Podcasts about Pankow

Dies ist ein Late-Night-Podcast von Jöran und mir: In dieser Episode tauchen wir in die spannenden Herausforderungen der Zahnmedizin ein. Wir beginnen mit unseren aktuellen Erlebnissen in der Praxis, einschließlich der Frage nach der Anzahl an behandelten Zähnen und einer Auffälligkeit – steigende externe Resorptionen. Ein zentrales Thema war die Auseinandersetzung mit externen Resorptionen und die Relevanz von Team-Know-how. Ich teile meine Erkenntnisse aus einem Webinar, das wertvolle neue Verfahren aufzeigte. Auch meine Erfahrung in einer großen Zahnarztpraxis in Pankow wird thematisiert, wo die Community großes Interesse an externen Resorptionen zeigte. Des Weiteren reden wir über den bevorstehenden Praxisausbau mit einem Fokus auf kreative Lichtgestaltung und moderne Technologien zur Verbesserung der Arbeitsumgebung und Patientenerfahrung. Die Strukturierung von Fortbildungsmaßnahmen und die Förderung junger Talente in der Dentalbranche sind ebenfalls wichtige Themen, die wir ansprechen. Wir diskutieren die Integration digitaler Technologien zur Optimierung von Effizienz und Kommunikation in der Praxis und die damit verbundenen Herausforderungen. Insgesamt bietet die Episode tiefgehende Einblicke und praxisnahe Anregungen, die unser Denken über die Zahnpraxis anregen. Bleibt dran, denn unser Austausch liefert stets interessante Perspektiven und praktische Tipps für euren Alltag in der Zahnmedizin.

03 04 2025 A LA GRAN 730 - Hermann Pankow, Ingeniero by ABC Color

Recorded live March 6, 2025 at Another Country Bookstore. Hosts Izzy and Dan with special  guest co-hosts Pip Roper of the "History Flakes" podcast, and comedian Toby Arsalan. They chat spring weather in Berlin and its impact on relationships, Germany's new electronic health records, Berlin labor strikes, local Football and various tree removals. Plus the annoucement of a Kickstarter campaign for a vinyl release of our mini-series "How to F#€K Up an Airport," Berlin's housing crisis, and more.  Interviews with Fabian Flues, a member of the Burger*innenInitiative A100, and Joanna Kusiak, a sociologist at Cambridge University and author of "Radically Legal: Berlin Constitutes the Future." Joanna Kusiak: Read the book open source: PDF LINK or listen on Audible: https://www.audible.de/pd/Radically-Legal-Hoerbuch/B0D8WSZ8QF Pip Roper: Live History Flakes Podcast Recording 29th March at Comedy Cafe Berlin https://www.comedycafeberlin.com/event/history-flakes-live-2/ Toby Arsalan: tobyarsalan.com or on insta at @tobyarsalan Fabian Flues: Bürger*innenInitiative A100 https://bi-a100.de/ Thanks to Vanta for their support, Learn more at: www.Vanta.com/RadioSpaetkauf Radio Spaetkauf: www.radiospaetkauf.com Vinyl Kickstarter, LAUNCHING SOON !: https://www.kickstarter.com/projects/radiospaetkauf Additional thanks to podfestberlin.com for technical support. And to our home for the recording, Another Country Bookstore http://www.anothercountry.de/   and of course to you the listeners, if you would like to make a donation or support us through a steady membership:  www.radiospaetkauf.com/donate

06 03 2025 A LA GRAN 730 - Hermann Pankow by ABC Color

#BerichtausBerlin #DieterHapel #DNEWS24 Die schon totgesagte Die Linke siegt sensationell in Berlin - auch im Westen. Die grüne Herzkammer Kreuzberg fällt auch an die Linken. Die sich selbst verzwergende SPD versinkt in der Blase. Sehr enge Wahl-Ergebnisse werden angezweifelt. Die Feuerwehr rast von Rekord zu Rekord. Hundehaufen-Beseitigung und Geld abgreifen. Stadler in Pankow gerät ins Schleudern. Gelbhaar will Schadensersatz vom RBB.Ausgehtipp der WocheDas Restaurant Dorfaue in Heiligensee ist urig und bietet süddeutsche Küche zu fairen Preisen.

Caroline & Jobst im Gespräch mit Pankow. Wir reden über Hardcore, Rosa Beton, 83 aufm Kulturpark Plänterwald, Paranoia aus Dresden, Virus X, 20 Jahre on Fernseher, durch den Podcast alte Freunde neu kennenlernen, umgeschult von Links- auf Rechtshänder, Wut & Trauer gepaart mit Lebensfreude, größter Lindenberg-Fan im Osten, mit Woolworth-Tüte zur Schule, im Park die Haare schneiden, vom Kindheitserwartungen erfüllen, relativ schnell in die Schwulenszene geraten, neue Wohnung dann Flucht, Theorie in Oberschöneweide, geklautes Sakko mit Anarchie-A, "No Fun", mit OiOiOi-Shirt zum Alex, 8-Stunden beim Malzkaffee sitzen, die Idee Volkskammer zu sprengen, Artless singen, Der Moderne Man, ein Angebot von Rosa Extra, Vernehmungen in der Keibelstrasse, am Alex in Rosensträuchern knutschen, eine angelegte IMV-Akte, Proto-Straight Edge, mit Hundeketten angreifen, die Entwicklung der Skinheads in der DDR, Punks am Bahnhof abgefangen, ständig in Aufbruchstimmung sein, Reflektionen zu "Auswärtsspiel", vor 70.000 Menschen auf dem Tempelhofer Feld, das Trauma war noch im Proberaum, nicht wissen was n Soundcheck is, barfuß auf die Bühne, im Herzen Hippie sein, die sogenannte schwarze Einheit, oft im Deutschen Theater sein, plötzlich Regie-Assistent sein, die Stasi hatte den SV-Ausweis, die Polen-Gruppe, auf der Suche nach nem Anwalt Gysi gefunden, Klamotten nähen & verkaufen im Ungarn-Style, Pferdemarkt in Havelberg, Hugo Boss - die Konzequenz in der Herrenmode, n 50-Mark-Schein unterm Scheibenwischer, ne fette Kamera ausm Westen, in Beatrice verliebt, mit 100-Mark-Begrüßungsgeld im Porsche nach Südtirol, der Fahrradraum vom jetzigen Café Sowohl als Auch wird zu Om-Sound, Ausbildung zum Masseur und medizinischen Bademeister, sich fürn bißchen blöd halten, sich wie am Fließband fühlen, seine eigene Therapie machen und sich mit Punk beschäftigen, keinen Bock auf Film-Business, sofort die Stasi-Akten einsehen wollen, darf Punk überhaupt ins Museum, "Verschwende Deine Jugend", Punk-Forum in Kassel, in der Jugend gab´s keine Reflektion, ein anhänglicher Typ sein, ein entscheidendes Konzert in Hannover, Musik als energetischer Prozess, Carolines Wal, eigene Punk-Floskeln der Alex-Gang, auch rumsitzen und n Latte Macchiato trinken, bekennender Ossi sein, morgens um 9 Yoga am Strand machen, dann stehen da die ganzen Medienfuzzis, "Der Gesang der Flusskrebse", das erste von Jenny Erpenbeck, Soap&Skin, Beth Gibbons & Beak, singen wollen wie Frank Z, erste Reihe beim Puhdys-Konzert, Ofenheizung nervt, uvm…Vier Songs für die Playlist:1) Song, den Pankow als Kind gemocht hast und den er immer noch mag: UDO LINDENBERG - Die kleine Stadt​2) Ein Song, der für Pankow Punk gut repräsentiert: THE STOOGES - No Fun​ 3) Zwei gute Songs, die Pankow dieses Jahr für sich entdeckt hat: BETH GIBBONS - Floating in a Moment / TRETTMANN - WIP

von Weizsäcker, Johannes www.deutschlandfunkkultur.de, Echtzeit

Will die spitzeste Zunge der Stadt die Shakira von Pankow werden? Auf jeden Fall hat sie sich für einen Zumba-Kurs angemeldet.

Wir schwärmten aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisten wir jeden Monat in einen anderen Stadtbezirk und stellten einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche wurden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss bildet in dieser Folge die Zentral- und Landesbibliothek.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.Im Oktober sprachen wir mit Ulrike Fürstenau und Lena Sophie Stein in der Ingeborg-Drewitz-Bibliothek in Steglitz-Zehlendorf. Im November stand Danny Böckmann aus der Bezirkszentralbibliothek im Eva-Maria-Buch-Haus in Tempelhof-Schöneberg Rede und Antwort.Im Dezember besuchten wir Beate Lenke in der Mittelpunktbibliothek Köpenick "Alter Markt" im Stadtbezirk Treptow-Köpenick.In dieser Folge schließen wir die Rundreise durch die Berliner Bibliotheken ab mit einem Besuch in der Zentral- und Landesbibliothek. Dort sprachen wir mit den Koordinatorinnen der Öffentlichkeitsarbeit in der ZLB und der VÖBB-Fachgruppe Öffentlichkeitsarbeit Anna Jacobi, Daniela Haberland und Nadja Gragert-Klier.WEBSEITE DER ZLBhttps://www.zlb.de/

Teils erfundene Belästigungsvorwürfe gegen den grünen Bundestagsabgeordneten Stefan Gelbhaar aus Pankow erschüttern gerade Berlin. In dieser Folge der SPREEPOLITIK beschäftigen wir uns vor allem mit der Rolle des rbb in der Angelegenheit. Chefredakteur David Biesinger ist zu Gast und spricht über schwerwiegende Fehler und Konsequenzen und bittet um Entschuldigung. Außerdem besprechen wir eine parlamentarische Woche in Brandenburg, wo die neue SPD-BSW-Regierung politischen Gestaltungswillen weitgehend schuldig blieb. "Spreepolitik" ist der landespolitische Podcast vom rbb für Berlin und Brandenburg: Jede Woche eine neue Folge, immer freitags in der ARD-Audiothek und in der rbb24 Inforadio App - jetzt kostenlos abonnieren!

Habecks Sonderfluch aus Pankow. Warum ist die SPD so vertrödelt? Muß Friedrich Merz auf den Müllwagen und Fritten eintüten? Und was ist das perfekte Timing für Postwurfsendungen? Kurz: Wann geht's denn mal los hier? Die Politiknerds Frank Stauss und Hajo Schumacher analysieren im Spezial „61 Millionen - Wahlkampf und Strategien“ Haustürwahlkampf, Schuldenbremse und die anstehenden TV-Duelle.

44 Jahre nach ihrer Gründung hört die Band "Pankow" 2025 auf . André Herzberg (Gesang) und Jürgen Ehle ( Gitarre, Gesang) reden mit Leif Tennemann (NDR) über gute und schwere Zeiten in der DDR und nach der Wende.

Van Laack, Claudia www.deutschlandfunk.de, Informationen am Morgen

Von der Arbeitsagentur kommen schlechte Zahlen, Friedrich Merz drohen neue Söder-Watschn und bei den Grünen in Pankow herrscht Kandidatenalarm wegen Missbrauchsvorwürfen. Das ist die Lage am Freitagmorgen. Die Artikel zum Nachlesen: Mehr Hintergründe hier: Söders CSU wird nicht mehr gebraucht – leider Die ganze Geschichte finden Sie hier: Die neue Abstiegsangst Mehr Hintergründe hier: Wie der Fall Gelbhaar die Grünen belastet+++ Alle Infos zu unseren Werbepartnern finden Sie hier. Die SPIEGEL-Gruppe ist nicht für den Inhalt dieser Seite verantwortlich. +++ Den SPIEGEL-WhatsApp-Kanal finden Sie hier. Alle SPIEGEL Podcasts finden Sie hier. Mehr Hintergründe zum Thema erhalten Sie mit SPIEGEL+. Entdecken Sie die digitale Welt des SPIEGEL, unter spiegel.de/abonnieren finden Sie das passende Angebot. Informationen zu unserer Datenschutzerklärung.

02 01 2025 A LA GRAN 730 - Ing. Hermann Pankow by ABC Color

Wir schwärmen aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisen wir jeden Monat in einen anderen Stadtbezirk und stellen einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche werden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss wird die Zentral- und Landesbibliothek im Januar 2025 bilden.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.Im Oktober sprachen wir mit Ulrike Fürstenau und Lena Sophie Stein in der Ingeborg-Drewitz-Bibliothek in Steglitz-Zehlendorf. Im November stand Danny Böckmann aus der Bezirkszentralbibliothek im Eva-Maria-Buch-Haus in Tempelhof-Schöneberg Rede und Antwort.In dieser Folge sprechen wir mit Beate Lenke. Sie arbeitet in der Mittelpunktbibliothek Köpenick "Alter Markt" und ist in punkto Öffentlichkeitsarbeit der Stadtbibliothek Treptow-Köpenick Alleinkämpferin.WEBSEITE DER STADTBIBLIOTHEK TREPTOW-KÖPENICKhttps://www.berlin.de/stadtbibliothek-treptow-koepenick/

Jeder Mensch kennt das Gefühl der Sehnsucht, und zu Beginn und Ende eines neuen Jahres ist der beste Zeitpunkt, diesen Hoffnungen und Erwartungen auf Neues entgegenzuspüren. Bücher und Begegnungen transportieren Sehnsucht, deshalb liegt für Bibliotheken nahe, die Frage nach der Sehnsucht in dieser ganz besonderen Zeit aufzugreifen.Initiiert von den Bücherhallen Hamburg entwickelten zahlreiche Bibliotheken gemeinsam viele Ideen: Von Flaschenpost über Feldpost bis zum Speed Dating am Valentinstag, kreativen Sehnsuchts-Workshops, Lesungen, Silent Reading-Partys und vielem anderen reichte die üppige Vielfalt des Programms.Die Mark-Twain-Bibliothek war Teil dieser wunderbaren Idee und startete im Januar 2023 unter dem Titel „Sehnsucht ist …“ ein spannendes, gemeinsames Projekt mit Bibliotheken aus:Berlin (ZLB, Pankow, Marzahn-Hellersdorf), Dortmund, Düsseldorf, Hamburg, Neuss und Salzburg. Neben einer Feldpost-Ausstellung und Veranstaltungen legten wir Lesezeichen aus mit dem Sehnsucht-Motiv auf der Vorderseite. Die Rückseite bot den Leserinnen und Lesern Gelegenheit, ihre Assoziationen zum Thema aufzuschreiben:  „Was bedeutet für Sie Sehnsucht? Wonach sehnen Sie sich? Nach Stille, Frieden, Natur, Sonne, Urlaub oder vielleicht einfach nur nach einem spannenden Buch? Tragen Sie unerfüllbare Sehnsüchte in Ihrem Herzen? Welche Assoziationen gehen Ihnen zum Thema Sehnsucht durch den Kopf? Möchten Sie diese oder andere mit uns teilen?“Die gesammelten Texte haben wir in einer Broschüre veröffentlicht, erhältlich für 50 Cent in der Bibliothek. Hier hören Sie Auszüge daraus, gelesen vonSarah BaeckeSabrina RamrathRenate ZimmermannChristoph Kaltenborn

Wir schwärmen aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisen wir jeden Monat in einen anderen Stadtbezirk und stellen einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche werden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss wird die Zentral- und Landesbibliothek im Januar 2025 bilden.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.Im Oktober sprachen wir mit Ulrike Fürstenau und Lena Sophie Stein in der Ingeborg-Drewitz-Bibliothek in Steglitz-Zehlendorf. In dieser Folge gibt Danny Böckmann kluge Antworten auf die vielen Fragen. Er arbeitet in der Bezirkszentralbibliothek im Eva-Maria-Buch-Haus und ist dort mit einer Kollegin zuständig für die Öffentlichkeitsarbeit der Stadtbibliothek Tempelhof-Schöneberg.WEBSEITE DER STADTBIBLIOTHEK TEMPELHOF-SCHÖNEBERGhttps://www.berlin.de/stadtbibliothek-tempelhof-schoeneberg/

Spätes Ehestandsglück - von Theodor Fontane

Wicked... Nicole... BabyBaby2LeoDiCaprio2JuneSquibb... Carrie Coon is not 35 or 55... Princess Anne's new 'do... Tallarook's new postman... Amerie's in the studio... Outer Banks drama... Josh O'dating someone new... Luke Evans (still) selling underwear... Val's break up... OK now name a 50 year old celebrity! Go! As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Get a ton of bonus content over on Patreon.com/WhoWeekly TICKETS ARE ON SALE FOR OUR FALL TOUR! REMAINING DATES: BOSTON, PHILADELPHIA, DC, AND NEW YORK CITY, WHERE WE WILL WELCOME SPECIAL GUEST JOHN EARLY!!!! GET 'EM AT WHOWEEKLY.US/LIVE. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Im November 2020 finden Spaziergänger im Norden von Pankow einen menschlichen Oberschenkelknochen. Der Knochen ist buchstäblich blank – er wurde auffallend gründlich gesäubert. Schnell wird klar – der Knochen gehört zu einem seit Wochen vermissten Mann. In der Nacht, als er verschwand, hatte er sich im Internet zu einem Date verabredet.

Die Trash-Maus Lina gesteht ihre Vorliebe für schmutziges Fernsehen und berichtet von einem knallharten Konflikt in der TV-Show "Sommerhaus der Stars". Dort eskaliert der Streit zwischen Jäger Tobias Pankow und einer radikalen Veganerin. Als unser heutiger Gast erzählt Tobias, was wirklich geschah, welche rechtlichen Konsequenzen drohen und warum er sich vom DJV im Stich gelassen fühlt. Am Ende wird es mit dem neuen Song von Keiler Kalle richtig emotional.

On this episode of The Movie Podcast, Daniel and Shahbaz sit down in Toronto with Rudy Pankow (“JJ”), Austin North (“Topper”), and Carlacia Grant (“Cleo”) from Netflix's Outer Banks to dive into Season 4 of the hit series. In Outer Banks Season 4, the Pogues aim for a normal life after El Dorado but are pulled back into the hunt for Blackbeard's treasure. With new enemies closing in, they must confront their past, their future, and what they're willing to sacrifice. Outer Banks Season 4, Part 2 releases November 7, 2024 exclusively on Netflix. Photo courtesy of George Pimentel Photography / Netflix. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Bundesweite Schlagzeilen verursacht momentan eine geplante Änderung im Text des Liedes „Sonderzug nach Pankow“ bei einer Veranstaltung in Berlin. Der Vorgang ist absurd und abzulehnen. Zusätzlich ist es bedauerlich, dass sich fast nur Konservative darüber empören. Von Tobias Riegel. Dieser Beitrag ist auch als Audio-Podcast verfügbar. In seinem Lied „Sonderzug nachWeiterlesen

Ahead of season four pt.2  of #outerbanks #rudypankow #austinnorth and #carlaciagrant sit down with iHeartRadio's Amy Hannah to talk about the music they listen to on set of the show, new skills they've picked up based on their characters! Rudy Pankow, Austin North and Carlacia Grant talk about what to expect in part two, fan shipping of characters, and what dates would look like with Outer Banks Characters. Amy also gives the cast some important Canadian food tips and they chat about Canada's favourite sons, The Arkells! #kooks #pogues

Wir schwärmen aus! Auf Anregung einer Hörerin haben wir bei unseren Kolleginnen und Kollegen aus den anderen Berliner Stadtbezirken angeklopft und sie eingeladen, uns von ihrer Arbeit zu erzählen. Wir gehören zwar alle zum Verbund der Öffentlichen Bibliotheken Berlins, aber trotzdem gibt es unterschiedliche Abläufe, Strukturen, Personalpolitik, Fokussierungen, Räumlichkeiten usw. 2024 reisen wir jeden Monat in einen anderen Stadtbezirk und stellen einem Mitglied aus dem dortigen Team Öffentlichkeitsarbeit jeweils dieselben Fragen. Diese Gespräche werden immer am letzten Mittwoch des Monats in unserem Podcast gesendet. Den Abschluss wird die Zentral- und Landesbibliothek im Januar 2025 bilden.Im Januar eröffneten wir den Reigen mit Tabea Bader aus der Heinrich-Schulz-Bibliothek in Charlottenburg-Wilmersdorf.Im Februar besuchten wir Thomas Gottschalk in der Pablo-Neruda-Bibliothek in Friedrichshain-Kreuzberg. Im März war unsere Lichtenberger Kollegin Helga Schneider zu Gast im Podcast. Sie ist zuständig für die Öffentlichkeitsarbeit der Bibliotheken im Stadtbezirk Lichtenberg.Im April hatten wir ein Heimspiel. Inés Bartel stellte sich den Fragen und gab Auskunft über ihre Arbeit in Marzahn-Hellersdorf.Im Mai sprachen wir mit Patricie Frehse aus der Heinrich-Böll-Bibliothek in Pankow. Im Juni besuchten wir Karolin Pasewald in der Helene-Nathan-Bibliothek in Neukölln.Im Juli waren wir bei Katrin Rosemann in der Philipp-Schaeffer-Bibliothek in Mitte zu Gast.Im August setzten wir die Reihe mit Petra Lölsberg aus der Humboldt-Bibliothek in Reinickendorf fort.Im September wäre Spandau an der Reihe gewesen, aber es gab dort personelle Engpässe.In dieser Folge sind Ulrike Fürstenau und Lena Sophie Stein unsere Gesprächspartnerinnen. Sie arbeiten beide in der Ingeborg-Drewitz-Bibliothek und sind zuständig für die Öffentlichkeitsarbeit der Stadtbibliothek Steglitz-ZehlendorfWEBSEITE DER STADTBIBLIOTHEK STEGLITZ-ZEHLENDORFhttps://www.berlin.de/stadtbibliothek-steglitz-zehlendorf/

Chase Stokes & Rudy Pankow stopped by the studio and covered everything from being roomies to the scariest fan encounter! Stick around after for a special Outer Banks themed Today vs Back in the Day. You can watch the full interview HERESee omnystudio.com/listener for privacy information.

In today's episode of Compassion & Courage, Dr. Tiffany Pankow, Chief of Caregiver Wellness and Patient Experience at Honor Health, discusses her role in promoting the well-being of clinicians and its impact on patient outcomes. Specifically, Dr. Pankow highlights the concept of Blue Zones, areas around the world where people live long and healthy lives, and how communities can adopt the principles of Blue Zones to improve well-being. She emphasizes the significance of relationships, purpose, and healthy habits in achieving longevity and overall health. Hope you enjoy this wholistic view into medicine and look beyond the treatments and at the system to build a better community.  Key Moments00:00 - Introductions01:40 - Dr. Tiffany Pankow's Background03:28 - Impactful Patient Stories and Deep Listening06:02 - Choosing Family Medicine and Building Long-Term Relationships07:30 - The Power of Compassionate Presence in Patient Care and Witnessing Compassion11:45 - Leadership and Empathy in Healthcare14:27 - Creating Healthier Communities through Blue Zones26:50 - Addressing Burnout and Supporting Caregiver Wellness30:07 - Personal Questions and Billboard Message for Humanity, “Come together and heal.”34:40 - Closing Remarks and Thank Yous Resources for you: More communication tips and resources for how to cultivate compassion: https://marcusengel.com/freeresources/ Connect with Marcus on LinkedIn: https://www.linkedin.com/in/marcusengel/ Connect with Tiffany on LinkedIn: https://www.linkedin.com/in/tiffany-pankow-90a7a822/ Learn more about Honor Health: https://www.honorhealth.com Learn more about Marcus' Books: https://marcusengel.com/store/ Subscribe to our podcast through Apple: https://bit.ly/MarcusEngelPodcast Subscribe to our podcast through YouTube: https://bit.ly/Youtube-MarcusEngelPodcast Learn More About Dr. Tiffany Pankow, MD:Dr. Tiffany Pankow, MD, is a family medicine specialist in Phoenix, AZ, and has over 23 years of experience in the medical field. She graduated from the University of Virginia, main campus, in 2000. Dr. Pankow is also chief of caregiver wellness and patient experience for HonorHealth, one of Arizona's largest nonprofit healthcare systems serving a population of five million people in the greater Phoenix metropolitan area. Date: 10/7/2024 Name of show: Compassion & Courage: Conversations in Healthcare Episode number and title: Episode 154 – Helping People Heals Me Too - Dr. Tiffany Pankow, MD

Interview with cast members Chase Stokes, Rudy Pankow and Drew Starkey regarding Season 4 of hit Netflix series, Outer Banks. --- Support this podcast: https://podcasters.spotify.com/pod/show/cinexpress/support

A fella who could see West Acres across a wheat field grows up to be the Artistic Director of a theatre company (Stage West) and just a swell guy - ADAM PANKOW. Enjoy this lunch hour conversation with Adam as he talks about some of his favorite theater, antiquing, gas stations he likes and more!See omnystudio.com/listener for privacy information.

Send us a text. We love to hear from our fans.SummaryIn this conversation, Janet Engel interviews Michael Pankow, a retail mortgage executive and CEO of Veterans Mortgage of America with over 20 years of experience, focusing on the benefits and misconceptions surrounding reverse mortgages. Michael shares his personal journey in the mortgage industry, the importance of planning for aging in place, and how reverse mortgages can provide financial independence for seniors. He discusses the challenges of educating older adults about reverse mortgages, the criteria for qualifying, and the non-recourse feature that protects borrowers and their heirs. The conversation also touches on Michael's work in the film industry and his passion for helping seniors navigate financial products.TakeawaysMichael Pankow has over 20 years of experience in the mortgage industry.Reverse mortgages can provide financial independence for seniors.Education is key to overcoming misconceptions about reverse mortgages.The non-recourse feature protects borrowers and their heirs.Planning for aging in place is essential for seniors.Accessing home equity can help seniors live more comfortably.Qualifying for a reverse mortgage involves a financial assessment.Reverse mortgages can be used for downsizing or purchasing a new home.Michael's personal experiences shape his passion for helping seniors.The reverse mortgage market has a low penetration rate, indicating a need for education.Sound Bites"Congratulations, you are mortgage free for the rest of your life.""Reverse mortgages are not just for the desperate.""There's a level of independence that they gain."Chapters00:00 Introduction to Michael Pankow02:05 Michael's Journey in the Mortgage Industry06:42 Understanding Reverse Mortgages09:43 Challenges and Misconceptions of Reverse Mortgages11:51 The Importance of Planning for Aging in Place15:10 Accessing Home Equity for Seniors19:23 Qualifying for a Reverse Mortgage25:20 Using Reverse Mortgages for Downsizing32:12 The Non-Recourse Feature Explained36:10 Education and Awareness in the Reverse Mortgage Industry47:13 Michael's Work in the Film IndustryHow to contact Michael:Email: michael.pankow@clearmortgage.comWeb:  https://www.mikepankowmortgages.com916.705.8282 Office916.296.7765 Cell Schedule Appointment with Me:https://calendly.com/michaelpankow/30minSupport the showwebsite: https://homedesignsforlife.com/Email: homedesignsforlife@gmail.com

Seit dem Start von ChatGPT und Midjourney ist Künstliche Intelligenz in aller Munde. Unter Künstlerinnen und Musikern jedoch ist die Verunsicherung groß: Wird die KI sie ersetzen? Oder ist mit den Anwendungen ganz neue Kunst möglich? Harrabi, Kais; Stucke, Julius; Pankow, Mads; Weigmann, Diane

Rudy Pankow joins Backstage's "In the Envelope: The Actor's Podcast" to discuss how he works on his craft while filming Netflix's hit series "Outer Banks" and rehearsing for his starring role in "Romeo & Juliet" at the American Repertory Theater. Pankow also dives into why aspiring actors need to seek out great writing and his thoughts and what his career will look like when "Outer Banks" comes to an end. Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe

Für unser Sommerspezial 2024 sind wir für Euch tief ins Archiv gestiegen und haben die besten Folgen der letzten Zeit zu einem Kessel Buntes gerührt. Oldies but Goldies. Also nicht wundern über verschiedene Texte und Trailer. Micky Beisenherz, Marie-Agnes Strack-Zimmermann, Louisa Neubauer, Rolf Zuckowski, Düzen Tekkal, Benno Fürmann, Jörg Kalkofe und viele mehr erinnern sich an ihre erste Reise ganz allein. Dazu tiefschürfende Interviews mit Atze Schröder, Axel Hacke und Georg Streiter. Und natürlich unsere Familiengespräche mit Hajo, Paul und Suse über Erfolg, Vater sein oder 30 Jahre Ehe. Lasst Euch überraschen! Wir hören uns. Heute mit Schriftstellerin Lea Streisand: Doors, Beatles, Marihuana satt, aber Rainald Grebes Reisetipp mißachtet: "Nimm dir Essen mit, wir fahr´n nach Brandenburg!“ Die Berliner Schriftstellerin Lea Streisand über einen Sommer als Neo-Hippie am Gudelacksee, von der Gegenwart überfordert, aber mit dem schönsten Gitarristen Pankows im Gepäck.

CTL Script/ Top Stories of June 11th             Publish Date: June 11th          From the Ingles Studio Welcome to the Award-Winning Cherokee Tribune Ledger Podcast    Today is Tuesday, June 11th and Happy heavenly Birthday to NFL coach Vince Lombardi. ***06.11.24 – BIRTHTDAY – VINCE LOMBARDI*** I'm Keith Ippolito and here are the stories Cherokee is talking about, presented by Credit Union of Georgia.  Cherokee County Buys Land for Phase 2 of Technology Ridge Parkway Canton Hears from Residents on Property Tax Rate Two Cherokee County Students Earn Community Scholarships Plus, Bruce Jenkins sits down with Leah McGrath on whether honey is added sugar. We'll have all this and more coming up on the Cherokee Tribune-Ledger Podcast, and if you're looking for Community news, we encourage you to listen and subscribe!    Commercial: CU of GA STORY 1: Cherokee County Buys Land for Phase 2 of Technology Ridge Parkway Cherokee County recently acquired 35.23 acres for the second phase of Technology Ridge Parkway for $700,000. This phase will connect with the already opened section from Bluffs Parkway to Fate Conn Road and Heard Road. The newly acquired land will be divided by the parkway's construction. Funding for the purchase comes from the 2024 Special Purpose Local Options Sales Tax allocated for the Parkway. The project aims to eventually link Canton's Bluffs area with the Cherokee County Regional Airport. Phases two through five are currently in the design and right-of-way acquisition stages. STORY 2: Canton Hears from Residents on Property Tax Rate Canton is considering keeping its property tax millage rate unchanged at 5.4 mills for the next year, but this could be perceived as a tax increase due to rising property values. The city expects a revenue increase of 5.82% if it maintains the current rate, totaling $639,467. The rollback rate would be 5.27 mills. This rate includes fire services, with uncertainty about potential increases in the county's fire tax. Residents expressed concerns during a public hearing about the implications of maintaining the current rate. The city council will hold two more public hearings before voting on the millage rate in July. The proposed rate is separate from those of the Cherokee County government and school district. STORY 3: Two Cherokee County Students Earn Community Scholarships Two Cherokee County School District 2024 graduates, Ixchel Avila from Etowah High School and Hannah Pankow from Woodstock High School, received the Towne Lake Academy Scholarship for future teachers. Avila, who will study early childhood education at Brigham Young University, was inspired by her involvement in tutoring and mentoring programs. Pankow, who will pursue elementary education at Kennesaw State University, gained experience through her school's Early Childhood Education program and volunteering. The scholarship, now in its second year, awards $2,500 each to graduates planning to become educators, based on applications, essays, and references. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info.    Back in a moment  Break: DRAKE – STRETCH ZONE    STORY 4: Cherokee History Center Hosting Summer Camp   The Cherokee County History Center is organizing the History Makers Summer Camp from July 8 to 10, targeting students in grades three through five. The camp aims to immerse participants in Cherokee County's history through interactive activities and exploration. Four scholarships are available for students in need, covering the camp's fee. To qualify, applicants must be on free or reduced school lunch, provide transportation, and be in the specified grade range. The camp involves visits to historic sites, storytelling, and more. Registration costs $200 for members and $275 for non-members. Applications for scholarships must be submitted by June 20. For details and applications, visit historycherokee.org/summer-camps or contact Kady Yeomans. STORY 5: Here's What's Next for Woodstock's Parking Deck Construction Starting June 13, trucks will transport a crane and precast components for the downtown Woodstock parking deck construction until September 20. Expect traffic delays in the area, particularly during weekday deliveries from 7 a.m. to 4 p.m. The trucks will enter Woodstock via Interstate 575, traveling through Towne Lake Parkway. Woodstock Police will manage traffic, and flagmen will assist along the route. The six-level parking deck will provide 635 parking spaces, part of the Woodstock City Center project, which includes office, retail, and restaurant spaces, along with a boutique hotel. For more information, visit woodstockga.gov. Commercial:  INGLES 1   And now here is Bruce Jenkins' conversation with Leah McGrath on whether honey is added sugar. ***LEAH MCGRATH*** We'll have closing comments after this.   COMMERCIAL: JM HELLER 1   SIGN OFF –   Thanks again for hanging out with us on today's Cherokee Tribune Ledger Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at tribuneledgernews.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: ingles-markets.com drakerealty.com cuofga.org jeffhellerlaw.com stretchzone.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

Im letzten Teil zur Variation stehen "Jugendsprachen" im Mittelpunkt - und es sind leichte Zweifel angebracht, ob Udo Lindenberg diese 'erfand', wie man ab und an lesen kann. Einflussreich indes war er sicher. Deshalb werfen wir einen Blick auf den "Sonderzug nach Pankow" (1983) und auf jugendsprachliche Elemente in diesem Lied. Die Vorlesung "Basiswissen Sprachwissenschaft" bietet einen Überblick über die zentralen Sprachwissens- und Kommunikationsmodelle, die in der modernen Linguistik unser Bild von Sprachwissen und Kommunikation maßgeblich prägen. In der Vorlesung “Basiswissen Sprachwissenschaft II” werden die Themen Variation (Dialektologie & Historische Linguistik), Pragmatik (Text-, Gesprächs- und Diskurslinguistik) sowie aktuelle kognitionsgrammatische Ansätze (Konstruktionsgrammatik, Framesemantik) behandelt. Präsentation (*.pdf): Alexander Lasch. 2023/2024. Basiswissen Sprachwissenschaft. Zenodo. DOI: https://doi.org/10.5281/zenodo.8388691. Videoaufzeichnungen: https://youtube.com/@AlexanderLasch. Informationen & Material zu allen Vorlesungen: https://kurzelinks.de/fl7f. Intro: "Reflections" von Scott Holmes (CC BY via FMA). #Linguistik #OER #Sprache═ Mea Clulpa ═Heute ist die Tonqualität leider in einem erbarmungswürdigen Zustand -- erst sehr leise, im letzten Teil ab 00:51:00 zu laut, und verrauscht. Was ich mit meinen Mitteln daran ändern kann, habe ich versucht. Erklären kann ich mir das aber (leider) nicht.

Ken Pankow, one of the owners of the new Gong Loco Restaurant in Northfield, and Brent Nystrom of Rebound Partners, talk about the transition of the former Kwik Trip building into Gong Loco. The new restaurant will feature a fusion of Asian and Latin Cuisine in a fast, casual atmosphere and plans to open in […]

 Ken Pankow, one of the owners of the new Gong Loco Restaurant in Northfield, and Brent Nystrom of Rebound Partners, talk about the transition of the former Kwik Trip building into Gong Loco. The new restaurant will feature a fusion of Asian and Latin Cuisine in a fast, casual atmosphere and plans to open in early February. 

Episode 159: Transcranial Magnetic Stimulation BasicsFuture Dr. Ameri explains how transcranial magnetic stimulation can be useful in the treatment of certain mental conditions.  Written by Omeed Ameri, MS-IV, Western University of Health Sciences, College of Osteopathic Medicine of the Pacific. Editing by Hector Arreaza, MD.You are listening to Rio Bravo qWeek Podcast, your weekly dose of knowledge brought to you by the Rio Bravo Family Medicine Residency Program from Bakersfield, California, a UCLA-affiliated program sponsored by Clinica Sierra Vista, Let Us Be Your Healthcare Home. This podcast was created for educational purposes only. Visit your primary care provider for additional medical advice.Transcranial Magnetic Stimulation (TMS)TMS is a non-invasive procedure that uses magnetic fields to stimulate nerve cells in the brain to improve symptoms of depression and Obsessive-compulsive disorder (OCD). TMS uses the principles of electromagnetic inductions as described by Faraday's Law. When an electric current passes through the TMS coil, it creates a rapidly charging magnetic field, which passes unimpeded through the scalp and skull, inducing a secondary current in neural tissues of the brain, causing depolarization of neuronal membranes in targeted brain regions, mainly in the superficial layers of the cortex 1.5 to 2.5 cm beneath the coil.How it works.Depending on the frequency and pattern of magnetic pulses, TMS can either increase or decrease cortical excitability. High-frequency TMS (Generally > 1 Hz) is associated with increased cortical excitability and is often used for depression treatment. In contrast, low-frequency TMS (< 1 Hz) is typically used for anxiety and pain.This stimulation alters neurotransmitter release such as dopamine, serotonin, and norepinephrine. The repeated stimulation over sessions promotes synaptic plasticity, leading to more lasting changes in brain activity patterns associated with improved clinical outcomes. This is thought to have cascading effects throughout brain networks, and modulate dysfunctional circuits implicated in depression and restoring normal function. Effectiveness.The effectiveness of TMS can vary widely between individuals due to differences in anatomy, age, and specific conditions being treated. As such, ongoing research into how to personalize and optimize TMS parameters is ongoing. Research supporting the use of TMS in treatment-resistant depression.Research into the effectiveness of TMS and other therapy modalities targeting Treatment-Resistant Depression has been an ongoing effort for many years. In 2009, the American Academy of Family Physicians published Dr. Little's article titled “Treatment-Resistant Depression,” which noted that there was little evidence that TMS could significantly treat patients with treatment-resistant depression. Since that time, the American Journal of Psychiatry published a groundbreaking study in 2020, led by Dr. Cole, which explores the effectiveness of a novel treatment for treatment-resistant depression. This trial, known as Stanford Accelerated Intelligent Neuromodulation Therapy or SAINT, which demonstrates promising results in combating depression where traditional methods have failed. It was an open-label study that provides a new perspective on depression treatment, emphasizing rapid and targeted intervention. Twenty-two participants received 50 intermittent theta burst stimulation (iTBS), which is a more recent protocol for TMS treatment, over the course of five days. Each session included 1,800 pulses per session, with a 50-minute intersession interval, ten times a day. As a result of this intensive regimen, one participant withdrew from treatment, and 19 of the remaining 21 met remission criteria, with a score of less than 11 on the Montgomery-Asberg Depression Rating Scale. There were no serious adverse events reported, the participant who withdrew did so due to anxiety. Side effects included fatigue and some discomfort. 70% of participants continued to meet response criteria one-month post-treatment.TMS application for patients with OCD. Studies have shown promising results for the treatment of OCD with TMS. Typically, OCD is difficult to manage and requires the highest doses of SSRIs. In 2019, The American Journal of Psychiatry published Dr. Carmi's Article titled: “Efficacy and Safety of Deep Transcranial Magnetic Stimulation for Obsessive-Compulsive Disorder: A Prospective Multicenter Randomized Double-Blind Placebo-Controlled Trial”, which presents a comprehensive study on the effectiveness of dTMS in treating OCD. This multicenter, randomized, double-blind, placebo-controlled trial involved 99 OCD patients across 11 centers, who were treated with either high-frequency dTMS or sham dTMS, and focused on changes in the Yale-Brown Obsessive Compulsive Scale (YBOCS) scores.The treatment phase extended to 6 weeks with a total of 29 treatment sessions, following a 3-week screening phase and a 4-week follow-up phase. Patients were aged 22-68, with YBOCS scores greater than or equal to 20. At the start of the study, patients were already on a maintenance treatment with therapeutic dosages of SSRIs, or previously failed an SSRI and were currently being treated with Cognitive Behavioral Therapy. The results revealed that dTMS treatment participants showed a significantly greater reduction in YBOCS score compared to sham treatment (6.0 points vs. 3.3 points). The most frequent adverse effect was headaches. There was one incident of severe suicide ideation. On investigation, it was revealed that the suicide ideation preceded the treatment and required hospitalization for the patient. TMS therapy has shown promising results in treating both treatment-resistant depression and OCD. More research is required to assess the long-term viability of the treatment modality, and which treatment regimens have the greatest efficacy for various psychiatric disorders. I hope our listeners will keep TMS in mind when confronted with treatment-resistant depression and OCD.___________________Conclusion: Now we conclude episode number 159, “Transcranial Magnetic Stimulation,” also known as TMS. We learned from future Dr. Ameri that TMS has proven to be an effective option for treatment-resistant depression and Obsessive-compulsive disorder. When medications and therapy are not enough, you may consider this therapy for your patients. This week we thank Hector Arreaza and Omeed Ameri. Audio editing by Adrianne Silva.Even without trying, every night you go to bed a little wiser. Thanks for listening to Rio Bravo qWeek Podcast. We want to hear from you, send us an email at RioBravoqWeek@clinicasierravista.org, or visit our website riobravofmrp.org/qweek. See you next week! _____________________References:Cole, E., Stimpson, K. H., Bentzley, B. S., Gulser, M., Cherian, K., Tischler, C., Nejad, R., Pankow, H., Choi, E., Aaron, H., Espil, F. M., Pannu, J., Xiao, X., Duvio, D., Solvason, H. B., Hawkins, J., Guerra, A. T., Jo, B., Raj, K. S., . . .Williams, N. (2020). Stanford Accelerated Intelligent Neuromodulation Therapy for Treatment-Resistant Depression. American Journal of Psychiatry, 177(8), 716–726. https://doi.org/10.1176/appi.ajp.2019.19070720Carmi, L., Tendler, A., Bystritsky, A., Hollander, E., Blumberger, D. M., Daskalakis, J., Ward, H. E., Lapidus, K., Goodman, W. K., Casuto, L., Feifel, D., Barnea‐Ygael, N., Roth, Y., Zangen, A., & Zohar, J. (2019). Efficacy and Safety of Deep transcranial Magnetic Stimulation for Obsessive-Compulsive Disorder: A prospective multicenter randomized Double-Blind Placebo-Controlled Trial. American Journal of Psychiatry, 176(11), 931–938. https://doi.org/10.1176/appi.ajp.2019.18101180Little, A. (2009, July 15). Treatment-Resistant depression. AAFP. https://www.aafp.org/pubs/afp/issues/2009/0715/p167.htmlRoyalty-free music used for this episode: If You Were the One, downloaded on November 15, 2023, from https://www.videvo.net/ 

This week on the KSHE Tapes we feature a 1982 interview done by Jack Silver of KSHE with James Pankow, an original member of Chicago. James (who is from STL) talks about his hometown and mentions a bunch of band members that I never heard of... Learn more about your ad choices. Visit megaphone.fm/adchoices

Thilo ist im Ausland und im wohlverdienten Jahresurlaub, hat sich vor seiner Abreise aber nochmal mit Aline Abboud zusammengesetzt. Aline ist Journalistin, Sprecherin bei den Tagesthemen, Host vom Funk-Politik Format „Die Da Oben“ und Podcasterin. Aline und Thilo wagen einen Blick ins Jahr 2024 und besprechen welche Worst oder Bestcase Szenarien uns erwarten könnten. Was passiert, wenn Trump wiedergewählt wird, die Frage ob wir den Faschismus globalisiert haben, inwiefern der Nah Ost Konflikt eskalieren oder deeskalieren könnte und wie man selber Krieg. Aber auch über Pankow, Friedrichshain und die Rigaer Straße. Ich wünsche ein schönes Hörerlebnis und bei der nächsten Folge gibt es auch wieder eine Anmoderation von Thilo. --------------------- Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/allesmussrauspodcast

Recorded sunday evening service at Reunion Hawaii 11-26-2023. Guest Speaker: Craig Pankow

Mac and Stock welcome Josh Pankow from Leaf Trading Cards to the podcast. During the episode Josh shares his story of getting into the hobby, making it his career, and eventually becoming the President of Leaf.Listen in as he shares the vision for Leaf and some of the exciting things the company has in store for the future to get more people collecting.During the episode Josh also sheds light on the autograph fulfilment process, from signing athletes and celebrities to collecting their autographs, all the while ensuring authenticity.Learn more about Leaf through the links below:Leaf Trading Cards Website Leaf on Instagram Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, we remember William Friedkin, who passed away this past Tuesday, looking back at one of his lesser known directing efforts, Rampage. ----more---- From Los Angeles, California, the Entertainment Capital of the World, it’s The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Originally, this week was supposed to be the fourth episode of our continuing miniseries on the 1980s movies released by Miramax Films. I was fully committed to making it so, but then the world learned that Academy Award-winning filmmaker William Friedkin passed away on Tuesday. I had already done an episode on his best movie from the decade, 1985’s To Live and Die in L.A., so I decided I would cover another film Friedkin made in the 80s that isn’t as talked about or as well known as The French Connection or The Exorcist or To Live and Die in L.A. Rampage. Now, some of you who do know the film might try and point that the film was released in 1992, by Miramax Films of all companies, and you’d be correct. However, I did say I was going to cover another film of his MADE in the 80s, which is also true when it comes to Rampage. So let’s get to the story, shall we? Born in Chicago in 1935, William Friedkin was inspired to become a filmmaker after seeing Citizen Kane as a young man, and by 1962, he was already directing television movies. He’d make his feature directing debut with Good Times in 1967, a fluffy Sonny and Cher comedy which finds Sonny Bono having only ten days to rewrite the screenplay for their first movie, because the script to the movie they agreed to was an absolute stinker. Which, ironically, is a fairly good assessment of the final film. The film, which was essentially a bigger budget version of their weekly variety television series shot mostly on location at an African-themed amusement park in Northern California and the couple’s home in Encino, was not well received by either critics or audiences. But by the time Good Times came out, Friedkin was already working on his next movie, The Night They Raided Minsky’s. A comedy co-written by future television legend Norman Lear, Minsky’s featured Swedish actress Britt Ekland, better known at the time as the wife of Peter Sellers, as a naive young Amish woman who leaves the farm in Pennsylvania looking to become an actress in religious stage plays in New York City. Instead, she becomes a dancer in a burlesque show and essentially ends up inventing the strip tease. The all-star cast included Dr. No himself, Joseph Wiseman, Elliott Gould, Jack Burns, Bert Lahr, and Jason Robards, Jr., who was a late replacement for Alan Alda, who himself was a replacement for Tony Curtis. Friedkin was dreaming big for this movie, and was able to convince New York City mayor John V. Lindsay to delay the demolition of an entire period authentic block of 26th Street between First and Second Avenue for two months for the production to use as a major shooting location. There would be one non-production related tragedy during the filming of the movie. The seventy-two year old Lahr, best known as The Cowardly Lion in The Wizard of Oz, would pass away in early December 1967, two weeks before production was completed, and with several scenes still left to shoot with him. Lear, who was also a producer on the film, would tell a reporter for the New York Times that they would still be able to shoot the rest of the film so that performance would remain virtually intact, and with the help of some pre-production test footage and a body double, along with a sound-alike to dub the lines they couldn’t get on set, Lahr’s performance would be one of the highlights of the final film. Friedkin and editor Ralph Rosenblum would spend three months working on their first cut, as Friedkin was due to England in late March to begin production on his next film, The Birthday Party. Shortly after Friedkin was on the plane to fly overseas, Rosenblum would represent the film for a screening with the executives at United Artists, who would be distributing the film. The screening was a disaster, and Rosenblum would be given carte blanche by the studio heads to save the film by any means necessary, since Friedkin was not available to supervise. Rosenblum would completely restructure the film, including creating a prologue for the story that would be retimed and printed on black and white film stock. The next screening would go over much better with the suits, and a mid-December 1968 release date was set up. The Birthday Party was an adaptation of a Harold Pinter play, and featured Robert Shaw and Patrick Magee. Friedkin had seen the play in San Francisco in 1962, and was able to get the film produced in part because he would only need six actors and a handful of locations to shoot, keeping the budget low. Although the mystery/thriller was a uniquely British story, Harold Pinter liked how Friedkin wanted to tell the story, and although Pinter had written a number of plays that had been adapted into movies and had adapted a number of books into screenplay, this would be the first time Pinter would adapt one of his own stories to the silver screen. To keep the budget lower still, Friedkin, Pinter and lead actor Robert Shaw agreed to take the minimum possible payments for their positions in exchange for part ownership in the film. The release of Minsky’s was so delayed because of the prolonged editing process that The Birthday Party would actually in theatres nine days before Minsky’s, which would put Friedkin in the rare position of having two movies released in such a short time frame. And while Minsky’s performed better at the box office than Birthday Party, the latter film would set the director up financially with enough in the bank where he could concentrate working on projects he felt passionate about. That first film after The Birthday Party would make William Friedkin a name director. His second one would make him an Oscar winner. The third, a legend. And the fourth would break him. The first film, The Boys in the Band, was an adaptation of a controversial off-Broadway play about a straight man who accidentally shows up to a party for gay men. Matt Crowley, the author of the play, would adapt it to the screen, produce the film himself with author Dominick Dunne, and select Friedkin, who Crowley felt best understood the material, to direct. Crowley would only make one demand on his director, that all of the actors from the original off-Broadway production be cast in the movie in the same roles. Friedkin had no problem with that. When the film was released in March 1970, Friedkin would get almost universally excellent notices from film critics, except for Pauline Kael in the New York Times, who had already built up a dislike of the director after just three films. But March 1970 was a different time, and a film not only about gay men but a relatively positive movie about gay men who had the same confusions and conflicts as straight men, was probably never going to be well-received by a nation that still couldn’t talk openly about non-hetero relationships. But the film would still do about $7m worth of ticket sales, not enough to become profitable for its distributor, but enough for the director to be in the conversation for bigger movies. His next film was an adaptation of a 1969 book about two narcotics detectives in the New York City Police Department who went after a wealthy French businessman who was helping bring heroin into the States. William Friedkin and his cinematographer Owen Roizman would shoot The French Connection as if it were a documentary, giving the film a gritty realism rarely seen in movies even in the New Hollywood era. The film would be named the Best Picture of 1971 by the Academy, and Friedkin and lead actor Gene Hackman would also win Oscars in their respective categories. And the impact of The French Connection on cinema as a whole can never be understated. Akira Kurosawa would cite the film as one of his favorites, as would David Fincher and Brad Pitt, who bonded over the making of Seven because of Fincher’s conscious choice to use the film as a template for the making of his own film. Steven Spielberg said during the promotion of his 2005 film Munich that he studied The French Connection to prepare for his film. And, of course, after The French Connection came The Exorcist, which would, at the time of its release in December 1973, become Warner Brothers’ highest grossing film ever, legitimize the horror genre to audiences worldwide, and score Friedkin his second straight Oscar nomination for Best Director, although this time he and the film would lose to George Roy Hill and The Sting. In 1977, Sorcerer, Friedkin’s American remake of the 1953 French movie The Wages of Fear, was expected to be the big hit film of the summer. The film originally started as a little $2.5m budgeted film Friedkin would make while waiting for script revisions on his next major movie, called The Devil’s Triangle, were being completed. By the time he finished filming Sorcerer, which reteamed Friedkin with his French Connection star Roy Scheider, now hot thanks to his starring role in Jaws, this little film became one of the most expensive movies of the decade, with a final budget over $22m. And it would have the unfortunate timing of being released one week after a movie released by Twentieth Century-Fox, Star Wars, sucked all the air out of the theatrical exhibition season. It would take decades for audiences to discover Sorcerer, and for Friedkin, who had gone some kind of mad during the making of the film, to accept it to be the taut and exciting thriller it was. William Friedkin was a broken man, and his next film, The Brinks Job, showed it. A comedy about the infamous 1950 Brinks heist in Boston, the film was originally supposed to be directed by John Frankenheimer, with Friedkin coming in to replace the iconic filmmaker only a few months before production was set to begin. Despite a cast that included Peter Boyle, Peter Falk, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino, the film just didn’t work as well as it should have. Friedkin’s first movie of the 1980s, Cruising, might have been better received in a later era, but an Al Pacino cop drama about his trying to find a killer of homosexual men in the New York City gay fetish underground dance club scene was, like The Boys in the Band a decade earlier, too early to cinemas. Like Sorcerer, audiences would finally find Cruising in a more forgiving era. In 1983, Friedkin made what is easily his worst movie, Deal of the Century, an alleged comedy featuring Chevy Chase, Gregory Hines and Sigourney Weaver that attempted to satirize the military industrial complex in the age of Ronald Reagan, but somehow completely missed its very large and hard to miss target. 1985 would see a comeback for William Friedkin, with the release of To Live and Die in LA, in which two Secret Service agents played by William L. Petersen and John Pankow try to uncover a counterfeit money operation led by Willem Dafoe. Friedkin was drawn to the source material, a book by former Secret Service agent Gerald Petievich, because the agency was almost never portrayed on film, and even less as the good guys. Friedkin would adapt the book into a screenplay with Petievich, who would also serve as a technical consultant to ensure authenticity in how Petersen and Pankow acted. It would be only the second time Friedkin was credited as a screenwriter, but it would be a nine-minute chase sequence through the aqueducts of Los Angeles and a little used freeway in Wilmington that would be the most exciting chase sequence committed to film since the original Gone in 60 Seconds, The French Connection, or the San Francisco chase sequence in the 1967 Steve McQueen movie Bullitt. The sequence is impressive on Blu-ray, but on a big screen in a movie theatre in 1985, it was absolutely thrilling. Which, at long last, brings us to Rampage. Less than two months after To Live and Die in LA opened to critical raves and moderate box office in November 1985, Friedkin made a deal with Italian mega-producer Dino DeLaurentiis to direct Rampage, a crime drama based on a novel by William P. Wood. DeLaurentiis had hired Friedkin for The Brinks Job several years earlier, and the two liked working for each other. DeLaurentiis had just started his own distribution company, the DeLaurentiis Entertainment Group, which we’ll shorten to DEG for the remainder of this episode, and needed some big movies to fill his pipeline. We did an episode on DEG back in 2020, and if you haven’t listened to it yet, you should after you finish this episode. At this time, DEG was still months away from releasing its first group of films, which would include Maximum Overdrive, the first film directed by horror author Stephen King, and Blue Velvet, the latest from David Lynch, both of which would shoot at the same time at DEG’s newly built studio facilities in Wilmington, North Carolina. But Friedkin was writing the screenplay adaptation himself, and would need several months to get the script into production shape, so the film would not be able to begin production until late 1986. The novel Rampage was based on the real life story of serial killer Richard Chase, dubbed The Vampire Killer by the press when he went on a four day killing spree in January 1978. Chase murdered six people, including a pregnant woman and a 22 month old child, and drank their blood as part of some kind of ritual. Wood would change some aspects of Chase’s story for his book, naming his killer Charles Reece, changing some of the ages and sexes of the murder victims, and how the murderer died. But most of the book was about Reece’s trial, with a specific focus on Reece’s prosecutor, Anthony Fraser, who had once been against capital punishment, but would be seeking the death penalty in this case after meeting one of the victims’ grieving family members. William L. Petersen, Friedkin’s lead star in To Live and Die in LA, was initially announced to star as Fraser, but as the production got closer to its start date, Petersen had to drop out of the project, due to a conflict with another project that would be shooting at the same time. Michael Biehn, the star of James Cameron’s The Terminator and the then recently released Aliens, would sign on as the prosecutor. Alex McArthur, best known at the time as Madonna’s baby daddy in her Papa Don’t Preach music video, would score his first major starring role as the serial killer Reece. The cast would also include a number of recognizable character actors, recognizable if not by name but by face once they appeared on screen, including Nicholas Campbell, Deborah Van Valkenberg, Art LaFleur, Billy Greenbush and Grace Zabriskie. Friedkin would shoot the $7.5m completely on location in Stockton, CA from late October 1986 to just before Christmas, and Friedkin would begin post-production on the film after the first of the new year. In early May 1987, DEG announced a number of upcoming releases for their films, including a September 11th release for Rampage. But by August 1987, many of their first fifteen releases over their first twelve months being outright bombs, quietly pulled Rampage off their release calendar. When asked by one press reporter about the delay, a representative from DEG would claim the film would need to be delayed because Italian composer Ennio Morricone had not delivered his score yet, which infuriated Friedkin, as he had turned in his final cut of the film, complete with Morricone’s score, more than a month earlier. The DEG rep was forced to issue a mea culpa, acknowledging the previous answer had been quote unquote incorrect, and stated they were looking at release dates between November 1987 and February 1988. The first public screening of Rampage outside of an unofficial premiere in Stockton in August 1987 happened on September 11th, 1987, at the Boston Film Festival, but just a couple days after that screening, DEG would be forced into bankruptcy by one of his creditors in, of all places, Boston, and the film would be stuck in limbo for several years. During DEG’s bankruptcy, some European companies would be allowed to buy individual country rights for the film, to help pay back some of the creditors, but the American rights to the film would not be sold until Miramax Films purchased the film, and the 300 already created 35mm prints of the film in March 1992, with a planned national release of the film the following month. But that release had to be scrapped, along with the original 300 prints of the film, when Friedkin, who kept revising the film over the ensuing five years, turned in to the Weinsteins a new edit of the film, ten minutes shorter than the version shown in Stockton and Boston in 1987. He had completely eliminated a subplot involving the failing marriage of the prosecutor, since it had nothing to do with the core idea of the story, and reversed the ending, which originally had Reece committing suicide in his cell not unlike Richard Chase. Now, the ending had Reece, several years into the future, alive and about to be considered for parole. Rampage would finally be released into 172 theatres on October 30th, 1992, including 57 theatres in Los Angeles, and four in New York City. Most reviews for the film were mixed, finding the film unnecessarily gruesome at times, but also praising how Friedkin took the time for audiences to learn more about the victims from the friends and family left behind. But the lack of pre-release advertising on television or through trailers in theatres would cause the film to perform quite poorly in its opening weekend, grossing just $322,500 in its first three days. After a second and third weekend where both the grosses and the number of theatres playing the film would fall more than 50%, Miramax would stop tracking the film, with a final reported gross of just less than $800k. Between the release of his thriller The Guardian in 1990 and the release of Rampage in 1992, William Friedkin would marry fellow Chicago native Sherry Lansing, who at the time had been a successful producer at Paramount Pictures, having made such films as The Accused, which won Jodie Foster her first Academy Award, and Fatal Attraction. Shortly after they married, Lansing would be named the Chairman of Paramount Pictures, where she would green light such films as Forrest Gump, Braveheart and Titanic. She would also hire her husband to make four films for the studio between 1994 and 2003, including the basketball drama Blue Chips and the thriller Jade. Friedkin’s directing career would slow down after 2003’s The Hunted, making only two films over the next two decades. 2006’s Bug was a psychological thriller with Michael Shannon and Ashley Judd, and 2012’s Killer Joe, a mixture of black comedy and psychological thriller featuring Matthew McConaughey and Emile Hirsch, was one of few movies to be theatrically released with an NC-17 rating. Neither were financially successful, but were highly regarded by critics. But there was still one more movie in him. In January 2023, Friedkin would direct his own adaptation of the Herman Wouk’s novel The Caine Mutiny Court-Martial for the Paramount+ streaming service. Updating the setting from the book’s World War II timeline to the more modern Persian Gulf conflict, this new film starred Keifer Sutherland as Lieutenant Commander Queeg, alongside Jason Clark, Jake Lacy, Jay Duplass, Dale Dye, and in his final role before his death in March, Lance Reddick. That film will premiere at the Venice Film Festival in Italy next month, although Paramount+ has not announced a premiere date on their service. William Friedkin had been married four times in his life, including a two year marriage to legendary French actress Jean Moreau in the late 70s and a two year marriage to British actress Lesley-Anne Downe in the early 80s. But Friedkin and Lansing would remain married for thirty-two years until his death from heart failure and pneumonia this past Tuesday. I remember when Rampage was supposed to come out in 1987. My theatre in Santa Cruz was sent a poster for it about a month before it was supposed to be released. A pixelated image of Reece ran down one side of the poster, while the movie’s tagline and credits down the other. I thought the poster looked amazing, and after the release was cancelled, I took the poster home and hung it on one of the walls in my place at the time. The 1992 poster from Miramax was far blander, basically either a entirely white or an entirely red background, with a teared center revealing the eyes of Reece, which really doesn’t tell you anything about the movie. Like with many of his box office failures, Friedkin would initially be flippant about the film, although in the years preceding his death, he would acknowledge the film was decent enough despite all of its post-production problems. I’d love to be able to suggest to you to watch Rampage as soon as you can, but as of August 2023, one can only rent or buy the film from Amazon, $5.89 for a two day rental or $14.99 to purchase. It is not available on any other streaming service as of the writing and recording of this episode. Thank you for joining us. We’ll talk again soon, when I expect to release the fourth part of the Miramax miniseries, unless something unexpected happens in the near future. Remember to visit this episode’s page on our website, The80sMoviePodcast.com, for extra materials about Rampage and the career of William Friedkin. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

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