Podcast appearances and mentions of Shonda Rhimes

R Jay (Ricki Junior) stops by — a Dallas-born actor, writer, director, and producer who got his start in a writers' room after a college professor accused him of plagiarizing work that closely resembled scripts from Grey's Anatomy — which led to a meeting with Shonda Rhimes herself. R Jay breaks down how TV writers' rooms actually work, shares how dyslexia shaped his creative journey, and reveals he was a Gerber baby. Plus, a quick round of rapid-fire questions, a zodiac sign debate, and Bri's legendary burping talent gets another shoutout. Get more show at MZNOWWatch the full episode on YouTube:YouTube.com/@michaelzavalaFollow the Guys:Michael Zavala @michaelzavalaEric Star @mrericstarClark @justsimplyclarkFollow the Show:Instagram: @mznowtvwww.MZNOW.tvProduced at mzStudiosmzStudiosDallas.com

Headlines:  – Welcome To Mo News (00:00) – Rep. Massie Loses Kentucky GOP House Primary, Most Expensive In History (05:15) – Trump Endorses Ken Paxton, Upending Senate GOP Plans In Texas Race (10:30) – J.D. Vance's Takes Turn To Lead White House Press Briefing (16:10) – IRS Forever Barred From Auditing Trump (18:20) – WHO Chief Raises Alarm Over Scale of Ebola Outbreak After Death Toll Climbs (23:00) – Will U.S. Attack Cuba? (26:00) – Trump Held Meeting On Iran War Plans After Pausing Attack (30:50) – Some Countries Are Profiting From War Oil Shock, Others Are Losing Out (32:20) – These Are the Hiring Hot Spots Where College Grads Are Landing Good Jobs (35:25) – Shonda Rhimes and Ellen Pompeo Team Up for New Texas-Set Grey's Anatomy Spinoff (38:20) – On This Day In History (40:00) Thanks To Our Sponsor:  Today's episode of the podcast features limited commercial interruptions, brought to you exclusively by the American Petroleum Institute.

Michael and TC revisit some of the most memorable commencement speeches from both this year and years past — from Roger Federer, Steve Jobs, Shonda Rhimes, Steve Carell, Eric Church, Arthur Brooks, and more. From lessons on resilience and rejection to purpose, kindness, ambition, and community, they break down the advice that resonated most with graduates — and why these messages matter far beyond campus. Plus: AI gets booed at graduations, universities navigate speech controversies, and Michael reflects on the power of rejection in his own commencement addresses. A thoughtful, funny, and surprisingly emotional conversation about success, failure, and what actually makes a meaningful life. Original air date 19 May 2026. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This morning, Grey's Anatomy is getting a Texas spinoff with Shonda Rhimes back at the helm, and Karl Stefanovic and Eddie McGuire have just signed a massive deal with ARN. Plus, Meryl Streep and Martin Short have just had the cosiest London dinner and the split rumours are very much put to rest. ☕ Grey's Anatomy is getting another spinoff! ☕ Karl Stefanovic and Eddie McGuire sign a huge multi-platform radio deal ☕ Harry Styles' team responds to fan complaints about sightlines on the Together Together tour ☕ Meryl Streep and Martin Short are spotted cosy at a London dinner ☕ Mandy Moore finally breaks her silence on Ashley Tisdale's toxic mom group essay THE END BITSOnce you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here.You can now watch some of our episodes in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see LINK: https://podcasts.apple.com/au/podcast/the-spill/id1473523403Support independent women's media New Mamamia subscribers get $40 off — $20 off an annual membership and $20 off your TWOOBS order. Click here to subscribe.Already a subscriber? Click here for your $20 TWOOBS discount code.T&C's apply.Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel.Read all the latest entertainment news on Mamamia... here.Discover more Mamamia Podcasts here.CREDITSHost & Producer: Ash LondonExecutive Producer: Monisha Iswaran Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Outlouders, enjoy this free taster of Mia Freedman, Holly Wainwright and Emily Vernem on our subscribers only episode. You can listen to the full conversation: 'Scurrilous Gossip: The Royal Affair No One Saw Coming' here. What do you mean, you're not a subscriber yet? Solve that problem HERE. Welcome to another episode of Scurillous Gossip, where we stand by nothing. Here’s what we cover: We know why Helena Bonham Carter pulled the plug on The White Lotus Season Four. Support independent women's media - SUBSCRIBE HERE And we also know way too much about the strangest celebrity-royal rumour we’ve ever heard. Yes, we’re talking about Sarah Ferguson and… look, you won’t believe it. Then, the former Prince Andrew was chased by a man with a crowbar, and it’s about to make Prince Harry’s security battle even more complicated. And, Em’s Roman Empire is the relationship she calls ‘the most toxic situationship ever’, featuring one Mindy Kaling. VOTE FOR US: Help Out Loud win the People’s Choice category of the Australian Audio Awards. Find the link to vote right here Got questions or things you'd like Mia to talk about? Email us at outloud@mamamia.com.au What To Listen To Next: Listen to our latest episode: How To Be Liked By Absolutely Everyone Listen: Writing a List of Anti-Goals Made Me Quit My Job Listen: Scurrilous Gossip: A Facelift Slippage & ‘Wildly Unhappy’ Royals Listen: The Red Carpet Moment That Answers The Blake Lively Question Listen: Fake Nips & Wandering Hands: Mia’s Met Gala Verdict Listen: We Do Not Agree On The Taxi Cab Theory Listen: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Connect your subscription to Apple Podcasts Got questions or things you'd like Mia to talk about? Email us at outloud@mamamia.com.au Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: We finally know the plot of The White Lotus Season 4, and it's not what anyone expected. We need to discuss Fergie and the alleged 'corgi cloning'. HOLLY WAINWRIGHT: Why Fergie is the most feared royal. Cassie’s mum took out a home loan to protect her daughter against Diddy. She just told the world why. Mindy Kaling and B. J. Novak fell in love on The Office. They were a 'romantic, toxic mess'. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Neste domingo, celebramos o Dia das Mães com uma curadoria que explora as nuances da maternidade, da carreira e da resiliência. Mergulhamos na icónica série médica Grey's Anatomy, analisando a complexa relação entre Meredith e Ellis Grey e os desafios de ser mãe nos corredores do hospital. Na literatura, trazemos a obra de Shonda Rhimes, "O Ano em que Disse Sim", um convite para profissionais e mães saírem da zona de conforto e redescobrirem as suas vontades. Para fechar com empoderamento, celebramos a força das mães solo através da arte e superação de Shakira. Afya News. Informação médica confiável e atualizada no seu tempo.Fontes do episódio aqui:⁠https://portal.afya.com.br/podcasts/afya-news/10-05-2026

In our latest "Between the Lines" installment, we shine a light on the best-selling collection of inspirational profiles by former "CBS Evening News" anchor Norah O'Donnell – the New York Times best-seller We the Women: The Hidden Heroes Who Shaped America, written with journalist and author Kate Andersen Brower. Brower, our current podcast guest, a former White House reporter for Bloomberg News, has written for The New York Times, Vanity Fair, Time, and The Washington Post. She is also the author of several books of her own, including the #1 New York Times best-seller The Residence, which was adapted into the hit Netflix series of the same name by producer Shonda Rhimes, as well as numerous other books, including First Women, First in Line, and Team of Five. As she shares in our As Told To conversation, We the Women is her first collaboration, but it is not so very far removed from her work as a political reporter, and as a seasoned chronicler of lives lived in and around our seats of power. Please support the sponsors who support our show: Gotham Ghostwriters' Gathering of the Ghosts Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

Greetings Glocal Citizens! This week on the podcast we have another installment of Glocal Citizens x Black Women in Real Estate collaboration--Borderless Building. Throughout the year, we're hosting conversations with BWRE members showcasing the personal and professional journeys of Black women in the real estate industry across tthe global. We're highlighting how Black women in the industry invest and structure value in/around land/property across global markets; and how we are offering valuable insight into the business/operational functions in the real estate industry to inspire a spirit of land stewardship. You'll hear this and more in this week's conversation. My guest, Nioki Doggett comes to us from the UK by way of her Bajan roots in Barbados. Throughout her career, she's helped institutional investors across the globe navigate complex real estate markets and find high-conviction opportunities, building the kind of trust that turns one-time conversations into decade-long partnerships. As Lead Business Development and Investor Relations Director for M&G Real Estate's European Platform, she drives capital growth and delivers tailored investment solutions for global institutional investors. Her work sits at the intersection of relationship management, market insight, and strategic advisory. Beyond her core role, Nioki is actively involved in shaping the broader real estate and investment community as a Committee Member of the INREV DDQ Committee, the Guild of Investment Managers, Ladies in Real Estate. She is a mentor at Chancerygate supporting real estate undergraduates entering the industry, and conference moderator and panel speaker on real estate and investment topics. Listen and learn more about how her deep expertise in real estate investment dynamics and global investor network spanning multiple markets and geographies are creating value where it counts. Where to find Nioki? On LinkedIn @ Ladies in Real Estate (LiRE) What's Nioki watching? Grey's Anatomy and other shows by Shonda Rhimes Apprentice UK Dragon's Den What's Nioki listening to? Bruno Mars Marvin Sapp Adele Olivia Dean Daniel Caesar Other topics of interest: About Black Women in Real Estate About Barbados now and Bajan roots Reading, Berkshire Royal Borough of WindsorSpecial Guest: Nioki Doggett.

Tony Goldwyn joins Obsessed for a candid and hilarious conversation about everything from the final season of Hacks and the lasting obsession with Scandal to the never-ending nepo baby debate. Tony opens up about working with Jean Smart, why people still call him Mr. President, his thoughts on legacy in Hollywood, and why he proudly embraces coming from one of entertainment's most famous families. He also reflects on his groundbreaking role in Designing Women's iconic AIDS episode, his humanitarian work with Americares, and what makes Shonda Rhimes one of the greatest creators in television history. If you love TV, Hollywood stories, and behind-the-scenes honesty, this is an episode you don't want to miss. Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ New episodes every Thursday, and Saturday; ⁠early drops on YouTube⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What happens when a ghostwriter/collaborator looks on as the subject of her latest book becomes the lede of a story neither one of them set out to tell? That's the question at the heart of this conversation with journalist Kate Andersen Brower, co-author of the New York Times best-seller We the Women: The Hidden Heroes Who Shaped America, written with "60 Minutes" correspondent and former "CBS Evening News" anchor Norah O'Donnell. We the Women presents a vivid portrait of the unsung women throughout American history who have changed the ways we work and live—a book Melinda French Gates calls "a vital reminder of the importance of women's contributions to our history, and a call to action for anyone committed to carrying forward the work that they began." About that call to action: in the aftermath of the shooting at the White House Correspondents' Dinner on April 25, 2026, O'Donnell sat with President Trump for a lengthy "60 Minutes" interview, during which the president berated her for having the temerity to ask him to respond to the gunman's manifesto. The president called her "horrible" and "a disgrace." O'Donnell pushed back, and by the Monday morning of our podcast interview, the heated exchange was making headlines and filling social media feeds all over the world. "It was tremendous to watch," observes Brower, "and I hope that it inspired some younger women watching to want to become journalists, and to want to ask these tough questions." Kate Andersen Brower knows what it means to work the political beat. A former White House reporter for Bloomberg News during the Obama administration, she has written for The New York Times, Vanity Fair, Time, and The Washington Post. She is the author of the #1 New York Times best-seller The Residence, which was adapted into the hit Netflix series of the same name by producer Shonda Rhimes, as well as numerous other books, including First Women, First in Line, and Team of Five. Join us for a candid conversation on what it takes to speak truth to power—and then, to find a way to write about it. Learn more about Kate Andersen Brower: Website Instagram  Facebook  Substack Elizabeth Taylor: The Grit & Glamour of an Icon Please support the sponsors who support our show: Gotham Ghostwriters' Gathering of the Ghosts Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

How can you navigate uncertainty in a constantly changing market? Why is persistence the key to a sustainable creative career? Plus why distribution is so important, and the four ways to monetise your creative work. All this and more with Adam Leipzig. In the intro, my reflections on running an author-publisher business after a fantastic e-commerce workshop run by Blubolt, and why you will always pay for marketing with either your time or your money; AI-Assisted Artisan Author webinars; and last call for my Kickstarter Bones of the Deep – J.F. Penn. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing books still matters in a world saturated with visual media The Jeffrey Katzenberg “next” lesson and the power of fearless persistence How uncertainty and the “long middle” are essential parts of the creative process What film editing can teach writers about cutting, shaping, and refining their work The 10 Laws of Culturenomics, including why awareness is not desire and why distribution is everything How generative AI is changing filmmaking — and why creatives should be the architects, not the tools You can find Adam at AdamLeipzig.com. Transcript of Interview with Adam Leipzig Jo: Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. Welcome to the show, Adam. Adam: Thank you so much for having me, Jo. Jo: I'm excited to talk to you today. You have written several books, but you have worked on many more films. So I wondered, why do you think books still have a part to play in reaching people? What do you love about writing books that is different to your filmmaking work? Adam: You can put so much information in a book, and the beautiful thing about a book is that you can pick it up wherever you want, whenever you want, and leave it off and go back to it. It's just waiting for you and it's there. It really allows me, and other authors like me, to share information in a different way, with more details and more stories and more specificity. I love the ability to just share that information and have it always available. You don't need a device, you don't need to have a subscription. You can just go to it whenever you want. You asked me what I love about writing. Like a lot of writers, I'm not sure I love writing, but I do love having written. The thing about a book is that it's a very solitary exercise. A film is a highly collaborative exercise. No movie gets made by one person. It's made by hundreds or sometimes thousands of people. But this book is just me and a laptop and notes and a lot of thought. It's a very introverted, almost monkish existence while you're doing that, and then it has to go out into the world—and that's when it really starts to interact with people. So there's this huge difference between being alone and being always in a collaborative environment, which is what happens when I'm making a movie. Jo: Most listeners will be independent authors in some way, and a lot of us do this because we're control freaks. We like being the only people. So how is that different? You mentioned collaboration in the film industry, but is it almost freeing to do a book without having that? I mean obviously you have editors and publishers and stuff, but— Is it freeing in some creative way? Adam: It is really nice, because there is not another point of view in the room and I can just say what I feel and know that that's there. At the same time, you're right—I have had some amazing editor help and I've had some great early readers that have given me feedback on it and helped me make it so much better than it was when I finished the first draft. I knew that going in. I always test and share what I'm doing to make sure that it lands in the way that I wanted it to land, and it can be helpful for people. Jo: Getting into the book, you have a chapter on “what you do matters.” I feel like this is super hard. This is not a political show, so we're not doing politics, but there are a lot of big things going on in the world. It can be very hard as writers to think, is writing my book actually going to make a difference? So how can you encourage people? Adam: That's the hardest thing, Jo, because there is a lot going on in the world right now. Everything that's going on in the world right now exists because it's following a certain narrative. I don't believe that narratives are come up with because people look at things that are happening and say, “Oh, well let's just write what happened.” I think that we do things from micro experiences that we have with ourselves, our relationships, our families, to the macro experiences of politics and global situations. I believe that happens because there is a narrative that is being followed. So what I say to all creative people is that it's our job to craft and express the narratives that matter—and different narratives—so those narratives can be followed. One of the points that I make in the book is that poets are not overtly really dangerous people. Poets are generally lovely people, a lot of them don't talk too much. They're great to have dinner with, and they just work with words—and often not a lot of words, right? Because beautiful poetry is often concise and simple and spare. Yet there are places where poets are in jail. Because the narratives of those concise, spare, gorgeous idealistic words matter so much that those voices need to be silenced, which means those narratives are dangerous sometimes. Those narratives present an alternate world, an alternate view of reality. I think it's really our job as creative people, as entrepreneurs, as people who are essentially creating narratives out of the soul of our lives and our experience—we want to express those to the world. It's really important for us to express those to the world, especially now, especially because so much is going on. Those narratives are going to become pathways that others can look at and maybe follow. I think that's really important. It's the reason why we do our work. Jo: I absolutely agree with you around writing the narratives that we want in the world. “Be the change you want to see in the world” and all that. I also want to call out the fact that there are hundreds of thousands of books now published, and you come from the film industry, and many more people really watch films or play games than read books. I've wondered about this myself. I've written a few screenplays and sometimes it feels that wouldn't it be better to try and put our words into a visual medium? A lot of authors listening will do micro video like TikTok and all of this. So this is back to the question of— Why books? How can we change these narratives when we feel like we're drowned out by all the media? Adam: I think it's great for authors to express themselves in other media. I have a pretty active Instagram channel, and I love doing that, but it's a really different thing. I'm talking to people in two-minute bursts with very specific things. It's not the same and not the same detail as a book. If we let our understanding of the ocean of content that is always coming to us stop us from doing anything, we wouldn't do anything. That's also true about movies. There are probably 10,000 movies made every year. There are a few hundred that are released. So if every day I thought, “Oh, the movie that I'm working on is maybe not going to be released because there's only a small percent of movies that are made that are released.” Or worse than that, “Of all the movies that are made, there's 500 different shows on Netflix and Apple and Amazon and there's so many choices.” If I thought that everything I was going to do is going to be drowned out, I wouldn't do anything. I just don't believe that's true. I think it's our job to do things. Yes, there's an ocean of content out there, but what we do really matters, and it doesn't have to matter at gigantic scale. We don't know the scale that our work is going to achieve over time. One of the early films that I worked on is a film called Dead Poets Society, and that script was passed on by every studio at least three times. It's probably a film that I couldn't get made now for all kinds of reasons, because it's not a sequel and it doesn't have superheroes or visual effects. When we made that movie, we didn't know the impact it was going to have. It could have been drowned out by things, but it rose to a level that everywhere in the world I go, someone has seen that movie, including people who were not born when that movie was made. We don't know the long arc of our work and the people that it affects. Jo: I love that movie too. “Oh Captain, my Captain.” I can hear everyone saying that behind the screens. This brings us to the title, Fearless Persistence, because of course Dead Poets Society ended up being an incredible success, but not everything turns out so well. I wondered if you could talk about this persistence. How do you keep creating after something you perceived as a failure, or perhaps all the things that didn't get made? Why is persistence so important that you use it in the title? Adam: I've been super fortunate. I've worked with amazing people and on great projects. I've made 40 films at this point, and I'm making more. I've tried to make 400 films. I failed at getting them made 90% of the time, and that's okay. I just keep going. When I was working at Disney and I was an executive at Walt Disney Studios for seven years, there was one movie that we were opening and nobody had really high expectations for it. But it opened huge on a weekend and it beat the competition. We were in our Monday morning meeting and we were dancing on the tables and we were so excited. Jeffrey Katzenberg, who was running the studio at that time, came in, looked around the room, put his hands on his hips, and said, “Next.” We just had to move on. I really learned the meaning of the word “next” about four months later when we had a film that we all knew was going to be hugely successful and make a lot of money and give everyone their bonuses, and it completely bombed at the box office. It was like you gave a party and nobody showed up to eat the hors d'oeuvres. We were in the Monday morning meeting, very glum and not sure what was going to happen. Were we going to be fired? What was going to happen? And Jeffrey walked into the room and said, “Next.” Jo: Mm-hmm. Adam: And we just keep going. I think that is the great and defining quality of people who really have sustainable lives, either as creatives or business people or entrepreneurs. We're persistent. We're just like those little birds—you put their beak in water and they just keep bobbing up. We just keep going. It's not about the people who are the most talented, because I'm certainly not the most talented. I'm certainly not the smartest. I'm certainly not the most creative. There are people who are smarter and more talented and more creative than me all the time, and I get so much energy in being able to know them and work with them. But I am super persistent. I don't stop. If there's something that I really believe in, I'll just keep going. I started taking notes on this book 10 years ago. There are movies that took 12 years to get made. You just keep going. There are times, as a producer, where everybody's fallen away. There was a director attached, there was a star attached. They all left, they did other projects. The material is no longer under option. You don't even have legal rights to it anymore. You just keep blowing on the embers and then eventually maybe it gets made. That's what it's about. Jo: Do you think there's some kind of serendipity or something more that makes a book or a film? Is it timing? Is there just some chemistry? You talked earlier about testing and sharing things to see if they're going to work, but as you mentioned, some films you think are going to be amazing and they bomb. Other things are a slow burn. How do you know when to make a film if you just can't predict this stuff? Adam: You can never predict it, but I think you start with: do you really, really think about it all the time? Do you really care about it? It's not like you're in a meeting or you read a script or you hear an idea and you're super excited about it—but are you still excited about it tomorrow morning? The next day and the next? If you keep waking up every morning thinking, “Wow, that's great, I've got to get that forward,” then I think that is the first indication for me that it's going to have some staying power. I don't think I am that different from everybody else. So if it's something that consistently excites me, I feel like there's going to be at least some other people in the world that it's also going to excite. Jo: Do you think you have a voice, I guess, as a filmmaker as much as a writer? Are there things that excite you consistently that you're drawn to? Or do you think it's much wider as a filmmaker than a writer? Adam: I think it's a lot wider as a filmmaker. Part of it's also just my capacity right now as a writer. I really like the writing in Fearless Persistence and I also recorded the audiobook. I love listening to the audiobook experience. I think it's some of the best writing I've ever done. I have not yet found the capacity to write a novel or to write fiction in the way that other people can. So part of it's just my skill and capacity at this point in my writing career, where I think I'm pretty good at expressing ideas in a nonfiction setting, but I haven't developed the skill set for fiction. In movies, I make documentaries. I make fiction feature films. What attracts me is character. It's always the character, the people, the journey. Are the people really interesting? Do I want to spend two hours of my life in a cinema with them, or 10 hours of my life watching those episodes on a streaming channel? That's what always starts with me. If the character is interesting, then I'll keep going. Jo: I think the book, Fearless Persistence, has a lot of your character in it and your experience. It's not just a nonfiction book of prescriptive rules. You did bring a lot of voice into it, I think. Adam: Thank you. I try to make it be like we're sitting down and we're talking and we're having a conversation. Jo: Coming back to the book—a quote from the book: “Uncertainty isn't the enemy of creativity. It's its greatest ally.” You talk about these messy and unpredictable times. I'm what we call a discovery writer. Some people say “pantser.” It mostly is quite chaotic and unpredictable. Could you talk about this uncertainty and messy creativity? Adam: One of the things I really try to do in Fearless Persistence is give support to all of us in this messy, unpredictable—what I call “the long middle”—where stuff is happening, but you're not seeing obvious results out there. You're either in the world or in your project, and you're just in this mess. That mess is a beautiful place, and I'm trying to give support to the fact that that mess is gorgeous and it's part of the process. It's part of everybody's process. We shouldn't feel as though we are not doing our job when we're in that long, unpredictable, uncertain middle. Because out of that, we discover what we actually want. It gives us a way to refine our taste and refine our direction because we are so uncertain. Then there's this moment—and I don't know if you find this in your own writing, Jo—but there's this moment where that uncertainty changes into: there's no choices here at all. This is just what I have to do. I actually think that the greatest freedom is when there's no choices. Where the path is just there, but we've got to get through the thicket to get to that path. And there's always a thicket. Jo: There's a moment for me where the chaos becomes more certain and I'm like, okay, that's the story. I thought it might have been something else, but now that's what it is. I often have too much material as well. So I wanted to ask you about this too, because as an author with a book, editing is hard for us. Of course there are lots of words and we have to go through it all, but editing on a film—I can't even imagine how hard the editing process is. Could you talk about editing and how you cut and organise these massive projects? Adam: Yes, editing is really hard, but it's also so fun. I think being on a set is great. It's the most fun a kid could have. But being in an editing room is also the most fun a kid could have, because you have all of the pieces and there are so many ways to do it. This is where a film is actually made—in the editing room. Probably the way books are made also is in the editorial process between the writer and your own brain as the editor, or if you have someone who's helping you edit it. Editing is really interesting because it's the only craft that did not exist before filmmaking. Everything else existed, right? There were scripts, there were actors, there were costumes, there was art direction, there was production design, there was music. Editing was a craft that had to be invented for film. So it's a craft that's only about 120 years old. When we make a film, the first thing that the editor does is just put all of the scenes together in a first editor's cut, a rough assembly. It's basically every scene that was in the script as it was shot, and the editor just tries to choose the best angles. That generally comes out maybe a week or two after we wrap photography, and that first cut could be three or four hours long because it's got everything in it. Then the process is: let's take that out. Let's take that out. You don't need this. You can move this scene here and move it there before the other scene. We don't really need that shot. Or can we get to a closeup there? And you get it down, down, down—just like in writing where you kill your darlings. I actually find editing the most fun I have. “Oh, I don't need that sentence.” Or, “I can take out three words here and the sentence is better.” We go through exactly the same process in film editing and squinch it all down to the most compelling and efficient way to tell the story. Jo: I'm glad you say it's fun because I also like editing. I find the editing much more creatively fulfilling because I actually can figure out the book that way. It's so funny, I think as writers, many people either love the editing or they love the first draft. It seems like you enjoy the whole process. Adam: I like the editing so much more than the first draft. I feel like I had to get through the first draft. That was my long middle, that was my uncertain period, that was my thicket. Then my editing was, “Oh, great. Let's cross this out. Let's change that word. Let's lose that paragraph.” That was fun. Jo: So let's say we now have a book or we have a film. In your book, law eight of culturenomics is that “without distribution, there is nothing.” So now we have to get this out there, and this is really difficult. Can you talk about how film distribution has changed? Can you also reflect on how it is for writers, because our distribution has changed a lot too? Adam: So, as you mentioned in the last section of the book, I've observed over the past 30 years that when a work is both aesthetically really excellent and also economically viable and sustainable for the creators, it always observes these ten principles. I call them the 10 Laws of Culturenomics. One of them is “without distribution, there is nothing,” by which I mean: unless your audience, your market, the people that you are seeking to share or serve with the work—unless they can get it, it doesn't really matter. It's like that tree falling in the forest and no one's around to hear it. I always think about my market and my distribution before I start making the movie. I was thinking about that as I was writing the book, because I really want it to be there to meet people where they are and I want them to be able to get it. Film distribution has changed a lot, especially during the pandemic. People stayed home and cinema admissions have fallen off 30% from pre-pandemic levels, so people are going out to cinemas less. That means fewer films are being distributed in cinemas for any viable period of time. Sometimes some movies will be out there for one or two days, literally, in cinemas, and then they go right to streaming. On the streaming side, there was a glut of streaming content. All the streaming channels overinvested in streaming. There were too many shows. I don't know about your Netflix queue or your Amazon queue, but it's unnavigable. There is so much stuff. Now they've cut back a lot—they're just doing a lot less. We're in a situation now where anything can get out there somehow. The question is, does your market, does your audience know about it? Do they want to invest the time to experience it? One of the other Laws of Culturenomics is that “awareness is not desire.” There's a lot of things that we're aware of that we don't want to spend our time with. Everybody was aware of Disney's new Snow White movie. Nobody wanted to go see it. Jo: I must say, I'm not the key demographic for that! Adam: But you knew about it? Jo: Was that a live action one? Adam: Yes. Jo: I don't understand those live action ones, to be honest. Maybe that's why— Adam: I think we are sequelled out. I look at the movie business and I just think what audiences really want is something new, please. Something we haven't seen before. We don't want the 95th iteration of something from the MCU. The studios, because the movies cost so much and they're so risk-averse, talk a lot about “pre-aware titles.” In other words, titles that you've heard of before, so you're going to go see the movie. It works to a certain extent, but I just think it's cinematically boring. In that world, you never could have predicted Oppenheimer. You never could have predicted Barbie. Movies that really don't have a precedent, but they did so well because they're different. I think audiences are craving something different right now. Jo: It's interesting though, isn't it? I agree on one level, but then I also watch Bridgerton and we watched the latest series as soon as it came out. I guess that is pre-aware to a point. I don't read historical romance, yet I really like the show. I think it's because of Shonda Rhimes. I watched Grey's Anatomy for about 20 years. Adam: She's great. Jo: She's amazing. So I feel like this is why it's hard, isn't it? It's hard to know. As fiction writers particularly listening, we have very specific genre audiences, and they often don't cross over into other genres. They love their genre fiction. So it is hard to balance original work that may not be easily sold and the other stuff. I guess that's why the studios do it, right, because they think they can make enough money with the next Marvel movie. Adam: Yes, but I'm curious to know what you think about this, because even within a genre, a really good genre movie or a really good genre book is not the same as all the other books or films in the genre. It's familiar in that it does what the genre says you have to do, but it's different. It's got those unique things that make us feel like super fans, that we really love it. It's familiar enough to fall within the genre—and yes, genres have rules that you've got to follow—but then there's something unique and different that's exciting. And that's why we say, “Hey Jo, you've got to read this book.” Jo: I agree with you. I love that you said “awareness is not desire.” This is another problem with our creative work, right? We have to do marketing. We can throw all this stuff out there, and yet it may or may not work. So let's talk about your book marketing. Obviously you are on this podcast, and I presume your publicists are pitching lots of podcasts, but— What are you doing to promote the book that might be different to a film release? Adam: Well, I don't have a hundred million dollars. Jo: Surprise! Adam: Right? I've got a few hundred dollars, so we're just doing it this way. As you know, once upon a time, legacy publishers actually did marketing. Legacy publishers barely do any marketing now. Every author has to do it themselves. So we have to do this ourselves. It's been the hardest thing. I think it's the hardest thing that we've all had to adopt, that we have to do this thing where there used to be a marketing department and you just hand it over to them and we could just be in our own little creative space. But no, we've got to do this also. So what am I doing? I've amped up my social media. I'm speaking. I am on podcasts like this. I'm sharing as much as I can. I'm asking circles of people who have been early readers of the book. I'm really grateful because I've had really enthusiastic response to it, both from creatives and also some business people, which was surprising to me, but really great. Someone said, “This is the best business book in the past 10 years,” which is really interesting, right? Because you read it, Jo, as an author, but she read it as someone who sits on the board of major companies. That was a pretty interesting response. I'm just asking them to be advocates and share it around. I'd just like to be those people who blow on the embers and let's see if we can make a fire. Jo: We talked about the fun bits earlier. I'm enjoying our conversation, but I know that marketing is not necessarily in the fun bucket. Are you finding bits of the marketing you enjoy? Adam: Yes, I love meeting the audience. I love meeting the people that I'm writing the book for and sharing it with. I've been fortunate enough to be asked to run a writer's workshop in Greece for the past few years. It's a retreat centre called Rosemary's House. It's on the east coast of Greece. A dozen writers. I work with writers all the time, but they're always writing a specific thing, like a screenplay or something. This was a dozen writers all writing different things, and I'd never done that before. I had an extraordinary time. The first year I went, I'd had all these notes for this book, Fearless Persistence, that I'd been compiling for some time. But there I was in the room and I was with the people that I was really intending to write the book for, and that kicked me in the butt and I wrote the book. Then the next year I was back and I finished it while we were there at the writer's retreat. So that was great, and I was with another group of writers. I'll be back there again later this year and the book will be out. So it's this fabulous continuation of really engaging with and meeting the people that I'm seeking to serve with this book. I really enjoy encouraging and mentoring and sharing the systems that are undergirding the creative process, and then the process of how do you build a sustainable life, including all these super practical things that they don't teach you in art school or writing school or film school or even business school. How do you actually build a sustainable life in this practice? I love that. I guess that's marketing, but it's also just being with the people that you're there to serve. Jo: I love that you use “serve.” I use the same word. I say, “Who do you serve?” And that can help people, because I feel like creative people are like, “We don't want to be marketers, we don't want to be salesy.” So if you reframe it as service—who are you trying to help, who are you trying to entertain—that actually helps. Coming to the business side, you mentioned systems. You are right, the book has a lot of business in it, which I love because we talk a lot about business on this show. In one section you say there are only four ways to monetise your creative work. So could you talk a bit about those different ways to monetise your creative work? Adam: Yes. This has been true for maybe 5,000 years because it's not about technology, it's just about how work is monetised. There are only four ways that any piece of work is monetised. For sale. You have a book, and you go to your favourite bookstore and you buy the book, and now you own the book. For rent. You could rent a book from your library, or in a movie context, what you're really renting is the seat for two hours to watch the movie. On subscription. People have subscriptions to Kindle Unlimited or other platforms, or people have subscriptions to a streaming service. Free. When it's ad-supported. That's like linear television where there's ads, or Amazon where there's ads and you don't pay for it. For sale, for rent, on subscription, or free—those are the only ways anything is ever transacted. When it's ad-supported, for example, some people have YouTube channels that are very successful. YouTube is free, and then YouTube is making money from the ads and the creators are getting a tiny little slice of the ad revenue. Jo: Like this podcast. I have sponsors who pay, and they're all related to the author industry. They're companies that I use and work with. I personally recommend them, and that means this podcast is free. Adam: Thank you, sponsors. Jo: Yes, thank you, sponsors! I also have patrons—people who subscribe to the show to support it as well. So I guess we don't have to be in one bucket or another. We can have our work in different buckets. Adam: Ideally, you can have your work in every single one of them. Not always, not necessarily always at exactly the same simultaneous moment, but at a certain point as the work gets out there into the world, as it's lived long enough, it probably will be in every bucket. That's great because we want our work to be as accessible to the people that we're serving in any way they want to get it. Jo: I totally agree. And your audiobook, as you mentioned, will be available in those different formats as well. Adam: Yes. Jo: I find that, especially with nonfiction audio, what I love is being able to listen to just a chapter, just a chapter in a specific part. Someone could actually listen to the 10 Laws of Culturenomics separately to some of the rest of the book. I love that. Adam: I'd never done that before. It was so powerful to record the audiobook because up until that moment, my relationship with this book was fingers typing keyboards, electrons on a screen. It was a completely silent experience. Then I was in this recording booth in Los Angeles and I started speaking the words, and I was visualising the people that I was writing it for as I was doing it. It was so powerful. Then I listened to it and I thought, wow, this is actually a really good experience. It was so powerful that I was recently in Paris because I'm working on some films that are in Europe, and I decided to create a special advanced listener edition of the audiobook, where I took the chapters and put them into individual or grouped listening units. In a recording studio in Paris, I recorded some prefaces and reflections on those listening units, which are now thematic. I'm really proud of that edition. It's not for everybody. The regular Audible audiobook is going to be out there, but this version, which is on my website, I think is a really wonderful version for someone who just wants me to walk with you as you go through the experience of the book. Jo: Are you selling that direct from your website? Adam: Yes, I'm selling it direct on the website. Jo: Brilliant, because we all do that too. You can actually make more money selling audio direct than you do from the streaming. Adam: Yes. Jo: I realise we don't have much time left, but I need to ask you this because the film industry and publishing are in this great time of change with the advent of generative AI. We've seen in the last week the actor Ben Affleck's company, InterPositive, has been acquired by Netflix. So it seems like technology is disrupting a lot. How do you think we can navigate this time? What are your feelings around this new wave of generative AI? Adam: It's a great tool. It's not a great writer. It's actually really a terrible writer. You can always tell when generative AI has written something because it has a certain very annoying style, but it's a great tool. I use it in my production. I teach at the business school at UC Berkeley. We train people on how to use it for various kinds of problems and solutions. But the important thing is that you are the architect of the machine. It's a machine. It is like a paintbrush, but it is not the hand that holds the paintbrush. So I am not concerned that AI is going to go make movies that we all care about, and I am not concerned that it's going to disrupt, in the largest sense, the employment picture. Certainly some jobs are being lost, but new jobs are being gained. It's really interesting. For example, you mentioned Ben Affleck's company, which Netflix just partnered with. It's not making new content. It's creating a better production workflow. It's taking what is shot or what is planned in the production workflow and just making it better and more efficient and implementing it and adding to it. That is a really good use of AI. All the creative power retains within the hands of the creative humans, but it's giving the humans more tools. Jo: I've been reflecting on the idea of the film director, in that people often know their names and they win awards, and yet they didn't necessarily write the script. Some do, obviously, but they didn't act in it, they didn't do all the editing, they didn't do all the different jobs, but it's their creative vision. So is that how you see us playing that part? Adam: I do. I think that's a really good analogy. And look, AI—it's good. It's going to keep getting better. It still has massive error rates, so we still have to be very careful about what we attribute to it and what powers we give it, and what facts we believe from it. Jo: So what are you excited about next? Obviously you are promoting this book, you are doing speaking things, but are you looking to your future continuing to work across film and books? What are you excited about in terms of your creative projects? Adam: The big arc of my creative life is creating ecosystems where creative people can do their best work. This book is part of that. With the movies that I make, as a producer, I try to create the ecosystems where people can do their best work. I envision, and I'm excited about, continuing to do that. Whether it is in a book or in a workshop or in a film that I'm making. I just want to keep doing that: creating these ecosystems where people can really do great work and express themselves creatively, entrepreneurially, and with a positive view of the world to come. Because that is a responsibility, coming back to the first question you asked me. Jo: Brilliant. So where can people find you and your book and everything you do online? Adam: You can find me at my website, which is AdamLeipzig.com, just like the city. Of course, the book is available wherever you buy your books, and the Kindle and the audiobook are exactly where you would expect to find them. You can also find me on Instagram at @AdamLeipzig, and you can find me on LinkedIn as Adam Leipzig. I love interacting with people, so come and find me. AdamLeipzig.com is the best place to find everything. Jo: Brilliant. Well, thanks so much for your time, Adam. That was great. Adam: Jo, thank you so much for having me. It was great talking with you.The post Navigating Uncertainty And Fearless Persistence In A Long Term Creative Career With Adam Leipzig first appeared on The Creative Penn.

With The Devil Wears Prada back on the big screen, we've been completely fixated on Andy's transformation from “frumpy” assistant to head-to-toe haute couture. It has sent us straight down a rabbit hole of the greatest makeover sequences cinema has ever given us.Because here's the thing. Yes, they're a little problematic, unhinged in their logic, and we are not even slightly sorry about how much we love them.We're breaking down the most monumental movie makeovers, why they've aged the way they have, and why we completely lose our minds every time the dramatic music plays and the transformation is revealed. Speaking of iconic makeover scenes, listen to our Brutally Honest Review of Clueless here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. SUBSCRIPTION GIVEAWAY:Win a $2,000 Bed Threads voucher. Subscribe to Mamamia here before April 30 to be automatically entered. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mama Mia. Welcome to this spill your daily pop culture fixed. I'm Laura Brodneck and I'm Tita Previs, and we have a very special episode for you today, one that I have been dying to do for so long because this is a special interest area of mind. So I'm so glad you're here for my moment that I got to share with you. We are doing the best movie makeover scenes that yes, might be seen as problematic, but we desperately love them. I love them. What do you think they're problematic? Well? I think well, I'm just gonna take my feminist hat off and put it in the corner. I'm gonna actually put it outside the studio, pick it up later on the way out, because I guess these like these movie makeover montages that have become such a big part of in particular romantic comedies. One is obviously we're both going to share our favorite ones. We don't know what the other person's going to say, but I'm assuming you don't have any men on your list, because I don't have any men on my lise. 00:53Speaker 2 You do, I do, But how rare is that it's rare, And that's why exactly exactly exactly. 01:00Speaker 1 So all the makeover scenes in movies, especially wrong cooms, always happen to women, and they always famously go one way. More men should be having makeups. Yeah, let's make it see men, I know. But if you rubits have tried to do that, has it really landed? I just mad it every day? Yeah, oh yeah, yeah, absolutely real mount the Street, let's make them over. I think it's a famous shell queer right. Well, these makeovers always go one way, so that's I think that's where the kind of problematic issue has come over the years is that the woman always comes out, she's always like tenned, she always has like a ton of makeup on, she gets her glasses taken off, even if see without them, always wearing like skimpier clothing. Like it's a very like kind of like sexualized bombshell kind of look that every woman gets made over to in these movies in order to kind of achieve the life that she wants. So if you look at it through that lens, slightly problematic. But we're not doing that today because movie makeover scenes have made up the broke of pop culture for so long, and there's so many movies that are made around these scenes or these ideas, and they were always the scenes that we used in marketing so famously in Suddenly thirty they had like done the script and shot half the movie, and the studio was like looking at the dailies and looking at the script and they're like, you have to put a makeover montage in here for the trailer. Otherwise formula is otherwise we can't sell this movie. What the hell are you doing. So the reason we're doing this today, I do have a reason for this before we get into our picks, is that it is The Devil Wears prior to two week. Yeah, the movie is actually coming out this week on the thirtieth of April, and the first movie has an incredible makeover moment which Andy goes into the fashion closet with nigelnic He pulls a poncho for which we never wear it see her wear. And then that is such a catalyst for the film because it's how we see her lean into her career and how she gets taken seriously, and that we have that incredible montage of all the different looks that she wears down the streets, different coats and hats into the office. You have a favorite one. 03:01Speaker 3 From that montage, all of the looks are always so good, and I think because you do have that contrast for like her own style at the start to all of those looks, like you can't just pick one, and then from there on out it just gets like better and better. 03:15Speaker 1 The fun better and better and better. 03:16Speaker 3 Yeah. 03:16Speaker 1 From that makeover montage we first see her like the green coat means the winner, but also the brown snakeskin coat when she walks into the building, which is how I want to be dressing this season. So off the back of the Devil Wears prior to two cinemas April thirty, we're gonna be sharing with each other our favorite movie makeover moments. Do you want to kick us off? So we haven't shared yet. I don't know what you're gonna say. It's going to be surprise. I'm interesting how a man weaseled his way in there, so like a man. It's like, we have one thing and it's been overly sexualized and made over in movies and then men want to take it away from us. 03:47Speaker 3 So I'm staying on the Anne Hathaway train. 03:49Speaker 2 Oh yeah, and I'm going with Princess Darry It wouldn't be Yes Complete the Makeover Podcast EP if we didn't have this one in there, I feel like it. It's so iconic unless you're living under a rock. Everybody has seen Princess Staris. It's one of my favorite movies growing up. And we follow Mia Thermopolis played by Anne Hathaway, and she finds out that she's actually a princess, which is what I thought was gonna happen to me. I'm still waiting for a letter behind estranged relative in her country. And she pretty much undergoes this whole transformation on her path to becoming a princess, and they enlist a stylists. 04:27Speaker 1 She pretty much just. 04:28Speaker 2 Takes her glasses off, straightens her hair and like has her nails done. 04:32Speaker 1 Like there's really not much more to it. Oh see. I actually think out of all the movie makeover is this one they actually go through quite a drug etiquette, has the etiquette training and that whole thing. But also I think they actually do quite change, Like she looks drastically different. Some makeover segne like you just took off her glasses and put a lipstick on, whereas this one it's like completely like her hair because I think she's got like a crazy wig on when she is playing Mia in the early movies. The glass has always changed things, but the makeup is so intense, the skin sort of stuff. 05:00Speaker 2 How she they pluck her eyebrows, They're like really like whacking those off. But again on the slightly problematic end, because it did really like reinforce you know, curly like frizzy hair being like a little bit messy and untamed, and like, I deep dove into Reddit and there are so many people on the Internet who you know, said how much it really affected them and it led them to like chronically straighten their hair for like ten years. 05:25Speaker 1 Okay, I didn't know there was like the dark side of the Princess Diaries. 05:28Speaker 3 We have Minisha producer Nisha in the studio. 05:31Speaker 2 Who was saying that this had a little bit of an impact on her and her. 05:34Speaker 1 And she never curled her hair again. Wow, No, she has curly hair. She straightens it. No, No, I know, is that right? 05:42Speaker 3 She's nodding, She's she's no. 05:44Speaker 1 I didn't realize that your hair looked like that. Because of the wrath of Anne Hathaway. Wow and Hathaways actually come out recently. Anne Hathaway's commented on Yeah public apology. 05:56Speaker 2 She recently spoke to people off the back of the recent press she's been dewey and shared her one regret from her time on the film. So her natural hair is actually straight, so they had to create that contrast for that makeover scene, that moment, so they gave me a really curly hair. And you know, she has regrets around people thinking that they were saying curly hair is unattractive, which is obviously terrible, and like she says, it was an unintended side effect. It was just in order to make it easier and post and you know, have that massive transformation moment. But it's so significant that it's actually something. Now in twenty twenty six, she's had to come out and dress. 06:32Speaker 1 Oh and no, And can I just say, you don't need to apologize. Do you have curly hair? You'r okay, no, we don't get it. I would love curly hair because I cut my hair all the time because I have dead straight, flat hair. Yeah, And I always feel like I'm the same the unattractive thing. And I would love to have people like especially like in rom com there's some wrong comms, like in How Lose a Guy? In Ten Days, where Kate Hudson's character Andy famously has straight hair, yes, but as she falls in love, her hair goes curly. Have you sadnything online of like girls in love have curly hair? 06:58Speaker 2 Yeah? 06:58Speaker 1 I have, yeah, And I was like, obviously I've been in love because my hair is straight, straight, So you can literally find anything. I'm just gonna say, Anne Hathaway, you don't apologize for that. It's okay. We don't speak on behalf of the curly girls. We well, no, no, I think that that's the fault of the movie, not Anne Hathaway. Yes, yes, And I also think that out of all the things that we have to sort of look at, that that one's okay. I'm not disregarding the feelings of curly head girls. I just don't think Anne Hathaway personally should take on that emotional birth. 07:24Speaker 3 No, it's not for her. She can we forgive you, Anne, it's not you. 07:27Speaker 1 We don't have to five. But that is such a pivotal moment, that scene, because everything about that movie plays and to wish fulfillment, and that is like also the biggest wish for filment as an adult but also as a teenager. That you're just kind of one step away from looking beautiful, that someone could take you in a room and they could do all these things. And also then her life does open up in this crazy way. Yes, because she's become a princess, but also because she looks like this ideal beauty, she becomes popular. Yeah, everybody likes her. The guy shet to like her, and are they're really careful to caveat that he always liked her. 08:00Speaker 2 Yeah, and it wasn't the makeover. Yeah, I was actually really don't do that as much watching it last night. And she just ignores him for like the whole first part of the movie. 08:09Speaker 3 He literally is like, you're attractive, and she just doesn't even like. 08:12Speaker 1 Well, that's the whole thing of these movies, too, is that they pedal this thing that everyone's secretly beautiful they just don't know it. And for a lot of us, and they put me in that category. No, fine, that's fine, there's no there's no little trick of like, if she just took her glasses off, or if she just took her hair out, she would be so beautiful and she just doesn't know it. 08:30Speaker 3 Yeah, I don't wear glasses. What's the next straight. 08:33Speaker 1 I wear my hair on every day. There's no way a man can take out my ponytail, and I'll instantly be beautiful. What is left? So good? Okay, before we move on to my next one. Are you excited for Princess Diaries three? Or you're upset about it? People different came. I'm excited because Princess Diary is too wildly a great movie. All the sequels out there, I think they're both great. 08:52Speaker 2 I think Anne is great, and if she wants to be involved in it, I know she'll want to do it right. 08:57Speaker 1 So super excited. 08:58Speaker 2 It's such a part of my child would I watched that movie rinse and repeat, rinse and repeat. 09:03Speaker 1 It was one of those ones I was always. 09:04Speaker 2 Watching, even the nos Soldier, like, even if it's not better than one and two, I'm here for it. 09:12Speaker 1 Okay, So the movie Makeover I'm going to talk about now. I picked because it has my favorite reveal like When You Had. It has everything it has, like the big reveal, the reaction, the build up, the song, the song choice and maker. I realize every nearly every makeover Picked has an iconic song that sort of had new life in it because of the movie moment and this is an iconic comedy from the year two thousand, a great year for m comms. Miss Congeniality. Oh oh my god. 09:42Speaker 3 I can't what but like I would have been really really young. 09:46Speaker 1 Okay, you need to watch this is just movies. I just assumed everyone has seen I didn't. I didn't see it. I was like in not pro I was probably in high school. I did even know. Anyway, I didn't see the movies, but I just remember what. It's one of those ones where I just remember, like I know of it. I mean, we're probably had on a VHS and I just watched it over and over and over again. Oh my god. It holds up so well. I mean, no, it's problematic as hell, but that's fine. That's fine. But our feminist is outside. Actually yeah, it's actually out the window. I've thrown it. No, no, it's not problematic, and like, there's actually nothing so super bad in it. They'll just be little things. But anyway, as a movie, ten out of ten holds it so well. You need to watch it. You'll love it. Don't watch the sequel. Okay, the sequel's frodden. Sandra Bullock went through Who is the lead of this movie, Sandra Brook went through a time where she made two really regrettable sequels, Speed Too. I don't watch that. I never watch I've loved Speed Speed. Yeah. The second one, she's on a boat, and even she was like, that was a mistake because the boat. They're like, the boat's going so fast because the boat can go anywhere, because it's a cruise ship. It can't go the world. Yeah, it's fine. And Miss Congenality Too not great, but Miss Congeniality a perfect movie. So Sandra Bullet plays an FBI agent called Graasy Heart, and she's like really schlubby and gross, like yeah, that's the perfect kind of word for her. She wears like an ill fitting, like cheap suit which is always like crinkled, food stained. She's got really frizzed. They really frizzed her hair hair same thing. She's just hair like and she looks terrible. And so there's been a threat against the Miss USA pageant. So a lot of it set in a beauty pageant, and they need someone to go undercover in the pageant as a beauty queen to like stop the threat. And they go. They have this computer program that they go through all the women the FBI, and it renders them what they would look like, which is a bit weird down to think of what they would look like like, what their bodies would look like. And Sandra looks gracy heart is the only one when they like, they think she's like, they think she's ugly, even though it makes a deep fake of them. And I was like, wow, that technology came true twenty years later and we used it for evil. Yeah, and then because not all the boys and Benjamin Bratt plays like one of the FBI agents, true who's like the hot sexy guy friends. It's a real Benjamin Bratt moment in the early two thousands. You might not know because you're a child, but he was like the romantic lead in so many movies and Julia Roberts was madly in love with him and they were getting married and it was a whole thing. So that, yes, this is peak Benjamin Bratt era. That moment passed, We're still in peak Sandra Bullock era, so that moment is still here. So she is the only one that can go under cover, but they're just like, look at her. She's so ugly and she's a mess. And she is also she's like an ultimate tomboy and she doesn't want to do it. So that's the difference too, is that in this movie she is so against she's scene, whereas a lot of other movies women are like, yes, please give me a makeover, which is also fine. So they bring in Michael Caine. Michael Caine one of it. Do you know who my yes is? Okay, you literally shocked, but I'm just thinking of him giving a makeover. Yeah, no, I know, that's why and one of the most like he's such an esteemed serious yea, but he And the thing is this cast. It's like Benjamin Bratt, Sandra Bullock, Candice Bergen, Michael Caine, William Shatner, like all of these incredible actors in this movie. And this is why romcoms works so well then, because this was a huge studio release with all these like Oscar factors, Like we was just a throw away. It wasn't like a throwaway watches on a Friday night in Netflix and forget about it. They like approached this like it was Shakespeare, like these people exactly. They approached it like it was Shakespeare. And that is the way to make a romantic comedy. Anyway. So Gracie Heart then has to they have to bring in Michael Kaine's character, who is like a deportment expert like etiquette, also trains people for the pageants. He's also like a pageant cope, and he is revolted by Gracie Heart when he meets her, absolutely revolted. And the fun thing about it is like nobody just so like he's just literally like this, what is like a cow. She's disgusting, And Sandra Bullock is so good like her physical comedy. Like the first scene is they're meeting together having lunch in a restaurant and he is just looking at her with this intense disgust on his face in a way that only Michael Caine can and she's like ripping into this food and all swapping down her face like with her frizzy with her frizzy hair, the ultimate cry. And Sandra Bullock said that she really leant into really wanting to make Gracy like as unattractive as she could so that the makeover scene paid off. So she was really behind the scenes pushing like no, let's have food in her teeth when like when we first meet her, like let's have like her clothes be kind of really disheveled, like she she walks around really hunched over. And Sandra Bilok also said that it was so funny because it only took like less than an hour in the makeup chair to make her look like Gracy pre makeover, but then she had to spend like three or four hours in the makeup chair for Gracie afterwards, just to even in the scenes where she's just walking around just to look like a normal woman. Yeah, and I was like, I love that. Even Sandra Bulok is like, it takes four hours to make me look like a natural Sandra Bok. So the stakes of this maker is so high because the FBI is involved. They're like, how do we make this ugly woman beautiful? So they get this like literal warehouse, like a huge warehouse, and it's full of like the tanners, the waxes, the beauty maker everywhere is this place. I know, I want to grab me out. Well, this is like that, Like it's so funny because it's like this is what it takes a woman look beautiful. It's like we have the whole FBI army making literally taking over what looks like an army base. That's so fair, like this huge bunker and they go in there and they have to like wax her and tan her and all this stuff, and she's hating and you never see it. And then you see Benjamin Bratt and his like crew on the outside with the plane like waiting to fly her to the pageant to like get her in, like where is she? Where is she? And all of a sudden, the big bunker door like slides open and Mustang Sally starts playing I Got It and it's just the best. It's one of the best movie music moments in history. And it's a cover of Mustang Sally. So they did a cover of it, and Sandra Bullock played the tambourine, I think because she's like just want to be involved, yeah, just wants to be part of it. So and there's a slow motions shot and then Sandra Bullock as Gracie Hart walks out. You have to, I mean, don't watch this until you watch the movie because a bigger moment. Again, it's so sexist but so good. I love it so much. And the camera pans up super slowly over her body and she all of a sudden, she's tan, she's shiny, she's wearing a purple mini dress. Love her hair of course straight, it's straight straight, it's straight straight as an ironing board, like literally not a hair out of place, and her hair's all glowy. And Benjamin Brat, like his character, I'm just using his knee because that's how people are. It just rips his sunglasses off in and his jaw drops open and everyone around him is like, oh my god. And she's strutting and then she just falls straight over. And before that she has an iconic line about like I haven't done this, I haven't eaten doped mess with me, and then she just topples over because she can't walk in heels. She's so real for that. Yeah, and it's just such a huge moment. And obviously, like later on when her and Benjamin Brad's characters fall in love, it's very much they fall in love because like their personalities, but it's also because she's super hot now. 16:51Speaker 3 Yes, because she had the purple dress, and then she has to. 16:53Speaker 1 Go through the Miss America pageant, right, which is again it's so the comedy is just so. 17:00Speaker 3 She's great, like it's funny. 17:03Speaker 1 I think that's the role she should have won. An Oscar for I know they don't like to give oscars to comedy actresses, but there's so many good one liners that she delivers, and her physical comedy is so good. Oh my god, you're gonna love it. Okay, you're gonna love it. I've watch it. I can't believe I was sole jealous of you. They get your torch it for the first time. 17:18Speaker 2 I think I've watched a lot of things, but when I'm under the age of ten, like. 17:23Speaker 1 I just feel like that's a movie that gets referenced all the time, that's still in the conversation. So I would sort of believe that more for movies that fall out of the conversation, but that's still at anyway, you get to watch it, so please and report back on your next on the next time you're on the pod. But yeah, that to me, that stands out as the biggest reveal of a make over and the biggest and also the fact that a lot of other makeover scenes are just like, I don't know, we can get one stylist in someone's bedroom and we're just like, but this is like, no, no, this is an industrial fispiration to make a normal woman look like the ideal of a woman. And you know what, I love it so much, this congeniality. If anyone else has watched it? All right? 18:01Speaker 3 Next on my list another movie that I rinsed to death. 18:04Speaker 2 I used to sit in front of my TV with the lyrics book because it is spoiler a musical. 18:09Speaker 1 Okay it's grace, Oh okay, yes, I love my god. Watching this as a kid, all I wanted to do was be a sexy Sandy And I'm so far from all of that. But all I wanted to do was wear leather pants and strut around. Yeah, which would I worked for me? 18:24Speaker 2 Carnival, Yeah, they're all like thirty years old as well, exactly, so many like I don't know about you, but I again, watch that movie as a kid, over and over again, all of the references straight over my head. 18:36Speaker 1 Didn't realize what a hickey from Kinnicky was now, didn't realize about the whole like having sex in the back of the cars, didn't realize that a pregnancy scarab was what she was worried about. Literally, no idea, just like the songs really exactly. And you know what, like kids watch sexy movies. 18:51Speaker 2 So my dad loves Grease yeah, so that's how I was like introduced to me. 18:54Speaker 3 So we always watch it when I was younger. 18:56Speaker 2 But I think it has one of the most iconic transformation make overs but also a little bit controversial. So obviously we follow the lives of Danny played by John Travolta, and then we have the lovely Olivia Newton John as Sandy, who's like this very clean cut, cutesy good girl, and Danny's this bad boy, like grease up completely opposite. 19:18Speaker 1 World ultimate like Romeo and Juliet story, like they come from different worlds. How could they ever be together? Could they ever? 19:25Speaker 3 We'll tell you how. 19:27Speaker 2 All it takes is a pair of leather pants and a red lip, according to sandrew D. So she walks out in the final like scene sequence, they've you know, had a little bit of push and pull this whole time. 19:38Speaker 1 So they both go to. 19:39Speaker 2 These I don't want to say extreme lengths because all Danny does to change himself for Sandy's put on like a little lettermon jacket, like a little nit jacket. That's all he does, which I feel shows the extent of effort that like men are going to change for us. 19:51Speaker 1 Yes, that's so true. There's such a good lesson in Greece that modern women. 19:55Speaker 2 Yeah, yeah, yeah, And then obviously Sandy shows up in these insane leather pants. It's beautiful, like off the shoulder, black top, red lip, she's got this bold like curly hair, actually doing it for. 20:07Speaker 1 The color girl God. So actually it's a so debunked. We have been raised our whole lives to think that Grease is actually anti feminist, because it's feminist. The initial kind of message that we took away from the movie was this movie is telling us you have to change yourself for a man, and that's bad. But actually, what we've uncovered today is that it's actually a feminist plot because she's saying curly hair can actually curly hair is. But while curly, did you ever have Like I used to be obsessed with grease And then I got my mum to get me these like old school not even get me. I think they were my moms from like when she was a kid, these like old school hot rollers, And I would hot roll to look like Sandy, and I thought it looked so chic when I was like eleven, and looking back now, I did look like a poodle. Yeah, that was me. With the red lip. Yes, it never worked really for me. 20:50Speaker 2 It's giving dancers steadfast, but I gave it, gave it a go. 20:54Speaker 1 I still do it red lip. I still do black leather and a red but you rock a red lip. I'm just I'm just sandy on the Yes, we. 21:00Speaker 2 All have a little bit of sty but yeah, I think it definitely is a little bit of. 21:03Speaker 1 A feminist like move. 21:04Speaker 2 A lot of people can say, you know, she's changing for Danny, but I think what we see is, you know, she's like leaning into her confidence and like it's like a bold yea. 21:12Speaker 1 Well, because you can take it either way, you can take it. You're right that she's becoming who she wants to be. But that's the thing feminists like, these makeover scenes are always wrapped up and like, no, she's empowering herself, and it's like no, no, no, she's dressing for the male gaze and that's fine. 21:27Speaker 3 Who she chose to do it, but only. 21:30Speaker 1 Because she felt desperate that he would leave her. But again, who amongst us hasn't dressed for the male kase? Exactly? 21:35Speaker 2 Guilty, It's a time and a place exactly. 21:41Speaker 1 Right, is exactly. But again, I just can't hold that in my head. When I watch gree it's like I'm aware that it's there. I'm aware of this idea and it's a different time, and it's got the best like mic drop moment of like like literally like the whole carnival turns to her and then she has that iconic clim when she has tell me about it. Stud. So also she's smoking. 22:02Speaker 3 She doesn't know how to smoke. 22:03Speaker 1 But she's doing it. I'm looking friends, how do I put it? That's just a good moment. Oh my god, Olivia Neton John is so good. So again, it's sexualizing dressing from man, it's sexualizing like like smoking and like that bad girl. But I don't even care because you know what, smoking does look sexy on screen? It does. Don't do it, don't do it. 22:20Speaker 3 But sometimes it looks chic on the screen. 22:22Speaker 1 Yeah, it always always looks cheek on screen. 22:25Speaker 2 Now, they do have this like fairy tale ending they get into a convertible when they fly off into the sky. 22:29Speaker 3 But there are actually a lot of fan theories. 22:32Speaker 1 Are you gonna say that they're dead? 22:36Speaker 2 So basically there are theories that when they fly off into the sky that they actually passed away and that Sandy actually died from the very first scene where they're first on the beach, because Danny when he's singing someer love and there's a line where he said, you know, she almost drowned. 22:54Speaker 1 I saved her. 22:55Speaker 2 So it turns out, according to this theory, that she in fact drowned, and then we enter this like homo fantasy for the entirety of the whole film, and that's how they're flying off in the end. 23:09Speaker 1 I have heard that theory that this is all Sandy's, Like, this all happened in the moment she died, and this is what living through like living through those moments is that she fantasized going to school with Danny and then falling in love and stuff. But it's very intense and also like none of the screenwriters have said that's true. But I love I love when like a theory for like a really old school movie like this just takes it takes. 23:29Speaker 3 Over a life of its own, like people run rampant with it. 23:33Speaker 2 I hate to disappoint anyone that thinks they're dead, but the creator has since come out and said. 23:38Speaker 1 That that's absolutely it's not the case. They're not dead. 23:41Speaker 2 Also, there's so many like fantasy moments in the film I just love to grab on exactly. 23:46Speaker 1 Well, I guess I just want to explain why the calf flies at the end. It's not even a good theory though, the calf flies at the end because it's a movie and things happen in movie music and that's fine. But no, that's a great make over scene. Love that, And it does go to show that if you're having problems relationship, if you put on a pair of black leather pants, they will go away. 24:03Speaker 2 Oh and apparently they had to show them onto her body so tight. 24:06Speaker 3 It's so tight their vintage Yeah, oh love. 24:09Speaker 1 Okay, the next one I'm going to bring up is the most realistic movie makeover I have ever seen, so in a way that it's actually quite a feminist makeover. Again, not that that matters, we're putting that out the window. Bring the hat back in dress. No, no, the hat's on the doorn on. It's not all the way back in the room dress for the male gaze. It's fine in a movie, But this one I always think is like a beautiful way of watching, like seeing a makeover happen really really slowly, and having it be part of the character's evolution in a way that just feels so real. And this makeover scene is from the two thousand and two classic My Big Fat Greek Wedding. Oh have you seen it? Yeah? No I haven't. Yeah, what a great movie? 24:50Speaker 2 Right? 24:50Speaker 1 The is not to speak The first one is the first one I would say is a perfect movie. So in this if anyone hasn't seen it. Nina the Dallas, who also wrote and produced and created the movie, plays Tula and John Corbett our favorite rom com boyfriend. John Corbet's just in every room. Yeah, they just throw him in and he always. 25:11Speaker 2 Works once they get one good one. I feel like it just becomes a role like everyone's boyfriend. 25:16Speaker 1 He just has that vibe and like movies have been like and parts of been like created and written for him, like him playing Aiden Sex and the City. They created like a lot of that role for him. And also the rom com starring Kate Hudson Raising Helen. Have you seen that? Oh you should watch it? Really got it to listen, where she plays a model agent who her sister passes away and she has to like raise her children. John Corbett plays her love interest in that, and I remember like listening to director being like, well, but why would she fall it? Because she's like this beautiful New York like styler that everyone loves. Why would she fall in love with the high school principle like we have to give him something? And then they looked at him like he's John Corbett. Yeah, that's his thing. That's it. We don't have to add anything. Fine, And when you watch the movie, you're like, yeah, I get it. So John Corbett plays Ian Miller and so the story is actually have such a vivid memory of seeing this movie for the first time because it's one of those movie experiences that stays in my head forever because it came out when I was like just starting high school and one of my really good friends in high school is Greek, and so they held like a screening, like the Greek community in Townsville, like the Greek Community Center held a screening as like a fundraising thing, and so we all went to that, and yeah, it was the best way to see it because there's a whole cinema full of Greek people and so they were screaming the joke person and it was just like the vibe was so high. Also, like the characters in this speak Greek, and so they would say a joke and they would all laugh, and then the subtitles will pop up and then like the non Greek s bea because we would all laugh and we're like, oh, we got it now, Like that is really funny. So I Sultays remember it as being like this really joyful experience. So Tula is like an adult. They sort of say her age, like she's like probably in her late twenties, but like in the like you know, Greek household, like super old, unmarried, no children, a pariah of a family, if you will. And she works in like the restaurant, and like she lives with her parents, and her life is so small and everyone's just like she's so frumpy, and you know, all that sort of stuff. And then slowly over time she decides to start kind of changing her life, not on a huge scale, in a way that feels so beautiful relatable in terms of like she goes and takes some computer courses at like a community college, and she's and she then gets a job outside of the family, so she kind. 27:26Speaker 2 Of a second coming of Age's definitely. 27:30Speaker 1 Was really small looking at her parents house and she goes to work in another family business where she's like out you know, by herself in the office. And during all this she gives herself like a little makeover that's peppered through this montage, but it's more so like she'll just wear like instead of wearing like the overly frumpy clothes she was wearing, she just buys herself like a nice dress and a matching cardigan, and then you see her like try and like like do her eyebrows and she puts like just a little bit of lipstick on and like she's like and again the frizzy hair is the frizzy hazel thing, but she does straightened, but it's not pinned straight. She just kind of smooths it and stulls like she put rollers in it. And it's this beautiful, quiet, little makeover that she just does to herself. 28:11Speaker 2 And I think that's what makes it, Yeah, that it's something that she found in herself and like exploring your like your own identity and like finding who you are verse like having the FBI coming it. 28:22Speaker 1 Yeah, exactly. When you put the two makeover scenes here that I brought up, it's like one is like, yeah, fifty people in like a government funded bunker trying to make Sandra Bullock look like a woman. And then the other one is just a woman at home in her childhood bedroom, just putting on a little bit of lipstick like Tula, just like you know, and she puts on a card again, and the thing is it just changed all of a sudden, she just feels like herself. And I think this is why it's one of my favorite movie makeovers, is that she hasn't done this too, Like she hasn't met Ian Miller yet, so she hasn't done this for a man. She hasn't even done it with the idea that she could possibly meet a man, because she's still working in like the family business. It's more so that as she kind of got a little bit of education and stepped outside of like the tightness of her family, left her bedroom and just kind of fell like, well, likely she's just prings so much time there. Now she's out in about the world, and all of a sudden, she just becomes the person that she wanted to be. Like it feels like it feels like it's actually the only movie makeover I can think of where it feels like it's just for the Carroc. 29:17Speaker 3 And it's happened before they've met the guy. 29:19Speaker 1 And it's not serving the plot, Like, no one's saying like you have to have makeover so you can be the price of the princes. You could be the prompt get the guy exactly. This is just for her and it's so beautiful and so small and quiet, and she doesn't look She looks different at the end of the movie than she does at the start, but not drastically drastically different. She does take her glasses off on my context is that scene of her trying to contacts. Had to put that in there, exact, had to get it in there. So basically it's like less frizzy hair, no contacts, a cardigan, and some nice lipstick, but not as extreme as other makeovers. And so then she's so happy because she's educated herself. She's working in an office and then Ian Miller played by John Corbett just happens to walk by and sees her get stuck in the headset headset. She tries to get up, and he goes into a travel agent and they chat and they just have this beautiful like courtship courtship is the correct word, where they fall in love but then when they get engaged, huge controversy. He's not Greek and her family unaccepted him. This movie has if anyone hasn't seen it, I cannot recommend it enough because the one liners are so good, Like when they get engaged and she takes him over to her big family gathering. He's like family dinner, like five people, She's like, no, fifty five and they say, like, he doesn't eat meat. I like to put that line in here. It's so good, and just like the lead up to their wedding and everything, and I just like even with her wedding, like she looks gorgeous, but it's never this idea of it. She has to be like overly made up. She looks like a completely different person. So I just think if there's like one movie makeover scene that kind of really changes that formula and makes it like part of the story. It's my big, fat, great wedding and tulla And you know, sometimes okay to put on a nice cardigan and some lipstick and go work in the family travel agency and you'll meet John Corbett. That is quite and that's a lesson. Sometimes it's okay to do all do all those things. Yeah, well, I think the biggest thing is she gets a macover while she goes to community college and gets an education. As we know, that is the thing that will say she three exactly so maybe fair great wording. Love it so much? 31:15Speaker 2 All right, we've come to the man, the man make Yes, it's crazy stupid love. 31:22Speaker 1 Oh my god, yes, okay. 31:24Speaker 2 Steve Carell, he plays col Cow's life is falling apart. His wife has left him. He's trying to get back out into dating. He's hopeless. He's quite a bit of a dig. He's in a bar and he runs into this really cool womanizer obviously played by none other than Ryan Gosling because who else. 31:42Speaker 1 Could and the best supporting actor his abs. Oh my god, they should be in the credits one hundred and they get a whole scene with Emma Stone's character dedicated and not only did he work out for months to get them, but they had like special makeup artists, like because you again, those makeup artists have to come in and do the shading and the bronzing and like draw them on. But they're also just there. They're almost too much like when she sees it, when when like Emmaston's character season and she's like, those are photoshops. I don't think I want to be with someone with apps like that A good look up close and just see them just from just to know what the muscles would look like. But I don't need to feel like that's a violation. 32:19Speaker 3 But for those who are watching the bar is imagining. 32:22Speaker 1 Feeling that's going to put me on a watch list somewhere. But yes, we have a male makeover. 32:30Speaker 2 Isn't interesting like flip on the script of like what we usually expect because it's the woman kind of going through the midlife crisis here where she's had an affair and now the man is like having this like makeover off the back of it. So he goes on this like there's like this three minute makeover montage where they like change all of his outfits. He's learning how to like speak to women, getting all the tips and then putting into the practice. 32:54Speaker 1 It's just like not something you expect either. 32:56Speaker 2 For like Steve Carell, he does it so well because he's just not someone you expect to be like hitting up the ladies in a bar. 33:03Speaker 1 Yeah, it's like that is so true that he gets a makeover. But the reason I didn't come into my head when we're talking aout makeover is is that even though he does get a makeover, it's nowhere near his extreme as some of these other makeover scenes with women. I guess with men, there's only so much you can do once you sort of wax them because their hair of shorts is not that curly. You can't have that. You don't have the curly plotline. And I guess that he didn't have glos. They should have put him in glasses. He did look very like dad because then they could no, he does look different. Like it's a good makeover scene, but I'm just saying it doesn't have like the kind of and they don't have a montage, right, that's a mistake they should have had. They do like a full musical montage. 33:41Speaker 2 There wasn't a musical montage, but they do go through like a number of like designer clothes. There's a really funny quote where like Ryan Gosling's character is looking Steve Crorer up and down and he's like, are you Steve Jobs the founder of Apple? No, then you can't wear those to his shoes And basically the whole goal is like for Steve Carell's character to be better than the gap. 34:00Speaker 1 Oh my god. And I have a vivid memory of him like being really repulsed by his wallet and again not thinking of wallet be part of a makeover. But I guess for a guy, especially it is and the fact that it has Velcrow and I think it was like I was a kid while watching at the time, or I was like, oh my, Walter has Velcrow's cute. And I also wasn't the sexy man out in the streets. But if I wanted to be, I had the wrong wallet. Is a little bit of an egg. 34:22Speaker 2 What would you do if you were on a date with a man without he's got coins? 34:26Speaker 1 They're like jingling around. Well, oh my god, would I break up with a man if he had a Velcrow wallet? Something to think about on this if you're on the Sydney dating scene, kind of say that potentially that's gonna happen, and that's not even the worst thing. 34:38Speaker 2 Yeah, I don't think I would break up with him if they had. I wouldn't either I have a wallet for their birthday, Yeah, I. 34:44Speaker 1 Would, just especially because every time you do the rip with a Velcrow wallet, it's so loud and intense. It is it's an announcement. Yeah, and you're just like I'm opening my velcro point and there's no Yeah, that's some folded in here, and you're trying to like pull like straighten the money out because it's been folded in there. 35:00Speaker 2 Actually still have yours exactly exactly. 35:02Speaker 1 Well, I think I am one of the last team in the world who has a wallet that I. 35:05Speaker 2 Lost my wallet and now I've lost all my cards, like I get all scattered around the house. 35:09Speaker 1 Okay, no, no, no, you need it just PSA. Everyone gives me so much shit for having a wallet, but when we can, I just tell you. When someone needs a physical card or something, who do they turn to me? Who's got a wallet? It's got an emergency hair tie in it, it's got emergency cash in there. 35:21Speaker 2 So basically, get rid of your wallet if you don't want anyone to ask you for anything, yeah, exactly. 35:25Speaker 1 Or if you're going through a makeover, exactly exactly. If you're going through a makeover, that's the first thing change. Yeah. 35:30Speaker 2 I just love crazy stupid love, though obviously follows the lives of like lots of different love stories that are all like interconnected, but at the heart of it, it's like Steve's Carrell's character. Yeah, and like everything that he goes through. 35:43Speaker 3 But yeah, I love that movie. 35:44Speaker 1 It was so good. Emily and I talked about that in an episode little while ago when were actually talking about plot twists because it has who hasn't seen it, although I assuming most of you has. It has a great plot twist that is someone expected but just works so well for these characters. Oh love, Yeah, you don't spoil it for like the two people are there who haven't seen it. Okay, last time I'm going to bring up and I had to go back to nineteen ninety nine. Cool, and I just remember again watching this movie on a loop as a kid again as a kid on a VHK guest. Before you say that, oh, I'm actually I wonder if you've I mean, I hope you've seen this. Otherwise I'm going to be super disappointed. It's the nineteen ninety nine teen classic. She's all that. 36:22Speaker 2 No. 36:24Speaker 1 I know should be this surprise every time, but like, this is a classic movie. I thought you're going to say Clueless. Then, Oh, I had Clues on my list, but we talked about Clueless so many times. Yeah, we have a whole brutally honest review on it, so that's got an important makeover seeing it too. You've never seen you know what I know of it, Okay, and like that's the weird thing to me. Can I say you know of it, but you've never watched it. 36:46Speaker 3 I think a lot of it is like what my parents like fed me at that time. 36:50Speaker 1 You're an adult woman now who lives alone with your own TV. You can make your own choice. I'm just saying so many times I went home and I'm like, oh, I wish I had a new, great movie to watch. But the hard thing about me and my job, I've seen every movie. I literally have seen every movie. It's so hard for me to sit down and find a movie that I haven't seen that this is not fair, but I really want to watch. And then you're spoilt for choice. You could sit down a fry night. There's so many. 37:13Speaker 2 Movie hours an hour, and I got in my adult life too, it's valuable, like I've things to look forward to exactly. 37:19Speaker 1 You would love this again. This out of all the movies on my list, this is probably kind of the most problematic. 37:24Speaker 3 Okay. 37:24Speaker 1 It's also like using a woman for like a nefarious reason over like sexualizing her and there's a slight sprinkling of sexual assault end. But it's a classic. So she's all that. It came out in nineteen ninety nine and it stars Rachel Lee Cook. Do you know that name? Blasphemy? Rachel Lee Cook was in the late nineties, only two thousands. I'm a icnic girl. She started so many big movies. Also, Josing the Pussycats was a movie that was torn apart and I think did wreck her career. I think, but now we look back at it and see it for the masterpiece that it is. So she plays Laney Bogs. What a name? I don't know. They were like, you know what, this girl's gonna be unpopular and ugly, and we're gonna give her name's gonna be Laney Bogs, and that's going to explain exactly why. 38:07Speaker 3 Laneye b would be cute. 38:08Speaker 1 Yeah, they don't call it that. And so Lanny Blogs is she's an artist at school, and she was like and she kind of just looks away at paintings all this sort of stuff, and she dresses like an absolute hobo. So they went to because Rachel Lee Cook is a really like a classically beautiful kind of pixy looking woman, and so they really had to go to town to make her unattractive. So they've dressed her in like really oversized, paint slatted clothes. People don't want women to be comfortable, no, exactly, and you know what, she is so comfortable. That's what I take away from her, Like, and she's wearing about fifteen and before she gets her makeover, she's wearing about fifteen layers of clothes in all scenes, like she'll have like a pair of like old pants on and like a long top over that, and then like a singler and then that's very inn now and like an exactly ahead of her time. So Laney Bogs is the most unpopular nerd at school and they have have he do the classic thing of like the first time we really see her, she just falls over. Girls in rom coms always falling over. Sometimes they're so hot and beautiful that they fall over because like I'm so clumsy, and sometimes it's to show they're a nerd. But and then like feeling around exactly well exactly, and she and she wears really big glass okay of course, and straight hair but pulled back in a low ponytail I'm not a sleek ponytail like a I do anything to my ponytail. But the glasses is the real thing. So she So she's the ugly girl at school. And then we have Freddy Prince Junior and this is peak Freddy Prince Junior era. Don't I mean, I don't want to say his air is completely over, but like this was peak, Like he was the wrong com leader and so many things. Playing Zach Syla and he is like the sports storry. I know, Lany Bogs Zach Syler. You know he wrote on this movie m Night Shamalan before he did six Cents. Yeah, like I know, well, you could just be a skipper for high It's like hash. It's like haw Shonda Rhimes wrote the classic Britney Spears movie Crossroads. 40:05Speaker 2 Job. 40:05Speaker 1 Yeah, before you have your big break, you just write the scripts that are out there. So Mna Scharmalan is like I can just imagine he had like the sixth cent script on one screen and like the other and between them. So Zach is like the actual like the jock of the school, the king. Everyone loves him. They're all seniors in their final year of high school and they're coming up to prom and again a very old school like American high school thing is like the prom is always like the climax of the movie, like everything's leading towards that. The rest of his cast is like a who's Who of the nineties. We have Matthew Lillard as Brock Hudson. He's like a reality stuff. Paul Walker, the late Paul Walker again peak kind of his like era playing Dean. And then Jodi Lynn O'Keefe. I don't know if you know that name, but you would know her face. She is in every kind of she's She wanted to be on the Vampire Diaries and stuff later on, but she was in a lot of these early like teen movies, always as like kind of the high school mean girl, the beautiful high school young girl. So Zach and Taylor have been Taylor Vaughan have been together, and they're like they're going to be prom king and queen. That's their thing. Only Taylor meets Matthew Lylard's character, who is old of them out of high school, a reality TV start on the real world. In the real world, Ye dumps Zach for him, and it's like anarchy in the school that the couple has broken up and that Taylor has dumped Zach, and then everyone feels sorry for Zach. And he was like, I can have any girl I want. This is not romantically he meant to fall in love with him, and you kind of do, but he's like, I can have any girl I want. He's like, I could make a girl like that. So this movie is actually based on Pigmalion, which is a play in a book that then went on to inspire the Audrey Hepburnt movie My Fair Lady. So this is a play. Do you know there was a moment in time there where like Clueless is based on Emma and She's the Man, Yeah, And She's the Man is based on Twelfth Night, and as we discovered another podcast the other day, Bridge Jone's Diaries Pride and Prejudice. So this was a big moment in time where, like all of these teens, the biggest thing you could do for box office gold was to remake these classic literature as a teen rooman, now we make movies from last year, and now we'll just remake anything that's out there in the world. So Zach is like, I can make any woman. I can make her the popular girl. And so Paul Walker's character makes him a bet. He's like, Okay, I'm going to bet you that you can't make like a girl that I pick in this school into the prom queen. And Zach's like, pick someone. And that's of course when Lanye makes her entrance, comes up the stairs. She's making fifty layers of clothing. She's got fifty bags eye and she like immediately falls to the floor. And he was like, and then I'm just gonna say Paul Walker because it's two, so you know who I'm talking about. Paul Walker goes her and Freddie Prince Junior. Zach is like, Lady Box, absolutely not. He's like, like, the subtext is she's the ugliest woman I've ever seen. So then he has to the subjects of all these exactly, and then Zach's like, well, I'm gonna have to do this now. So then Zach has to go and try and befriend laany Bogs. And it's so funny when he like keeps trying because he's used to. He's the star of the school, he's the sports star. Everyone loves him. He's so charming. So he kind of goes over to her, like later that night he goes up and to her where she's working, where she's wearing this like huge, full lawful hat because she works in like service industry and he's like never worked a day in his life, and he's like kind of like hey, and she just has no time of day for him, and so funny because she's like, look, I'm not smart, and he's like what this is kind of like a good kind of like twist of that classic like dumb jock smart girl being ugly. She's like, I'm not smart. I know I look smart because I got the subtext is because she's got wearing glasses. I know I look smart, but I'm not. And I can't choot. I can't chewt to you. She's like, I can't. I know you're probably failing school, but I can't help you. I can't choot you. I just I look smart, but i'm not. He's like that is oh no. Then he's like, oh I'm smart. I'm like the third top of that class. I don't need tutoring, thank you so much. So he's smart. So he is smart, yeah, because he's like his whole subject is like his parents like you're going to like this fancy school and you're gonna do this, You're gonna do that. He's like, he can't pick anything of his life. Smart boy, I know, sucks. And so then he starts to befriend her, and like slowly over time, starts to sort of like make her over and teach her how to be cool. And the makeover scene is so so important because up until this he has no like sexual interest in her because she's got glasses, you know, of course, and he can't tell, Yeah, he can't tell because it's pulled back, and he can't tell that she's got a tiny hot body because she keeps falling over and oversized and she falling over so she has a muscle issue. It's all happened. So he's like, he's like, I'm gonna make her gorgeous, but I have no interest in her. And then he brings over his older sister, Mac played by Anna Papquin, and Anna Pumpquin is only in this movie for a short moment, but she makes She comes into this sassy older girl from college, his sister. And then there's this party at school and so Mac takes Laney upstairs and they have this moment where and this moment has been parodied so many times, most famously in Not Another Teen Movie, where all she does is pull out the ponytail and she's like, and you're beautiful. But they at this moment too where lady talks about the fact that her mom died when she was little and so she's been raising her little brother and looking after her dad, and she's like, I just never had a mom to like teach me this stuff, because Mac is like, in the nicest way possible, your eyebrows are disgusting, let's pluck them, Like why don't you wear makeup? And she's like, well, I didn't have anyone to teach me, which is lovely also so young, like yeah, yeah, Well she's a senior in high school and she's never plucked her eyebrows, which isn't the craziest thing at all, but the movie does make you think like her life has been severely stunted because of this. So this college student cuts her hair so instead of having and again usually they add hair in, so this is also maybe not even like a flipping the script, but at the time they so she has this like long, kind of straight, like scraggly hair, they cut it into a super super chic boss she does yeah, yeah, exactly, cuts her head perfectly, plucks her eyebrows, takes the glasses off, apparently does like a huge tan and stuff. And then we have a staircase, and all we haven't had a staircase moment so far as you know, all good movie makeover scenes really need a staircase. That's the moment. So Zach's downstairs, he's waiting to take it as party. He's expecting Lady Bogs to come like like his sister's just gonna like put some lipstick on her and she's gonna come frumpy down the stairs. All of a sudden, the camera pans up the stairs and a slow plan and you see a foot come down in a red high heel, and then the classic song kiss Me by Sixpence none the Richer, also from Dawson's Creek. I kind of tell you how this movie. This song is like this soundtrack of my entire teenage years. And every time I play it now, I actually, that song's too powerful. I have to be careful when I play it because if I play it with the street oh passion stranger, like I can't. That song's too powerful. It's just like it just makes you right, because it's a soundtrack to all the big romantic moments in our lives as that we watched on screen and not participation saying I don't have that many referends. No, no, no, I've never had a romantic tree that song, but it makes me think of a time where like it's signaled this like cue a social cue tea. Yeah, it's like this subconscious like dog whistle of like I'm about to fall in love for the first time, and as a woman in her late FERI I still feel that. And so the camera pans up kiss Me starts to play, and then you see Lannie for the first time post makeover, and she is an absolute bombshell. She's wearing a tiny red mini dress, one of the most iconic dresses in film. I would say, she's got this beautiful, not over the top makeup, like not a red lip or anything, just like beautiful, smoldering, bronzy makeup, a beautiful chic Bob and Zach like loses his mind, he cannot believe it. We look on and Freddie Princeton up give that man at the Academy Award. He just he's like, oh my god, this is the most stunning woman I've ever seen. This is simple manner exactly. You put in a red little as in my early twenties, I had so many little red party dresses because all I wanted to do was dressed like Lannie. I was just waiting for a stair I was waiting for a staircase, and I've never lived in a house with staircase. How will I make my entrance? So she's walking down the stairs, the song's playing, it's so beautiful, and then she falls face first down the stairs. Well, she grabs the because she walked in Heels's true. It's actually like a quite a it's quite dangerous. Yeah, she's trying to do a slow walk down the stairs in heels, the first time she's ever worn heels. It's actually quite the moment. So the spell is like broken because she has to grab the railing and he has to help her, and everyone's like ooh, and he's like ill and he's like, oh, I remember how before? Yeah, I don't know. But falling when you're hot and following your ugly too true. When she fell when she was ugly disgusting. When she falls and she's hot, he's like, pretty well, help you yeah, pretty brifect. Yeah, it's so funny. And before before she comes down the standcase, Anna Patlin's character Mac does a little introduction. She's like, and they try to I think they're aware there that like, giving this teenage girl a bombshell makeover might send the wrong message. They try to dilute it, but it doesn't work. That's what I was thinking, is. 48:54Speaker 2 That putting it like a young girl in like red dress, red heel. 48:57Speaker 1 A sexy red dress for a man that's trying to win a bet with her. Yeah, there's a lot. It's all trying to make grimacing for anyone who cuts. So Mac tries to sort of dilute the message. So she comes down before Lane and she goes introducing the not improved but different. It's kind of what she says Lady Bogs. She's like, not improved but different because she's trying to be like, no, she was good before, and I'm like, guys, she wasn't good before. That's the part of the whole the movie. That's the premise of this exactly. And so as it goes on, she does dress better, but she doesn't like overly change how she dresses. And then she wears this like black glittery dress to the prom, and she does look nice, but it's the whole thing because she goes with Paul Walker's character and then he tries to sexually assault her and then Zack Syla saves her and then they fall in love and have a gorgeous kiss and then there's a huge dance number. There's the best dance number that it's a lot happens. That's a lot that poor girl. Yeah, yeah, she goes through a lot. Well, she finds out before the prom that it's a bet, and she has this moment where she yells act She's like, all of a sudden, this turns into like it does turn into a Shakespearean drama. It's not based on Shakespeare, but the vibe. She's like, am I bet, am I bet? Am my fucking bet And he just looks at her asi and he goes yes. And then oh my god, burn it into my soul that moment because you just like I remember as a kid, like nearly crying. I'm like, yeah, it's over, Like they'll liver be in love now where they do spoiler alert end up in love. She should be like, thank you for the makeover. Yeah, exactly. Now everyone at school wants me because they realized I'm not I could make a man. Yes, that's the sequel, so that in my head is well. There's a remake with Addison Ray called He's All That. Whether I've watched that, but I don't that. 50:34Speaker 3 I think I don't remember it because I had to burn it out. 50:36Speaker 1 That is a burable movie. Okay, that movie is blaspheming. They tried to flip the script by making it a girl making over a guy, which I'm all for, but the movie itself is terrible. So I can't believe. You can't not You cannot live in a world where you've watched He's All That and not She's All That. I know when one is a one is an abomination and one is a classic teen movie. So you've done that wrong. I'm sorry. So She's All That one of the teen movies that still lives in my head is one of the best makeovers ever. And again, don't listen to that song, just like on the Fly, Oh it's too dangerous, dangerous, use it responsibly. 51:12Speaker 2 Thanks so much for listening to the spill today. Don't forget to follow us on socials. 51:16Speaker 1 We've popped. 51:16Speaker 2 The link in the show notes will be back in your feed bright and early tomorrow with morning tea. 51:21Speaker 3 Ash London has all of the entertainment headlines. 51:24Speaker 1 To start your day. 51:25Speaker 2 The Spill is produced by Minishi Sworn with video production by Michael Keane. 51:29Speaker 1 Bye ByeBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Have you been unknowingly saying 'no' to the creator opportunities you are praying for  - because they don't show up the way you expected?From classical pianist, to music industry intern, to becoming a sought after consultant and eventually the digital marketing director of Shonda Rhimes' production company, Shondaland, Vannesia Darby's uncommon path proves that God positions you when you're faithful and available.In this episode, Vannesia shares the pivotal decisions that helped her utilize her skills in each chapter of her creator life. She breaks down the "uncommon steps" that took her from independent creator to working within one of the most prestigious entertainment networks in the industry—without a hookup, without connections - just faith in God and the unique skills she brings to the table. Connect with Vannesia Darby Website: VannesiaDarby.com Instagram, YouTube & all platforms: @VannesiaDarby (two N's, one S)You'll discover:How to recognize when a season is ending (and the courage to walk away)Why your identity in Christ matters more than your accoladesThe power of saying "yes" to opportunities you can't yet seeHow availability and faithfulness position you for influenceWhat to tell yourself when you're afraid of making the next moveVannesia also addresses the faith creator's unique struggle: navigating success, managing imposter syndrome, and remembering that your purpose isn't about you. Text the Show! Don't Build Your Creator Lifestyle Alone. Join the Community! In our 360 Creator Community, you get focused encouragement, guidance, and training on how to thrive as a God-centered creator. Joining gives you access to our app, workshops and community conversations, so you can stop being isolated and frustrated and start enjoying creative confidence! Join today!GodandGigs.com/membershipSupport the showWANT HELP WITH YOUR CREATOR BUSINESS? Sign up for the Creator Biz Deep Dive waitlist - godandgigs.com/bizdeepdivePODCAST MERCHGet God and Gigs themed gear, clothing and accessories HERE! FOLLOW US ON SOCIAL!  InstagramFacebook YouTubeWant to be a guest on The God and Gigs Show? Send us a message on PodMatch, here! © 2026 Paul Creative Solutions

Shonda Rhimes, the titan behind Grey's Anatomy, Scandal and How to Get Away With Murder, is responsible for some 70 hours of television per season, and she loves to work. "When I am hard at work, when I am deep in it, there is no other feeling," she says. She has a name for this feeling: The hum. The hum is a drug, the hum is music, the hum is God's whisper in her ear. But what happens when it stops? Is she anything besides the hum? In this moving talk, join Rhimes on a journey through her "year of yes" and find out how she got her hum back.Learn more about our flagship conference happening this April at attend.ted.com/podcast Hosted on Acast. See acast.com/privacy for more information.

Does saying "yes" to everything actually change your life, or is it just easier when you have the resources of a Hollywood TV producer?

THIS IS WAY MORE SERIOUS THAN BRIDGERTON?! Queen Charlotte Full Episode Watch Alongs:   / thereelrejects   Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 BRIDGERTON 2x1 & 2x2 Reaction:    • BRIDGERTON S2 EP 1–2 REACTION –THEY CLEARL...   BRIDGERTON 2x3 Reaction:    • BRIDGERTON 2x03 REACTION – THAT BEE STING ...   BRIDGERTON 2x4 & 2x5 Reaction:    • BRIDGERTON 2x4 & 2x5 REACTION – SHE IS THE...   BRIDGERTON 2x6-8 Reaction:    • BRIDGERTON S2 EP 6–8 REACTION – ALL THAT T...   Gregory Alba & John Humphrey step into the world of Queen Charlotte: A Bridgerton Story, giving their Episodes 1 & 2 reaction, recap, commentary, breakdown, analysis, and full spoiler review!! Greg & John react to and break down Queen Charlotte: A Bridgerton Story Episodes 1 & 2, the Shonda Rhimes-created Netflix prequel that explores the origins of Queen Charlotte and King George's complicated marriage — blending romance, duty, and political pressure in a much more grounded, emotionally heavy tone than Bridgerton . Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us this week as we dive into our favorite guilty pleasure - trash reality tv (with a sprinkle of Shonda Rhimes). We catch up on all the content that television has delivered us in Q12026 including Traitors, Bridgerton, LIB, and SLOMW. It just so happens that the drama gets more unhinged with each new show so tune in for the tea.

WNBA star Aja Wilson's love for fashion started when she was just a toddler. “My parents always laugh at me because at a young age I would love things with my back out. I don't know why I would love a good top with my back out. Like, I'm a toddler and my onesie needs to have its back out.” A'ja recalls as she sits down with Head of Editorial Content Chloe Malle and Vogue's Global Casting Director Ignacio Murillo on The Run-Through Podcast.Wilson's style has evolved since she was first drafted to the Las Vegas Aces in 2018. She is entering the second year of her Nike signature athlete journey and her latest shoe the A'Two has debuted in Europe. “The process is always pretty hands-on for me. I love to try to make it something for the consumer, but also very comfortable for myself and also durable,” says Wilson. “There's also a tattoo of mine in the tongue of the shoe. It's a sign that says ‘You have to face setbacks in order to move forward.' So, I feel like that's something everyone can relate to.”Although lately, there has been cause for celebration rather than setbacks in Wilson's life as her boyfriend Bam Adebayo who plays for the Miami Heat recently scored 83 points against the Washington Wizards and now  the second-highest total in NBA history.  A record previously held by the late Kobe Bryant. “I was actually just sitting in the car for a little bit. I was running a little late, but that's nothing new.” Wilson says about her whereabouts during the record setting game. “And then when I go in and I'm in the tunnel and I just hear his name, they're like, “Bam scored again.”“And I'm like, I can't go sit down. And I'm just hiding in the tunnel just enough that I can see the jumbotron. But then finally I go sit down and then he misses his first free throw. And I'm just like, “Oh my gosh, it's me.” But at the same time, I know that's how the game goes,' says Wilson.“I've seen all the work that [Bam's] been through. Now it's paying off. And I am so happy that he's able to have that moment in his history. It's pretty cool to kind of see him flourish in that space.” Off the court, Wilson says the duo are enthralled by watching Shonda Rhimes's 2012 hit TV show Scandal for the first time. “It's popping in our household and we love us some Olivia Pope and some Jake Ballad and Fitz,” says Wilson. “Those are our homies. I feel like we're just best friends at this point.”The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Acting as Lady Whistledown and... another Lady Whistledown, the Junkies transport us to the bodice-ripping world of the Netflix drama Bridgerton, a racially diverse, sexually charged romantic series set in London during the Regency era. Bridgerton comes from Shonda Rhimes and is based on a series of novels about a group of alphabetically-named siblings who each try to find love and/or happiness among their upper-crust peers. Shauna and Olivia catch us up on past seasons, including Season 4, which just aired, and speculate on what (and who) Seasons 5 and 6 will be about. And yes, the topic of hot Regency sex will be discussed, and not always in the most genteel manner (as you might expect from the Junkies).We have affordable and rewarding Patreon tiers! Be the first to hear new and uncensored content, if you dare! Click here: https://www.patreon.com/popculturejunkiepodcast/posts Apple Podcast: https://podcasts.apple.com/us/podcast/pop-culture-junkie/id1536737728 Spotify:https://open.spotify.com/show/7k2pUxzNDBXNCHzFM7EL8W Website: www.popculturejunkie.comFacebook: PopCultureJunkiePodcastInstagram: @pop.culturejunkieThreads:@pop.culturejunkieBluesky: @pop-culture-junkie.bsky.socialEmail: junkies@popculturejunkie.com Shauna on Instagram: @shaunatrinidad Shauna on Threads: @shaunatrinidad Olivia on Instagram: @livimariez 

Celebrity gossip lip-readers have changed the game. Because of them we know Timothée Chalamet hated the Oscars, King Charles says F and Prince William had no time for 'Andrew’s' apology. So is that ‘zero privacy’ development fair play? And what DID Timmy say to his sister about Kylie Jenner? In other scurrilous gossip, we’re meant to think that Nicole Kidman has a new friends-to-lovers boyfriend, and that Keith Urban is 'reeling'. Hmmm. Plus, peptides are the new cottage cheese, in demand from both older women and teenage boys. Except, unregulated, they can be rather more dangerous than a protein-heavy snack. So what the hell is a peptide, and how worried should we be about influencers spruiking them? (Hint: Very) 'Our' Queen Mary is touring Australia and once upon a time, that would have guaranteed tabloid mayhem. These days everything is… quieter. Is that because a midlife Queen is less enticing to the attention economy than the Carrie-esque lure of the princess fairytale? Plus, Ethan Hawke has the best advice for those suffering from unrequited love. Yes, some ageing Gen X heartthrobs are still the real deal. SUBSCRIBERS: Get 25% off Nala with your Mamamia subscription. Click here to get your code. Ends 1st April. SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: 'Are Flaps In Or Out?' Mia's Rogue Oscars Fashion Feedback Listen: A Very Awkward Oscars & That Manosphere Doco Listen: What We Did Before 9am Listen: A Lil' Treat: Jessie’s Very Surprising, Very Wonderful Twins Update Listen: Mia, Female Friendships & The '3-Word Rule' Listen: A Reluctant Pregnancy Announcement On Live TV Listen: Mia's Diary Note: What I Didn't Expect About Being A Nana Listen: Beckham, Meghan & Jessie's Hospital Voice Note Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Australia's #1 podcast, Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Despite what you've read, Timothee Chalamet and Kylie Jenner were the real Oscar winners. Timothée Chalamet losing the Oscar has nothing to do with opera. 'Michael B. Jordan is obsessed with Yerin Ha and I've got two compelling theories.' 'An uncontrolled science experiment.' The truth about the peptides trend. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

On this episode of Latinos Out Loud, ⁠@RachelLaLoca⁠ chats with Jaina Lee Ortiz and Bevin Bru; the two Latina leads of the new ABC show RJ Decker. Jaina plays Emilia “Emi” Ochoa and Bevin plays Detective Melody “Mel” Abreu, and they discuss their unique characters, and what they'd like us the viewers to take away from their performances, and interesting insight on the state of representation in Hollywood. ABOUT JAINA Jaina recently wrapped the Sony action feature “Archangel,” opposite Jim Caviezel, Garret Dillahunt and Shea Wigham. Her breakout role was Detective Annalise Villa in the hit Fox series ”Rosewood.” She was later hand-picked by Shonda Rhimes to lead the ABC drama series, “Station 19” for an impressive seven-season run. Additional television credits include the USA series “Shooter” and Amazon's “The After.” Ortiz can most recently be seen in the independent feature, “The Long Game,” alongside Dennis Quaid and Jay Hernandez. It premiered at the SXSW Film Festival, where it received the Narrative Spotlight Audience Award. Cast and filmmakers were then invited by President Biden to screen the film at the White House in advance of its release. A proud Puerto Rican American from the Boogie Down Bronx, Ortiz devotes much of her time supporting the Latin community. She was asked personally by Chief Justice Sonia Sotomayor to voice her audiobook, “The Beloved World of Sonia Sotomayor.” ABOUT BEVIN Cuban American actress, writer and producer Bevin Bru continues to solidify her place as one of Hollywood's rising talents. Best known for her breakout role as Angelique Martin in Season 2 of The CW's hit series “Batwoman,” Bru is currently starring this season on ABC's highly anticipated drama “R.J. Decker” as Detective Melody “Mel” Abreu. Born and raised in Miami, Florida, Bru discovered her passion for acting at a young age. She later moved to New York City to study at AMDA before relocating to Los Angeles to pursue her career. ABOUT THE SHOW Written by Rob Doherty (“Elementary”) and starring Scott Speedman, RJ Decker is a former newspaper photographer and ex-con who starts over as a private investigator in the colorful-if-crime-filled world of South Florida. The series follows him tackling cases ranging from slightly odd to outright bizarre with the help of his journalist ex, her police detective wife and a shadowy woman from his past who could be his greatest ally … or his one-way ticket back to prison.Inspired by Carl Hiaasen's novel “Double Whammy,” “RJ Decker” is produced by 20th Television. Rob Doherty serves as showrunner, writer and executive producer. Carl Hiaasen, Carl Beverly and Sarah Timberman are executive producers, Paul McGuigan directs and executive produces, and Scott Speedman is a producer. Release Date: March 3, 2026Network/Platform: ABC (Linear) and Hulu (Streaming)Showtime: 10:00 PM EST Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we're diving into the story of Shonda Rhimes, the woman who completely changed television. Before Rhimes, network TV rarely centered complicated women, diverse casts, or stories about power, ambition, sexuality, and work told from a female perspective. From Grey's Anatomy to Scandal to Bridgerton, Rhimes built an empire by telling the kinds of stories about women that television had long ignored. We talk about her early life, how she broke into Hollywood, the rise of Shondaland, and how she reshaped what television looks like, and who gets to be the main character. This is Shonda Rhimes! Created and produced by Claire Donald and Tess Bellomo Follow us on social media, buy merch, and more⁠ HERE! ⁠ Join our premium channel for 3 bonus eps a month ⁠⁠here⁠⁠ and save 15% when you buy annually! Sources: Television Academy , Vice, Wbur, Oprah.com, Theboar.org, Variety, Hollywood Reporter, Wikipedia, Call Her Daddy Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of Latinos Out Loud, ⁠@RachelLaLoca⁠ chats with Jaine Lee Ortiz and Bevin Bru; the two Latina leads of the new ABC show RJ Decker. Jaina plays Emilia “Emi” Ochoa and Bevin plays Detective Melody “Mel” Abreu, and they discuss their unique characters, and what they'd like us the viewers to take away from their performances, and interesting insight on the state of representation in Hollywood. ABOUT JAINA Jaina recently wrapped the Sony action feature “Archangel,” opposite Jim Caviezel, Garret Dillahunt and Shea Wigham. Her breakout role was Detective Annalise Villa in the hit Fox series ”Rosewood.” She was later hand-picked by Shonda Rhimes to lead the ABC drama series, “Station 19” for an impressive seven-season run. Additional television credits include the USA series “Shooter” and Amazon's “The After.” Ortiz can most recently be seen in the independent feature, “The Long Game,” alongside Dennis Quaid and Jay Hernandez. It premiered at the SXSW Film Festival, where it received the Narrative Spotlight Audience Award. Cast and filmmakers were then invited by President Biden to screen the film at the White House in advance of its release. A proud Puerto Rican American from the Boogie Down Bronx, Ortiz devotes much of her time supporting the Latin community. She was asked personally by Chief Justice Sonia Sotomayor to voice her audiobook, “The Beloved World of Sonia Sotomayor.” ABOUT BEVIN Cuban American actress, writer and producer Bevin Bru continues to solidify her place as one of Hollywood's rising talents. Best known for her breakout role as Angelique Martin in Season 2 of The CW's hit series “Batwoman,” Bru is currently starring this season on ABC's highly anticipated drama “R.J. Decker” as Detective Melody “Mel” Abreu. Born and raised in Miami, Florida, Bru discovered her passion for acting at a young age. She later moved to New York City to study at AMDA before relocating to Los Angeles to pursue her career. ABOUT THE SHOW Written by Rob Doherty (“Elementary”) and starring Scott Speedman, RJ Decker is a former newspaper photographer and ex-con who starts over as a private investigator in the colorful-if-crime-filled world of South Florida. The series follows him tackling cases ranging from slightly odd to outright bizarre with the help of his journalist ex, her police detective wife and a shadowy woman from his past who could be his greatest ally … or his one-way ticket back to prison.Inspired by Carl Hiaasen's novel “Double Whammy,” “RJ Decker” is produced by 20th Television. Rob Doherty serves as showrunner, writer and executive producer. Carl Hiaasen, Carl Beverly and Sarah Timberman are executive producers, Paul McGuigan directs and executive produces, and Scott Speedman is a producer. Release Date: March 3, 2026Network/Platform: ABC (Linear) and Hulu (Streaming)Showtime: 10:00 PM EST

Happy Women's History Month! Penni interviews Emmy Award-winning journalist, CNN anchor, and senior global affairs analyst, Bianna Golodryga, for her new book, Don't Feed the Lion, a middle grade novel that courageously confronts antisemitism and hate through the lens of middle schoolers, opening the door for honest dialogue between children and the adults who care for them. Penni then sits down with Anita Verma-Lallian, a trailblazing first-time producer, entrepreneur, and investor, who speaks about Camelback Productions, Arizona's first South Asian, female-owned film company and how she is rewriting the playbook for grassroots film financing.Penni and Tammy shout out outstanding women, such as Sigourney Weaver, Shonda Rhimes, and the women nominated for the upcoming 98th Academy Awards.Plus, Katie invites us to the 46th Annual Muse Awards, honoring Actor, Founder, CEO, and Investor Gwyneth Paltrow, Actress and Singer Audra McDonald, Sex and the City Producer Jane Raab, Journalist Joy Reid, Real Women Have Curves Director Patricia Cardoso, WNBA Athlete and Lupus Advocate Izzy Harrison, and Actress and Down Syndrome Advocate Jamie Brewer. To be featured on the podcast email us at communications@nywift.org. For more great content go to NYWIFT.org.Special thanks to⁠ Elspeth Collard⁠, the creator of our podcast theme song.NEWS LINKS Nominees for the 98th Academy Awards Variety: Audra McDonald, Jane Raab and Joy Reid to be Honored at NYWIFT's Muse AwardsVariety: Gwenyth Paltrow to be Honored at NYWIFT Muse AwardsBuy your ticket to the NYWIFT Muse Awards GUEST LINKS Camelback Productions (Anita Verma-Lallian's Production Company)Link to buy Don't Feed the Lion by Bianna GolodrygaSOCIALS Bianna Golodryga: IG: @biannagolodrygaAnita Verma-Lallian: IG: @anitavermalallianCamelback Productions: IG: @camelbackproductionsNYWIFT: Instagram:⁠⁠ @NYWIFT⁠⁠ / Twitter/X⁠⁠ @NYWIFT⁠⁠ / #NYWIFT

Hey, Making Space fans! As a bonus, we're giving you a special preview clip of our new podcast series, Glass Half Full with Craig Melvin. In this episode, Shonda Rhimes joins Craig for a revealing conversation that begins with a decision she made to confront her lifelong shyness. She opens up about her inner world and the shock of becoming a writer suddenly in charge of a massive television show. Shonda also shares what she's looking for in a partner, what could be next for the Bridgerton world, whether there could be a Scandal movie, and why she considers herself more optimistic than most. To listen to the full conversation now, just search ‘Glass Half Full with Craig Melvin' wherever you're listening. Follow now for new episodes every Tuesday: swap.fm/l/ghfew Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hey, Open Book fans! As a bonus, we're giving you a special preview clip of our new podcast series, Glass Half Full with Craig Melvin. In this episode, Shonda Rhimes joins Craig for a revealing conversation that begins with a decision she made to confront her lifelong shyness. She opens up about her inner world and the shock of becoming a writer suddenly in charge of a massive television show. Shonda also shares what she's looking for in a partner, what could be next for the Bridgerton world, whether there could be a Scandal movie, and why she considers herself more optimistic than most. To listen to the full conversation now, just search ‘Glass Half Full with Craig Melvin' wherever you're listening. Follow now for new episodes every Tuesday: swap.fm/l/ghfew Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hey, TODAY with Jenna & Sheinelle fans! As a bonus, we're giving you a special preview clip of our new podcast series, Glass Half Full with Craig Melvin. In this episode, Shonda Rhimes joins Craig for a revealing conversation that begins with a decision she made to confront her lifelong shyness. She opens up about her inner world and the shock of becoming a writer suddenly in charge of a massive television show. Shonda also shares what she's looking for in a partner, what could be next for the Bridgerton world, whether there could be a Scandal movie, and why she considers herself more optimistic than most. To listen to the full conversation now, just search ‘Glass Half Full with Craig Melvin' wherever you're listening. Follow now for new episodes every Tuesday: swap.fm/l/ghfew Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In anticipation of the third part in our series! Yale educator and TV writer/producer, Aaron Tracy, spoke with me about what it takes to make it as a TV writer, breaking into the audio drama space, producing Audible's most successful original fiction series, and working on the upcoming “Supreme” with Eva Longoria. Aaron Tracy teaches “The Art and Craft of Television Drama” at Yale University, and his TV credits include Law & Order: SVU, Fairly Legal, The Tap, and Sequestered, a serialized thriller that ran two seasons, for which he was Creator and Executive Producer.  He is also the Creator, Head Writer, and Exec. Producer of scripted audio dramas for iHeartRadio, Audible, and Spotify, with various production partners. These include an underdog NBA story with Steve Nash, a legal thriller with James Patterson, a historical romance with Shonda Rhimes, and a courtroom drama with Eva Longoria. His first show to be released, The Coldest Case, a detective thriller starring Aaron Paul, Krysten Ritter, and Alexis Bledel, premiered as the #1 download on Audible in 2021, and has since become the most downloaded show in Audible Plus history. His audio entertainment company, Parallax, is the home for “prestige scripted audio thrillers and thought-provoking unscripted fare.” [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Aaron Tracy and I discussed: The two paths available to aspiring TV writers  Why you need to always be pitching ideas How audio dramas harken back to the golden days of radio Landing big stars for "TV shows without the visuals" Working with Rob Reiner How to write for the ear Why the journey is the destination for writers And a lot more! Show Notes: ⁠The Art and Craft of TV Drama with Aaron Tracy: Part Two⁠ ⁠Yale University – Aaron Tracy⁠ ⁠Aaron Tracy Audible Page⁠ ⁠Aaron Tracy on IMdB⁠ ⁠Aaron Tracy on Twitter⁠ Milena Gonzalez | Writer | Reader | Book Reviewer⁠ ⁠diary_of_a_book_babe on Instagram⁠ ⁠Kelton Reid Instagram⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever said NO to something because you were scared?That's exactly what Niki and I are unpacking in our Season Finale episode as we reflect on Year of Yes by Shonda Rhimes - and how powerful it can be when we decide to finally say YES.

Kate Walsh has spent over a decade playing the legendary, world-class neonatal surgeon Dr. Addison Montgomery, but in 2015, she faced a terrifying medical crisis that required a neurosurgeon of her own. In this very special live episode recorded in Sydney, we celebrate the official launch of Season 2 of Well with a conversation that is as glamorous as it is raw and revealing. Host Claire Murphy is joined on stage by Kate to peel back the curtain on the woman behind the scrubs. While the world knows her as the formidable lead of Private Practice and the woman who made the most famous entrance in Grey’s Anatomy history, Kate joins us to share the deeply personal story of the year she became the patient. From the "menopause-like" symptoms that masked a life-threatening condition, to the frustrating reality of being dismissed by specialists, Kate discusses the 2015 diagnosis of a 5cm brain tumour. She recalls her diagnosis, the "gnarly" recovery that followed and her ongoing journey navigating early menopause and ageing in the spotlight. THE END BITS All your health information is in the Well Hub. For more information on perimenopause and menopause, navigate to the Australasian Menopausal Society, the Endocrine Society, the International Menopause Society and Jean Hailes For Women’s Health. GET IN TOUCH Sign up to the Well Newsletter to receive your weekly dose of trusted health expertise without the medical jargon. Ask a question of our experts or share your story, feedback, or dilemma - you can send it anonymously here, email here or leave us a voice note here. Ask The Doc: Ask us a question in The Waiting Room. Follow us on Instagram and Tiktok. Support independent women’s media by becoming a Mamamia subscriber CREDITS Hosts: Claire Murphy Guest: Kate Walsh Senior Producers: Claire Murphy and Sally Best Audio Producer: Scott Stronach Video Producer: Glenn Urquhart Social Producer: Elly Moore Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Information discussed in Well. is for education purposes only and is not intended to provide professional medical advice. Listeners should seek their own medical advice, specific to their circumstances, from their treating doctor or health care professional. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++Support the show: https://www.mamamia.com.au/mplus/See omnystudio.com/listener for privacy information.

Let us know what you enjoy about the show!What's behind the headlines—and what happens when purpose, presence, and generosity quietly shape the biggest opportunities?In this episode, I'm joined by tap-dance powerhouse sisters Chloe and Maud Arnold—creators, choreographers, educators, entrepreneurs, and the visionary force behind Syncopated Ladies, the all-female tap ensemble that has amassed over 100 million views online. Their work has traveled to more than 30 countries, with appearances on The Ellen Show, Good Morning America, The Kelly Clarkson Show, and So You Think You Can Dance—and recognition from cultural icons including Beyoncé, Whoopi Goldberg, Shonda Rhimes, and Janet Jackson.But this conversation isn't about the highlight reel.It's about the humans behind the headlines—and the small, deeply human choices that often create the biggest turning points. Chloe and Maud share how major breakthroughs have come through everyday acts of care: giving a friend a ride, making space for someone who needs to be included, and leading with mission rather than image.We talk about:Why “being present” is a performance skill—and a life skillThe “make it until you make it… and keep making it” mindset (and the early projects nobody saw)Rejection, resilience, and staying open without getting bitterIdentity, excellence, and the power of being raised with the message: you already belongWhat it means to choose your standards—and protect your energy—while staying generous and groundedThis one is an invitation to slow down, remember what matters, and honor the unseen moments that shape a life.As STOPTIME: Live in the Moment approaches five years of conversations (almost six!), I'm revisiting and re-sharing a few favorite episodes—conversations that continue to resonate and meet us exactly where we are. This one felt especially worth returning to.Thank you for listening—and for being part of this journey.— Lisa

DAPHNE & SIMON FIND LOVE + LADY WHISTLEDOWN FINALLY REVEALED!! With the first part of Bridgerton Season 4 streaming on Netflix now, John & Greg continue Lady Whistledown's scandal sheet! Visit https://huel.com/rejects to get 15% off your order BRIDGERTON 1x6 Reaction Highlights:    • BRIDGERTON 1x6 REACTION – DID THEY CROSS A...   BRIDGERTON 1x5 Reaction Highlights:    • BRIDGERTON 1x5 REACTION – SIMON & DAPHNE M...   BRIDGERTON 1x4 Reaction Highlights:    • BRIDGERTON S1 EPISODE 4 REACTION – ONE KIS...   BRIDGERTON 1x3 Reaction Highlights:    • BRIDGERTON SEASON 1 EPISODES 1 & 2 REACTIO...   BRIDGERTON 1x1 & 1x2 Reaction:    • BRIDGERTON SEASON 1 EPISODES 1 & 2 REACTIO...   Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Greg Alba & John Humphrey react to and review Bridgerton Season 1, Episodes 7 & 8 — the dramatic conclusion to Daphne and Simon's whirlwind romance in Netflix's global Regency-era hit created by Chris Van Dusen and produced by Shonda Rhimes. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the fastest way to become a more confident speaker isn't eliminating fear — but saying “yes” to it? We invite you to explore how adopting a “Yes” mentality can transform your leadership communication.  This episode is a practical blueprint for leaders who want to move from hesitation to influence. When you treat fear as an opportunity, reframe adrenaline as readiness, and shift your focus from performance to service, speaking becomes less about perfection and more about impact. If you're ready to grow your confidence one courageous “yes” at a time, this episode will challenge and equip you to step forward. Highlights include: Bold mindset shift popularized by Shonda Rhimes in her “Year of Yes.” Fear can signal your next growth opportunity. Saying “yes” as a part of your mastery process. Using the “Yes, and…” technique to handle tough questions and unexpected moments Reframing and tips to calm nerves and build composure. How speaking opportunities increase visibility, credibility, and leadership influence "Doors don't open for silent leaders; they open for powerful communicators."  Ready to accelerate your speaking growth? Say “Yes” and pick up a copy of Talk It Up: A Guide to Successful Public Speaking, and continue building the confidence to lead with your voice. Timestamps: Start Small 2:48 Yes to Making Mistakes 4:46 Benefits to Saying 'Yes' 10:10  Overcome Fear 13:35

OS-special med Hannah och Amanda: Trygg i att vara dålig. Bränn upp Fredagspodden. Ångest för lagidrottKritiken mot Vonn. Amanda har analyserat otrohetsintervjun i OS. Make-up:en i OS och Shonda Rhimes

In this episode, we're talking about the surprising power of half-assing, on purpose. Inspired by Shonda Rhimes' “Year of Yes,” Alexis shares how trying to be great at everything leads to burnout, and why the smarter move might be to pick what you'll intentionally do “just okay” for a while. You'll hear real-life examples, get permission to stop overachieving, and walk away with a doable strategy for lowering stress and raising sanity.FREE Resources: Watch this Free Class!: 3 Secrets to Always Having Enough Time For Your Work, Your Family and Yourself ( https://www.alexishaselberger.com/register-now ) ⁠⁠Click here to grab your free Distraction Action Plan today and start saving hours  each week! ( https://www.alexishaselberger.com/reduce-distraction )This show is brought to you by: ⁠Time Well Spent : the time management course for real people, just like you, who want to do more and stress less -  https://www.alexishaselberger.com/time-well-spent-course Stay connected!:Visit our website at  ⁠https://www.alexishaselberger.com⁠ Check out the " ⁠Time Well Spent: Time Management for Real People⁠ “ Course ( https://www.alexishaselberger.com/time-well-spent-course )Join the  ⁠Do More, Stress Less Facebook Community⁠  ( https://www.facebook.com/groups/domorestressless )Connect on  ⁠Linkedin⁠  ( https://www.linkedin.com/in/alexis-haselberger/ )Follow us for updates and more content: Youtube  ( https://www.youtube.com/c/DoMoreStressLess ) ⁠Instagram⁠  ( https://www.instagram.com/do.more.stress.less/ ) ⁠TikTok⁠  ( https://www.tiktok.com/@do.more.stress.less)  ⁠Facebook⁠  ( https://www.facebook.com/domorestressless )We want your feedback!:If you have constructive feedback, please email us at alexis+podcastfeedback@alexishaselberger.comIf you enjoyed this episode, please leave us a rating and share with a friend!Transcript:Read it  ⁠here⁠ !

Shonda Rhimes is one of the most accomplished TV writers and producers of our time. She's written shows like Scandal, How To Get Away With Murder, and Grey's Anatomy. In 2023, Shonda spoke with correspondent jarrett hill about creating shows without the restraints of network television and the insecurity that accompanies success, no matter how big you make it.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode, Kayla and Martina discuss everything surrounding Nancy Guthrie's disappearance. Then, they unpack a recent spontaneous move Kayla made. During the month of February, we will be dedicating the weekly inspirational moment to women of color who changed the game in their field - this week's inspirational woman is Shonda Rhimes! 

A new week means new questions! Hope you have fun with these!Sometimes called a "dolphin fish" or "dorado", which surface-dwelling ray-finned fish has a name that means "strong-strong" or "very strong" in Hawaiian?By what majestic name are rainbows known on Venus?In Norse mythology, Tyr sacrificed what part of his body to the wolf Fenrir?Madam Butterfly', 'La Boheme', and 'Tosca', are notable operas composed by which Italian?Having an extent of 2,508 km or 1,558 miles, what is the longest river in Australia?What alcoholic spirit is found in all three of these cocktails: Zombie, Dark 'n' stormy, Mary Pickford?The first-ever solo male cover star of Vogue magazine in 2020, which singer wore a lace-trimmed, blue Gucci gown paired with a black tuxedo?"Is this a dagger which I see before me, The handle toward my hand"? is a quote from which Shakespeare play?Chinese New Year, which is on Feb. 17th of this year, is also known as the what festival?Who is Dora the Explorer's best friend?When Josie is on a vacation far away she wants to eat only junk food, as opposed to this common starter composed of a blend of young tender leaves from various wild and cultivated plants.What is the name of the ritual feast that occurs at the beginning of the Jewish holiday of Passover?Following the life and times of the eight siblings from the titular noble family, what novel series by Julia Quinn was adapted into a Shonda Rhimes-produced Netflix series in 2020?What does the word "antepenultimate" mean?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!Quiz, trivia, games, pub+trivia, pub+quiz, competition, education, comedy

"I don't want you like a best friend." What happens when we view Taylor Swift's music through the lens of Regency era romance? In this week's Show & Tell episode, we explore Taylor Swift's songs through Shonda Rhimes's Netflix adaptation of Julia Quinn's “Bridgerton” novels to uncover how Taylor's songs capture the tension, longing, and swoony moments that define the series. From secret romances in crowded rooms to enemies-to-lovers slow burns, we connect three iconic Bridgerton couples to Taylor Swift songs that perfectly capture their love stories. Whether you're Team Daphne and Simon, obsessed with Kate and Anthony, or rooting for Colin and Penelope, this episode has something for every Bridgerton fan. Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com  Mentioned in this episode: Bridgerton Series, Julia Quinn The Duke and I (Bridgerton #1), Julia Quinn The Viscount Who Loved Me (Bridgerton #2), Julia Quinn Romancing Mister Bridgerton (Bridgerton #4), Julia Quinn Bridgerton Netflix Series Queen Charlotte: A Bridgerton Story Marie Antoinette (2006), Sofia Coppola Romeo + Juliet (1996), Baz Luhrmann Moulin Rouge (2001), Baz Luhrmann Pride and Prejudice, Jane Austen E31: Shakespeare    Episode Highlights:  [00:26] Bridgerton Overview [13:05] “I Wish You Would,” 1989 [24:08] “Wildest Dreams,” 1989 [34:18] “Dress,” Reputation  Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro   This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.  

¿Qué pasa cuando conocés al amor de tu vida… y ya estás embarazada?En este episodio EN VIVO de Lesconfesiones, Valen y Sofi leen sin filtro una historia que parece escrita por Shonda Rhimes: amor a primera vista, un kit de inseminación casero, separación, reencuentro y un final que te deja gritando frente al celu.⚠️ Advertencia: este episodio contiene niveles extremos de lesbianismo, emoción y humor.¡Dale play, agarrá el vino, y escuchá cómo se forma una familia en tiempo récord!⁠⁠Nuestras Redes

We're finishing Frankenstein with some final thoughts on the recurring themes of parenthood and obsession, as well as the miraculous (and inconsistent) transformation of the creature into an independent being.Next week it's into the land of fairy tales and ballgowns as we read "An Offer From a Gentleman" by Julia Quinn and we pray that the almighty Shonda Rhimes gives our Sophie a true Benedict-exiting-the-lake scene .Similar Books and ShowsAlchemized by Senlinyuhttps://www.goodreads.com/book/show/222490389-alchemised?from_search=true&from_srp=true&qid=nWjeYUMfcq&rank=1Prince of Hearts by Margaret Foxe https://www.goodreads.com/book/show/18515966-prince-of-hearts?from_search=true&from_srp=true&qid=dhMCL0HjUS&rank=2The Count of Monte Cristo (movie version)https://www.imdb.com/title/tt0245844/?ref_=fn_t_1Anna Karenina (movie version) https://www.imdb.com/title/tt1781769/?ref_=nv_sr_srsg_0_tt_6_nm_2_in_0_q_anna%2520karCheck us out on Youtube and Patreon @notanotherheroine!

In Part 2 of our discussion on Murasaki Shikibu's The Tale of Genji, editor Dennis Washburn returns to discuss the importance of the colors of the Norton Library edition, the ways the text spoke to him during his translation process, and the self-evaluation that occurs through reading something unfamiliar. (P. S. Hi, Shonda Rhimes! Please, please, please work your magic with an adaptation ofThe Tale of Genji!) Dennis Washburn is the Burlington northern Foundation professor of Asian studies at Dartmouth College. He holds a Ph.D. in Japanese Language and Literature from Yale University and has authored and edited studies on a range of literary and cultural topics. These include: The Dilemma of the Modern in Japanese Fiction; Translating Mount Fuji: Modern Japanese Fiction and the Ethics of Identity; and The Affect of Difference: Representations of Race in East Asian Empire. In addition to his scholarly publications, he has translated several works of Japanese fiction, including Yokomitsu Riichi's Shanghai, Tsushima Tsushima Tuko's Laughing Wolf, and Mizukami Tsutomu's The Temple of the Wild Geese, for which he was awarded the US-Japan Friendship Commission Prize. In 2004 he was awarded the Japan Foreign Minister's citation for promoting cross-cultural understanding.To learn more or purchase a copy of the Norton Library edition of The Tale of Genji, go to https://wwnorton.com/books/9780393427912.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Spillers, we've got a special treat for your Sunday listening, from our sister podcast Watch Party - which you can find now on Spotify and Apple. We are officially in our "professional yearning" era. Bridgerton is almost back and in this episode, our superfans go beyond the trailer to discuss the massive production secrets, the showrunner swap, and why this season is being called the "steamiest" yet.You'll learn more about: Production Deep Dive: We break down the 8-month shoot, explain why the show is moving from pastel springs to a "classic rock" autumn aesthetic, and reveal what to look out for when Season 4 Part 1 drops. The Cast Shake-Up: Who is back (and who isn't), the "curated" chemistry of the press tour, and the fan theory about a potential queer romance for a surprising character. Fan Theories & The "Beyond": who will we see more of? Will someone die?! And will we really see a Kanthony comeback? It’s your essential briefing on the scandals, the cast changes, and the romance before the carriage arrives for Season 4. If you love this episode, make sure you’re following the Watch Party feed! We’ll be dropping new breakdowns when Part 1 drops on Thursday 29 January and again for Part 2 in February. LISTEN NEXT:EMILY IN PARIS: Everything You Need To Know Before Season 5 DropsWICKED FOR GOOD: Ariana Grande's Oscar Push & The Secrets Behind The SequelNOBODY WANTS THIS: Everything You Need To Know Before Season 2 DropsTHE END BITSSupport independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here.Discover more Mamamia Podcasts here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP!CREDITSHosts: Grace Rouvray, Georgie Page & Liv JamesExecutive Producers: Monisha IswaranAudio Producer: Scott StronachVideo Editor: Michael KeanBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Our exit today has us realizing that we're not a girl but not yet a woman. This week, we are talking about the Britney Spears vehicle Crossroads, written by Shonda Rhimes and directed by Tamra Davis.While we spend a lot of time discussing Britney Spears (and defending her from our greatest enemy, the Razzie Awards), we also talk Shondaland, the Nintendo Power Glove, road trip movies, karaoke song choices, punk rock, bizarre age differences, Joan Jett, movies as commercials, Glitter, musicians turned actors, and the real life parallels of this film. Plus, Ross is baffled by the "reality" of the film and even more so by Tripp's bizarre film recommendation. And somehow, we talk Zoe Saldana without Tripp singing "Eeeeemeeeeeeeliaaaa!"Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Send us a textStep past the velvet ropes and into the rooms where power becomes personal. Angela sits with bestselling author and journalist Kate Andersen Brower to trace a path from midnight shifts at CBS to Bloomberg's White House beat and the books that reveal the people who keep the presidency moving. From riding on Air Force One to riding a helicopter that touched down on the Buckingham Palace lawn, Kate shares electric moments that shaped her view of leadership, access and the stakes of getting the story right.We dig into the origin of The Residence and the staff whose names rarely make headlines but whose work steadies every administration—ushers who know first families as people, butlers who carry institutional memory and housekeepers who witness history at arm's length. Kate unpacks the power and pressure of first ladies, the private grief that often underlies public composure and the ethical knots reporters face when truth, privacy and politics collide. She explains why some stories humanize rather than sensationalize, and how multiple credible sources guide what makes it to the page.Kate also opens up about her work being featured on screen as The Residence inspired a Netflix series, why she chose to stay focused on writing over producing and what she misses—and doesn't—about daily journalism. Looking ahead, she previews a forthcoming book with Norah O'Donnell spotlighting overlooked women who built America, and a deep dive into the presidential secretaries who sit just outside the Oval Office, balancing loyalty with duty. If you care about media, history and the people who keep institutions running when no one's watching, this conversation will stay with you.Links & Resources Mentioned in This EpisodeThe Residence – Inside the Private World of the White HouseKate Anderson Brower's bestselling book offering a rare, behind-the-scenes look at the White House residence staff and the non-political professionals who serve presidents and their families.First Women – The Grace and Power of America's Modern First LadiesAn intimate portrait of modern first ladies, revealing the unseen pressures, influence, and complexity of a role with no formal job description.Team of Five – Former Presidents and Their RelationshipsA revealing look at how living former presidents interact, support, and sometimes clash behind the scenes.First in Line – The Lives and Power of U.S. Vice PresidentsA deep dive into the often-overlooked role of the vice presidency and the individuals who have held it.Elizabeth Taylor: The Grit & Glamour of an IconThe first authorized biography of Elizabeth Taylor, tracing her extraordinary life, legacy, and activism.The Residence (Netflix)A murder-mystery series inspired by Kate's book, produced by Shonda Rhimes and starring Uzo Aduba, using the White House residence as its dramatic backdrop.Kate Anderson Brower's WebsiteLearn more about Kate's books, reporting, and current projects at katebrower.com.Enjoyed the episode? Subscribe, share with a friend, and leave a quick review so more curious listeners can find the show.

Benito Skinner (creator/star of Overcompensating) discusses creating an honest coming-out story, translating his stand up show to a TV pilot, learning from Shonda Rhimes, writing about gray areas, inhabiting characters, the state of TV comedy, and more.THE WRITERS PANEL IS A COMPLETELY INDEPENDENT PRODUCTION.Follow and support the show by subscribing to Ben Blacker's newsletter, Re:Writing, where you'll also get weekly advice from the thousands of writers he's interviewed over the years, as well as access to exclusive live Q&As, meet-ups, and more: benblacker.substack.comSOCIALS:Bluesky: https://bsky.app/profile/benblacker.bsky.socialInstagram: https://www.instagram.com/bablacker/ Hosted on Acast. See acast.com/privacy for more information.

The co-hosts are taking on the hottest weekend topics: Singer Lily Allen goes scorched earth with a brutal break-up album that fans are convinced is aimed at her ex! Tensions boil over when a new troublemaker comes to town on the Season 15 sneak peek of “The Real Housewives of Beverly Hills.” Global media mogul Shonda Rhimes tells Mel Robbins the secret that gave her the courage to build her Shondaland empire. Plus, we're celebrating Hulu's “The Golden Girls: 40 Years of Laughter and Friendship” and find out why this sitcom never ages!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode is a MUST listen. If you've ever felt stuck, small, or tired of letting fear dictate your life, you need to hit play. This is the most eye-opening, empowering conversation you'll hear this year. It's time to stop playing small. There's a bigger possibility for your life, you are more capable than you know, and you can manifest the future you want. Today's episode will show you how. In it, Mel is joined by Shonda Rhimes. Shonda is one of the most powerful voices in entertainment history. She's the creator of Grey's Anatomy and Scandal and the Executive Producer of Bridgerton and How To Get Away With Murder. She's won Golden Globes, Emmys, broken records, and built Shondaland, a global storytelling empire. But this is not a conversation about groundbreaking TV shows. It's about taking your life back. Shonda reveals that despite all her success, she was still living in fear. Still hiding. And in this conversation, Shonda will challenge you to do the same things she started doing: to stop doubting yourself, stop waiting for permission, and start saying YES, even when it's terrifying. This is a masterclass in courage, clarity, and finding your power. By the time it's over, you won't just believe change is possible. You'll know it is. Because the life you want? It's on the other side of YES. And it starts right now. For more resources, click here for the podcast episode page. Get Shonda's book, “The Year of Yes: 10th Anniversary Edition,” here.If you liked the episode, check out this one next: 3 Questions to Ask Yourself to Figure Out What You Really WantConnect with Mel:  Get Mel's newsletter, packed with tools, coaching, and inspiration.Get Mel's #1 bestselling book, The Let Them TheoryWatch the episodes on YouTubeFollow Mel on Instagram The Mel Robbins Podcast InstagramMel's TikTok Subscribe to SiriusXM Podcasts+ to listen to new episodes ad-freeDisclaimer Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Candiace Dillard Bassett steps Behind The Rope. Candiace is here to, as we like to say, mention it all. Candiace breaks down her journey on RHOP - the highs and lows, good times, drama and more. Candiace talks cast mates Wendy, Robin, Gizelle, Ashley and The Grand Dame. Candiace also chats about her past with Monique Samuels - both on and off air, husband Chris Bassett, other franchises'  Housewives and her love of all things Shonda Rhimes. Yes, Olivia Pope we are talking about you! @candeegal09 @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope  BROUGHT TO YOU BY: QUINCE - quince.com/velvetrope (Get Free Shipping and 365 Day Returns to As You Indulge In Affordable Luxury) RO - ro.co/velvet (For Prescription Compounded GLP-1s and Your Free Insurance Check) INDEED - indeed.com/velvet (Seventy Five Dollar $75 Sponsored Job Credit To Get Your Jobs More Visibility) THEREALREAL - therealreal.com/velvetrope (Get $25 Off At the Best Place To Shop Authenticated Luxury Bags, Clothing, Watches & more) ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices