed and we'd, he'd be ready to go. He loves, we both love it. You know, Am I in love with New York? I, that, that remains to be seen. I mean, you know, as I get older that life is, it's a hard life and I, I love it when there's no responsibilities when you can like, skip around and have tea and you know, walk around Central Park and like see shows.3 (49m 53s):But you know, that's obviously not the real, the reality of the day to day in New York. So I miss it. I love it. I've been back for work many times, but I, I I don't know that the life is there for me anymore. Right. I mean, you know, six fuller walkups. Oh no. Oh no. I just, yeah, I1 (50m 11s):Just like constantly sweating in Manhattan. Like I can't navigate, It's like a lot of rock walking really fast and3 (50m 20s):Yeah. And no one's wearing masks right now. I just, I just came back and I saw six shows when I was there. No one's wearing masks. It's like unnerving. And again, like, you know, you know, not throwing politics in it. I was like, you guys, like, how are you okay with it? I'm just like, how are you not unnerved by the fact that we're cramped in worse than an airplane? And everyone's like coughing around you and we're sitting here for three hours watching Death of a Salesman. I mean, like, how was that1 (50m 43s):Of an2 (50m 45s):Yeah know?3 (50m 46s):I mean,2 (50m 47s):So what about the, so at some point you, you pretty much, I mean, you don't do theater anymore, right? You transition to doing3 (50m 55s):Oh, I know, I do. Very much so, very much. I'm also the associate, Yeah. I'm the associate artistic director of, I am a theater company, so like I'm, I'm very much theater's. I will never let go. It's, it's just one of those things I will never as, as wonderful as television and film has been. It's, it's also like theater's, you know? It's the, it's my own, it's my first child. Yeah.2 (51m 19s):Yeah.1 (51m 20s):We have guests like Tina Parker was like that, right? Wasn't,2 (51m 23s):Yeah. Well a lot of, a lot of people. It's also Tina Wong said the same thing.3 (51m 26s):He and I are different. She's part, we're in the same theater company. So Yeah. Tina's.2 (51m 30s):That's right. That's right. That's right. Okay, now I'm remembering what that connection was. So I have a question too about like, when I love it, like I said, when people have no idea anything related to performing arts, and then they get kind of thrust into it. So was there any moment in sort of discovering all this where you were able to make sense of, or flesh out like the person that you were before you came to this? Like a lot of people have the experience of, of doing a first drama class in high school and saying, Oh my God, these are my people. And never knowing that their people existed. Right. Did you have anything like that where you felt like coming into this performing sphere validated or brought some to fullness?2 (52m 14s):Something about you that previously you hadn't been able to explore?3 (52m 18s):Yeah. I mean, coming out, you know what I mean? Like, it was the first time that people talk, you know? Of course, you know, you know, I was born to, you know, like was God, I said I was born this way. But that being said, like again, in the world in which I grew up in, in Chicago and Lane Tech, it's, and, and the, you know, the technical high school and, and just the, the, the, I grew up in a community of immigrants. It's not like it was laid out on the table for one to talk about all the time. Right. It wasn't, and even though I may have thought that in my head again, it wasn't like, it was like something that was in the universe and in the, in the air that I breathed. So I would say that like when I got to the theater, it was the first time, you know, the theater, you guys we're, we're theater kids, right?3 (53m 2s):We know like every, everything's dramatic. Everything's laid, you know, out to, you know, for everyone. Everyone's dramas laid out for everyone. A the, and you know, part of it was like sexuality and talking about it and being like, and having just like, just being like talking about somebody's like ethnic background. And so it was the first time that I learned how to talk about it. Even to even just like how you even des you know, you know how you even describe somebody, right? And how somebody like, cuz that again, it's not, it wasn't like, it wasn't language that I had for myself. So I developed the language and how to speak about people. So that's my first thing about theater that I was like, oh, thank God.3 (53m 43s):You know? And then, you know, even talking about, you know, like queer, like queer was such a crazy insult back when I was a kid. And then now all of a sudden queer is now this embraced sort of like, badge of honor, Right? And so like, it was just like that and understanding like Asian and Asian American breaking that down, right? And being Filipino very specifically breaking that down, that all came about from me being in theater. And so like, I, I'm, I owe my, my life to it if you, and, and because I've, yeah, I didn't, you know, it's so funny how the title of this is I Survived Theater School for me. It's, Yes, Yes.3 (54m 23s):And I also, it also allowed theater also gave, allowed me to survive. Yes.2 (54m 31s):Theater helped you survive. Yes. That's beautiful. So in this, in the, in this spectrum or the arc, whatever you wanna call it, of representation and adequate representation and you know, in all of our lifetimes, we're probably never gonna achieve what we think is sort of like a perfect representation in media. But like in the long arc of things, how, how do you feel Hollywood and theater are doing now in terms of representation of, of specifically maybe Filipino, but Asian American people. How, how do you think we're doing?3 (55m 3s):I think we, you know, I think that there's, there's certainly a shift. You know, obviously it, we'd like it to be quicker than faster than, than it has been. But that being said, there's certainly a shift. Look, I'm being, I'll be the first person to say there are many more opportunities that are available that weren't there when I started in this, in this business, people are starting to like diversify casts. And you know, I saw Haiti's Town, it was extraordinary, by the way. I saw six shows in New York in the span of six days out of, and this was not conscious of me. This is not something I was doing consciously. Out of the six shows, I saw every single show had 90% people of color.3 (55m 43s):And it wasn't, and I wasn't conscientious of it. I wasn't like, I'm going to go see the shows that like, it just happened that all I saw Hamilton, I saw K-pop, I saw, you know, a death of a Salesman I saw. And they all were people of