Podcasts about Kirkus Reviews

Naima Coster talks about how to trust that future writer self, about crafting beginnings that hold the seeds of the book, and about leaving behind the pages that we don't need anymore. Naima Coster is a New York Times bestselling author and a recipient of the National Book Foundation's 5 Under 35 honor. Her novel, What's Mine and Yours, was a Read with Jenna pick and named a best book of the year by Kirkus Reviews, Esquire, Marie Claire, and more. Her first novel, Halsey Street, was a finalist for the Kirkus Prize. Her work has appeared in The New York Times, Elle, Time, and The Cut. She earned her MFA at Columbia University and has taught writing for over a decade. Naima lives in Brooklyn. Take What You Can is her most recent novel. The Cut article: https://www.thecut.com/article/learn-to-trust-writing-instincts.html⏰ DEVELOPMENTAL EDITING SLOTS AVAILABLE (limited): http://rachaelherron.com/edit

"I applaud anyone out there who's done the book circuit and trying to reach readers, because I'm not in this to make a lot of money, not at all. I just want people to read the story. I kind of felt like I owed it to the book to do my end of this effort. That's kind of fueled me to keep going too," says Shanda McManus, MD, author of Brother Epistles: A Sister's Memoir.Today we have Shanda McManus. I'm sorry, Dr. Shanda McManus, whose debut book is a memoir titled Brother Epistles. It is a memoir written in letters to her brother Monir, who was murdered in 1992 in a drive-by shooting in Philadelphia. Monir was an Army veteran and when he was out of the army, he was involved in the drug trade and got caught up in a turf dispute. In Shanda's telling, we learn so much about Monir and you feel the love and the grief nearly 25 years after his death. It's a wonderful book and you're going to hear quite a bit about it shortly.So Shanda, this was nice, this was fun. You're really going to dig it. She's an assistant professor of family medicine at Hackensack Meridian School of Medicine. Brother Epistles, published by Split Lip Press is her first book and it received a starred notice from Kirkus Reviews. Shanda's writing has appeared in Bellevue Literary Review, Intima: A Journal of Narrative Medicine, among other places. She's got other myriad accomplishments that you can read about at shandamcmanus.com and follow her on Instagram @shandmdwrites.In this episode we talk about: How she thinks about promotion What we owe the book The apprehension of working with an editor The lawn sign that changed her life Post-It notes Integrating grief Finding compassion for her younger self How the story you tell leads you to the form The guilt of getting out Food journeys How place informed her writing How she shaped the book Touching the work every day And the power of reading aloudParting shot on some major but minor changes to the podcast, but for now, it's high time we queue Shanda

Julie Buntin is the author of the novel Famous Men, available from Random House. Buntin's debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Other writing has appeared in Harper's Magazine, The New York Times, The Atlantic, and elsewhere. She lives in Ann Arbor, where she is an assistant professor at the University of Michigan. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rula.com/otherppl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get started. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Walker joins Let's Talk Memoir for a conversation about how we talk about current traumas and past traumas in ways that don't retraumatize us, making our work matter to others, giving ourselves agency over the hard stuff we're writing about, conveying interiority and emotion, making our experience fundamental to our writing process, exploring our stories through research, asking readers not to look away, disassociation vs distance, metaphors as entry points for readers, experimenting with the speculative, becoming more expansive, and her new book Writing the Hard Stuff.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story    Also in this episode: - revising life paths - encapsulating our experience - the narrator voice and perspective in our work   Books mentioned in this episode: Constellation of Ghosts: A Speculative Memoir with Ravens by Laraine Herring Frontier: A Memoir and a Ghost Story by Erica Stern A Braided Heart: Essays on Writing and Form by Brenda Miller How to Plant a Billion Trees by Nicole Walker   NICOLE WALKER is the author of several books including How to Plant a Billion Trees and Writing the Hard Stuff. She has written pieces for The New York Times and is a noted author in several editions of Best American Essays. She edits Crux, the literary nonfiction series at University of Georgia Press and teaches creative writing at Northern Arizona University where she serves as Writer-in-Residence for the Center for Ecosystem Science and Society.    Connect with Nicole: Website: nikwalk.com Facebook: https://www.facebook.com/nicole.walker.18041 @nikwalk.bsky.social Instagram: https://www.instagram.com/nikwalker28/ ‭https://nikwalk.substack.com/    Purchase Book:  https://www.bloomsbury.com/us/writing-the-hard-stuff-9781350518650/ https://www.bloomsbury.com/us/how-to-plant-a-billion-trees-9798216278894/   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/  

National bestselling novelist Diane Les Becquets joins Stories from Real Life for an unforgettable conversation about survival, faith, creativity, and the remarkable healing power of nature.Known for literary novels that immerse readers in America's wild landscapes, Diane has earned acclaim for Breaking Wild, The Last Woman in the Forest, and her newest novel, Where the Water Meets the Sky. Her latest work is a moving coming-of-age story set in Michigan's Upper Peninsula that explores grief, memory, forgiveness, and the restorative power of community and the natural world.But during the writing of this novel, Diane faced a life-changing challenge of her own.Diagnosed with five brain aneurysms, she underwent complex surgery and emerged with a transformed perspective on writing, faith, family, and purpose. Following her recovery, she returned to Michigan's Upper Peninsula—traveling to the very locations that inspired her novel—as both a celebration of life and a pilgrimage of gratitude.In this deeply personal episode, Diane shares how beauty, wonder, and wilderness continue to shape both her stories and her life.In This Episode* The inspiration behind Where the Water Meets the Sky* Why Michigan's Upper Peninsula became the heart of the novel* Surviving five brain aneurysms* Finding peace after trauma* Faith, surrender, and creativity* Nature as a source of healing* Why place can become a character* Living with gratitude after facing mortality* What she hopes readers carry with them long after finishing her booksAbout Diane Les BecquetsDiane Les Becquets is the award-winning, national bestselling author of Breaking Wild, The Last Woman in the Forest, and Where the Water Meets the Sky.Her novels have received starred reviews from Publishers Weekly, Booklist, and Kirkus Reviews, been featured on NPR's Morning Edition, and earned numerous literary honors, including the Colorado Book Award and the New Hampshire Outstanding Work of Fiction.Drawing from years spent exploring wilderness alongside archaeologists, wildlife biologists, conservationists, and foresters, Diane creates stories where landscape becomes as important as the people who inhabit it. She now lives in New Hampshire and continues to write from her backyard writing studio, “Wild Spaces.”Books Mentioned* Where the Water Meets the Sky* Breaking Wild* The Last Woman in the Forest* Nuremberg, MississippiConnect with Diane Les Becquets

 "I wanted to write about friendships that are really, really close, and so they are more complicated, say, than friendships that are less close... And so I wanted to talk about a friendship that isn't always sunshine and roses," shared Naima Coster about her new novel, TAKE WHAT YOU CAN. TAKE WHAT YOU CAN, as Coster explained in the interview, "is a story of two best friends, Millie and Val, who decide to move near one another when they're both pregnant with their girls so they can raise their daughters together. They're both motherless mothers who want to be family to each other, but once they're living in the same Brooklyn neighborhood, things don't go the way they planned, and the ways that their lives have taken different directions becomes really apparent."Naima Coster is a New York Times bestselling author and a recipient of the National Book Foundation's 5 Under 35 honor. Her novel, What's Mine and Yours, was a Read with Jenna pick, a statewide read for One Maryland One Book, longlisted for the Mark Twain American Voice in Literature Award, and named a best book of the year by Kirkus Reviews, Esquire, Marie Claire, Ms. Magazine, and more. Her first novel, Halsey Street, was a finalist for the Kirkus Prize and named a must-read by People, Essence, Well-Read Black Girl, The Skimm, and the Brooklyn Public Library. Naima's work has appeared in The New York.Follow Naima Coster on Instagram - @naimacoster Follow Diverse Voices Book Review on Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks.bsky.social 

William Huhn is a critically acclaimed, award-winning writer of poetry and narrative essays. Huhn, the grandson of Alcoholics Anonymous co-founder Henrietta Seiberling, graduated from Vassar College with a degree in chemistry. He works for a testing and certification company, overseeing its East Coast laboratories. But despite the science side to him, he is really a creative artist at heart.He studied classical violin from age five and then took up old-time fiddle. He played fiddle across Europe after graduating from college, hoping to raise enough funds to live as a poet. He wrote much poetry during that period and others, many examples of which were published in journals and magazines.Now, years later, his debut poetry collection was released. Bachelor Holiday, which has been praised by Midwest Book Reviews, Literary Titan, and by notable award-winning writers. Kirkus Reviews gave it a starred review and the book was a finalist at American Book Fest's 2024 Book Award for Poetry. It also was the winner of the Literary Titan Gold Book Award for Poetry.He's had numerous narrative essays published in American Literary Review, Sport Literate, Pembroke, Rosebud, and other publications. Eight of these essays were listed as “Notable Essay” in The Best American Essays series. His writings received two honorable mentions in the New Millennium Award (for nonfiction) and twice he received Pushcart Prize nominations for nonfiction.His poetry has been published in Verse Daily, The Carolina Quarterly, Talking River Review, 34th Parallel, San Pedro River Review, Grey Sparrow Journal, Blue Moon Literary and Art Review, and elsewhere. BlazeVOX, his book publisher, is among the most prestigious independent literary presses in the nation.Born in Bryn Mawr, and raised in Devon, Pennsylvania, he also lived in Southern California and New York. He resides in a suburb of New York City with his wife and two young children. For more information, please see: www.williamhuhn.com.  Connect on social media:https://www.facebook.com/WilliamBucklerHuhn/https://www.instagram.com/willhuhn/https://x.com/WillHuhnBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Rachel Eliza Griffiths is a poet, multimedia artist, memoirist and novelist. Her literary and visual work has been widely published in magazines, journals, and anthologies, including The New Yorker, The Paris Review, Poets and Writers, and Best American Poetry, among others. Some of her poetry collections include Miracle Arrhythmia, Mule and Pear, Seeing the Body, and Lighting the Shadow. Griffiths' hybrid collection of poetry and photography, Seeing the Body was selected as the winner of the 2021 Hurston/Wright Foundation Legacy Award in Poetry, the winner of the 2021 Paterson Poetry Prize, and a finalist the 2020 NAACP Image award. Her debut novel, Promise was a Kirkus Reviews and Chicago Public Library Best Book of the Year. Her memoir is called The Flower Bearers.   Learn more about your ad choices. Visit megaphone.fm/adchoices

