Podcast appearances and mentions of Roger Casement

In 1965, the body of Roger Casement was returned to Ireland. No longer condemned to the grounds of Pentonville Prison, he would be buried in Dublin's Glasnevin Cemetery, where he is one of the first graves a visitor encounters today. There were political questions around Casement's body in the 1960s, and his final request was not honoured. Rory Carroll, author of the bestselling 'A Rebel and a Traitor: A Fugitive, the Manhunt and the Birth of the IRA' joins me to discuss Casement, life and afterlife.

“The bravest man it fell to my unhappy lot to execute.” These were the words of the hangman who took Roger Casement to the scaffold in Pentonville Prison in 1916.Roger Casement's final years were lived in pursuit of Irish independence. But was he a driver of rebellion or a hopeless romantic whose brainwaves did more harm than good? On Free State today, Rory Carroll talks about his book A Rebel and a Traitor about Casement and Reginald Hall, the man who pursued him.He talks about the lover who betrayed Casement, why Irish prisoners of war in Germany didn't trust him and the complicated legacy that persists to this day. Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Cocktail Academy Podcast, Damian Cole sits down with Gillian Fitzgerald of Casements Bar in San Francisco to explore what it really takes to build a world-class modern Irish bar.Casements has become one of the most respected Irish bars in the US by doing things differently. This conversation goes deep into the bar's identity, how Gillian and the team avoid tired Irish stereotypes, and how they create cocktail menus that feel rooted in Irish culture while still speaking to San Francisco and California produce.Gillian shares the story behind Casements, what it was like opening just weeks before Covid, how the team survived through grit and rapid delivery pivots, and how they continue to evolve the bar through strong hospitality, staff development, and thoughtful drinks.The episode also dives into the inspiration behind Casements' new cocktail menu, including landscape, language, Irish ingredients, and the influence of the late Manchán Magan. If you are interested in Irish cocktails, cocktail menu development, modern Irish hospitality, bar ownership, or running a successful contemporary bar, this one is packed with insight.In this episode:What makes Casements one of the most talked-about modern Irish bars in San FranciscoHow to create an Irish bar without clichés, shamrocks, or plastic paddy nonsenseThe story of opening Casements just six weeks before Covid shut everything downHow the team built a delivery model overnight to keep the business aliveWhy Irish hospitality should be welcoming, inclusive, and for everybodyHow Gillian approaches cocktail menu development at CasementsBlending Irish ingredients and ideas with California produceWhy constraints, limited space, and simple techniques can lead to better drinksHow Casements develops staff knowledge and gets the whole team involved in menu creationThe thinking behind the new Casements menu and its connection to Irish language and landscapeWhy curiosity matters when building drinks for guestsThe story behind the name Casements and Roger Casement's legacyKey takeaways:A modern Irish bar should reflect real Irish culture, not stereotypesGreat cocktail menus are built on clarity, balance, and identityYou do not need endless equipment or overcomplicated techniques to make outstanding drinksThe best bars build people, not just menusHospitality works best when every guest feels welcomeSometimes the drinks with the most soul come from memory, place, and personal connectionNotable moments:Gillian explains how Casements was designed to feel like an authentic, contemporary Irish space in the middle of San Francisco's Mission DistrictShe shares the bar's survival story during Covid, from batch cocktails to mobile Guinness serviceDamian and Gillian discuss the challenge of making Irish drinks feel modern and relevantGillian breaks down how the team tests cocktails, what makes the cut, and why one weird drink always stays on the listThe new menu is revealed as a tribute to Irish language, land, and the work of Manchán MaganIf you enjoy conversations about cocktail culture, Irish whiskey, bar ownership, hospitality, and menu development, make sure to follow The Cocktail Academy Podcast and share this episode with someone in the trade.Contact and follow:Casements BarInstagram: @casementsbarWebsite: casementsbar.comThe Cocktail AcademyInstagram: @welovecocktailsTikTok: @welovecocktailsxFacebook: @welovecocktailsxWebsite: www.thecocktailacademy.comEmail: sayhello@thecocktailacademy.com Hosted on Acast. See acast.com/privacy for more information.

Roger Casement was hanged in August 1916 for treason against the Crown. Formerly Sir Roger, his assistance to Germany during the First World Ward was undeniable and from a British point of view he was a traitor. From from an Irish nationalist point of view, he was a rebel and a hero who now took his place in history among the martyrs of republicanism and the leader of the 1916 Rising. No knight of the realm had faced treason charges for centuries, let alone be executed. His story was without precedent. A Protestant Anglo-Irish man who had been a loyal servant of the British empire, he had exposed horrific abuses of indigenous people in Africa and South America. But he then came to believe Ireland urgently needed to free itself of Britain. Who was this complex individual and how did he end up being killed by the state he had served? Casement is a subject of a new book – A Rebel And A Traitor – by Rory Carroll, the Guardian's Ireland correspondent. He joined Sam McBride on the BelTel. Hosted on Acast. See acast.com/privacy for more information.

Radio waves and Roger Casement, a Rhode Island Red sisterhood and Semana Santa in Seville, with John MacKenna, Liz McSkeane, Rory Carroll, Doireann Ní Bhriain, Fiona Hyland, John F Deane and Tom Conaty

Rory Carroll is the author of A Rebel and a Traitor: A Fugitive, the Manhunt and the Birth of the IRA about the complex figure that is Roger Casement and his legacy.

As the evidence of atrocities in the Congo Free State became impossible to ignore, direct African resistance developed in numerous places around the Congo. As this was happening, a large and sophisticated human rights campaign developed around some courageous informants, journalists, and human rights activists. King Leopold II of Belgium then developed a response in one of the first modern versions of an information/misinformation shadow war in the age of mass media.  This episode is Part 5 in a series on the Belgium Congo. It discusses African Resistance to the Congo Free State, E.D. Morel's media campaign to end the atrocities in the Congo, other informants like Roger Casement, King Leopold's response to the accusations, the role of media in shaping perceptions in Belgium, the most successful feat of pimpery of all time, and why much of this seems very modern. Future episodes will cover the end of the Congo Free State and it's ultimate legacy.  -Consider Supporting the Podcast!- Leave a rating or review on apple podcasts or spotify! Support the podcast on Patreon: https://www.patreon.com/reflectinghistory Check out my podcast series on Aftersun, Piranesi, Arcane, The Dark Knight Trilogy, and Nazi Germany and the Battle for the Human Heart here: https://www.reflectinghistory.com/bonuscontent Try my podcast series "Nazi Germany and the Battle for the Human Heart"-- What led to the rise of Nazi Germany? The answer may surprise you…Why do 'good' people support evil leaders? What allure does fascism hold that enables it to garner popular support? To what extent are ordinary people responsible for the development of authoritarian evil? This 13 part podcast series explores these massive questions and more through the lens of Nazi Germany and the ordinary people who collaborated or resisted as the Third Reich expanded. You'll not only learn about the horrifying, surprising, and powerful ways in which the Nazis seized and maintained power, but also fundamental lessons about what fascism is-how to spot it and why it spreads. Through exploring the past, I hope to unlock lessons that everyone can apply to the present day. Check it out on my Patreon page at: https://www.patreon.com/reflectinghistory. Try my podcast series "Piranesi: Exploring the Infinite Halls of a Literary Masterpiece"-- This podcast series is a deep analysis of Susanna Clark's literary masterpiece "Piranesi." Whether you are someone who is reading the novel for academic purposes, or you simply want to enjoy an incredible story for it's own sake, this podcast series goes chapter by chapter into the plot, characters, and themes of the book..."The Beauty of the House is immeasurable; it's kindness infinite." Piranesi lives in an infinite house, with no long-term memory and only a loose sense of identity. As the secrets of the House deepen and the mystery of his life becomes more sinister, Piranesi must discover who he is and how this brings him closer to the "Great and Secret Knowledge" that the House contains. Touching on themes of memory, identity, mental health, knowledge, reason, experience, meaning, reflection, ideals, and more…Piranesi will be remembered as one of the great books of the 21st century. Hope you enjoy the series as much as I enjoyed making it. Check it out at https://www.patreon.com/reflectinghistory. Subscribe to my newsletter! A free, low stress, monthly-quarterly email offering historical perspective on modern day issues, behind the scenes content on my latest podcast episodes, and historical lessons/takeaways from the world of history, psychology, and philosophy: https://www.reflectinghistory.com/newsletter.

Rory Carroll, Ireland Correspondent for the Guardian, speaks to Matt about his book A Rebel And A Traitor: A Fugitive, the Manhunt and the Birth of the IRA. His forensic look at Roger Casement's life, shines a new light on the two year chase of the former diplomat before his arrest in 1916.To catch the full conversation, press the 'play' button on this page.

The celebrated Irish patriot Roger Casement was also a dedicated and talented naturalist, a side of his life that is perhaps less well known today. Many of the biological specimens he collected on his extensive travels can still be found in the Natural History Museum in Dublin today, as Eric Dempsey explains...