color and it was beautiful. So there's definitely a shift. That said, I, for me, it's never, this may sound strange, it's not the people in front of the camera or on stage that I have a problem with. Like, that to me is a bandaid. And this is me speaking like an old person, right? I need, it needs to change from the top down. And for me, that's what where the shift needs to happen for me. Like all the people at top, the, the, the people who run the thing that needs to change. And until that changes, then I can expect to starter from1 (56m 25s):The low. It's so interesting cuz like, I, I, I feel like that is, that is, we're at a point where we'd love to like the bandaid thing. Like really people really think that's gonna work. It never holds. Like that's the thing about a bandaid. The longer the shit is on, it'll fall off eventually. And then you still have the fucking wound. So like, I, I, I, and what I'm also seeing, and I don't know if you guys are seeing it, but what I'm seeing is that like, so people got scared and they fucking started to promote execs within the company of color and othered folks and then didn't train them. And now are like, Oh, well we gave you a shot and you failed, so let's get the white kid back in that live, you know, my uncle's kid back in to, to be the assistant.1 (57m 6s):And I'm3 (57m 7s):Like, no people up for success is a huge thing. Yeah. They need to set people up for success. Yes, yes, for sure.2 (57m 12s):Yeah. So it's, it's performative right now. We're still in the performative phase of1 (57m 16s):Our, you3 (57m 17s):Know, I would say it feels, it, it can feel performative. I I'm, I'm definitely have been. I've experienced people who do get it, you know what I mean? It's just, Sunday's a perfect example of somebody who does get it. But that being said, like again, it needs to, we need more of those people who get it with a capital I like, you know, up at the top. Cause again, otherwise it's just performative, like you said. So it's,1 (57m 38s):Does it make you wanna be an exec and be at the top and making choices? Yeah,3 (57m 42s):You know, I've always, people have asked me, you know, people have asked me what is the next thing for me. I'd love to show run. I've, I just, again, this is the, this is the stem part of me, right? Like, of us, like is I'm great at putting out fires, I just have been that person. I'm good with people, I'm, I'm, you know, and I've, I, you know, it's, it's, it's just one of those things that like I, I see is a, is a natural fit. But until that happens, you know, I'm, I'm, I'm also, you know, a professor is very much a version of show learning. So I've been doing that every day.1 (58m 14s):We talk about how, cause you've mentioned it several times about playing children into your thirties. So a lot, we have never had anyone on the show that I'm aware of that has had that sort of thing or talked about that thing. They may have had it. Mostly it's the opposite of like, those of us who like, I'll speak for myself, like in college, were playing old people at age, you know, 16 because I was a plus size Latina lady. And like that's what what went down. So tell me what, what that's what that journey has been like for you. I'm just really curious mostly, cuz you mentioned it a couple times, so it must be something that is part of your psyche. Like what's that about? Like what the, I mean obviously you look quote young, but there's other stuff that goes into that.1 (58m 57s):So how has that been for you and to not be, It sounds like you're coming out of that.3 (59m 1s):Yeah, I mean, look, all my life I've always been, you know, I mean I'm, I'm 5, 5 6 on a good day and I've always just been, I've always just looked young. Like, I mean, I mean, and I don't mean that like, oh I look young. Like I don't mean that in any sort of self-aggrandizing way. I literally just am one of those and you're built, like me, my one of my dear friends Ko, God rest his soul, he was always like, Rodney, you're like a little man look, looks, you're like a man that looks like a boy. And I was like that, that's hilarious. Like, and look, I for growing up little in, in high school and, and it, it was one of those things that I was always like, you know, like I was always chummy with people, but I was never sort of like, like there's a look, let's face it.3 (59m 45s):Like we're, we're a a a body conscious society and when you're, whatever it is, you can't help. There's implicit bias, right? Implicit bias, right. Supremacy at it's most insidious. And so I am not all my life, I was like always trying to, you know, the Napoleon complex of always trying to sort of be like, prove that I was older than I was.1 (1h 0m 6s):How did you do it? How did you do, how were you, what kind of techniques did you use? For3 (1h 0m 10s):Me, it wasn't even my technique. It was about doing everything and anything I possibly could. I mean, I was like president or vice president, I a gajillion different clubs. So it1 (1h 0m 18s):Was doing, it was doing, it was not like appearance. Okay, okay. So you3 (1h 0m 23s):Was actually yeah, I couldn't do anything about this. Yeah.1 (1h 0m 25s):Right. So yeah, but like people try, you know, like people will do all kinds of things to their body to try to, But for you, it sounds like your way to combat that was to be a doer, like a super3 (1h 0m 36s):Duer. And I certainly, I certainly like worked out by the time I got to college I was like working out hardcore to try and masculinize like, or you know, this. And, and eventually I did a gig that sort of shifted that mentality for me. But that being said, I think the thing that really, that the thing that, that for me was the big sort of change in all of this was just honestly just maturity. At some point I was like, you know what? I can't do anything about my age. I can't do anything about my height, nor do I want to. And when that shifted for me, like it just ironically, that's when like the maturity set in, right? That's when people started to recognize me as an adult.3 (1h 1m 17s):It's when I got got rid of all of that, that this, this notion of what it is I need to do in order for people to give me some sort of authority or gimme some sort of like, to l

Toxic showrunners, giving feedback, halitosis, The Taking of Pelham 123, Victory Gardens Theatre, Autism Spectrum Disorder.

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. Guest: Madhuri Shekar, Playwright of “Queen” Madhuri Shekar Madhuri Shekar (Playwright) Award-winning plays include Dhaba on Devon Avenue (commissioned by Victory Gardens), House read more The post Stagecraft: Madhuri Shekar, Playwright of “Queen” appeared first on BroadwayRadio.

Three more great shows with Jack and Phil!