Podcasts about Bearsville

Go to www.LearningLeader.com for full show notes This is brought to you by Insight Global. If you need to hire 1 person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world have the hustle and grit to deliver. www.InsightGlobal.com/LearningLeader Chris Beresford-Hill is the Worldwide Chief Creative Officer at BBDO. Previously he spent 2 years as North America President and CCO of Ogilvy, where he helped bring the agency and its clients a new level of relevance. He brought Workday to the Super Bowl, led the team that brought in the Verizon account, and one of the biggest Super Bowl campaigns ever, “Can't B Broken,” featuring Beyonce, and created the most celebrated Super Bowl campaign of 2024, the social & influencer lead "Michael CeraVe," for CeraVe. Chris and his teams have won every award for creativity and effectiveness many times over. He has been included in ADWEEK Best Creatives, the ADWEEK 100, and Business Insider's Most Creative People in Advertising. Notes: Cold Emails: Be specific in your praise and specific in your ask. The lame "Can I pick your brain" type emails get deleted and ignored because they aren't specific. You never need permission to take responsibility. Chris learned this from Ed Catmull's book Creativity Inc.… And he's embodied this his entire career. The people who build huge careers take ownership of their own and regularly solve problems and improve their clients' and colleagues' lives. Chris has done this since his early days as an intern. At any level taking on responsibility yourself, unasked, makes you stand out. Competence combined with insane follow-through. For some clients, it takes 50 ideas to get to the one that will work. Creating a culture where the team can share all of their bad ideas safely to get to the one great one. The creative process: Brain dump everything. Purge your brain of everything it has. When you think you're done, you're not. There's more. You have to get it all out. "A lot of creative people aren't fully aware of the process or the structure, they just feel it (Rick Rubin). "When you can see it lift off the page, you feel a sense of mastery over it." Chris's first Super Bowl commercial -- Emerald Nuts. He won it because he was both funny and added the fact that the product provided energy. Most people only covered one part, Chris did both. Push your edges - Chris is like Lionel Messi. He's always walking around in the office, asking questions, looking for ideas, being curious. Then he sees an opportunity and goes for it 100%. Chris has a standing reservation every week at the same restaurant where he meets with a mentor, mentee, or peer to deepen the important relationships in his life. That would be a good idea for us all to do. Chris was pen-pals with Dave Matthews for 8 years.  Chris saw that they recorded at Bearsville studios and wrote a letter to Dave there. He also said, "Show up with gifts." He gave Dave a Beatles Bootlegged album. A leader takes what comes and then turns it into an opportunity. The formula is Competence + Insane Follow-Through. How to build relationships: Meet with people in person. Get drunk with them. Do hard work with them. Go through something bad with them. Laugh with them. I got hired from my internship by cold calling Mark Cuban to get him to approve of using his name in an ad. The best ideas are often bad in their first moments, or massively wrong, and then someone flips it or unlocks it. You have to stay on things and play around. I made my first ad by going through a garbage can to learn how to write a script and sending a bunch of Budweiser scripts to my boss. The art of finding an idea on the edge of possible, and the value of going over your skis when on the cusp of greatness - having a stomach for it. I've told a lie to keep things moving on every great campaign I was part of. I learned the best lesson in leadership when we lost our biggest account (Accenture).  I put Danny Meyer's mentality into practice, and we took that moment to put the business and clients second and play for each other. Culture carried us. Culture is built by the stories we tell and the behaviors we highlight.  

Extrait : « … Elle est allongée sur le trottoir d'un quartier de Bearsville, dans l'État de New York, comme ces mendiants que l'on n'ose regarder. Sale, édentée, le visage ravagé par la rue et l'alcool, personne ne la reconnait, elle est à peine un lointain souvenir. Pourtant en cette froide journée de décembre, quelqu'un s'arrête auprès d'elle, comme hésitant, puis se penche sur ce corps décharné par le sida. Peter Walker, guitariste et figure incontournable de la scène folk de Greenwich Village au milieu des années 60, reconnait sa vieille amie. Alors il l'emmène chez lui et l'installe du mieux qu'il peut, elle mourra quelques mois plus tard, dignement, au chaud, peut-être en paix avec elle-même … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mike Campbell from Bearsville Theater in Woodstock, NY in conversation with Rita Ryan of LocalMotion 7.31.24

Lizzie Vann from Bearsville Center in conversation with Rita Ryan of LocalMotion 7.3.24

Pausing occasionally to spark a Senior Service and sink a milk stout, we kick cans down this week's rock and roll boulevard stopping off at the following hotspots …    … the “Grunge Dripdown”: why Pearl Jam can play 60,000 seaters. … the Elton Line, the Dury Line, the Bragg Line, the Kirsty Line …. What the London Overgrounds should have been called and why. ... how Steve Wright made radio and sowed the seeds of the Fast Show and Stella Street.  … actors who've joined the Choir Invisible but live on in voice-over. … is any musician as closely linked to any instrument as McCartney to his Hofner bass? And the mysterious tale of its theft. … J&M Studios (where Little Richard's Tutti Frutti was recorded) is now a launderette with a jukebox. What became of Olympic, Town House, Motown and Bearsville? … the Radio 2 v Greatest Hits ratings land-grab. … does anyone under 60 still care about Monty Python? … the latest glorious chapter in Taylor Swift and Kanye West's 15-year “beef”.… “All pop music is Strictly”: what David learnt from his six-year old granddaughters. … the voice of Tommy Vance returns by the miracle of AI. … “an elephant is a horse designed by a committee”. ... plus birthday guest Nick Foreman and why “underrated” is overrated.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, alongside a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Pausing occasionally to spark a Senior Service and sink a milk stout, we kick cans down this week's rock and roll boulevard stopping off at the following hotspots …    … the “Grunge Dripdown”: why Pearl Jam can play 60,000 seaters. … the Elton Line, the Dury Line, the Bragg Line, the Kirsty Line …. What the London Overgrounds should have been called and why. ... how Steve Wright made radio and sowed the seeds of the Fast Show and Stella Street.  … actors who've joined the Choir Invisible but live on in voice-over. … is any musician as closely linked to any instrument as McCartney to his Hofner bass? And the mysterious tale of its theft. … J&M Studios (where Little Richard's Tutti Frutti was recorded) is now a launderette with a jukebox. What became of Olympic, Town House, Motown and Bearsville? … the Radio 2 v Greatest Hits ratings land-grab. … does anyone under 60 still care about Monty Python? … the latest glorious chapter in Taylor Swift and Kanye West's 15-year “beef”.… “All pop music is Strictly”: what David learnt from his six-year old granddaughters. … the voice of Tommy Vance returns by the miracle of AI. … “an elephant is a horse designed by a committee”. ... plus birthday guest Nick Foreman and why “underrated” is overrated.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, alongside a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Pausing occasionally to spark a Senior Service and sink a milk stout, we kick cans down this week's rock and roll boulevard stopping off at the following hotspots …    … the “Grunge Dripdown”: why Pearl Jam can play 60,000 seaters. … the Elton Line, the Dury Line, the Bragg Line, the Kirsty Line …. What the London Overgrounds should have been called and why. ... how Steve Wright made radio and sowed the seeds of the Fast Show and Stella Street.  … actors who've joined the Choir Invisible but live on in voice-over. … is any musician as closely linked to any instrument as McCartney to his Hofner bass? And the mysterious tale of its theft. … J&M Studios (where Little Richard's Tutti Frutti was recorded) is now a launderette with a jukebox. What became of Olympic, Town House, Motown and Bearsville? … the Radio 2 v Greatest Hits ratings land-grab. … does anyone under 60 still care about Monty Python? … the latest glorious chapter in Taylor Swift and Kanye West's 15-year “beef”.… “All pop music is Strictly”: what David learnt from his six-year old granddaughters. … the voice of Tommy Vance returns by the miracle of AI. … “an elephant is a horse designed by a committee”. ... plus birthday guest Nick Foreman and why “underrated” is overrated.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, alongside a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

En esta ocasión tengo el placer de que escuches una de esas obras ya realizadas hace años ,y para muchos seguidores del heavy metal es su obra cumbre en este disco hay grandes canciones que han pasado a la historia del HEAVY METAL : DISFRUTALO.... PONLO MUYY ALTO DE VOLUMEN........ Future World es el segundo álbum del grupo danés de hard rock/heavy metal Pretty Maids. Fue publicado por CBS en 1987. En 1990, el álbum había vendido 300.000 copias en todo el mundo. En Estados Unidos alcanzó el número 165 de la lista Billboard 200. Future World fue producido por Eddie Kramer, que fue despedido durante las sesiones de grabación porque se quedó dormido en la mesa de mezclas, según el guitarrista Ken Hammer. La banda terminó el álbum con el ingeniero Chris Isca, que fue acreditado como coproductor del álbum. Las tareas de mezcla se repartieron entre Flemming Rasmussen, productor de Metallica, Rainbow y Morbid Angel, y Kevin Elson, conocido por producir álbumes multiplatino de Journey, Mr. Big y Europe. 1. "Future World" 5:24 2. "Loud 'n' Proud" 3:51 3. "Love Games" 4:14 4. "Yellow Rain" 5:28 5. "Rodeo" 4:14 6. "We Came to Rock" 4:30 7. "Needles in the Dark" 5:02 8. "Eye of the Storm"" 4:55 9. "Long Way to Go" 3:26 COMPONENTES: Ronnie Atkins – lead & backing vocals Ken Hammer – guitars Allan Delong – bass guitar Phil Moorhead – drums Alan Owen – keyboards INVITADOS: Graham Bonnet - backing vocals (tracks 2, 5) Philip Hart - backing vocals (tracks 2, 3, 5, 6) Released 20 April 1987 Recorded October 1986 - February 1987 at Bearsville Studios, Bearsville, New York, United States; Easy Sound Studio, Copenhagen, Denmark Length 41:04 Label CBS Producer Eddie Kramer, Chris Isca ALTAMENTE RECOMENDADO DALE VOLUMEN!!

