Podcasts about Eyebeam

Swiss artist and composer Thom Kubli recounts a trek into the Amazon to record the environs in a conversation spanning the topics of sonic thought, shamanism and the split between nature and the technological intervention of humanity.  About our speaker:  Thom Kubli works as an artist and composer in Berlin. His practice is multidisciplinary, blending elements of composition, sculpture, and conceptual approaches. His installation pieces oscillate between spectacle and contemplation, exploring the social implications of physical space and virtual presence. Kubli often collaborates with scientific institutions like the MIT Media Lab or the Rensselaer Polytechnic Institute to devise new technologies and materials. His performances and installations have been shown internationally, amongst others at the New Museum of Contemporary Art, NYC, Ars Electronica, Linz, Transmediale, Berlin, Eyebeam, NYC, Laboratorio Arte Alameda, Mexico City, FILE, São Paulo, LABoral, Spain, and in numerous art galleries. His composition pieces and experimental radio plays have been widely broadcasted through public radio stations as WDR, DLRK, ORF, SRF, and others.  find out more about Thom at https://thomkubli.net/. 

Author Joanne McNeil shares the inspiration for her new novel, Wrong Way, and the profound beauty of human connection.About Joanne McNeilJoanne McNeil is the author of the novel WRONG WAY (2023) and LURKING (2020). She was the inaugural winner of the Carl & Marilynn Thoma Art Foundation's Arts Writing Award for an emerging writer. She has been a resident at Eyebeam, a Logan Nonfiction Program fellow, recipient of the Warhol Foundation Arts Writers Grant, and an instructor at the School for Poetic Computation. She grew up in Brockton, MA and is currently based in Los Angeles.

LoVid is a NY-based interdisciplinary artist duo working collaboratively since 2001. LoVid's practice focuses on aspects of contemporary society where technology seeps into human culture and perception. Throughout their interdisciplinary projects over two decades, LoVid has maintained their signature visual and sonic aesthetic of color, pattern, and texture density, with disruption and noise. LoVid's work captures an intermixed world layered with virtual and physical, materials and simulations, connection and isolation.LoVid's process  includes home-made analog synthesizers, hand-cranked code, and tangible materials; their videos, textile works, performances, net-art, installations, and NFTs have been exhibited worldwide for over two decades. LoVid's work has been presented internationally at venues including: Museum of Modern Art (MoMA), Standard Vision X Vellum LA, Wave Hill, Brookfield Arts, RYAN LEE Gallery, Art Blocks Curated, Postmasters Gallery, bitforms Gallery, Honor Fraser Gallery, Unit London, http://Verse.work, http://Expanded.Art, Art Dubai, New Discretions, And/Or Gallery, Klaus von Nichtssagend Gallery, Anthology Film Archives, Issue Project Room, The Science Gallery Dublin, The Jewish Museum, The Kitchen, Daejeon Museum, Smack Mellon, Netherland Media Art Institute, New Museum, and ICA London. LoVid's projects have received grants and awards from organizations including: The Robert Rauschenberg Foundation, Graham Foundation, UC Santa Barbara, Signal Culture, Cue Art Foundation, Eyebeam, Harvestworks, Wave Farm, Rhizome, Franklin Furnace, http://Turbulence.org, New York Foundation for the Arts, Lower Manhattan Cultural Center, Experimental TV Center, NY State Council of the Arts, and Greenwall Foundation.LoVid's videos are distributed by EAI and their work is in the collection of the Whitney Museum, The Museum of Moving Image, The Parrish Museum, Thoma Foundation, Watermill Center, Butler Institute of American Art, Heckscher Museum, NFT Museum of Digital Art, Museum of Nordic Digital Art, and more.

Have a Tez or ETH wallet and wanna donate to the podcast? Send Tez or tokens here- idontlikepodcasts.tez or ETH- kenconsumer.eth Hosted by Kenconsumer, this episode was originally broadcast live on www.keithfem.com on March 14, 2024. Arbitrarily Deterministic focuses on the intersection between art, technology and popular culture and the people who help blur those lines. In this episode I talk to Addie Wagenknecht. Addie Wagenknecht is an artist/researcher/experimenalist that uses technology as a tool to explore deeply rooted concepts around social and personal issues. We had a lot of fun chatting about her time at Eyebeam, her current fascination with beating herself up, bagels, and most importantly- how she can make us all rich, she drops some real alpha... Links- https://twitter.com/wheresaddie https://en.wikipedia.org/wiki/Addie_Wagenknecht

Artist, designer, technologist, writer, and Israeli peace activist, Mushon Zer-Aviv shows us why binary partisanship in the Israeli-Palstinian conflict hurts everyone, and what to do about.

EPISODE 1913: In this KEEN ON show, Andrew talks to new media artist Eryk Salvaggio who sifts through the debris of an AI age in which we can no longer trust anything we seeEryk Salvaggio is an interdisciplinary design researcher and new media artist. His work explores emerging technologies through a critically engaged lens, testing their mythologies and narratives against their impacts on social and cultural ecosystems. His work, which focuses on generativity and artificial intelligence, often exposes the ideologies embedded into technologies. His work has been curated into film and music festivals, gallery installations, and conferences (such as DEFCON 31 and SXSW). The work interrogates generative AI through a blend of cybernetics, visual culture & media theory, with a critique grounded in resistance and creative misuse, highlighting the gaps that emerge between the analog and digital, such as datasets and the world they claim to represent. Eryk has since worked with partners including AIxDesign's Story & Code program, the AI Village at DEFCON 31, Space10, the Australian National University, the Swiss National Science Foundation, the Wikimedia Foundation, the Internet Archive, and the National Gallery of Australia. His work has been published in academic journals such as Leonardo, Communications of the ACM, IMAGE, Patterns, and by art publishers including DAHJ Gallery, the Furtherfield gallery (London), Turbulence (Boston), Rhizome (New York) and 10th Floor Design Studios (San Francisco). His artwork has been included in pieces with the BBC4, The New York Times, ArtForum, NBC News, Neural, Dirty, and Mute Magazine. His work has been exhibited at Michigan State University Science Museum, the UN Internet Governance Forum, Eyebeam, CalArts, Brown University, Turbulence, The Internet Archive, and in books including Jon Ippolito & Joline Blais' At the Edge of Art, Alex Galloway's Protocol: How Control Exists After Decentralization, and Peter Langford's Image & Imagination. He has presented talks, keynotes and works at SXSW, DEFCON 31, the Systems Research & Design Conference (RSD10&11), the Advances in Systems Sciences and Systems Practice Conference (2022), Melbourne Design Week (2021), MIT Press (2021), the University of St. Gallen (2018), California College of the Arts (2018, 2019, 2020), the University of Maine, RightsCon (2020), and Gensler San Francisco (2017). As a Wikipedia Visiting Scholar at Brown University, he created the article on Algorithmic Bias in 2016. Eryk has taught at the Elisava Barcelona School of Design and Engineering, RIT, and Bradley Universities, and has given talks or lectures at NYU, the University of Cambridge, Aarhus, the University of Copenhagen, and Northeastern. He holds a Masters in Media and Communication from the London School of Economics and a Masters in Applied Cybernetics from the Australian National University. He earned two concurrent undergraduate degrees, in New Media and Journalism, from the University of Maine, where he was listed as visiting faculty as an undergraduate based on his early interactive, online net.art work.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Tune into Art Movez with Toni Williams and Eli Kuslansky as they discuss the program and services of Eyebeam with Kemi Sidjuwade-Ukadike. Eyebeam is a powerhouse for artists' ideas by providing practitioners with financial support, tools, mentorship, project management, and visibility. Learn how their incubator of nascent ideas can actualize into projects or even evolve into catalysts, subverting the status quo and serving as radical change agents. --- Send in a voice message: https://podcasters.spotify.com/pod/show/toni-williams72/message Support this podcast: https://podcasters.spotify.com/pod/show/toni-williams72/support

Sydney Skybetter and producer Kamal Sinclair chat about the intersection of the cultural sector, emerging technologies, and the vintage hardware that shaped their childhoods. Are we all complicit in these complex cultural systems? Oh, and also, can we please bring back the Filofax? About Kamal: Kamal Sinclair supports artists, institutions, and communities working at the convergence of art, media, culture, and technology. Currently, she serves as the Senior Director of Digital Innovation at The Music Center in Los Angeles, which is home to TMC Arts, Center Theatre Group, Los Angeles Master Chorale, LA Opera, and LA Phil. Additionally, she serves as an advisor or board member to  Peabody Awards interactive Board, For Freedoms, NEW INC.'s  ONX Studio, Civic Signals, For Freedoms, MIT's Center for Advanced Virtuality, Starfish Accelerator, Juvenile Bipolar Research Foundation, and Eyebeam. Previously, she was the Director of Sundance Institute's New Frontier Labs Program, External Advisor to Ford Foundation's JustFilms and MacArthur Foundation's Journalism & Media Program, Adjunct Professor at USC's Media Arts + Practice program, and Executive Director of the Guild of Future Architects. She is the co-author of Making a New Reality. Sinclair got her start in emerging media as an artist and producer on Question Bridge: Black Males, where she and her collaborators launched a project with an interactive website and curriculum; published a book; exhibited in over sixty museums/festivals. Read the transcript, and find more resources in our archive: https://www.are.na/choreographicinterfaces/dwr-ep-4-fierce-on-the-palm-pilot-a-conversation-with-kamal-sinclair Like, subscribe, and review here: https://podcasts.apple.com/us/podcast/dances-with-robots/id1715669152  What We Discuss with Kamal (Timestamps): 0:00:00: Introduction to Kamal Sinclair 0:01:32: Discussion on the influence of Minority Report on technology and body interfaces. 0:04:56: Personal experiences with early mobile devices and anticipation of smartphones. 0:07:10: Exploring the cyclical nature of technology and imagining the future. 0:08:10: The role of a curator in identifying and bridging new forms of art and technology. 0:09:18: The importance of following the artist and supporting their vision. 0:10:38: Balancing the promise and ethics of technology in art. 0:12:29: Exciting emerging art in storytelling, aesthetics, and movement. 0:15:18: The power of imagination and action in shaping the future. 0:17:43: The relationship between bodies and technologies. 0:18:53: The influence of disability and otherly abled experiences on technology. 0:19:41: Dance historical perspectives on the bodies of the future. 0:21:26: The need to consider nature and relationships in future designs. 0:23:25: The negative impact of militarized surveillance technologies on marginalized groups 0:25:39: Discussion on the immersive VR experience of Birdly 0:27:02: Healing and altered states through immersive experiences 0:28:30: Managing complicity and the future of work for artists 0:30:41: Closing with the acknowledgement of not knowing 0:31:19: Show credits & thanks The Dances with Robots Team Host: Sydney Skybetter Co-Host & Executive Producer: Ariane Michaud Archivist and Web Designer: Kate Gow Podcasting Consultant: Megan Hall Accessibility Consultant: Laurel Lawson Music: Kamala Sankaram Audio Production Consultant: Jim Moses Assistant Editor: Andrew Zukoski Student Associate: Rishika Kartik About CRCI The Conference for Research on Choreographic Interfaces (CRCI) explores the braid of choreography, computation and surveillance through an interdisciplinary lens. Find out more at www.choreographicinterfaces.org Brown University's Department of Theatre Arts & Performance Studies' Conference for Research on Choreographic Interfaces thanks the Marshall Woods Lectureships Foundation of Fine Arts, the Brown Arts Institute, and the Alfred P. Sloan Foundation for their generous support of this project. The Brown Arts Institute and the Department of Theatre Arts and Performance Studies are part of the Perelman Arts District.  

If you are an artist, or someone who cares about the health and wellbeing of the arts in the United States, I think you will find this conversation to be both insightful and inspirational. There's only one Ruby and I am honored to be able to work with her through my directorship at Eyebeam, where she serves on the board. It was a pleasure to dig into the shifts in the culture since the meltdown of the NEA in the 90's to the current version of the culture wars we are experiencing now from her perspective, as an arts executive since the 80's. As she finalizes a new archive and website of her work and the artists that she has engaged with, this was a fine moment to capture conversations that we typically have offline.

Salome Asega is an artist and Director of NEW INC at the New Museum. Her work invites the playful and absurd to critique the speed in which technology develops and poses new consentful tech futures leveraging the power of collective imagination. Salome is a 2022 United States Fellow and an inaugural cohort member of the Dorchester Industries Experimental Design Lab developed by the Rebuild Foundation and Prada. She is also a co-founder of POWRPLNT, a Brooklyn digital arts lab for teens. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess and has exhibited at the 11th Shanghai Biennale, MoMA, Carnegie Library, August Wilson Center, Knockdown Center, and more.  Salome's IGSalome's Websitehttps://www.pinupmagazine.org/articles/salome-asega-interview New Inc's WebsiteNew Inc's Open Call for Year 10 (Sept 2023-August 2024) POWRPLNT's Website ________________________________________Access Daily Opportunities via PUTF's IG:Support this podcast by:- Leaving a nice review on Apple Podcast

Mark provides necessary updates on the state Mario Kart in the household. He likes being a bully to the computer players. Names are difficult. Grant reads the recording timeline too quickly.Mark brings Eyebeam. Is there any meaning to be taken from dreams? Who cares? Winter driving in real life is exciting enough on its own.Grant brings Candorville. He quizzes Mark on his ambitions for the future. Mark comes in with a hard dose of reality.Send feedback to comicalstart@gmail.com.

EntreArchitect Studio is a series of special bonus episodes where Mark invites inspiring, passionate people to share their knowledge and information about the building products and services to help you build better buildings.This week at the EntreArchitect Studio we are featuring:Scan2Plan - V. Owen BushV Owen Bush is a creator and entrepreneur who uses immersion and participation to create transformative social experiences. His works are presented in venues such as live events, music festivals, digital planetaria, IMAX3D, broadcast television, mobile devices, VR and the web. Owen is a pioneer in interactive, experiential and immersive design with early projects including: Pseudo.com, MTV's Amp, QUIET!/We Live In Public, SonicVision at the Hayden Planetarium, and the Molecularium Project at Rensselaer.As a freelance motion designer, Owen has developed broadcast television promos for NBC, MTV, VH1, PBS, Nickelodeon, Showtime, Discovery, History Channel, NY1, and others.Owen is the director & CEO of Glowing Pictures, a visual experience company that collaborates with cultural institutions, performing artists and brands to create Immersive Wonder. Glowing Pictures' collaborations include: Google, Twitter, Wired Magazine, American Museum of Natural History, Canon Camera, Paramount Pictures, Dubspot, Eyebeam, Pitchfork, Flavorpill, MTV Networks, The New Museum, Beatport and the Cooper-Hewitt Museum.In 2015, Owen co-founded DaydreamVR, later SpaceoutVR, Inc. a mobile Virtual Reality software company. Spaceout.VR is a free to play Social VR MMO for iOS & Android. In 2018 SpaceoutVR was acquired by ValueSetters.In 2018 Owen co-founded Hudson Virtual Tours and then Scan2Plan, Inc. in 2020. We began with a simple goal of helping architects & engineers focus on design. We're the company that does what it says on the tin, an on-demand LiDAR to BIM/CAD team that can model any building in weeks. This can be done within any scope, budget or schedule.This week at EntreArchitect Studio Podcast, Scan2Plan with V. Owen Bush.Learn more at Scan2Plan, and find Owen on LinkedIn.Please visit Our Platform SponsorsDetailed is an original podcast by ARCAT that features architects, engineers, builders, and manufacturers who share their insight and expertise as they highlight some of the most complex, interesting, and oddest building conditions that they have encountered... and the ingenuity it took to solve them. Listen now at ARCAT.com/podcast.Freshbooks is the all-in-one bookkeeping software that can save your small architecture firm both time and money by simplifying the hard parts of running your own business. Try Freshbooks for 30 days for FREE at EntreArchitect.com/Freshbooks.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.EntreArchitect + GraphisoftArchicad BIM software enables design, collaboration, visualization, and project delivery, no matter the project size or complexity. With flexible licensing options and a dedicated support team to guide us along the way, Archicad is an ideal choice for firms and projects of any size. Visit our dedicated landing page...

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now. In this episode, Andrew is joined by Joanne McNeil, author of Lurking: How a Person Became a User. Joanne McNeil was the inaugural winner of the Carl & Marilynn Thoma Art Foundation's Arts Writing Award for an emerging writer. She has been a resident at Eyebeam, a Logan Nonfiction Program fellow, and an instructor at the School for Poetic Computation. Lurking is her first book. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are a handful of contemporary net artists for whom I have particular affection. Constant Dullaart is one of them. Since I first learned of his work in the early aughts, I've found an extraordinary depth to every move he makes. As our understanding of the internet has matured, Constant's work becomes more relevant. I most recently worked with him as one of our Eyebeam fellows in our Rapid Response for a Better Digital Future initiative in 2020. I appreciated this conversation so much, his insistence on thinking through powerful ways to help people re-think ways of being together digitally, most recently creating Common Ground, the only art exhibition platform fully exited from surveillance capitalism. 

Virginia Grise, Adela Licona and Kemi Sijuwade-Ukadike in conversation with Colette LaBouff explore the following questions: what is possible beyond the play, how to make art accessible to audiences, what should administrative support for artists look like, and what is art in the time of diminishing democracy? Finally, how do all these questions relate to the idea of art as coalitional gesture. Virginia Grise is a theatre artist. Her body of work includes multimedia performance, dance theater, performance installations, guerilla theater, site specific interventions, and community gatherings. Adela Licona has decades of experience in higher education, feminist and intersectional leadership, community organizing, and the arts. In her work, she refuses the capitalistic imperative to hierarchy. Kemi Ukadike is the manager of programs and inclusion at Eyebeam, an organization established in 1998 as a resource for artists to engage creatively with technology in an experimental setting. Ukadike advocates for the Fractal Fellows, a fellowship program at the heart of an initiative called: The Democracy Machine: Artists and Self-Governance in the Digital Age.

Zach Lieberman is one of the leading creative coders and digital artists in the world. And what I love about the way Zach works is that he is equally dedicated to thoughtful and open pedagogy as he is to creating poetic digital works. This wide-ranging conversation reveals the motivations in his co-founding of the School for Poetic Computation as well as his continuing fascination with the human, machine dialogue that results in the creation of new worlds. For those listeners who may not know, DOS was an operating system that was fully text-based and was marketed as being an accessible for home users to access programs and software and also opened the door to people like Zach to start to create by typing in words and then seeing them magically transform into activities on the screen. He begins by recounting one of those early experiences. Zach begins by describing one of those early, magical moments.

Acting as a lullaby, this 14-minute piece mixes together a narrative, spoken by Randolf Menzel, and music. Just before going to sleep, listeners will experience Randolf Menzel's dream and question if bees dream as well. Dr. Randolf Menzel is a German neurobiologist who dedicated his life to the world of bees. At the beginning of his career, he was dreaming of becoming a bee. At nights, and sometimes during the day, he was transforming into his subject of research. These experiences helped him to build a better understanding of what it is like to be a bee, and gave him leads to his scientific inquiries. In return, his discoveries in the lab were enhancing his dreams. Dream worlds are a central part of human life. Neuroscience has shown that they are an important activity for human brain and its evolution, and not mere epiphenomena. Within these dream lands, time is telescoped, it is distorted; offering a space to try specific hypotheses. About Apian Apian is a machine built for exploring the age-old interspecies relationship between humans and bees. It offers a refuge to encounter this alien species on a more egalitarian basis, mediated by technology and human thoughts. Working outside any institution, Apian is a non-profit bureau, a ministry of bees. It is heuristic, experimental, messy, serious, but above all tries to be honest. In 2020, Apian published his first book, Hives/Ruches (RVB/Vevey Images, 2020) - a visual atlas of the hive. “Apian also aims to be collaborative and has been a meeting place for shared sensibilities. It has been shown for example at Eyebeam 2021, La Becque 2020, and CTM Festival Berlin 2019, among others. New Creatives is supported by Arts Council England and BBC Arts. A piece by Apian (Laurent Güdel, Robert Torche, Ellen Lapper, Aladin Borioli) A special thanks to Dr. Randolf Menzel. Producer: Josh Farmer (NTS)

In our third episode of Curator's Radar, we are in conversation with Digital Artist, educator and coding mastermind Zach Lieberman. Nothing is off the table here, we asked him about his work process on his highly appraised “Everyday Sketches” that he has been working on since 2016 and posting consistently since then, join us for a fun conversation on the experience of an artist turned coder turned digital artist. This Curator's Radar episode is hosted and curated by @AdrianStClair, Digital Curator @AgoraDigitalArt About the artist Zach Lieberman (B. 1977) is an artist and educator based in New York City. He creates artwork with code, and focus on building experimental drawing and animation tools. He makes interactive environments that invite participants to become performers. The main focus of his work right now is on how computation can be used as a medium for poetry. As for his background, he has used technology in a playful way to break down the fragile boundary between the visible and the invisible. His artwork focuses on computer graphics, human-computer interaction, and computer vision. Lieberman's work has appeared in numerous exhibitions around the world, including Ars Electronica, Futuresonic, CeBIT, and the Off Festival. He collaborated with artist Golan Levin on the interactive audiovisual project "Messa Di Voce". With Theo Watson and Arturo Castro, he created openFrameworks, an open-source C++ library for creative coding and graphics. Lieberman has held residencies at Ars Electronica Futurelab, Eyebeam, Dance Theater Workshop, and the Hangar Center for the Arts in Barcelona. In 2013, he co-founded the School for Poetic Computation, a hybrid of a school, residency and research group in New York City. He teaches graphics programming classes at Parsons School of Design. About @AgoraDigitalArt Agora Digital Art is a certified social enterprise. We are one of the most dynamic creative hubs in London. We champion artists who have something to say. We bring diverse communities and artists together. With your generous support, we will build the best digital network. ►► Donate via Paypal #codingart #computerart #ZachLieberman #AdrianStClair #AgoraDigitalArt

February 8th marked The Rodent Hour's first, live broadcast from our new studio at the Eyebeam building in Bushwick. For those of you keeping track at home, this is studio #4. As befitting a playlist for a new studio we feature lots of new music by independent artists from Brooklyn and beyond but I included one of the most impactful songs that I've heard over the last couple of years and it's by Shadow Monster, a former guest on a number of shows at Radio Free Brooklyn. Playlist Lily Mao - Seasick on the Subway (feat. The Resonaters) Shadow Monster - Punching Bag The Herms - Parades Jim McHugh - Dave Basic Shapes - Credo The Judex - Long Cold Train The Cavemen - Am I A Monster The Stents - Undone The Caballeros - Los Caballeros Visitan la Casa del Diablo The Slashes - Extra Extra The Slashes - Rain Ballet Sun Mahshene - The Righteous One Astronotun Bir Günü - Masks On Nervous Dater - Middle Child Son Cesano - Cold Seep Basic Shapes - Night Train Listen LIVE every Monday at 8:00 pm

Monday evening was The Rodent Hour's final broadcast from our studio on Bogart Street before Radio Free Brooklyn relocates to Eyebeam on January 31st. In hour of the significant event I curated an hour of great music by independent artists from Brooklyn and beyond including Daddies on King Pizza Records, Triptides, Speed Week from Melbourne on Legless Records, OHChill, The Slashes from San Diego, Bluhauz from Miami, Hayley and the Crushers from SLO in Northern California on Rum Bar Records, Madisyn Whajne from Toronto, New Myths, Sabatta from London, Black River Delta from Stockholm, King Bull from Red Deer, Alberta on Riot Records and Golden Robot Records and Diva Lotto. Playlist Daddies - More Speed Week - Echo Chamber Slug Fest - On the Run The Slashes - Heavy Bowie Triptides - It Won't Hurt You Oh Chill - Do Not Run Los Kosmos - Kosmos Hayley and the Crushers - Church of Flag Madisyn Whajne - Don't Walk Away New Myths - Living Doll SLIFT - La Planète Inexplorée Bluhauz - Everyday King Bull - The Depender Sabatta - Guillotine Black River Delta - Shakin' Beach Bomb - Night Surf Speed Week - Speed Week Theme Speed Week - Sustained Mental Activity DIVA LOTTO - Mileage Daddies - Waiting Listen LIVE every Monday at 8:00 pm

Episode No. 464 of The Modern Art Notes Podcast features artist Torkwase Dyson and historian Dennis Reed. The New Orleans Museum of Art is showing "Torkwase Dyson: Black Compositional Thought, 15 Paintings for the Plantationocene," a series of works made for the museum. These new paintings were inspired by Dyson's interest in the systems that underlay water delivery, energy infrastructure and by the physical impacts of climate change. Through this and other work, Dyson investigates the legacy of agriculture enabled by slave economies and its relationship to the environmental and infrastructural issues of the present, a relationship known as the “plantationocene.” The exhibition is on view through December 31, 2020. Dyson is an artist-in-residence at the Wexner Center for the Arts at The Ohio State University. She is preparing work that will be included in "Climate Changing: On Artists, Institutions, and the Social Environment," which is scheduled to debut at the Wexner on January 30, 2021. Dyson's previous solo museum exhibitions have been at the Arthur Ross Architecture Gallery at Columbia University, at the Irwin S. Chanin School of Architecture at Cooper Union, at the Colby College Museum of Art, The Drawing Center, Eyebeam, and more. Her work is in the permanent collections of the Smith College Museum of Art, the Smithsonian National Museum of African American History & Culture, and the Studio Museum in Harlem. On the second segment, historian and curator Dennis Reed discusses the J. Paul Getty Museum's acquisition of 79 pictures made by Japanese-American photographers between 1919 and 1940. Reed's collection and the Getty's acquisition of it is a result of 35 years of work Reed and his students at Los Angeles Valley College did to learn about Japanese-American photographers who made work before the war. Reed and his students built a list of 186 names from photography catalogues at UCLA's Charles E. Young Research Library and painstakingly cold-called the photographers and their relatives in an effort to build knowledge related to an art-making community that was disappeared by the illegal American internment of Japanese-Americans. Reed's collection -- which includes the only surviving work by several of the artists -- has been exhibited in venues such as the Whitney Museum of American Art in New York, and the Corcoran Gallery of Art in Washington. The Getty, which remains closed due to the pandemic, will be exhibiting work from the acquisition at a date to be announced. In addition to the images below, the Getty and Google created this slideshow.

Morehshin Allahyari is an Iranian media artist, activist, educator, and curator uses technology as a philosophical toolset to explore the social, political, and cultural. Her projects are often research heavy and employ new media as a method of documentation and as acts of resistance. In this episode we discuss Allahyari's use of 3D printing to recreate and preserve cultural artifacts destroyed by ISIS, and her exploration and reframing of Middle-Eastern myths and folklore to include female/queer figures.Projects DiscussedMaterial Speculation: ISISShe Who Sees the Unknown-About Morehshin Allahyari-Morehshin Allahyari is an artist, activist, writer, and educator. She was born and raised in Iran and moved to the United States in 2007. Her work deals with the political, social, and cultural contradictions we face every day. She thinks about technology as a philosophical toolset to reflect on objects and as a poetic means to document our personal and collective lives and struggles in the 21st century. Morehshin is the co-author of The 3D Additivist Cookbook in collaboration with writer/artist Daniel Rourke. Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Archittectura, New Museum, The Whitney Museum of American Art, Pompidou Center, Museum of Contemporary Art in Montreal, Tate Modern, Queens Museum, Pori Museum, Powerhouse Museum, Dallas Museum of Art, and Museum für Angewandte Kunst. She has been an artist in residence at BANFF Centre (2013), Carnegie Mellon University’s STUDIO for Creative Inquiry (2015), Autodesk Pier9 Workshop in San Francisco (2015), the Vilém Flusser Residency Program for Artistic Research in association with Transmediale, Berlin (2016), Eyebeam’s one year Research Residency (2016-2017) in NYC, Pioneer Works (2018), and Harvest Works (2018). Her work has been featured in The New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others.She is the recipient of The Joan Mitchell Foundation Painters & Sculptors Grant (2019), The Sundance Institute New Frontier International Fellowship, and the leading global thinkers of 2016 award by Foreign Policy magazine. Her 3D Additivist Manifesto video is in the collection of San Francisco Museum of Modern Art, and recently she has been awarded major commissions by The Shed, Rhizome, New Museum, Whitney Museum of American Art, Liverpool Biennale, and FACT.Learn more at http://www.morehshin.com/Follow her Morehshin @morehshin

Lauren Lee McCarthy creates experimental performances that take a close look at our intimate relationships with smart devices and our interactions with one another in our increasingly tech-driven and surveilled existence. In this episode, we discuss a selection of Lauren's thought-provoking experiments, including LAUREN in which she takes on the role of an Amazon Alexa, Follower wherein she becomes a physical, IRL "follower," and more.Projects Discussed:LAURENFollowerLater Date24h HOST -About Lauren Lee McCarthy-Lauren Lee McCarthy (she/they) is an LA-based artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She is the creator of p5.js, an open source JavaScript platform that aims to make creative expression and coding on the web accessible and inclusive for artists, designers, educators, and beginners. She is Co-Director of the Processing Foundation, a non-profit whose mission is to promote software literacy within the visual arts, and visual literacy within technology-related fields—and to make these fields accessible to diverse communities. She is an Associate Professor at UCLA Design Media Arts.Lauren's work has been exhibited internationally, at places such as Ars Electronica, Barbican Centre, Fotomuseum Winterthur, SIGGRAPH, IDFA DocLab, Science Gallery Dublin, Seoul Museum of Art, and the Japan Media Arts Festival. She's a 2019 Creative Capital Grantee, ZERO1 Arts Incubator Resident, and has previously held residencies with Sundance New Frontiers, Eyebeam, CMU STUDIO for Creative Inquiry, Autodesk, NYU ITP, and Ars Electronica, among others. She's the recipient of grants from the Knight Foundation, the Online News Association, Mozilla Foundation, Google AMI, Sundance Institute New Frontiers, Turner Broadcasting, and Rhizome. She holds an MFA from UCLA and a BS Computer Science and BS Art and Design from MIT.Learn more at https://lauren-mccarthy.com/Follow Lauren at @LaurenLeeMack

In the first part of the show, Digital Village reporter Leilani Albano interviews Free Press Senior Director of Strategy and Communications, Tim Karr about structural barriers to getting online for students and low-income workers, especially in the time of COVID-19.Then Dr. Addison Killean Stark is back to talk about carbon capture and sequestration technology and how that can help us reach our climate goals.In the last part of the show, we talk art. Eyebeam's creative director, Roderick Schrock, is here to tell us about their new initiative, Rapid Response For A Better Digital Future, which asks artists to generate ideas around rebuilding digital systems.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Caroline Woolard. [Live show recorded: April 22, 2020.] CAROLINE WOOLARD employs sculpture, immersive installation, and online networks to imagine and enact systems of collaboration and mutual aid. Her work has been commissioned by and exhibited in major national and international museums, including MoMA, the Whitney Museum, and Creative Time. Recent scholarly writing on her work has been published in The Brooklyn Rail (2018); Artforum (2016); Art in America (2016); The New York Times (2016); and South Atlantic Quarterly (2015). Woolard’s work has been featured twice on New York Close Up (2014, 2016), a digital film series produced by Art21 and broadcast on PBS. She is the 2018–20 inaugural Walentas Fellow at Moore College of Art and Design and the inaugural 2019–20 Artist in Residence for INDEX, a new initiative at the Rose Museum. Woolard co-founded barter networks BFAMFAPhD.com (http://bfamfaphd.com/) (since 2014), and the NYC Real Estate Investment Cooperative (since 2016). Recent commissions include The Meeting, with a rolling premiere at The New School, Brandeis University, The School of the Art Institute of Chicago, and Moore College of Art and Design, Philadelphia, PA (2019); WOUND, Cooper Union, New York, NY (2016); and Capitoline Wolves, Cornell University, Ithaca, NY (2016), and Exchange Café, MoMA, New York, NY (2014). She is the recipient of a number of awards and fellowships including at Moore College of Art and Design (2019), Pilchuck (2018), the Lower Manhattan Cultural Council (2016), the Queens Museum (2014), Eyebeam (2013), Rockefeller Cultural Innovation Fund (2010), Watermill (2011), and the MacDowell Colony (2009). Caroline Woolard is Assistant Professor at the University of Hartford, and the Nomad/9 Interdisciplinary MFA program. Making and Being, her book about interdisciplinary collaboration, co-authored with Susan Jahoda, was published in the fall of 2019. 

Artist and writer MARIAM GHANI and Editorial Director of Eyebeam, MARISA MAZRIA KATZ speak to New Models about Ghani's new work Dis-Ease, a forthcoming essay-film that considers how the metaphors we use to speak about illness and contagion affect the ways in which we prepare and respond to epidemics and treat those afflicted and affected by them. This podcast is part of New Models' series for TENTACULAR (Extremophilia edition), a "festival of critical technologies & digital adventures" curated by Julia Kaganskiy and José Luis de Vicente for Matadero Madrid, 2019. FOR MORE Dis-Ease (site): https://www.mariamghani.com/work/1426 Dis-Ease (vid. excerpt): https://vimeo.com/373883845 https://www.eyebeam.org/eyebeam-center-for-the-future-of-journalism/ https://tentacular.es/en/about/ Mariam Ghani is an artist, writer, and filmmaker whose work has been exhibited and screened broadly, including at New York's Guggenheim Museum, MoMa, the National Gallery in Washington, D.C., and Documenta 13 (Kabul and Kassel), among other venues. Her first feature-length film,"What We Left Unfinished," premiered at the 2019 Berlinale and is currently on its festival run. Marisa Mazria-Katz is a NY-based journalist/editor. Her essays on art and culture have appeared in media outlets such as New York Times, Economist, Wall Street Journal, New York Review of Books, and Vogue. Marisa is the Editorial Director of Eyebeam, where she oversees the newly launched Eyebeam Center for the Future of Journalism.

Nancy Nowacek is an interdisciplinary working with the body at the intersection of digital technologies and the built environment, the regulation of the natural environment, and the forms of choreography embedded within. She creates participatory platforms, images, and objects that engender a sense of agency in an increasingly uncertain world and forge new imaginaries of power. She has been supported by residencies and fellowships from Eyebeam, the Jerome Foundation, Sharpe-Walentas Studio Program and Recess. Her work has been shown in North America, Europe and South America. She prefers laughter. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/possibilityhours/support

Mark has some new projects at work and Grant hurt his finger. Mark wants Grant to watch Psych. Mark brings an Eyebeam comic to explain the superiority of The Princess Bride in book format. This leads to a brief discussion on books and their movie counterparts.Grant brings an Ink Pen comic. He’s interested in explaining how a person’s words can be noxious fumes. Mark and Grant narrowly avoid spending a very long time talking about conspiracy theories and bad science.Send feedback to comicalstart@gmail.com.

Mark has started running, so he and Grant discuss how that's going and the difficulty Mark has with the local topography.Grant brings a Calvin and Hobbes comic. He wants to know how Mark deals with the incredibly annoying people who always try to start conversations. Mark's solution is simple, as usual: don't talk to people.Mark brings an Eyebeam comic, and it isn't funny. To make up for that, your hosts have a discussion on the finer points of fair food, particularly those native to the Minnesota State Fair.Send feedback to comicalstart@gmail.com.

Paola Antonelli is the Museum of Modern Art’s Senior Curator in the Department of Architecture & Design, as well as the institution’s Director of R&D. She’s also — like me — a fan of the beloved arts organization Eyebeam. This month, Eyebeam celebrates its 20th anniversary, and Antonelli will be the keynote speaker at the celebration. I sat down with this leading curator to discuss the world of design, tech, and what organizations like Eyebeam are doing to change the landscape. A special thanks to Newborn Huskies for the music to this week’s episode. You can listen to that and more at newbornhuskies.bandcamp.com and on other streaming services.

This week bad at sports presents a panel on making and being presented at Hauser and Wirth by our partners BFAMFAPhD. Event 2: Artist-Run Spaces How do artists create contexts for encounters with their projects that are aligned with their goals? Friday 2/1 from 6-8pm Linda Goode-Bryant, Heather Dewey-Hagborg, and Salome Asega Linda Goode-Bryant is the Founder and President of Active Citizen Project and Project EATS. She developed Active Citizen Project while filming the 2004 Presidential Elections and developed Project EATS during the 2008 Global Food Crisis. She is also the Founder and Director of Just Above Midtown, Inc. (JAM), a New York City non-profit artists space. Linda believes art is as organic as food and life, that it is a conversation anyone can enter. She has a Masters of Business Administration from Columbia University and a Bachelor of Arts Degree in painting from Spelman College and is the recipient of a Guggenheim Fellowship and a Peabody Award.   Heather Dewey-Hagborg is a transdisciplinary artist who is interested in art as research and critical practice. Heather has shown work internationally at events and venues including the World Economic Forum, the Shenzhen Urbanism and Architecture Biennale and PS1 MOMA. Her work is held in public collections of the Centre Pompidou, the Victoria and Albert Museum, and the New York Historical Society, and has been widely discussed in the media, from the New York Times to Art Forum. Heather is also a co-founder of REFRESH, an inclusive and politically engaged collaborative platform at the intersection of Art, Science, and Technology.   Salome Asega is an artist and researcher based in New York. She is the Technology Fellow in the Ford Foundation's Creativity and Free Expression program area, and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at The New School in Design and Technology where she also teaches.   Upcoming Event: Building Cooperatives What if the organization of labor was integral to your project? Friday 2/22 from 6-8pm Members of Meerkat Filmmakers Collective and Friends of Light RSVP https://www.eventbrite.com/e/making-and-being-building-cooperatives-tickets-54313881281?aff=ebdssbdestsearch   BFAMFAPhD Making and Being is a multi-platform pedagogical project that offers practices of contemplation, collaboration, and circulation in the visual arts. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi. Bio BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. BFAMFAPhD received critical acclaim for Artists Report Back (2014), which was presented as the 50th anniversary keynote at the National Endowment for the Arts and was exhibited at the Brooklyn Museum, the Museum of Art and Design, Gallery 400 in Chicago, Cornell University, and the Cleveland Institute of Art. Their work has been reviewed in The Atlantic, the New York Times, the Washington Post, the New Yorker, Andrew Sullivan’s The Dish, WNYC, and Hyperallergic, and they have been supported by residencies and fellowships at the Queens Museum, Triangle Arts Association, NEWINC and PROJECT THIRD at Pratt Institute. BFAMFAPhD members Susan Jahoda and Caroline Woolard are now working on Making and Being, a multi-platform pedagogical project which offers practices of collaboration, contemplation, and social-ecological analysis for visual artists.

Duncan catches up with two of the members of BFAMFAPhD for a chat about the upcoming event series, which for those of you in NYC starts friday with MAKING & BEING.   Conversations about Art & Pedagogy co-presented by BFAMFAPhD & Pioneer Works, hosted by Hauser & Wirth, with media partners Bad at Sports and Eyebeam.   image credit... BFAMFAPhD, Making and Being Card Game, print version, 2016-2018, photograph by Emilio Martinez Poppe. Full details below... ____________________________   Hauser & Wirth   BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States.   Pioneer Works is a cultural center dedicated to experimentation, education, and production across disciplines.   Contemporary art talk without the ego, Bad at Sports is the Midwest's largest independent contemporary art podcast and blog. Eyebeam is a platform for artists to engage society’s relationship with technology.   Access info:   The event is free and open to the public. RSVP is required through www.hauserwirth.com/events.   The entrance to Hauser & Wirth Publishers Bookshop is at the ground floor and accessible by wheelchair. The bathroom is all-gender. This event is low light, meaning there is ample lighting but fluorescent overhead lighting is not in use. A variety of seating options are available including: folding plastic chairs and wooden chairs, some with cushions.   This event begins at 6 PM and ends at 8 PM but attendees are welcome to come late, leave early, and intermittently come and go as they please. Water, tea, coffee, beer and wine will be available for purchase. The event will be audio recorded. We ask that if you do have questions or comments after the event for the presenters that you speak into the microphone. If you are unable to attend, audio recordings of the events will be posted on Bad at Sports Podcast after the event.   Parking in the vicinity is free after 6 PM. The closest MTA subway station is 23rd and 8th Ave off the C and E. This station is not wheelchair accessible. The closest wheelchair accessible stations are 1/2/3/A/C/E 34th Street-Penn Station and the 14 St A/C/E station with an elevator at northwest corner of 14th Street and Eighth Avenue. ____________________________ "While knowledge and skills are necessary, they are insufficient for skillful practice and for transformation of the self that is integral to achieving such practice.” - Gloria Dall’Alba BFAMFAPhD presents a series of conversations that ask: What ways of making and being do we want to experience in art classes? The series places artists and educators in intimate conversation about forms of critique, cooperatives, artist-run spaces, healing, and the death of projects. If art making is a lifelong practice of seeking knowledge and producing art in relationship to that knowledge, why wouldn’t students learn to identify and intervene in the systems that they see around them? Why wouldn't we teach students about the political economies of art education and art circulation? Why wouldn’t we invite students to actively fight for the (art) infrastructure they want, and to see it implemented?   The series will culminate in the launch of Making and Being, a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi.   ____________________________   SCHEDULE ____________________________ Modes of Critique   What modes of critique might foster racial equity in studio art classes at the college level?   Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence   Billie Lee is an artist, educator, and writer working at the intersection of art, pedagogy, and social change. She holds a BFA from the Rhode Island School of Design, an MFA from Yale University, and is a doctoral candidate at the University of Hawai‘i at Mānoa in American Studies. She has held positions at the Queens Museum, the Yale University Art Gallery, Doris Duke Foundation for Islamic Art, University of New Haven, University of Hawai‘i at Mānoa, and is currently an Assistant Professor of Art History at Hartford Art School.   Anthony Romero is an artist, writer, and organizer committed to documenting and supporting artists and communities of color. Recent projects include the book-length essay The Social Practice That Is Race, written with Dan S. Wang and published by Wooden Leg Press, Buenos Dias, Chicago!, a multi-year performance project commissioned by the Museum of Contemporary Art Chicago and produced in collaboration with Mexico City based performance collective, Teatro Linea de Sombra. He is a co-founder of the Latinx Artists Retreat and is currently a Professor of the Practice at The School of the Museum of Fine Arts at Tufts University.   Judith Leemann is an artist, educator, and writer whose practice focuses on translating operations through and across distinct arenas of practice. A long-standing collaboration with the Boston-based Design Studio for Social Intervention grounds much of this thinking. Leemann is Associate Professor of Fine Arts 3D/Fibers at the Massachusetts College of Art and Design and holds an M.F.A. in Fiber and Material Studies from the School of the Art Institute of Chicago. Her writings have been included in the anthologies Beyond Critique (Bloomsbury, 2017), Collaboration Through Craft (Bloomsbury, 2013), and The Object of Labor: Art, Cloth, and Cultural Production (School of the Art Institute of Chicago and MIT Press 2007). Her current pedagogical research is anchored by the Retooling Critique working group she first convened in 2017 to take up the question of studio critique’s relation to educational equity.   The Retooling Critique Working Group is organized by Judith Leemann and was initially funded by a Massachusetts College of Art and Design President's Curriculum Development Grant.   Eloise Sherrid is a filmmaker and multimedia artist based in NYC. Her short viral documentary, "The Room of Silence," (2016) commissioned by Black Artists and Designers (BAAD), a student community and safe space for marginalized students and their allies at Rhode Island School of Design, exposed racial inequity in the critique practices institutions for arts education, and has screened as a discussion tool at universities around the world.   __________________________   Artist-Run Spaces   How do artists create contexts for encounters with their projects that are aligned with their goals?   Friday 2/1 from 6-8pm Linda Goode-Bryant, Heather Dewey-Hagborg, and Salome Asega   Linda Goode-Bryant is the Founder and President of Active Citizen Project and Project EATS. She developed Active Citizen Project while filming the 2004 Presidential Elections and developed Project EATS during the 2008 Global Food Crisis. She is also the Founder and Director of Just Above Midtown, Inc. (JAM), a New York City non-profit artists space. Linda believes art is as organic as food and life, that it is a conversation anyone can enter. She has a Masters of Business Administration from Columbia University and a Bachelor of Arts Degree in painting from Spelman College and is the recipient of a Guggenheim Fellowship and a Peabody Award.   Heather Dewey-Hagborg is a transdisciplinary artist who is interested in art as research and critical practice. Heather has shown work internationally at events and venues including the World Economic Forum, the Shenzhen Urbanism and Architecture Biennale and PS1 MOMA. Her work is held in public collections of the Centre Pompidou, the Victoria and Albert Museum, and the New York Historical Society, and has been widely discussed in the media, from the New York Times to Art Forum. Heather is also a co-founder of REFRESH, an inclusive and politically engaged collaborative platform at the intersection of Art, Science, and Technology.   Salome Asega is an artist and researcher based in New York. She is the Technology Fellow in the Ford Foundation's Creativity and Free Expression program area, and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at The New School in Design and Technology where she also teaches.   ____________________________   Building Cooperatives   What if the organization of labor was integral to your project?   Friday 2/22 from 6-8pm Members of Meerkat Filmmakers Collective and Friends of Light   Meerkat Media Collective is an artistic community that shares resources and skills to incubate individual and shared creative work. We are committed to a collaborative, consensus-based process that values diverse experience and expertise. We support the creation of thoughtful and provocative stories that reflect a complex world. Our work has been broadcast on HBO, PBS, and many other networks, and screened at festivals worldwide, including Sundance, Tribeca, Rotterdam and CPH:Dox. Founded as an informal arts collective in 2005 we have grown to include a cooperatively-owned production company and a collective of artists in residence.   Friends of Light develops and produces jackets woven to form for each client.  We partner with small-scale fiber producers to source our materials, and with spinners to develop our yarns.    We construct our own looms to create pattern pieces that have complete woven edges (selvages) and therefore do not need to be cut. The design emerges from the materials and from methods developed to weave two dimensional cloth into three dimensional form. Each jacket is the expression of the collective knowledge of the people involved in its creation. Our business is structured as a worker cooperative and organized around cooperative principles and values. Friends of light founding members are Mae Colburn, Pascale Gatzen, Jessi Highet and Nadia Yaron.   ____________________________   Healing and Care (OFFSITE EVENT)   How do artists ensure that their individual and collective needs are met in order to dream, practice, work on, and return to their projects each day?   Thursday 2/28 from 6-8pm Adaku Utah and Taraneh Fazeli NOTE this event will be held at 151 West 30th Street  # Suite 403, New York, NY 10001   Adaku Utah was raised in Nigeria armed with the legacy of a long line of freedom fighters, farmers, and healers. Adaku harnesses her seasoned powers as a liberation educator,healer, and performance ritual artist as an act of love to her community. Alongside Harriet Tubman, she is the co-founder and co-director of Harriet's Apothecary, an intergenerational healing collective led by Black Cis Women, Queer and Trans healers, artists, health professionals, activists and ancestors. For over 12 years, her work has centered in movements for radical social change, with a focus on gender, reproductive, race, and healing justice. Currently she is the Movement Building Leadership Manager with the National Network for Abortion Funds. She is also a teaching fellow with BOLD (Black Organizing for Leadership and Dignity) and Generative Somatics.   Taraneh Fazeli is a curator from New York. Her multi-phased traveling exhibition “Sick Time, Sleepy Time, Crip Time: Against Capitalism’s Temporal Bullying” deals with the politics of health. It showcases the work of artists and groups who examine the temporalities of illness and disability, the effect of life/work balances on wellbeing, and alternative structures of support via radical kinship and forms of care. The impetus to explore illness as a by-product of societal structures while also using cultural production as a potential place to re-imagine care was her own chronic illnesses. She is a member of Canaries, a support group for people with autoimmune diseases and other chronic conditions.   ____________________________   When Projects Depart   What practices might we develop to honor the departure of a project?  For example, where do materials go when they are no longer of use, value, or interest?   Thursday 3/14 from 6-8pm Millet Israeli and Lindsay Tunkl   Millet Israeli is a psychotherapist who focuses on the varied human experience of loss.  She works with individuals and families struggling with grief, illness, end of life issues, anticipatory loss, and ambiguous loss.  Her approach integrates family systems theory, cognitive restructuring, mindfulness, and trauma informed care. Millet enjoys creating and exploring photography and poetry, and both inform her work with her clients. Millet holds a BA in psychology from Princeton, a JD from Harvard Law School, an MSW from NYU and is certified in bioethics through Montefiore. She sits on an Institutional Review Board for Human Subjects Research at Weill Cornell.   Lindsay Tunkl is a conceptual artist and writer using performance, sculpture, language, and one-on-one encounters to explore subjects such as the apocalypse, heartbreak, space travel, and death. Tunkl received an MFA in Fine art and an MA in Visual + Critical Studies from CCA in San Francisco (2017) and a BFA from CalArts In Los Angeles (2010). Her work has been shown at the Hammer Museum, LA, Southern Exposure, SF, and The Center For Contemporary Art, Santa Fe. She is the creator of Pre Apocalypse Counseling and the author of the book When You Die You Will Not Be Scared To Die.   ____________________________   Group Agreements   What group agreements are necessary in gatherings that occur at residencies, galleries, and cultural institutions today?   Friday 4/19 from 6-8pm Sarah Workneh, Laurel Ptak, and Danielle Jackson   Sarah Workneh has been Co-Director at Skowhegan for nine years leading the educational program and related programs in NY throughout the year, and oversees facilities on campus. Previously, Sarah worked at Ox-Bow School of Art as Associate Director. She has served as a speaker in a wide variety of conferences and schools. She has played an active role in the programmatic planning and vision of peer organizations, most recently with the African American Museum of Philadelphia. She is a member of the Somerset Cultural Planning Commission's Advisory Council (ME); serves on the board of the Colby College Museum of Art.   Laurel Ptak is a curator of contemporary art based in New York City. She is currently Executive Director & Curator of Art in General. She has previously held diverse roles at non-profit art institutions in the US and internationally, including the Guggenheim Museum (New York), MoMA PS. 1 Contemporary Art Center (New York), Museo Tamayo (Mexico City), Tensta Konsthall (Stockholm) and Triangle (New York). Ptak has organized countless exhibitions, public programs, residencies and publications together with artists, collectives, thinkers and curators. Her projects have garnered numerous awards, fellowships, and press for their engagement with timely issues, tireless originality, and commitment to rigorous artistic dialogue.   Danielle Jackson is a critic, researcher, and arts administrator. She is currently a visiting scholar at NYU’s Center for Experimental Humanities.  As the co-founder and former co-director of the Bronx Documentary Center, a photography gallery and educational space, she helped conceive, develop and implement the organization’s mission and programs.  Her writing and reporting has appeared in artnet and Artsy. She has taught at the Museum of Modern Art, International Center of Photography, Parsons, and Stanford in New York, where she currently leads classes on photography and urban studies.   ____________________________ Open Meeting for Arts Educators and Teaching Artists   How might arts educators gather together to develop, share, and practice pedagogies that foster collective skills and values?   Friday 5/17 from 6-8pm Facilitators: Members of the Pedagogy Group   The Pedagogy Group is a group of educators, cultural workers, and political organizers who resist the individualist, market-driven subjectivities produced by mainstream art education. Together, they develop and practice pedagogies that foster collective skills and values. Activities include sharing syllabi, investigating political economies of education, and connecting classrooms to social movements.Their efforts are guided by accountability to specific struggles and by critical reflection on our social subjectivities and political commitments.   ____________________________   Book Launch: Making and Being: A Guide to Embodiment, Collaboration and Circulation in the Visual Arts   What ways of making and being do we want to experience in art classes?   Friday 10/25 from 6-8pm Stacey Salazar in dialog with Caroline Woolard, Susan Jahoda, and Emilio Martinez Poppe of BFAMFAPhD   Stacey Salazar is an art education scholar whose research on teaching and learning in studio art and design in secondary and postsecondary settings has appeared in Studies in Art Education, Visual Arts Research, and Art Education Journal. In 2015 her research was honored with the National Art Education Association Manuel Barkan Award. She holds a Doctorate of Education in Art and Art Education from Columbia University Teachers College and currently serves as Associate Dean of Graduate Studies at the Maryland Institute College of Art, where she was a 2013 recipient of the Trustee Fellowship for Excellence in Teaching.   BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. Susan Jahoda is a Professor in Studio Arts at the University of Amherst, MA; Emilio Martinez Poppe is the Program Manager at Fourth Arts Block (FABnyc) in New York, NY; Caroline Woolard is an Assistant Professor of Sculpture at The University of Hartford, CT. Supporting this series at Hauser and Wirth for Making and Being are BFAMFAPhD collective members Agnes Szanyi, a Doctoral Student at The New School for Social Research in New York, NY and Vicky Virgin, a Research Associate at The Center for Economic Opportunity in New York, NY. Making and Being is a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi.

PRNT SCRN is a podcast hosted by Dorothy R. Santos about bridging the gaps between analog, new media, and digital art practices. The first official episode launches on artpractical.com on October 24th! Follow on: IG: @prnt_scrn_ap Twitter: @PRNTSCRN1 Dorothy R. Santos is a Filipina American writer and curator whose research interests include digital art, computational media, and biotechnology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is currently a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She serves as a co-curator for REFRESH (in partnership with Eyebeam) and works as the Program Manager for the Processing Foundation.

Episode 26 is a special episode, brought to you from Eyebeam in Brooklyn, NYC. We cover Hacking//Hustling: A Platform for Sex Workers in a Post SESTA World with a combination of interviews and captured audio. We discuss the need for a sex worker centered tech conferences with Ingrid Burrington, an Eyebeam art resident who helped to facilitate the event. We then move to footage of the sex worker panel that kicked off the event. We feature snippets of Tina Horn, Lorelei Lee, Danielle Blunt, and Melissa Gira Grant. We also talk to Brit Schulte, who curated the Whores Will Rise: Protest Art and Resistant Ephemera Against FOSTA/SESTA, the art exhibit running in conjunction with the event; and we talk to Joanna Gould and Sally Szwed, Eyebeam staff. Finally, we bring you three longer interviews. First, we talk to Sophie Searcy from t4tech, about digital hygiene; second, to sex worker Tourma, and her client Rick about their trip to the conference together; and, lastly, to Danielle Blunt and Melissa Gira Grant about their reflections on the conference as a whole.

Geneva and Mickell are products of NYC Public Schools, a handful of key programs for aspiring young digital creators, and (eventually) some supportive families. We cover lots of territory in this episode. Mickell takes us to school on game genres, and together they reflect on what key supports helped them pursue their passion. We also scratch the surface on gaming and gender, and Naomi Clark pops by to offer some ideas about why boys might be quicker to identify as a "gamer" than girls.In this episode:Mattie Brice: http://www.mattiebrice.com/Alexandre "Zedig" Diboine: http://alexandrediboine.tumblr.com/2064 Read Only Memories, the game: https://en.wikipedia.org/wiki/2064:_Read_Only_MemoriesVA-11 HALL-A (aka, "valhalla"), the game: https://en.wikipedia.org/wiki/VA-11_HALL-AThe World Ends With You, the game: https://en.wikipedia.org/wiki/The_World_Ends_with_You Naomi Clark: http://gamecenter.nyu.edu/faculty/naomi-clark/Learn more about the free Future Game Designers Program @ NYU: http://gamecenter.nyu.edu/academics/high-school/Eyebeam: http://eyebeam.org/If you like this episode, subscribe to No Such Thing on iTunes and Googleplay. If it's not available on your favorite player, let me know through our shownotes site, nosuchthingpodcast[dot]wordpress[dot]com. Already a subscriber? Please rate and review us, and listen to this episode for info on how to enter a raffle to win a Google Pixl phone. See acast.com/privacy for privacy and opt-out information.

In this episode, three young people--alumni of NYC public schools and digital programs that supported their journey-- share their ideas and experiences about digital life and learning. Through their dialogue, the group explores how race, gender, learning context, and access have all influenced their experience.Notes from this episode:Eyebeam and Playable Fashion New York Hall of Science Mouse 1:1 Schools Columbia University S-Prep Step program at Barnard NYU Poly / Tandon student enrollment data Active Nuclear Weapons on the planet and number it would take to end humanity See acast.com/privacy for privacy and opt-out information.

EMyth https://emyth.com/ Alexander Calder’s website http://www.calder.org/ Fear of Missing Out https://en.wikipedia.org/wiki/Fear_of_missing_out Amalia Aulman’s Instragram https://www.instagram.com/amaliaulman/?hl=en Live Journal http://www.livejournal.com/ Jeremy’s 90s skin design website http://sblcommunications.com/jbd/ Tripod history https://en.wikipedia.org/wiki/Tripod.com Popex https://en.wikipedia.org/wiki/Popex Jeremy’s 90s friend trading website http://sblcommunications.com/groupex/ UbuWeb http://www.ubuweb.com/ Hito Steyerl (she has no website) https://en.wikipedia.org/wiki/Hito_Steyerl The You Museum http://theyoumuseum.org/ Amalia Ulman, Excellences & Perfections http://rhizome.org/editorial/2014/oct/20/first-look-amalia-ulmanexcellences-perfections/ M. Night Shyamalan http://www.imdb.com/name/nm0796117/ Andy Kaufman https://www.youtube.com/watch?v=6p0sr2BejUk&list=RD6p0sr2BejUk#t=86 Andy Warhol, 15 minutes of fame https://en.wikipedia.org/wiki/15_minutes_of_fame Best hair cutting scissors are Japanese http://www.hairstylermag.com/best-hair-cutting-shears-reviews/ FlowBee https://www.flowbee.com/ ** Our First Sponsored Ad, Ben Fino-Radin’s Small Data Industries http://smalldata.industries/ Samurai Philosophy http://www.artofmanliness.com/2008/09/14/the-bushido-code-the-eight-virtues-of-the-samurai/ Seth Godin’s Blog http://sethgodin.typepad.com/ Marketing Channel https://en.wikipedia.org/wiki/Marketing_channel JR’s instagram https://www.instagram.com/jr/?hl=en PewDiePie https://www.youtube.com/user/PewDiePie Our new Good Point Podcast website http://goodpointpodcast.com/ Times New Ramen http://timesnewramen.com/ Ryder Ripps http://observer.com/2015/01/the-trial-of-ryder-ripps-an-embattled-artist-on-haters-angry-muses-and-threats/ Past Futures at Eyebeam (where jeremy first met Ryder) http://eyebeam.org/archive/events/mixer-past-futures Ghost in the Shell whitewashing http://collider.com/ghost-in-the-shell-racism-explained/ Threadless https://www.threadless.com/ Google Adwords https://adwords.google.com/home/#?modal_active=none Rafael’s Flaming Cursor website http://www.flamingcursor.com/ Petra Collins censored by Instagram http://www.huffingtonpost.com/petra-collins/why-instagram-censored-my-body_b_4118416.html Google Ad guidelines https://support.google.com/adwordspolicy/answer/6008942?hl=en Banner Blindness https://en.wikipedia.org/wiki/Banner_blindness Content Marketing https://en.wikipedia.org/wiki/Content_marketing The MET’s Instagram https://www.instagram.com/metmuseum/?hl=en David Bowie is, exhibition http://www.vam.ac.uk/content/articles/t/touring-exhibition-david-bowie-is/ La Gaîté lyrique https://gaite-lyrique.net/en Bryan Unger https://twitter.com/thx4bnu

Featuring an interview with tobias c. van Veen and multiple pieces from the artist, including Tacleron 1999 and excerpts from Thunderklap. “[tobias c. van Veen], b 1978, explores sound, machines and turntables through installation and performance […] working with festivals and galleries worldwide, including MUTEK, New Forms, Hexagram, Sonic Acts, STEIM, Eyebeam, Soundfjord, VIVO Media Arts, CiTR 101.9FM, Rhizome.org, Thurbulence.org, Kunstradio, radioCONA, the Mobile Digital Commons, and the Vancouver New Music Society.”“Recovering long lost tapes of the N30 protests (the Battle of Seattle), s* composes a tense montage from the police scanner, combatting surveillance and arrest activities with frequency and noise manipulation.” Find out more here: http://iosound.ca/2012/05/io-003/

Playing for Team Human is Mushon Zer-Aviv. Mushon shares his creative strategies for resistance against assimilation into the big data mindset. His playful, interactive designs turn the cult of data collection on its head, re-ambiguating humans and embracing the most quirky, inspired, and anomalous aspects of our lives. Mushon’s recent project, AdNauseam.io  challenges surveillance advertising by feeding it back into itself. Check out this and his many projects linked below. You can also learn more about “reambiguation” on Mushon’s  Medium blog. Full bio from Mushon.com: Mushon is a designer, an educator and a media activist based in Tel Aviv. His work and writing explore the boundaries of interface and the biases of techno-culture as they are redrawn through politics, design and networks. Among Mushon’s collaborations, he is the CO-founder of Shual.com – a foxy design studio; YouAreNotHere.org – a tour of Gaza through the streets of Tel Aviv; Kriegspiel – a computer game version of the Situationist Game of War; the Turing Normalizing Machine – exploring algorithmic prejudice; the AdNauseam extension – clicking ads so you don’t have to; and multiple government transparency and civic participation initiatives with the Public Knowledge Workshop; Mushon also designed the map for Waze.com. Mushon is an alumni of Eyebeam – an art and technology center in New York. He teaches digital media as a senior faculty member at Shenkar School of Engineering and Design. Previously he taught new media research at NYU and Open Source design at Parsons the New School of Design and in Bezalel Academy of Art & Design. Read him at Mushon.com and follow him at @mushon. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

This months CIRCUIT CAST is an export quality edition; Mark Amery joins Martin Patrick and Thomasin Sleigh at the Tongan contemporary survey Tonga ‘i Onopooni at Pataka, Kim Pieters journeys up from the Dunedin underground to to present her survey What is a life? at the Adam Art Gallery, and mid-install of her group show with the Mata Aho collective Kaokao, Terri Te Tau discusses sending her installation work Unregistered and Unwarranted to Eyebeam in New York. All that and a few calamitous mis-pronunciations on this months CIRCUIT CAST. Image: Kim Pieters, Halo (2010), digital video, audio by Edie Stevens, in the exhibition What is a life? Kim Pieters at the Adam Art Gallery (Photo: Shaun Waugh)

Cosmic Analog Ensemble - "Mutatis Mutandis" - Navigations Nocturnes [Free Music Archive] Hayvanlar Alemi - "Hayalgücü Spor Kulübü" - Hayvanlar Alemi Tatilde [Free Music Archive] Lorelle Meets The Obsolete - "Waitin' for the Orange Sunshine" - COMPILADO 001 [Free Music Archive] Voyageurs - "Sleeping Outdoors" - Alien Iverson [Free Music Archive] Louis G - "The Enemy of My Enemy's My Enemy / No Speed Trap" - FM FUNK MADDNESS!! [V/A] [Free Music Archive] Set: Blip Festival spotlight! The Blip Festival returned to NYC for its 5th Anniversary May 19th-21st, 2011, at Eyebeam. WFMU was there to broadcast live, and the Free Music Archive is just beginning to add audio recordings from these three incredible days of music (and visuals!) Blip Festival 2011 NYC Collection @ Free Music Archive Ultrasyd - "Dead But Still Dancing" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] Wet Mango - "excerpt" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] Tristan Perich - "Dual Synthesis (excerpt)" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] Minusbaby - "A Large Part of Your Mind Sliced" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] End of set http://www.wfmu.org/playlists/shows/40656

Cosmic Analog Ensemble - "Mutatis Mutandis" - Navigations Nocturnes [Free Music Archive] Hayvanlar Alemi - "Hayalgücü Spor Kulübü" - Hayvanlar Alemi Tatilde [Free Music Archive] Lorelle Meets The Obsolete - "Waitin' for the Orange Sunshine" - COMPILADO 001 [Free Music Archive] Voyageurs - "Sleeping Outdoors" - Alien Iverson [Free Music Archive] Louis G - "The Enemy of My Enemy's My Enemy / No Speed Trap" - FM FUNK MADDNESS!! [V/A] [Free Music Archive] Set: Blip Festival spotlight! The Blip Festival returned to NYC for its 5th Anniversary May 19th-21st, 2011, at Eyebeam. WFMU was there to broadcast live, and the Free Music Archive is just beginning to add audio recordings from these three incredible days of music (and visuals!) Blip Festival 2011 NYC Collection @ Free Music Archive Ultrasyd - "Dead But Still Dancing" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] Wet Mango - "excerpt" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] Tristan Perich - "Dual Synthesis (excerpt)" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] Minusbaby - "A Large Part of Your Mind Sliced" - Live at the 2011 Blip Festival at Eyebeam NYC [Free Music Archive] End of set https://www.wfmu.org/playlists/shows/40656

Jeff Crouse and Aaron Meyers present The World Series of 'Tubing at Eyebeam. An augmented reality card game, players compete against one another by selecting and presenting their "best" YouTube video clips. The audience then choose their favorite videos with a cleverly conceived audience response system using laser pointers. By blurring the distinctions between performer, audience, and participant, their work builds upon the inherent qualities of shared culture as it exists online. shot & edited by Emily Chen

Dragan Živadinov, Dunja Zupančič , and Miha Turšič take the audience on a 50 hour journey through the concepts of "theatre in zero-gravity", at Eyebeam. shot & edited by Emily Chen

Eight teenage girls learn to mix technology with fashion at Eyebeam, a center for art and technology located in Manhattan. Hear their story of the Girls Eye View program, an experience which aims to get young women interested in science. Multimedia: Slideshow