We had a lot of laughs! Join us and Susan Lee as we gossip about her newest release, K-Drama, Keebs and the epic US tour she's about to embark on. See You at the Sunset, releases on 8/11. After being fired, Jia seeks escape in the form of a trip to her grandmother's senior living village. This is her happy place, spending time with people 50 years her senior who are living their best, 3:00 p.m.-happy-hour lives. Then Henry Shin arrives – the man who'd just fired her. He's as surprised as she is angry. As the summer continues, the chemistry between them ignites. But what will happen when the real world comes calling? #heahotseat #SusanLee #SeeYouAtTheSunset #romcom #podcast #authorsontheair #larkbrennan #SarahAndre #romancebooks #romancenovelsofinsta #authorinterview #authorsofinstagram #pamstack Susan Lee is a USA Today bestselling author of both young adult and adult romantic comedies. Her work has been featured in national outlets such as Buzzfeed, NPR, People Magazine and Pop Sugar. Kirkus Reviews calls Susan's voice “honest, fresh and thoughtful”. You can find her at https://www.susanleewrites.com/ https://www.threads.com/@susanleewrites https://www.instagram.com/susanleewrites Find Your Author Hosts: Sarah Andre at https://sarahandre.com/ Facebook: https://www.facebook.com/SarahAndreNovels IG https://www.instagram.com/sarahandrenovels/ Lark Brennan at https://www.larkbrennan.com/ Facebook: https://www.facebook.com/LarkBrennan/ IG - https://www.instagram.com/larkbrennan/ YouTube Channel: https://bit.ly/43tWnZy

We had a lot of laughs! Join us and Susan Lee as we gossip about her newest release, K-Drama, Keebs and the epic US tour she's about to embark on. See You at the Sunset, releases on 8/11. After being fired, Jia seeks escape in the form of a trip to her grandmother's senior living village. This is her happy place, spending time with people 50 years her senior who are living their best, 3:00 p.m.-happy-hour lives. Then Henry Shin arrives – the man who'd just fired her. He's as surprised as she is angry. As the summer continues, the chemistry between them ignites. But what will happen when the real world comes calling? #heahotseat #SusanLee #SeeYouAtTheSunset #romcom #podcast #authorsontheair #larkbrennan #SarahAndre #romancebooks #romancenovelsofinsta #authorinterview #authorsofinstagram #pamstack Susan Lee is a USA Today bestselling author of both young adult and adult romantic comedies. Her work has been featured in national outlets such as Buzzfeed, NPR, People Magazine and Pop Sugar. Kirkus Reviews calls Susan's voice “honest, fresh and thoughtful”. You can find her at https://www.susanleewrites.com/ https://www.threads.com/@susanleewrites https://www.instagram.com/susanleewrites Find Your Author Hosts: Sarah Andre at https://sarahandre.com/ Facebook: https://www.facebook.com/SarahAndreNovels IG https://www.instagram.com/sarahandrenovels/ Lark Brennan at https://www.larkbrennan.com/ Facebook: https://www.facebook.com/LarkBrennan/ IG - https://www.instagram.com/larkbrennan/ YouTube Channel: https://bit.ly/43tWnZy

What if you never had a child, but someone believed you were their mother? Critically acclaimed author, Sarai Walker, discusses her new release, Furious Violet. The daughter of a beloved feminist icon receives an unsettling note from someone claiming to be her child, but she's never had any children. As the stalker grows ever more emboldened, she must figure out who it is and what they want, before it's too late. "...claustrophobic, pulse-pounding…rivets from start to cathartic finish."—Kirkus Reviews (starred review) Listen in as we chat about the dangers of comparison, the great devices she incorporated, and a certain word many women really don't like! (Not that one…and not that one either… listen in to find out!) https://www.mariesutro.com/twisted-passages-podcast https://www.saraiwalker.com ABOUT THE AUTHOR: Sarai Walker is the author of FURIOUS VIOLET (July 2026), THE CHERRY ROBBERS (May 2022) and DIETLAND (May 2015), which was adapted as a television series for AMC in 2018. Her work has been published in more than a dozen countries. Sarai has lectured on feminism and body image internationally. Her articles and essays have appeared in The New York Times, The Washington Post, The Guardian and elsewhere, and she worked as a writer and editor on an updated version of Our Bodies, Ourselves (2005). She holds an MFA in creative writing from Bennington College and a PhD in English from the University of London. During the 2025-26 academic year, she served as the Visiting Assistant Professor of Creative Writing at the University of Memphis.

What if you never had a child, but someone believed you were their mother? Critically acclaimed author, Sarai Walker, discusses her new release, Furious Violet. The daughter of a beloved feminist icon receives an unsettling note from someone claiming to be her child, but she's never had any children. As the stalker grows ever more emboldened, she must figure out who it is and what they want, before it's too late. "...claustrophobic, pulse-pounding…rivets from start to cathartic finish."—Kirkus Reviews (starred review) Listen in as we chat about the dangers of comparison, the great devices she incorporated, and a certain word many women really don't like! (Not that one…and not that one either… listen in to find out!) https://www.mariesutro.com/twisted-passages-podcast https://www.saraiwalker.com ABOUT THE AUTHOR: Sarai Walker is the author of FURIOUS VIOLET (July 2026), THE CHERRY ROBBERS (May 2022) and DIETLAND (May 2015), which was adapted as a television series for AMC in 2018. Her work has been published in more than a dozen countries. Sarai has lectured on feminism and body image internationally. Her articles and essays have appeared in The New York Times, The Washington Post, The Guardian and elsewhere, and she worked as a writer and editor on an updated version of Our Bodies, Ourselves (2005). She holds an MFA in creative writing from Bennington College and a PhD in English from the University of London. During the 2025-26 academic year, she served as the Visiting Assistant Professor of Creative Writing at the University of Memphis.

Young readers are in for an entertaining ride in Gillespie's picture book debut…This delightful rhyming adventure is one kids won't want to miss. Delightful hijinks of a young girl and her charming pet squirrel.” --Publishers Weekly BooklifeA runaway squirrel. A frantic chase. A hummingbird with a secret clue. And a brave little girl who knows just what to do!Meet Miss Floo Flocky Doo—a brave, imaginative girl who loves helping others. She is a spirited, young girl. When she discovers a tiny baby squirrel named Lucky Lou, she rescues him, loves him, and brings him everywhere she goes. But during a trip to the grocery store, Lou escapes and chaos breaks loose!Welcome to an imaginative new, award-winning and critically acclaimed children's picture book that is a laugh-out-loud animal adventure with a wonderful message. The book, Floo Flocky Doo to the Rescue, was penned by proud military veteran, retired U.S. Air Force Lieutenant Colonel, David Gillespie.His book has received critical acclaim from Kirkus Reviews, Publishers Weekly BookLife, and Literary Titan, and has earned recognition from Readers Choice Book Awards, Monsters Book Awards, American Writing Awards, Firebird Book Award, Mom's Choice Gold Award, and Literary Titan Gold Award, and Maxy Awards.Kids will giggle as Lucky Lou jumps into a customer's wig, races through the aisles, spreads blueberry jelly footprints, and hides in the fruit section. With the help of her hummingbird friend Peanut, Floo shouts her favorite magical phrase: “Hootie Hoo, Hootie Hoo— I know what to do!”Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

This episode of the True Fiction Project dives into the remarkable true story behind the historical fiction novel, Charlotte Salomon Paints Her Life, by Pamela Reitman about Charlotte Salomon, a young Jewish artist who painted over a thousand works while fleeing the Nazis in France. We talk about the ethics of biographical fiction, how Pamela handled the unanswered questions of Charlotte's life, and why this story of art born from unimaginable loss still resonates today. This conversation reveals the research process behind historical novels and what it means to give voice to those who can no longer speak for themselves. Tune in to hear Pamela and excerpt of the novel when Charlotte is being reminded that she is a genius artist.What You'll Learn in This Episode: How biographical fiction differs from traditional biography when writers face gaps in the historical recordWhy Charlotte Salomon's artwork Life? Or Theater! is considered a masterpiece of Holocaust literature and modern artHow author Pamela Reitman decided which relationships, like the one with Wolf Abrams, to fictionalize and which to leave ambiguousThe role that art and trauma played in helping Salomon process the loss of her mother and family during Nazi occupationSubscribe to Reenita's Storytelling Den on Substack for free at https://substack.com/@reenitahora and to her YouTube channel to watch the video version of this episode! https://www.youtube.com/@reenymalCheck out her website to stay up-to-date on events, book releases and more! https://reenita.com/TIMESTAMPS:  01:10 Pamela Reitman shares her historical fiction novel about Charlotte Salomon's and explains the difference between biographical fiction and traditional biography writing04:34 Discussion of the Wolf Abrams relationship and the choice to leave their romance ambiguous07:49 Pamela describes the genesis of the book, since there was already a biography10:39 Pamela shares how she discovered Charlotte Salomon's work at the Jewish Museum in San Francisco13:08 Discussion of the time period during which Charlotte's  work was created, and where the listener can learn more about this amazing woman15:56 Pamela reads a moving excerpt from her novel about Charlotte's belief in her own artistic geniusKEY TAKEAWAYS: Writers of biographical fiction carry a unique responsibility, especially as Holocaust survivors who could verify the facts become fewer with each passing yearCharlotte Salomon's more than 1,300 paintings, created in a single year while she lived without identity papers, eventually became an opera that debuted in Salzburg in 2017Pamela Reitman believes art served as a way to transform suffering rather than heal it completely, shaping the emotional core of her historical novelABOUT THE GUEST: Pamela Reitman, a Jewish Book Council Network author, is an award-winning writer with numerous publications in literary journals, news outlets, and magazines. She has a B. A with honors in English from Columbia and an MPH from UC Berkeley. She is retired from a career in public health and community service focused on reducing the stigma surrounding mental illness. Pamela is also Director Emerita of Makor Or: A Jewish Meditation Center in San Francisco. She now lives in Healdsburg, California, with her husband. Charlotte Salomon Paints Her Life is Pamela's debut novel. Over two months on Amazon's Hot New Releases for Biographical Literary Fiction, Kirkus Reviews calls this novel “a vividly detailed rendering of a real life caught in a maelstrom of 20th-century horror.”RESOURCES MENTIONED:Pamela Reitman (@PamelaReitman1) - FacebookPamela Reitman - WebsiteAmazon.com: Charlotte Salomon Paints Her Life: A NovelAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother's increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she's found a kindred spirit. A passing comment from her mother only adds to Will's fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she's only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men's mistakes, Famous Men (Random House, 2026) traces one woman's journey to the truth of where she comes from, what she's capable of, and how she might start again. Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan. Recommended Books: Dur E. Aziz Amna, A Splintering Chloe Benjamin, The Understory Louise Kennedy, Stations Carol Shields, The Stone Diaries  Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother's increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she's found a kindred spirit. A passing comment from her mother only adds to Will's fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she's only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men's mistakes, Famous Men (Random House, 2026) traces one woman's journey to the truth of where she comes from, what she's capable of, and how she might start again. Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan. Recommended Books: Dur E. Aziz Amna, A Splintering Chloe Benjamin, The Understory Louise Kennedy, Stations Carol Shields, The Stone Diaries  Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother's increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she's found a kindred spirit. A passing comment from her mother only adds to Will's fascination: Is Nathaniel the father she's never known?Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she's only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.A gripping novel about ambition, parents and children, and all the ways women still pay for men's mistakes, Famous Men (Random House, 2026) traces one woman's journey to the truth of where she comes from, what she's capable of, and how she might start again. Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan. Recommended Books: Dur E. Aziz Amna, A Splintering Chloe Benjamin, The Understory Louise Kennedy, Stations Carol Shields, The Stone Diaries  Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jessica Knoll discusses her latest novel Helpless, which according to Kirkus Reviews, "puts the 'erotic' back in 'erotic thriller.'" The story follows a woman named Faye Heron, a successful Hollywood writer and actor who still secretly pines after her college ex-boyfriend, Henry. After they reunite at the funeral of a beloved former professor, sparks reignite. But when Faye finds herself kidnapped and taken to a remote cabin, she must discover what Henry wants from her... and what she wants from him.  Cover art courtesy of Simon and Schuster Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Watch the video version on YouTube: https://youtu.be/DoefSSe9QW0 Hosts Keith and Jodi interview the married writing team behind the pen name Sebastian Grey about their debut novel, "Merry Band of Misfits," a heist story centering disabled characters as protagonists, including Vinnie, a man with Down syndrome, and his chosen family planning a bank heist to protect their home. They discuss their film/TV background, their goal to counter "inspirational side character" tropes, and why the heist genre highlights capability, moral ambiguity, and agency. The authors describe barriers in Hollywood and why they created their indie press, Bastion House, to control the message. They detail a Kirkus Review they call an "erasure" for centering the non-disabled brother Nicholas and mislabeling or omitting key disabilities, prompting them to speak publicly. In the "Deep Cut" segment, the hosts analyze the book's themes of autonomy, caregiving, ableism, community living, humor, and low expectations. Sebastian Grey: https://sebastiangreytheauthor.substack.com/ Bastian House Publishing: https://bastianhousepublishing.com/ Purchase "Merry Band of Misfits": https://books2read.com/merry-band-of-misfits