Once Upon A Poolside - 00:00:35 Eucalyptus - 00:04:11 New Order T-Shirt - 00:08:28 This Isn't Helping - 00:13:20 Tropic Morning News - 00:17:02 Alien - 00:22:16 Grease In Your Hair - 00:26:33 Ice Machines - 00:30:47 Your Mind Is Not Your Friend - 00:34:59 Send For Me - 00:39:37 Don't Swallow The Cap - 00:44:08 Bloodbuzz Ohio - 00:48:48 The System Only Dreams In Total Darkness - 00:54:02 Light Years - 00:58:19 Graceless - 01:01:36 Fake Empire - 01:06:31 Terrible Love - 01:10:05 About Today - 01:15:50 Vanderlyle Crybaby Geeks - 01:22:22 All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

Pete Caigan in conversation with Rita Ryan of LocalMotion 11.1.23

The Bearsville Jazz & Art Festival will be happening this Sunday, September 3rd. Attendees can celebrate Labor Day Weekend in the Park at Bearsville Theater with world-class Jazz plus painting demonstrations by the Woodstock School of Art in the heart of the Catskills. To tell us more we welcome Lizzie Vann, owner of the Bearsville Theatre and historian and writer Tad Wise.

Ra es el segundo álbum de estudio y el tercer lanzamiento de Utopia en Bearsville Records, lanzado en 1977. Rundgren planeó lanzar el LP en 1976 en su propio sello "Ethereal Records" ya que la nueva formación de 4 piezas no estaba firmada con Bearsville. Repleto de un elaborado espectáculo de $ 250,000 con una pirámide de 22 pies de altura (6,7 m) y una esfinge dorada que tomó 18 meses de preparación, Ra fue la empresa en vivo más ambiciosa de Rundgren.

For more than 60 years, John Cale has continued to make exciting, challenging and culturally relevant music, including his most recent release, Mercy. Hosts Jim DeRogatis and Greg Kot talk with the Velvet Underground legend about his new music, collaborations and legacy. Plus, the hosts share some of their favorite spy songs and bid farewell to jazz saxophonist Wayne Shorter.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: John Cale, "STORY OF BLOOD feat. Weyes Blood," Mercy, Double Six, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967John Cale, "EVERLASTING DAYS feat. Animal Collective," Mercy, Double Six, 2023John Cale, "MARILYN MONROE'S LEGS (beauty elsewhere) feat. Actress," Mercy, Double Six, 2023John Cale, "TIME STANDS STILL feat. Sylvan Esso," Mercy, Double Six, 2023John Cale, "NIGHT CRAWLING," Mercy, Double Six, 2023John Cale, "MOONSTRUCK (Nico's Song)," Mercy, Double Six, 2023The Velvet Underground and Nico, "Femme Fatale," The Velvet Underground & Nico, Verve, 1967The Velvet Underground and Nico, "I'm Waiting for the Man," The Velvet Underground & Nico, Verve, 1967John Cale, "Dying On the Vine (Fragments)," Artificial Intelligence, PVC, 1985John Cale, "MERCY," Mercy, Double Six, 2023Johnny Rivers, "Secret Agent Man," ...And I Know You Wanna Dance, Imperial, 1966Tony Allen, "Secret Agent," Secret Agent, World Circuit, 2009The Fugs, "CIA Man," Virgin Fugs, ESP-Disk, 1967Gene Vincent, "Private Detective (feat. The Shouts)," Private Detective (feat. The Shouts) (Single), Columbia, 1964Rockwell, "Somebody's Watching Me," Somebody's Watching Me, Motown, 1984The Untouchables, "I Spy (For the F.B.I.)," Wild Child, MCA, 1985Lori & The Chameleons, "The Lonely Spy," To the Shores of Lake Placid, Zoo, 1982Desmond Dekker & the Aces, "007 (Shanty Town)," Action!, Lagoon, 1968The dB's, "A Spy In the House of Love," Like This, Bearsville, 1984Big Boys, "Detectives," The Skinny Elvis, Touch and Go, 1993Steely Dan & Tom Scott, "Aja," Aja, ABC, 1977Wayne Shorter, "Speak No Evil," Speak No Evil, Blue Note, 1966Poster Children, "She Walks," Flower Plower, Limited Potential, 1989Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

In this episode we welcome the truly legendary Pamela Des Barres, all the way from her native San Fernando Valley, and invite her to reminisce about the all-girl GTOs, Frank Zappa, Lowell George... and plenty more besides. The bestselling author of 1987's groupie confessional I'm With The Band describes how she entered the Laurel Canyon orbit of ringmaster Zappa, and how the motley troupe he christened Girls Together Outrageously came into being. The former Miss Pamela talks about her fellow "Misses" Mercy and Christine, then describes the sessions for the group's unruly 1969 classic Permanent Damage. This leads on to a discussion of the Groupie phenomenon and its problematic nature in the #MeToo era. In passing, we hear about Rodney Bingenheimer's English Disco and 1974's Hollywood Street Revival and Trash Dance show. The somewhat different — yet not entirely unrelated — L.A. domain of the canyon singer-songwriter crowd is considered as we hear clips from co-host Barney Hoskyns' 2003 audio interview with James Taylor/Linda Ronstadt producer Peter Asher. Following discussion of Ronstadt, Joni Mitchell and their mutual paramour John David Souther, we circle back to the GTOs and the guest appearance of the late Jeff Beck on Permanent Damage. We then pay extensive tribute to Beck's eclectic genius and unique technique. We conclude with quotes from notable RBP library additions, including pieces about Bonnie Raitt recording at Bearsville, L.A. session bassist Carol Kaye and apocalyptic jazz trio Comet Is Coming. Many thanks to special guest Pamela Des Barres. Visit her website at pameladesbarresofficial.com for details of her podcast, books and more. Pieces discussed: The GTOs by Miles, A Requiem for Miss Christine, Girls Together Outrageously, Miss Mercy, Los Angeles Clubs, Rodney Bingenheimer, The GTOs live, Peter Asher audio, Jeff Beck audio, Jeff Beck by Eden, Jeff Beck by Alan Light, Jeff Beck by Kate Mossman, Bonnie Raitt, Ethel Merman, Carol Kaye, Compiling by gender and The Comet is Coming. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we welcome the truly legendary Pamela Des Barres, all the way from her native San Fernando Valley, and invite her to reminisce about the all-girl GTOs, Frank Zappa, Lowell George... and plenty more besides. The bestselling author of 1987's groupie confessional I'm With The Band describes how she entered the Laurel Canyon orbit of ringmaster Zappa, and how the motley troupe he christened Girls Together Outrageously came into being. The former Miss Pamela talks about her fellow "Misses" Mercy and Christine, then describes the sessions for the group's unruly 1969 classic Permanent Damage. This leads on to a discussion of the Groupie phenomenon and its problematic nature in the #MeToo era. In passing, we hear about Rodney Bingenheimer's English Disco and 1974's Hollywood Street Revival and Trash Dance show. The somewhat different — yet not entirely unrelated — L.A. domain of the canyon singer-songwriter crowd is considered as we hear clips from co-host Barney Hoskyns' 2003 audio interview with James Taylor/Linda Ronstadt producer Peter Asher. Following discussion of Ronstadt, Joni Mitchell and their mutual paramour John David Souther, we circle back to the GTOs and the guest appearance of the late Jeff Beck on Permanent Damage. We then pay extensive tribute to Beck's eclectic genius and unique technique. We conclude with quotes from notable RBP library additions, including pieces about Bonnie Raitt recording at Bearsville, L.A. session bassist Carol Kaye and apocalyptic jazz trio Comet Is Coming. Many thanks to special guest Pamela Des Barres. Visit her website at pameladesbarresofficial.com for details of her podcast, books and more. Pieces discussed: The GTOs by Miles, A Requiem for Miss Christine, Girls Together Outrageously, Miss Mercy, Los Angeles Clubs, Rodney Bingenheimer, The GTOs live, Peter Asher audio, Jeff Beck audio, Jeff Beck by Eden, Jeff Beck by Alan Light, Jeff Beck by Kate Mossman, Bonnie Raitt, Ethel Merman, Carol Kaye, Compiling by gender and The Comet is Coming.

Topics: holiday parties, Peter McManus in Chelsea, Bear Cafe in Bearsville, Cucina in Woodstock, 2022 running stats, COVID, Phish at Madison Square Garden, Yo La Tengo Hanukkah at Bowery Ballroom, Mali Obamsawin, Leyenda, Travel Bar, Skippy in town, Jeff Beck, Belle and Sebastian, Stella Maris by Cormac McCarthy, My Life in the Sunshine by Nabil Ayers, This is How You Lose The Time War by Amal El-Mohtar and Max Gladstone.

“I was sitting outside listening to the katydids and the moon.”

My guest today is Dave Kalmusky a multi-platinum, multiple Billboard #1 charting Nashville based producer, songwriter, guitarist / multi-instrumentalist, engineer & mixer, who's work in the studio with acts such as Shawn Mendes, Keith Urban, Megan Trainor, Justin Bieber, Journey, Joe Bonamassa, Tenille Townes, The Sisterhood, Vince Gill, John Oates (From Hall & Oates) Motley Crue, and Many, Many others, David is also partner with Jonathan Cain at Addiction Sound Studios in Nashville, TN.  Coming by it honestly, David's father, Kenny Kalmusky. was one of the original band members of “The Hawks” with Levon Helm, Richard Manuel, & John Till in 1958. Kenny went on to make records at Bearsville studios in Woodstock NY, and Nashville TN in the late 60's with the likes of Ian & Sylvia, Todd Rundgren, Cowboy Jack Clement, Ronnie Hawkins, Jerry Reed, and many others. David has been on the show before in episode RSR052.  Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://www.Spectra1964.com https://MacSales.com/Rockstars https://iZotope.com/Rockstars use code ROCK10 for 10% off https://apiaudio.com/ https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/5nTd50D3FUXglsSoB7PP2l?si=02d241ed378a4b52 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/371

We Hate They Might Be Giants!...For making such a great album in 1994 named John Henry! IT'S TOO GREAT! Welcome to part 1 of our John Henry Prestige Limited Series. Before getting to the songs, Jordan and Dave (with backup from archival audio of John and John!) get into a discussion that's even longer than the entire album all about the changing music scene in 1994, TMBG's experience recording John Henry in Bearsville, New York, and their clashes with Elektra Records. We also discuss the album's sequence, title, and album art. Joining us for an incredibly fun and revealing album art discussion about halfway through the episode is our very special guest, SCARLET KIM, one of the little John Henry rascals from the album art (holding the skull on the back, the cover of the Back to Skull EP, and more!) After reminiscing with Scarlet about that eventful day in Central Park, Jordan and Dave talk about SONGS! We stare into the Subliminal for as long as we can! We notice something about car crashes, dreams, and the subtle (subliminal???) but effective arrangement of the opening track! We slooooowly but eventually get to consider Snail Shell, the slimy and strange single. We debate Linnell's intention behind the song, and we also talk about...well, snails, of course, in a brand new segment called Snail Tell: all snail stories, all the time. Ah....ah....ah....Thank you! --- Support this podcast: https://anchor.fm/dontletsstart/support

Label: Bearsville/Coll. 0330Year: 1983Condition: M-Price: $8.00Originally released on Bearsville 29686. One of my wife's absolute favorites, it's gotta be in the Classic 45's jukebox! Seriously, if you don't know this one, you're missing out. Take one puff, and you'll be instantly hooked! :-)

Our guest today is one Marco Castro of the Chicagoland band known as The Castros. Born & raised in Costa Rica , embraced by the Midwest, Marco is also a Metroid & coffee enthusiast.The Castros newest single that was released on December 31st, 2021 called "Sail Away" which they recorded and self-produced.For our conversation today, Marco and I discussed in great detail Vheissu (pronounced "vee-sue"), the fourth studio album from the band known as Thrice. Vheissu was recorded at Studio Bearsville in Bearsville, NY and released on October 18, 2005. Enjoy the conversation!

We celebrate Bearsville Records and Todd Rundgren's birthday in today's edition of What Was First. Bearsville was born in 1969 and Todd turns 73 today.  Hit play and live the American Dream!  Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com

Lizzie Vann of Bearsville Theater in conversation with Rita Ryan of LocalMotion 3.23.22

“We Got the Beat – A Women in Music Summit” will bring together creatives and music lovers for three days of concerts, panels, screenings, and conversation at Woodstock, New York's historic Bearsville Theater, March 25-27th. The event is an immersive weekend covering every aspect of the contributions made by women to the world of music. We'll talk with producers Lizzie Vann – owner of the Bearsville Theatre - and music journalist Holly George-Warren to get a preview.

This week, hosts Jim DeRogatis and Greg Kot share favorite songs about shady characters and talk with Jake Brennan, host of the Disgraceland podcast. Plus the Black Pumas share the songs that got them hooked on music. Become a member on Patreon: https://www.patreon.com/soundopinionsMake a donation via PayPal: https://bit.ly/36zIhZK Record a Voice Memo: https://www.micdropp.com/studio/5febf006eba45/ Featured Songs: Utopia, "I Just Want To Touch You," Deface The Music, Bearsville, 1980Erykah Badu, "Tyrone (Live)," Live, Universal, 1997Solomon Burke, "Maggie's Farm," (single), Atlantic, 1965The Clash, "Wrong 'Em Boyo," London Calling, Epic, 1979Nick Cave, "Mack the Knife from the Threepenny Opera," September Songs, Sony Classical, 1997The Chicks, "Goodbye Earl," Fly, Monument, 1999Nelly Furtado, "Maneater," Loose, Geffen, 2006Pink Floyd, "Arnold Layne," Arnold Layne (Single), EMI Columbia, 1967Ghostface Killah, "Maxine (feat. Raekwon)," Bulletproof Wallets, Epic, 2001Black Pumas, "Colors," Black Pumas, ATO, 2019N.W.A., "100 Miles and Runnin' (Clean Version)," 100 Miles and Runnin', Ruthless, 1990New Radicals, "You Get What You Give," Maybe You've Been Brainwashed Too, MCA, 1998Carole King, "So Far Away," Tapestry, Ode, 1971

Hosts Jim DeRogatis and Greg Kot talk with Todd Rundgren about his own music, his virtual tour and his career as a producer, this week. They also review the new album from The Weather Station. Become a member on Patreon: https://www.patreon.com/soundopinionsMake a donation via PayPal: https://bit.ly/36zIhZK Record a Voice Memo: https://www.micdropp.com/studio/5febf006eba45/ Featured Songs:Nazz, "Open My Eyes," Nazz, SGC, 1968The Weather Station, "Robber," Ignorance, Fat Possum, 2021The Weather Station, "Parking Lot," Ignorance, Fat Possum, 2021The Weather Station, "Atlantic," Ignorance, Fat Possum, 2021Todd Rundgren, "I Saw the Light," Something/Anything?, Bearsville, 1972Todd Rundgren, "Hello It's Me," Something/Anything?, Bearsville, 1972Todd Rundgren, "Can We Still Be Friends," Hermit of Mink Hollow, Bearsville, 1978Todd Rundgren, "Parallel Lines," Nearly Human, Warner Bros., 1989Todd Rundgren, "The Want of a Nail (with Bobby Womack)," Nearly Human, Warner Bros., 1989Todd Rundgren, "Bang the Drum All Day," The Ever Popular Tortured Artist Effect, Bearsville, 1982Todd Rundgren, "I Love My Life," Nearly Human, Warner Bros., 1989XTC, "The Meeting Place," Skylarking, Geffen, 1986Meat Loaf, "Bat Out of Hell," Bat Out of Hell, Cleveland International, 1977Meat Loaf, "Paradise By the Dashboard Light," Bat Out of Hell, Cleveland International, 1977Todd Rundgren, "Couldn't I Just Tell You," Something/Anything?, Bearsville, 1972XTC, "Dear God," Skylarking, Geffen, 1986Patti Smith Group, "Dancing Barefoot," Wave, Arista, 1979Fleetwood Mac, "The Chain," Rumours, Warner Bros., 1977

Today's episode is Part Two of my conversation with Todd Anderson of The Dear Misses. Todd and I discuss the seminal third album "The Artist in the Ambulance" by Thrice. Thrice signed with a major label in 2002 after the unexpected success of their second album "The Illusion of Safety". The album garnered the band critical and fan praise. We talk about the themes of the record, as well as how the record has stood the test of time. We talk about how Thrice chose to go a different direction from many of their contemporaries at the time. The lyrics and themes of the record tackle heavy subjects like third world oppression, seeking knowledge and truth, political theatrics, and the information age. We had a great time chatting about this important album, and how it helped to shape and define a genre. Enjoy! The Artist in the Ambulance is the third studio album by American rock band Thrice. It was released on July 22, 2003, through Island Records, marking their first release on a major label. They released their second studio album The Illusion of Safety in March 2002; by July of that year, they were writing material for their next album. Recording sessions were held at Salad Days Studios in Beltsville, Maryland, Bearsville Studios in Bearsville, New York and Phase Studios in College Park, Maryland with producer Brian McTernan. The Artist in the Ambulance is an melodic hardcore and post-hardcore album that has been compared to the world of Blindside. Preceded by a tours of the United States and Europe (the latter as part of the Deconstruction Tour), "All That's Left" was released as the lead single from The Artist in the Ambulance. Thrice appeared briefly on Warped Tour, before "Under a Killing Moon" was released on a split 7" vinyl single with a track by Thursday. They appeared at the Reading and Leeds Festivals in the United Kingdom, before embarking on a European tour supporting co-headliners Rancid and Alkaline Trio. LET'S CONNECT: Kyle's Instagram Kyle's Facebook Email: Kyledevlinfitness@gmail.com

Dooner’s World – Episode 108 – Brian Wheat – Tesla Bassist , Author of Son of a Milkman Topics: Growing up in South Sacramento, CA Early influences – Beatles, UFO, Pat Travers, Def Leppard Broken leg, switch from Baseball to Music 1st Live Concert - The Tubes – 1974 – White Punks on Dope Other memorable shows: UFO, Pat Travers, Def Leppard ,Van Halen Mount Rushmore of guitarists: Jimmy PageBrian May George HarrisonMichael SchenkerMeeting Jimmy Page at Hammersmith Odeon Playing Firm songs with Paul Rodgers Playing with Jimmy Page Recording at Bearsville studios – Woodstock, NYRecent migration to Auburn, NY Supposed to be on tour with Tesla and Alice Cooper New book will be released in audio in the near future Support the show (https://www.patreon.com/user?u=39941006&fan_landing=true)

Bearsville Productions presents An Americana Christmas. Produced by Bob Kaminsky and Robert Burke Warren, written and narrated by Robert Burke Warren, and recorded, mixed and mastered by Robert Frazza. Created to celebrate the music of Woodstock during the Holidays, An Americana Christmas is Bearsville Theater’s Holiday gift to its beloved small town, as we all near the end of a difficult year” The one-hour show celebrates the treasure trove of Americana music still vibrant and alive in Woodstock. Locals John Sebastian, Happy Traum, Geoff and Claire Muldaur, Jay Ungar and Molly Mason, and Lara Hope and the Ark Tones contribute Christmas and Hanukkah songs, We also feature Christmas specials from former local legends The Band, Jesse Winchester and Pat Alger. Critically acclaimed Woodstock author John Millward, whose new book Americanaland delves into the importance of Woodstock and Bearsville on Americana music talks to host Robert Burke Warren. And Cynthia Adler, celebrated voiceover actor, reads A Woodstock Christmas Eve 1932 story, written by host Robert, tracing the origin of the “Santa on the Woodstock Green” tradition back to the Great Depression. Find out more at https://bearsville.pinecast.co

Episode Preview – An Americana Christmas. Arriving 8pm December 15 2020 New York time. Produced by Bob Kaminsky and Robert Burke Warren, written and narrated by Robert Burke Warren, and recorded, mixed and mastered by Robert Frazza. Created to celebrate the music of Woodstock during the Holidays, An Americana Christmas is Bearsville Theater’s Holiday gift to its beloved small town, as we all near the end of a difficult year” This upcoming one-hour show celebrates the treasure trove of Americana music still vibrant and alive in Woodstock. Locals John Sebastian, Happy Traum, Geoff and Claire Muldaur, Jay Ungar and Molly Mason, and Lara Hope and the Ark Tones contribute Christmas and Hanukkah songs, We also feature Christmas specials from former local legends The Band, Jesse Winchester and Pat Alger. Critically acclaimed Woodstock author John Millward, whose new book Americanaland delves into the importance of Woodstock and Bearsville on Americana music talks to host Robert Burke Warren. And Cynthia Adler, celebrated voiceover actor, reads A Woodstock Christmas Eve 1932 story, written by host Robert, tracing the origin of the “Santa on the Woodstock Green” tradition back to the Great Depression.

Dans cet épisode on va vous parler du chanteur et guitariste Jeff Buckley, sans doute le chanteur le plus important des nineties.  Jeff Buckley mélange les genres, se permet tout, et tout lui réussit. Sa voix, sa technique, son sens de la mélodie vont donner à son premier album Grace une aura quasi mystique. Malheureusement ce premier album sera également son dernier puisque sa carrière fulgurante va s’arrêter brusquement en 1997 lorsqu’il sera retrouvé mort noyé dans un affluent du Mississippi.  “Grace” sort en 94 avec un succès d’estime plutôt limité mais transformera quelques années plus tard Jeff Buckley en icône absolue. Entre temps “Grace” est devenu le disque de chevet de toutes les générations du rock : de Bob Dylan à Radiohead en passant par U2 ou Led Zeppelin — sans doute ses plus grand fans.  On vous raconte la story de Jeffrey avec Olivia, on retourne en studio à Bearsville près de Woodstock avec Grégoire et Fanny décortique pour vous la pochette iconique de “Grace”. Crédits : Générique : Dr Alban "Sing Hallelujah". Titres écoutés dans l'émission : “Mojo Pin”, ”Grace”, “Last Goodbye”, “Lilac Wine”, “So Real”, “Hallelujah”, “Lover, You Should've Come Over”, “Corpus Christi Carol”, “Eternal Life”, “Dream Brother”, “Forget Her”, “Monologue - Reverb, The Doors (Live at Sin-é)”. Tim Buckley “I never asked to be your montain”, “Sweet surrender”.  Chaque mois dans Radio K7 on vous raconte l'histoire d'un disque culte qui a marqué nos années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Grégoire Sauvage. Enregistrée chez Olivia Godat. Identité graphique réalisée par Floating Studio. LAISSEZ UN MESSAGE APRES LE BIP ! Vous pouvez nous appeler au 07 61 36 84 15, pour suggérer un album, nous donner votre avis ou nous raconter une blague ! On diffusera les messages au prochain épisode ! Sinon retrouvez-nous sur les internets : Twitter : twitter.com/RadioK7Podcast Instagram : instagram.com/radio_k7 Facebook : facebook.com/Radiok7podcast

My guest today is a lover, leader and life giver of music. The decisions that he makes correlate to art and relationships because you must have intimate relationships with cats to make real music. Cats like Dino Danelli who came up playing swing music with the likes of Lionel Hampton. My guest was part of The Rascals. A rock quarter that produced jukebox hits that the ladies could bob their heads too. The group was deeper then their pop hits. The messages within their music spoke of justice for all, seeing black musicians and Latin musicians being treated poorly, demanding integration at their concerts, knowing their limitations and winding up in some Orgy following a late set @ the Port Chester Theatre. After the calliopes have left the circus you are left with your own island of real. Not the kind of island you see on TV. Commercials rather one where the animals walk freely amongst the bush and a swirling Hammond organ drum bands are burning there way from Las Vegas to Bearsville. My guest has collaborated with the most visceral musicians on the planet. Play from your guts, leave it out in a dream with Steve Cropper or Chuck Rainey, Alice Coltrane and Buzzy Fieton. My guest understood the value of the accompanist and the session cats in order for the rascals to play world music. I thought Blue Eyed Soul came from Boz Scaggs but in fact it was this group that fostered the name. A dainty polite way to say that these cats were most influenced by race records, African Roots Music and The Shea Stadium Scoreboard. They were not interested in competing with the British Invaders original material but rather leaned on their own experiences which are rooted in rhythm and blues and northern soul with a blend of symphonic My guest adapted to changing times in both personnel and within the industry knowing the cats who could help the group sound full. He also took on the burgeoning use of technology using the moog and Arp to create cosmic waves of consciousness within the ears of the listener. My guest channeled his intensity through meditation which most likely saved him from the webs of stardom. He knows its easy to kick a rock down 26 flights of stairs then to walk a boulder up from the bottom. To look yourself in the mirror and detest what you see but instead of wallowing in self pity you find little creases and crevices and family and soul to improve yourself and make that mirror become a Peaceful World. --- Support this podcast: https://anchor.fm/jake-feinberg/support

My guest today is a lover, leader and life giver of music. The decisions that he makes correlate to art and relationships because you must have intimate relationships with cats to make real music. Cats like Dino Danelli who came up playing swing music with the likes of Lionel Hampton. My guest was part of The Rascals. A rock quarter that produced jukebox hits that the ladies could bob their heads too. The group was deeper then their pop hits. The messages within their music spoke of justice for all, seeing black musicians and Latin musicians being treated poorly, demanding integration at their concerts, knowing their limitations and winding up in some Orgy following a late set @ the Port Chester Theatre. After the calliopes have left the circus you are left with your own island of real. Not the kind of island you see on TV. Commercials rather one where the animals walk freely amongst the bush and a swirling Hammond organ drum bands are burning there way from Las Vegas to Bearsville. My guest has collaborated with the most visceral musicians on the planet. Play from your guts, leave it out in a dream with Steve Cropper or Chuck Rainey, Alice Coltrane and Buzzy Fieton. My guest understood the value of the accompanist and the session cats in order for the rascals to play world music. I thought Blue Eyed Soul came from Boz Scaggs but in fact it was this group that fostered the name. A dainty polite way to say that these cats were most influenced by race records, African Roots Music and The Shea Stadium Scoreboard. They were not interested in competing with the British Invaders original material but rather leaned on their own experiences which are rooted in rhythm and blues and northern soul with a blend of symphonic My guest adapted to changing times in both personnel and within the industry knowing the cats who could help the group sound full. He also took on the burgeoning use of technology using the moog and Arp to create cosmic waves of consciousness within the ears of the listener. My guest channeled his intensity through meditation which most likely saved him from the webs of stardom. He knows its easy to kick a rock down 26 flights of stairs then to walk a boulder up from the bottom. To look yourself in the mirror and detest what you see but instead of wallowing in self pity you find little creases and crevices and family and soul to improve yourself and make that mirror become a Peaceful World. --- Support this podcast: https://anchor.fm/jake-feinberg/support

 It's the Fourth Coffee Show - why am I all worked up?  It's the Caffeine baby!!!Here's the Playlist:Will You? Hazel O'Conner Breaking GlassSuggested by DaveGiftSugar File Under: Easy... Real Punk Radio podcast Network brings you the best in Punk, Rock, Underground Music around! From Classic Oi!, Psychobilly and Hardcore to some Classic Rock n Roll and 90's indie Alt Rock greatness!! With Tons of Live DJ's that like to Talk Music From Garage Rock, to Ska.. We are True MUSIC GEEKS!

Episode 9 is about the bass! East Coast meets West Coast as John and Alan are joined by Mark Andes, who first came to musical prominence as the bass player for the legendary LA band Spirit, and went on to be a co-founding member of Jo Jo Gunne, he then became Heart's second bass player, and co-founded Firefall. Holding down the other bass position is Lance Hoppen of Orleans, who together with his brother Larry (and now including his other brother Lane) has graced the Billboard charts with huge hits like Still The One and Dance With Me.Mark talks about growing up in the L.A. music and acting community, his encounter with a naked Charles Manson, the Spirit/Led Zeppelin controversy and playing with scores of terrific musicians in cities far and wide. Lance talks about the Woodstock music scene in the 70s, how re-recording Dance With Me led to the band's success and why siblings singing together sounds so good. A truly unique episode!

David Kalmusky is a multi-platinum, multiple Billboard #1 charting Nashville based producer, songwriter, guitarist / multi-instrumentalist, engineer & mixer, who’s work in the studio with acts such as Shawn Mendes, Keith Urban, Megan Trainor, Justin Bieber, Journey, Joe Bonamassa, Tenille Townes, The Sisterhood, Vince Gill, John Oates (From Hall & Oates) Motley Crue, and Many, Many others, to randomly choose a few of the diverse range of genre, and demographic of David’s work, have brought Kalmusky to co-found, and partner Addiction Sound Studios in Nashville, TN. Coming by it honestly, David’s father, Kenny Kalmusky. was one of the original band members of “The Hawks” with Levon Helm, Richard Manuel, & John Till in 1958. Kenny went on to make records at Bearsville studios in Woodstock NY, and Nashville TN in the late 60’s with the likes of Ian & Sylvia, Todd Rundgren, Cowboy Jack Clement, Ronnie Hawkins, Jerry Reed, and many others. Fast forward to present day, David Kalmusky co-designed and built Addiction Sound Studios in Nashville TN, with partner Jonathan Cain (The Baby’s, Bad English, Journey) and Engineer Chris Huston (The Who, Led Zeppelin) where Kalmusky and Cain host their world class tracking room, and individual private production rooms. Outside of his own producing, David has been trusted, and hired to engineer in his space, for some of the top producers making music today, including many of the great “Engineering Producers” such as Jacquire King (Mutemath, James Bay, Kings Of Leon), Glenn Rosenstein (Madonna, U2, Talking Heads, Ziggy Marley), Kevin Shirley (Iron Maiden, Judas Priest, Led Zeppelin) Rob Fraboni (The Band, Eric Clapton, The Rolling Stones), Bob Rock (Metallica, Aerosmith) Greg Wells (Katy Perry, Adele, One Republic). Kalmusky is well noted for his diversity, transcending many genres. He is regarded by many multi-million selling artists, producers, writers and musicians, to be an integral part of their record making, and music creating process. David, since co-creating Addiction Sound Studios in 2012, continues his work, producing, writing, recording, mixing, and developing music in all genres in Nashville as his home base.

At times in life you feel adrift. Unable to harness the love and the passion that reins inside. When you begin to evolve in any art you start on that far away Oregon Hill with a Hawk flying overhead. Knowing that John Mclaughlins guitar might swoop up and under and around my guests bass lines. Slowly you build security in your own voice and sound so that your called upon to bluegrass country, to the Fillmore West, to Bearsville, to Europe, to a land of sunshine. My guest today is a master of all trades when it comes to music. A cat who burns creation and passion and urgency into an amalgamation of paradigms that provide a natural high. The live experience of playing three sets of music night after night after night with Miles Davis. My guest was also a prolific studio musician at a time when identities were created, linear notes were written, pictures were taken and barriers had not gone up. My guest Has played with Bonnie Raitt and Phil Wilson, Maria Muldaur, Nick Brignola, Roland Hannah and and with the perfect balance of mathematics and soul. Powerhouse Jazz or chasing Colin Walcott's dancing tables or hitting the Nashville Skyline with bluegrass fiddlers or counting off one, two free with Eric Kloss and Pat Martino. My guest remains a tour De force playing with George Cables, Jon Abercrombie Chick Corea or or at the Musical Instrument Museum in Phoenix, AZ On October 4th for two sets of music with his band Prism. Bassist Dave Holland welcome to the JFS...... --- Support this podcast: https://anchor.fm/jake-feinberg/support

Special guests Lizzie Vann and Robert Frazza from the Bearsville Center plus two bootleg recordings of Todd live at Bearsville Theater 2013 for the debut of the State Tour.

Hello….it’s Love That Album. Todd Rundgren must have shares in a millinery, because he wears a lot of hats. Multi-instrumentalist, songwriter, producer, video producer, (it can be argued) comedian…….He doesn’t do anything by half-measures. Rundgren started his recording career with rock group Nazz in the late 60s, then branched out to work as a producer for Bearsville Records when he found out he was unhappy with other producers’ work. He’s responsible for a multitude of records as producer / engineer for the likes of The Tubes, The Band, Cheap Trick, and ummmm……Meatloaf.   He started a run of his own records at Bearsville with 1970’s Runt establishing a very Rundgren-esque sound. For this episode of the podcast, I am joined by film blogger Kerry Gately Fristoe to talk about his third album, “Something / Anything.” How many other artists would release a double-album of diverse studio material that early in their career? With 3 sides of the album featuring the one musician playing every instrument….really well?   Kerry and I talk about all manner of things around this album including arson, venereal diseases, Vikings, and zits…..as well as the less common subject matter from songwriters of love and heartbreak. We took some diversions (as is this show’s modus operandi), but in hindsight, not nearly enough.   A huge thank you goes to Kerry for being such a great co-host for this one.   You can download the show from Spotify, Stitcher or iTunes (search for “Love That Album podcast”) or from the website at http://lovethatalbum.blogspot.com.   Kerry’s excellent film-blog can be found at http://prowlerneedsajump.wordpress.com   Send the show feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum.   If you’d consider writing an iTunes review or recommending the show to a friend, we’d be immensely grateful.   If you enjoy what you hear, please tell a friend or ten to tune in.  

Show #769 Beardo's Birthday Bash 2018 A show to celebrate Beardo's Birthday, with dedications of a couple of faithful listeners and some musical choices made by Spinner. A Bandana Blues episode Beardo would have liked. Spinner hopes you will too. 01. Paul Monday - Tired Of This Life I'm Living [1951] (3:18) (Boogie Uproar-Gems From The Peacock Vaults, One Day Music, 2014) 02. The Nighthawks - Yeah Man (5:26) (Live In Europe, CrossCut, 1987) 03. Eddie Hinton - Yeah Man (4:05) (Very Extremely Dangerous, Capricorn, 1978) 04. Turnip Greens - Gather My Bones (5:02) (Carry Me Down The Aisle, Black & Tan Records, 2006) 05. The Blues Project - Who Do You Love? (5:20) (Live At The Cafe Au Go Go, Verve/Folkways, 1966) 06. Mike Bloomfield & Al Kooper - Really (5:19) (Super Session, Columbia, 1968) 07. Mark Hummel & Stackhouse - Can't Judge Nobody (8:32) (Live @ Blues Moose Café Groesbeek NL, Oct 14 2018) 08. Toots Thielemans - Blues Talk (2:15) (The Salient One, ABC, 1973) 09. Jimi Hendrix - Who Knows (9:26) (Band Of Gypsys, Polydor, 1970) 10. Walter Brown & Jay McShann's Orchestra - ABC Blues [1951] (2:49) (Boogie Uproar-Gems From The Peacock Vaults, One Day Music, 2014) 11. B.B. King - Friends (5:38) (Live & Well, MCA Records, 1969) 12. Nick Jameson - In The Blue (6:59) (Already Free, Bearsville, 1977) 13. Paul Butterfield's Better Days - Broke My Baby's Heart (Paul Butterfield's Better Days, Bearsville, 1973) 14. Paul deLay Band - Ocean of Tears (4:56) (Ocean of Tears, Evidence, 1996) 15. John & the Sisters - Burning At The Feet Of The Lord (8:15) (The Future Of The Blues, NorthernBlues, 2006) 16. Imperial Crowns - Big Boy (3:40) (Imperial Crowns, Me & My, 2000) 17. Dr. John - My Buddy (4:01) (Trippin' Live, Eagle, 1997) 18. Jerry Jeff Walker - My Buddy (3:43) (A Man Must Carry On, MCA, 1977) 19. Frank Zappa - The Gumbo Variations (12:42) (Hot Rats, Bizarre, 1969) Bandana Blues is and will always be a labor of love. Please help me deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Happy February to you all! Everyone seems to be on edge lately due to the new president and the strange weather patterns moving their way across the United States, so what better way to turn off your brain and relax than a brand new episode of Random Old Records! I've already broken my resolution of putting these out on time, but hopefully the quality of this one will keep you listening!EPISODE #58 kicks off with the hard funk of The Jimmy Castor Bunch, and flows into some rare grooves by Bobby Moore & The Rhythm Aces and Universal Togetherness Band, then drops in a brand new track from Foxygen, one of the best bands going right now in my opinion. They have dialed back the experimentation of their previous LP ...And Star Power and replaced it with lush arrangements and a bombastic Disney/Broadway vibe on the killer track "Follow The Leader". DEFINITELY go pick up the new record Hang when you get a chance!Then, we go deeper into the land of Southern Soul and heavy horn and string arrangements with some classics from Stax and Bobbie Gentry, and some more kickin' country rock from New Riders Of The Purple Sage and Sir Douglas (country rock has been my JAM as of late!). We then come back to the present and finish up with some dreamy jangle from the Liminanas, Chook Race, and Shantih Shantih. All in all, it's a full sixty minutes and two seconds of great music to calm your shattered nerves and give you a little peace of mind. Stream or download the episode below, and as always, thanks for listening!Random Old Records Podcast #58Released 02/21/2017DOWNLOAD HERE1. The Jimmy Castor Bunch - "It's Just Begun"(It's Just Begun, RCA 1972)2. The Promise - "I'm Not Ready For Love"(Eccentric Soul: A Red Black & Green Production, Numero 2012)3. Bobby Moore & The Rhythm Aces - "What Is That You Got?"(Dedication Of Love, Phinal Sound 1976)4. Fran Farley - "Cold Blooded Sally"(Groove With A Feeling,Ace 2015)5. Universal Togetherness Band - "Pull Up"(Ultra-High Frequencies: The Chicago Party, Numero 2015)6. Johnny "Guitar" Watson - "Ain't That A Bitch"(Ain't That A Bitch, DJM 1976)--Get those bells up!7. Foxygen - "Follow The Leader"(Hang, Jagjaguwar 2017)8. William Bell & Mavis Staples - "Love's Sweet Sensation"(Boy Meets Girl, Stax 1969)9. Bobbie Gentry - "Niki Hoeky"(Ode To Billie Joe, Capitol 1967)10. Bobby Charles - "Small Town Talk"(Bobby Charles, Bearsville 1972)11. New Riders Of The Purple Sage - "Important Exportin' Man"(The Adventures Of Panama Red, Columbia 1973)12. The Sir Douglas Band - "Texas Tornado"(Texas Tornado, Atlantic 1973)--Street People!13. The Liminanas - "Garden Of Eden"(Malamore, Hozac 2016)14. Chook Race - "Sometimes"(Around The House, Trouble In Mind 2016)15. Scott & Charlene's Wedding - "Don't Bother Me"(Mid Thirties Single Scene, Fire 2016)16. EZTV - "There Goes My Girl"(Calling Out, Captured Tracks 2015)17. Shantih Shantih - "Come To Me"(Winter In September, Dusty Medical 2016)18. Simi Stone - "Benny"(Simi Stone, Reveal 2015)

Foghat began their career in 1971 as a bunch of rather unpretentious young Brits with an affection for American blues and '50s rock 'n' roll. By the middle of the decade, they had evolved into a major touring and recording act, playing a pumped-up brand of boogie-rock to arena-size audiences. Their looks grew flashier, their sound fattened and filled out, yet the roots-rock core of the band remained ever-present under the surface. From the viewpoint of certain critics, Foghat unduly compromised their early blues-based approach in order to reap commercial rewards. Certainly, their mid-'70s hits ("Slow Ride," "Drivin' Wheel," "Stone Blue") were not aimed at the rock purists of the world. But it's also true that they continued to record traditional blues and R&B material throughout their years with Bearsville Records. In fact, Foghat's final albums on Bearsville reaffirmed their love for unadulterated, primal American music. The band latest Album, "Under The Influence" is as classic as the band itself! Slacker sits down with Roger Earl and Brian Bassett. #Foghat

Martin talks to author Barney Hoskyns about his new book Small Town Talk: Bob Dylan, The Band, Van Morrison, Janis Joplin, Jimi Hendrix and Friends in the Wild Years of Woodstock. Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock—the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident—was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming dealers, and opportunistic hippie capitalists drawn to the area by Dylan and his sidekicks from the Band. Central to the book's narrative is the broodingly powerful presence of Albert Grossman, manager of Dylan, the Band, Janis Joplin, Paul Butterfield, and Todd Rundgren—and the Big Daddy of a personal fiefdom in Bearsville that encompassed studios, restaurants, and his own record label. Intertwined in the story are the Woodstock experiences and associations of artists as diverse as Van Morrison, Jimi Hendrix, Tim Hardin, Karen Dalton, and Bobby Charles (whose immortal song-portrait of Woodstock gives the book its title). Drawing on numerous first-hand interviews with the remaining key players in the scene—and on the period when he lived there himself in the 1990s—Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This book is a richly absorbing study of a vital music scene in a revolutionary time and place. The interview was recorded on April 4, 2016.

Giant Sand - Texting Feist (Heartbreak Pass, New West, 2015) Robert Forster - Let Me Imagine You (Songs To Play, Tapete, 2015) Andrew Combs - Long Gone Lately (All These Dreams, Loose/Coin, 2015) Jim O'Rourke - Half Life Crisis (Simple Songs, Drag City, 2015) Natalie Prass - Christy (Natalie Prass, Spacebomb, 2015) Bill Fay - Who Is The Sender? (Who Is The Sender?, Dead Oceans, 2015) J Fernández - Holy Hesitation (Many Levels Of Laughter, Joyful Noise, 2015) Knife Pleats - One Step Too Far (Hat Bark Beach, Lost Sound, 2015) Ultimate Painting - (I've Got The) Sanctioned Blues (Green Lanes, Trouble In Mind, 2015) Drug Cabin - Legends (Wiggle Room, 401K, 2015) The Mantles - Doorframe (All Odds End, Slumberland, 2015) Summer Fiction - Perfume Paper (Himalaya, Autoeditado, 2015) The Wellgreen - Sunday (Summer Rain, Pretty Olivia, 2015) Feedbacks - Ahead Of This Time (Skyway Blvd., Pretty Olivia, 2015) Todd Rundgren - I Saw The Light (Something/Anything?, Bearsville, 1972) Joan Shelley - Stay On My Shore (Over And Even, No Quarter, 2015)

Bandana Blues Special Spinner's Funhouse #2 Tobi Rix: heer in 't verkeer (2:37) (45 RPM Single, Philips, 1955) John Payne-Louis Levin Band: touchdown café (3:56) (-, Mercury, 1977) Blood Sweat & Tears: without her (2:39) (Child Is Father To The Man, CBS, 1968) Alphonze Mouzon: funky snakefoot (3:42) (Funky Snakefoot, Blue Note, 1974) Mathews Southern Comfort: ballad of Obray Ramsey (2:25) (Second Spring, Uni, 1969) White Lightnin' (Obray Ramsey & Byard Ray): little Margaret (2:52) (Fresh Air, Polydor, 1970) Todd Rundgren: birthday carol (9:06) (Runt, Bearsville, 1970) Biff Rose: Buzz the fuzz (2:49) (The Thorn In Mrs. Rose's Side, Buddah, 1970) Ferre Grignard: drunken sailor (2:35) (-, Philips, 1968) Leon Russell: this masquerade (4:17) (Carney, Philips, 1972) Michelle Shocked: fever breaks (4:47) (Kind Hearted Woman, Private Music, 1996) Jean Jacques Milteau: lonely crowd (4:31) (Merci d'Être Venus, Odeon, 1996) King Crimson: Prince Rupert awakes + bolero, the peacock's tale (11:09) (Lizard, Island, 1970) Keith Tippett Group: black horse (5:53) (Dedicated To You, But You Weren't Listening, Vertigo, 1971) Willie Rodriguez Jazz Quartet: moliendo café (3:52) (Flatjacks, Fantasy, 1963) Carlos del Junco: moliendo café (3:31) (Up And At 'Em, Big Reed, 2001) Q65: I despise you (2:24) (45 RPM Single, Decca, 1966) Ike Quebec: nature boy (2:44) (Heavy Soul, Blue Note, 1961) Butch Hancock: boxcars (6:19) (Eats Away The Night, Sugar Hill, 1995)

In Part 2 of this special edition of Retrosonic Podcast we are very pleased to welcome back Harley Feinstein, the original drummer with Sparks. Harley appeared on the band's first two Bearsville Records albums "Halfnelson/Sparks" and "A Woofer In Tweeter's Clothing", and their very first visit to the UK back in the early Seventies. In the previous Episode Harley told us about how he first met Ron and Russell Mael and joined the band. Now in Part 2, Harley talks about the band's first experiences in a studio with Todd Rundgren and James Lowe of The Electric Prunes and how a notorious bunch of Groupies contributed to them getting signed to Bob Dylan's manager's record label. This introduces the band to the nefarious world of the music business with it's aggressive managers and pressure to "make it". There's the enforced name change from Halfnelson to Sparks and we discover some of the hilarious, and slightly worrying, alternate names that the band might have been lumbered with. We follow the band to England and their first TV appearance on Old Grey Whistle Test and sold-out gig at the Marquee and residency at The Pheasantry and the taste of what can be achieved on record company expenses. We then find out how an ill-fated trip to Zermatt in Switzerland became the final nail in the coffin for the band at that time. Soundtracked by early Sparks songs including material from their original demo album, this is a fascinating tale of Sparks' formative years. For more information on Harley's new project Crash 74 and their gig in London, including exclusive Paul Slattery photographs, please visit www.retromanblog.com

In this Special Edition of Retrosonic Podcast we are very pleased to welcome Harley Feinstein, the original drummer with Sparks. Harley appeared on the band's first two Bearsville Records albums "Halfnelson/Sparks" and "A Woofer In Tweeter's Clothing", and their very first visit to the UK back in the early Seventies. In Part 1, Harley talks about the band's formative years, when they were known as Halfnelson, and his first impressions of the Mael brothers and their music. First of all Harley talks about his latest musical project Crash 74 who he formed along with his wife Michelle, Nicky Forbes from The Revillos, Stevie Savage from The Roadholders, Dexy D'Angelo, Lee Sullivan and Paul Jensen, who played a stunning show at London's 12 Bar Club in May. Harley talks about how Crash 74 got together, and his eclectic mix of band mates! Part 2 of "Sparks: The Bearsville/Halfnelson Years" is coming soon...

Paul began his music career managing Todd Rundgren’s first band, Woody’s Truck Stop, in Philadelphia, and then moved to New York at the urging of Todd who was by then being managed by the legendary Albert Grossman, Bearsville Records founder, and manager of Bob Dylan, Janis Joplin, The Band, etc. Paul was instrumental in making the Runt song “We Gotta Get You A Woman,” (a song penned and recorded by Todd, about Paul), the first hit for Bearsville. Within two years he was elevated to President and Co-Owner of the label, a joint venture with Warner Bros. He oversaw development of Todd, Foghat, and others who achieved multi-platinum success.

show#44006.02.12Gina Sicilia - That's a Pretty Good Love (Allow Me to Confess 2007)Johnny Sketch and The Dirty Notes - Whatsa Matter? (Live At The Spleaf Vol. 2001)Anders Osborne - Mind of a Junkie (Black Eye Galaxy 2012)Spinner's Section:Mike Morgan & Crawl: nothing's gonna be alright (3:06) (Raw & Ready, Black Top, 1990)Johnny Moeller: raise your hands (3:16) (BlooGaLoo!, Severn, 2010)Alex Schultz: walkin' and talkin' (6:00) (Think About It, Severn, 2004)Doc & Merle Watson: going to Chicago blues (4:07) (Sittin' Here Pickin' The Blues, Rounder, 2004)Steve Guyger: I need my baby (5:04) (Past Life Blues, Severn, 1999)Bobby Charles: grow too old (3:58) (-, Bearsville, 1978)James Harman: decisions (5:25) (Takin' Chances, Cannonball, 1998)Moreland & Arbuckle: don't wake me (3:46) (Flood, Telarc, 2010)Guy Clark: men will be boys (3:31) (Cold Dog Soup, Sugar Hill, 1999)Back To Beardo:Geoff Achison & The Souldiggers - Rule the World (Little Big Men 2005)Little G. Weevil - Real Men Don't Dance (The Teaser 2011)Kenny Blue Ray - Blues For Buddy (Got Blues! 2002)JP Cervoni - Alone (Blues and Beyond)Johnny Moeller - I'm Stuck on You (BlooGaLoo! 2010)Dave Arcari - Dreamt I Was 100 (Come With Me 2006)Lil' Ed & The Blues Imperials - No Fast Food (Jump Start 2012)Big Sugar - Come A Little Closer … Now Come! (Revolution Per Minute 2011)Spinner #440 addendum Doc Watson RIPHamilton Loomis - Get My Blues On (Live In England 2009)Paul Thorn - Jukin' (What The Hell Is Goin On? 2012)Rick Estrin & The Nightcats - D.O.G. (One Wrong Turn 2012)Chris Watson Band - Mama Told Me (Pleasure and Pain 2012)Memphis Gold - Biscuit Boogie (Pickin in High Cotton 2011)

show#32201.24.101. Barfly Blues Band - ALCOHALL OF FAME (4:13)2. Howlin' Wolf - Built For Comfort (2:05)3. Obama - obama supreme court (1:10)4. Johnnie Bassett - Years Gone By (5:01)5. John Lee Hooker - It Serves Me Right To Suffer (3:31)6. B.B. King - How Blue Can You Get? (3:28)Spinner's Section:in memoriam Bobby Charles (February 21, 1938 - January 14, 2010)Bill Haley & his Comets: see you later, alligator (February 1, 1956)Bobby Charles: long face (3:36) (-, Bearsville, 1971)Bobby Charles: but I do (4:16) (Clear Water, Rice 'n Gravy, 1987)Bobby Charles: I can't quit you (3:43) (Secrets Of The Heart, Rice 'n Gravy, 1998)Bobby Charles: walking to New Orleans (3:11) (Wish You Were Here Right Now, Rice 'n Gravy, 1995)Bobby Charles: grow too old (4:02) (-, Bearsville, 1971)Bobby Charles: see you later, alligator (3:48) (Last Train To Memphis, Rice 'n Gravy, 2004)Back To Beardo:Chuck Berry - Thirty Days (2:23)Buddy Guy - Ten Years Ago (2:38)Bo Diddley - Diddy Wah Diddy (2:27)Robert Johnson - Phonograph Blues (2:40)Danny Overbea - Forty Cups of Coffee (3:12)Jay McShann & The Sextet - Shipyard Woman Blues (3:07)Seth Allen - Five Languages of Love (4:10)"Juke Logan" & Austin All-Stars - I Do All Right (2:47)James Brown - Blues And Pants (9:40)Melvin Taylor - Evidence - Travelin' Man (6:25)Joyce Cooling - I'll Always Love You (Ode to the Audience) (3:58)James Day - Before I Go (3:18)Bessie Smith - Me And My Gin (2:53)John Mayall & The Bluesbreakers - Ridin' On The L & N (5:50)The Tablerockers - When She Was My Girl (4:36)Grayson Capps - Mercy (3:42)Too Slim And The Taildraggers - Swamp Opera (5:03)Bobby King - Got to Keep Moving (4:31)Does your music make the cut?Contact Beardo at thebeardo@gmail.com and we we'll talk..Meanwhile, Bandana Blues archives at http://beardo1@libsyn.com

show#30810.19.00Jean Paul Rena/Terrawheel - blue son (4:18)Randy McAllister - Can't Pick Your Relatives (4:43)Ruben V - Come To Me (4:33)Spinner's Section:another blast from the past on vinylGisele MacKenzie: learnin' the blues (C.V.Silvers) (Gisele, RCA Victor, 1958)Nick Jameson: in the blue (N.Jameson) (Already Free, Bearsville, 1977)Jimmy Witherspoon & Groove Holmes: since I fell for you (Groovin' and Spoonin', Olympic, 1973)Charley Musselwhite Blues Band: Clay's tune (C.Cotton) (Stone Blues, Vanguard, 1968)Hoyt Axton: send me to the electric chair (1964) (G.Brooks) (Long Old Road, VeeJay, 1977)Larry Davis: Texas flood (1958) (Scott, Robey) (If It's Not A Hit I'll Eat My Hat, Ace, 1985)Johnny Otis & his Orchestra: livin' in misery (J.Otis) (The Johnny Otis Show, Capitol, 1958)Eric Burdon & War: home dream (1969) (Love Is All Around, ABC, 1976)Delbert & Glen: cold november (D.McClinton) (Subject To Change, Clean, 1973)Frankie Miller: this love of mine (Miller, Trower) (Full House, Chrysalis, 1977)Back To Beardo:André Bisson - Free Ride Blues (3:08)Coco Montoya - Too Much Water (4:00)David Gogo - All Over Town (4:27)Snooks Eaglin - Heavy Juice (2:57)Victor Wainwright - Bad Seed (4:21)Kid Andersen - I Really Love My Monkey (3:26)Dave Fields - Ain't No Crime (4:41)Steve Guyger & T.Leino Band - Jumpin' at Sauna (3:15)Albert King - Let's Have A Natural Ball (2:55)Debbie Davies - Was Ya Blue (3:35)Wanda Jackson - Cool Love (2:16)Nathan James & Ben Hernández - Rub-A-Dub (3:10)Tas Cru - Tired Of Bluesmen Cryin' (4:01)Roomful of Blues - Turn It On! Turn It Up! (3:40)big frank & the healers - don't trust nobody (4:07)Fontaine Brown - Fence Line (5:12)Blues Mob - Haunted (5:05)The Pontiax - Lip Service (3:02)Roy Buchanan - Roy Buchanan - Hidden (3:27)Soul Drivers - Rock & Roll Chick (4:18)Does your music make the cut?Contact Beardo at thebeardo@gmail.com and we we'll talk..Meanwhile, Bandana Blues archives at http://beardo1.libsyn.com

1972 Bearsville Promo - Todd Rundgren. An hour of wildness! The official name is "The Todd Rundgren Radio Show", which was a one hour special conceived, produced and featuring TR. This was a companion piece to the album "Something/Anything" but was only released to DJs. It was later released (limited) in Japan in a Bearsville Box Set but is still considered ultra rare!

Jean-Yves Labat de Rossi (aka M. Frog and M. Frog Labat,) referred to as "an experimental musician living in Woodstock," was Todd Rundgren's synthesist on the first Utopia album. M. Frog, his only solo release, came out on Albert Grossman's Bearsville label in 1973.

"The most exciting phrase to hear in science, the one that heralds new discoveries, is not 'Eureka!' but 'That's funny...'"-Isaac AsimovA magician calls a man up on stage, hands him a mallet and instructs the guy to hit him as hard as possible on the head. The magician then proceeds to put his head down on a wooden block. The man shrugs his shoulders and takes a mighty swing.Three years later, the magician wakes up from a coma in the hospital and goes..."Taa-Daa!""How does it change many dyslexics to take a lightbulb?"Go back up to the previous one-liner and reread it word by word.I’m putting this joke in not because it’s overly funny but because I think that I’ve actually done this. Two IT guys were talking in a bar after work."Guess what," says the first IT guy, "yesterday, I met this gorgeous blonde in a bar.""What did you do?" says the other IT guy."Well, I invited her over to my place, we had a couple of drinks, we got into the mood and then she suddenly asked me to take all her clothes off.""You're kidding me!" says the second IT guy."I took her miniskirt off, and then I lifted her and put her on my desk next to my new laptop.""Really? You got a new laptop?"I was looking stuff up online when I found this on the CDC (center for Disease control) website:“All persons who are obese or overweight should try not to gain additional weight. In addition, those who are obese or who are overweight with other risk factors should consider losing weight.”“Bill Fabrey, co-owner of Amplestuff in Bearsville, N.Y., has been thinking big since 1988, when he started his mail-order business specializing in products for the larger set.”FMC Note: PEOPLE ARE NOT “LARGE SET.” Large Set is something used to describe your baseball card collection."Quantas Problem Solving"After every flight, Qantas' pilots fill out a form, called a "gripe sheet" which tells mechanics about problems with the aircraft. The mechanics correct the problems, document their repairs on the form, & then pilots review the gripe sheets before the next flight. Never let it be said that ground crews lack a sense of humor. Here are some actual maintenance complaints submitted by Qantas' pilots & the solutions recorded by maintenance engineers. By the way, Qantas is the only major airline that has never had an accident.(P= The problem logged by the pilot.)(S= The solution and action taken by mechanics.)P: Left inside main tire almost needs replacement.S: Almost replaced left inside main tire.P: Test flight OK, except auto-land very rough.S: Autoland not installed on this aircraft.P: Something loose in cockpit.S: Something tightened in cockpit.P: Dead bugs on windshield.S: Live bugs on backorder.P: Autopilot in altitude-hold mode produces a 200 feet per minute descent.S: Cannot reproduce problem on ground.P: Evidence of leak on right main landing gear.S: Evidence removed.P: DME volume unbelievably loud.S: DME volume set to more believable level.P: Friction locks cause throttle levers to stick.S: That's what they're for.P: IFF inoperative.S: IFF always inoperative in OFF mode.P: Suspected crack in windshield.S: Suspect you're right.P: Number 3 engine missing.S: Engine found on right wing after brief search.P: Aircraft handles funny.S: Aircraft warned to straighten up, fly right, & be serious.P: Target radar hums.S: Reprogrammed target radar with lyrics.P: Mouse in cockpit.S: Cat installed.P: Noise coming from under instrument panel. Sounds like a midget pounding on something with a hammer.S: Took hammer away from midget.Lost within my own mind and quite happy to be so.-FMCFMC Answers Another Philosophical Question:Q: "Is the glass half full or half empty"A: "Which glass? Where I don't see one"A: "HEY WHO DRANK HALF THE WATER!"FMC solution to the Pot Problem:I recently came up with the prefect solution to the marijuana problem. For those of you with no clue what the problem with pot is we're in the same boat. But apparently some people think it's addictive. Well, so is smoking, porn, alcohol, porn, smoking, gambling, TV, smoking, the internet, eating, alcohol and porn, but only 2 of those thing kills people directly AND indirectly. And I got news for you - they all can ruin lives but chances are if when you step up and spin that addiction wheel and it lands on pot it could have just as easily been alcohol, or heroin. Some people say it's a gateway drug and if you are one of those people please grab your mouse wrap it tightly around your neck and pull both ends until you reach a happy place. Alcohol is a gateway drug I'm betting way before pot, do you know anyone that tried pot with out going through a drinking phase?...I’M WAITING….of course you didn't! Anyways, my plan is fines. This solves a lot of problems.1) I didn't make it legal so it's against the law to posses, sell, and smoke it. So that makes the anti-drug people happy.2) More money for the government. That makes the government happy.3) It's moving along the path to be legal, which makes intelligent people happy, AND4) Less people in jail. (Which makes everyone happy).We could have fines for smoking, selling and possessing, and if your carrying more than a pound of the stuff on you everything gets seized and police are free to test it and resell it, and thus making more money for the local law enforcement and probably increase the number of police officers. Can we please get this done and move onto more important things?

Them: Bring 'em on in (The Story Of Them, Decca, 1968)Sonny Boy Williamson: sad to be alone (In Memoriam, Chess, 1965)Paul Butterfield's Better Days: broke my baby's heart (-, Bearsville, 1973)Canned Heat: turpentine moan (Boogie With Canned Heat, Liberty, 1968)Amen Corner: gin house blues (Raw Blues Now, Decca, 1967?)Bobby Blue Bland: I'll take care of you (Two Steps From The Blues, MCA, 1961)