Podcasts about Game of Thrones

After a brief Knight of the Seven Kingdoms chat, Prof. Phil Haberkern discusses the introduction to fan-favorite Lady Olenna. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  book@baldmove.com  | Discord | Reddit | Forums Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

BOSSes, Anne Ganguzza welcomes  powerhouse talent Mark Rider, whose voice has defined campaigns for Ford, Game of Thrones, and Spider-Man: No Way Home. Beyond his iconic sound, Mark is a dedicated coach and creator of the VO Life Coach app. In this episode, we explore the parallel between jumping horses and taking creative risks, the "10,000-hour" journey to natural delivery, and why a healthy voice acting mindset—rooted in self-care and mental clarity—is the only way to survive the high-pressure world of trailers and promos.     Chapter Summaries: Horses, Fear, and Character Building (01:48) Anne and Mark bond over their shared passion for horses. Mark notes that jumping a 1,200-pound animal requires staring fear in the face—a skill that translates directly to the booth. They discuss how "eating dirt" (falling off) builds the resilience and character necessary to handle rejection and technical failures in a voiceover career. The Birth of the VO Life Coach App (05:19) Mark shares the "come to Jesus" moment that led to his app. Wrestling with his two loves—performing and coaching—he sought a way to "clone himself" to provide spiritual and professional guidance to talent globally. He emphasizes that "unstucking" talent often involves addressing life strategy rather than just reading scripts. The Myth of "Just Be You" (21:45) Mark issues a controversial reality check: the advice to "just be you" is often misleading. Most scripts are not written for your natural persona. He argues that you must "finish the sentence"—it's about you acting. Successful talent are voice artists who use their unique personality as a tool to inhabit characters and scenarios that are fundamentally different from themselves. The 10,000-Hour Matrix (16:39) There are no workarounds for experience. Mark describes reaching "Year 15" as a "Matrix moment" where auditions began to move in slow motion. He explains that sounding "natural" is a learned skill that only comes after thousands of hours of breaking down copy and internalizing intonation until it becomes instinctual. Zen vs. Chaos: Promo vs. Corporate (41:13) Mark and Anne compare their working styles. While Anne thrives in the "Zen" flexibility of non-broadcast corporate work, Mark admits he craves the "psychotic" chaos of trailer and promo work—getting out of bed at 12:45 AM because a network needs a tag immediately. They agree that the industry has enough room for both mentalities, but you must know which one feeds your soul. Inner Dialogue: Your Biggest Enemy (42:22) Mark's biggest piece of advice for any voice acting mindset is to gain control over your internal dialogue. You don't fail because someone pulls you down; you fail because you allow your own "demons" to tell you that you aren't enough. He recounts wisdom from Maurice Tobias: "Get your life straight first, or the acting won't matter."     Top 10 Takeaways for Voice Actors: Resilience is Rooted in Experience: Much like riding, you aren't a professional until you've "fallen off" and gotten back up several times. Strategize Before You Launch: Don't rush into getting a demo Invest time in planning and building a foundation so you do it right the first time. Self-Care is Non-Negotiable: Your mental and physical health directly affects your vocal production. Put your sanity first. Master the "Unstuck" Mindset: When you feel stuck, it's often a sign that you need to shift your focus from performance to business strategy or mental clarity. Experience Takes Time: Respect the "10,000-hour" rule. Longevity comes to those who are willing to put in the years of daily practice. "Be You" Means "Act as You": Learn to bring your unique spirit to scripts that weren't written for you. It's about authentic interpretation, not just reading. Find Your Niche Energy: Determine if you prefer the stability of corporate narration or the adrenaline of "right now" promo work. The Power of "No": Having the confidence (and the savings) to say no to low-paying, high-stress jobs is a hallmark of a VO Boss. Use Creative Promotional Tools: Mark's "Be Awesome" BBQ sauce serves as a brilliant conversation starter and follow-up tool for building client relationships. Your Inner Voice Rules: Monitor your self-talk. If your internal dialogue is negative, your performance and business growth will suffer.  

On today's edition of Comicast Jong and Michael discuss the 2026 Oscars, what they were surprised by, what they weren't surprised by, and more. Plus, the guys discuss Aaron Pierre being added to the cast of Man of Tomorrow, whether that confirms their Hal Jordan predictions, the newest additions to season 2 of A Knight of the Seven Kingdoms (we're Babou Ceesay fans here), and whether a Game of Thrones film can work. The TV series trained so many people to a certain style of storytelling within the world of Game of Thrones, can it succeed in a movie format?   Rate, review, like, and/or subscribe to Comicast on Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or wherever you get your podcasts!  Feedback, questions, or topic ideas for the show? Email us at comicastpod@gmail.com 

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.

When Shogun was released last year on Hulu, it featured a great cast, spectacular visuals, and a gripping story. It was a commercial and critical success on release, and again when awards season came around. So of course, academic historians fretted. Were they concerned that it painted sixteenth-century Japan as another Game of Thrones (with more ninjas and fewer dragons)? Maybe a little. But most scholars were anxious because they understood how important the show would be, how profound an impact it would have, for years to come, on the public's perception of Japanese culture and history — all the more so because the story captures a moment of extraordinary significance, in such vivid detail, on such a vast canvas. In this talk, David Spafford, Associate Professor of Premodern Japanese History at the University of Pennsylvania, takes a closer look at the complexities of the period and unpacks why this particular moment in history matters so much — and how the hit Shogun series does (or doesn't) help us understand it. David Spafford was born and raised in Rome and first moved to the States to earn his PhD. He is currently Associate Professor of Premodern Japanese History in the Department of East Asian Languages and Civilizations at the University of Pennsylvania, where he teaches courses on samurai and the invention of the Way of the Warrior, on early modern urbanization, and on premodern law and violence. He is the author of A Sense of Place: The Political Landscape in Late Medieval Japan (2013), which explores the resilience of medieval regional identities and cultural geographies during the early Warring States period. In recent years, he has written about the role and boundaries of kinship in warrior society between 1450 and 1650. He is currently completing a short monograph on the writings of a sixteenth-century widow, known to us only as Jukeini, the only woman to rule a warrior domain. Paul Atkins is professor of Japanese in the Department of Asian Languages and Literature at the University of Washington, Seattle, where he teaches and writes about the literature, drama, and culture of medieval Japan. He holds a Ph.D. in Japanese from Stanford University. Professor Atkins was awarded the William F. Sibley Memorial Translation Prize by the University of Chicago in 2011 and the Kyoko Selden Memorial Translation Prize by Cornell University in 2021 for his translations of classical Japanese texts into English. Publications include the monographs Teika: The Life and Works of a Medieval Japanese Poet (University of Hawai'i Press, 2017) and Revealed Identity: The Noh Plays of Komparu Zenchiku (Center of Japanese Studies, University of Michigan, 2006) as well as a number of articles. Presented by Town Hall Seattle and Washin Kai. This event is sponsored by the UW Center for Japanese Studies and the UW Department of Asian Languages and Literature. Nominal support provided by Consulate-General of Japan in Seattle.

This week the crew digs into a packed slate of streaming news like Netflix updates, Lanterns, The Penguin's second season, and fresh talk around Game Of Thrones and House Of The Dragon. Reviews include Sisu Road To Revenge, Wicked For Good, Blossoms Shanghai, A Man On The Inside, and the latest Blu Ray releases.

This week, Da7e and Neil continue their coverage of season two of Monarch: Legacy of Monsters as the Randa family gets messier and Titan X glows in new hues.In The Calm [06:28], they discuss the show's slowing plot, its somewhat confusing presentation of travel times, and its latest foray into Bad Dad territory. The in The Storm [57:48], Da7e uses some newly-released behind the scenes footage to predict some of the season's upcoming action. And Neil has a long list of questions about what Apex is doing in Pensacola, Florida.And finally, Session Two of The Godzilla Project [01:07:34] sees Neil's Godzilla: Awakening project lock in its screenwriter and a few of the top-line cast members that will grace its poster. And his search for a VFX house threatens to eat up his already modest budget.Next week, coverage of Monarch continues with season 2, episode 4, "Trespass." And The Godzilla Project RPG continues to roll the dice with Neil filling out the rest of his cast. To interact with the show, send your comments and questions to stormofspoilers@gmail.com, and follow us on Twitter/X and Bluesky @Da7eandNeil.You can also support Da7e and Neil and get all kinds of bonus content (from the Game of Thrones era to the LOST rewatch to our Twin Peaks rewatch project to our current Adventure Pod and Hannibal watch project) by subscribing to our Patreon here: patreon.com/Da7eandNeil

Have your squire put on your best (and only) set of armor and be sure to re-paint your shield! We’re here to discuss the surprisingly delightful “Game of Thrones” spin-off “A Knight of the Seven Kingdoms,” which features characters to root for, humor, and other things in short supply in other installments of the franchise. Jason Snell with John Siracusa, Erika Ensign and John Moltz.

In this episode, we review the first season of the new Game of Thrones spin-off, A Knight of the Seven Kingdoms. We discuss why this spin-off feels very different in tone from the original series and even from House of the Dragon. We also debate whether this series could end up being the best since the original run of Game of Thrones.See omnystudio.com/listener for privacy information.

Kelly Osbourne's dramatic new look has the internet buzzing—We also talk about the NBA shutting down the Atlanta Hawks' planned Magic City Night, a promotion celebrating one of Atlanta's most legendary nightlife institutions. The league stepped in after backlash, raising questions about culture, branding, and where the line is for sports entertainment.Elsewhere, Arnold Schwarzenegger says Hollywood is suddenly interested in reviving some of his most iconic roles, including King Conan, Predator, and Commando—but this time with an aging warrior angle. Terrence Howard is back in the headlines with some wild takes on Game of Thrones, Hollywood blacklisting, and why he says he intentionally avoided dating Beyoncé.We also look at the rise of AI performers after a fully digital “actor” released a music video just ahead of the Oscars—raising new questions about the future of acting and filmmaking.Plus our weekly Views or Snooze? segment featuring new shows like Scarpetta, The Madison, and Sunny Nights, and our Staff Picks including David Cross' new stand-up special, the action sequel Sisu: Road to Revenge, and Jeff's latest fast-food opinion.Welcome back to the Labyrinth.Keep It Canon!Watch the YouTube Version: https://youtu.be/WC-PgHTl_G4▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀Hosts: Tim Andrews, Jeff Leiboff, Dustin Lollar and Lizzie Bruce JonesAudio Podcast & YouTube Video Edited by Dustin Lollar ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

Have your squire put on your best (and only) set of armor and be sure to re-paint your shield! We’re here to discuss the surprisingly delightful “Game of Thrones” spin-off “A Knight of the Seven Kingdoms,” which features characters to root for, humor, and other things in short supply in other installments of the franchise. Jason Snell with John Siracusa, Erika Ensign and John Moltz.

На събитието „Направено в България“ – подкаст на живо – Никола Тулечки и КИВ, заедно с Владимир Койлазов, говориха за това как изглеждат иновациите, когато се създават у нас, но намират приложение по целия свят. Владимир Койлазов – съосновател и главен технологичен визионер на Chaos. Компанията стои зад V-Ray, един от най-широко използваните софтуери за фотореалистично 3D рендиране, използван в архитектурата, дизайна и филмови продукции като Game of Thrones, филмите на Marvel и Avatar. За приноса си към развитието на компютърната графика той е носител на Награда на Академията за технически постижения (Оскар).

Anthony is back to talk Dunk and Egg with a few friends. Also, we anticipate our next season of the HOTD fantasy league. Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  book@baldmove.com  | Discord | Reddit | Forums Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

[Rerun] Dr. Kirk Honda diagnoses nearly all the characters of Game of Thrones.00:02:05 Aerys II Targaryen 00:24:50 Alliser Thorne 00:31:00 Arya Stark 00:51:16 Bran Stark 00:53:48 Brienne of Tarth 01:00:41 Cersei Lannister 01:17:00 Daenerys Targaryen 01:20:24 Grandmaester Pycelle 01:23:34 Gregor Clegane 01:25:40 Jamie Lannister 01:29:17 Jaqen H'ghar 01:30:55 Joffrey Baratheon 01:36:02 Jon Snow 01:46:22 Jorah Mormont 01:47:45 Lysa Arryn 01:53:13 Melisandre 01:55:30 Oberyn Martell 01:56:55 Petyr Baelish 02:01:11 Ramsay Bolton 02:05:53 Robin Arryn 02:07:42 Sansa Stark 02:09:41 Sandor Clegane 02:13:19 Stannis Baratheon 02:14:32 Theon Greyjoy 02:21:28 Tyrion Lannister 02:29:22 Tywin LannisterJuly 17, 2017This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/KIRK to get 10% off your first month.Support us by... Become a member: https://www.youtube.com/channel/UCOUZWV1DRtHtpP2H48S7iiw/joinBecome a patron: https://www.patreon.com/PsychologyInSeattleContact us/more info... Email: https://www.psychologyinseattle.com/contactAbout Dr. Kirk: https://www.psychologyinseattle.com/about-dr-kirk-hondaWebsite: https://www.psychologyinseattle.comGet stuff... Merch: https://psychologyinseattle-shop.fourthwall.com/KIRKgram (like Cameo): https://www.psychologyinseattle.com/kirkgramThe Psychology In Seattle Podcast ®Trigger Warning: This episode may include topics such as assault, trauma, and discrimination. If necessary, listeners are encouraged to refrain from listening and care for their safety and well-being. Disclaimer: The content provided is for educational, informational, and entertainment purposes only. Nothing here constitutes personal or professional consultation, therapy, diagnosis, or creates a counselor-client relationship. Topics discussed may generate differing points of view. If you participate (by being a guest, submitting a question, or commenting) you must do so with the knowledge that we cannot control reactions or responses from others, which may not agree with you or feel unfair. Your participation on this site is at your own risk, accepting full responsibility for any liability or harm that may result. Anything you write here may be used for discussion or endorsement of the podcast. Opinions and views expressed by the host and guest hosts are personal views. Although we take precautions and fact check, they should not be considered facts and the opinions may change. Opinions posted by participants (such as comments) are not those of the hosts. Readers should not rely on any information found here and should perform due diligence before taking any action. For a more extensive description of factors for you to consider, please see www.psychologyinseattle.com

"A true knight always finishes a story." - Ser Arlen of Pennytree Welcome to episode 243! Infinity Bros Isaac and Mark team up to break down the latest voyage into Westeros, A Knight of the Seven Kingdoms, and pitch our very own Game of Thrones TV show. Mark salivates at the much anticipated first look at John Stewart as a Green Lantern in the Lanterns trailer, and Isaac is pleasantly surprised at how excited he is for the future of the Game of Thrones universe. It's a SPOILER episode, so make sure you've watched the show before diving in.   Join us for a fantastic, fun-filled conversation!   Check out the Infinity Bros Patreon for EXCLUSIVE content, including unedited episodes, exclusive podcasts, and more!   Get 15% off your GG Tees order by using code: INFINITYBROSPOD in your checkout!   Get 15% off your HyperX order by using the code: INFINITYBROS in your checkout!   Infinity Bro Robbie has gone SOLO with his MTG career! Check out his new profile here: Robert Red Beard MTG   Want to connect with the Infinity Bros Universe? Click this link --> https://linktr.ee/infinitybros   Check out our review of Wonder Man on episode 242 of the Infinity Bros Podcast HERE!   Listen to our 2026 StanLee Awards show on episode 243 to hear our favorite movies and TV shows of 2025 HERE!   Hear our thoughts on Fallout S2 E1-6 on episode 241 of the Infinity Bros Podcast HERE!   Check out our review of the Stranger Things finale and season recap on episode 240 of the Infinity Bros Podcast HERE!   Check out our review of the Pluribus premiere on episode 237 of the Infinity Bros Podcast HERE!   Check out our review of Superman on episode 230 of the Infinity Bros Podcast HERE!   Get some delicious coffee or tea from Many Worlds Tavern here, and get 10% off by using code THEINFINITYBROS!   Order your favorite character's Funko Pop at Entertainment Earth here, and get 10% off by using code INFINITY!   Check out all of RIPT Apparel's awesome t-shirt designs here!   Cover Art Artist: Jack Baumert (@Jack_baumertart on Instagram)

HBO's Game of Thrones is back with yet another spinoff, this time based on George R.R. Martin's Dunk and Egg novellas. A departure from the palace intrigue and massive scale of both Game of Thrones and House of the Dragon, A Knight of the Seven Kingdoms digs into more lighthearted slice-of-life drama, at least until its explosive climax. We discuss the short first season, its pitch-perfect casting, and its memorable roster of Westerosi characters.

