Podcasts about Ballet

Pippa Hudson speaks to two local dancers who have been recognised at the annual Benois de la Danse, a competition so prestigious that it is sometimes referred to as the Oscars of the ballet world. Mthuthuzeli November and Joshua Williams were both recognised for their work last November in Chapter 2, which the new Cape Ballet Africa performed as part of its inaugural show, SALT. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read, and reflect. The show, presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10 pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69. Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

In this candid conversation, I'm joined by Autumn Klein, a principal dancer and accomplished artist whose career includes performing with Texas Ballet Theater, Oklahoma City Ballet, Ballet Frontier, and Ballet North Texas. Autumn, who is also the co-founder of New Narratives Dance, shares her unconventional journey through the dance world - from overcoming gaps in her classical training, stepping away from dance to attend college, and rising to the rank of principal after returning to her professional ballet career.Key “Pointes” in this Episode

Let's be real, ballet class can get sweaty, smelly, and a little messy — especially when you're juggling adult life and a dance bag full of gear!

Change is hard. Whether it's shifting schedules, moving studios, or letting go of team members, navigating transition can feel like emotional gymnastics—especially for dance educators and studio owners. In this heartfelt and practical episode, Rhee and Stacey dive deep into the discomfort of change and how it often leads to unexpected blessings. They share personal stories—from studio moves to life-altering career shifts—and reflect on what happens when you stop resisting and start trusting your intuition (yes, even when it feels terrifying). If you've ever faced a turning point in your business or life and didn’t know which way to leap, this one’s for you. Key Takeaways: Change is inevitable—and often necessary. What feels like a disruption might be a blessing in disguise. Your intuition knows. Stacey and Rhee explore how those gentle nudges (and sometimes big shoves) lead us exactly where we need to be. Studio shake-ups aren’t always bad. Whether it’s a rent increase or losing a staff member, what feels like a loss may actually be space for growth. Discomfort is part of the process. From packing boxes to difficult conversations, leaning into discomfort is how we evolve. Simplicity can be a powerful goal. Rhee shares how letting go of “bigger is better” has led to more clarity and peace. This Episode is for You If: You’re resisting change in your studio or business A team member or family is leaving and it feels like a catastrophe You’re navigating burnout or big transitions post-pandemic You want to make a big move—but fear is holding you back

Imagine being told you'll live with chronic pain for the rest of your life... and then proving them wrong. In this powerful episode of Heal Yourself with Sarah Dawkins, we're joined by Cheryl Ilov, author, speaker, martial artist, dancer and former chronic pain patient, who shares how she went from debilitating back pain and a grim medical prognosis to dancing, pole fitness and martial arts in her 60's.With over 20 years of experience as a physical therapist, Cheryl integrates science with the art of movement to help others reclaim their health. Her story is a masterclass in self-awareness, courage and the innate power of the body to heal itself, naturally.

In this conversation, Sarah Wroth discusses the current state of the ballet program at Indiana University, addressing concerns about state mandates and program restructuring. She emphasizes the strong support from the community and alumni, clarifies the differences between degree options, and reassures that current students will not be affected by changes. The conversation also highlights the importance of clear communication and the program's commitment to preparing students for successful careers in dance. Learn more about the IU Dance Program on their website Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Join "Dance Talk” ® with Joanne Carey and special guests husband and wife team, Jessica Lopes and Isaac SharrattIn this episode of  "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Jessica Lopes and Isaac Sharratt, a married couple who both dance with the Minnesota Ballet. Joanne met Jessica & Isaac while working together on The Raffaella Ballet in South Bend , Indiana. The couple caught Joanne's eye early on during the rehearsal process standing out in their style of partnering and support of each other.Jessica & Isaac share their individual journeys into the world of ballet, how they met, and the challenges and joys of being a couple in the dance industry. The conversation also touches on the impact of the pandemic on their careers and the intricacies of partnering in dance. Together, Jessica and Isaac discuss the dynamics of their dance partnership, emphasizing the importance of communication, conflict resolution, and personal growth. They reflect on their experience working on the Raffella Ballet . As they transition from performance to choreography, they share insights on embracing change and the realities of a dance career, offering valuable advice for those navigating similar paths.Jessica Lopes was born in Brazil ,trained in 2014 at Escola de Dança Alice Arja, joined Miami City Ballet's Pre-Professional Program in 2016. Returning to Brazil she joined Cia de Ballet do Rio de Janeiro as a Corps de Ballet member. Jessica returned to the states in 2017 and joined Milwaukee Ballet 2 Program where she had the opportunity to perform in ballets such as Michael Pink's Swan Lake and Dracula, excerpts of August Bournonville's “Napoli”, and Bruce Well's “ A Midsummer Night's Dream." In 2019 Jessica joined American Midwest ballet for three seasons, including a digital series during the lockdown where Mrs. Lopes had the pleasure to perform Frank Chavez's “If Only” with her husband, Isaac. Jessica has had the opportunity to work with many renowned choreographers during her training and career . Issac Sharratt began ballet training in Tucson, Arizona, training first at Tucson Regional Ballet and then Ballet Tucson in 2004. He was awarded scholarships to attend several summer intensive programs including; San Francisco Ballet, Pacific Northwest Ballet, Houston Ballet, and Milwaukee Ballet.  At 16 he spent three more years with Ballet Tucson as a company member. He worked closely with ballet superstars John Gardner and Amanda McKerrow, as well as renowned Jeffery Graham Hughs, Pamela Raymond, and Lawrence Peck. He moved from Ballet Tucson in 2008 to join the Milwaukee Ballet II program, spending only one year in the program before being asked into the company. Mr. Sharratt was cast in several world premiere full-length ballets by Michael Pink, doing lead roles in many and playing the title role in Michael Pink's Beauty and the Beast. Over his time in Milwaukee Ballet Mr. Sharratt has had the opportunity to work with many renowned choreographers. Most recently Mr. Sharratt danced with American Midwest Ballet from its 2019-2022 seasons. During the company's digital series Mr. Sharratt was given the opportunity to perform Frank Chaves' “If Only” with his wife, Jessica. Mr. Sharratt is also an aspiring choreographer, having set many pieces on Milwaukee Ballet's second company and main company, as well as having choreographed on Ballet Minnesota in 2017, and various solos for both domestic and international competitions.The Raffaella Ballethttps://raffaellaballet.org/“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Hi friends! I'm so thankful to be back with this community and so thankful to be sharing this special episode! Landry was a client of mine for almost two years and is now a dear friend. In this conversation, we talk about her story with her body and food, struggles of pursuing ballet, finding freedom in Jesus and so much more! It's such a special episode and she is such a special person. I hope you enjoy! GabbiXx

Think watching ballet is just for inspiration? Think again. In this episode, we explore why adult dancers can actually improve their technique, artistry, and understanding just by watching professionals in action — on stage or on screen! Backed by neuroscience, we'll break down how observation fuels progress and why making time to watch ballet might be just as important as time spent in the studio... Grab your coffee (or tea) and let's get into it!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

Andakterna den här veckan tar avstamp i de fem världsreligionerna och har mannen som tema. Idag med Albin Tanke som utgår från sin kristna tro. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:För nästan två tusen år sedan försökte Paulus göra en viktig poäng när han talade till församlingen i Galatien. Om hur trons kraft tränger igenom lagen. Lagen som är viktig och som skyddar, men som inte ger liv såsom tron gör. ”Nu är ingen längre jude eller grek, slav eller fri, man eller kvinna. Alla är ni ett i Kristus Jesus.” står det i Galaterbrevet.På vilket sätt kan detta vara ett försök, utifrån den tidens sammanhang, att öppna för en människosyn större än genus - något som visar på människan som oavsett hur vi identifierar oss är gudalika med okränkbart värde? Att trons kraft kan förändra världen också i synen på varandra – hur vi kan få vara fria i varandras blickar. Hur vi genom relationer kan få växa som de människor vi är – de vi vill vara – och att vår tro kan bära oss vidare i vår utveckling?Text:Gal 3:28-29Musik:Prague's Ballet av Marius Neset med Marius Neset, Leif Ove Andsnes och Louisa TuckProducent:Susanna Némethliv@sverigesradio.se

The dancer who managed to create a career in ballet despite being brought up in a Palestinian refugee camp after fleeing the Syrian war and against fierce opposition from his father.  

This is a rerelease of one of our popular episodes from our series on ballet summer intensives. Wondering how much the RAs see of student antics? More than you think! We're talking with Robert Fulton and Camille Kellems, both professional dancers and also RAs at ballet summer intensives. Get ready for a mix of insider info that's helpful for parents as well as hilarious anecdotes as Robert and Camille let us in on what really goes on behind the scenes. From dorm shenanigans to studio mishaps, they've seen it all and they're here to spill the tea.  Robert and Camille are also the founders of Ballet Scout. You can learn more about what they do on their website. Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

S04E20 - Entretien avec PierrePierre est allé à New York en 2019 pendant 3 mois. Depuis, il s'est rendu dans Big Apple plusieurs fois et il nous en parle aujourd'hui dans le dernier épisode de la saison 4. Merci à lui pour sa participation.Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ever worried you're breaking an unspoken rule in ballet class? You're not alone. In this episode of After Class, we're diving into the most common ballet "faux pas". From standing in the front row to texting during barre, we're sharing the studio slip-up's, fashion mistakes, and technology no-no's to avoid for a successful class. Whether you're new to ballet or returning after a break, this episode will help you navigate class with the confidence of a seasoned dancer. Let's get into it!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

In this special reverse-interview episode of Rhee Gold’s Dance Life Podcast, Stacey takes the spotlight to share her innovative two-semester recital model that’s redefining how her Australian studio operates—and retaining more students than ever. Recording on recital morning (yes, really!), Stacey dives deep into how splitting the season into two 20-week semesters, each ending in a full theatrical performance, has drastically improved student engagement, parent satisfaction, and overall studio retention. From rental costumes and washing lines with kangaroos, to streamlining backstage flow and sidestepping level placement drama—this episode is packed with real, practical strategies.

