Podcast appearances and mentions of James Bond

What's Your Story - Peaky Blinders? LIFE IN FILM PodcastJoin this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinOscar & BAFTA Nominated, Writer / Director Steven Knight Credits Include - Dirty Pretty Things / Amazing Grace / Eastern Promises / Locke / The Hundred-Foot Journey / Allied / Taboo / Serenity / Spencer / See / SAS Rogue Heroes / Peaky Blinder / Bond 26... etcBAFTA Nominated, Writer / Director Tom HarperCredits Include - Wild Rose / The Aeronauts / War & Peace / The Borrowers / Misfits / This is England '86 / Peaky Blinders / The Immortal Man...etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot J Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------Our SponsorsMoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ provides you with access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------Peaky Blinders: The Immortal Man is on Netflix now-----------------------------Thank you Steven, Tom & Selwa and the rest at Organic PR. As always thank you to our sponsors better help and MoviePosters.com-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------0:13 - Our Guest's Steven Knight & Tom Harper / How it all began?2:26 - Steven's Advice to Writers5:46 - I Thought 'Dirty Pretty Things' Was the Worst Thing I Had Ever Seen!4:46 - Tom's Advice to Film Makers06:55 - Support The Podcast / Movieposters.com / Betterhelp8:36 - The 'Peaky Blinders' Movie / From TV to Film12:50: - Characters Old and New / Barry Keoghan / Tim Roth15:06 - New Season of Peaky Blinders!15:27 - 'Wild Rose' / Jessie Buckley30:14 - The Plot of the New James Bond Film (Bond26)15:57 - Like, Subscribe & Join our YouTube Channel!Please don't forget to⁠ LIKE & SUBSCRIBE⁠! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!

Welcome to the Who Would Win Masters Wrap Up Show!This week we are reading all your comments, reviews, and posts about James Bond vs Solid Snake with a special video appearance from the once and future gamer himself...Olly Lowe!Who Would Win Masters is all about the community, and we want to hear from YOU! So comment on our show posts on the Facebook Group, Instagram, Threads, and also our Patreon! TikTok too? YES!Ray and Sam are back to wrap up the community thoughts and talk a little bit about what they've been enjoying lately, maybe your next favorite thing is about to get a recommendation?If YOU think you've got what it takes, email a one minute demo to WhoWouldWinMasters@Gmail.com and let's see if you're ready to face the challenge...You can now support us on Patreon at Patreon.com/WhoWouldWinMastersCheck out the Who Would Win YouTube Channel!https://www.youtube.com/@WhoWouldWinMastersFollow us on Tiktok, IG, and Everywhere Else: @WhoWouldWinMasters @AlmightyRay316 @SamProofCheck out the Who Would Win Merch Store:WhoWouldWinStore.comOur Sponsors:* Check out BetterHelp: https://www.betterhelp.comSupport this podcast at — https://redcircle.com/who-would-win/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gastroenterologist Dr. Roshini Raj helps separate fact from myth when it comes to what's best for our guts and digestive health. Also, Billy Porter joins to discuss his new children's book ‘Songbird in the Light,' where he reflects on some of his own experiences to help young dreamers find their voice. Plus, Riz Ahmed stops by to catch up and talk about his new series ‘Bait,' where he plays a struggling actor auditioning for the role of James Bond. And, chef Gemma Stafford whips up a tasty potato dish with Irish scones for St. Patrick's Day. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"I mean it." Three simple words. Yet they may be the most important line ever spoken in a James Bond film.  In this episode of Cracking the Code of Spy Movies, we explore the moment when James Bond stops being a legend and becomes something far more human. The words "I mean it" appear during the proposal scene in ON HER MAJESTY'S SECRET SERVICE. Bond, played by George Lazenby, asks Tracy di Vincenzo to marry him. She asks if he truly means it. Bond answers quietly: "I mean it."  Those three words changed the Bond franchise forever.  Before this moment, Bond had already appeared in five films starring Sean Connery, beginning with Dr. No. These movies defined Bond as cool, detached, and emotionally unavailable. Romance existed, but commitment never did.  Then Tracy enters the story.  Played by Diana Rigg, Tracy is unlike any Bond woman before her. She challenges Bond. She understands him. She sees through the charm and armor.  And Bond does something unprecedented.  He proposes.  In this episode, we break down the barn proposal scene and its deeper meaning. The storm outside mirrors the danger surrounding them. Inside the barn, Bond reveals something rare: sincerity. The line "I mean it" signals vulnerability. Bond isn't delivering a clever quip. He's making a promise.  That promise changes the emotional stakes of the story. It also sets up one of the most tragic endings in the Bond series. Moments after their wedding, Tracy is murdered by Ernst Stavro Blofeld and Irma Bunt.  Bond's quiet line from earlier suddenly becomes heartbreaking.  We also explore how this moment echoes through later Bond films. References appear in THE SPY WHO LOVED ME, FOR YOUR EYES ONLY, and LICENCE TO KILL.   All of it begins with three words: "I mean it."  This episode reveals why that line reshaped the character of James Bond and the emotional core of the franchise.  Episode Highlights  Why "I mean it" reveals the most vulnerable moment in Bond history  How Tracy di Vincenzo changed the emotional rules of Bond films  The symbolism hidden inside the famous barn proposal scene  Why Tracy's death reshaped Bond's future relationships  The surprising references to this moment across later Bond movies  Tell us what you think about the line "I mean it". Is it the line that changed James Bond Forever?  We think this is an important line for the series.  Do you?  Let us know if you think we're right, or if you think we're nuts.  Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!     You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.     Episode Webpage:  https://spymovienavigator.com/episode/i-mean-it-the-line-that-changed-james-bond-forever 

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.

Matt and Eric, in the midst of the Sean Connery Bond run, examine what's quite possibly the best Bond flick of all time, ON HER MAJESTY'S SECRET SERVICE - featuring one-time Bond George Lazenby, a brute of a Blofeld in Telly Savalas, and ultimate Bond love Diana Rigg.

DEFENDANT: Agent 007, Commander James Bond EVIDENCE: Martinis SCENE OF THE CRIME: Our Secret Lair -- Hey friend — grab a glass and settle in. In this episode we put the martini itself on trial: from the citrus-bright Vesper to a garden-fresh basil-cucumber twist, plus a yuzu-matcha surprise that doubles as our truth serum. We sip, argue, and nerd out about James Bond — the actors, the gadgets, the infamous "shaken, not stirred" debate, and the songs that make you feel like walking into a slow-motion title card.   Expect cozy banter, a few too many martinis, pop-culture tidbits, and lots of affectionate teasing (and yes, some of that classic Bond misogyny and other problematic bits get called out). Whether you love Shirley Bassey, are Team Vesper, or just here for the gossip about which Bond almost died/was recast/played by a model who conned his way into a role — we've got you.   We keep it casual — like a long conversation with a friend who brought cocktails and way too many fun facts. If you've got martini riffs, Bond takes, or favorite theme songs, slide into our inbox — and cheers: 007 out.

Tonight... On the North American Friends Movie Club.A secret agent.A scary bad guy.And the world's most enchanting accountant.We watched the 2006 spy thriller - Casino Royale.So slip into your movie tuxedo.And shoot the power button on your television.Because we're the James Bonds of podcasts.And this show is the pistol we use at work.(three silenced pistol gunshots followed by a groan of death)

1WR continues helping you prepare for Hollywood's Biggest Night(TM), as Laci and Matt stir the pot and catch up on awards season before going deep on Marty Supreme. Then, Matt is joined by his friend Caleb Hogan to discuss Sinners, and the show closes with a conversation about Bugonia with returning guest Cinema Coconut.  Next week (March 20, 2026): Nothing But Trouble, where Dan Ackroyd plays dual roles: a judge with a penis for a nose and also a big diaper baby.    Time stamps: 00:15:30 — Marty Supreme 00:50:45 — Sinners (with Caleb Hogan) 01:22:55 — Bugonia (with Cinema Coconut)   Follow Neophyte Reviews! TikTok: @Cinema_Coconut Instagram: @Cinema_Coconut YouTube: @CinemaCoconut   Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

Every once in a while, a loophole in time, space, and copyright law opens and spits out an object straight out of bizarro world. The summer of '83 gave us an “official” James Bond film starring the well past-his-prime Roger Moore, and the fall of '83 answered with NEVER SAY NEVER AGAIN - an apostate remake of THUNDERBALL directed by the man who gave us THE EMPIRE STRIKES BACK and starring none other than Roger Moore's also well past-his-prime predecessor Sean Connery! What could possibly go wrong? Uh… a lot. Thrill to spine-tingling scenes of an aging superspy taking herbal treatments at a health spa! Marvel at the cringy romantic subplot with a way-too-youthful Kim Basinger! Gasp at the gravity defying athleticism of Sean Connery's toupee! Of course, it's not all bad news… turns out our old man Bond still has plenty of fuel left in the tank, and he is joined by the amazingly unhinged femme fatale Fatima Blush as played by the scenery-devouring Barbara Carrera, the Swedish sensation Max Von Sydow as the kitty-stroking supervillain Ernst Stavro Blofeld, and Bernie Casey as the Felix Leiter we all wish had gotten his own spinoff! It's James Bond as you have never seen him before! Actually, it's pretty much exactly as you have seen him before - but Paul, Javi, and their spymaster, Producer Brad love this franchise for all of its flaws, so dim the lights and chill the Geritol, because the Multiplex Overthruster crew will never… ever… say never again!Show Notes:Theatrical release date: October 7, 1983Janet Maslin NYT reviewRoger Ebert's reviewTheme music by Mike McGuillAdditional voicework by Russell BentleyFollow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Lights, camera, action! March Madness is in full swing, and this year we're breaking down a bracket of 36 iconic MOVIE SOUNDTRACKS! With four quadrants representing different genres and showcasing four facets of a meaningful soundtrack, this lineup is guaranteed to set the scene, get your adrenaline pumping, and tug at your heartstrings. Our audience had the opportunity to rank and score each song to determine our winners, and James and Connor are here to see how their personal brackets held up to public opinion.From the rich worlds of Middle Earth to a galaxy far, far away, from action heroes like Indiana Jones to James Bond, and from shark attacks to shower scares, this bracket has it all. We'll talk briefly about our experience with each movie and get to the bottom of what makes each score so special. We'll learn about iconic composers like John Williams, Hans Zimmer, and Alan Silvestri along the way! Each head-to-head matchup is a VERY close race, and every round is a chance at elimination. Who will rise to the top? Can we settle the score in 2026?!Did the audience's votes match your own bracket? What movies did we over/underhype and what else would you like to see represented? Let us know in the comments and on socials! Happy March Madness! Find playlists for each of these songs here:Spotify - https://open.spotify.com/playlist/1Ni4rnoeOp4DePi0mvzVeL?si=355aa17a8be64ea7YouTube - https://youtube.com/playlist?list=PLYumnChiw_I-rd015bWlwULcKuxx-mbhX&si=q9Z79YAcUCH93hsEKeep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro4:20 This Year's Bracket: Rules, Regions, And Voting9:40 Opening Ceremony12:57 Region One: Epic Worlds13:46 Epic Worlds Round 1.1: Binary Sunset (Star Wars) vs. Test Drive (How To Train Your Dragon)20:06 Epic Worlds Round 1.2: Welcome To Jurassic Park (Jurassic Park) vs. Now We Are Free (Gladiator)24:48 Epic Worlds Round 1.3: Hedwig's Theme (Harry Potter) vs. The Medallion Calls (Pirates Of The Caribbean)30:52 Epic Worlds Round 1.4: Concerning Hobbits (Lord Of The Rings) vs. Ripples In The Sand (Dune)34:32 Epic Worlds: Round 2.137:22 Epic Worlds: Round 2.238:10 Epic Worlds: Round 3.140:08 Region Two: Action & Adventure40:11 Action & Adventure Round 1.1: Desert Chase (Indiana Jones) vs. Komodo Dragon (James Bond: Skyfall)45:08 Action & Adventure Round 1.2: Time (Inception) vs. Stairs And Rooftops (Mission Impossible: Fallout)49:36 Action & Adventure Round 1.3: Portals (Avengers Endgame) vs. Storm Is Coming (Mad Max Fury Road)54:01 Action & Adventure Round 1.4: Like A Dog Chasing Cars (The Dark Knight) vs. The Clock Tower (Back To The Future)57:47 Action & Adventure: Round 2.158:35 Action & Adventure: Round 2.21:00:59 Action & Adventure: Round 3.11:03:28 Region Three: Tear Duct Titans1:03:42 Tear Duct Titans Round 1.1: Rose (Titanic) vs. Flying Theme (E.T.)1:08:05 Tear Duct Titans Round 1.2: No Time For Caution (Interstellar) vs. The Feather Theme (Forrest Gump)1:11:06 Tear Duct Titans Round 1.3: The King Of Pride Rock (The Lion King) vs. Going The Distance (Rocky)1:15:13 Tear Duct Titans Round 1.4: Married Life (Up) vs. Immolation (Schindler's List)1:18:08 Tear Duct Titans: Round 2.11:19:12 Tear Duct Titans: Round 2.21:19:57 Tear Duct Titans: Round 3.11:21:07 Region Four: Fear & Tension1:21:14 Fear & Tension Round 1.1: The Shark Approaches (Jaws) vs. Beau's Death Theme (A Quiet Place)1:24:51 Fear & Tension Round 1.2: Supermarine (Dunkirk) vs. In Motion (The Social Network)1:28:13 Fear & Tension Round 1.3: Trinity (Oppenheimer) vs. The Beast (Sicario)1:31:03 Fear & Tension Round 1.4: The Murder (Psycho) vs. Tubular Bells (The Exorcist)1:36:28 Fear & Tension: Round 2.11:36:59 Fear & Tension: Round 2.21:38:23 Fear & Tension: Round 3.11:39:54 The FINAL FOUR1:40:11 Round 4.11:41:40 Round 4.21:44:04 The FINAL SHOWDOWN1:47:37 Final Spin Hosted on Acast. See acast.com/privacy for more information.

DeHuff has beef with T-Mobile. Camel pageant - 20 competitors disqualified for using hump-plumping injectables.  Buffalo Wild Wings unveils wing-flavored protein espresso martini. That's not James Bond worthy. A teacher urinated into a canister and dumped it out moments before students entered his classroom. Yeah, they were fired. A parasite was allegedly found in a customer's Filet-O-Fish sandwich. Apparently, this is normal, and not a concern. U.K. Wife Carrying Race may be on DeHuff's agenda next year at this time. Buc-ee's has received an “F” rating from the Better Business Bureau for failing to respond to nearly 90 customer complaints. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This show is brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wilde & Harte⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Razors.Use TAILORS20 for a discount at W&H. https://wildeandharte.co.uk/And Prop Store. You can check out the latest auction with James Bond lots ⁠here⁠. ⁠https://bit.ly/bond_emlaus26⁠Join us on ⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠ for as little as a pound week. You'll get all the show notes, a bonus episode once a week and early access to the free show when possible. https://www.patreon.com/c/ThereWillBeMoreBondYou can tip the show with ⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/therewillbebondYou can sign up to ⁠⁠⁠⁠⁠⁠⁠the Newsletter⁠⁠⁠⁠⁠⁠⁠ for more Bond magic. https://fromtailorswithlove.co.uk/newsletterOn the show todayANYTHING BONDIAN ROB & PETE: We talk about the Macallan event we both attended. MIN 51 of OHMSSBond makes his ascent to Blofeld's Lair. What will he find up there? Will he make Happy Hour in time? Will Blofeld recognise him from You Only Live Twice? Will they point the toilet paper in his hotel room? NEWSSteven Knight heaps praise on Fleming, what does this mean for the franchise? Where is Bond heading directionally? Why does Rob always break wine glasses on the show? We finish with a Q&ALISTENER MAILFor listener mail : therewillbebond@gmail.comEpisode #120S2. EP#019

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This week Olly Lowe from Once and Future Gamer comes to us all the way from the UK to tell us why James Bond would defeat Solid Snake in an International battle!! Judge Sam Proof will render his verdict, but all listeners can join our Patreon as FREE MEMBERS and vote on who they think won this battle!Who Would Win Masters is the premiere Vs Battle Podcast where our resident Battle Master Ray Stakenas challenges the entire Who Would Win community to round after round of spirited debate!You can now support us on Patreon at Patreon.com/WhoWouldWinMastersIf YOU think you've got what it takes, email a one minute demo to WhoWouldWinMasters@Gmail.com and let's see if you're ready to face the challenge...Check out the Who Would Win YouTube Channel!https://www.youtube.com/@WhoWouldWinMastersFollow us on Tiktok, IG, and Threads: @WhoWouldWinMasters @AlmightyRay316 @SamProofCheck out the Who Would Win Merch Store:WhoWouldWinStore.com#WhoWouldWin#FictionalFights#VersusPodcast#UltimateShowdown#BattleDebate#PopCultureDebate#PodcastBattle#GeekDebate#NerdShowdown#CinematicClash#MetalGear #MetalGearSolid #SolidSnake #HideoKojima #StealthGames #TacticalEspionageAction #GamingPodcast #VideoGameDebate #GameLore #GamingCommunity#JamesBond #007 #BondJamesBond #SpyMovies #SpyVsSpy #Espionage #MI6 #BondFans #ActionMovies #MovieDebate#GeekCulture #PopCulture #Fandom #NerdCulture #GamingVsMovies #IconicCharacters #LegendaryCharactersOur Sponsors:* Check out BetterHelp: https://www.betterhelp.comSupport this podcast at — https://redcircle.com/who-would-win/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The 20 James Bond quotes in this episode reveal far more than clever dialogue. They uncover the psychology behind cinema's most famous spy. In this special episode of Cracking the Code of Spy Movies, we break down 20 James Bond quotes and explain what they really mean for the character and the franchise. For more than sixty years, James Bond has delivered unforgettable lines. Some are witty one-liners. Others are chilling threats. A few reveal surprising emotional depth. But behind many of these famous quotes lies something deeper. In this episode, we analyze the hidden meaning behind the most memorable dialogue in the Bond films. From cool moments of psychological dominance to tragic lines about love and loss, Bond's words often define the scene. We start where it all began. Bond's confrontation with Professor Dent in Dr. No reveals his calm authority. That single line shows how Bond wins mentally before he wins physically. We also explore subtle espionage clues. The famous "red wine with fish" remark in From Russia With Love highlights how tiny cultural mistakes can expose a spy. Of course, no Bond quote list would be complete without villains. Goldfinger's chilling laser scene reminds us that arrogance is often a villain's greatest weakness. Some quotes define Bond's personality. "Shaken, not stirred" shows ritual and control. "I never joke about my work" reveals Q's seriousness about saving agents' lives. Other lines reveal Bond's emotional side. "We have all the time in the world" may be the most tragic line in the entire series. And then there is the line that built the legend: "Bond. James Bond." In this episode, we break down how each line reflects Bond's psychology, his methods, and the evolving tone of the franchise.  You'll hear the stories behind these iconic moments. You'll also discover why Bond's dialogue still resonates decades later. In this episode, you'll discover: ·       The hidden psychological meaning behind Bond's most famous one-liners ·       How villains' quotes reveal their fatal flaws ·       Why humor helps Bond distance himself from violence ·       The deeper tragedy behind Bond's most emotional lines ·       How a single introduction built one of cinema's greatest characters Whether you are a lifelong fan or a new viewer, this episode offers a fresh perspective on the dialogue that defined the world's most famous spy. Tell us what you think about our look at the meaning behind these 20 James Bond quotes There are many quotes we could have used.  Which ones would you have replaced?  And what would you have taken out to fit what you added? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:   https://spymovienavigator.com/episode/top-20-james-bond-quotes-and-what-they-really-mean #JamesBondQuotes, #20JamesBondQuotes, #BondQuotes, #JamesBond, #SpyMovieQuotes, #MovieQuotes

Don't be shy, send me a message!Thomas Felix Creighton draws upon six years in China and knowledge of Ian Fleming's James Bond 007 to give an insight into how the series has merged fact and fiction, for the most part without friction. Books, websites, and movies mentioned:The World of Suzie Wong by Richard MasonThrilling Cities by Ian FlemingDr No by Ian FlemingTong Wars: The Untold Story of Vice, Money, and Murder in New York's Chinatown by Scott D. SeligmanThe Good Immigrants: How the Yellow Peril Became the Model Minority by Madeline Y. HsuThe Encyclopedia of Milwaukee [website]: https://emke.uwm.edu/entry/chinese/ Goldfinger by Ian Fleming (plus the movie with Sean Connery)You Only Live Twice by Ian Fleming (Thomas talks more about the movie though)The Man With the Golden Gun (just the movie with Roger Moore and Christopher Lee)For Your Eyes Only, movie directed by John Glen (see the 'Albion Never Dies' podcast episode released 17/12/2024)License to Kill (movie)Tomorrow Never Dies (movie)Zero Minus Ten by Raymond Benson (also, check out the 'Albion Never Dies' podcast episode #179)Die Another Day (movie)Skyfall (movie)...and these are just the key ones. Plenty more 007 and China references out there, I am sure. Support the showhttps://www.albionneverdies.com/

Matt and Eric head to Japan for the fifth JAMES BOND flick, YOU ONLY LIVE TWICE - which would be Sean Connery's final Bond...until money lures him back a few years later. It's Bond vs. Blofeld in a battle to the save the world from nuking out! 

On this episode, Austin and Tim have another stowaway on board, this time it's Austin's friend Patricia, making her watch 7 movies that she probably never would have watched if she didn't sneak on board the time machine. She had to endure: a silly martial arts flick Force:Five, Alan Alda's directorial debut The Four Seasons, a horror film starring Albert Finney Wolfen, Brian De Palma's Blow Out, Zorro The Gay Blade, Ringo Starr in Caveman, and Roger Moore as James Bond in For Your Eyes Only. Check out our biggest and longest episode yet!

Bond returns with Goldfinger. Is this peak Bond?

The John Friedrich case is considered one of the most spectacular cases of fraud in Australia's history. In the 1980s, Friedrich immigrated illegally from Germany, rose from an employee of a small rescue organization to the celebrated head of the National Safety Council of Australia (NSCA). With spectacular high-tech equipment that would have made even James Bond jealous, Friedrich becomes a national hero. But first doubts arise. - Der Fall John Friedrich gilt als einer der spektakulärsten Betrugsfälle in Australiens Geschichte. Der illegal aus Deutschland eingewanderte Hochstapler steigt in den 1980er-Jahren vom Mitarbeiter einer kleinen Rettungsorganisation zum gefeierten Chef des National Safety Council of Australia (NSCA) auf. Mit spektakulärer High-Tech-Ausrüstung, die selbst James Bond neidisch gemacht hätte, wird Friedrich zum Nationalhelden. Doch schon bald tauchen erste Zweifel auf.

Send a textWelcome everyone, to the conclusion of my interview with Professor and El Paso County Sheriff's Department Investigator Jennifer Bucholtz. Jennifer Bucholtz is a former U.S. Army Counterintelligence Agent, and a decorated veteran of the Iraq and Afghanistan wars. She holds a bachelor's degree in criminal justice from Northern Arizona University, a master's degree in criminal justice from the City University of New York's John Jay College of Criminal Justice, and a master's degree in forensic science from National University. Ms. Bucholtz has an extensive background in U.S. military and Department of Defense counterintelligence operations. Ms. Bucholtz is currently an adjunct faculty member at AMU and teaches courses in criminal justice and forensic sciences. Additionally, she is a cold case investigator for her local sheriff's office, host of AMU's investigative podcast “Break The Case,” and founder of the 501(c)3 nonprofit, Break The Case. Please enjoy this eye-opening and fascinating interview with someone who has done so many incredible things and continues to serve her community.  In today's episode, we discuss:·      Meeting Lt. Joe Kenda. ·      Why is she so interested in cold cases?·      The Steven Avery case.·      The Rebecca Gould murder. Was her killer a serial killer? All the missteps of the original detectives and how she overcame those errors. ·      Why does she still communicate with her murderer?·      Her company, Break The Case.org.·      The Debbie Sue Williamson case.·      What is her criteria for taking a case?·      Forensic and investigative science has never been better. Why are clearances not keeping up with the science? ·      What's in the future of cold cases? DNA keeps getting better, and perhaps using AI as a tool, not a replacement for humans. All of this and more on today's episode of the Cops and Writers podcast.Visit Break the Case!Visit the Cops & Writers Website!Check out my newest book! Police Stories: The Rookie Years - True Crime, Chaos & Life as a Big City Cop!My first week as a rookie cop, I had to decide whether to pull the trigger on a man running at me with a butcher knife. He'd just killed his brother over the last hot dog.That was my introduction to policing in Milwaukee.From Wall Street Journal-featured author Patrick O'Donnell comes a memoir of rookie years on Milwaukee's streets.Support the show

In this episode, the boys discuss Starfleet Academy, James Bond, and say goodbye to Robert Carradine, Robert Duvall and Tom Noonan.

Alex Perez is a filmmaker based in Chicago, IL! He is one of the founding fathers of Kino Crew Productions, the masterminds who orchestrated the iconic 'Gobblehead' series!

Check Playlist During this episode of The Five Count Ton described all his favorite places to frequent in New Ulm, Dustin explained his apprehension for watching the James Bond films for the first time, and we played all the songs on the “The Filthy 15” list the PMRC tried to warn us about. Take that, Tipper Gore!

On Episode 125 of The Shoot Around, Brandon Harper and seven-time NBA champion Robert Horry talk from Houston as Horry explains why he schedules dentist visits there. They discuss whether a recent hit on Nikola Jokic was a cheap shot, with Horry contrasting it to his own Steve Nash incident, calling his action petty and frustration-driven, and noting Jokic’s fall looked like a flop.   They debate late-season MVP finalists and the impact of the 65-game threshold, with Harper favoring Cade Cunningham and Horry backing Jaylen Brown for two-way play and team results, plus a sidebar on the Spurs’ young guards and unselfish team styles.   They reject a Mississippi proposal to exempt NIL earnings from state income tax, discuss potential travel-related NIL taxation, share favorite trash talkers (including a notorious Washington fan, Kevin Garnett, and Gary Payton), react to the Cardinals’ $29 all-you-can-eat ticket deal, and end with a joke prompt about the worst possible casting for the next James Bond.   00:00 Friday Show Intro 00:35 Dentist Trip Debate 01:51 Cheap Shot Talk 03:28 Nash Table Story 04:18 MVP Race Picks 06:51 Celtics Spurs Receipts 08:23 NIL Tax Exemption 11:03 Best Trash Talkers 13:59 All You Can Eat Tickets 16:21 Worst James Bond Casting

Hollywood's Biggest Night is almost upon us, and 1-Week Rental is gonna help you get ready by discussing the movies nominated for the biggest awards. In this, the first of our two-part series previewing the awards, Matt talks to his friends about six films: Frankenstein, If I Had Legs I'd Kick You, KPop: Demon Hunters, One Battle After Another, Train Dreams, and Weapons. Next week (March 13, 2026): Part 2 of our Oscars special continues reviewing huge Oscar movies! The week after that (March 20, 2026): Nothing But Trouble, where Dan Ackroyd plays a judge with a penis for a nose, and also a big diaper baby.    Time stamps: 00:01:40 — KPop: Demon Hunters (with Neophyte Reviews) 00:16:00 — Train Dreams (with Drewbie Doobie's Movies) 00:32:40 — If I Had Legs I'd Kick You (with Austin Proctor) 01:00:35 — Weapons (with Smash Trivia John) 01:27:27 — Frankenstein (with Spooky T & HFK) 01:45:45 — One Battle After Another (with Wade Hymel)   Follow Neophyte Reviews! TikTok: @neophyte_reviews Instagram: @neophyte_reviews YouTube: @neophyte_reviews   Follow Drewbie Doobie's Movies! Boiling Cactus Productions TikTok: @drewbiedoobiemovies Instagram: @drewbiedoobiemovies   Follow Austin Proctor! Listen to Frightmares on Apple Podcast (https://bit.ly/4nvmSGe) or Spotify (https://bit.ly/4nVvx4D) TikTok: @frightmarespodcast Instagram: @frightmarespodcast   Follow Smash Trivia John! Listen to Smash Trivia Presents: The Gamma Analysis on Apple Podcast (https://apple.co/4le1kgT) or Spotify (https://bit.ly/4lFpXmh)  TikTok: @SmashTrivia  Instagram: @smashtriviajohn YouTube: @smashtrivia3273   Follow Spooky T & HFK! Elevated Cryptid Productions Spooky T on TikTok: @tieracolette HFK on TikTok: @HFK48   Follow Wade Hymel! Listen to PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1) or Spotify (https://bit.ly/4a8jM6E) Dash Rip Rock's new album, A Song In Everyone (https://bit.ly/4q3gdDO) A Song In Everyone on vinyl (https://bit.ly/4r5ds5F) Wade's solo album, Who Said That? (https://bit.ly/3LPUNf3) Lilli Lewis (https://bit.ly/3NylTIj) Incubators (https://bit.ly/3LOeuUv) Rural Route Nine (https://bit.ly/45ny1Ss)     Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

Mark Pope on the Gators and the Wildcats; (5:00) we go deep on an SI.com commentary on the state of college athletics; (19:00) retired HL columnist John Clay on the retirement of Mitch Barnhart; (39:00) ex-Cat Sean Woods on motivating today's basketball players and words of wisdom that still live from the late Kobe Bryant; (58:00) West End Bureau Chief Gary Moore on baseball, basketball and James Bond...

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: What does the word 'diez' mean in Spanish? Question 2: Blade Runner was released in which year? Question 3: Who won the 2013 Academy Award for Best Leading Actress for playing the role of Jasmine in Blue Jasmine? Question 4: Which diabolical James Bond nemesis has been portrayed by both Donald Pleasance and Charles Gray? Question 5: Which philosopher famously said 'Man is the measure of all things'? Question 6: What did 'my true love give to me' on the ninth day of Christmas? Question 7: Chiwetel Ejiofor plays the role of which character in the Marvel Cinematic Universe? Question 8: In which country did the practice of 'Trick Or Treating' originate? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

This show is brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wilde & Harte⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Razors.Use TAILORS20 for a discount at W&H. https://wildeandharte.co.uk/And Prop Store. You can check out the latest auction with James Bond lots here. https://bit.ly/bond_emlaus26Join us on ⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠ for as little as a pound week. You'll get all the show notes, a bonus episode once a week and early access to the free show when possible. https://www.patreon.com/c/ThereWillBeMoreBondYou can tip the show with ⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/therewillbebondYou can sign up to ⁠⁠⁠⁠⁠⁠the Newsletter⁠⁠⁠⁠⁠⁠ for more Bond magic. https://fromtailorswithlove.co.uk/newsletterOn the show todayANYTHING BONDIAN ROB: Rob recalls a friend telling him he had lunch with Sean & Michelin in Marbella in the late ‘70sANYTHING BONDIAN PETE: I bumped into two girls at a dinner that both had names from Bond films.MINS 48 & 49 of OHMSSErnst Stavro Blofeld (Telly Savalas) attempts to legitimize his status by claiming the noble title of Count Balthazar de Bleuchamp. Bond is dispatched to Switzerland with a slightly funny voice to investigate. NEWSN/ALISTENER MAILFor listener mail : therewillbebond@gmail.comEpisode #119S2. EP#018

A View to a Kill (1985) was chosen by Chris, and it marked a significant transitional moment for the long-running James Bond franchise. Produced by Albert R. Broccoli and Michael G. Wilson and directed by John Glen, the film was developed during a period when the series was balancing its established formula with the shifting tone of mid-1980s blockbuster cinema. With a reported budget of around $30 million, the production aimed to deliver classic Bond spectacle while maintaining the polished globe-trotting style audiences expected. Notably, the film became Roger Moore's seventh and final appearance as 007, closing out the longest tenure of any Bond actor at the time.Principal photography took place across multiple international locations including France, the United Kingdom, and the United States, reflecting the franchise's continued commitment to large-scale, location-driven filmmaking. The production also leaned heavily into contemporary 1980s culture, most famously through its theme song performed by Duran Duran, which became one of the most commercially successful Bond themes ever released. Upon release, the film performed strongly at the global box office despite mixed critical reception. In the decades since, A View to a Kill has remained a notable entry in the Bond canon, often discussed both for its place at the end of the Roger Moore era and for its distinctly mid-80s tone and style.TRAILER GUY PLOT SYNOPSISOne agent. One mission. And a threat that could change the balance of power forever.When a ruthless new enemy emerges with ambitions that stretch far beyond ordinary crime, Britain's most dangerous operative is called back into action. From high-stakes chases to globe-spanning danger, the mission will push him to the limit like never before.A View to a Kill — the name's Bond… and the clock is ticking.FUN FACTSA View to a Kill features the only James Bond theme song to reach No. 1 on the US Billboard Hot 100, thanks to Duran Duran.At age 57 during filming, Roger Moore was the oldest actor to portray James Bond in an official Eon production.The film includes scenes shot at the Eiffel Tower, marking one of Bond's most memorable European set pieces.Christopher Walken became the first Academy Award winner to play a Bond villain in the official series.The movie was one of the highest-grossing films of 1985 worldwide, despite divided critical reviews.Grace Jones performed many of her own physical stunts, reinforcing her formidable on-screen presence.The title comes from an Ian Fleming short story, though the film's plot is largely original.This was the final Bond film produced entirely during the Cold War era, before the franchise shifted tone in later entries.The movie's San Francisco material has become particularly iconic among Bond location fans.Despite mixed reviews, the film maintains a strong nostalgia following among 1980s Bond audiences.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button.   This week we talk to Rachel Ray, CEO of the International Book Project, a nonprofit organization in Lexington, KY that helps make book lovers out of people all over the world. She talks to us about the logistics of shipping books and how close relationships with the Peace Corps and other nonprofits help get English-language books into people's hands.    And for our book recommendation section of the show, we are focusing on spies, but these definitely aren't of the James Bond variety. We offer up 6 book suggestions that stretch our understanding of an espionage story.  We are light on books set during the Cold War or World War II but instead focus on outside-the-box spy characters.      Books Mentioned in this Episode: 1- A Dark Room in Glitter Ball City by David Dominé 2- The White Heart of the Mojave: An Adventure with the Outdoors of the Desert by Edna Brush Perkins  3- Ghost Town Living: Mining for Purpose and Chasing Dreams on the Edge of Death Valley by Brent Underwood  4- Guards, Guards! (Discworld series) by Terry Pratchett  5- The Storyteller of Casablanca by Fiona Valley  6- Poets Square: A Memoir in Thirty Cats by Courtney Gustafson  7- A Five Star Read by Fellow Book Lover Jenni Scott @storytimereviews - Theo of Golden by Allen Levi  8- Oxford Soju Club by Jinwoo Park  9- Who is Vera Kelly? by Rosalie Knecht  10- An Extraordinary Union by Alyssa Cole  11- Liar and Spy by Rebecca Stead  12- Mr. Nice Spy by Tiana Smith  13- The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler by John Hendrix    Media Mentioned: 1- Murder in Glitterball City (HBO Max 2026) 2- John Hendrix's link to The Faithful Spy research - https://goose-hawk-c589.squarespace.com/bonhoeffer-research 3- Terry Pratchett Puzzle - https://bookshop.org/p/books/the-world-of-terry-pratchett-1000-piece-puzzle-a-discworld-jigsaw-by-paul-kidby-terry-pratchett/29dbddde082184ce?ean=9781399620697&next=t&utm_source=google&utm_medium=cpc&utm_campaign=%7Bcampaignname%7D&utm_content=6443417794&gad_source=1&gad_campaignid=16235479093&gbraid=0AAAAACfld41whhyxRMyYH28KslljMJPpx&gclid=EAIaIQobChMIieS7rND8kgMVYCBECB3sphbOEAQYByABEgIRtvD_BwE      

Coco gives us the news for the morning. We hear about marathon runners led astray, a mayor who arrested for sleeping with son's friend and more!

I have returned to the world of James Bond. This time I have Brian from Reviewing History to talk about Pierce Brosnan's mopst underrated outing as 007. It's The World is Not Enough!https://youtu.be/-2fkvVnjT4ohttps://rumble.com/v76kfak-the-world-is-not-enough-is-brosnans-most-underrated-bond-film-hack-the-movi.html

THE SPY IN BLACK is one of the most important early British spy movies ever made. In this episode of Cracking the Code of Spy Movies, we break down how this 1939 thriller quietly shaped the DNA of modern espionage cinema.  Directed by Michael Powell and starring Conrad Veidt and Valerie Hobson, this pre-World War II classic delivers psychological tension, moral ambiguity, and grounded tradecraft long before James Bond existed.  Set during World War I but released on the brink of World War II, THE SPY IN BLACK carries a prophetic edge. German U-boat commander Captain Hardt infiltrates Scotland to coordinate a devastating naval strike on Scapa Flow. What unfolds is a tense chess match of deception, divided loyalties, and emotional complication.  We explore how the movie humanizes enemy spies with its realistic depiction of espionage.  We also analyze Powell's shadow-heavy visual style and break down the moral gray areas at the story's core.  This episode dives into character psychology, historical context, filmmaking techniques, and spy craft that still resonate today. You'll hear how the movie influenced later espionage classics like THE SPY WHO CAME IN FROM THE COLD and even early James Bond storytelling, such as FROM RUSSIA WITH LOVE.  We also unpack:  The moral tension behind Captain Hardt's mission  Valerie Hobson's blueprint for conflicted spy characters  Submarine claustrophobia and psychological isolation  Realistic tradecraft versus cinematic shortcuts  Hidden genre elements that shaped British spy cinema  Unlike gadget-driven spectacles, THE SPY IN BLACK builds suspense through mood and character. It favors intelligence over explosions. It treats espionage as lonely, methodical, and morally complex.  If you love classic spy movies, Cold War thrillers, or the foundations of British espionage storytelling, this deep dive is essential listening.  This is where serious spy cinema began.  Tell us what you think about our decoding of the 1939 movie THE SPY IN BLACK  Have you seen this movie yet?  If not, did listening to this episode make you want to watch it?  If you have seen it, where do Dan and Tom get it right, and where do they get it wrong?  Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!     You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.     Episode Webpage:  https://spymovienavigator.com/episode/the-spy-in-black-decoded/ 

oin this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Casting Director Debbie McWilliams? LIFE IN FILM PodcastOur guest today has had a career that spans 5 decades, she discovered actors like Daniel Day-Lewis and has chosen the last three 007s, having recently won a Casting Lifetime Achievement Award, she is undoubtedly one of the most influential casting directors in film. Join us as we ask for her top pieces advice for actors, why no one wanted to the in ‘American werewolf in London'. And who would she cast as the next James Bond….Credits Include Casino Royal / Golden Eye / American Werewolf in London / The Bounty / Monty Python's The Meaning of Life / For Your Eyes Only / Superman II / III / A View to a Kill / Octopussy / Othello / Henrey V / The Living Daylights / Tomorrow Never Dies / The World is not Enough / Die Another Day / Hitman / Robin Hood / Centurion / Skyfall / Spectre / The Foreigner / No Time to Die ...etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------Our SponsorsMoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ provides you with access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------Thank you Debbie, Deborah and the rest at Independant talent. As always thank you to our sponsors better help and MoviePosters.com-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠!╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!

En fait c'est Lee Morrison, le responsable des cascades du film, qui a eu recours au soda pour préparer une poursuite spectaculaire à moto au début de Mourir peut attendre, avec notamment un saut vertigineux à plus de 100 km/h. Comme la route du village italien de Matera où elle se déroulait était faite de pavés glissants, pour éviter que James Bond (Daniel Craig) se gamelle, il a fait déverser sur le sol 32.000 litres de Coca-cola. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to the newest episode of Plot Spackle. Today is a special day because this is the first time we cover a Bond movie.  Too bad the movie is Moonraker. On this episode, Eric wonders "why male models?" John wants to skritch the snake. And Richard forgets a Bond. So grab your trusty watch. Pull up to an exotic locale, and listen to Plot Spackle! Music: TheFatRat - Epic https://lnk.to/ftrepic

Description Returning guest George Tsakiridis joins Joe to discuss James Bond from the film Skyfall. Because we’re talking about an extremely successful multimedia franchise, we spend a lot of time discussing trivia. Then we tackle our favorite James Bond film, … Continue reading →

Matt and Eric hold their breath and take the plunge into 1965's THUNDERBALL, which has Bond (at the height of BondMania) head to the Bahamas to track down some stolen nukes. Plus...SPA PRANKS!

On this weeks The Filmmakers Podcast are legendary creator Steven Knight (Peaky Blinders) and powerhouse actress/producer Hannah Walters (Boiling Point) who join Dom Lenoir (Winter Ridge) to discuss their hit Disney+ series, A Thousand Blows (2026). We delve into the true history of the Forty Elephants gang, the art of writing historical thrillers, and what it takes to produce high-end drama for global streamers. Steven also shares updates on the Peaky Blinders movie and writing the new James Bond, while Hannah discusses her mission with Matriarch Productions and her role as Eliza Moody. A masterclass in television architecture and independent producing. A Thousand Blows is OUT NOW on Disney and Hulu Links ⁠FOOD FOR THOUGHT⁠ documentary out NOW | Watch it FREE ⁠HERE.⁠ A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify, or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! ⁠PODCAST MERCH⁠ Get your very own Tees, Hoodies, on-set water bottles, mugs and more ⁠MERCH⁠. ⁠https://my-store-11604768.creator-spring.com/⁠   ⁠COURSES⁠ Want to learn how to finish your film? Take our POST PRODUCTION COURSE ⁠https://cuttingroom.info/post-production-demystified/⁠   ⁠PATREON⁠ Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? ⁠Join our Patreon⁠ for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at ⁠TheFilmmakersPodcast.com⁠   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson ⁠@gilesalderson⁠ Logo and Banner Art by ⁠Lois Creative ⁠ Theme Music by ⁠John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Just as James Bond was promised to return at the close of each of his installments, I am back with a sequel to part 1 of my extended interview with Neil S. Bulk, soundtrack album producer and editor. In Part 1, I caught up with Neil specifically about his work on the expanded and remastered soundtracks from these select James Bond movies - GOLDFINGER, THE MAN WITH THE GOLDEN GUN, MOONRAKER and LICENCE TO KILL.    Here in part 2 we turn our attention to two album releases from earlier in 2025 - THUNDERBALL (1965) and ON HER MAJESTY'S SECRET SERVICE (1969). My thanks to Neil for talking with me for an extended time and thanks to all of you for listening and the continued interest in and support of the podcast!   Below are the films and artists represented in this episode, with the time index for quick reference: Intro - 00:00:00 ON HER MAJESTY'S SECRET SERVICE (1969) (songs and score by John Barry, song lyrics by Hal David, vocals by Louis Armstrong on "We Have All The Time In The World" and Nina on "Do You Know How Christmas Trees Are Grown?") - 00:03:50 THUNDERBALL (1965) (songs and score by John Barry, lyrics by Don Black, with vocals by Tom Jones on "Thunderball" and Dionne Warwick and Shirley Bassey, respectively, on "Mr Kiss Kiss Bang Bang") - 00:30:14   Stay safe out there, take care of yourself and each other!    Albums discussed now available at: La La Land Records   Connect with the podcast on Facebook, Twitter and Bluesky: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod https://bsky.app/profile/score2settlepod.bsky.social   Email the show at ascoretosettlepodcast@gmail.com   

Your long-lost legends of long-winded lore are back, reporting live from the 2026 Web Summit Conference in Doha, Qatar! Together they proudly present the second installment of their pop culture anecdote grab-bag: TMI: Oops, All Digressions. This time around, they dive into the origins (and alternate-universe casting) of the James Bond franchise — including the hilariously un-spy-like way Ian Fleming stole the name “James Bond” from a real-life bird expert, plus the many almost-Bonds who nearly wore the tux. From there, the conversation takes the scenic route into how Bond indirectly helped inspire Indiana Jones, why Spielberg never got his 007 shot (but still got the last laugh), and a detour through Terminator lore — from Arnold’s gun-range training to the surprising movie that earned him his biggest payday. Meanwhile, Heigl breaks down the proud, baffling tradition of electric jug music via the 13th Floor Elevators, and Jordan nerds out on the strange history of currency (stone money, cheese wheels as collateral, and why your penny is living on borrowed time) before sliding into the origins of playing cards — capped off by the mind-melter that there are more possible shuffles of a deck than there are atoms on Earth. So strap in for TMI: Oops, All Digressions! No structure. No safety net. Just facts. (Recorded February 2, 2026.)See omnystudio.com/listener for privacy information.

Send a textWelcome everyone to part one of my interview with Professor and El Paso County Sheriff's Department Investigator Jennifer Bucholtz. The conclusion of this interview will air next Sunday!Jennifer Bucholtz is a former U.S. Army Counterintelligence Agent and a decorated veteran of the Iraq and Afghanistan wars. She holds a bachelor's degree in criminal justice from Northern Arizona University, a master's degree in criminal justice from the City University of New York's John Jay College of Criminal Justice, and a master's degree in forensic science from National University. Ms. Bucholtz has an extensive background in U.S. military and Department of Defense counterintelligence operations. Ms. Bucholtz is currently an adjunct faculty member at AMU, teaching courses in criminal justice and forensic sciences. Additionally, she is a cold-case investigator for her local sheriff's office, host of AMU's investigative podcast “Break The Case,” and founder of the 501(c) (3) nonprofit, Break The Case.Please enjoy this eye opening, and fascinating interview with someone who has done so many incredible things and continues to serve her community.  In today's episode, we discuss:·      Jen's Childhood and influences. ·      Working as a corrections officer in a maximum-security prison.·      Her internship with the New York Medical Examiners' Office.·      Her first death case and autopsy.·      Joining the army and being a counterintelligence agent.·      What it was like interrogating enemies of the United States.·      Using science and intuition in her interrogations.·      Body language, micro-expressions, and other clues in interrogations.·      Her book, There is no GOAT.·      People in Afghanistan not knowing about 9/11 or Osama Bin Laden·      Post-military life and working as a contractor overseas.·      Working for the State Department, teaching Indonesian police.·      Being a college professor.·      Her interest in cold cases. All of this and more on today's episode of the Cops and Writers podcast.My first week as a rookie cop, I had to decide whether to pull the trigger on a man running at me with a butcher knife. He'd just killed his brother over the last hot dog.That was my introduction to policing in Milwaukee.From Wall Street Journal-featured author Patrick O'Donnell comes a memoir of rookie years on Milwaukee's streets.Support the show

  Are you a fan of Japanese films? We'll find out of Sean and Parker are this week. First, the boys talk about an anticlimactic movie theater experience and the climactic James Bond experience. They then talk about some intense women's wrestling from Japan! After that, the boys discuss "River" from 2023. The movie, directed by Junta Yamaguchi, is the semi-sequel to a movie the boys did on JFD called "Beyond the Infinite Two Minutes." In this one, the guests and staff of a Japanese ryokan inn are experiencing a repeating two-minute time loop. But why? All this, plus silliness and goofy times! Direct Donloyd After listening, go to the Discord or the Patreon or tell a friend to listen. Why not?

How many times have you attempted a trick or a move in a row before finally getting it? It's probably a lot fewer than 400. Today, Danny MacAskill breaks down the trick that taught him how to persevere and overcome the impossible.Danny's Inspired Bicycles video was a sensation. Everyone was talking about it, sharing it, and our minds were blown. What happened after that video is well known, and to say it went a wee bit viral is an understatement, since it has amassed over 40 million views, launching Danny's prolific career that has now spanned over 16 years, and has given us so many memorable moments.Danny talks about other challenging tricks, like front flipping off Edinburgh Castle, as well as his worst injuries, exploring new terrain on his eBike, trials riding with a motor, creative jogging, and why he should be in the next James Bond film.RELATED LINKS:Blister Mountain Bike Buyer's GuideBLISTER+ Get Yourself CoveredTOPICS & TIMES:Being a Hero to Kids (2:18)Danny's Bike Idols (3:47)Trials Riding on eBikes (12:04)James Bond (15:40)The “Spiky Fence” Trick (16:53)Front Flipping off Edinburgh Castle (25:38)His Long Injury List (32:03)Is Danny Slowing Down Moving into his 40s? (39:50)Why Nipple Height is Important (40:33)Keeping Soul in his Riding & What he's Producing (43:42)His Love of Music & What He's Listening to (50:46)CHECK OUT OUR OTHER PODCASTS:Blister CinematicGEAR:30Blister PodcastCRAFTED Hosted on Acast. See acast.com/privacy for more information.

This week, we welcome back comic creator Nick Goode, a good friend from the very beginnings of the show! The guys kick things off with a Retro Round Table dedicated to the greatest spies in pop culture history. They discuss everything from the comedy of Spies Like Us and Inspector Gadget to the gritty realism of Tinker Tailor Soldier Spy and The Imitation Game. Plus, we debate the future of James Bond and settle the score on which N64 shooter reigns supreme. Then we turn our attention to Nick to discuss his comic Sussex: Chapters Three and Four, currently available on Kickstarter! Nick explains how he blends a World War II espionage thriller with personal themes of mental health, anxiety, and depression. It is a fascinating look at how real history and personal struggles come together in Chapters 3 and 4 of his story. Don't miss your chance to back this project! Click the link below! Sussex: Chapter Three and Four Kickstarter Link: https://www.kickstarter.com/projects/nickgoode/sussex-chapters-three-and-four?tab=prelaunch-story Nick on Instagram: @goodie182 CannedAirPodcast.com Instagram: @Canned_Air TikTok: @CannedAirPodcast Thanks for watching! Be sure to like, comment, and subscribe to the channel for more amazing guests and episodes. Check out more exclusive content on Patreon and join the Canned Air community. We appreciate your support!  #comics #comiccreator #kickstarter #spies #podcast #goldeneye007n64 #goldeneye007 #jamesbond007 #popculturespies #wwiispystories Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Tom and Julie review Vanity Fair's "the new late night" cover story, decide on who the next James Bond should be, open more Pay Pig packages, and find out how Michael Rapaport eats his dinner. Plus they watch clips of the ShamWow guy announcing he's running for congress in Texas, Frankenstein singing "Smooth" at Universal Studios Japan, and a McDonald's orientation video from 1992.Don't miss this month's livestream coming up on Wednesday 2/25 at 8pm ET (5pm PT) only at https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLIPS FROM THIS WEEK'S EPISODE:-Vanity Fair "The new late night"https://www.vanityfair.com/hollywood/story/new-late-night?srsltid=AfmBOooI8bzQbETbT1tDz1XahMIueUCYhIgrkSlA7pNJ9R0yftOrvQoP-Shamwow guy running for congress in Texashttps://www.youtube.com/watch?v=EIz6B7aGC2E-Frankenstein sings "Smooth" at Universal Studios Japanhttps://www.tiktok.com/t/ZTh9abHNr/-Welcome to Team McDonald's: Orientation (1992)https://www.instagram.com/p/DRsL6GzkUVj/-Michael Rapaport eatinghttps://www.reddit.com/r/funny/comments/1qe4pet/michael_rapaport_eating_dinner_like_a_normal/Our brand new Double Threat merch is AVAILABLE NOW at https://doublethreatpod.merchtable.com - Join the Patreon to receive an exclusive discount code at https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, merch store discounts, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WATCH VIDEO CLIPS OF DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE DOUBLE THREAT FAN GROUPS*Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Reddit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEND SUBMISSIONS TO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PAY PIGS ONLYhttps://www.amazon.com/hz/wishlist/ls/1Y826FGBNP19R?ref_=wl_shareDOUBLE THREAT IS A FOREVER DOG PODCAST⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song by Mike KrolArtwork by Joe Frontel00:00 Intro07:46 Vanity Fair "the new late night"26:04 Dogs 28:21 Thick Mick pic UPDATE from liljudyfunfun30:11 The new James Bond34:32 Shamwow guy running for congress in Texas44:23 Opening packages from Pay Pigs53:20 Frankenstein sings "Smooth" at Universal Studios Japan59:55 McDonald's orientation video01:11:30 Michael Rapaport eating01:14:38 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

1. Eric Dane, Grey's Anatomy and Euphoria Star, Dead at 53 Nearly 1 Year After Announcing ALS Diagnosis (PEOPLE) (16:57) 2. Jacob Elordi allegedly offered James Bond role in Denis Villeneuve's Bond 26 (The Express Tribune) (22:47) 3. Phoebe Dynevor To Star In 20th's Adaptation Of Emily Henry Bestseller ‘Beach Read' (Deadline) (30:14) 4. Chelsea Handler, Zoe Young to Develop Hulu Comedy Series About Washed-Up Reality Star (Variety) (33:38) 5. Lisa Rinna Clarifies Rumors That Colton Underwood Stormed Out of The Traitors Reunion amid Their Feud (PEOPLE) (48:00) - The Real Housewives of Beverly Hills Recap (1:00:03) - Queenie and Weenie of The Week (1:09:26) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In Learn more about your ad choices. Visit megaphone.fm/adchoices

Half of everything is luck, the other half is The Rewatchables. The Ringer's Bill Simmons, Chris Ryan, and Sean Fennessey revisit the first James Bond film with Pierce Brosnan in ‘GoldenEye' also starting Sean Bean, Izabella Scorupco, and Famke Janssen. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic Learn more about your ad choices. Visit podcastchoices.com/adchoices