Ka-Pow the Pop Cultured Podcast is back with recommendations for some truly excellent television, our take on the comic book art-vs-story debate and a pal of ours with a movie deal. Don't miss it! (And don't miss out on the cool merch in our TeePublic store!) Length - 01:07:57 Language - PG-13. (Contains mild adult language.) - 0:13:00 - COMIC BOOK NEWS Local writer James Patrick scores a Netflix movie deal with his sci-fi series "Astronaut Down" and Todd McFarlane stirs discussion on whether art or story is more important to comics. - 0:29:12 - TV RECAPS & REVIEWS "Lanterns" trailer teases upcoming HBO series, Hollywood-set "Wonder Man" debuts on Disney+, season four of "Resident Alien" wraps up the sci-fi comedy, checking back in on "The Simpsons" after years, the outstanding "Game of Thrones" spinoff "A Knight of the Seven Kingdoms" and new seasons for returning favorites "The Pitt," "Fallout" and "Shrinking."

Episode 178.1: Mark Hlavenka, Paintball Experiences, Getting 3rd Degree Burns, Blind Whisky Tasting, Game of Thrones, and Punch the Monkey

Chances of Team USA advancing Terrence Howard on Game of Thrones What do the Raiders do with Max Crosby now News of the weird

Warner Bros. is developing a *Game of Thrones* movie, while the streamers keep the renewal, bundling, and platform-shuffling machine running at full speed.This week on The FULL Experience: Lost (618 - "The End")Next week: Mr. Show (101 - "The Cry of a Hungry Baby")Subscribe, get expanded show notes, and past episodes at http://Cordkillers.comSupport Cordkillers at http://Patreon.com/CordkillersYouTube: https://youtu.be/2OVm37NOf8U Hosted on Acast. See acast.com/privacy for more information.

Send a textLet's continue the journey to Westeros once more as the hosts review another episode of the biggest TV show this year, A Knight of the Seven Kingdoms, starring Peter Claffey and Dexter Sol Ansell. Developed by Ira Parker and based on Tales of Dunk and Egg by George R. R. Martin, this prequel expands the rich lore of Westeros with its storytelling and grounded characters. Tune in as the hosts break down episode three, as they share their favorite moments, debate character decisions, and react to the latest twists as Dunk and Egg's journey across the Seven Kingdoms continues to unfold.Be sure to listen, subscribe, and follow the show on Instagram and YouTube channel@the.gentlemenpodcast.

Check out our reviews of Pixar's ‘Hoppers' and Best Picture nominee ‘The Secret Agent' out of Brazil. Beforehand, we'll discuss the week's top entertainment news, including trailers for ‘Beef' Season 2 and ‘Lanterns'; Pixar's upcoming release schedule; Beau Willimon (Andor) is writing a ‘Game of Thrones' movie; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:19)‘Hoppers' Movie Review (26:49)*SPOILERS* for ‘Hoppers' (38:45)‘The Secret Agent' Movie Review (59:37)*SPOILERS* for ‘The Secret Agent' (1:16:46)What Are Ya Doin'? (1:33:39)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

This week, Jim is struck down by the flu so unfortunately there is no adult in the room as Elton is thankful for having a bone in his head, Darren does, but doesn't, but does watch Game of Thrones back to back, or does he? And Lee who was laid up with the lurgy last week watches what can only be described as a slew of "We have this movie at home..." timu remakes of Die Hard, John Wick/Pirates of the Caribean and Catch Me If You Can. After that its on to this weeks film... A small budget Spanish time travel thriller Timecrimes... Ladies and gents start your watches! The countdown to explaining The Terminator again, begins in 3...2...1 Media Watched This Week The Bride - Theatrical Release Morgan Freemans Dinosaurs - Netflix The Bluff - Amazon Prime Cleaner - Amazon Prime / VOD Bandit - Netflix Timecrimes - Amazon Prime

Warner Bros. is developing a *Game of Thrones* movie, while the streamers keep the renewal, bundling, and platform-shuffling machine running at full speed.This week on The FULL Experience: Lost (618 - "The End")Next week: Mr. Show (101 - "The Cry of a Hungry Baby")Subscribe, get expanded show notes, and past episodes at http://Cordkillers.comSupport Cordkillers at http://Patreon.com/CordkillersYouTube: https://youtu.be/2OVm37NOf8U Hosted on Acast. See acast.com/privacy for more information.

Here's what we're reading, recommending, and revisiting this week.Catherine's library find is a novel that had many blurbs that appealed to her, so she wants to check it out: Like Family by Erin O. White. She also has a follow-up to last week's history of Victorian parenting. It's Hot Victorians: Meet Your Dream Man From the Past by Aaron Radford-Wattley (inspired by an Instagram account of the same name). Mentioned: True Biz by Sara Novic.Terri's random recommendation is Duolingo, where you can learn not just languages used in the real world, but those from the past (Latin) and fictitious worlds (Klingon, High Valyrian). Mentioned: Duolingo French podcast and a Game of Thrones scene that demonstrates the power of knowing your enemy's language: Part 1, part 2.In the archives, we checked in on an episode from 2022 on the warning labels we need as parents. Mentioned: AIM away messages.Next week's lineup:Shrinking S3 E7, "I Will Be Grape," on Tuesday, March 17Lost S5 E5, "This Place Is Death," on Wednesday, March 18Weekly roundup on Thursday, March 19Until then (and anytime you're in need), the archives are available.

The boys are back this week discussing and reviewing the highly anticipated spin off series of Game of Thrones, A Knight Of The Seven Kingdoms. The guy break down the highs and lows of the season and sheds some light on what the future holds for our favorite fantasy universe. Tune in to hear future prediction, upcoming GoT projects and much more!

