Podcasts about We Are What We Are

On today's episode, I talk to writer and director Jim Mickle. Originally from Douglassville, PA, Jim studied film at NYU and then worked his way up in the industry, eventually deciding to make his own film in 2006, Mulberry Street, with frequent collaborator Nick Damici. Each film they made got a little more attention: Stake Land, We Are What We Are and Cold In July, which premiered at Sundance and was scooped up by IFC Films. From 2016 to 2018, Jim and Damici showran the Sundance TV show Hap and Leonard, and most recently, Jim has showrun three seasons of the Netflix Jeff Lemire adaptation Sweet Tooth, whose third season debuts today! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Help Me To Keep Doing This I review 26 movies and 9 TV series and hope that you find something you like and maybe make it to the easter egg at the end. Movies: Blue Ruin, Lord Of Misrule, Napoleon, American Outlaws/The Dougherty Gang, Rise Of The Foot Soldier Series, We Are What We Are, Land Of Bad, Return To Sender, Fast Charlie, November Criminals, Poor things, Code 8 PT2, American Fiction, Damsel, Memory, Little Wing, The Lionheart, Road House, Dune 2, Anatomy Of A Fall, Monkey Man, The Zone Of Interest, Pinball The Man Who Saved The Game, Wicked Little Letters, Unfrosted, The Professor. TV Series: True Detective, The Gentlemen, 3 Body Problem, Griselda, Stable, Is It Cake Season 3, Ripley, Fallout & The Red King. This Is Conor McGregor Bollocks

This week on Before the Downbeat, Mackenzie and Scott celebrating that the best of time is now by discussing the musical La Cage aux Folles! Together these two explore the generational divisions between the creative team that caused much friction during the creation process of this musical. They debate if Jean-Michel's big number "With Anne on My Arm" is deep and complex. Plus discover why Scott is not a fan of the opening number "We Are What We Are". All of this and a green Givenchy gown in the loo in this all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Twitter

Today we're talking to Andrew Corkin. Andrew is a producer who's body of work includes Martha Marcy May Marlene, the American remake of We Are What We Are, The Beach House (now streaming on Shudder) Alone With You, the feature debut of Emily Bennett and Justin Brooks, the Netfliux docuseries, Pepsi Where's my Jet, and many more titles. In addition to producing, Andrew is also a teacher who has taught at Emerson and The American Film Institute and goes out of his way to teach career lessons that are not typically taught in film school as evidenced by this conversation.Andrew delivers some of the most honest and thorough insights into what it means to be a producer that I think I've ever heard on this show. This is years worth of film school in a single hours so get ready to take notes. In this conversation Andrew and I discuss the keys to sustaining a long and successful career in film, the importance of mentorship and his experience within the horror genre. Here are some key takeaways from this conversation with Andrew Corkin.Heed the 80/20 Principle: Andrew pays a lot of mind to which directors he decides to work with, noting that it's a 3-5 year partnership and therefore a serious commitment. The balance he seeks in a director he's working with is someone with a strong vision but open to feedback. The ideal director has 80% of their vision realized and thought out, but remains open to 20% influence from collaborators. A director with too strong a vision is as difficult to work with as one whose vision isn't fleshed out enough. It's crucial to demonstrate a thorough vision while maintaining some fluidity to enable powerful collaborations.Show Don't Tell: When pitching Martha Marcy May Marlene with Director Sean Durkin, raising money was a challenge since at the time, Sean was a first time feature director. Andrew and Sean responded by creating a short proof of concept, showcasing the vision, tone, and nuance of the film they wanted to make. This approach was successful, helping them raise the funds not just by communicating the vision, but by demonstrating Sean's ability to deliver it as a director. A verbally articulated vision can only take you so far; producers need to see what you're capable of actually making if they're going to invest in you.Lean into mentorship. A common theme throughout Andrew's career has been mentorship and education. He not only seeks to learn from collaborators but will even choose specific collaborators to learn from. This learner's mindset can be rare in the film business which is rife with egos, but Andrew credits this mentality of continuous learning to his success and career sustainability and even after over a decade in the industry, he still constantly strives to learn more.SHOW NOTESMovies Mentioned: The Kid Stays in the Picture (Documentary about Robert Evans)Afterschool - Antonio CamposSimon Killer - Antonio CamposMartha Marcy May Marlene - Sean DurkinWe Are What We Are (Mexican Original) - Jorge Michel GrauWe Are What We Are (American Remake) - Jim MickleLet the Right One In (Swedish Original) - Tomas AlfredsonThe Babadook - Jennifer KentVigilante - Sarah Dagger-NixonClean Shaven - Lodge KerriganLe Samourai - Jean-Pierre MelvilleFollow Andrew Corkin at:Instagram: https://www.instagram.com/andrewdcorkin/X: https://twitter.com/andrewdcorkin?lang=enIMDB:

Natalia Leites (HANDMAIDS'S TALE) returns to the podcast after many years to discuss her latest work including having directed the first 3 episodes of the new Hulu series BLACK CAKE. Also, making his directorial debut, Travis Burgess discusses his film HAYSEED which just became available on streaming platforms and stars Filmwax friend Bill Sage (SIMPLE MEN, WE ARE WHAT WE ARE) who joins him.

Hello fiends and familiars! Shocktober XII: The Internationale continues. This week, we find ourselves south of the border in Mexico, for the cannibal tale We Are What We Are. It spawned a more prominent north of the border remake in 2013. But to keep it international, we watched the original story. We talk family, power dynamics, tradition, and much more on this week's show. Join us now as we breakdown this Mexican cult classic.  TIMESTAMPS 00:30 - Introductions and Synopsis 04:58 - Quick We Are What We Are Reviews 14:09 - Expanding the Syllabus 21:56 - Analysis 43:04 - Shelf or Trash 44:00 - Wrap Up and Next Week's Film

Episode 06: Horror of Latin America This episode was recorded on August 8, 2023 and posted on September 9, 2023. Content Warning: Vulgarity. Introduction Welcome to No Bodies Episode 6 Introductions to your Ghosts Hosts with the Most - Lonely of Lonely Horror Club and Projectile Varmint aka Suzie of Horror Movie Weekly Introductions to our guest - Vincente from Beyond the Frame  Today's Topic: Horror of Latin America Discussion of Latin American Cultures in Horror Our experiences with Latin American Horror Representation gap of Latin American cultures in film Why are horror films more prominent in Latin cultures than others in the U.S? Major themes in British horror: colonialism/political corruption, Christianity, and femicide Vincente's favorite folklore and urban legends from Chile - Trauco  Worst & Best Representations of Latin American Horror Spoilers ahead! Worst Caleuche: El llamado del Mar (2012) - Vincente The Untamed (2016) - Vincente Menendez: Day of the Lord (2020) - Suzie  We Are the Flesh (2016) - Suzie  The Curse of La Llorona (2019) - Lonely Best La Llorona (2019) - Vincente Bestia (2021) - Vincente Terrified (2017) - Suzie & Vincente Huesera: The Bone Woman (2022) - Suzie & Lonely The Similars (2016) - Suzie  Suzie's Deep Cuts  Includes films with under 5k ratings on IMDB.  We Are What We Are (2010) Visceral: Between the Ropes of Madness (2012) Aftershock (2012) Downhill (2016) Final Thoughts If you could sum up where you want to see the future of Latinx storytelling in horror, what would be your highlights? Thank you to our guest!  Follow Vincente's reviews and film analyses on Instagram - @beyondtheframe._ ! Keep Up with Your Hosts Check out our instagram antics and drop a follow @nobodieshorrorpodcast.  Projectile Varmint - catch Suzie on Horror Movie Weekly with our dear friends Jay of the Dead, Mister Waston, and Channy Dreadful. Suzie also runs the HMW Instagram @ horrormovieweekly.  Lonely - read more from Lonely and keep up with her filmstagram chaos @lonelyhorrorclub on Instagram and www.lonelyhorrorclub.com. Original No Bodies Theme music by Jacob Pini. Need music? Find Jacob on Instagram at @jacob.pini for rates and tell him No Bodies sent you!  Leave us a message at (617) 431-4322‬ and we just might answer you on the show! Sources & Additional Reading ABC13 staff. (2023, March 10). Latinos and Hispanics face big hurdles in Hollywood, vastly underrepresented in TV and movies, data shows. ABC13. https://abc13.com/amp/hispanics-latinos-actors-representation-in-tv-and-movies/12934732/ Bojorquez, K. (2021, November 2). Why U.S. Latino and Hispanic audiences love horror movies. The Sacrament Bee. https://www.sacbee.com/news/local/article255103562.html Chavez, D. (2022, November 21). Gateway Staff. The Gateway. https://www.unothegateway.com/latino-representation-and-stereotypes-in-american-film-and-television/ Guerra, J. (2021, June 7). Why do horror films like “The conjuring” have particular appeal with Latinos? Why do horror films like “The Conjuring” have particular appeal with Latinos? | Datebook. https://preview.houstonchronicle.com/movies-tv/why-horror-films-have-particular-appeal-with-16223674/amp Luiz Suppia, A. (2019). Horror in literature and film in Latin America. Oxford Bibiliographies. https://www.oxfordbibliographies.com/display/document/obo-9780199766581/obo-9780199766581-0124.xml Malone, S. (2020, September 15). Hispanic heritage: Exploring Latin American horror. Morbidly Beautiful. https://morbidlybeautiful.com/exploring-latin-american-horror/ Peralta, M. (2022, October 12). Celebrating Latinx Heritage month with 5 horror films that challenge the colonial mindset. Dread Central. https://www.dreadcentral.com/editorials/439817/celebrating-latinx-heritage-month-with-5-horror-films-that-challenge-the-colonial-mindset/?amp Seijas, J. L. (2018). Latin American myths and legends. Latinolife. https://www.latinolife.co.uk/articles/latin-american-myths-and-legends Shaw, D. (2020, August 29). How Latin American horror films highlight femicides, political corruption and other human rights abuses - entertainment news , Firstpost. Firstpost. https://www.firstpost.com/entertainment/how-latin-american-horror-films-highlight-femicides-political-corruption-and-other-human-rights-abuses-8756111.html/amp

EPISODE 91: GLOBAL HORROR - MEXICO IS TERRIFYINGMexico is a land of rich food, amazing people, fantastic music… and some terrifying stories! Listen in as we travel to a country we love, and spin some tales to make you shiver.HORROR IN THE MOVIESMexico is KILLIN' it with two amazing horror entries: WE ARE WHAT WE ARE and HERE COMES THE DEVIL!WHATCHA BEEN WATCHIN', BITCH?!Listen in to hear what we've been watchin'... bitch!SLANG IN MEXICOCan Matty guess what the slang means?! Listen in to find out!–A podcast from DREAD PODCAST NETWORKSupport FRIGAY THE 13TH: www.frigay13.com/supportFollow on Twitter, Instagram, & TikTok: @FriGay13#horrorpodcasts #lgbtqpodcasts #gaypodcast #queerpodcast #horrorpodcast #horrormovies #horrorfilms #horrorcommunity #horrorjunkie #horrorfanatic #horrorobsessed #getslayed #mexico #dayofthedead #diadelosmuertos #wearewhatweare #herecomesthedevil See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rob + Josh are back with another JUICER!! This week in THE WAR, we put the cannibal horror films We Are What We Are against each other. In HORROR KLUB, we talk about the cannibal and PETA inspired horror film, The Farm, and review it book club style! And finally for THE LIST, we talk about our Top 5 Cannibal Films! Notice a theme?

From man-eating plants to man-eating mans, this week we're exploring cannibalism in a feast for the senses. First, Emmy Colón-Geistlinger joins us to talk about why The Texas Chain Saw Massacre is the perfect Thanksgiving movie. Then, we make a recommendation for our double-meat double-feature, the 2010 Mexican film We Are What We Are. Follow Emmy online at https://soyemmy.com, Instagram @la_soy_emmy, and listen to The Violet Vulture wherever you get your podcasts. Follow us on Twitter and Instagram @callsinsidepod and our host Kevin Sparrow on Twitter @dirtydevlin Referenced in the episode: Chris Justice - Oil and a Dangerous South: Alternate Geopolitical Readings of “The Texas Chain Saw Massacre. Classic-Horror.com, 2010. Jessica Scott - Written in the Stars: Astrology and Fatalism in Proto-Slashers. Manor Vellum, 2021. --- Send in a voice message: https://anchor.fm/calls-inside-pod/message

We continue our cannibalistic month of horror, Dreadful for this Meal, with an exciting remake of 2010's Somos lo que hay. Jim Mickle's We Are What We Are will have you captivated by its creeping slowness, with a significant impact by the end!Next movie: Fresh————————————————————— Want to keep the horror chats alive? Do you want to join a super awesome community that loves the genre and Knight Light? Want to have access to exclusive content? It sounds like you should join our Discord! ————————————————————— Gain access to our after-show, MidKnight Hour, by signing up on our Patreon. Not enough? How about we throw Knight Light in your podcast feeds before Friday? I knew you would come around!Want to be a part of the growth of Knight Light? Support us at these links!PATREON | TWITTER | PRINCE | FREDDY | DAVID Hosted on Acast. See acast.com/privacy for more information.

"I don't know what you think you heard, but you must be mistaken..."Sometimes the most horrific movies have nothing to do with active threats like demonic possession or masked slashers, but the twisted ways in which women are forced into roles they never asked for, and are convinced that harmful, patriarchal rule is "just the way it's always been." In Jim Mickle's haunting film WE ARE WHAT WE ARE, we see Ambyr Childers and Julia Garner forced to navigate their new gender roles as "the women of the house," and how they are now responsible for the preparation of their family's annual feast ...which may or may not be human flesh.---------Become a Patron! www.patreon.com/thisendsatprom--------Find the Show on Twitter & Instagram: @ThisEndsAtPromBJ Colangelo —Twitter & Instagram: @BJColangeloHarmony Colangelo — Twitter & Instagram: @Veloci_trap_tor----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

What makes an anthology, at home Drive-Ins, tit lurkers, obsessive sharks, cannibal fails and We Are What We Are!

A single word that will bring a look of hatred, disgust, or simply end the conversation: remakes. When brought up, many fans will immediately say “they suck” and move on. But do they all suck? Sure, we can all point out an example or two that we think of as abominations, but you can't lump all of them together. Because when you start to think about it, there are plenty of good remakes… and a few that we think are amazing! In this episode, we delve into this perennially controversial subject. We'll cover some of our favorites as well as ones that we feel missed the mark, and even try to figure out what makes a remake successful or... well, not so successful. Insta: https://www.instagram.com/discoverthehorror/ Facebook: https://www.facebook.com/DiscovertheHorror Web:  https://discoverthehorror.com/ In this episode, we discuss: 13 Ghosts (2001) Amityville II: The Possession (1982) Amityville Horror (1979) Amityville Horror (2005) Army of Darkness (1992) The Blob (1958) The Blob (1988) Carrie (1976) Cat People (1942) Cat People (1982) Child's Play (1988) Child's Play (2019) Dawn of the Dead (1978) Dawn of the Dead (2004) The Devil's Rejects (2005) Don't Be Afraid of the Dark (1973) Don't Be Afraid of the Dark (2010) Dracula (1931) Dracula (1974) Dr. Jekyll and Mr. Hyde (1932) Evil Dead (1981) Evil Dead (2010) Evil Dead 2 (1987) Freddy vs Jason (2003) The Fly (1986) Frankenstein (1910) Frankenstein (1931) Frankenstein: The True Story Friday the 13th (1980) Friday the 13th (2009) Fright Night (1985) Fright Night (2011) Godfather (1972) Halloween (1978) Halloween (2007) Hills Have Eyes (1977) Hills Have Eyes (2006) House of a 1000 Corpses (2003) Invasion of the Body Snatcher (1956) Invasion of the Body Snatcher (1978) Inside (2007) The Invisible Man (2020) It (1990) It (2017) Jaws (1975) Last House on the Left (1972) Last House on the Left (2009) Leatherface (2017) Maniac (1980) Maniac (2012) Martyrs (2015) Mary Shelley's Frankenstein (1994) My Bloody Valentine (1981) Nightmare on Elm Street (1984) Nightmare on Elm Street 3: Dream Warriors (1987) Night of the Living Dead (1990) Nosferatu (1979) Pet Sematary (1989) Pet Sematary (2019) Phantom of the Opera (1925) Piranha (1978) Piranha 3D (2010) Psycho (1998) Quarantine (2008) [REC] (2007) The Ring (1998) The Ring (2002) Salem's Lot (1979) The Shining (1980) The Shining (1997) Suspiria (1977) Suspiria (2018) Texas Chain Saw Massacre (1974) Texas Chainsaw Massacre (2003) The Thing (1982) The Thing from Another World (1951) The Toolbox Murders (1978) Toolbox Murders (2004) We Are What We Are (2010) We Are What We Are (2013) The Wolfman (2010)        

In this special bonus episode of New Narratives, a companion to our mixed-race Asian identity-focused episode “We Are What We Are,” documentary filmmaker serena (they/them) and AAOP Content Creator Intern and New Narratives co-host Siena (she/her) talk about both their experiences growing up mixed, the complex positionality of being mixed-race with white, and, fittingly for May and Asian Heritage Month, how it might be possible to pass on heritage traditions and values as burgeoning mixed-race mentors and potential future mixed-race parents. If you are interested in learning more about mixed-race Asian identity and experiences, please visit bit.ly/3MhkQq6 for a list of resources around mixed-Asian identity, including mixed-race, mixed-ethnicity, and interracial and transnational adoptee experiences. Music by Alex_MakeMusic via Pixabay.

Cannibals can also be fussy eaters.  See omnystudio.com/listener for privacy information.

In this episode, Jeff and Steph check out We Are What We Are...not to be confused with I Am What I Am – the Popeye Story. What happens we teen hormones and plot device weather clash with a family's cannibalistic lifestyle? A pretty good movie, actually.

Join Trent, Sharai, and Nightmare on 5th Street as they cover We Are What We Are. Music Credits: Composed/Produced by LaRob K. Payton LaRob K. Payton, piano/vocals, Jackson Kidder, bass, and Tiana Sorenson, vocals. Our art was created by Jed Martin. Check out his work at jedmartincreative.com. Follow all of our social media at https://allmylinks.com/anightmareonfiercestreet Subscribe to our Patreon for exclusive content and merchandise at https://www.patreon.com/anightmarefierceonfiercestreet --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/fierce-street/message Support this podcast: https://anchor.fm/fierce-street/support

Welcome to Season 2 of the Horror Movie Crew Podcast!  A weekly podcast about all things horror.  We Continue our November theme "Guess Who's Coming to Dinner" with We Are What We Are. Want early access to episodes!? Become a Patron Crewbie today:  JOIN Additional content available at www.horrormoviecrew.com Check out the HMC on Social Media: Episode Hosts:  @Sethk81 @Joshsmannequin @jessleehmc All Music By: @Joshsmannequin Thank you to our Patron CREWBIE VIP's:  -Michael from the @We_Love_Horror_Podcast -Our favorite Nana! -Ashley S! -Ashley V! The HMC are featured on Feedspots Top 60 Horror Movie Podcasts 

Welcome to the Season 3 Premiere! This week Special Guest effects and makeup artist Haley McCuistion joins us as we look back at the cannibal horror remake We Are What We Are, the feature debut of horror icon Elvira: Mistress of the Dark, the raucous horror comedy Tucker and Dale vs Evil, and the original Romero legend, Night of the Living Dead! Stay Scared! CONTACT US: weekinhorror@gmail.com VIST US: https://www.weekinhorror.net/ FOLLOW US: https://www.facebook.com/weekinhorror https://www.twitter.com/weekinhorror https://www.instagram.com/week_in_hor... https://www.youtube.com/weekinhorror SUPPORT US: https://www.paypal.com/paypalme/weeki... https://www.patreon.com/weekinhorror https://week-in-horror.creator-spring... JOIN US: https://discord.gg/PDGDeWJz4E Joshua Olsen's Art Store https://www.badsamurai.store --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/weekinhorror/support

It's the final taboo, the forbidden snack, human flesh. In this episode we talk about people who eat people and discover it's one of the most complex horror tropes we've covered so far.Includes discussions of The Incredible Shrinking Man (1957), Block Island Sound (2020), Spiral (2021), Man from Deep River (1972), The Hills Have Eyes (1977), Frightmare (1974), We Are What We Are (2010), Dumplings (2004), Raw (2016), The Cook, the Thief, his Wife and Her Lover (1989) and more. 

In today's episode UndeadMatt and KrampusCody talk about their hate for dreadful bar patrons, love for a galaxy far far away, and review movies Parents (1989) We Are What We Are (2013); they'll give you the pros, cons, triggers to be aware of, and ultimately make the case as to why you should watch these movies now! --- Send in a voice message: https://anchor.fm/matthew-mccord/message

Special Film Festival Edition looks at several directors and their projects. Jim Mickle talks Stakeland and We Are What We Are, Caradog James talks The Machine with comments from Caity Lotz, William Eubank talks about his film, The Signal and Rod Blackhurst talks about his award winning film, Here Alone.

In this episode, Jeff and Steph check out We Are What We Are...not to be confused with I Am What I Am – the Popeye Story. What happens we teen hormones and plot device weather clash with a family's cannibalistic lifestyle? A pretty good movie, actually. To learn more, listen in and Stream On.

A look at the making of the 1984 Tony Award-winning musical, LA CAGE AUX FOLLES based on the movie of the same name. Creators Harvey Fierstein, Jerry Herman, Arthur Laurents, and star George Hearn all discuss their involvement in the show. They discuss their collaboration and the challenges of bringing this now classic show to the Broadway stage. Featured songs: “Prelude,” “We Are What We Are,” “Song On The Sand,” “La Cage Aux Folles,” “Look Over There,” “I Am What I Am,” and “The Best Of Times.” Originally produced and broadcast in 1986. For more information go to AnythingGoesPL.com or BPN.FM/AnythingGoes. Theme music arranged by Bruce Coughlin. Sound mixing by David Rapkin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

We Are What We Are is a great remake. Read more at: https://scottsself-indulgentmovieblog.blogspot.com/

¡Hola! Welcome to the first ever Grave Plot Podcast Cinco de Mayo special! In honor of today's holiday, we're talking about Mexican horror and even, gulp, drinking tequila. Before we get to all that, though, we gotta talk Business - as in Horror Business. In Real World Horror, we talk about a UK homeowner who made a very startling discovery under their house while digging a drainage hole. We also discuss a George A. Romero film being... brought back to life (get it?). We also tell you all about the new clickbait horror anthology from the makers of WNUF Halloween Special, give an update on the new movie based on Disney's Haunted Mansion, and discuss a new vampire film (dubbed by Taylor as a "blue color Blade") starring Jamie Foxx and Snoop Dogg. Finally we take a look at the possibility of Adam Wingard returning to the... sigh... MonsterVerse. We then head south of the border for our Cinco de Mayo film reviews! First up is the very... um... polarizing film We Are the Flesh, featuring a homemade underground cave and the depravities that take place therein. Up next is We Are What We Are, the story of a struggling family trying to deal with the loss of their patriarch. Oh, and they also maybe eat people. So grab yourself some cervezas and join us for another brand new episode of The Grave Plot Podcast!

Months earlier in the Unending Quarantine, Ramona and Jess watched a bunch of horror movies on everyone's third favorite streaming service and recorded their thoughts. Herein resides the mini-reviews for After Midnight, Come to Daddy, We Are What We Are, 2001 Maniacs, Possum, Hole in the Ground and a bonus non-Amazon movie just because. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

WoHo's!! This week Mac and I looked at the 2010 cannibal horror movie from Mexico, "Somos lo que Hay" and the American 2013 remake.For once we have two different movies, but we still have the same amount of shovel deaths.What scene belongs in the MoMa? Who returns from "Cronos" and "Here Comes the Devil"? How many Cannibal films has Mac seen?Next week for the minisode/Quinnisode, Quinn will be discussing dysfuctional families and I will be discussing functional ones.In two weeks for our fifth episode this season, Mac and I are going to take a "Deep Dive for Five" when we look at superstar director Kim Jee Woon and discuss "A Tale of Two Sisters" and "The Uninvited"The Last Podcast on the Left did a great two-parter on the Donner Party a few years ago if you are interested in listening to more cannibal talk.Part IPart II"Eating Raoul" IS a comedy and the lyrics to that Tom Waits song go: It's raining hammers, it's raining nails.You're welcome.We love you! Get in touch. Don't go into the basement! Support the show (https://www.buymeacoffee.com/xafupi)

Shannon and Cathy discuss Black Box, The Little Things, We Are What We Are, Craft Legacy, The Queen of Black Magic, and of course, Horror Facts with Cath. Website: https://www.terrortalkpodcast.com Community Membership: https://www.patreon.com/terrortalk Instagram: https://www.instagram.com/terrortalkpodcast/ Twitter: https://twitter.com/TalkTerror Facebook Page: https://www.facebook.com/newterrortalkpodcast/ Business Inquiries: terrortalkpodcast@gmail.com --- Send in a voice message: https://anchor.fm/terrortalk/message Support this podcast: https://anchor.fm/terrortalk/support

Clive Barkers 1987 Hellraiser discussed

It's another edition of our DINNER & A MOVIE of FRIDAY FAMILY FILM NIGHT - in which the Mister and I review WE ARE WHAT WE ARE (2013), currently streaming on Amazon Prime/Tubi/Vudu/Sling and Pluto TV. Based off writer/director's Jorge Michel Grau's SOMOS LO QUE HAY (2010), this incarnation of the story follows the Parkers, who have lived in a non-descript remote rural town somewhere in America. In the opening sequence, the matriarch is suddenly cut down and the eldest daughter, Iris (Ambyr Childers) must assume the family legacy and traditions. Middle daughter, Rose (Julia Garner) is caught between her love for her older sister and the desperate need to save herself before she succumbs to the darkness in which the rituals will plunge her into. Bill Sage plays Frank Parker, in a tour de force performance that will leave you chilled to the bone. Please note there are SPOILERS in this review. Shout out to Tony M for recommending this movie. Tonight's spectacular dinner was courtesy of ASIAN FUSION GRILL & SUSHI in North Bergen. This place never disappoints and is always a treat and a feast. If you're in Hudson County, you need to do yourself a favor and check it out. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://anchor.fm/jokagoge/support

Alli & Kathryn host the first Mega Slumber Party Edition of the season with Sarah & Caity from The Darkest Corners podcast! GHOST STORIES: Sarah & Caity introduce us to Bart, Amelia, & a plethora of other theatre and dormitory ghosts. STRANGER THAN FICTION: Sarah does a stunning impression of Dennis Rader and Caity talks Ed Gein's fashion taste. KEEP THE LIGHTS ON: Caity shares thoughts on We Are What We Are (not Ke$ha) and Sarah on The Awakening (not Kate Chopin). BUMP IN THE NIGHT: Spontaneous combustion and respect for Bloody Mary. BONUS: Accordion-playing neighbors, the Bermuda Triangle of Taco Cabanas.

This week Chris and Sean watched We Are What We Are. And we god damn loved it. This one runs a little long folks, so strap in. There's even a pee break. We had some beers okay, what do you want from us?

Enjoy this episode rewind of episode 10 of The Monster Squad.   ROAR!!! Join us for our monster filled Halloween episode! The films discussed this ep are Clown, ABC's of Deaths 2, We Are What We Are, Dark Was The Night, The Final Girls, and Tremors 5: Bloodlines. We spoil the cult classic movie The Monster Squad and discuss if there is a difference between creatures and monsters. Download and enjoy this spooky goodness!

Hello everyone and welcome to The Friday Nightmares Podcast. Join your hosts Heather and Scott as they talk about what they have been watching and listening to, our main topic, Cannibal Films: Stereotypes vs the Facts, and the Out of the Dark Segment, horror collectors and their collections Intro – 0:00:35 – 0:07:25 What We Have Been Watching – 0:07:25 – 0:42:40     The Funhouse (2020)      The Dark Red (2020)     Only (2020)     The Beach House (2020)     Lake of Death (2020)     Relic (2020)     Detention (2020)     Devil (2010)     Girl House (2014)     Cutting Class (1989) What We Are Listening To – 0:42:40 – 0:48:05     Cut to the Chase     Horror News Radio Main topic: Cannibal Films: Stereotypes vs The Facts – 0:49:07 – 1:52:00 Spoilers for Alive (1993), Raw (2016), green Inferno (2013), We Are What We Are (2013), and Ravenous (1999) Out of the Dark – 1:52:00 – 2:23:05     Horror movie collectors and collections Cut to the Chase https://open.spotify.com/show/6w89oBA4wIzO7GuBmkjxCg?si=OFZstELcQlKxgX7tAM57Dg Horror News Radio Horror News Radio The Official Gruesome Magazine Podcast Works Cited ENCOUNTERING CANNIBALISM: A CULTURAL HISTORY Kelly L. Watson- Graduate         College of Bowling Green State University  (2006) “Death of Countess Elizabeth Bathory.” History Today, www.historytoday.com/archive/months-past/death-countess-elizabeth-bathory. Florida, University of West. [...]

Hello everyone and welcome to The Friday Nightmares Podcast. Join your hosts Heather and Scott as they talk about what they have been watching and listening to, our main topic, Cannibal Films: Stereotypes vs the Facts, and the Out of the Dark Segment, horror collectors and their collections   Intro - 0:00:35 - 0:07:25   What We Have Been Watching - 0:07:25 - 0:42:40     The Funhouse (2020)      The Dark Red (2020)     Only (2020)     The Beach House (2020)     Lake of Death (2020)     Relic (2020)     Detention (2020)     Devil (2010)     Girl House (2014)     Cutting Class (1989)      What We Are Listening To - 0:42:40 - 0:48:05     Cut to the Chase     Horror News Radio   Main topic: Cannibal Films: Stereotypes vs The Facts - 0:49:07 - 1:52:00      Spoilers for Alive (1993), Raw (2016), green Inferno (2013), We Are What We Are (2013), and Ravenous (1999)   Out of the Dark - 1:52:00 - 2:23:05     Horror movie collectors and collections   Cut to the Chase   https://open.spotify.com/show/6w89oBA4wIzO7GuBmkjxCg?si=OFZstELcQlKxgX7tAM57Dg   Horror News Radio   https://horrornewsradio.com/ Works Cited ENCOUNTERING CANNIBALISM: A CULTURAL HISTORY Kelly L. Watson- Graduate         College of Bowling Green State University  (2006)   “Death of Countess Elizabeth Bathory.” History Today, www.historytoday.com/archive/months-past/death-countess-elizabeth-bathory.   Florida, University of West. “History.” Faculty Profiles | University of West Florida, uwf.edu/cassh/departments/history/our-faculty/faculty-profiles/amy-mitchell-cook.html.   Imogen Rehm Research Psychologist. “Unusual Conditions: What Is Rapunzel Syndrome and Why Do Some People Eat Hair?” The Conversation, 11 June 2020, theconversation.com/unusual-conditions-what-is-rapunzel-syndrome-and-why-do-some-people-eat-hair-66761.   says:, Gina, et al. Legends of America, www.legendsofamerica.com/mn-wendigo/.

Movies discussed: “Shadows On the Wall”, “Missing 411: The Hunted”, “Ride”, “We Are What We Are”, “The Assent”. See Facebook page for podcast https://www.facebook.com/groups/StreamingHorrorMovies/?ref=share

Colin Ferguson and Emily Rose chatting about their characters complex relationship on Haven. I chat with Zack Bagans, Nick Groff and Aaron Goodwin of Ghost Adventures on demonic possession as they celebrate their 100th episode.I also preview a conversation I had with Academy Award Winner Geoffrey Fletcher on the Bombay Sapphire Imagination Film Series. There's a roundtable preview with the cast and director of We Are What We Are taped at Planet Hollywood in NYC. Spolight has Fright Night 2 Director Eduardo Rodriguez.

This week Midnight Watchers review the 2010 Mexican horror movie We Are What We Are. It's our second cannibal film we've watched so far! Two of the Watchers loved it, and one thought it was okay. Can you guess which of the two liked and who didn't?

Len's memorable sports moment is when Secretariat won the triple crown at the 1973 Belmont Stakes. Michael's Broadway moment is the 1984 Tony Awards performance of "We Are What We Are" done by the cast of La Cage aux Folles.

We sit down to a nice family dinner with Parents and Jim Mickle's We Are What We Are! Sources: Parents (1989) Director/producer commentary with Bob Balaban and Bonnie Palef "Leftovers to Be" featurette "Inside Out" featurette "Vintage Tastes" featurette "Mother's Day" featurette "Once Upon a Honeymoon" short   We Are What We Are (2013) "We Are What We Are Director Q&A" by Clark Collis, Entertainment Weekly "Director Jim Mickle sinks teeth into We Are What We Are remake" by Mark Olsen, Los Angeles Times  

  Well unless you picked 'Worldwide Plague' in the 'How We're All Going To Die' sweepstake you're probably not feeling too happy at the moment, so here's something to take your mind off things on this bleak Monday morning. This episode we're going all culinary, albeit for Long Pig, as we review, compare and contrast two films featuring women who eat human flesh, in very different ways.    And in an unusual bit of planning our Easily Available Horror is also one featuring cannibals, so nobody can accuse us of not doing the homework. And this episode can also be used as a useful reference for when we run out of food and turn on each other.   Easily Available Horror: Somos Lo Que Hay (trans: We Are What We Are) (2010) from Amazon.

This week on The Richard Crouse Show Podcast: Director Jim Mickle and star Boyd Holbrook talk about their new sci fi thriller "In the Shadow of the Moon."  Jim Mickle is the creator of TV series “Hap and Leonard” and director of films such as “Cold in July” and Cannes Fortnight selection “We Are What We Are,” “Mulberry Street,” and “Stake Land.” Actor Boyd Holbrook has appeared in films such as “Milk,” “Out of the Furnace,” “Run All Night,” and “Gone Girl,” and starred as DEA Agent Steve Murphy in the Netflix series “Narcos” and in 2017 he portrayed villain Donald Pierce in “Logan.” Synopsis: In 1988, Philadelphia police officer Thomas Lockhart (Boyd Holbrook), hungry to become a detective, begins tracking a serial killer who mysteriously resurfaces every nine years. But when the killer's crimes begin to defy all scientific explanation, Locke's obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity. “In The Shadow Of The Moon” is a genre-blending psychological thriller that examines the power of time, and how its passing can either bring us together or tear us apart.

This week on The Richard Crouse Show Podcast: Director Jim Mickle and star Boyd Holbrook talk about their new sci fi thriller "In the Shadow of the Moon."  Jim Mickle is the creator of TV series “Hap and Leonard” and director of films such as “Cold in July” and Cannes Fortnight selection “We Are What We Are,” “Mulberry Street,” and “Stake Land.” Actor Boyd Holbrook has appeared in films such as “Milk,” “Out of the Furnace,” “Run All Night,” and “Gone Girl,” and starred as DEA Agent Steve Murphy in the Netflix series “Narcos” and in 2017 he portrayed villain Donald Pierce in “Logan.” Synopsis: In 1988, Philadelphia police officer Thomas Lockhart (Boyd Holbrook), hungry to become a detective, begins tracking a serial killer who mysteriously resurfaces every nine years. But when the killer’s crimes begin to defy all scientific explanation, Locke’s obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity. “In The Shadow Of The Moon” is a genre-blending psychological thriller that examines the power of time, and how its passing can either bring us together or tear us apart.

Writer/director Jim Mickle (Stake Land, We Are What We Are, In the Shadow of the Moon) graces I Do Movies Badly with his presence to talk about his journey to filmmaking, his penchant for genre, and - of course - Korean filmmaker Bong Joon-ho! The Jims talk about Joon-ho's tendency to change lanes and moods mid-film, how his films are always centered in heart, and why Snowpiercer is Mickle's least favorite of the filmmaker's output before getting on to the recommendations: Memories of a Murder (2003), The Host (2006), and Okja (2017). Jim Mickle's latest film, In the Shadow of the Moon, is streaming now on Netflix!

As we crawl ever closer to the end of our ABCs of Horror series, we have reached W. The selections this time are WE ARE WHAT WE ARE (2014), WE NEED TO TALK ABOUT KEVIN (2011), and WHAT LIES BENEATH (2000).

Andy is suggesting "Unfriended: Dark Web", a new way to do a horror movies. 3 out of 5 stars. He says stay away from "We Are What We Are" Andy also likes "Night of The Living Dead" (1968) John really likes "Train To Busan", an awesome spin to the Zombie genre, 5 out of 5 stars. He says stay away from "Jason X" John also likes "The Silence Of The Lambs" Comment below, with other horror movie suggestions or if you need suggestions.

Boocock continues unpacking the Amendments to the Constitution of the United States of America before he is interrupted by a visit from actor Bill Sage. Sage, known for his roles in the Sundance TV crime drama, Hap and Leonard (2016) and the artful thriller, We Are What We Are (2013), first came to popular notice as Dennis McCabe, the younger, more bookish, brother in Hal Hartley’s award winning Simple Men (1992). Sage discusses his working class background, the struggle to get a college education in the Reagan era and his fortuitous introduction to the acting life. This interview concludes Boocock’s running coverage of Hartley’s Long Island Boxed-Set Kickstarter which is kickstarting through this Tuesday at midnight. Music for this episode features the great (though disbanded) Norwegian post-rock outfit, Salvatore

A quick broken beat set I banged out yesterday. I felt the itch as I've been away for a while with injuries and life getting in the way. Playlist: 1. Pascal Viscardi "Ropppongi FM" [Shall Not Fade] 2. Duke Hugh "Your Number" [Rhythm Section International] 3. Kerem Akdag "Find Yourself" [Dimensions Recordings] 4. Neue Grafik "Dance to Nemanja" [Rhythm Section International] 5. Needs "We Are What We Are" (Stolen Moments Reprise) [Needs Music] 6. Simbad "Untitled Bruk Shit" (2002 Ruff Take) [Unreleased Dubs Vol. 1] 7. Nu Era "Galaxian" [Omniverse Records] 8. SFV Acid -- "French Delmar" [Baak] 9. Quango ft. Eska "Rock It Tonight" (NameBrandSound Remix) [CoOp Presents] 10. East Man and Eklipse "Safe" [Planet Mu] 11. Neon Phusion "Timecode" [Laws of Motion]

Oh Rob Zombie, what hath you wrought? This week we're discussing the 2003 exploitation/gross-out horror film "House of 1000 Corpses." Special topics for your consideration include: the permanence of being Dwight Schrute, Allen's feelings on trick-or-treating being scheduled for a non-Halloween day (spoilers: HE'S MAD), swearing for the sake of swearing, the genius of Christopher Guest movies, "Dr. Satan" and bumpbumpdunnahbumpbumpdunnahbahnownahnow (so, SO much mouth guitar.) Do you like movies about weird families killing people? May we recommend Episode 23- "Sisters," Episode 43- "We Are What We Are" or Episode 56- "Texas Chainsaw Massacre 2"?  Have you seen this one? How about Mr. Robert Zombie's other films? How do you feel about them? Let us know your thoughts at facebook.com/werewolfambulance, on Twitter @werebulance or on Instagram @werewolfambulance. You can also email us for our segment "MAILBAG!" at werewolfambulance@gmail.com and if you're feeling super generous, leave us an iTunes rating and review.  This week we're proudly partnering with Pittsburgh's own Row House Cinema and their new series Dread Central Presents! Check out the next showing in the series at Row House Cinema, 4115 Butler Street, Pittsburgh, PA 15201: Dread Central Presents: Penn Jillette's Director's Cut Friday, May 11th Midnight Tickets: ($9) http://bit.ly/RHDirectorsCut Werewolf Ambulance is a horror movie comedy podcast. 

The gates have been stormed at the H4H compound! And the result is our first Wretched Round Table, a discussion between four listeners and myself! Listen in as Dan Strauss, Doug Lipski, Kris Zimmerman, and Timothy Gruscinski share their passions and their stories around the "First Kiss" and more. We talk about horror in movies and in culture, and our own personal connection to the art form. This show has always been about starting conversations around horror and I'm honored that I was able to spend some time talking with some folks who share my love affair with all things horror-related. Stay Hellbent! If you like the show, please consider writing a review on iTunes or Google Play.  It really helps.  Thanks a lot for listening.      You can now subscribe to the Hellbent for Horror podcast now available on iTunes, Google Play, PlayerFM, and Stitcher.   You can keep up with Hellbent for Horror on iTunes @iTunesPodcasts     iTunes link: https://itunes.apple.com/us/podcast/hellbent-for-horror/id1090978706 Google Play link:https://play.google.com/music/listen#/ps/Ibsk2i4bbprrplyvs37c6aqv2ny Stitcher link: http://www.stitcher.com/podcast/hellbent-for-horror?refid=stpr   For you, the listeners of Hellbent for Horror, Audible is offering a free audiobook download with a free 30-day trial to give you the opportunity to check out their service. To download your free audiobook today, go to: http://www.audibletrial.com/HellbentForHorror   #horror #horrorpodcast #hellbentforhorror    "Wretched Roundtable" Movie List Dead-Alive (1992) Hellraiser Franchise (1987-2017) Suspiria (1977) Alien Abduction: Incident in Lake County (1998) Sleep Tight (2011) We Are What We Are (2010) The Walking Dead Series (2010-2017) People Shouldn’t Play with Dead Things (1973) Deathdream (1974) Black Christmas (1975) Porky’s (1982) A Christmas Story (1983) Nightbreed (1990) Burnt Offerings (1976) Last House on Dead End Street (1977) Friday the 13th (1980) Last House on the Left (1972) Maniac (1980) Psycho (1960) Dawn of the Dead (1978) The Dark Crystal (1982) The Last Unicorn (1982) Charade (1963) Alien (1979) Jaws (1975) Super8 (2011) Coraline (2009) Night of the Living Dead (1968) The Descent (2005) Martyrs (2008) The Thing (1982) American Werewolf in London (1981) The Fly (1986) The Howling (1981) Poltergeist (1982) Gremlins (1984) Banshee Chapter (2013) Drag Me to Hell (2009) Paranormal Activity (2007) Army of Darkness (1992) Sleepaway Camp (1983) Going to Pieces: The Rise and Fall of the Slasher Film (2006) Bay of Blood (1971) Irreversible (2002) Inside (2007) The Devil’s Rejects (2005) Alien Resurrection (1997) The Shining (1980) The Shining -TV miniseries (1997) Salem’s Lot (1979) Jerusalem’s Lot (2004) Masters of Horror (2005-2007) Neon Demon (2016) Starry Eyes (2014) Valhalla Rising (2009) Under the Shadow (2016) A Girl Walks Home Alone at Night (2014) The Invitation (2015) Hush (2016) Oculus (2013) The Wailing (2016) The Host (2006) The Blackcoat’s Daughter/February (2015 -unreleased as of yet) The Witch (2015) The Monster (2016) The Strangers (2008) They (2002) Funny Games (2007) Funny Games (1997) The Vanishing/ Spoorloos (1988) The Vanishing (1993) In Fear (2013)    

This week, Liz and Evan take a bite out of one of their most intriguing films yet: We Are What We Are. (The 2013 American remake, for those keeping score at home.) Join them as they meditate on the macabre tone, try not to get swallowed up by plot holes, and continue their crusade to turn Now Screaming into an advice podcast. Don't forget to check out nowscreaming.com, and tell us what you think on Twitter @nowscreamingpod. Don’t forget to rate, review, and subscribe on iTunes. You must. It is our way.

This week, Captain and Wilson fight over how many cookies are in an Oreo package, and then grumble through the 2013 thriller "We Are What We Are".

Join your hosts Rob Galluzzo, Elric Kane, Rebekah McKendry and Ryan Turek as they gather 'round the table to talk all the latest horrors! In celebration of Dario Argento's birthday, the group throw out their favorite Argento films. Both Rob & Elric saw & discuss Rob Zombie's latest '31.' Bekah checked out the Scorpion Releasing Blu of HARLEQUIN. Elric reports back on I AM NOT A SERIAL KILLER and the bonkers 1982 cult film THE INCUBUS. Ryan revisited the original MUMMY, which sparked a discussion on the Universal Monster Movies. And Rob advocates the work of director Jim Mickle after seeing his two latest films COLD IN JULY and WE ARE WHAT WE ARE. Then the gang welcome very special guest Jordan Peele to the show! Despite being most well known for his comedy work on the show KEY & PEELE, as well as this year's feature KEANU, Peele recently wrapped up production on a straight horror film with Blumhouse Productions titled GET OUT. And through that experience, we discovered his love of the genre. So we delve into how he got into horror through FANGORIA magazine as a kid, his favorite theatrical experiences, how horror has influenced his comedic work & the correlations between the two, what his top 5 genre movies are and much, much more in this fun, laid back candid chat. Sit back, relax and join the conversation!

Movie currently in theaters and boy howdy is it a good one! More like The Babadook or We Are What We Are in that it is a very compelling family drama with horror undertones/touches. HIGHLY recommend! I spoil the shit out of it, so be warned as always.

On this episode we track cannibals across a triple feature of films. First we posse up with Kurt Russell and his fantastic mustache for the new film BONE TOMAHAWK. We are then joined by friend of the show Derek Stewart who has no mustache but talks 1999’s RAVENOUS vs. 2013’s WE ARE WHAT WE ARE. In the former, Guy Pearce is adopted into a cannibal family of soldiers exiled from society, while the latter introduces us to a long line of cannibals under threat of exposure by a small town detective. We also debate the leading man abilities of James Woods, who has nothing to do with any of these films.

In this week's episode, we explore our darker and more primitive sides as we discuss the 2013 high-tension cannibal thriller "We Are What We Are." Special topics for your consideration include: the skillsets of country doctors, family drama, weird religion, Keanu Reeves, Allen's nightmare dungeon, eating a dog, eating a cat, eating a horse and of course, eating people. Have you seen this movie? What did you think? If you have seen the original Mexican film, how did you feel the remake held up? Let us know at facebook.com/werewolfambulance, on Instagram @werewolfambulance or on Twitter @werebulance. We always love to hear from you! Werewolf Ambulance is a horror movie comedy podcast. 

It’s official. Our flux capacitor is running out of power, our time travels are coming to a close. We’ve highlighted the best horror films of the 60s, 70s, 80s, 90s and the first decade of the 2000s, and now it’s time to bring things up to the present with the best in horror from 2010 – 2015. Who would have thought that list would be so hard to put together? What do we wish we didn’t have to leave off? Indies like The Woman, Kill List, The Snowtown Murders; major releases like Evil Dead and The Woman in Black; foreign language gems like Big Bad Wolves, The Last Circus, We Are What We Are and A Girl Walks Home Alone at Night. All of this convinces us that we are in the midst of a horror movie rennaissance – hooray!

Também falamos de Housebound e We Are What We Are

Welcome back to another episode of GSR. Podcast queen Jamie Jenkins joins us once again. This time for the outstanding We Are What We Are, and next movie in our James Wan ghost retrospective...INSIDIOUS Chapter 2. As usual in depth conversations and vulgarity ensue. Per usual Graveshift Radio is for adults only!! Those that are easily offended may want to look else where. And again, thank you for all the support!

Howdy Doody! News (00:13:45): Did it Age Well? "Saturday Night Fever" (00:39:05): The Flicks (00:56:35):  "Only God Forgives"  SLS Cast Rating: 2.5  Matt's Rating: 2 Tim's Rating: 2.75 "We Are What We Are"  SLS Cast Rating: 3   Matt's Rating: 2  Tim's Rating: 4 "Trespass" SLS Cast Rating: 2  Matt's Rating: 2 Tim's Rating: 2 NEXT WEEK! Segment Three: I'm the Only One Who Hated It The Flicks: "Grand Piano" "Lawless" and "Drew: The Man Behind the Poster" Until Next Time Cinephiles... (All music within the podcast is copyrighted 2010 - 2014 by Cries of Solace and is used with permission. Additional copyrighted material used under Fair Use for the purposes of [including, but not limited to]: criticism, comment, and news reporting.)

Blood Boiling Bad Habits! Retro Outfit Callbacks! Streaks of Pure Luck! Hear out Public Axis with guest Ryan Stout for righteous laugh goodies! Recorded at the Public Axis F-Stop on May 25th, 2014. 00:00 We welcome back comedian Ryan Stout back to the F-Stop – maybe you've heard of him. He's famous (and modest)! Regan was so enamored by his episode of The Dork Forest (the delightful podcast hosted by the wonderful Jackie Kashian) and his knowledge of traffic court procedure, we couldn't help but to dig deeper. Get the referenced episode here and while you're at it, add The Dork Forest to your podcast queue! 27:52 Yeah, Imma Look Into Dat! Having just recently watched the 2013 cannibal horror/drama movie, We Are What We Are, Jess dodges the urge to bring up cannibalism as a topic and instead focuses on one of the film's minor plot points – noticeable twitching. Topic #1: What bad habits annoy you the most? Do you have any bad habits you'd like to stop yourself? 52:15 Dad's Corner(ed)! It's exciting times for Spurs fans as they inch closer to another Championship – but funny enough, Larry's four year-old son is a Bull's fan. Being the awesome dad that he is, he scores him a Bull's shirt which becomes the favorite shirt of all time! Topic #2: What was your favorite article of clothing growing up? Do you still own it? 1:07:08 Hey, That's Not Funny! Regan educates us on the concept of a “gambler's fallacy” as we weigh on knowing when to hold and knowing when to fold. (We don't know jack about gambling.) Topic #3: Tell us about your most memorable lucky streak! 1:23:55 Another fantastic podcast ends with another fantastic session of What Did We Come to Know. Enlighten yourself! Visit loungegeeks.com to check out the massive collection of podcasts, blogs, videos and geekables available that we are proud to be a part of! AVAILABLE NOW – BLOOD COUSINS, our first feature film, is waiting for you at bloodcousinsmovie.com! A movie of comedy, terror and revenge - a MUST SEE for fans of this show! Use the promo code FIESTATUBE and score it for $5! Keep spreading the word - rate and share on iTunes! Let your friends know about Public Axis and keep those Facebook and Twitter comments coming!

Cinema Royale's loyal listeners know host Travis Hopson as the ultimate X-men fanatic, so you know this episode will be ENTIRELY DEVOTED TO X-MEN: DAYS OF FUTURE PAST! Okay, not entirely, but you get the picture. We'll also take a look at the latest Adam Sandler and Drew Barrymore comedy, Blended.Plus, we'll be joined by director Jim Mickle, whose credits include the horrors We Are What We Are and Stakeland, to talk about his throwback revenge flick, Cold in July. The film was a smash at Sundance and stars Michael C. Hall, Sam Shepard, and Don Johnson.

This time around, We Are What We Are.  

Join Us!!! HorrorHound Magazine staffers Aaron Crowell (Managing Editor), Jason Kretten (Writer/Contributor) and Freddy Morris of Night of the Living Podcast as we discussing movie news: The Birds (Remake), Among the Living, Wolves, Exists, The Machine, House of the Witch Doctor and The Final Member.  Our "Recently Watched" segment includes films: Shadow People, Cheap Thrills and We Are What We Are. New television programs: Rob Zombies & Bret Easton Ellis team for a proposed Charlie Manson TV series, the El Rey Netwerk's new series From Dusk Till Dawn: The Series kicks off, final episode and series recap of True Detective and A&E's new series "Those Who Kill". We also discuss horror movies turned into comics and comics turned into horror films. Further point out what a male chauvinistic pig Aaron is, play a song from The American Werewolves (Kings of the Cleveland Streets), and take a final look at the weekend long events and films screening at HorrorHound Weekend Cincinnati March 22-24 2014. Be there or be .... Dead by Dawn! Contact us at horrorhoundradio@mail.com we would really like to hear from you.

Emily Watson talks to Simon about her new film The Book Thief. Plus the Box Office Top 10 and Mark's reviews of the week's new releases including Non-Stop, Ride Along and We Are What We Are.Download the Kermode and Mayo podcast at bbc.co.uk/podcasts/5live. Text 85058 [charged at your standard rate]. Email: mayo@bbc.co.uk. Twitter: @wittertainment.

Steve Head and John Black discuss new theatrical, DVD and Blu-ray releases including THIEF (Criterion), RIDDICK, MACHETE KILLS, SWEETWATER, WOLF CHILDREN, THE APRIL FOOLS('69), THE WAR BETWEEN MEN AND WOMEN ('72), WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME?, WE ARE WHAT WE ARE, CROSSING LINES and more! Remember: if you leave us an iTunes review, you will have done perhaps the most wonderful thing these film critics can ask for! Online, we're at http://www.postmovie.net, and on Facebook at http://www.facebook.com/postmovie Follow Steve on Twitter at Twitter.com/stevehead Questions? Send us an email at contact@post-movie.net

Join your host Duncan discuss all things Horror on The Podcast Under the Stairs. On EP 16 Duncan is joined by Jamie D Jenkins to discuss the filmography of American director Jim Mickle with reviews of Mulberry Street (2006) Stake Land (2010) & We Are What We Are (2013).

Byrd and Trev share their favorite and least favorite films of 2013, as well as look forward to the year ahead with their most anticipated movies of 2014. Plus, reviews of The Hobbit 2, Spike Jonze's "Her" and the new horror remake from Jim Mickle, "We Are What We Are."

This week, we get a taste of Jim Mickle's English remake of We Are What We Are. Some find it a savory stew and some think it's just leftovers again. Then, we dive back into our Netflix queues to give some Slashercast recommendations, as well as some of yours. Mike's blessedly brief news and more on Episode 121.

On this week's thrilling installment, Marc & Ian consumer We Are What We Are and the question is, does it give them the runs? They also take on some One Old One New and instead of a marathon, they go a little deeper into one of this week's Twitter questions in what may become a running disucssion on the show, the dark world of Monarch Mind Control... A quick side note, Ian took the editorial decision to cut one part of the show out. It's nothing to do with any movies but it is something which he genuinely feels could make people feel ill. That's not the intention of the show surprisingly and believe him when he says that it's for the best that you don't hear it! dudeandamonkey@gmail.com @dudeandamonkey @ianloring @dudefozz

Så er det blevet tid til lidt vindueskiggeri med Michael Powell´s forsømte klassiker PEEPING TOM fra 1960. CK, Fluen og Cuno er dagens voyeurer og gennemgår filmen fra a-z, med alle de skandaler og konsekvenser filmen havde til den klassiker den er blevet i dag. Derudover bliver CK sat på plads af Bruce Dern, da vi samler op på sidste uges anmeldelse af LADY IN WHITE! Og slutteligt skriger CK lidt igen i CK´S CRAP FILMS CORNER!   Andre film vi kommer forbi er; TO KILL A MOCKINGBIRD, INTRUDER IN THE DUST, BADASS, WE ARE WHAT WE ARE, THE TO DO LIST, THE PREY, THIS IS THE END, THE MILLERS, THE WALKING DEAD og PSYCHO m. fl.

Reviews of Jim Mickle’s WE ARE WHAT WE ARE (2013) and Steve McQueen’s 12 YEARS A SLAVE. 

Dags för vår årliga Halloween-special! Denna gång har vi sett och diskuterar Carrie (1976), We Are What We Are (2013) och The Shining (1980).

There's more October craziness in the 85th episode of See You Next Wednesday!  We're talking about Escape Plan and The Right Kind of Wrong - which may or may not be the wrong kind of movie to go see. But first, we talk about horror movies, Room 273, drinking vodka with your eyeball, Toronto After Dark 2013 (We Are What We Are and Odd Thomas) and so much more!  Plus, we continue our cereal mascot thunderdome fight to the death! Who will reign supreme? Listen in to find out!

This week on the show we speak with actor, writer, and horror journalist Tal Zimerman on his upcoming documentary Why Horror?, which is currently funding on Kickstarter (Click here to donate now), then we go over some of what we've been watching including a bunch of horror films including A Nightmare on Elm Street 3: Dream Warriors, My Name is A by Anonymous, The Driller Killer, Toy Story of Terror, Ghost Team One, The Stuff, The Conjuring, Santa Sangre, and We Are What We Are (2013), and finally we go over this week's movie predictions, new on VOD, and DVD and Blu Ray Releases.

0:00-2:45 - Introduction, nonsense 2:45-6:20 - This week's sponsor: You Look Nice Today Photography. For all your Portland-area photo needs! 6:20-22:45 - "Captain Phillips" review, ending with tangent about "Gravity" 22:45-33:10 - "Romeo & Juliet" review, ending with an IMDb user review of it 33:10-41:20 - "We Are What We Are" review 41:20-43:35 - "Machete Kills" review 43:35-1:00:00 - QOTW (what movie you would delete from existence, with Jeff and Eric's answers, which leads to a flight of fancy) 1:00:00-1:04:20 - Wrap-up and goodbyes, including an update on Eric's hair growth QOTW: Your hypothetical cast for a hypothetical remake of any '70s film.

Director Jim Mickle stops by to discuss his buzzy new cannibal thriller We Are What We Are, Alex Winter (Bill & Ted) has directed Downloaded, the definitive doc on the Napster movement. We’ll tell you how to watch the movie for free, and why Napster changed the world forever. Also, David Freedman (Just Seen It) reviews … Read more about this episode...

Premierek: Az elnök végveszélyben, A végzet ereklyéi, Blue Jasmine Trailerek: +1, We Are What We Are, Pompeii, Isteni műszak, Inside Llewyn Davis, Divergent Egyebek: A nyár amerikában, Exodus - Aaron Paul, Wolf of Wall Street - Leo, Ben Affleck: Batman, Pirates 5 Megtekintve: Pain & Gain, Colony, No One Lives

Darren discusses several films he caught at the festival (James and I join him but we've only just got here) including Heli, The Past, Like Father Like Son and the American remake of We Are What We Are. We also chat (and spoil) Star Trek Into Darkness.

Welcome to this weeks diabolikdvd.com sponsored episode of the GGtMC!!! This week Large William programmed the show and he chose Lucio Fulci's The New York Ripper (1982) and We Are What We Are (2011) directed by Jorge Michel Grau. The selections were very light hearted films? You shall see... Emails to midnitecinema@gmail.com Voicemails to 206-666-5207 Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

It's hello to Jason Isaacs - as Mark and Simon's favourite listener Jason Isaacs chats about his role as Lucius Malfoy in Harry Potter and the Deathly Hallows: Part 1.Plus, Colin Farrell on playing an ex-con opposite Ray Winstone and Keira Knightley in new gangster thriller London Boulevard. Listeners offer more suggestions for Mark and Simon's Wittertainment Cinema Code of Conduct, which will be finalised in next week's programme.There's the UK box office Top Ten, plus the week's new releases reviewed - this week: Let Me In, Skyline, We Are What We Are and You Again.