C'est l'un des épisodes les plus sombres – et les plus méconnus – de l'histoire coloniale moderne : entre 1879 et 1911, la Peruvian Amazon Company, une entreprise britannique opérant dans la région amazonienne du Pérou, a organisé un véritable système d'esclavage, de torture et d'extermination des populations autochtones. Son but : exploiter à tout prix le latex, l'or blanc de l'époque. À la tête de ce système, un homme : Julio César Arana, commerçant péruvien devenu magnat du caoutchouc… et bourreau impuni.Tout commence avec l'explosion mondiale de la demande de caoutchouc naturel, indispensable à la fabrication des pneus, des câbles et des machines industrielles. En Amazonie, la sève de l'hévéa devient une ressource stratégique. Arana fonde alors un empire sur les rives du fleuve Putumayo, aux confins du Pérou, de la Colombie et du Brésil. Mais cette jungle luxuriante est habitée : les peuples indigènes y vivent depuis des millénaires. Pour Arana, ces communautés ne sont pas des partenaires, mais de la main-d'œuvre gratuite.Les pratiques de la Peruvian Amazon Company sont d'une brutalité inimaginable. Des tribus entières sont réduites en esclavage, forcées à extraire le latex sous peine de mort. Les travailleurs sont attachés, fouettés, mutilés, parfois brûlés vifs ou décapités. Femmes et enfants sont violés, affamés, utilisés comme monnaie d'échange ou tués pour l'exemple. Selon les rapports de l'époque, 90 % des esclaves meurent au cours de leur "emploi".Mais l'histoire ne reste pas entièrement cachée. Dès 1909, des lanceurs d'alerte, comme Roger Casement, diplomate britannique, révèlent l'horreur dans des rapports accablants. Un ancien employé de la compagnie, Walter Hardenburg, publie aussi un témoignage détaillé dans la presse anglaise. L'affaire provoque un scandale international. Le Parlement britannique diligente une enquête ; la presse parle d'un "Congo péruvien", en référence aux atrocités du roi Léopold II au Congo belge.Et pourtant… Julio César Arana ne sera jamais puni. Au contraire : il obtient la nationalité britannique, se fait élire sénateur au Pérou, et meurt en homme libre, honoré par une partie de l'élite locale. Aucun procès, aucune réparation, aucun monument pour les victimes. Le Putumayo, théâtre de ce génocide, retombe dans l'oubli.Ce silence, longtemps maintenu, commence à se fissurer. Des historiens, des associations indigènes et des documentaires ravivent aujourd'hui cette mémoire effacée. Car comprendre pourquoi ce crime est resté impuni, c'est aussi interroger les liens entre pouvoir économique, silence diplomatique et impunité coloniale. Une leçon d'histoire… et de justice différée. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Tomorrow marks the 250th anniversary of The Liberator Daniel O'Connell with state events planned in Cahersiveen and the town's surrounding area. Jerry spoke to Marie Bowler O'Connell of O'Connell 250. Jerry also read some of the speech given by historian Dr Tim Horgan at the weekend in Banna to mark the anniversary of Roger Casement's execution. Dr Horgan made comments critical of Daniel O'Connell.

The life and legacy of an Irish man described variously as the father of human rights investigations, a gay martyr, a traitor and a rebel knight. 

Ende April 1875 macht sich das Walfangschiff Catalpa von New Bedford (USA) auf den Weg nach Fremantle im Westen Australiens. Dort hoffen sechs Fenians, irische Unabhängigkeitskämpfer, im entlegensten Gefängnis des gesamten Empires, auf ihre Rettung. Wir sprechen in der Folge über die Irish Republican Brotherhood, die Fenian Brotherhood, einen gescheiterten Aufstand und eine spektakuläre Flucht. //Erwähnte Folgen - GAG90: Aufstieg und Fall des Roger Casement – https://gadg.fm/90 - GAG71: Wie die Kartoffel nach Europa kam (und alles veränderte) – https://gadg.fm/71 - GAG470: Alexis Soyer – Koch, Innovator und Philanthrop – https://gadg.fm/470 - GAG483: Bounty, Brotfrucht und die Rum-Rebellion – https://gadg.fm/483 - GAG151: Manjirō, der erste Japaner in Amerika – https://gadg.fm/151 - GAG294: Erwin Kreuz – https://gadg.fm/294 //Literatur - Philip Fennell, Marie King: John Devoy's Catalpa Expedition, 2006. - Terry Golway. Irish Rebel: John Devoy and America's Fight for Ireland's Freedom, 1998. - Peter FitzSimons. The Catalpa Rescue: The Gripping Story of the Most Dramatic and Successful Prison Break in Australian and Irish History, 2019. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Patrick was concerned about Russian ships in Irish waters. Betty let a workman in who claimed he had to fix a vent in her bathroom. Marie did internet dating, went on hundreds of dates, wrote a book about it and is now engaged. Dave left his banner for the Roger Casement Summer School on a train.

Rosie Schaap grew up leading the archetypal New Yorker lifestyle. Her mother was impossibly glamorous and her father was a sportswriter who befriended a young boxer on the way to the Rome Olympics and stayed friends with him all his life. That boxer was Muhammad Ali. Among Rosie's most cherished possessions is a picture taken by the legendary photographer Carl Fischer with Ali in a safari suit tenderly looking down at her. The picture is now in her Antrim home. On Free State today Rosie Schaap tells the story of how a New York girl ended up in Glenarm following the death of her first husband from a rare form of cancer. Rosie was just 39. She talks about how she found in Ireland a way of talking about death she hadn't experienced in New York. She explains how a fascination with Roger Casement led her to Antrim and then to Glenarm where she made a new life and found love again. Rosie also provides some startling revelations about Joe's Harry Potter life at St Pat's Armagh.Free State with Joe Brolly and Dion Fanning is a Gold Hat Production in association with SwanMcG.For more on Free State: https://freestatepodcast.com/ Hosted on Acast. See acast.com/privacy for more information.

Neo-imperialism is marching, loud and proud, straight into the heart of global politics. Between Trump's quiet dealmaking in Riyadh, to his open musings about annexing Canada, the last few weeks have shattered the illusion that the age of empire is behind us. The world order of the last 70 years is crumbling, replaced by raw, transactional power. Trump and Putin are set to carve up Ukraine, billionaires are circling mineral-rich territories like vultures, and Washington's foreign policy has been reduced to a simple equation: If you have resources, we'll take them. This episode draws an eerie parallel between Trump's tactics and one of the most brutal imperial heists in history; King Leopold's reign of terror in the Belgian Congo. Just as European powers once justified plunder with the rhetoric of “civilization,” today's resource grabs are wrapped in the language of “economic deals.” And at the heart of exposing that brutality was Roger Casement, a man who paid with his life for revealing the truth. Join the gang! https://plus.acast.com/s/the-david-mcwilliams-podcast. Hosted on Acast. See acast.com/privacy for more information.

Exposing the dark pit of human suffering, cruelty and corruption that had long been secretly festering in King Leopold's Congo, would reveal one of the greatest abuses of human rights in all history, and instigate a human rights campaign that would change the world. Having established it as what was essentially his own private colonial fiefdom in 1885, Leopold had grown rich off the vast quantities of rubber and ivory that his congolese labourers reaped and transported in unimaginably brutal conditions. The man to finally discover the horrendous scheme, and Leopold's personal corruption, was Edmund Dene Morel, a young shipping clerk who noticed something deeply suspicious about the exports being sent back to the Congo from Belgium. With the backing of a wealthy tycoon, and in tandem with extraordinary individuals such as the magnetic Roger Casement who had personally experienced the horrors of the Congo, Stanley would for the next decade and more of his life embark upon an excoriating attack on Leopold and his regime. He interviewed countless first hand witnesses, published an outpouring of articles detailing the truth of what was going on, spoke convincingly at public gatherings, and set up an influential organisation, all of which served to attract much popular support and attention to the campaign. Soon, the question of the Congo had become an international political affair. But would it be enough to quell the horrific treatment of the Congolese people and discredit Leopold once and for all? Join Dominic and Tom as they describe the discovery, expose, and excoriation of King Leopold's appalling human rights abuses in the Congo, resulting in one of the most important human rights campaigns of all time. Did it succeed? And, with some of Europe's major colonial powers clamouring to condemn Leopold, what were the long term implications for European imperialism overall? _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude Editor: Jack Meek Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brendan Corrigan has had multiple jobs in his time in Colombia (dating back to 2011), and his most constant has been that of a contributing writer of acerbic observations for the El Tiempo national newspaper, with an office job in marketing thrown in for good measure and some forays into the acting world by way of a telenovela (soap opera) appearance here and there. However, there's been an ever present itch and it has been his desire to get out into the wilds of Colombia to see and experience some of the ground covered by "the forefather of human rights," Irishman Roger Casement. Aside: Who was Roger Casement? Roger Casement was commissioned to undertake a report on the reported abuse of workers in the rubber industry in the Putumayo basin in Peru. The report was published as a parliamentary paper (1911) and had considerable impact, gaining Casement international recognition as a humanitarian, his contribution being acknowledged with a knighthood. Anyhow, Brendan being an Irishman in Colombia has felt the strong urge to pursue some of the history surrounding his countryman and this led him to travel to La Chorrera in the department of Amazonas in Colombia where Casement had worked. We hear his tales from the road in Bogota, San José del Guaviare and la Chorrera. The Colombia Briefing is reported by Emily Hart. 

Unionists fiercely resist calls for a border poll for on a United Ireland, but that was not always the case. David Trimble campaigned for a poll in 2002 – secret files reveal he was dismissed. Newly released Dublin files reveal former taoiseach John Bruton was suspicious not only of Sinn Féin and the SDLP, but even his own Department of Foreign Affairs. Other files reveal a young John F Kennedy was happy enough with partition of Ireland and how Roger Casement was a source of controversy long after his execution. Ralph Reigel from the Irish Independent joins Ciarán Dunbar. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Dublin Festival of History podcast, brought to you by Dublin City Council.In this episode, from the Dublin Festival of History 2024, author Roland Phillips discusses his book Broken Archangel: The Tempestuous Lives of Roger Casement, chronicling the life and legacy of the British diplomat and Irish rebel executed for high treason. This conversation was chaired by author, researcher and lecturer Paraic Kerrigan.This episode was recorded at Printworks, Dublin Castle, on 28th September 2024. Hosted on Acast. See acast.com/privacy for more information.