Warner Bros. is developing a *Game of Thrones* movie, while the streamers keep the renewal, bundling, and platform-shuffling machine running at full speed.This week on The FULL Experience: Lost (618 - "The End")Next week: Mr. Show (101 - "The Cry of a Hungry Baby")Subscribe, get expanded show notes, and past episodes at http://Cordkillers.comSupport Cordkillers at http://Patreon.com/CordkillersYouTube: https://youtu.be/2OVm37NOf8U Hosted on Acast. See acast.com/privacy for more information.

Grab a pint of cider and ready your shield, we're headed back to Westeros! Join Alexis Hejna from Honeysuckle Rose Creations, along with Andrew Orozco, as they look at the latest outing from George RR Martin and HBOMax. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Send a textTyrion, Penny, and Jorah hitch a ride on the pale mare to start a new life. Mackelly and Simon look to a brighter future.Chapter Review:Tyrion Lannister, Penny, and Sweets tend to their master Yezzan zo Qaggaz, who is sick with the bloody flux. Some survive but the slaver was in such poor health anyway that Tyrion has no doubt that he'll die. A healer is called for, who says the only help is clean water from the well.Nurse died the previous day. He too could not survive the flux despite Tyrion's special mushroom broth. A Lannister always pays his debts. Tyrion asks Yezzan's slave soldiers to get water, but they don't take orders from fellow slaves. So Tyrion, Penny, and Jorah – barely recognizable due to the relentless beatings he's receiving – take buckets to the well.But on the way back they detour via the Second Sons encampment. Tyrion assures Penny that Crunch and Pretty will be looked after by Sweets. Tyrion tries to convince Brown Ben Plum to keep them safe. He seduces him with promises of the riches that await any man who aligns himself with Tyrion. Just ask Bronn or Shagga.Characters/Places/Names/Events:Tyrion Lannister - Youngest son of Tywin Lannister, whom he murdered. Brother to queen Cersei and Jamie Lannister. Former Hand of the King.Ser Jorah Mormont - Twice-disgraced knight of the Seven Kingdoms. In love with Daenerys.Penny - Dwarf who performed at Joffrey's wedding. Her brother Oppo was murdered.Yezzan zo Qaggaz - Noble of Yunkai. Slave owner with a penchant for the fantastic and grotesque.Nurse - Yezzan's lieutenant who manages his slaves.Sweets - Hermaphrodite slave of Yezzan.Brown Ben Plum - Westerosi sellsword who claims Targaryen blood, but has betrayed Daenerys.Mushrooms - Tyrion had been carrying poisonous mushrooms in his shoes since Pentos.Meereen - Major city on Slaver's Bay. Support the showSupport us: Buy us a Cup of Arbor Gold, or become a sustainer and receive cool perks Donate to our cause Use our exclusive URL for a free 30-day trial of Audible Buy or gift Marriott Bonvoy points through our affiliate link Rate and review us at Apple Podcasts, Spotify, podchaser.com, and elsewhere.Find us on social media: Discord Twitter @GhostsHarrenhal Facebook Instagram YouTube All Music credits to Ross Bugden:INSTAGRAM! : https://instagram.com/rossbugden/ (rossbugden) TWITTER! : https://twitter.com/RossBugden (@rossbugden) YOUTUBE! : https://www.youtube.com/watch?v=kthxycmF25M

(longer version share from 18TO80) Cora LeSar Hinkle - Owner of Alchemy MedSpa! Summer Sun - Acne - New Services - Owning a Business! PLUS Game of Thrones!!! Mother Nature and Father Time are undefeated! That doesn't mean we have to go quietly into that good night! Nope - we can live intentionally! Supplements - Vitamins - Mindsets - Bio Hacks - Science - Food - Exercise - Sleep - Habits - Relationships - all wrapped up in data, stories, and conversations! Join Clint Powell and his co-hosts to talk about aging from 18 to 80! (we are not diagnosing or suggesting treatments - this is for entertainment purposes - please consult your doctor or medical professionals before starting/stopping any medications and/or taking any supplements!) POWERED BY THE VASCULAR INSTITUTE OF CHATTANOOGA: https://vascularinstituteofchattanooga.com/ Sponsored by: Alchemy MedSpa: https://alchemymedspachatt.com/ Optimize U Chattanooga: https://optimizeucenters.com/locations/chattanooga-tennessee/ ===== THANK YOU TO OUR SPONSORS: Nutrition World: https://nutritionw.com/ Vascular Institute of Chattanooga: https://www.vascularinstituteofchattanooga.com/ The Barn Nursery: https://www.barnnursery.com/ Optimize U Chattanooga: https://optimizeunow.com/chattanooga/ Guardian Investment Advisors: https://giaplantoday.com/ Alchemy Medspa and Wellness Center: http://www.alchemychattanooga.com/ Our House Studio: https://ourhousestudiosinc.com/ Team Montieth Real Estate - Lori Montieth: https://www.findchattanoogarealestate.com/ Ballinger and Associates - Risk Management: https://ballingerandassociates.com/ AirSpace Acoustics: https://www.airspaceacoustics.com/ ALL THINGS JEFF STYLES: www.thejeffstyles.com PART OF THE NOOGA PODCAST NETWORK: www.noogapodcasts.com Please consider leaving us a review on Apple and giving us a share to your friends! This podcast is powered by ZenCast.fm

Game of Thrones is known for its complex story arcs, violent political conflicts and its big ensemble cast. But a new prequel, A Knight of the Seven Kingdoms, is leaning into humour and putting a focus on the charming duo at the centre of the story. Canadian screenwriter Ira Parker created the show with author George R. R. Martin. He joins guest host Garvia Bailey to talk about how he created the new series and how he went from shooting films in his dad's warehouse in St. Catharines, Ontario to making an emotional TV series in Hollywood.

Matt and Rob return to the world of GAMERTHRONES to talk about A Knight of the Seven Kingdoms, which dares to ask "What if a Game of Thrones show was good?" Music: Pac Div - Roll the Dice Follow Dungeon Master of None on Blue Sky: https://bsky.app/profile/dmofnone.bsky.social  More socials Join our Patreon for bonus episodes: https://www.patreon.com/DungeonMasterOfNone   Join the DMofNone Discord!

We're back!!!!! It's time to get back to Frasers Ridge and guys we're glad to be. Spoilers for intro chat on House of the Dragon, Game of Thrones and Dunk and Egg. Beginning to 19 mins: Westoros World (Spoilers) Min 19 - End: Outlander S8 Ep1  Find Sarah on: Podcast Fandom Find Juwan on: Edit that Out Find Me on: Youtube

Before diving full-on into BatMarch, the guys take a quick stop in Westeros to talk about the newest Game of Thrones spin-off series from HBO A Knight of the Seven KingdomsBut first, did Cody witness legit magic? How many kingdoms are there really in Westeros? Was the inclusion of the Game of Thrones theme song a subversion? Did Dunk's shitting scene work? Did the jokes and lightness of the series fit the GOT universe? Is Game of Thrones required viewing to enjoy this show? Which characters would we be? Is Egg's acting top tier? Would Dunk make a good Colossus in a live action X-Men movie? Does Anthony recommend the Dunk & Egg comics? Is Egg's brother Maester Aemon? Did the Targaryens have DRIP? How is Baelor like Ned Stark? Why is A Knight of the Seven Kingdoms so much better than House of the Dragon? Did we get an in-depth look at Flea Bottom in this series? How do we feel about all the episodes being less than an hour and the season being only 6 episodes? Were we impressed by the sheer amount of world building despite the series being set in one geographic location? Will George RR Martin ever finish The Winds of Winter? Should we do an episode on The Neverending Story? What's the truth about Balto? Are the Targaryens on the Epstein list? What are the top 5 on-screen horse deaths? Did AKOTSK have a ton of iconic scenes? Was Dunk ever actually knighted by Sir Arlan? Who is Cody brining to his Trial of the Seven? How did we feel about Maekar? Is Aegon like Kevin McCallister? Which character hung Dafoe-level dong in this series? Should HBO adapt Aegon's Conquest and Robert's Rebellion? Are we more excited for Hot D season 3?Back Superguy issue #2: My Date with The President's Daughter on Kickstarter! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kickstarter.com/projects/mrtonynacho/superguy-2-my-date-with-the-presidents-daughter?ref=creator_tab⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on Too Opinionated, we're joined by rising actress Abigail O'Regan, who appears in the highly anticipated HBO series A Knight of the Seven Kingdoms, the next hit show in the Game of Thrones universe. Based on George R.R. Martin's Dunk and Egg stories, A Knight of the Seven Kingdoms explores the adventures of Ser Duncan the Tall and his young squire Egg nearly a century before the events of Game of Thrones. Abigail plays Daisy in the series, bringing heart and depth to this new story set in the world of Westeros. Abigail is also known for her work in:

A Knight of the Seven Kingdoms just wrapped its first season and somehow did the impossible — it made us care about Westeros again. On this episode, Abhin, Rohit, and returning guest Falah break down the entire season: from the perfect casting to the moments that wrecked us, from a deep lore dive into the Blackfyre Rebellion to what Summerhall means for this story, and whether you should even bother with House of the Dragon at this point. Come join us as we join Dunk & Egg on a fun adventure in the Ashford Meadow.⚠️ SPOILER WARNING: We discuss all 6 episodes in detail. Book spoilers from the Dunk & Egg novellas and broader ASOIAF lore from around 34:43 onward.Don't Forget to LIKE, SHARE & FOLLOW THE POD!Chapters:0:00 - Intro0:48 - What Is A Knight of the Seven Kingdoms?1:21 - First Impressions: Falah2:10 - First Impressions: Rohit2:47 - First Impressions: Abhin4:58 - Behind the Scenes: Happy Accidents5:47 - How Ivanhoe Shaped the World of Dunk & Egg6:30 - Casting Breakdown: Dunk, Egg, Lionel, Baelor & Aerion9:03 - Should You Read the Books?10:07 - Memorable Moments: Episode 1 — "All the Luck is Ours"14:14 - Memorable Moments: Episode 2 — Steely Determination15:13 - Memorable Moments: Episode 3 — The Big Reveal16:50 - Every Third Person in Westeros is Named Aegon17:42 - Episode 5: Saving Private Dunk18:50 - LORE DIVE: The Blackfyre Rebellion & the Battle of the Redgrass Fields22:17 - The Dothraki Song Translation22:41 - Episode 5 Continued: Get Up Ser Duncan!26:04 - Bleach, Ghulam & the Anime of It All27:29 - Episode 6: Nailing a Penny to the Tree28:55 - Dorne Tease & Next Season Hopes29:43 - The Time Falah Spoiled the Red Wedding31:10 - Reading Oberyn vs. The Mountain During Turbulence31:53 - Why GOT Season 4 Was Peak Television32:43 - Episode 6 Continued: Book vs. Show Changes34:43 - ⚠️ BOOK SPOILERS: Summerhall, Aegon the Unlikely & Rhaegar's Birth38:57 - The Season 8 Problem39:27 - The Mandalorian Comparison40:36 - Should You Watch House of the Dragon?42:24 - Final Verdict43:13 - Why This Show Matters Right Now44:38 - Joffrey vs. Egg: Who Was Better?45:13 - Musalman Graphic Novel (Out This Eid!)46:29 - Coming Up Next!

Ser Duncan the Tall finds himself in a bit of a pickle towards the end of Season 1 and by the time the curtain drops on the finale, we were pretty floored. So much to discuss and dissect in this one. Brian and Wesley get right into it.  Don't forget to subscribe and leave us a review on Apple Podcasts and Spotify! Instagram: @confidently_pod YouTube: @confidentlywrongpodcast Website: confidentlywrong.simplecast.com Credits: Hosted by: Wesley Nakamura, Brian Redondo, Savon Jones Edited by: Wesley Nakamura Theme Music: Implied Authority by Bass Elf Link: https://soundcloud.com/bass_elf_music

Checking out the new Game of Thrones show. | Original Airdate: 28th February 2026 | Watch it here: https://youtu.be/HsZEGLaj1Pc

Checking out the new Game of Thrones show. | Original Airdate: 4th March 2026 | Watch it here: https://youtu.be/PIEwdAvGYLk

James, Joe and Rhys take a look at Louis Malle's 1981 movie MY DINNER WITH ANDRE - as well as thoughts on the likes of The Secret Agent, the new Game of Thrones show, Iron Lung and Small Prophets. Hosted on Acast. See acast.com/privacy for more information.

Welcome one and all to a very important podcast! This week we discuss both The Bride! And also War Machine, a movie only one of us has seen. Plus we talk the first trailer for Lanterns, the DCU Green Lantern series, trailers for Scary Movie 6 and The Boys Season 5, a Game of Thrones movie in the works, a new Lord of the Rings Trilogy and more! Thanks for listeningGet ready for James & Maso on MUGG this week on the Grouse House YouTube Channel.New Weekly Planet movie commentary track for Cliffhanger out now on bigsandwich.coPLEASE be aware timecodes may shift up to a few minutes due to inserted ads.00:00 The Start06:10 Game of Thrones Movie Announced13:48 New Lord of the Rings Trilogy18:08 The Boys Final Season Trailer20:13 Scary Movie 6 Trailer26:02 DC's Lanterns Trailer34:15 The Bride Movie Review (Scream spoilers last 2 mins)58:10 The Bride Spoiler Segment01:02:47 Surprise Returning Segment01:18:31 What We Reading, What We Gonna Read01:25:50 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

This week, Da7e and Neil continue their coverage of season two of Monarch: Legacy of Monsters by tracking Titan X through the decades. Plus, The Godzilla Project RPG kicks off with an epic pitch!In The Calm [06:14], your faithful host discuss the misadventures of Monarch Outpost 18, from the Alien-like encounters with stowaways to the Randa family drama of the week. They also unpack the cult-like activity at the heart of this week's flashbacks.The in The Storm [52:44], they look ahead to episode 3 and attempt to predict why it has a content rating tag that is unique for this series.And finally, Session One of The Godzilla Project [01:00:40] launches Neil's fictional movie project as he makes his pitch to the studio, negotiates a budget, and faces several hugely consequential dice rolls. Next week, coverage of Monarch continues, as do the RPG shenanigans. To interact with the show, send your comments and questions to stormofspoilers@gmail.com, and follow us on Twitter/X and Bluesky @Da7eandNeil.You can also support Da7e and Neil and get all kinds of bonus content (from the Game of Thrones era to the LOST rewatch to our Twin Peaks rewatch project to our current Adventure Pod and Hannibal watch project) by subscribing to our Patreon here: patreon.com/Da7eandNeil

On this LIVE episode of THE GEEK BUDDIES LIVE, John Rocha, Michael Vogel and Shannon McClung talk that new LANTERNS trailer and the divisive reactions to it. We'll discuss the look of the Green Lantern costume, the look of the show overall and what we think of our first full look at Kyle Chandler as Hal Jordan and Aaron Pierre as John Stewart. We'll also talk the story that Daniel Craig has been offered the role of Christopher Dent in The Batman 2, The Hunt for Gollum may be the start of a new LOTR trilogy, The Boys S5 trailer, the lack of build up for Daredevil: Born Again S2 and the new 30 second spot that dropped, a Game Of Thrones movie is in the works with Beau Willimon of Andor writing it, new Totta the Hutt photo was released, Wild Robot getting a sequel and more! PLUS, John, Michael and Shannon answer all your questions. To send in a question or comment for Jeff and John, go to: streamlabs.com/johnrochasays/tip Remember to Like and Share this episode on your social media and to Subscribe to The John Rocha Channel below. #DC #jamesgunn #marvel #starwars #lordoftherings #MCU #thebatman #batman #DCU #daredevilbornagain #theboys #disney #johnrocha #michaelvogel #thegeekbuddies ____________________________________________________________________________________ Chapters: FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Instagram: https://www.instagram.com/the_geek_bu... Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever wonder what happens when youth hockey turns into the real-life version of "Gossip Girl"? Spoiler alert: parents sleeping with coaches, secret affairs, and grandma throwing sticks with the precision of a stand-up comic. If you've ever questioned the sanity of youth sports, buckle up, because this episode is your front-row seat to the chaos—and trust us, it's juicier than a soap opera binge.We dive headfirst into the scandalous world of team secrets: coaches hooking up with moms, moms flashing boobs on the ice, and the undercover rules players and parents pretend not to break. Plus, you'll discover how hockey tournaments are basically adult reality TV—minus the cameras where chaos reigns, and everyone's fighting over ice time, hookups, and reputation. Oh, and did we mention grandma's throwing sticks? Yeah, it gets THAT wild.From behind-the-scenes secrets of birthday skates that aren't so innocent, to the cutthroat parental politics that make "Game of Thrones" look tame—this episode lays bare the messy, hilarious truth about youth sports. Think it's just about tiny skaters? Nope. It's about power, secrets, and the hilarious lengths some will go to for a shot at glory (or just a good hookup).If you've ever survived a soccer game or watched from the bleachers while the drama unfolds, this episode is your ultimate guilty pleasure. Hosted on Acast. See acast.com/privacy for more information.

Robbie and Clem are back to recap the nerd news of the past couple weeks! We're talkin #Lanterns, #TheMandalorianAndGrogu, a #GameOfThrones movie in development, and more! **************************************** My Mom's Basement is a weekly podcast hosted by Robbie Fox, started in March 2019, to discuss movies, music, comic books, wrestling, mixed martial arts, and more with his friends and idols alike! Subscribe on iTunes: https://podcasts.apple.com/us/podcast/my-moms-basement/id1457255205 Follow Robbie on Instagram: https://www.instagram.com/thatrobbiefox Follow Robbie on Twitter: https://twitter.com/RobbieBarstool My Mom's Basement Merchandise: https://store.barstoolsports.com/collections/my-moms-basementYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/mymomsbasement

Jason is joined by an esteemed Small Council of A Song of Ice and Fire experts to discuss the first season of A Knight of the Seven Kingdoms, the upcoming House of the Dragon season, and the latest news in the wider Game of Thrones universe. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

Chris is joined by Jason Mantzoukas and Mallory Rubin to talk about the Season 2 casting news for ‘A Knight of the Seven Kingdoms' (2:25) and that ‘Andor' writer Beau Willimon is taking on a ‘Game of Thrones' movie (8:46). Then, they discuss the fifth season of ‘Shoresy' and what makes the show so special (22:01). Drivers wanted. Learn more athttp://vw.com Subscribe to the Ringer TV YouTube channel here for full episodes of The Watch and so much more! Host: Chris Ryan Guest: Jason Mantzoukas and Mallory Rubin Producers: Kaya McMullen and Kai Grady Additional Video Supervision: Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hour 1: Bob's Movie Club presents: Frankenstein (2025). Who is the real monster in this story? Because it certainly isn't Jacob Elordi in his bandage booty shorts. Sarah, Vinnie, and Bob discuss the movie and share listener thoughts. Does it count as a sandcastle if it has scaffolding? Is Vinnie harboring a childhood crush in his dreams? Hour 2: Britney Spears has been arrested for a DUI. A disgusting Survivor first happened on last night's episode. Rob bought Maura a Birkin bag! An update on the bay area woman who was throwing parties for underaged kids. Sitting next to your partner on a flight means someone needs to be in the middle seat. Is this necessary, or should we be getting a seat divorce? (52:09) Hour 3: Let us solve your problems! Email us at badadvice973@gmail.com You can expect a Rob Reiner tribute at the Oscars. Will Barbra Streisand be included?? The Beckhams wished Brooklyn a happy birthday. The inspiration for Jurassic Park is in the Epstein files, but he says it's all about his dino chicken project! A Game of Thrones movie is in the works! Prince Andrew is being evicted. Should Meghan Markle move in? Bridgerton Part 2 is here. Vinnie is remembering his futon days. Here are things that make millennials feel like they've made it. Vinnie gives us a lesson on Irish good byes. (1:31:56) Hour 4: Size matters… but not that much. Need Friday plans? Brandy Carlisle is playing the Chase Center tomorrow night! Nashville is getting a Sphere! What's going on with SF's mini spheres? Lil Uzi Vert is having issues with their insurance due to the diamond in their forehead. Check Sarah and Vinnie out on YouTube! Vinnie's telling us what's going on in the Bay Area, including Hype Con and Granny Con this weekend. 3D printed homes are here. Well, they're in Yuba County. Plus, When Did That Happen? (2:17:55)

Tune in for one last look at A Knight of the Seven Kingdoms with Ser A.Ron and deposed King Jimhaerys. The guys are covering the AKOTSK novella and laughing about the funny parts, cringing at the gruesome parts, and sharing all their favorite parts with you! Doctor Reacts To A Knight Of The Seven Kingdom's Injuries Theme song: Game of Thrones (80's TV Theme) by Highway Superstar Support Bald Move:  Club Bald Move Leave Us A Review on Apple Podcasts Join the discussion:  Email | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

From books to ‘A Knight of the Seven Kingdoms' to ‘Wonder Man,' the House of R mailbag is here. Jo and Mal answer all of your burning questions about the content you love!(00:00) Intro(01:21) Programming Reminders(05:39) Is Ser Arlan an Actual Knight?(11:23) A ‘Game of Thrones' Movie Is in Development(15:43) Book Recommendations - 'The Will of the Many'(23:48) Book Recommendations - 'The Everlasting'(25:11) Book Recommendations - 'Katabasis”'(31:04) 2026 Book Recommendations(39:09) Anticipated Book Adaptations(43:28) Underrated Show or Performance(56:12) Who Will Win ‘Survivor 50' and Who Will Cameo on ‘White Lotus'?(01:07:19) ‘Pride and Prejudice' on Netflix Casting(01:12:09) ‘The Vampire Lestat' Coverage(01:17:18) Would You Rather Hang Out With The Doctor or Rocky?(01:20:35) Thoughts on the ‘Traitors' Finale(01:32:00) Thoughts on ‘Wonder Man'(01:42:46) Most Exciting Thing About Joanna's MoveHosts: Mallory Rubin and Joanna RobinsonProducer: Carlos ChiribogaSocial: Jomi AdeniranAdditional Production Support: Arjuna Ramgopowell Learn more about your ad choices. Visit podcastchoices.com/adchoices