Podcast appearances and mentions of David Bowie

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall David Armstrong (Bonus Action) and the lads grab their ghosts and join the CIA as they cover Quantic Dream's 2013 horror/sci-fi trainwreck: Beyond: Two Souls. Topics include David Cage's whole deal, the intuitively unintuitive controls, and what it means when your storytelling is so bad, not even Elliot Page can save it. Bonus Action: Hail and well met, Peaches! Adam and Jay from the reaction channel pReview'd have started an Actual Play TTRPG channel with their DM friend David Armstrong. Come by Mondays at 7pm EST as your #internetbestfirends, along with their comedian friends as they goof and gab through the magical world of Wild Country. Youtube Media Referenced in this Episode: Beyond: Two Souls. Dir. David Cage. Quantic Dream. 2013. “David Bowie cameos and fully-rendered penises: the bizarre history of Quantic Dream” by Richard Murphy. Gamesradar. October 7th, 2013. “David Cage: From the brink” by Guest Contributor. MVC. September 28th, 2011. “Game designer Warren Spector commends David Cage's work on Heavy Rain” by Zak Islam. Neoseeker. July 5th, 2012. “Omikron: the Nomad Soul Review” by Jeremy Dunham. IGN. June 22nd, 2016. TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “Quantic Dream Presents: Mulhouse: Become David” // Written by A.J. Ditty // Feat. David Armstrong as “David de Gruttola/David Cage”  

For this episode, the latest in our series on the films of Christopher Nolan, we're diving into The Prestige — the movie that proves Nolan can turn two magicians battling it out for “Most Extra” into a work of art. Hugh Jackman and Christian Bale destroy their lives for a trick, but it's the kind of destruction that makes you think, “Maybe I should be that obsessed with something.” We're here to praise Nolan's genius, David Bowie's perfect cameo, and the mind games at play. No, we still don't fully get the ending, but wow — what a ride. Warning: Contains deep admiration for The Prestige's intricate layers, confusing plot twists, and the sheer audacity of its brilliance. ----more---- Thank you so much for listening! Please help us spread the word by leaving us a 5-star review!    Hosts: Craig Dickinson: x.com/CraigMDickinson Corey Heitschmidt: x.com/HeitSolo Justin Eldon: x.com/justineldon7   Connect with us:  Website: readingbetweenthereels.podbean.com X: x.com/ReadBtweenReels Facebook: facebook.com/ReadBtweenReels Email: ReadingBetweenReels@gmail.com SpeakPipe: speakpipe.com/ReadingBetweentheReels   You can also join our Facebook group. It's a safe place to share your thoughts and discuss all things related to movies. You can find us at facebook.com/groups/readbtweenreels   Visit our TeePublic store for t-shirts, hats, hoodies, mugs, and more!   If you are interesting in advertising on this podcast, please go to: podbean.com/advertiseonRBR   The following music was used for this media project: Music: "Neon Fury" by Sascha Ende Link: https://filmmusic.io/song/12190-neon-fury License: https://filmmusic.io/standard-license  

ELYELLA reinventa “Que nada nos pare”, uno de sus hits más virales, en el que colabora La La Love You", para un nuevo EP de remixes. Lo estrenamos en este podcast y suena más luminoso aún y más bailable. Edu Molina + Adriá Marva escriben juntos "Expuesta", una carta abierta para demostrar que aún hay personas reales que siguen creyendo y luchando para darle a la cultura el valor que se merece. Aparte, escuchamos lo nuevo de David Byrne, la canción que ha hecho Japanese Breakfast para la banda sonora de "Materialists", lo nuevo de De'Wayne, a Chapell Roan y a los oscenses, Kieve Cuando Nieva. LOADED HONEY - Tokyo RainDAVID BOWIE & MICK JAGGER - Dancing In The StreetCHAPPELL ROAN - Hot To Go!JAPANESE BREAKFAST - My Baby (Got Nothing At All)DE’WAYNE - SundaysELYELLA, LA LA LOVE YOU - Que nada nos pare (ELYELLA rework)FLORENCE + THE MACHINE - What Kind Of ManDAN MILLSON - Compos MentisEDU MOLINA + ADRIA MARVA - ExpuestaQUEENS OF THE STONE AGE - My God Is the SunMEDALLA - SacrilegioIRON & WINE - Robin's Egg (feat. I'm With Her)DAVID BYRNE - Everybody LaughsWOLF ALICE -Bloom Baby BloomKIEV CUANDO NIEVA - PeineEscuchar audio

Peter Coyne in conversation with David Eastaugh https://www.thegodfathersofficial.com/ 2025 sees The Godfathers celebrate the historic milestone of the 40th anniversary since their formation with multiple record releases as well as tours & festivals across the UK, Europe and around the world.An 18-track compilation entitled Electric Déjà Vu featuring numbers personally selected by The Godfathers' founder and frontman Peter Coyne from the band's three most recent critically acclaimed studio albums - 2013's Jukebox Fury, 2017's A Big Bad Beautiful Noise and 2022's Alpha Beta Gamma Delta - is set for release in early April.A brand new studio single will follow in the Summer with an archive double-live album promised for later in the year. These releases pave the way for a much anticipated album of new material in 2026.The Godfathers were formed in 1985 by brothers Peter Coyne (vocals) and Chris Coyne (bass/vocals) from the ashes of their previous band The Sid Presley Experience. They toured extensively and quickly earned a serious reputation for their electrifying brand of primal rock & roll & their incendiary live shows around the world. Forming a recording partnership with famed producer Vic Maile, they released four critically acclaimed, smash hit independent singles on their own Corporate Image label (‘Lonely Man', ‘This Damn Nation', ‘I Want Everything' and ‘Love Is Dead') which alongside a brutal cover of Lennon's ‘Cold Turkey' were compiled into their seminal debut album release Hit By Hit in '86 and signed a worldwide deal with Sony/Epic records in ‘87. The Godfathers unleashed the storming rocker ‘Birth School Work Death' as a single in '87 and scored a US Billboard top 40 hit after massive college radio airplay and heavy MTV rotation. Then the classic Birth School Work Death album was released in '88 (includes the hit anthem title track and singles ‘Cause I Said So' and a re-recorded ‘Love Is Dead') and was promoted with extensive tours of the UK, Europe and America as they cemented their reputation as one of the best live acts of the period. Celebrity fans included among others David Bowie and Johnny Depp.

Bush frontman Gavin Rossdale drops by Club Random to chat with Bill Maher about his new album “I Beat Loneliness,” the craft of songwriting, touring life, dad duties, aging like a rock star, mental health, religion, AI paranoia - and yes, a little life advice from David Bowie himself. Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: ⁠https://bit.ly/ClubRandom⁠ Watch Club Random on YouTube: ⁠⁠⁠⁠⁠⁠https://bit.ly/ClubRandomYouTube Follow Club Random on IG: @ClubRandomPodcast Follow Bill on IG: @BillMaherWe have Merch! Get it here: https://www.clubrandom.com For AD free extended episodes go to https://billmaher.substack.com Please support our sponsors: Try ZipRecruiter for free at https://www.ziprecruiter.com/random Take advantage of Ridge's once-a-year Father's Day Sale and get UP TO 40% Off right now by going to https://www.ridge.com/random #Ridgepod #ad Get 15% off OneSkin with the code RANDOM at https://www.oneskin.co/ #oneskinpod #ad Go to ⁠https://www.ffrf.us/freedom⁠ or text "CLUB" to 511511 and become a member today Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

*** Click here to see the photograph referred to in the podcast introduction: https://www.intelligencesquared.com/events/an-evening-with-adam-buxton *** --- Adam Buxton is a comedian, writer, podcaster — and one of the UK's most beloved cultural figures. Best known for The Adam Buxton Podcast, The Adam and Joe Show on Channel 4, and the distinctive blend of surreal and self-deprecating humour he brings to all his work, Buxton has spent decades making people laugh while also offering insightful reflections on the quirks, highs, lows and occasional heartbreak of modern life.  In May 2025 Buxton came to the Intelligence Squared stage to celebrate the publication of his new memoir, I Love You, Byeee: Rambles on DIY TV, Rockstars, Kids and Mums, the highly anticipated sequel to his previous memoir Ramble Book: Musings on Childhood, Friendship, Family and 80s Pop Culture. In conversation with bestselling author and columnist Caitlin Moran, Buxton dove into stories from the book and beyond, reflecting on his creative partnership with Joe Cornish, encounters with icons like David Bowie, and the joys and absurdities of family life. The conversation that spans laughter, loss, ageing, and parenthood – all delivered in Adam's signature blend of humour and heart. --- If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

*** Click here to see the photograph referred to in the podcast introduction: https://www.intelligencesquared.com/events/an-evening-with-adam-buxton *** --- Adam Buxton is a comedian, writer, podcaster — and one of the UK's most beloved cultural figures. Best known for The Adam Buxton Podcast, The Adam and Joe Show on Channel 4, and the distinctive blend of surreal and self-deprecating humour he brings to all his work, Buxton has spent decades making people laugh while also offering insightful reflections on the quirks, highs, lows and occasional heartbreak of modern life.  In May 2025 Buxton came to the Intelligence Squared stage to celebrate the publication of his new memoir, I Love You, Byeee: Rambles on DIY TV, Rockstars, Kids and Mums, the highly anticipated sequel to his previous memoir Ramble Book: Musings on Childhood, Friendship, Family and 80s Pop Culture. In conversation with bestselling author and columnist Caitlin Moran, Buxton dove into stories from the book and beyond, reflecting on his creative partnership with Joe Cornish, encounters with icons like David Bowie, and the joys and absurdities of family life. The conversation that spans laughter, loss, ageing, and parenthood – all delivered in Adam's signature blend of humour and heart. --- If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, legendary occult historian and ex-Blondie bassist Gary Lachman joins us to talk magic, Crowley, meme sorcery, and the reality-bending weirdness of the 21st century. From shared dreams in 1970s New York to egregores, astral hobos, and the dark gravity of Trump as a Tulpa, Gary pulls no punches.Show Notes How a hit Blondie song was inspired by psychic experiences Colins Wilson's books The Outsider and The Occult His involvement with Ordo Templi Orientis Why Crowley's followers creeped him out Gary's book, Dark Star Rising: Magick and Power in the Age of Trump The occult revival of the 1970s (and how it compares to today) Why reality itself is up for grabs—and what that means for Mage: The Ascension players The movies Dark City, The Matrix and Forbidden Planet Gary's forthcoming memoir, Touched by the Presence: From Blondie's Bowery and Rock and Roll to Magic and the Occult, scheduled for release on November 18, 2025, by Inner Traditions. Plus: what happened when he contradicted David Bowie at a party

Ingen kunde som Jayne County blanda glammig rock med burlesk, crossdressing, fulmejk och texter med sexuellt laddat innehåll. Lyssna på alla avsnitt i Sveriges Radio Play. Jayne County banade väg och fick en hel del andra artister att våga ta ut svängarna under den begynnande glamrockeran. David Bowie var en av dem som lät sig inspireras. Pete Burns i Dead or Alive var en annan.Jayne County säger att ett av hennes mål var att starta ett band skulle vara chockerande och upprörande. ”Jag ville få Alice Cooper att framstå som en nunna”, som hon säger. Det kan man lugn påstå att hon lyckades med.Hon kunde uppträda i en klänning tillverkad av uppblåsta kondomer och hade på sin repertoar låtar med titlar som: Stick It in Me, Fucked by the Devil, Prostitute with a Parachute och många, många fler på liknande tema.Det är förstås en av anledningarna till att Jayne County inte fick någon radiohit och aldrig nådde fram till den riktigt stora och breda publiken. Men idag betraktas hon, med all rätt, som en pionjär, en banbrytare och en levande legend.I veckans program pratar vi med Petter Wallenberg, artist, författare och grundare av dragteatersällskapet Bland drakar och dragqueens. Han har länge sett upp till Jayne County. Vi pratar också med curatorn Daniel Fuller som nyligen ställde ut Jayne Countys konst på The Emory Visual Arts Gallery – ett konstgalleri som hör till ansedda Emory University i Atlanta. Och så tar vi en titt på en samtida transpionjär: supermodellen Alex Consani.