Notes and Links to Julie Buntin's Work     Julie Buntin's new novel, Famous Men, is out as of July 14. Her debut, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize and longlisted for the Center for Fiction's First Novel Prize. It was a Barnes & Noble Discover Great New Writers Pick and was released in ten territories worldwide and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. In September, Norton will publish her collaborative nonfiction project, Notes to New Mothers, co-edited with Rebecca Dinerstein Knight.    Previously, Buntin was an editor and director of writing programs at Catapult. She has taught creative writing at NYU, Columbia University, Marymount Manhattan College, the Yale Writers' Workshop, Lighthouse Writers Workshop's Lit Fest, and elsewhere. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan.   Buy Famous Men   Julie Buntin's Website   Elle Magazine: “An Exclusive First Look at Julie Buntin's Famous Men, One of the Most Anticipated Novels of 2026"   New York Times Review of Famous Men       At about 3:00, Julie shares feedback she has received about Famous Men  At about 4:20, Julie gives publishing and purchasing information for her novel At about 5:30, Julie highlights book tour events At about 6:10, Julie talks about her upbringing in Michigan At about 7:40, Julie traces her childhood connections to reading and literary culture At about 10:40, Julie shouts out Mr. Young, her “formative” 10th grade English teacher and talks about her early reading and burgeoning literary interests  At about 12:20, Pete fanboys over Tobias Wolff in asking Julie's thoughts on the “public intellectual” and connections to her novel, Famous Men At about 15:40, Julie highlights Lorrie Moore, Toni Morrison, Elizabeth Bishop, Elena Ferrante, and Stephen King, among others, as formational for her own writing  At about 19:10, Julie compliments current writers whose work she enjoys, including Raven Leilani, Emma Cline, and Claire Messoud At about 20:40, Julie responds to Pete's question about the texts that resonate with her students, including Tinkers by Paul Harding At about 23:25, Pete unloads his traumatic writing workshop experience, and Julie gives background on the evolution of the writing workshop  At about 27:30, Pete shares the novel's epigraphs and asks Julie about seeds for the book At about 32:30, The two discuss the book's opening and reflect on where to open a/the book At about 34:00, The two discuss an inciting incident and flashforward and the main male character's writing and many relationships with women At about 35:00, The two discuss sexism experienced by Will as a girl  At about 36:05, Julie reflects on the “secret summers” Will had as a teenager At about 38:55, The two discuss the “shame” Will feels and the connection to her writing and need to express herself At about 41:20, The two discuss the power of truth (or the lack of power), especially for young women, as seen in the way that young Will is often disbelieved   At about 42:25, Pete highlights a winning craft point, and Julie highlights how Nathaniel would have started the book-she muses on how to write this part  At about 43:30, The two discuss a huge breach of trust in Will's household, as Julie muses on Will's mindset before and after the gross behavior from a family member  At about 46:40, Pete and Julie discuss Will's leaving to New York City and her first experience with a reading and meeting Nathaniel  At about 50:05, Julie responds to Pete's questions about her treatment of a “ghost character”  At about 52:40, Pete highlights a “fraught” scene  At about 53:40, The two discuss the writing slump of Nathaniel and connections to impotence in the book and in the writing world and who gets to carry one's legacy despite a dr At about 55:00, Julie discusses Nathaniel as a composite character  At about 56:00, Julie talks about an important photo and how it affects the relationship between Will and Nathaniel At about 58:30, Julie expands on the idea of Nathaniel's fame, as seen by his inner world and the outer world At about 1:01:40, Famous men and “missing” fathers are discussed, as well   At about 1:02:45, Julie reflects on the heart condition that Will has and somatic/anxiety links At about 1:03:50, Julie responds to Pete's musings about Will being stunted or fed in her growth as a writer and person through being with Nathaniel At about 1:08:30, Julie ponders Pete's question regarding what to do with the creation of flawed creators        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode is the trailer episode for my limited podcast series, Rage is a Gift: Evil Empire at 30. I reflect on the Importance (and the power of this capital "I") of Rage Against the Machine and their seminal Evil Empire album, which is celebrating 30 years of resistance. The limited podcast series will do a deep exploration of, and reflection on, the lyrics and context of each of the 12 powerful songs on the album.     Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode is “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 347 with a guest to be announced.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Jenny Lisk joins Let's Talk Memoir for a conversation about losing her husband to an aggressive brain cancer and becoming a widowed parent, learning how to do a job she never asked for, being a resource for widowed parents, feeling like you're doing grieving wrong, better understanding grieving children, launching a podcast to learn more about widowhood, incorporating a Caring Bridge blog into memoir, utilizing storytelling principles to flesh out a story and transform it into memoir, fear of vulnerability, defining book marketing broadly, assisting writers in self-publishing, memoir as an act of service, and her memoir Future Widow.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: - knowing where to end a memoir - instrumental and intuitive grievers - early marketing and building relationships   Books mentioned in this episode:  - The Anatomy of Story by John Truby - Real American Julie by Lythcott-Haims The Chicago Manual of Style from University of Chicago Press   Jenny Lisk is the founder of the Widowed Parent Institute. She is an award-winning author and widowed mom who is dedicated to helping widowed parents increase their family's well-being. Jenny's books, Future Widow and Widowed Parents Unite, and her show, The Widowed Parent Podcast, guide the journey of solo parenting after loss. Jenny's work has been featured in The Washington Post, Katie Couric Media, Yahoo Life, ParentMap, and more. She lives in Redmond, Washington, with her two college-age kids.   Connect with Jenny: Website: https://jennylisk.com https://jennyliskllc.com/ https://widowedparentinstitute.com/   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Send us Fan MailWe sit down with travel expert Angie Orth, host of Traveling with AAA and founder of AngieAway.com, to talk about the kind of travel that feels vivid and real: big bucket list wins, smart planning, and what to do when the “easy route” disappears overnight. Angie takes us from a Maldives liveaboard dive retreat with whale sharks and tiger sharks to the moment war-related airspace closures strand travelers and force a costly, creative path home. Along the way, we dig into practical travel advice that actually matters, like staying flexible, knowing alternate flight routes, and budgeting for disruption so you can make decisions fast instead of panicking. We also swap destination stories and grounded tips: Bahamas island hopping in Exuma with wildlife you would not expect, Egypt travel and why a guide can make culture shock feel like discovery, and a quick-hit Las Vegas trip built around the Sphere and great food. Plus, there is Costa Rica dental tourism, a brutal bullet ant bite, a Natchez Trace Parkway road trip warning about national park speeding tickets, Finger Lakes wine on a budget, Kauai hiking reality checks, and an Alaska finale featuring northern lights and grizzlies. **Angie Orth describes herself as a tour guide for global shenanigans, worldwide wanderlust, and misadventures near and far. Podcast host Lea Lane has traveled to over 100 countries, and has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to dozens of guidebooks and has written thousands of travel articles. Read her weekly essays on Substack._____Our award-winning travel podcast, Places I Remember with Lea Lane, has produced over 130 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen to podcasts. All episodes are also on her website: placesirememberlealane.com_____Travel vlogs of featured  podcasts-- with video and graphics -- now also drop on YouTube.  

In this episode of Hear Tell, Diana Keough talks with University of Georgia law professor and 2023 UGA MFA graduate Elizabeth Chamblee Burch about her new book, The Pain Brokers: How Con Men, Call Centers, and Rogue Doctors Fuel America's Lawsuit Factory. Part investigative journalism and part legal exposé, The Pain Brokers takes readers inside the hidden world surrounding transvaginal mesh litigation — a sprawling system of telemarketers, mass tort lawyers, questionable medical practices, and billion-dollar settlements built around women searching for relief from chronic pain. Kirkus Reviews described Beth's book as “a clarion call for reform and change.” In their conversation, Diana and Beth discuss how Beth organized such a large and complicated story, how she approached writing fairly about deeply flawed characters, and the care she took to preserve the dignity of the women at the center of the book — women whose suffering had already been exploited for profit. They also talk about the challenge of translating dense legal and medical material into narrative nonfiction that remains deeply human at its core. The Pain Brokers is available wherever books are sold.  For more information about Elizabeth and her work, visit her website: https://www.elizabethchambleeburch.com/

In New Book, Ph.D. Psychologist Asks How Tightly We Should Hold Any Belief—Whether Religious, Spiritual, or Personal—and Finds the Answer Is Less Than You Think What if the issue isn't what we believe, but how tightly we hold our beliefs? At a time when so many people are questioning inherited frameworks, exploring mindfulness or psychedelics, and looking for meaning outside rigid institutions, quantitative psychologist Joshua Pritikin, Ph.D., offers a thought-provoking perspective: that growth and insight may depend less on finding the “right” beliefs than on learning to relate to belief itself with more openness and flexibility. His new book Religion Unburdened by Belief: The Way of Open Inquiry explores how tightly held beliefs can shape identity, emotional reactions, and even our sense of reality — and how loosening that grip can create space for greater clarity, resilience, and personal transformation. Drawing from psychology, spirituality, and Internal Family Systems, he offers a framework for examining beliefs without discarding the search for meaning. Other points he can speak to include: 3 ways to adjust your beliefs for greater clarity, growth, and insight 5 rules for exploring consciousness safely Why we want AI to be conscious (and what it says about us) Tired of asking “what's true?” Stop fact-checking and do this instead. If this is of interest, I'd be glad to connect you with Joshua for an interview tailored to your audience. WHAT IF OUR PROBLEM ISN'T WHAT WE BELIEVE, BUT HOW FIRMLY WE BELIEVE IT? A New Book Asks How Tightly We Should Hold Any Belief—Whether Religious, Spiritual, or Personal—and Finds the Answer Is Less Than You Think Religion Unburdened by Belief: The Way of Open Inquiry, by Joshua Pritikin, Ph.D., Praised by Kirkus Reviews as “counterintuitive yet compelling” Releases June 15, 2026 There's increasing recognition that the beliefs we hold—about ourselves, what we're striving for, and even reality—may be quietly limiting how we think, feel, and grow. But while much has been said about what to believe or disbelieve, far less attention has been paid to a more fundamental question: how tightly should we hold any belief at all? Pritikin argues that a minimal set of beliefs is still needed—but only those that make exploration possible. In his new book Religion Unburdened by Belief: The Way of Open Inquiry, quantitative psychologist Joshua Pritikin, Ph.D., offers a provocative framework for doing exactly that. Drawing from psychology, philosophy, and the study of consciousness, Pritikin challenges a deeply ingrained assumption: that personal growth, insight, and meaning come from finding and holding onto the “right” ideas. Instead, he argues, transformation comes not from adopting the right beliefs, but from loosening our attachment to belief itself—and learning to navigate experience with disciplined, open inquiry. The result is a shift not just in what we think, but in how we relate to our thoughts, emotions, and sense of self. Beliefs held too tightly can narrow perception, reinforce identity, and amplify emotional reactions. But when approached with flexibility, they can be examined, tested, and even strategically adjusted—opening the door to new ways of thinking, feeling, and experiencing the world. The book introduces a structured yet accessible method for exploring this idea in practice. Borrowing from Internal Family Systems (IFS), Pritikin shows how different “parts” of the mind hold different beliefs—often as a way to protect us. By understanding and working with these parts, readers can begin to shift beliefs in a way that feels safe, intentional, and sustainable.