Desde Lima, Fernando Pinzás presenta Primera secuencia, el debut de su proyecto Ballet Mecánico, donde se cruzan el italo disco, el synth-pop y el punk con mensajes de memoria política y fuerza colectiva.Colaboraciones con Susana Fátima, Laura Rosales y Kat Kathia le dan voz a un álbum que suena tan urgente como bailable.¿Listxs para entrar a esta secuencia?Descubre la entrevista completa en nuestro perfil.*Disponible en video en YouTube y SpotifyEn audio en las otras plataformas  Síguenos en:Instagram: @mixtape_lado_aSpotify: Mixtape: Lado AYouTube : Mixtape Lado AApple Podcast: Mixtape Lado AEnvíen sus comentarios o propuestas de sponsor en nuestro correo:  Mixtapeladoa@gmail.com

Today we focus on the new ski season in Australia and New Zealand, especially the new chairlift in Perisher and ski area extension in Cardrona. Plus could ski ballet be making a comeback? We find out about this iconic sport from the 80s Host Iain Martin was joined by the expert on skiing in Australia and New Zealand, founder of the Snowsbest website, Rachael Oakes-Ash, and the founder of MGG clothing, and the man single-handedly behind the ski ballet revival, Tom Bata.  SHOW NOTES Rachael enjoyed great conditionsat the Australia opening weekend (1:30) Iain skied all five of the UK's indoor snowdomes in May (2:45) Big Sky featured in Episode 235 of The Ski Podcast (3:00) Svalbard featured in Episode 218 of The Ski Podcast (5:00) Listen to Iain's interview with Xavier De Le Rue (7:00) Alex Irwin from 150 Days of Winter reported from the opening weekend in Tignes (8:00) Alex Armand from Tip Top Ski Coaching reported from Les 2 Alpes (9:15) The new AUD26 million chairlift in Perisher (10:45) Listen to Iain's report from Australia in Episode 182 (12:45) The Epic Pass in Australia (15:00) The new 4 day pass in in Australia (17:00 The Thredbo Alpine Coaster (19:30) The Soho ski area in Cardona will make it the largest NZ ski area (21:20) Cardrona is opening a new freestyle training centre (23:20) Mt Dobson and Ohau are for sale (27:00) MGG (Mont Gele Gear) is based in Verbier (28:45) MGG incorporate a Radical Transparency Label (30:45) Take a look at one of the RTL labels (32:00)  What is ‘ski ballet'? (33:30)  Watch MGG's film about ski ballet (34:45) Did Tanner Hall made his start in ski ballet? (35:00) Will ski ballet ever come back into the mainstream (40:00) Feedback (41:30) I love to hear what you think about the show – what you like, or don't like – just leave me a comment on Spotify or Instagram and Facebook – our handle is @theskipodcast – or drop me an email to theskipodcast@gmail.com  skiiingPostie (on Episode 249): “I get people's apprehension (about starting skiing)…I started learning at 47 and the main thing I was worried about was hurting myself or others” Alex: “I've recently got into listening to your podcast and am really enjoying all the skiing chat.”  There are now 262 episodes of The Ski Podcast to catch up with and 229 of those were listened to in the last week. Go to theskipodcast.com and have a look around our back catalog - you're bound to find something of interest. You can also follow us on WhatsApp for exclusive material released ahead of the podcast. 

 Miriam Landis trained at the School of American Ballet, danced with Miami City Ballet, and now teaches at Pacific Northwest Ballet, all experiences that informed her work as the author of three young adult novels set in the ballet world. In this episode, she talks about the reality of the professional ballet path, the emotional and practical sides of stepping away from performing, and how her cultural background shaped her journey. Miriam also discusses what led her to transition out of ballet, how her training continues to influence her life, and why she keeps returning to ballet as a central theme in her writing. Miriam also offers her thoughts on the current challenges in ballet training, the need for change in how dancers are taught, and the generational shift she sees happening in the field. Interested in reading her books? Find them here! Learn more about Miriam on her website More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Louisiana is the only state where students have gotten better at reading since 2019. Officials credit new laws, and now, the final piece is taking effect: holding back third graders who are behind in reading. Education reporter Aubri Juhasz explains how schools are trying to help kids pass the test. Then, she joins WRKF's Karen Henderson to follow up on the state's new third-grade reading law. Four ensembles are gearing up to open the New Orleans Ballet Association's 2025-26 season. Upcoming performances include “Dance Theatre of Harlem,” and “Argentina's Tango After Dark.” Executive director Jenny Hamilton tells us what to expect at the series of performances.The Deep South continues to be left out of the tech industry boom.Yes there are exceptions like Huntsville, Alabama, but states like Missisisppi and Louisiana have not seen nearly as many high paying jobs the tech industry has bought elsewhere.Stephan Bisaha of the Gulf States Newsroom reports on the advantages of being a tech company in Mississippi…and what's holding the state back.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

S04E19 - Le Lincoln CenterLe Lincoln Center for the Performing Arts est l'un des lieux culturels les plus emblématiques de la ville de New York et, plus largement, des États-Unis. Niché au cœur de Manhattan, dans l'Upper West Side, ce vaste complexe dédié aux arts vivants constitue une véritable cité culturelle. Il rassemble en un seul endroit plusieurs institutions artistiques de renommée internationale qui couvrent l'ensemble du spectre des arts du spectacle : musique classique, opéra, théâtre, danse, cinéma, et enseignement artistique.Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send us a text#38: This week on Rise Recover Live we revisit our conversation with Eugene Barnes (he/him). A Baltimore city native, Eugene is a person in long-term recovery and the Volunteer Coordinator for The Phoenix-DFW. Eugene started dancing at 11 years old and immediately fell in love with ballet. At 17, he accepted his first contract with a ballet company and spent 18 years dancing professionally. From his esteemed career as a professional dancer, to later working at a treatment center and then at The Phoenix, Eugene has adapted to many different spaces throughout his life. Tune into the episode to hear more from Eugene!To learn more about Eugene, follow him on Instagram @eugene_cliffer.---------------------------------------------------------------------------------If you or a loved one is experiencing a mental health or substance use related crisis, the following resources can provide immediate help.*If you are experiencing a medical or mental health emergency, please dial 911.- Dial 988 for the SAMSHA Suicide & Crisis Lifeline.  Available 24/7- Text “HOME” to 741-741 for the NAMI Crisis Text Line.  Available 24/7.- Dial 1-800-622-2255 to connect with a nearby treatment center & community resources through the NCADD Hope Line. Available 24/7.- Call or text 1-844-326-5400 for The GSCA CARES Warm Line.  Answered by Certified Addiction Recovery Empowerment Specialists with lived experience of Substance Use Recovery.  Available any day of the year, 8:30am-11pm ESTThis resource was shared by Tiffany: If you are a woman in need of support in the New Hampshire or Massachusetts area, Jasmine Grace is an organization that may be able to help.  You can learn more at their website: https://www.jasminegrace.org/---------------------------------------------------------------------------------Join the Phoenix community & sign up for classes with a single click by downloading The NewForm app! In the app, you can connect with Liz, Bryce and other listeners in The Rise Recover Live Podcast Group. Let us know what you thought about today's episode, and what you'd like to hear in future shows! We can't wait to chat with you there. Learn more about The Phoenix, sign up for classes, or become a volunteer at https://thephoenix.org/ . Find us on Instagram at @riserecoverlive

 At just 11 years old, a young dancer was diagnosed with scoliosis—a condition that progressed rapidly, eventually requiring a 15-level spinal fusion. In this inspiring episode, she shares her journey through bracing and the challenges of adolescence, all while holding onto her dream of dancing. Hear how she reclaimed her strength, rediscovered her rhythm, and now performs on some of the world's biggest stages—with rods in her spine and resilience in her heart.  Support the show

As we shift gears to prepare for the upcoming season, Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan take a moment to reflect on our just-concluded 76th year, from two strikingly unique and unforgettable world premieres—from Resident Choreographer Justin Peck and Artist in Residence Alexei Ratmansky—to the return of cherished repertory works, the invaluable presence of coaches Suzanne Farrell and Merrill Ashley in the rehearsal studios, and much, much more. They celebrate the freedom and boldness the company displayed in notable debuts, well-earned promotions, and bittersweet retirements, and look forward to the new works and multi-faceted performances on the horizon. (39:52) Edited by Emilie Silvestri Music: Capriccio for Piano and Orchestra (1929) by by Igor Stravinsky Symphony No. 3 in D major, Op. 29 (1875) by Peter Ilyitch Tschaikovsky

In this episode of After Class, Hannah shares how she prepared for an adult ballet intensive this summer, and what she did differently from previous years. From mindset shifts to training tweaks, she's breaking down what worked for her and what she recommends to other adult dancer considering an intensive. Whether it's your first intensive or fifth, you'll find helpful tips, honest reflections, and plenty of encouragement in this episode. So grab a cup of coffee and let's get into it!Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

The art of movement is so vital on many levels....On this episode we're in the middle of Emmy campaigning as we look at one of our favourite shows on Prime Video.  It's time for 'Etoile'.Geneviève (Charlotte Gainsbourg) of the Paris Opera Ballet and Jack (Luke Kirby) at the New York City Ballet exchange top dancers in an effort to lure audiences back in the drama series created by Amy Sherman-Palladino and Daniel Palladino.From 'The Marvelous Mrs Maisel' to 'Etoile' the importance of movement and dance is vital to the story being told.  We had the unique pleasure of sitting down with Choreographer Marguerite Derricks to talk about her work on the show and beyond on films like 'Showgirls' and 'Striptease'.'Etoile' is on Prime Video now.

Tula Jane and her Mother in the Wild read "Little Ballet Star" by Adele Geras.You can support us and the author by purchasing your very own copy here: https://amzn.to/460YaaGAs Amazon Influencers we are eligible to earn on qualifying orders.Become a Premium Monthly Subscriber to get* a 20% discount on Requests + Dedications *OPT-IN for EMAILS!* have your child greeted in the other episodes we publish* be invited to attend a monthly livestream Storytime on zoom with Mother in the Wild *OPT-IN for EMAILS! (These have been such beautiful, connective events…a wonderful way for listeners to meet us one-one-one!) Your support means the WORLD to us!)Click on the link below being sure to "opt-in" for emails so we can contact you to learn your children's names, offer you the discount code + send you the zoom link.https://podcasters.spotify.com/pod/show/mother-in-the-wild/subscribeWe appreciate you so much!

Joby Talbot has written music for several of Christopher Wheeldon's ballets including The Winter's Tale, the focus of this podcast, as well as Like Water for Chocolate and Alice's Adventures in Wonderland.  In this podcast Joby talks about how he goes about composing music for a ballet and his ongoing collaboration with Christopher Wheeldon. The Opus Arte label has released all three of these ballets in a box set on both DVD and BluRay; they can also be streamed by going to the Royal Ballet and Opera website.

In episode 367 of The Physical Performance Show, sports physiotherapist Sue Mayes shares her expertise in foot and ankle injury management. With over 30 years of experience leading physiotherapy at the Australian Ballet and now a senior lecturer at La Trobe University, Sue provides groundbreaking insights into injury prevention and rehabilitation. Sue discusses her innovative research on ballet dancers and athletes, highlighting the importance of calf strength, strategic exercise implementation, and challenging traditional approaches to stretching. She reveals how implementing targeted calf raises reduced injury rates in professional dancers, and explains why prolonged stretching can be counterproductive. This episode offers a masterclass in foot and ankle assessment. Her practical advice spans from managing bone stress injuries to developing comprehensive rehabilitation strategies that support athletes' long-term performance and recovery.

Join "Dance Talk” ® with Joanne Carey and special guest Lourdes Lopez, former Artistic Director of Miami City BalletIn this episode of "Dance Talk” ® with Joanne Carey interviews Lourdes Lopez, a prominent figure in the ballet world. They discuss Lourdes's early beginnings in dance, her immigrant experience, and her journey to becoming a principal dancer with the New York City Ballet. Lourdes shares insights on her transition to artistic director at Miami City Ballet, the importance of diverse repertory, and her vision for the future of the performing arts. The conversation highlights the profound impact of dance as a soul's journey as well as the challenges and opportunities facing the arts today.Lourdes Lopez was named one of The Most Influential People in Dance Today by Dance Magazine, became Artistic Director of Miami City Ballet in 2012, bringing with her a nearly 40-year career in dance, television, teaching and arts management. As a Soloist and Principal Dancer with New York City Ballet, Lopez danced for two legends of the art form, George Balanchine and Jerome Robbins. Under Lopez direction, Miami City Ballet has become one of the country premier Ballet companies. According to The New York Times, This troupe [is] at the forefront of all those dancing choreography by George Balanchine today. Bold, light, immediate, intensely musical, the dancing of Miami City Ballet flies straight to the heart. Born in Havana, Cuba in 1958 and raised in Miami, Lopez began taking ballet lessons at the age of five, on the recommendation of a doctor. At the age of 11 she received a full scholarship to the School of American Ballet (SAB), the official school of New York City Ballet, splitting the year between Miami and New York City. At fourteen, she moved to New York permanently to devote herself to full-time studies at SAB, and shortly after her sixteenth birthday, joined the corps de ballet of New York City Ballet. Under the direction of George Balanchine and Jerome Robbins, her star rose quickly at New York City Ballet; In 1984, she was promoted to Soloist and then Principal. Upon retirement, Lopez joined WNBC-TV in New York as a Cultural Arts reporter,. She was also a full-time senior faculty member and Director of Student Placment, Student Evaluation and Curriculum Planning at New York Ballet Academy East. In 2002, Lopez became the Executive Director of The George Balanchine Foundation, which works to educate the public about dance and to further the art of ballet, with a special phasis on the work and achievements of George Balanchine. In this position, she oversaw the 2004 Balanchine Centennial Celebration, a worldwide festival honoring the choreographer and his legacy. Lopez co-founded The Cuban Artists Fund, which supports Cuban and Cuban-American artists in their endeavors. In 2007 she received an award from the American Immigration Law Foundation honoring Cuban Americans for their accomplishments and contributions to American society. She also co-founded Morphoses with Christopher Wheeldon in 2007 a New York-based dance company aiming to revitalize dance through innovative collaborations with important artists from the worlds of music, visual arts, design, film and fashion; and by inviting younger and broader audiences to engage in and actively experience dance. 2014 Lopez was elected to serve on the Ford Foundation Board of Trustees, marking the first time an artist was elected to serve on its board and in 2011, she received the prestigious Jerome Robbins Award for her years in dance. “Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In Part 2 of our two-part interview with physical therapist Erika Mayall, we explore how ballet schools are supporting dancer health—and where they still fall short. Erika offers practical advice for dancers and families without access to dance-specific care, busts common ballet injury myths, and shares her favorite recovery tools and daily habits for long-term wellness. She also discusses how to recognize genuine wellness support versus “checking the box” in schools and what one key change could improve injury prevention across ballet training. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Rien que leur nom témoigne de la diversité de leurs inspirations puisqu'il fait à la fois référence à l'écrivain Alain Damasio et à son chef-d'œuvre, « La Horde du Contrevent », ainsi qu'à l'univers du jeu vidéo « World of Warcraft ». Le dernier épisode de la saison du « Goût de M » interroge cette semaine le goût du collectif (LA)HORDE, qui secoue la danse contemporaine depuis une dizaine d'années et dirige, depuis 2019, le Ballet national de Marseille. Composé d'un trio de jeunes artistes multimédia, Marine Brutti, Jonathan Debrouwer et Arthur Harel, (LA)HORDE a déjà collaboré avec Christine and the Queens, Madonna, Sam Smith, et a marqué les esprits avec des pièces fortes comme « Room with a View », dont la musique était composée par Rone.On fait leur connaissance au Théâtre de la Ville, à Paris, où ils dirigeaient « Age of Content », une de leurs pièces qui interroge l'absence de frontières entre le réel et le virtuel. Cet après-midi, fin mai, la vingtaine de danseurs du Ballet national de Marseille, de 16 nationalités différentes, et le trio de cofondateurs débriefent la représentation de la veille, avant d'entamer les répétitions. Ce lieu leur tient à cœur puisqu'ils y étaient des « spectateurs assidus » : « Au Théâtre de la Ville, il y a les artistes les plus underground comme les plus célèbres. On a fait beaucoup de notre éducation théâtrale et chorégraphique ici. »Ceux qui désignent l'artiste italien Romeo Castelluci comme leur « maître ultime », reviennent sur leur rencontre au début des années 2010, où, ils passaient « beaucoup de temps dans les milieux queers, notamment à danser ensemble dans des soirées », à côtoyer de jeunes stylistes qui allaient se faire une notoriété quelques années plus tard. Former un trio leur apparaît comme une force puisque « les choses positives sont multipliées par trois et tout ce qu'il y a de plus difficile on le divise par trois ». Dans cet épisode, ils racontent leur méthode pour travailler de concert, leur attrait pour la danse « post-Internet », leur défense des personnes en marge et leur découverte de Bassiani, night-club de Tbilissi, qui a nourri leur spectacle « Marry Me in Bassiani », en y inscrivant des mouvements de danses géorgiennes.(LA)HORDE, collectif à la tête du Ballet national de Marseille, et ses danseurs se produiront au Théâtre des Salins, à Martigues, le 22 janvier 2026, puis à Paris, au Centquatre, du 2 au 4 avril, et à La Villette, du 16 au 25 avril.-----Cet épisode, le dernier de la saison, a été publié le 20 juin 2025.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal), préparé avec l'aide de Diane Lisarelli et de Juliette Savard, enregistré par Malo Williams. Réalisé en alternance par Guillaume Girault, Emmanuel Baux et Benoît Thuault.Musique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

In Part 1 of our two-part interview with physical therapist Erika Mayall of Allegro Performance and Wellness, we dive into why ballet dancers need specialized care from providers who truly understand the unique demands ballet puts on the body. Erika shares her journey into working with dancers, how injury prevention differs for ballet artists, common misdiagnoses, and early warning signs dancers and parents should watch for. She also offers guidance on choosing the right specialist and how dancers can advocate for themselves in healthcare settings. Stay tuned for Part 2, where Erika discusses dancer wellness in schools, recovery tools, and long-term health habits. Erika also has a fantastic podcast called The Dance Physio Podcast that we think every dancer and their parents should tune in and listen to. Find it wherever you get your podcasts or learn more on her website. More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

A solo episode to conclude our Ballet Teaching series — discussing why great ballet teaching begins with who you are, how you grow, and the courage to keep evolving. _____ Join the Balanced Ballerinas EXCLUSIVE Teachers Facebook Group here: https://www.facebook.com/groups/balancedballerinasteachers My Instagram! @thebalancedballerina Community Instagram! @balancedballerinas Facebook - Balanced Ballerinas And join the SECRET Facebook group here: https://www.facebook.com/groups/balancedballerinas/ Join the Balanced Ballerinas FREE 5 Day Challenge here: www.balancedballerinas.com/challenge Prenatal, healing or beginner ballet student? This course was designed for you: https://www.balancedballerinas.com/butterballet My Signature 12 Week Adult Ballet Course: https://www.balancedballerinas.com/12weekadultballetcourse The Marketing Blueprint For Dance Teachers & Studio Owners: https://www.balancedballerinas.com/TMB

Join us around the Rosin Box for our annual listener-contributed "Ask the Dancers" episode. Our intrepid hosts Claire and Aarón and special guest Corps de Ballet Member Lars Nelson answer your questions about rehearsal wear, dancing with Artist in Residence Alexei Ratmansky, remembering steps, and more—including, "Explain dogs at New York City Ballet." (39:06) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

“No Kings” rallies across Sacramento and surrounding counties. Also, the California Legislature passed a $325 billion budget, but faces challenges as it heads to Gov. Newsom's desk. Finally, an Alice in Wonderland ballet in Nevada County. ‘No Kings' Rallies Across Sacramento

“No Kings” rallies across Sacramento and surrounding counties. Also, the California Legislature passed a $325 billion budget, but faces challenges as it heads to Gov. Newsom's desk. Finally, an Alice in Wonderland ballet in Nevada County.

In this special episode, we welcome back our co-host Yelena from maternity leave as she opens up about her experience with pregnancy and postpartum recovery as an adult ballet dancer & teacher. From the unique challenges of dancing while expecting to how ballet impacted her strength and body awareness for childbirth, Yelena shares an honest look at navigating this major life transition through the lens of a dancer. Whether you're a mom, planning to be one, or just curious, this candid conversation is a powerful reminder of just how incredible ballet can be —not just as an art form, but as a lifelong support system.Follow Yelena @ballet_for_allFollow Hannah @thebusybunheadCheck out more resources here:youtube.com/@balletforallonlineballetclasses.comthebusybunhead.comPodcast produced by Mission Bridge Media.www.MissionBridgeMedia.comSee you next time after class! ♥

How often do we get to the end of a season, a recital or a competition and instead of taking time to reflect and celebrate how far we have come, we race to the next task on our to-do list? Rhee and Stacey feel guilty of this too! In today's episode they talk about the importance of taking time to celebrate, every step of the journey. Thanks to JackRabbit Dance for their support of the podcast, learn more at Jackrabbitdance.comSee omnystudio.com/listener for privacy information.

In a new audio documentary, discover the behind the scenes moments of the ballet “Red Carpet” by Hofesh Shechter, conceived specifically for the Palais Garnier stage and the Paris Opera Ballet dancers.The new creation of the globally-renowned choreographer brings together thirteen dancers for a unique performance, accompanied by a live band in an evolving mise-en-scène evoking a dark cabaret atmosphere Ever committed to contemporary creation and dance, CHANEL imagined thirteen stage costumes inspired by the world of evening-wear for the dancers of the Paris Opera Ballet, continuing to strengthen the ties forged between the House and this institution since 2018, of which CHANEL is Grand Patron.The first performances of “Red Carpet” take place at the Palais Garnier in Paris from June 10th to July 14th 2025, before touring the USA in October 2025.Conversation led by Alix Van Pée. Listen to the podcast now at chanel.com(00:00) Introduction (01:06) Hofesh Shechter presents his dance piece and the questions it raises (5:50) Meeting and working with dancers from the Paris Opera (7:38) Hofesh Shechter's relationship with fashion and his collaboration with CHANEL (17:15) The role of music and its influences (21:51) Mixing art forms (23:12) Hofesh Shechter's vision of dance

Considering full-time or summer training at Louisville Ballet? Artistic Director Mikelle Bruzina and School Director Christy Corbitt Krieger explain how the school is structured, what the studio company experience involves, and how dancers transition into professional careers. They also share insights on tuition, housing, casting, and how dancers are recruited. This episode offers a clear, behind-the-scenes look for dancers and families exploring the path through Louisville Ballet. Learn more about Louisville Ballet's training options on their website Read and submit reviews for Louisville Ballet School More Links: Support Ballet Help Desk Summer Intensive Essentials Guide Buy Summer Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Continuing our mini-series The Art & Impact of Ballet Teaching, I'm joined by someone who has long inspired me with her grace, wisdom, and deep love of the art form—Jane Inglis-Keen. ___ Join the Balanced Ballerinas EXCLUSIVE Teachers Facebook Group here: https://www.facebook.com/groups/balancedballerinasteachers My Instagram! @thebalancedballerina Community Instagram! @balancedballerinas Facebook - Balanced Ballerinas And join the SECRET Facebook group here: https://www.facebook.com/groups/balancedballerinas/ Join the Balanced Ballerinas FREE 5 Day Challenge here: www.balancedballerinas.com/challenge Prenatal, healing or beginner ballet student? This course was designed for you: https://www.balancedballerinas.com/butterballet My Signature 12 Week Adult Ballet Course: https://www.balancedballerinas.com/12weekadultballetcourse The Marketing Blueprint For Dance Teachers & Studio Owners: https://www.balancedballerinas.com/TMB

A third-generation ballet dancer, Jared Redick spent over two decades as a soloist with world-class companies like Boston Ballet and Miami City Ballet. Now Assistant Dean and professor at UNCSA, he directs productions, leads diversity initiatives, and mentors the next generation. His expertise spans from classical and contemporary repertoire to arts administration and innovative education, making him an engaging guest on topics of artistry, leadership, and innovation.   https://www.instagram.com/jared_redick/ https://www.linkedin.com/in/jared-redick/

Hosts Claire and Aarón are back at the Rosin Box, joined this week by Principal Dancers Tiler Peck and Roman Mejia to talk about the relationship between choreographer and dancer in the creation of new works—especially in the case of Tiler's Concerto for Two Pianos from 2024, which featured Roman. As they share, the process is like a conversation between artists on both sides of the studio and relies heavily on trust. Tiler highlights the necessary balance between celebrating individual dancers' strengths with making a timeless work, while Roman describes feeling deeply invested in the success of her ballet's premiere. (34:11)  Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

OOPS! Due to an editing mistake, I had to reupload the file. Again. My guest for Episode #312 of the My Favorite Mistake podcast is Jared Redick, a third-generation ballet dancer, choreographer, and award-winning educator. Episode page with links and more Jared is a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts. He has performed with renowned companies including the Boston Ballet and Miami City Ballet, and now shapes the next generation of dancers through his leadership, coaching, and innovation in arts education. In our conversation, Jared shares his favorite mistake—one that unfolded during the height of the COVID-19 pandemic while producing a filmed version of The Nutcracker. A critical planning misstep nearly derailed the production when sets weren't ready for a pivotal weekend of shooting. Facing immense time pressure and logistical complexity, Jared and his team were able to regroup, adapt the schedule, and ultimately find a better way forward. The experience became a lesson in flexibility, communication, and leading with calm under pressure. Jared also reflects on his transition from performer to educator, how he defines effective leadership, and what it means to embrace vulnerability in pursuit of growth. We explore how his equity-focused curriculum changes are reshaping the world of ballet and how earning an MBA is helping him integrate business thinking into the arts. Throughout the episode, Jared's humility, clarity, and passion for mentorship shine through. Questions and Topics: What's your favorite mistake, and what happened during the COVID-era Nutcracker production? How did you lead your team through the anxiety of that situation and find a solution? Was the missed set deadline more of a communication issue or a planning breakdown? Were there lasting lessons from that project that apply to future productions? Was anyone blamed or punished for the mistake—or was it handled differently? What role does leadership play in preventing or responding to these types of issues? What stage of the pandemic were you in when filming The Nutcracker? Were dancers masked? Can you tell us more about your personal path into dance and your early training? How does the transition from high school conservatory to professional ballet typically work? How did you navigate your own transition from performing to teaching and leadership? As a performer, how did you deal with the possibility—or reality—of making mistakes on stage? How do performers balance self-assessment with celebrating what went well? Did you regularly receive feedback or review recordings of your performances? How has your leadership style evolved as an assistant dean and teacher? What are “equity-focused curriculum updates,” and how are they changing ballet education? What are some challenges in making ballet more inclusive and accessible? How does bias in dance differ from other performing arts like music? What has been most eye-opening in your MBA program coming from an arts background? How do business tools like project management software support the arts? What does “embracing vulnerability” mean to you, and how does it relate to learning from mistakes?

My guest for Episode #312 of the My Favorite Mistake podcast is Jared Redick, a third-generation ballet dancer, choreographer, and award-winning educator. Episode page with links and more Jared is a full professor and Assistant Dean of Dance at the University of North Carolina School of the Arts. He has performed with renowned companies including the Boston Ballet and Miami City Ballet, and now shapes the next generation of dancers through his leadership, coaching, and innovation in arts education. In our conversation, Jared shares his favorite mistake—one that unfolded during the height of the COVID-19 pandemic while producing a filmed version of The Nutcracker. A critical planning misstep nearly derailed the production when sets weren't ready for a pivotal weekend of shooting. Facing immense time pressure and logistical complexity, Jared and his team were able to regroup, adapt the schedule, and ultimately find a better way forward. The experience became a lesson in flexibility, communication, and leading with calm under pressure. Jared also reflects on his transition from performer to educator, how he defines effective leadership, and what it means to embrace vulnerability in pursuit of growth. We explore how his equity-focused curriculum changes are reshaping the world of ballet and how earning an MBA is helping him integrate business thinking into the arts. Throughout the episode, Jared's humility, clarity, and passion for mentorship shine through. Questions and Topics: What's your favorite mistake, and what happened during the COVID-era Nutcracker production? How did you lead your team through the anxiety of that situation and find a solution? Was the missed set deadline more of a communication issue or a planning breakdown? Were there lasting lessons from that project that apply to future productions? Was anyone blamed or punished for the mistake—or was it handled differently? What role does leadership play in preventing or responding to these types of issues? What stage of the pandemic were you in when filming The Nutcracker? Were dancers masked? Can you tell us more about your personal path into dance and your early training? How does the transition from high school conservatory to professional ballet typically work? How did you navigate your own transition from performing to teaching and leadership? As a performer, how did you deal with the possibility—or reality—of making mistakes on stage? How do performers balance self-assessment with celebrating what went well? Did you regularly receive feedback or review recordings of your performances? How has your leadership style evolved as an assistant dean and teacher? What are “equity-focused curriculum updates,” and how are they changing ballet education? What are some challenges in making ballet more inclusive and accessible? How does bias in dance differ from other performing arts like music? What has been most eye-opening in your MBA program coming from an arts background? How do business tools like project management software support the arts? What does “embracing vulnerability” mean to you, and how does it relate to learning from mistakes?

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.

Guests - IDA JudgesHosted By - Courtney Ortiz and Lesley MealorIn Episode 230 of Making The Impact - A Dance Competition Podcast, we invited our IDA judges to chime in with their takeaways from the 2025 competition season. These judges have seen it all, from coast to coast, and this season did not disappoint! Topics Include: What your judges LOVED seeing on stage this season Headsprings - the go-to skill of 2025 Pirouette technique and executionCompetition etiquette - before and after the event  Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your HostsCourtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceThis episode is sponsored by:Dance Teacher Web Conference and ExpoThis summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off!Squirrel Trench AudioStage-ready soundtracks for ChoreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Hosted By - Courtney Ortiz and Lesley MealorSeason 6 of Making The Impact - A Dance Competition Podcast is a wrap! We have had such a wonderful year discussing some unique and important topics in the dance industry, and we're excited to reminisce, but also give you a sneak peek at season 7!Topics Include: Favorite episodes of season 6 Info on summer bonus episodes What's new for season 7Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Alma Deutscher, often described as a modern-day Mozart, was a prodigy whose early accomplishments include composing a piano sonata at age six, a short opera at seven, a violin concerto at nine, and her first full-length opera at ten. At twelve, she was profiled on 60 Minutes, and in 2021 began conducting studies in Vienna with Johannes Wildner. Now 20, Alma has just written her first ballet score—a collaboration with Lincoln Jones, founder and director of American Contemporary Ballet (ACB) in Los Angeles. Lincoln joined me on the podcast just over two years ago, offering unique insights into the complexities of running a dance company and the profound art of dance itself. In this episode, Lincoln and Alma discuss their new ballet, The Euterpides, inspired by Euterpe, the ancient Greek Muse of Music. This piece follows the Muse's goddess daughters as they descend to dance with a mortal, exploring the age-old connection between inspiration and craft. We recorded this conversation on Memorial Day to get it out ahead of the ballet's world premiere, which runs June 5–28 in Los Angeles. If you're local (or can make the trip!), you'll also hear about an audience support campaign, offering a rare chance for the public to get involved in bringing this ballet to life. GUEST BIO Alma Deutscher has composed a number of acclaimed orchestral works, including a full-length opera, by the age of 10. Her music has been performed at Carnegie Hall and the Vienna State Opera. She's earned the admiration of classical music luminaries like Zubin Mehta, who called her “one of the greatest musical talents of today.” Lincoln Jones is the founder, director, and principal choreographer of the American Contemporary Ballet in Los Angeles. Their collaboration, The Euterpides, premieres on June 5. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING