Podcast appearances and mentions of David Bowie

Am 30. August 1980 fand im damaligen West-Berlin vor dem Reichstagsgebäude ein ikonisches Konzert statt. Die Band Barclay James Harvest spielte ihr Konzert "Berlin (A Concert For The People)". Rund 175.000 Menschen kamen zu diesem ikonischen Open-Air-Konzert. Das Ereignis wurde nicht nur verfilmt, sondern 1982 auch als Livealbum veröffentlicht. Das Album erreichte in Deutschland die Spitze der Charts und durfte laut Meilensteine-Host Frank König damals in keiner Teenager-Plattensammlung fehlen. Zum Zeitpunkt des Konzerts war Berlin noch eine geteilte Stadt. West-Berlin entwickelte sich in den 1960ern und besonders in den 70ern zu einer musikalischen Brutstätte. Bekannte Künstler wie David Bowie und Iggy Pop hielten sich zu dieser Zeit in diesem Teil der Stadt auf. Im Ostteil sah es bekanntlich ganz anders aus. Westliche Musik war für den Osten unerreichbar und es durfte nur das gehört werden, was systemkonform war. Als mit Barclay James Harvest eine der erfolgreichsten Bands der Welt ein Konzert direkt an der Berliner Mauer spielte, war das deshalb ein sehr besonderer und symbolträchtiger Moment. Direkt vor dem Reichstagsgebäude spielten Barclay James Harvest Lieder wie "Berlin" und "In Memory Of The Martyrs". "In Memory Of The Martyrs" erinnert an die vielen Menschen, die bei ihrer Flucht über die Mauer ihr Leben verloren, während "Berlin" die Atmosphäre und das Lebensgefühl der geteilten Stadt einfängt. __________ Über diese Songs vom Album "Berlin (A Concert For The People)" wird im Podcast gesprochen: (05:04) – "Berlin"(09:49) – "In Memory Of The Martyrs"(15:50) – "Mockingbird" (1980 Berlin Live Version)(23:41) – "Life Is For Living"(26:03) – "Loving Is Easy"(29:30) – "Child Of The Universe"(35:00) – "Hymn"__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/barclay-james-harvest-berlin-a-concert-for-the-people __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

I'm delighted to be joined by Swiss singer, songwriter,  composer and record producer, Franz Treichler, best known as the vocalist and founder member of the hugely influential industrial rock band The Young Gods.Franz formed The Young Gods in 1985 and the original lineup of the band featured  The original lineup of the band featured singer Franz Treichler, Cesare Pizzi and drummer Frank Bagnoud. Known for their innovative use of samplers in rock music, the band have influenced a number of artists, including Mike Patton from Faith No More, American industrial band, Ministry and even David Bowie, who cited the Young Gods as a direct influence on his 1996 album ‘Outside'. Impressive stuff! We discuss, amongst other things, the making of The Young Gods ninth studio album, ‘Appear Disappear' released in back in June. 

En nuestra centésima décima sexta entrega llega por fin a la Retardis uno de los grandes clásicos del género, largo tiempo solicitado por nuestros oyentes: Philip K. Dick. Dada la complejidad de su vida y obra, y al igual que con otras "vacas sagradas" que se han pasado por aquí, dedicaremos varios programas a su figura. En este primer programa nos centraremos en los primeros años de su biografía y sus primeros pasos en la literatura, comentando el primer volumen de cuentos publicado por Minotauro que abarca la obra producida entre 1951 y 1952. - Introducción. (0:08:30) - Biografía. Infancia y juventud. (0:25:15) - Comentario de los cuentos. 1951-1952. (3:13:30) - Paycheck. Relato y adaptación al cine. (5:39:00) - Comentarios de los oyentes y despedida. (6:11:15) Nos acompaña como música de ambiente "Psychedelic Desert Rock _ Downtempo Trip Hop & Psychedelic Music Mix" de Anatolian Production (https://youtu.be/5cMEpWJIE4A?si=K1OiG-bsswBa9SLN) y cerramos con "Ashes to ashes" de David Bowie. La sintonía, como de costumbre, es el "Spectre Detector" de los Tiki Tones. Síguenos y contacta con nosotros a través de Facebook (www.facebook.com/retronautas), Twitter (@losretronautas), Bluesky (@losretronautas.bsky.social) o escríbenos a nuestro correo electrónico: losretronautas@gmx.com Puedes también unirte a nuestro canal de Telegram. Contacta con nosotros para facilitarte el enlace. Si te ha gustado este programa y quieres invitarnos a un café, puedes hacerlo a través de: https://ko-fi.com/retronautas Y si estás comprometido con la C-F viejuna puedes unirte a la infantería móvil retronaútica en: https://www.patreon.com/losretronautas o aquí mismo, en Ivoox. Como patrocinador, serás informado de nuestros planes de vuelo, y tendrás acceso anticipado a los podcast "Micronautas". Saludos desde los días del futuro pasado.

This month head back to Colin & Ian's teenage years and Tracey's not quite as teenage years to discuss the emergence of post rock, jangly indie rock, noisy glitchy electronica, stompy nu-metal & Vic Reeves with a cold.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - A, Aphex Twin, The Beta Band, Bjork, David Bowie, Deftones, Depeche Mode, Tanya Donelly, Mark Eitzel, Faith No More, Godspeed You Black Emperor, Kenickie, Low, Lullaby For The Working Class, Machine Head, Billy Mackenzie, The Mighty Mighty Bosstones, Mogwai, Nine Inch Nails, Paradise Lost, Pavement, The Prodigy, Radiohead, Rammstein, Samiam, Snot, Strapping Young Lad, Teenage Fanclub, Tindersticks, & Yo La Tengo.Find all songs in alphabetical order here - https://open.spotify.com/playlist/1xtkvukpolmGURUNJTQc5n?si=efff4c4045d84620Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

durée : 00:02:44 - Thomas Pradier : élégance rock - Le chaînon manquant entre David Bowie, Radiohead, Alain Souchon et Lou Reed est toulousain, et se nomme Thomas Pradier. Un artiste qui ne triche pas, et dont le nouvel album "Tout Passe" sera disponible le 5 septembre prochain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

En 2016, seis meses después de la muerte de David Bowie, Maika participó en un festival homenaje en el que se juntaron muchos de los grandes nombres de la música de nuestro país con varios músicos que acompañaron a Bowie a lo largo de su carrera. Ese día le deparó muchos grandes momentos y encuentros musicales en el futuro.

It's the end, the end of the Seventies.It was a decade that had started with Edison Lighthouse and ended with Another Brick in the wall. After 221 number one singles, the decade that had given us everything from Bowie to Bell bottoms, from Chopper bikes to Chiquitita, Glam to Punk, and Sapphire to Steel, was closing down - and at a sensible hour too!On the 31st December 1979, Kenny Everett asked the (more discerning) viewers on ITV, if he would indeed make it 1980. With the iconic help of Roxy Music, David Bowie, The Boomtown Rats and many more, he just about crossed over into that new decade. But really listens, the future was already with us.And yes, 1979 did seem rather grim - a winter of discontent, political upheaval, TV strikes and terrorism. But isn't this exactly the kind of period when popular culture and significantly POP, POP, POP MUZIK comes to save us all? The kids were indeed, alright!So, in the company of some very special guests - singer/songwriter and pop legend Nick Heyward and Record Collector's very own Daryl Easlea - as we revisit the cultural tsunami that is the NOW Yearbook 1979. Rediscover a glittering embarrassment of 7” smashes from the likes of Sparks, Chic, Blondie, Squeeze, Ian Dury & the Blockheads, Roxy Music. The list, just like the glorious pages of Daryl's 1979 diary goes on and on.As well as sharing his fabulous boxset, 1993–1998: The Epic & Creation Years, Nick tells us about how important 1979 was in shaping his own musical journey. From the early days of (what would become) Haircut 100, to rediscovering kitchen sink somewhere up a junction, to defining a look and sound as the seventies morphed into the eighties. We explore the sounds of 1979 - from XTC to The Knack, from Rainbow to Sad Cafe (yes, really!), how punk was evolving into New wave, which was evolving into New Pop which… (yes, we get the idea: Ed)And also how video wasn't exactly killing the radio star, but through visuals a new age was really dawning for pop. So, lets take a One Way Ticket, One Step Beyond some Parisienne Walkways (we're not keeping these in! Ed)1979.Wow, indeed. Hosted on Acast. See acast.com/privacy for more information.

La portada de esta sesión tenía que ser para ellos indiscutiblemente, porque hoy The Hives (que ponen la sintonía de cada Viernes Eléctrico) publican nuevo disco, con un título que es toda una auto reivindicación: 'The Hives Forever Forever The Hives'. Escuchamos tres de nuestras canciones favoritas y seguimos celebrando la llegada del fin de semana con temores de Dinosaurios Pile-Up, The Warning, Bring Me The Horizon, Twenty One Pilots, The Bellrays, Dead Poet Society, Linkin Park, Creeping Jean y Spoon, entre otros.Playlist:THE HIVES - Roll Out The Red CarpetTHE HIVES - Bad CallTHE HIVES - O.C.D.O.D.BASS DRUM OF DEATH - Never Gonna Drink About YouTY SEGALL - You're The DoctorTHE BELLRAYS - Black LightningTHE DATSUNS - MF from HellAC/DC - Beating Around the BushDINOSAUR PILE-UP - Back FootDINOSAUR PILE-UP - Punk KissDEAD POET SOCIETY - Hurt (feat. The Warning)DEAD POET SOCIETY - .intoodeep.THE WARNING - Automatic SoulBRING ME THE HORIZON - Can You Feel My HeartTWENTY ONE PILOTS - Jumpsuit / Heavydirtysoul (Livestream Version)TWENTY ONE PILOTS - Drum ShowLINKIN PARK - The Emptiness MachineBIFFY CLYRO - Hunting SeasonFOO FIGHTERS - All My LifeQUEENS OF THE STONE AGE - No One KnowsAUDIOSLAVE - GasolineTHE HIVES - Get FreeTHE BLACK KEYS - I'll Be Your ManTHE WHITE STRIPES - Dead Leaves and the Dirty GroundPORCUPINE TREE - Blackest EyesRED HOT CHILI PEPPERS - By the WayCREEPING JEAN - Sassy Got ShakesSTEEL BEANS - Big DumbSPOON - Chateau BluesJD MCPHERSON - Let The Good Times RollDAVID BOWIE & MICK JAGGER - Dancing in the Street (Steve Thompson Mix)Escuchar audio

Dva dimnikarja v sodobnem Oslu v srednjih letih, vodja oddelka in njegov podrejeni, oba srečno poročena z družinama, sta prijatelja tudi v zasebnem življenju. Medtem ko šef pripoveduje o svojih ponavljajočih se sanjah, v katerih se mu poželjivo prikazuje David Bowie, njegov kolega skoraj mimogrede navrže, da se je prejšnji dan prepustil spontanemu seksu z moškim, eno od naključnih strank. To presenetljivo epizodo je sicer priznal tudi svoji ženi, a izpoved pade mednju kot bomba in sproži verigo samoanalitičnih pogovorov med njima in njunima partnericama. Norveški film Seks je uvodni del ohlapne trilogije vsestranskega ustvarjalca Daga Johana Haugeruda, v kateri se ukvarja s premislekom razmerij v današnji družbi. Podobno kot Sanje, ki so svojo pot v kinu pričele teden prej, je tudi Seks pretežno dialoški film, vendar ves čas vzdržuje napetost, ki izhaja iz uvodne premise, pa tudi iz recimo temu odnosa med notranjim in zunanjim svetom. Uvodna anekdota je tako šokantna za vse vpletene, da imajo vsi težavo z ubesedovanjem svojih občutij in poskusom njihovega razumevanja, oziroma vloge samih sebe znotraj te nove resničnosti. Avtor v filmu lepo pokaže, kako sta spolnost in intimnost – ne nujno stoodstotno prekrivajoči se področji – še vedno zagatni tudi v liberalni, strpni in napredni družbi 21. stoletja. Precej pomenljivo je, da glavna lika nimata osebnih imen; zdi se, da hoče režiser in scenarist med kopanjem po najbolj zasebnem hkrati ustvariti neko širšo, občo prispodobo. Tu je tudi manjši pomislek glede pristopa, ki je v veliki meri intelektualističen. Če pustimo razredne stereotipe ob strani, je nekoliko težko pogoltniti dejstvo, da dimnikarja razpravljata, kot da bi imela prebrane »Misli« Blaisa Pascala ali Sørena Kierkegaarda, učiteljica za glasbo pa enemu od njiju kot terapijo priporoča Hanno Arendt … Éric Rohmer v svoji brezčasni mojstrovini Moja noč pri Maud, ki ga s Seksom povezuje kar nekaj podobnosti, te napake ni naredil. A splošna obravnava snovi Daga Johana Haugeruda je vseeno dovolj šarmantna, da je mogoče to spregledati – dopuščam možnost, da je prav v tem pristopu preseganje razrednih pričakovanj – in preprosto uživati v njegovem razmisleku o poželenju in spontanosti, pa tudi o mejah med heteronormativnostjo in homoseksualnostjo. Morda tudi o krizi srednjih let kot najbolj banalni interpretaciji. Tudi o tem, kakšne so resnični odtenki med prevaro in izdajo znotraj partnerske z(a)veze, med fantazijo in uresničenjem, pa o telesnosti, užitku in čustvih, tudi o religioznih pogledih ter (samo)omejitvah. Kljub temu da ima film Seks v pripovednem jedru neko transgresivno epizodo, ki to je ali pa morda tudi ni, in pri vseh vpletenih zbuja precejšnjo zadrego, je značaj filma blago komičen in hkrati toplo sočuten, globoko human.

When you think about '70s rock 'n' roll, few names bring to mind teenage rebellion and raw energy like Cherie Currie, the original lead singer of The Runaways. She was only 15 years old when she fronted one of the most groundbreaking all-girl rock bands of the era, making waves with her powerhouse voice, striking stage presence, and that iconic corset-and-chains outfit that became part of rock history.Cherie was born in California and grew up in the heart of the San Fernando Valley. Before she ever thought about fronting a rock band, she was just a music-obsessed teenager who idolized David Bowie. In fact, it was her love of Bowie's glam-rock style that shaped her own look and attitude. Cherie was already performing in small gigs around L.A. when Kim Fowley and Joan Jett came calling. They were putting together a tough, edgy, all-female rock band that would soon shake up the male-dominated music scene.In '75, Cherie joined The Runaways, alongside Joan Jett, Lita Ford, Sandy West, and Jackie Fox. She quickly became the band's lead singer, famous for belting out songs like “Cherry Bomb”, which became the group's signature anthem and is still celebrated as one of the defining punk-rock tracks of the ‘70s. Currie's onstage persona—provocative, fearless, and rebellious—made her a standout in the band and a poster child for teenage rock rebellion.The Runaways were groundbreaking. They weren't just a novelty “girl band”—they could really play. The girls toured the world and in Japan they were treated like superstars. But behind the scenes, things weren't always as glamorous. Tensions within the band, combined with the pressures of fame, the exploitation of young girls in the rock world, and substance abuse struggles, led to Cherie leaving The Runaways in '77—just two years after she'd joined.Life after The Runaways was a wild mix of ups and downs for Cherie Currie. She launched a solo music career, releasing the album Beauty's Only Skin Deep in '78 and later teaming up with her identical twin sister, Marie Currie, for the duet album Messin' with the Boys in '80. Cherie also explored acting. She starred alongside Jodie Foster in the cult classic film Foxes (1980) and appeared in other films throughout the ‘80s and ‘90s, including Parasite and Twilight Zone: The Movie.But Cherie didn't stop there. She reinvented herself yet again—as a chainsaw artist. In the 2000s, she became an award-winning chainsaw carver, creating intricate wooden sculptures that stunned critics and fans alike.In 2010, interest in her story skyrocketed with the release of The Runaways movie, starring Dakota Fanning as Cherie and Kristen Stewart as Joan Jett. The film reignited global attention for the band, cementing Cherie's legacy as a trailblazer for women in rock. Around the same time, she published her memoir Neon Angel: A Memoir of a Runaway, a raw, honest account of her life in and out of the band.She's continued to perform music into recent years, releasing the 2019 album Blvds of Splendor.Cherie Currie will always be remembered as the fierce blonde teenager who stepped onstage and screamed “Hello world, I'm your wild girl!” with The Runaways. She was part of a band that kicked open doors for future generations of female rockers—from Joan Jett's later success with The Blackhearts, to the riot grrrl movement, to today's women-led rock bands.Her story isn't just about teenage fame—it's about survival, reinvention, and proving that rock 'n' roll really can be forever.This week Cherie joins us to share it all.I'd love to hear if you enjoy this episode. Please reach out with any comments or suggestions through the website: https://www.abreathoffreshair.com.au

Pour cette deuxième soirée de la semaine, Marjorie Hache installe une ambiance résolument rock dans Pop-Rock Station. L'émission s'ouvre sur Jimi Hendrix, suivie des riffs de Nirvana, AC/DC ou encore The Smiths. Parmi les nouveautés, l'album de la semaine "Private Music" des Deftones dévoile ce soir le titre "Infinite Source". L'Irlandaise CMAT séduit avec "Euro-Country", tandis que Jehnny Beth revient avec "You Heartbreaker You", un morceau teinté d'influences industrielles. Le choix de Francis Zegut met à l'honneur Ghostwoman et son psych-blues vaporeux. Côté reprises, Car Seat Headrest revisite "Golden Years" de David Bowie. L'émission fait aussi la part belle à Joan Baez, Led Zeppelin, The Last Dinner Party, Bruce Dickinson et Nathalie Bergman, sans oublier le second souffle psychédélique offert par Tame Impala. Jimi Hendrix - Foxy Lady Cmat - Euro-Country (Short Radio Edit) Garbage - There's No Future In Optimism Nada Surf - Always Love Journey - Don't Stop Believin' Nirvana - Where Did You Sleep Last Night (Unplugged In New York Live 1994) Joan Baez - House Of The Rising Sun Deftones - Infinite Source AC/DC - Girls Got Rythm The Strokes - Last Nite James Brown - Get Up I Feel Like Being A Sex Machine Jehnny Beth - No Good For People Car Seat Headrest - Golden Years System Of A Down - Toxicity The Black Keys - Fever Ghostwoman - Alive Led Zeppelin - Dazed And Confused Snow Patrol - Called Out In The Dark The Last Dinner Party - This Is The Killer Ing The Smiths - Bigmouth Strikes Again Eagles Of Death Metal - Stuck In The Metal Natalie Bergman - Lonely Road America - A Horse With No Name Bruce Dickinson - Tears Of The Dragon (2025 Reimagined Version) Babylon Zoo - Spaceman Tame Impala - End Of SummerHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to our podcast where we discuss and deliberate over memoirs and biographies found in thrift shops. This is a great way to do things as we are not choosing who to read about. We may not be fans of the person, we may never have heard of the person and we never know who we are going to find next...There are only 2 rules to this podcast. The book has to be found in a thrift shop and we are not allowed to talk about the book until we press record, which is sometimes agonising.We have lots of episodes coming up so if you find yourself enjoying our podcast, please be sure to subscribe to be among the first to hear about each episode.

In a region where reggaeton reigns and the Latin music scene sets the tone. Brennan Jasso aka Brennan and the Sun dares to be different. Blending the glam edge of David Bowie with the sensual soul of Prince, and adding a vibrant dash of Latin spice. Brennan's music carves its own lane in a landscape that rarely rewards creative risk.This episode isn't just about the music it's about resistance. We talk about what it means to be an artist in South Florida. Where diversity in sound isn't always embraced. Why some artists still choose to go their own way. Brennan shares how he's creating without compromise. Honoring his roots while pushing sonic boundaries.

The UK's King of Colour just told Kelly she should go full bleach blonde. Also, he's the reason David Bowie's hair looked so iconic! Let's be honest...most of us have no idea what our actual hair colour is. We're out here saying we're "nearly black" when we're actually dark blonde, or claiming we've "always been blonde" when we're clearly brunette. This week, Kelly's sitting down with Josh Wood - the man who's coloured the hair of David Bowie, the entire Beckham family, and basically every supermodel who's walked for Marc Jacobs. We're talking 30 years of London hair domination, Fashion Week chaos, and why he decided to give away all his celebrity secrets during lockdown. He's about to blow up everything you think you know about colouring your hair at home. From why that "one shade fits all" approach is completely wrong, to the real reason your colour goes patchy (spoiler: you're probably choosing too dark), Josh breaks down the biggest mistakes everyone makes. Plus, he reveals his Aussie dream client (hint: it's Celeste Barber) and explains why "lived-in" looks are taking over from high-maintenance highlights. PRODUCTS MENTIONED: Josh Wood Colour Josh Wood Colour Permanent Colour Kit Josh Wood - Marc Jacobs Show Josh Wood X Victoria Beckham FOR MORE WHERE THIS CAME FROM: Watch & Subscribe on YouTube – Watch this episode, tonight at 7pm! Catch it here. Follow us on Instagram: @youbeautypodcast Follow us on TikTok: @youbeautypod Join our You Beauty Facebook Group here For our product recommendations, exclusive beauty news, reviews, articles, deals and much more - sign up for our free You Beauty weekly newsletter here Subscribe to Mamamia here GET IN TOUCH: Got a beauty question you want answered? Email us at youbeauty@mamamia.com.au or send us a voice note on Instagram! You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Hosts: Kelly McCarren Guest: Josh Wood Producer: Sophie Campbell Audio Producer: Tegan Sadler Just so you know — some of the product links in these notes are affiliate links, which means we might earn a small commission if you buy through them. It doesn’t cost you anything extra, and it helps support the show. Happy shopping! Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

"It's a pretty good crowd for a SaturdayAnd the manager gives me a smile'Cause he knows that it's me they've been coming to seeTo forget about life for a while"Please join me and forget about life for a while as we revisit the Soundtrack of our lives on this week's Super Sounds Of The 70's. Joining us are Lee Michaels,, David Bowie, Badfinger, Joe Jackson, Bad Company, Ambrosia, The Moody Blues, Genesis, The Police, Blondie, Bob Dylan, CSN&Y, Savoy Brown, Dave Mason, The Steve Miller Band, Beatles, Velvet Underground,  Mott The Hoople, The Faces, Traffic and Billy Joel.

Rockshow 216 6 live albums you need to hear Special Guest Madeline BocaroWelcome to The RockShow, where we crank the amps and celebrate raw, unfiltered rock ‘n' roll! On Episode 216, we're diving into six live albums that capture the chaos, magic, and sheer electricity of rock at its most untamed.From the nihilistic energy of The Stooges' “Metallic KO”, to David Bowie's theatrical farewell as Ziggy Stardust, to Lou Reed's glam-soaked reinvention on “Rock ‘n' Roll Animal”, these performances are more than just concerts — they're moments in music history.We're also heading to the pit with the Ramones' breakneck “It's Alive”, riding the Irish storm with Rory Gallagher's blazing “Irish Tour '74”, and sweating it out with the high-octane boogie of J. Geils Band's “Live Full House”.These aren't just live albums — they're essential listens that show how rock was meant to be heard: loud, loose, and alive. Let's plug in and turn it up — this is The RockShow!The Stooges: Metallic KODavid Bowie: Ziggy Stardust and the Spiders From Mars live at Hammersmith OdeonLou Reed: Rock n Roll AnimalRamones It's AliveRory Gallagher: Irish Tour 74J Geils Band: Live Full House#TheStooges #MetallicKO #IggyPop #ProtoPunk #LivePunk #RawPowerLive#DavidBowie #ZiggyStardustLive #SpidersFromMars #BowieLive #GlamRock #HammersmithOdeon#LouReed #RockNRollAnimal #LiveGlamRock #VelvetUndergroundVibes #GuitarGods#Ramones #ItsAlive #PunkLegends #LivePunk #HeyHoLetsGo #CBGBSpirit#RoryGallagher #IrishTour74 #BluesRockLive #GuitarVirtuoso #CorkCityHall#JGeilsBand #LiveFullHouse #BoogieRock #LiveRockAndRoll #HousePartyLive #LiveAlbums #EssentialLiveRecords #RockShow216 #ClassicRockLive

