Podcasts about Ballet

In episode 367 of The Physical Performance Show, sports physiotherapist Sue Mayes shares her expertise in foot and ankle injury management. With over 30 years of experience leading physiotherapy at the Australian Ballet and now a senior lecturer at La Trobe University, Sue provides groundbreaking insights into injury prevention and rehabilitation. Sue discusses her innovative research on ballet dancers and athletes, highlighting the importance of calf strength, strategic exercise implementation, and challenging traditional approaches to stretching. She reveals how implementing targeted calf raises reduced injury rates in professional dancers, and explains why prolonged stretching can be counterproductive. This episode offers a masterclass in foot and ankle assessment. Her practical advice spans from managing bone stress injuries to developing comprehensive rehabilitation strategies that support athletes' long-term performance and recovery.

In Part 2 of our two-part interview with physical therapist Erika Mayall, we explore how ballet schools are supporting dancer health—and where they still fall short. Erika offers practical advice for dancers and families without access to dance-specific care, busts common ballet injury myths, and shares her favorite recovery tools and daily habits for long-term wellness. She also discusses how to recognize genuine wellness support versus “checking the box” in schools and what one key change could improve injury prevention across ballet training. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In Part 1 of our two-part interview with physical therapist Erika Mayall of Allegro Performance and Wellness, we dive into why ballet dancers need specialized care from providers who truly understand the unique demands ballet puts on the body. Erika shares her journey into working with dancers, how injury prevention differs for ballet artists, common misdiagnoses, and early warning signs dancers and parents should watch for. She also offers guidance on choosing the right specialist and how dancers can advocate for themselves in healthcare settings. Stay tuned for Part 2, where Erika discusses dancer wellness in schools, recovery tools, and long-term health habits. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Join us around the Rosin Box for our annual listener-contributed "Ask the Dancers" episode. Our intrepid hosts Claire and Aarón and special guest Corps de Ballet Member Lars Nelson answer your questions about rehearsal wear, dancing with Artist in Residence Alexei Ratmansky, remembering steps, and more—including, "Explain dogs at New York City Ballet." (39:06) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

“No Kings” rallies across Sacramento and surrounding counties. Also, the California Legislature passed a $325 billion budget, but faces challenges as it heads to Gov. Newsom's desk. Finally, an Alice in Wonderland ballet in Nevada County. ‘No Kings' Rallies Across Sacramento

In this special episode, we welcome back our co-host Yelena from maternity leave as she opens up about her experience with pregnancy and postpartum recovery as an adult ballet dancer & teacher. From the unique challenges of dancing while expecting to how ballet impacted her strength and body awareness for childbirth, Yelena shares an honest look at navigating this major life transition through the lens of a dancer. Whether you're a mom, planning to be one, or just curious, this candid conversation is a powerful reminder of just how incredible ballet can be —not just as an art form, but as a lifelong support system.Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Ballet and Shakespeare doesn't always make it cultured.The Love Boat Season 3 Episode 4 Thanks for listening!Instagram - @LoveBoatProjectFacebook - The Love Boat ProjectEmail us - TheLoveBoatProject@gmail.comYouTube - The Love Boat Project

How often do we get to the end of a season, a recital or a competition and instead of taking time to reflect and celebrate how far we have come, we race to the next task on our to-do list? Rhee and Stacey feel guilty of this too! In today's episode they talk about the importance of taking time to celebrate, every step of the journey. Thanks to JackRabbit Dance for their support of the podcast, learn more at Jackrabbitdance.comSee omnystudio.com/listener for privacy information.

In a new audio documentary, discover the behind the scenes moments of the ballet “Red Carpet” by Hofesh Shechter, conceived specifically for the Palais Garnier stage and the Paris Opera Ballet dancers.The new creation of the globally-renowned choreographer brings together thirteen dancers for a unique performance, accompanied by a live band in an evolving mise-en-scène evoking a dark cabaret atmosphere Ever committed to contemporary creation and dance, CHANEL imagined thirteen stage costumes inspired by the world of evening-wear for the dancers of the Paris Opera Ballet, continuing to strengthen the ties forged between the House and this institution since 2018, of which CHANEL is Grand Patron.The first performances of “Red Carpet” take place at the Palais Garnier in Paris from June 10th to July 14th 2025, before touring the USA in October 2025.Conversation led by Alix Van Pée. Listen to the podcast now at chanel.com(00:00) Introduction (01:06) Hofesh Shechter presents his dance piece and the questions it raises (5:50) Meeting and working with dancers from the Paris Opera (7:38) Hofesh Shechter's relationship with fashion and his collaboration with CHANEL (17:15) The role of music and its influences (21:51) Mixing art forms (23:12) Hofesh Shechter's vision of dance

The latest in entertainment and current events with the actual and factual Kim SmithFull BET awards recap to begin the showCoco Gauff wins French Open with criticism from her opponent. 0700Misty Copeland retires 0800Eddie Murphys Son and Martin Lawrences daughter elope 1100Does jayZ take care of his siblings 1400Brian McKnight dishonors son even in death 1800Sly stone/Ananda Lewis pass away 2200Trump and his political antics 3100UBER Boycott 4400Tom Thibbodeau fired 5500Zion Williamson caused of raped 5700Wendy Williams ex to tell alll with Gayle King 10100Kims Korner Offset request spousal support from Cardi B 109Don't give a man a chance who has chased you for years 11700

Jennifer Hart - Hailed as a choreographer “with an imagination so exuberant that one could not be sure how one movement led to the next” and “not only inventive but heart-rending,” Jennifer Hart has been commissioned by Ballet Austin, Ballet Austin ll, Ballet Nouveau Colorado (now Wonderbound), James Sewell Ballet, Minnesota Dance Theater, The Walker Art Center's Momentum Series, The McKnight Fellowship for Dancers, Metropolitan Ballet Project, University of Kansas, University of Massachusetts, Lawrence Ballet Theatre, Halcyon Dance Project in San Francisco, and Merick Strategies for its production of Leonard Bernstein's “Mass” and “Icons of Broadway Holiday Spectacular.” In July, 2022, Hart was one of four choreographers selected for National Choreographers Initiative.In 2011, Hart was awarded a New York City Ballet Fellowship and won third place at the Saint-Sauveur International Choreography Competition. She received second place at Ballet Nouveau Colorado's choreography competition, and was one of three winners of the University of Kansas' competitive choreography competition. She was chosen three times to present work at Ballet Builders, New Choreographer's on Point in NYC. She was commissioned by University of Massachusetts in the fall of 2013; the work was chosen for the National College Dance Festival at the Kennedy Center, June 2014. In 2024, she was a finalist in the Palm Desert Choreography Festival.In 2014, she formed Performa/Dance with Ballet Austin dancer Edward Carr. Performa/Dance launched its inaugural show. Ignite: Three Works, in June, 2014. Her work for Performa/Dance was awarded four Austin Critic's Table awards for Best Short Work (“On Truth and Love”and "Camille: A Story of Art and Love"), Best Choreographer  ("Fellow Travelers" and “Murmuration"), and Best Dance Concert (Ignite: Three Works). Along with her work in concert dance, she has choreographed and performed cabaret shorts for nightclubs and television, and has begun working in video. She recently choreographed and co-directed the epic Bernstein's Mass, a work involving 300 performers.She trained at Minnesota Dance Theatre, Pacific Northwest Ballet and San Francisco Ballet. Her performing career includes Minnesota Dance Theater, Ballet of the Dolls, and L.A Chamber Ballet, as well as independent choreographers. She choreographs for Ballet Austin's apprentices and Fellowship recipients, teaches full-time in the academy and apprentice program, and serves as Curriculum Supervisor of the school where she sets syllabus and leads training for academy teachers.

Considering full-time or summer training at Louisville Ballet? Artistic Director Mikelle Bruzina and School Director Christy Corbitt Krieger explain how the school is structured, what the studio company experience involves, and how dancers transition into professional careers. They also share insights on tuition, housing, casting, and how dancers are recruited. This episode offers a clear, behind-the-scenes look for dancers and families exploring the path through Louisville Ballet. Learn more about Louisville Ballet's training options on their website Read and submit reviews for Louisville Ballet School More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Continuing our mini-series The Art & Impact of Ballet Teaching, I'm joined by someone who has long inspired me with her grace, wisdom, and deep love of the art form—Jane Inglis-Keen. ___ Join the Balanced Ballerinas EXCLUSIVE Teachers Facebook Group here: https://www.facebook.com/groups/balancedballerinasteachers My Instagram! @thebalancedballerina Community Instagram! @balancedballerinas Facebook - Balanced Ballerinas And join the SECRET Facebook group here: https://www.facebook.com/groups/balancedballerinas/ Join the Balanced Ballerinas FREE 5 Day Challenge here: www.balancedballerinas.com/challenge Prenatal, healing or beginner ballet student? This course was designed for you: https://www.balancedballerinas.com/butterballet My Signature 12 Week Adult Ballet Course: https://www.balancedballerinas.com/12weekadultballetcourse The Marketing Blueprint For Dance Teachers & Studio Owners: https://www.balancedballerinas.com/TMB

A third-generation ballet dancer, Jared Redick spent over two decades as a soloist with world-class companies like Boston Ballet and Miami City Ballet. Now Assistant Dean and professor at UNCSA, he directs productions, leads diversity initiatives, and mentors the next generation. His expertise spans from classical and contemporary repertoire to arts administration and innovative education, making him an engaging guest on topics of artistry, leadership, and innovation.   https://www.instagram.com/jared_redick/ https://www.linkedin.com/in/jared-redick/

Jennifer Lin's documentary about George Lee, who went from ballet student/refugee in Shanghai to the NYC Ballet, is now airing on PBS American Masters. Here's Jennifer talking about the film from late last year.

Pippa Hudson speaks to Cape Town City Ballet’s principal dancer Kirstél Paterson, who will be dancing Odette/Odile in Swan Lake as part of a collaboration with Joburg Ballet. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Breakfast with Martin Bester spoke to Mzansi Ballet about their two upcoming shows, 'Carmen' and 'Fusion of Favourites', running concurrently at Montecasino.

Hosts Claire and Aarón are back at the Rosin Box, joined this week by Principal Dancers Tiler Peck and Roman Mejia to talk about the relationship between choreographer and dancer in the creation of new works—especially in the case of Tiler's Concerto for Two Pianos from 2024, which featured Roman. As they share, the process is like a conversation between artists on both sides of the studio and relies heavily on trust. Tiler highlights the necessary balance between celebrating individual dancers' strengths with making a timeless work, while Roman describes feeling deeply invested in the success of her ballet's premiere. (34:11)  Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

My guest for Episode #312 of the My Favorite Mistake podcast is Jared Redick, a third-generation ballet dancer, choreographer, and award-winning educator. Episode page with links and more Jared is a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts. He has performed with renowned companies including the Boston Ballet and Miami City Ballet, and now shapes the next generation of dancers through his leadership, coaching, and innovation in arts education. In our conversation, Jared shares his favorite mistake—one that unfolded during the height of the COVID-19 pandemic while producing a filmed version of The Nutcracker. A critical planning misstep nearly derailed the production when sets weren't ready for a pivotal weekend of shooting. Facing immense time pressure and logistical complexity, Jared and his team were able to regroup, adapt the schedule, and ultimately find a better way forward. The experience became a lesson in flexibility, communication, and leading with calm under pressure. Jared also reflects on his transition from performer to educator, how he defines effective leadership, and what it means to embrace vulnerability in pursuit of growth. We explore how his equity-focused curriculum changes are reshaping the world of ballet and how earning an MBA is helping him integrate business thinking into the arts. Throughout the episode, Jared's humility, clarity, and passion for mentorship shine through. Questions and Topics: What's your favorite mistake, and what happened during the COVID-era Nutcracker production? How did you lead your team through the anxiety of that situation and find a solution? Was the missed set deadline more of a communication issue or a planning breakdown? Were there lasting lessons from that project that apply to future productions? Was anyone blamed or punished for the mistake—or was it handled differently? What role does leadership play in preventing or responding to these types of issues? What stage of the pandemic were you in when filming The Nutcracker? Were dancers masked? Can you tell us more about your personal path into dance and your early training? How does the transition from high school conservatory to professional ballet typically work? How did you navigate your own transition from performing to teaching and leadership? As a performer, how did you deal with the possibility—or reality—of making mistakes on stage? How do performers balance self-assessment with celebrating what went well? Did you regularly receive feedback or review recordings of your performances? How has your leadership style evolved as an assistant dean and teacher? What are “equity-focused curriculum updates,” and how are they changing ballet education? What are some challenges in making ballet more inclusive and accessible? How does bias in dance differ from other performing arts like music? What has been most eye-opening in your MBA program coming from an arts background? How do business tools like project management software support the arts? What does “embracing vulnerability” mean to you, and how does it relate to learning from mistakes?

OOPS! Due to an editing mistake, I had to reupload the file. Again. My guest for Episode #312 of the My Favorite Mistake podcast is Jared Redick, a third-generation ballet dancer, choreographer, and award-winning educator. Episode page with links and more Jared is a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts. He has performed with renowned companies including the Boston Ballet and Miami City Ballet, and now shapes the next generation of dancers through his leadership, coaching, and innovation in arts education. In our conversation, Jared shares his favorite mistake—one that unfolded during the height of the COVID-19 pandemic while producing a filmed version of The Nutcracker. A critical planning misstep nearly derailed the production when sets weren't ready for a pivotal weekend of shooting. Facing immense time pressure and logistical complexity, Jared and his team were able to regroup, adapt the schedule, and ultimately find a better way forward. The experience became a lesson in flexibility, communication, and leading with calm under pressure. Jared also reflects on his transition from performer to educator, how he defines effective leadership, and what it means to embrace vulnerability in pursuit of growth. We explore how his equity-focused curriculum changes are reshaping the world of ballet and how earning an MBA is helping him integrate business thinking into the arts. Throughout the episode, Jared's humility, clarity, and passion for mentorship shine through. Questions and Topics: What's your favorite mistake, and what happened during the COVID-era Nutcracker production? How did you lead your team through the anxiety of that situation and find a solution? Was the missed set deadline more of a communication issue or a planning breakdown? Were there lasting lessons from that project that apply to future productions? Was anyone blamed or punished for the mistake—or was it handled differently? What role does leadership play in preventing or responding to these types of issues? What stage of the pandemic were you in when filming The Nutcracker? Were dancers masked? Can you tell us more about your personal path into dance and your early training? How does the transition from high school conservatory to professional ballet typically work? How did you navigate your own transition from performing to teaching and leadership? As a performer, how did you deal with the possibility—or reality—of making mistakes on stage? How do performers balance self-assessment with celebrating what went well? Did you regularly receive feedback or review recordings of your performances? How has your leadership style evolved as an assistant dean and teacher? What are “equity-focused curriculum updates,” and how are they changing ballet education? What are some challenges in making ballet more inclusive and accessible? How does bias in dance differ from other performing arts like music? What has been most eye-opening in your MBA program coming from an arts background? How do business tools like project management software support the arts? What does “embracing vulnerability” mean to you, and how does it relate to learning from mistakes?

Ana de Armas takes center stage in "Ballerina," expanding the John Wick universe through the story of a vengeful assassin trained from childhood who returns to kill those responsible for her father's murder.• Ballerina fits seamlessly into the John Wick universe, taking place between John Wick 3 and 4• Ana de Armas brings a unique fighting style focused on explosives and grenades rather than John Wick's signature gun-fu• The film serves as an origin story, showing how Eve develops from a slightly inexperienced assassin to a formidable force• Keanu Reeves makes several appearances as John Wick, though these sometimes overshadow the main character's development• The gun shop tunnel sequence stands out as one of the most impressive action scenes in the film• The third act features an innovative fight with flamethrowers that demonstrates the character applying lessons from her training• The movie ends with a cliffhanger setting up potential sequels, with Eve receiving a bounty on her head• New characters are introduced who could become franchise staples, particularly the gun shop owner• Ballet training serves as the foundation for assassination skills, emphasizing the discipline and physical demands of both worlds• While the action choreography impresses, the plot remains relatively simple with a straightforward revenge narrativeIf you enjoyed this expansion of the John Wick universe, keep an eye out for upcoming installments including John Wick 5, the prequel series The Continental on Peacock, and potential sequels to Ballerina.

Is "flat" turnout really necessary as an adult dancer? Is it even possible to improve my turnout? If you've asked yourself these questions, this episode is for you! We're joined by ballet teacher and Geeky Ballerina founder, Chelsea Weidmann, to discuss the history of turnout in ballet, why it's not as essential as many adult dancers believe, and how to improve your turnout safely and effectively. This episode offers practical tips, myth-busting insights, and encouragement for every adult ballet dancer. Learn how to work with your body, instead of against it, and dance with more freedom in the studio. Grab your coffee and let's get into it!Connect with Chelsea:www.geekyballerina.comInstagram: @geekyballerinaBox Split tutorial on YouTubeFollow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

5 years after first recorded, we're rereleasing this episode of our first dance flavoured mini series - Ballet for the 21st Century. We've chosen to revisit the last ep in that series, Boys Dance Too, because having just discussed the film Billy Elliot we thought it was worth digging into some themes that came up in more depth.This episode has been shortened from its original length...--------------------Why is the bullying of boys who want to take ballet so persistent? Emma Lister seeks to answer this question and why their love of dance is often defended with the usual football comparison/"real men lift women" trope. In the final episode of of our mini-series, Ballet for the Twenty-first Century, we'll open up topics such as: body image, casting, role models, gendered ballet technique, The Billy Elliot Effect and homophobia.Special guests: Denzil Bailey, Richard Bermange, James Forbat, Matthew Paluch and Mark Samaras.REFERENCES:M. Paluch. (2019). There's an elephant in the room and it's gay.... Dancing Times. October 2019, p29-31. www.dancing-times.co.ukThis mini-series  has been made possible by a grant  using public funding by the National Lottery through Arts Council England.

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODEhttps://www.patreon.com/animpossiblewayoflifeNilsson month continues and we are joined again by IWOL three timer's club member Johanna Samuels to discuss Harry Nilsson's "Ariel Ballet". This is the second of Harry's trapeze-like vocal showcase albums for RCA and, with the inclusion of "Everybody's Talkin'", the one that really made him a star. 

Robots fighting: https://www.youtube.com/watch?v=rdkwjs_g83wMain Podcast: https://open.spotify.com/show/3XrpDnpUiC6vpsAsceXmzZ?si=t3wxnz99TeiP9kTifz4TbwTwitter: https://twitter.com/AntiWokePodcastYoutube: https://www.youtube.com/@antiwokepodcast8381/featuredTik Tok: https://www.tiktok.com/@anti_woke_podcast

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.

The Nazi threat emerges from Germany 1933 and shatters the small town life in Krasnik south of Lublin in eastern Poland. The teenager Mischa Stahlhammer manages to escape from a German work camp and joins Polish partisans. He survives by becoming a specialist in arming and disarming mines, the most dangerous of all missions. After the war he ends up in Sweden, meets Sonja, who also lost her family and youth in German concentration camps. Their son Semmy, born in Eskilstuna, tells the story of what a boy, his family and friends had to live through in Poland before, during and after the Second World War, and how love gives him back the will to live – and the strength to create a new life in a foreign land. Semmy Stahlhammer was First Concertmaster at the Stockholm Royal Opera and Ballet for 25 years, and Artistic Director of Chamber Music at Stockholm Grand Hotel, and of the music festival in San Giovanni in Tuscany, Italy. He is now leader of Stahlhammer Klezmer Classic. In his violin ateljé in Stockholm he restores/repairs string instruments. Codename Barber is translated into Swedish, German, Russian, Hebrew and Chinese. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Nazi threat emerges from Germany 1933 and shatters the small town life in Krasnik south of Lublin in eastern Poland. The teenager Mischa Stahlhammer manages to escape from a German work camp and joins Polish partisans. He survives by becoming a specialist in arming and disarming mines, the most dangerous of all missions. After the war he ends up in Sweden, meets Sonja, who also lost her family and youth in German concentration camps. Their son Semmy, born in Eskilstuna, tells the story of what a boy, his family and friends had to live through in Poland before, during and after the Second World War, and how love gives him back the will to live – and the strength to create a new life in a foreign land. Semmy Stahlhammer was First Concertmaster at the Stockholm Royal Opera and Ballet for 25 years, and Artistic Director of Chamber Music at Stockholm Grand Hotel, and of the music festival in San Giovanni in Tuscany, Italy. He is now leader of Stahlhammer Klezmer Classic. In his violin ateljé in Stockholm he restores/repairs string instruments. Codename Barber is translated into Swedish, German, Russian, Hebrew and Chinese. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The Nazi threat emerges from Germany 1933 and shatters the small town life in Krasnik south of Lublin in eastern Poland. The teenager Mischa Stahlhammer manages to escape from a German work camp and joins Polish partisans. He survives by becoming a specialist in arming and disarming mines, the most dangerous of all missions. After the war he ends up in Sweden, meets Sonja, who also lost her family and youth in German concentration camps. Their son Semmy, born in Eskilstuna, tells the story of what a boy, his family and friends had to live through in Poland before, during and after the Second World War, and how love gives him back the will to live – and the strength to create a new life in a foreign land. Semmy Stahlhammer was First Concertmaster at the Stockholm Royal Opera and Ballet for 25 years, and Artistic Director of Chamber Music at Stockholm Grand Hotel, and of the music festival in San Giovanni in Tuscany, Italy. He is now leader of Stahlhammer Klezmer Classic. In his violin ateljé in Stockholm he restores/repairs string instruments. Codename Barber is translated into Swedish, German, Russian, Hebrew and Chinese. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The Nazi threat emerges from Germany 1933 and shatters the small town life in Krasnik south of Lublin in eastern Poland. The teenager Mischa Stahlhammer manages to escape from a German work camp and joins Polish partisans. He survives by becoming a specialist in arming and disarming mines, the most dangerous of all missions. After the war he ends up in Sweden, meets Sonja, who also lost her family and youth in German concentration camps. Their son Semmy, born in Eskilstuna, tells the story of what a boy, his family and friends had to live through in Poland before, during and after the Second World War, and how love gives him back the will to live – and the strength to create a new life in a foreign land. Semmy Stahlhammer was First Concertmaster at the Stockholm Royal Opera and Ballet for 25 years, and Artistic Director of Chamber Music at Stockholm Grand Hotel, and of the music festival in San Giovanni in Tuscany, Italy. He is now leader of Stahlhammer Klezmer Classic. In his violin ateljé in Stockholm he restores/repairs string instruments. Codename Barber is translated into Swedish, German, Russian, Hebrew and Chinese. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Guests - IDA JudgesHosted By - Courtney Ortiz and Lesley MealorIn Episode 230 of Making The Impact - A Dance Competition Podcast, we invited our IDA judges to chime in with their takeaways from the 2025 competition season. These judges have seen it all, from coast to coast, and this season did not disappoint! Topics Include: What your judges LOVED seeing on stage this season Headsprings - the go-to skill of 2025 Pirouette technique and executionCompetition etiquette - before and after the event  Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your HostsCourtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceThis episode is sponsored by:Dance Teacher Web Conference and ExpoThis summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off!Squirrel Trench AudioStage-ready soundtracks for ChoreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Hosted By - Courtney Ortiz and Lesley MealorSeason 6 of Making The Impact - A Dance Competition Podcast is a wrap! We have had such a wonderful year discussing some unique and important topics in the dance industry, and we're excited to reminisce, but also give you a sneak peek at season 7!Topics Include: Favorite episodes of season 6 Info on summer bonus episodes What's new for season 7Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

In this episode of Learning Matters, host Doug Wooldridge sits down with Liz Bruno, former Chief Learning Officer at Baptist Health and a powerhouse in the L&D world. From her early days as a professional ballet dancer to leading system-wide training programs in healthcare, Liz shares her journey—and the bold mindset that's guided her along the way.

I've always done my best to support my MANY friends in our robust performing arts community. But much of what they do just isn't my playground, so that leads to A LOT of question for Zak Vassar President and CEO of TAPA. The Symphony? That's them. Ballet? Probably them. Nutcracker? Definitely TAPA. What's to come with their new building, what Zak is most proud of during his stewardship and my middle school music teacher/nemesis Mr. Leach. See omnystudio.com/listener for privacy information.

Former San Francisco Ballet soloist Madison Keesler shares the twists and turns of her ballet path—from falling in love with dance to navigating career pivots and returning to SFB more than once. She talks about leaving at the height of her career, what she's up to now in New York, and the launch of Pointe of View, her new consulting business for dancers. Plus, she offers thoughtful advice for students hoping to go pro. You can find Madison on Instagram: @madisonkeesler or on her website Interested in working with Madison? Book a free consultation. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

This week on The Balanced Ballerinas Podcast, I'm honoured to share a conversation with the legendary Lynne Charles as we launch our new mini-series, The Art & Impact of Ballet Teaching. Lynne's career is nothing short of extraordinary—dancing with American Ballet Theatre, London Festival Ballet, and as a principal with Hamburg Ballet and Deutsche Oper Ballet. But it's the teacher she's become that truly inspired this episode. _____ Join the Balanced Ballerinas EXCLUSIVE Teachers Facebook Group here: https://www.facebook.com/groups/balancedballerinasteachers My Instagram! @thebalancedballerina Community Instagram! @balancedballerinas Facebook - Balanced Ballerinas And join the SECRET Facebook group here: https://www.facebook.com/groups/balancedballerinas/ Join the Balanced Ballerinas FREE 5 Day Challenge here: www.balancedballerinas.com/challenge Prenatal, healing or beginner ballet student? This course was designed for you: https://www.balancedballerinas.com/butterballet My Signature 12 Week Adult Ballet Course: https://www.balancedballerinas.com/12weekadultballetcourse The Marketing Blueprint For Dance Teachers & Studio Owners: https://www.balancedballerinas.com/TMB

In this inspiring episode, former New York City Ballet dancer Ari Bliss shares her transformative journey from professional ballet to becoming a mindset coach and podcast host. Ari opens up about her early passion for dance, the challenges of a rigorous ballet career, and her courageous decision to pivot towards personal growth and mentoring. She provides valuable insights for dancers, parents, and anyone navigating career transitions, emphasizing the importance of mental health, self-respect, and finding joy in personal development. Through her unique perspective, Ari reveals how the discipline of dance can be a powerful foundation for life's broader challenges and opportunities. Connect with Ari: X - https://x.com/blueblisscoach?s=21&t=bfDTtlYSLteK6bMnVBRo8A Instagram - https://www.instagram.com/growthandgracemindset?igsh=MTRxN2NtZ3d5b3Zubw%3D%3D&utm_source=qrPodcast - Growth Grace Gratitude Podcast https://open.spotify.com/episode/3dOLkNaGhkERsW0hTL1KD1?si=zTPpMeCKRJSYQk8EIGDMKgYouTube - https://youtube.com/shorts/v5dlr7yyEr4?si=0yDegFu6nEiuc-OzWebsite - https://blueblisscoach.wixsite.com/website Connect with Kim: EFT Tapping Booster Session - https://courses.kimkeane.com/courses/tapping-booster-sessionFree Emotional Detox Workbook - https://courses.kimkeane.com/f/emotional-detox-workbookFree Everyday Spirituality Handbook - https://courses.kimkeane.com/f/everyday-spirituality-handbookInstagram - https://www.instagram.com/kimvkeane/Facebook - https://www.facebook.com/kimvkeaneYouTube - https://www.youtube.com/@kimvkeaneEmail - kim@kimkeane.com If you found this episode helpful, please take a moment to leave a review and tell your friends about it. If you have a question or need help, please don't hesitate to reach out! 

In this episode Eric interviews Nadine Kaslow from Emory University and Grady Memorial Hospital in Atlanta, GA. Nadine discusses her work schedule, including her teaching responsibilities, research, and administrative duties. She also shares her strategies for balancing an extensive workload, highlighting the importance of efficiency, good systems, and collaborative teamwork. The conversation delves into her approach to self-care, the impact of COVID-19 on her professional and personal practices, and her thoughts on the future challenges and opportunities for the field of psychology. She reflects on her experiences growing up with a psychologist mother, her academic journey, and her tenure as President of the American Psychological Association. The discussion concludes with valuable advice for students and professionals on the importance of following one's passions and maintaining a sense of meaning and purpose in their work. [Note. Portions of the show notes were generated by Descript AI.]

Today's guest is Katherine Lawrence, Principal Faculty with Ballet West's pre-professional training program. A native of Fairfield, Connecticut, she trained atConnecticut Dance School and The Harid Conservatory, where she graduated as Valedictorian in 1998. She performed with The Hartford Ballet for a year before joining Ballet Internationale in 1999. In 2004, she joined Ballet West, retiring as a Principal Artist in May 2021. She holds a Bachelor's of Fine Arts in Ballet with a Teaching Emphasis from the University of Utah.In our conversation, Katherine shares about cultivating a positive environment, embracing what makes you uncomfortable, and making decisions to support being a well-rounded dancer.Learn more about Katherine and Ballet West - including their summer program: https://www.academy.balletwest.org/summer.You can learn more about dance education and career planning for dancers at theballerinatist.com.

En esta edición de Chequia en 30': descubrimos la nueva exposición sobre Jiří Trnka | Novedades en economía | Conversamos con el fundador del Ballet Flamenco Sergio González.

Alma Deutscher, often described as a modern-day Mozart, was a prodigy whose early accomplishments include composing a piano sonata at age six, a short opera at seven, a violin concerto at nine, and her first full-length opera at ten. At twelve, she was profiled on 60 Minutes, and in 2021 began conducting studies in Vienna with Johannes Wildner. Now 20, Alma has just written her first ballet score—a collaboration with Lincoln Jones, founder and director of American Contemporary Ballet (ACB) in Los Angeles. Lincoln joined me on the podcast just over two years ago, offering unique insights into the complexities of running a dance company and the profound art of dance itself. In this episode, Lincoln and Alma discuss their new ballet, The Euterpides, inspired by Euterpe, the ancient Greek Muse of Music. This piece follows the Muse's goddess daughters as they descend to dance with a mortal, exploring the age-old connection between inspiration and craft. We recorded this conversation on Memorial Day to get it out ahead of the ballet's world premiere, which runs June 5–28 in Los Angeles. If you're local (or can make the trip!), you'll also hear about an audience support campaign, offering a rare chance for the public to get involved in bringing this ballet to life. GUEST BIO Alma Deutscher has composed a number of acclaimed orchestral works, including a full-length opera, by the age of 10. Her music has been performed at Carnegie Hall and the Vienna State Opera. She's earned the admiration of classical music luminaries like Zubin Mehta, who called her “one of the greatest musical talents of today.” Lincoln Jones is the founder, director, and principal choreographer of the American Contemporary Ballet in Los Angeles. Their collaboration, The Euterpides, premieres on June 5. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING

The Rosin Box is back with hosts Claire Kretzschmar and Soloist Aarón Sanz delivering insiders' insights into the lives and times of today's NYCB dancers. This week they're joined by Principal Dancer Megan Fairchild, who will be retiring next spring, and Corps de Ballet Member Dominika Afanasenkov, who joined the company just over two years ago. They share what it's like to take center stage, from the nerves and coaching that accompanied their earliest lead roles to taking on a "diva" persona—and the one word that marked a turning point for Megan. (37:47) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

What happens when life throws you a curveball and you meet it with resilience and a little bit of ballet? In this episode, we're joined by Natalie, who discovered her passion for ballet after being diagnosed with a rare brain tumor that required her to give up surfing. We talk about the joy (and challenges) of starting ballet as an adult, the power of dance to bring purpose to our lives, and how she's learned to embrace challenges, both on and off the dance floor. Whether you're an adult ballet dancer, curious about starting ballet, or just need a dose of inspiration, this episode is for you. So grab your coffee and let's get into it!Connect with Natalie on Instagram @natty_walsh_da_silvaFollow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Owning a studio an teaching dance is so much more than just what happens down the floor. We have a great responsibility for mentoring, leading and teaching young dancers to be active contributors to their communities and our world. Today Rhee and Stacey unpack the importance of these 3 roles and how they see them changing over the past 50 years. Big thanks to Jackrabbit for supporting Rhee Gold's DanceLife podcast. You can learn more at Jackrabbitdance.comSee omnystudio.com/listener for privacy information.

Russians remember the longtime artistic director of the Bolshoi Ballet, who died recently. Yuri Grigorovich held the position for the last three decades of the Soviet Union and staged productions that were wildly popular at home and projected soft power overseas. And in Nepal, people have complained of monkey's stealing food from their property for years. Now, the government is holding its first-ever monkey census to understand exactly how bad the problem is.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Join "Dance Talk” ® with Joanne Carey and special guest Lloyd MayorIn this episode of "Dance Talk” ® , host Joanne Carey speaks with Lloyd Mayor, director of the Clive Barnes Foundation, about his journey in the dance world, the influence of Martha Graham, and the importance of resilience in the performing arts. They discuss the role of the Clive Barnes Foundation in supporting emerging talent, the future of dance and theater, and the significance of movement as a form of therapy. Lloyd shares insights on navigating the dance industry, the challenges faced by dancers, and offers advice for aspiring artists.LLoyd Mayor is of Swiss and British nationality and was born in Geneva, Switzerland, and trained at the Rambert School of Ballet and Contemporary Dance in London. After entering the Martha Graham School with a full scholarship, he joined the Martha Graham Dance Company as a soloist dancer from 2012 to 2022. Mr. Mayor performed a wide range of lead roles in Martha Graham's repertoire as well as contemporary collaborations with Pam Tanowitz, Nacho Duato, Andonis Foniadakis, and Richard Move's “The Show (Achilles Heels),” first danced by Mikhail Baryshnikov. For the Martha Graham Company's 90th anniversary in April 2016, Mr. Mayor danced with former Étoile and former artistic director of the Paris Opera Ballet, Aurélie Dupont. Mr. Mayor also continues to teach around the world, sharing the knowledge of the Graham Technique. Outside of dance, Mr. Mayor is a vibrant real estate agent with Berkshire Hathaway HomeServices and takes great pride in being a global multilingual and multicultural professional who always puts forward the experience of collaborative effort and being of service to his clients' needs. In 2014, he was honored with the Clive Barnes Dance Award, and is now Director of the Foundation. Lloyd Mayor is passionate about keeping Clive and Valerie Taylor Barnes's legacy alive so that young talent can keep being recognised and celebrated.More about the Clive Barnes Foundationhttps://www.clivebarnesfoundation.org/Tickets to the Annual Awards June 9that the National Arts Club https://www.zeffy.com/en-US/ticketing/15th-annual-award-clive-barnes-ceremony-and-anniversary“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Guest: Peter ChuHosted by Courtney Ortiz & Lesley MealorContemporary dance is a genre that can be hard to define, but what everyone can agree on is that it is one of the most popular styles of dance in the industry. Peter Chu joins us on our final genre spotlight episode of season 6 to discuss the ways contemporary dance has evolved and why it will take ongoing support from the community to allow it to continue. Follow Peter Chu on social media @peterchuthis!Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Dance Teacher Web Conference and Expo This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor  - @miss.lesley.dancePeter Chu - @peterchuthisJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Ballet competitions are more common than ever—but do dancers really need them? In our latest episode of #NoThirds, Fran weighs in on the role competitions play in today's training landscape. He tackles key questions from parents and dancers alike: Are comps essential for landing trainee or second company spots? Do they actually help with long-term career goals? Why are so many schools and companies participating now? What's the real value compared to strong training and company performances? Fran brings his signature clarity and candor to a topic that's often confusing and feels high-stakes. This conversation is packed with insight regardless of whether you're all-in on the comp circuit or don't compete at all. Learn more about Fran and Veyette Virtual Ballet School More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

Rumble chats with Lachlan Monaghan from the Royal Birmingham Ballet about the Upcoming "Black Sabbath - The Ballet" at Chrysler Hall this Weekend (Friday 5-30 and Saturday 5-31)