A Budapest Pride megnyitójának apropóján olyan filmeket veszünk sorra, melyekben a queer tapasztalat nemcsak identitás, hanem társadalmi szerep is – és bizony, ez a szerep sokáig a komód alsó fiókjában lapult a tiltott könyvek között. Mert míg a "Van, aki forrón szereti" című klasszikusban Tony Curtis és Jack Lemmon parókát ölt és „nőnek látszik”, addig a "Madárfészek" már azt mutatja meg, hogyan lehet egy transzgresszív családmodellből polgárilag elfogadható esküvői performansz. De a queer film nem csak habkönnyű komédiák terepe – elérkezik a kamaszkor kínja is, ahol a "C.R.A.Z.Y." és a "Szólíts a neveden" a vágy első, zavarba ejtő fellángolásait mesélik el, némi diszkóval és David Bowie-val. A "coming of age" itt tapasztalat: hogyan lehet felnőni egy világban, amely nem biztos, hogy visszatekint. De ha meg is teszi, hogyan kell megtenni az első, bizonytalan lépéseket? És mit kezdjünk a tükörképünkkel, ha nincs hozzá egy támogató családi háttér? A "Távol a mennyországtól" és "A boldogító nem" már a felnőtt lét keserű kompromisszumairól szólnak, ahol a homoszexualitás nem cool, hanem tabusított trauma. Vissza lehet-e bontani egy majdnem zenitre ért életet, hogy a mindig is vágyott irányba állítva újrakezdjük? A "Túl a barátságon" pedig két cowboy tragédiája, és egy olyan Amerikáé, amely nem tud mit kezdeni azzal, ha a hegyekben nemcsak juhokat legeltetnek, hanem érzelmeket is. Ennek betetőzése a "Milk", amelyben Harvey Milk városházi képviselő története nem a „meleg hős” hollywoodi prototípusa, az identitás már politikai tetté válik. A beszélgetés során a hollywoodi kánonba befurakodó másság nyomait kutatjuk: hogyan lesz a szekrényből kilépő figurákból társadalmi kísérlet. Aki pedig szerint „ez az egész túl van tolva”, annak ajánljuk a műsort terápiás céllal.A beszélgetés résztvevői:Balázsy IstvánLaska PálA Régen minden jobb volt a Tilos Rádió hátrafelé nyilazó történelmi műsora:https://www.facebook.com/regen.minden.jobb.volt

Kalte Tage, heiße Nächte: Tarzan Boy und Midnight Man schließen die Augen und tanzen besessen um die Weltherrschaft. Na-naa-na-na-na!

Send us a textWhen James Murphy turned down writing for Seinfeld to pursue music, no one could have predicted he'd create one of the most influential dance-rock albums of the 2000s. "Sound of Silver" by LCD Soundsystem, released in March 2007, forever changed the landscape of electronic music by injecting it with raw emotional depth rarely found in the genre.In this episode, we immerse ourselves in the hypnotic world of LCD Soundsystem's sophomore masterpiece. We trace Murphy's journey from club DJ to reluctant frontman, exploring how his background shaped the band's distinctive sound – a brilliant fusion of disco beats, post-punk sensibilities, and electronic innovation. The album draws from an eclectic range of influences including the B-52s, David Bowie, and the Smiths, creating something both nostalgic and groundbreaking.We spend considerable time unpacking the emotional core of the album. "Someone Great" stands as a haunting meditation on loss that Murphy intentionally keeps ambiguous, allowing listeners to project their own experiences. Meanwhile, "All My Friends" captures the bittersweet reality of aging and evolving relationships with its relentless piano motif and poignant lyrics. These tracks demonstrate Murphy's remarkable ability to create dance music that makes you think as much as move.The cultural context of mid-2000s New York City looms large throughout our discussion. We explore how the album serves as both a celebration and critique of urban life, culminating in the love-hate letter "New York, I Love You But You're Bringing Me Down." We also discuss Murphy's complicated relationship with fame, which would later lead to LCD Soundsystem's dramatic (if temporary) farewell shows at Madison Square Garden.Whether you're a longtime fan or discovering this album for the first time, our track-by-track breakdown reveals the brilliant craftsmanship and emotional depth that makes "Sound of Silver" an enduring classic. Join us as we rank our favorite non-hits and discover how an album released over 15 years ago continues to resonate with remarkable clarity today.Support the show

258 Mid Day Mix Fix is a Deep House inspired mix featuring tracks and remixes by David Bowie, RÜFÜS DU SOL, DJcity, Disclosure, Gorgon City, Slaptop, Sam Feldt, Tep No and more. The post 258 MIDDAY MIX FIX appeared first on Ed Unger Music.

Today, Danny is joined by the singer-songwriter, producer, screenwriter and journalist Geoff Deane. He was the front man of the new wave band The Leyton Buzzards and the original front man of Modern Romance. Geoff wrote for other artists, including Divine, who he toured with and wrote "You Think You're a Man" for. As a writer, Geoff contributed to The Face and Arena magazines and co-wrote several TV shows including Birds of a Feather, Tonight with Jonathan Ross and the film Kinky Boots. His memoir, “From Mohair Suits to Kinky Boots” is a best seller. Danny and Geoff discuss his upbringing in multi-cultural Hackney, his musical influences, the role art, fashion and film played and how it all influenced the way society evolved. If you can´t get enough of these podcasts, head to https://www.patreon.com/DannyHurst to access my exclusive, member-only, fun-filled and fact-packed history-related videos. KEY TAKEAWAYS Hackney was working-class, and rents were low, which drew in each wave of new immigrants and made it culturally rich. At the age of 9 Geoff´s mum entered him into a talent contest at the Hackney Empire. Musicians have always broken-down social barriers e.g. David Bowie and homosexuality. Surprisingly, blending rap with salsa resulted in Modern Romance making it big in America. Ay Ay Ay Moosey was written as a thank you to his cousin Moose. Geoff will try anything, including working as a nightclub singer in Spain. You are never too old to explore new creative avenues. Today, it´s easier for musicians to get exposure, but the level of competition makes it harder to have a long career. Unlike music, comedy demands a response. BEST MOMENTS “Stay away from bad women and stay out of the desert.” “Building vertically instead of horizontally eradicated everything that was good … no community.” “There´s a jar full of Amy Winehouse’s fag ends.” “It must have been quite subversive at the time, not liking the Beatles.” “The relationship between skinheads, suedeheads and black people was kind of like an uneasy alliance.” “That buzz has been going on all my life.” EPISODE RESOURCES https://www.instagram.com/geoffdeane Geoff´s Book - https://www.amazon.co.uk/Mohair-Suits-Kinky-Boots-Clothes-ebook/dp/B0D9W6RP7P Geoff´s son´s music - https://www.tiktok.com/@gotaloudmouth HOST BIO Historian, performer, and mentor Danny Hurst has been engaging audiences for many years, whether as a lecturer, stand-up comic or intervention teacher with young offenders and excluded secondary students. Having worked with some of the most difficult people in the UK, he is a natural storyteller and entertainer, whilst purveying the most fascinating information that you didn't know you didn't know. A writer and host of pub quizzes across London, he has travelled extensively and speaks several languages. He has been a consultant for exhibitions at the Imperial War Museum and Natural History Museum in London as well as presenting accelerated learning seminars across the UK. With a wide range of knowledge ranging from motor mechanics to opera to breeding carnivorous plants, he believes learning is the most effective when it's fun. Uniquely delivered, this is history without the boring bits, told the way only Danny Hurst can. CONTACT AND SOCIALS https://instagram.com/dannyjhurstfacebook.com/danny.hurst.9638 https://twitter.com/dannyhurst https://www.linkedin.com/in/danny-hurst-19574720 This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Backstage Business: What Rockstars Taught Me About Success, Strategy with Joe OwensWriter / Producer / EntrepreneurJoe Owens is a seasoned writer, film producer, and business coach with a dynamic career spanning decades. With roots in the music industry, Joe has worked behind the scenes with legends like The Rolling Stones, David Bowie, and Paul Simon, gaining rare insights into the inner workings of creative success at the highest level.As the author of "Welcome to the Jungle", "Madhouse", and "The Rockstar Real Estate Agent", Joe explores themes of music industry mastery, mental health, and business specialization in the modern world. His latest book,"Feelin' Groovy", offers Baby Boomers an inspiring, practical roadmap for aging well and staying vibrant.In the film world, Joe's expertise spans content development, fundraising, and hands-on production—making him a versatile voice on storytelling, creative entrepreneurship, and building impactful projects from the ground up.Whether your audience is interested in creativity, business, aging with purpose, or thriving in high-pressure industries, Joe brings engaging stories, actionable insights, and a fresh perspective that resonates with audiences of all ages..Link:https://www.joeowensbooks.com/Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Heroes Side B: Bold Experimentation and Secret Lives In this episode, you will be able to: Uncover the emotional depth and sonic innovation of David Bowie's "Heroes" album. Explore the profound influence of Berlin on David Bowie's music and creative process. Understand the pivotal role of ambient music in shaping the iconic sound of the "Heroes" album. Delve into the cultural and emotional nuances of David Bowie's "Secret Life of Arabia" song. The key moments in this episode are: 00:00:00 - Introducing the Podcast  00:02:13 - Bowie and Heroes  00:10:05 - Business Proposal Email  00:12:35 - Beauty and the Beast Analysis  00:15:59 - Initial Impressions  00:17:48 - Transition from Analog to Digital  00:19:05 - Unintentional Experimentation  00:21:31 - Self-Referential Lyrics  00:27:56 - Introducing Robert Fripp  00:34:42 - Reflection on "Heroes"  00:35:17 - Emotional nuance in music  00:36:01 - Musical shifts and emotional delivery  00:46:47 - Intended emotional effect of "Sons of the Silent Age"  00:49:37 - Emotional exhaustion and transition to "Blackout"  00:53:33 - Reflection on the Album  00:55:04 - Transition to Instrumentals  00:59:08 - Analysis of "Sense of Doubt"  01:04:01 - Nostalgia and Cultural Appropriation  01:08:39 - Emotional Depth in "I Got a New Colon"  01:11:29 - The Berlin Experience in the 90s  01:12:35 - Berlin's Vibe and Architecture  01:16:35 - Decoding "Secret Life of Arabia"  01:20:48 - The Role of "Secret Life of Arabia"  01:23:16 - Transition to "Lodger"  01:28:29 - Album Analysis  01:29:13 - Listener Appreciation  01:30:13 - Podcast Dynamics  01:31:43 - Workflow Improvement  01:33:30 - Farewell and Gratitude  This podcast is powered by Pinecast.

In the music business, Brian Eno is a name to conjure with. He's been the producer of tremendous hits by U2, Talking Heads, David Bowie, Grace Jones, Coldplay, and many other top artists. But he's also a conceptualist, nicknamed Professor Eno in the British music press, and a foundational figure in ambient music—a genre whose very name Eno coined. Amanda Petrusich speaks with Eno about his two new albums that just came out, “Luminal” and “Lateral,” and his new book, “What Art Does.” “One of the realizations I had when I was writing this book is that really the only product of art is feelings,”  Eno says. “Its main point is to make your feelings change—is to give you feelings that you perhaps didn't have before or did have before and want to have again or want to experiment with. So it seems very simplistic to say, ‘Oh, it's all about feelings.' But actually I think it is. Feelings are overlooked by all of those people who think bright children shouldn't do art.”

Happy Pride, Spookies! It's that time of year again where we become our strongest, gayest, most fabulous selves, and this month we're celebrating with Homoerotic Thriller Pride. To kick things off, we're covering The Hunger (1983), a bloodsucking bisexual romp featuring Catherine Deneuve, David Bowie, and Susan Sarandon. And since Pride is all about community, we also invited our pals from Queer Cinema Catchup to come help us out! Join us on a new Spooky Tuesday as we debate relationship dynamics, discuss that studio-altered ending, and inevitably start making Twilight references. Follow Queer Cinema Catchup on Instagram, TikTok, and YouTube. Check out Allison and Joe's new episodes every Thursday on Apple and Spotify. References: https://www.pastemagazine.com/movies/david-bowie/the-hunger-lesbian-vampirehttps://insessionfilm.com/the-hidden-tragedy-of-tony-scotts-the-hunger/https://bloody-disgusting.com/editorials/3492502/horror-queers-hunger-lesbian-sex/https://btchflcks.com/2013/10/a-study-in-contrasts-the-hunger.html https://btchflcks.com/2015/10/nine-pretty-great-lesbian-vampire-movies.htmlhttps://en.wikipedia.org/wiki/Sekhmethttps://www.per-spex.com/articles/2020/10/25/the-hunger-and-the-bauhaus-movementhttps://dagondogs.com/posts/the-hunger-1983-arcane-visions

This week's show, after a Billy Bragg belt: brand new Doves, Wet Leg, Skymender, Fawns of Love, DoubleVee, New Model Army, and Ras Fraser Jr. (with Natty King), plus Wade Flemons, Doors, Richard & Linda Thompson, David Bowie, Joni Mitchell (with Bob Dy...

Verzauberte Vorbestimmung: Jonas Lüschers neuster Roman trägt einen geheimnisvollen Titel. Live an den Solothurner Literaturtagen erzählt er, was er durch sein Schreiben verstehen will, wie früh er davon geträumt hat, Schriftsteller zu werden, und warum sein erstes Buch nie veröffentlicht wurde. «Ach, das ist doch dieser Covid-Roman!» – Ein Satz, der rasch fällt, wenn man auf Jonas Lüschers neuestes Buch zu sprechen kommt. Den Autor selbst stört das nicht, aber: «Es ist natürlich ein Etikettenschwindel.» Tatsächlich kommt Lüscher erst im letzten Drittel des Texts vertieft auf seine eigene schwere Erkrankung zu sprechen. «Ich glaube, man merkt diesem Buch an, dass ich das mit einem gewissen Widerstand gemacht habe», sagt er. «Meine älteren Bücher sind ja ein ganz distanziertes Schreiben über Personen, die sehr wenig mit mir zu tun haben. Nun habe ich mich zum ersten Mal in ein Buch hineingeschrieben.» Natürlich ist die Zeit, in der Lüscher im Koma lag, diese sieben prägenden Wochen und das Zurückkämpfen ins Leben, Thema in diesem Gespräch, das live vor Publikum in der «Cantina del Vino» in Solothurn stattgefunden hat, moderiert von Melanie Pfändler. Aber es geht auch um die grossen gesellschaftlichen und politischen Fragen, die Lüscher um- und antreiben. «Ich verstehe das Schreiben immer als eine Art Erkenntnisprozess», erzählt er. An jedes Buch gehe er mit einer Frage heran. «Und ich habe die Hoffnung, dass ich etwas lerne und eine gewisse Klarheit kriege, indem ich schreibe, weil es eine sehr konzentrierte und langsame Form des Nachdenkens ist.» Dass dies eines Tages sein Beruf werden könnte, hoffte Jonas Lüscher schon als Jugendlicher. Geradlinig verlief sein Weg dahin jedoch nicht. Mitte 20 verdiente er sein Geld als Kellner in München und schrieb über Jahre an einem ersten Buch, das nie veröffentlicht wurde. Später studierte er Philosophie und begann ein Doktorat an der ETH, das er abbrach, nachdem ihm mit «Frühling der Barbaren» der literarische Durchbruch gelang. Und dann, 2017: der Schweizer Buchpreis für «Kraft». Wie blickt er auf diese verschiedenen Kapitel seines Lebens zurück? Und welche Musik hat ihn dabei begleitet? Die Musiktitel: 1. Nirvana - The Man who Sold the World: MTV Unplugged, New York 1994 (Komponiert von David Bowie) 2. Bob Marley & The Wailers - So Much Trouble in the World 3. Miriam Makeba - Hapo Zamani (Komponiert von Dorothy Masuka) 4. Ephrem Lüchinger - Klaviertagebuch: 03/04/2020 5. Lauryn Hill - Everything is Everything

Andere spielten nur den Kämpfer – Richard Norton war einer. Ein echtes Kampfsport-Ass, das in gefühlt jedem zweiten Martial-Arts-Film der VHS-Ära mitmischte. Ob als rechte Hand des Oberschurken, als Endzeit-Gladiator oder als tödlicher Super-Ninja – wenn es krachte, rauchte und explodierte war er meist mittendrin. In unserer neuen Folge erinnern wir an den im März 2025 verstorbenen B-Movie-Helden. Wir werfen einen tiefen Blick in seine vielseitige Filmografie und feiern seine erstaunliche Wandlungsfähigkeit – von der Postapokalypse bis zum Sci-Fi-Thrill. Und wir sprechen über sein bewegtes Leben, das ihn nicht nur auf Actionfilmsets führte, sondern auch in den Dunstkreis von Legenden wie David Bowie und den Rolling Stones. Ein nostalgischer Streifzug durch Low-Budget-Perlen, martialische Highlights und eine Karriere, die mehr verdient als einen simplen Nachruf. Ruhe in Frieden, Richard – und danke für jeden Tritt. ----------- Hier geht es zu unserer Hörerumfrage! Zur Umfrage -----------Kontaktseite: https://www.mdavs.de/kontakt/ BlueSky: https://bsky.app/profile/mdavs-eu.bsky.social Mail: MdaVs-Podcast@hotmail.com Gastbeiträge einreichen: https://www.speakpipe.com/MdaVs Podcast unterstützen: https://ko-fi.com/mdavs https://steadyhq.com/de/mdavs/about ---------- JETZT AUCH BEI DISCORD! Einladungslink für die ersten fünf Hörerinnen und Hörer: https://discord.gg/7R7vzUzRDr

Comedian Amy Matthews joins us this week to chat about her early musical memories, her love of Rubber Soul, and we take a deep dive into the 1978 Bee Gee-fronted mind-melting musical film, Sgt Pepper's Lonely Hearts Club Band. Spoiler: it's less than brilliant.For subscribers, Jack and Robin break down George Harrison's Try Some, Buy Some, from 1973's Living in the Material World. Subscribe via Apple Podcasts or at Patreon.com/personalbeatles.Links of note:You can watch the film here: https://youtu.be/ZwfSfdYMfXs?si=QYh9WFEF-0GhFm3qGary Barlow's big son: https://www.independent.co.uk/voices/gary-barlow-massive-giant-tall-son-b2642537.htmlDavid Bowie's version of Try Some, Buy Some: https://www.youtube.com/watch?v=Svpv6UHA-dwAmy's stuff!WEBSITE: www.amymatthewscomedy.comSOCIALS: @amyfmatthewsSUBSTACK: amyfmatthews.substack.comVINYL PRE-ORDER: www.monkeybarrelrecords.com/product-page/amy-matthews-commute-with-the-foxes Hosted on Acast. See acast.com/privacy for more information.

David Bowie's immensely successful follow-up to Ziggy Stardust - if you only judge it by how famous the album cover is - is a bizarre story about a Ziggy disciple touring America and musing about what he sees. Maybe. Do the theater kids agree? Well find out as they talk about what might be one of Bowie's most theatrical albums, Aladdin Sane!Originally recorded December 8, 2024.

We're back again to review a classic album that we previously knew very little about. This time around it's David Bowie's “The Rise and Fall of Ziggy Stardust and the Spiders From Mars.” How did hosts E and Tank find their first experience with Bowie? Watch and find out!What album have you just never got around to listening to? Let us know in the comments. Listen to “The Rise and Fall of Ziggy Stardust and the Spiders from Mars” for yourself.Watch previous episodes. Please like/follow/subscribe to The Extended Play Podcast.

This week on Seddy Bimco Part Two The Revenge: We create sequels to the movie called, Labyrinth!Follow Tim on letterboxd!https://letterboxd.com/search/tjhamilton/ See the Seddy Bimco watchlist! Email us at seddybimcoe@gmail.com Most art by Tim Hamilton Music by Tim Hamilton Check out the Seddy website. Website: https://www.seddy-bimco-part-2-the-re... Links: https://linktr.ee/seddybimco Check out George O'Connor's books: https://www.georgeoconnorbooks.com/ Check out Tim Hamilton's books: https://timhamiltonrwf.gumroad.com/ Hosted on Acast. See acast.com/privacy for more informationIn this episode, George and Tim wrap up their tour of the 50 states by discussing the movie 'Labyrinth' from 1986. In this conversation, Tim Hamilton and George The Mighty delve into the fantasy elements of the film 'Labyrinth', exploring character motivations, the significance of anger, and the whimsical yet dark nature of the story. They discuss the introduction of Jareth, the Goblin King, and the various challenges faced by the protagonist, Sarah, as she navigates the labyrinth to save her brother Toby. The dialogue is rich with humor and insights into the film's themes, including the coming-of-age journey and the interplay of truth and deception. In this segment of the conversation, the hosts delve into the whimsical and surreal world of 'Labyrinth,' exploring character dynamics, unexpected surprises, and the film's unique blend of humor and fantasy. The conversation also touches on deeper themes, including nostalgia, coming of age, and the consequences of choices, culminating in the climactic showdown in Goblin City. In this episode, Tim and George delve into the intricacies of the film 'Labyrinth,' discussing its iconic scenes, character dynamics, and the influence of David Bowie. They explore the film's artistic elements, including the set design and puppetry, while also reflecting on personal interpretations and critiques. The conversation transitions into a comparative analysis with 'Star Wars,' leading to imaginative sequel scenarios and future podcast directions. Hosted on Acast. See acast.com/privacy for more information.

This week, we're throwing it back to our unforgettable conversation with the sensational Beverley Knight – a true powerhouse of British music and theatre.In this episode, Beverley reflects on the people and moments that have shaped her extraordinary career, from being championed by legends like Prince and David Bowie to sharing a stage with Stevie Wonder, her journey is nothing short of iconic. And with an Olivier Award under her belt for her role in Sylvia, she continues to shine as one of the West End's brightest stars.An episode packed with star power, humility, and inspiration – enjoy!For all the latest news, click here to follow us on Instagram!***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

Hasta este domingo 1 de junio se está celebrando la cuadragésima edición del Festival Madrid en Danza y entre sus estrenos absolutos se encuentra 'Tierras raras', el último montaje de Luz Arcas, Premio Nacional de Danza 2024 y también Premio El Ojo Crítico de Danza 2015. Este es su primer trabajo tras haber recibido el Nacional, y supone una nueva muestra de su lenguaje escénico, que une lo físico, lo político y lo poético.Nuestra compañera Olga ha estado con Nacho Duato, que regresa con su compañía a los escenarios españoles. Tras varias actuaciones previas, su formación llegará a mediados de junio al Teatro Albéniz con un programa mixto que incluye algunas de sus piezas más emblemáticas junto a una nueva coreografía que se presenta por primera vez.Desde una perspectiva científica, Miguel Ángel Delgado nos habla de 'Mirabilis', de Ersilia Vaudo, publicado por Blackie Books. El libro reflexiona sobre la necesidad humana de construir relatos que expliquen el origen del universo, como forma de comprendernos a nosotros mismos y dar sentido a nuestra existencia.También nos trasladamos a Londres, donde hoy arranca la vigésima edición del Flamenco Festival, una cita consolidada que cada año reúne lo mejor del panorama flamenco español en la capital británica. En esta ocasión participan artistas como Manuel Liñán, Farruquito, el Ballet Flamenco de Andalucía o la compañía Estevez/Paños. El festival se inaugura con Sara Baras, con quien ha hablado nuestro corresponsal Guillaume Bontoux.Por último, nos detenemos en la figura de David Bowie a través del objetivo de Masayoshi Sukita, el fotógrafo japonés que documentó durante décadas las múltiples transformaciones del Camaleón del Rock. Barcelona acoge la exposición 'Bowie X Sukita', que recoge los retratos más icónicos de su amistad artística. Nos lo cuenta Agnès Batlle.Escuchar audio

A stunning song that perfectly captures the complexity of a musical and cultural genius, and a cover that strips the song down to almost nothing, but has so much to offer. Life On Mars?, originally by David Bowie, covered by Seu Jorge. Outro music is Bowie's Starman, also covered by Seu Jorge, because we can't get enough of this guy. We think you'll agree.

We're serving up some hard-won advice about winning elections - and it's not pretty. While our Never Trump allies and high-paid consultants keep screaming the same tired strategies at Democratic politicians, we're here with a bolder approach inspired by David Bowie's wisdom about language and a certain scene from "Better Call Saul."We dive deep into what undecided and independent voters actually want (spoiler: it's not what you think), examine the post-election interviews that reveal the uncomfortable truth about swing voters, and explore why policy substance keeps losing to vibes, farts, and other distractions.In local news, we have some upsetting tornado recovery updates from St. Louis, where FEMA showed up five days after the storm, and it was not to provide immediate help. Stay in Touch! Email: proleftpodcast@gmail.comWebsite: proleftpod.comSupport via Patreon: patreon.com/proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Not safe for work. Recorded live from the Cornfield Resistance.Support the show

Adam Buxton is a British comedian, writer, podcaster, and actor best known for his work in comedy and broadcasting. He gained prominence in the 1990s as one half of the comedy duo Adam and Joe, alongside Joe Cornish. Their cult TV show The Adam and Joe Show on Channel 4 mixed sketches, pop culture parodies, and homemade creativity, becoming a hit with alternative comedy fans.Buxton is also widely respected for The Adam Buxton Podcast, where he conducts warm, thoughtful, and often humorous interviews with a range of guests, from comedians and musicians to writers and filmmakers. His distinctive style blends genuine curiosity with playful absurdity.Outside of his podcasting and TV work, Buxton has appeared in various acting roles and voice work (including Hot Fuzz, The IT Crowd, and Bug). He is known for his love of music (especially David Bowie), tech, and a strong DIY aesthetic in his creative projects.BUY HIS BOOK: https://harpercollins.co.uk/products/i-love-you-byeee-rambles-on-diy-tv-rockstars-kids-and-mums-adam-buxton?variant=54865015898491

Woof. The anti-abortion cretins really brought their fuckery to the yard this week. The BS popped off from the Lone Star State all the way to the UK, so Lizz and Moji are back to lay it all out for you with some incredible guests, and dish on the week's good, bad, and mostly bad abortion stories! You know—the usual. Your Buzzkills will break down the tragic FIVE MONTH criminalization of a Texan woman's miscarriage, the motives of last week's attack at the Palm Springs IVF clinic, and learn that the enemy of our enemy is not our friend! It seems that the “anti-natalists” pulled a seat up to the cruel kids table… tune in to figure out whatever the fuck “anti-natalist” means. GUEST ROLL CALL!Joining the pod this week is one of our absolute favorites, Executive Director of the Feminist Center for Reproductive Liberation Kwajelyn Jackson, to discuss getting justice for Adriana Smith, the pregnant woman forced onto life support to carry out her pregnancy. PLUS, launching from one horrifying topic to another, Moji and Lizz break down the scary grift of maternity homes with best-selling author Grady Hendrix about his new incredible new horror novel Witchcraft for Wayward Girls — proving once again that misogyny is the scariest monster.  Scared? Got Questions about the continued assault on your reproductive rights? THE FBK LINES ARE OPEN! Just call or text (201) 574-7402, leave your questions or concerns, and Lizz and Moji will pick a few to address on the pod! Times are heavy, but knowledge is power, y'all. We gotchu.  OPERATION SAVE ABORTION: You can still join the 10,000+ womb warriors fighting the patriarchy by listening to our OpSave pod series and Mifepristone Panel by clicking HERE for episodes, your toolkit, marching orders, and more. HOSTS:Lizz Winstead IG: @LizzWinstead Bluesky: @LizzWinstead.bsky.socialMoji Alawode-El IG: @Mojilocks Bluesky: @Mojilocks.bsky.social SPECIAL GUESTS:Kwajelyn J. Jackson IG: @superkwa / @feministcenterGrady Hendrix IG: @gradyhendrix GUEST LINKS:Feminist Center for Reproductive Liberation WebsiteDONATE: Feminist Center for Reproductive LiberationPregnancy Justice WebsitePass the Reproductive Freedom ActSUPPORT ADRIANA SMITH: Family's GoFundMeGrady Hendrix WebsiteGrady's New Novel: “Witchcraft for Wayward Girls”Ann Fessler Book: “The Girls Who Went Away”Rickie Solinger Bookl: “Wake Up Little Susie” NEWS DUMP:US House Passes Trump's ‘Big, Beautiful' Tax and Spending Bill5 Calls: Call Your Senators to Vote Against "One Big Beautiful BillIn the UK, Police Are Being Trained to Find Abortion-Related Evidence in Women's PhonesFlorida Ruling Challenges Judicial Waivers for Abortion, Harms YouthCharlottesville Federal Court Hears Abortion Pill Access CaseInvestigators Comb Through Writings of Palm Springs Fertility Clinic Bombing SuspectWoman Released From Jail in Texas After Serving Five Months for a MiscarriageAdriana Smith and the Legal Horror of Reproductive Servitude in the USUS State Regulation of Decisions for Pregnant Women Without Decisional Capacity EPISODE LINKS:TICKETS: Genital Panic 5/30 in Minneapolis ADOPT-A-CLINIC: Hope Clinic Wishlist (Illinois)DONATE: Hope Clinic (Illinois)Kentucky Health Justice Network Website IG: @KYHealthJusticeDONATE: Kentucky Health Justice Network6 DEGREES: Andie Macdowell at Cannes BUY AAF MERCH!Operation Save AbortionSIGN: Repeal the Comstock ActEMAIL your abobo questions to The Feminist BuzzkillsAAF's Abortion-Themed Rage Playlist FOLLOW US:Listen to us ~ FBK PodcastInstagram ~ @AbortionFrontBluesky ~ @AbortionFrontTikTok ~ @AbortionFrontFacebook ~ @AbortionFrontYouTube ~ @AbortionAccessFrontTALK TO THE CHARLEY BOT FOR ABOBO OPTIONS & RESOURCES HERE!PATREON HERE! Support our work, get exclusive merch and more! DONATE TO AAF HERE!ACTIVIST CALENDAR HERE!VOLUNTEER WITH US HERE!ADOPT-A-CLINIC HERE!EXPOSE FAKE CLINICS HERE!GET ABOBO PILLS FROM PLAN C PILLS HERE! When BS is poppin', we pop off!

It's friend-of-the-show Chris's birthday, and there's nothing he'd rather do on his special day than share his girlfriend Vicki with his lightning-licking comrades. Vicki rules. She shares stories recalling her DJ past in the Detroit scene of yesteryear while adding female-powered cuts to this bonus episode's mixtape. Deon and Jay tackle old and new cuts spanning 7 decades of musical deliciousness, everything from 60's Brazilian bossa nova to 80's pop to 90's hip-hop to a fresh release from an alternative indie heavyweight.Sonic contributors to this very special 26th bonus episode of Lightnin' Licks Radio podcast include: Dave Matthews Band, Jurassic 5, DJ Nu-Mark, Zach Braff, Natalie Portman, Prince Paul, National Public Radio, Beastie Boys, Unknown Mortal Orchestra, Eddie Murphy, Olivia Newton John, John Waters' film Pink Flamingos featuring Divine, David Lochery & Mink Stole, Richard Rodgers, Deborah Kerr & Marni Nixon, Blake Mills, The Rivingtons, Black Thought & El Michaels Affair, Faith No More, MC Breed, Bootleg of the Dayton Family, Pat Finnerty's stink horn, Michelle Zauner,  Ethan Klein, Stevie Wonder, Jimmy Webb, Glen Campbell, The Meters, Lani Hall, The Beatles, The Pretenders, YES, Paul Revere & the Raiders, Guitar Wizards of the Future, Daffy Duck, Squeeze, more Beatles, The Vapors, SRC, John Frusciante, System 7 & Derrick May, Brian Austin Green, Negative Approach, Laughing Hyenas, Mule, Insane Clown Posse, Stone Temple Pilots, Galaxy to Galaxy, Beck, Skinny Puppy, Millie Jackson, Bob Seger System, The Jesus and Mary Chain, James Brown, Betty Jean Newsome, Bob Vylan & Amy Taylor, Greet Death, Ol' Burger Beats, Muddy Waters, Against Me! Operation Ivy,  Neon Trees, No Doubt, Bush, Gwen Stefani, English Beat, The Specials, Bad Manners, Cat Stevens, Steve Winwood, Jimmy Miller, more Pretenders, Sublime, Prince, The Avalaches featuring Camp Lo, Holland-Dozier-Holland, De La Soul, A Tribe Called Quest, William McLean, The S.O.S. Band, Parliament Funkadelic, ZAP, Tamia, LCD Soundsystem, David Bowie, James Murphy, Tom Scharpling, The Turtles, Bob James, The Alkoholiks, Justin Avdek, The Roots, Tori Spelling, and Dipshit Don, accepter of bribes. Jay loves – Missing Persons, Sergio Mendes, Honey Cone, and Newcleus. Deon likes – Japanese Breakfast, Laura Marling, Black Sheep, and The Pool.Vicki digs – Cat Bite, Sincere Engineer, P.P. Arnold, and Robyn.The 26th Bonus Mixtape:LISTEN TO THE MIX ON SOUNDCLOUD OR ON SPOTIFY[SIDE ONE] (1) Cat Bite - Call Your Bluff (2) Black Sheep - Strobelite Honey (3) Sergio Mendes & Brasil '66 - Wichita Lineman (4) Robyn - Dancing on my Own (5) The Pool - Jamaica Resting (6) Honey Cone - Sunday Morning People[SIDE TWO] (1) Japanese Breakfast - Mega Circuit (2) Sincere Engineer - Fireplace (3) Newcleus - No More Runnin' (4) Laura Marling - Don't Let Me Bring You Down (5) P.P. Arnold - The First Cut is the Deepest (6) Missing Persons - Surrender Your HeartA.I. David Silver appears courtesy of the fact that it's 2025 and we can deep fake whoever the flip we want to.Drink Blue Chair Bay. Shop at Electric Kitsch. Be kind to neighbors and strangers alike.

De ses débuts comme acheteur pour Champs Disques, disquaire culte de l'avenue des Champs-Elysées dans les années 1970-1980, à la dernière fashion week parisienne, où il a créé les bandes-son pour les collections de pas moins de six marques, Michel Gaubert s'est imposé comme l'un des illustrateurs sonores les plus célèbres de la planète. Cet expert du son a mis en musique plus de 1 800 défilés Chanel, aux côtés de son ami Karl Lagerfeld, et collaboré avec de nombreuses grandes maisons. Il retrace cette odyssée musicale dans une autobiographie, « Remixed » (Fayard, 22,90 €), qui vient de sortir.Il nous reçoit chez lui, dans son appartement-studio du 16e arrondissement de Paris, avec vue sur la rue, où se côtoient une œuvre du plasticien Cyprien Gaillard, un fauteuil d'Harry Bertoia, « trop confortable » avec son ottoman, et une photographie de Willy Vanderperre pour Margiela. L'illustrateur sonore nous fait découvrir sa bibliothèque et son « bureau secret » : sa « caverne d'Ali Baba », où s'empilent CD et vêtements, où il écoute de la musique et commence les montages.Dans cet épisode du « Goût de M », Michel Gaubert raconte ses nuits à mixer derrière les platines du Palace, club mythique des nuits parisiennes des années 1980, son admiration pour David Bowie et son personnage de Ziggy Stardust, ou encore cette drôle de nuit de 1990, où Karl Lagerfeld l'appelle et lui demande de changer la musique pour le défilé du lendemain alors qu'il a « un somnifère dans les gencives ». Au cœur d'un monde où musique et mode sont intrinsèquement liées, les souvenirs de Michel Gaubert voient défiler les grands de ces deux univers.Cet épisode a été publié le 23 mai 2025.Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal), préparé avec l'aide de Diane Lisarelli et de Juliette SavardRéalisation : Anaïs ReinhardtMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Welcome to our first ever spring special! As we approach the Summer of '83, Javi, Paul and Producer Brad dive into Tony Scott's extravagantly evocative and super stylish goth-punk erotic vampire thriller THE HUNGER, starring the gobsmackingly great-looking Catherine Deneuve, David Bowie, and Susan Sarandon. Mod music video and commercial aesthetics collide with neo-noir cinema like never before in this creepy cool treasure trove of a time capsule set in '80s NYC where vampires are real, but very different than any you've seen before. Moviegoers on April 29, 1983, were simply not ready for it, but late night cable viewers and adventurous VHS renters soon would be. You don't want to sleep on this one, especially as we examine the film in context and contrast to other standout vampire fare such as LET THE RIGHT ONE IN and SINNERS.Follow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In today's episode we welcome pioneering innovator Ty Roberts, founder of Gracenote, and former CTO of Universal Music Group. We talk about some of the pivotal moments in his career including Gracenote's role in the development of iTunes, and working with David Bowie on generative music. We discuss the future of visual music experiences, the rise of AI in music creation, and the possibilities for personalized live events using advanced technologies.    Shoutouts from the News Are Tech Bros Hijacking the Music Industry? An Urgent Look at the Latest AI Developments SoundCloud Says Users' Music Isn't Being Used for AI Training Following Backlash Licensing AI music: the industry is focusing on the wrong problem U.S. Copyright Office Releases New Report on Legality of AI Training, Suggesting Law Is With Rightsholders on Key Issues Taco Bell launches record club with 2025 Feed The Beat class   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

Episode 043: Buckle up, music lovers, because Six Picks Music Club is back with the ultimate bromance episode featuring the return of the legendary Bobby! Geoff, Russ, Dave, and Bobby are diving deep into the world of brotherhood and friendship, cranking up the testosterone with an epic lineup of tunes from Randy Newman, Dilated Peoples, Ben Folds, Ween, David Bowie, and Garth Brooks. Get ready for maximum male bonding as these musical bros stare deep into each other's eyes, potentially cross some platonic boundaries, and maybe - just maybe - share a kiss (totally ironically, of course). It's gonna be a bro-tastic musical journey that'll make bromance look like an understatement, so grab your headphones, crack open a cold one, and join the guys for the most intimate, eye-contact-heavy, friendship-celebrating musical throwdown you've ever heard! Prepare for maximum bro-off energy as these dudes prove that friendship isn't just a word - it's a way of life, set to an killer soundtrack!   Apple Podcasts Instagram Spotify Playlist YouTube Playlist Listener Listens TVOD - Instagram

Send us a textHere in Episode 222 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about cover versions!We talk about Slade, Dee Snider, Metallica and David Bowie to name only a few.We also cover Minecraft, Mott the Hoople, Ringo Starr and Ian Husbands!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Send us a textGuitar Virtuoso Joins With Vocal Legend To Cover Classic: "Ride Captain Ride"#newmusic #guitar #classicrock #joelynnturner #marcusnandTurner knows a great guitarist when he hears one, and Marcus Nand is no exception. Born in Spain and a student of flamenco guitar along with blues and rock, Nand has incorporated his diverse influences on such projects as the Los Angeles-based metal band Freak Of Nature, which featured White Lion singer Mike Tramp, and the world music-influenced rock band Ziroq with famed David Bowie bassist Carmine Rojas!Website: https://www.marcusnand.com/Facebook: https://www.facebook.com/marcuscnand/Instagram: https://www.instagram.com/marcusnand.musicYoutube: https://www.youtube.com/MarcusnandMusicSpotify: https://open.spotify.com/artist/2N8d1UnqOMDVCioCd6njrICleopatra Records: https://cleorecs.com/collections/marcus-nandThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Prince Harry and Meghan Markle play host to Brooklyn Beckham and Nicola Peltz in a surprising Montecito summit that's fueling talk of a “Becxit” family feud. As tensions rise between the younger Beckhams and David and Victoria, insiders say Meghan and Nicola bonded over media pressure and public scrutiny. We track the unraveling of the Sussex-Beckham friendship, explore Meghan and Harry's concert date night with James Taylor, and hear new predictions on what Prince William might do when he's king. Plus: A long-hidden photo of Princess Diana and David Bowie resurfaces after 37 years. Why Kensington Palace tried to bury it—and why it's finally being published now.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app which seays UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!   

Kara and Tia are back to discuss the covers of issues #2-5 of The Wicked + The Divine!Issue 2:Jamie/Matt: Amaterasu head shotSDCC cover: Amaterasu head shot in ben-gay dots2nd printing: Amaterasu head shot in B&W with makeup in colorZdarsky variant: Trolling KG and Jamie?Jamie variant: Luci as David Bowie's mugshotIssue 3:Jamie/Matt: The Morrigan head shot (lol)Stephanie Hans variant: Amaterasu performanceJamie variant: Luci performanceIssue 4:Jamie/Matt: Baal head shotKevin Wada variant: The GothsIssue 5:Jamie/Matt: Tara head shotBecky Cloonan Variant: The Goths, fallingJamie variant: SakhmetMusic provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseProducer: Mike RapinProoflistener: Brian MurrayEditor: Zander Riggs Support us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastEmail: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

So why did Harris lose in 2024? For one very big reason, according to the progressive essayist Bill Deresiewicz: “because she represented the exhausted Democratic establishment”. This rotting establishment, Deresiewicz believes, is symbolized by both the collective denial of Biden's mental decline and by Harris' pathetically rudderless Presidential campaign. But there's a much more troubling problem with the Democratic party, he argues. It has become “the party of institutionalized liberalism, which is itself exhausted”. So how to reinvent American liberalism in the 2020's? How to make the left once again, in Deresiewicz words, “the locus of openness, playfulness, productive contention, experiment, excess, risk, shock, camp, mirth, mischief, irony and curiosity"? That's the question for all progressives in our MAGA/Woke age. 5 Key Takeaways * Deresiewicz believes the Democratic establishment and aligned media engaged in a "tacit cover-up" of Biden's condition and other major issues like crime, border policies, and pandemic missteps rather than addressing them honestly.* The liberal movement that began in the 1960s has become "exhausted" and the Democratic Party is now an uneasy alliance of establishment elites and working-class voters whose interests don't align well.* Progressive institutions suffer from a repressive intolerance characterized by "an unearned sense of moral superiority" and a fear of vitality that leads to excessive rules, bureaucracy, and speech codes.* While young conservatives are creating new movements with energy and creativity, the progressive establishment stifles innovation by purging anyone who "violates the code" or criticizes their side.* Rebuilding the left requires creating conditions for new ideas by ending censoriousness, embracing true courage that risks something real, and potentially building new institutions rather than trying to reform existing ones. Full Transcript Andrew Keen: Hello, everyone. It's the old question on this show, Keen on America, how to make sense of this bewildering, frustrating, exciting country in the wake, particularly of the last election. A couple of years ago, we had the CNN journalist who I rather like and admire, Jake Tapper, on the show. Arguing in a piece of fiction that he thinks, to make sense of America, we need to return to the 1970s. He had a thriller out a couple of years ago called All the Demons Are Here. But I wonder if Tapper's changed his mind on this. His latest book, which is a sensation, which he co-wrote with Alex Thompson, is Original Sin, President Biden's Decline, its Cover-up and His Disastrous Choice to Run Again. Tapper, I think, tells the truth about Biden, as the New York Times notes. It's a damning portrait of an enfeebled Biden protected by his inner circle. I would extend that, rather than his inner circle protected by an elite, perhaps a coastal elite of Democrats, unable or unwilling to come to terms with the fact that Biden was way, way past his shelf life. My guest today, William Deresiewicz—always get his last name wrong—it must be...William Deresiewicz: No, that was good. You got it.Andrew Keen: Probably because I'm anti-semitic. He has a new piece out called "Post-Election" which addresses much of the rottenness of the American progressive establishment in 2025. Bill, congratulations on the piece.William Deresiewicz: Thank you.Andrew Keen: Have you had a chance to look at this Tapper book or have you read about Original Sin?William Deresiewicz: Yeah, I read that piece. I read the piece that's on the screen and I've heard some people talking about it. And I mean, as you said, it's not just his inner circle. I don't want to blame Tapper. Tapper did the work. But one immediate reaction to the debate debacle was, where have the journalists been? For example, just to unfairly call one person out, but they're just so full of themselves, the New Yorker dripping with self-congratulations, especially in its centennial year, its boundless appetite for self-celebration—to quote something one of my students once said about Yale—they've got a guy named Evan Osnos, who's one of their regulars on their political...Andrew Keen: Yeah, and he's been on the show, Evan, and in fact, I rather like his, I was going to say his husband, his father, Peter Osnos, who's a very heavy-hitting ex-publisher. But anyway, go on. And Evan's quite a nice guy, personally.William Deresiewicz: I'm sure he's a nice guy, but the fact is he's not only a New Yorker journalist, but he wrote a book about Biden, which means that he's presumably theoretically well-sourced within Biden world. He didn't say anything. I mean, did he not know or did he know?Andrew Keen: Yeah, I agree. I mean you just don't want to ask, right? You don't know. But you're a journalist, so you're supposed to know. You're supposed to ask. So I'm sure you're right on Osnos. I mean, he was on the show, but all journalists are progressives, or at least all the journalists at the Times and the New Yorker and the Atlantic. And there seemed to be, as Jake Tapper is suggesting in this new book, and he was part of the cover-up, there seemed to be a cover-up on the part of the entire professional American journalist establishment, high-end establishment, to ignore the fact that the guy running for president or the president himself clearly had no idea of what was going on around him. It's just astonishing, isn't it? I mean, hindsight's always easy, of course, 2020 in retrospect, but it was obvious at the time. I made it clear whenever I spoke about Biden, that here was a guy clearly way out of his depth, that he shouldn't have been president, maybe shouldn't have been president in the first place, but whatever you think about his ideas, he clearly was way beyond his shelf date, a year or two into the presidency.William Deresiewicz: Yeah, but here's the thing, and it's one of the things I say in the post-election piece, but I'm certainly not the only person to say this. There was an at least tacit cover-up of Biden, of his condition, but the whole thing was a cover-up, meaning every major issue that the 2024 election was about—crime, at the border, woke excess, affordability. The whole strategy of not just the Democrats, but this media establishment that's aligned with them is to just pretend that it wasn't happening, to explain it away. And we can also throw in pandemic policy, right? Which people were still thinking about and all the missteps in pandemic policy. The strategy was effectively a cover-up. We're not gonna talk about it, or we're gonna gaslight you, or we're gonna make excuses. So is it a surprise that people don't trust these establishment institutions anymore? I mean, I don't trust them anymore and I want to trust them.Andrew Keen: Were there journalists? I mean, there were a handful of journalists telling the truth about Biden. Progressives, people on the left rather than conservatives.William Deresiewicz: Ezra Klein started to talk about it, I remember that. So yes, there were a handful, but it wasn't enough. And you know, I don't say this to take away from Ezra Klein what I just gave him with my right hand, take away with my left, but he was also the guy, as soon as the Kamala succession was effected, who was talking about how Kamala in recent months has been going from strength to strength and hasn't put a foot wrong and isn't she fantastic. So all credit to him for telling the truth about Biden, but it seems to me that he immediately pivoted to—I mean, I'm sure he thought he was telling the truth about Harris, but I didn't believe that for one second.Andrew Keen: Well, meanwhile, the lies about Harris or the mythology of Harris, the false—I mean, all mythology, I guess, is false—about Harris building again. Headline in Newsweek that Harris would beat Donald Trump if an election was held again. I mean I would probably beat—I would beat Trump if an election was held again, I can't even run for president. So anyone could beat Trump, given the situation. David Plouffe suggested that—I think he's quoted in the Tapper book—that Biden totally fucked us, but it suggests that somehow Harris was a coherent progressive candidate, which she wasn't.William Deresiewicz: She wasn't. First of all, I hadn't seen this poll that she would beat Trump. I mean, it's a meaningless poll, because...Andrew Keen: You could beat him, Bill, and no one can even pronounce your last name.William Deresiewicz: Nobody could say what would actually happen if there were a real election. It's easy enough to have a hypothetical poll. People often look much better in these kinds of hypothetical polls where there's no actual election than they do when it's time for an election. I mean, I think everyone except maybe David Plouffe understands that Harris should never have been a candidate—not just after Biden dropped out way too late, but ever, right? I mean the real problem with Biden running again is that he essentially saddled us with Harris. Instead of having a real primary campaign where we could have at least entertained the possibility of some competent people—you know, there are lots of governors. I mean, I'm a little, and maybe we'll get to this, I'm little skeptical that any normal democratic politician is going to end up looking good. But at least we do have a whole bunch of what seem to be competent governors, people with executive experience. And we never had a chance to entertain any of those people because this democratic establishment just keeps telling us who we're going to vote for. I mean, it's now three elections in a row—they forced Hillary on us, and then Biden. I'm not going to say they forced Biden on us although elements of it did. It probably was a good thing because he won and he may have been the only one who could have won. And then Harris—it's like reductio ad absurdum. These candidates they keep handing us keep getting worse and worse.Andrew Keen: But it's more than being worse. I mean, whatever one can say about Harris, she couldn't explain why she wanted to be president, which seems to me a disqualifier if you're running for president. The point, the broader point, which I think you bring out very well in the piece you write, and you and I are very much on the same page here, so I'm not going to criticize you in your post-election—William Deresiewicz: You can criticize me, Andrew, I love—Andrew Keen: I know I can criticize you, and I will, but not in this particular area—is that these people are the establishment. They're protecting a globalized world, they're the coast. I mean, in some ways, certainly the Bannonite analysis is right, and it's not surprising that they're borrowing from Lenin and the left is borrowing from Edmund Burke.William Deresiewicz: Yeah, I mean I think, and I think this is the real problem. I mean, part of what I say in the piece is that it just seems, maybe this is too organicist, but there just seems to be an exhaustion that the liberal impulse that started, you know, around the time I was born in 1964, and I cite the Dylan movie just because it's a picture of that time where you get a sense of the energy on the left, the dawning of all this exciting—Andrew Keen: You know that movie—and we've done a show on that movie—itself was critical I guess in a way of Dylan for not being political.William Deresiewicz: Well, but even leaving that aside, just the reminder you get of what that time felt like. That seems in the movie relatively accurate, that this new youth culture, the rights revolution, the counterculture, a new kind of impulse of liberalism and progressivism that was very powerful and strong and carried us through the 60s and 70s and then became the establishment and has just become completely exhausted now. So I just feel like it's just gotten to the end of its possibility. Gotten to the end of its life cycle, but also in a less sort of mystical way. And I think this is a structural problem that the Democrats have not been able to address for a long time, and I don't see how they're going to address it. The party is now the party, as you just said, of the establishment, uneasily wedded to a mainly non-white sort of working class, lower class, maybe somewhat middle class. So it's sort of this kind of hybrid beast, the two halves of which don't really fit together. The educated upper middle class, the professional managerial class that you and I are part of, and then sort of the average Black Latino female, white female voter who doesn't share the interests of that class. So what are you gonna do about that? How's that gonna work?Andrew Keen: And the thing that you've always given a lot of thought to, and it certainly comes out in this piece, is the intolerance of the Democratic Party. But it's an intolerance—it's not a sort of, and I don't like this word, it's not the fascist intolerance of the MAGA movement or of Trump. It's a repressive intolerance, it's this idea that we're always right and if you disagree with us, then there must be something wrong with you.William Deresiewicz: Yeah, right. It's this, at this point, completely unearned sense of moral superiority and intellectual superiority, which are not really very clearly distinguished in their mind, I think. And you know, they just reek of it and people hate it and it's understandable that they hate it. I mean, it's Hillary in a word. It's Hillary in a word and again, I'm wary of treading on this kind of ground, but I do think there's an element of—I mean, obviously Trump and his whole camp is very masculinist in a very repulsive way, but there is also a way to be maternalist in a repulsive way. It's this kind of maternal control. I think of it as the sushi mom voice where we're gonna explain to you in a calm way why you should listen to us and why we're going to control every move you make. And it's this fear—I mean what my piece is really about is this sort of quasi-Nietzschean argument for energy and vitality that's lacking on the left. And I think it's lacking because the left fears it. It fears sort of the chaos of the life force. So it just wants to shackle it in all of these rules and bureaucracy and speech codes and consent codes. It just feels lifeless. And I think everybody feels that.Andrew Keen: Yeah, and it's the inability to imagine you can be wrong. It's the moral greediness of some people, at least, who think of themselves on the left. Some people might be listening to this, thinking it's just these two old white guys who think themselves as progressives but are actually really conservative. And all this idea of nature is itself chilling, that it's a kind of anti-feminism.William Deresiewicz: Well, that's b******t. I mean, let me have a chance to respond. I mean I plead guilty to being an old white man—Andrew Keen: I mean you can't argue with that one.William Deresiewicz: I'm not arguing with it. But the whole point rests on this notion of positionality, like I'm an older white man, therefore I think this or I believe that, which I think is b******t to begin with because, you know, down the street there's another older white guy who believes the exact opposite of me, so what's the argument here? But leaving that aside, and whether I am or am not a progressive—okay, my ideal politician is Bernie Sanders, so I'll just leave it at that. The point is, I mean, one point is that feminism hasn't always been like this. Second wave feminism that started in the late sixties, when I was a little kid—there was a censorious aspect to it, but there was also this tremendous vitality. I mean I think of somebody like Andrea Dworkin—this is like, "f**k you" feminism. This is like, "I'm not only not gonna shave my legs, I'm gonna shave my armpits and I don't give a s**t what you think." And then the next generation when I was a young man was the Mary Gates, Camille Paglia, sex-positive power feminism which also had a different kind of vitality. So I don't think feminism has to be the feminism of the women's studies departments and of Hillary Clinton with "you can't say this" and "if you want to have sex with me you have to follow these 10 rules." I don't think anybody likes that.Andrew Keen: The deplorables!William Deresiewicz: Yes, yes, yes. Like I said, I don't just think that the enemies don't like it, and I don't really care what they think. I think the people on our side don't like it. Nobody is having fun on our side. It's boring. No one's having sex from what they tell me. The young—it just feels dead. And I think when there's no vitality, you also have no creative vitality. And I think the intellectual cul-de-sac that the left seems to be stuck in, where there are no new ideas, is related to that.Andrew Keen: Yeah, and I think the more I think about it, I think you're right, it's a generational war. All the action seems to be coming from old people, whether it's the Pelosis and the Bidens, or it's people like Richard Reeves making a fortune off books about worrying about young men or Jonathan Haidt writing about the anxious generation. Where are, to quote David Bowie, the young Americans? Why aren't they—I mean, Bill, you're in a way guilty of this. You made your name with your book, Excellent Sheep about the miseducation...William Deresiewicz: Yeah, so what am I guilty of exactly?Andrew Keen: I'm not saying you're all, but aren't you and Reeves and Haidt, you're all involved in this weird kind of generational war.William Deresiewicz: OK, let's pump the brakes here for a second. Where the young people are—I mean, obviously most people, even young people today, still vote for Democrats. But the young who seem to be exploring new things and having energy and excitement are on the right. And there was a piece—I'm gonna forget the name of the piece and the author—Daniel Oppenheimer had her on the podcast. I think it appeared in The Point. Young woman. Fairly recent college graduate, went to a convention of young republicans, I don't know what they call themselves, and also to democrats or liberals in quick succession and wrote a really good piece about it. I don't think she had ever written anything before or published anything before, but it got a lot of attention because she talked about the youthful vitality at this conservative gathering. And then she goes to the liberals and they're all gray-haired men like us. The one person who had anything interesting to say was Francis Fukuyama, who's in his 80s. She's making the point—this is the point—it's not a generational war, because there are young people on the right side of the spectrum who are doing interesting things. I mean, I don't like what they're doing, because I'm not a rightist, but they're interesting, they're different, they're new, there's excitement there, there's creativity there.Andrew Keen: But could one argue, Bill, that all these labels are meaningless and that whatever they're doing—I'm sure they're having more sex than young progressives, they're having more fun, they're able to make jokes, they are able, for better or worse, to change the system. Does it really matter whether they claim to be MAGA people or leftists? They're the ones who are driving change in the country.William Deresiewicz: Yes, they're the ones who are driving change in the country. The counter-cultural energy that was on the left in the sixties and seventies is now on the right. And it does matter because they are operating in the political sphere, have an effect in the political sphere, and they're unmistakably on the right. I mean, there are all these new weird species on the right—the trads and the neo-pagans and the alt-right and very sort of anti-capitalist conservatives or at least anti-corporate conservatives and all kinds of things that you would never have imagined five years ago. And again, it's not that I like these things. It's that they're new, there's ferment there. So stuff is coming out that is going to drive, is already driving the culture and therefore the politics forward. And as somebody who, yes, is progressive, it is endlessly frustrating to me that we have lost this kind of initiative, momentum, energy, creativity, to what used to be the stodgy old right. Now we're the stodgy old left.Andrew Keen: What do you want to go back to? I mean you brought up Dylan earlier. Do you just want to resurrect...William Deresiewicz: No, I don't.Andrew Keen: You know another one who comes to mind is another sort of bundle of contradictions, Bruce Springsteen. He recently talked about the corrupt, incompetent, and treasonous nature of Trump. I mean Springsteen's a billionaire. He even acknowledged that he mythologized his own working-class status. He's never spent more than an hour in a factory. He's never had a job. So aren't all the pigeons coming back to roost here? The fraud of men like Springsteen are merely being exposed and young people recognize it.William Deresiewicz: Well, I don't know about Springsteen in particular...Andrew Keen: Well, he's a big deal.William Deresiewicz: No, I know he's a big deal, and I love Springsteen. I listened to him on repeat when I was young, and I actually didn't know that he'd never worked in a factory, and I quite frankly don't care because he's an artist, and he made great art out of those experiences, whether they were his or not. But to address the real issue here, he is an old guy. It sounds like he's just—I mean, I'm sure he's sincere about it and I would agree with him about Trump. But to have people like Springsteen or Robert De Niro or George Clooney...Andrew Keen: Here it is.William Deresiewicz: Okay, yes, it's all to the point that these are old guys. So you asked me, do I want to go back? The whole point is I don't want to go back. I want to go forward. I'm not going to be the one to bring us forward because I'm older. And also, I don't think I was ever that kind of creative spirit, but I want to know why there isn't sort of youthful creativity given the fact that most young people do still vote for Democrats, but there's no youthful creativity on the left. Is it just that the—I want to be surprised is the point. I'm not calling for X, Y, or Z. I'm saying astonish me, right? Like Diaghilev said to Cocteau. Astonish me the way you did in the 60s and 70s. Show me something new. And I worry that it simply isn't possible on the left now, precisely because it's so locked down in this kind of establishment, censorious mode that there's no room for a new idea to come from anywhere.Andrew Keen: As it happens, you published this essay in Salmagundi—and that predates, if not even be pre-counterculture. How many years old is it? I think it started in '64. Yeah, so alongside your piece is an interesting piece from Adam Phillips about influence and anxiety. And he quotes Montaigne from "On Experience": "There is always room for a successor, even for ourselves, and a different way to proceed." Is the problem, Bill, that we haven't, we're not willing to leave the stage? I mean, Nancy Pelosi is a good example of this. Biden's a good example. In this Salmagundi piece, there's an essay from Martin Jay, who's 81 years old. I was a grad student in Berkeley in the 80s. Even at that point, he seemed old. Why are these people not able to leave the stage?William Deresiewicz: I am not going to necessarily sign on to that argument, and not just because I'm getting older. Biden...Andrew Keen: How old are you, by the way?William Deresiewicz: I'm 61. So you mentioned Pelosi. I would have been happy for Pelosi to remain in her position for as long as she wanted, because she was effective. It's not about how old you are. Although it can be, obviously as you get older you can become less effective like Joe Biden. I think there's room for the old and the young together if the old are saying valuable things and if the young are saying valuable things. It's not like there's a shortage of young voices on the left now. They're just not interesting voices. I mean, the one that comes immediately to mind that I'm more interested in is Ritchie Torres, who's this congressman who's a genuinely working-class Black congressman from the Bronx, unlike AOC, who grew up the daughter of an architect in Northern Westchester and went to a fancy private university, Boston University. So Ritchie Torres is not a doctrinaire leftist Democrat. And he seems to speak from a real self. Like he isn't just talking about boilerplate. I just feel like there isn't a lot of room for the Ritchie Torres. I think the system that produces democratic candidates militates against people like Ritchie Torres. And that's what I am talking about.Andrew Keen: In the essay, you write about Andy Mills, who was one of the pioneers of the New York Times podcast. He got thrown out of The New York Times for various offenses. It's one of the problems with the left—they've, rather like the Stalinists in the 1930s, purged all the energy out of themselves. Anyone of any originality has been thrown out for one reason or another.William Deresiewicz: Well, because it's always the same reason, because they violate the code. I mean, yes, this is one of the main problems. And to go back to where we started with the journalists, it seems like the rationale for the cover-up, all the cover-ups was, "we can't say anything bad about our side. We can't point out any of the flaws because that's going to help the bad guys." So if anybody breaks ranks, we're going to cancel them. We're going to purge them. I mean, any idiot understands that that's a very short-term strategy. You need the possibility of self-criticism and self-difference. I mean that's the thing—you asked me about old people leaving the stage, but the quotation from Montaigne said, "there's always room for a successor, even ourselves." So this is about the possibility of continuous self-reinvention. Whatever you want to say about Dylan, some people like him, some don't, he's done that. Bowie's done that. This was sort of our idea, like you're constantly reinventing yourself, but this is what we don't have.Andrew Keen: Yeah, actually, I read the quote the wrong way, that we need to reinvent ourselves. Bowie is a very good example if one acknowledges, and Dylan of course, one's own fundamental plasticity. And that's another problem with the progressive movement—they don't think of the human condition as a plastic one.William Deresiewicz: That's interesting. I mean, in one respect, I think they think of it as too plastic, right? This is sort of the blank slate fallacy that we can make—there's no such thing as human nature and we can reshape it as we wish. But at the same time, they've created a situation, and this really is what Excellent Sheep is about, where they're turning out the same human product over and over.Andrew Keen: But in that sense, then, the excellent sheep you write about at Yale, they've all ended up now as neo-liberal, neo-conservative, so they're just rebelling...William Deresiewicz: No, they haven't. No, they are the backbone of this soggy liberal progressive establishment. A lot of them are. I mean, why is, you know, even Wall Street and Silicon Valley sort of by preference liberal? It's because they're full of these kinds of elite college graduates who have been trained to be liberal.Andrew Keen: So what are we to make of the Musk-Thiel, particularly the Musk phenomenon? I mean, certainly Thiel, very much influenced by Rand, who herself, of course, was about as deeply Nietzschean as you can get. Why isn't Thiel and Musk just a model of the virility, the vitality of the early 21st century? You might not like what they say, but they're full of vitality.William Deresiewicz: It's interesting, there's a place in my piece where I say that the liberal can't accept the idea that a bad person can do great things. And one of my examples was Elon Musk. And the other one—Andrew Keen: Zuckerberg.William Deresiewicz: But Musk is not in the piece, because I wrote the piece before the inauguration and they asked me to change it because of what Musk was doing. And even I was beginning to get a little queasy just because the association with Musk is now different. It's now DOGE. But Musk, who I've always hated, I've never liked the guy, even when liberals loved him for making electric cars. He is an example, at least the pre-DOGE Musk, of a horrible human being with incredible vitality who's done great things, whether you like it or not. And I want—I mean, this is the energy that I want to harness for our team.Andrew Keen: I actually mostly agreed with your piece, but I didn't agree with that because I think most progressives believe that actually, the Zuckerbergs and the Musks, by doing, by being so successful, by becoming multi-billionaires, are morally a bit dodgy. I mean, I don't know where you get that.William Deresiewicz: That's exactly the point. But I think what they do is when they don't like somebody, they just negate the idea that they're great. "Well, he's just not really doing anything that great." You disagree.Andrew Keen: So what about ideas, Bill? Where is there room to rebuild the left? I take your points, and I don't think many people would actually disagree with you. Where does the left, if there's such a term anymore, need to go out on a limb, break some eggs, offend some people, but nonetheless rebuild itself? It's not going back to Bernie Sanders and some sort of nostalgic New Deal.William Deresiewicz: No, no, I agree. So this is, this may be unsatisfying, but this is what I'm saying. If there were specific new ideas that I thought the left should embrace, I would have said so. What I'm seeing is the left needs, to begin with, to create the conditions from which new ideas can come. So I mean, we've been talking about a lot of it. The censoriousness needs to go.I would also say—actually, I talk about this also—you know, maybe you would consider yourself part of, I don't know. There's this whole sort of heterodox realm of people who did dare to violate the progressive pieties and say, "maybe the pandemic response isn't going so well; maybe the Black Lives Matter protests did have a lot of violence"—maybe all the things, right? And they were all driven out from 2020 and so forth. A lot of them were people who started on the left and would even still describe themselves as liberal, would never vote for a Republican. So these people are out there. They're just, they don't have a voice within the Democratic camp because the orthodoxy continues to be enforced.So that's what I'm saying. You've got to start with the structural conditions. And one of them may be that we need to get—I don't even know that these institutions can reform themselves, whether it's the Times or the New Yorker or the Ivy League. And it may be that we need to build new institutions, which is also something that's happening. I mean, it's something that's happening in the realm of publishing and journalism on Substack. But again, they're still marginalized because that liberal establishment does not—it's not that old people don't wanna give up power, it's that the established people don't want to give up the power. I mean Harris is, you know, she's like my age. So the establishment as embodied by the Times, the New Yorker, the Ivy League, foundations, the think tanks, the Democratic Party establishment—they don't want to move aside. But it's so obviously clear at this point that they are not the solution. They're not the solutions.Andrew Keen: What about the so-called resistance? I mean, a lot of people were deeply disappointed by the response of law firms, maybe even universities, the democratic party as we noted is pretty much irrelevant. Is it possible for the left to rebuild itself by a kind of self-sacrifice, by lawyers who say "I don't care what you think of me, I'm simply against you" and to work together, or university presidents who will take massive pay cuts and take on MAGA/Trump world?William Deresiewicz: Yeah, I mean, I don't know if this is going to be the solution to the left rebuilding itself, but I think it has to happen, not just because it has to happen for policy reasons, but I mean you need to start by finding your courage again. I'm not going to say your testicles because that's gendered, but you need to start—I mean the law firms, maybe that's a little, people have said, well, it's different because they're in a competitive business with each other, but why did the university—I mean I'm a Columbia alumnus. I could not believe that Columbia immediately caved.It occurs to me as we're talking that these are people, university presidents who have learned cowardice. This is how they got to be where they got and how they keep their jobs. They've learned to yield in the face of the demands of students, the demands of alumni, the demands of donors, maybe the demands of faculty. They don't know how to be courageous anymore. And as much as I have lots of reasons, including personal ones, to hate Harvard University, good for them. Somebody finally stood up, and I was really glad to see that. So yeah, I think this would be one good way to start.Andrew Keen: Courage, in other words, is the beginning.William Deresiewicz: Courage is the beginning.Andrew Keen: But not a courage that takes itself too seriously.William Deresiewicz: I mean, you know, sure. I mean I don't really care how seriously—not the self-referential courage. Real courage, which means you're really risking losing something. That's what it means.Andrew Keen: And how can you and I then manifest this courage?William Deresiewicz: You know, you made me listen to Jocelyn Benson.Andrew Keen: Oh, yeah, I forgot and I actually I have to admit I saw that on the email and then I forgot who Jocelyn Benson is, which is probably reflects the fact that she didn't say very much.William Deresiewicz: For those of you who don't know what we're talking about, she's the Secretary of State of Michigan. She's running for governor.Andrew Keen: Oh yeah, and she was absolutely diabolical. She was on the show, I thought.William Deresiewicz: She wrote a book called Purposeful Warrior, and the whole interview was just this salad of cliches. Purpose, warrior, grit, authenticity. And part of, I mentioned her partly because she talked about courage in a way that was complete nonsense.Andrew Keen: Real courage, yeah, real courage. I remember her now. Yeah, yeah.William Deresiewicz: Yeah, she got made into a martyr because she got threatened after the 2020 election.Andrew Keen: Well, lots to think about, Bill. Very good conversation, as always. I think we need to get rid of old white men like you and I, but what do I know?William Deresiewicz: I mean, I am going to keep a death grip on my position, which is no good whatsoever.Andrew Keen: As I half-joked, Bill, maybe you should have called the piece "Post-Erection." If you can't get an erection, then you certainly shouldn't be in public office. That would have meant that Joe Biden would have had to have retired immediately.William Deresiewicz: I'm looking forward to seeing the test you devise to determine whether people meet your criterion.Andrew Keen: Yeah, maybe it will be a public one. Bread and circuses, bread and elections. We shall see, Bill, I'm not even going to do your last name because I got it right once. I'm never going to say it again. Bill, congratulations on the piece "Post-Election," not "Post-Erection," and we will talk again. This story is going to run and run. We will talk again in the not too distant future. Thank you so much.William Deresiewicz: That's good.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

How do you combine the power of creator marketing with performance-driven results? Joseph Perello, CEO of Props, shares how his platform helps brands create content that's not only authentic but also measurable and effective. From emphasizing credibility to redefining how success is tracked in the creator economy, Joe -- who's also worked with such high-level clients as David Bowie, AAA, and the New York Yankees -- offers insights into making influencer partnerships truly impactful. Full Episode Details  Joseph joins host Hannah Tooker on this episode of Social Pros to explore how the creator economy is redefining influencer marketing and what brands need to do to adapt. Joe breaks down the key differences between creators and traditional influencers, highlighting the pitfalls of the outdated “follower fallacy” and the importance of pairing creator content with paid media to drive measurable results. He also shares how Props is helping brands and creators build trust at scale using AI-powered tools that ensure creator authenticity, compliance, and brand safety. Joe also reflects on the evolution of viral marketing, the reality of sustaining attention online, and why consistent, data-driven content is more valuable than chasing fleeting hits. Plus, he offers practical advice for aspiring social pros on blending analytical insight with creative instinct to craft effective campaigns. And in a memorable moment, Joe shares his dream video call pick and the heartfelt story behind it. All that and more on an all-new episode of Social Pros! In This Episode: 1:41 -  Joe's career so far and how Props works 6:33 -  How Props uses storytelling as its marketing foundation  12:00 - Thinking about creators differently than influencers and how Props measures success 14:17 - Client success stories, from AAA to College Ave 18:04 -  The biggest pitfalls in influencer marketing  20:58 -  Where Joes sees creator-driven marketing heading next 25:43 - Joe's advice for aspiring social pros Resources: Connect with Joseph on LinkedIn Visit the Props website   Visit SocialPros.com for more insights from your favorite social media marketers.

Sterling Campbell was born and raised in New York City at a time when the music scene was rich with innovators like David Bowie, Peter Gabriel, Joni Mitchell and many others. Sterling would go on to work with David Bowie from 1992 until 2004. Other notable artist Sterling has worked for throughout his career include Cyndi Lauper, Duran Duran, Soul Asylum, Chic, Tina Turner, David Byrn and many others.  Since 2012, Sterling has been working and touring with the B-52s.  In this episode, Sterling talks about:  Reconnecting and touring with Cyndi Lauper  Physical demands of touring at 61 His early roots and meeting Dennis Davis in 1978 Events that shape us, our drumming and music  Adapting to the new tech of the day in the 80's David Bowie's creative process and sense of humor Recording remotely on an electronic kit

Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study.In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Justin Bieber lost his mind & his money, Diddy blackmailed Cassy with Freak Off videos, Menendez Brothers resentenced & might be paroled, another great towing video, and Drew was pulled over at his house. The OSU Women's Basketball coach received a DUI and ended up on the calmest body cam video. Drew has a lead foot and was busted… right next to his house… for the third time. Javier Baez and the Detroit Tigers walked off the Boston Red Sox. David Bowie tells a tale about being surprised by John Lennon and Paul McCartney. The Menendez Bros are one step closer to freedom after being resentenced with the possibility of parole. Justin Bieber is spiraling out of control. TMZ is doing an hour long special on him. He owes Scooter Braun millions, but he can't pay as he is broke. Check out our newest sponsor: SpaceStars Deck Builders! Tom Mazawey got called out for an incorrect correction on the Detroit Lions schedule. Blake Lively is a bad friend to Taylor Swift. The Diddy trial entered day 3. Cassie lifts the lid on more of the freak offs. Jonathan Oddi wasn't lying. A longer video of Diddy beating Cassie at the Intercontinental Hotel has been released. JLo fell down and went boom. She's hosting the AMA's. JorDon Hudson won't go away. She is no longer a cheerleader now that she's ruining Bill Belichick. We fall for some Blake Shelton clickbait. Drew Crime: Eugene Gligor admits to murder after getting away with it for 25 years. Bryan Kohberger remains a loser. Pete Rose and ‘Shoeless' Joe Jackson can finally go into the Hall of Fame. A dog takes big poop right on the baseball diamond… some scat freak picks it up with his hands! Gross. Santino Casio is the man who stabbed Tory Lanez. Another towing FAIL. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

On this very special bonus episode of Lipps Service, Scott sits down with three of the six acts who will perform on June 4 at the historic New York City venue The Bitter End for our first-ever live event – LIPPS SERVICE LIVE! GET YOUR TICKETS NOW! JUNE 4 AT THE BITTER END https://tickets.venuepilot.com/e/lipps-service-live-festival-2025-06-04-the-bitter-end-new-york-e3febc?presaleName=lipps-service-live The live concert will be a reflection of Lipps Service podcast, as the night will bring together past and present NYC-bred music, including three legendary acts – Ed Kowalczyk of LIVE, Hamilton Leithauser of The Walkmen, Eugene Hütz of Gogol Bordello and Casa Gogol – and three of the best up-and-coming bands of the city's contemporary music scene – Jackson Hamm of Telescreens, Thesaurus Rex, and Torture and The Desert Spiders! To get fans excited about the live show, Scott talked with Ed, Eugene, who was accompanied by an artist under his label, Grace Bergere, and Torture in this special bonus episode. Starting with Ed, he discusses his early music days in NYC, shares a crazy story about the band's hit song “Lightning Crashes,” and lists his top 5 most meaningful lyrics and underrated singers. Next up, Eugene and Grace reflect on Gogol Bordello's rise in 1989 in NYC, and list the best punk bands from the city. To close, Torture tells the story of how David Bowie inspired her band name and her favorite artists in the current NYC music scene. Tune into this exciting and insightful episode of Lipps Service, learn about the artists, hear their thoughts on the upcoming live show, and get ready for LIPPS SERVICE LIVE! We hope to see you all there – you don't want to miss it! CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts NYC Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. Ed Kowalczyk of LIVE0:04:30 - Getting signed out of NYC 0:05:15 - CBGB 0:07:30 - “Lightning Crashes” story 0:10:00 - College radio 0:11:30 - Early lyrics 0:15:00 - Mixing in a defunct Playboy resort 0:17:00 - Drawing inspiration 0:20:00 - Meeting Kurt Cobain 0:22:35 - Collaborating with Peter Buck 0:24:00 - Top 5 most meaningful lyrics 0:35:45 - Top 5 criminally underrated lead singers 0:38:50 - What does this record mean to you? (The Velvet Underground & Nico)Eugene Hütz of Gogol Bordello and Grace Bergere of Casa Gogol 0:43:13 - The Gogol collective and touring 0:43:28 - Working with Rick Rubin 0:50:24 - 1989 in NYC 0:55:00 - Early punk rock1:02:05 - Top NYC punk bands Torture and The Desert Spiders1:04:52 - Band name story1:09:00 - Beginnings in music 1:16:22 - Top 5 local rock bands 

A fusion of punk, garage, and noise rock, the 1996 album Blastronaut by The Lee Harvey Oswald Band is a bombastic, high energy record drawing upon 70s David Bowie, classic rock, and the Stooges. Confrontational and darkly humorous, the band leans into a satirical, sometimes absurdist tone, reflecting a punk ethos while incorporating elements of Southern culture and psychedelic weirdness. The alias-driven mystique and off-kilter presentation of the band begets an aggressive, theatrical style that may have been out of touch with the mid-1990s, but is worth revisiting.   Songs In This Episode Intro - Rocket 69 12:27 -The Greatest Man Who Ever Walked the Face of the Earth 16:50 -Green Like the Color of Blood 18:59 - Panic in Hanoi 32:37 - Brontosaurus 35:14 - The Scorpio Letter Outro - Morphodite   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Dan & Manny welcome Jen & P.T. from The Long Take Review to put Jim Henson's classic Labyrinth to the ultimate test—THE NOSTALGIA TEST! “We might spend the most time on fart jokes.” -P.T. Much like the topic of this episode, the conversation is a collection of twists, turns, deceptions, off-color fart jokes, confusion about David Bowie's tights, and hallucinations. The gang goes into their love of Henson's use practical effects, they talk about all the memorable characters, the film's lasting impact on cinematic history, and did we say fart jokes. They also touch on the announcement of a sequel directed by Robert Eggers, is Gremlins 2 better than the OG, the influence of David Bowie's performance, and the broader legacy of Jim Henson's creations like The Dark Crystal. It wouldn't be an episode of The Nostalgia Test without all the tangents, memories of Matt Antoniou, and Manny ignoring Dan trying to end the podcast, though he had help from P.T. Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and questions about this episode and Labyrinth we'll talk answer them on the next episode.   Watch the full episode on YouTube!     Follow The Long Take Review! At The Long Take Review, four college professors talk film — providing insight, not assigning homework. Tune in to hear our reviews of new releases, reactions to movie news and awards season checkpoints (i.e. the Golden Globes), Oscar Fairy Flashback episodes in which we spend points to correct a year's nominees and winners, and our own annual awards show, the LTRs or “Letters.”  You can listen to The Long Take Review on Substack, Spotify, Apple, YouTube, or wherever you get your podcasts: https://rb.gy/kbcvoo   APPROXIMATE RUN OF SHOW: 00:00 Welcome to the Nostalgia Test Podcast 00:34 Introducing the Hosts and Guests 01:16 Diving into the Labyrinth 02:27 First Impressions and Reactions 04:31 Memorable Scenes and Characters 08:15 The Darker Side of Labyrinth 10:51 Behind the Scenes and Fun Facts 12:38 Creepy Moments and Theories 37:12 Favorite Characters and Final Thoughts 38:45 Frozen's Inspiration and Ludo Fun Facts 39:13 Princess Diana Meets Ludo 39:33 The Magic of Muppets and Puppetry 44:31 Hoggle's Complex Puppetry 48:59 Jim Henson's Dedication and Craft 54:42 The Bog of Eternal Stench 58:53 Labyrinth's Video Game-Like Structure 01:09:58 David Bowie's Role and Casting Choices 01:15:06 Potential Sequel and Final Thoughts 01:15:20 Discussing the Labyrinth Sequel 01:16:25 Casting Concerns and Potential Actors 01:16:53 Robert Eggers' Vision for the Sequel 01:23:33 Nostalgia and Legacy Sequels 01:26:14 Does Labyrinth Pass the Nostalgia Test? 01:34:37 Final Thoughts and Recommendations   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We are the most dedicated guests! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

This week on the Rockonteurs podcast we welcome one of the greatest and most respected drummers in the business to the show, it's Andy Newmark. Andy talks to Gary Kemp and Guy Pratt about his time as a member of Sly and the Family Stone and how he got that gig before going on to work with the likes of John Lennon, Carly Simon, David Bowie, Ronnie Wood, and Roxy Music. He's clearly a great drummer, but also a tremendous storyteller and this is an instant classic episode. Instagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.ukEmail the show at rockonteurschannel@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Iggy Pop pushed rock further than anyone before him, committing to live acts of sex, sickness, and rumored suicide on stage. From his cocaine fueled bromance with David Bowie, to his search for inspiration in the voodoo rituals of Haiti, Iggy Pop never just crossed the line between art and madness. He bled all over it, and danced on the stains. This episode was originally published on October 15, 2019. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices