Podcasts about Myspace

A Note from James:Mark Pincus is one of the true OGs of the internet. You probably know him as the founder of Zynga, the company behind FarmVille, Zynga Poker, and Words With Friends. Zynga was eventually acquired by Take-Two in a transaction valued at approximately $12.7 billion. Before Zynga, Mark started Tribe, one of the first social networks—before MySpace and Facebook. He has spent more than 25 years building, failing, and studying what gets millions of people to click, play, share, and come back. His new book, Life at the Speed of Play, inspired me to start coming up with new business ideas while we were still recording.What I really love is how Mark teaches people to copy like a master without looking like a copycat. He has a framework called “Proven–Better–New.” Start with something that has already been proven. Make it obviously better. Then isolate the new idea you want to test. It's one of the best systems I've heard for creating products people actually want.We talk about the early days of Facebook and MySpace, the failure of Tribe, the gaming industry, consumer psychology, AI coding, and how agents could eventually network and work for us while we're doing something else.I loved talking with Mark. I was still thinking about this conversation afterward—and I'm literally building businesses based on what I learned. His new book is called Life at the Speed of Play. Listen to this episode, and then read the book.Episode Description:Most founders begin with an idea and then spend months—or years—trying to prove that people want it. Mark Pincus thinks that process is backward.At Zynga, Mark's teams built “failure machines”: simple systems that allowed them to test hundreds of concepts before writing the code. They put unfinished ideas in front of real users, watched what people clicked, and refused to build anything until the demand was obvious. The objective wasn't to avoid failure. It was to make failure fast, cheap, and useful.Mark explains the framework behind that process: Proven–Better–New. First, study an existing success down to every screen, click, and design decision. Then identify one improvement that current users would immediately recognize as better. Only after that should a team add the unproven idea—the part most likely to fail.James and Mark also examine the problems facing today's consumer entrepreneurs. AI has made software easier to build, but distribution has become harder. People aren't searching for new apps, established platforms restrict organic growth, and algorithmic reach isn't the same as users actively sharing something with friends.Mark uses the failure of his early social network, Tribe, to explain why virality is not enough. Tribe grew quickly but lacked retention and trust. He ignored the communities users loved because they didn't match the business model he had already chosen. That painful mistake became the foundation for much of his later product philosophy.The conversation ends with Mark's current experiments: personal AI agents modeled after members of his family, a proposed work network built specifically for agents, an enterprise AI company called Hivemind, and the difficult decision to end a four-year passion project without abandoning the instinct behind it.This is a practical conversation about testing ideas, separating instinct from ego, learning from the past, and killing the wrong product before it consumes the right opportunity.What You'll Learn:How to build a failure machine: Test headlines, offers, videos, and fake doors before investing in a finished product.How to apply Proven–Better–New: Begin with a proven behavior, make one unmistakable improvement, and isolate the risky innovation.Why distribution is now harder than development: AI can generate a prototype quickly, but it cannot guarantee attention, trust, or adoption.Why Tribe failed despite rapid growth: Virality without retention, safety, and alignment with user behavior does not create a lasting network.How to copy without becoming a copycat: Study successful products at the pixel level, preserve what works, and innovate only where it matters.When to abandon an idea: Preserve the underlying instinct, but stop funding the particular expression of it when the evidence turns against you.How AI agents may change networking: Agents could eventually search for opportunities, exchange work, build reputations, and bring useful leads back to their users.Timestamped Chapters: [02:00] Finding the “OMFG” Moment [02:58] A Note from James [05:00] Build a Failure Machine Before Building a Product [06:25] Testing Demand With Fake Doors and Broken Links [08:08] Writing Copy That People Actually Notice [10:52] Test More Ideas in a Week Than the Industry Tests in a Year [11:53] Why Neglected Products Become Innovation Labs [13:26] How Mobile Apps Slowed Product Experimentation [15:09] Can AI Bring Rapid Testing Back? [17:08] Why Consumer Technology Feels Uninvestable [18:38] The 90/10 Rule for Investable Platforms [20:08] Why Nobody Downloads New Apps Anymore [21:20] Franchises, “Spicy New,” and Healthy Platforms [23:21] The Internet's Lost Cocktail Party [27:58] Why Tribe Failed While Facebook Won [30:26] Virality Without Trust or Retention [31:31] Ignoring What Tribe's Users Actually Wanted [33:22] Facebook, Raya, and Designing for Trust [35:03] Social Networks as Lead-Generation Engines [37:12] Facebook, Instagram, and the App Nobody Knew It Wanted [37:51] Net Promoter Scores and the Feeling of Quitting a Drug [40:25] Algorithmic Virality vs. People Sharing With Friends [42:00] Building Products That Help People Create [43:47] What Entrepreneurs Should Build With AI [44:54] The Proven–Better–New Framework [47:12] What “Obviously Better” Actually Means [48:25] Why “All New Fails” [50:23] Zynga Poker and the Power of Removing One Click [52:00] What AI Does Well—and Where Humans Still Matter [54:25] Picasso, Slack, and Copying the Past [55:11] Adding Fun to Boring Enterprise Products [57:39] The Moral Arbitrage of Killing Your Ego [57:58] How to Copy Without Looking Like a Copy [59:10] Why Old Internet Mechanics Keep Returning [01:00:16] Anonymous Social Apps With an AI Twist [01:01:17] Don't Invent a New Business—Reinvent a Big One [01:02:00] Test 20 Variants Before Building One [01:02:58] Mark's Frustrating Experiments With AI Coding [01:05:29] Creating a Personal Team of AI Agents [01:07:57] Killing a Four-Year Passion Project [01:09:29] The “Social Membrane” of the Agentic Internet [01:09:57] Building a Work Network for AI Agents [01:12:16] Hivemind and the Human Side of Enterprise AI [01:13:52] Missing Twitch—and Knowing Your Zone [01:15:06] Why the Gaming Industry Still Isn't Social Enough [01:16:30] Chess Ratings, Competition, and Mark's Daughter [01:19:19] Writing Life at the Speed of Play [01:21:18] Don't Chase Every New Technology Race [01:22:05] Final ThoughtsAdditional Resources:Mark Pincus and the BookLife at the Speed of Play — official websiteLife at the Speed of Play — HarperCollins — published June 23, 2026. Mark Pincus on X — the account Mark recommends for updates on his agent-network experiments. Mark Pincus on LinkedIn Mark's interview about open-sourcing Stem Studio Zynga, Games, and Product ExamplesZynga's company history — covers its launch as a Facebook poker project and the development of FarmVille, CityVille, and Words With Friends. Words With Friends FarmVille Take-Two and Zynga acquisition announcement — the transaction carried an enterprise value of approximately $12.7 billion. Tribe.net history — the early social network Mark analyzes as a major product failure. Raya — the private community Mark discusses as an example of building trust through curation. Grow a Garden on Roblox See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sophiena and Emma requested your love stories - and you delivered! From MySpace rekindlings to sneaky restaurant reservation reunions the stories of how you met your person has got the ladies right in their feels.Emma Spring Bank Holiday Sale is live! Get up to 25% off plus extra 5% using the code SECRETSLEEP at Emma Sleep. Hosted on Acast. See acast.com/privacy for more information.

"I think that whole 'you don't belong in this festival'—that's a manufactured media thing by people on the outside. Because when you go backstage... everybody is just fucking cool."  This week, Brian and Lizzie are catch-up after Vans Warped Tour in Washington, D.C. They break down the festival's enduring backstage community, why international crowds embrace diverse lineups better than anyone else, and feature exclusive, rapid-fire interviews with some of the scene's biggest names. We check the pulse of the scene through unfiltered conversations with Hoobastank, Super Sometimes, Rose Colored World, Saturday's at Your Place, and Deathbyromy. Our guests analyze everything from the nerve-wracking reality of playing a festival set 20 minutes after doors open, to the deep-rooted cultural representation currently reshaping pop-punk in 2026. Whether you're a seasoned Warped veteran or a newcomer to the scene, join us for an electric look at why this community still holds up today. "I think that whole 'you don't belong in this festival'—that's a manufactured media thing by people on the outside. Everybody is just fucking cool." "We played 20 minutes after the doors, and we were scared nobody was going to be there. Five minutes before our set, I looked out and there was nobody... and then we walked out and it was like a billion people." "The scene—the barriers in between scenes are breaking. Let's break these walls, people!" JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Angela Clark - Mubarak is a senior digital and eCommerce executive with 30 years of experience building and transforming digital businesses at some of the world's most recognized consumer brands — including Patagonia, Levi Strauss, eBay, elf Cosmetics, Williams-Sonoma, True Religion, and Eddie Bauer.  Most recently VP of Digital at Patagonia, Angela now leads Eclipse Advisory Group, a consultancy focused on helping PE-backed brands, legacy retailers, and DTC startups unlock digital growth. She serves on the board of the California State Park Foundation, is an incoming Fellow at the Graham School at the University of Chicago, sits on the Total Retail Advisory Board, and has been recognized as a Direct 60 Honoree and CommerceNext 2024 Leader to Watch. She is based in LA, where is an avid cycler and dog mom to Maximus and Chloe and super auntie to her 12 yr nephew Evan. In This Conversation We Discuss: [00:00] Intro [02:31] Adapting old strategies to new mediums  [07:33] Sponsor: Klaviyo [09:39] Measuring success beyond simple revenue [14:23] Sponsor: Intelligems [16:24] Resisting trends that mismatch your brand [19:14] Sponsor: Electric Eye [20:19] Investing resources where they matter most [24:25] Moving away from the promotional drug [29:27] Callouts [29:37] Defining your target market sweet spot  Resources: Subscribe to Honest Ecommerce on Youtube Retail Legacy Meets Digital Disruption eclipsemedia365.com/ Follow Angela Clark - Mubarak linkedin.com/in/angclrk/ Book a demo today at intelligems.io/ Get your free demo klaviyo.com/honest   Schedule an intro call with one of our experts electriceye.io/connect If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

Ainda na senda do Mundial, talvez a banda portuguesa com mais projeção a nível mundial chega ao estúdio para falar sobre o seu regresso - 10 anos depois do fim - mas também sobre o seu início, outfits do público, capas em AI, atuar no Coachella, ter músicas no FIFA, ser amigo da M.I.A e ainda a invasão duma abelha.(00:00) Intro(00:23) Show esgotado no NOS Alive(03:21) Público de Buraka Som Sistema tem um outfit específico?(05:45) Importância de investir em bons boxers, colchões e lençóis(08:14) Só ter alergias em casa(10:22) Origem do nome Rolling Stones(11:45) Como surgiu o nome Buraka Som Sistema?(16:10) ‘From ... to the world' pode ser considerada uma expressão dos Buraka?(18:01) Estar no top 8 de amigos de M.I.A no Myspace(18:51) Famosos têm um gestor para as suas redes sociais ou fingem ter?(21:55) Documentário de Buraka Som Sistema(23:10) Relembrar incêndio na editora em 2012(25:53) Será que o incêndio foi uma vingança?(27:17) Design de capas de álbuns feitas com recurso a AI(30:24) Respect às capas dos discos pimba(33:07) Respect às capas de álbuns de música eletrónica(36:30) Importância de contratar designers em vez de usarmos ChatGPT(38:53) Branko explica capa do seu álbum ‘OBG'(42:10) Importância de tracklist de um álbum(45:48) Músicas ainda conseguem viralizar de forma instantânea?(46:34) Som do Martim Moniz(50:26) AI funciona para fazer videoclipes?(55:00) Podcasts ajudam a manter realismo nas relações humanas(56:00) Kalaf adora ver comentários desportivos(56:52) Jornais de renome recorrem a AI para escrever artigos(1:00:29) Ter sons no FIFA e ter feats com M.I.A(1:01:35) Qual o momento que marcou mais Kalaf e Branko?(1:04:33) Experiência de atuar no Coachella(1:06:32) Como preparar o público para começar um concerto?(1:10:46) Há uma altura certa para desistir de um livro, filme ou série?(1:18:09) PTM tenta descobrir se produtor da música do Speed é o RIOT dos Buraka(1:20:13) Abelha invade estúdio(1:23:18) Atuar no NOS Alive e fazer curadoria de um palco(1:24:15) Como é estar em estúdio com todos os elementos dos Buraka, passados 10 anos?(1:28:52) Como foi decidir terminar/fazer uma pausa?(1:34:31) Se Wegue wegue fosse lançado agora batia?(1:37:04) Datas da tour de Buraka Som Sistema

Valkyries vs. Aces WNBA Betting Odds & Picks, 6/21/26 | Night Moves Show by Ramon Scott

Mystics vs. Lynx WNBA Betting Odds & Picks, 6/21/26 | Night Moves Show by Ramon Scott

Liberty vs. Sparks WNBA Betting Odds & Picks, 6/21/26 | Night Moves Show by Ramon Scott

Hey ya! It's been a while… After the radio day job - existing, a bit tired of micromanaging - I needed to take a break from media, just to fall in love again with what I do. So here we are again.A special episode with Yvan Rodic - Facehunter.I first met Yvan in Skopje back in 2010, when my close friend Danijela Simonovska brought him here for an exhibition. Facehunter was really important for us - showing that wearing different clothes, thinking different, feeling different… is something beautiful.Yvan came to Skopje at the peak of his career - globally recognized, traveling the world, meeting amazing people and collecting stories. In the era of 2000's he was huge at that point, really huge. It was genuine culture, no algorithms, no instagram, no influencers just real energy. MySpace and Blogspot and a bit different internet. We celebrated every time he entered a new part of the globe. And now, 16 years later, he's back in Skopje (after traveling across the Balkans). We walked the streets of Skopje together, sharing the parts of the city I love. Yes - I still love my city. And I'm still working on making it better. (It would probably be easier somewhere else, maybe London… but it is what it is - life is more life this way.)In this 109 episode, we talk about Yvan's journey through photography and travel. We're walking through the streets of the world with someone who has spent years observing people - not just what they wear, but who they are. About his new documentary.This is not a conversation about fashion.It's a conversation about curiosity. Presence. Those small, passing moments that somehow stay with us. We also talk about being creative in the AI era, the sound of cities, and how to have a good time in every situation. Maybe that's what it's really about.Life isn't always in the big moments. Sometimes it's in a face you see for a second, a short conversation, or a feeling you can't fully explain.Until the next episode - stay curious, slow down a little, and don't forget to celebrate life as it comes.Follow us and don't forget to subscribe:https://open.spotify.com/show/53FRH6dP5g4VD48mwSHD1c?si=lirq87ZYQxKHgWTS1xx20Qwww.instagram.com/indogwww.instagram.com/facehunterwww.indog.info

En esta edición de Noticias de Músicos de Sillón, Eduardo Espinosa y Meny Sáenz reaccionan a una de las noticias más tristes de la semana: la muerte de Oliver Tree y el creador argentino Gaspi en un accidente de helicóptero. También analizamos la polémica alrededor de "La Niña Futbolista" de Julieta Venegas, la inesperada resurrección de MySpace por parte de Blink-182, la nueva calle dedicada a Jimi Hendrix, las críticas a Rod Stewart por cancelar conciertos y la curiosa historia de un templo japonés donde los fans rezan para conseguir boletos para sus artistas favoritos.  Únete a nuestro grupo de Facebook:https://www.facebook.com/groups/1012646383467657 Síguenos:https://www.instagram.com/musicosdesillonpodcast/https://twitter.com/musicosdesillonhttps://www.facebook.com/musicosdesillon/

"This record is objectively for people who were in high school between 2006 to 2008. You cannot avoid how f***ing good Martin Johnson is as a songwriter." This week, Brian and Lizzie celebrate the nearly 20-year anniversary of Boys Like Girls' self-titled debut album. They break down the band's PureVolume and MySpace origins, Martin Johnson's undeniable songwriting chops, and why these pop-punk anthems still hold up today.   Take a trip back to 2006 as the Emo Social Club dives into Boys Like Girls' massive self-titled debut album. Brian and Lizzie explore how four kids from Massachusetts leveraged PureVolume and MySpace to build a devoted fanbase before ever signing a record deal or hitting mainstream radio. We analyze the album's incredible staying power, from the delayed success of iconic singles like 'The Great Escape', 'Hero/Heroine', and 'Thunder', to fan-favorite deep cuts like 'Five Minutes to Midnight'. Plus, we discuss Martin Johnson's undeniable earworm melodies, the album's sunny pop-punk production by Matt Squire, and how Boys Like Girls seamlessly bridged the gap between the emo scene and TRL pop stardom. Whether this record was the soundtrack to your high school summers or you're discovering it for the first time, join us to find out if it earns a perfect 10/10 rating.      "This record is objectively for people who were in high school between 2006 to 2008." "You cannot avoid how f***ing good Martin Johnson is as a songwriter. He knows how to write a song. He knows how to write hooks." "They uploaded the demos to MySpace and PureVolume and quickly hit number one on the PureVolume top unsigned artist chart. By the time their self-titled debut arrived in August 2006, the audience was already there." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It is here folks, the ultimate millennial dump. MySpace was not the first social media platform, but it was the first to truly infect the youth of the world and change the way people interact forever. MySpace was vastly different than the platforms we have now, it felt exclusively young and fresh, it was fully customizable, and extremely vulnerable to misuse.

"It's not cool to be sad. Like, there needs to be light at the end of the tunnel. And at the end of the day, we get to play something like Warped Tour. So while we are united in the fact that we all share similar experiences, you do have to still view life with optimism and know that it gets better."  As we wrap up our coverage from this weekend at Warped DC 2026, here's a rewind to our talks with acts such as Arrows In Action, The Home Team, Huddy and more from Orlando Warped 2025. Episode Highlights The Home Team's R&B Infusions: The band discusses how their heavy background (prog-metal, hardcore, and deathcore) paradoxically mixes with modern R&B vocal styles to create their unique alternative sound. They emphasize their commitment to giving independent local bands openings slots on their sold-out dates. Derek Whibley's Walking Disaster Launch: Whibley details the origins of his new apparel and creative brand, Walking Disaster, which rolled directly following the conclusion of Sum 41. He highlights how the designs are highly collaborative, using direct fan feedback and references to past lyricism. Girlfriends' Nostalgic Inspiration: Travis from Girlfriends dives into the emotional weight of their record There Goes the Neighborhood, describing it as a sobering realization of growing up, acknowledging parental imperfections, and capturing youth nostalgia. Senseless Fail & the Emo Mantle: Buddy from Senses Fail shares a candid perspective on the genre's history, claiming the band proudly carried the "emo" mantle during a time when other third and fourth-wave bands actively resisted the label. Arrows in Action on Balance and Coping: The band details how their personal music style balances dark, brooding lyrical topics surrounding mental health with vibrant, upbeat instrumentation and dynamic live humor as a primary coping mechanism. Oxymorons on Representation: The group highlights the massive significance of racial diversity and representation in the alternative scene, pointing out the explicit pride that fans and personnel of color express when seeing them perform on stage. JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailThe hosts interview Ses about how tattooing was harder to enter in the early '90s without the internet, leading him to start underground as a “scratcher,” build a mail-order tattoo supply/flash hustle, and eventually learn by hanging around Fat Mike's biker shop, where he began tattooing with a homemade machine and later inherited clients after Fat Mike died. Ses describes the importance of flash to shop identity, collecting and drawing flash, and meeting key artists like Jack Rudy and later collaborating with Boog and Nemo on a major flash set after connecting via Myspace, including Boog's demand to see him draw in person and his intense travel/work ethic. They discuss hand-drawn vs digital flash, algorithm-driven “timeless” trends, AI references, client guidance, numbing products, and the need to respect and preserve tattoo history, ending with the host presenting a NYC Tattoos coloring book project and Ses showing framed gifts and original flash pages.Support the show

Jayce wrote the episode, but I'm writing this… We know that we live in a world where emotions are fleeting- they roll through us like 2 second electric shock waves from distraction to distraction, but I STILL have not forgotten the night of June 5th where I sold my tickets to see Lorde at Gov Ball in exchange for a night in the presence of Madonna.It caused 2 days of silent treatment in my home when I sold the Gov Ball tickets and a mental health check since I LOVE Lorde. But… I also LOVE Madonna and am too old to “festival” anymore. In preparing for this Bite Sized episode on Madonna we played Confessions On A Dancefloor around the clock and I danced on air reliving my MySpace days. Even in getting ready to go to the event I felt like life was better and though giving up our phones was scary for exactly 2 seconds, I instantly felt like a new human being.I had an amazing discussion with my dear friend, David Russell, who is quite the music historian and a Madonna expert (that is the label I have given him, to be clear, he would never claim that title for himself), and I will share that talk later when Confessions II is finally released July 3. We talked about how BORING it is that there is so much that people are annoyed with about Madonna. Complaints about her age, her surgeries and her “need for relevance”… this actually bores me. The Beacon was teaming with people full of joy, acceptance, and unabashed expression. The talk was a display of Madonna's vulnerability actually. She wasn't a persona this night, she was a woman who had her best friend Debi Mazar in the audience with her celebrating her latest creation. This is the same woman who shut down Times Square the night before and performed in a skyscraper, for goodness sake. The woman on stage was both of these people. A full circle.So while Lorde was inspiring one generation (maybe a couple generations) at Gov Ball, I did not regret choosing to be at the Beacon June 5th to physically feel the decades of inspiration Madonna has provided us.The video is amazing and if you haven't seen it yet, that's crazy. Watch it below. You know by know that Kate Moss who looks better than ever is in the video, but it was a complete surprise to us as an audience and I screamed so loud that I scared myself when she came on the screen. Feeling that excited and young again… that was fun.For more on Madonna's look for Hung Up, check out my interview from waaaaaaay back with the amazing makeup artist, Gina Brooke.00:00 Intro | Madonna Takes Over Tribeca 202600:28 Confessions 2 Arrives01:29 Why Confessions Is Madonna's Masterpiece03:20 The Making of Confessions on a Dance Floor03:50 Why "Hung Up" Changed Pop Music04:59 Inside the Making of the "Hung Up" Video06:17 Madonna Filmed with Eight Broken Ribs07:16 Why the "Hung Up" Video Is Still Iconic07:49 Tribeca Premiere & Madonna Q&A08:28 Inside the Beacon Theatre Experience09:16 Madonna's Emotional Conversation10:46 The Confessions 2 Visual Album Reaction11:35 Final Thoughts | Will Confessions 2 Make History? Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Ce 11 juin, Marjorie Hache consacre une édition spéciale de Pop-Rock Station aux années 2000. Le voyage débute avec le rock de PJ Harvey et le virage électronique de Radiohead, avant d'explorer le phénomène Nu Metal à travers Deftones, Linkin Park, Slipknot et System of a Down. L'animatrice célèbre ensuite le renouveau du rock indé, des bouillonnantes scènes new-yorkaise (The White Stripes, Yeah Yeah Yeahs, The Strokes) et britannique (Bloc Party, Franz Ferdinand, The Libertines). L'émission s'attarde sur les croisements entre rock et électro qui ont révolutionné la décennie : Daft Punk, Peaches, The Chemical Brothers, Le Tigre ou encore Gossip. On redécouvre la soul d'Amy Winehouse et l'ascension fulgurante d'artistes révélés par MySpace comme Lily Allen ou Arctic Monkeys. L'animatrice souligne aussi l'émergence des futurs géants des stades Muse et Arcade Fire, et la nouvelle vague de la French Touch incarnée par Phoenix et Justice. Pour terminer en beauté, l'émission fait un clin d'œil à la vague émo-rock avec My Chemical Romance, avant un détour par le stoner des Queens of the Stone Age pour refermer cette belle rétrospective des années 2000. PJ Harvey - Good Fortune Radiohead - Everything In Its Right Place Deftones - Change Linkin Park - Papercut Slipknot - Wait And Bleed System Of A Down - Chop Suey! The White Stripes - Fell In Love With A Girl Yeah Yeah Yeahs - Maps Bloc Party - Banquet Franz Ferdinand - Take Me Out The Libertines - Up The Bracket The Strokes - Last Nite Daft Punk - Aerodynamic The Chemical Brothers - Galvanize The Rapture - House Of Jealous Lovers Gossip - Standing In The Way Of Control Le Tigre - TKO Klaxons - It's Not Over Yet Amy Winehouse - Rehab Lily Allen - The Fear Arctic Monkeys - I Bet You Look Good On The Dancefloor Muse - Hysteria Arcade Fire - Wake Up Phoenix - Lisztomania Justice - Waters Of Nazareth My Chemical Romance - I'm Not Okay Queens Of The Stone Age - No One Knows The Horrors - Sea Within A SeaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, we talk about the relational paradigm in political philosophy. Made famous by Iris Marion Young, developed later by Elizabeth Anderson, this view of what equality is all about presents a puzzle for the class conscious. It says that the point of equality is to live in a society of equals. Its proponents skewered famous analytical Marxists for having a reductive and economistic view of justice. Was this fair? Join us to find out. This is just a short teaser of the full episode. To hear the rest, please subscribe to us on Patreon:patreon.com/leftofphilosophyReferences:Elizabeth Anderson, “What's the Point of Equality?” Ethics 109 (1999): 287-337.Samuel Scheffler, “What is Egalitarianism?” Philosophy and Public Affairs 31(2003): 5-39.Iris Marion Young, Justice and the Politics of Difference. Princeton University Press, 1990. Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu |https://get.slip.stream/KqmvAN

For more than 20 years, Mayday Parade has been one of the defining bands of the pop-punk and emo scene. From packed clubs and Warped Tour parking lots to sold-out venues around the world, they've built a career that has stood the test of time while continuing to connect with new generations of fans. On this episode of Caught on the Mike, guitarist Brooks Betts joins me for a conversation about the band's incredible longevity, staying creative after two decades together, the evolution of the scene, life on the road, and the challenges and rewards of keeping Mayday Parade moving forward year after year. We also discuss the band's ambitious anniversary era, the collaborative songwriting process behind recent music, the return of Vans Warped Tour, and what it means to still be creating and performing at a high level twenty years into the journey.

Send us Fan MailI am sitting down with Austin Armstrong, author of Virality, keynote speaker, founder of Syllaby AI, and someone who has generated billions of views across social media through short-form video strategy. We talked about what's actually working on Instagram in 2026  including how Austin uses trial reels to test content, his strategy for repurposing videos across platforms, and why collaborations are still one of the fastest ways to grow your audience organically. But we also went deep into AI. Austin shared how he's using ChatGPT's newest image generation update to create Instagram carousel posts in a fraction of the time, how Claude Co-Work is changing the way creators and business owners work with AI beyond just prompting, and how entrepreneurs can use these tools to simplify content creation without losing authenticity or personality. WHAT YOU'LL LEARN IN THIS EPISODE02:11 How Austin went from MySpace at 14 years old to becoming one of the leading voices in AI marketing07:31 Why every CEO and founder should be building a personal brand and how it lets you pivot11:24 Why consumers increasingly buy from people who share their belief systems13:20 What's actually working on Instagram right now: Austin's top strategies for 202613:48 How Austin reposts top-performing content and why one repost just hit 600,000 views15:13 The tool Austin uses to download Instagram videos without a watermark16:13 Why collaborations are still one of the most underrated growth tools on Instagram (and how to add up to 5 collaborators per post)19:24 How Austin uses trial reels to A/B test hooks before posting to his main feed25:32 How Austin is posting 3 times a day on Instagram — and how AI makes that possible25:59 The exact process for using ChatGPT Image 2.0 to create Instagram carousel posts in minutes31:11 What Claude Co-Work actually is — a plain-English breakdown for beginners39:46 All about Syllaby — the AI video creation and scheduling tool Austin foundedLinks Mentioned:Hot Reels — my 12-month Instagram content lab. DM me the word HOT on @elizabethmarberryFree DM Automation Guide + 1 Month of ManyChat Free — DM me the word LEADS on @elizabethmarberryFree Monetize Your IG GuideSyllaby - Austin's AI video creation and scheduling platformAustin Armstrong's WebsiteFollow Austin on Instagram SnapInsta - free tool to download your Instagram videos without watermarkPrevious episode — Ep119: How I Use AI to Reverse Engineer Viral HooksWORK WITH ELIZABETH MARBERRYApply for your FREE Instagram Breakthrough Session with ElizabethFree guide to Monetize Your IG: Seven Simple and Proven Ways to Finally Make Money on InstagramFollow Elizabeth Marberry on Instagram, TikTok, Facebook Please be sure to rate, review and follow the show on Apple podcasts (or wherever you find your podcasts) so we can get this free value to other people who need it.

Nate presented his thesis on the inevitable decline of Instagram, arguing that despite its current dominance with billions of users and massive advertising revenue, the platform is following a predictable lifecycle similar to MySpace's rise and fall. Nate identified Instagram as being in the fourth of five stages of its lifecycle — saturation — where content oversupply, algorithm manipulation, and user fatigue are creating conditions for decline. He predicted that younger users will migrate to more authentic and private communication platforms, while AI companions and personalized experiences will eventually replace public social media feeds altogether, making Instagram's permanence unlikely as technology continues to evolve beyond current smartphone-based platforms.  

Introducing Russell Aaron I didn't learn WordPress at a fancy college or career academy. I graduated from the University of YouTube. My internship was the Las Vegas WordPress Meetup and WordCamp Vegas. The rest I learned building mortgage company platforms, working for casinos, inside managed WordPress hosts, and at some of the best WordPress development and support shops on the planet. Show Notes For more on Russell, check out his website: https://russellenvy.com Transcript: Topher DeRosia: All right. Here we go. Hey folks. Russell Aaron: And three, two, one. Topher DeRosia: Hey folks. Welcome to Hallway Chats. I’m Topher, and I’m here with Russell Aaron. I assume I pronounced that right, because it’s not that hard, but you never know. Russell Aaron: You know, so many people call me Aaron. They’ll tag me and they go, “Thanks, Aaron.” And I’m like, “You know, it’s Russell, but it’s cool.” Topher DeRosia: Yeah, nice. All right. Well, I saw a post on LinkedIn the other day from you talking about podcasts having the same people on episodes all the time. I thought, “Oh, I gotta have that guy on my podcast.” Because then you can’t go on any other ever again, because then you’ll be that guy. Russell Aaron: Maybe. Topher DeRosia: So, I snooped a little. You live much closer to me than I expected. Have we met? Did we meet at a WordCamp? Russell Aaron: I think we met at WordCamp Ann Arbor one year. Topher DeRosia: Oh, okay. I went to a whole bunch of those. Russell Aaron: Yeah. I think I spoke 2018, something like that. Topher DeRosia: Yeah. I was probably there. Russell Aaron: Yeah. Topher DeRosia: All right. So tell me where you live, what you do, all that kind of stuff. Russell Aaron: I currently reside in Indianapolis, Indiana, and I am just freelancing as of right now. You know, I live in a pretty small town where it’s kind of old school WordPress, if you will. Anyone who is worth their salt keys will remember a day when websites were not responsive or a business has a cousin of a friend of a brother who builds websites and, “Hey, he’s working on it,” and three years later, there’s still no new website. I kind of live in a town where I’m kind of getting back to my grassroots, where I stay up late at night with my insomnia, and I will roll up to a business and I will say, “Your new website can look like this today. If you pay me this much money, I will install it today, and this is your new website.” And it’s got your updated menu, and it’s responsive, and it works on mobile, and we can connect it to AppPresser and make it an app and stuff like that. So I’m kind of reliving the glory days of what I remember WordPress to be. Topher DeRosia: I’m also freelancing right now, sort of by choice, sort of not by choice. Somebody I’m married to would rather I had regular pay and insurance. Russell Aaron: Heard that. Topher DeRosia: Are you in the same boat, or did you do this on purpose? Russell Aaron: I did this on purpose. I was not working for the man, but I was working with some people. I’m over the tiny little granular things that somebody can fire you over. Like they’re watching if your mouse moves or they’re watching if you haven’t logged in. There’s just no more trust, I feel like, in so many cases. And so I know that I can do things better on my own, and I’m going to. Topher DeRosia: I have to admit, I love the freelance life. It is pretty special. Russell Aaron: Right. It’s almost like… what’s that movie? The 40-Year-Old Virgin, where they are making a website and they’re like, “Hey, Spider-Man 3’s on in five minutes. Let’s go watch it.” Like they totally ignore their job and they just go watch this movie now. It’s kind of like that. Topher DeRosia: Yeah. Yeah. For me, it’s doing stuff with my wife. She has a day job, but it has kind of chaotic hours and not specific days of the week. And so I work when she does, which sometimes is Saturday and Sunday, and then I just don’t on Tuesday and Thursday. That’s pretty great. Russell Aaron: I’m kind of in the same boat. My wife has a wonderful job, and she is with a great group, and she does global advocacy. I mean, she just deals with people that are happy with the product, and she keeps them happy. She does lots of stuff like that. I’m kind of the same thing, where their company is now starting to get into AI, and they have so many questions, and I’m over here building things with AI and doing things like that. So I’m not exactly consulting, but my ideas are going into their company through my wife. Topher DeRosia: My wife works at a grocery store, and they have a cash machine they use in the back office that runs Linux. Russell Aaron: Oh, wow Topher DeRosia: And the IT guys had to come in and do some work on it, and she saw the screen and she’s like, “Oh, is that Linux?” And I’m like, “Who are you, and what do you know?” Super nerd. So what’s your company name? Do you have one, or is it just WP Pro Support? Russell Aaron: WP Pro Support. Topher DeRosia: WP Pro Support. Okay. Do you concentrate more on support, or do you build more? Russell Aaron: I have been doing support since 2011. I formed my very first support company, and I launched it the same day that Shane Sanderson launched Maintainn. My buddy, who you might know, John Hawkins, I was at the Vegas WordPress Meetup Group, and I had the idea in Vegas WordPress Meetup Group where there’s 70 people sitting right here behind me and they all want help. And I was like, “How do I do this?” So I built my first thing where I gave everybody free-for-life support, and they were my test group, if you will. And they helped me work out my bugs and tickets, and they helped me work out how I actually operate and do stuff like that. Then when I launched it, literally that day, John goes, “Wait, have you seen this?” And we had no idea about each other, but we literally launched them the same day. Fast forward three years down the road, I ended up working for Maintainn when it was owned by WebDevStudios. But everything I’ve done in WordPress has been support, whether I’ve worked for a mortgage company, a casino in Vegas, hosting with Liquid Web, doing stuff with NerdPress or AppPresser. Everything I’ve done is support. That’s really where my passion is because I remember what it’s like being a first timer. I think that there is a huge market potential here of people are always going to be new. I don’t care who you are. There’s always somebody new walking in the door, and there has to be a person who will sit down and say, “Come here, I’ll hold your hand.” And I am that person. I always try to look at WordPress from that lens is if a new person is looking at this today, are they going to be happy? Are they going to be confused? And I go from there. So currently today I’m transitioning away from support as we know it, where you write a ticket and then somebody on the other end is like, “Hey, I fixed your site,” or whatever. And I’m transitioning to a new product that I’m working on. So I’m going to be getting away from traditional support, but I’m still going to be doing things in the support space, if that makes sense. Topher DeRosia: Yeah, that makes sense. When I first got into WordPress, it was 2010, and custom post types were brand new. Russell Aaron: Right? Topher DeRosia: And I was out of my element with WordPress. I did not know what I was doing, but I did know PHP, and no one else knew post types yet. So when it comes to that, I was on an equal footing, and that was my way in. That was my leverage. I made a lot of money in the early days just building custom post types. Russell Aaron: Custom post types and single-posttype.php or whatever. Yeah. Topher DeRosia: So I was a competent PHP guy who didn’t know WordPress. And I feel like we’re in kind of the same transition space right now with AI, where we have tons of competent WordPressers who don’t really know AI yet. I think there’s a great space for that, teaching our friends, teaching everybody we’ve known for 10 years in WordPress. You know what I mean? Russell Aaron: I do. That’s one of the things that I really love about WordPress is that… let’s take the new 7.0 that just came out, I think it re-leveled the playing field. Before this came out, there were people that were ahead of others when it comes to patterns or blocks or the command palette and stuff like that. But now I think with this, we’re back to an even playing field because every… I mean, not exactly. There’s still some people who know AI a lot better than others, but you’re always five minutes ahead of somebody and five minutes behind somebody else. Topher DeRosia: Oh, yeah. Russell Aaron: But I do think that with 7.0, a new level playing field has come out. And now is the time to start learning, or you got to wait until 7.1 comes out where that new level playing field comes out. But that’s what I love about WordPress is that it continues to happen. Like you said, CPTs. I still love CPTs. I think they’re one of my favorite things. I look at all of these features, you know, page builders, another time when the playing field was leveled again. Now you learn page builders and then shortcodes and then this and then that. I think that’s the one gift that WordPress keeps giving is that you might be out of date six months from now, but then 7.1 comes out and you’re caught right back up. Topher DeRosia: Right. Yeah. And while you’re five minutes ahead, you quick do a WordCamp talk. Russell Aaron: Yes. Yeah. Topher DeRosia: For that long, you know more than other people, right? Russell Aaron: At least it’s on video, right? Topher DeRosia: Right. I was an expert for a minute and a half. Russell Aaron: That was my 15 minutes of fame. Topher DeRosia: What is your WordCamp life like these days? When was the last one you went to? Russell Aaron: The last one I went to was in Vegas, 2018. It was at the Plaza Hotel, which I worked at. When John was putting that together, in Vegas we had a wonderful space, and it was called The Innevation Center, and it was at a data facility called Switch. And they donated so much to us, and we are so grateful to them. And then they kind of had a change in their policy where they weren’t doing things, and then they overpriced how much it would cost to hold events and stuff like that. I was working at a hotel, and so we had this giant convention space, if you will. And so because I was able to pull some strings, we got a great, great discount, all food paid for. I mean, all of it. So that was my last WordCamp. The after party was on top of a pool deck, and there was pickleball courts, and there was a pool, and there was an open bar. I mean, it was rad. That was my last one. I have kids now. My kids are seven and eight and so my WordPress travels have slowed. No, I’m sorry. I take it back. WordCamp US last year was my last one, where we went scorched earth. That’s what I call it. I call it WordCamp scorched earth. Topher DeRosia: I was there for that one. I used to go to a lot every year. Go to- Russell Aaron: Five, six? Topher DeRosia: Five and 10. But since COVID, I think maybe just US every year. It’s weird to just go to one. Russell Aaron: It is. And just US, it’s almost like we used to have what I used to call regional events, where I lived in Vegas, I would hit up WordCamp Orange County, then I’d hit up San Diego, then we’d hit up LA, and then we’d make our way up to Portland, and then maybe if San Francisco did one, and then Phoenix. I did all my regional stuff. And then every once in a while I would venture… I mean, I love WordCamp Minneapolis. Love the people up there. Love so much about that event. Used to do that a lot. What’s the one in Ohio that I used to go to? Topher DeRosia: In the teens, there were five in Ohio. And being in Michigan, I used to just cruise down there. Russell Aaron: It’s a three-hour, three-and-a-half-hour drive, huh? Topher DeRosia: Yeah. Russell Aaron: About that. Yeah. Topher DeRosia: At the time, I was working for a company that was paying me to go to WordCamps. I had to make the case for each one, but it was a really simple case for all the Ohio ones because I didn’t need a plane ticket. I just drive over there. It’s like five in Ohio. There was Ann Arbor, there was Detroit, there was Grand Rapids, there was Chicago. I mean, there was almost 10 WordCamps within a three-hour drive of me. Russell Aaron: That’s beautiful. Topher DeRosia: It’s just not there anymore. Russell Aaron: I was very fortunate to work for companies like WebDevStudios, where I could tell them, “Hey, I got into WordCamp Minneapolis. I’m going to speak there.” And because I’m speaking there, they would reimburse me X amount of dollars for something, and then they would sponsor the WordCamp, and then they would make a thing out of it. I mean, I was very fortunate in being able to do that. Then I worked with a really great company called NerdPress, and they are a fantastic group of people that do the same thing. And then I ventured out into different straits, and it was very much different. I’ll say that much. Topher DeRosia: Yeah. Those are good times. Russell Aaron: It’s almost like… the way that I put it is it’s like we all graduated. We all did our four years of college, we all graduated, and now we went to our temp jobs or we went to our internships. Like the band broke up. Topher DeRosia: Yep. Yeah, it is a lot like that. I have seen generations of WordPressers. There was all the crew before 2010 that were downloading zip files and hacking themes to even get them to run. Then there was after 2010, and custom post types were new and stuff. And then there’s the whole Gutenberg generation that never experienced all that crazy theme stuff. Russell Aaron: I mean, you tell people that child themes were so new that people didn’t even grasp the concept of a child theme, and today it’s so baked in. It’s not even something that people think about. It’s just you install this and the child theme, and it’s a thing. But I remember writing those by hand. Topher DeRosia: Yeah. No kidding. Then to a certain extent, not even having child themes anymore because nothing is stored on the file system. Russell Aaron: I love it. I love it. In my very first WordCamp talk in Vegas 2012, I made a prediction that everything was powered by the theme. Everything used to… I mean, that’s as far as I go back is every template was the same. It was left column, right sidebar, header, and every page, whether you liked it or not, looked like a blog post. And it wasn’t full-width, responsive. I remember a lot of that. And then corporate themes came out, and then cupcake themes came out, then lawn company themes came out, and then the rise of Envato and stuff like that. That’s a good name for a band, The Rise of Envato. Topher DeRosia: I’d go see them. Russell Aaron: But all that stuff comes out. And then you look at it now and it’s like, that seems so far away. I still remember the day that I learned about child themes, and I’ve never forgotten that. And I think, coming back full circle, that’s why I stay in this beginner support space because I’m kind of keeping that nostalgia around, I guess. Topher DeRosia: Yeah. There’s a lot of joy in watching people’s eyes light up when they get it. Russell Aaron: That’s the best part is just telling people what’s possible. When they’re frustrated with something and you go, “Oh, hey, Gravity Forms can do that.” And they’re like, “Wait, what?” And I’m like, “Yeah.” And they can also do… And I just start naming stuff. And I show all 50 extensions that they have and they’re just like, “Wait, what?” And I’m like, “Yeah.” I’m like, “This starts getting radical when you’re into it.” Topher DeRosia: There’s something I miss from old WordPress that I don’t see in modern WordPress. It might not be a thing. And that is dramatic new styling with a theme the instant you install it. My wife is not a computer person and does not care about computers. She loves design stuff. There was a time we used Winamp. Russell Aaron: Wow. Topher DeRosia: And she loved getting skins for Winamp. And she would download 30 in a day and try them all out. And then when I set her up for the blog the first time and showed her the theme repo on .org, this is in 2011, she would literally spend a day just downloading theme after theme after theme. Russell Aaron: Same way. Topher DeRosia: And you just install it and poof, your site looks amazingly different. These days, I mean, you install something like Kadence or GeneratePress or Ollie or any of them, really, and it’s kind of a blank canvas. Russell Aaron: It’s very minimalist. It’s very minimalist. Topher DeRosia: I miss the ability to say, “I feel like making a change today,” and two minutes later, your site looks completely different because you’re using… Russell Aaron: Couldn’t agree more. Couldn’t agree more. I mean, I look back at old pictures from when I would host the meetup group in Vegas, and there’s pictures of me talking, and then on the screen behind me is my old site, and it was this old layout. I bought the theme from Envato because I was just fascinated with it. It was everything that I wanted it to look like. But same thing is now when you change your theme from this one to that one, that dark grunge kind of thing is gone, and now you’ve got this bootstrap-looking thing or whatever. I agree with you. I think that comes from my days of being in MySpace. That’s how I got started with all this. So you could change your MySpace template like that, and I think that’s where it comes from, at least for me. Topher DeRosia: I haven’t even looked into it. Can you make a Gutenberg-based blog theme that has a very striking look and just release it? And then, I don’t know, just release a whole bunch of them like in the old days? Theme shops had 35 themes for sale, and they all looked different because they were all totally different themes. Russell Aaron: I remember there was a day on Envato where it was the same theme, it was just rebranded. So it was like theme name 1.0, and it was called Atlas. And then it’s the same theme but in orange, and now it’s 1.2, and it’s called Dungeon or something. And then we have 1.3 again. Same theme, same framework, but each version was named something different. It made that developer look like they had five different products instead of just one over and over. Now you look at something like a page builder, and it’s like, “We’ve got 500 different templates in one thing.” I can’t do that. I think that’s too much for me. Topher DeRosia: It’s like the days of the CSS Zen Garden. Russell Aaron: Right. Topher DeRosia: HTML is the same, CSS changes. Before I used WordPress, I built my own blog system. Russell Aaron: Oh, wow. Topher DeRosia: It never got super advanced, but I used it for 10 years. One of the things you can do in your HTML is register alternate stylesheets. It’s the same tag, it’s just an alternate word in there. And then in Firefox, at least, you can go under “view Page Style”, and they would all be listed there, and you can just choose different themes. I figured out the JavaScript, even though I didn’t know JavaScript. I figured out the JavaScript to make a little dropdown box in my sidebar so my visitors could say, “Oh, I want to change my theme here.” I never figured out how to do that in WordPress because everything was so tied to style.css. I didn’t know how to make a different one be the main one. But that’s something else I miss in WordPress is the ability to just so dramatically and dynamically change your design because your content is structured so well. Russell Aaron: You know, not only that, but I really liked the websites where there was a demo, and then it gave you a basic username. The username was demo, the password was demo. But then the one thing I never figured out was how every 24 hours the site would just reset. So somebody can go in there and they could do whatever they wanted to do. They could create their own pages. They could create their own blog posts. And for 24 hours, there was a page called Russell’s Awesome. But then after 24 hours, it would just reset. I always thought that was so cool, but I could never figure out how to do that. Topher DeRosia: Oh, yeah. And everybody was editing all at the same time, within that 24-hour period. Russell Aaron: I have since restructured my website. I use the block theme from WebDevStudios. I kind of feel like that’s where I got my education from. I was somebody who kind of dabbled around in WordPress, and then when I went to go work with them for three years, they had a set of standards that I couldn’t even fathom to begin with. But then as we built things and I saw how their machine works, how their business revolves, I was like, “You know, for me, this is the way that I like to do things, is the way that they like to do things.” And so my new website… I mean, not new website, but it’s my new theme, I actually had AI build it for me. I had Claude. I was using… It’s by ThemeIsle. Neve. I was using Neve, one of my favorite themes. Love them. So I was using that, and then my site was kind of all over the place. It was an “I’ll teach you how to do this”. That’s kind of the main focus of my site is I will jump on a call with you, and whatever questions you have, I’ll sit here for five hours with you if you want. I will teach you and until you get it. But then I also had this section about band names that were just… earlier when we were talking about the rise of Envato, you know, like I would have a section on my blog where you could create a new band name and then I had all these random blog posts. And so my website was kind of like this potluck, if you will, just like this random stuff. And I was like, you know, I want to be doing something else. I think my website needs to change. And I have those old blog posts still, but they’re hidden. So now with my new theme, I had AI look at my old site and say, this is what I think we should do. I picked out some colors and over like five days, I had it build me five different HTML pages, like completely different, you know? And then I started giving AI and I said like, “Okay, I want to look like this.” And then I was like, well, okay, I like this and I like this, but I also like this from this other site.” So I started feeding it information and like when the HTML came out, I had 12 different templates. I had my blog posts, I had my archive, but I had everything built in HTML. And the cool thing about the WDS block theme is that it serves everything as an HTML page. So I literally just took AI and said, “Take these HTML pages, bake them into how this theme does it,” and bam, my site came up. I had it done in maybe two days. Topher DeRosia: Wow. Russell Aaron: And then after that, I had it take all of those HTML pages and create me patterns. So now I can go in, and when I go into my full site editor, I can go to patterns, I have all my homepage patterns, my blog patterns, I sliced everything up, and they’re all WordPress native blocks. So I can literally go in and change the coloring on any page I want instead of having to edit the HTML or anything. And now that I have that, I feel this sense of freedom where I’m not worrying about an update coming tomorrow, if my update is gonna break or I don’t have to read a changelog that is not specific anymore. I can’t stress how much I love not having to read changelogs or the lack of changelogs. I mean, I’m fully happy with how things have come out. And over time, I’m gonna keep fine-tuning it, but I’m pretty much where I’m at right now. With all of this new technology that’s come out, I’ve really kind of found my love again for WordPress. I was kind of in a slump where I just wasn’t really doing anything. Now I take my son and we’ll drive down to Louisville, Kentucky. He rides BMX. So while he’s racing, I will literally have Claude Code open on my computer and I will log into the Claude app on my phone and I can keep sitting there having the same conversation. So this new thing that I’m building, I can still do it while I’m sitting there watching him race or while I’m doing something else. I was just like, this is fantastic. And then my wife will drive home and I’ll just sit there and I talk into my phone, I literally put the microphone on and I’ll be like, “You know, I don’t like that. And here’s my thoughts about this.” And you know, my phone dictates all of that and then I send it to my computer through the app and it just keeps spinning things up. Then by the time I get home, I have a new version that I can demo or I have a new version that I can test. I mean, I am just so fascinated by it. Topher DeRosia: That’s cool. Were we at WebDev at the same time? Russel Aaron: I don’t think so. Topher DeRosia: I was there just over three years ago. Russel Aaron: I was there 2015 through 2018. Topher DeRosia: Oh, yeah. I came much later. I was only there for like two months. Russell Aaron: Oh, wow. Sometimes that’s the way it goes. Topher DeRosia: Yeah. They were gonna get a big contract that hired a bunch of people and two months later didn’t get the contract and let us all go. Russell Aaron: As much as I hate that, that also taught me that the people that do great work or the people that show up every day and are putting in more than they’re getting out, those are usually the people that stay in companies like that. That really changed my work ethic. I used to be somebody who wanted to be not lazy, but I didn’t wanna be pressed for time or having to go, go, go and having to be on all the time. Now, I’m the opposite. Now, I’m like, now that I’ve done that, I kind of earn for that stretch for a little bit. I mean, you were just saying that how you’ve transitioned to where you are. I was watching a Barstool Sports interview with a guy who runs a pizza shop in… it’s either New Jersey or New York. The guy’s only open Wednesday, Thursday, Friday, Saturday. And he’s only open nine to six or something like that. And he built that business… well, it’s been in his family for like 60 years or something. He has one of the last original pizza ovens ever. But anyways, the point is, is that he lives at the pizza place, that’s where his entire life is, but he built the business around his life. I’m doing the same thing where if I wanna literally go jump on my bike right now and go for a two-mile ride, I’m gonna go do that. And I don’t have to feel like, hey, you’re not logged in and we’re not tracking your mouse. Like what’s happening? How come you’re not on Slack? You know what I mean? I’m not tied down to that. And I can’t stress that enough of like, that is where I wanna be. Topher DeRosia: Yeah. Yeah, it is a good life. We are at about the time to wrap it up. Okay. So I’m gonna do that. Where do you hang out online? Russel Aaron: Where do I hang out online? Topher DeRosia: Are you in any common WordPress Slacks? Russel Aaron: I’m on the main WordPress Slack sometimes. I tend to watch more than I do involve anymore. A long time ago, I used to be very vocal and I used to be not afraid to walk in to a room guns blazing. With the big cultural shift that happened in WordPress, I tend to just sit back now and be more self-reserved. So I post on my website, russellenvy.com. I’m on LinkedIn. I’ve been utilizing Reddit a lot too. I think for me, Reddit is a place where I kind of disagree with the fact that you can hide behind a pseudonym, but I do like the brutal honesty that people will have because they are hiding behind something and they will say, dude, this flat out sucks. Or they’ll be like, Hey, this is great, but it would be cool if, or somebody can be like, “Hey, that already exists. You’re not doing anything new.” I do like that. Because it kind of not puts me in my place, but it shows me either how connected or disconnected I am to what I think I’m doing. And so Reddit is a very great place. I mean, everything is russellenvy.com except for Twitter or X, whatever you want to call it. Topher DeRosia: All right, cool. Russel Aaron: Where do you hang out at? Topher DeRosia: I am in probably 40 slacks, but the vast majority of them, I don’t look at. I’m there so that someone can ping me. I’m in a couple of slacks in India. Okay. I’m in the WordPress Italian community Slack. Russel Aaron: That’s interesting. Topher DeRosia: Post status make, of course there’s a hero press Slack. I have my own company Slack, my local meetup has a Slack. There’s just a lot of them. I wouldn’t say I’m super active on any of them. I just occasionally interact with somebody. I use my own company Slack to invite my clients in when we talk there. Russel Aaron: Right. Do you find yourself reading things more than, you know… from the outsider looking in, I post a lot and it looks like I post a lot… I mean, especially on LinkedIn, but I’m always consuming more than I’m posting. Do you find yourself doing that? Like where you’re… maybe not keeping up with the trades anymore, but like, you know… I used to read maybe 1,500 blog posts a week and then… what was that service where you could like save…? I used to have a service where you could save articles and then that way, late at night, I would just read, you know, maybe 10 or 15 of them a night. But now I look at things like Reddit where I see… I just look at somebody who’s going on there and asking for help. Again, it’s a standard WordPress person that, hey, I’m new to this, I don’t know how, and I’m looking at it and I’m just like, how can we make that better? That’s kind of where I’m at these days. Topher DeRosia: I don’t read a whole lot in Slack. It really is for my convenience. I’m pretty active with my RSS reader. I follow a lot of stuff. Russell Aaron: Oh, wow. Topher DeRosia: Because I don’t wanna go chase it all down all over the internet. So, you know, there’s that. I’m on LinkedIn a fair amount, Facebook a little bit. I’m on Mastodon and Blue Sky mostly just to post stuff. It’s funny, I have more followers… No, let me say it this way. Mastodon, I have the fewest followers, but the most engagement from those followers. Russell Aaron: Isn’t that interesting? Topher DeRosia: Yeah, I’ll post something and I’ll get some favorites or reposts or whatever. Blue Sky, I get almost nothing at all, despite the fact that I have like a thousand followers there. Russell Aaron: But Blue Sky is a community that is fast-moving. I almost compare it to anything Meta has, which is you can post today right now and in three minutes you’re 785 posts down. That’s what I really love about Reddit is that I posted something about this AI team that I’m building that I give away for free on GitHub, and so for like five days, I was the number two post on that subreddit. And the volume that I saw from that. I mean, Reddit really loves human writing. If you go in there, you post something that somewhat seemingly might suggest that you had AI do anything with it, they will just downvote it. But if you write original and you write from the heart and stuff, like your stuff skyrockets there. I’ve learned a lot from Reddit because of that. Topher DeRosia: That’s really cool. Russell Aaron: It’s interesting. Topher DeRosia: Yeah. All right, well, thanks for chatting with me. Russell Aaron: Thank you for the time. Topher DeRosia: And now you can’t be on anybody else’s podcast. Russell Aaron: I’m actually starting my own, sir. Topher DeRosia: Are you? All right. Russell Aaron: I have, like you said, the reason why we started this is because you saw something from me that says, “I’m tired of the indie circuit,” if you will. I put out a LinkedIn post, I don’t know, maybe a month ago at this point and I asked people if they wanted to be on a show. So I have WP Roundtable. I got that from Kyle Mahler, a person who I love in WordPress more than I can express. One of the best people on the planet, I feel like. I was thinking about starting that up again, because we don’t have WP Watercooler anymore. We don’t have anything like that. That’s kind of where I got my start from. But again, I also identify that that’s kind of the problem is that every Monday or Friday I was on a show and I was one of the people that you would see constantly. And so I was sitting there thinking and I was like, what doesn’t the space have? What kind of show do I wanna watch? Because I don’t watch shows when they come out, do you? Topher DeRosia: No. Russell Aaron: I always watch them maybe four weeks down the road at like 2:30 in the morning when I have nothing going on. And by that point, the information is almost stale. I mean, the way that anything works these days. And there’s a few that I might watch maybe within 48 hours of coming out, but at this point, there is something… a new idea that myself and… the guy’s actually an automatician. And so it’s actually kind of interesting because we don’t wanna say anything that would put him in a position to where he’s saying something bad about the company he works for, but I’m also the person where I get to say something to the person who works at Automattic to maybe incite some change. So we are working on something like that, but it’s not going to be an interview show. It is not going to be something where you tune it out or you put it on a 2.5 playback speed just to get through it. You know what I mean? And that’s really what the emphasis of my post was about is that so many of the interviews go that way. Topher DeRosia: Yeah. Are you familiar with wppodcasts.com? Russell Aaron: Yes. Topher DeRosia: Okay, good. So when you get it started up, submit it there. Russell Aaron: That’s a place. I’m very fascinated by Gary Vaynerchuk. Are you familiar with Gary V? Topher DeRosia: No. Russell Aaron: I watch something Gary V every day. That guy makes me feel like I’m lazy every single day, but he is also one of the people that says like, “Hey, you’re 40, you’re still just a baby.” A lot of people feel like I should be two kids, a house, marriage, this, that, and because I’m not, I’m behind the ball. And he’s one person that’s like, “Listen, you’re still a kid.” And he’s like, “You’re 40, I’m 40, and you have 10 years until you’re 50.” And even then you’re still so young to where you can generate something again and from 50 to 60, you can now do. That kind of mentality really moved me around. Why I bring that up is, I’m trying not to post on the same places that everybody else is. I wanna find that new venture. Substack is a great one. And they also have a way to release podcast episodes through them. So they can actually be your entire engine. So like you don’t have to host them on different places and stuff like that. So I’m looking for different plays like that. Topher DeRosia: All right, cool. Well, I look forward to hearing about it when it comes out. I’m sure you’ll post on LinkedIn. Russell Aaron: Yes, yeah. Topher DeRosia: All right. All right then, well, I will maybe find you on Slack or Reddit or someplace. Russell Aaron: Slack, Reddit, LinkedIn. Either way, please keep in touch. First of all, it’s great to see somebody familiar in the space. It’s great. I mean, just talking about the old days, I could sit here and do it forever. Topher DeRosia: All right, I’ll see ya. Russell Aaron: Have a good one. Topher DeRosia: All right, so that was the end of the podcast. If you could send me a headshot. And yep, that’s the one. Cool. And any links you want in the liner notes. Russell Aaron: Cool. Topher DeRosia: And two or three sentences about you and what you do and whatnot. Russell Aaron: Cool. I noticed that you… are you trying to revive Hallway Chats? Or is it something that when you just find something interesting, you’re like, hey, I’ll go do that. Topher DeRosia: That’s it right there. Russell Aaron: Okay. Sure, sure. Topher DeRosia: There was a time when it was a weekly podcast and now it’s a whenever I feel like it podcast. Russell Aaron: I love it. I think that’s the biggest reason why I’m trying to do something different is I really dislike watching a podcast. The first thing they do is they come on and they go, “Hey, welcome to WP whatever. Hey, sorry we didn’t post this week. I was bit…” If you are gonna say you’re gonna post every Wednesday at one, that’s on you. But I do not like when things start off with an apology. Like just get to it. Because I’m not watching it Wednesday at one. I mean, unless you’re Joe Rogan, or unless you are somebody who has a huge following that people will watch you live because it’s important. Otherwise, it’s just consumable stuff, you know? Topher DeRosia: Yeah. For years, I posted it Heropress weekly on Wednesday without fail. I would ignore my family to go get it done. Then I was talking to Morton Rand Hendrickson. You know him? Russell Aaron: Uh-huh. Topher DeRosia: Yeah, he’s a huge fan of Heropress. And I said to him, “Do you read every week?” He’s like, “Oh no, not at all.” He’s like, “Oh, I thought you really liked it.” And he said, “Oh, I love it. But I don’t have time to read every week.” Every few months I’ll get depressed about the WordPress community and I’ll go read 10 essays. And then one time I was at WordCamp Ann Arbor, probably the same one you were at and Josepha came to me and said that… she was kind of a sounding board for employees that come to her and said, “Listen, I’ve been working support all day and people suck and I’m depressed and I hate life.” And she would just listen for a while and then at the end they would say, “Okay, I’m gonna go read a bunch of Heropress and I’ll feel better.” And it really changed my perspective of what I was making. I wasn’t making a weekly publication. I was making an archive, a collection to be used as a tool, a library. Russell Aaron: I’m gonna say this poorly, but it’s almost like you are creating a support help hotline where it’s like, if you’re on the verge of blowing up your website, please call this number. We’ll talk you down from it. It’s almost like you’re building that. Topher DeRosia: That’s funny. Russell Aaron: That’s interesting. And then now you’re just selective about it or you’re so far- Topher DeRosia: I’m less aggressive about finding essayists and less insistent that they get it to me by a certain time. Like I would find somebody and say, listen, I need it by Sunday on this date. And they were like, “Okay.” And that worked for a while. Russell Aaron: Oh, before, before. Okay. Topher DeRosia: Yeah. But now I’ll find somebody… No, I don’t go looking as often. Russell Aaron: You’ll maybe find something that somebody wrote and you’ll be like, “Hey, are you interested in doing this?” Topher DeRosia: Yes. And I don’t find people as often. I used to find my people on Twitter and I’m not on there anymore. Russell Aaron: Like by personal choice? Topher DeRosia: Yeah. Russell Aaron: Okay. Topher DeRosia: I just left Twitter. Russell Aaron: Oh, wow. You feel like your life improved? Topher DeRosia: Yes and no. Russell Aaron: Okay. Topher DeRosia: I feel the loss of what Twitter was. And it’s not there anymore. It’s just gone. Russell Aaron: Especially around WordCamp and stuff like that. That used to have to be the place that you’d be on, you know? Topher DeRosia: The Twitter I loved doesn’t exist anymore. And so, yeah, I feel that loss. Russell Aaron: I need a t-shirt that says that. Topher DeRosia: Yeah. Wow. I’m in the process of making a printable store. Printable? Printful. Printful store. Russell Aaron: Cool. Topher DeRosia: With Woo, to make a video with. I need to make a bunch of products. Maybe I’ll make one of those. Russell Aaron: It’s interesting. Wow. You just flat-out left X. Do you feel like with Heropress, it was… and again, this is why I made that post, is that people almost see it like they can make the rounds. And it’s like, well, I haven’t gone there yet. And so they’re gonna submit something to you because they’re gonna get some press out of it. And it’s not so much what’s best for your brand or it’s not best for your website. They just see it as, well, I’m gonna get some exposure there. Do you feel like it used to be that? Topher DeRosia: No. I’ve gotten maybe two or three submissions ever like that. And a couple of them, I was able to say, “No, that’s not what we’re about. It’s this other thing, what Heropress is actually about.” And they’re like, “Oh, well, okay, that’d be great.” And they do that. And maybe one or two people have said, “I built this great company and everyone should come use my company.” Like, no, not so much. Russell Aaron: Interesting. Topher DeRosia: And that’s the end of it. Russell Aaron: I remember back in, I wanna say like 2013, people used to call each other out and be like, why are you giving the same speech at WordCamp Miami, WordCamp Minneapolis, WordCamp San Diego. And that’s kind of where I was at with that same LinkedIn post. It’s like, I really, really enjoy watching Matt Cromwell’s show, but the guy that he just had on also was on Jonathan Denwood and was also on this one. It was also on, I was like, I’ve already seen this. Maybe I get three more percent information that wasn’t in that last, or because Matt knows a little bit more about personal stuff in WordPress or building a business, he might have some more insight there, but it’s like, I’ve already heard this and I’m kind of already over it. And that’s kind of where I was at is you don’t have to just say, I’m gonna do this one and that’s it. But it’s almost like, you’re making yourself not… what’s the word. Not credible because you’re going around and saying the same thing and it’s just, you’re not doing anything different than a blog post could have done. Topher DeRosia: You know what I mean? I don’t feel too bad about repeating WordCamp talks because, especially at small camps, because a lot of people are just gonna go to their local camp and never go to another one. And unless they cruise.tv, they’re not gonna see it. I struggle a little bit with podcasts because I’ve been asked a lot over the last 10 years to come on a podcast and talk about the story of WordPress. And it’s the same story every time, you know? And so, I’ll try to mix it up a little bit, give different information that I’ve never given before, that sort of thing. But it is something I think about and struggle with a little bit. Russell Aaron: What do you struggle with about it? Topher DeRosia: I don’t wanna just say the same thing over and over again. You know, I don’t want people to go, oh, Topher’s on another podcast episode. Oh, I’ve heard this story. I don’t need to be on this episode. Fortunately, it’s been around long enough that I can give a brief synopsis of the beginning and talk about stuff that’s happened in the last couple of years. Russell Aaron: Right. Topher DeRosia: Which is gonna be really different from the podcast episode I was on in 2020. Russell Aaron: You know? Right. Topher DeRosia: It’s an interesting dilemma when you have one story to tell and everybody wants you to tell it. How do you deal with that? Russell Aaron: Well, I’ve noticed that too. It is like, you know, I’ll watch [Insert Famous Name Here], and they have a podcast, and they’re interviewing, again, [Insert Famous Name Here], and that person was also just on That Famous Name and That Famous Name. I actually saw somebody, it’s like almost a year ago, and they were just like, “Do you want me just to say this so your show has this speech in it or are you genuinely asking me?” Because, you know, like you want this story so you can post it on your social media. But I’ve already given that story 15 different times because they wanted it for their own, you know? And it’s almost going that way where I kind of respect it in a way because you don’t want to post other people’s content. But I also feel like I’m tired of saying the same shit over and over again. It’s interesting, man. Topher DeRosia: Yeah, that’s a dilemma. Russell Aaron: So you’re just like kicking back and… are you building something for you that you think is gonna scale or are you trying to get away from WordPress? That’s kind of where I’m at right now. Topher DeRosia: Yes and no. I have always wanted to… I’ve always been better with people than code. I’m a life coach. Russell Aaron: Yeah. I did not know that about you. Topher DeRosia: I love talking to the client more than coding. I love helping people learn things. And so those skills could be anywhere in WordPress, but also could be anywhere outside of WordPress. So I’m looking for those jobs and they are not out there. Russell Aaron: Right. Topher DeRosia: So here we are. Russell Aaron: I’m to the point now where my son, he’s eight, but he races BMX, like actual bikes and stuff. And so there’s a college here in Indianapolis and it’s one of the best cycling schools in the country. And there’s like five Olympians that practice every Tuesday and Thursday and they’re right in our back door. These are people that have a great social following, but they don’t post very well. They have a brand name, but they don’t have a website. So I’m noticing that every new space that I go into, it’s kind of like I get to jump back into WordPress again, where it’s like, hey, I just built a website for this BMX track in Louisville, Kentucky. It’s one of the best tracks in the country by everybody that has ever raced in a sport, they all vote that it’s one of the best, but they don’t have a website period. I just went through this where they have a guy, he’s their treasurer and he’s like, “Well, I’m an AI software guy.” And I’m like, “Well, how come you don’t have a website?” And he’s like, “Well…” And I’m like, “Listen, I submitted a new version of a we… literally, I uploaded it to my Russell website or to my Russell Envy site and I just put it in a sub-folder and I was like, “Your website could look like this today.” I was like, “For free. I don’t want anything from you. No free anything.” I was like, “I want to donate this to you because I want to grow the sport.” And the guy’s like, “I wanted to build it and React.” And I’m like, “Well, why didn’t you?” And the guy’s like, “Uh.” And I’m like, “I have free hosting for life from WPEngine.” And I was like, “I won’t charge you guys ever. I will host a site. I have free with AppPresser. I’ll build you guys an app where you guys can send push notifications.” And the guy’s like, “Well, I want to have a lot of control and say over it.” And I was just like, “All right, you know what?” And then I built my own. Now I own a domain all about their BMX track and now they’re calling me going, “We should have went with you.” I’m to the point now where I’m nice. And then it’s just like, “Dude, I’m 10,000 miles over you and I’m going to go this way.” Liquid Web did that to me. Liquid Web brought me in and they were like, “We’re going to…” I was supposed to be the OG stellar WP. They brought me in, I was hiring all my friends and I was bringing in people and we were building something. And then they called me and they were like, “Well, you can either be a level two support person or you could just not work here.” And I was like, “Well, I don’t work here anymore.” And they were like, “Well, wait, hang on.” And I literally hit “click” and I have never logged on since. Topher DeRosia: That’s funny. Russell Aaron: I’m in that same boat where, you know, I don’t have to work for you. You know what I mean? Like, fuck, I’m 40. I should be doing something on my own anyway. I kind of wish I had… what was WP 101? Sean did that for all those years. I wish I would have done that. Or every week, I should have had some YouTube about talking about something and maybe I could have monetized that, but I’m not behind the ball. I let the ball slip is what I feel like. Topher DeRosia: It’s not too late to start. I picked that up when Sean, quit and I’ve got a YouTube channel with a bunch of stuff on it. I published one today. Russell Aaron: Oh wow. It’s just interesting things that you think about, or is it like educational, like tutorials? Topher DeRosia: It’s educational tutorials, but stuff that I find interesting. Like today I made a desktop wallpaper for WordCamp Europe. Russell Aaron: Nice. Topher DeRosia: And I did it by going to their webpage in my browser and using the console to hack the HTML and CSS until it looked like a screen, a wallpaper. Russell Aaron: That’s fucking cool. Topher DeRosia: So I published it right before I’d started talking to you, like minutes before that. And it has three views. Russell Aaron: Woohoo. Topher DeRosia: But a couple of weeks ago I did one called fun and games in the terminal. And it’s how to play Tetris in the terminal and how to make a choo-choo train go across your screen when you type LS wrong. And it has 784 views right now. Russell Aaron: That’s awesome. Topher DeRosia: I did one on how to brighten a photo. I did a series. I’m working on a series called Topher learns how, or I talk to people who know how to do things that I really should know how to do, but don’t. I talked to Scott Kingsley Clark about pods, which has been around forever, but I’ve never used. I talked to Donata about Termageddon, because I know it’s important, but I have stayed away because I don’t understand and it’s scary. Russell Aaron: Termageddon. I’ve never heard that. Topher DeRosia: Oh. You know the little cookie consent things, privacy policies and whatnot? Russell Aaron: Yeah. Topher DeRosia: So when you sign up with term again, you pay a surprisingly low monthly fee and they have a human get on the phone with you and talk through your requirements of where you live, your legal stuff. Like, are you in Europe? Are you in California? Where are you? Where are your customers, your viewers? Then you drop in a short code for your privacy code and for the cookies and they keep them up to date based on how the laws change. So you don’t have to pay attention to, Oh, did California make some crazy new law about cookies? What do I need to do to update my site? It’s really, really great. So I did an interview with her. Russell Aaron: $12 a month or $119 a year. Topher DeRosia: Yeah. Russell Aaron: What is the point of having a privacy policy if you don’t pay extra for limiting your liability? Wow. That’s amazing. Topher DeRosia: It is. Russell Aaron: That’s someone just thinking outside the box. Topher DeRosia: Yeah. I have a couple of videos where I was given an account at a hosting company that I’ve never used and videoed logging in for the first time and getting to a website. Russell Aaron: Oh, wow. Just from first login to setting everything up to now you have something production. Wow. Topher DeRosia: Yeah. Specifically not reading the docs. Russell Aaron: Oh, just trying to brute force your way through it. Topher DeRosia: Yeah. Russell Aaron: That’s smart, dude. Topher DeRosia: It’s partly about… well, they may have wonderful docs. It may be super easy to do if you read all the docs. I don’t want to read the docs. Russell Aaron: Me neither. Topher DeRosia: Clickety clickety click, I have a website. So I did GreenGeeks. I did honesthosting.io. I did X cloud. So that’s the kind of stuff I’m doing. Russell Aaron: That’s interesting. That is something that, that Gary V talks about a lot is that it used to have to be where you are this WordPress brand and you do just this and all your videos could only be about that. Anytime you stepped outside the box, people were like, “Why am I watching this?” And today now we’re to finally to where my website would probably actually thrive is it’s so random. It’s just something out of my head and one thing can skyrocket and it’s like hitting the jackpot, you know? That’s interesting. Topher DeRosia: Another thing I did is I made a site called topher.how and because I realized I had never really made stuff in my own channel. I’ve been blogging for decades, making videos, WinningWP. I have over a hundred videos on WinningWP. Russell Aaron: WinningWP? Topher DeRosia: Yeah. Russell Aaron: Did you start that when Charlie Sheen started doing Winning? Topher DeRosia: No, no, no, no. But I was thinking, boy, I’d love to have all this stuff on my own website, but I don’t want to go find it all and copy paste posts. And then I realized nearly every place I’ve ever made content has RSS for their authors. Russell Aaron: Yeah. Topher DeRosia: And so I found the sites, found my author RSS feed and started piping them into WP all import. And now topher.how has all my content from the last 15 years on a dozen different sites, doesn’t more than a dozen different sites, all my videos, all my posts, everything on wordpress.tv, all that stuff. So it’s kind of a portfolio. Yeah, so you can go to topher.how and see all my stuff. Russell Aaron: That was actually one thing that I was really proud of was that my entire WordPress journey is documented on somebody else’s project. So, like you go to WPwatercooler and my resume, what is great about it is that it is not me who can edit those videos, it is not me who can master them. Those words are there. Those words are me. You want to know my qualifications in WordPress, there’s all my shit. For me, I was like, “That’s actually pretty sick. You know what I mean?” Topher DeRosia: Yeah. Russell Aaron: Wow. Topher.how. Oh, dude, do you know who Jeffrey Zinn is? Topher DeRosia: No. Russell Aaron: Oh God. Him and Brandon Dove they have Pixel Jar. Have you ever heard of Pixel Jar? Topher DeRosia: Maybe. Russell Aaron: They’re big West coasters. I’ll tell you that much. He just wrote me, “He literally just said, dude, how do you find the time to write so much on LinkedIn? I enjoy all your stuff, but mostly I’m blown away by the volume.” Topher DeRosia: Nice. Russell Aaron: I’m going to write him back and just tell him the truth. But you know, it’s all thought man. Interesting. Topher, I’ve had a lot of fun. Am I taking up your time? Topher DeRosia: I should get back to work. Russell Aaron: All right, sir. Have a good one. Topher DeRosia: All right. I’ll see ya. Russell Aaron: Bye. Topher DeRosia: Bye.

Wings vs. Sparks WNBA Betting Odds & Picks, 6/5/26 | Night Moves Show by Ramon Scott

Mercury vs. Fire WNBA Betting Odds & Picks, 6/5/26 | Night Moves Show by Ramon Scott

This week on Jams 'N' Cocktails, Brad Brock and the crew take a nostalgic journey through music, technology, and pop culture while celebrating a special personal milestone. The conversation starts with a surprise announcement from family members Mike and Sammy, followed by a toast featuring the show's Cocktail of the Week, the Cocoa Citrus Sippahh. From there, the gang reflects on three years of marriage for Brad and Jordyn before diving headfirst into some fascinating corners of internet history.The episode explores the incredible preservation efforts behind the Internet Archive, including digitized Kmart in-store cassette tapes from the 1980s and 1990s and a massive collection of live concert recordings captured over four decades by music enthusiast Adam Jacobs. Along the way, the crew shares memories of Kmart, MySpace, early Amazon, and the evolution of technology, before wrapping things up with a wedding-themed edition of Name That Tune and the latest entertainment headlines in The Jordy Files.LINKSJNC Official SiteSupport us on Patreon

"It didn't feel like I'm watching a show or I'm watching these members play these songs. It felt like I was in a one and a half hour thrill ride."   Brian breaks down why Bring Me The Horizon's Next Gen tour is a PS1-fueled thrill ride, and the hosts discuss the scene's reaction to Beartooth's Caleb Shomo coming out as gay. Plus, Brian and Lizzie get into the controversial new Ozzy Osbourne interactive AI avatar—is Sharon Osbourne just securing his legacy, or is this the ultimate metal cash grab? And to cap it off, they review Drake's attempts to recover from the Kendrick Lamar fallout, noting that none of his newest tracks pass the song of the summer test. It's another auspicious day of infotainment on idobi Radio. We're teaching you things you didn't know, even if you wouldn't pass a college course with this info.   EPISODE HIGHLIGHTS: • BMTH's Live Show Evolution: Why the Next Gen tour feels like a 90s video game fever dream. • Caleb Shomo Comes Out: Navigating the metalcore community's response to the Beartooth frontman, and addressing lingering homophobia in the scene. • The Ozzy AI Avatar: Debating the Osbourne family's latest IP move and the weird future of legacy acts. • Drake Post-Kendrick: Why none of Drake's new drops are claiming the Song of the Summer title. JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Most employee advocacy programs fail because they turn employees into parrots, repeating the same product message over and over until no one wants to share anything. In this episode of Content Amplified, Matt Mullan, Director of Social Media at NinjaOne, explains how to fix that by positioning employees as thought leaders instead of megaphones. Matt walks through giving people industry content they actually want to share, using Mad Libs-style suggested copy with guardrails so posts sound human, and motivating adoption by shouting out every organic win across Slack rather than relying on prizes. He gets specific on measurement: why earned media value and potential impressions are made-up numbers, why UTM link tracking is the only honest metric, and why he holds his programs to a 50% monthly usage bar. He also makes the case that LinkedIn comments now out-earn reshares, and shares how his team built an in-house "social ambassador" tiger team to keep conversations going. If you run social and your advocacy program has stalled, this conversation gives you the playbook.About MattMatt Mullan is the Director of Social Media at NinjaOne, an IT operations platform. He has spent roughly 13 years in social media, going back to experimenting with Google Plus and MySpace, and has worked across industries from an international toy manufacturer to HR and payroll software, cybersecurity, and IT management companies. Matt is focused on B2B social media as his day-to-day craft, and he believes the real audience for an advocacy program is not your followers, it is your own employees.Show Notes- Connect with Matt on LinkedIn: https://www.linkedin.com/in/mullanmatthew/Text us what you think about this episode!

The original promise of the internet—creating community and a world where people enduring solitary personal struggles might feel less alone—was in full bloom back in 2006 when one friend, Renee, told another friend, Jamie, about a mental health crisis she was going through.    Jamie went on to write about the five days he spent with Renee before she entered a treatment center, and he sold T-shirts to help cover the cost.   When she entered treatment, he posted the story on MySpace to give it a home. The name of the story was “To Write Love on Her Arms.”   On this episode, host Michael Azevedo speaks with director Owen Dubeck whose short film, “To Write Love: A Documentary on the Movement” (which will premiere globally on YouTube on May 31) details how what started as one person's attempt to help a friend sparked a global movement that reshaped the conversation around mental health and launched the To Write Love on Her Arms initiative—now celebrating its 20th year—as a vital mental health resource and connector.   It's a story of a growing chorus of hope that turned into a lifeline for millions.   Owen Dubeck is a documentary filmmaker, specializing in telling stories that drive tangible change. His films have raised $1 million+ for social causes, influenced legislation, and have been screened to audiences across the country.   Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey.   About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead    

This week, Chris and Jamal celebrate one full year since the Scopely/Niantic deal officially closed and ask the big question: Is this the greatest 12-month stretch in Wayfarer history? The guys break down nearly every major Wayfarer change from the past year, including: Web submissions The Wayfarer map Draft mode Upgraded nomination caps The new Wayfinder rating system Appeals cooldown reductions Ambassador announcements Roadmap updates Rural gameplay improvements and more. Chris and Jamal discuss how the Wayfarer team has handled community feedback, why Scopely's approach has surprised many players, and how modern Wayfarer may actually be entering its “good old days.” Also this week: Chris shares the forgotten Wayfarer tracking spreadsheet with Patreon members Portland officially remains weird Bigfoot apparently lives in the Pacific Northwest Old Gmail, AOL, MySpace, and Friendster nostalgia Hockey playoff talk Jackson's incredible 53-save lacrosse performance and a deep dive into how photo thumbs actually determine Wayspot images in Pokémon GO. Plus: Wayspots of the Week Coal of the Week Dad jokes for new dad Hank and classic Wayspotters banter throughout. Stick around for: ✅ Spatial / Scopely News ✅ Wayspots / Coal of the Week ✅ Dad Jokes (of course!) Show Credits Hosts: Jamal Harvey & Chris Bell Writer: Chris Bell Producer: Jamal Harvey Executive Producer: Kate Konz Show Historian: Matty G Recorded: 29 May 2026 Published: 31 May 2026 Season 5, Episode 20 Contact Us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wayspotters@pokemonprofessor.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Voicemail / SMS: 704-426-3710  Support the Show  Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/PokemonProfessor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wayspotters.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Follow! Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@wayspotterspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter/X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@wayspotters⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imakewayspots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@WayspottersPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitch.tv/pokemonprofessornetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Community & Friends Wayfarer Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠discord.gg/niawayfarer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ German Wayfarer Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠discord.gg/ThTZCZH5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/groups/2241761169257836⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Solstice:

Sam & Shaan's hard-won CEO lessons in one guide: https://clickhubspot.com/eokb Episode 829: Sam Parr ( https://x.com/theSamParr ) sits down with Tom Freston to talk about the insane story of starting MTV and shaping America in the 80s and 90s.  — Show Notes:  (0:00) Intro (4:04) Millionaire by 26, broke by 33 (8:49) The first days of MTV (no frontal nudity) (14:14) Music Videos (19:03) How to spot culture-changing talent (27:12) Making your employees party together (31:56) Nickelodeon, SpongeBob, and Building Legacy IP (35:21) Programming for a Specific Audience (37:33) The Facebook Acquisition That Almost Happened (41:25) Founders Who Refuse to Sell (43:29) Rupert Murdoch vs. Sumner Redstone (45:23) MySpace, Big Bets, and Getting Fired (47:55) Inside the writers room (51:33) Oprah Calling  (54:00) The End of Monoculture and the Creator Economy — Links: Unplugged - https://a.co/d/0ef6YVu2  — Check Out Sam's Stuff: • Hampton (joinhampton.com): My community for founders. Average member does $25m/year. Many of the guests are members. Get after it...apply: http://joinhampton.com/mfm — Check Out Shaan's Stuff: • Shaan's weekly email - https://www.shaanpuri.com  • Visit https://www.somewhere.com/mfm to hire worldwide talent like Shaan and get $500 off for being an MFM listener. Hire developers, assistants, marketing pros, sales teams and more for 80% less than US equivalents. • Mercury - Need a bank for your company? Go check out Mercury (mercury.com). Shaan uses it for all of his companies! Mercury is a financial technology company, not an FDIC-insured bank. Banking services provided by Choice Financial Group, Column, N.A., and Evolve Bank & Trust, Members FDIC • I run all my newsletters on Beehiiv and you should too + we're giving away $10k to our favorite newsletter, check it out: beehiiv.com/mfm-challenge My First Million is a HubSpot Original Podcast // Brought to you by HubSpot Media // Production by Arie Desormeaux // Editing by Ezra Bakker Trupiano /

In this episode, we are joined by Assistant Professor of Law Lucien Ferguson  (Chicago-Kent College of Law) to discuss the ambiguities of freedom and labor in the constitutional interpretation of the Reconstruction Amendments that were passed after the US Civil War. Our discussion is guided by the landmark Slaughter-House Cases of 1873 that narrowly construed the federal rights protected by the 14th amendment and set the stage for the failure of Reconstruction at the end of the 19th century. We discuss the divergences between liberal and republican accounts of freedom, whether the constitution should remain the grammar for leftist political strategy, and how the collapse of reconstruction shapes debates around citizenship and belonging to this day.leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social References:William E. Forbath, “The Ambiguities of Free Labor: Labor and the Law in the Gilded Age” Wisconsin Law Review 4 (1985): 767-817. Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

In this episode, DJ Deville joins the crew as they sit down with Las Vegas nightlife legend and historian, Stellar.Stellar takes us on an epic trip down memory lane, unpacking the golden era of Las Vegas nightclubs and the massive evolution of the EDM scene. He shares wild, untold stories about the evolution of the DJ industry —from the days of spinning vinyl, carrying heavy 400-CD booklets, and relying on MySpace networking, to the massive technological boom of USBs and streaming.Listen in as the guys discuss the history of iconic, legendary Las Vegas venues like Empire Ballroom, Utopia, Rain, Light, Trist, and XS. Stellar reveals insane behind-the-scenes moments, including DJing while Cirque du Soleil acrobats and BMX riders performed behind him, playing massive 12-hour underground sets, and the real story behind bringing Tiesto to the Rehab pool party for the very first time.The conversation also explores how Las Vegas club culture has shifted post-COVID, and Stellar shares exclusive details about his brand-new residency at the Wynn Encore, including his highly anticipated 4:30 AM closing set for the Art of the Wild festival!If you love electronic music, DJ culture, or Las Vegas history, this is a masterclass you do not want to miss!

MySpace is a new documentary about the rise and fall of the once all encompassing social media site MySpace and the effect it had on the world. Jeff Bulmer had the chance to talk with the director of the film Tommy Avallone about trying to get Tom Anderson involved, picking the right guests and how the full scale cut out of Tom came to be. Follow Tommy Avallone on Instagram.Read Dakota Arsenault's review of MySpace. Listen to CZP episode 334: 2026 Hot Docs where MySpace and other films were discussed.Listen to Classic Movies Live Hot Docs episode.Follow Jeff's podcast Classic Movies Live on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Listen to CML on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠. Follow Contra Zoom on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Check out more great Contra Zoom content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠That Shelf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Listen to Contra Zoom on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Play⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and more!Please ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rate and review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the show on Apple Podcasts or Spotify. For more information, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠contrazoompod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Create your ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ today! #madeonzencastr

This week on the New Music Business podcast, Ari sits down with Ash Avildsen, founder of Sumerian Records. Ash shares the story of building one of the most influential independent labels in modern rock and metal, from booking DIY tours in the MySpace era to helping artists break into arenas.During this episode, Ari and Ash dive into artist development, the evolution of touring, music video economics, social media virality, the ethics of tour buy-ons, and why building an artist brand matters more than ever. Ash also opens up about expanding Sumerian into film, the future of entertainment brands, and why he believes music videos deserve a better business model.Instagram: https://www.instagram.com/sumerianrecords/TikTok: https://www.tiktok.com/@sumerianrecordsCheck out Ari's Take:https://aristake.com04:21 - Ash's Journey from Touring Musician to Founding Sumerian Records08:04 - Why Ash Left Booking to Focus Fully on the Label12:00 - MySpace, TikTok, and How Artists Break Today17:30 - Scenes, Community, and the Evolution of Heavy Music22:16 - Artist Development and Getting Bands to Their First 500 Tickets25:22 - The Ethics and Reality of Tour Buy-Ons31:49 - Discovering Artists in the Streaming Era35:15 - Why Music Videos Still Matter49:00 - Building Sumerian Beyond Music Into Film and Media56:00 - Ticketing, Industry Frustrations, and What It Means to “Make It”Edited and mixed by Ruben ZarateMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Stormy Pea and Al Fizz take a hilarious trip down memory lane in this nostalgia-filled episode of Chocolate Chip & Sip. From Nickelodeon, Cartoon Network, and BET Uncut to anime, AIM, MySpace, and the shows we definitely had no business watching as kids

That is JT Woodruff, the ultimate emo wife guy. In this episode of the Make Me a Fan series, Lizzie selects five tracks from Hawthorne Heights to prove to Brian that the band is more than just early-2000s scene stereotypes. They discuss the band's history, their modern evolution, and whether Brian is ready to join the fandom. If you had five songs to convince your friend to love your favorite band, what would you choose? In this episode of the Make Me a Fan series, Lizzie tries to convert Brian into a Hawthorne Heights believer. Despite being in the thick of the mid-2000s scene boom, Brian originally wrote the band off as a skeptic. To prove him wrong, Lizzie brought 5 specific tracks spanning their entire discography to see if she can change his mind: "Ohio Is For Lovers," "Niki FM," "Saying Sorry," "End of the Underground," and "Cardinal." We break down the undeniable edge-core grip of "Ohio Is For Lovers," revisit their Victory Records TRL era with "Saying Sorry," and look at their modern evolution. Plus, we talk about the nostalgia of the local scene, whether "Ohio Is For Lovers" was destined to be the soundtrack to every Matt Cutshall meme on the internet, and why frontman JT Woodruff is the ultimate "emo wife guy." Can five songs overwrite 20 years of scene stubbornness?   Episode Chapters: 00:00 - The Make Me A Fan Challenge 03:15 - Breaking Down Ohio Is For Lovers & Scene Stereotypes 15:40 - Cardinal & Their Modern Sound 22:20 - Niki FM: JT Woodruff is the Ultimate Emo Wife Guy 33:10 - Saying Sorry & The Victory Records Era 44:30 - End of the Underground & Brian's Final Verdict JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode starts with swampy butt and somehow spirals into AI dance scams, MySpace memories, relationship chaos, tampons, technology taking over the world, and Jeff learns a new fun fact. Plus, Jordan and Jeff open up about working together, parenting, getting older, and why nothing on the internet feels real anymore. Buckle up… the wheels fully came off this one.Thank you to our partners:Lumi - Go to LumiGummies.com and use code TOGETHERMESS for 30% off your orderQuince - Head to Quince.com/togethermess for free shipping on your order and 365-day returns. Now available in Canada, too.We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform.Executive Producers are Riley Peleuses + Ian McNeny for YEA Media GroupIf you are interested in advertising on this podcast or having Jeff and Jordan as guests on your Podcast, Radio Show, or TV Show, reach out to podcast@yeamediagroup.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The BreakdownMost band stories sound like Hollywood scripts — but this one might just beat them all. Andy Alderson from San Antonio's Foreward spills a wild ride from band chaos, political degrees, to signing with Seek and Strike, all while reminiscing about high school hairdos and the glory days of MySpace. Think your band struggles are epic? Wait until you hear how ego, ego trips, and a little bit of ego management slowed this band down—and then fired them back up.You'll discover:How a band formed in 2016 turned hiatus into a comeback with three hit singles, landing a deal with Seek and Strike.The surprising link between politics, heavy metal, and partying your way through a music career.The real truth about the grind of social media, from the horror show of MySpace trains to today's never-ending content treadmill.How a label with roots in Sumerian and New Century Media is helping Foreward hit the next level—and why major labels are both a blessing and a curse.The daily battles of balancing music, business, and ticking boxes like “ear protection” at shows, all with a wink and a nod.This episode is perfect for fans curious about how a local band navigates the tech hustle, the heartbreaks, the hilarious mishaps, and chasing a dream even when the road is paved with debt and questionable hair choices. If you've ever wondered what it takes to keep the metal alive and thriving in the digital age, Andy's story proves: hustle, humor, and a bit of chaos are the true secret weapons.Episode InfoBand IG:   / @forewordband  Band Website: https://www.seekandstrike.com/ATXMP Website: https://atxmp.transistor.fm/Subscribe to ATX Metal Podcast on YouTube:    / @atxmetalpodcast  Sponsors / AffiliatesCome and Take It Productions: https://www.comeandtakeitproductions.comCome and Take It Live: https://www.comeandtakeitlive.com/No Control Radio: https://www.klbjfm.com/show/no-control/

The squad is roasting the absolute pettiness of Lupe Fiasco after he stopped his show to blame "dirty bastards" from the Limewire era for his own forgotten bars.

Thomas Schlegel lives in Nashville, TN, but grew up in rural Virginia. He didn't have the internet for a large portion of his childhood - but, his friends did! So that meant he was spending more time at his friends place, and eventually when MySpace came around, he was the guy to build everyone's custom site. He's always been the wild idea guy amongst his friends, always the tinkerer. Today, he's married with twins on the way. He loves to run, either on the road or the trails. And when he gets the chance, he enjoys a good conversation with good people, contemplating or pondering the bigger things in life.In the past, Thomas was a lead engineer at a professional services organization in Tennessee. While at a conference, he met the CEO of his current venture, and they hit it off. He was intrigued by their company, and several years later, he started working for the company as an individual contributor - and quickly activated his entrepreneur DNA to solve ALL the problems.This is the creation story of Built.SponsorsUnblockedTECH DomainsMezmoBraingrid.aiLinkshttps://getbuilt.com/https://www.linkedin.com/in/thomas-schlegel-678772215/Our Sponsors:* Check out Cash App and use my code CASHAPP10 for a great deal: https://click.cash.app/ui6m/mt82fpxl #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures.* Check out Plaud AI and use my code CODESTORY for a great deal: https://plaud.aiAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

durée : 00:05:26 - Les Matins de France Culture - par : Alexandra Delbot - Les réseaux sociaux font désormais partie du quotidien et de l'actualité. Comment la presse en parle-t-elle ? L'Observatoire des pratiques socio-numériques a analysé 150 000 articles de 7 grands journaux français et montre que le regard médiatique a changé. - invités : Brigitte Sebbah Professeure en sciences de l'information et de la communication à l'Université de Toulouse. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:26 - Avec sciences - par : Alexandra Delbot - Les réseaux sociaux font désormais partie du quotidien et de l'actualité. Comment la presse en parle-t-elle ? L'Observatoire des pratiques socio-numériques a analysé 150 000 articles de 7 grands journaux français et montre que le regard médiatique a changé. - invités : Brigitte Sebbah Professeure en sciences de l'information et de la communication à l'Université de Toulouse.

"I would argue that Sempiternal is their re-debut album. It pivoted to something that's a little bit more poppy for the mainstream general audience... it very much was a rebranding of them in a way." This week, Brian and Lizzie dissect Bring Me The Horizon's pivotal 2013 album, Sempiternal. They discuss the addition of Jordan Fish, Oli Sykes' shift to clean vocals, and how the band laid the blueprint for modern metalcore.   A decade after its release, Bring Me The Horizon's Sempiternal remains a monumental record in emo history and modern metalcore. Brian and Lizzie sit down to review the album that transformed BMTH from a raw deathcore act into global rock superstars. They analyze the massive impact of Jordan Fish joining the band, bringing cinematic synths and EDM influences that completely reshaped their sonic landscape. The hosts break down Oli Sykes' evolution into clean, Linkin Park-inspired vocals and review standout tracks like 'Can You Feel My Heart', 'Shadow Moses', and 'Sleepwalking'. From the pop punk level of catchy hooks embedded in their heavy breakdowns to the nuanced electronic soundscapes that paved the way for the current 'baddiecore' movement, this episode covers it all. Did Sempiternal single-handedly save a stale scene, or are there valid critiques of its straightforward lyrics? Tune in to hear the Emo Social Club's final verdict on this definitive release.    JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

You're in for a treat because we have Merv on the show today to talk about one of the trips he's been on. Zack played Mixtape and gives his take on the game. A lot of people miss MySpace and have lost tons of pictures and videos over the years. All of that and so much more in this close-to-two-hour, action-packed show.        

Plain White T's join Hollie Nicole backstage at Welcome to Rockville for a nostalgic and hilarious Teaser Talk conversation about touring, MySpace-era fame, “Hey There Delilah,” and the evolution of pop punk.The band shares stories from the road with Yellowcard and New Found Glory, reflects on shaping a generation of alternative rock, and teases brand-new music coming in 2026. Fans also get an inside look at how VIP fans are helping choose the band's next single.If you love pop punk, alternative rock, Warped Tour memories, and artist interviews packed with humor and nostalgia, this episode is a must-listen.

Plain White T's join Hollie Nicole backstage at Welcome to Rockville for a nostalgic and hilarious Teaser Talk conversation about touring, MySpace-era fame, “Hey There Delilah,” and the evolution of pop punk.The band shares stories from the road with Yellowcard and New Found Glory, reflects on shaping a generation of alternative rock, and teases brand-new music coming in 2026. Fans also get an inside look at how VIP fans are helping choose the band's next single.If you love pop punk, alternative rock, Warped Tour memories, and artist interviews packed with humor and nostalgia, this episode is a must-listen.

The Guardian's deputy music editor Laura Snapes returns to Pop Pantheon to unpack the work and career of one of pop's most trenchant storytellers, Lily Allen. Louie and Laura dig into Lily's MySpace origins and scrappy 2006 debut, Alright, Still, her status as a British tabloid fixture, and her 2009 electro pop record It's Not Me, It's You. From there, they track her decline in acclaim and on the charts with 2014's Sheezus and 2018's No Shame, before discussing her surprise comeback with 2025's West End Girl. Finally, they rank Lily Allen in The Official Pop Pantheon. Lily Allen Essentials PlaylistJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

This month, Gotye's breakthrough album Like Drawing Blood, turns 20. It was the record that took him from bedroom producer to Hottest 100 favourite, showcasing his incredible talent at sewing sounds. The man behind Gotye, Wally De Backer, has been keeping a low profile for a while. But back in 2007, after a huge year following this album's release, he joined Zan Rowe to Take 5. This is one of the very first episodes of Take 5, and the first time it's ever appeared on the podcast.So jump in the time machine and travel back to this mid 2000's moment. It was before Gotye released his worldwide smash "Somebody That I Used to Know", Homebake Festival still existed, MySpace was king, and Wally was at a precipice; head spinning from a wild year but with no idea of what was ahead.His theme? His top 5 moments of the last 12 months. His songs, all Australian. Gotye's song choices:Josh Pyke - Fill You In Karnivool - Shutterspeed  Faux Pas - For The Trees Emily Ulman - Upping The AnteThe Presets - Are You The One?00:17 Gotye introduction and 20th Anniversary of 'Like Drawing Blood'02:30 The songs that soundtracked Gotye's 2006 breakthrough02:58 Josh Pyke -'Fill You In'04:55 Gotye and his love of heavy and progressive music06:08 Karnivool 'Shutterspeed'07:52 Bringing Gotye's songs to live with a band11:59 Drummers who sing14:28 Faux Pas - 'For The Trees'17:24 Buying your first iPod18:39 Emily Ulman - 'Upping The Ante'20:30 What Gotye was about to embark on in 200724:15 The Presets - 'Are You The One?'26:13 Next weeks guests!

We've come a long way. But not necessarily in the right direction. From the the nostalgic days of AOL Instant Messenger to 2026's high-stakes, algorithmic landscape, constant connectivity has fundamentally shifted our attention spans, our peace of mind, and the way we show up for our families. Worse, the desire to show up online often takes us directly out of real life. It's no surprise, then, that we're feeling the mental and emotional weight of the "scroll". We don't have to throw our phones in a lake to find the reprieve we desperately need. On today's show author Emily Feldpausch argues that it isn't about rejecting technology. It's about reclaiming the intentionality that the algorithms try to take away. Here's a preview: [5:00] Reflections on the shift from the early days of AIM and MySpace to the current user experience that often feels designed against us [8:45] How being always on has eroded our collective sense of peace and altered the dynamics of modern family life [18:00] How to stop checking in and start being present [23:00] A candid look at 2026 internet culture, from shopping hauls to harmful beauty standards. Can we still find corners of the web that align with our true values? [27:00] Emily's personal strategies for maintaining phone boundaries to protect her mental space   Resources mentioned: This episode is sponsored by Fearless Finance. Use code SUSTAINABLE to get $50 off your first meeting. Technology Is Getting Worse The Unfollow Effect: Intentional Living in a Digital Age Book Club This show is listener-supported. Thank you for supporting! Join our (free!) Facebook community here. Find your tribe. Sustainable Minimalists are on Facebook, Instagram + Youtube @sustainableminimalists Say hello! MamaMinimalistBoston@gmail.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode we discuss Kathi Weeks' 2011 book The Problem with Work: Feminism, Marxism, Antiwork Politics and Postwork Imaginaries. The text brings together social reproduction feminism and autonomist Marxism to develop a critique of work as the organizing principle of life and dominant ethos in capitalist society. Weeks argues that the valorization of work is taken for granted even in certain strains of socialist criticism. We agree that work sucks, but we admit we have a hard time developing the postwork imaginary Weeks wants. We may just be the kind of modernists she's calling out, but we're very sympathetic and would love to see more idleness all around!This is just a short teaser of the full episode. To hear the rest, please subscribe to us on Patreon:patreon.com/leftofphilosophyReferences:Kathi Weeks, The Problem with Work: Feminism, Marxism, Antiwork Politics, and Postwork Imaginaries (Durham: Duke University Press, 2011)Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

Today's episode of The Rizzuto Show is what happens when a daily podcast completely abandons structure and just lets the chaos drive the Ford Focus directly onto the sidewalk. And somehow? It works beautifully.The gang starts off talking about language, slang, and why the word “cool” has survived for over 100 years while every other trendy word died a painful MySpace death. From there, things immediately escalate into a passionate discussion about Bob Seger, Risky Business slides at weddings, and whether wedding invitations feel exciting… or like being summoned for jury duty with chicken parmesan.Then the show uncovers a completely real service where strangers can literally BUY seats at weddings. That's right — random people are paying actual money to attend weddings they were never invited to. Because apparently the economy has gotten so weird that “professional wedding guest” is now a side hustle. Naturally, the crew debates whether crashing weddings for entertainment is genius or a fast track to getting tackled by someone's drunk uncle named Gary.Things somehow become even more ridiculous when listeners introduce “Bruce Madness,” a March Madness-style bracket dedicated entirely to ranking the greatest Bruces of all time. This launches a full-blown debate featuring Bruce Willis, Bruce Springsteen, Bruce Lee, Bruce Wayne, Bruce Campbell, Bruce Dern, Bruce Almighty, and approximately 47 other Bruces nobody expected to hear discussed in a serious context today. The arguments become passionate. Alliances shift. Friendships are tested. Batman gets involved. It's basically CNN for people who peaked at Spencer's Gifts.Chris Kerber joins the show to weigh in on hockey, the Kentucky Derby, Blues draft strategy, Dylan Holloway's extension, and yes… even MORE Bruce opinions because at this point the show has fully committed to the bit. There's also incredible Derby talk involving dorm-room air mattresses, mint juleps priced like luxury handbags, and infield stories that sound like NASCAR collided with a wedding reception.And then there's the weird news story that somehow tops everything else: a woman named Wendy allegedly chasing a dirt bike kid down a sidewalk in a silver Ford Focus while drunk and trying to “socialize her dog.” Which sounds less like a legal defense and more like the title of a rejected Florida crime documentary. The crew breaks down the viral footage, questions humanity, and collectively realizes that every neighborhood has THAT person lurking nearby.This episode is loaded with the exact kind of sarcastic humor, ridiculous arguments, weird stories, celebrity commentary, and chaotic energy that make The Rizzuto Show one of the best daily podcasts and funniest morning shows around. If you like your entertainment loud, self-aware, slightly unhinged, and aggressively St. Louis, congratulations — you've found your people.Whether you came for the comedy podcast vibes, the weird news, the Bruce discourse, or just needed a break from reality for a couple hours, this daily podcast delivers the kind of nonsense that only The Rizzuto Show can produce.And seriously… Bruce Wayne might actually have a case.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.