Podcasts about canadian band

Interview with Canadian Band "Boys From The North" - The Culture News

In January 1970, a band from Winnipeg with a cryptic name released an album that, despite containing criticism of American policies, became a huge success in the U.S. and went to number 1 in Canada. It remains one of the greatest rock albums to ever come from the Great White North. Randy Renaud revisits the story behind the Guess Who's American Woman for its 55th anniversary, on the Chronicles of Rock.

Liva Ecce MudusSamson & Dalila I Here's a very different proposal, Liva is the first Canadian band to mix metal music and classical music since 1997!Band members-photos: Pier Carlo Liva(tenor/death)-guitar-keys), Nadine Guertin(soprano), Martin Tremblay(bass), Claude Lacroix(drums)Pipeman in the Pit is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman in the Pit Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com   Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.

Liva Ecce MudusSamson & Dalila I Here's a very different proposal, Liva is the first Canadian band to mix metal music and classical music since 1997!Band members-photos: Pier Carlo Liva(tenor/death)-guitar-keys), Nadine Guertin(soprano), Martin Tremblay(bass), Claude Lacroix(drums)Pipeman in the Pit is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman in the Pit Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com  Become a supporter of this podcast: https://www.spreaker.com/podcast/pipeman-in-the-pit--2287932/support.

It was bound to happen, with all the accordion-practicing I've been doing lately. Oh, you betcha. Music: Don Brewer Words, guitars, accordion, bass, drums, cowbell, vocals, arrangement, production: SG Tuba and backing vocals: Timothy J Weber

Frantic Lullaby discusses its inception during their high school and college years, the genre they deem 'post rock shoegaze,' pre-stage performance anxiety, the new single "Blurry Vision," collaboration and songwriting, being the leader in a band, and the practical goals and aspirations in the time of streaming and 'pay to play.' [...]

Frantic Lullaby discusses its inception during their high school and college years, the genre they deem 'post rock shoegaze,' pre-stage performance anxiety, the new single "Blurry Vision," collaboration and songwriting, being the leader in a band, and the practical goals and aspirations in the time of streaming and 'pay to play.' [...]

"The Cloud" is a metaphor for the top level of corporate authority - the CEO, CFO, CTO and maybe some Vice President positions. And if you're trying to transform an organization, your ideas need to penetrate the Cloud - but how? In this episode, Bill Bellows and host Andrew Stotz talk about influencing others with the aim of transformation.  TRANSCRIPT 0:00:02.2 Andrew Stotz: My name is Andrew Stotz, and I'll be your host as we continue our journey into the teachings of Dr. W. Edwards Deming. Today, I'm continuing my discussion with Bill Bellows, who has spent 30 years helping people apply Dr. Deming's ideas to become aware of how their thinking is holding them back from their biggest opportunities. Today is episode 16, and the title is, Get Off of My Cloud. Bill, take it away.   0:00:29.5 Bill Bellows: Hey. Hey, hey. [laughter] Mick Jagger, Keith Richards, get Off of My Cloud. Yeah. Alright, so here we are, 2024. So before we get to the Cloud, some opening remarks. And in particular looking at session 15, which is soon to be released. And one thing I... What I tell people is, what's exciting about understanding Deming's work is how revealing, how you see the world differently, and Dr. Deming used the metaphor of a lens. But it's not only what you see, but what you hear.   0:01:19.5 AS: Right.   0:01:22.3 BB: And, and I tell people I can go into an organization and within a few minutes between what I see and what I hear, I can get a pretty good sense, is it a ME or WE organization. And we think back to the comment I shared in episode 15 where the Boeing executive said, "Let's be honest," to the room full of 300 plus internal audit people who just do great, great work.   0:01:54.4 BB: I mean, if they didn't do great work, why would they be there? Everyone in our organization does great work, otherwise, why would they be around? But when they said to them, "Let's be honest, we don't make the airplanes." And I thought, that's right up there with my wife saying to me, "Look at what your son did."   0:02:22.4 BB: My son? Or is it, look at what our son did. Another giveaway expression is, we're gonna do a root cause analysis or RRCA, which is Relentless Root Cause Analysis. Well, every, and from a Deming perspective, instead of talking about a root cause, we can say there's root causes, and there's... They're dozens, hundreds of root causes, or sorry, common causes, common causes. And then every now and then there's a special cause.   0:03:01.0 BB: But even when a special cause appears so does a bunch of common causes. So from a Deming perspective there's never a root cause. So I... One poke I have for people that like to think in terms of root cause, 'cause they have this sense of, you can explain everything by a series of connected root causes. This cause leads... It's like the five whys. That this leads to this leads to this. But it's always, this leads to that, this leads to, and it's singular strands. And I think of it like a strand of spaghetti and everything is along some pathway. And I thought, no, that's not the model Deming had in mind. Deming had in mind a multitude of strands that are all woven together that you can't... What comes out is a bunch of contributions, not just one thing. So my poke at people like to believe in root cause phenomenon is, "If life can be explained by a series of root causes, then why do you need two parents? Why isn't it a single parent?" Sorry.   0:04:18.9 BB: I just finished the fifth cohort at Cal State Northridge in a eight-week class as part of an 18-month program where the students, we start with about 30, by the time it gets to me there may be 24 or so. And one course after another, after another, it's a very rigorous program. And I do a class called Seminar in Quality Management. And I love at the beginning of the course when I ask them about, if all the beads are red, if all the red beads are eliminated, can improvement, can still go on to, all those things we've talked about in this program. And I have them write essays on it, and it's so neat to see where they are in the beginning and where they are at the end.   0:05:07.1 BB: And in the beginning they'll be talking about human error. And so every time I see human error, I just write back, is it human error or is it system error? And one student in the class commented at the end of the course of what she learned, she said, No one had ever pointed that out to her. And she distinctly remembers the very first time I said that it was like, but wait a minute. And then it made more and more sense and I thought, yeah, I mean not... Is there such a thing as a human error? Well, Deming would say that 94 plus percent comes from the system. Another cute story, I used to host a monthly conference call for 17 years, every month for 17 years.   0:06:02.0 AS: Wow.   0:06:02.8 BB: And featured on the call was a thought leader, Russ Ackoff did it four years in a row. He became the January thought leader. And generally it was random, different people. But then when it got to Russ, it was every January Russ did it. And I would go out and stay with him and be in the room with him and the distribution list was at one point in time, 5000 people around the world, that I had somehow interacted with. And the announcement would go off out every month, and it would say, this month's ongoing discussion with thought leaders, is Andrew Stotz, Andrew's gonna talk on this topic. Please find attached his thought piece. You can join us. And there were four opportunities to call in on 12 to one and one to two on the last Thursday and Friday of the month. And there was four different opportunities for the audience to engage with Andrew, and it wasn't a presentation by you. The protocol was they would read the article, then they would say to you, Andrew, on page five, you said this can you clarify? So I said to them, it's not a presentation, it's a conversation.   0:07:08.9 BB: So a friend had in mind, somebody that he worked with as a thought leader. I said, okay, let me, She'd just written a book. And the book title was along the lines of Think Like a Champion, so I read the book and it's sports stories, all these sports stories. Turns out she has an advanced degree in sports psychology and she was hired by his company as a coach. And throughout the book, her story is about people contacting her, I need help with this. I need help with this. I need help with this. A lot of these people are in sales, I need help, I need help with this. So I read the book cover to cover, and I started to notice a pattern. It was all individuals. I need help, I need help. And so when I got on the phone with her and the role of the phone call was to talk about the book, talk about the phone call, let her know what the overall strategy of what we're trying to do with these calls, promote a word as of Deming's work and working together, all that stuff.   0:08:20.6 BB: And then with that, see if that fit, what if she felt, in fact, what I had in mind was that there's things in there she could contribute, but there's things in there that might be slippery. So I shared with her that I had a friend who was a high school coach for the Valencia Vikings and I bumped to him one day in a park. And he's walking towards me and he is wearing a T-shirt, and across the top are the letters V-K-N-G-S. So I'm looking at the letters and I said, I don't get it. To which the author says, there's no I in team, and that's what it was V-K-N-G-S. And so she beat me to the punchline. So I said, so you're aware of that story?   0:09:15.0 BB: She says, oh yeah. I said, "Your book is filled with sports stories." She says, "Yes." I said, "Did you ever consider that story for the book?" She says, "it really wouldn't fit." I said, "that's right." I said, "that is it, it doesn't." I said, "'cause your book is all about the I and not about the team." So at the end of the call, I said you know, when I got your book, I said the cover was revealing. And this is what I find, going back to language. You can be in a meeting and you can hear how people think, which then leads to how they act and you can't separate, you can hear that. So I said, "I looked at title of your book," which is something like, Think Like A Champion. And I said, "as soon as I saw that title," I thought. But I said, well I told her, "I said, there's a lot of good stuff in here." I said, "but, and I'm not saying everyone hears what I hear, but I don't want you to be caught short on that." She said okay. So then I said the title was kind of a giveaway of what the book was really about. She said, "well, what would've been a more appropriate title?" I said, "Think Like a Contributor."   0:10:34.5 BB: And so we are within our respective organizations, we're one of many contributors, we don't do it all by ourself, we contribute to the results and we talked last time about... Sorry.   0:10:47.1 AS: And that's an interesting point because that's a, maybe a difference between let's say American style thinking and Japanese style thinking, where Japanese may see themselves clearly as a contributor in a system. Whereas Americans, we like to think of ourselves as a unique person that fits into a certain place in this world.   0:11:08.9 BB: And I won the game, I won the game and I made it happen. And, um, but sure, and I've heard that about Japanese management, that it's more like, I am humbled and honored to be your executive and there's a real... And it comes across that it's not just talk, there's a real sense of humility and honor to be in this position as opposed to a sense of I'm the smartest guy in the room.   0:11:39.4 AS: Servant Leader.   0:11:41.4 BB: Yes, very much so. So, next thing I wanna bring up is, we talked last time about Myron Tribus's his comment, management works on the system, people work in the system, and the theme was making a difference from where you are and I mentioned that this gentleman came in, was one of our classes, and he wanted to, how often I met with our president. And I said, not very often. He said, oh, it's really important, you gotta go meet with him. And I said, "well what if I spent time talking with senior people at NASA or senior people in the Pentagon," which I did. And a mistake I made, a minor perhaps a minor error that somebody may or may not have caught. So I said, that I had the distinct pleasure of being invited to speak at the Army's largest annual logistics conference back in the 2000s. And the invite came from a senior officer on the staff of General Anne Dunwoody, who went on to become the Army's first woman, Four Star General, and so in the podcast number 15 I said, I was invited and spoke with the Army's first Four Star General, it was the Army's first woman Four Star general.   0:12:57.2 BB: So this is a clarification. I also talk about how pragmatism is being practical, but I think is, if you're trying to introduce these ideas into your respective organizations making a difference where you are, I think it's important to realize that everyone is acting as if they're being practical. And if practical means work on things that are bad to make them good and stopping, that's their, that to them is practical. Now, from a Deming perspective to not work on things that are good, to make them better to improve integration - that is practical, but it might not be practical where you are. And I mentioned, I had a Lean Management journal article that talked about that, and I couldn't remember the title. The title is Profits, Pragmatism, and the Possibilities of Possessing Other Eyes. I told you I like alliteration.   0:13:56.6 AS: Alliteration.   0:13:57.5 BB: Alright, so what is an application? We start where you are. And I would say an application, first of all, relative to an application, it's thinking, can I do this by myself? Do I need help? Do I see opportunities to reduce losses? And it's one thing to see opportunities to do something. It's a whole 'nother thing to realize that the timing might not be right. I may not have the support that I need. I may not have the funding that I need. There could be other priorities. So when I would tell people I was mentoring to see opportunities is a really big thing, whatever those are. An opportunity to shift from managing actions to managing interactions and realizing that addition doesn't work, that things are not adding up and you're realizing, holy cow, there's some opportunities for synergy here. There's opportunities to work on things which are going well to prevent the red beads, work on things that are well to improve integration.   0:15:05.3 BB: There could be opportunities to stop doing incentives within your sphere of influence, to stop handing out awards to your people on your staff. Had a friend who just became a manager years ago and I had been mentoring him and within a few weeks of him being manager in operations, he came to me and he said that somebody on his team helped him do something and he gave him a $10 lunch coupon. I didn't say anything, I just let it pass. A couple weeks later, he comes to me and he says the same guy helped him again and then reached out his hand, he says, “Where's my coupon?” I said, “I was waiting to see how long that would take.” And Andrew, that happened 25 years ago, if I was to have breakfast with him tomorrow, it would come up. Every time we meet, which is not that often, he lives a lot too far.   0:16:05.5 BB: And it was just so cool how, as I said let's just see how this goes. So the idea is that what can you do from where you are to not pass on the pain? And so it may be flowing down to you, but maybe you, if you've got a team, can stop it from where you are. Maybe. Maybe you can't. I mentioned Jim Albaugh, who went on to become CEO of Boeing Commercial, CEO of Boeing Defense. He was my boss for a number of years at the beginning of his doing these amazing things. And one day after we had some really stellar applications of Taguchi's ideas with Deming's improving integration, the hammers went away and things came together. Performance, we had an incredible advances in engine performance and integration. It was really cool. So he was really thrilled by all that. So I go, I would meet with him once a month and I'd poke him.   0:17:10.0 BB: So one day I went in and I said, “I wanna bring something to your attention.” And he looks at me with this smile. And I said, “I wanna put something on the table. And I'm not saying you've gotta do it now, but don't ever tell me I didn't bring it to your attention.” And he is like, “okay, Bill, what?” [chuckle] I said, “we've got to get rid of incentives, rewards and recognition and performance appraisals.” And then he just rolls his eyes. I said, I says, “I know you can't do this.” And I said, “but these are ankle weights on how fast we can run as an organization.” But I knew that was... I mean, he was, at the time he was a VP, even when he was CEO, he can't get rid of those. Those are such an institution. But I just wanted to go on record with him. I just chose the moment to go on record with him knowing the limits, but I wanted to be upfront and honest with him that if I don't go to those events, this is why.   0:18:18.8 BB: And so it's just making a difference from where you are and sometimes you speak up, sometimes you just keep your mouth shut. Another thing I encourage people I mentor is, if you're out managing interactions and things are improving, you've improved integration. Is that, my advice to them is go about it quietly be the change you wanna see in your organization. Be the change you wanna see in the world, to quote Gandhi, I said, but unless your boss asks you how that happened, don't explain it to them.   0:18:53.2 BB: I said, if they ask you how did you know how to do that, that's your opportunity. But if you're not asked that, I mean, in other words, don't do it expecting to be asked for what, you know, to be complimented. You do it because it's the right thing to do. Use it as a learning experience. Be deliberate about it if you're gonna go off and do it. But if you're doing it to get praise, you've missed the whole point. If you're doing it to get your boss's attention, you've missed the whole point. What I tell people is, do it' And maybe at some point in time, they say, ''ve noticed a pattern. Tell me how you do this. 'I've got a manager I work with, with a client, was asking me about how to praise someone. And I said, one is, there's nothing wrong with one-on-one in the office saying, your contributions were enormous. I said, do''t ever imply without you, we could not have done this. You're a contributor. But I said, more important than that is, ask them, how did you know how to do that? Where else could we apply this?   0:20:07.4 BB: I said, I think that is far more, I think being asked those questions are far more thrilling than a pat on the back. Back in ‘93, it was '92, I was nominated to be an engineer of the year at the Rocketdyne, which is a really big deal. I was one of a dozen finalists. And the vice president of engineering invited everyone into his office to ask us a bunch of questions. And he used our answers for the engineer of the year dinner. And what I found out from the others is, he never asked any of us, how can your work, what is your vision, Andrew, for how your work can impact the organization? And I thought that, that never came up. And I would have been thrilled, my whole interest in going through this, 'cause I knew at that time about awards and recognition, but my hope was that, that could create visibility and help me further the cause.   0:21:13.8 AS: Make an impact.   0:21:14.8 BB: This is... But another thing I would say is, I have my knuckles rapped this way a few times. And when I would try to explain to the executives how we achieve these solutions. And once one of the VPs, my VP, his comment to me was, he was watching me, he came by to see the slides I was gonna use. And he says, Bill, don't be tutorial with us. And I thought, oh, man. So what I tell people is, a staff meeting is not the time. This is really important. If you're trying to explain in a staff meeting how you accomplish something, what makes it bad is, even if you're invited, a staff meeting is not a classroom. When I walk into a classroom as the instructor, I walk in, and I know what my role is, and everybody else knows what their role is. But when you walk into a staff meeting, and you're about to present something you did, if it comes across as being tutorial, what makes that offending is, who appointed you to be the professor? But if you have a separate meeting and, but it's just these nuances, can really get in the way, which leads to tonight's feature, the Cloud Model...   0:22:42.6 AS: Before you go to tonight's feature, I'd like to go back in time to November of 1965. It was a tumultuous year. In fact, it was February of 1965 that Malcolm X was assassinated in America. 1963, November, John F. Kennedy Jr. Was assassinated. America was going through a lot of turmoil, and the Rolling Stones were the bad boys of rock and roll. In November of 1965, I was four months old, so I don't remember this personally, but the Rolling Stones came out with a song, and it was called Get Off Of My Cloud. And I just wanted to put it in context, because for us older guys, we know that this lyrics, Get Off Of My Cloud, is referring to this song where they're oftentimes saying, "hey, hey, you, you, get Off Of my Cloud." So with that introduction, tell us why you named it, this episode, Get Off Of My Cloud.   0:23:44.3 BB: Well, you're not gonna believe how apropos that, that intro was. Oh, this is so cool. It's so cool, so cool. In 1995, I met Barry Bebb, a retired, very senior executive from Xerox, who was on a very short list to be the next CEO of Xerox after David Kearns. And Barry left Xerox and became a consultant, and I met him in the Taguchi community. And somewhere in the beginning of '95, I bumped into him. I'd met him earlier at another event with Dr. Taguchi, and, um, and then there was an event in LA, a conference, and I bumped into him, and he said, hey, I know that guy. We knew each other. And he said, hey, I'm putting together this group of people, about a dozen or so people, a couple from Ford, a couple from GM.   0:24:46.7 BB: Would you like to be part of it? I was like, well, what do you have in mind? He said, "we're gonna to meet once a quarter. I wanna mentor you and help you create change within your respective organizations." And it's like "sign me up." And I was there with a very good friend, Tim Higgins, and so we signed up. And we... Barry called the group Impact 95 'cause it was 1995. And we would get together all day Friday, all day Saturday, through Sunday at noon. We would meet either within Ford, because there was a Ford member, within GM. There was a printer company we met at their headquarters, at their site.   0:25:28.7 BB: We met at Rocketdyne. We'd meet in San Diego with Barry. But once a quarter for three and a half years, we met, all on our own time. The company didn't pay for this. I told Tim, we're just gonna go off. We're not gonna tell anybody what we're doing. But what we learned from Barry is how to create change from an organization when you're in the bottom, you're an individual contributor. And so that... And I've got the notes. I've got a big pile of notes. And some of the things that jumped out when I was pulling my notes together are things we learned in that very first session. One is you can't tell anybody anything. He said, "You can lead people on a path to discover, but you can't force them to drink." And that became really powerful that, telling people something's important is a losing strategy. So what I find powerful about the Me and the We Trip Report, Red Pen, Blue Pen, whatever it is, that's not me telling people what the organization is about. That's them telling me what the organization is about.   0:26:43.7 BB: But trying to tell people this Deming stuff will change your life, that's a losing strategy. So he says, you can't tell anybody anything. And then my paraphrase is, "telling is a losing strategy." Even if you tell a loved one. If I tell our daughter, Allison, you gotta go watch this movie. You gotta go... You need to go learn more about the Rolling Stones. She's like "Dad, I'm a Swifty." It's like her telling me, "well, I'll go do that if you go watch the Eras movie with Taylor Swift." I'm thinking, "that ain't gonna happen." But anyway, so even with a loved one telling, telling is a losing strategy. Well, another thing he told us that very first meeting, you're gonna love this. He said, he points at each one of those and he's like a drill sergeant, and he says to us, "you have to be able to do this by any means necessary." You know who used those words, right?   0:27:43.8 AS: Malcolm X.   0:27:44.9 BB: Malcolm X. I remember looking at Barry saying, said that's Malcolm X. He says, and he would say, "every morning you've gotta get up and ask yourself, am I doing everything I can to make a difference in our organization?" And it was just beaten into us again and again and again and again in a very loving way. So back to the, "hey, you Get Off Of My Cloud." Barry came up with a Cloud Model. And I don't know that he had in mind to write a book about it. I don't know that he ever did. I don't know if it was ever published. I have not, I share this in all of my classes and all my consulting. I share it with clients. I'm not sure if it's out there on the internet. Well, what Barry had in mind, his model, his mental model for organizations is there's a Cloud.   0:28:31.7 BB: The Cloud is the top of the organization where all the executives are. And Barry got to the Cloud. He was in charge of Xerox's division that made the, not office copiers, but these really big, big things. And, um, and I don't know how many thousands people worked for him, but he was in the Cloud and he's briefing us. And we're individual contributors in our respective organizations. And what brought us together was each of us was trying to introduce Dr. Taguchi's ideas into our organization. But the Cloud model is universal. It's not just, it's introducing any change in our organization. And what Barry confided with us, and it kind of burst our bubble is, he said, if you get an email that says, we want you next Monday, Bill Bellows, to go to Boeing headquarters and share with them how Dr. Taguchi's work can impact Boeing.   0:29:31.7 BB: And I'd be thinking, "what an incredible opportunity." What I learned from Barry was you have to say no. And I'd be like "well, Barry, isn't that the audience I want?" And he says "no." "Why not, Barry?" He said, "here's how it works." He said, "the people in the Cloud may not like each other, but they respect each other." He said, if you're...   0:29:56.3 AS: And the people in the Cloud, remind everybody who are the people in the Cloud?   0:30:00.2 BB: The top executives of the organization are the Cloud. So that's the...   0:30:05.4 AS: They're living in a, they're living maybe in a comfy zone. They're not necessarily dealing with the nitty gritty of the business, what's going on.   0:30:13.7 BB: They're way up there in the upper atmosphere. They are... And they're the chief executive people, the senior most people in the organization. And what Barry said is, "they create the rain. They create the KPIs. They create all those things that flow down." And what Barry says, "what we're tryna do is influence what flows down. So in order to influence what flows down, you've got to get into the Cloud." He said, but the deal is, what Barry's model was, "Bill and Tim and Larry, you can't go to the Cloud." Well, why not? He said, "because you're an outsider." And he said, "they shoot outsiders, but they don't shoot each other."   0:31:02.8 BB: So what do we do? He said, "when you go back to your respective organizations," this is the very first time we meet, this is how impactful it was. He said, "when you go back to your respective organizations, start thinking about someone in your organization above you. It doesn't have to be your boss. It could be somebody over to the right, but find someone above you that you can get smart about Taguchi's work, about Deming's work, about whatever that passion is that you wanna bring to the organization to rain down. Get them smart, 'cause you can't go to the Cloud, but you can get them smart. So make it your calling to go back to work, begin to meet with someone above you. Help them get someone above them smart. Help them get somebody..." So I, I hand, I get you smart, and then I help you get your boss smart, and then you're...your boss on up. So you have to hand off. So this is not me coaching you, and then coaching you all the way. So I have to let go. I have to be a contributor.   0:32:17.5 BB: And I thought that's not what I... I thought I could be the hero and go in there. And he is like, no, it won't work. And so I went back and immediately began to mentor my boss, Jim Albaugh, who's a VP. And that was my, my strategy was to get him smart on all the things we were doing. And then he, in turn, eventually got his boss, Alan Mulally smart. And I just, but you have to let go. And then you're trying to influence the organization - so it can be done. So in terms of making difference from where you are, it's not running into the Cloud from down there and thinking, Hey, I've got these great ideas. And what Barry said is, it's not gonna work. Don't. And he saw it not work on many occasions.   0:33:08.9 BB: Now, one time I got invited to a Boeing corporate setting, and it was not, it was halfway to the Cloud. It was pretty high up. And my first thought was, No. This, you know, Barry on my shoulder, Barry says, "Bill, don't do it. Bill, don't do it." When I found out who's gonna be in the meeting, and it was all the VPs of engineering across Boeing, space and communications, and they all reported up to the VP of engineering, corporate, senior VP of engineering, who reported to Jim Albaugh. So I thought, okay, against my better judgment, I went in. But being aware of Barry's model, I went around the room and amongst the nine VPs of engineering, I knew half of them. So I went around the room,, and hi, how're you doing?   0:34:14.8 BB: I haven't seen you. And part of what I was doing in my mind, what I was doing was preparing them to help me should the others start to shoot at me. But I knew to do that. And without the awareness from Barry, I would not have known to go around the room. So it was... I mean, it wasn't the very, very top of Boeing. It was a good ways up. But I still took what I learned from Barry and said, okay, I need some help with this. I can contribute, but I'm just gonna stop there.   0:34:56.3 AS: Well...   0:34:56.4 BB: And so when it comes to this, Get Off Of my Cloud, it's the people in the Cloud, it's their Cloud. We just work here.   0:35:04.9 AS: And in the theme of music I'm gonna wrap up my part of this and then ask you to do a final wrap up. I wanna go now to 1976. 11 years after the Rolling Stones came out with their song, Get Off Of My Cloud. By this time I was 11 years old. And in 1976, the band, the Canadian Band, Rush came out with the album 2112. And the song 2112 talks about how, Neil Peart wrote this, the drummer, about how he, that it was a society he liked to show it was like a communist type of society where it was ruled by the elders. And he found a guitar, and it was an ancient guitar, and nobody had heard of a guitar. And he figured out how to play it. And he thought it would be amazing to take this to the priests, to the elders.   0:35:57.4 AS: And he went to them after learning how to play. And he said, "I know it's most unusual to come before you, so, but I found an ancient miracle. I thought that you should know. Listen to my music and hear what it can do. There's something here as strong as life, I know that it will reach you." And the priests respond. The priests in unison respond, "yes, we know it's nothing new. It's just a waste of time. We have no way need for ancient ways. Our world is doing fine. Another toy that helped destroy dah, dah dah, dah, dah." The point is that they were in their comfort zone and they didn't want to be disturbed. And so having an awareness of that, I think is what you're trying to teach us so that when we, make a change where we are and be an influencer rather than a teller. And don't use the telling strategy.   0:36:54.2 BB: Yeah, no, it's... Exactly. It's, um, I had a VP of HR once pulled me aside and he said, "what's your vision for the organization?" I said, "don't ask me." I said, "ask them, ask them." I said, "it's not what I want" is, and this is, I told another group of people I was mentoring. I said, something like this. "I'm not gonna be here forever." 'Cause they're saying, "well, what should we do?" And I said, "my question to you is what do you want to happen?"   0:37:36.3 BB: And what was so amazing when I shared that with this one group, a couple of days later, two of them sent out an email to a bunch of their peers with announcing some opportunities. And I had tears in my eyes. I was reading it on an airplane. I was at LAX and looking at it. And what blew me away was, they didn't call me up and say, Hey, we have an idea. They just went out and did it. They became the change they wanted to see amongst their peers. And I was just overwhelmed with it all. All I said to them, is that, "what do you want? What is it that you want this place to be?" I said, "it's not what I want. It's what do you want?" But the other thing is I'll share some great wisdom from Edward de Bono. And this is the book, Handbook for the Positive Revolution. You can buy it on Amazon for probably 5 bucks. And the original copy, I'm told, this is not an original, it has a yellow cover, and there's significance there that I'll come back to, but what somebody told me is the original book not only was the cover yellow, but all the pages were yellow. Well, yellow in the Edward de Bono world is associated with one of the six colors of his so-called Thinking Hats, and yellow is the Logical Positive. Your ability to explain the benefits of something. Not your gut feel, which would be your Red Hat, but your Yellow Hat is saying, I can articulate the benefits. The Black Hat is the Logical Negative, I could tell you all the weaknesses.   0:39:29.8 BB: So this is coming from that place of yellowness. So the book came out, and I got it for a bunch of colleagues in our InThinking transformation community at Rocketdyne early on. And the introduction, Edward says, "this is a serious revolutionary handbook. The greatest strength of this serious revolution is that it will not be taken seriously." So when I'm reading that, I'm thinking, "what?" Then he goes on and he says, "there is no greater power than to be effective and not to be taken seriously." That way, Andrew, you can quietly go on with things without the fuss and friction or resistance from those who feel threatened. And that was so invaluable to our efforts is, if people don't take it seriously, fine. 'Cause what Barry talked about is, he said, "for every proponent," as you're trying to get this message to the Cloud, he said, "for every proponent, he'd say there's nine opponents." So they're out there. So as I'm trying to get my boss smart, you've got this. And I come across Edward's work, and he says, you just take it in stride. You just try not to be dissuaded. You get up every day and say, what can I do? And how do you get to the Cloud?   0:41:14.2 AS: Bam. Well, Bill, on behalf of everyone at the Deming Institute, I wanna thank you again for this discussion. And for listeners, remember, go to deming.org to continue your journey. And if you wanna keep in touch with Bill, just find him on LinkedIn. He's there. This is your host, Andrew Stotz. And I'll leave you with one of my favorite quotes from Dr. Deming. People are entitled to joy in work.

On this episode of Trippin With Bondzee I sit down and chat with an awesome Canadian Band out of Ontario, Canada called A Short Walk To Pluto. We discuss how they got started, what they are up to now and their upcoming tour in the USA. Check them out on all streaming services. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan's story helps highlight why fitness of all kinds is so important for band directors, and will help you avoid the traps many have fallen into. Recordings help demonstrate some great literature you can play with your band from Canadian Composers - Ryan Meeboer, Matt Neufeld, Bill Thomas, Kenley Kristofferson and Pete Meechan. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast  Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support

Guest host Bruce Claggett talks to Ji Yehia, lead vocalist and guitarist for Roadwaves Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we are joined by international recording artist, Jennifer Alvarado!JENNIFER ALVARADOJennifer is an international Recording artist that splits her time between North Carolina and Nashville. Her music has currently been streamed over a million times on Spotify alone. her first project titled, “Hello LIfe,” was released in 2015, and consisted of 13 original Contemporary Christian songs.She returned to her country roots with her single “I Break Things” in February 2020 and released her country EP titled ''Playing with Fire'' in April 2021. she is currently working on the second installment of her Project “Songbird”. Part One was released in July 2022. Her music has a country sensibility with a pop current running through it. Her voice is smooth and passionate with a sweetness and power that merge seamlessly into satisfaction for the listener. Her sound is a mixture of country, pop and blues that reflect an eclectic blend of influences.She was named ''One to Watch'' by Nashville Songwriters Association in Spring 2021 and 2022. She was Named the “2021 Country Artist of the Year” by Indie Star Radio. Her song “Curious” was a finalist for “best pop song” by “WSA” and won “Best pop Song” for the winter 2022 indie songwriting awards. Her song “Rock this way” was awarded “best pop song” and “best overall song” for the spring 2022 indie songwriting awards. In 2022, She was nominated for five international singer songwriter associations awards including “Female vocalist of the year”; a Josie award for “best Female Music Video”; and a carolina music award for “country female vocalist.” Her DUet “Starz Collide” with Canadian Band, The Whyhouse, was Named “Best Duet” by the 2022 indie Songwriting Awards in Summer 2022. And Her song “amazing love (Psalm 23) was recently named “Best Christian Song” for fall 2022.She Can Currently be heard on Country Radio Stations throughout The Carolinas and Surrounding States.******Roger the Wild Child Show: Nashville is streamed live every Wednesday night 9pm ET/ 6pm PT on Facebook, YouTube and Twitter. The show is rebroadcasted on 20+ different podcast platforms. Each week they talk with up-and-coming artists, legends of country music and other influencers to the Nashville scene. Roger is joined by co-hosts Megan Bennett, Patrick James and Kristen Kae.  Wanna know what's the nitty gritty from music city?  Elise Harper has your Nashville Music News! Check out the video/audio podcasts and the rest of our linksLinkTree https://linktr.ee/wildchildradio

Title: That's Grammy shit!Welcome to this episode where we dive deep into The Tragically Hip's album, Up To Here. Join us as we discuss the band's growth, refinement, and southern rock influences that make this album a memorable piece in their repertoire. We'll also explore the impact of producer Don Smith and the impact this record had on our friends Pete and Tim.In this episode, we examine standout tracks like "When The Weight Comes Down," as well as the storytelling prowess of Gord Downie in songs like "Trickle Down". We'll also delve into the possible connections between The Tragically Hip and heavy metal bands like Metallica.Join Pete and JD as they share their thoughts on the darkness found in different parts of Canada and how it influenced The Hip's music. Don't miss this exciting journey into the world of The Tragically Hip!https://ratethispodcast.com/ghtthChapters:- (0:00:00) - Getting Hip to the Hip- (0:10:52) - Tragically Hip Album Review- (0:27:13) - Analyzing Two Songs- (0:40:10) - Tragic Hip Music Storytelling- (0:52:59) - Review of the Tragically Hip's Album- (1:06:56) - Canadian Band's Dark Songwriting AnalysisKeywords: The Tragically Hip, Up To Here, southern rock, Don Smith, album review, Gord Downie, storytelling, Metallica, Canada, music influencesLive tracks featured in the episode:Blow at High Dough - Barrie ON 1990Everytime You Go - London ON 1989Transcript0:00:00 - Speaker 1We're now one episode into this grand experiment, and I'm not sure if we've learned anything concrete at this point. I think it's safe to say that the EP surprised Pete and Tim. Going into this, they were under the impression that the hip is a very special band with cultural significance, and the whole nine and Then their first foray into said music Gave them werewolf baby. Now, before you go sending me nasty emails, know that in my heart the EP has a charming place on the mantle. I wouldn't hide from the music on the EP, nor, however, what I seek it out. Now, though, we move on to a more honed and refined version of our bar band. from Kingston Up to here is a taste of the South, delivered on the backs of songs that have stood the test of time, Produced by a famed knob turner, Don Smith, who had previously worked with the likes of you, to the traveling willbaries and Keith Richards, to name just a few. At any rate, let's just say, the hip picked up what Don Smith was putting down, and together they birthed the classic. That's what I think anyway. What, though, will our friends Pete and Tim think of up to here on their first listen? Let's find out in this episode of getting hip to the hip. 0:01:25 - Speaker 2Long sliced brewery presents getting hip to the hip. 0:01:35 - Speaker 1Hey, it's JD here and welcome to getting hip to the hip, a tragically hip podcast. I'm here, as always, with my friends Pete and Tim, and I want to ask them right up front How are you doing, boys? 0:01:47 - Speaker 3Doing well, doing great. It's Monday, Monday morning in Portland and there's frost on the ground. 0:01:52 - Speaker 1Oh, Really not here. 0:01:54 - Speaker 3Yeah, Yeah, Oh, no, no. 0:01:57 - Speaker 5Molly is. it's Monday night in Malaga and You know it's a thunderstorm right now outside, so I hope my internet holds up, but It's getting chilly. man, We're definitely in the winter, That's for sure. 0:02:12 - Speaker 1Oh god, What does that mean? like 20 degrees. 0:02:16 - Speaker 5It's, it's 16 right now. You know that's. Oh I'm trying for you. 0:02:21 - Speaker 1What is it here right now? It's four. 0:02:25 - Speaker 5Oh god man, No thanks Geez. 0:02:31 - Speaker 1I'm a hardy Canadian, for four is good for this time of year, for is like your coat's unzipped and you're drinking a stout. 0:02:38 - Speaker 5I can't drink those stouts here. Let me tell you, man, I'm sticking a light beer, That's for sure. 0:02:43 - Speaker 1Oh, yeah, I'm, yeah I'm, I'm well into the stouts, That's for sure. So up to here, I believe it's recorded in Memphis. I'm gonna double check that right now. Yep, Memphis, Tennessee, and it's got that sort of muddy southern Field to it. you know it's like a well, It's like a well-worn in pickup truck. you know it's got some, it's got some mud on the sides, Really comfortable to drive. That's what this record is and it comes on the tail of their 87 EP. But in those two years the growth to me anyway seems Market. you know, like there is a market growth in terms of, you know the songwriting and the songwriting, The lyrics in particular. but the but the content, you know is is just a little more Worn in like a great pair of jeans. What do you guys think, Pete? Wow. 0:03:43 - Speaker 5Well, you said something in beginning of the Of your kickoff and it's really hard, because I wanted to make this note, because I know that you, there's probably some pretty hardcore hip fans listening to this. so, given the Yeah, given the fact that there's only a week to To listen to these, to really dig into them, you know, I'm just, Basically, on behalf of Tim and myself, begging for forgiveness. you know, don't send hate mail because it's, it's, It's tough, like it's. I know Tim is really a solid music connoisseur, Probably well more than I am, and you know No, but you know he's, he's pretty thoughtful, But, but, but I thought about it too. like, like bands that I really love, like God man, What would I, how, what would my reaction be for listening to two jokers Who never heard this before and have a week to listen to it? you know what? what would they? You know what I'm saying, Tim, Do you do? JD, Do you feel me like I? 0:04:49 - Speaker 1I feel like there's daggers toward us, you know first of all, Pete, at getting hip to the hip. calm is where you want to go with your complaints about. No, I'm kidding, but You got to think in terms of context. here everyone gets the conceit of the shell. people got this record, people got their hands on this record And they got to sit with it for a year before the next record came out. 0:05:15 - Speaker 5So yeah, yeah, you know, Just asking for forgiveness, but all in all, to what your your your. your point was JD, I mean I did. I know we're gonna go song by song, but I just want to say I I started off with this record. This is kind of the same way I did the other one, the last EP. first I started off on my computer, was not feeling it Pop the pop the earbuds in, went for a run with it, Really started to warm up to it and then I took it out in the car and and JD, you've been in my cars, You know that's got a premium audio sound system in it Yeah and oh man, Oh man, It is. I want to walk into a roadhouse somewhere in Memphis and this band's playing and just whoo, there's a lot of crunch man. Oh, I dig it. I got lots to say, but I'll send it over to Tim. 0:06:10 - Speaker 3Well, I had a similar Reflection. I was talking to my wife the other day and about the band and I Said or you know what if my favorite band was in a podcast, someone else was reviewing it, and What if they didn't like it? What if they loved it or what have you You know in either way? I thought, well, hopefully, if I, you know, if I'm an open-minded Pod listener to my favorite band, Hopefully it would be entertaining, Hopefully it'd be funny to hear these Two schmucks talking about what they think you know and with without much background at all. It's kind of like what I said last time without you know, ever trying a certain type of food. It's like, oh, my god, okay, Let's do this. but I am with this album. I, Yes, I started it in the car and it just seemed like really good road trip music. I totally concur with you, Pete, about it being in the boss, in the car Felt like road trip music, felt like, you know, I wanted to drive to go see a show or go see a show by them. Definitely worked in the car. listen to it at home a fair amount, I think. in general it feels, and no production value. definitely more polished Than the last album we listened to totally. yet You get very familiar, like the storytelling is still there, right? The song structures changed a little bit but like the. the DNA is definitely still there. Compared to the last album, Yeah, it's like pinnacle. 0:07:51 - Speaker 1Top perfection bar rock. Yeah, I heard, You know. 0:07:54 - Speaker 3George Thoreau, good like guitar. I just heard this bluesy rock and roll bar Kind of just awesome riffing and I you know, now that you mentioned it, Being in Memphis, I just absolutely heard some country Wow kind of rock and roll tones in there. Oh, that's big time, big time, Elvis, you know there's, There's definitely some of that in there, from Memphis for sure. more so, much more so than the last album. 0:08:25 - Speaker 1Interesting. So, experience wise, did you prefer this record to the last record or not? or where were you there? 0:08:34 - Speaker 3For me. I kind of likened the last record as a pizza with the works, like where is this going? kind of thing. Throw it all together and see what we get. and this one is for sure an evolution. So I would say, sure, I like it more. but it just to me also just feels like an evolution and I'm curious. I was describing it to a friend, and actually to my wife actually, and she was like it sounds like it's just going to get better And I said, well, I definitely hope so, As we listen. 0:09:11 - Speaker 1Yeah, well, I mean, that's what makes this interesting to me getting your first listens in on these records that were seminal to not only me but to a great swath of our country and places you know near and far. I am curious whether the evolution continues for you, And I think that that's going to be fascinating as we as we roll into things. So, Tim, thanks for that. Now, Pete, what have you got in terms of last questions or comments on this record, Or do you have any? Let me know. 0:09:55 - Speaker 5Oh, there was one question I was going to ask you to JD Diamond status. Yeah, So that's Canada's version of platinum, But I'm curious to know why they have that different status. when, for example, if you have the Stones or the Beatles who are from the UK, does the UK have a different? 0:10:21 - Speaker 1I don't know if they have a different one. I've never heard if they have a different one. I know that you guys have diamond, like America has diamond as well. 0:10:28 - Speaker 2It's 10 million copies. 0:10:29 - Speaker 1Yeah, it's 10 million copies. 0:10:31 - Speaker 2We do. 0:10:32 - Speaker 1It's 10 times what we have. So diamond in Canada is one million and platinum in Canada is 100,000. Okay, I see, And it jives out because America has roughly 10, 10 times the population. So, you know, 100,000 and a million. What's interesting, though, is the province of Quebec, which is, you know, I think, 11, 10 or 11 million people. they have artists that have, in the past, consistently hit platinum status, or diamond status, rather, with 100,000, pardon me, a million copies of a record, which is staggering, You know, when you figure, the rest of Canada has a difficult time putting together a million, a million sales in records. Now, this is all off the table, now that we don't sell records anymore, But back in the day, this was a, you know, a big marker of things. So, yeah, you have Quebec. that just is, you know, able to market themselves to. it's because they can put up stuff in French and they can, they can. you know they have access to that audience. 0:11:52 - Speaker 5That's crazy. Yeah, it was a lot of questions. 0:11:55 - Speaker 1What were you listening to in 89? Do you remember Either of you guys? 0:11:59 - Speaker 3Yes. 0:12:00 - Speaker 1Where are you at? 0:12:02 - Speaker 3I was senior in high school. 0:12:04 - Speaker 1Yeah. 0:12:05 - Speaker 3Yeah, it was everything from Southern California punk rock. Yeah, we had a lot of local punk rock going on and we had you know friends in punk rock bands But you know kind of flip the rock and roll coin. I was also listening to like, oh, a lot of new wave, Holy cow, a lot of new wave kind of influence for my sister And that's everything 80s new wave. And then also I was for a period there like a big fan of the cult. You know I like Epic Guitar. I don't always need it, but I like a band that has you know back bone drum bass, blah, blah. but I love a great guitar player And the hip has definitely some guitar going on. 0:12:54 - Speaker 5Yeah, 89. 89, I was. I was I'm a tad younger than you guys, but 89, it was coming out of like some late stage Steely Dan and and Huey Lewis sports was just, I mean, God damn Nice. I don't think there was a bigger album and we talked about that last week. you know some Huey Lewis vibes in there And then you know, I just feel like I went right into. you know Guns N' Roses and the Motley crew of that time before getting thrust into. you know 90s grunge, like everybody else did with Alice and Chains and and and you know Soundgarden and eventually Nirvana. 0:13:45 - Speaker 1I was a big Pearl Jam guy, That was kind of where I was at. Okay, Yeah, I was a Pearl Jam guy, and but that was later. That was, you know, into the 90s. Back in 89, when this came out, I was listening to hair metal. I was straight up listening to hair metal And I recalled, on the intro, the cold open of the first episode. you know, when I heard the hip for the first time and the impact that it made on me. you know, in spite of the, the garishness of the hair metal that I was listening to, there was something that I really liked about this pickup truck band from Kingston, And you know there's a lot to like on this record for sure. So what do you say? we get into it and attack this sucker track by track. Yeah, good to go, man, All right, So we kick off with Blow It High, Do Welcome back and welcome back to CFY's fourth annual Canada Day Festival for Canada's 123rd birthday. 0:14:54 - Speaker 4We're at very Ontario half the time of our lives. Believe me, this band is going to be very, very hot. We'd like you to listen now to Tragically Hip. He's a rapper like Tizorim, never like the stars To throw some passion, throws a passion in some. just bring him on. We're so close, the best that we get to listen now. But you can't look me in for the smile of your eyes. the further it's gone, the higher I go. And if I'm high I go, and if you blow the cry I go. Maybe I feel fine, I'm pretty, just genuine. It makes no sense. it makes no sense for a track to be unified And if I'm hip-sick you should leave it high. It was the strangest thing. I should move so fast, move so fast in the better way I pray Sometimes, the best that we get to listen. now you gotta remember the smile of your eyes. the further it's gone, the higher I go. And when you blow the cry, I go. Now that the speedway, the same evidence, the same. Well, I ain't no movie star but I can give it hand in a thing In the better way I pray Sometimes, the best that we get to listen. now you gotta remember the smile of your eyes. the further it's gone, the higher I go, And if I'm high, I go. Yeah, I'm gonna fly, I go, Gonna fly, I go, I fly. Now that the speedway. the same evidence, the same evidence. 0:19:25 - Speaker 3I mean to me that just crushed it. as the first song, It just hit the ground running, which I love. I'm really into checking out song orders and there was a while many, many, many years ago, I was hoping to be a fan of song three. There was a cadence to some albums that I really enjoyed and this song as a song one it was super good. This is kind of where I mentioned hearing guitar licks that you'd hear from George Thurgood or you know. it was very kind of smithereens, Tom Petty friendly in that way. Some of the lyrics like oh, what do I have? Don't get ahead of yourself. or faster it gets, the less you need to know. I love that line faster it gets, the less you need to know. It's like, just keep the momentum going, And that's also a song that was awesome in the car. 0:20:21 - Speaker 5Well, I mean, yeah, I mean, what a fucking banger of a first tune, The slide. I had the same thing. I very much got some Thurgood tunes or vibes in there, The way the song starts out, I think, with the drums and then a little crunch guitar, and then that in my notes I wrote down the layers, the way they layer the song into getting it, getting the ball rolling, and it just from no disrespect to the EP, but leaps and bounds, recording quality wise, just production, leaps and bounds. It was just. 0:21:00 - Speaker 2you tell me like well, this is going to be a fucking record. 0:21:07 - Speaker 5I was very excited from that first track, Absolutely All right, We'll stick with you and move into. 0:21:13 - Speaker 1I'll Believe in You or I'll Be Leaving You Tonight. 0:21:17 - Speaker 5Which it took me a minute to get the play on words there. I know I'm a bit dense, I'm a blonde, You can't see that for just you listeners out there, But the riff in there is just so catchy I think. at first I was like, oh, this is like a typical late 80s riff and I'll make that reference a couple of times for a few songs here. But the more I listened to it I was like I want to try to play that. I took out the guitar and I was like, oh, that's cool man, It's just cool, It's cool to play and it sounds cool And I can imagine playing it back in that time I mean, if I was alive in that time. it's just like I don't know. I'm sorry I'm trying hard time, particularly myself, but it's a really love that jam. 0:22:11 - Speaker 1We're not rock critics, so we're people who are telling it like it's Oh, yes, we are. Oh, I forgot, Put your quill away. What did you think of this one Lesser Bangs? 0:22:26 - Speaker 3Yeah, it's kind of a little bit of a similar feel. It was cranking in the car really well, I found myself I didn't know what to call it I was doing the chin back and forth to the cadence of the song. It was like kind of reminded myself. I was like I'm doing kind of the chicken thing right now. Just have this good tempo. The two minute mark around then is when Gord starts kind of talk singing, as he does sometimes, And then it moves into, as Pete mentioned, the big guitar riff. And I enjoy when the structure changes up a little bit. I think the last album I felt like there was more consistency and structure which made me lose my interest a little bit. So I like it when the tempo changes or there's like a build up, slow down, build up. you know This had a good speed to it. There's also definitely some country music influence in there. I mean, I could hear it right away. 0:23:34 - Speaker 1That's so interesting to me. I'd have to listen really hard to hear to find country in there. 0:23:41 - Speaker 3But if you listen to some, yeah, some old school kind of country and it just reminds me of, like, the era from when Elvis started to go a little more rock and roll, Like it. just it's very Memphis. It's definitely influenced by the region, I feel. 0:23:58 - Speaker 1All right. the next track on the record is another single from this record. It's probably one of the songs that if you do meet somebody that knows the Tragically Hip, they might know this song. 0:24:11 - Speaker 3Okay. 0:24:11 - Speaker 1It stands. you know it stood the test of time in their live set Throughout the nineties. it was a fertile place for them to play when they played it live. It was a fertile place for them to jam inside of and introduce or workshop new songs. So you'd get like a record two years down the road from a time that you saw them live and there'd be this worked out song. But you'd hear this rough you know this rough lyric phrase or a lick that maybe is familiar on a record two years down the road. It was such a cool little thing to hear them. you know, jam these songs out and you'd go see them. I would see them like multiple nights in a row and it would be different, Like it wasn't, like they were just fucking around and like it was spontaneous and it was very storytelling and yeah, So I'm talking way too much here. This is your show. New Orleans is sinking. 0:25:12 - Speaker 3Yeah. So you know, I'd love to hear a version of this song where they take it longer or they jam out it and or something like that. because first listen, you know the story is actually pretty doom and gloom sounding It's. you know it's kind of about maybe giving up, I don't know. It just felt like, you know, there was some dark, heavy thoughts in there and then it felt just as as a song on the album. it felt a little bit filler to me it was more staple. it was more regular hip. It just like had the typical structure I've heard thus far Wow. So I didn't think I loved it. That is fucking awesome. I like the idea of the song, but it just felt kind of like, okay, this is a, this is a song. three hip, hip song. 0:26:05 - Speaker 4No No. 0:26:07 - Speaker 1Oh wow, It'll be interesting to hear if this change. I hope so. 0:26:13 - Speaker 3Yeah, yeah, yeah, yeah, Yeah. No, I want to hear, I want to hear more versions of it. 0:26:17 - Speaker 1Yeah, you should. 0:26:18 - Speaker 3Like I was saying, like it was songs have some, have some change or cadence change or an up and a down, and this just felt like, okay, this is song three. What are we going to do for four? Oh wow, Sorry, hip hip fans who have that as a moment, It's not mine yet. 0:26:36 - Speaker 5Well, I'm going to read from my notes to, but before I do, real quick, I got to say this song just by the title and the way that it started. I got this really weird feeling and I'm going to indulge me for just one moment with a story I remember when Hurricane Katrina hit in 2005. Tim, you remember, I mean JD. I don't know if the news of it was as big in your neck of the woods as it was, Oh yeah. 0:27:05 - Speaker 1It was huge, It was huge. 0:27:07 - Speaker 5But the night the hurricane made, you know, landfall, so to speak. I remember listening to a guy. you may or may not have heard of him. He used to do some something called Freeform Radio. He's the godfather of Freeform Radio. His name is Jim Ladd, Nationally syndicated, but he's from LA, and I remember smoking weed on my patio there and he said ladies and gentlemen, this is going to be really bad. It was before like the hurricane even made landfall and this is going to be really bad. And he started. the song he played was When the Levy Breaks by Led Zeppelin And it was just really dark and haunting. So I got that same vibe when I started listening to this song and I was like, like Gord's fucking vocals on this are up into this song. from everything I've heard from the EP with the most extreme, in my opinion, just the most range, the most talent. Like if I was a record producer and I'd heard this as a demo, I'd be like sign this fucking band, this guy's off the charts. There's a mention of somebody named Colonel Tom in the song And I don't know who Colonel Tom is. JD, if you got a line on this, let me know. But my initial thought was go ahead, Tim or whoever knows. No, you tell us your initial thought. My initial thought was it was a David Bowie reference to Space Up, but I could be wrong. 0:28:49 - Speaker 3I just read two references. One was just, it was about the North versus the South. you know, some war back then, back then. But then I also read a reference said that it had to do with Elvis's manager, which made me think, okay, yeah, Colonel Tom Parker. So I think that's what it ties to in Memphis and all of that. 0:29:10 - Speaker 5That makes sense. 0:29:12 - Speaker 1Yeah they talk about. this is like Gord's first foray into writing most of the songs. He's handling most of the lyrics, but not all of the lyrics. And why am I saying this? Oh, because they talk about his notebook. He was notorious for having always having a notebook on him and just writing down phrases. And you know, like he would write full lyric, full lyrics or stanzas or whatever. But even if he heard something that he thought was cool, like a cool turn of phrase, he would write that down. So maybe it was even, you know, like Colonel Tom from Memphis, and that's literally the only thing that's relevant about that lyric is that one individual moment. You know it might not be the story of the rest of the song, you know. 0:29:59 - Speaker 3Sure Yeah. 0:30:01 - Speaker 1I don't know though. Yeah, Colonel Tom Parker. That's what I've always thought. 0:30:05 - Speaker 5Good, What a song, though, man? What a fucking song. I mean, it is just chock full of dirt, you know. 0:30:13 - Speaker 1It's a dirty song, right It's yeah. It is Dirty, Dirty, It's mighty yeah. 0:30:18 - Speaker 3You know it's, it's. I just thought it was also. yeah, I agree, I agree, I just yeah, let's just. 0:30:24 - Speaker 1There's other tracks that you like better. That's cool, That's totally cool. It's not. it's not on my top 10 list, So. 0:30:30 - Speaker 3I'd like to hear other versions of it maybe other live versions of it and see how they can do it Me too. 0:30:36 - Speaker 1It became a staple. for sure, It was a. it was a staple. 0:30:38 - Speaker 3Yeah, That's. that's exactly what my take of it was. 0:30:42 - Speaker 1Whereas the next song was not so much a staple Early on, it was, but it didn't live on in the set list for forever. but it's a great example of Gord, you know, sort of weaving a yarn here and telling a story and using actual Canadian history but giving it a unique spin. So you know, he's playing with things a little bit, but he's telling the story and then he makes it about his own family. What do you guys think of 38 years old? 0:31:14 - Speaker 4I've got my name in administration So People leave. don't have people left, nothing to feed. The last thing they wanna do is hang around here. Most of came from town from long French name, But one other dozen was a hometown shame. Same pattern on the table, same clock on the wall, Been one seat empty, 80 years and all Freezing slow time, away from the world. He's 38 years old, never kissed a girl. He's 38 years old, never kissed a girl. Music. We're sitting on the table. heard the telephone ring. Father said he'd tell him if he saw anything Other type from the window in the middle of the night. Held back the curtains for my older brother, Mike. See, my sister got a ring. so a man got killed. Love for which prison man's buried on the bill. Folks spend back a normal when they close the case. They still stare at the shoes. in the past, our place, Music, Music, Music. My mother called. the horror finally ceased. He whispered yeah, for the time being, Natalie, No, but show the squad, come make a phone. Said let's go, Michael's son, we're taking you home. Same pattern on the table, same clock on the wall, Been one seat empty, 18 years and all Freezing slow time, away from the world. He's 38 years old never kissed a girl. He's 38 years old never kissed a girl. He's 38 years old never kissed a girl. Music, Music, Music, Music. 0:35:03 - Speaker 5Music. It's crazy. so I ended up this above all songs. I ended up doing the most research on, Started researching the prison and there was a guy who was shot there years ago And his last name was Trudeau and I was like, was he related to the prime minister or what? Like all this weird miraculous rabbit hole that I went down. But getting back to the song, I got to be totally honest with you. So I know you guys feel me on this. when you look at like records during this time that came out, You'd have the first one or two to three songs will be just these fucking bangers. And then song four just you look in the structure of the record is going to bring it down a little bit. It's kind of like, okay, everybody relax. you think about it like even playing a live show. That's just the way that the records were made back in the day. And I start hearing that and I'm hearing this song come in with the guitar And I'm like, oh, this is man. those first three songs are fucking bangers. And I'm like, no, they're just going to be this fucking cheesy. yeah, just, you know, Give me some acoustic, a little bit of love, whatever. And I got to say this is probably my favorite song in the record And it took some evolution on my part because first I started digging in the lyrics And I was like you know there's rape prisoners, murder, like all this crazy shit, And I'm like what the fuck is going on here. And then you know ultimately just the song itself, like the melody and everything involved, Which is it's just. it's a I probably my favorite song in the record. Sorry to spoil your alert, but yeah, loved it. loved it. 0:37:00 - Speaker 1It gave the record legs. I think this is the fourth single from the record, Maybe the third or fourth single. So there were four singles on the record and I want to say this is the third, But it might have been the fourth, so gave it some legs as well. 0:37:13 - Speaker 3Favorite song. I'm just confirming 38 years old favorite song. 0:37:20 - Speaker 5On this record. Yeah, I just think it's really 38 years old. was it never been kissed, never made love? 0:37:31 - Speaker 3Yeah, all that, yeah, Never kissed a girl. 0:37:35 - Speaker 5Just, I don't know man, I feel like and this is crazy, I can't believe I'm going to say this And I'll probably be if you kick me off this podcast after what I'm about to say. I totally get it, But a lot of hip lyrics, especially this song about something historical. I really get some Gordon Lightfoot vibes from man. 0:38:02 - Speaker 1Hey, there's nothing wrong with that. 0:38:05 - Speaker 5You know same name, I guess, but you know, I don't, I just and that guy I fucking fucking loved Gordon Lightfoot. If you don't like it and you want to kick me off the podcast, be my guest, That's the hill I will die on. 0:38:16 - Speaker 3We'll keep you. I think I thought, okay, this is some more kind of dark, gloomy storytelling And I feel like I, you know, on an album, I don't need too much of that, I don't need a lot of that, and me personally. And I also thought, okay, if I'm at a hip show, Some dude next to me is like yelling for this song to be played. I think that's a little weird. like when would they play this song at a live show? It's just like, it's just a little much. you know, Maybe Gordon knew that in the future, true crime would be a thing. you know, podcasts and TV shows and everything. Because it just feels like I mean a song about rape and killing. It's just like how many times you need to hear that? I don't need to hear it very many times. So I thought it was super heavy and you know the same thing Like lyric just too much. Yeah, storytelling is just a lot. you know, maybe I'm too sensitive or something, But I was like, yeah, if I'm at this show with my girlfriend and some dude just keeps yelling to hear this song, we're gonna move. 0:39:24 - Speaker 1I've always said that the hip is really funny with their, because I came from the same school that Pete did With. you know especially heavy metal where it was like banger, banger, banger and then like ballad. Yeah, the ballads would be where you would slow dance and you would make out on the dance floor, you know, after you were head banging and stuff like that. And I just think the tragedy hip does the same thing. they do two slow songs or two ballads on every record, kind of thing ish. But the subject matter is never something that you would want to slow dance or make out to Like. it's always fucking heavy, heavy shit And really when you think about it it's like C, G, D, A minor on an acoustic guitar. you know it's like a three or four chord song that fits in the realm of those heavy metal ballads. But then you put that story about family over top of it and it's like Jesus Christ, this is unreal, Yeah, and you know it overall just comprises them into this epic band that can go there. 0:40:33 - Speaker 3Like not many bands even do something like that lyrically or with storytelling, you know. So, you know it's so. part of me was like, okay, what makes me feel uncomfortable about this? Because I appreciate the music and all the effort and creativity. you know, it's like it's because bands don't really do this often Sinister type storytelling. maybe I know a person or two who kind of fits this mold of a character a little bit to a degree. you know it's just like, wow, okay, What's the next song for me? 0:41:07 - Speaker 5The song when I heard the guitar start and I got to tell you JD I don't know if I told you this, I know I didn't mention this to you, Tim, But the very much got some, you know, with those, those that rock ballads and nothing else matters, vibes from Metallica. And growing up in Downey, where I was born, you know, James Hetfield went to my high school, so, like you, you if you weren't a Metallica fan like you, Or you could be excommunicated from the city. like everybody was Metallica fan Like you. just you just weren't not, you know, a Metallica fan. and getting to Tim's question about why or you, JD, you said why the hip never. I mean it's the eternal question why the hip never broke through. You know, here you got this ballad that everybody's expecting to like dance to at a concert or whatever. but then there's lyrics of, like you know, rape and murder and stuff like they did. they did went outside the box, And that's kind of cool, because not a lot of bands do that Exactly. And so like they sacrificed the ability of being, you know, the ability of of fame or whatever it may be, to have to be a fucking cool outside the box band. I don't know. that's my view. 0:42:36 - Speaker 3Well, there's some also, like I was trying to say, there's some artistic merit to it. you know if, if not, a lot of bands go, go there with something. I mean I mean at the same time, era, late 80s. it's not like Morrissey wasn't talking about doom and gloom with Smith or the Cure or something. I mean it was right there, right in there, but I don't know when it. for me it just hits differently when it's comprised of the sound formula that the hip have, and there he's just like letting the listener have it with this character, and it's just guitar driven rock and roll, it's just. 0:43:13 - Speaker 5It's like a preacher that's telling the congregation like, like he's saying some, some shit to the congregation that, hey, you may not like what you're about to hear, but you're going to fucking hear it whether you like it or not. 0:43:25 - Speaker 1Exactly, I don't know that's. 0:43:27 - Speaker 5does that make sense to you, Tim? 0:43:28 - Speaker 3I mean, that's kind of the way I'm going to provide for you, For sure, for sure, yeah, yeah, yeah, I'm not going to jump the gun, but I kind of had a similar, you know, mindset, feel from the next song. 0:43:41 - Speaker 1Well, let's go into it. she didn't know. I was going to say it's sort of dark too. you know it's couched in this blues, bass, lick sort of thing. you get a nice groove in the back with the bass and the drums, but then those lyrics come in and it's like man, yeah, this is some more broken hearted, dark shit. 0:44:10 - Speaker 3At the same time, it does have this groove to it. there's almost this like I don't want to say pop, but there's this, there's this beat to it that is a little bit different than the other songs. it's I don't know, it's it's Interesting. A little bit different but there's like yeah, yeah, exactly it, it, it. to me it ties a little bit more back to the overall feel, not conceptually with lyrics, but from blow it high to like there's a drive to it, there's a good. it embraced me more just musically in the song it's, it's, it feels like a good sing along, like I could hear the song on the radio driving across Canada. 0:44:51 - Speaker 1You do, I'm. I'm very curious why it wasn't a single it's perfect length for a single it's. it's three minutes and 30 seconds. you know it's, you're in, you're out. there's a nice bridge. you get a little bit of silliness. maybe the subject matter, I don't know, but 38 years old, was a single, so yeah. so what do you got? 0:45:12 - Speaker 5Well, I kind of, you know, just sticking with what Tim said, you know the amount of tragedy fitting with the name of the band involved in the lyrics. I really think, because a lot of the, a lot of the sound that that that Memphis, correct, it was recorded in Memphis. Yeah, that that vibe is just, it is consistent. I mean, I feel like if you asked me where do you think this record was recorded, Pete, I probably would have said Memphis, if I, if, like you, had a gun to my head and I had to guess, just because this the overall sound of it. And one thing I noticed really strangely and I don't know if you got this too, Tim JD, you may have noticed this listening to it so many more times, but moving from the end of this song into boots or hearts, there's a vinyl crackle. there's a tape crackle and and maybe the hardcore hip fans will get this. So at the end of she didn't know if the song ends with like a tape crackle and then the begin. it's something you don't, at least I didn't hear on any other songs. you hear a tape crackle at the beginning of boots or hearts. 0:46:39 - Speaker 3I heard it. 0:46:40 - Speaker 5I know you're talking about you know I'm talking about it, just I heard it. 0:46:44 - Speaker 3I heard it on my, on my sono speaker. I heard it and I went back and replayed it and stuck my ear over there. I was like what the hell is that sound? I mean, I'm familiar with what that sound is but yeah, I thought it was like coming from outside or something because it wasn't on any other tune and I was like right right. 0:47:03 - Speaker 1I think if you did it on more tunes it would take away from it, but to me it's. to me it's like just an accoutrement. that's like there to remind you that this is rustic, this is, you know, this is coming out on CD, but this should be, you know, like vinyl was. vinyl wasn't as popular in 1989 as cassettes and CDs were. CDs were really just emerging, but cassettes were like huge but it was still recorded on tape, I would imagine yes, yeah, yeah, yeah for sure, for sure yeah so you add a little bit of that into it and it's like you know it makes it sound more like authentic. 0:47:41 - Speaker 3I don't know, that's just my, I mean back back then you know BC boys were doing some like needle-hitting the the disc sound to start off songs. or you know, back then people were take starting to take other sounds as the beginning of songs or even ending songs or whatever. so I think it kind of it fits, definitely fits for 1989 let's go to boots, baby there's a line in there. 0:48:06 - Speaker 5I don't know if there's one line in that song that gets me anybody. anybody want to throw a guess out there? I don't know. no, Tim. Gady, no, okay it's even babies raid raised by wolves. know the wind, he's just like what? 0:48:24 - Speaker 3yeah, man, dude, that was the second wolf, the second wolf reference earth song. right, you know for sure there's more to come imagine what it will. 0:48:36 - Speaker 1hardcore fan I'm not joking, there's more to come these f**king douchebags man this song to me it felt really long. 0:48:46 - Speaker 3that it was not long and it felt like a little more country than the last ones. definitely, you know boots or hearts come on. you know it's like okay, is this the crossover song to the south of the United States to get more fans? yeah, I just the lyrics was a single yeah, for sure, I can't imagine a single, but it was a single who was managing these guys at the time who were like we got it, we got it, we got, at least get the south, because if you get the southern belt of the US, that's like that could be a business, you know so yeah, when I heard the song, I was like, oh yeah, I get it. they were after something here and it seems very it's too much more country to me, so I just kept moving well, if you know, you also have to think too like. 0:49:35 - Speaker 5I don't know how long the recording process took for them, but if you're, you know you're Canadian boys. from where, what? which province are they from? JD? 0:49:45 - Speaker 1they're from Ontario, so they're from where I am, about two hours, about two hours east of where I live. they live in King. there, they came from Kingston okay, yeah, Kingston, that's right. 0:49:56 - Speaker 5so, if you know, maybe they, maybe they individually travel, but you're all there as a group of people, you're recording a record, it's your first full length studio album and you're spending time in Memphis, Tennessee. I mean, I see what you're saying, Tim. then maybe the manager, the the high rubs for maybe like, but guys, we got a, we got to do this. but also, you know, it's the same thing, as you know, that that culture takes a hold of you. you know you spend JD when you over in the UK for the pave tour for a while. how quickly did it? I mean, we don't say it in the United States, but how quick did it take you to say cheers instead of thanks? you know, yeah, yeah, it only takes a couple of days and then asking for the toilet. 0:50:46 - Speaker 1that's, that's the. that's the biggest thing for me. like I just thought, like it sounds so rude, like where's the hey man, where's the toilet? you know, it just sounds rude, but it's just what everybody says. yeah. 0:50:59 - Speaker 3I got it to say that really clear yeah. 0:51:04 - Speaker 5Tim, how long did it take you to say little symetheos when you were over here in Madrid? 0:51:08 - Speaker 4I mean, you know, I've traveled around yeah, yeah, yeah, not long it's a song called every time you go there, I got my hands, the numbers be up, my smile's right in my hands. Every time you go, every time you feel what I see. Every time you go, heart and eye feel me. Well, down here, but I take two kids round the gas like no place. Say the thing is time when things start, The dance, the wilds of charity, no time to rise, to get afraid. They were pissing, pissing, playing a part. She's a lover, a man, a soul, a game of games, Say the door. I'll remain in the corner of your lips And I was made up of my smile. you're both a man. Every time you go, every time you feel what I see. Every time you go, heart and eye feel me And it makes them feel. let me dance through the air to feel Love me, love, love, love, love, love, love, love, love, love, love. Well, I tell you, every time you go, what I see. Every time you go, heart and eye feel me. Every time you go, every time you go, what I see. Every time you go, heart and eye feel me. Every time you go, heart and eye feel me. Oh gosh. 0:54:37 - Speaker 5Go ahead Tim please. 0:54:39 - Speaker 3I feel like this is just a total hip song. It's got good structure, has awesome drum, backbone beat. I like the chorus ad. Not all their songs have a strong chorus, So I like that aspect of it. It felt like maybe the last quarter of the song felt a little repetitive, like excessively repetitive, Like it just kept going a little bit. But I don't know, man In the Big Snake Pit, it's a song about taking risks, falling in love. What else about it? It's still kind of on the emotional high spectrum to me. But it's a good song. It's a oh. what did I have a note here about? Oh, the drawn out dramatic ending with the vibrato Just becoming a hallmark signature of some of the hip, And I'm just slowly accepting it as one of their things, Because it was really shocking to me on the first EP to hear excessive vibrato. It's like woo Yeah. 0:55:56 - Speaker 5Let's go. I gotta say, gentlemen, this is the only song on the record that literally my notes are. I just it's just nothing. I listened so many times I'm like what the fuck am I missing? And I don't know. It's one of those songs where maybe, hopefully, in a year or two years, and I listen to it and be like dude, yeah, there it is, But I just didn't. it couldn't, it was a sleep placebo, I just didn't do it. I don't know why. 0:56:34 - Speaker 3Well then you should talk about the next one, because I was similar with when the weight comes down. 0:56:41 - Speaker 5Okay, I really liked the structure of the song. I liked the tone of the guitar, One of the things this and well, another one I'll get into But I really think there's a lot of thought put into the guitar tone there. Maybe people I just think at that time people were really obsessed. There wasn't a lot of tricks you could do on things like Logic or Pro Tools or whatever. So whatever was coming out of that speaker was what was going to be on the tape. The guys were like dialing shit in, but the harmonies on when the weight comes down. I think there's talent there, but it just takes away from the meat of the song. If I would and there's other songs on this record where I love the harmonies, but for me that song just it just sounds like maybe just in age Well, I don't know 10 more years. 0:57:48 - Speaker 3I very few notes. I just thought, yeah, it's all right. I thought it was kind of heavy weight comes down, I don't know. 0:57:57 - Speaker 2I didn't. 0:57:58 - Speaker 3at that point I was yearning for something a little bit more different through the tracks which I think I got with the next song. 0:58:05 - Speaker 1Well, that's good, because you're starting to disappoint me here. 0:58:09 - Speaker 3Well, trickle down. I mean Gord's voice. he gets a little more adventurous with going low and high and high and low. There's a kind of a change at a minute and a half where the lyrics pause and you get some actual music, Like he's storytelling a lot through these songs. He's singing, getting to the chorus. The jam keeps going through many songs, but this one there's actually a pause with lyrics and you get some good. you get some good guitar There's like kind of these swing back into the lyrics with guitar. I don't know, I thought that was just better, a better composed song. You know the idea about it. you know being poor, being on welfare, waiting for the check. you know I think it's a song that probably was appealing or easily identifiable across Canada or the US at the time being down and out on your luck financially. I mean, who has not been able to identify with that? So to me it was a pretty great song. This was up there more. 0:59:27 - Speaker 5Well, I trickle down my notes. I wrote half on a paper, half on my phone. Again, guitar tone. I remember one of my first guitar teachers had a Mesa Boogie triple rectifier stack and this guy was obsessed with tone and just very similar like early 90s, late 80s, sort of hair bandy, but just that tone, just there. that's there in that song And this reminded me of like when I was listening to that song I pictured Patrick Swayze. do you know the line in Roadhouse when he goes always be nice till it's time not to be nice. I feel like like I just like I just got that vibe dude, This is a banger, Love it This takes. I feel like the last couple of songs dipped down a little bit for the record. It's a bit of a, of a valley, so to speak, And then it's like man, put your, put your boots on, man, we're going back uphill And this song takes me right back there. 1:00:38 - Speaker 4And I loved it. Love it Same. 1:00:40 - Speaker 2Loved it. 1:00:41 - Speaker 1Yeah. So now that we're uphill and our boots are on, we get. we get what could be. I'm going to tip my hand here and I'm sorry to tip my hand before you guys get to weigh in The 11th track. the last track on this record is on my top 10. Okay, But I don't think it should have been the last track on the record. I think the last track on the record should be another midnight. 1:01:09 - Speaker 4Okay, So I'm going to tip my hand here and I'm sorry to tip my hand before you guys get to weigh in. Okay, So I'm going to tip my hand here and I'm sorry to tip my hand before you guys get to weigh in. So I'm going to tip my hand here and I'm sorry to tip my hand before you guys get to weigh in. I think this was the last track on the record. And the mountains stand high. When the mountains stand high, Can't let us run wild For another midnight, For just another midnight. Perhaps we'll run our election day Pumping hands and kissing all the babies. Ain't no time for a shout of doubt. So maybe is there another way? Or where a storming catalach Racing for a roadblock in the distance, Flashin' by a lifetime in an instance. Can we take it back? Am I is dying? Am I is dying? And the river don't sleep? When the water runs cold And the calender burns And the story unfolds, And the mountains stand high. When the mountains stand high, Can't let us run wild For another midnight. Can we take it back? Can we take it back? Can we take it back? Can we take it back? And the mountains stand high. When the mountains stand high, Can't let us run wild For another midnight, For just another midnight, For just another midnight, For another midnight. 1:05:01 - Speaker 3I'm down. I think opiate it is a. it's just. It left me either wanting to take a break from the hip for a bit and listen to something else Or, like just it was, I was a little stumped. 1:05:14 - Speaker 1Too dark for you, I guess. Well, let's focus on, let's focus on another midnight first then. So where do you, where do you stand on that track? 1:05:27 - Speaker 3I overall yeah, I overall liked it. I don't have a whole lot of notes about it Overall liked it. You know, I thought it fit well in there. There was, as I kind of said about Every time you go, there was a better mix between verse and chorus. you know, with song structure, I love the one lighter that we're all, or we're a stolen Cadillac, Like you know. I'm going to use that. I love that. That just makes me feel the pain of, you know, escape or trying to be better, do better, I don't know. I thought it was a pretty solid track. 1:06:05 - Speaker 5It's funny that line stood out to you. I mean, I noticed it. I love this song, man. I actually would have put this song at the end to close the record too, And I'll give you my thoughts on opiated. but the line that stuck out to me the most was Burning like a cigarette long season. And then the chorus, the core. I don't know if you'd call it the chorus, You'd call it maybe the pre-chorus, because Oh My, He's Dying is the chorus, more or less. I don't know, I don't write songs, I'm not a musician and I don't play one on television. But and the river don't sleep when the rottar one runs cold, That entire stanza, if you will. I don't know if we're going to call it. is it's fucking dude? I mean, that's Grammy. shit, man, That's. Grammy shit, It comes together with the music. so well, I'm like man, that's one of the things that when I listen to this record, I'm like, yeah, why did that band not fucking peak in the US and all over the world? Because that's so good, It's so good. 1:07:19 - Speaker 3I mean, this could have been like a track three. It was just a great song, good momentum, and it just had the makeup for it. 1:07:30 - Speaker 1for me, Yeah, I would have made it a single, for sure. 1:07:33 - Speaker 5Yeah, totally. 1:07:35 - Speaker 1It's a little long 356, but you could probably trim it up a bit, But I wouldn't because it's perfect. But yeah, I think it's a great, I think it's fucking great And it's just making me think. Tim's reaction to this album as a whole at this point is making me come back to the fact that these guys at this point are like 23, 24 years old. This is some dark shit for young men to be documenting And it makes me wonder if that's a reflection of. you know they've been advanced since 84 in Canada. At this point they have a manager. you know they're booking things. They're not just, you know, driving around willy-nilly touring, They're doing full on tours that are planned out and they spent a fuck of a lot of time on the road, And in Canada that's that means driving all night, like to get from city to city. you know you're driving hours you're driving. you know it's like the last song we listen to, Like another midnight, like. I know it's not couched in that way in the song, but you could take it that way because to me, What I'm getting at here is this is a road record, This is a. this is their first record. This is, you know, the EP is almost like those first four Beatles records where they're playing cover songs. They're still doing their garage act, but this is this is it. This is life on the road and all the shit that comes with it. 1:09:20 - Speaker 3So mr Leiden, like that to me, says you know a lot about the songwriting style, But I'm wondering what you think of the songwriting so, yeah, I briefly, you know, looked into Gord songwriting, how he did it, and so much of it led me to believe that he was, or they were, meeting Band, meeting people on the road and hearing these you know tough stories and you know, just Putting those into song, Yeah, that's the only thing I could come up with. he wasn't sitting around To me Making up these stories like they were influenced by something, and that's how a lot of great writers and poets are. like David Berman, I think a lot of what he wrote was about people he connected with at bars, sitting around on a barstool, you know. 1:10:11 - Speaker 1Interesting. Yeah, I'm not sure. What are you thinking there, Pete? 1:10:17 - Speaker 5To be honest with you, I feel What you said, JD, about. you know the darkness for these people, this young, and you know I often think about. you. know the way and Tim can relate to this. JD, You cannot, because, just by virtue of where you were born, you know A lot of the way we view Canada is, you know, and to put it in just the most beautiful terms, It's Snow, it's bears, It's manitoba, It's maple syrup, It's mounted police, everything's jolly, you guys have health care and Everything's grand north of the border, on the roof of the US. you know, in the most simplest terms now, When I look at and in JD this, you and I have talked about funny things like, You know, the show trailer park boys, right, and yes, I'm making a big Canadian reference there, Right, as funny as that show is, Tim, I don't know if you've ever watched it It's not very plenty plenty. Well, you know, as funny as that show is and I love it to my boat, to the core of my bones That reality in Some parts of Canada, you know, we don't view parts of Canada as being like, You know, some really dark, dreary parts of Portland, where you're at, or me being from LA, or Long Beach to me, To be more specific, There are some dark ass parts of Long Beach and it's, you know, That has I don't know what Kingston's like, I don't know where these guys grew up, but I'd have to imagine, you know, being on the road and seeing, being exposed to different, different things had influenced their, their lyrical content to this, to make them go to this really dark place. and Maybe that's why, again, they didn't, they didn't break through to the States. But I think it's all for the better, because I think the art would have suffered had they, had they done so, You know, are they not? Yeah? 1:12:28 - Speaker 1Yeah, Yeah, I'm, I'm interested in that. I mean, definitely the specter of Milhaven lives large for a Kingston er growing up in the 70s, I have to imagine, But I don't know. but I like the idea of the amalgam of their you know roots Combined with all this time on the road, Accounting for that sort of songwriting style. you know what I'm saying. 1:13:00 - Speaker 3It's gotta be why they had a good following in Detroit, you know, Cleveland, New York, All that whole region, because that's like some tough living around there and I in this, this Band, I think resonates with so much of that, so much of that. 1:13:22 - Speaker 1Yeah Well, fellas, That's up to here. There's only one thing left to do in this episode, and And that is for you to pick your playlist song, your MVP of the album, if you will, And let us know what that is. so I don't know. I'm gonna close my eyes and point. 1:13:54 - Speaker 5What are you doing this to me, man? 1:13:56 - Speaker 3I'm just gonna go. yeah, I'll go blow it. I do. I is, that's, you know, like you said, Pete, a sister banger. it got me right, right at the right, at the opening of the gate. 1:14:07 - Speaker 1I wonder if that's where your your view of the album as a whole comes from then as well, or it's influenced by The idea that you know your favorite track is the first track. You know it should get better than that, right, like again, We're talking about song Structure here, not structure Sequencing. you know, like blow it oh is like the perfect song to Open a concert or open an album, but It's also tough to get bigger than that. 1:14:44 - Speaker 3True, I think it we start to with trickle down, or every time you go, definitely every time you go, it just has a A more singable single, you know, on the radio aspect to it. I think I'm just trying to, you know, find What resonates most with me with this band and where I'm gonna see them Stay at, I guess sort of thematically, and how they evolve, you know, and and how I wanted them I maybe subconsciously to evolve, especially on the production side of things that for some did it Gotcha. 1:15:23 - Speaker 1All right cool. How about you Pete? 1:15:27 - Speaker 5It's a tough draw. I mean blow at the high-doh or 30 years old. I mean flip a coin. 1:15:36 - Speaker 1Won't do it. I won't do it, No no, no, it's fine. 1:15:38 - Speaker 5Okay, so I'd say the first track to it, Just it. just. there's the thing that the reason why I'm saying that over 30 years old because I remember listening the first time 30 years old be like And I don't want this the person Who's listening this playlist to start listening and be like You know, I want them to like, just fucking love you, right, You know me, I want them So Holy. but yeah, blow at the high-doh. 1:16:11 - Speaker 1All right. Well, thanks so much for doing this again, fellas. We'll talk again soon, and and We'll keep on getting hip to the hip, Looking forward to it. Thanks, JD pick up your shit. 1:16:34 - Speaker 2Thanks for listening to getting hip to the hip. Please subscribe, share, rate and review the show at getting hip to the hipcom. Find us on Twitter and Instagram at getting hip pot and Join our Facebook group at Facebookcom slash groups slash fully and completely. Questions or concerns email us at JD. at getting hip to the hipcom. We'd love to hear from you podcast, some such. Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Repost from March 10, 2023Georgina and Christina talk about the classic RUSH album Moving Pictures. Who better to discuss a great Canadian Band then 2 girls from NYC!!

Neil Osbourne is the lead singer and front-man for the iconic Canadian band 54-40. He joins Ted Henley on The Drive to discuss his career, his music, and his tour, which brings him to Calgary and Edmonton the first weekend of March!

Welcome bassist and keyboard player Mike Levine from The Canadian power trio Triumph on Takin A Walk-Music History on foot.it was so much fun catching up with Mike and hearing the stories of the band and their beginning, their breakthrough moments and the joy of music.You will learn some things you never knew about the band Triumph. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Welcome bassist and keyboard player Mike Levine from The Canadian power trio Triumph on Takin A Walk-Music History on foot. it was so much fun catching up with Mike and hearing the stories of the band and their beginning, their breakthrough moments and the joy of music. You will learn some things you never knew about the band Triumph.  

Beloved in their native Canada but often unheralded elsewhere, Kingston Ontario's The Tragically Hip made intelligent, intensely evocative rock music that won them legions of fans in the Great White North. Their final concert in 2016 - after lead singer Gord Downie's tragic diagnosis of terminal brain cancer a year earlier - was broadcast globally by the Canadian Broadcasting Corporation as a cross-platform television, radio and internet streaming special. This week's returning guest (and non-Canadian) Eric Loehrmann, brings us their 3rd release, 1992s iconic 'Fully Completely'. Check it out, eh? Songs featured in this episode: Fifty Mission Cap (Live Kingston, ON 8/20/2016), Wheat Kings, Grace, Too, Ahead By A Century (Live Cobo Arena Detroit, MI Nov 1996) - The Tragically Hip; Best Of Both Worlds - Midnight Oil; Rockstar - Nickelback; Magic Power - Triumph; Great White North - Bob and Doug McKenzie with Geddy Lee; Courage (For Hugh MacLennan), Looking For A Place To Happen, At The Hundredth Meridian, Pidgeon Camera, Lionized - The Tragically Hip; Fire Woman - The Cult; The Dead Heart - Midnight Oil; Locked In The Trunk Of A Car, We'll Go Too, Fully Completely, Fifty Mission Cap, Wheat Kings - The Tragically Hip; In The Square - The Pretty Things; The Wherewithal - The Tragically Hip; Pssyche - Killing Joke; Eldorado, Ahead By A Century (Live Kingston, ON 8/20/2016) - The Tragically Hip

Ashely and Colin met in a Christian band while married to other people, but they soon found the time they spent making music together was the time they felt most happy and fulfilled. As time went on they became more disillusioned with their faith and church, and it became evident that their relationship wouldn't be able to stay platonic. After spending some time trying to go their separate ways, they reunited, left their partners, and changed their band's focus. Ashely and Colin are both members of the North Texan Heavy Metal Band Tulip. They join us to discuss how they met, fell in love, and the challenges they faced leaving marriages while being members of a Christian church. We also talk about how their beliefs changed over time, the difficulties involved in leaving a controlling church, and why they moved to Texas… “That experience of feeling connected to somebody through art was probably the point which we realized this is going to be tough to keep at a platonic level.” - Colin Parrish What is Covered:  How Tulip got featured on Texas Monthly. The benefits singles have over albums. How Ashley and Colin met and fell in love. The challenges of falling in love with someone when you're married to somebody else. How Colin and Ashely's beliefs have changed over time. The hypocrisy of religious elders. The difficulty of leaving a controlling church. The community that forms around people who have been excommunicated.  The future for Tulip and the new music they have coming out. The best parts of Texas. Resources: Faith, Love, and Scandal: The Wild Origin Story of a North Texas Heavy Metal Band Ricky Gervais Humanity Texas Real Food Connect with Ashely and Colin: Website: https://wearetulip.com/ Instagram: https://www.instagram.com/wearetulip/ Twitter: https://twitter.com/ashsemmy Facebook: https://www.facebook.com/wearetulipofficial Connect with Host Patrick Scott Armstrong: Instagram: https://instagram.com/patrickscottarmstrong  Email: patrick@texasrealfood.com Follow The Lone Star Plate: Follow us on Instagram: @lonestarplateTX Follow us on TikTok: @lonestarplate Like us on Facebook: https://www.facebook.com/LoneStarPlateTX More From The Lone Star Plate: https://lonestarplate.show Our Sponsor Texas Real Food: https://www.texasrealfood.com Special Thanks To Legendary Austin Singer Bob Schneider For Producing And Narrating Our Podcast Intro/Outro. Follow Bob at https://www.BobSchneider.com

EPISODE 33 - External version- Big Wreck - All Canadian Band - Wolves and The Oaf The Add To My Playlist Podcast features - Big Wreck - a Canadian-American rock band formed by Ian Thornley and Brian Doherty in Boston, Massachusetts in 1994. The band was rounded out with David Henning and Forrest Williams. They disbanded in 2002 and Ian Thornley pursued a solo career with his own band Thornley. In 2010, Ian Thornley and Brian Doherty reunited for a cross-Canada tour, playing both Big Wreck and Thornley songs. In 2012, under the name Big Wreck, the band released their third studio album, Albatross. The band has since released the albums Ghosts in 2014, Grace Street in 2017, ...But For the Sun in 2019, and are currently releasing three EPs that will be put together to make their seventh full-length album Big Wreck 7. It is expected to be fully released by 2023. Songs for this episode The Oaf and Wolves ___ The Add To My Playlist Website Have a podcast and need a great website? Try Podpage! podcast presented by True Media Solutions

For this week's Record Club, we are celebrating the 30th anniversary of one of the most significant records of 90s rock, yet one that goes comparatively unheralded - The Tragically Hip's stellar FULLY COMPLETELY. Join us as we break down everything that makes this album interesting and special, and celebrate the unique vision and songwriting style of the inimitable Gord Downie. Watch the video version of this episode and support the channel on YouTube.

Welcome to a new edition of the Neon Jazz interview series with Jazz Violinist William Lamoureux for the Canadian Band So Long Seven .. On behalf of the band, he talked about their new 2022 CD Only Elephants Know Her Name, COVID life, the band's history and the future .. So Long Seven is a grand mix of jazz, classical, blues, folk, and music from around the world .. They had a great story .. Enjoy their tale. Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

Sam Reid, founding member of Glass Tiger

As we pressed “record” on this episode, it was July 1st. Or Canada Day. Unfortunately, with the events of this year we haven't been feeling very patriotic. But all the awesome music produced in the Great White North is always reason to celebrate. So we decided to grab a stack of Canuck wax, pour a couple drinks and shoot the shit. In other words, celebrate RAM-style. We discussed a Sacrifice/Slaughter...

As we pressed "record" on this episode, it was July 1st. Or Canada Day. Unfortunately, with the events of this year we haven't been feeling very patriotic. But all the awesome music produced in the Great White North is always reason to celebrate. So we decided to grab a stack of Canuck wax, pour a couple drinks and shoot the shit. In other words, celebrate RAM-style. We discussed a Sacrifice/Slaughter FB battle thread we created, a Vancouver radio station playing RATM on loop, Vince Neil's goofy "satanic" quote and we test each other's Metal. Musically, we crank some new and used from the aforementioned Sacrifice and Slaughter, Blasphemy, Get The Shot, Forgotten Rebels, Death Sentence, DBC, Soothsayer, Electro Quarterstaff, CiDB, and Primordial Serpent! Horns Up and Stay Healthy, Eh! This Episode is sponsored by Trve Kvlt Coffee. Summon the coffee demons to possess yourself a cup today! Follow us on Twitter and Instagram

We ask you who you think is the best Canadian Band of all time? Your texts and calls from across Canada.  There is a condition that lets you see sound? It's called synesthesia, and artist Geri Hahn has lived with it her whole life. She helps us understand the condition and what it's really like to see your favourite songs.  Gurdeep Pandher, bhangra dancer, and the happiest man in Canada delivers joy for Canada Day! We dig into happiness, how it comes from sadness and his dancing performances in Ottawa. HEY, DO YOU LIKE PODCASTS? Why not subscribe to ours?find it on Apple, Google, Spotify & Curiouscast.ca  

Dawg and Gus deep dive into why certain bands are hated. From being too cheesy or using a formula for every album or song to their frontman/woman being jerks and many other variables are discussed . And SADLY a CANADIAN BAND tops most of the lists we checked out!

Sean McCann: What does it mean to be a “Shantyman”? Much less know what he may do with his time? His life? Leave it to Canadian Celtic folk-rocker Séan McCann to spin the yarn that'll provide all the answers in this, his new single

54-40 has been one of Canada's most successful and enduring bands the last 25 years, with 3 platinum albums and numerous radio and video hits. Greg talks with bassist & 54-40 founding member Brad Merritt, about the band returning to live shows across the country, including all weekend at the Horseshoe Tavern in Toronto. They also discuss the band's legacy, some intriguing opening spots on bigger tours, and how they weigh mixing new songs and old favourites in the band's setlist. See omnystudio.com/listener for privacy information.

54-40 has been one of Canada's most successful and enduring bands the last 25 years, with 3 platinum albums and numerous radio and video hits.Greg talks with bassist & 54-40 founding member Brad Merritt, about the band returning to live shows across the country, including all weekend at the Horseshoe Tavern in Toronto.They also discuss the band's legacy, some intriguing opening spots on bigger tours, and how they weigh mixing new songs and old favourites in the band's setlist.

Welcome back to our show, Today's guests are 3 of the members from the Canadian Band know as _ECHOSEVEN, We hope you enjoy! Song credit _ECHOSEVEN: Everything Redux Version

We are honoured to be joined by Bob Gruen, one of the most legendary rock ‘n' roll photographers of all time. Bob has worked with the likes of John Lennon, Kiss, Tina Turner, The Rolling Stones, and many others! Make sure to catch his chat with Cassius, as he recounts some very special memories of the glory days. Joe, Frank and Cassius also discuss Spotify's payment model, artists deserving more money, reminisce about a funny Prince moment and are also joined by Canadian band, WHY, to wrap up the episode. Enjoy!

In this episode, we talk about an album by an Canadian Band called The Blushing Brides called Unveiled, another from South Side Johnny and the Asbury Jukes called Love is a Sacrifice and an album by Harry Nilsson called Son of Schmilsson. There is some excitement in the middle of the podcast, you will have to listen to find out what that excitement is. Enjoy! --- Send in a voice message: https://anchor.fm/reviewsfromthecrawlspace/message

Lead singer and guitarist for The Sheepdogs, Ewan Currie joined Terry to talk about the band's newest track "Keep on Loving You", recording in Montreal, and musical influences.

Awesome-rockband, PUP guitarist, Steve Sladkowski checked in from hometown Toronto to talk sports, Wilco and the future of music mediums. There's also a wonderful story about chillin' with Chad Smith of the Red Hot Chili Peppers in Louisville.

We're BAAAACK! Tune in this week for our discussion on Spring allergies and stay for the conversation about this week's albums. We talk about Jackson Browne's album Hold Out, another album by ABBA called Super Trouper and a surprise album by what we thought was a Canadian Band but is really British, The Climax Blues Band and their album Shine On. --- Send in a voice message: https://anchor.fm/reviewsfromthecrawlspace/message

Tomy & Paul from our favourite Canadian rock band The Carbons join me on Episode #53 to discuss their new single & video release "Steel Toe Boots"!Check out their New Music Video for "Steel Toe Boots".Please do me a HUGE favour so you can keep up to date with everything Foxx on the Wire Podcast related follow me on Instagram & Facebook! And check out my new YouTube channel where you can check out some of the video content for this Podcast. It was great to catch up with the lads from The Carbons, we cover many topics during our chat I hope you enjoy it. Please SHARE if you do!More content coming soon!~Acoustic Foxx~www.acousticfoxx.com.au

If you are a movie lover, and enjoy going to see a movie we discuss how to buy tickets at the film festival.My friend and I have been going to the festival for six years, and we educate listeners on how to take advantage of TIFF, and enjoy the festivities.We look back on TIFF 2017 and how things have changed over the years...The Toronto International Film Festival has been around for over 40 years, and it brings movie lovers togetherOn this episode we talk about movies, and showcase Altered By Mom a great Canadian Band! Altered By Mom : https://www.facebook.com/AlteredByMom/Twitter:https://twitter.com/DivaontheRadioFacebook:https://www.facebook.com/Diivaontheradio/Instagram:https://www.instagram.com/diivaontheradio/Email:Divaontheradio@gmail.com

Exclusive interview by Andy Shaw with Canadian Band Aepoch

Juno Award-Winning pop band from Oshawa, Ontario Dizzy consists of three brothers, Charlie, Alex and Mackenzie Spencer and their friend, lead singer Katie Munshaw. They make self-described “Sad Dream Pop” drawing on the intimate and detailed drama of “all the lousy things being a human entails -being jealous of your friends, pushing away the people you love most, being afraid of aging and death and on and on and on.”  Dizzy connects from Canada to play new music from their sophomore record, The Sun and Her Scorch, live, from their basement quarantine bubble.  Set list: "Roman Candle" "Daylight Saving Time" "The Magician"

For Episode #41 we continue to break new boundaries here at Foxx on the Wire by "travelling" (via Zoom) to Canada for the first time to speak with Tomy Thisdale of the Groove, Blues, Funk, Reggae Rock ROCK band The Carbons! During our chat you will find out how and why, Tomy and I came to having a good old chat on this Podcast. To be able to connect with someone on the other side of the world in Canada is crazy. Tomy has some great insights and was an absolute pleasure to talk to. His band The Carbons recently released their new single "Superhero" which has almost clocked up 100,000 streams on Spotify.Check out Tomy's recent cover of Audioslave's tune 'Like a Stone' on YouTube here. "Wanna do the podcast Tomy"? "Sure!" he says. Then we sit down and yarn for 2 hours. I love this Podcast platform it really gives the opportunity to build great relationships and connect with people on a different level - very grateful. One of the main reasons I started this in the first place.  Thanks for coming on the show Tomy, and I hope you lovely listeners enjoy this episode please share and subscribe if you do! Until next time... ~ Acoustic Foxx ~www.acousticfoxx.com.au

The Podcast started in November 2019 and today, Jan. 15, 2020, we hit 2000 listens and counting. We are being heard in 11 countries and counting. Below are the two links mentioned in the update. Thanks again for listening and I’ll be connecting with you again soon. The tune that follows the update is by the great Canadian Band, Blue Rodeo, from their album, 5 Days in July and is entitled: Head over Heels. https://www.ted.com/talks/kate_raworth_a_healthy_economy_should_be_designed_to_thrive_not_grow?fbclid=IwAR1MYd8KpdD5yJGgvN71toIGrANWKzEPv_sqUie5jfKw8y7jhXi4t5HhBv0#t-942578 https://www.fastcompany.com/90411397/exclusive-patagonia-founder-yvon-chouinard-talks-about-the-sustainability-myth-the-problem-with-amazon --- Send in a voice message: https://anchor.fm/peter-smith05/message

Ron corrects Don's grammar in 'Drunk coach's Corner', why you should never shave your beard, the Canada Walk of Game messed up big time, and a cheese amusement park actually exists.

Mac and Geoff talk about their excitement for Fucked Up's forthcoming album Dose Your Dreams, their legacy and why they might be the greatest Canadian band of this century (so far). We also talk about how to build a musical foundation in the streaming age, Golden Drag's Pink Sky; Shirley & the Pyramids and their record Pure Pain; The Dirty Nil's "Pain of Infinity" and their forthcoming record Master Volume and Helena Deland's gorgeous song "Claudion". Featured Tracks: Fucked Up - Raise Your Voice Joyce Golden Drag - Caught Leaking Light Shirley & the Pyramids - One Life The Dirty Nil - Pain of Infinity Helena Deland - Claudion 

0403 What's Up Doc: Canadian Band: The Tragically Hip

This week, I introduce you to Jackie Auguste, successful Orthopedic Surgeon and musician, songwriter and singer with the Canadian Band, Across the Board. Jackie is a woman in the middle who knew that being a doctor wasn’t enough; she really needed to follow a musical path in a serious way to feel creatively challenged and fulfilled. She knew nothing about running her own music business, and yes, she was busy. But she understood that her life wouldn’t be as meaningful as it could be without more music. More here: https://suzyrosenstein.com/podcast/ep-31-orthopedic-surgeon-by-day-musician-by-night/

On this episodes Ryan sits down with rock drummer Garry Peterson from legendary Canadian rock band, The Guess Who, to talk about the old school music industry, to debunk a few myths surrounding the band, and hear about the music they're making today.

On this episode Ryan sits down with rock drummer Garry Peterson from legendary Canadian rock band, The Guess Who, to talk about the old school music industry, to debunk a few myths surrounding the band, and hear about the music they're making today.

Cyphier is an industrial/electro artist from London, Ontario.  Consisting of Louis Cyphier (vocals, electronics) and Jason Norwood (synthesizers, percussion, vocals), Cyphier formed in 2015 out of a desire to explore varied musical influences.  The experimentalism of early industrial bands like Cabaret Voltaire and Skinny Puppy, combined with a more modern electronic sound, define the unique vision and sound of Cyphier. Prior to Cyphier, Louis was a well-known industrial DJ in North America.  Norwood, aside from running his label Hope Mansion Recordings, has been recording various forms of electronic and alternative music for 25 years.  The pair originally met around the turn of the century while Louis was a DJ in London. Cyphier's first album, Overthought, was recorded as a concept record with a heavy anti-suicide message and released in early fall of 2015.  2016 saw the band release their follow-up, Subversion, while on tour in Eastern Canada.  The second album blends the experimental sound of Overthought while adding a more danceable touch.  Both albums were released through Hope Mansion Recordings.  

Jon Matte of The Franklin Electric discusses the band's tour in Australia, life on the road, musical influences, album artwork, and watching the sunrise at the Woodfork Folk Festival while Tibetan monks chanted. [...]

Jon Matte of The Franklin Electric discusses the band's tour in Australia, life on the road, musical influences, album artwork, and watching the sunrise at the Woodfork Folk Festival while Tibetan monks chanted. [...]

Jon Matte of The Franklin Electric discusses the band's tour in Australia, life on the road, musical influences, album artwork, and watching the sunrise at the Woodfork Folk Festival while Tibetan monks chanted. [...]

"Wondering Where The Lion's At?" (Podcast Title) WILD- email told me this referred to World International Lions' Day... Along with Pan Am live music, while missing tonight's Alejandro Escovedo show, I played forbears Pete, Sheila and Coke Escovedo, and hot sounds from Colombia, Brazil, Peru, Jamaica, and from the Mexican- American Escovedos... Talked a little about election coverage, last Saturday's Tanya Tagaq and Roots shows at City Hall, the Scarbourough Afro Carib Fest Aug 23rd-24th, this week's upcoming free shows, as well as... The wild boar shot and killed by Caledon OPP for the crime of being a wild animal lost in suburbia... Summer Sequels- Mike Duffy Trial is back Pickering people angry at neighbours little kids for making noise in family pool Harper won't visit Toronto-the - City, just 905-land... All over 905, actually, but no 416... All 905 and no 416 should be somebody's local election campaign slogan! Meanwhile, in urbane, cosmopolitan Toronto... Residents in downtown summer hotspots - people who bought their condos near places like Harbourfront- are now mad that people continue to enjoy events at Harbourfront, as they had before them, and, one hopes, forever onward... Also, lobsters are suddenly taking off in China- or, more accurately,lobsters hauled in to Halifax are being flown en masse to Shanhai... And... Bugs! Beer's new best friend? Apparently, scientists have recently learned various bugs produce unique yeasts that can flavour beer... And once more... The Humane Society somehow have my email, and they told me National Geographic got involved to try and make, establish, or continue, this day, August 10th, to be WILD- World International Lions' Day- RIP Cecil Tracks- Los Quinchimali- from a CBC Radio transcription disc, on half a side, is this band of "new Canadians" playing Andean music, according to the liner notes... I talked over a bit of it... Tracks were -> Fiesta, Ya Yan Quinchu, Rondador, Veranito Jane Bunnett w. Cuban Piano Masters- Recorded Toronto 1993- Como Fue Aline Morales- Musa, Lenis Reno and his Canadian Band - live at Lula- opening Samba Squad- Baba Fururu All Canadian until here... Off to Colombia with... Bwana- la Jurumba, Pete and Sheila Escovedo- Azteca Mozambique Coke Escovedo- Wouldn't Change A Thing Traffic Sound- Suavecito- my favourite Peruvian band El Chicano- One More Night, Juntos Black Sugar- Don't You Worry About A Thing- another hot Peruvian band From jumping around the new world, sonically, we're off to celebrate WILD- For the Lions, including Cecil, who, even in cold, dry, financial terms, was worth more alive than dead... Originally, I was gonna play songs for, by or about other zoo animals but time kept moving on... Simon and Garfunkel- At the Zoo Bruce Cockburn- Wondering Where the Lions Are Big Black- Lion Solomon Linda- Mbube 1939 rendition of this classic, I have talked on the air before about the history of this song, so I kept it brief tonight, and continued... Ras Michael and the Sons of Negus- Rise Jah Jah Children- a very dread, deep roots take on this song... I payed Miriam Makeba's powerful version not so long ago, so I kept it to these two renditions, letting Ras Michael lead the charge/ forward march to reggae, with- Ras Lee- Who Killed the Lion- he is referring to Bob Marley, but it still fits... Kidd Rasta and the Peace,Akers- Walk Like Lion Talk Like Lamb - also local Bushman and band- Man a Lion- live, Opera House 2000, DB Hawkes tape I Roy- Natty Dread the Lion Rocky Dawuni- not a lion song, but this African reggae singer will be at Harbourfront this weekend, while I am doing other stuff in New Brunswick.... Bob Marley and the Wailers- Lion Of Judah- Kingston Peace Concert 1978 Veritable Infusion: CIUT.FM Mondays 8-10pm, A party featuring rare cuts of funk, reggae, jazz, soul, blues, traditional & modern African music. Your donations pledged through paypal go 100% directly to CIUT.FM fund-drives and support community Radio. Original Broadcast: August 10, 2015.

In a short and sweet podcast this week I played Haunted Stereo, Sonny, Kidd Russell, Shoulders of Giants, Coloured Lines, Clara Barker (rhymes with Sarah) Apoc told us about another Canadian Band this time it was Ennis and I played a track from my new album. I ranted about a new crusade I want all original artists you join, the cleverly named "Sound as a Pound. I take no credit for the name, that was thought up by Stu Crane from Wax Ersatz. I may have sounded a little distracted this week. Firstly from a steam train which passed by about half way through and also by the fact that I was also streaming the podcasts construction using my Ustream channel. Next week is the jazz special and I will also be announcing the most amazing competition I have ever held. You will love it!