Podcasts about How to Get Away with Murder

Shonda Rhimes is the revolutionary creator, writer, and executive producer behind so many groundbreaking TV shows—from Grey's Anatomy and Scandal to Bridgerton and How To Get Away With Murder. Her work has changed the way stories are told on TV and the lives of viewers who see themselves represented on the screen for the first time. Shonda and Adam sit down for a live conversation at BetterUp's Uplift Summit to discuss the moments that shaped Shonda's success, what it takes to make bold moves, and the lessons from Shonda's memoir Year of Yes. They also compare notes on the shared traits of great leaders and storytellers, and Shonda weighs in on what makes a pitch compelling.FollowHost: Adam Grant (Instagram: @adamgrant | LinkedIn: @adammgrant | Website: adamgrant.net/) Guest: Shonda Rhimes (Instagram: @shondarhimes | TikTok: @shonarhimes) Linksshondaland.comshondalandmedia.comYear of Yes by Shonda RhimesSubscribe to TED Instagram: @tedYouTube: @TEDTikTok: @tedtoksLinkedIn: @ted-conferencesWebsite: ted.comPodcasts: ted.com/podcastsFor the full text transcript, visit ted.com/podcasts/rethinking-with-adam-grant-transcripts Hosted on Acast. See acast.com/privacy for more information.

Shonda Rhimes is the revolutionary creator, writer, and executive producer behind so many groundbreaking TV shows—from Grey's Anatomy and Scandal to Bridgerton and How To Get Away With Murder. Her work has changed the way stories are told on TV and the lives of viewers who see themselves represented on the screen for the first time. Shonda and Adam sit down for a live conversation at BetterUp's Uplift Summit to discuss the moments that shaped Shonda's success, what it takes to make bold moves, and the lessons from Shonda's memoir Year of Yes. They also compare notes on the shared traits of great leaders and storytellers, and Shonda weighs in on what makes a pitch compelling.FollowHost: Adam Grant (Instagram: @adamgrant | LinkedIn: @adammgrant | Website: adamgrant.net/) Guest: Shonda Rhimes (Instagram: @shondarhimes | TikTok: @shonarhimes) Linksshondaland.comshondalandmedia.comYear of Yes by Shonda RhimesSubscribe to TED Instagram: @tedYouTube: @TEDTikTok: @tedtoksLinkedIn: @ted-conferencesWebsite: ted.comPodcasts: ted.com/podcastsFor the full text transcript, visit ted.com/podcasts/rethinking-with-adam-grant-transcripts Hosted on Acast. See acast.com/privacy for more information.

Yolonda Ross will next be seen on the big screen in the feature film ABSOLUTION, starring opposite Liam Neeson. She is currently in production on her 7th season as a series regular, Jada Washington, on Lena Waithe's THE CHI for Paramount Plus with Showtime. She has also had recurring roles in several well known series, such as HOW TO GET AWAY WITH MURDER, THE GET DOWN and the Showtime series AMERICAN GIGOLO, opposite Jon Bernthal. Yolonda recently finished the world premiere run of HOW BLOOD GO at Steppenwolf Theatre, produced by Congo Square in Chicago. She's a company member of LAByrinth Theater Company in New York, and has a strong working relationship with David Mamet, in both television and theater, with featured roles in THE UNIT and PHIL SPECTOR. She performed in his production, FOUR AMERICAN WOMEN, and participated in an all-female table reading of GLENGARRY GLEN ROSS in New York, destined for Broadway. As a writer-director, Yolonda pulled double-duty on AMERICAN GIGOLO, both acting and writing on the series. Her short music film BREAKING NIGHT earned her awards and caught the eye of a VH1 executive, which helped get it on both VH1 and MTV's Classic Rock blocks. She is currently in development on her first feature film, which is Fiscally Sponsored by Film Independent. ABSOLUTION, IN THEATERS An aging gangster attempts to reconnect with his children and rectify the mistakes in his past, but the criminal underworld won't loosen their grip willingly. Here's the trailer: ⁠Https://www.youtube.com/watch?v=dQizVHKL5T0⁠ Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Michelle Hurd is an actor who recently starred as ‘Raffi' opposite Patrick Stewart for three seasons on the Paramount+ series Star Trek: Picard. Receiving universal acclaim from critics and fans alike. On the feature side, Michelle starred alongside Sydney Sweeney and Glenn Powell in the global smash Anyone But You. On television, Michelle recently completed production on the fifth and final season of You for Netflix. Other television credits include “Shepherd" on NBC's hit drama Blindspot, Lethal Weapon, Ash Vs. Evil Dead, the Marvel Universe series Daredevil and Jessica Jones (“DA Samantha Reyes”), and the A&E summer series, The Glades ("Colleen Manus”). Other television credits include: Walking Dead: Dead City, Pose, Hawaii Five-0, Devious Maids, 90210, Witches of East End, How To Get Away With Murder, Bosch, Mysteries of Laura, Pretty Little Liars, Raising Hope, The Good Wife, Law & Order: SVU ("Det. Jeffries"), Gossip Girl, ER, Bones, According To Jim, Law & Order, Smith, Skin, Leap Years, Charmed, The O.C., Kevin Hill, The Practice and Another World. Whew!  Film credits include the upcoming The Designer, 25 Miles To Normal, Where The Wind Blows, The Plus One opposite Cedric The Entertainer, Kemba, Somewhere In Montana, Inheritance, Bad Hair, Being Frank opposite Jim Gaffigan, Be Afraid, We Don't Belong Here (alongside Catherine Keener and Maya Rudolph), Search Engines, Within The Dark, Girl Most Likely (with Kristen Wiig), Random Hearts, Personals, Double Parked, Wolf and King of New York.  Theater credits include: The Dog in the Manger (Shakespeare Theatre Company), AMI (MCC), Getting Away with Murder (Broadway), The Violet Hour (Off-Broadway), Looking for the Pony (Off-Broadway), and 900 Oneonta (Off-Broadway). Michelle recently stepped down from SAG-AFTRA's National Vice President of Los Angeles and is currently the Chair of the SAG-AFTRA Sexual Harassment Prevention Committee. For her commitment to union work, Michelle received the SAG-AFTRA President's Award for Union Service in 2021. We chat about having dyslexia, being immersed in the Star Trek world, working in the business for 30+ years, SAG- AFTRA, martial arts, joy of K-pop, being your own champion, rejection, authenticity and uniqueness, plus plenty more! The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Michelle out on: Instagram: https://www.instagram.com/realmichellehurd/ Twitter / X: https://x.com/ItsMichelleHurd Facebook: https://www.facebook.com/michelle.hurd.904/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

This week is all TV, all the time! We've got three incredible debuts to talk about (Lost, Veronica Mars, and How To Get Away With Murder) plus we talk about SNL's 40th season and the highly-anticipated Family Guy/Simpsons crossover. All of this plus how we're surviving September, so join us for a packed episode!

When we talk about what we eat, we often think of our health, but what about the planet's health? In episode 148 of the Outdoor Minimalist podcast, we explore our food system through the lens of animal conservation and how our individual choices can contribute to devastating ecological impacts such as deforestation, which further pressures endangered species around the globe.  Katie Cleary is a model, actress, and documentary filmmaker known for her roles in America's Next Top Model and How To Get Away With Murder. Katie is a passionate advocate for animal welfare, as demonstrated by her impactful work in the documentary WHY ON EARTH, where she collaborates with Clint Eastwood to highlight the urgent issue of deforestation and its effects on endangered species. With her latest project focusing on the preservation of North American wolves and her leadership in Peace 4 Animals and World Animal News, Katie's commitment to wildlife conservation is truly inspiring. INSTAGRAM: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/outdoor.minimalist.book/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ WEBSITE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.theoutdoorminimalist.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@theoutdoorminimalist ORDER THE BOOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.theoutdoorminimalist.com/book⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LISTENER SURVEY: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/jd8UCN2LL3AQst976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ----------------- Katie Cleary Instagram: https://www.instagram.com/katiecleary11 IMDB: https://www.imdb.com/name/nm1446934/ Peace 4 Animals: https://peace4animals.net/ World Animal News: https://worldanimalnews.com/ Why on Earth Documentary: https://whyonearthfilm.com/ Give Me Shelter Documentary: https://give-me-shelter.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/outdoor-minimalist/support

Murder! Intrigue! Backstabbing! - All these have something in common in today's episode! - Rafaela from @english.rafaela brings us the hit TV series How To Get Away With Murder! - Generally speaking TV series will help you improve your English because of the specific vocabulary available - whether that be crime series, reality Tv or anything. - Rafaela told us that she is a big fan of crime series and this one is one of her favourites. - So what is it about? It follows law students who are hired at Annelise Keating's (played by Viola Davis) law firm. All the students, from different backgrounds, help Keating defend different people. - Nevertheless, the characters are not as 'normal' as they all seem. - So let's jump to it! Let's listen to this episode and also watch this TV series and improve your English.

Actor, Podcaster, Cancer Survivor Steph has appeared on television shows such as Criminal Minds, Bones, Colony, Grey's Anatomy, Southland, How To Get Away With Murder, and is perhaps best known for her recurring role as Hammerhead in the show Doom Patrol. But that's not all folks, Star Trek fans know and love her for her role as T'Veen in Star Trek: Picard. We talk about her acting career, her life, her podcast, and her fight against cancer. Learn more about Stephanie here:https://www.chemoskinny.com/ This podcast is a proud part of the Trek Geeks Podcast Network and works hard to bring you great content from all over the science fiction universe. We would love to hear your feedback, suggestions, and ideas. Take a moment to send us an email at thebigscifipodcast@gmail.com. Check our podcast out and learn more about the other great podcasts on the network by visiting trekgeeks.com. We've got the merch! If you want BIG Sci-Fi swag, check out this link and support us by wearing us everywhere you go! www.teepublic.com/thebigscifipodcast Check out all of our social links in one place:https://linktr.ee/thebigscifipodcast Check out Cris' amazing YouTube channel for Trek content galore:https://www.youtube.com/@yellingaboutstartrek1532 Check out Brian's new book available at Amazon for Kindle and in paperback:https://www.amazon.com/stores/Brian-Donahue/author/B0C3BQ93VD?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=trueFollow Brian on Substack: https://bdonahue.substack.com/ Subscribe for free to Brian's Substack page where he writes original science fiction and fantasy: https://bdonahue.substack.com/ Find Adeena's books here: https://crazyrobot.myshopify.com/ Follow her on Substack here: https://beyondthedroid.substack.com/?utm_source=homepage_recommendations&utm_campaign=1493637

Actor, Podcaster, Cancer Survivor Steph has appeared on television shows such as Criminal Minds, Bones, Colony, Grey's Anatomy, Southland, How To Get Away With Murder, and is perhaps best known for her recurring role as Hammerhead in the show Doom Patrol. But that's not all folks, Star Trek fans know and love her for her role as T'Veen in Star Trek: Picard. We talk about her acting career, her life, her podcast, and her fight against cancer. Learn more about Stephanie here:https://www.chemoskinny.com/ This podcast is a proud part of the Trek Geeks Podcast Network and works hard to bring you great content from all over the science fiction universe. We would love to hear your feedback, suggestions, and ideas. Take a moment to send us an email at thebigscifipodcast@gmail.com. Check our podcast out and learn more about the other great podcasts on the network by visiting trekgeeks.com. We've got the merch! If you want BIG Sci-Fi swag, check out this link and support us by wearing us everywhere you go! www.teepublic.com/thebigscifipodcast Check out all of our social links in one place:https://linktr.ee/thebigscifipodcast Check out Cris' amazing YouTube channel for Trek content galore:https://www.youtube.com/@yellingaboutstartrek1532 Check out Brian's new book available at Amazon for Kindle and in paperback:https://www.amazon.com/stores/Brian-Donahue/author/B0C3BQ93VD?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=trueFollow Brian on Substack: https://bdonahue.substack.com/ Subscribe for free to Brian's Substack page where he writes original science fiction and fantasy: https://bdonahue.substack.com/ Find Adeena's books here: https://crazyrobot.myshopify.com/ Follow her on Substack here: https://beyondthedroid.substack.com/?utm_source=homepage_recommendations&utm_campaign=1493637

In this episode Lynn and Christie chat with Fizaa Dosani about her upbringing in Florida by two Indian doctors; mental health and comedy; her creative journey; and why white napkins make no sense. Follow Fizaa on Instagram, TikTok, & YouTube! ​..... Fizaa Dosani is a comic, writer, and actor based in Los Angeles. She has toured widely and performs regularly on well-known stages and festivals across the country, including the Netflix is a Joke Festival, New York Comedy Festival, and SF Sketchfest. On screen, Fizaa has had roles in acclaimed TV shows such as Netflix's Lincoln Lawyer and Dear White People, FX's Snowfall, and ABC's How To Get Away With Murder. Most recently, Fizaa played "Stacy Padman" on ABC's The Company You Keep, "Seema" on FOX's Pivoting, and "Jules" on CBS's S.W.A.T. She also plays "Audrey" in the upcoming HBO pilot More. In 2017, Fizaa created Facial Recognition Comedy (FRC) as a response to tokenism and underrepresentation in arts and media. FRC has grown into a nationally touring stand-up comedy show with bicoastal residencies in LA and NYC, as well as a podcast of the same name, which she co-hosts. Fizaa was named as an up-and-coming comedian and actor by The New York Times in an article listing Facial Recognition Comedy as one of the top 5 shows they were most excited to see at New York Comedy Festival. In 2023, Fizaa performed with FRC at the San Francisco Sketchfest for her fourth year in a row. The show has also been mentioned in Deadline, Daily Beast, Vulture, Screen Rant, Backstage, and more.  Fizaa was selected as a winner of Clubhouse's inaugural Creator First program in 2021. In addition to producing and hosting her pilot, the app ordered 12 episodes for the first season of FRC in the Facial Recognition Comedy Club. The show became one of the first social audio series of its kind on any social media platform. 

Episode 304 ///August 16, 2024 ///ALTERNATE TITLES: 304 = HOE, Top Male Cheaters, American Murder: Laci Peterson, Improprieties, Back When He Was Cool, When We Were Cool, How To Get Away With Murder, How Not To Get Interrogated, Murder Was The Case, Amerkias Most Wanted, ///(0:29) Welcome.(06:30) Top Male Cheaters.(18:20) American Murder: Laci Peterson.(34:30) Interrogation.(47:20) […]

Katie and Guillermo couldn't be more excited to break down this super steamy episode, and who better to join them than the brilliant director who directed their first sex scene: Debbie Allen! Debbie shares her story from joining Grey's Anatomy to directing for How To Get Away With Murder before they break down the full episode. Plus, some of the best (most anti-Quinn) Tweets of the Times.  What do you think, Gladiators? Email us at UTT@Shondaland.com or leave us a voicemail at 805-298-1474 to share your thoughts about the show, about food, about life, but mostly about the show. We would love to hear from you!See omnystudio.com/listener for privacy information.

Shonda Rhimes is one of the most accomplished TV writers and producers of our time. She's written shows like Scandal, How To Get Away With Murder, and Grey's Anatomy, one of the longest-running primetime TV shows ever. When Shonda was last on Bullseye, Shonda spoke with our correspondent Jarrett Hill on her newest project, Queen Charlotte – it's a spinoff of the widely popular Bridgerton series. With Bridgerton now in its third season, we revisit our conversation with Shonda Rhimes.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

What a wonderful you can have when you add series, films and books all together! - And that's exactly what Luiza from @yellowumbrellaschool is offering you today! Yes, in her debut episode Luiza talks to us about series, films and books and why she loves all three of them, rather than just one of them. - Luiza explains to us, that in the past, she would watch 4-5 hours of series a day, in the times when she was on her way to college or while cooking etc. - But what sort of things does Luiza really like? There was no series that Luiza didn't like from 'How To Get Away With Murder' to 'Pretty Little Liars', from 'Dexter' to Breaking Bad, so there is a lot that Luiza didn't like. - Want to get to know Luiza and her habits of learning / improving her English? Then tune in and listen to this episode and find out more about her and how Luiza tells you can improve your English!

Please join your host Dr Smiley Ken Rochon, The Umbrella Syndicate, Perfect Publishing and Founder of the Keep Smiling movement as he interviews Emmy Award Winning actor Kim Estes. https://www.voiceamerica.com/show/2501/amplified. Sponsors: The Umbrella Syndicate, TheKeepSmilingMovement.com, VoiceAmerica Influencers Channel. #KeepSmiling #Amplified #Speaker #KeepSmilingMovement #Smiles #KenRochon #Amplify #Authors #Influencer #Influence #Business #Entrepreneurs #Networking #Consulting #Coaching #Training #Radio #TalkShow. Kim Estes received the Academy of Television Arts & Sciences Primetime Emmy Award for Outstanding Actor in a Short Form Comedy or Drama Series - 2017 - Dicks His television credits include . How To Get Away With Murder . I'm Dying Up Here . Brooklyn 99, . Hot Wet American Summer 10 Years Later . Pitch, . The Real O'Neals, . Secrets and Lies, . Fresh off the Boat, . Stalker, . State of Affairs, . Pretty Little Liars, . The Matador, Rake, The Fosters, The Bridge, NCIS, How I Met Your Mother, Private Practice, Law & Order: LA, House, 'Dexter,, The Closer, Hawthorne, Body of Proof, Cold Case, Criminal Minds, Numb3rs, and others Kim has starred in many films, including Underdog (Ritchie Greer), Playing Beethoven (Catherine Shefski), Crossroad (directed by Shervin Youssefian), Not 4 Sale and Each Other (both directed by Roger Melvin), Volcano Girl (directed by Ashley Maria), Free Denmark (directed by Ricardo Korda) and The Birthday Gift (directed by Marie Tang). In addition, he has appeared in the films Five Hour Friends (produced by Ron Jackson), Viral, Breathing Room, the 400 (all produced by John Suits) and Save Me (directed by Jennifer Getzinger). His stage credits include the staged performance reading of Buried in the Night at The Blank Theatre, Private Eyes at the Little Fish Theatre, HellCab at the Lillian Theatre, Frankincense and Henry V at the Pacific Resident Theatre Company, Changes in the Mating Strategies of White People at the Lounge theatre (Nominated by NAACP for Best Actor 2014) and Treat Yourself Like Cary Grant (Nominated by NAACP for Best Actor 2012) at the Lillian Theatre.

From the stage to the screen, Behzad Dabu has built a long-standing career as a working actor and acting coach. Appearing opposite Viola Davis in "How to Get Away with Murder," "The Chi," "The Good Place," and many more, Behzad has learned that above all, story comes first. With a BFA in Acting, he discusses the ways in which school can, and can't, prepare you for life as an actor. He emphasizes the importance of showing up to work ready with choices and how the real role of an acting coach is to serve as an outside eye to further elevate those unique choices. These are the unforgettable stories that landed Behzad Dabu right here. GUEST LINKS: IMDB: Behzad Dabu, Actor, Writer, & Producer WEBSITE: BehzadDabu.com WEBSITE: HillmanGrad.com WEBSITE: TheLastActingStudio.com INSTAGRAM: @behzaddabu TWITTER: @behzaddabu CREDITS: The Chi How to Get Away with Murder The Good Place Weathering All Rise The Lion Guard Dealbreakers Chicago P.D. Older Children THAT ONE AUDITION'S LINKS: QUIZ: What type of actor are you? LIFE LETTERS WORKSHOP (10th Anniversary!): Happening January 28, 2024 — Registration open now!  THE PRACTICE TRACK: Membership to Practice Weekly YOUTUBE: Subscribe to That One Audition Podcast Videos THE BRIDGE FOR ACTORS: THE BRIDGE FOR ACTORS CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse WRITER: Erin McCluskey OUTREACH: Elle Powell WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Imani Love

Melissa moderates this panel of scientists who consult on everything from books and video games to the MCU and Disney animation! Panelists include paleontologist Stuart Sumida (How To Train Your Dragon, Jurassic World: Fallen Kingdom), registered nurse Toby Wareham (9-1-1: Lone Star, How To Get Away With Murder), physicist Clifford Johnson (Avengers: Infinity War, Paper Girls), biologist Elizabeth Rega (Strange World, The Lion King), and stem cell scientist Ron Coleman (Joe Ledger book series).Thanks to all those who came out! Show Links Follow Clifford Johnson on Instagram Follow Stuart Sumida on Twitter Listen to Elizabeth Rega and Stuart Sumida talk the science of Disney's Strange World on NPR's podcast Short Wave Read Cave 13 and The Werewolf's 15 Minutes to see characters based on Ronald Coleman! Watch Code Black and 9-1-1: Lone Star to see Toby Wareham's work! Here's the images Melissa and Stuart talked about! Images of Stitch courtesy of Walt Disney Feature Animations, credit: Alex Kuperschmidt. Photo credit of Darwin Sumida: Stuart Sumida. Images courtesy of DreamWorks Feature Animation. More relevant screen shots and photos coming soon on YouTube! Subscribe and never miss an episode of Star Warsologies on Apple Podcasts, Spotify, or wherever you get podcasts. Follow the podcast on Instagram and Twitter. Join our Facebook fan group! Did you miss an earlier episode? Catch up here! In Star Warsologies, hosts James Floyd and Melissa Miller combine their love of Star Wars with their keen interest in all things academic by asking experts about how their field is represented in a galaxy far, far away. It's a monthly podcast about science and other fields of knowledge and Star Wars!

Actor, Activist and Storyteller Alysia Reiner Interview! Yes it's true —  I just joined the Marvel Universe as DODC Agent Deever on the new Disney+ series, Ms. Marvel. You might also know me as Natalie "Fig" Figueroa on ORANGE IS THE NEW BLACK (and I won a SAG AWARD as part of the incredible cast!).   However, IRL I'm an actress, activist, producer and eco-momma who uses her superpowers for good.    But did you know? You can also catch me as Sunny on critically acclaimed, Peabody Award-winning BETTER THINGS on F/X, and Kathryn in the new Starz horror-comedy series, SHINING VALE, alongside Courteney Cox and Greg Kinnear, and Kiki Rains on HBO's THE DEUCE. Also, I both star in & produced the Sundance Film Festival hit, EQUITY, and Tribeca Film Festival favorite EGG, which is 100% fresh on ROTTEN TOMATOES    (whaaaaa?!!?). A few other recent adventures include getting naked on BROAD CITY with Abbi and Ilana and going head to head against Annalise on HOW TO GET AWAY WITH MURDER. Damn, I am a lucky girl.    But MOST Importantly, I LOOOOVE working as a change maker for women. As an advocate for women's rights and climate change initiatives, I am an ambassador for GDIM, started an eco-fashion initiative, Livari, and just became the first ever eco emissary for zero-waste beauty brand, Izzy. I am also on the Advisory Board of the EARTH DAY INITIATIVE. I have been invited to speak at The White House, The United Nations, Google, Cannes Lion, Women's Media Summit, Collision, and countless film festivals and other events about breaking barriers for women in all fields, specifically the entertainment industry. And to (not so humble) #humblebrag for a sec, I'm really proud to have been awarded the Persistence of Vision Award by the Women's Media Summit, the Sarah Powell Leadership Award by the Women's Prison Association, the MUSE Made In NY Award from The Mayors office & New York Women in Film and TV, the Moves Power Women Award, the Pioneer in Filmmaking Award, the Collaboration Award from the Coalition for Women in the Arts and Media, and, oh please, I don't want to bore you with all of um... OTHER AMAZING THINGS! WAR WORDS The off-broadway show Alysia is currently in Her character in the play has cancer, so she'll likely want to discuss Cancer Support Community (where she is an ambassador), My Cancer Family, and perhaps a few other non-profits in this sector She'll also likely want to use this time to talk about Veterans ! PHILANTHROPIC / ACTIVISM Geena Davis Institute on gender and Media Alysia is on the board - does a great deal of work in this sector ENVIRONMENTAL ACTIVISM IZZY BEAUTY Alysia is an eco-emissary and developed two shades of zero-waste lip gloss for them. They also have an exciting collab coming up! EARTH DAY INITIATIVE Alysia serves on the board FOSSIL FUEL TREATY Alysia is an ambassador Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The AUXORO Podcast, Dr. Julie Labau and Zach discuss Julie making it through the surprises of an Indonesian sacrifice ceremony, how to get away with murder and lessons from Breaking Bad, backpacking across the Pyrenees, summiting an active volcano, how to conquer everyday fears, and more. Guest Bio: Julie Labau is a scientist who is currently studying mosquitoes at STRI (Smithsonian Tropical Research Institute). She completed her Ph.D. in neuroscience at the University of Maastricht and conducted research at Yale University on pain and pharmacogenomics. Julie is also a talented photographer and Zach's girlfriend.  JULIE LABAU LINKS:Instagram: https://www.instagram.com/julielabau/Publications: https://bit.ly/45DtnOBJulie's Ph.D. Defense: https://bit.ly/439htdL THE AUXORO PODCAST LINKS:Apple: https://apple.co/3B4fYju Spotify: https://spoti.fi/3zaS6sPOvercast: https://bit.ly/3rgw70DYoutube: https://bit.ly/3lTpJdjAUXORO Premium: https://auxoro.supercast.com/Website: https://www.auxoro.com/ AUXORO SOCIAL LINKS:Instagram: https://www.instagram.com/auxoroYouTube: https://bit.ly/3CLjEqFFacebook: https://www.facebook.com/auxoromagNewsletter: https://www.auxoro.com/thesourceYouTube: https://bit.ly/3CLjEqF To support the show, please leave a review on Spotify and Apple Podcasts. This nudges the algorithm to show The AUXORO Podcast to more new listeners and is the best way to help the show grow. It takes 30 seconds and the importance of getting good reviews cannot be overstated. Thank you for your support:Review us on Apple Podcasts: https://bit.ly/458nbhaReview us on Spotify: https://bit.ly/43ZLrAt 

Happy Wine Wednesday! Sheena returns this week to discuss the pilot episode of a series that stars one of my all time favorite messy characters - How To Get Away With Murder.  Long time listeners know how much I adore when women get to be messy, flawed, and complicated.  Few have done it better than Viola Davis in her brilliant portrayal of Annalise Keating.As we do with all Shondaland shows, we talk about what the HTGAWM "imprint" is.  Scandal has the fast talking monologues, Grey's has the opening/closing narration from Meredith - what's the HTGAWM imprint? Likewise, as with the other shows in the Shonda-verse, we talk about the location and whether Philadelphia is as impactful to this series as Washington, DC is to Scandal.  Y'all know we unpack the memorable character introductions, particularly the manner in which the writers introduce us to Annalise and help frame her world in the pilot. We also talk about which introductions to the Keating 5 (who I like to refer to as the "Murder Muppet Babies") and whom among them left a strong impression with us in the pilot.Given that Sheena and I are both attorneys, it should come as no surprise that we had some thoughts about HTGAWM's portrayal of law school and Annalise's approach to practicing law and advocating on behalf of her clients.As always, we have a HTGAWM inspired thirst segment in which we swoon over cast members and share the celebrity crushes with whom we'd like to recreate that Annalise/Nate scene.  Friendly reminder - we drink, we know things, we use adult language, and we have a great time!  Thanks so much for listening!Follow Sheena on Twitter here and on IG here.Support the showFollow the pod on IG, Twitter, and Tumblr.Send longer feedback to morewinepod@gmail.com.Find our full catalog of past episodes at morewinepod.buzzsprout.com.

James David Hattin is the Founder and Creative Director of VFX Legion. James oversees every aspect of the visual effects process for episodic television shows and feature films, from start to end, and provides clients with 20+ years of skill and experience as a lead creative and Visual Effects Supervisor. Prior to launching VFX Legion, James spent three years as senior compositor and compositing/digital effects supervisor at Zoic Studios. James exited Zoic in 2013 to apply his creative skill set and technical ingenuity to a new challenge: designing a leading-edge digital management pipeline. Looking beyond long-standing traditional VFX business models, he tapped state-of-the-art technology to build the new infrastructure from the ground up.  Legion was launched later that year, with James' pioneering digital pipeline positioning the studio at the forefront of the next generation of visual effects companies. Legion's LA-based studio is structured to work as an on-site collaborative partner with TV and film studios. It provides an end-to-end approach that maximizes the quality and efficiency of VFX for episodic television shows and feature films around the globe. Under the VFX Legion banner, Hattin's supervised VFX for a mix of TV shows and movies. Episodic series include SCANDAL, HOW TO GET AWAY WITH MURDER, THE CATCH, SUITS, EL CHAPO, EYE CANDY, REVOLUTION and GONE. Film work includes SINISTER 2, STEPHANIE, OUIJA: ORIGIN OF EVIL, THE PURGE: ELECTION YEAR and THE PURGE: ANARCHY to name a few. James' work has been recognized with a VES Award nomination for 'Outstanding Visual Effects in Broadcast Programming,' for FALLING SKIES, and a Primetime Emmy nod for WORLDS APART, to name a few. He is an Emmy Award honoree of the California Channel's, The Three Branches of Government and a member of The Academy of Television Arts and Sciences. In this Podcast, Allan interviews the Founder and Creative Director of VFX Legion James Hattin about launching his own company and the lessons he's learned along the way: how to build trust, negotiate contracts, keep clear communication with clients and VFX artists alike, as well as the importance of humility in visual effects. For more show notes, visit www.allanmckay.com/417.  

*This interview was recorded before the SAG-AFTRA strike* In this week's episode of the Black Girl Nerds podcast, we welcome actors Jason Weaver and Carolyn Michelle Smith of the Showtime hit series The Chi. Jason Weaver (Shaad) has appeared in such film and television projects as Boomerang, Black-ish, Let's Stay Together, The Ladykillers, Drumline and Thea as well as a young Michael Jackson in The Jacksons: An American Dream. Carolyn Michelle Smith (Deja) appeared in several episodes of the second season of Russian Doll. She previously starred in the Emmy Award-winning series House of Cards and in Steve McQueen's series Codes of Conduct. Additional credits include Law and Order, Luke Cage, How To Get Away With Murder and Colony. Host: Ryanne Music by: Sammus Edited by: Jamie Broadnax

One of the most fun times we've had with a guests to date! We couldn't write it better ourselves, so here's a little about Tom from his website, "Tom is an actor, writer, & comedian hailing from the Pacific island nation of Palau and can be seen on shows like Magnum PI, Jane The Virgin, How To Get Away With Murder, Hulu's Pam & Tommy, and Netflix's upcoming series The Brothers Sun- starring Michelle Yeoh. After growing up in Micronesia, he made his way to Hawaii for high school and studied Theatre at the University of Hawaii at Manoa." You can support Tom at: Website: https://www.thetomm.com/ Instagram: @tomonthemic Twitter: https://twitter.com/TomOnTheMic TikTok: https://www.tiktok.com/@tomonthemic  If you like what you hear, please like, follow, and subscribe! Just how we like chatting with our friends, please share this with yours.  Feel free to follow us on:  • The Joy Schtick Show • Apple Podcast: The Joy Schtick Show  • Spotify: The Joy Schtick Show  • Google Podcast: The Joy Schtick Show  • Goodpods: The Joy Schtick Show  • Instagram/ Threads/ Twitter/ TikTok: @joyschtickshow Hope you enjoy, and if you feel like submitting topics or asking questions to be discussed on further episodes, you can email us at:  JoySchtick.Show@gmail.com or on Threads & Twitter @JoySchtickShow Mahalo for Schtickin' it with us and make it a great rest of your week!

Emily Swallow is an actor who currently can be seen as “The Armorer” in THE MANDALORIAN and THE BOOK OF BOBA FETT. She played fan favorite “Amara" in SUPERNATURAL. She has also voiced Dracula's ill-fated wife Lisa Tepes in CASTLEVANIA and was a series regular on THE MENTALIST and on David E. Kelley's TNT series, MONDAY MORNINGS. She also recurred on SEAL TEAM and HOW TO GET AWAY WITH MURDER and did voice and mocap work for “Emily” in THE LAST OF US: PART II.  She has performed in plays and musicals from Broadway to Los Angeles. Emily also is in the running for a cool comp for WAZE (Mandorections) where if she wins, she can be the voice of Waze through her Mandalorian character, the armorer. Check out the link in the episode notes to help her win!  Here is the link to vote for "Mandorections." Folks need to make sure that, once they get to the page, they fill out the form and cast their vote. https://t.co/Sim6OABuVV We chat about doing comic cons and strange requests, flow, The Mandalorian, people pleasing, control, mediation, almost having a career in foreign services, The Mentalist and creativity. The video footage of this entire chat is now out as well (one day after release)! So check them out on YouTube under Michael Kahan Check Emily out on: Instagram: https://www.instagram.com/bigeswallz/ Tiktok: https://www.tiktok.com/@officialemilyswallow Facebook: https://www.facebook.com/EmilySwallowFans/ Twitter: https://twitter.com/bigEswallz Youtube: https://www.youtube.com/@OfficialEmilySwallow ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Morgan Alexandria is an amazing actress who has appeared in NBC's "This Is Us," ABC's "How To Get Away With Murder," Lifetime's "Line SIster's" and as Ruby on BET's/BET+ Sacrifice. Our host Damednydc and Morgan Alexandria have a fun filled conversation discussing her past roles, her characters, character development as well as her acting styles plus what's coming up for Morgan in the near future and so much more! Make sure to catch this great conversation as we get a peek into one of the dopest people on the planet! The one and only Morgan Alexandria! Featuring: Actress - Morgan Alexandria IG: shesmorgann --- Support this podcast: https://podcasters.spotify.com/pod/show/twomicsup/support

“Run the World” chronicles the euphoric highs and heartbreaking lows that Whitney, Renee and Sondi must endure in their pursuit of world domination. Whitney must follow the road of self- discovery in order to thrive in her life with or without Ola, while Renee and Sondi must decide what they truly want out of life – both in love and their careers. Whether they reunite with a past love, taste the life of a millionaire, or see their career take off in a radical new direction, these powerful Black women, fortified by their impenetrable friendship, won't let anything get in their way.Amber Stevens West (“The Carmichael Show”), Bresha Webb (“Marlon”) and Corbin Reid (“Valor”) return to their roles as “Whitney,” “Renee” and “Sondi,” three best friends living and thriving in Harlem. Stephen Bishop (Moneyball) and Tosin Morohunfola (“Black Lightning”) return in series regular roles. Erika Alexander (“Living Single”) and Nick Sagar (“Queen of the South”) will also be returning as recurring guest stars and Jay Walker (“Grey's Anatomy”) and Tonya Pinkins (Enchanted) will return as guest stars.Amber Stevens West has previously she starred in the comedy series “Happy Together” alongside Damon Wayans Jr. and on the supernatural sitcom “Ghosted” opposite Adam Scott and Craig Robinson. Immediately prior to landing the lead female role on “Ghosted,” Amber played Jerrod Carmichael's on-screen love interest on “The Carmichael Show.”Most recently, Corbin Reid starred in the Lifetime thriller She Went Missing and has guest starred on the fourth season of “The Rookie” opposite Jenna Dewan. Previously, Corbin was a series regular on “Valor,” and a major recurring character on Season 3 of Shonda Rhimes' “How To Get Away With Murder.”

Behzad Dabu is an actor, writer, and producer. On screen, you can see him as 'Simon Drake' on How To Get Away With Murder on ABC, as 'Amir' on the Showtime series The Chi, and on Disney's The Lion Guard. He also appeared in episodes of All Rise, The Good Place, and Chicago P.D. Behzad also originated the role of 'Abe' in the Pulitzer Prize-winning and Tony-nominated play, "Disgraced" which he performed at American Theatre Company, Goodman Theatre, Berkeley Repertory, Seattle Repertory, and the Mark Taper Forum at Center Theatre Group. With a passion for working with playwrights and new play development, he originated the role of 'Amit' in "Samsara" at Victory Gardens Theatre, for which he was nominated for a Jeff Award - Best Actor. ▬▬▬▬▬▬▬▬ BEHZAD DABU ⌲ IMDb:  https://www.imdb.com/name/nm4093994/  ⌲ IG: https://www.instagram.com/behzaddabu/?hl=en  ⌲ Website: https://www.behzaddabu.com/  ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #howtogetawayabc #shoTheChi #TheGoodPlace #TonyAward #Disgraced #DisgracedPlay #AmericanTheatreCompany #GoodmanTheatre #BerkeleyRepertory #Seattle Repertory #MarkTaper #MarkTaperForum #MarkTaperTheatre #JeffAward #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://podcasters.spotify.com/pod/show/the-moving-spotlight/support

William R. (Billy) Moses: Actor, GENERAL HOSPITAL, PERRY MASON, HOW TO GET AWAY WITH MURDER, FALCON CREST.William (Billy) Moses has delighted audiences since he broke into television on the TV series Falcon Crest, as a 21-year-old Cole Gioberti. Billy starred in Falcon Crest for six seasons.Moses then delighted audiences in Mystic Pizza (opposite Julia Roberts), Perry Mason, How to Get Away with Murder (opposite Viola Davis), and so many more, including a just recently completed turn on General Hospital.A terrific storyteller, Billy weaves tales about his 40 plus year career and those with which he has worked. You won't want to miss this podcast scheduled to air June 14th.

Shonda Rhimes is one of the most accomplished TV writers and producers of our time. She's written shows like Scandal, Private Practice, How To Get Away With Murder, and Bridgerton. And of course, Grey's Anatomy, one of the longest-running prime time TV shows ever. Her newest project is Queen Charlotte - it's a spinoff of the Bridgerton series, which was produced by Rhimes and her company Shondaland. Like Bridgerton, Queen Charlotte is a period drama series set in the Regency Era. But instead of the Bridgerton family, the show focuses on the queen herself, and her rise to power. She discusses this and more with our correspondent, journalist Jarrett Hill.

Welcome to the latest episode of The Popcast. This week we get to see the life of a fixer up close and personal as we follow Hwang Do-Hee, fixer for one of Korea's most powerful families and corporations. After a tragedy for which Do-Hee feels personally responsible she switches career paths which puts her on a collision course with the family she spent her entire adult life defending as well as cleaning up their messes. Tune in to hear our thoughts on this Kdrama which gives both Scandal & How To Get Away With Murder and so much more just Press Play▶️...Enjoy

We all know play is a necessary part of childhood, but we sometimes forget how much we need it in our adult lives as well. Play not only nurtures your relationship with your kiddos, but it's also important as an adult to destress, boost your creativity and problem-solving skills, and be more present. Today, Shonda Rhimes, creator of Grey's Anatomy, Scandal, and How To Get Away With Murder, walks us through her Year of Yes, and how she rediscovered her love for all things after pushing through work for too long.  Show links: Check out my course Weary To Revived. Watch the full clip. Read Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person. As always, I'd love to hear from you! Subscribe, leave a review, or follow PG-ish on IG @pgishparenting, or you can always find me at www.pgishparenting.com.

During their rewatch of this shocking episode all about President Fitz' affair with a young intern, Katie and Guillermo decided there was no better guest to bring on than the infamous Amanda Tanner herself, Liza Weil. Liza opens up about her difficulties during the audition process, all the way to the moment she asked to be in the harness when Amanda Tanner was pulled out of the river. Plus, Katie and Guillermo discuss hiking, enormous wine glasses and the necessity of letting out a little air during tense scenes… which of course means fart sounds galore. See omnystudio.com/listener for privacy information.

Over the years, Nick Gonzalez has made numerous appearances in some of television's biggest hit shows including, "The Good Doctor," "La Brea," "Pretty Little Liars," "How to Get Away with Murder," "Resurrection Blvd," and many more. With a dedicated team of reps and teachers behind him, Nick shares how he navigates common actor traps, how he responded when the industry asked him to change his last name, and the different techniques he uses to instill depth into every character he plays, no matter the size of the role. NICK'S CREDITS: The Good Doctor La Brea Narcos How to Get Away with Murder Pretty Little Liars Bosch Being Mary Jane The Flash Frequency Bordertown Mental Resurrection Blvd. NICK'S LINKS: IMDB: Nicholas Gonzalez INSTAGRAM: @eltexmex TWITTER: @IamNickGonzalez THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me (@alyshiaochse)! TNTT ACTING MEMBERSHIP: The New Triple Threat Membership TNTT Scholarship: Apply for TNTT Scholarship PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher

Content Creator and Actor Mike Bow grew up being with some diversity in Queens NY. Being half Korean, half Chinese he grew up assimilating to Western ideas, cultures and food while his parents introduced him to Korean Dramas and food. Mike dreamed of being an actor but noticed that the very rare cases he did see an Asian on screen where all portrayed as the nerdy, undesirable, awkward outcasts. He struggled with his identity, realized not only was he an "other" but if he were to try and pursue his dreams of being in actor --the odds were stacked against him. He knew that Asian roles were extremely rare and IF he were to even get a part, it was likely, that he be amplifying that stereotype. Mike still went to break into the entertainment industry and work to change the ideas of what an Asian is. Now, he has credits that include Maze Runner, How To Get Away With Murder and most recently, he was brought back by popular demand as Simon Lau on CW's Kung Fu. Mike's story is one of the heart, determination and disposition it takes to pursue your dreams. The importance of positive and building one another up--and what it's like to not allow the world to label him and place him in the in between. Hear how his experiences can help inspire you to go after your goals and how to not allow the world's biases to box you in. Mike's Instagram: https://www.instagram.com/mikebowshow/ Mike's Twitter: https://twitter.com/mikebowshow Mike's Youtube: https://www.youtube.com/user/mikebowshow The short version: On the podcast called REPPIN-you'll meet really awesome people who share their incredible stories and lessons with YOU. It's your power packed dose of feel good-bad assery. Got it? Now, go get it. Here's the breakdown: Reppin is a podcast about representation of ALL kinds. You can represent a lot of things. The conversation goes beyond race, gender and orientation. You'll gain insight into notable people, people you THINK you know. You'll see who they are, what they fight for and what they represent. Essentially, you'll eavesdropping into a meaningful and revealing conversation. The stories are of diversity, empowerment, belonging, identity, courage, love, strength and so much more. SUBSCRIBE. SHARE. DOWNLOAD! Meet our amazing guests! https://campsite.bio/reppinpodcast Reppin on Apple Podcasts: https://podcasts.apple.com/us/podcast... Twitter: https://twitter.com/ReppinPodcast Instagram: https://www.instagram.com/reppin_podc... Learn more about your ad choices. Visit megaphone.fm/adchoices

Gloria Garayua talks working with Jim Carrey, joining the "Grey's Anatomy" family at the height of its reign, and the time she had to find a way to incorporate a tissue in her audition! About Gloria: Gloria Garayua is an actress and an acting teacher. She is most recognized from Seasons 4, 5, and 6 on "Grey's Anatomy" as Intern Graciella, and Season 3 of "How To Get Away With Murder" as Detective Davis, "Blanca" in "Fun With Dick and Jane" with Jim Carrey, and such series as "Reckoning" on Netflix, and much more. She recently created an online video series for anyone interested in starting acting classes called “Acting For True Beginners”. Check it out on her website www.gloriagarayua.com. Gloria was born and raised in the Bronx in New York City. She received her B.F.A. in Acting from Long Island University where she graduated Summa Cum Laude. Both of her parents are from Ponce, Puerto Rico. She speaks fluent Spanish and intermediate French, and plays beginner piano. She enjoys music, dancing, singing karaoke, and has 2 awesome kitties: Felix and Beeker. She works as an acting teacher and audition coach when she is not herself acting, both privately and at Azusa Pacific University. Guest Starring roles include: ABC: How To Get Away With Murder, Grey's Anatomy, The Good Doctor, Castle, CougarTown, Desperate Housewives, NYPD Blue, How To Get Away With Murder, American Housewife. CBS: Cold Case, NCIS: LA, SWAT, Criminal Minds, NBC: ER, FOX: Bones, TNT: Animal Kingdom, Rizzoli and Isles, Southland, Showtime: Shameless, Weeds, FX: The Shield, Anger Management, Snowfall Studio films include: Sony Studios and Imagine Entertainment: Fun With Dick and Jane, Four Good Days: Starring Glenn Close and Mila Kunis, and more Theatre work includes: Ariel in “The Tempest”, “Two Sisters and a Piano” by Nilo Cruz at the Old Globe Theatre, and more VO work includes: LEGO Friends, Official voice of the Safety Spiel at the “Guardians of the Galaxy, Cosmic Rewind” ride in Disney World Florida, Dubbing: Tokyo Godfathers, Fate: Grand Order, Cyberpunk Edgerunners. Follow the show on social media!          Instagram: https://instagram.com/thanksforcominginpodcast/          Twitter: https://twitter.com/tfci_podcast          Facebook: http://facebook.com/thanksforcominginpodcast/           Theme Music by Andrew Skrabutenas Producers: Jillian Clare & Susan Bernhardt Channel: Realm For more information, go to thanksforcominginpodcast.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Nzingha Stewart is an NAACP Image Award-nominated director. A graduate of NYU, she started her career in music videos, shooting for artists like Common, Eve, Jay-Z, and 50 Cent, before going on to a successful career as a commercial director. Then transitioned to film and television where her work includes the Emmy-Nominated limited series Inventing Anna, Maid, and Little Fires Everywhere as well as Grey's Anatomy, Scandal, How to Get Away with Murder, and Netflix's Tall Girl. She is the producing director and co-executive producer on From Scratch. Nzingha is someone I admire for her vision, sublime creative sensibilities, her leadership as a female producer, and her big heart. There is no one you'd rather go to dinner with than Nzingha, she will make you try everything and order double desserts. I love her “yes, and” approach to life. You can see her vision and heart all over the first episode of From Scratch. About the Guest: Nzingha Stewart attended NYU's Gallatin School and upon graduation went on to shoot over a hundred music videos for artists like Common, Eve, Jay-Z, and 50 Cent breaking down barriers for women of color in the music video world along the way. An equally in-demand commercial director, Nzingha has also filmed clips for ESPN, McDonald's, and Coors Light among others. Having recently directed episodes of Little Fires Everywhere, Black Monday, Greys Anatomy, A Million Little Things, Good Girls, Scandal, How To Get Away With Murder, the Netflix hit feature film Tall Girl, and Shonda Rhimes upcoming series Inventing Anna, she has also proven herself as a writer, having written With This Ring and The Tenth Date (Lifetime/ A+E Networks) which she also directed. Both movies were ratings hits for the network and With This Ring went on to be nominated for three NAACP awards and won the Women In Film Award for Best Television Movie. Nzingha is the executive producer of Netflix's From Scratch. Recently, she was the executive producer of Daisy Jones and the Six for Amazon and Hello Sunshine.  She sold her co-written script, Bad Ass Biker Chicks of Marrakech to Wayfarer for which she is also set to direct. Next up on the directing front is the feature film Life in Motion, a biopic about powerhouse prima ballerina Misty Copeland. http://www.nzinghastewart.com Stay in Touch: IG: @liftedpod @tembilocke Learn more about your ad choices. Visit podcastchoices.com/adchoices

All aspects of the law are depicted in the media, from gripping dramas to over-the-top comedies, true-life stories and reality shows; even superheroes are lawyers! Chris and Taylor are joined by entertainment lawyer Phillip Lewis to discuss how lawyers, judges, and the law in general is seen in media, the tropes, the shows and movies that have made an impact and Phillip's own experience as a lawyer in the field of entertainment. Follow us on Instagram and Facebook: @thepotentialpodcast And on Twitter: @thepotentialpod Thanks to our sponsor: Let's Get Checked. Get 25% off a health test at trylgc.com/potential and enter the code POTENTIAL25 Thanks to our sponsor: Keen. Get your first 10 minutes of tarot reading for only $1.99 at trykeen.com/potential

This week on BEFORE THE BREAK, the boys sit down with actor, Carolyn Michelle Smith. She has had recurring roles on such shows as The Chi, Russian Doll, and House of Cards. She has also been a guest star on Law & Order: SVU, How To Get Away With Murder, The Oath, and Luke Cage. We discuss doing theatre as a child, making an artistic oath at Edinburgh Fringe Festival, moving to NYC to attend Fordham University and Juilliard, taking a left turn into finance, how past guest Ben Rappaport's NY Times review changed her life, the challenges of Juilliard, the joy of coaching, and how past connections have led to bookings. That and much more!Follow Before The Break - on Instagram at @beforethebreakpodon Twitter at @b4thebreakpodhttps://beforethebreak.buzzsprout.com/Follow Carolyn -on Instagram at @that_carolynmichelle Hillman Grad ProductionsFollow Tommy -on Instagram at @imtommybythewayhttps://www.tommybeardmore.com/Follow Adam -on Instagram at @thatadamdecarlohttp://adamdecarlo.com/Don't forget to subscribe, leave a review, and give us a rating!

This week on BEFORE THE BREAK, the boys sit down with actor, Dionne Audain. She has had guest star roles on such shows as Grey's Anatomy, Station 19, SWAT, How To Get Away With Murder, Orange Is The New Black, and House of Cards. We discuss growing up as a performer on the island of Montserrat, moving to NYC as a child, getting into acting after college, leaving her past life to pursue acting, years of hustling, relocating to L.A., how a terrible bike accident changed her life, starting a spiritual journey of healing, and how stepping up in her craft led to major career progress. That and much more!Follow Before The Break - on Instagram at @beforethebreakpodon Twitter at @b4thebreakpodhttps://beforethebreak.buzzsprout.com/Follow Dionne -on Instagram at @iamdionneaudainFollow Tommy -on Instagram at @imtommybythewayhttps://www.tommybeardmore.com/Follow Adam -on Instagram at @thatadamdecarlohttp://adamdecarlo.com/Don't forget to subscribe, leave a review, and give us a rating!

Season TWO Episode SEVEN of the Your Story Our Fight® podcast welcomes Nzingha Stewart. Nzingha Stewart attended NYU's Gallatin School and upon graduation went on to shoot over a hundred music videos for artists like Common, Eve, Jay-Z, and 50 Cent breaking down barriers for women of color in the music video world along the way.An equally in-demand commercial director, Nzingha has also filmed clips for ESPN, McDonald's, and Coors Light among others. Having recently directed episodes of Little Fires Everywhere, Black Monday, Greys Anatomy, A Million Little Things, Good Girls, Scandal, How To Get Away With Murder, the Netflix hit feature film Tall Girl, and Shonda Rhimes upcoming series Inventing Anna, she has also proven herself as a writer having written With This Ring and The Tenth Date (Lifetime/ A+E Networks) which she also directed. Both movies were ratings hits for the network and With This Ring went on to be nominated for three NAACP awards and won the Women In Film Award for Best Television Movie. Stewart is currently shooting and executive producing Netflix's From Scratch, based on Tembi Locke's best-selling memoir, produced by Hello Sunshine. In 2022 she is set to Executive Produce Daisy Jones and the Six for Amazon and Hello Sunshine. Recently she sold her co-written script, Bad Ass Biker Chicks of Marrakech to Wayfarer for which she is also set to direct. Next up on the directing front is the feature film Life in Motion, a biopic about powerhouse prima ballerina Misty Copeland.

This week on BEFORE THE BREAK, the boys sit down with actor, Tiffany Yvonne Cox. She has appeared in such shows as Space Force, Dead To Me, Santa Clarita Diet, Grey's Anatomy, How To Get Away With Murder, Jane The Virgin, and had a recurring role on Good Trouble. We discuss becoming a mother during the pandemic, her involvement with SAG-AFTRA, growing up as a military brat, learning the ropes from summer theatre internships, making the switch to TV, moving markets to L.A., making a game plan for success, the importance of relationships and collaboration, the desire to do more in the industry than just acting, not being afraid to go out and travel, leaving co-stars behind, booking a role on Saturday and filming Monday morning, and how a friend connection led to her biggest role yet. That and much more!Follow Before The Break - on Instagram at @beforethebreakpodon Twitter at @b4thebreakpodhttps://beforethebreak.buzzsprout.com/Follow Tiffany -on Instagram at @tiffanyyvonnecoxFollow Tommy -on Instagram at @imtommybythewayhttps://www.tommybeardmore.com/Follow Adam -on Instagram at @thatadamdecarlohttp://adamdecarlo.com/Don't forget to subscribe, leave a review, and give us a rating!

Are you a fan of Showtime's "The Chi"? If so, this interview with Yolonda Ross is for you. In this in-depth interview, Yolonda Ross discusses what to expect from the show on the fifth season and her work on the show. She also offers some great advice for aspiring actors and actresses. Don't miss out on this fascinating interview with Yolonda Ross!More on Yolonda RossYolonda is an actress, writer, director and activist who has starred in Netflix's The Get Down, ABC's How To Get Away With Murder, Lifetime's Whitney, Denzel Washington's Antwone Fisher, and indie drama Go For Sisters, which earned her an Independent Spirit Award nomination.More on "The Chi"This season on THE CHI delves deeply into the many joys and complications of Black love: relationships, children, career, community and self. Emmett (Jacob Latimore) and Tiff (Hannaha Hall) forge ahead as co-parents, while Tiff grows closer with Rob (Iman Shumpert). Kevin (Alex Hibbert) finds new love in an unexpected place, while Jake (Michael V. Epps) and Papa (Shamon Brown Jr.) try to resolve things with Jemma (Judae'a Brown) and Maisha (Genesis Denise Hale). New mom Kiesha (Birgundi Baker) works to build her life with baby Ronnie, while Nina (Tyla Abercrumbie) and Dre (Miriam A. Hyman) work at rebuilding their union as they support Lynae (Zara Primer). Jada (Yolonda Ross) assesses her life post-cancer and where Suede (Bernard Gilbert) fits, while Darnell (Rolando Boyce) considers the past for guidance on his future with Dom (La La Anthony). Roselyn's (Kandi Burruss) new pet project places her at odds with Tracy (Tai Davis). Meanwhile, with a push from Douda (Curtiss Cook) and a helping hand from Shaad (Jason Weaver), Trig (Luke James) considers a political run that might help his city, but at what cost to him and his family?Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

New Jersey native Emily Rothstein began her career after graduating from the University of Southern California with a degree in Cinematic Arts. She spent nine years at ABC Studios where she worked in both drama and comedy development, assisting the drama team in the development of such series as AMERICAN CRIME and HOW TO GET AWAY WITH MURDER, and the comedy team on THE MUPPETS and AMERICAN HOUSEWIFE. She has been working at NBC Universal on the comedy development team across all platforms since September of 2019 where she is responsible for developing new projects in addition to identifying new voices and emerging talent. She has worked on series such as “Wolf Like Me” and on the upcoming series based on the “Pitch Perfect” movie franchise for Peacock in addition to “Mr. Mayor” on NBC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week the Dumbbells are taking to the amazing actor Corey Clifford (9-1-1, HOW TO GET AWAY WITH MURDER)! Corey is prepping for a big role in an upcoming feature and is work with Erin to get into action-hero shape! She tells Erin and Stanger all about her history with diet and exercise and then she and Erin fill Ryan in on what their plan is to get Corey ripped! This is great episode filled with inspiration and information!  “yeah buddy!!!” See omnystudio.com/listener for privacy information.

Julie Anne and Arden interview Betsy Beers, aka Shonda Rhimes's producing partner - she is the executive producer of Grey's Anatomy, Bridgerton, Scandal, How To Get Away With Murder, Private Practice, Inventing Anna, and more. They chat about her New York Broadway inspired upbringing, how she went from performing to producing, her cult hit 200 Cigarettes, working with Julie Anne on Grey's and Bridgerton, her path to becoming one of the most powerful women in Hollywood, and so much more. See omnystudio.com/listener for privacy information.

Viola Davis stops by Studio 1A to chat about her new book "Finding Me: A Memoir". Plus, in TODAY food, chef Matt Abdoo is here to cook up ribs and street corn. And, Chassie Post shares some unique picks to make mom feel extra special this Mother's Day.   

How To Get Away With Murder… and get Jammin' Ninja Super Cake Yakuza director Takashi Miike tries his hand at a different type of video game adaptation by bringing Ace Attorney Phoenix Wright to the big screen. Can the rookie lawyer find the guilty parties in three interlocking murder trials simply by cross-examining parrots and debunking photographic evidence of lake monsters? And will the fashion police level charges against all those gravity-defying hairdos on display in the courtroom? Find out if Justin, Stuart, and Arnie offer objections to the latest entry in the Now Playing Arcade when you Listen Today!

How To Get Away With Murder… and get Jammin' Ninja Super Cake Yakuza director Takashi Miike tries his hand at a different type of video game adaptation by bringing Ace Attorney Phoenix Wright to the big screen. Can the rookie lawyer find the guilty parties in three interlocking murder trials simply by cross-examining parrots and debunking photographic evidence of lake monsters? And will the fashion police level charges against all those gravity-defying hairdos on display in the courtroom? Find out if Justin, Stuart, and Arnie offer objections to the latest entry in the Now Playing Arcade when you Listen Today!

Our guest this week is award-winning actor, writer, producer, director ENUKA OKUMA! Currently, she is a writer on Netflix and CBC's smash hit WORKIN' MOMS and stars as Sloane Mitchell. You probably recognize her as the series regular, Traci Nash, on ABC and GLOBAL's long-running police drama, ROOKIE BLUE. Enuka co-wrote, with Adriana Maggs, a sixth season episode of the show ROOKIE BLUE. She has also guest starred in Showtime's MASTERS OF SEX, ABC's HOW TO GET AWAY WITH MURDER and ABC's GREY'S ANATOMY. Enuka recently starred in the Netflix's THE SLEEPOVER and was a series regular on IMPULSE, one of the first scripted dramas for YouTube, produced and directed by Doug Liman (THE BOURNE IDENTITY). COOKIE, is a short film, written, directed and produced by Enuka and starring Jennifer Finnigan from MOONSHINE and Jonathan Silverman from WEEKEND AT BERNIE'S. COOKIE premiered at the Newport Beach Film Festival and then went on to conquering the world by screening in over 20 film festivals! Set for 2022, she is producing and starring as Annabelle in the short film WOMAN MEETS GIRL, and OUT COMES THE WOLVES, a feature written by Enuka that reunites her with ROOKIE BLUE alum, director Adam MacDonald. Twitter: @enukaokuma Instagram: @enukaokumaofficial http://www.enukaokuma.com/ WOMAN MEETS GIRL Over a vodka-fueled game of Never Have I Ever, Annabelle, a 40-something year old virgin and Tessie, an 18-year old homeless sex worker, challenge each other to expose their vulnerabilities revealing their differences and similarities. Through the night, an undeniable chemistry emerges between them. @wmgfilm WORKIN' MOMS @workinmoms @workinmomsnetflix ARE YOU MY MOMMY https://watch.reelwomensnetwork.com/are-you-my-mommy PAULA JEAN HIXSON @paulajeanhixson Reel Women's Network Twitter: @ReelWomensNetw1 Instagram and Facebook: @reelwomensnetwork https://reelwomensnetwork.com/ Podcast Team Head Producer and Editor: Winnie Wong @wonder_wong Editor: Shayne Stolz @shaynestolz Graphic: Vicki Brier @brier2019 Subscribe to our newsletter at https://www.firecrackerdepartment.com and follow us @firecrackerdept!

Alison Eakle is the EVP and Head of Creative Development at Shondaland. We discuss how imagining movie posters makes her a better creative exec, being a co-EP on Netflix's #1 show Bridgerton, why she's racked up so many recent promotions, and being part of new Hollywood's most groundbreaking streamer partnerships. Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up linkLearn more about our market research and executive advisory: RockWater websiteFollow The Come Up on Twitter: @TCUpodEmail us: tcupod@wearerockwater.com---EPISODE TRANSCRIPT: Chris Erwin:Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders. Alison Eakle:I'll never forget there was... The current assistant had put out a job posting. And how this works in Hollywood is you'll see jobs on things called tracking boards or emailed chains, but they always say, "No phone calls, please. Just email your resume." Right? And I was like, "I'm going to call him." And I did. And I just called him and I was like, "Look, I did not come up through the agency feed. I don't have the required experience, but I swear to God the desk I'm on is harder than any agency desk you can imagine. And I'll tell you why if you meet me for like 15 minutes." So we did. We literally met in the middle of the lot at Paramount. He was like, "You know what? I think my boss would like you." Chris Erwin:This week's episode features Alison Eakle, the EVP and Head of Creative Development at Shondaland. Alison grew up on the Jersey shore, actually my same hometown. She loved the arts since an early age, traveling to New York City for auditions as a young teenager, but she was planning to give it all up at Georgetown for career in politics until she had a breakthrough moment in her screenwriting class. Alison went on to get her MFA at UT Austin and then had roles in some of the most exciting production houses in Hollywood, from Paramount Vantage to Columbia Pictures and working for Ellen DeGeneres. Then a serendipitous moment took her to Shondaland where her career has been on fire. Some highlights of our chat include how imagining movie posters makes her a better creative exec, being a co EP and Netflix is number one show bridging that where she's racked up so many recent promotions and being part of new Hollywood's most groundbreaking streamer partnerships. All right, let's get into it. Alison, thanks for being on the podcast. Alison Eakle:Thanks for having me, Chris Erwin Chris Erwin:Very well, Alison Eakle. We got some history between us. Alison Eakle:That's right. Chris Erwin:So let's go back a bit. Where did you grow up? What was your household like? Alison Eakle:So I grew up in Rumson, New Jersey, which is a bit of a towny suburb, as they say, in the Northern part of the Jersey shore obviously. Well, I grew up the only child of Wall Street parents. Parents who had met kind of working at Wall Street in the '70s at a time that I've heard many incredible stories about. And it's interesting because when I was eight, there was a big stock market crash. And my dad was all for Morgan Stanley and my mom inspired him to start their own company, a financial investment advisory firm called Eakle and Associates. And so it's interesting I haven't really thought about that a lot, but I did watch my dad face what is one of my worst fears, that idea of just suddenly everything kind of pulled out from underneath you and I watched them together kind of build something new. Chris Erwin:Did your parents both work for the company? Alison Eakle:Oh yeah. My mom was VP, he was president and basically it was just a three person operation. And my dad, he had clients that he would manage their portfolios, but he put out something called the Eakle Report every week and would have to find really creative ways to talk about the stock market, which Godspeed to him because I wouldn't touch it with a 10 foot pole. I have no idea how to talk about the stock market. My mom ran all the logistics, taught herself computers at that time and really brought her up to speed fast. And they had that company for a long time until their divorce, which I have no idea what role the company played in that, but they definitely had it for, it was over 10 years, really successful. So that's kind of like what I grew up in. And I was very privileged. I came from a place of a lot of privilege where I went to private school. Chris Erwin:RCDS? Alison Eakle:RCDS, Rumson Country Day School, big shout outs, still very loyal to that school, that little short brown stone church on the corner. Chris Erwin:Are you still involved with the RCDS community? Like I have the friends from school I'm still in touch with, but I'm not giving back or anything like that. Well, maybe I should rethink it. Alison Eakle:No, I am not as involved as I want to be. I did have like a strange fantasy that one summer I'd go back or one year I'd go back to my 20s and substitute teach there. I don't know where that came from but- Chris Erwin:On the theatrical program? Alison Eakle:Yeah, why not? I'll do so. I love a school play. I love that. I love something roughly adapted from children's literature into strange costumes and children sputtering around on a stage, but it was just such a surreal experience because it was so safe, so incredible. I feel like that experience really formed me even from kindergarten on. And it was across the street from Bruce Springsteen's house. So what a quintessential New Jersey experience really? Chris Erwin:Yeah. I remember walking down Bruce's driveway on Halloween. He always would give out like the supersize snicker bars. Alison Eakle:Yeah. And [inaudible 00:04:44]. Chris Erwin:It was always like, we got to go to Bruce's house then we'd go to Bon Jovi's house. That was like such a fun thing. Alison Eakle:Yeah. That's very dead on. I grew up there riding bikes to the beach, just walking around the neighborhood. They're a very arcade fire of the suburbs kind of existence, but with the modicum of real safety that I so appreciate now and also again realize how lucky I was in a lot of ways. Chris Erwin:So I have to ask, your parents are to business, it's just funny to hear that. I just recorded a podcast last week with Naomi Shah, the Founder of Meet Cute, it's a new romcom podcast network. And her parents started a technology business based out of Portland, Oregon. And so it's just funny that now like a week later I'm interviewing you and your parents started a business together as well. There is an entrepreneurship vein in your family. So was there a theme though about your interest in the arts that came from your parents or did that come separately? Alison Eakle:That was from really my aunt and uncle. And look, my mom was one of those people who did leave her job when she had me, but continued to have that kind of type A excel at anything she put her mind to it personality. She was somebody who played the organ. We had like a Hammond organ in our living room now that I think about it. She had interest in music and musicals and all of that thing and certainly was very supportive of the arts, but wasn't necessarily kind of ensconced in it. Whereas my aunt had been an actress since the day I was born, my uncle had been an agent at Theatrical Agent in New York, but also run his own company called Cornerstone up until he died. And so for me... And they were much younger than my parents. My mom is like 12 years older than my aunt. Alison Eakle:So they were this cool young aunt and uncle really ensconced in show business. They took me to my first Broadway play Les Miserables when I was 10. I felt incredibly like I had a model to look at of like what would a life in that business look like. And I definitely was born with the bug and loved trying to get the solo in school plays or whatever it was. And eventually my parents did let me act as a kid and tried to make a go of it professionally. And I was represented at a now defunct agency called J. Michael Bloom. Chris Erwin:What age is that, Alison? Alison Eakle:So this is like, by the time I'm actually wrapped I'm 13. So this is like '93, which is a very awkward age to be putting yourself out there. But for whatever reason, I was really into it and loved it and had some close calls. I got to do a callback in a room with James Ivory for Jefferson in Paris, a role that eventually went to Gwyneth Paltrow, which I think the better woman won. They aged it up and gave it to her, I remember, but it was such a cool experience too for a year. My parents were very anti stage parents. They were like, "Look, you clearly have some bit of talent in this and you really want to try it. We'll let you try it. But it's going to be for a small amount of time." It was only like maybe a year and a half, two years and then you really do have to go back and focus on like high school if it doesn't click, if there's not for me. And I only went out, I didn't go out for commercials. So it was sort of- Chris Erwin:Did you take time off from school at all for this? Alison Eakle:RCDS was really lenient in the sense that if I had to leave at three o'clock for like an audition in the city or to do a reading for an off-Broadway play or whatever it was, I could be flexible, but come close as I may have, I never got the big part that would have necessitated the on-set tutor. Chris Erwin:Did you feel at an early age, a clear interest in the arts and that, hey, this is going to be my career, this is where I'm going to be? Alison Eakle:I think if you look at my life in general too, and we'll talk about this, it's so funny because that clearly was always had such a strong pull that even when I tried to divert myself to more stable or a prestigious academically kind of bent careers, like politics and things like that, somehow it would just find me again and kind of pull me back to acting, writing, performing, creating, that side of things. Chris Erwin:So I think it's good that Gwyneth got the part because you've obviously had very special trajectory at Shondaland, you are exactly where you are meant to be. Alison Eakle:That is very reassuring to hear. And I do tell myself that sometimes. And I do get to still read parts at table reads occasionally at Shondaland, which is how I scratched that itch. Chris Erwin:So you're acting in your teams, you have some representation, you're going out on auditions, I just got to throw this out there from the RCDS memories, for some reason this is so ingrained in my brain. I remember taking the bus with you I think after school and then going down, I think if I remember correctly, it was a stone driveway, a gray stone driveway. It was a circle. The school bus would go down that and we would drop you off and your house, was it a gray house or a white house? Alison Eakle:Yeah. A gray house and white trim. It doesn't exist anymore. It was raised to the ground to build some other crazy mansion, but it was an adorable 1920s house. Four fireplaces when I think about it. Good God. Chris Erwin:Wow. One of my earliest memories that is definitely imprinted in my brain and I remember specifically from you, I think you were a year above me. Alison Eakle:That's kind. I'm three years older than you. I just loved to hang out with... Chris Erwin:Yeah. So that's what I was going to say is that you befriended myself and my twin brother, John, and you're always so kind to us on the bus. So you were very interesting. You just had interesting points of views on things and we picked that up at a pretty early age. Alison Eakle was at the light in my childhood, but it didn't stop there. So after RCDS, I left that school system I think around third grade and I went into the public school system as did some of our other friends. At RFH, I think that's where we were reunited in a Spanish class. You were a senior and I was a freshman, was that Parker's class or Von Handle? Who was that? Alison Eakle:Oh, maybe it was Von Handle actually, now that I think about it, but I couldn't remember her name. I just remember she had great hair, like a really perfect... So what did happen was I took French from third grade forward. And then in high school I had done the AP and I was like, I sort of want to start another language when I might have a chance of speaking on a daily basis. And so I started Spanish as a junior, but it was hilarious to be... It was my only experience of being the lone senior in a class full of freshmen. It was such a blast and such a different perspective on things at that point in my life. I was so happy to be in it with you. And it was Adam Sachs too. Chris Erwin:It was Adam Sachs. Maybe John Waters was in there. Alison Eakle:Yeah. Waters 100%. And we had to make a video. I'll never forget this. We had to make a video project for the class. I forget who else was on my team, but there was like a surfer kid named Ryan. And we stormed at his house and I was just like, I'm 18 years old at this point just making a weird Spanish video with a bunch of freshmen in it, but it was great. I felt like I really loved that experience. Chris Erwin:Yeah. Very on theme again, a little bit older hanging out with the younger kids, we enjoyed it. There's something in the water, I think from like the Rumson Monmouth County area for Hollywood, because it's a bunch of people from the East Coast, but then Adam Sachs is running Team Coco, Conan O'Brien, you Andy Redmond running Tornante under Michael Eisner, you're at Shondaland doing a thing, Matt Warshauer another friend is a writer and- Alison Eakle:A really talented writer. Chris Erwin:Yeah. Impressive creator. And then I'm trying to do my thing at RockWater in New Media. So there's a crew of us out here together. Alison Eakle:It was probably the biggest surprise to me when I got here is how many people from growing up in New Jersey are out here, both from that experience, the experience we shared, but also somehow or another, we convinced a lot of people to leave New York when we first came out here in the mid 2000s. And we have a really... I always thought it would be kind of my film school crew that would, and there's a lot of them, the Austin Kids out here too, Austin, Texas, but tons of Jersey people. Chris Erwin:So after high school, the arts theme continues. You go to Georgetown, did you run a TV station there? Alison Eakle:Yeah. Well, it's so funny. I went there, again, trying to do like the sensible thing. I was like, I'm going to be in politics and urban development. And I had a real tracy flick then to me of like, I'm going to be the mayor of the city. And then I got into those classes and was sort of put off by the approach that the other students had to government and the idea that everybody was obviously in this kind of self aggrandized way. And I realized, oh, that's not maybe my jam. I'm not here to prove how much I know about how many congressmen are from which districts or what have you. I really wanted to affect change on a local level. Of course, part of its insane ambition. I don't think anyone decides to go into politics without being a little amped up about that and being like, I think I'm pretty great. Alison Eakle:I absolutely had that threat, but I felt so kind of outpaced by my classmates in terms of their ambition and I started to question if it was for me. And then weirdly enough, it was a sophomore class, a screenwriting class I took with a professor named John Glavin. And at that time, he had mentored Jonah Nolan who at that point had made Memento with his brother and suddenly I had, yet again, a model to look at him like, oh, somebody in a class just like this with this man as their professor broke through. Right? Obviously he has incredible talent. And that stuff can't be taught, but it was like suddenly I could at least see a path sort of. That same year, I think my sophomore year Georgetown University Television, the finest closer television channel in the land was starting on campus, and I realized, oh, that seems like fun. Alison Eakle:And my first show that I produced and sometimes hosted with Aaron Cocce and Brian Walsh, was it called G Talk Live? And I even forget all that I did. It was sort of a running gun, all hands on deck, but it's like a live call-in show, a talk show, panel show for the campus. And I'll never forget they were like, "Alison, do you want to host a very special episode?" And I said, "Of course, I do." About one of the most pressing topics out there, Dawson's Creek. So that was my big contribution, but I loved it. And I stayed with the television station all three years. And at my senior year, we sponsored like a film festival and the films were incredible. And you think back it was... I looked at a program I'd kept from maybe six years ago when I was moving and it's like, Zal Batmangli, creator of The OA along with Brit Marling, the two of them had made one of the shorts and contention and Mike Cahill and Brit Marling had also collaborated in a way that would pre-stage their collaborations on another earth. Alison Eakle:And it was kind of incredible because I look back and I see that drive. I see all of these people who actually were trying to carve out a space at a school maybe not known for people who are going to forge a path in TV and film doing so, but also it was like Mike Birbiglia and Nick Kroll, John Mulaney were all my contemporaries as well. So also seeing a real comedy scene evolve, I feel like again, very lucky and they're at the right time in terms of it was in the zeitgeists of again, getting to look at people really trying to forge that path in a way that I had not seen before. Chris Erwin:And then you felt, I think, empowered. It's like, I can do this. Like that screen writing class was a spark for you. It's like, fine, this is what I'm going to pursue. I came here for political science and different reasons, but that's now changed. Alison Eakle:Yeah. I'm so glad I decided to try it and listen. And again, at that point I'd let go of the acting thing, even though I would still occasionally act in like one act plays that friends would write or things like that. But I do think the acting informed the love of writing, which in turn, all of that feeds the work that I do now, essentially because I think as a creative executive, I do look at everything through the lens of, okay, I know what it's like to sit and stare at a blank page now with that cursor blinking and understanding kind of how do you generate something from nothing, how do you riff on ideas to try to get through a piece of writer's block, all of that. Alison Eakle:But I also approach things in terms of like, when I read a script, I do think to myself, do I want to play that role? Because I know that if I have that instinct of like, oh my God, I wish I want to say these words, I wish I could play that part, you're onto something at that point. That is a really good sign that somebody has created something worth making. Chris Erwin:Because you have an acting background, you can empathize with the words on the page and you could have a vision for how the words will manifest. Alison Eakle:It's almost like first, it's a different way that informs decision-making, right? Because in terms of creatively, the big question is like, what do you love enough that you would actually spend years of your life working on? And I think, again, that's one thing that goes, I can really appreciate when a piece of writing is going to appeal to an actor. Like in this business too, so much of it is who's going to fill this role, especially in TV so often if you're not going with an already established huge star, you need to find a person who can really become that role. Especially when there's a breakout hit and an actor has really been a part of creating that role with the writer, that follows them for the rest of their life. People always think of them in some ways as that person. Alison Eakle:So I do try to think of like, are there iconic roles in this that somebody would really dig into that would get me excited that way? And similarly, actually the writing piece of it comes into mind too, because if I read a pilot or something, but I found something worth pursuing and talking about it, if my head's already like, oh my God, I can see episodes, I know what I'd want to watch and want to see in the show, so that's the writer part of me thinking like, oh my God, if I had to pitch ideas for it, I could, that's really promising. So it's definitely stuff that that background I think does inform the work I do. Chris Erwin:Got it. As I'm listening to you, Alison, I'm hearing the passion come out from you. So I think you said you no longer act, but you really enjoy the table reads that you do with the Shondaland team. Do you think that there might be a future where you might see a script and you're inspired to be like, "You know what? I want to go do a one woman show. I'm going to join a small private troop." Is that something that either maybe you're doing now or that's like seated in your brain? Alison Eakle:It's something that I still do for friends. Like we'll still do writer's table reads together and things like that. I don't think I would rule out the idea of doing some kind of acting with friends on a project. I don't think it's going to be generated by me. I don't think I'm going to be the one to push it forward, but I think that if an opportunity presented itself, it would be really fun. And I actually love the idea of like voiceover, that idea of doing that kind of work too, because I give real actors steeped in their craft so much credit because the way you make yourself so vulnerable reading at a table read or doing a piece of voiceover where I can kind of hide behind, not be on camera and not be seen, that's more appealing to me now than leaving it all on the stage every night or really exposing myself fully on a show or a film and just emotionally, physically all of these things. I think that stuff's incredibly scary and every time I see actors go for it, I'm just standing out. Chris Erwin:Shondaland launched an audio business and maybe scripted audio is in your future. You could do some of that. You just- Alison Eakle:I'm going to ask Sandy Bailey if I can audition for some of those pieces. That's right. Chris Erwin:All right, cool. I want to flow into your early career, but so after Georgetown, you end up getting your MFA at UT Austin. So from there I think you go to New York for around six months and then you transition to LA if that's right. Tell us quickly, what was that journey from being at UT Austin, one or two key themes from that and then the beginning of your journey in Hollywood thereafter? Alison Eakle:I just was interviewed about my time at UT Austin. And I think the thing that's so crazy about it, that was a big takeaway was do not let your program define you because when I got there, it was just an MA screenwriting program. It became an MFA screenwriting program. But I think there was this kind of a mentality sometimes like we were the weird step-kids of like the film program, but also the really prestigious writing, the James Michener program that is for like novelists, poets, playwrights. So it's like a multi-disciplinary incredibly competitive workshop. Two years, they pay you. It was easy sometimes to feel a little less than, but then as time got going and I just fell in love with a couple of professors, I started like working on short films with people. I was a TA. Speaking of hanging out with younger kids and being a TA as a grad student, I can't tell you how many of my former students are also out here killing it and just absolutely running shit. Alison Eakle:And it blows my mind that I ever thought I could teach them anything like run indie film divisions of agencies. I really did start to just make my experience what I thought it could be as opposed to just be like, well, I'm just an MFA screen writing student. It was great. It was a great experience. I lived with law students instead. So that kind of exposed me to a whole different way of experiencing UT. They worked hard in the party tag, Chris, I will say that. That was my Austin experience. And I wound up working for Burnt Orange Productions, which is this company that had like a really cool experiment at hand where they were making low budget indie features like one was Elvis and Annabelle, starring a very young Blake Lively and Max Minghella. And that's the one, when I was there, they were making. Chris Erwin:So then thereafter, did you have a more specific lane of knowing where you wanted to go and what exactly you were going to do? How does that get you to, I think, was a pretty transformational role, which was at Paramount Vantage. Alison Eakle:It's so funny, but I really thought I was going to just be a screenwriter. My best friend, Ashley, who is now a show runner in her own right with her husband, she was finishing film school at Columbia. So the only reason I did that six months stint in New York was because A, growing up in Jersey and looking at New York is like the city. It just felt like I have to live in New York at some point. And so many of my good friends are there, I just want to have that experience. So I thought I might stay, that there might be a way to make it work, but New York is hard and expensive and it's even more so now an impossible place to live. But even in 2006, it's like, I'd worked Monday through Friday as like an assistant in an advertising agency and then Saturdays and Sundays, I would like go to Bronx Science and other schools in the city to teach SAT prep. Alison Eakle:So I was truly working seven days a week and still hardly getting by and I didn't even have to pay rent because I was just crashing with my friend. Her boyfriend, now husband, had moved out to LA in kind of October of '06 and we started processing and thinking about it could we really make this trip? I'm like, could I really break my mother's heart and move across the country? And eventually realized that if this is really what we wanted to do was to be screenwriters, it really did feel like we had to be in LA. And so we did it together with her two cats and her two goldfish and a Toyota Corolla. Chris Erwin:Two women, two cats, two goldfish, two Corollas. Alison Eakle:Yeah. Two of everything. One of the cats shit himself as we were crossing Arkansas. And there was a very uncomfortable gas station interaction with some locals and that cat and trying to get that cat out of the carrier of the car, but look, all worth it. The two fish died immediately when we put them in LA water, a very foreboding omen. New York was just, I knew in some way I wanted to get a chance to have an adventure with Ashley, collaborate with her potentially and we wound up moving out to LA together. Chris Erwin:Similar to you, after graduating from school in Boston, I was like, "Yeah, I got to go to New York." That's like what... You're in the tri-state area, big exciting visions. And then the fact that I can go down to the shore and see my family on like an hour train ride or the ferry that had just started to emerge. And I got stuck there for five years in finance. So you only got stuck for six months, I probably took like 10 years off my life doing finance in New York City. But you got out and so you make the move, you get to LA and then you end up at Paramount Vantage and you do a few things before that. Alison Eakle:And one really formative job. So basically I get there, I go to a temp agency my show business actors aunt had connected me with and I'm like, "Let me do a typing test. Let me show you I can use Excel." And I got a job that was temp to perm, potentially assisting a woman named Nancy Gallagher, who was an EVP of marketing at Paramount Pictures. And this woman was like close personal friends with Steven Spielberg and Joel Schumacher and Tom Cruise. Like she had done marketing campaigns for movies that had shaped my teen years, like Clueless and Titanic. Like I lost my mind when I realized really the impact she had had. She was also incredibly old-school, did not use a computer at the time. It was a kind of a wild experience. I would be there 8:00 AM to 8:00 PM. I would never leave the desk. I would take dictation. I would read her an email she got. She would dictate an answer back to me and I would type it back to the person. Chris Erwin:This is 2007? Alison Eakle:Oh yeah, don't worry about it, Chris. But she was incredible. I mean, she was an incredible talent. She just was sort of like had not kind of embraced that part of the job and was just deep in the creative. I mean, again, I got to meet so many impactful, incredible filmmakers, like Calvin Kennedy, we had four movies that we're marketing. It was a real learning curve for the almost two years I did it. And that classic, first Hollywood job, like don't screw up that phone call from Scott Rudin or whatever it is. Like there were those moments consistently. And I was scared out of my wits until I wasn't. And eventually I was just like, I would see the kids in their suits come in from Yale to take my job since I was just a temp and interview and I was like, "No, no, no, no, fuck it. I'm going to keep this job." It almost became like a challenge to myself. Alison Eakle:And I think being able to stick it out and succeed there, even though I didn't want to do marketing, and on that desk is where I realized I never have time to write and I'm never making time. And people who really want to be writers, they make time. They get up at 6:00 AM and write for two hours before their desk job. And I was not doing that. So I just realized I think I found out there was a thing called development, which is basically what I loved about writing most was workshops like working with writers, not being the writer and started to try to think about how to make that transition. Chris Erwin:Got it. Look, I hear this from a lot of people who work at the agencies like pretty early on is that it's really exciting in the beginning, but it's also painful, the work, the stress, a lot of bad bosses, it turns people out and they leave Hollywood. But when you were there, did it feel like you're just getting more excited, but you're like, but I'm not in the role that I want. Like what you just described as like, I want to get into development. So I feel good about the industry, this is hard, but the stars in my eyes, they're still real and they're not going away. Is that right? Alison Eakle:Yes. I think I am at some level, again, like a pragmatist. There's always competing parts, right? There's the creative and the pragmatist and the pragmatists was like, you have a job that pays really well in a business that doesn't, you have overtime, you have health insurance, I was just like, keep doing this. And again, I love the challenge of a professor or a boss that's incredibly difficult to impress. So I love that challenge. And I learned a ton because honestly the biggest lesson of marketing is like, don't create something you don't know how to approach an audience with. You need to know who this movie or this show is for and obviously there's always a pleasant surprise when it kind of broadens out past that, but that was really drilled and it's like, what does the poster look like? Alison Eakle:Because we would get scripts and movies that we had to market. And we would look at each other what is this about? How did you sell this movie? And I will not name names, but it was incredible to see it from that other end. And that was the boss. She was incredible in teaching me like Alison, as an assistant in Hollywood, your job is to assume no one else is doing their job correctly, which is a terrible place to live for a long time in terms of that is so fear-based. But it is also a way to I learned how to anticipate what could go wrong or how to kind of shore up and idiot proof certain processes in a way that I do things still serves me to today. Chris Erwin:Hey listeners, this is Chris Irwin, your host of The Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guests, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work and it also really supports what we do here. All right. That's it everybody, let's get back to the interview. Two points that I think are interesting. Alison, you described as being able to anticipate what could go wrong or sit at corners, we had Chas Lacaillade interviewed on this podcast, he now runs a digital talent management company called BottleRocket, but he said the same exact thing he was at ICM. He's like, "The one takeaway I have from that is you can always anticipate what's going to go wrong in a deal, a conversation, a client meeting," and he found that very valuable. Chris Erwin:The second thing I think that you said, Alison, that I really like is how to market and how to approach an audience. So I think today where media has changed, where they used to be fixed supply, if you can get theatrical distribution, you're going to win. If you're going to get on like a TV network, you're going to win. But with the internet, there is so much content out there even if you're like putting up content on Netflix or you're putting up content on YouTube or in some like digital, native way, your content has to stand down. And the marketing campaign that wraps the actual content itself, how you speak and engage and excite your audience, that is where the winners are today. So the fact that you have that lens from your history, I think is really interesting. Alison Eakle:You put it better than I ever could, but that all tracks. Yes, that feels right. Chris Erwin:So you realize you're not having the amount of time you need for writing, so you've got to change it up. So where do you go? Alison Eakle:I saw a job opportunity to assist the director of production and development at Paramount Vantage. What I'll never forget there was the current assistant had put out a job posting and how this works in Hollywood, for anyone who's listening and doesn't know, is you'll see jobs on things called tracking boards or emailed chains basically. But they always say, "No phone calls, please. Do not call me. Just email your resume." Right? And I was like, okay, this job is on the same lot, I'm going to call him. And I did. And he was so incredibly lovely. Colin Conley, he's still in the business, an incredible manager. And I just called him. And I was like, "Look, I did not come up through the agency. I don't have the required experience, but I swear to God, the desk I'm on is harder than any agency desk you can imagine. And I'll tell you why if you meet me for like 15 minutes." Alison Eakle:So we did, we literally met in the middle of the lot at Paramount. And he was like, "You know what? I think my boss would like you." And he was leaving to go work at the Sundance Institute, fucking cool as hell. And I tried not to be too intimidated. And I met his boss and loved her. And the only weird thing about that experience was when I did get the job, three weeks into it, most of Paramount Vantage was let go. They were downsizing all indie studios at that point. And I was like, oh my God, I just took a pay cut and a huge risk to take this job and now I'm going to get fired. That was all that went through my head is like, we're all going to get laid off, but I don't know what happened, but for eight months, some of us still hung on. Alison Eakle:And I learned so much about future film development from my boss, Rachel. And then we were all let go. Then it really did. The hammer came down in July of 2009. John Lynch left as the head of the studio of Vantage was done. And another colleague of mine who used to be at Vantage got me my next job just assisting a production exec at Sony Pictures, Elizabeth Kentiling, who was incredible. And the experiences were so different because at Vantage, I learned a ton about development, but we never got to make anything because essentially it was like, you already saw the writing on the wall. You knew it was only a matter of time to some extent that you were going to be shut down, which I've never had an experience like that since. It is sort of freeing, because I was just like, well, I'm going to learn and do as much as I can while I'm here. Alison Eakle:And then at Sony, it was the opposite where it was like, there was development happening on scripts so I was there, but my boss was making movies. Like I always watched her oversee Social Network and Girl With the Dragon Tattoo and got really a firsthand view of like how that side of things works when stuff is going. So it was incredibly valuable, but the whole time I'm sitting there thinking, okay, I'm still an assistant, I'm 30... How old was I at that point? Probably 31. Again, wasn't acting, wasn't writing, wasn't really an exec. I would go to drinks with other assistants and them not knowing how old I was would be like, "Oh man, if I'm still an assistant at 30, kill me." Chris Erwin:It's interesting you're saying this because I was reading an interview that was done with you. Asked like what's the worst advice that you can receive or that you have received? And you said something along the lines like, oh, if you're like an assistant or haven't figured out your career in Hollywood by the time you're 30, it's over. And that's BS. That's not true. And so I think this is clearly where that's coming from. Alison Eakle:Oh yeah. And trust me in the moment I was like, maybe it is true. Like I'm not impervious to insecurities. 100% I was like, I've given all this up, I've left my family, I've moved to LA, did I make a terrible choice? Is this right? But there is such a thing where you just got to stick it out and you keep learning and try to keep growing and then the next opportunity will find you. I totally flunked out on my first creative executive interview in the Future World. And I just was like, oh man, this other junior exec at the movie studio got me this opportunity and I just said stupid shit and I blew it. But then a friend of mine from my Paramount Vantage days, a friend who had worked at Comedy Central while we were doing the Comedy Central branded movies and I really loved, was like, "My old boss from Comedy Central is starting a company for Ellen Degenerates, would you ever want to go be the assistant/exec?" Alison Eakle:And it was primarily television, both scripted and unscripted, not movies, not the big sexy thing at that time that I was still like, no, no, no, you got to work in movies. But I was like, I fucking love television. I raised myself on television. Let me tell you, I jumped at the chance. And again, I was still answering phones at that point technically, but I was like a coordinating manager. So I got to be in the meetings and watch how it happened and take meetings of my own. Chris Erwin:This is A Very Good Production, that's the name of the company? Alison Eakle:Yes. That's A Very Good Production. Chris Erwin:Okay. Alison Eakle:And look, I probably did that classic thing that I think a lot of women do where I didn't think I would feel ready to go from assistant to just exec. That is where I second guessed myself a bit. And so I loved that idea of like a hybrid opportunity, but I also couldn't have learned from anyone better than Lauren Carrao as we were building that company from the ground up with the deal at Warner Brothers. Chris Erwin:Got it. Wow. So Alison, I want to get into now your rise at Shondaland, a company that you joined back in 2013 and where you're still at today and interesting juxtaposition. So I interview a mix of technology and E-commerce, but also media executives on this podcast. A lot of the technology executives I interview, their career rise starts a lot earlier, right? It's like the difference. But in media, a lot of the people that I've interviewed, it takes a bit longer. You're joining Shondaland I think in your early 30s, but you've had an amazing run over the past almost a decade. So I'm curious, how did you first end up there? Alison Eakle:Truly going back to my doomed, but learned a lot moments of Paramount Vantage, it was my boss there, Rachel Eggebeen. She was the first kind of creative executive that Shonda and her longtime creative and producing partner, Betsy Beers, my other boss brought on and into the company when they'd had their deal through ABC. They'd been making Grey's Anatomy and Private Practice and a few other pilots that had knocked on to series. But I believe as Rachel came on board, they were making the Scandal pilot. They had expanded the company and around the time that I was ready to move on from a very good production in terms of trying to get kind of my first either producing credits or full exec job, whatever that next move was going to be for me, I reached out to Rachel and I said, "What do you think I should consider? You're one of my favorite bosses, favorite people, favorite friends, what do you think I should do?" Alison Eakle:And she said, "Well, interestingly, Shonda and Betsy are thinking about expanding the work they're doing and hiring another person. And your background in comedy could be incredibly useful and important part of the mix given they're starting to do more of that." When I came on board, they'd already been developing a pilot with Issa Rae, actually for ABC. Ultimately didn't move forward, but was one of my first experiences as an exc. It got to be me and Issa Rae in a room, sitting on the floor, working through a pilot and I will never forget it. And it was incredible. And I loved every second of working with her. Chris Erwin:Speaking of Issa Rae, so I joined the whole YouTube revolution in 2013. And I remember we were launching different like digitally native verticals. Issa Rae came in and pitched a show with her creative partner. Alison Eakle:Oh, no way. Chris Erwin:Yeah. Early days. And now look at her, she's a phenomenal. You shouldn't make a fuss. Alison Eakle:Talk about a rise. I feel silly calling what I've experienced duress in light of Issa. I mean, just and so earned and so deserve. Like with the pilot was called, I Hate LA Dudes. And that was very much my mindset while we were working on it. But I would meet my husband just a few months after we finished up with that and I reversed that decision. No, it was great to kind of come on board. And look, I was, again, nervous, that imposter syndrome thing is hard to shake. I'm like, it's my first executive job, I am a fan of these shows of Grey's Anatomy and Scandal. Scandal season one and like half of season two had aired when I started. And that jump is a big jump in Hollywood when you're first like really not answering the phones anymore. I didn't have an assistant, but I wasn't an assistant. Alison Eakle:And I got to develop like my first comedy from the ground up with these writers Petrossian Goldstein that came partly from like an original idea I had just by like being like, fuck, okay, what do I want to see in the world that I don't see? What do I want to watch on TV that's in my life and I don't see reflected? And we came up with this idea of what if your friend was dating someone terrible, just absolutely the worst. You wouldn't want to spend brunch with this person. And then they show up one day early in the dating and they're like, "We're having a baby." And I had pitched this idea of like, that would be the friend groups worst nightmare, but a lot of it would be not so much about that girl who kind of enters the group, but really about you and what you're going through emerging as a group of like 20 somethings into your 30s. Alison Eakle:And then when we pitched this idea to these other writers, they had had an idea of what had happened in their friend group, which is one of their really close friends had passed away. And that guy's parents had sort of become the parents of their friend group. And we wound up having this incredible meeting where we realized we could merge these ideas. And it was just one of those first experiences where Betsy and I were in the thick of it and I realized like, oh, this is it, this is what I wanted this to feel like and be like. I love the idea that I can have an idea, writers can make it better and bring their own experience to it and then I get to watch it just evolve. Alison Eakle:And it was such a well-received comedy pilot that at the very last minute we did not get to make it, but it was a great first experience in that first year at that company of like, A, I love this, B, I love why I'm working with on these projects and C, maybe I'm not terrible at it. Like that first moment you're like, oh, I should keep doing this. Which I think a lot of people don't talk about because I think you're supposed to pretend that you're just like a girl boss from day one and always had the confidence, but no, I mean, it truly took going through that first experience to be like, okay, I deserve to be in the room. Chris Erwin:Amazing. So very early on, everything felt right to you. This is the right team, this is the right role and did you get a sense that it's like, hey, this is a company I can be at for a really long time. Alison Eakle:I was like, hey, I hope they'll have me for a long time. Again, like even with the successes, I think there's always a moment where you're just like, what's the next thing I can do? Like I want to continue to earn this spot or earn their respect. And the other thing I just sort of lucked into was that at that same time that we were doing that comedy, we had six other drama projects in development, how it works as you sell ideas in pitches to the networks and then the writers write the scripts and around Christmas time, these networks were just in the network side, they would decide which ones they were actually going to shoot. And the one that they decided to shoot was How To Get Away With Murder. And so then even though my comedy pilot, that experience hadn't borne fruit in terms of being shot, I got to see that show be born and come to life. Alison Eakle:The other thing that happened in those first eight months I was there was that Rachel did leave Shondaland to go to another job at Fox 21, which is a studio. And again, I was terrified because the person who brought me in was gone and I was still getting my sea legs, but Betsy and Shonda were incredible. And I learned so much from them. And I got to all of a sudden just not limit myself to being like, hey, I'm the person who's here to do some comedy and I got to experience what it is to develop dramas and realized I loved that too. Chris Erwin:You mentioned it... Again I saw on an interview that you had like a handful of promotions within the first four to five years that you were there. Alison Eakle:Yes. Chris Erwin:So what did you feel that you were doing at the company that started to really stand out and have you get noticed? Alison Eakle:I was kind of the only one for a while. I feel like I don't know what I would necessarily pinpoint. I'd be interested to hear Betsy and Shonda say it. I think one of the things was not only did I have the things that I would get excited about and bring to the table, but I think that Shonda's excitement and Betsy's passion are really contagious. Right? I think very early on I realized, okay, they have fucking genius ideas. I can execute that. I can take that. I can run with it. I can get some progress going. I can find the writer. I can work on the vision of the writer. I also loved the fact that we had this incredible community of writers that had come up on all the Shondaland shows. So I think I really just threw myself fully into trying to make projects with them work and support them. Alison Eakle:And I think there's also a little bit of magic sometimes when taste and instincts lineup, the rest of it is sort of just to do the work, especially those early days. To this day, even after I've had a kid, which we'll talk about, I've never not worked on weekends, I've never not worked at night. Like even when I'm not working and I'm using air quotes, my brain is constantly going in terms of how to fix issues or how to approach strategically certain projects. And I think that they must have responded to it. Chris Erwin:Yeah. Because I think to you it was clear as it's not just work, this is a passion. It's like part of your essence. It's having like a creative mind wanting to support the creative community. I think like you were saying with Shonda and Betsy, you have this reputation where you could take an idea that they have and really nurture it and build it and make it even more special. So there's this trust that they're bestowing on you, but they really appreciate new ideas that you bring to the table. So then, okay, there's an exciting moment. You're there for around four years, 2017, then there's the big announcement that Shonda is leaving ABC for Netflix and what was reported to be, I think, the range is up to $150 million deal. What was that like? Was that something... Had you been working on that for a while? Was that something that you knew of? Was that something that was just dropped on you? What was that like to receive internally? Alison Eakle:I did know a little bit before the announcement came, I just was over the moon excited in terms of it being such a new learning opportunity for me, right? I know Shonda and Betsy had their excellent reasons for making that transition at that time when they did. Strictly speaking from my experience of it, I was just so interested in how different that could be, what restrictions would be lifted when you suddenly don't have to make television for network to fit that 42 minutes of a drama episode to kind of deal with broadcast standards and practices. But also just the idea that I think once we went to Netflix, it probably did also, at least in my opinion, as I spoke to people in the industry, it started to broaden their ideas of the kind of shows we made sometimes, sometimes not. Sometimes they'd still come to us and be like, "Here's Grey's Anatomy, but in a funeral home." Like they would still do that too, but there was a lot of people understanding that now we were going to do TV and movies. Alison Eakle:We could do comedies. We wanted to do genre. Like I think, especially by the time we were able to announce those first things we were working on kind of a year into the deal, it did make people understand that while they often thought of us in terms of, I will use the quote, sexy soap or serialize procedurals, the ambitions were so much bigger than that. And to get ready because we had a lot of things coming that you would not be able to do on network. And that was really liberating and exciting. Chris Erwin:Did everyone feel that same way? Was there anyone internal on the team or within your writer community that was like, "You know what? I want to work on network programming and going to a streamer is not a place I want to be." Alison Eakle:If that was happening, it was not something that I was privy to or that people were coming to talk to me about at all. Everybody was like, "I can't believe this. I'm so excited." And we're moving into new offices and all. It was just felt like a real thrum of excitement. And look, I think to this day, there are still writers who appreciate the consistency of a network job, but the whole business has changed. This is a conversation for another time in that residuals are not the same anymore. And there are so few shows like Grey's and Station 19 that can go that many episodes a season. Whereas writer you know you're booked kind of like August to April or whatever it is, I do think some writers probably miss that and will gravitate towards that kind of structure, that storytelling, all of that. But I didn't experience anyone being like, "Ooh, Netflix," at all. Chris Erwin:Okay. And maybe look, I think there was a lot of excitement at the moment. Was this announced right after Ryan Murphy's deal? I think he announced like a $300 million deal, was that- Alison Eakle:We were the first. Chris Erwin:You were the first. Alison Eakle:Shondaland was the first. Yeah. That was the first deal for Shondaland was the first of these big star producer deals. And I think Ryan Murphy, Kenya Barris, a few others came in like quick succession, but it was the first big announcement like this. Chris Erwin:Clearly it's working, right? So there's the big 2020 hit with Bridgerton. And then recent news, there's a re-up between Atlanta and Netflix are reported or confirmed or reported up to 400 million, but what was it like in that moment when Bridgerton which I think is the number one performing show on Netflix today, when that hit and your team started to get some of the success reporting, what was that feeling like? And were you involved in that show at all? Alison Eakle:Oh yeah. So I am a co-EP on the show and moving forward into seasons two, three, and four, I'll be working on it. It honestly was something where I still remember the day that Shonda was like, "There are these romance novels that are absolutely incredible. They would make a great show." I will be the first to admit I was like, "Romance novels, like grocery store paperback romance novels?" The genius that she is she's like, "Just read them. Just read one. Read The Duke and I." Which is the first book and is what season one is based on, the Simon and Daphne's story. And I read it in like one sitting, definitely started blushing about like 80 pages in for sure, but immediately I was like, oh, I get it. I get it. I understand the conceit of how this works for many seasons. I get why there's such a huge under-serviced fandom of this material. And they have not gotten to see some of their favorite stories brought to the screen and shot. Alison Eakle:It was so smart because she knew that people would clamor for that. And that audience had just not gotten to see those characters come to life, but also that there would be a broader reach. And also I think that it was such a surreal experience for me. I was incredibly pregnant. It was Christmas time. We had done post-production in COVID entirely from our homes remotely. Every music spotting session would be inimitable, Kris Bowers. Like all of it had been done remotely, all the posts. So it was like being in this kind of strange bubble and just sitting there as the holiday started just wondering how it would be received. And I don't think I could have ever anticipated what a mark on the culture it would have. Chris Erwin:I didn't even start thinking about the opportunity to romance space until Sarah Penna, who is one of the co-founders of the Big Frame where I was at right after school. And she had an idea that I think she's still working on with Lisa Berger called Frolic Media focused on, I think it's in a podcast network and digital video programming for female romcom romance enthusiast. And when she started telling me some of the numbers of how big this demo is, I was like hearing the success of Bridgerton, I am not surprised. So a new Netflix deal's announced and here's some exciting things like a focus of film, games, VR, branding, merchandising. There's a larger team from Bridgerton Ball that's coming up in November. So it's really extending your work streams and creating an audience experiences into a lot of new channels. Where is Shondaland today and where is it headed? Alison Eakle:The other side of the company that is the digital side, that is the podcast, the website, whatever shape and form this gaming and VR enterprise is going to take to it is incredibly exciting and I think a huge part of how my perspective on my job has shifted. And look, I've gotten to experience people often say like, "How have you been at a company for eight years?" And I was like, "This company is always evolving. The opportunities are always evolving. The work we're doing is always shifting and changing and growing." And it's part of why I was so excited to work with Shonda and Betsy in the beginning because I knew they had these bigger plans, right? World domination through incredible storytelling, very appealing, but I'm just really always trying to think to myself too synergy. Alison Eakle:Are there opportunities of things that we're working on that could translate to the podcast space or there could be a great story on the website about it and thinking more actively how do I talk to them about that and tell them about it before it's too far down the pike or vice versa, what are they working on that could be the next great show for Netflix or first documentary came out right before the holidays as well around Thanksgiving, Dance Dreams: Hot Chocolate Nutcracker about the life and legacy of Debbie Allen as seen through her kind of like planning and staging this incredible her version of the Nutcracker? Alison Eakle:So we have a real hunger to do unscripted, both doc series, lifestyle, reality shows, things like that, the right kind of thing for the right kind of audience, the thing that we think will appeal to our fans and the people who love our material, but also Inventing Ana is going to be out soon, which is Shonda's next show that she created based on the incredible cut article from Jessica Pressler, how Anna Delvey tricked New York's party people about the Soho grifter, who basically found a way to make all the finance bros in New York and all the art people and all the fancy pants people in New York who believed she was a German heiress. An incredible kind of fake it till you make it American dream story from a very slanted interesting perspective. Alison Eakle:So I'm really excited for that show to hit and to launch and for people to see that it's a limited. That's like the next big thing on top of the fact that we have announced through Bridgerton season four to really get to service the Bridgerton's children's love stories. We've got a lot of story to tell. And then Shonda's next project is a project based on the life of young Queen Charlotte, who obviously is someone we featured heavily in the Bridgerton series. So that's some of the scripted coming down the line. We do have feature films in development. We have a lot of different genre TV shows that I don't think people would be necessary... Again, always trying to broaden the idea of what people think of as a Shondaland show, which is just incredible unexpected storytelling that has an incredibly human lens. A lot of different things coming down. Chris Erwin:All this program is going to be exclusive to Netflix, is that right? Alison Eakle:Yes. Exclusively in Netflix. Chris Erwin:Looking at the Shondaland website yesterday, and I saw the 2017 partnership with Hearst where you've launched a lifestyle website. You have this January, 2020 audio partnership with iHeart, where I think you're creating companion content to promote some of your series, but also maybe seeding some new IP, which is definitely a theme that we talk a lot about here at RockWater. But these are divisions that are separate from your purview, but you want to collaborate and you want to work together. And I think that'd be an awesome thing to do more of in the future. I'd love to see that. Alison Eakle:Oh yeah. It's a top-down mentality the idea of like, no, no, no, you guys, you're not just making content for Netflix and you're not just making content for Hearst to iHeart, this is Shondaland. This is a united family of people figuring out how to tell stories best. Chris Erwin:Last question, Alison, before we get to the rapid fire round. So you are a mother of one who is five months old. Alison Eakle:Yes. Chris Erwin:When you say you work nights, you work weekends, how does that change with a kid at home not just in terms of like time capacity, but also just how you think about your programming and where you want content to go in the world considering that you're raising someone new in it? Alison Eakle:That's a great question. I think I'm so in it right now. It's all still so new. I don't know yet the impact it'll have on me. And look, animation both for adults and children is something we've talked about a lot and gotten excited about that kind of programming. I'll be honest, I binge-watched the Babysitters Club with that best friend, Ashley, who we moved out here from New York together. I think there's incredible content for kids. I don't think my brain has fully processed yet how having this child is going to impact my creative work, but I do think it has changed how I work and yes, I just have less time right now because every minute I'm not with him, I inevitably am wondering, am I missing it? Am I missing something? Right? But I also realize there's a lot of time that he sleeps, not in the beginning, but now there is. Alison Eakle:And it's interesting how I think I used to be a real... I do get up very early with him and I do do great work in the morning, I feel, but I've really also become that person who eight o'clock hits and I take a minute for myself, but I do think to myself, okay, I have quiet. I have a couple of hours of quiet before I hit the, hey, how am I going to use this time? So I think I've just gotten smarter about time management and realized that like I can be sitting there rocking my baby, playing out, what kind of thoughts or how we might re-break a pilot in my head. I've just gotten a little bit more nimble in terms of how I use the time I have. Chris Erwin:I like that. And kind of what you are saying, Alison, reminds me of like the classic high school Adagio. If you have a really busy schedule, like a bunch of high school sports and everything, it just forces you to be more productive to get your work done in the time that you have and you're better. And then second, I think it's this beautiful new moment in your life that's giving you incredible new fulfillment and appreciation for what matters and it's a shock of the system. And I think shocks and changes are good to see things in different ways and that's good for creativity. You've had an amazing rise, who knows where you're going to go? Alison Eakle:Who knows? Chris Erwin:I'll close this out a quick interjection for me before rapid fire. Alison, known you for a long time, but admittedly have not been in close touch in recent years. So it's been exciting that we can come together I think at a dinner that I threw a couple of years ago, but also through this podcast. And I think just hearing your story, what I love and what feels so special is I'm hearing that there was no fear of trying things, of experimenting, putting yourself out there and following your heart. There was moments where like, look, growing up in Rumson where we were, your parents from Wall Street, I ended up going to Wall Street. Like that's what I was inspired to do. And you, I think you said, "No, there's something else that I want to do and give it a go." And then you went to Georgetown, you thought you were going to go down the political science path, but then you had that amazing class and you went with that. You trusted your gut. Chris Erwin:And I think you being able to listen to yourself and set up a very exciting career for you and an ability to do programming that's really a meaningful impact on people's lives and look at the success of Bridgerton and more to come. So it's really fun to see this journey and reflect on it. And I can't wait until we do the second podcast, which is like on this next page. Alison Eakle:Well, thank you. And thank you for having me on too. And also right back at you, it's watching an evolution of a career that's not in Hollywood always fascinates me a lot more than even watching the stuff inside the industry. I love everything that you are doing and juggling right now too. Chris Erwin:Appreciate that. All right. So rapid fire. Here's the rules. Six questions, short answers. It could be maybe one sentence or maybe just one or two words. Do you understand the rules? Alison Eakle:I mean, I'm a wordy mofo, but I will try to keep it to the one sentence or the one word. Chris Erwin:Okay, here we go. Proudest life moment. Alison Eakle:Navigating the return to work after having my son and not absolutely losing my mind. Chris Erwin:Got it. What do you want to do less of in 2021. Alison Eakle:Judge people. Chris Erwin:What do you want to do more of? Alison Eakle:Acts of service. I feel like I got away from that during COVID. Yes, acts of service. Chris Erwin:I like that. One to two things drive your success. Alison Eakle:As you said, willingness to try things and to experiment. And I think also a willingness to really listen to people and figure out what they want. Chris Erwin:What is your advice for media execs going into the back half of this year and into 2022. Alison Eakle:Now that I have a kid and less time than ever, I'm all about essentialism. And I think people have to remember that sometimes less is more, less is more. That's what I'll say. See, trying to be shot. Private is the sour word. Chris Erwin:Saying less is more and trying to do it in short with fewer words. Got it. Considering your parents entreprene