MUSICA drone kept buzzing the stage during Limp Bizkit's set Sunday night in Istanbul, Turkey. So Fred Durst took a page from "Break Stuff" and swatted the drone from the sky. Watch it happen on YouTube. https://youtu.be/_8X-qSO82yI?si=-vwDjpJi5MZtEFrtLast week, a video of Florence Welch screaming into a hole was released, and now we know its meaning. https://www.instagram.com/p/DNiL1M1OEcL/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA%3D%3D Get your MTV Video Music Awards Hummus ready, because the first performers for the upcoming MTV Video Music Awards have been announced. https://themusicuniverse.com/first-performers-and-honorees-revealed-for-2025-mtv-vmas/ Gary Oldman thinks the world has gone to [crap] since David Bowie died on January 10th, 2016. Quote, "It was like he was cosmic glue or something. When he died, everything fell apart. So, yeah, I miss him." https://consequence.net/2025/08/gary-oldman-david-bowies-death-worlds-gone-shit/Post Malone is the new face of Skims Men, which is Kim Kardashian's brand. He just appeared in a risqué photo shoot in the mountains of Utah. The collection, which launches tomorrow on the brand's website, includes underwear, tees, and heavyweight fleece loungewear in camouflage. https://www.gq.com/story/post-malone-skims-campaign-interview TVActress Aubrey Plaza spoke publicly for the first time about coping with the death of her husband, filmmaker Jeff Baena, who died by suicide in January at age 47. https://www.youtube.com/watch?v=gLe9yRkrfCE Kelly Clarkson has returned to work on her upcoming season of The Voice following the death of her ex-husband, Brandon Blackstock. https://www.tmz.com/2025/08/19/kelly-clarkson-returning-to-the-voice/ Euphoria star Colman Domingo opened up about his experience of almost joining a cult on the Mythical Kitchen series, Last Meals. https://www.thenews.com.pk/latest/1336908-euphoria-star-colman-domingo-reveals-horrifying-incident-from-past MOVING ON INTO MOVIE NEWS:The Annabelle popcorn bucket for The Conjuring: Last Rite has arrived! Cinemark released a creepy video showing the popcorn doll, which will be available starting on Friday. https://www.superherohype.com/guides/620467-the-conjuring-last-rites-annabelle-popcorn-bucket-price-marcus-amc-regal-cinemark AND FINALLYTravis Kelce and Patrick Mahomes' steakhouse in Missouri has an opening date and is taking reservations soon! https://www.today.com/food/restaurants/patrick-mahomes-travis-kelce-1587-prime-steakhouse-opening-date-rcna225784 AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

REDIFF - Passez une heure dans les pas d'un mythe du rock'n roll : David Bowie. Du glam au rock, en passant par la pop, le jazz, l'homme aux 140 millions d'albums vendus, a changé mille fois de visages et de styles, cassant les codes à chaque étape, incarnant la folie d'une époque. Derrière cet artiste en perpétuelle mutation, se cachait un être, tout entier dédié à une seule chose : le spectacle. David Bowie, l'artiste caméléon, bienvenue dans cet épisode de Confidentiel.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to another episode of the Bowie Book Club, where wild speculation and grasping for straws about Bowie's favorite books hasreigned supreme since 2016. This time we read Backstage Passes by Angie Bowie, a tell-all that includes flying saucers, devil-haunted pools, and John Bonham's breakfast. Oh, and David Bowie too.

On today's latest episode of the cast, we delve into the plethora of cover songs that graced its way onto the Billboard Modern Rock Tracks over the years, and talk about at how some of these artists made a name for themselves by tackling a cover song that can sometimes be a daunting task, but is definitely worth it in the long run by putting your own unique spin on it. We talk about how some cover songs show off the versatility of the artist, and give them a new perspective by looking at the song in a different light than they initially did. We also talk about rare instances where the cover is more popular than the original version of the song such as Nirvana covering David Bowie's "The Man Who Sold The World" and Johnny Cash with his haunting rendition of Nine Inch Nails "Hurt". I also play you a clever and inventive cover by Urge Overkill with their own clever twist on Neil Diamond''s "Girl You'll Be A Woman Soon". 

Today's program features tuneage from Fever Tree, Jeff Buckley, Steely Dan, David Bowie, Mott The Hoople, Neil Young, Crosby Stills, Nash & Young, Mountain, Richie Havens, Bob Dylan, Love, The Kinks, Pink Floyd, Jefferson Airplane, Chicago, Eric Burdon & The Animals, Donovan, Iron Butterfly, Led Zeppelin, Steve Winwood and The Beatles... 

No musical artist better personified the hedonism of the '70s than David Bowie. He captivated the imaginations of music fans all over the world with a dizzying array of creative alter egos; Major Tom, Ziggy Stardust and the Thin White Duke among them, and his obsession with occultist Aleister Crowley drove him down a dark, excessive hole filled with cocaine, orgies, arrests, fascism, death and madness that very nearly destroyed him. To see the complete list of contributors, visit ⁠disgracelandpod.com⁠ This episode was originally published on February 9, 2021. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Real American Space Folk" band Electric Blue Yonder was praised by longtime Boston Gobe senior rock critic, the late Steve Morse, for its “meditative mashup of trippy folk-rock psychedelia, cut with a raw Alabama flavor befitting their roots.” Slant Magazine called EBY “a diamond-bright exploration of rock's past, present, and hopeful future.” Electric Blue Yonder has released three critically-praised albums, drawing inspiration from the psychedelic folk, surf, and cosmic country rock of the ‘60s and the Space Age prog/art rock explorations of David Bowie and Pink Floyd, all while shifting time to the early roots and parlour style guitar of the 20th century. Now EBY is spreading its wings, inviting the young and young at heart to step into a world of color, wonder, and nature's magic with the band's first album for kids and families, MicroPARTY, set for release on April 25.Beth Hataway and Johnny Veres are at the heart of Electric Blue Yonder. You can learn more about their music and touring at https://electricblueyonder.com.Don't miss this one! Hosted on Acast. See acast.com/privacy for more information.

1.ª parte. Jordi Mena (guitarrista de Bunbury y Los Santos Inocentes) es el invitado de hoy, y charlamos sobre el disco 'Transformer' de Lou Reed. En esta primera parte hablamos de: Las dos primeras canciones del ‘Transformer': «Vicious» y «Andy's Chest». La temática, la portada y la contraportada del disco. La carrera musical de Lou Reed antes de alcanzar el éxito comercial con ‘Transformer', incluido su primer disco en solitario y la Velvet Underground. Cómo un fan de la antigua banda de Lou Reed, llamado David Bowie, acabó produciendo el ‘Transformer' junto a su guitarrista y mano derecha, Mick Ronson. El intento de asesinato que sufrió Andy Warhol en The Factory, su estudio creativo. La importancia de la ciudad Nueva York en la obra de Lou Reed. Algunos de los cambios que ha experimentado la industria musical desde los años 70. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

In this bonus episode of the Behind The Song podcast, dig in to the story of Coco Schwab, the behind-the-scenes assistant David Bowie credited with saving his life. Together until the very end, their friendship was a lifeline for Bowie for over 46 years, and he even wrote a song specifically for her. Get into it in this episode!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John Rankin Waddell, or just Rankin, as he is more commonly known, is a British photographer, publisher, and film director. Best known for work that is on the cultural cusp and leading future trends, he has produced rule-breaking campaigns for brands such as Rolls Royce, Unilever, L'Oréal, Lego, and Samsonite; created wide-reaching projects for charities including Women's Aid and Macmillan; and shot music videos for the likes of Miley Cyrus, Rita Ora, and Kelis.As a photographer, Rankin's portfolio ranges from portraiture to documentary. He has shot The Rolling Stones, David Bowie, Kate Moss, Kendall Jenner, Zendaya and Queen Elizabeth II, to name only a few. In 2023, Rankin photographed King Charles III to mark the monarch's 75th birthday for The Big Issue magazine.As a publisher, Rankin co-founded the seminal magazine Dazed & Confused with Jefferson Hack in 1990, and has since published the likes of AnOther and AnOther Man, alongside over 40 books and the fashion and culture publication Hunger.His photography has been published everywhere from his own publications to Elle, Vogue, Esquire, GQ, Rolling Stone, and Wonderland, and exhibited in galleries globally, including MoMA, New York, and the Victoria & Albert Museum, London.Rankin lives in London with his wife Tuuli and their dogs.In episode 262 Rankin discusses, among other things:The magazine and show Faik, a first foray into AIHis love/hate relationship with AI imagery and why he uses it anywayThe way in which AI will also transform the music industryThe importance of critical thinkingThe early days - starting Dazed & ConfusedUsing the magazine as a ‘Trojan Horse'Being confrontationalBeing a ‘dick' and taking cocaineBeing saved by photography and fatherhoodImposter syndrome and the benefit of losing itMaking a conscious decision not to be an ‘artist'Teaching himself photographyCollaborationRankin Live - photographing 'normal' peopleBeing prolificPersonal ProjectsWebsite | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK! Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

TUESDAY HR 3 Monster Sports - Huge deal! Paramount makes a deal with UFC. How much are you now paying for streaming platforms to watch live sporting events? Taylor Swift makes an announcment on her boyfriend's podcast. Russ brings up fight that breaks out waterfront property in Polk County See omnystudio.com/listener for privacy information.

Pat Metheny cumple 71 años este 12 de agosto. Lo celebramos escuchándole con el Pat Metheny Group ('Last train home', 'The first circle', 'If I could', 'This is not America' -que canta David Bowie-, 'Are you going with me'), en su disco 'Secret story' ('Above the treetops', 'Tell her you saw me', 'Always and forever') y en solitario en 'What´s it all about' ('Garota de Ipanema''Rainy days and mondays'). Escuchar audio

In this episode of the Mr. Beacon Podcast, Jérôme Vernet, VP of Sales at Dracula Technologies, reveals how inkjet-printed organic photovoltaics harvest energy from ambient light—even indoors—to power IoT devices without batteries. From smart building sensors to asset trackers, learn how this customizable, sustainable technology reduces maintenance, improves design flexibility, and even works in moonlight, opening new possibilities for the ambient IoT revolution.Jerome's Top 3 Favorite Songs:“Under Pressure” by Queen & David Bowie: https://www.youtube.com/watch?v=EZ8ixdXRCOo“My Lady Blue” by Eric Serra: https://www.youtube.com/watch?v=uWlqFFAQ4Vk “Un Homme Heureux” by William Sheller: https://www.youtube.com/watch?v=RiZh-_JlofkMister Beacon is hosted by Steve Statler, CEO of AmbAI Inc. — creators of AmbientGPT, the AI agent that connects people to products and the brands behind them. AmbAI also advises leading brands on Ambient Intelligence strategy.Our sponsor is Identiv https://www.identiv.com, whose IoT solutions create digital identities for physical objects, enhancing global connectivity for businesses, people, and the planet. We are also sponsored by Blecon http://www.blecon.net. Blecon enables physical products to communicate with cloud applications using Bluetooth Low Energy. Hosted on Acast. See acast.com/privacy for more information.

The Big Mates discuss Burt Bacharach, The Zombies, David Bowie, Scott Walker, Belle & Sebastian, Serge Gainsbourg, The Electric Prunes, Herb Alpert & the Tijuana Brass, John Barry, Ennio Morricone, Astrud Gilberto, Mel Torme, The Sonics, and The Age of the Understatement by The Last Shadow Puppets. Adam, Steve, and Lucas continue their exploration of the career of Arctic Monkeys by briefly stepping outside of it in order to examine the debut album of a side project Alex Turner formed with Miles Kane.They discuss how the project came together, the writing and recording of the album, and they explore the overall themes and sound, taking in the compositions, tones, lyrics, meaning, and context - all from three differing perspectives, from being deeply into music and analysis, to not caring for art or critique, and everything in between!They also look at how the side project was informed by, and goes on to influence the music made by Arctic Monkeys.How different is this album to Turner's previous work? How tongue in cheek is it? How many strings does a bass guitar have? Find out on this episode of What Is Music?Our next episode is out next week, Monday August 18th!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

What's your most loved and least favorite 1971 hits?! For our latest Wildcard Episode, these 1971 babies decided to rank another huge year end countdown because our 91X 1983 episode was such a blast. On wildcard episodes like these, we end up talking about dozens of bands instead of one, so this one runs about fourteen hours long. Even Adam's "producer", David Gimbel, chimes in with his favorites of the year.  Listen at WeWillRankYouPod.com, Apple, Youtube, Spotify and The Way Back Machine. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER:Ain't No Sunshine (blocked by copyright here), Bee Gees, The Bells, Billboard Magazine, David Bowie, James Brown, Brown Sugar, California, Changes, Cornelius Brothers & Sister Rose, Do You Know What I Mean, Easy Loving, Fearless, Fifth Dimension, Five Man Electrical Band, Fleetwood Mac, Marvin Gaye, David Gimbel, Go Away Little Girl, Groove Me, Freddie Hart, Isaac Hayes, Ben Hill, Hot 100, If You Could Read My Mind, Indian Reservation (The Lament of the Cherokee Reservation Indian), It's Too Late, The Jackson 5, Janis Joplin, Joy to the World, Just My Imagination (Running Away with Me), Carole King, King Floyd, Gladys Knight & the Pips, Jean Knight, Led Zeppelin, Gordon Lightfoot, Lonely Days, Maggie May, Matthews Southern Comfort, Paul & Linda McCartney, Me and Bobby McGee, Melody, Melody Fair, Mercy Mercy Me (The Ecology), Lee Michaels, Frank Mills, Mr. Big Stuff, Joni Mitchell, Music Box Dancer, One Bad Apple, One Less Bell To Answer, Donny Osmond, The Osmonds, Parliament, Pink Floyd, Proud Mary, Paul Revere & The Raiders, The Rolling Stones,  Signs, Stairway To Heaven, Station Man, Stay Awhile, Rod Stewart, Sweet and Innocent, James Taylor, The Temptations, Theme from Shaft, Three Dog Night,Treat Her Like a Lady, Ike & Tina Turner, Uncle Albert/Admiral Halsey, What's Going On, When The Levee Breaks, The Who, Bill Withers, Won't Get Fooled Again, Woodstock, You've Got a FriendUS: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

I DON'T GET IT is the ironically named podcast which features the open-minded musings of two middle-aged curmudgeons (Noah Tarnow and Bill Scurry) who love pop culture, talking about a hot topic of the week. Noah and Bill look into a screen and pretend incredulity as they witness Ice Cube act in the most recent renewal of the HG Wells classic. @noahandbillshow.bluesky.social -- @billscurry.bluesky.social -- @noahtarnow.bluesky.social This week's theme: "Life On Mars” by David Bowie. New episodes every Monday morning on Youtube, Spotify, Soundcloud, iTunes, and GooglePlay!

Hablamos de la canción «Rock 'n' Roll Suicide», de David Bowie, con el cantante y compositor Héctor Gerónimo como invitado. 'Cancionero' es una serie de miniepisodios que recupera los mejores momentos de 'Disco prestado' destacando alguna de las canciones que hemos comentado en el pódcast. Escucha el comentario completo del disco 'The Rise and Fall of Ziggy Stardust and the Spiders From Mars' en cualquier plataforma de audio, o mediante estos enlaces: SPOTIFY: https://open.spotify.com/episode/7fYfKW3laDvlr57B3C5yQD?si=85ab686289234ceb IVOOX: https://go.ivoox.com/rf/111908468 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/1-6-ziggy-stardust-de-david-bowie-con-h%C3%A9ctor-ger%C3%B3nimo/id1672847595?i=1000619589149 WEB: https://marcaliana.com/david-bowie-ziggy-stardust-enlaces ¡Salud y buena música! Marc Aliana http://marcaliana.com

Insights In Sound 177 - Malcolm Toft, Co-founder, Trident Audio Designs Our salute to Trident continues as we chat with Malcolm Toft, employee number one at Trident Studios and the designer of the legendary Trident consoles. In an era where the music industry was changing by leaps and bounds, Trident made its mark as one of the UK's first independent studios. Hired as the Studio's very first engineer, Malcolm then took on the challenge of building Trident's own multichannel console, leading to the development of the legendary A-Range, B-Range, and subsequent mixing desks.

email: rockpoprollpodcast@gmail.com website: www.rockpopandroll.com (Some of) My Favorite Covers: From the earliest days of rock and roll, cover songs have been a vital part of the music's forward movement, drawing on its past. Long before we knew about digital discovery, one of the fastest ways for new artists to connect with audiences was to reimagine an existing hit and put it on an album or 45—infusing it with their own style, energy, and attitude. A Chuck Berry riff might get filtered through the Beatles' harmonies, or an old blues song could get a new spin in the hands of the Rolling Stones. Musicians have always looked back to reinterpret the songs that shaped them, essentially creating a conversation across decades of music. Great rock and roll covers often redefine the song. Jimi Hendrix's “All Along the Watchtower” transformed Bob Dylan's stark folk ballad into a guitar-rock, psychedelic stomper. Aretha Franklin took Otis Redding's “Respect” and made it a soul-rock anthem of empowerment. Nirvana's raw take on David Bowie's "The Man Who Sold the World" introduced the track to an entirely new audience. In each case, the cover didn't just honor the original—it expanded its reach. The best covers don't just repeat the past—they rewrite it, proving that a great song can live many lives. 10 Iconic Rock and Roll Covers and How They Transformed the Original Jimi Hendrix – All Along the Watchtower (1968) Originally by Bob Dylan, Hendrix electrified the song with guitars and redefined it as a rock classic. Dylan himself later performed it in Hendrix's style. The Beatles – Twist and Shout (1963) Originally recorded by The Top Notes and popularized by The Isley Brothers, the Beatles turned it into their own via John Lennon's famously shredded vocal take. Aretha Franklin – Respect (1967) Originally by Otis Redding, Aretha flipped the perspective, injecting it with feminist firepower, gospel-inspired vocals, and made it an anthem for empowerment and equality. The Rolling Stones – Little Red Rooster (1964) Originally by Willie Dixon (recorded by Howlin' Wolf), the Stones slowed it down, leaning into the deep Chicago blues feel, introducing American blues to a younger audience. Nirvana – The Man Who Sold the World (1993) Originally by David Bowie, Nirvana's MTV Unplugged version stripped it to a haunting acoustic vibe that resonated with '90s alternative fans - and (re)introduced Bowie to them, Joe Cocker – With a Little Help from My Friends (1968) Originally by The Beatles, Cocker turned the Sgt. Pepper and Ringo song into a soulful, slow-burning rocker.  Killer organ and gospel vocals. Janis Joplin – Piece of My Heart (1968) Originally by Erma Franklin, Joplin's version with Big Brother and the Holding Company was a raw and bluesy. The Clash – I Fought the Law (1979) Written in 1958 and first released in 1960 by The Crickets (after Buddy Holly left) and popularized by The Bobby Fuller Four, The Clash injected punk. It was their first single in the United States. Creedence Clearwater Revival – I Heard It Through the Grapevine (1970) Originally by Gladys Knight & The Pips and made famous by Marvin Gaye, CCR turned the Motown hit into an 11-minute swamp-rock jam. Jeff Buckley – Hallelujah (1994) Originally by Leonard Cohen, Buckley's haunting performance influenced artists in the decades that followed. Further Listening: 4 Lesser-Known but Brilliant Beatles Covers The Black Keys – She Said, She Said (2002) A gritty, stripped-down garage-rock take on The Beatles' psychedelic classic from Revolver. Siouxsie and the Banshees – Dear Prudence (1983) The Beatles' ballad morphs in goth-tinged new wave.. Gov't Mule – She Said, She Said / Tomorrow Never Knows (1998) A jam-band fusion of two Beatles tracks Fiona Apple – Across the Universe (1998) Slowed to a languid pace, Apple leans into the cosmic melancholy

A section analyzing David Bowie, from the 15th installment of Brett's Patreon-exclusive series on Monarch films. Full description of the episode below, along with our Patreon link, if you're interested in the full episode. In this 15th installment in the Monarch series, Brett delves into the Jim Henson-directed children's film Labyrinth (1986)—a film so saturated with Monarch content that it serves as a paradigm of Monarch cinema in general. The episode opens with a close look at the career of Monarch superstar Jennifer Connelly, including two other full-on Monarch films she starred in during the 1980s: Phenomena (1985) and Ballet (1989). Additionally, Brett examines the occult career of David Bowie (who plays the Goblin King in Labyrinth); he discusses Jim Henson's collaborations with the federal government (including the CIA-linked United States Information Agency), as well as reexamining Henson's sudden death at age 53; and he uncovers some stunning revelations by an entertainment industry insider and professed victim of Monarch abuse that relate to the plot of the film. Fritz Springmeier and Cisco Wheeler devote an entire section of their Illuminati Formula book to this film, and Brett combs over their analysis, while drawing some wider conclusions about the function of Labyrinth and other 1980s Monarch films geared toward children.https://www.patreon.com/PsyopCinemaIf you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

Neste episódio do podcast De Volta Para o Sofá, nós rebobinamos a fita até o ano de 1995 para revisitarmos um dos filmes mais marcantes e chocantes da década: o suspense policial "Se7en - Os Sete Crimes Capitais" (Se7en), dirigido por David Fincher e estrelado por Brad Pitt, Morgan Freeman, Gwyneth Paltrow e Kevin Spacey. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Confira abaixo a minutagem dos quadros do podcast: 00:00:00 - Introdução 00:04:59 - Memória Afetiva: quando vimos o filme pela primeira vez e como foi revê-lo agora? 00:20:25 - Almanaque: uma coleção de informações, reflexões e curiosidades 00:46:42 - Deu Tilt: aspectos que ficaram datados ou cenas que não funcionam mais 01:00:26 - Momento Supra Sumo: nossas cenas favoritas 01:14:38 - Por Onde Anda: saiba o que o elenco principal está fazendo hoje em dia 01:30:17 - Música de Encerramento Escrito por Andrew Kevin Walker, "Se7en" tem como protagonistas Somerset (Freeman), um detetive a uma semana da aposentadoria, e Mills (Pitt), um jovem investigador ansioso por assumir o posto do veterano. Eles acabam formando uma dupla não planejada para resolver o caso de um serial killer meticuloso que mata suas vítimas de acordo com os sete pecados capitais: gula, avareza, soberba, preguiça, luxúria, inveja e ira. No podcast, além da nossa análise, você conhece diversas curiosidades sobre o filme -- que foi indicado ao Oscar de Melhor Montagem, teve uma excelente bilheteria e chegou a ter uma proposta de continuação, mas que se transformou em um projeto muito diferente, 20 anos depois. O programa traz ainda o quadro "Deu Tilt", no qual nós listamos aspectos ou cenas que não funcionaram na revisão do filme, e o "Momento Supra Sumo", quando nós elegemos nossas cenas favoritas. Você também fica sabendo por onde andam os principais integrantes do elenco. Pegue seu distintivo, vista um sobretudo e aperte o play para revisitar "Se7en" com a gente! Venha descobrir se o filme ainda é tão marcante quanto na época em que o vimos pela primeira vez. O De Volta Para o Sofá é produzido e apresentado por Renato Silveira e Kel Gomes, editores do cinematório. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br. Este episódio contém trechos meramente ilustrativos das músicas "Closer (Precursor)" (1994), de Nine Inch Nails, e "The Hearts Filthy Lesson" (1995), de David Bowie. Todos os direitos reservados aos artistas.    

“I don't know where I'm going from here, but I promise it won't be boring.” Those words were spoken at one time by David Bowie, and thus are gospel to us here on The Art of Longevity podcast. Fortunately, some bands still live by that same philosophy. For evidence, we revisit the world of Suede. Suede has refused to become boring. Somehow, this band of 40 years have gone the other way - more exciting and visceral than ever. Suede are not hanging about to become their own echo! Albums like Autofiction and now, its immediate follow-up Antidepressants are not just the proverbial ‘return to form' type records. They are nothing short of a reinvention. Mat Osman, co-founder member with Brett Anderson and bass player, shares his views on the new Suede record:“It feels like Autofiction on steroids. If Autofication was a TV show, Antidepressants is the film version. We took everything more widescreen with this record”. However, for Osman - you can forget about that old cliche of a band making music for themselves and hoping the world will agree (that's what Rick Rubin has been telling us with The Creative Act: A Way of Being and to be fair, more than a few artists have told me it works for them. It's not for Suede. Instead, the band's creative mission has been guided by their fans - their reactions at live shows, to the band directly, but also the band's own interpretation of what a Suede audience really wants. “A band without an audience isn't a band. It's a hobby,” Osman declares. That emotional connection is Mat's affirmation - fan tattoos of favourite songs, tears at gigs, and stories about Suede songs at weddings. This fan connection is Suede's compass in the band's 4th career phase. And so we return to a key central theme of longevity; usefulness to people. “As I get older, those moments where someone says, ‘That song helped me,' mean everything,” he reflects. “That's what I'm proud of. There's a community feel [between the band and the fans] that becomes more and more important. It's evident from this ‘Revisited' episode, that Mat Osman and Brett Anderson have a fair degree of telepathy on many things - a shared vision that no doubt has added focus to Suede's current run of creative form. They even agree on the most ironic thing about where Suede has arrived; that they were the least likely band to survive in the first place. “Longevity is not something we strived for, it just happened as a side effect of our bloody mindedness and passion for making music”.They still have it. Season 12 of The Art of Longevity is Powered by Bang & Olufsen. Long copy can be found on www.songsommelier.com.Support the showGet more related content at: https://www.songsommelier.com/

Artist Song Tme Album Year McLuhan The Monster Bride 10:29 Anomaly (Vinyl) 1972 0:10:29 Argent Man For All Reasons 4:36 Nexus (Remastered 2009) 1974 0:15:05 David Bowie 1984 3:12 Diamond Dogs 1974 0:18:17 Eloy Madhouse 5:14 Floating (2000 Remaster) 1974 0:24:25 Focus Early Birth 2:45 Hamburger Concerto 1974 0:27:11 Genesis The Lamia 6:47 The Lamb […]

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your time warp to the 1980s: David Bowie, T'Pau, The Alarm, Public Image Ltd., Maria McKee, Wham!, ABC, Devo, Jam, The Clash, Truth, World Party, Uncanny X-Men, and finishing off with Roxy Music.

This is a re-release of my episode from last year with Roger K Burton. Roger sadly passed away recently. I decided to make this episode free so more people can here his story and honour his memory. Roger was a huge influence in British Subculture. The best thing about when I spoke to Roger was that after I started to meet different people in London whose lives had all at one point been touched by him, people who worked for him at in the 80s, 90s up until recently, and hearing there fond memories of him.Roger is a Costume Designer, Stylist, Collector, Curator and Author. His book Rebel threads (which I can't recommend more) takes you through the youth subcultures that were happening in the UK during the 20th century alongside amazing photographs and his own personal recollections within them. He founded Contemporary Wardrobe where many creatives, stylists, designers rent from his clothing archive which coexists with his exhibition space the Horse Hospital, a space so many diverse and underground artists have shown their work.In this episode Roger speaks on subcultures, recounts being a Mod in the 1960s, the punk era in 70s, creating the shop designs for Vivienne Westwood's World's End store on the Kings Road in Chelsea, his journey collecting and selling vintage, opening Contemporary Wardrobe and the Horse Hospital, Costume Designing the cult classic films Hackers and Quadrophenia, styling fashion and music icon David Bowie, the fashion scene today and so much more. Roger was truly one of a kind

Imogene Strauss is the Grammy Award-winning creative director known for her work with Charli XCX, Clairo, Demi Lovato, Tame Impala, and many more. We spoke with her from her home in Los Angeles about her going to see Gaga last night, her love of dance, her dad is a cool DJ, meeting David Bowie at a Killers concert, there are too many "assets" now, winning a Grammy, how not to be a creative director, a meeting with Miss Tina, the power of saying nah, she needs outfits, and she feels the need to camp now because of her new car. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this enlightening presentation, Alex Meaney breaks down the fundamental concepts of airflow in HVAC systems using practical analogies and real-world examples. Rather than diving straight into complex mathematics, Alex focuses on helping technicians and contractors understand what's actually happening inside ductwork and why traditional design methods may be falling short in modern residential systems. Alex begins by addressing one of the most critical yet misunderstood aspects of ductwork: the exponential relationship between duct size and airflow capacity. He explains that the difference between a 6-inch and 7-inch duct isn't just 17% more capacity—it's actually 36% more, because airflow is determined by cross-sectional area (which increases geometrically) rather than linear measurements. This fundamental misunderstanding leads to significant underperformance in many HVAC installations. The presentation tackles the confusion surrounding pressure terminology in the HVAC industry, where the single word "pressure" is used to describe four distinct concepts: static pressure, velocity pressure, pressure loss, and external static pressure. Alex uses creative analogies, including a memorable demonstration with an inflatable tube dancer (referencing the "used car lot" in his title), to illustrate how static pressure and velocity pressure are always in balance—when one increases, the other decreases proportionally. A major focus of the discussion centers on why the traditional 0.1 inches of water column per 100 feet friction rate, long considered standard in residential duct design, is no longer adequate for modern systems. Alex explains that today's homes have evolved significantly: they're larger, use more restrictive filters for air quality, have more complex coil designs, and often place equipment in suboptimal locations. These factors combine to create much higher system resistance than the 0.1 standard was designed to handle. He advocates for using lower friction rates (like 0.06) and emphasizes that proper duct sizing is more critical than ever. The presentation concludes with practical insights about system design philosophy, emphasizing that while homeowners may not complain about poorly performing systems, HVAC professionals should use objective measurement tools rather than customer satisfaction as the primary indicator of system performance. Alex stresses that craftsmen in the field will make systems work regardless of design flaws, but this shouldn't excuse poor initial design practices. Key Topics Covered Duct Sizing Fundamentals The geometric relationship between duct diameter and airflow capacity Why linear measurements can be misleading when calculating system performance The critical importance of proper duct sizing in modern installations Pressure Concepts Demystified Static pressure vs. velocity pressure and their inverse relationship How pressure and friction work together in ductwork systems External static pressure as a measure of fan capability The role of pressure in airflow generation and control Friction and Resistance in Ductwork Understanding friction as the primary enemy of airflow How fittings create equivalent lengths of straight duct The impact of direction changes and system components on airflow Comparing flex duct vs. metal duct friction characteristics Modern System Design Challenges Why traditional 0.1 friction rates no longer work effectively The evolution of residential systems: larger homes, better filters, complex coils Equipment placement strategies and their impact on system performance The "war on sensible" and "war on blowers" affecting modern HVAC design Measurement and Verification Methods Tools for measuring static pressure and velocity pressure The importance of using objective measurement tools over customer satisfaction Available static pressure calculations and their practical applications Manual D design principles and their real-world limitations Practical Design Philosophy Working backwards from blower capacity rather than arbitrary friction rates Balancing system performance with budget constraints The importance of central equipment placement for optimal airflow Professional standards vs. "good enough" mentality in system design   Have a question that you want us to answer on the podcast? Submit your questions at https://www.speakpipe.com/hvacschool. Purchase your tickets or learn more about the 7th Annual HVACR Training Symposium at https://hvacrschool.com/symposium. Subscribe to our podcast on your iPhone or Android. Subscribe to our YouTube channel. Check out our handy calculators here or on the HVAC School Mobile App for Apple and Android  

En el programa de hoy, Alfonso Cardenal nos trae a un tipo que tuvo muchos problemas para encontrar su nombre artístico, David Bowie.

Julien Granel a mis 10 ans à percer sur jour au lendemain.Pourtant rien ne le prédestinait à devenir une des icônes pop de sa génération.Adolescent, il prend claque sur claque en découvrant Mika, Queen, Elton John ou encore David Bowie. Julien comprend que lui aussi, il l'a dans les tripes.Il rentre alors au conservatoire. Il y passe 14 ans et ressort avec une vision technique de la musique que n'ont pas tous les artistes, et qui lui permet de produire partout, tout le temps, au fil de ses idées les plus folles.Il se met alors à composer, chanter et tester sans relâche mais la sauce ne prend pas. 10 ans à se produire dans des CROUS, des jardins et des petits bars de villages.Son style trop original peine à se faire une place dans les playlists et les radios.Mais une rencontre avec Angèle va changer la donne.Elle l'embarque pour faire les premières parties sur sa tournée des zéniths. 60 dates dans les plus grandes salles de France que Julien va utiliser pour créer un show à son image et connecter enfin avec le public.Peu à peu, il devient maître dans l'art de transmettre son énergie débordante et déchaîne les foules.2024 est l'année de son explosion : Il enchaîne les dates, remporte une victoire de la musique, sort son plus gros tube et finit par faire de l'œil aux plus gros événements — qui se l'arrachent.Il devient l'artiste le plus programmé des festivals et fait une tournée pharaonique de 40 dates en 2 mois.Dans cet épisode Julien revient sur son début de carrière mouvementé :Les meilleurs apprentissages de ses années de conservatoireLa vie dans un tourbus et les coulisses d'une tournée monumentaleSes secrets pour créer sans limiteComment 3 mois à New York l'ont fait passer dans une autre dimensionCet échange est un shot de bonnes ondes/good vibes à consommer sans modération. Julien et son énergie contagieuse prouvent qu'avec de la persévérance et une vision affirmée, on peut imposer son style, même dans un univers ultra-codifié. De quoi vous inspirer à tracer votre propre chemin, coûte que coûte.TIMELINE:00:00:00 : Comment trouver son public quand on ne rentre dans aucune case, aucun style, aucune playlist00:16:27 : Garder une vie normale quand on passe la moitié de sa semaine dans un tourbus00:23:01 : Ce que lui apportent ses 14 ans de conservatoire encore aujourd'hui00:32:21 : Comprendre le modèle économique d'un artiste en 15 minutes00:44:36 : “Mon manager est fou : il a cru en moi quand je jouais encore dans des jardins”00:51:50 : Les secrets pour durer dans le temps01:05:13 : Associer chaque période de la vie à une chanson01:13:50 : “J'ai fait mon plus gros hit en 20 minutes”01:23:24 : Se servir de chaque rencontre pour grandir01:29:58 : Comment 3 mois à New York ont changé sa vie01:43:09 : Booster sa créativité en ne s'attachant à aucun style01:57:43 : Les points de bascule de la carrière de Julien02:10:24 : Enchaîner petits miracles et petits échecs jusqu'à ce que les planètes s'alignent02:17:51 : Ses morceaux les plus sous-côtésLes anciens épisodes de GDIY mentionnés : #405 - Nicolas Santi-Weil - Ami Paris & The Kooples - “Si tu n'arrives pas à en faire un client fais-en un ami”#458 - Eddy de Pretto - Artiste - Contre vents et marées#219 - Bob Sinclar - DJ - Mélanger des sons pour faire danser les gens#439 - Amanda Sthers - Écrivaine, réalisatrice, productrice - La liberté créative : se donner les moyens de ses ambitionsNous avons parlé de :Julien Granel au concert des InvinciblesJulien Granel à L'OlympiaJean-Charles de Castelbajac x Julien GranelLes BeastieBoysSabotage des BeastieBoysL'image de Julien devant les lettres de l'OlympiaPodcast - La MartingalePodcast - Combien Ça GagneLive Aznavour Olympia“Plus fort” - Julien GranelStudio MotorbassCariage House NYC“BB danse” feat. Theophilus London (clip tourné dans la Carriage House)Les SMAC - Scènes de Musiques ActuellesLéna SituationsCollectif More Women on StageMulticolorJam - Julien GranelPress Mute - EugénieEugénie sur InstagramWagram MusicVous pouvez retrouver Julien sur sur Instagram sur Youtube et sur toutes les plateformes d'écoute. N'hésitez pas à le DM si vous trouvez sur son porte-monnaie ;)Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ?Contactez mon label Orso Media via ce formulaire.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join The Horror Movie Maniacs Grant and Ben as they team with Marc to ruthlessly shatter Scott's cherished childhood memories of the beloved Jim Henson classic, Labyrinth! For decades, Scott has clung to the notion that the 1986 fantasy epic is a beacon of pure, innocent magic, a whimsical adventure filled with catchy songs and memorable creatures. But prepare yourselves, because Grant and Ben are here to expose the truly unsettling, often predatory darker undertones lurking just beneath the film's enchanting surface.In this eye-opening episode, we're not just re-watching Labyrinth; we're dissecting it with an adult, and perhaps slightly twisted, lens. The conversation kicks off by meticulously examining Jareth, the Goblin King, portrayed with iconic flair by David Bowie. While many remember him as a flamboyant, enigmatic rock star villain, Grant and Ben argue his true nature is far more sinister. They'll delve into his unsettling obsession with the 15-year-old Sarah, peeling back the layers of his manipulative charm to reveal a deeply possessive, almost predatory desire. Is Jareth merely trying to trick Sarah into staying, or is he actively trying to claim her, to make her his queen, bound forever to his labyrinthine domain? The hosts will dissect pivotal scenes like the "Magic Dance" and the infamous "As the World Falls Down" ballroom sequence, revealing how these visually stunning moments actually serve as potent metaphors for manipulation and psychological entrapment.Check out Horror Movie Maniacs here - https://podcasts.apple.com/gb/podcast/horror-movie-maniacs/id1688748986?uo=4&itsct=podtail_podcasts&itscg=30200&ls=1&at=1001l39ag&ct=uk-podcasts.co.uk

In episode 247 of Outside the Round, host Matt Burrill sits down with the legendary Colt Ford for a raw, reflective, and inspiring conversation. Colt opens up about surviving a life-threatening health scare, his journey back to the stage, and how it's deepened his appreciation for music and life. From the early days of blending country and hip-hop to collaborating with artists like Brantley Gilbert, Colt shares stories of hustle, heartbreak, and hard-earned success. They dive into the power of staying authentic, building a loyal fanbase without chasing trends, and the pride Colt feels seeing artists he helped mentor thrive today. With new music in the works, renewed purpose, and a lifetime of stories, Colt proves he's not just back—he's better than ever. Follow on Social Media:Colt Ford (Guest): @coltfordmusic Matt Burrill (Host): @mattburrilll Outside The Round (Podcast): @outsidetheround Raised Rowdy (Network): @raisedrowdy   Chapters (00:00:00) - Colt Ford on CMA Fest(00:02:59) - Gavin at his last ever concert(00:06:21) - Cole Ford on Starting His Own Label(00:10:07) - Brentley on his New Album(00:13:09) - Cole Ford on His Contribution to the Music(00:16:32) - Charlie Daniels on His Comments About His Career(00:20:22) - Colton Ford on His Love for Jamie Johnson(00:24:28) - Walker Hayes on Winning a Grammy(00:26:53) - Jason Aldean on His Mental Health(00:30:33) - Luke on His Recovery From COVID(00:34:21) - Tyler Ford on His Mental Health(00:37:21) - Brantley on Falling Down On The Cruise(00:42:15) - Chris Jansen on ECMO(00:46:15) - Colt Ford on His Fight(00:50:21) - Living on a Heart Surgery Ward(00:53:23) - Colt Ford on His Condition in the Hospital(00:56:37) - David Bowie on His Time in the Dark(00:57:05) - Toby Keith on His Icon status(01:00:24) - Eddie on His Heart Surgery(01:04:36) - Bob Rock on His Cancer Treatment(01:08:33) - Brantley on His Brother's Hospitalization(01:12:13) - Brantley on The Tattoos Tour(01:15:43) - Ric Flair Thanks His Crew(01:18:11) - Colt Ford on His New Music(01:21:49) - Taylor Phillips(01:22:35) - Jay Webb on his New Album(01:24:57) - Colt Jones on His New Album(01:28:45) - Don Lewis Played at Country Concert(01:31:25) - Colt Ford on His New Music

On today's episode of The Right Time, Bomani Jones is joined by Van Lathan, host of the Higher Learning podcast at The Ringer. The show begins with Bo asking about Van's lasso behind him that belonged to his father (1:28) before a brief conversation about Angola Prison in Louisiana (5:00). They react to the Hunter Biden interview with Channel 5 (21:35) and discuss Biden's crack use, including why he most likely got many others addicted to crack (27:11). After the break they reminisce about the life of Malcolm-Jamal Warner (30:27) and emotions that are evoked when a celebrity you loved dies (38:19). The show rounds out with Bo saying how immersed he was in Prince's death and how that was only three months after David Bowie's passing. (53:45) . . . Subscribe to Supercast for Ad-Free Episodes: https://righttime.supercast.com/ Buy 'The Right Time' merch: http://therighttimebomani.com/ Subscribe to The Right Time with Bomani Jones on Spotify, Apple or wherever you get your podcasts and follow the show on Instagram, Twitter, and Tik Tok for all the best moments from the show. Download Full Podcast Here: Spotify: https://open.spotify.com/show/6N7fDvgNz2EPDIOm49aj7M?si=FCb5EzTyTYuIy9-fWs4rQA&nd=1&utm_source=hoobe&utm_medium=social Apple: https://podcasts.apple.com/us/podcast/the-right-time-with-bomani-jones/id982639043?utm_source=hoobe&utm_medium=social Follow The Right Time with Bomani Jones on Social Media: http://lnk.to/therighttime Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Ashford of What Records? discusses releasing the first LA punk single "Forming" by the Germs, rarities, tapes, memories of Darby Crash and early punk scene stories. Topics Include: Chris Ashford founded What Records? and knew Germs members George (Pat Smear) and Paul (Darby Crash) He worked in record stores through high school and was fascinated by record labels Chris decided to start a label while his friends formed the Germs band He had no formal education about making records, learned from Richard Fuse at Rhino "Forming" was recorded in a garage with two-track deck and two microphones The single had multiple takes but most were erased years ago B-side used cassette recording from Germs' Cheech & Chong "Up in Smoke" audition Master tape for "Forming" is missing, possibly in Canada, but Chris owns rights Cheech & Chong footage shows Germs performing "Sexboy" - same version as B-side They kept the cassette source secret initially to avoid potential lawsuits Lou Adler excluded Germs from movie because audiences wouldn't believe they were real Chris missed the "Up in Smoke" taping because he had to work his day job He financed all What Records releases including "Forming" himself Black rectangle on sleeve was intentionally ambiguous, meant as tongue-in-cheek band photo Address on record was Chris's parents' house where he lived He quickly moved to P.O. Box and removed address to protect his mother First pressing had wrong labels on wrong sides due to Monarch pressing plant error About 1,000 copies were made, most of original pressing was destroyed 600-700 defective records were thrown down hill as frisbees for fun None of them expected anything significant to happen with the record "Forming" was technically the first independent DIY punk single from Los Angeles The record served as legitimizing calling card for the Germs Darby Crash was gifted lyricist despite his troubled background and demons Chris received Germs burn from Michelle Ghaffari at the Whiskey without warning Germs burns became insider thing in summer 1977, wider trend came later Darby never fully matured, died at 22 before becoming complete person Germs often performed as chaotic train wreck, unlike disciplined bands like Stooges Darby had difficult childhood and family problems that created his demons David Bowie was Darby's favorite outlet, influenced his dreamy/nihilistic worldview Chris saw potential for Darby to become writer beyond just being lyricist Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8