Roger Casement lo tenía todo, y no me refiero a lo guapísimo que era el hombre, sino a que era un diplomático al servicio de Inglaterra pero en contra de esta cuando se convirtió en nacionalista irlandés, y ademas fue uno de los primeros activistas por los derechos humanos en África y en Latinoamérica, inspirando a genios como Conan Doyle o Mark Twain, y también era homosexual, y eso es lo que acabó con su reputación intachable; eso y que le condenaron a muerte por alta traición los ingleses... en fin, un superpersonaje. Las músicas de este episodio, aquí: https://open.spotify.com/playlist/1ATDiIumKYlBryeAJrpM1t?si=d2b421890d6d43ea

The story of Wexford-born communist May O'Callaghan; and The Tempestuous Lives of Roger Casement.

Myles is joined by Roland Philipps, author of a new biography of Roger Casement.

On today's show:  10am-11am New Zealand Rose Keely O'Grady chosen as the 2024 Rose of Tralee Galway cllr reacts as Isle of Man business brings in ‘Seagull insurance' charge Galway Researchers continue Roger Casement's work supporting Amazonian people ‘Galway Talks with John Morley' broadcasts every weekday morning from 9am on Galway Bay FM.

Invitados: Vicente Pérez Silva, historiador colombiano y autor de los libros “Las raíces históricas de “La Vorágine” y “José Eustasio Rivera polemista”Alberto Chirif, antropólogo peruano y autor del libro “Después del caucho” y prologuista del libro “El libro azul británico: Informes de Roger Casement y otras cartas sobre las atrocidades en el Putumayo”Leopoldo Bernucci, profesor en la Cátedra Russel F. y Jean H. Fiddyment de Estudios Latinoamericanos en la Universidad de California y autor del libro “Un paraíso sospechoso: La Vorágine de Jose Eustasio Rivera: Novela e historiaY NO SE LE OLVIDE, QUE CUANDO UNO LEE UN LIBRO NO VUELVE A SER EL MISMO

In this episode, we're telling the story of Ireland through its records with Orlaith McBride, Director of the National Archives of Ireland; we'll also find out about the life and legacy of Roger Casement, with Roland Philipps, author of Broken Archangel: The Tempestuous Lives of Roger Casement; we'll discuss the formation of the RNLI 200 years ago and its key early personnel with Helen Doe, historian and author of ‘One Crew: The RNLI's Official 200-Year History'; and we'll analyse the Anglo-French War of the late 13th century with David Pilling, historian and author of Edward Longshanks' Forgotten Conflict - The Anglo-French War 1294-1303.

Roger Casement's executioner described him as ‘the bravest man it fell to my unhappy lot to execute'. In part 2 of a special Free State on Casement, his biographer Roland Philipps explains the doomed and heroic final act of Casement's life when he was driven by an obsessive desire for Irish freedom. He talks to Dion and Joe about the love affair which helped to condemn an impractical romantic. If Roger Casement's life had ended after he had exposed the barbarity in the Congo, he would have been hailed as one of history's great humanitarians. But his final years were taken up with the cause closest to his heart: Irish freedomFree State with Joe Brolly and Dion Fanning is a Gold Hat Production in association with SwanMcG.For more on Free State: https://freestatepodcast.com/To get in touch with the podcast: info@freestatepodcast.com Hosted on Acast. See acast.com/privacy for more information.

When Roger Casement was hanged in Pentonville Prison in 1916, he died an Irish hero and a traitor to the British Empire.On Banna Strand in 2016, President Higgins described Casement as “not just a great Irish patriot, he was also one of the great humanitarians of the early 20th century”.On Free State today, Joe and Dion look at the many lives of a man who so impressed a tribe of cannibals with his courage that they didn't eat him. Casement's lives were varied, and some of them were secret, but he also, as President Higgins said, exposed “the darkness that lay at the heart of European imperialism”. His biographer Roland Philipps joins Joe and Dion to talk about this modern story. A story of a man who exposed the rotten heart of empire. It was a life that changed Ireland and the world. Nobody will ever live a life like Roger Casement's again.Free State with Joe Brolly and Dion Fanning is a Gold Hat Production in association with SwanMcG.For more on Free State: https://freestatepodcast.com/To get in touch with the podcast: info@freestatepodcast.com Hosted on Acast. See acast.com/privacy for more information.

On Easter Monday in 1916, a group of armed Irish republicans took over the main post office in Dublin and several other public buildings. They had little enough popular support, and the British authorities were able to put down the uprising quickly, using Irish troops. Then, however, the military organised a court martial for fifteen surviving leaders and executed them, including a remarkable man, James Connolly, who was so badly injured he couldn't even stand to face the firing squad and had to be shot strapped to a chair. Those executions, followed by that of Roger Casement in August, only served to enhance the status of Sinn Fein, the Irish republican movement, wrongly believed by many to have been behind the uprising. As is not at all uncommon, brutal repression only enhanced the status of the insurgents. Asquith's government did try to take action to improve the situation in Ireland. It sent in the man of the moment, David Lloyd George, whose performance in government was constantly strengthening his reputation as an effective politician, if not a particularly trustworthy one. He failed in Ireland, but continued to strengthen his reputation. That turned into a major problem for Asquith, whose own standing was being rapidly undermined by the perception that he was indecisive and, above all, by the disaster of the Battle of the Somme, casting doubts on his capacity to manage the war. In the end, that left him hopelessly vulnerable to attack. Lloyd George joined forces with twos Conservatives, the party leader Bonar Law, and the leader of the Ulster Protestants Edward Carson. They proved too much for Asquith to resist. Eventually, he felt forced to resign, and Lloyd George achieved the height of his ambition, by becoming Prime Minister himself. Illustration: James Connolly, Irish Republican, Socialist and Trade Unionist, put to death by firing squad by the British Army in Dublin when he was too badly injured even to stand. www.census.nationalarchives.ie/exhibition/dublin/ Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License.

Tomorrow’s Good Friday Roger Casement Gathering has had to be moved to the Banna Strand Casement Memorial because of flooding in the McKenna Fort area. Brian Caball is PRO for the event which is organised by Tionól Mhic Easmainn and Conradh na Gaeilge.

CasementI have spent many enjoyable afternoons in Casement Park watching countless football and hurling games and playing in some of them. I have lost count of my man of the match triumphs. Especially for St. Marys or Belfast Schools in hurling. Or on Sports Days. In the past the stand and terraces or raised mounds around the pitch provided a wonderful view of the contests. Some games attracted a few hundred spectators while others were watched by enthralled thousands. Casement Park was opened in June 1953 and was named after Roger Casement. He was one of the leaders of the Easter Rising of 1916 who was hanged in London by the British in August that year. The people of Belfast, but especially the west of the City, raised over one hundred thousand pounds to construct Casement Park.StarvationThere is now overwhelming evidence that the Israeli state has added a new weapon to its arsenal of genocide against the Palestinian people – hunger. The video and photographic images of starving children and desperate parents searching for food and water are heart rending. The UN says some 2.3 million people in Gaza are now on the brink of starvation.

Featuring a surprise historical cameo!Topics in this episode include our final example of Aristotelian rhetoric, the only passage of Ulysses recorded by James Joyce, the battle of wits between Mr. Justice Fitzgibbon and John F. Taylor, misperceptions about Taylor's oratory, the Gaelic Revival, Dreamy Jimmy, ferial tone, a Moses for Ireland, MacHugh can't catch a break, the analogy of the Irish and the biblical Israelites, The Shade of Parnell, Irish Orientalism, antisemitism in the Irish Nationalist movement of the early 20th century, The Language of the Outlaw and Roger Casement, Joyce's punch-up of Taylor's speech, and reading Ulysses backwards.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.On the Blog:The Language of the Outlaw: John F. Taylor's Speech in "Aeolus"Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube 

Friend of the podcast Chris Beausang (@ilchinealach) returns to the show to explore the life and legacy of Roger Casement. Subscribe to Chris' fantastic podcast, Politics and Letters Check out his earlier episodes on the podcast James Connolly and Irish anticolonial resistance (Pt.1)  The Troubles and the Irish Question (Pt.1)   Consider supporting the show www.patreon.com/east_podcast    

Beidh an ócáid Cosán Casement ag tarlú i gCloich Cheann Fhaola Dé Domhnaigh mar pháirt den Fhéile Bród na Gaeltachta. Cuireann Brian síos ar an ceangal a bhí ag Roger Casement leis an cheantar seo.

Five Cs of History. Change Over Time #1 of 4. Roger Casement has been a subject of fascination - and controversy - for over a century. During his lifetime, he was an internationally-recognized champion for human rights, and was instrumental in exposing the horrors surrounding the rubber industry in the Belgian Congo and Peruvian Putumayo. Significantly, he spent his life striving to do more than just expose the injustices of the Congo and Putumayo - he built a network of activists and leaders willing to intercede, push for reform, and demand change for the indigenous peoples who suffered under European occupation. After years working within the British Empire, he was radicalized in his Irish nationalist beliefs, and spent the last two years of his life working to fight for Ireland's independence from Britain. After his execution, some held on to the memory of him as a humanitarian hero, others claimed he was another martyr of the Irish nationalist cause, and still others distanced themselves from his evident homosexuality. The question of his sexuality determined whether or not he could be counted among the ‘real' Irish heroes. Find the transcript and show notes at www.digpodcast.org Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we finished the story of Roger Casement, the last of the 1916 leaders to be executed. Our live show is in Dublin next week on the 25th of May, the last few tickets (and the rest of our links) are all here -> STH

Hello! This week Kevin started telling Jason about one of Ireland's greatest heros, Roger Casement. In part one we covered his exploits in the Belgian colony of Congo and in part two we'll talk about his role in the Easter Rising of 1916. I've been excited about this one for a while so hope ye enjoy it!If you want to see the video from this episode and / or by tickets to our live show in Dublin on the 25th of May, the links are all here - STH

Andrew is joined by the lads from Shitetalk History. We talk Irish history, Roger Casement & The Irish abroad. Come see Andrew live www.andrewryancomedy.com listen to Shitetalk History podcast here

Io and Margaret go through the Star Wars narratives, Andor, and Rogue One, and talk about where they overlap historically with real resistance movements, what the narratives are commentating on about current resistance movements, where the representation falls short and generally why the Mon Calamari are the downest people in the universe to have on your side and why they should hangout with Roger Casement. Host Info Io can be found on Twitter @Bum_lung or on Instagram @Bum.Lung or you can find shirts and patches that they make on Etsy at https://www.etsy.com/shop/BumLung Guest Info Margaret can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy. She is also the host of Cool People Who Did Cool Stuff and Live Like the World is Dying Publisher This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript AGPH 1 Mon, Jan 23, 2023 10:18PM • 1:01:05 SUMMARY KEYWORDS fucking, people, revolution, rogue, empire, revolutionary, anarchists, star wars, insurrection, rebellion, shit, kill, big, irish, revolutionary movements, watch, doomed, sergey, throwing, character SPEAKERS Margaret, Io Io 00:45 Star Wars talking about Star Wars Margaret and I Oh, here we are podcast. Hello. Welcome to the anarcho geek Power Hour. It's a it's it's a podcast.We are just trying to do trying to do a fun, fun, fun little podcast for us. Come on this journey. Well, you are we talk about nerd bullshit with all and I got a pal right here and you just heard her and it's Margaret killjoy. Margaret. How's it going? Good. Hello. Um, thanks for having me on as a guest on your show. I'll probably be trying to talk my way into being on this particular show a lot because it's pretty cool premise. Oh, yeah. Cats. Yeah. And anytime door doors always open because we, cuz we're all living on the same fortified mountain compound. So yeah, the general premise of the show is just we're going to talk about nerd bullshit and Ooh, we got one right out right out the gate something. I'm just just over the moon about we got and or That's no moon. Yeah, no, it's a television show. And a fairly good one. Mark. Margaret, what's your what's your background with Star Wars? Margaret 02:07 I grew up not liking it as much as Star Trek to be real. But now that I'm older well actually both both franchises are really hit or miss. But I like a lot of the newer Star Wars stuff. And I particularly like Rogue One. So I was particularly excited about andorre Samah you well. Yeah, more more or less. Same though. Io 02:30 You know what, let's scale that back. I am captured by Star Wars. Star Wars has my ass for life because I like it for the same reasons. I like like the Ramones, like because I grew up with it and it's stupid and it's stupid and simple and it's easy and that's why I liked it. I'll watch I'll watch all that garbage. And would you believe they made a good they made a good Star War not just a good Star War but a good show about my favorite shit which is morally complicated resistance movements. It really is kind of a a gift specifically to you but to probably half the people listening to this too. Yeah, if you haven't well if you haven't seen Andora highly recommended pause pause this podcast and and returned to it. Maybe someday but go watch and because we are going to talk about spoilers Io 03:27 Yeah, the whole premise basically it's in a star war. You got your you got your Jedi you got your space lasers. Between all the all the Banthas and the R two D tos and the GES music you forget that the plot is about a rebellion and finally they're fucking doing something with it. I grew up really into Star Wars it was like my first it was my first fantasy sci fi anything and I read a lot of the extended universe which is no longer canon. Chewbacca is no longer canonically killed by a planet which is a real shame Margaret 04:06 when did they when did they retcon at all when did they take the extended universe out Io 04:11 when Mickey Mouse got his hands all over this franchise? None of that no, we're not dealing with any of that shit. So they just pick and choose the stuff from the extended universe they want to fuck with and some of it stays some of it when it's all it's all Calvin Ball in in the galaxy now but um yeah, even in the extended universe before though there were a few like really great like the Han Solo trilogy it's been you know, like a decade but I remember it really, really fucking whipping and these Margaret 04:48 are the books right? Yes, the books Io 04:53 and a couple of others deal with like, the rebellion but not not like not like This not and we're not going to. Well, Margaret, I don't know about you. I'm not here to argue that Rogue One is anarchists propaganda. Margaret 05:10 No one might argue that Andorra's bar anarchists propaganda. Io 05:13 Oh, yeah. Okay, well, I'm not here to argue and endorse anarchists propaganda made by made by the Mickey Mouse Corporation, but me as an anarchist and I'm really fucking enjoying it. And I just, I was trying to get everybody into this for so long because it's like, obviously coming from this place of knowledge of the continuum of revolutionary movements the writer said he was influenced by like Palestine and the Russian Revolution and the Haitian revolution. We watched Rogue one the other day, and you pointed out why does everyone have the slightest Irish Burr? I think because they were also influenced, especially in the funding about, especially in like the Mon Mothma funding of like, the Irish revolution, but okay, but yeah, let's, let's, let's get into it, get into it. We both recently finished. And or what do you think overall, Margaret 06:12 I liked it. And I'm kind of, I mean, I'll watch junk TV, you know, because life is short, and why not spend my short life watching it. Okay, I don't have a really good excuse for why I watch drunk TV. But I will happily watch drunk TV, if, you know when I need to turn my brain off or whatever. And so I kind of like go into almost any TV show sort of expecting that. And then instead, I found like, actual depth and like, a less one or two dimensional resistance movement than I see. Basically, anytime I watch, especially TV, but movies as well, like resistance movements are so always clearly painted by people who've never either read history or threw a rock at a cop. You know, and like, I don't want to make any criminal accusations towards anyone involved in writing this, but I will guess they've at least read history. If not throwing a rock at a cop. Yeah, there's toxic cops, kids. It's I'll do whatever you want. Io 07:13 I'll say it I got I got less the loose. Go empire. Yeah, yeah, fight the Empire. Everybody. Subscribe to our Patreon so you can see the video of me doing hand quotes Io 07:32 Yeah, it is a there's dimension in it that I was not expecting from Star Wars. I was and I didn't really expect from, from anything. It's like writing writing is a hard job being able to like Express, like the moral complexity of a of a gorilla. What a gorilla sell who's gonna go rob go rob a big bank on some on some fucking planet. But they did it they pull they pull it off really? Well. Margaret 08:10 Yeah. Tell me about tell me about the how this relates to the funding of the Irish revolution. I don't know if the other direction they want to take this but like, I'd be really interested in like, some of the more obvious or some of the historical parallels that we've picked up on. And I I would love to hear more about that. Io 08:31 I was noticing the fact that they had Mon Mothma up in the mix who is a character from the original Star Wars who's the one who's sort of she says many Bothans died bring in this as these plans and she's always given the given the spiel and bringing her back as like someone who's down for like she's not she's not involved, obviously. But she's like, doing whatever she can to like get the money to these people who are off fucking Killing cops across the galaxy. While still like sitting pretty in high society and like working in parliament in this in this very like subdued liberal way that is like toeing the line in a way that a lot of especially like Irish representation in England was and even in some English representation in England was and like it's definitely like No, there's nothing that's a one to one on on Pandora and I wouldn't say that but like the way the IRA and the like pre Ira revolutionary movements funded themselves with a lot from the Irish diaspora who like made it big in Boston and New York sending money back or, or straight up sending boats full of guns back. Okay, to see, to see not only the like the scrappy people in the woods, ready to do whatever For and the shadowy Stellan Skarsgard who I would love to get into because I I love the whole Skarsgard brood but still and especially to see not only the like the cloak and dagger part of things but the be able to have some fuckin Game of Thrones political intrigue was Yeah, was very fun. Margaret 10:27 Okay well and to go and continue with the Irish fundraising thing I'm sure someone out there fortunately I don't live in the parts of the Internet where people complain about the shit is like complaining that like two of our primary revolutionaries are in a gay relationship right? And you know two women who are who are dating and you know the tension in their relationship based on which one prioritizes love and which one prioritizes revolution but someone somewhere is like, Oh, they're making all these people gay or whatever it is no gay revolutionaries in history. First of all, it's like, obviously bullshit. But in terms of the Irish revolution, one of these such a good example of a character who does actually feel kind of a an and or Star Wars characters to some you heard of Roger Casement, the gay Irish night. If anyone's listening, there's this guy named Roger Casement, who was a big part of bringing down King Leopold from Belgium, the fucking monster who murdered millions and whatever is one of the worst on all of history of historical ghoul. Yeah, and there's just so there was this like, colonial Irish guy who was like part of the English colonization of Africa. And he was like, Oh, I'm on the wrong team, like absolutely on the wrong team. And he got like, really into Irish nationalism, as well as working really hard to fight against the exploitation of Africa and South America, actually. And then he like, went and spent his life and lost his life smuggling guns into Ireland for the for the Easter Rising, and he was so fucking gay. Just so completely, tragically gay. And I don't know, he feels like a very Star Wars character. I guess he's not again, he's not one for one. But yeah, these but he was part of the English establishment. He was a fucking Knight, you know? Io 12:15 Yeah. And there was plenty of those. I mean, in every, in every movement, you know, death to the bourgeoisie, whatever, whatever. But who you can get a lot done if you if you know it, if you know in your heart, what's right and your positions. And just as an as an aside, because I it because it wouldn't, it wouldn't do to zero in on this, but maybe on a later episode. Definitely on a later episode. But there Yeah, yeah, the queers have been in every revolutionary movement in the early in the 19th century, there's a quote from somebody from some open, openly queer person that says, if you want to be yourself, you go find the anarchists. Margaret 12:57 Yeah, I can't remember whose that quote is from. Yeah, no, totally. And, and so it makes sense that I really liked that we've entered a stage of gay representation in Hollywood or whatever, mainstream TV where it's not like the shocker. I mean, there's a little bit they play a little bit on the leg, oh, they're gay, but only like, the tiniest little bit, and no one is upset by it, you know, and that's nice. Io 13:23 Yeah, and I it's a little bit of a hobby horse of mine that I the great meaty, the big media establishment knows that. By and large, the people consuming things like liberal culture is very ascendant in, in media, we'll see how long that lasts, but they know that, you know, representation or whatever, like cells, you can sell a terrible movie on the concept of representation when you put a diverse cast that they're like, the right mushroom and, and the, and the people making the decisions are still Lily whites and straight, but they all they'll sell it to you with whatever. And Star Wars very famously was like, we got a gay kiss in this one. And it's like two women kissing in the background, very easy to edit out for whatever international audiences wouldn't allow something like that. They're like, dogshit this one where they don't, it's not a big deal. It's just a fact. It's not Yeah, it's just a fact of it, that they that they are lovers in a, in a struggle together and the tension being that like you said, one is market is not more committed to the cause, but like the relationship is is eclipsed by the cause certainly. Yeah. Is like like a great a great tension to play with and I'm excited to see like they at least have a season to play around with. Margaret 14:58 Yeah, I mean, it's kind of funny watching this because Just like well, you know how the characters end up? Like, yeah, you know, you know that andorre isn't ending up with Beck's in any way that like, at least like in any way that is worth note in, in Rogue One, you know? And then also, spoiler, they're all going to die. Well, at least at least Cassie and Endor is okay, well, my other historical parallel that I want to draw that I've been like thinking about a whole bunch since I saw it, there's this whole trope within it, and I really am curious to see what they'll do with it. I'm afraid they'll do it badly. But so far, they've kind of earned my trust more than most things. There's this thing about authoritarianism on the rebel side, right? There's this tension. I am incapable of remembering names. You've got your head honcho. Revolutionary guy, right. Who is the doomed revolutionary? What's his name? Skarsgard. luthan. Yeah, that's the actor's name. Io 15:59 The one who's who's a antique seller. Margaret 16:03 Yeah, you don't remember his name either. luthan. Something? Okay. luthan. So, you've got Lutheran and he is the tragic leader. And he specifically refers to himself as doomed at one point. And I think that this is probably consciously a reference to Catechism of the revolutionary bias organic net chef. And so again, that chef was this. This Russian revolutionary nihilist who actually if you want to hear me and I would talk about search, Sergey net, you have listened to my episode of cool people that have cool stuff on the Russian nihilists. Io 16:39 Find it anywhere you find podcasts, folks. Margaret 16:43 Yeah. And I fucking hate this guy, historical guy, Sergey, like he is trash. And he is absolutely the kind of guy who will get his friends arrested on purpose in order to advance the cause without asking their permission or telling them what's happening, right. And I think he has like, lost his ethics in what he's doing. And his whole thing he writes this book called Catechism of the revolutionary that is the revolutionary is a doomed man is one of the main concepts of this book, in which basically like, you don't have friends, you don't have lovers. You have the revolution and you will die. And it has like a romance to it has like a beauty to it. Right? I think fundamentally, it's a flawed concept. But what's really interesting to me is that in in andorre, you have a character who I believe is a conscious reflection of the Sergey model, although Sergey was not actually the leader of revolution he wanted to be but he was a fucking whatever he was also tried guy who fucking killed his own side more than he killed the other side and all around sucked. And so So luthan is almost this like, the positive incarnation of a Skynet ship so far, in that he's doomed. And he makes the hard calls and stuff. But he's not quite a fully authoritarian leader. You know, there's a couple points where he gives people full information and lets them make their own decisions. His assistant whose name I also don't remember clearly has a can exert a certain amount of power over him. He's not quite a dictator. And he's clearly tormented by the fact that in some ways, he is a dictator of, of the revolution. And the thing that I find interesting, almost some of his rant, and I'm really curious are your thoughts about it? The thing I find really interesting about it is how it compares to the manifesto that were being presented by the dead kid. Io 18:35 And he made the mix the fucking hot the hot space, the space twink the crime the crime think loving little revolution, the crime Margaret 18:44 prank. Yeah, the crime twink. Who rules and I love his character, because he's like, afraid, but he like does it anyway, even though it literally kills him. Like that is something to aspire to. I mean, I want to survive. Io 18:59 It's I aspire to be crushed by a metaphor for galactic capital myself. Yeah, Margaret 19:06 exactly. And in his manifesto, that we start exploring right at the end of the season, he talks about the enemy specifically as authority in a way that like, this is why earlier I was like, I will go to bat a little bit about andorre being anarchists propaganda, but only a little bit, right. But it's not the enemy isn't the Empire. The enemy has authority in what he what he is writing. And I'm wondering whether this will cause conflict in future episodes, or whether they kind of in this case mean authority mean like biggle authority like the Empire, not like scars, scars character, but I I'm really excited about that tension. I'm really excited to see what they do with it. Io 19:51 Yeah, me too. I love that he has his little his little monologue that beautiful, beautiful monologue. I've made my mind into a Unless place and I I work for a sunrise that I will never see and again for what I do and I'll and all that shit as he's talking to this this guy who infiltrated the the Empire to give them all information and he's prepared to preparing to sacrifice a squad of like nine people on his team just so the Empire doesn't get wise. Margaret 20:26 It's like 30 people I think it's a bunch of people up Io 20:31 to too many people. I'll I'll go ahead and say it. But yeah, he he does represent that very, like the revolutionary isn't doomed man. thing in a more competent braver way than, than that fucker. Yeah. But I love it. It's more, it's really, I mean, revolutions are morally complex, you're not going to get out of them with your hands clean. And I like that they're not like the original theory of the original Star Wars. Is, is Past is past the point where there's nothing you where the Rebellion has been built up. But to organize something at that scale in a galaxy of apathetic, or unorganized or unmotivated people is, is going to be a fucked process, especially when he's like, Yeah, we want, we want the Empire reacting, we want them. We want them cracking down and making people's lives miserable, like OB like, yeah, like, obviously, fuck that. And but acts of insurrection are going to make your enemy crack down in that way. And he's, he's preparing for that eventuality. Margaret 21:58 Yeah. So he once again, is presenting this like, like, there's a version of him that he could be like, full on accelerationist, right. accelerationism being the concept of like, kind of making things worse, so that people realize they're bad, and then try and make things better or whatever. Right. And, and he absolutely, he makes several statements about how like, look, it's going to get worse, right? But he's not quite so far. It's not like he's quite making things bad on purpose, so much as he's not stopping them from getting bad. And to me, and maybe I'm just like, I want to like him. Talk about luthan here. Yeah. But to me, this is a really big important difference, right? Like, people have been making the claim that you shouldn't do anything disruptive, because it'll like look bad. Or even more than that, it'll cause the police to crack down, right. And that claim stops people from resisting quite often, because realistically, people don't want bad things to happen. That's why we're interested in fictitional representations of revolution, is because we want a better world for our Star Wars characters. And since we want a better world, we want to take certain actions to try and get a better world. But when you turn it into a fight, the other side's gonna fight to. And so, you know, I don't think that it is ethically on the person who throws a brick at a window. I don't believe it is on them, the police crackdown on to resistance movements that could result from that write ethically, there's all kinds of arguments that people can make different ways about this. I think throwing the brick to make things worse, is fucked up. But I think throwing the brick, because it is the best expression in the best way that you are able to choose what to do when the Empire puts that moral weight on us as potential rebels and says it's your fault that we are hitting you. That is like, I mean, it's abuse of logic, and it's a real fucked up thing. And like, you know, you get into this like the very the climax of the entire season. Is that this kid who I have a shitty memory I think maybe his dad got killed by the Empire throws a bomb at the very end. And they did a what's good? Yeah, he does a hey, market for anyone who wants to listen to that episode about the market. And so first episode ever of cool people do cool stuff in which someone throws a bomb at some cops when the cops had been really fucked up and the cops opened fire and it causes this whole big fucking thing. Right? And, and I'm not mad at that kid. Was it the right move? I've literally no idea. Right and the world will never know whether or not it was the right idea because we only get the one thing that we saw happen. Yeah, I'm always Io 24:48 I'm almost 100% of the time on people who have the bravery to try. Try some shit and the others side, like the fascist playbook is to use our conscience against us for for in a in a Stop hitting yourself type of way. Margaret 25:12 Yeah. Io 25:14 That is not. Yeah, you can't. Like I can't imagine somebody even having the foresight to being like, Oh, I'm going to do this because it'll make it worse. But the argument of just like, what will the news say if this happened, or that this that and you're not going to get you're going to turn people off from our side is this is has, has failed for has failed for centuries? Now. Margaret 25:42 I will say, though, I don't sorry, look, Io 25:44 I just don't want to fuck with it anymore. Margaret 25:49 But I think of as an ethical argument, it is like a, I think it is a bad ethical argument to say like that that kid should have thrown the bomb, right in, in this fictional Star War that we're talking about. I don't care about the ethical argument against that. But if you're throwing a bomb at the oppressive force that is busy oppressing you, your conscience is clear. From my point of view, right? The strategic question is where it gets really interesting. And is it a good idea? Is a very different question from is it? justifiable? You know? And that's where it gets into, like, really messy stuff where it's like, well, that's just hard to know. I mean, the history of people killing tyrants in on Earth is a real mixed bag. Right, in terms of its efficacy, Io 26:43 it tends to assassinations do tend to have a tendency to get messy. Margaret 26:48 Yeah. And often, they make everything worse. And not just in a like, everything has to get worse before it gets better way. But sometimes it's like, no, everything just sucks now. And everything. Io 27:00 But but the extent situation was analysis was like unsustainable something. Yeah. Like, no one, no one can predict how things will play out. But there was a chance that they could have could have gone well, and if, if nothing else, you sure you've shown power to be vulnerable? Yeah. Which, which echoes through history? And I don't know, I guess the I guess that's a bigger question that we can keep getting into, but to bring it back into, into and or a little bit. Uh huh. As as for numix Little manifesto, every act of insurrection pushes our lines forward? Margaret 27:51 Yeah. Go ahead. Sorry. No, go on. Yeah, and they even use the term insurrection there. Right. Yeah. Which is like, Io 28:01 they got there. They get so explicit. I didn't expect them to. Margaret 28:04 I know, a manifesto for pure Io 28:07 rocks. Margaret 28:09 I know and like, and it's specifically like, I'm with I think it's Kropotkin I don't know I actually just mostly, I don't always read all of the, the old books by the people. I used to read books about the people. But you know, dead anarchists. Pokken I think it was him who was like, why do we have this like dichotomy between insurrection and revolution? It might have been Malatesta one of these fucking dead anarchists was like, What a useless dichotomy between insurrection revolution, like revolutions are made up of like, insurrections, that's what you know, as compared to this legging. You know, the traditional way presenting the dichotomy is that you need to have, you know, on a purely insurrection aside, like all that matters is the insurrection the larger overarching goal is not worth attempting to accomplish, or setting your sights on, right. And then on the purely revolutionary side, it's like, Oh, don't do the insurrections because they'll diffuse our energy or the wake the sleeping dragon or they'll, you know, cause the cops to crack down on us or whatever, right? All that matters is building up the mass to have the one big, glorious revolution. And like, history, at least the history of revolution is like no, no, no insurrections or that manifesto is right, like an andorre. They want to have a revolution. What that revolution should look like there is not a agreement upon which kind of rules Io 29:34 Oh, that's the bet that's the best part of the show when he when he goes to me. Saga reira mine yeah, man. The cool yeah, the cool guy. He's talking about so anarchist. Yeah, I don't, I don't I'm I'm not gonna fuck with that guy. He's a he's a human supremacist, and those guys are separatists for et cetera, et cetera. And they're there. I'm the only one Just think pure ideology here. Yeah. And I'm like, Yeah, I've been in a room with him. Margaret 30:06 Yeah, totally. But his, but then they say his ideologies like, well, anarchy is not an ideology or I don't remember the actual quote. Io 30:15 Yeah. And his response is just a shrug because like, Whatever dude, I'm not, I'm not here to convince you. I'm off. He's on. Maybe Maybe I'm just projecting what I want to see. But he's on the like, yeah, you know, there's there's action and then there's whatever other useless surrounds what, what action is being taken? And I'm like, yeah, yeah, he's right. Yeah. Well, this is all like laying this ideological bedrock that eventually morphs into the same neoliberal government that easily falls to Deathstar. Three and Force Awakens. Like you've got we can keep on this but maybe we should talk about Rogue One and in a second because we just watched that a few nights ago, like the early days of a revolution are ya so spicy? Margaret 31:15 Yeah, that's when I like everything is still possible. And but to use Sagar era to tie us into Rogue One, you know, by the time Rogue One comes around saga gara is basically just like the terrorist who's still like, who's still just been like, No, I know where the Empire is. So I'm gonna fuck them up. You know? He's not like trying to think like fourth dimensional chess or whatever he's just trying to fuck up the Empire and like I think that fucking rules and I think that yeah, I I like him. I mean, obviously by the time Rogue One comes around he's like his neuro divergence has continued in a way that makes him probably unsuitable to be a leader have Io 32:02 a bit of a Chase had a hard he's had a hard go of it. Margaret 32:05 Yeah, he is. He does not mind revolutionary suicide. He is perfectly content with revolutionary suicide. By the time he gets his chance. Io 32:15 Yeah, how Yeah, how could you not and they the plot of Rogue One is they need to get close to Sagar era they so they break. I forget her. I forget her name. The main the main character of the movie. Yeah. To get her close to saw because they want they just want to kill sock cats there. Because he's making them look bad, essentially. Yeah. And because they're developing into Yeah, like liberal revolutionaries hmm And so and saw is still is still out there on Jetta. Just just like stealing shit from the Empire blow blowing shit up. They can't get to him. Margaret 33:00 When I thought they were there to kill him. They thought they were there to kill protagonist, dad. And they just needed to get to saw in order to find out what protagonist dad was. Io 33:10 Like, right before they and or gets on the ship. There. They're just like, Alright, remember that thing that we told her? Fuck that no kit when you see saw Calum? Oh, I think that though, I think maybe they do the same thing with Matt's Matt's Mickelson's character. Margaret 33:27 Okay, so that ties into what you're talking about, about. You've got into like, hard choices guy luthan. Right. And he's presented as like, the real radical in in andorre. But it's the same attitude of kill people who are making us look bad because you're thinking about the big picture that leads us into the liberal state stage of revolution that you're talking about right where they you know, are just going to end up being like the sort of like less interested in revolution revolutionary movement and I think that those are related I think that the cold hard calculating leader is absolutely the person who's going to be like alright kill saw All right, kill protagonists dad. Because because they think they're thinking about strategy instead of ethics. And I know ethics is like a word that people have a million different thoughts and feelings about but like what I mean like doing what's right, rather than like, what is believed to be the most strategic I think is and that's what I like about saw is he does what's right which is fight the Empire. Yeah, Io 34:35 I see him as an ideological insurrectionary anarchist and luthan as just a straight up insurrectionary who, like a like an insurrectionary who wants to get extremely Sun Tzu about it all. Margaret 34:51 Yeah. So if I can, I mean a nihilist in like the Russian sense not in the like anarchist sense, you know? Because It's not a coincidence that most of the Russian nihilists were like Social Democrats at heart. Maybe that's getting a little too off. So, Io 35:08 yeah, like I don't I do see I see a lot of people trying to square this to as like Disney published like anarchists propaganda that's like this and that and I'm like, I don't think they did that it's it's in its set in outer space. It's it's a thing, but it's obviously made by people who like, give a shit about these things like and like you and me care about, like the historical stories and context of revolutionary movements. Yeah. And it's from its from that perspective of people who like who are interested in also think it's just think that fighting cops is the coolest thing you can do with your life? Yeah, and making a show about cool people fighting cops, and that is cool to me. Yeah. But uh, do you want to do you want to talk a little bit about about Rogue One? Sure. So well, I guess we were I guess we were already kind of kind of on it. Saw he lives in the holy holy city of Jeddah where the Jedi began as a society of monks and they were guardians against galactic tyranny and fascism, but eventually became a liberal military arm of the Republic or whatever the fuck, and a bunch of other shit happens, but where I think, oh, where this movie really starts screaming is you get to this fucking this stupid. General Assembly is suddenly ready to pack it up. Because suddenly they're up against these overwhelming odds and like, you remember that? That nerd? This fucking nerd shouts What is she proposing? And everyone's just like, oh gosh, crumbs? Well, I guess I guess we're done for packet in everybody. But luckily we plucky heroes. This platoon of doomed men who say fuck this they go rogue because a man with nothing to lose in a sharp stick can take the day and they're the last chance to to save the galaxy to do some overwhelming violence against the Empire against and go against all this bureaucratic cowardice is just a big they all pack into one shitty spaceship. Huddled bunch of cuddle puddle revolutionary saying fuck it life sucks book the Empire. Let's do a cool suicide. And do they Margaret 37:42 wanted to get out? I'm sure they did. Yeah, Io 37:46 they do. It was not. It was not likely. And yeah, it wasn't for this. This is a part of canon. This is the part of the Extended Universe candidate that has transferred over the Mon Calamari you all know Admiral Ackbar it's a trap, etc. Um, that that planets and and race of like people involved in the rebellion are like the most ready to throw down. And I'm glad that that transferred over a Rogue One. Everyone else is just like, beans. Well, I guess the Empire wins. And Mon Calamari was like, Oh, we've got Rogue One. Awesome. Love those guys. Margaret 38:30 Totally. I mean, and that's why I like Rogue One so much right? Yeah. As because you have your doomed revolutionary cuddle puddle that goes off to go do massive violence and steal some plans. And then the like, solidarity that it will kill you is like what breaks my heart more than anything else. If you want to see me cry in a movie, like the second Lord of the Rings movie when the right of the row Hyrum went Rohan shows up to support condor is a safe space for nerd for being a nerd. So when when they roll up, and they yell a red day, a blood day and it's actually this Norse maybe not Norse is the Scandinavian poem. That's the Tolkien's ripping off but it's fucking beautiful. And then they like scream like death death death and then like run charging into the forces of Mordor. Right? To have the backs of Condor that's when I start crying the most consistently in in The Lord of the Rings trilogy. And so Rogue One operates on the similar principle of the like, Well fuck it, I guess will show up like like sometimes when all your friends are jumping off a bridge like you should probably show up to support them anyway. You know? And like, Io 39:48 would you rather die all at once rather than piece by piece? Margaret 39:52 Yeah, yeah, totally. Which is you know from and or, and then there's also a quote from Blackhawks speaks, which I haven't read in a long time and so I Um, I apologize for possibly paraphrasing this badly but in the war against the colonization of what later became the United States or whatever, right? You know, a bunch of people are sitting around being like, well, we should go to war against these fucking white invaders. And someone is like, No, we shouldn't write because it's useless. If we do it, we'll die. It's like killing mosquitoes. You can kill them, but they keep coming in. There's, there's no point to it. And then the rest of the council is like, alright, well, we're doing it. And this isn't fiction. This is a nonfiction piece. And, and the same guy who was like, well, we shouldn't do this as like, well, I'm coming with you. Because I'm not a coward. You know, and I, I really like that concept within Rogue One. The like, well, this isn't how we wish it had gone. This wasn't what we planned. But we're not going to fucking just let you go out and do there. On your own. We're not cowards. Obviously, some of the people in that council chamber were cowards. Yeah, a Io 40:59 lot of people didn't show up. And I think a lot of other people were invested in the in the assembly or didn't invested in the in building an army against the Empire, rather than we can get we can really get a lot done with some sabotage. We can get a lot done with with a plucky group of fuckers. Yeah, just plop it plopping down and, and putting on some weird uniforms. Margaret 41:31 Yeah. And it, it was considered right. Like, I think a lot of what we're talking about about like, insurrections are what pushed us forward. You know, it wasn't like, like, let's just, I know, where we can go throw a bomb, let's just go throw a bomb randomly. They were like, What are we going to do? You know, like, the first big action and AND, OR is like, we're gonna steal all this money because we need it. Right. And so all of the actions have a purpose, they tie into a strategy and I love. That's one of the things I love about Rogue One, right? It's like, you know, all right, well, against all odds, we're gonna go get the Deathstar plans. You know, rather than just we're gonna go explode a thing, because the Empire has lots of things. You know, Io 42:22 I got a lot, they got lots of things. And I'm, I think that I think that there's a, there's a poetry in an affirmation of life in attacking something symbolically. But yeah, what you've got, you got a symbol and a rush of adrenaline and a, and a huge danger to yourself and everyone else around you, if you're going to put some danger out there. Be sure of it. And I don't know, maybe, maybe have some maybe have a little bit more more payoff? Yeah. Yeah, like, in Minecraft? Margaret 43:00 It's totally like, in Star Wars, you should, you know, think about like, if you're gonna gamble at all, you should wait till the pot is sweet. I don't know, whatever. Yeah, no, it's Io 43:15 go bigger, go big, and then go home. Margaret 43:18 Yeah. Through your safe house. I do think that the Star Wars rebellion in general, does relate to a style of revolution that is less the style of revolution that I would guess the average person listening to this, like, thinks about, like, the history that they're drawing from, at least based on what you were saying is like, national rebellions for against an oppressive outside force, right. You know, we haven't seen we've seen revolutionaries on the capital planet, but we haven't seen them being like, here's how we're going to take the Capitol planet, you know, as ours, right, because we're from here, whatever. Instead, you see all of these colonized forces, these colonized people, being like, we don't want to be colonized anymore. So we're now in this alliance of all these colonized people to fight against this oppressive force. Io 44:12 Oh, that's just another thing that I like. I like a lot about andorre in that the end of the end of row of not row one of A New Hope is just this like, Lily, this this Dyess of of lily white heroes of the rebellion that might as well be out of like Triumph of the Will and like cheering and Chewbacca doesn't get a medal. I know that's well trod territory, but like, justice for my man AND and OR has very few white characters making up the the core of the rebellion. Margaret 44:57 Yeah, yeah. And just under this funny problem that we're running into, from a cultural point of view that all of a sudden we're watching all these prequels, right? Or at least like I watched the game of thrones show, the new one house of dragons. And I liked it. I liked it a lot. I liked it possibly more than I like Game of Thrones. I've literally no idea what that's a statement that drew everyone mad at me or not. Io 45:20 And dragons. You can't argue with that. Margaret 45:23 Yeah, and it's less white. It's still majority white. But it is like markedly less white. And there's something kind of depressing about watching these prequels that are less white. Io 45:35 Something very, something very bad must have happened between then and then. Margaret 45:40 Yeah, even though what we're actually watching of course, is that, you know, the media that better choices getting made. Yeah, exactly. I don't know just something I think about when I watch that kind of shit. Io 45:55 This one This one sort of maps to my, you know, my, my, my headcanon of like, obviously, it's just the casting choices are better now. But it also maps to like successful revolutions. And especially like the one that installs like Princess Leia, Princess into like, royalty into positions of power in like a new Neo lib chorus on seated government eventually were like the people who did the dirty work saga Pereira and Andorra and whoever else are long forgotten, we're just we're all just cannon fodder for this respectable and hard they they fought hard, but they but they were put in an impossible position but like let the let the lower castes get their hands dirty in a way that every successful revolution winds up winds up doing which is why like, like, you know, I'm obviously interested in in a in massive change but the thing that really interests me is not the end result but the the process the affirmation of life of being able to resist in your modern day and live for Me and artistically. But just live rebelliously in the time you are in not for some far off future not what am I supposed to do put put all my put all my fucking plans and morals on hold because I hope that the the proletarian revolution is going to come off some way. Come on, come around. If I if I just joined enough DSA chapters. Here's your sign. Margaret 47:52 I mean, I feel like andorre gets into this kind of stuff in a useful way with the whole prison sequence, right? Where they're in prison or Prison Break. I know and so they're all in prison and they're all doing prison labor. And, you know, is a brutal regime very controlled, it does the thing where like, part of the systems of control it's very panopticon ish, like, part of the systems that control is also that the, I guess in that Fukui way or whatever, right where like people are controlling themselves because they, you know, the prisoners are in charge of the prisoners on some level. Right. Io 48:32 And you got Gollum is the boss. Margaret 48:37 Yeah, and oh, I thought you were telling me we watch this together. I thought you were telling me that the really old guy was Gollum. Io 48:47 The no Andy Serkis. The other prisoners the guy who did mocap for for the one who literally literally call them I wasn't making I wasn't being ageist. Margaret 49:02 But I thought you were saying the old man was the person who did the motion capture for Gollum. Io 49:06 Oh, he used to be very spry. Margaret 49:10 Okay, okay. I mean, so, so go we all you know and and so, you know, so you have Gollum who is the sergeant essentially, he was telling everyone what to do on the cellblock. And then as soon as they know that they're doomed men. They're able to be free. Right? And as a very literal metaphor in this particular context, that as soon as and then the fact that they're like, What is freedom mean? Freedom means jumping into the water even if you can't swim and trying. Right? Is a very non subtle, and they just express it as beautiful. They just have this beautiful scene of everyone jumping in the water. They don't have a grandeur. land they don't hold the guards hostage in order to get I mean to be clear might have been smarter if they had held the gods hostage in order to get like an escape vehicle but whatever Io 50:09 oh they would they would they would have just bought bombed the planet. Margaret 50:13 I know mainly but yeah, that's true. That's you know, like, Io 50:16 like modern you know, a modern prison uprising will hold Guards, guards hostages for the sake of like the people who are holding the guards hostage hostage are going to get extra years on their mobile a ton of extra time on their sentence, if not outright killed by it, but could win could wind up winning better conditions for people inside I don't have I don't have faith that prison officials were uphold their end of the bargain. But yeah, a resistant resistance is is beautiful, no matter. The end result somebody somebody slipped Andy Serkis a copy of blesses the flame. And they're all like, fuck it. Let's go. Yeah, no, let's go for a dive. Margaret 51:06 Totally. And like the ones who die immediately while throwing a wrench at the second armed guard are just as like beautiful and free as the people who swim to safety, you know? And like? No, I really like that whole long extended metaphor that they did around what it means to just actually be free. Which is why I do hold that. The I don't know. I mean, I guess the real question would be to know the writers and you know, because like, people talk about, oh, Disney made this like, no, no, Disney didn't make this Disney put their name on it. It was made by people in the same way that like workers make all value. You know, the the writers and the actors and the directors and all of these people like made and or? And yeah, exactly. So I don't know I don't know where I'm going with that. But Io 52:08 we'll I had a if you want to if you want to think about it a bit I had. I wish I could remember who said this so I would credit them but somebody put out that when Disney was making was making the Lion King and Pocahontas at the same time, they put all their stock into Pocahontas and really micromanage the entire project. I've never seen Pocahontas it sounds like it's a decent movie. But Lion King undoubtedly turned out awesome. Because the because all the writers and artists involved got creative control of it because they didn't have they didn't have Walt over their shoulder the whole time. Same thing happened with Star Wars because Andorra was being developed at the same time that Obi Wan Kenobi, A, A and nobody, and nobody asked me, but the show was good. I did not have a good time watching goon McGregor do his thing again. But yeah, they really micromanage that and they were just like a thing that's like rogue wants share proceed and makes me a little nervous about season two because they'll see that this is is like it and I read I don't really know much about the writers I know that they were interested in like Palestinian resistance and the Haitian Revolution and things like that, which you can see in the show and that the next season is going to get more into like the the ship that I was so excited about, which was like the internal politics of rebellions like I would love I would love to see saw Guerrera talk some more shit about about space to Kunis or whatever. But yeah, yeah, fingers fingers crossed, they'll they'll realize that it was successful because they didn't get their fucking fingerprints all over it. Margaret 54:02 Well, maybe next year, we'll be sitting down to do another episode and we'll be we'll know whether or not everything went to hell or whether it pulled it off. Io 54:12 You'd be like No, they weren't they brought a AR two d two is there for some reason. That's another that's another great thing about this. Like it was like I think it's great because the rebellion never really got its do it's like the entire plot of Star Wars and nobody ever really like fucks with it. It's just like the just like the scenery. But also we don't have we don't have to hear anything about space lasers and the Jedi and Mother I guess there is a wisecracking droid, but I love that little guy. Margaret 54:48 Yeah, nice. And he's, I don't know. I mean, you need the wisecrack. Enjoy in the same way that you need. The animal who sits around and tells jokes or you know, whatever like that is a good is a good character that gets added to TV and movies. Yeah, bring up at Ewoks. But it still was like, way more. I mean, it's essentially it's it's more proletarian than like, we're working class or whatever jargon word I supposed to use here. Instead of like space nights and space princesses and space royalty and you know, all that shit. It's just like, fucking people in the muck getting it done. Io 55:28 Yeah the space the space serfs out there, perfectly capable of braiding a stormtrooper? Yeah. As good as Luke Luke Skywalker. Yeah. Well, I think we did it. We talked about everything AND and OR. But, Margaret, any final thoughts? Margaret 55:46 I'm just, I'm excited for the quality of the storytelling that we like now have available to us as we go forward, because the world is in very dire conditions right now. And we need better stories are so little Gwen has the story of is the quote about like, we need authors who can remember freedom, you know, and I think that we're like, we're starting to see those stories. And we're starting to see him, including in mainstream places. And I think that's like one of the most promising things that I've ever seen as a radical or whatever. So I'm excited. Who knows, maybe it'll all go off the rails, but for now, is good. Io 56:28 There will always be small examples and whether it erupts soon. Being that freedom as a pure idea, or we just have to keep settling for these little diamonds in the rough. I don't know. I'm excited. Yeah, there does seem to be a lot more good stuff recently. But that's us. That's the anarcho geek review. We did it folks. Margaret 56:52 In our cooking, or our Io 56:54 that's the one. That's what Margaret 56:58 this is where anyone is listening. We used to have a blog called a narco geek review. And that's not what this show is called. Io 57:07 No, not related to the anarcho geek review. We disavow we Margaret 57:12 know that Reza vacco splitters they're split out yeah, we've Io 57:17 split we split off from them. They were ideologically unserious. Yeah. Margaret, you want to tell people where where they can find you? Margaret 57:27 Yeah, I've got some podcast once called cool people did cool stuff. I referenced it like three times this article, I asked to talk about individual and community preparedness on another podcast by the same strangers network called live like the world is dying. And until well, by the time you listen to this, I might not be on Twitter anymore, but I'm currently on Twitter at Magpie killjoy Instagram at Margaret killjoy all that shit. I Oh, what about you? Io 57:53 I'm, as of this recording, still still on Twitter, at bum lung. And I'm also on Instagram at bum lung. And if I get on any other social media fingers crossed, they won't have to. It'll probably be under that as well. And before we go, I would I would love to thank we have a Patreon patreon.com/strangers In a tangled wilderness and I would love to thank some of our Patreon supporters. Right now. Hoss the dog. That's a good boy. Mike, aka mkhaya Kaya, thank you. Like I Margaret 58:33 say yeah. Oh, actually. Actually, that's funny. That's right MC. Mikayla, actually my a veteran, right. Make Io 58:42 that McCain or mkhaya. Please settle this bet and whichever one wins I was the other a coke. Chris Sam Kirk. Eleanor. Jennifer Starr Oh, cat J. Chelsea. Dana. David. Nicole. Mickey. Paige, S J. Shawn Hunter, Theo. Boise. Mutual Aid. Milica and Papa Runa. Hope I got that one. Right. Thank you. Thank you all for your support. Big hugs and kisses out to all of you. And thank you everyone who listened. And yeah, to tune in next time when we'll talk about some other nerd bullshit and I'll see you at the movies. 59:40 The times when the struggle seems impossible. I know this already. And then, I'm sure both by the scale of the enemy. Remember this? Freedom is a pure idea. It occurs spontaneously and without instruction. Random Acts of insurrection. are occurring constantly throughout the galaxy, there are a whole armies, battalions that have no idea that they've already enlisted in the course. Remember that the frontier of the rebellion is everywhere. And even the smallest act of insurrection pushes our lines forward. And then remember this imperial need for control is so desperate because it's so unnatural. Tyranny requires constant effort, it breaks, it leaks. Authorities brittle oppression is the mask of fear. Remember that and know this. The day will come when all the skirmishes and battles has moments of defiance will have flooded the banks of the Empire's authority and then there will be one too many. One single thing will break the siege remember this try

Nous sommes le 3 août 1916, au nord de Londres, à la prison de Pentonville. Peu avant 9 heures, un homme est amené dans la cour où a été dressé une potence. « Il était fort et droit », racontera le prêtre qui l'accompagne aux reporters qui sont présents de l'autre côté des murs, à l'entrée du bâtiment. Accusé de haute trahison, de sabotage et d'espionnage contre la Couronne britannique, Sir Roger Casement a été condamné à la pendaison. Moins d'une quinzaine d'années plus tôt, ce consul britannique avait enquêté sur les atrocités commises dans le Congo de Léopold II, puis sur les exactions perpétrées en Amazonie contre les Indiens. Anobli par George V, il était alors considéré comme l'un des grands héros du Royaume-Uni. Son combat aux côtés des nationalistes irlandais va le faire passer, aux yeux des Anglais, pour un traître. Ses nombreuses relations homosexuelles vont signer sa disgrâce. « C'était un bon compagnon, dira de lui Joseph Conrad, l'auteur de « Lord Jim » et de « Au cœur des ténèbres », mais déjà en Afrique je trouvais que c'était un homme littéralement sans esprit. Je ne veux pas dire qu'il était stupide, mais il était pure émotion. Par sa force émotionnelle (...) il a fait son chemin, par pur tempérament. Une personnalité véritablement tragique: dont il avait tous les traits, excepté la grandeur. Rien que la vanité. Sauf que cela n'était pas encore visible au Congo. » Alors qui était Roger Casement ? Un héros, un traître, un sodomite ? Invité : François Reynaert, auteur de « Roger – Héros, traître et sodomite » éditions Fayard.

In part two of this week's episode, Margaret continues her conversation with author Wren Awry about Roger Casement, whose reporting helped end the brutal reign of Leopold II of Belgium. Preorder Wren's book Nourishing Resistance: Stories of Food, Protest & Mutual Aid, out Spring 2023: https://pmpress.org/index.php?l=product_detail&p=1321See omnystudio.com/listener for privacy information.

Margaret talks with author Wren Awry about Roger Casement, whose reporting helped end the brutal reign of Leopold II of Belgium. Preorder Wren's book Nourishing Resistance: Stories of Food, Protest & Mutual Aid, out Spring 2023: https://pmpress.org/index.php?l=product_detail&p=1321See omnystudio.com/listener for privacy information.

The Roger Casement statue in Ballyheigue is a well-known landmark in the county and commemorates the 1916 patriot and human rights activist. But should the statue actually be in Dublin? Ciarán Casey is an economic historian and the author of a forthcoming book is about the Irish Department of Finance.

The painting embodies many of the complexities that deny a simple representation of modern Irish history. By Dr Siobhán Doyle, TU Dublin.

Everyone wanted a piece of Roger Casement but which piece? Carefully extracting his skeleton from heavy London mud in 1965 didn't end the controversy over his life and lusts. · The treatment of Casement's dead body was exceptionally cruel, even by the standards of executed prisoners.· Why are all our significant national events in March? Is there some penitential impulse forcing us to suffer for our patriotism?· After the burial of the great man in 1965, there little hope of anyone in Ireland reading his raunchy diaries, whether published or not.· The Roger Casement in the diaries is having great fun and that, more than anything, upsets people. Some Reading:Lucy McDiarmid ‘The Afterlife of Roger Casement' in The Irish Art of Controversy (2005)Jeffrey Dudgeon, Roger Casement: The Black Diaries (3rd edition, 2019)‘Notes on the Exhumation of Roger Casement's Remains' in Documents on Irish Foreign Policy 1961-65 vol 12 You can support the show here: https://www.patreon.com/censoredpodAnd buy stickers here: https://censoredpod.bigcartel.com/ See acast.com/privacy for privacy and opt-out information.

The scandal over Roger Casement's diaries is huge. People have spent millions of hours of obsessing over whether diaries allegedly found in his personal papers were forgeries or not. It's past time I read the smut and examined the censure of the man and his writings. Truly, he was the hottest martyr of the 1916 Rising – you could argue he was the finest half who ever laid down his life for the cause of Irish freedom.If you are looking for filth, you have to read a lot about gambling, sailing on ships and lost luggage.Casement the hero cannot be Casement the man, especially if that man is a size queen with a very active sex life. You can support the show here: https://www.patreon.com/censoredpod And buy stickers here: https://censoredpod.bigcartel.com/ See acast.com/privacy for privacy and opt-out information.

In this episode, Tom discusses and laments the loss of country butter to The Galway market. Ronnie is still researching Roger Casement and this week looks at his failed and humiliating appeal. Ronnie also looks at the painting of the last day of trial by Sir John Lavery. The image is available to see in this weeks Galway Advertiser.You can find the articles referenced in this podcast on www.advertiser.ie/galway 

In this episode, Tom discusses Claddagh Parade and Ronnie briefly returns to Roger Casement before looking at Eoin MacNeill.You can find the articles referenced in this podcast on www.advertiser.ie/galway