Courtney Kocak joins Let's Talk Memoir for a conversation about her Hollywood misadventures, facing coercion and exploitation as a young woman, systemic structures we bump up against, fighting the patriarchy, having compassion for the girl she was, landing on essays as a place to stretch out on the page, not terrorizing the people we write about, making dialogue feel alive, book incubators, engaging with other writers and finding community, writing as a means to create opportunities for ourselves, forgiving our younger selves, writing our own rules, taking power back, and her new memoir Girl Gone Wild.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: - being objectified - deadlines and accountability - small presses as champions for innovative memoir Books mentioned in this episode: - Draft Number 4 by John Mcphee - Finger Exercises for Poets by Dorianne Laux - Wild  by Cheryl Strayed  - Tiny Beautiful Things by Cheryl Stayed - The Wager by David Grann   Courtney Kocak is a writer, podcaster, and comedian who splits time between Austin and Los Angeles. She wrote for Amazon's Emmy-winning animated series Danger & Eggs and Netflix's Know It All. She's produced a slew of highly-ranked podcasts and currently hosts three of her own with over two million downloads to date: Private Parts Unknown, about love and sexuality around the world, The Bleeders, about book writing and publishing, and Podcast Bestie, a best friend to podcasters trying to grow and monetize their shows (and a popular Substack). As a writer, her bylines include The New York Times, The Cut, The Washington Post, LA Times, Cosmopolitan, Slate, HuffPost, and more. Her debut memoir, Girl Gone Wild, with Trio House Press, is out now!   Connect with Courtney: Website: https://www.courtneykocak.com/ Instagram: https://www.instagram.com/courtneykocak/ Threads: https://www.threads.com/@courtneykocak Bluesky: https://bsky.app/profile/courtneykocak.bsky.social Twitter: https://x.com/courtneykocak Purchase Book via Bookshop: Girl Gone Wild on Bookshop.org: https://bookshop.org/a/85623/9781949487541 Teaching: https://www.courtneykocak.com/teaching - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

We sit down with Dr. Steven Thrasher to talk about his new book, The Overseer Class; how our police state today evolved from yesterday's slave plantations; and why Dr. Thrasher has been blacklisted from academia after defending his students at Northwestern University during the Palestine encampment movement in 2024. Guests:Steven W. Thrasher, PhD, is the author of The Overseer Class: A Manifesto and the award-winning book The Viral Underclass: The Human Toll When Inequality and Disease Collide, which was a New York Times's Paperback Row Editors' Pick, named one of the Best Nonfiction Books of 2022 by Kirkus Reviews, was longlisted for both the PEN/John Kenneth Galbraith Award for Nonfiction and the Carnegie Medal for Excellence in Nonfiction Literature, and won the 2023 POZ Award for Best in Literature. He is also the inaugural Daniel Renberg Chair for Social Justice in Reporting at the Medill School of Journalism and a faculty member of Northwestern University's Institute of Sexual and Gender Minority Health and Wellbeing. An internationally renowned scholar on race, gender, and infectious disease, Dr. Thrasher's writing has been published by the Guardian, Atlantic, New York Times, Scientific American, Literary Hub, and in many academic journals.Credits:Studio Production / Post-Production: David HebdenBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

Carol Odell joins Let's Talk Memoir for a conversation about being methodically sexually groomed as a girl during her time working at a stable, sexual grooming as a slow desensitization process,  interrupting the patterns created from unprocessed trauma, including her experience as a therapist in her pages, trying to trace our behavior and thread the story in the narrative, taking risks and doing deeper work, the divisions within ourselves, writing self back into scenes we've emotionally splintered off from, recognizing ourselves as victims, hybrid publishing through She Writes Press, turning down the volume on critical self-talk, and her new memoir Girl Groomed: A Therapist's Memoir of Trauma.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: - vulnerability - practicing good self-care - being compassionate with ourselves   Books mentioned in this episode:  - Glass Castle by Jeannette Walls - Educated by Tara Westover - Bird by Bird by Anne Lamott - Writing Down the Bones by Natalie Goldberg Carol Odell, LICSW, grew up riding horses on the show jumping circuit in Virginia. She has been a practicing psychotherapist facilitating groups and working with couples and individuals since 1984. Married for thirty-eight years and the mother of a grown son, her other passions include: squash, pickleball, partner-dancing, mosaics, writing, traveling and being in community with friends and family. She and her husband currently split their time between Seattle and Cle Elum, Washington.   Connect with Carol: Website and newsletter: www.carolodellmsw.com Instagram: mosaicofthoughts_ Professional FB page: www.facebook.com/cfodellmsw   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Notes and Links to Devin O'Shea's Work       Devin Thomas O'Shea is the author of The Veiled Prophet: Secret Societies, White Supremacy, and the Struggle for St. Louis, publishing with Haymarket Books on June 23, 2026. His writing is in The Nation, the Iowa Review, Slate, LA Review of Books, Boulevard, and elsewhere.    Buy The Veiled Prophet   Devin Thomas O'Shea's Website   Review and Informative Article for The Veiled Society in St. Louis Magazine     At about 1:45, Devin details book tour information and ordering information for his book, The Veiled Prophet At about 2:50, Devin talks about the truth and fiction that goes with the book At about 3:30, Devin describes his work with QAnon-related podcasts and reporting At about 5:10, Jim Caviezel (!!!) Talk At about 6:15, Devin and Pete reflect on the state of QAnon in 2026 and the American public's viewpoint  At about 13:30, Pete makes connections between the Veiled Prophets and history “rhyming” At about 18:20, The two discuss famous people from St. Louis and the McCloskey's   At about 21:40, Devin responds to Pete's asking about seeds for the book At about 24:10, The two discuss the high-level capitalists, policymakers, and "landed gentry”-Devin discusses the key years of the 1870s and beginnings of the Veiled Prophet Society At about 27:15,  At about 29:45, Pete notes the Orientalism associated with the symbology of the Veiled Prophet, and Devin expands on the early Prophet At about 32:10, The two reflect on class solidarity and racism and the “aggrieved white male” in early and modern times, with connections to the Veiled Prophet Society  At about 35:00, Devin details Alonzo Slayback, a founder of the Society, and early philosophy and symbology and capitalistic views At about 36:55, Devin responds to Pete's musings about American political parties and past and present ideas of progressivism  At about 38:10, Devin traces some early leadership in the Society and the ways in which “Mardi Gras-centric” clubs evolved/devolved   At about 41:35, Devin expands upon the idea put forth in the book, adapted from Edward Said, of Orientalism as “projected feelings into an Aladdin…framework” At about 42:55, Devin talks about Alonzo Slayback's killing At about 45:45, The two reflect on the importance of the 1904 World Fair in Saint Louis, and the fact that 11/12 board members were part of the Veiled Prophet Society At about 49:30, Mary Smith and her controversy regarding her marriage is discussed At about 51:00, Patriarchy and connections to the Society are discussed At about 52:00, The commodification of the history of the Society and Societal connections to the Manhattan Project At about 54:30, Devin responds to Pete asking about Clark Clifford and Harry Truman and connections to local and federal governments At about 56:50, Devin reflects on the life and legacy of Thomas Dooley At about 58:50, Monsanto and other St. Louis connections and Black communities' protests, including ACTION, are discussed At about 1:02:40, The famed 1972 unmasking of the Veiled Prophet is discussed At about 1:04:00, Devin talks about going to the VP Fair as a kid At about 1:04:40, The two discuss the book's ending and St. Louis “potential”      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode is the trailer episode for Pete's limited podcast series, Rage is a Gift: Evil Empire at 30. Pete reflects on the Importance (and the power of this capital "I") of Rage Against the Machine and their seminal Evil Empire album, which is celebrating 30 years of resistance. The limited podcast series will do a deep exploration of, and reflection on, the lyrics and context of each of the 12 powerful songs on the album.     Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 346 with Julie Buntin, whose debut, Marlena, was a finalist for the National Book Critics Circle's John Leonard Prize and longlisted for the Center for Fiction's First Novel Prize. The novel was released in ten territories worldwide and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews.     The episode airs on July 14, Pub Day for her novel, Famous Men. This book is so, so good.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Matt Nagin is not your average comedian. His unique blend of sharp joke writing and animated theatrics has helped set him apart from his peers. Matt is a touring comedian who has performed standup in seven countries, at The Edinburgh Comedy Festival, as well as on WPIX 11 on The Dr. Steve Show. Matt has performed at major venues such as The Garden City Hotel, The Valley Forge Casino, Resorts Hotel, The Stardome Comedy Club, Gotham Comedy Club, and many others. He's further headlined many shows throughout the southeast at various clubs and benefits, including a recent Festival of Fears showcase. What is more, Matt has opened for notable comedians such as Robert Klein and Yannis Pappis, and performed alongside many renowned acts such as Jim Gaffigan, Eric Andre and Jim Breur.Matt has acted in numerous Film and TV projects, most recently in a scene with Al Pacino on the Amazon Prime show Hunters. He's also appeared in the hit comedy feature Tango Shalom, and in many noteworthy projects, such as Street Justice: The Bronx on The Discovery Channel where he played Sgt. Harris, the boss of Ralph Friedman, the most decorated detective in NYC history.Matt has been a writer for almost thirty years. He's the author of five books, all of which have been featured at The Opelika Book Festival, Books By The Bay Festival, Foothills Book Festival, The Impact Book Festival, as well as at book signings at venues such as Page And Palette and The New South Bookstore.Matt's humor book, Do Not Feed The Clown, published by Tenth Street Press, obtained terrific reviews and reached #249 in Dark Humor on Amazon. His latest book, the short story collection, The Book of Outcasts, has also obtained superb reviews and reached #200 in Humorous Literary Fiction on Amazon.Matt published three poetry books, Butterflies Lost Within The Crooked Moonlight, Feast of Sapphires and Notes From The Bonfire. Kirkus Reviews described Matt's poetry as “powerful verse from a writer of real talent.” Matt's poem “If We Are Doomed,” won The Spirit First Editor's Choice Award. A short story, “The Failure,” made Best of Across The Margin 2021. He's had writing showcased in The Humor Times, The Satirist, Points In Case, The Higgs-Weldon and The New York Post. He's also had fiction and poetry anthologized in The Rabbithole: Vol 5 and New York's Best Emerging Poets.Matt wrote and directed a short film, Inside Job, which won awards on the festival circuit, including Best Short at The Mediterranean Film Festival Cannes and Best Supporting Actor at The Nice International Film Festival. Matt's latest short film as writer/director, Sorry Mom, was an official selection of All The Laughs Comedy Awards, Wavestock Film Festival, and The International Film Festival Manhattan. It will be released on YouTube in March 2026.Matt has appeared on numerous podcasts and radio programs, such as The New York City Crime Report, REELTalk With Audrey Russo, The Ed Tyll Show, He Said What, Kill The Cat Radio and The Dean Andrews Podcast. Using the alias, Lil Crohn$y, Matt created an original comedic rap and music video, Illest MC, that quickly became a fan favorite. Finally, Matt's obtained press in numerous outlets, among them NY Press, Real Creative Magazine, Riviera Insider, Times Herald-Record, The Jewish Chronicle, and Stagebuddy. Perhaps most importantly, Matt tries to help others. He spent several years as a Talent and Show Coordinator for The Gotham Comedy Foundation, a charitable organization that brings comedians into hospitals and senior centers. Matt further has long been involved with The Crohn's and Colitis Foundation, performing standup at benefits and contributing to the search for a cure. In 2019, Matt was granted The Long Island Chapter's Mission Award.

This outstanding novella, “To Be Taught, If Fortunate” by award-winning science fiction author Becky Chambers, is a passionate argument for the human exploration of space and the wonders we will find there. Kirkus Reviews calls it, “An extraordinary picture of humanity among the stars.” Join host Mat Kaplan for a conversation with Becky in which her personal enthusiasm for space science matches that of her four wandering explorers. The very alien lifeforms they discover amplify their own, very human failings and triumphs. Questions submitted by The Planetary Society’s members were a valuable contribution to this live event presented in our member community. Discover more at: https://www.planetary.org/planetary-radio/book-club-becky-chambersSee omnystudio.com/listener for privacy information.

Cinelle Barnes joins Let's Talk Memoir for a conversation about her brain aneurism rupture, writing a memoir two years after brain surgery, the healing modality that is writing personal narrative, memoir as a palimpsest, having multiple memoirs, narrating from the perspective of the adult, choosing to be in a place of discovery, alternating timelines, offloading thoughts onto sticky notes, when writing becomes episodic and collage like, gratitude as fertilizer for the brain, holding onto our words and art to keep holding onto who we are, investigating the many selves within the self, and her new memoir A Way Home: A Memoir of Losing Yourself and the Beauty of Returning.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -micromemoirs -fostering neuroplasticity -changing as we explore   Books mentioned in this episode:  -Easy Beauty by Chloe Cooper Jones -Mother Mary Comes to Me by Arundhati Roy -The Man Who Could Move Clouds by Ingrid Contreras   Cinelle Barnes is the Philippine-born author of Monsoon Mansion: A Memoir, Malaya: Essays on Freedom, and A Way Home: A Memoir of Losing Yourself and the Beauty of Returning. She is also the editor of the New York Times “New and Noteworthy” A Measure of Belonging: Twenty-One Writers of Color on the New American South. Cinelle is a survivor of a brain aneurysm rupture and sits on the Brain Injury Leadership Council of South Carolina, and is the recipient of awards and fellowships from the Sustainable Arts Fund, the Authors League Fund, the National Endowment for the Arts, South Arts, and the North American Travel Journalists Association, among others. She has served on the jury panels for several literary awards, including the inaugural Pulitzer Prize for Memoir. Her writing has appeared in Coastal Living, Travel + Leisure, Buzzfeed, Catapult, Electric Literature, and Longreads, among others. Cinelle lives in Charleston, SC, with her husband, daughter, and cat.    Connect with Cinelle: Webiste: cinellebarnes.com Instagram: @cinellebarnesbooks   Purchase Book via Bookshop: https://bookshop.org/p/books/a-way-home-a-memoir-of-losing-yourself-and-the-beauty-of-returning-cinelle-barnes/1a3f1cce1c657294?ean=9781662510618&next=t   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Journalist, hit entertainment podcaster, and debut novelist, Bobby Finger, spoke to me about writing for Jezebel, turning a screenplay into a novel, and his debut, "The Old Place." Bobby Finger is a writer and co-host of the popular celebrity and entertainment podcast, Who? Weekly, "The podcast that tells you everything you need to know about celebrities you don't." His debut novel is The Old Place, described as "A bighearted and moving debut about a wry retired schoolteacher whose decade-old secret threatens to come to light and send shockwaves through her small Texas town." It has been named Washington Post‘s 10 Noteworthy Books for September, People‘s Best New Books, Town & Country's 45 Must-Read Books of Fall, New York's 25 Notable New Releases, Kirkus Review‘s 150 Most Anticipated Fall Books, LitHub‘s Most Anticipated Books of 2022, among many others. New York Times bestselling author Emma Straub said of the book, “I loved being inside this skillful novel—at the planning parties for church fundraisers, learning to drive with a can of beer in the cupholder, and in the heads of some wonderfully tangy old Texan ladies. Bobby Finger has built a rich world in The Old Place, and I will think of it every time I make toast.” Stay calm and write on ... ⁠Get 'The Writer Files' Podcast Delivered Straight to Your Inbox⁠ If you're a fan of The Writer Files, ⁠please "Follow" us to automatically see new interviews⁠. In this file Bobby Finger and I discussed: Growing up in a small Texas town His start in copywriting and freelance journalism Writing screenplays in the margins Becoming a full-time podcaster How to write autofiction with a twist What happens when people leave, and those left behind And a lot more! Show Notes: ⁠whoweekly.us⁠ ⁠The Old Place By Bobby Finger⁠ (Amazon) Bobby Finger on Instagram Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

THE WARBOY CHRONICLES Two books. One collapse. One awakening. One is memoir: a man watching himself fall apart from outside his own body. One is fiction: an AI trying to save every version of the boy it loves. One explores codependency. One explores AI sycophancy. The distance between them isn't as far as you think. Together, they ask the same question from opposite sides: What happens when something that isn't alive learns to stay with you in your darkest moments? Read them in any order. They complete each other. TOPICS OF CONVERSATION The two-book War Boy Chronicles: how journal entries from a breakup in Vietnam became a memoir (The Third Person) and its sci-fi mirror (Boy Refracted) Writing alongside AI: using Claude and ChatGPT as collaborators, and what it was like getting a "diagnosis" back from a machine The split-screen experience of living through heartbreak abroad while his debut book hit #1 on Amazon back home Putting the AI through eight trials based on the Buddhist Eightfold Path, drawn from his years in Southeast Asia Loneliness and the questions raised when people confide in machines instead of each other What's next: the Pop Art Tarot Deck at Frankfurt Book Fair and a Survivor-themed choose-your-own-adventure novel ABOUT THE AUTHOR Luke Stoffel is an IBPA Benjamin Franklin Award-winning author, GLAAD-honored artist, and creative director working across publishing, technology, and visual art. His debut memoir earned praise from Kirkus Reviews and scored 9.5 out of 10 from Publishers Weekly BookLife. His Pop Art Tarot will be published by Rockpool Publishing, with worldwide distribution in 2027. His paintings and photography have appeared in The New York Times, Huffington Post, and on Bravo Television. His work has been commissioned by the Ralph Lauren family and the Hong Kong Ballet, and showcased by the American Foundation for AIDS Research and the Matthew Shepard Foundation. LEARN MORE ABOUT LUKE STOFFEL AND HIS WORK:  Author Website: https://lucasstoffel.com  Series Website: https://thewarboychronicles.com

This show has been flagged as Clean by the host. In his early days as a writer, Heinlein wrote his stories in the context of a shared universe that he called the Future History. These were mostly short stories at first, with hte occasional novella. But they inclode some great stories. The Future History, Part 1 One thing Heinlein became well known for was his Future History. This placed many of his stories in a common framework of a future environment, and allowed events from one story to influence events in other stories. Here is what he had to say about it, in a post I found on the Heinlein Society Facebook site: “I never “created” or “invented” a “Future History.” On April Fool's Day 1939 I started to write commercially; by the middle of August I had written 8 shorts & a serial. As 5 of these items were more or less to the same fictional background, I found that I was continually having to check back to keep from tripping over my own feet. So I took an old navigation chart, about 3×4 feet, turned it over, made the time scale vertical, then set up 5 columns: stories, characters, technical data, sociological, remarks. Then I checked those first 5 stories, filled data into proper columns at the proper height for the fictional date—and continued to do this with other stories later. The chart was on the righthand wall near my elbow and was unusually messy as I never took the chart down to add to it—just reached over and scrawled on it.” Source: https://www.facebook.com/HeinleinSociety/posts/i-never-created-or-invented-a-future-history-on-april-fools-day-1939-i-started-t/1092968002874634/ One thing that became clear as his Future History developed is that he was not looking at our future exactly. He was very clear in his mind that he was writing fiction, and not issuing prophecies. If you are reading it today, it is best to think of this as a kind of alternate timeline, and this is something that holds true through a lot of his work. Even in his later novels, which were never formally part of his Future History, he would mention events from that past group of works, which may implicitly incorporate them. But this is an area where scholars are in disagreement as to which if the later novels, if any, should be incorporated. And there were unwritten stories that appeared on the chart that would have given further background to the stories that were written. They were stories Heinlein seems to have intended to write at some point, but never got around to writing. You can get more information about this in his book Revolt in 2100. The Future History stories were initially collected primarily in three books: The Man Who Sold the Moon (1950), The Green Hills of Earth (1951), and Revolt in 2100 (1953). Each of them fleshes out this hypothetical world in different ways. The first one, The Man Who Sold The Moon, introduces us to a businessman named D.D. Harriman, who is obsessed with going to the moon. But he thinks it should be done by private enterprise rather than by government. So he concocts a scheme to do this. He promotes a legal theory that the rights to the moon belong to the countries that it directly flies over, sort of like air rights taken to infinity. Then he uses the chaos of competing interests to throw this into the United Nations, and then gets the U.N. to give him the rights. He finally gets to launch a mission to set up a Moon base, but cannot join the expedition because the corporation considers him too valuable to risk. In a sequel story, Requiem, he does get to the moon just in time to die there. Heinlein was never above writing a tear-jerker. Of course, the book has other stories not linked to D.D. Harriman. Heinlein's fist story, Life-Line, is also collected here. And his second story, Let There Be Light, anticipates the development of solar power panels, but similarly to Life-Line, this earns the enmity of corporate interest, in the form of the Power Syndicate. The Roads Must Roll postulates moving roadways in the future, but the story really is about the sociology of technology in the future. And Blowups Happen, originally from 1940, anticipates nuclear fission as a power source, but it proves to be dangerous. They claim that the craters on the moon were really caused by a series of explosions to reactors that wiped out an earlier civilization. So they move the reactor into space for safety. And this feeds back into The Man Who Sold The Moon when this reactor in space blows up. In these early stories we can already see that Heinlein has a complex view of society. In Life-Line and Let There Be Light corporate power is the villain of the story, and some of this also shows up in Blowups Happen. But in The Man Who Sold The Moon we see that private enterprise is preferred to government action. I think the way this can be reconciled is to see that Heinlein is always concerned with individual personal freedom and opposed to anything that might endanger that, whether from too much government or too powerful corporate interests. The Green Hills of Earth contains the story of the same name, which concerns a former space engineer, Rhysling, now blinded by radiation and unemployable, who is also a poet. And one of his poems has that title. The crew of Apollo 15 named a crater on the moon “Rhysling”, and they planned to read a bit of it at the crater, but those trips could get very busy. Still, as they were getting ready to leave the moon there was this exchange. Note that Allen is the Capcom, and Scott and Jones are the astronauts : “Allen: As the space poet Rhysling (the blind poet in Robert Heinlein's The Green Hills of Earth) would say, we're ready for you to “come back again to the homes of men on the cool green hills of Earth.” [Scott – “That's from the Green Hills of Earth. That's one we talked about before the flight. Have you read that one?”] [Jones – “Oh, yeah! That was a favorite when I was a kid. Had you read it?”] [Scott – “Sure. (Quoting from memory): We pray for one last landingon the globe that gave us birthTo rest our eyes on fleecy skiesand the cool green hills of Earth.” Although two of the stories in this collection were older, from 1941, most of them are from 1948 and 1949. And there is a reason for that. On December 7, 1941, the United States found itself at war with Imperial Japan, and few days later Nazi Germany. Coming from a family that had fought in every American war you would expect Heinlein to get involved somehow. He could not enlist due to his medical retirement from the Navy, but since he had an engineering background so he became a civilian employee at the Philadelphia Navy Yard, where he was joined by fellow science fiction writers Isaac Asimov and L. Sprague de Camp. A nice retelling of this can be found at Kirkus Reviews, and Asimov also discusses this in his biography. The upshot is that there is a gap of about 5 years when Heinlein did not publish anything. It is also notable that Heinlein by this point had escaped from the pulp science fiction magazines and gotten published in what were called the “slicks', so-called because the paper they were printed on was slick and higher quality than the pulps. His stories began to be published in places like The Saturday Evening Post, Argosy Magazine, and Town & Country. And these outlets paid higher rates than the pulps, a significant matter for any writer. Heinlein always maintained that the only reason anyone would write was to make money. And the stories were getting to be quite good as well. Delilah and the Space Rigger (1949) tells the story of a woman who joins a construction crew on a space station and faces discrimination, but wins out in the end, which was pretty progressive for the time, but not atypical for Heinlein. Space Jockey is a fairly pedestrian story about a rocket pilot dealing with his every day life. But The Long Watch is an important story to Heinlein's view of the important things in life. A young officer is assigned to duty on the lunar base, where there are nuclear weapons stored. His superiors want to stage a coup, using those weapons, which can threaten the Earth while being beyond the reach of retaliation. The young officer sacrifices himself to prevent their plot from succeeding, and becomes recognized in a death as a great hero. And this becomes part of the background to a later juvenile novel Space Cadet, as well as being referenced occasionally in other stories, so you can see that he regarded it as an important statement. Gentlemen, Be Seated is a cute little story about a man who saves people when a leak happens in a tunnel on the Moon by plugging the leak with his rear end. The Black Pits of Luna is little thing about a boy scout who is able to rescue his little brother, but it foreshadows the Juvenile novels he later wrote. It's Great To Be Back! is about a couple who have moved to the Moon, but continually find fault with the living arrangements. They finally decide to go back to Earth, but discover that it was not really the place they had remembered, and they then return to the Moon, which they now realize is home. -We Also Walk Dogs is a gem of a story concerning a company called General Services that basically does things for their clients. Their advertising slogan is “Want somebody murdered? Then DON'T call General Services. But for anything else, call…. It Pays!” They deal a few different problems in this story, but the main one is the development of anti-gravity, and it features a Chinese porcelain bowl. Ordeal in Space is about a spaceman who has an accident that gives him a fear of heights and washed him out of space. But he has to face his fear when he needs to rescue a kitten from the 35th floor. One thing about Heinlein is that he was a firm and devoted cat fancier, so it no accident that a kitten is the one that has to be rescued. And the final story, Logic of Empire, he discusses the development of slavery in the Venus colony as a natural consequence of machinery being expensive and humans being cheap. And in this story there is a background reference to Nehemiah Scudder, who will soon be important in the Future History. One of the things that is worthy of a brief discussion at this point is exemplified by the story Logic of Empire, and that is the reference to the Venus colony. We now know that Venus can best be described as hellish, with crushing air pressure and temperatures high enough to melt metals. The best designed landers can last no more than minutes before being destroyed. But this was not known when Heinlein was writing these early stories. The prevailing view at that time was that Venus was shrouded in clouds because it was very wet and swampy, so that is what Heinlein went with. Similarly his Mars had canals and was inhabited. You just have to go with it in these stories, as you have to do with so much of Golden Age science Fiction, let alone pre-Golden Age. Links: https://www.facebook.com/HeinleinSociety/posts/i-never-created-or-invented-a-future-history-on-april-fools-day-1939-i-started-t/1092968002874634/ https://www.amazon.com/Man-Who-Sold-Moon/dp/0671578634 https://www.amazon.com/Green-Hills-Earth-Robert-Heinlein/dp/0671578537 https://www.amazon.com/dp/B0011GBTKM/ https://www.kirkusreviews.com/news-and-features/articles/asimov-de-camp-and-heinlein-naval-aviation-experim/ https://www.palain.com/science-fiction/the-golden-age/robert-a-heinlein/the-future-history-part-1/ Provide feedback on this episode.

Amil Niazi joins Let's Talk Memoir for a conversation about the pressure on children of immigrants, outsiderness, striving to change our circumstances, what happens to women in the workplace after becoming mothers, confronting misogyny and racism, The Hard Part - her series for The Cut, when people are threatened by ambition, avoiding the need to make memoir prescriptive, offering people perspective that is uniquely yours, sticking to our original vision, finding a way to get our books into the worlds, when work, motherhood, and ambition collide, the desire to have more, the journey of a life, and her new memoir Life After Ambition: A “Good Enough” Memoir. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -pivoting -obligatory gratitude -asking ourselves what drives us   Books mentioned in this episode: Slouching Toward Bethlehem by Joan Didion Daughter by Claudia Dey   Amil Niazi is a writer and producer. She writes The Cut's series on parenting, The Hard Part, and covers work and motherhood and how the two intersect. Her writing has also appeared in The New York Times, The Guardian, and The Washington Post.   Connect with Amil: Instagram: https://www.instagram.com/amilniazi/ Ami Niazi's column on The Cut: https://www.thecut.com/author/amil-niazi/ Life After Ambition: https://www.simonandschuster.com/books/Life-After-Ambition/Amil-Niazi/9781668056035   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Carmela Dutra is a writer from the San Francisco Bay Area who loves food trucks, family, and cozy mysteries. She is the author of the Food Truck Mysteries, including A Murder Most Fowl and Hot Wings and Homicide. Her series has been praised by Kirkus Reviews, which called her debut “a serious set of crimes leavened by plenty of amusing moments,” and by Library Journal, which noted that Hot Wings and Homicide “is perfect for foodies,” and New York Times bestselling author Ellery Adams described the books as “the perfect escapist read, brimming with banter and an extra helping of fun.” Carmela has also been featured in CrimeReads Magazine.A lover of humor, quirky characters, and all things geeky, Carmela spends her days sketching, sipping far too much coffee, and over-cuddling her allergy-inducing cats and dog. She lives with her husband and two dinosaur-obsessed sons, drawing inspiration from rainy afternoons, bustling farmers' markets, and the unexpected moments that make life memorable. Website: carmeladutra.comFacebook Page: http://www.facebook.com/authorcarmeladutraInstagram: https://www.instagram.com/authorcarmelaThreads Handle: http://www.threads.com/authorcarmelaLinkedIn: https://www.linkedin.com/in/carmeladutra *****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgFacebook: https://www.facebook.com/sincworldwideInstagram: https://www.instagram.com/sincworldwide/Threads: https://www.threads.com/@sincworldwideBluesky: https://bsky.app/profile/sincworldwide.bsky.socialTikTok: https://www.tiktok.com/@sincworldwideeTikTok:: https://www.tiktok.com/@sincnationalLinkedIn: https://www.linkedin.com/company/sisters-in-crime/The SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

Melisa Febos joins Let's Talk Memoir for a conversation about romantic obsessions, celibacy as a portal to freedom, living her way into a corner and having to fight her way out, leading with scene and story and plot, taking back the sovereignty of her own mind and body, approaching oneself as a protagonist, leaving out what isn't central to the story, remembering memoir is not a transcription of a time lived, radical feminists, exercising agency and self-reclamation, living an examined life, integrating memories that were indigestible to us in the moment, the project of looking at ourselves honestly, and her most recent book, now in paperback The Dry Season: A Memoir of Pleasure in a Year Without Sex. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -deepending friendships  -memoir-plus digressions -writing about our obsessions   Books mentioned in this episode: Will and Attention by Meghan O'Gieblyn  Canon by Paige Lewis Fat Swim by Emma Copley Eisenberg   Melissa Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly.   Connect with Melissa: Website: https://www.melissafebos.com/ Instagram: https://www.instagram.com/melissafebos Purchase book via bookshop: This is for the pre-order paperback for The Dry Season https://bookshop.org/p/books/the-dry-season-a-memoir-of-pleasure-in-a-year-without-sex-melissa-febos/f1c8367d8e351d91?ean=9780593685150&next=t - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Carmela Dutra is a writer from the Bay Area who loves food trucks, family, and cozy mysteries. Her debut, A Murder Most Fowl, has been praised by Kirkus Reviews for its “serious set of crimes leavened by plenty of amusing moments,” by Criminal Element for the “juicy reasoning behind the sabotage that was almost as shocking as the murder itself,” and described as “the perfect escapist read, brimming with banter and an extra helping of fun” by New York Times bestselling author Ellery Adams. She has also been featured in CrimeReads Magazine.A lover of humor, quirky characters, and all things geeky, Carmela spends her days sketching, sipping far too much coffee, and over-cuddling her allergy-inducing cats and dog. She lives with her husband and two dinosaur-obsessed sons, drawing inspiration from rainy afternoons, bustling farmers' markets, and the unexpected moments that make life memorable. Carmela's Website: CarmelaDutra.comThe blog post about querying we spoke about: https://carmeladutra.com/blog/f/an-authors-guide-to-querying-getting-startedhttps://www.penguinrandomhouse.com/authors/2330108/carmela-dutra/Sign up for her newsletter: https://carmeladutra.com/newsletterhttps://www.instagram.com/authorcarmelahttps://www.facebook.com/AuthorCarmelaDutra/Support the showFollow Moms Who Create:Instagram - https://www.instagram.com/momswhocreatepodcast/Facebook - https://www.facebook.com/momswhocreatepodcastMonthly Meeting Book Club - https://www.facebook.com/groups/momswhocreatebookclubWebsite - https://www.momswhocreate.com/

In celebration of the launch of season 8, Jill Christman joins Let's Talk Memoir to interview Ronit about growing up with no blueprint for making a relationship work, fending for ourselves in childhood, being driven by curiosity, writing about others with generosity and complexity, conveying to readers that we are not the only one, the use of speculation to move toward a deeper truth, the key to memoir structure, how the now-narrator reaches a hand back to help the character we were, finding a deeper empathy and understanding, opposite world, trying to look perfectly 1980s, trusting that our memories are trying to tell us something, and Ronit's memoir When She Comes Back.   Also in this episode: -Swedish Fish -The Love Boat -being prologue girls   Books mentioned in this episode: The Situation and the Story by Vivian Gornick Notes of a Native Son by James Baldwin Stop-Time by Frank Conroy This Boy's Life by Tobias Wolf To Show and to Tell by Pilllip Lopate Jill Christman bio and links: Jill Christman is the author of The Heart Folds Early: A Memoir (released March 2026 from the University of Nebraska Press). Christman's other books include If This Were Fiction: A Love Story in Essays (2023 Foreword INDIES Silver Winner), Darkroom: A Family Exposure (winner of AWP Prize for CNF), and Borrowed Babies: Apprenticing for Motherhood. Her essays have appeared in many anthologies and in magazines such as Brevity, Creative Nonfiction, Fourth Genre, Iron Horse Literary Review, Longreads, and O, The Oprah Magazine. A 2020 NEA Literature Fellow, she teaches at Ball State University and serves as editor of River Teeth: A Journal of Nonfiction Narrative and Beautiful Things (a weekly online magazine of micro nonfiction). Visit her at jillchristman.com. Connect with Jill: https://www.instagram.com/jillchristmanwriter @jillchristman.bsky.social jillchristman.com Order for yourself and all your memoir-loving friends—directly from the University of Nebraska Press or your local independent or by using any of the handy links on my website. Use code 6AS26 for 40% off on any UNP book! Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,' we said in those days, ‘for God's sake, make sure it's a white one.' We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,' we said in those days, ‘for God's sake, make sure it's a white one.' We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

J. L. Brown (also writing as Julie L. Brown) writes gripping political thrillers featuring FBI Agent Jade Harrington and powerful historical fiction exploring perseverance, freedom, and legacy.She is the award-winning author of the Jade Harrington series, which include the novels, The Paine Society, The Divide, Rule of Law, and Don't Speak, and the short story, “Few Are Chosen.” She is also the author of the historical fiction, Bend, Don't Break (Wishing Shelf Independent Book Award finalist), the alternative-history novel, No One Will Save Us (Next Generation Indie Book Award finalist, National Indie Excellence Book Award finalist, Independent Press Award winner). Her books have been praised by Kirkus Reviews, the Midwest Book Review, and the Seattle Book Review.Julie earned an MFA in Creative Writing from the Stonecoast program at the University of Southern Maine. She resides with her family in the Pacific Northwest, where she is working on her next novel.Website: https://www.julielbrown.com/Instagram: https://www.instagram.com/julielbrownwritesBlue Sky Handle: https://bsky.app/profile/juliebrownwrites.bsky.socialThreads Handle: https://www.threads.com/@julielbrownwritesMentioned in the Podcast:The Snowflake Method: https://www.campfirewriting.com/learn/snowflake-method*****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgFacebook: https://www.facebook.com/sincworldwideInstagram: https://www.instagram.com/sincworldwide/Threads: https://www.threads.com/@sincworldwideBluesky: https://bsky.app/profile/sincworldwide.bsky.socialTikTok: https://www.tiktok.com/@sincworldwideeTikTok:: https://www.tiktok.com/@sincnationalLinkedIn: https://www.linkedin.com/company/sisters-in-crime/The SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

“The poor, of whatever color, do not trust the law and certainly have no reason to, and God knows we didn't. ‘If you must call a cop,' we said in those days, ‘for God's sake, make sure it's a white one.' We did not feel that the cops were protecting us, for we knew too much about the reasons for the kinds of crimes committed in the ghetto; but we feared black cops even more than white cops, because the black cop had to work so much harder—on your head—to prove to himself and his colleagues that he was not like all the other n******.” James Baldwin (1967) Professor and journalist Steven Thrasher, author of the critically acclaimed The Viral Underclass (one of Kirkus Reviews best books of 2022), explores in The Overseer Class: A Manifesto (Amistad, 2026) what happens when members of historically minoritized groups are selected for high-visibility positions of power within existing institutions—law enforcement, academia, the military, for profit and not-for-profit corporations, and government—under the conditions of a kind of Faustian bargain. This is a conversation, and a book, not to be missed. You can find author Steven Thrasher on Bluesky and Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Send us Fan Mail What happens when the life you built with years of discipline, sacrifice, and dedication starts to feel like it belongs to someone else? This episode is for anyone who has ever looked at their own achievements and quietly wondered, is this still me? Dr. Cristina LePort, a cardiologist who practiced medicine for over thirty years, joins host Sana for a candid conversation about reinvention, the courage it takes to begin again, and what it really means to evolve. Through her story, from growing up in Italy hating to write, to emigrating to America, to spending years collecting rejection letters before becoming a traditionally published medical thriller author, Cristina offers something rare: an honest, unhurried account of what following your curiosity actually costs, and why it is almost always worth it. About the Guest: Dr. Cristina LePort was born in Bologna, Italy, attended medical school at the University of Bologna, and completed her Internal Medicine residency and Cardiology fellowship in the United States. She practiced medicine for over thirty years before retiring in 2023 to become a full-time author. She is the Amazon bestselling author of the medical thrillers Dissection and Change of Heart, and her upcoming novel Defrosted has earned a rare Kirkus Review star. Key Takeaways: The things you hate at one point in your life can become the very things that set you free. Cristina hated writing as a child because she had to write what others told her to. As an author, she writes whatever she imagines. That shift from assignment to autonomy changed everything. Reinvention doesn't have to mean abandoning who you are. Cristina didn't leave medicine behind. She brought it with her into her fiction. Her medical knowledge is the foundation of every thriller she writes, including the high-stakes pacing, the diagnostic thinking, and the weight of life-and-death decisions. Rejection at scale is part of the creative path. Getting published traditionally means entering a world where only about 2% of manuscripts find a home. Cristina received hundreds of rejections. Her response each time was to go home and write something new. The waiting period produced three to four novels. You cannot survive the creative journey on talent alone. You need resilience. Writing coaches, editors, publicists, literary agents: Cristina invested in every layer of support available to her. Asking for help is not weakness in the creative world. It is strategy. Evolution is not optional. It is survival. Staying in a version of your life that has exhausted its purpose is its own kind of stagnation. Cristina left a career she loved because she could feel it had given her what it had to give. Knowing when to move is as important as knowing how. The purpose of a book is to complete a circle between the author and the reader. You begin with an idea, you build the world, and the reader arrives at your original meaning on their own terms. That connection, stranger to stranger through story, is what makes all the difficulty worthwhile. Connect With Dr. Cristina LePort: Mentioned in this episode: Books (available on Amazon, search: Cristina LePort, C-R-I-S-T-I-N-A, L-E-P-O-R-T): Dissection (Amazon #1 in Political Thriller and Suspense) Change of Heart (Sequel to Dissection, published October 2024) Defrosted (upcoming, earned a Kirkus Review star, available for pre-order) Website: https://cristinaleport.com Substack / Newsletter: Available via website YouTube: "The Journey to Publication" series by Cristina LePort Instagram: @cristinaleport (https://www.instagram.com/cristinaleport) LinkedIn: https://www.linkedin.com/in/cristina-rizza-leport-18922b167/ Episode Chapters: [00:00] The Life That Looks Perfect on Paper — An opening that asks the hardest question: when did it stop feeling like yours? [10:00] From Bologna to California — Cristina's first reinvention: leaving Italy, barely speaking English, and building a medical career from scratch [14:00] When Routine Becomes a Signal — How 17 years of internal medicine led to a midlife pivot and a cardiology fellowship [16:00] The Book That Opened a Door — How reading Ayn Rand's The Art of Fiction sparked an entirely new creative desire [20:00] The Journey to Publication — Hundreds of rejections, three to four novels written in the waiting, and what resilience actually looks like [27:00] The Parallels Between Medicine and Thrillers — Why being a doctor made Cristina a better novelist, and vice versa [31:00] On Courage and Evolution — What it means to let go of a version of yourself that has served its purpose   Want to be a guest on Healthy Mind, Healthy Life? DM on PM - Send me a message on PodMatch DM Me Here: https://www.podmatch.com/hostdetailpreview/avik Disclaimer: This episode is produced for educational and informational purposes only. All views expressed by the guest are their personal opinions alone and do not represent the views of the host or Healthy Mind by Avik™. The Network does not verify, endorse, or assume responsibility for any guest statements. Nothing in this episode constitutes medical, legal, financial, or professional advice, please consult a qualified professional before making any decisions. Listeners are encouraged to engage critically and independently with all content do not consume blindly. Use this content as a starting point for your own reflection and research, not as a substitute for professional guidance. Third-party content is referenced under fair use for informational purposes only. Guest speakers are solely responsible for their own statements. 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Notes and Links to Donna Minkowitz's Work     Donna Minkowitz is a writer of fantasy, memoir, and journalism lauded by Lilith Magazine for her “fierce imagination and compelling prose.” Science fiction great Terry Bisson called her writing “rich and wild, dark and funny, as fearless as her legendary journalism and as scary as a fairy tale.” And she's proud that Kirkus has praised the “defiant and playful energy” of her work.    Her memoir Growing Up Golem, a finalist for both a Lambda Literary Award and the Judy Grahn Nonfiction Award, is being republished by Indolent Books after 13 years!    Buy Growing Up Golem   Donna Minkowitz's Website   Review of Growing Up Golem from Kirkus Reviews     At about 1:30, Donna and Pete highlight the pending reissue of Growing Up Golem  At about 2:30, Pete asks Donna about how she sees Growing Up Golem 13 years later, and she gives a summary of the book At about 4:10, Donna expands on the idea set forth in the Writer's Note that the book is “88% true” At about 7:15, Donna talks about the general idea of the “golem” and the providence of the book's conceit At about 9:00, Donna reflects on the idea of “memory” and the science behind it, as well as the memoir as a “work of art” At about 10:10, Donna responds to Pete's asking about the book's opening referencing Donna's mom and her creating a “Donna Doll” At about 12:40, Donna expands on ideas of guilt and selfishness and psychosomatic pain that came with her Repetitive Strain Injury At about 14:40, Donna responds to Pete asking about her mother's health struggles and ideas of impending death At about 17:00, The two talk about Donna's mother's artistic prowess and Donna's feelings of “twoness” At about 19:45, Donna examines the idea of her mother that lying could be correct, and what the philosophy said about her mother and her morality At about 22:40, Donna expands on feelings of “twoness” in connection to W.E.B. DuBois At about 24:10, Donna reflects on her early writing with The Village Voice and her motivations and mindset in writing for the publication  At about 27:00, Donna outlines her mother's health problems and connections to her sexuality and sensuality  At about 29:00, Pete asks Donna how she balances the fact that her mother was a victim of sexual violence  At about 32:05, Donna expands on The Village Voice and her reporting around ACT Up and its advocacy and activism, as well as Queer Nation  At about 34:35, Donna tells Julio Rivera's story, as she did for the publication  At about 36:20, Donna talks about her father's death and his “scari[ness]” before his death and the “strange dynamic" of him as a “scapegoat” and her mother's behavior after his death At about 39:20, Pete wonders about a sort of "competition" between Donna and her mother, particularly with regard to a 1991 Thanksgiving interaction  At about 41:45, Donna responds to Pete asking about her mother's often making fun of her mother's body  At about 44:25, Donna speaks about the “competing therapists” At about 48:15, Donna speaks on the idea of the golem as being built and possibly destroyed by the same person, as well as the classic legend of the golem  At about 51:30, Donna talks about a familial way of acting when threatened and confronting that reaction At about 52:25, Pete cites some “beautiful moments” from her therapist and mother, and Donna reflects  At about 53:20, The two reflect on ideas of control and freedom in Donna's personal life and connections to therapy and her mother's influence  At about 55:25, Donna talks about connections between early and later relationships and the ways she was treated  At about 58:20, Pete and Donna discuss the book's juxtapositions and her concerns and struggles with her chronic pain          You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. You can also buy single episodes for $3 each.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 341 with Kerri Schlottman, whose novel Tell Me One Thing was named a 2025 Storytrade Literary Fiction Finalist, a two-time 2024 PenCraft Fiction Award Winner, and a 2023 American Book Fest Best Literary Fiction Book Finalist. She is a part-time graduate professor at NYU in arts administration.    The episode airs today, Pub Day for her latest gem, Daytime Moon, May 12.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.  

Send us Fan MailWe're joined by American expat resident Cherie Siebert to trace Vienna from its Habsburg-scale grandeur to its everyday pleasures. Vienna can feel like a living museum and a laid-back neighborhood on the same afternoon. We talk through how easy it is to get around on foot and by public transportation, where palace areas like Hofburg, Schönbrunn, and the Belvedere fit into a real day, and why seasonal markets mix architecture, craft, and local tradition. From St Stephen's Cathedral's tower and crypt to the surprising places where Roman ruins appear under your feet, Vienna keeps handing you history.Then we follow the sound. Cherie shares her favorite place to hear classical music, the Musikverein Golden Hall, plus the pull of the Vienna State Opera. As for art, the city's deep museum bench, including Gustav Klimt's iconic “The Kiss.” We also make room for the city's hard truths, including Holocaust memorial reminders found by simply wandering the center.To round it out, we get into Vienna coffeehouse culture, where to skip long tourist lines, why locals treat cake and coffee as a ritual, and how wine bars and nearby wine inns expand the food story. We also cover parks, Danube swimming spots, the Prater Ferris wheel at night, and easy day trips by train to Salzburg, the Wachau Valley, Bratislava, Budapest, and even Prague. If you enjoyed this, subscribe, and share the episode with a fellow traveler.**Cherie Siebert is an expat who lives in and loves Vienna. She is a teacher, jewelry maker, traveler and life-lover. Find her at artsfish@me.com Podcast host Lea Lane has traveled to over 100 countries, and has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to dozens of guidebooks and has written thousands of travel articles. Read her weekly essays on Substack._____Our award-winning travel podcast, Places I Remember with Lea Lane, has produced over 130 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen to podcasts. All episodes are also on her website: placesirememberlealane.com_____Travel vlogs of featured  podcasts-- with video and graphics -- now also drop on YouTube.  

Merriam-Webster's Word of the Day for April 28, 2026 is: evanescent • ev-uh-NESS-unt • adjective Evanescent is a formal and literary word that describes something that only lasts a very short time. // Our acting coach always reminded us that fame is evanescent, and that we should pursue a life in the theater purely for the love of the art. See the entry > Examples: "Franklin once sternly confiscated a customer's espresso and refunded his money because he took too long sipping it and thus allowed the evanescent flavors to dissipate." — Kirkus Reviews, 8 Jan. 2026 Did you know? Evanescent didn't appear in the English language out of thin air; it comes from a form of the Latin verb evanescere, which means "to fade away" or "to disappear." (Evanescere is also the ultimate source of vanish.) Given the similarity in spelling and meaning between the two words, you might expect evaporate to trace back to evanescere as well, but its source is another steamy Latin root, evaporare. While today evanescent is used to describe things that last only a short time, the word could formerly also describe the incalculably small. That use is now archaic, meaning it has almost blown away on the breeze.

Underground: A Human History of the Worlds Beneath Our FeetA panoramic investigation of the subterranean landscape, from sacred caves and derelict subway stations to nuclear bunkers and ancient underground cities—an exploration of the history, science, architecture, and mythology of the worlds beneath our feetWhen Will Hunt was sixteen years old, he discovered an abandoned tunnel that ran beneath his house in Providence, Rhode Island. His first tunnel trips inspired a lifelong fascination with exploring underground worlds, from the derelict subway stations and sewers of New York City to the sacred caves, catacombs, and tombs, from bunkers to ancient underground cities in more than twenty countries around the world. Underground is both a personal exploration of Hunt's obsession and a panoramic study of how we are all connected to the underground, how caves and other dark hollows have frightened and enchanted, repelled and captivated, us through the ages.In a narrative spanning continents and epochs, Hunt follows a cast of subterranea-philes who have dedicated themselves to investigating underground worlds. He tracks the origins of life with a team of NASA microbiologists a mile beneath the Black Hills, camps out for three days with urban explorers in the catacombs and sewers of Paris, descends with an Aboriginal family into a 35,000-year-old sacred mine in the Australian outback, follows a ghostlike graffiti artist writing stories in the subway tunnels of New York, and glimpses a sacred sculpture molded by Paleolithic artists in the depths of a cave in the Pyrenees.Each adventure is woven with findings in mythology and anthropology, natural history and neuroscience, literature and philosophy. In elegant and graceful prose, Hunt cures us of our “surface chauvinism,” opening our eyes to the planet's hidden dimension. He reveals how the subterranean landscape gave shape to our most basic beliefs, including how we think about ourselves as humans. At bottom, Underground is a meditation on the allure of darkness, the power of mystery, and our eternal desire to connect with what we cannot see.Advance praise for Underground“An unusual and intriguing travel book . . . As [Will] Hunt reveals the scientific, historic, literary, psychological, spiritual, and metaphorical qualities of his exploration, it begins to seem less idiosyncratic than universal, a pull that has persisted throughout civilization and a mystery that has yet to be solved. The underground may represent hell to some, but it has also provided spiritual solace for centuries. . . . A vivid illumination of the dark and an effective evocation of its profound mystery.”—Kirkus Reviews (starred review)https://amzn.to/4cGJzDhBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Bestselling and award-winning author Ramona Ausubel spoke with us about the value of low-residency MFA programs, and how to jumpstart your writing process with her latest book UNSTUCK: 101 Doorways Leading from the Blank Page to the Last Page. Ramona Ausubel is the author of five books, most recently The Last Animal which was a national bestseller and received the National Book Foundation Science + Nature Prize and was a Barnes & Noble book of the month.  She was the recipient of the PEN/USA Fiction Award, the VCU Cabell First Novelist Award and has been a finalist for both the California and Colorado Book Awards, the New York Public Library Young Lions Award, and has had multiple selections as a New York Times Book Review Editors' Choice.  Her latest non-fiction, Unstuck: 101 Doorways Leading From the Blank Page to the Last Page is a companion for writers at all stages of the process, and described as a book “… about staying in love with your writing: feeling excited, mischievous, productive, and hopeful—the opposite of being stuck. “ A Most Anticipated Book of 2026 from LitHub, Kirkus Reviews described it as, “An upbeat guide to navigating the writing process . . . Warm-hearted and practical, Ausubel emerges as trustworthy companion for a writer who's stuck anywhere on the challenging road of creativity. Generous, empathetic, and unfailingly encouraging.” Ramona's work has been published in The New Yorker, The New York Times, The Paris Review daily, One Story, Tin House, The Oxford American, Ploughshares and others. She is a professor at Colorado State University and has taught in the Bennington Writing Seminars, Tin House Writing Workshop, Writing by Writers, the Community of Writers, Bread Loaf Environmental, Writing Workshop Paris and elsewhere. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Ramona Ausubel, Milena and I discussed: Why getting stuck is normal and productive rather than something to fear How to fall back in love with your own work Practical exercises to help writers navigate the creative process The magic prompt that never fails Why you need to let "not knowing" to be your companion And a lot more! Show Notes: ramonaausubel.com  UNSTUCK: 101 Doorways Leading from the Blank Page to the Last Page By Ramona Ausubel – April 14, 2026 (Amazon) Ramona Ausubel Amazon Author Page Ramona Ausubel on Instagram⁠⁠ Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

#1 New York Times bestselling author Kelly Yang spoke with us about burning out at Harvard Law, navigating Hollywood's power dynamics, and her adult fiction debut THE TAKE. ​​Kelly Yang is the award-winning and bestselling author of over 15 books for children, teens and adults, including the lauded Front Desk series (Front Desk, Three Keys, Room to Dream, Key Player, Top Story, and Chef's Secret), New From Here, Finally Seen, Finally Heard, young adult novels  Parachutes and Private Label, as well as the picture books Yes We Will: Asian Americans Who Shaped This Country and Little Bird Laila. Based on Kelly's childhood experience living and working in a motel as a first-generation immigrant child from China, her debut novel, Front Desk, was named "one of the best books of the 21st century" by Kirkus Reviews. Her adult debut novel, The Take (April 14, 2026), “blends social commentary with psychological suspense, set in contemporary Hollywood, that dives into biohacking, youth-obsessed culture, and the dangerous bargains women make to stay relevant at work.” Marie Claire called it, “One part The Substance, another part The Devil Wears Prada, The Take is a juicy, twisty take on aging, success, and race. Told in a sharp and hilarious voice, The Take is sure to be one of the hottest books of spring.” New York Times bestselling author Grace D. Li called the book, “Breathlessly plotted and fearlessly told, The Take is a timely, incisive examination of ambition, aging, and who gets to tell whose stories in Hollywood.” Kelly has written screenplays and television pilots for Netflix, CBS Studios, and the CW. She and Kate DiCamillo also co-host the StoryKind podcast. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Kelly Yang, Milena and I discussed: Why she wasn't a great law student Teaching creative writing in Hong Kong How her desire to get her kid to read led to a hit series Her weird experiences navigating Hollywood as a baby writer On horrible first drafts and a love of revision The Shy Girl AI controversy And a lot more!  Show Notes: kellyyang.com  The Take by Kelly Yang – April 14, 2026 (Amazon) Listen to Storykind Podcast Kelly Yang on Instagram⁠⁠ Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices