Podcasts about Ballet

Caleb Quillen returns to the podcast to talk about the path that took him from growing up in Sugar Land, Texas, to principal bass of the Boston Symphony Orchestra. Along the way, he reflects on formative teachers, including Dennis Whittaker and Paul Ellison, the influence of the Boston bass tradition, and much more. Check out our text/media version of this conversation and our interview with Caleb from 2016 here, and learn more about Caleb on his Boston Symphony and New England Conservatory pages. Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg

Robert the Devil is a supernatural medieval legend that inspired a 19th-century French opera, which incorporates key elements from a seminal Gothic novel.  The opera and legend are substantially different but both interesting. We begin with Giacomo Meyerbeer’s 1831 opera, Robert le diable, which gained notoriety for a ballet sequence in Act III, which portrays an attempted seduction of the hero, Robert, Duke of Normandy, by the ghosts of corrupted nuns, freshly risen from their crypts. The scene is not found in the original legend, but as we learn, was borrowed from a particularly sensationalistic early Gothic novel,The Monk, written by Matthew Gregory Lewis in 1764.   We also learn that Meyerbeer's chief librettist, Eugène Scribe later went on to crib another storyline from Lewis’ The Monk for the 1854 opera by composer Charles Gounod, La nonne sanglante (“the bloody nun”). Rendering of cloister set for Paris Opera premiere. Along the way, we learn how Robert le diable helped save the financially imperiled Paris Opera after its royal subsidy had been withdrawn following the July Revolution of 1830.  Along with public curiosity about the scandalous ballet, ticket sales owed much to the 19th-century equivalent of special effects — flashy and innovative stagecraft (new gaslight design, trapdoors, floating will-o-the-wisps, etc.) and a spectacular set replicating a ruined gothic monastery. Hans Christian Andersen, George Sand and Frédéric Chopin lavishly praised the production. Honoré de Balzac and Alexander Dumas worked mentions of the opera into their novels. Edgar Degas painted not one but two renderings of the Ballet of the Nuns. Edgar Degas’ rendering of the “Ballet of the Nins” The opera also gave birth to a new style of ballet, one linked to Romanticism's interest in the supernatural: ballet blanc, “white ballet” named for the innovative long, flowing skirts that lent themselves to wafting movements suggestive of misty wisps moving in the darkness. The opera’s 1847  London premiere was attended by Queen Victoria and featured superstar soprano Jenny Lind as Robert’s sister.  Traffic came to a standstill as unruly spectators mobbed the streets hoping for  glimpse of either celebrity. The second half of our episode tells the original story of Robert the Devil.  It first appeared around 1250, sketched out in short form by the Dominican monk, Étienne de Bourbon, in a collection of exempla, or moral tales intended to be used by priests in their homilies.  A couple decades later, details were filled out in a longer, anonymous  poem, preserved in France's National Library. Then by the late 14th century, it was rendered as a miracle play in “Forty Miracles of Our Lady,” commissioned by a guild of Parisian goldsmiths. By 1500, the story had arrived in Britain. That year, Wynkyn de Worde, assistant to pioneering London printshop owner Thomas Caxton, issued a chapbook prose translation hewing close to the French 14th-century poem. I found the Wynkyn de Worde text reproduced in a handsome 1904 volume complete with line illustrations, decorative initials, and borders reminiscent of the Arts and Crafts books of William Morris.  As promised in the episode, here is the link to that book: Robert_the_Deuyll.pdf.  (Visit the show notes on the Bone and Sickle website if you can’t click link). As for the  story itself, it’s best you enjoy it without spoilers as told by Mrs. Karswell.  It’s full of demonic wrath, battles, court intrigue, miracles, pathos, and a very and prolonged peculiar penance.  All told in charming 16th-century language with all the little sound-design extras you’ve come to expect from Bone and Sickle.

Photo credit: Oscar Benjamin Berg Bassist, improviser, and genre-crosser Georgia Wartel Collins joins us today to talk about the winding path that led her to New York, via Gothenburg, Trondheim, and Amsterdam, and how a deeply musical family shaped everything from early street performances to a life that's always moved freely between styles. Georgia also shares how rock and grunge became real creative fuel alongside a love of melody, and why the upright bass, alive and changing every day, keeps offering new colors to chase. Enjoy, and follow along with Georgia and her very cool work on her website and Instagram! Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

Interviews Editor Christopher Honey speaks with ballerina Dorothy A. Rogers-Walker about the language of dance. Dorothy A. Rogers-Walker is a classically trained ballerina and the artistic director of St. Mark's Dance Studio, where she has been a dedicated leader since 1983. She began as a substitute teacher and choreographer and now leads the studio while continuing to teach ballet and pointe.She trained at the Dance Theatre of Harlem and performed with Point Park University and the Capitol Ballet through the Jones-Haywood School of Ballet. She also served as Ballet Mistress for the St. Mark's Dance Company in Prague.

Send us Fan MailGuests - Robb Gibbs, Brittni Johnson, and Anonymous SubmissionsHosted By - Courtney Ortiz and Lesley MealorTo close out Season 7 of Making the Impact, we are getting real about the often unspoken truths in the dance competition judging space. Veteran IDA judges Robb Gibbs and Brittni Johnson, as well as anonymous submissions from judges around the country, share what it can really be like during those long weekends behind the table. Spoiler alert - sometimes it's not pretty. This is the first episode of a two episode series, so stay tuned for part 2 releasing as a summer bonus episode in June!Topics Include:Discussing the reasons we love judging - and the reasons that it becomes harder and harder each seasonTravel nightmares and lodging snafus - all to save a dollarThe realities of trying to stay true to your values while adhering to company policiesHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceRobb Gibbs - @robb.gibbsBrittni Johnson - @being_brittni, @alignment.in.danceCheck out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Send us Fan MailHosted By - Courtney Ortiz and Lesley MealorThat's a wrap on Season 7 of Making the Impact - A Dance Competition Podcast! Thank you to all our loyal listeners who have been here since the beginning for all your support, and to our new fans who have joined us this year! We can't wait to share season 8 with you - but for now, happy summer!MARK YOUR CALENDARS: Season 8 is scheduled to release on Thursday, September 3rd, 2026.Topics Include: Favorite episodes of Season 7 Info on summer bonus episodes What's new for Season 8Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceImpact Dance Adjudicators - @impactdanceadjudicators Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Sometimes you can get everything you want as a dancer, only to discover the reality is quite different from what you imagined it would be. In this episode, author and former dancer, Rym Kechacha, shares how that realization shaped her own journey, from early ballet training in London to dancing professionally with Northern Ballet, where touring life was both joyful and intensely demanding. She reflects on what it felt like to end her career as a dancer earlier than expected, and how that ending opened the door to a new creative identity. Rym traces her path into teaching, studying creative writing, and eventually publishing fiction, shaped by a lifelong love of books and fantasy. Our conversation explores her latest novel, The Apple and the Pearl, a ballet-inspired fantasy that captures both the beauty and cruelty of the stage world, blending realism with folkloric and fantastical elements. Thoughtful and candid about reinvention, artistry, and creative freedom, Rym offers her insights on what happens when one dream ends and another begins. Listen in for a rich discussion on dance, writing, and the stories that carry us forward! Key Points From This Episode: Rym's upbringing in London and her love of dance from a young age. How she persuaded her parents to let her attend ballet school at age 16. The demanding daily schedule of life at Central School of Ballet. Figuring out her plans after Ballet School and how her love of story ballets guided her. How she joined Northern Ballet and what it was like touring with the company. The serious impact of arts funding cuts and austerity measures in 2010. Losing her place at Northern Ballet: why it was both sad and liberating. What Rym did next in her career: travelling, au pairing, and becoming a teacher. How she rediscovered writing, earned her creative writing MA, and published her first novel.  Reflections on the challenges of publishing and how ballet prepares you for rejection. Her experience writing her latest book, The Apple and The Pearl, and how it relates to ballet. A closer look at her upcoming novels, from Algerian history to London folklore and fantasy. Rym Kechacha is a former dancer, now writer from London, UK.  For more on Rym & this episode: Movers & Shapers: A Dance Podcast Follow us on Instagram & Facebook  

RU400: NICOLAS BALLET & CARL ABRAHAMSSON ON SHOCK FACTORY: THE VISUAL CULTURE OF INDUSTRIAL MUSIC: https://renderingunconscious.substack.com/p/ru400-shock-factory-with-nicolas Join Rendering Unconscious Podcast at Substack for all new and archival episodes: https://renderingunconscious.substack.com Rendering Unconscious welcomes Dr. Nicolas Ballet to the podcast! He's here to speak about his new book Shock Factory: The Visual Culture of Industrial Music (2025) with Carl Abrahamsson. This is the first crossover episode between Rendering Unconscious and An Art Apart. Enjoy! https://anartapart.substack.com/p/aaa-podcast-no-1-with-nicolas-ballet Rendering Unconscious episode 400. This episode is a crossover between Rendering Unconscious and An Art Apart, marking the 400th episode of Rendering Unconscious! The discussion centers on Nicolas' book Shock Factory, which explores the visual history of industrial music. Nicolas, a PhD in art history, delves into the intersections of industrial music with art, philosophy, and cultural movements. The book spans over 550 pages and has received positive feedback from readers and artists. The conversation also touches upon the influence of industrial culture, its relevance today, and the impact of artists like Throbbing Gristle and Coil. The episode concludes with Nicolas discussing his current projects and future plans. Nicolas Ballet, PhD is an art historian and associate curator in the New Media Department of the Musée national d'art moderne – Centre Pompidou, Paris, France. He is the author of Shock Factory: The Visual Culture of Industrial Music (Les Presses du réel, 2023; Intellect Books, 2025). https://www.nicolasballet.com/publications Follow him on Instagram. https://www.instagram.com/ballet_nicolas/ RU News & Events: Sunday, June 7th, Emmalea Russo will continue her wildly popular series on poetry and psychoanalysis with REPETITION, RETURN, REBIRTH: On the psychoanalytic poetry of Cynthia Cruz and the Summer Solstice. https://www.tickettailor.com/events/renderingunconsciouscenterforpsychoanalysis/2152623 Saturday, June 13th, my Introduction to Psychoanalysis course continues! n the previous class, we reviewed Freud's later works, including Group Psychology and Civilization and its Discontents. In this next class, we'll be looking at Anna Freud, Melanie Klein, and the Controversial Discussions, as well as revolutionary psychoanalysts Wilhelm Reich and Otto Fenichel. On Wednesday, June 24th, join Freudian cinephile Mary Wild for The Man Who Fell Into Himself: David Bowie's 1970s Transformations. https://www.eventbrite.co.uk/e/the-man-who-fell-into-himself-david-bowies-1970s-transformations-tickets-1986912621136 All paid subscribers to RU Center for Psychoanalysis will receive the zoom links to attend these events live and the recordings will be archived at Substack. https://rucenterforpsychoanalysis.substack.com Full archive of RU Center events and CLASSES HERE: https://rucenterforpsychoanalysis.substack.com/t/classes See RU Center SCHEDULE OF EVENTS HERE: https://rucenterforpsychoanalysis.substack.com/p/schedule Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ Thank You.

The event industry news podcast is sponsored by Present Communications. Present provides broadcast-quality live, hybrid and virtual event production trusted by organisations where reliability really matters — from corporate town halls and conferences to high-profile live streams. They design and deliver fully resilient systems that work first time. In this episode James Dixon interviews Ross Wheeler, Business Director and Head of Live at Imagination, about his unusual journey from training as a ballet dancer to leading global live event production. Ross explains how theatrical thinking informs creative event design, the importance of time and rehearsal for impactful experiences, and how client collaboration and trusted teams deliver ambitious projects for brands like Guinness and Land Rover. Ross also discusses talent development, the balance between creative instincts and formal qualifications, and Imagination's worldwide work. Find out more at imagination.com. This episode of the Event Industry News Podcast is sponsored by Present Communications. Present provides broadcast-quality live, hybrid and virtual event production, trusted by organisations where reliability really matters. From corporate town halls and conferences to high-profile live streams, they design and deliver fully resilient systems that work first time. To keep up to date with all the news, subscribe for free here. If you would like to take part in a podcast, then please complete our submission form.

Jera Wolfe is a Canadian dancer and choreographer whose world premiere mainstage production, Kismet, will open with The National Ballet of Canada later this month. Jera speaks with Tom Power about the themes of destiny and ambition in Kismet, what he looks for in the music he works with, and why it's okay if audiences don't fully “get” contemporary ballet.

Listen to Ballet Help Desk ad-free on Patreon: https://www.patreon.com/BalletHelpDesk Does your dancer need elite training to have a shot at a top college? But what does elite actually mean? Is it competition wins? A company-affiliated school? The right summer intensives? And does the answer look the same whether your dancer is pursuing a BFA or a non-dance degree? College and career specialists Francisco Gella and Julie Friedrich of Francisco Gella Dance Works have guided hundreds of dancers down both routes. This is Part 1 of a two-part conversation. In Part 1, we dig into the real differences between the BFA route and the academic route. We talk about why your school's college counselor may not understand this world and what "Olympic level" actually means when elite universities evaluate a dancer's background. We also look at why competition results carry less weight in academic admissions than many families expect, and a distinction that confuses a lot of families: the difference between a dance portfolio and a dance supplement, and what each one is actually for. The 2026 workshop schedule will be announced on or before August 1, 2026. If you are interested in receiving an announcement when registration for the Fall Virtual Workshops opens, please email collegeprep@franciscogelladance.com. Links: Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Musicality is one of those qualities teachers ask for constantly, and yet almost never explain. "Be more musical. Feel the music. Let it move through you..." But what does that actually mean?In this episode, I'm back with Chelsea Weidmann, The Geeky Ballerina, as part of our ongoing series unpacking the elements of artistry she identified in her thesis on Artistry in Ballet. Today's topic: musicality — one of the most personal and most debated elements of all.In this episode we talk about whether musicality is something you're born with or something you can learn, why so many dancers can hear the music but struggle to translate it into their body (and why that's ok!) and Chelsea's clarifying framework for musicality (including elements like rhythm, tempo, dynamics, and more!)If you've ever been told to be more musical but had no idea where to start, this episode will give you a framework, a language, and some practical tools to actually get there.

we took the most intense beginner ballet class in the world, we're trying to prevent alzheimers, and we're celebrating AAPI month! nami matcha ⭐️

we took the most intense beginner ballet class in the world, we're trying to prevent alzheimers, and we're celebrating AAPI month! nami matcha ⭐️

Originally aired January 27, 1950

This show is in partnership with the "Shine with Joy Foundation." With SHINE, your generosity will fuel their mission of empowering Black women in STEM, improving maternal healthcare equity, and spreading joy through Yoga and community programs. You can donate today on shinewithjoy.com or go straight to their donation page ⁠⁠⁠⁠here⁠⁠⁠⁠, and help make tomorrow a better place. The gang forgets to turn off another recording and ends up staying at the bar past close for afterhours, where they discuss DLSS5 and the future of graphics in gaming, our take on Timmy C's remarks on Ballet and Opera, and of course, what everyone else is talking about, prediction markets. Thank you for listening.You can also support us with a donation @novodeproductions on paypal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Support our colleagues at:Philipchurch.comCheck out more at www.novodeproductions.com, follow us @_novo_de, @aotb.podcast, @aotbpodcast, and if you'd like to sponsor us, partner with us, or guest on the show, you can contact us at novodeproductions@gmail.com.This Episode is also brought to you by:Novel "Til the Bitter [End]emic" - Available now on Amazon. Til The Bitter [End]emic is a novel about discovery; about what we do, who we become, and what we realize is truly important when we're faced with insurmountable odds, the same kind that makes us face our own mortality.Short story - "Cancel Culture Lotto" - available now on Amazon.Zencastr - our go-to tool to record our podcast with multiple guests remotely. With Zencastr, you can record separate audio and video tracks, and it's all backed up on a secured cloud so you never lose your hard work. It's reliable, easy to use, and there's nothing to download. So go to⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zencastr.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use promo code: artofthebeholder, and get 30% off your first three months with a PRO account. So create your ⁠⁠⁠⁠⁠⁠⁠podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ today! #madeonzencastr⁠⁠⁠⁠.Note: Only the intro music is by A-CO; all other music or sound effects is stock from various outlets. Main resource: wikipedia.

This week, we are off the couch and in the dojo on location at the National Wushu Training Center in Los Angeles with Wushu masters Coach Matt and Kenny Leu. We discuss all things wushu: what it is, the history, why you should do it, and how it can transform your life. Learn more at trainwushu.com or their IG and follow Coach Matt Osborne & the amazing Kenny Leu!Watch this ep on YouTube!

Send us Fan MailGuests - Summer Aiello & Shannon ThomasHosted By - Courtney Ortiz and Lesley MealorOur final throwback episode is one for the dance moms out there! Being a dance parent requires learning a lot of new information, from theatre etiquette to competition structures. But one thing that's not covered in any studio handbook is how not to be a stage mom. Join studio owner Shannon Thomas and veteran dance mom Summer Aiello for this informative chat! This episode originally aired on March 24, 2022. Topics Include:Understanding boundaries between your dancer and your studio ownerLearning what is acceptable dance parent behaviorHow to stay involved without pushing limitsHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceSummer @SummerbelliesShannon @legacydance386This episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Find out how John Tiberius Kirk - The Blu-Ray Bloodhound - and Shameful Steve first discovered this 'masterpiece' of horror! In the new Italian InCider we discuss Argento's landmark horror movie. We look at Italy in the 70s, examine the careers of Caludio Argento, Dario Nicolodi and Goblin, and dissect this hugely impressive new 4K UHD limited edition from Shameless and Cult HD. Hosted on Acast. See acast.com/privacy for more information.

“The traditional story of the ugly duckling is quite sad because the ugly duckling, which is just a cygnet, she got into the wrong nest, she's sort of just abandoned by the duck family, and we've changed that around because we wanted the message to be a bit different, so duck family embraces baby swan and I think it's so special and so relatable,” Assistant Artistic Director Madissen Fujimoto says.

Listen to Ballet Help Desk ad-free on Patreon: https://www.patreon.com/BalletHelpDesk In this host-only episode, we draw on our combined years of navigating ballet summer intensives to break down how to make the most of every program -- for your dancer and for you. We talk through what to do before your dancer leaves, how to handle drop-off day, and what to expect once they're there. We also get into the stuff nobody warns you about: what a scholarship really signals, how to handle the tap-on-the-shoulder conversation about year-round enrollment, navigating roommate issues, and what to do if your kid gets in trouble -- and yes, we are speaking from experience on that last one. Links: Shop Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

In this episode, I'm sharing some of my favorite ballet hacks — the tips, tricks, and discoveries that have made my life as an adult dancer easier and more comfortable.Some I figured out on my own, some were passed along by teachers or fellow dancers, and all of them are things I actually do/use and swear by, like:- The nipple cover situation no one talks about (and the product that finally solved it for me)- Using toe spacers in your ballet slippers (NOT just for pointe shoes) to reduce bunion discomfort- The waistband modifications that will change how you feel in your tights - How to turn convertible tights into stirrup tights so you can wear the brands you actually love- A simple spray that fixes heel slippage in pointe shoe (plus a bonus tip that makes it even more effective)- A hack for healthier, happier hair (while you dance) PRODUCTS MENTIONED

Carlos Iribarren | Tras el episodio dedicado al origen del ballet, centrado en Italia, Francia y Centroeuropa, en este nuevo programa dedicado a la danza nos vamos hasta el siglo XIX para descubrir partituras y coreografías destacadas que han pasado a la historia gracias a su calidad y repercusión. Francia, Dinamarca, Alemania y Rusia son algunos de los lugares donde pondremos la lupa junto a Nuria Balbaneda, nuestra invitada de hoy. Nuria es profesora en el Real Conservatorio Profesional de Danza “Mariemma” de Madrid y autora de un libro imprescindible para cualquiera que quiera sumergirse en este apasionante mundo: La clase de ballet: historia, técnica y metodología. Acompáñanos en este viaje con música de Adam, Beethoven, Tchaikovsky y otros grandes músicos y descubre a personajes como Maria Taglioni, Pepita Oliva, Arthur Saint-Léon o Marius Petipa; así de equilibrada y artística es la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Live music by Mike Geary, who has a new EP out called Antebellum. Poison by acclaimed Dutch playwright Lot Vekemans is getting its Irish premiere and director Lianne O'Shea and actor Naoise Dunbar, who plays “He” join Rick in studio. Latin America's leading dance company, Ballet de Santiago brings its acclaimed production of Swan Lake to Dublin.

Send us Fan MailGuests - Lynne McNelis and Jennifer LobaitoHosted By - Courtney Ortiz and Lesley MealorIn Episode 267 of Making The Impact - A Dance Competition Podcast, two former dancers join us to chat about what it's like to raise competitive dancers in this new era in the industry. From memories of "the good old days" to current challenges and joys, this is an episode you don't want to miss!Topics Include: The search for the right dance studio Differences between the old generation and the new generation of dancersSetting your dancer up for what success looks like for them using your knowledge of danceHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceLynne McNelis - @lynnemcnelisJennifer Lobaito - @Dancefixwithjenn This episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Check out IDA affiliated competition True Dance Challenge! www.truedancechallenge.comJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Jem delves into the art of Ballet and the film Black Swan.Support this show http://supporter.acast.com/condensed-histories. Hosted on Acast. See acast.com/privacy for more information.

Have you ever watched a duet or emotional contemporary routine that had beautiful technique and strong partnering… but somehow still didn't fully connect?In today's episode, Brittany breaks down one of the biggest storytelling mistakes dancers make in love story routines — only showing the heartbreak without ever showing the love first.From duets and trios to emotional solos, Brittany explains why audiences need moments of joy, connection, trust, or comfort in order to truly feel the heartbreak later in the dance. Without it, routines can start to feel confusing, one-dimensional, or emotionally disconnected — even when the choreography is strong.Inside this episode:• Why “angry the whole dance” doesn't work• The difference between a love story and a horror story• How one small smile can completely change a performance• Why emotional contrast creates stronger storytelling• How dancers can portray relationships without needing real-life experienceIf you want to improve your facials, storytelling, and emotional connection on stage, grab Brittany's FREE 5-Day Facials Challenge here:Free Facials ChallengeConfidence looks good on you.Support the showGot a question or story you'd like to share? Message me HERE, and your submission might even be featured in an upcoming episode!

Listen to Ballet Help Desk ad-free on Patreon: https://www.patreon.com/BalletHelpDesk American Reportory Ballet Artistic Director Samantha Dunster and Executive Director Julie Diana Hench join us for a conversation that gets refreshingly honest about the post-graduate pipeline, the job market, and what it means to truly prepare dancers for professional life.  We dig into the structure of Princeton Ballet School from youngest students through the trainee program, how the school and company function as a single organization, and what actionable feedback actually looks like in practice. We also get into ARB2, the tricky math of a large trainee cohort and a tight job market, and a genuinely moving conversation about hunger, artistry, and what it means to inspire an audience. Links: Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI    

If you have hyperextended knees, you've probably spent a lot of time in class feeling like your body is working against you. You get corrections like "straighten your legs" and no matter how hard you try, nothing seems to change. Closing in fifth without bending your knees feels impossible, your standing leg feels unstable, and nobody has ever actually explained why.In this episode, I'm joined by Shane Wuerthner, a former professional ballet dancer, who is now a ballet coach and the founder of Athletistry. And as someone with significant hypermobility in his own knees, Shane is not just talking theory here... He's lived it!We cover:What's actually happening in your body when you have hypermobile kneesThe proprioception piece, and why you might not be able to feel when your leg is actually straightClosing in fifth position: what's realistic, what's not, and how to find your version of itStability in your standing leg and what your foot connection has to do with itWhy cues like "pull up" and "engage your quads" often don't translate for hypermobile dancersHow to work with your hypermobility and maintain a healthy mindset!If you've ever felt frustrated or discouraged by your hypermobility, this episode is for you.CONNECT WITH SHANE

Leslie Short, host of Visibility Ultd. and Founder of The Cavu Group interviews ballet dancer Amar Smalls as he shares about his experiences with stereotypes and discrimination in ballet companies. They discussed how traditional ballet companies remain resistant to change, with limited opportunities for Black dancers beyond Alvin Ailey and Dance Theater Harlem, and how dancers often face pressure to maintain traditional styles while being penalized for speaking truthfully about their experiences. The conversation also covered how dance companies could better market their dancers as personalities rather than just performers, similar to how other entertainment industries promote their talent, and Amar's own business venture called Smalls Dance, which he created with his sister to provide opportunities for young dancers in Brooklyn.Ballet is a business!

When Tom Willis first encountered the Icarus myth, it felt like a warning to him: don't fly too close to the sun. But then he thought - what if instead, it's a call to leap into the unknown? That's the heart of his new ballet, Icarus in Heat, where the fraught relationship between a father and son is explored, and how those big leaps can be necessary for growth.Podcast host Kate Savage explores these themes with both Tom and Yan Martinez, the choreographer, as well as the creative process behind this contemporary ballet, its personal significance, and the innovative storytelling techniques used to reimagine the myth of Icarus. Yan and Tom talk about blending music, visual arts, and dance to convey complex themes of risk, father-son relationships, and societal influences.Icarus In Heat is a bold, all-male contemporary ballet the reimagines the myth of Icarus in the charged space between father and son.  Where desire is inherited, escape is a construction and fire is not just a warning, but an inevitability.It will premier May 15-17 at Transylvania University in Haggin Auditorium. TICKETS:  www.transy.edu/calendar/event/icarus-in-heat-a-contemporary-balletFor more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

From Ballet to Broadway Host: Anna Harsh Guest: Kristine Bendul Kristine's groundbreaking achievements span dynamic Broadway works, original productions, and making history twice - as the first professional female Asian-American ballerina with the New Jersey Ballet Company and as part of America's first professional gender-neutral ballroom couple. Her diverse talents, coupled with her dedication to advocacy, education, and innovation, continue to inspire and break barriers in the arts.Listen in to her advice, inspirational story and her experience from ballet companies to being on Broadway! Get her book on Amazon: https://a.co/d/0j0pjxgqVisit https://kristinebendulny.com Anna's Website www.AnnaHarsh.com Join Allegro Dance Company www.AllegroDanceCompany.netLike share and subscribe today!

Este cántabro comienza su formación en la Escuela Superior de Ballet Akamine-Smink, Torrelavega y con 16 años es bailarín solista en la primera Compañía de Ballet de Torrelavega. Siguió sus estudios de danza en la especialidad de Coreografía y Técnicas de Interpretación de la Danza por el Real Conservatorio Mariemma, Madrid. Y en la actualidad es profesor en el Conservatorio Superior de Arte Dramático y danza de Euskadi “DANTZERTI”. Durante más de 40 años ha sido coreógrafo, bailarín y actor de musicales, así como Director Artístico del Gran Casino de Mallorca. A trabajado en la Cia. de Teatro Físico Espacio Espiral, en el Gran Teatro del Liceo en Barcelona y en innumerables musicales en España y Alemania como Evita, El Fantasma de la Ópera, Sunset Boulevard, Starlight Express y Cats. Ha impartido cursos y seminarios de Danzaterapia y fue coreógrafo y bailarín de RTVE. Director Coreográfico para Goreperformance con los que ha ganado el premio WHAT'S ON award 2023 al Mejor Espectáculo, "The seven Sins" (Dubái) y el TimeOut award 2024 al Mejor Espectáculo "Tales of Babylon" (Dubái). Autor del libro La Danza Académica en Torrelavega, Historia y Confluencia. Un verdadero crack de la danza. Lo encuentras en Instagram como @orlandodantza

Send us Fan MailGuests - Carrie Euker, Holly GannettHosted By - Courtney Ortiz and Lesley MealorToday's throwback episode takes us back to Making The Impact - A Dance Competition Podcast's very first season! This episode features IDA judges Carrie Euker and Holly Gannett discussing ways to keep ballet fun, relevant and beloved in the dance competition world. This episode originally aired on March 30, 2020.Topics Include: Ideas for keeping ballet class interesting What judges look for in a ballet competition routine How ballet can benefit other styles of danceHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceCarrie Euker - @CMEuker Holly Gannett - @Hollcoll77This episode is sponsored by:The DanceOne Summit The premier event for dance teachers and studio owners to unite. share. inspire! This summer in New York City - August 13-16th, 2026.Register now for $100 off using promo code: DOS26IMPACT Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

A lot of dancers are told to “just smile more” or “feel the music”… but what if facial expressions in dance are actually a TRAINED skill?In this episode, I'm breaking down 3 huge myths about facial expressions and performance quality that keep dancers looking awkward, disconnected, or uncomfortable on stage — even when they're technically strong dancers.We'll talk about:✨ Why expression does NOT just come naturally✨ Why confidence usually isn't the real issue✨ How dancers can actually train performance skills intentionallyIf your dancer struggles with stage presence, performance quality, or connecting emotionally on stage, this episode will help you understand what's really going on — and what to do about it.

For a lot of adult dancers, a professional photoshoot feels exciting and overwhelming in equal measure. You want beautiful images that capture how far you've come. But knowing how to actually prepare and show up confidently in front of the camera? That part can feel pretty daunting.I sat down with professional dance photographer Katie Ging, who has photographed dancers of every level and has a real gift for making everyone look and feel their absolute best. We talk about how to choose the right photographer, what to wear (including whether you need to be flexible to get good photos — spoiler: you don't), and how to prep your body and mind before your shoot.We also get into the most common posing mistakes and how to work around them, why arabesques are basically everyone's nemesis on camera, the simple poses that photograph beautifully every time, and how to keep your facial expression relaxed and natural even when you're thinking about 25 different things (i.e. turnout more, pointe your feet, relax your shoulders, engage your core, lift your elbows, soften your hands, and oh yeah.... SMILE!)

In this episode of Talking Art, Miguel Peña, director of Ballet Folklórico del Rio Grande, joins the conversation to explore the artistry and cultural significance of folklórico dance. Composed of alumni from The University of Texas Rio Grande Valley—home to the only folklórico dance major in the United States—the company brings the rich regional traditions of Mexico to life through vibrant movement, music, and storytelling.Miguel shares insight into the discipline and creativity behind folklórico performance, from intricate footwork to the visual impact of traditional costumes. The conversation also highlights the company's work in education, where they introduce students to the fundamentals of folklórico while sharing the cultural stories that shape each dance. With performances at prestigious venues like the Kennedy Center and international tours across multiple countries, Ballet Folklórico del Rio Grande continues to preserve tradition while connecting audiences to the depth and diversity of Mexican heritage.

This month, questioneers want to know why shotgun weddings and three line whips are called that, what the deal is with those little fish-shaped bottles of soy sauce, and what to do with a tupperware full of baby teeth. For more information about this episode, go to answermethispodcast.com/episode417. Got questions for us to answer, or feedback about an episode old or new? Send them in writing or as voice notes to answermethispodcast@googlemail.com, or you can call 0208 123 5877 to leave us a message. AMT418 will be out 28 May 2026 and Answer Us Back on 14 May. Become a patron at patreon.com/answermethis to get an ad-free version of AMT417 and a batch of Bonus Bits each month, plus our video livestreams Petty Problems. If you sign up at one of the higher Patreon tiers, you get access to an RSS feed with ALL the AMT stuff EVER, including our entire back catalogue, our six themed albums, the retro AMTs, and every Bit of Crapp from the AMT App. AND you're keeping this show going! This episode is sponsored by:  Saily, flexible eSIM data roaming plans for when you're abroad. Download SAILY in your app store and use our code amt15 at checkout to get an exclusive 15% off your first purchase. For further details go to saily.com/amt15. The London Review of Books, the twice-monthly literary mag full of essays, reviews and more by excellent writers. Get a 6 month print and digital subscription for just £12 at LRB.me/answer. Squarespace, the all in one platform for creating and running your online empire. Go to squarespace.com/answer, have a play around during the two-week free trial, and when you're ready to launch, get a 10% discount on your first purchase of a website or domain with the code ANSWER. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailGuests - Kathryn Morgan and Tommie Lin KestenHosted By - Courtney Ortiz and Lesley MealorIn Episode 265 of Making The Impact - A Dance Competition Podcast, guests Kathryn Morgan and Tommie Lin Kesten join us for an eye-opening chat about pointe! From pointe-readiness to shoe preparation, we dive into the challenges and joys of dancing en pointe!Topics Include: The real amount of training that should occur prior to going en pointe Tips for finding the right pointe shoe for you Is pre-pointe class necessary?Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceKathryn Morgan - @Kathryn_MorganTommie Lin Kesten - @tommielinThis episode is sponsored by:The DanceOne Summit The premier event for dance teachers and studio owners to unite. share. inspire! This summer in New York City - August 13-16th, 2026.Register now for $100 off using promo code: DOS26IMPACT Check out IDA Affiliated Competition Star Talent Productions!View their 2027 season tour dates and register now at www.startalentproductions.comJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

1. The ProtectorThis dancer plays it safe. They don't want to look silly, so they hold back… and it reads as nervous or disconnected.

Listen to Ballet Help Desk ad-free on Patreon: https://www.patreon.com/BalletHelpDesk Every ballet company's tax return is public record. Most dancers have never seen one. Liza Yntema, founder of the Dance Data Project, and Griff Braun, National Organizing Director at the American Guild of Musical Artists, walk us through what the numbers reveal. We start with the 990, how to read it, and what a company's revenue structure tells you about its priorities. From there we get into the funding landscape, leadership compensation, and why the gap between what artistic directors make and what dancers make is worth paying attention to. On the contract side, Griff breaks down what's in a collective bargaining agreement, what dancers should look for when they sign, and what generations of dancers have fought to put in those documents. We also get into the one-year contract cycle, the psychological weight it puts on dancers, and how the U.S. compares to countries that fund their arts institutions in a meaningful way. We also address the pay-to-play question directly: the trainee model, sponsored dancers, and the financial barriers that quietly shape who gets to have a professional ballet career. Plus: board governance, leadership training, and what would need to change for ballet companies to function differently. Links: Summer Intensive Essentials Guide Buy Summer Corrections Journals Read Our Ballet School Summer & Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk TikTok: @BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI  

You know it when you see it. That effortless, magnetic quality professional dancers have, the way their bodies seem to cut through space with clarity and length. But do you know what you're actually looking at?In this episode, we're back with Chelsea Weidmann, aka The Geeky Ballerina, as part of our ongoing series unpacking the elements of artistry as she identified and explored them in her thesis on artistry in ballet. Today's topic: LINE. One of the most foundational and most misunderstood elements of all.In this episode we cover:- What line actually is (and what it's NOT)- The different categories of line in ballet- How your body's planes of action inform and improve your technique- How to shape the lines between your movements- How to create the illusion of length like a professional- How to start training your lines no matter your current levelIf you've ever watched yourself in the mirror and known something was off but couldn't name it, this episode will give you the tools to find your best lines and start enhancing your artistry. ☺️CONNECT WITH CHELSEA

Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceWelcome to a special episode of Conversations on Dance recorded live at Works & Process at the Guggenheim. In the conversation, we sit down with Philadelphia Ballet resident choreographer Juliano Nunes to discuss his brand new 'Romeo and Juliet' that is having it's world premiere at the Academy of Music in Philadelphia on April 30th. Throughout the event, we take moments to pause and watch the artists of Philadelphia Ballet dance and be coached by Juliano. You can watch the event in it's entirety on YouTube here.Romeo and Juliet runs for 11 performances at the Academy of Music this season, from April 30 through May 10. For tickets and more information, visit philadelphiaballet.org.Watch the full event on Youtube: https://www.youtube.com/watch?v=FpE3tF7eOpkLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

Some of the most-asked questions I get are about the stuff we wear every single day, the work pants, the basics, the summer sandals, the first-date outfit. And honestly, these are the hardest things to get right, because they're the pieces that have to actually work in your real life.I'm answering all of your questions, from the affordable work pants I've worn literally to Paris and back, to the sleepover outfit that isn't lingerie, to why I'm personally not betting on 90s minimalism being the trend of the year.We also get into the reality of summer sandal shopping when you actually have to walk, the affordable basics that rival luxury, how to experiment with trends without blowing your budget, and my best advice for anyone trying to break into fashion right now.In this episode, we get into:The $148 work pants I've worn from Paris Fashion Week to an LA birthday in the same dayWhere to actually find great tops that aren't tees or button-downsWhat to wear to a new fling's place that isn't lingerie but still feels goodWhy I don't believe in sneakers with sundresses — and what to wear insteadThe most comfortable summer sandals (and the ones that will ruin your vacation)The affordable basics that rival luxury (Uniqlo, Old Navy, Quince, COS)The $25 jeans that have been $25 since the 90s — and are actually goodHow to experiment with trends on Depop without overspendingWhy I think fashion is fun again and 90s minimalism isn't the trend of the yearThe first-date outfit formula that always worksMy honest advice for breaking into fashion (especially after a layoff)Timestamps:00:00 Intro, first solo episode, and recent favorite guests 01:30 The best affordable work pants (and the pair I wore around the world)04:30 Why pleated-front pants instantly elevate any outfit06:00 The gap in the market for great tops right now07:00 What to wear to a sleepover that isn't lingerie09:30 Summer sandal shopping when you actually have to walk10:30 Why sneakers don't belong with sundresses11:30 The travel sneakers I pack every time13:00 Ballet flats, thong sandals, and the dream shoe they discontinued15:30 The perfect first-date outfit (as the weather transitions)17:30 My favorite inexpensive basics (Uniqlo, Old Navy, Quince, COS)19:00 The $25 Old Navy jeans worth trying20:30 How to shop trends on Depop without overspending22:00 Baby blue as the color of spring and how to style it23:50 Why 90s minimalism isn't the trend of the year25:00 Breaking into fashion after a layoff28:00 Why having a point of view matters more than networking29:00 What's coming nextLet's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailGuests: Jennifer Armstrong, Devin Pendleton and James MurphyHosted by: Courtney OrtizToday's IDA Competition Spotlight episode features Star Talent Productions, based in North Carolina and celebrating their 20th season this year! Owner Jennifer Armstrong and emcees Devin Pendleton and James Murphy join Courtney to chat about their journeys in the competition space, and what makes Star Talent Productions stand out from the crowd!Follow Jennifer Armstrong, Devin Pendleton and James Murphy on social media - @StarTalentDance, @startalentdevin, @startalentjames and be sure to check out their upcoming projects.Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 & 5. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Check out IDA Affiliated Competition Star Talent Productions!View their 2027 season tour dates and register now at www.startalentproductions.comCheck out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Follow your Host & Guests!Courtney Ortiz - @courtney.ortizJennifer Armstrong - @StarTalentDanceDevin Pendleton - @startalentdevinJames Murphy - @startalentjamesJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

When the world's most famous dancer offered a young sailor a job as his assistant, Blue Robinson thought it was a joke at first. But what followed was the most fascinating and formative year of Blue's life.Simon 'Blue' Robinson grew up sailing and playing rugby on the idyllic island of Jersey, between England and France.In his 20s, he went further a field, first to London and then Blue started working on yachts sailing around the Caribbean.One evening at a restaurant in St Barts, Blue spotted a man whose face he recognised, and invited him on board the yacht the next day.That man was Rudolf Nureyev, hugely famous for his talents as a ballet dancer, his volatile temper, and for defecting from the Soviet Union.Nureyev took an immediate liking to Blue and spontaneously offered him a job as his assistant.The two next met months later, when Blue found himself side stage in Cleveland, Ohio, helping the legendary dancer undress, and preparing him a thermos of hot tea.This began an extraordinary and transformative year for Blue as the assistant, dresser, masseur, driver, cook, and trusted confidante of history's most iconic and legendary male ballet dancer.Blue's book, A Year with Rudolf Nureyev, is currently being turned into an audio book.He is still working as a writer, helping people write their private memoirs.This episode of Conversations was produced by Meggie Morris. Executive Producer is Eliza Kirsch.It explores ballet, Russia, USA, famous people, the secret lives of celebrities, Tatar, Red Army, Margot Fonteyn, classical dancing, defection, Soviet Union, USSR, The Royal Ballet, HIV-AIDS, health, decline, homosexuality in the 20th century, caring for sick people, carers, memoir, writing books, biography, boats, super yachts, below deck, sexual health, queer icons, STI, first jobs, amazing jobs.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Today on the Slacker Show, we talk about the different versions of childhood rhymes, how Slacker can be more grateful, preserving tattoos, waiting in lines, and how in the world a sandwich got this smushed!

Guests - Ty Williams, Tonysha  McIntosh, Haley EverettHosted By - Courtney Ortiz and Lesley MealorIn Episode 263 of Making The Impact - A Dance Competition Podcast, we are joined by studio owners Ty Williams and Tonysha McIntosh, and dance educator Haley Everett to talk about the many ways competitive dance can be more inclusive and diverse. Dancers from all walks of life deserve to feel welcomed and included at dance competitions, and our guests are doing great work in the field to contribute to that positive atmosphere. Topics Include: What Haley's All Needs dance classes are all about, and advice for others who are interested in adding inclusive programming The types of diversity that people often overlook in competitive spaces (diversity of style of dance, age, and race on judging panels, diversity of competition leadership) and why it's important for everyone to be represented What work still needs to be done to make competition spaces more inclusiveHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceTy Williams - @Ty.Williams.5, @tntdanceacademy_Tonysha McIntosh - @nyshfaith, @tntdanceacademy_Haley Everett - @haley_everett19, @studio19dancecompanyThis episode is sponsored by:Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Hello internet! This week's episode is all about the history of the ballet and what to expect when joining a BALLET CLASS! Enjoy and be sure to share with a friend!   Marsha P. Johnson Institute: https://marshap.org/