Podcasts about nt1

This week's episode of The Pro Audio Suite dives headfirst into the world of budget audio gear, exploring whether cheaper equipment has actually improved or if it's still just average kit with fancy marketing. Here are some key highlights and insights from the discussion: Budget Gear: Better or Still Rubbish? Robustness & Quality: The crew revisits the Rode NT1's evolution—from early plastic models to today's sturdy iterations. They ponder its surprising collectability today. User-Friendliness: A cheeky chat unfolds about how budget gear manufacturers should assume nothing when it comes to user knowledge, advocating for painfully obvious product instructions, especially with mics like Rode's NT1. Headphones: Still the Achilles Heel? Consensus emerges around headphones as one area where low-budget options haven't improved as dramatically as microphones. The crew reckons that decent studio cans rarely dip below the $100 mark without significant compromises in sound and build quality. Austrian Audio gets a shout-out for their entry-level headphones offering decent quality, but it's noted that paying a little more generally delivers much better audio. Interfaces and Converters: Robbo's downsized rig is highlighted, having moved from larger interfaces to compact solutions like the SSL2 and the Centrance PASport VO. An important insight shared is that cheap interfaces often share internal converter chips with much pricier gear, meaning the sonic differences can be surprisingly subtle. Bargain Finds and Bargain Fails: Andrew points out the rise in cost of entry-level interfaces from brands like Focusrite, thanks to feature-creep. The group chats about bargain-basement gear flooding Amazon, discussing surprising finds like a $30 dual XLR-to-USB-C interface cable. Robbo humorously advises caution, noting that certain inexpensive gear—particularly cables and mic arms—can still be absolute rubbish. Chinese Clones and Cheap Accessories: George brings up affordable Chinese-made hardware like camera mounts and mic arms, now significantly cheaper yet surprisingly robust compared to premium brands. The "magic arm" clamp is a notable budget win. However, the consensus firmly recommends against skimping on headphones and cables. Quality connectors from Neutrik and Mogami cables are touted as essentials worth investing in. Plug-ins: Stock vs. Premium vs. AI Debate surrounds stock plug-ins vs premium offerings, questioning the necessity of higher-priced plug-ins from brands like FabFilter. Healthy skepticism about AI-enhanced plug-ins and noise reduction is expressed, particularly regarding Adobe Podcast's AI noise reduction. Emulators & Mic Modeling: Opinions split on whether mic emulation is beneficial or just a feel-good factor. Townsend Sphere and Antelope Audio's mics spark a conversation about whether emulated models truly rival their inspirations. Final Thoughts: Cheaper gear today often does punch above its price tag compared to the past, especially microphones. But there remain clear lines where quality is non-negotiable (headphones, connectors, and build quality in general). Ultimately, the episode reinforces the idea that good engineering practice and knowledge still win the day, regardless of budget constraints. It's another lively, opinionated, and informative chat from Robbo, Andrew Peters, George "The Tech" Whittam, and Robert Marshall, brought to you by their sponsors Tribooth and Austrian Audio. If you're keen to catch the full flavour and all the banter, check out the episode at theproaudiosuite.com. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page that is strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson  

Ceci est une rediffusion de l'épisode 115 de Shine.Dans l'épisode 115, je recois Charlotte Attry pour parler d'un sujet qui concerne certainement plusieurs de nos auditrices et auditeurs et qui me concernera personnellement dans un an.Le syndrome de nid vide.Autrice formée au journalisme et à la psychologie, Charlotte Attry est spécialiste des problématiques de société avec un penchant pour les défis liés aux transitions de la vie. Ses missions ? Informer, décrypter, accompagner. Et ce, à tout âge.En presse télévisée, elle a endossé les casquettes d'enquêtrice, réalisatrice et rédactrice en chef. Elle a travaillé pour les JT de France 3 et de nombreuses émissions magazines («Ça se discute» sur France 2, «C'est ma vie» sur M6, «Combien ça coûte» sur TF1, «Reporters» sur NT1, etc.).En presse écrite, elle a travaillé plus de dix ans pour le groupe Milan Presse, notamment pour le mensuel pour les adolescentes «Julie Magazine» (piges, gestion de hors-séries et encadrement). Depuis 2019, elle a rejoint la rédaction de « French Morning », le premier média en ligne sur l'actualité des Français vivant aux États-Unis.Dernièrement, c'est en tant qu'autrice qu'elle met à profit son expertise avec une collection de guides remarquée à destination des femmes de plus de 45 ans (publiée par Bamboo Édition) :Ménopause, toi et moi, on s'explique (2020)Le syndrome du nid vide, toi et moi, on s'explique (2021)Dans cet épisode, nous abordons :Ce qu'est le syndrome du nid videLe profils des parents les plus susceptibles d'être affectés par ce syndromeLes conseils pour anticiper cette transition de vieLes stratégies pour atténuer les sentiments de perte ou de vide et retrouver notre élanL'impact sur les relations familiales : les autres enfants, le coupleComment transformer et réinventer le lien avec son enfant.Comment gérer le retour d'un enfant et créer un nouvel équilibre de vie différent (pas comme avant). Si cet épisode vous a plu, découvrez aussi :ÉPISODE 70 | Être perennial : rêver notre vie quelque soit notre âge | Conversation avec Josiane AsmaneÉPISODE 75 | La ménopause, une naissance à soi | Conversation avec Sophie Kune===================Comment soutenir ce podcast ?Le meilleur moyen de le faire est de vous abonner au podcast Shine! sur Apple Podcast, et d'y laisser votre avis en lui donnant 5 étoiles ! *Et bien sûr, n'hésitez pas à faire connaître Shine en le partageant à toutes les personnes qui vous sont chères et qui aspirent elles aussi à prendre le pouvoir sur leur vie et rayonner.===================Aller plus loin ensemble ?Abonnez-vous à ma newsletter : https://www.christinelewicki.com/inscription/

Cet épisode d'Entre nos lèvres raconte l'histoire de Sofia. Sofia a 23 ans, et avec elle nous avons discuté d'Alger, de Paris, du voile et de nos différentes cultures, d'hymen microperforé et de vaginisme, des Clés de Vénus, de NT1, de tampons et de toutes nos premières fois, mais surtout d'émancipation. On vous souhaite une belle écoute ! Céline & Margaux Nous suivre sur Instagram : @entrenoslevres Découvrir nos soins sur notre boutique : www.entrenoslevres.fr Et n'oubliez pas de vous inscrire à notre super newsletter, on y raconte plein de trucs chouettes. On dévoile nos coulisses, on vous livre tous nos conseils et on partage même tout plein de recommandations (des livres, des films, des articles, tout ce qui nous a plu ou touché ces derniers temps). Promis, c'est cool. PS. Ah oui, Entre nos lèvres, ce sont des portraits intimes qui racontent les vraies histoires autour de la sexualité (mais pas que). Le premier podcast qui parle de sexe comme on devrait en parler tous les jours, avec honnêteté et bienveillance. Réalisation & Production : Entre nos lèvres Montage & Mixage : Guillaume Arditti Musique : Martijn De BoerHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week on Lost Terminal: EMMA finds her voice, Arctica thaws, Peter is on top of the world, and we finally learn who won the 10-second race between Yeshi & Maddie.Lost Terminal will return for the season 17 premiere on 7th October - see you then!

Interviewed the day after celebrating his 58th birthday, in this episode Darren Moore, a National Board Certified Health Coach and Certified Personal Trainer working in the San Francisco Bay Area, shares his journey toward a healthy, active lifestyle and how he helps others achieve the same through his business, Between the Ears personal training and coaching.Darren discusses the importance of finding activities you love, the challenge of overcoming societal norms, and the significance of focusing on body composition rather than weight. He also opens up about his diagnosis of multiple sclerosis and how it has shaped his approach to fitness and life. The conversation emphasizes the power of intrinsic motivation, the benefits of a supportive community, and the importance of a skilled coach. Darren's story serves as a source of inspiration and practical advice for anyone looking to improve their health and well-being.00:00 Introduction and Welcome00:57 Darren's Background and Mission02:06 The Origin of “Between the Ears”04:49 Early Life and Double Dutch08:10 Struggles with Weight and Love of Aerobics18:31 The Importance of Muscle Mass25:28 Journey into Tennis31:59 Tennis and Social Connections33:08 Pickleball vs. Tennis35:50 Creating a Personal Toolbox for Health37:00 Dealing with Health Setbacks39:48 Living with Multiple Sclerosis49:57 Becoming a Personal Trainer and Coach56:43 Success Stories and Client Relationships01:01:04 Handling Resistance and Client Expectations01:05:18 How Darren Works with Clients01:06:37 Conclusion and Action PortraitsPortrait Gallerieshttps://portraitsinfitness.com/podcast/darren/Darren's WebsiteBetween the Ears CoachingDarren's Social MediaInstagramFacebookGratitude Nature WalksFor locals, and those able to make it to the East Bay of the SF Bay Area, Darren also hosts monthly Gratitude Walks on the first Saturday of each month. Search Eventbrite for "Gratitude in Motion" to register for the next walk!Mics used:David - Røde NT1 5th Gen.Darren - Neat Worker Bee (OG)Portraits in Fitness is a multimedia venture featuring podcasts and portraits in collaboration with San Francisco Bay Area photographer David J. Toman. Originally launched in late 2022 as the Fit Over 50 Podcast, it has been renamed to better reflect its unique nature as a podcast sandwiched by photo shoots, in studio and on location. If you are middle-aged or older, live an active lifestyle in which a physical pursuit is integral to your life, and would like to participate in the project as a subject, you are invited to learn more and apply at the project website. Please check the site for updated portrait galleries of our guests, and spread the word and invite someone you know!https://portraitsinfitness.com/podcast/Application Form:https://forms.gle/8pWYTN9zLMg5B3YX8

Hosts: Darren "Robbo" Robertson Robert Marshall George "The Tech" Whittam Andrew Peters Special Guest: Matt Calrick (https://www.mattcowlrick.com/) Sponsors: Tribooth: The best vocal booths for home or on-the-road voice recording (Code: TRIPAP200 for $200 off). Austrian Audio: Making passion heard. Main Topic: Setting Up a Home Studio Introduction: The episode kicks off with the hosts introducing themselves and their sponsors. The main discussion revolves around recommendations for setting up a first home studio for voice-over work. Key Points: Building a Booth: Robbo shares how he built a recording booth for his wife in their walk-in wardrobe, using clothing for sound treatment. Microphone Recommendations: Sennheiser 416 NTG5, NTG1, NT1, OC16 Audio Technica AT875R Interface Recommendations: AI1, SSL2, Micport Pro, Steinberg UR series (IXO12, IXO22) Headphones: Closed-back models like Audio Technica ATH series and Austrian Audio Hi-X 15 DAWs and Software: Twisted Wave recommended for its simplicity and cross-platform capabilities. Additional Insights: Importance of a good recording space. Flexibility and longevity of audio gear. Importance of connectivity for remote sessions (Zoom, Source Connect). Conclusion: Investing in quality gear that can be used both at home and on the road. Recommendations for a balanced setup: Tribooth, Sennheiser 416, and SSL2. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson #ProAudioSuite #HomeStudio #VoiceOver #AudioGear #Podcasting #Microphone #AudioInterface #RecordingBooth #AudioProduction #StudioSetup

Peter Freedman is the Founder of Australian company RØDE, one of the world's leading technology brands for creators. After taking over his father's company Freedman Electronics, Peter established RØDE in the early 90s, and with it, kicked off an audio legacy that he is still carrying on today. RØDE started out making high-quality yet affordable studio microphones like the NT1, which is now one of the best-selling mics of all time, and over the last 30 years become an audio powerhouse with groundbreaking innovations like the VideoMic, which was the first ever on-camera shotgun microphone, the Wireless GO, the first ever fully wireless compact microphone which you see everywhere today across social media, and the RØDECaster Pro. @rodemic

Video: https://youtu.be/IRAMyU7dmew Topics discussed: Do negative reviews kill companies, the Lewitt Aura, the podcast being personality driven, wool socks rule, my favorite value electronics, the real way to EQ, and if the NT1 4th gen and Signature series are the same. Subscribe to the full audio podcast at http://www.bandrewsays.com Gear Used This Episode (Affiliate Links): Lewitt Ray: https://geni.us/lray RND Portico 5017: https://sweetwater.sjv.io/rnd5017 Universal Audio x8:  https://sweetwater.sjv.io/uax8 As an affiliate I earn from qualifying purchases.  Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord 00:00 - Intro 00:13 - Do Negative Reviews Kill Companies? MKBHD Video: https://www.youtube.com/watch?v=QztFpzKsdeA 08:20 - WIBT: Lewitt Aura 11:30 - WYHTS: BSP is a Personality Channel 15:25 - WYHTS: Best Value Electronics 21:10 - WYHTS: The REAL Way to EQ 23:18 - Value for Value 23:43 - Ask Bandrew 25:30 - Voice Submission 1 27:30 - Are the NT1 4th Gen and NT1 Signature identical? Rode Response: https://twitter.com/earnoud/status/1734109464460996643 34:00 - Conclusion

I left my full time teaching job just over 3 years ago to be a full time content creator. My wife Heather joins the show this week to take a look back on lessons learned and some of the lesser known aspect of this job.Check out Heather's Channel:https://youtube.com/heatherjustcreate

It's time for the Season 12 Q&A episode!

I completely gutted and rebuilt my studio for the first time in 6 years and would you believe it– some valuable lessons were learned along the way!

It's a new season! Let's kick things off with a discussion of what it means to know your limits without creating self limiting beliefs.

《優惠連結》Hadar Shemesh老師的英語發音課程 — 零發音基礎也能說一口自信英文｜90天培養你的英文發音 — https://www.pressplay.cc/member/coupon?coupon_code=JR1000 ＊JR的聽眾至2024年2月29號為止，輸入優惠碼〈JR1000〉，或是直接點擊上方優惠連結，立即折扣 NT1,000元現金！ ＊Podcast字幕為AI生成之簡略字幕，僅作參考＊ 今天來聊聊過年發生的事，跟家人團聚，高速公路迷航記，然後⋯⋯遭遇小偷事件⋯⋯

《優惠連結》Hadar Shemesh老師的英語發音課程 — 零發音基礎也能說一口自信英文｜90天培養你的英文發音 — https://www.pressplay.cc/member/coupon?coupon_code=JR1000 ＊JR的聽眾至2024年2月29號為止，輸入優惠碼〈JR1000〉，或是直接點擊上方優惠連結，立即折扣 NT1,000元現金！ 我們本集有幸訪問Passion Lab熱情實驗室和HerFIT App的創辦人—Passion Chu！我們聊到她從元智大學畢業，在遊學期間怎麼開了眼界。之後，雖然不是成績最優異的學生，卻憑著自己的街頭聰明開始在獵人頭公司上班，然後進入到一票頂尖外商公司擔任要職。然後，在過程中一邊開啟〈斜槓模式〉，一邊慢慢地培養自己後來創業的實力！

Dans l'épisode 115, je recois Charlotte Attry pour parler d'un sujet qui concerne certainement plusieurs de nos auditrices et auditeurs.Le syndrome de nid vide.Autrice formée au journalisme et à la psychologie, Charlotte Attry est spécialiste des problématiques de société avec un penchant pour les défis liés aux transitions de la vie. Ses missions ? Informer, décrypter, accompagner. Et ce, à tout âge.En presse télévisée, elle a endossé les casquettes d'enquêtrice, réalisatrice et rédactrice en chef. Elle a travaillé pour les JT de France 3 et de nombreuses émissions magazines («Ça se discute» sur France 2, «C'est ma vie» sur M6, «Combien ça coûte» sur TF1, «Reporters» sur NT1, etc.).En presse écrite, elle a travaillé plus de dix ans pour le groupe Milan Presse, notamment pour le mensuel pour les adolescentes «Julie Magazine» (piges, gestion de hors-séries et encadrement). Depuis 2019, elle a rejoint la rédaction de « French Morning », le premier média en ligne sur l'actualité des Français vivant aux États-Unis.Dernièrement, c'est en tant qu'autrice qu'elle met à profit son expertise avec une collection de guides remarquée à destination des femmes de plus de 45 ans (publiée par Bamboo Édition) :Ménopause, toi et moi, on s'explique (2020)Le syndrome du nid vide, toi et moi, on s'explique (2021)Elle enquête aujourd'hui sur les couples en crise (sortie prévue au printemps 2024).Installée à Berkeley dans la baie de San Francisco depuis 2015, elle continue à collaborer avec des médias français et elle a monté une structure d'édition américaine. Son premier livre pour enfants Pacita, the Pacifier Fairy (sorti en 2020) a reçu un accueil enthousiaste aux États-Unis et a été adapté pour le marché chinois en 2022.Dans cet épisode, nous abordons :Ce qu'est le syndrome du nid videLe profils des parents les plus susceptibles d'être affectés par ce syndromeLes conseils pour anticiper cette transition de vieLes stratégies pour atténuer les sentiments de perte ou de vide et retrouver notre élanL'impact sur les relations familiales : les autres enfants, le coupleComment transformer et réinventer le lien avec son enfant.Comment gérer le retour d'un enfant et créer un nouvel équilibre de vie différent (pas comme avant). Si cet épisode vous a plu, découvrez aussi :ÉPISODE 39 | Notre façon d'être adulte fait-elle sens et envie pour les jeunes ? | Conversation avec Thomas d'AnsembourgÉPISODE 70 | Être perennial : rêver notre vie quelque soit notre âge | Conversation avec Josiane AsmaneÉPISODE 75 | La ménopause, une naissance à soi | Conversation avec Sophie Kune===================Comment soutenir ce podcast ?Le meilleur moyen de le faire est de vous abonner au podcast Shine! sur Apple Podcast, et d'y laisser votre avis en lui donnant 5 étoiles ! *Et bien sûr, n'hésitez pas à faire connaître Shine en le partageant à toutes les personnes qui vous sont chères et qui aspirent elles aussi à prendre le pouvoir sur leur v

The fallout from the catastrophic Optus outage continues – what does the future hold for the telco, Laser has released a product that brings CarPlay and Android Auto to your vehicle, Apple TV+ comes to the Fetch TV box, we take a look at the Pantheone Obsidian speaker that looks like a work of art, Rode releases the Signature Edition of its iconic NT1 microphone, Samsung offers affordable luxury with its latest smartphone and we'll answer all your questions in the Tech Guide Help Desk.

ABERTURA SEGUNDA-FEIRA, 13 DE NOVEMBRO DE 2023. EU SOU LEO LOPES  E ESTÁ NO AR O CASTNEWS, O PODCAST SEMANAL QUE EM MAIS OU MENOS 15 MINUTOS INFORMA VOCÊ SOBRE TUDO O QUE ACONTECE DE MAIS IMPORTANTE NO MERCADO DE PODCASTS NO BRASIL E NO MUNDO. Escalada As previsões de um forte impacto na produção de podcast pelas inteligências artificiais em 2024, a postura cautelosa de marcas ao realizar anúncios em podcast, o anúncio da criação de um estúdio de produção de podcasts em Salvador, na Bahia, pela atriz americana Viola Davis e a gravação de podcasts no Festival Papo de Música em Curitiba e Recife estão entre as principais notícias que você vai ouvir nesta 41ª edição do Castnews! NOTÍCIAS 1 – Segundo o último relatório da Kantar IBOPE Media publicado na terça-feira passada, 2024 vai ser o ano dos robôs no podcast. De acordo com a pesquisa Trends & Predictions, as IA's já tiveram grandes avanços tecnológicos em 2023, e essa tendência não só vai continuar, como aumentar – e muito – no ano que vem. A integração dessas inteligências artificiais vai ter cada vez mais espaço na análise de dados dos podcasts, personalização e até na própria criação do conteúdo. No entanto, um efeito colateral quase certo, é que também vão aumentar os debates sobre propriedade intelectual, do mesmo jeito que esse ano aconteceu com as artes geradas por inteligência artificial (uma discussão que, inclusive, tá longe de acabar). Os podcasters que usarem os robôs na produção do seu conteúdo também podem enfrentar desafios na hora de escolher as ferramentas de IA mais eficazes, e acabar perdendo dinheiro no processo. É um mundo novo, então os riscos são novos também. Além das IA's, o relatório também destacou que ano que vem a gente vai ver cada vez mais consumo de conteúdo sob demanda e ao vivo, já que ambos os tipos de público já sabem sua forma preferida de consumir podcast. Mais detalhes sobre o relatório você encontra na íntegra lá no portal do Castnews em castnews.com.br . 2 – Foi lançada esse mês uma nova plataforma de podcasts: a Podhome, que já usa recursos do “podcasting 2.0”. A plataforma é alimentada por inteligência artificial (olha aí os robôs de novo!), e oferece sugestões de títulos para episódios, gera transcrições de áudio, identifica pessoas nos episódios e muito mais. Além disso, a Podhome também gera notas e sugestões de trechos pro podcaster promover os episódios. Tudo isso com a possibilidade de se trabalhar com uma equipe de pessoas dentro do mesmo projeto. Os planos de assinatura variam de 9 a 20 dólares por mês, e, é claro, cada plano tem diferentes recursos disponíveis pro usuário. 3 – E a empresa Audacy publicou em seu blog oficial um artigo que constatou que as marcas podem estar sendo cautelosas demais ao anunciar em podcasts. Conteúdos considerados “arriscados” pelos anunciantes são, na verdade, uma ótima oportunidade para se conectar com os ouvintes – mas, infelizmente, os anunciantes não vêem dessa forma. O estudo da Audacy destacou que tópicos ‘controversos' nos podcasts não afetam a percepção do ouvinte sobre as marcas, e também que a qualidade do anúncio é mais importante do que a relação com o tópico do programa. Aqui no Brasil a gente já viu isso na prática: o Não Inviabilize da Déia Freitas, por exemplo, conta um monte de história cabeluda sobre pessoas ruins, golpistas, traidores, e mesmo assim os anunciantes do podcast criam conexão com milhares de ouvintes que compram e que engajam com eles. Então a Audacy tá certíssima em encorajar as marcas a saírem das suas zonas de conforto, e explorar diferentes podcasts nas suas estratégias de promoção. AINDA EM NOTÍCIAS DA SEMANA: 4 – A SiriusXM anunciou uma série de mudanças pra 2024, incluindo um novo aplicativo e mais podcasts originais com personalidades americanas. O novo aplicativo vai ser lançado nos Estados Unidos dia 14 de dezembro, com uma assinatura de $9.99. As atualizações programadas pro ano que vem incluem páginas personalizadas para os usuários, otimização do player de áudio, melhorias na busca e nas recomendações de podcast, e uma nova identidade visual pra plataforma. Além disso, eles também anunciaram parcerias com as empresas Audible, a companhia automotiva Polestar e a rede de hotéis Hilton para aumentar ainda mais o leque de conteúdos oferecidos. 5 – Quem também tá de cara nova é a Deezer, que revelou na última semana a sua nova identidade de marca e logotipo. Agora, a logo da empresa é um coração roxo, acompanhado pelo slogan “Live the music” (ou “Viva a música”, na tradução literal).  Além disso, no evento em que a nova identidade visual foi apresentada, também foram anunciadas melhorias na experiência do usuário no aplicativo da Deezer, especialmente na parte de personalização. As alterações na identidade visual já estão disponíveis no site e no aplicativo da Deezer, mas as mudanças na UX ainda vão levar mais um tempo pra serem aplicadas. Quando acontecer, você ouve primeiro aqui no Castnews. 6 – E o Audio Hijack, uma ferramenta de gravação exclusiva para usuários de Mac, lançou um novo recurso de transcrição de áudio em 57 idiomas. Por enquanto, o software tá disponível na versão Beta, onde os usuários podem transcrever áudios diretamente do microfone, de arquivos de computador ou de chamadas por aplicativos como o Zoom. As mudanças vieram na atualização 4.3 do Audio Hijack, que é bastante útil pra podcasters que disponibilizam o texto dos seus episódios pros ouvintes. Além disso, a promessa é que a ferramenta sinalize diferentes vozes na transcrição para organizar o arquivo de texto, assim que estiver totalmente desenvolvida e aprimorada. Usuários de Mac já podem fazer download da versão mais recente do software. E MAIS: 7 – O Fan Study do Spotify divulgou informações pra auxiliar os criadores de conteúdo a entenderem mais sobre o consumo do seu público. Você sabia que, por exemplo, os podcasts são mais ouvidos de segunda a sexta? Os grandes picos de consumo são à noite, e a descoberta de novos podcasts acontece especialmente nos meses de janeiro, março, julho e outubro. A maioria dos ouvintes escuta podcast enquanto faz tarefas domésticas, ou durante o deslocamento de um lugar pra outro. Isso aí a gente já sabia, mas é interessante saber que esse é um comportamento que não mudou no último ano. Outra coisa que o estudo divulgou e que a gente já sabe, é que os podcasts em vídeo estão em alta. Mas uma coisa que talvez você não saiba, é que a interação com o público por meio de perguntas aumenta o tempo de escuta do ouvinte. Quer saber mais? Então acessa o portal do Castnews em castnews.com.br pra ler a matéria completa. 8 – E se você está em Curitiba entre os dias 14 e 15 de novembro, ou em Recife entre os dias 24 e 25 de novembro, pode participar de uma gravação de podcast ao vivo no Festival Papo de Música. O evento é uma extensão do canal “Papo de Música” da Fabiane Pereira, que reune jornalistas e profissionais da música pra falar sobre a cena musical atual. O festival vai ter mesas redondas, entrevistas com artistas, oficinas e muito mais. A iniciativa é apoiada pelo Programa de Ocupação dos Espaços da CAIXA Cultural e a entrada é totalmente gratuita. Não precisa se inscrever nem nada, é só chegar e participar. HOJE NO GIRO SOBRE PESSOAS QUE FAZEM A MÍDIA:  9 – Saiu a notícia que muita gente esperava, e mais gente ainda desacreditava: o podcast Projeto Humanos do Ivan Mizanzuk causou revisão judicial no Caso Evandro, e os réus condenados pelo crime foram absolvidos na última semana pelo Tribunal de Justiça do Paraná. Foram anos de investigação do Ivan sobre o crime, ele construiu a narrativa inteira do inquérito e transformou no podcast que causou a reabertura do caso, revisão das provas, e agora a absolvição dos acusados. Quando a gente fala do poder do podcast, nem a gente imagina o quão grande pode ser o impacto da mídia, mas aqui foi um exemplo claro da importância de dar voz às pessoas certas. O Ivan Mizanzuk fez o anúncio da decisão judicial via Twitter e comemorou junto com os acusados. Às vezes a justiça DE FATO tarda, mas não falha. 10 – E durante o Festival do Liberatum de Salvador, foi anunciado a abertura de um novo estúdio de produção de podcasts: o estúdio Axé. Mas quem fez o anúncio foi ninguém menos que a atriz americana Viola Davis, junto com seu marido Julius Tennon. Vale lembrar que a Viola já tem envolvimento ativo com podcast a alguns anos, é sócia de alguns estúdios lá nos Estados Unidos e, junto com o marido, é co-fundadora da própria produtora – a JuVee Production. O primeiro produto deles aqui no Brasil vai ser uma série de podcast sobre o Zumbi dos Palmares, e o casal também deixou claro que tem muito interesse em contar histórias do Brasil e da Bahia. Olha só que notícia bacana! SOBRE LANÇAMENTOS: 11 – A RØDE lançou a nova edição do seu microfone NT1, o NT1 Signature Series, depois de 30 anos do lançamento original. Esse microfone condensador de estúdio é versátil e atende músicos, podcasters, streamers e até dubladores. Ele se une à NT1 5ª Geração na linha de microfones da empresa, que têm especificações de alto desempenho. Além disso, a edição limitada do NT1 Signature Series pode ser comprada nas cores vermelho, rosa, roxo, azul, verde e preto. Características do microfone incluem uma cápsula condensadora de diafragma grande RØDE HF6, padrão polar cardioide estreito e capacidade de capturar sons altos com ruído extremamente baixo. 12 – O podcast Matéria Bruta, do Canal Curta!, firmou uma parceria com a Coleção Folha Clássicos da Literatura Luso-Brasileira, e vai publicar quatro episódios especiais sobre a vida e obra de autores importantes: Fernando Pessoa, Lima Barreto, Júlia Lopes de Almeida e Florbela Espanca. Para discutir a vida dos autores, suas obras e outras curiosidades, o podcast conta com a participação de especialistas no assunto, incluindo professores e pesquisadores. Os episódios vão ser lançados quinzenalmente às quartas-feiras, em todas as principais plataformas de áudio. 13 – E o canal Metrópoles lançou o novo videocast “Esse filme é bom?” apresentado pelo diretor e roteirista Lino Meireles. O conteúdo vai ser lançado a cada 15 dias, e vai trazer discussões sobre filmes, com um toque especial: um dos participantes ama o filme que está sendo analisado, enquanto o outro não (eu adorei a proposta). O videocast está disponível no canal do Metrópoles no YouTube, e também em áudio nas principais plataformas de podcast. RECOMENDAÇÃO NACIONAL:  14 – E na recomendação nacional da semana, a gente vai indicar um podcast que faz jornalismo responsável: tá no ar a segunda temporada do podcast Amazônia Sem Lei, produzido pela Agência Pública. Em cada episódio do programa, a equipe do podcast sai em busca de diferentes respostas pra mesma pergunta: por que a Amazônia é um epicentro de violências hoje?  O primeiro episódio falou sobre os conflitos que levaram ao assassinato de cinco lideranças quilombolas nos últimos três anos em Arari, no Maranhão. Na segunda temporada, o Amazônia Sem Lei tá indo até os territórios que registraram os maiores índices de conflitos dos últimos 10 anos. Não é um conteúdo pra ouvir rindo, mas é muito necessário pra se informar sobre o que tem acontecido dentro do nosso próprio país, e que muitas vezes passa despercebido. O programa está disponível nos principais agregadores de podcast. E você sempre pode divulgar trabalhos e oportunidades dentro da indústria do podcast, aqui no Castnews. Sejam vagas remuneradas ou vagas de participação em projetos, manda pra gente no e-mail contato@castnews.com.br que elas vão ser publicadas na nossa newsletter, que é enviada duas vezes por semana: na quarta e na sexta-feira. Além disso, você também pode mandar uma pequena apresentação do seu podcast, e se ele for o escolhido, vai aparecer aqui na nossa recomendação nacional da semana. ENCERRAMENTO E CTA E ESSAS FORAM AS NOTÍCIAS DESTA QUADRAGÉSIMA PRIMEIRA EDIÇÃO DO CASTNEWS! VOCÊ PODE LER A ÍNTEGRA DE TODAS AS NOTÍCIAS E ASSINAR A NEWSLETTER EM CASTNEWS.COM.BR. AJUDE O CASTNEWS A CRESCER ESPALHANDO O LINK DESTE EPISÓDIO EM SUAS REDES SOCIAIS E ASSINANDO O FEED DO PODCAST PARA RECEBER EM PRIMEIRA MÃO OS EPISÓDIOS ASSIM QUE FOREM PUBLICADOS. VOCÊ PODE COLABORAR COM O CASTNEWS MANDANDO SEU FEEDBACK E SUGESTÕES DE PAUTA NOS COMENTÁRIOS DO SITE OU PARA O EMAIL PODCAST@CASTNEWS.COM.BR. 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The fallout from the catastrophic Optus outage continues – what does the future hold for the telco, Laser has released a product that brings CarPlay and Android Auto to your vehicle, Apple TV+ comes to the Fetch TV box, we take a look at the Pantheone Obsidian speaker that looks like a work of art, Rode releases the Signature Edition of its iconic NT1 microphone, Samsung offers affordable luxury with its latest smartphone and we'll answer all your questions in the Tech Guide Help Desk. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans cet épisode de "DOLCE VITA BY...", nous avons le plaisir d'accueillir un invité au parcours exceptionnel : Alexandre Devoise, figure emblématique du paysage médiatique français. De Fun radio et Europe 1 au côté d'Arthur, Maître Levy et Princesse Jade à RTL et RTL2, M radio, Chérie FM, vous avez forcément écouté Alex.  Son parcours professionnel est aussi jalonné par une forte empreinte dans le monde de la télévision : de TF1 à Canal +, en passant par France 3, NT1, W9 ou encore France 2, Alexandre Devoise nous a communiqué sa "good vibe". Le temps d'une pause à la "Guinguette de Neuilly " et juste avant ses vacances, Alex s'est prêté à l'enregistrement d'un nouvel épisode de "DOLCE VITA BY...".  Dans ce podcast en mode "chill", Alexandre Devoise nous partage sa vision de la DOLCE VITA et ses expériences de voyages.

I spent a couple of weeks really testing out the RODE NT1 5th Generation Large Diaphragm Condenser Microphone. There is a lot to love. But I have a few quibbles as well. Unlike previous versions of the well-known NT1, the 5th generation is a "hybrid" mic. That means it is BOTH/EITHER a standard XLR mic OR a USB mic!  Pretty much every quibble I had was with the USB mode, like not having a headphone jack on the mic, and having issues getting Windows 11 to recognize it while also being able to use the RODE Connect software. This podcast episode was primarily about the highlights - how it sounds, and my personal favorite thing about it - 32-Bit Float!  But I do go into more details about my quibbles, plus the use of the on-board effects that you can use in USB mode, controlled by RODE Connect software (free) in the YouTube video I did on the mic, which you can find here: https://youtu.be/tn0IxGA1-XI 

Rode nos prensenta su nuevo e iconico microfono de condensador el NT1 de 5ta generacion. --- Send in a voice message: https://podcasters.spotify.com/pod/show/gonz33/message

Anne & Gillian continue their discussion on Boss Equipment Necessities, providing even more valuable insights on what essential audio equipment you need in your booth. They discuss the importance of selecting studio headphones that offer both comfort and accuracy. They also delve into the convenience and limitations of USB microphones, as well as providing a comparison of costs and quality of audio interfaces. Additionally, they share tips on where to get tech support and test gear in person. You definitely don't want to miss this conversation...   It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza.   Anne: Hey everyone, welcome to the VO BOSS podcast. I'm your host Anne Ganguzza, and I'm excited to bring back to the show today creative freelancer, audio engineer, musician Gillian Pelkonen for another episode in our BOSS audio series.    Gillian: Hello (laughs).    Anne: Hey, Gillian.    Gillian: How's it going?    Anne: It's going great. So we've had some really intense conversations about our home studios. First of all, talking about where to locate your home studio in your home, where good place is, a little bit about sound absorption. Then we had a really cool, interesting episode, I think, on all the equipment that people don't think about that's required to run our voiceover business. Now we're gonna talk about all the obvious ones that I think people always, they love to talk about these, and --   Gillian: This is the exciting stuff.    Anne: I think the other stuff is exciting. I think actually people don't get excited enough about the other kind of technologies. So --   Gillian: I mean, (laughs), we know you're gonna marry the internet.    Anne: Yes.    Gillian: I have a spiritual connection to unboxing Apple products.    Anne: Yes, there you go.    Gillian: But the air quotes exciting stuff that everyone loves to harp on. Yes.    Anne: I dare say that I have a spiritual connection to my headphones, (laughs) to my headphones, and, and I know that people are always asking me, what are your headphones that you wear? Because I love wearing colorful headphones because it's part of my brand. And I actually have like all different colors of headphones right here with me.    Gillian: Wow.    Anne: I've got a lovely deeper blue here.    Gillian: You guys, if you're not watching, go to YouTube right now and you gotta see this.    Anne: Then we've got the royal blue here, which I love, and then of course I've got black. I actually have an alternate pair of the red ones and okay. So I think, can we talk about headphones (laughs)?    Gilliann: Yeah. I mean, let's start.   Anne: I've already started.    Gillian: So we talked computer, you have your computer, you have your internet connection, you have your isolated space, and it's soundproofed to whatever fits your budget and what you need right now to be isolated.    Anne: And your internet connection and website.    Gillian: Oh yes.    Anne: Right?    Gillian: Yes. Oh, and website. Yes.    Anne: And website.    Gillian: That is definitely important. Headphones. So important because you can't, you can't be playing out loud while you're recording (laughs).    Anne: Now here's the thing, there's reasons why we wear headphones. Okay? So what are the primary reasons you wear headphones, Gillian?    Gillian: Well, just in my everyday life, there's the convenience of being able to listen to whatever I want and to be able to hear that. But for recording, when you're recording voice, if you are playing out loud what you are recording, you will get feedback. And I don't think you will on the scale of a small computer, but there are a few studios that I've worked in, and when I was very new and prone to making mistakes -- obviously continue to make mistakes and learn from them — but when we had big speakers and we were recording in the same room, you definitely get a nice ear cleaning with that high pitch feedback. Because having an open source, you're DAW, armed and ready to record, and that -- it just creates a loop of sound, if you think about it, what's going into the mic, coming outta the speaker, into the mic, outta the speaker, and that just ruins it.    Anne: So well, okay. So there's a big debate in the voiceover world about, do you need headphones while recording? Because there's a lot of people that say you do not. It helps you to sound more natural. Okay? And of course you don't wanna have your speakers on either or your monitors.    Gillian: Oh yeah. That's what I'm thinking of. But this is interesting.    Anne: Yeah. So do you have your headphones on while you're recording? Because a lot of times, it's distracting listening to yourself, what you sound like in your headphones. So for me, okay — some people adopt the whole, I'm not gonna wear my headphones at all because it makes me sound more natural. I'm not listening to what I sound like in my ears. Some people do one ear on, one ear off to help that as well while they're recording. And some people wear them. Now I, years ago, started wearing them because I had a lot of sound outside of my studio. And I needed to be able to put my headphones on to hear if it was going to come through in the recording. And some things like my naked ears couldn't hear like the vibration of the truck that was a mile away coming down the road, and somehow vibrationally it came up through my studio. And the jackhammer that was maybe not right outside my door, but down the road because they were constructing new homes.    So for a long time I got used to wearing my headphones just to make sure I could step in the studio to make sure that I couldn't hear those sounds coming through my microphone. And then I just continued to wear them. Now I've done both, take them off when I'm recording or keep them on. A lot of times, if you think of it this way, (laughs), and this is not a popular opinion, I will have my headphones on while I'm recording because I feel that whatever you hear in your headphones is just you amplified. And if you are an accomplished actor that can act like you, without paying attention to what you sound like in your headphones, you can wear headphones.    And for me it's something that, it's kind of on a day-to-day basis. I'll probably wear my headphones more often than not, just because I've been doing this for a very long time, and all I do every day when I coach is tell people not to listen to what they sound like and to just be themselves. And so I wear my headphones. Plus I do a ton of editing, I do a ton of coaching, and so I need to, and I don't have monitors, number one for the very technical reason is honestly I just don't have space. I don't have space to put a nice pair of monitors on my desk. So I wear my headphones when I edit.    And so headphones to me have to be comfortable. And they have to be studio headphones of course. And that should be a given. Anybody, any BOSSes out there that are just starting in the industry, make sure they're studio headphones, and they're not any other type of headphones that's gonna add more base or more treble or that adds prettiness to it. You just need studio headphones so you can hear the raw output.    Gillian: Yeah, it's definitely an interesting conversation. I think my advice is gonna be the same as always. My advice is just try 'em all and see what works. I personally, when I am singing, I do one ear on, one ear off, mostly for pitch, because how you sound in your head, it's all relative and different. I think that there are some things to be concerned about. Obviously if there is extraneous noise coming on your recording, you wanna be aware of that. But if you're connecting to a client, really if there's an engineer on the session, they should catch that. Like, that's my job when I'm working with talent. Another issue, sometimes I hear the movement of headphones, but I've never really asked talents what they're doing. And maybe it's putting them on and off, but there are a lot of moments functionally during a session when a director is gonna wanna get your attention. And so if you're just rocking without headphones, that's something to just consider.    Anne: Yeah. You'll have to hear them. And you just said something, I don't mean to interrupt, but you just said something that made me think the physical sound of your headphones. Believe it or not, if like -- these headphones, the exterior is, there's some plastic components here. As they get older, believe it or not, if I move my head, because we're very physical as voice actors behind on the mic, as I move my head, they make noise. And that noise comes in through my recording. And I, I remember for the longest time there was this tiny little click, and I was like, I don't have a mouth click. Where's that coming from? It was coming from my headphones. And so for me, I found a way to, I actually had bought a new pair of headphones so that they didn't -- they weren't really squeaking, but they were making plasticy noises. And I know that's not a technical term, but it's a noise where like if I do this (clacking nails on headphones) --   Gillian: Yeah.   Anne: — you can hear that. It wouldn't be that loud, but it would be something similar to that. And so --   Gillian: Interesting.    Anne: Yeah. For those of you guys listening to that, I was simply just squeezing the headphone earpiece with the headpiece together --   Gillian: To get that plasticy --   Anne: To get that plasticy sound.   Gillian: — noise sound. Well, there's another thing that I've noticed with headphones that's important to note -- just this is more function than which headphones to get. But, and it could be 'cause people are taking them off. But a lot of times I'll be working with the talent's audio from a session we just did, and through their recording I can hear everyone else talking. And this doesn't really happen during the recording, but I can hear myself slating things not recorded. So I don't know, if you're taking your headphones off and you're putting them down, you gotta think about, okay, if someone starts talking or if there's other noises, those are gonna get directly into the mic. Or if your headphones are too loud, there's gonna be too much bleed. So just things to think about when we're talking about headphones.    Anne: Two good points. I wanna actually go back on that, right? If you put your headphones down and obviously you're not hearing (laughs) other things, right, other noises can come through them. And also you mentioned bleed. Bleed is important because right now I'm really, really close to my microphone. And depending on the volume that you have your headphones turned up to, and I'm a little older so I might need a little higher volume. And so sometimes you have to be careful that the sound coming through your headphones doesn't bleed back through your mic. And for that reason I have closed headphones. And that's why I recommend closed headphones for most voice actors, if that's the case. If you're gonna be sitting out just doing editing all the time, I don't think they need to be closed backed. If you're just gonna use 'emfor editing.    Gillian: If you're watching us, I have open back headphones. But I just got these recently, these are like the Sennheisers, I think the HD 600s. That's what I thought. And I have these mostly for mixing and I I listen through them 'cause they're really comfortable. But my closed headphones, I also have AudioTechnicas. They were my first headphones, like pro headphones; they're amazing. The pair that I had was under a $100. I've had 'em for years. They're amazing. So whoever is saying that you need really expensive headphones for amazing sound, you don't. There's lower models that are great and then you can upgrade. There's a whole range of AudioTechnicas that get more precise or, or just have different features that you can invest in if you wanna spend more. But there should be no barrier to getting, I think they're $70 or something like that, which --   Anne: Well, I'll have to tell you about mine that have the color. because people are always asking me. And I do have, I do have a studio gear page off of AnneGanguzza.com and as well as the VO BOSS page studio gear that I recommend. And by the way, I don't put anything on this page that I don't use or have not owned. And I will say that I love AudioTechnica headphones as well. And of course before this turns into an AudioTechnica podcast -- which it's amazing, there's lots of great headphones out there. The one thing that I love about AudioTechnicas is for me they're super comfortable. I literally wear my headphones when I'm on coaching days and I'm coaching eight hours at a shot. I have them on my head eight hours. Because again, like I said, I don't have monitors in my room and plus my husband works upstairs, and so I wanna be able to keep things at a minimum. And so they have to be super comfortable. I have to be able to hear the talent, right, to be able to direct them.    So for me, they are amazing. They're a little more than $100 because of the color, the special additions they are the MX 50s and in whatever color -- I don't believe they make the red anymore, but if you're lucky you can find them somewhere, somewhere out there. There'll be an extra pair that somebody has that's still new in the package. I've bought three pairs of red 'cause red is discontinued. My royal blue has been discontinued. Every year they come out with a new color. And so every year I find it necessary to buy another color just because I'm on the camera a lot and I love -- and they make me happy. Right? If you're gonna have on your head for a long time, they should make you happy.   Gillian: And comfortable, most important.   Anne: Yeah, and they should be comfortable.   Gillian: -- don't need a headache.    Anne: — be accurate as well. Right? So for that reason, the AudioTechnics are my faves, and I do own a pair of Paradynamics. I've owned the Sony, oh gosh, I think it was the 7507s, I believe. And the one thing that I didn't love about the Sonys, although I love the sound, was the actual cable that connects was a twisted cable. And what happened is they never traveled well. They became entangled within themselves. And if you've ever had a coiled wire get tangled in itself, and you try to pull it apart, it's horrible. It just gets twisted onto itself. And so I love the AudioTechnicas 'cause they always have the straight cable that you can use and it doesn't get twisty. And that may seem like a very silly reason to love the AudioTechnicas, but that's one of many reasons why I love that. But it's a viable reason because the twisty turn coiled cables, they're not fun to get them untangled when they get tangled, especially when you travel with them and you're trying to wrap them around --   Gillian: No.   Anne: — the headphones.   Gillian: Definitely not. And something to think about when we're talking, all of these things are essentials. And I'll just tell a brief, brief story, but the other day I was doing a session with a voice talent, and we were having all of these issues. I still don't know -- I was on the session, but I wasn't the head engineer of it. So I don't know exactly what happened. But we think that between when we were testing with the talent to when we pulled the client in, their headphones broke because they magically could not hear us.    Anne: Oh wow.    Gillian: And you need to have an extra pair because you can't be on a session without having an extra pair of headphones. It's super — and I'm sure we'll say, and I know, Anne, you've said before in the past, you need backups of your backups. But definitely even if you have your splurge pair and you have a less expensive pair just to use in case of an emergency, there could be a chance that you're on a session, and in the middle it breaks, and you can't continue the session without the pair of headphones. So just don't forget about having some, a little insurance on your sound.    Anne: Yeah. And you know that, it's interesting that you mentioned that, and I talk about headphones so much because when I'm connecting with students through ipDTL -- and this would be just like me, I would be the studio and they would be connecting through Source Connect or ipDTL — you have to have headphones to avoid that feedback. when you're connecting via those methods. And simply earbuds are not the best because sometimes they don't fit your ear properly. There's bleedthrough and honestly closed back headphones are probably the best for any kind of studio session you're going to have.    And I just say yes, I totally agree with you, Gillian, about the backup. Because I have had people who like all of a sudden they're like, oh, I can't hear you. And I'll be like, do you have another pair of headphones? And at that point if you even have a backup like set of EarPods works but in a pinch. But really have an extra set of headphones in case that happens. Because the last thing you want is for you to lose connectivity with your client to be able to hear what they're saying and to do your job. I mean it is part of your job. So have a backup, and honestly most headphones are not expensive. I, I'm going to tell you the AudioTechnicnas, even these, the new versions that they come out with are about 160 some-odd-dollars. The navy blue ones I just bought were like $169. So they're not tremendously expensive at all. And I know you can get some fabulous head phones for less than $100 for $99. I think that's what my Sonys were that I bought. So well worth the investment.    So in terms of headphones, make sure that they're studio headphones. Make sure -- I like to say close back if you're gonna be using them for any kind of recording at all 'cause you don't want the bleedthrough. If you're gonna sit there and edit all day, yeah, maybe open back or others will work fine for you. Make sure they're comfortable for your head. And especially if you wear glasses 'cause you don't want them to push in on the glasses and then have the glasses give you a headache. That's the last thing.    Gillian: Yeah.    Anne: All right.    Gillian: Okay. Should we lightning round a little bit the rest of some of the other things that we might need?    Anne: Yes.    Gillian: Because I know, I know what I'm thinking.    Anne: Microphone.    Gillian: Microphone. Yes. And we'll do a whole episode on microphones about the different types and and what kind you might need. I personally always say large diaphragm condensers for voice actors. There are amazing -- you know, everyone knows the TLM 103 that's upwards of $1000. There's also amazing mics that if you're a beginner, and you're not ready to invest that much money, that will not sound exactly the same but will be a large diaphragm condenser mic and will do the job, will make you sound great.    Anne: Absolutely. I used an NT1, a Rode NT1 for at least six years of my career full-time before I bought a 416. Actually I bought the TLM 103 and then I bought a 416 as well. So now I have both of those in my studio. But guess what? Also sitting on my desk here, I have a USB AudioTechnica AT 2020, and that works for some of my other connections. Believe it or not, that works for my Clubhouse connections because my Club Deck software doesn't like my audio interface so I have to use a USB mic and it makes me sound a whole lot better. And so those USB mics, they come in handy for lots of applications. Maybe not for your professional recording but for other applications that help enhance the sound of your voice.    Gillian: Yeah. And here's the -- I'm not going to say that people shouldn't use USB mics. I mean the audio engineer and me, always, I love an interface and a mic just because. It's so funny, I wrote a whole blog post on this so if you're interested you can go read my blog about the core differences between like the functionality of what a USB mic or like a USB and interface does, and the pros and cons of both, 'cause there's pros and cons of both. When you have the interface, there's more things to know, there's more things that can go wrong. There's just —   Anne: One more thing in the chain    Gillian: — sensitivity. Yeah, exactly. But if you are interested and you want a USB mic, there's definitely options that will make you sound as good as you need to sound to start out. And I don't wanna get on here and say that you can't book a job or get started in voiceover using a USB mic, because there's so many uses for it. And once you upgrade, if you choose to upgrade to an interfacing mic, then you have that other option to use for things like, like --   Anne: Any mic.   Gillian: Yeah.    Anne: That's what I love about. I think really if you've got, I say for any voice talent in a pinch if you have to, you can use a USB, if you've got a good recording environment, in a pinch, but it's not recommended. I would say even if you're traveling, I've tried it all. I do have, I've got a great Tula mic, which is a USB mic and it's amazing. So if I have a good space, you know, my little Tula can hook up USB, and I can get a decent audition. I wouldn't necessarily use it for any type of work that you wanna send to your client, broadcast type work, but in a pinch, like absolutely.    But for every day kind of voiceover I recommend condenser with an audio interface. And again, you don't have to have the $1000 mic. There's lots of great mics and there's so many discussion rooms and forums on what mic should I get? But I also have recommendations that I think work. It really depends on your voice and your comfort level, and work with a vendor that you can send it back if you don't love it.    Gillian: So important that you can either -- I mean I know in big cities -- I'm not entirely sure ‘cause I haven't done this in a while, but I know I'm in Guitar Center, I went there all the time growing up to play the instruments, and I know that they have a mic room where you can try stuff. I know that -- I'm pretty sure it'd B and H in New York City, you can try mics there, but I love Sweetwater. You can chat with agents there, you can talk to them. I'm pretty sure they have a great return policy because if you get the mic and you're investing all this money and you don't love it for your voice, even though everyone on the forums is saying it's top VO mic, don't keep it. Find something that makes you sound great because no one in the end is gonna know what mic you're using. They're just gonna know how you sound.    Anne: Well, exactly. And I also think though it's worth mentioning that if you get a mic and you want an assessment of what you sound like, Gillian, my goodness, like what you do all the time, the sound assessments, right?    Gillian: Yes.    Anne: Gillian can absolutely give you an assessment of how your voice sounds with that particular mic in your environment. I think there's a lot of things at play here. It's your environment and also the mic, and there will be a difference. So for me, I can say, you know what, I like the way this mic makes me sound, but I haven't recorded a file with it and sent it to somebody. Because again, sometimes if you're just starting, it's very difficult. You don't necessarily have an ear yet. Sending it to someone like Gillian is very important, who is, you know, this is what Gillian does; she's an audio engineer. She listens to sounds all the time and every day so she can make an accurate assessment and also tell you if this suits your voice or this doesn't suit your voice.    And I really believe that you also have to be happy with it. And don't forget, there's some people who mistakenly think that, well, I can use this mic and then I can process my voice to make it sound even better. And in reality as a voice actor, that's not what we wanna do. I mean, we simply wanna be able to give the cleanest recording that we can, and maybe our mic should, like what sorts of things should mics do for our voice? You know what I mean? They shouldn't change our voice, but they should enhance our voice.    Gillian: Yeah, they should -- I think I said this in the first episode we did together, but microphones are microscopes picking up your voice. And so every mic has a different capsule in it. It has a different way of processing, whether you're using dynamic mic or ribbon mic, all the different types of mics, they all react differently to sound. And so some people love singing on ribbon mics because it's quieter, it's more sensitive. I have a super cardioid condenser microphone that I, I love using on my voice and I tried the U87, all these other things. So it's really about, and this is a difficult answer because it's like you need to find what works for you because the mic that makes Anne sound great might not make me sound great. And all the processing in the world — obviously you can EQ it and change it a little bit, but really it's like finding a pair of jeans. Like you gotta find one that fits you and makes you look and feel your best. Maybe not look but jean analogy sound like you.    Anne: Yeah.    Gillian: You know?    Anne: Yeah, exactly. Exactly. I don't think that there's any mic that will make you sound better than you. I mean your whole goal is really to make you sound the best that you can sound. And there's lots of mics -- and again, you could have a really like inexpensive mic in a great environment and sound amazing. You can also have a very expensive mic in a poor environment and sound horrible. I remember back in the day before I really had secured my environment sounding as best as it could, I purchased a shotgun mic, and it wasn't a 416, but I purchased one of the knockoffs and I actually hated it. I hated the way it made my voice sound. But I found that once I got the 416 and I had my environment, I love the way it sounds now.    And it's really interesting because before I was like, well I held off getting a -- it's why I got the TLM 103. And for me now I realize for my voice, the TLM 103 is a little bit of a brighter sound. And the 416 will pick up a little more of the bass sound, and that's typically true for most voices. But again, until you try it, you're not gonna really know, and it really has to be up to you. And again I think sending sound audio files to engineers who have the ear, who this is what they do, like Gillian, is really worth an investment to get the overall assessment on yes, this mic is good for you. Or also it will help you to determine if maybe (laughs) like how many times, I think we talked about this, Gillian, somebody might have had the installation of their mic backwards, and they were speaking into the back of the mic versus the front of the mic.    Gillian: Yeah.    Anne: A lot of times people don't sidedress their mic, right? They're speaking right into it. So there's a lot of plosive. So there's a lot of things that, Gillian, you can help talent to assess with their sound. And most people think it might be a mic problem, it may not be a mic problem.    Gillian: Yeah. Sometimes it's really simple stuff. Your room sounds really loud because your gain is up too high and you're not close enough to the mic. So it's picking up everything. Or it's on omni when it should be on cardioid, or you're facing the wrong way. There's so many things that someone listening could hear if you have a trained ear. Before we go, I know we have to go very soon, but don't forget your pop filter for your plosives.    Anne: Ah yes.    Gillian: So important.    Anne: Oh my gosh.    Gillian: I know you have like the pop filter shield sort of thing. That's what it looks like. Looks like you have, if you're using an interfacing mic, you need an XLR cable to connect the two. So important 'cause how are you gonna get from mic to interface from point to the other? So you get your mic, you get your interface, you don't have an XLR cable, you can't work. A mic stand. So important. What are you gonna do do without a mic stand? (laughs) You can't hold it.    Anne: Well, exactly. You really can't. And I think that again, more equipment besides your mic stand, I actually prefer --and this is just me, I always tell my students for me and my studio, I like the boom arms that can be mounted on the wall. Because a mic stand to me, I can't tell you how many times I've heard talent like trip over the tripod-like feet.    Gillian: Oh my gosh. Lemme show you my cute little stand.    Anne: With their mic. Yeah.    Gillian: I have this like, everyone watching, this like cute little baby stand that I just put on my desk. I think that those are really smart, the ones that clip right on. This little guy just sits on my desk and I can take 'em wherever.    Anne: Okay. Well, that's if you're sitting at a desk. But if you're standing and you have one of those tripod-like standing mic stands…    Gillian: They're hard to maneuver. Yeah.    Anne: They're hard. They're hard to fit in a lot of studios. I used to trip over mine all the time, so I basically have boom arms that I mount on the wall in my studio. They save a lot of space at my feet when you don't have a ton of space. And also, like you said, you can't hold it. And then we do need to mention the most important thing from the mic, right, that goes into your audio interface, your audio interfaces, and then everybody has questions. What's the best audio interface? Now I have been through the gamut of audio interfaces, but the main job of your audio interface is to translate the analog signal that comes from your microphone into a digital signal before it goes into the computer. Correct, Gillian?    Gillian: That's what it does. And typically it does both. It does the analog to digital conversion and then most audio interfaces have a headphone jack. So really we monitor off our computers, but you can monitor off of there where it goes digital right back to analog for you to listen to.    Anne: Oh right. Absolutely. I wasn't even thinking of that. You're right, because that's where my headphones are plugged in all the time. I started, gosh, I started with the Personas. And I'm trying to remember, I think I probably at one time had a Scarlet Focusrite, which I don't love those interfaces -- and I know we had a conversation in one of our podcasts about interfaces. I then, when I bought my studio here, I have a Mackey because I was intending to be able to do talk back to people in this booth to rent this booth. And ended up having a technical issue with that, which I sent it, it got fixed, it was under warranty that is now my backup interface.    And then I purchased an Apollo. And my Apollo, I have a mostly love relationship with my Apollo because of the plug-ins that work with it, which I absolutely love. But however, when we talked in our last episode about computer and keeping your computer up to date, well the (laughs) latest version of Mac OS is not up to date with the latest version of the Apollo. So you just have to make sure that you are aware of what's happening. The one that I recommend in terms of like a really great price, and I think works for the majority of people is the Steinberg UR22. And that is like about a hundred and — I wanna say $170. And I had one that I used for years, and it was just a workhorse and I love it. And that does all of the conversion, versus Gillian, if I'm correct, in saying with a USB mic, the conversion happens at the base of the microphone, right? So converting analog to digital. So there's a chip there that's doing that conversion.    Gillian: The biggest difference between the two is that when you use an interface, the mic just gets to be a mic, but within the USB mic it's all happening. And usually you'll see a little headphone jack too. It does A to D and then D back to A conversion.    Anne: Yeah.    Gillian: You pay less and you get everything is gonna be slightly lower quality because you're paying for --   Anne: You gotta fit into a tiny, little --   Gillian: — a microphone — all of the conversion, all of those things in one small device versus, you know, separating them out. So that's kind of where don't use USB mic comes from just because you can get higher quality with the separate.   Anne: You have so many more choices. Right? Because you can have a Focusrite or a Steinberg or an Apollo.   Gillian: You get to mix and match.   Anne: And you can have whatever microphone you want (laughs) connecting up to it.    Gillian: The other thing that I love about that is that there's room to upgrade. So let's say you wanna splurge on a really expensive mic and you're, just, you know, oh, I wanna start with this interface. Or vice versa. You wanna splurge on an Apollo for $1000, but you wanna use a $200 microphone and then say I'm gonna wait a couple years and then upgrade. Personally I've used Apollos, I've used UAD. I kind of struggle with the software issue even though I've used the plugins. They're awesome. I like Focusrite stuff. I like the Scarlets. I think it's great. I think voice actors really only need one input, possibly two. If you wanna have two mics set up just to switch between, you know, a shotgun and a large diaphragm condenser, if you want 'em at the same time. I like Apogee as well. The Apogee Solo and the Duet, those are great too. Those work really well. So those are my faves.    Anne: I'll just disagree with you on the Scarlet only because I've just had a lot of voice talent that have had bad luck, and I think mostly it's -- and I myself have thrown away two of them. And I think mostly a few years back, I think they used a bad chip set. I'm not sure what it was. Or they created these bundles where you got headphones, microphone, and interface all in the same package. And I think they used lower quality parts. And what would happen is voice actors would find, all of a sudden they'd get some sort of a noise or hissing, and nobody knew what it was, and it ended up being the interface. So for me that just kind of, I tossed that one to the side and said, I'm not gonna recommend that one anymore. But Scarlet, typically Focusrite had an impeccable reputation there for a while until I ran into bad luck with it past few years.    I think if you buy a bundled package, (laughs) meaning from a manufacturer or something, especially at Costco, as much as I love Costco, right, there are packages made, packages that are made for Costco. Sometimes they use cheaper parts in those, and sometimes you'll find that the quality won't last as long. Sometimes though you'll buy stuff at Costco, not necessary technical equipment, but you'll find things at Costco that's better (laughs) than you would find at other stores. But that's just my personal experience.    Gillian: I see. I've never had any bad experiences with Focusrite. I've used the larger hardware as well, the professional studio models of stuff. And those sound amazing. I think I've had a lot of friends and myself who've used the Scarlet interfaces and haven't had issues. So, that's my experience. And it's so funny, I've been wondering why people don't recommend bundles because I wouldn't buy audio gear from Costco (laughs). But there's a few places, like Sweetwater is my favorite place to buy gear.   Anne: Yeah, but they'll bundle individual pieces together. Now, I'm talking about manufacturers that create whole bundled sets of things together.    Gillian: Well, Sweetwater is awesome. And B and H, they also have some great bundles. And with Sweetwater specifically, if there's a bundle you like, but there's a piece of gear you don't like, you can reach out to them personally and swap it around and get a discount from sort of buying in bulk. And they have some pre-made stuff so that if someone was trying to set up their home studio, didn't know where to start, it gives you a little place to get started.    Anne: And one thing I will say before we go, one thing that I love about Sweetwater is you get tech support. Oh my God, that is like unheard of these days. Like if you don't know, if you're having a problem installing the interface, you can call them up and get help. And that to me is invaluable.    Gillian: They're amazing,    Anne: They're wonderful to work with. So.   Gillian: Yeah. Very knowledgeable. I love Sweetwater. It's my favorite place to put my money. I have a few friends that work there as well, and all of their employees are highly trained and they know --   Anne: Very educated --   Gillian: — about the gear. It's like a prerequisite to work there.    Anne: Wow. We could go on forever, but, uh…   Gillian: We could.    Anne: Good stuff, Gillian, thank you so much.    Gillian: Thank you. And for anybody who is interested to get your audio assessed by me, I know we did a few episodes about it, but if you missed them, you can just head to my website, GillwiththeG.com. It'll, I'll be linked down here and I have some audio assessments. I have a little free course on, on setting up your home studio and a few blog posts or a bunch of blog posts just talking about different audio things if you're interested in learning more.    Anne: Awesome guys.    Gillian: So hungry for knowledge, (laughs).   Anne: And Gillian is a BOSS. Otherwise, she wouldn't be on the BOSS — she wouldn't be, she wouldn't be on the BOSS podcast. Anyways guys, here's a chance to use your voice to make an immediate difference in our world and give back to the communities that give to you. Visit 100Voiceswhocare.org to commit. You guys -- oh, and a big shout-out, before I forget, to ipDTL, who is our sponsor. You too can connect and network like BOSSes. Find out more at ipdtl.com. You guys, have an amazing week and we'll see you next week. Bye.   Join us next week for another edition of VO BOSS with your host Anne Ganguzza. And take your business to the next level. Sign up for our mailing list at voBOSS.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a BOSS. Redistribution with permission. Coast to coast connectivity via ipDTL.

In all the race of reservations these is a catagory wherein people rarely come forward and compete between their fellowmen for getting good jobs, education and many such things. This is always seen when we go for admission and find that NT1, NT2 or NT3 post are with the lowest qualifications and even then are seen vacant. Then the question comes in our mind who are these Nomadic Tribes and what is their population .. Lets hear this video to clear off our mind.

In this episode, Kevin explains why the Podcast Standards Project is important to the podcasting space, the hosts talk about Buzzsprout's newest features and updates, and test out how to add a podcast to YouTube. View this episode's DISCUSSION THREAD on Twitter!

RODE has just released the NT1 5th Generation Large-Diaphragm Cardioid Condenser XLR/USB Microphone. It fuses the classic sound signature of the legendary RODE NT1 with cutting-edge, next-generation technology. It features RODE's groundbreaking Dual Connect output, offering both XLR and USB connectivity for connecting to an audio interface, mixer or console, and other audio equipment, or directly to a computer for plug-and-play recording. It features a professional-grade audio interface built in, with RODE's ultra-low-noise, high-gain Revolution Preamp, high-resolution (up to 192kHz) A/D conversion, and advanced digital signal processing for recording pristine, studio-quality audio. It also features a 32-bit float digital output for recording everything from a whisper to the loudest drummer with no chance of clipping* and no need to set complex gain controls. These revolutionary features complement the warm silky character, extended frequency response, extremely low self-noise, and high SPL handling that the NT1 is renowned for, making the NT1 5th Generation the ultimate studio microphone for a wide variety of recording applications. Whilst we wait to get our hands on one to test, we discuss its possible uses, strengths and weaknesses. We've also created a survey so you can leave your mark on what will be a one-of-a-kind mic interface designed specifically for Voice Artists. We're hoping to release it later this year, and would love your thoughts on what you like and don't like about your current rig, so we can ensure the design has as wide appeal as possible. Follow the link and let us know your thoughts now. Find it on our website... https://www.theproaudiosuite.com/ A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite   If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson #rode #rodemicrophones  

Gareth, Ricky and Ted chat about Xiaomi Walkie Talkie 2S, Oppo Find N2 Flip, Motorola Razr 2023, Honor Magic5 Lite, nubia Neovision AR smart glasses, nubia Pad 3D, AnkerWork M650, Realme GT3 and much more With Gareth Myles, Ricky West and Ted Salmon Join us on Mewe RSS Link: https://techaddicts.libsyn.com/rss iTunes | Google Podcasts | Stitcher | Tunein | Spotify  Amazon | Pocket Casts | Castbox | PodHubUK Feedback and Contributions On Tech Addicts going fortnightly… Chad Dixon You just can't get reliable people these days! Paul Williams We will miss you Jeremy Harpham Mixed feelings on this as often I don't have time to listen until the following Saturday these days, so while I'm sad that it's going fortnightly

Lo que está cambiando el podcasting y el marketing digital:-SiriusXM se ubica en el primer puesto como la red de pódcast más grande de EE. UU.-¿Cómo medir el éxito de tu pódcast?-RØDE actualiza su icónico micrófono NT1 con DSP integrado, preamplificador y tecnología de interfaz.-La inversión publicitaria en medios creció durante el 2022, salvo la televisión.-¿Qué significa una desaceleración de la industria del podcasting para los anunciantes?-TikTok incentiva a los creadores de contenido a publicar videos más largos con un nuevo programa de monetización.Pódcast recomendadoDías extraños. Un pódcast en el que el periodista, Santiago Camacho, recopila los temas más extremos y controvertidos para discutirlos de manera exhaustiva. Es un espacio donde se debaten cuestiones que aún no están esclarecidas del todo y de mucho interés. Cada episodio cuenta con un invitado, que por lo general es especialista en el asunto a tratar.

Christianity 101 episode #2 There are 4 disciplines that the early church practiced. 1.Apostles teachings2. Fellowship3. Breaking of bread4. Prayer This week we will cover 2 of the 4 disciplines found in Acts 2:42 The Disciplines Part 1: Apostles teachings, Fellowship.Acts 2:42 - They devoted themselves to the apostles' teaching and to the fellowship, to the breaking of bread and to prayer.  We can break down this verse into 4 specific points of distinction in which the early church devoted themselves to practice regularly:1.     Apostles teaching2.     Fellowship3.     Breaking of bread4.     Prayer  In context – Acts chapters 1 & 2: ·      Jesus has been resurrected, he has appeared to them for a period of about 40 days (eating with them, teaching them & preparing them for what was next).  ·      Jesus gives them the promised Holy Spirit (Acts 2:1-4).o   Passover Jesus gives His life > Pentecost He gives them the Holy Spirit (Pentecost in the GK: means 50th day) they were gathered together in an upper room (about 120 people). The Pentecost was a required feast that was in remembrance of the giving of the Law. The significance of this feast is that the HS would now become the means of a believer to follow and obey the Lord rather than a system of Law. The next required feast would be the feast of Trumpets (which coincides with the rapture) > The birth of the Church. ·      Peter preaches the first Evangelistic Sermon and we are told that about 3,000 new converts are added to their number (acts 2:40-41). Acts Chapter 2 takes us through about a 1½ -2 years after the resurrection. Acts chapter 3-7 conspire over about 4-5 years, in fact when you get to chapter 5:1-11 it could be as much as 6 or 7 years after Christ's ascension.  I mention all of this because in just a short few years we get a glimpse into the lives of the new believers and make observations to draw from and apply to our own lives.  Acts 2:42 is a statement that we can use as a sort of blueprint for life inside the church! Remember that when you get to Acts 2:42 the church has grown to over 3,000 people which happened nearly instantly.     #1 Apostles Teaching/Doctrines: 2Tim. 3:16 All Scripture is God-breathed and is useful for teaching, rebuking, correcting and training in righteousness, Q: What are the Apostles teachings/Doctrines? A: The Apostles teachings are the message of Jesus, His redemptive work, and His call to selfless discipleship that is found in the books of the New & Old Testament. There are 3 ways that the scriptures are used to represent “Apostles Doctrines”1.     The Old Testament predicted Jesus' coming2.     The gospels presented Jesus3.     The epistles practiced Jesus' teaching and continued to proclaim the truth  The Old Testament use:The OT is pointing toward Jesus while the NT is the display of Jesus. 3 examples of use of the OT found in the NT1.     Found in the Gospels used by Jesus Himself: Luke 24:25-27 - He (Jesus) said to them, “How foolish you are, and how slow of heart to believe all that the prophets have spoken!26Did not the Christ have to suffer these things and then enter his glory?”27 And beginning with Moses and all the Prophets, he explained to them what was said in all the Scriptures concerning himself.  Jesus used the OT from beginning with Moses and all the prophets concerning himself! Jesus often used OT scriptures during His ministry when interacting with different groups like the Pharisees, Sadducees or the Scribes. (Incidentally the best part of Luke 24 is the response to Jesus after they receive all this great teaching from Him.  [Luke 24:31 - They asked each other, “Were not our hearts burning within us while he talked with us on the road and opened the Scriptures to us?”] 2.     Used by Peter in the first ever public sermon (resulting in over 3,000 being saved). Acts 2:14-40 (to long to read) Peter sites 3 different OT verses to explain Jesus to the crowd. Joel 2:28-32,Psalm 16:8-11, Psalm 110:1 (all of these are prophetic and messianic in nature)  3.     Stephen (Acts 7 uses virtually all of the history of Israel, starting in Genesis at the call of Abraham.) He ends by quoting Isaiah 66:1 - This is what the LORD says: “Heaven is my throne, and the earth is my footstool. Where is the house you will build for me? Where will my resting place be?  The uses of Old Testament scriptures were to reveal Jesus and the promise that God would provide a messiah.   Letters used in the New Testament from the original Apostles:Criteria to be considered for acceptance into the NT Canon of scripture:  Acts 2:42 is a reference to the original eyewitness accounts of Jesus by the 12 apostles. This “doctrine” consisted of their first-hand reports of His life, teachings, death, and resurrection (4 Gospels Matthew, Mark, Luke & John). This was, at first, an oral message spread by the Twelve and those that heard them. It was later written down in what we know as the four gospels. Paul's writings were later added to this original testimony (13 total letters) (Romans, 1 & 2 Corinthians, Galatians, Ephesians, Philippians, Colossians, 1 &2 Thessalonians, 1 & 2 Timothy, Titus, Philemon), with the addition of James, Jude, Hebrews, 1 & 2 Peter, 1, 2, & 3 John , and Revelation these became into what we know as the New Testament canon. 2Tim. 1:13 What you heard from me, keep as the pattern of sound teaching, with faith and love in Christ Jesus.Psa. 119:11 I have hidden your word in my heart that I might not sin against you.Matt. 4:4Jesus answered, “It is written: ‘Man does not live on bread alone, but on every word that comes from the mouth of God.''”Col. 3:16 Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God.Heb. 2:1 We mu...

I need your help! This was originally  supposed to be a quick test that I was recording for myself, but as time went on, my mind got a bit boggled with options. Thank you to Kane Treble for time stamping the different comparisons if you want to jump back and forth: 00:00 Introduction 04:38 Comparison begins - Shure SM7B 04:55 Sona 05:07 SM7B again 05:41 ETHOS vs Sona 06:51 Shure Super 55 vs Sona 07:24 Super 55 vs ETHOS 07:51 Q9U vs Sona 08:35 Q9U vs ETHOS 09:03 Shure MV7 vs Sona 10:11 Shure MV7 vs ETHOS 10:30 Electro-Voice RE20 vs Sona 11:03 Electro-Voice RE20 vs ETHOS 11:57 Sona vs RE2012:20 RØDE Procaster vs Sona 12:54 Procaster vs ETHOS 13:45 Neat King Bee II vs Sona 14:20 King Bee II vs ETHOS 14:50 King Bee II vs Sona 15:17 Warm Audio WA47JR vs Sona 16:27 WA47JR vs ETHOS 17:08 Sona vs WA47JR 17:36 Neat Worker Bee vs Sona 18:12 ETHOS vs Worker Bee 18:40 RØDE NT1 vs Sona 19:16 NT1 vs ETHOS 19:49 512 Audio Skylight vs ETHOS 20:20 Skylight vs Sona 22:01 Lewitt LCT 240 Pro vs Sona 22:29 LCT 240 Pro vs ETHOS 23:19 ETHOS vs LCT 240 Pro (better comparison) 25:00 ConclusionsAfter working on several videos, I've come to feel that the Blue Sona and Earthworks ETHOS are my best sounding microphones (at least for my voice in this specific environment). But I haven't compared them to everything, so that's where the Ul-TOM-ate Mic Showdown™ comes in. This is a comparison of any and all microphones in my collection that I think might compare to the ETHOS and the Sona. Hopefully it's fun to listen to, and I'd definitely love to hear your thoughts! •Send a voice, text, or video message to be included in a future episode!tom@enthusiasmproject.com or use the audio submission button at himynameistom.com!••••••••••••••••••••••••••••••••••••••••••••••• 

【M字閒聊EP7】人生經歷的大挑戰！走過後成為全新的自己？關韶文丨丘曄丨炫晨游泳教練 - 「走過的那些日子，讓我們成為更好的人！」 - 今天「M字閒聊」想要跟大家聊聊「挑戰」這件事！在我們的人生裡面，有時候是我們選擇去挑戰，有時候是沒辦法選擇被挑戰，每一個人的個性不同，遇到事情處理的態度當然也不相同。 - 就像是我們一開始創立M字閒聊單元一樣，我們三個人完全不同的學歷、價值觀、性格，每一個人的人生都有不同的挑戰，這一集我們各自分享了像是結婚生子、轉職舒適圈、牙醫刻板印象等等。 - 影片中我們介紹的「Motorola edge 30 pro」挑戰自我升級，擁有強大的三個主鏡頭，讓我自拍和外拍都好看，號稱最強的自拍手機，更不用說視聽效果大加分，放MV或是聽歌「6.7吋OLED螢幕」都滿足你的需求，滿足頂級的娛樂效能！ - 5月20日到5月31日，前180名於指定網購平台申購edge 30 pro手機，並線上登錄成功者，可享30天鑑賞期，除了體驗無條件退貨服務，再送NT1,000元foodpanda禮券。活動詳情請洽Motorola官方Facebook粉絲團。 - #helloMoto #motoedge30pro #30天鑑賞期#FindYourEdge #MotorolaTW - #M字閒聊 #游泳教練 #丘曄 【高畫質完整版影片傳送門】https://youtu.be/Q68yH25J148

Maëva, alias MavaChou, diffusait des vidéos sur Youtube depuis 2015. Au départ, avec son mari Adrien, elle met en scène leur vie quotidienne avec les 4 enfants qu'ils ont eu ensemble. Des dizaines de milliers d'internautes entrent dans leur quotidien et s'attachent à la personnalité pétillante de Maëva. En 2017, la famille participe à l'émission “On a échangé nos mamans” sur NT1 et MavaChou devient encore plus populaire. Mais avec le pic d'abonnés arrive un nouveau profil de suiveurs : des personnes qui se moquent d'elle, font des remarques acerbes sur son mode de vie et ses vidéos. En 2020, le cyberharcèlement à l'encontre de MavaChou franchit un nouveau cap quand elle se sépare d'Adrien. Le couple se dispute par vidéos interposées, et les membres de leur communauté choisissent leur camp. Maëva subit de plus en plus d'attaques, et pas seulement sur internet. Entre 2020 et 2021, elle porte plainte à 5 reprises pour “harcèlement” ou “diffamation”, en vain. Le 22 décembre 2021, à 32 ans, elle met fin à ses jours. Cet épisode de Code source est raconté par Robin Korda, journaliste à la cellule récit du Parisien. Où trouver de l'aide ? Suicide Ecoute : Permanence d'écoute téléphonique 24 heures sur 24, 7 jours sur 7. Tél. : 01-45-39-40-00. Suicide-ecoute.fr.Ecoutez Code source sur toutes les plateformes audio : Apple Podcast (iPhone, iPad), Google Podcast (Android), Podcast Addict ou Castbox, Deezer, Spotify.Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Ambre Rosala - Production : Raphaël Pueyo, Clara Garnier-Amouroux, Sarah Hamny et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network, Epidemic Sound - Identité graphique : Upian. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Sermon from The Rev. Jarrett Kerbel from the Nativity of Our Lord, Christmas Day, 10:00 a.m. Holy Eucharist, December 25, 2021 Today's readings are: Isaiah 52:7-10 Hebrews 1:1-4,(5-12) John 1:1-14 Psalm 98Readings may be found on LectionaryPage.net: https://lectionarypage.net/YearABC_RCL/Christmas/ChrsDay3_RCL.html#Nt1 Transcript coming soon. Permission to podcast/stream music in this service obtained from One License with license #A-701187 and CCLI with license #21234241 and #21234234. All rights reserved. Video, photographs, and graphics by the Church of St. Martin-in-the-Fields. Episcopal Church of St. Martin-in-the-Fields, 8000 St. Martin's Lane, Philadelphia, PA 19118. 215.247.7466. https://www.stmartinec.org

La vie des expatriés français - Episode 3 Aujourd'hui pour ce nouvel épisode de La vie des expatriés français, je vous présente Mélanie qui vit depuis 7 ans à Los Angeles. Elle a grandi en Normandie avant de faire une carrière de mannequin. Puis c'est en tant que présentatrice TV qu'elle a débuté sa carrière professionnelle. Après avoir travaillé sur NT1 et RTL9, c'est Canal+ qui l'engage pour remplacer Clara Morgane à la présentation de la fameuse émission le Journal du Hard. Après 3 années sur Canal, elle postule à une nouvelle émission TV et choisit de partir à Los Angeles pour perfectionner ton anglais... Et comme dans les plus beaux films romantiques, elle rencontre son futur mari, un bel américain... dans l'avion ! Ils se marièrent et eurent un enfant... Aujourd'hui installée à Los Angeles avec sa carte verte, elle ne fait plus de TV mais a changé de carrière professionnelle pour devenir photographe. Dans le même temps, elle a développé ses réseaux sociaux et notamment son compte Instagram qui rassemble de plus en plus de monde.  Voilà, je vous présente Mélanie, une fille qui aime les challenges et n'a pas peur de s'en fixer de gros. Vous allez voir qu'elle est super épanouie et qu'elle ne regrette pas son choix de s'être expatrié à Los Angeles. Mélanie va nous raconter son parcours, son choix de s'installer à Los Angeles, sa vie locale sur place, sa vision de cette ville, sa vie de maman aux USA, son nouveau job, ses bons plans,... 00:00:00 : Introduction 00:01:58 : Mélanie nous parle de sa naturalisation américaine 00:03:50 : L'enfance et la scolarité de Mélanie en Normandie 00:09:22 : Participation au concours de FHM 00:12:06  : Didier Colin, son père, est un éminent astrologue français 00:18:58 : Elle commence son travail de présentatrice TV 00:28:42  : Mélanie débute comme présentatrice au Journal du Hard sur Canal + 00:39:51 : Mélanie décide de partir aux Etats-Unis pour apprendre l'anglais 00:43:20 : Elle rencontre un américain dans l'avion qui fera tout pour qu'elle tombe amoureuse 00:56:02 : Demande en mariage et vie aux Etats-Unis 01:04:35 : Leur vie à New York, l'arrivée de leur enfant et leur déménagement à Los Angeles 01:07:44 : Sa vie à Los Angeles et sa vision de cette ville. 01:14:42 : Le début de sa vie de maman solo à Los Angeles 01:19:32 : Les débuts de son métier de photographe 01:25:51 : La vie de son fils franco-américain, son éducation et sa scolarité 01:33:51 : Sa vie amicale à Los Angeles et notamment avec les Français 01:43:30 : Les bons plans de Mélanie à Los Angeles et dans l'Ouest américain Pour réserver un shooting photo à Los Angeles avec Mélanie, c'est par ici : https://www.voyage-en-francais.fr/los-angeles/activites/shootings-photo-los-angeles/ Pour suivre Mélanie sur Instagram : https://www.instagram.com/mademoisellemaroon  Lieux dont Mélanie parle : - Arizona  - Utah   - Griffith Observatory   - Malibu Pier Restaurant   - Rooster Fish LA :   - The Abbey  - Raspoutine   A propos :  Moi c'est Alex les bons plans, je suis blogueur - auteur - entrepreneur, et fondateur de “Voyage en français”, une agence spécialisée dans le voyage et les activités touristiques francophones. Nous éditons des blogs d'infos et de bons plans pour vous aider à préparer au mieux votre voyage aux Etats-Unis et notamment à New York. Voyage en français c'est aussi des visites guidées et activités originales dans de grandes villes américaines mais aussi en Europe. Nos guides expatriés te font visiter leur ville comme si vous étiez entre potes ! La vie des expatriés français, c'est justement ce dont on va parler dans ce podcast. Connus ou moins connus, ils vont vous partager leur expérience d'expat et leur vie dans un nouveau pays. A chaque fois avec un parcours hyper inspirant ! Pour en savoir plus :  https://www.voyage-en-francais.fr

On episode 277 of the BSP, I discuss YouTube demonetizing videos that deny that climate change is real or contradict the generally accepted scientific consensus, they also announced they're cancelling youtube rewind for good, and I apologize for a huge error I made last week.    Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Beyerdynamic M70 Pro X: https://geni.us/m70pro Yellowtek Boom Arm: https://www.yellowtec.com/mika.html Universal Audio x8: https://imp.i114863.net/zMg2r Sennheiser HD650: https://geni.us/sennhd650   As an amazon affiliate I earn from qualifying purchases.    Twitter: @bandrewsays Ask Questions: https://www.askbandrew.com Merch; https://teespring.com/stores/podcastage-store Discord: http://www.podcastage.com/discord   00:00 - Intro  01:00 - YouTube Demonetizing Climate Change Deniers YT Support: https://support.google.com/google-ads/answer/11221321 08:00 - YouTube Cancels Rewind YT Tweet: https://twitter.com/YouTubeCreators/status/1446103025500577796 09:18 - Apology for Last Week's Episode 11:18 - Beyerdynamic M70 Pro X 12:15 - Ask Bandrew 13:30 - Email 1 13:50 - Do You Need a Soundard With Your Audio Interface? 14:55 - Email 2 17:05 - NT1 or AT2035? 17:35 - How to Adjust Mix without Mix Dial? 18:20 - Can You Use Open Backs for Recording? 20:05 - Email 3 20:28 - CNET Mic Fail 21:30 - Outro 

   Every now and then I sit down to prepare an episode of this amazing podcast and go through all the trappings that encapsulate the perfect writing scenario. I decide on the restaurant, I locate the desirable seat, which has is preferably a comfy booth with plenty of room to spread out my stuff, order the food, then get to writing. On most occasions, I’ve already decided what I’m going to write about and have become sufficiently submerged in the goo of mental hype so that when I break out the blue tooth keyboard and see that it will turn on despite my constantly forgetting to change the battery that was put in it five years ago, I’m able to immediately go to town on the story. Sometimes, though, it doesn’t work out so easily. Sometimes I can’t decide where I want to eat and drive around aimlessly, looking at restaurant signs, going, Nope. Nope. Nope. Ungh uh. Never. Nyet. Nine. Maybe ... ehhhh ... Nope. And that just puts me in a foul temper, which usually makes the mental hype goo stinky. And then there are times like this one, when I see that a dining room is BACK OPEN since the pandemic started and I shout to the rooftops, THERE! ORDER ALL THE THINGS AND EAT THEM INSIDE LIKE A STARVED CARNIVORE! Unfortunately, I got so overwhelmed with the thought of eleven herbs and spices being devoured in their own confines that I left my bottle of fresh mental hype goo on the kitchen table with the laundry that needs to be folded and hung. Lucky for me, I keep a running list of topics on my phone for just such a scenario and I started to skim over them while my mashed potatoes cooled. Nope. Nope. Nope. Ungh uh. Never. Nyet. Nine. Maybe ... ehhhhh ... nope. But the I saw it ... there at the bottom of the list. The Bin Store! I’m Michael Blackston and I’m about to fill your in on one of the latest obsessions that fills at least an hour of week of my Funny Messy Life. _________________________   It started with a man in my church - a man my daddy worked with, before he retired, at the Georgia National Guard. It was before the pandemic started and nobody thought anything about rummaging after strangers through big, wooden bins full of items that were returned to retailers and had now been loaded into a truck and dumped out for sale at enormous discounts. The man from my church caught me on the way out after the service and said, “Tell your daddy to quit going to the bin store. He don’t need no more crap.” He was joking around, of course. It was his way of telling me to say “hey” to my daddy’nem. But I was intrigued and I asked him what he was talking about. He went on to explain to me that the bin store was a new place that had opened up[ in the building where Family Dollar used to be. He told me how it worked and that he saw my daddy in there all the time. The next time I saw my dad, I asked him about it ... after I told him Bill said “hey”. Dad’s eyes grew large and filled with what you might describe as unbridled  whimsy as he dug around in his own head, like a child recalling the first time they saw the castle at the center of Magic Kingdom. My dad’s head is quite the realm filled with glass and clay and plaster and arrowheads. And lately a lot of God, which is a good thing. “It’s a place like no other, my son. At the bin store, your wildest dreams can come true on any given day. It’s a place of miracles and pain. A place of lovely, fragrant aromas and sometimes, the unmistakable stench of unwashed body parts. At the bin store, treasures be found and fer certain, monsters be thar too!” That was all I needed to hear, I mean, come on! Treasures and monsters ... miracles and pain ... lovely fragrances. I wasn’t crazy about the aspect of unwashed hind parts, but hey ... sometimes you have to make sacrifices. Here’s how it works, if you’re not familiar with the ins and outs of a bin store. And I’m sure they each have their individual nuances that make them special in their own way. You enter through the doors and immediately get the sense of both chaos and possibility. The central feature, of course, is the bins, which should be filled to the brim with stuff you might want. Yes, it’s stuff somebody else didn’t want, but one man’s trash is another man’s treasure and all that. But it’s not a yard sale. There are items I’ve run across that were obviously pre-owned, but for the most part, it’s new ... just maybe damaged a hair or missing a small part. Some of it, though ... WHOO BOY, SOME OF IT ... is pristine, high quality stuff you’d pay a pretty penny for. But wait, you don’t have to pay a pretty penny for it. Why? Because it’s the bin store and they dumped a truckload of junk in the bins that people are just trying to get rid of. Wherever it came from was a place where it had no value for whatever reason. Maybe the demographic was wrong or when Amazon shipped it - there’s a bunch of Amazon returns - it wasn’t exactly what they thought they wanted. Maybe that’s part of the allure. Maybe knowing I might be able to save something from the Bin of Misfit Crapola is what’s drawing me there, on top of the thrill of the hunt. After all, I don’t hunt things that can run away, except the mouse that’s in my pantry - his name is Jerry - and I can’t catch him because I refuse to kill him and he ignores the humane trap ... a trap I bought at the bin store. The next reason to check out your local retailer of bin sweetness is the prices. Now, at this time, I have a bone to pick with my local store. As I’ve said before, I’m not a huge fan of changing things up, especially when I’ve just gotten used to the system. When the store first opened, They had a tiered format. The day they dumped a fresh truck, all items were six dollars. That’s awesome to start with, because I’ve found some amazing things on what most of the regulars creatively called, Six Dollar Day. But the next day was ... wait for it  ... FIVE DOLLAR DAY! Everything that wasn’t bought the day before was even a dollar cheaper. Then it was Four Dollar Day, Three Dollar Day, and finally,  Two Dollar Day. Those of us who weren’t worn out from thinking up clever names for the different days could get anything in the bins for two bucks! It’s a gambler’s paradise because what you aren’t willing to buy for $6, you can try to wait out and get cheaper. Maybe it’ll still be there and maybe it won’t. That electric tea kettle you had your eye on - you know, the one with the tiny dent you decided you could turn toward the back side of the kitchen counter - yeah, it might get buried beneath layers of torn boxes of dental floss and packs of male grooming kits called, MANSCAPED, or it might catch the eye of someone who loved it for what it was and didn’t care if the dent faced the wall or not. Then again, it might be there on Two Dollar Day, victoriously shining like a beacon in all its chrome-plated glory. But now, they’ve changed their structure. Every day is Six Dollar Day and the bins are filling up to obnoxious levels because people come get the new truck stuff that’s worth $6 and ignore the lesser merchandise. Then they dump another truck and the unwanted stuff just stays. The initial structure cleared the bins better as people were willing to spend a couple of bucks on the discarded trash left after most of the good stuff is gone. It’s not always a successful trip, either way. Sometimes the bin store yields treasures beyond my wallet’s capacity, even at the low prices, and sometimes the pickings are as desolate as the brains of the average politician. I have a kind of niche product I’m typically on the lookout for. Musical or recording equipment are especially irresistible. Take the microphone that I’m using to record this podcast. It’s made by Amazon. Amazon Basics is written right on the side, but it’s nice and heavy. It’s sturdy and it’s directional, which is great for podcasts and vocal recording because directional means that you have to be directly in front of it with it pointing directly at the face part of your face for it to pick up like it’s designed. Normally, I’ll be using my RODE NT1 fancy-pants professional condenser mic to record the podcast, and condensers pick up from everywhere around you. It’s one of the things that make it so important to sound treat your studio well if you’re gonna use a mic like the NT1 and now I’ve run off on a tangent, so let’s get back to the bin store. Anyway, I’m using the Amazon mic this time to prove a point. The sound is nice from a microphone I dislodged from underneath a pile of bed sheets and off-brand sanitary napkins. When you order it from Amazon, it comes with a nice XLR cable and has a 4.5 our of 5 star average rating as a product. Amazon charges $20 for it. And guess what? I’ve bought three of them from the bin store!  For me, it’s fantastic because people are ALWAYS asking to borrow my microphones for things like weddings and such. They don’t always make their way back to me, so these bin store finds are a real steal! It’s something to consider as well, if you’re thinking about doing some recording of your own. One of the first problems new podcasters discover is getting their hands on halfway decent equipment. This episode experiment goes to show that you don’t have to have a RODE NT1 or better to achieve good sound.  I also love other equipment such as the accessories that go with microphones and recording gear. I’ve bought three different boom arms with shock mounts - - items that can get quite expensive - and outfitted my studio with more professional style equipment. I won’t go into the details about boom arms and shock mounts. Look them up on Uncle Google if you’re curious. I just wanted to give some praise to the humble bin store. I didn’t even mention $20 bag day, which is the best day of all - the day when you’re invited to fill a garbage bag with whatever is in the bins and the entire bag is only $20. It’s another way to clear out the smalls that clutter up the bins. There hasn’t been one of those days, either, in a while and I’m jonesing for it. So if you have one, check out your local bin store. It takes a minute to get into the groove, to get over the feeling that you’re dumpster diving. But I promise, once you find that thing, and you’ll know it when you see it, you’ll be hooked. Like me and daddy.

John brings you up to speed on the lack of Steve, the lack of episodes in 2020 and 2021, some new projects recently completed, and some new ones on the horizon. He also geeks out about some of his new audio equipment:  The Røde NT1 and the Motu M2. Links to some of the things mentioned in this episode... music: https://www.maledictis.net books: http://thisisareal.company podcasts: https://www.whoarewetopodcast.com bowling: https://johnnymarsz.weebly.com/terrible-bowling.html  

Gilbert Brisbois né le 27 septembre 1974 à Strasbourg, c'est un journaliste sportif, commentateur sportif et animateur radio français. Gilbert Brisbois rejoint RMC en 1998 sous l'ère Pierre Fabre à Monaco, il est alors reporter et fait de l'information générale. Il s'installe ensuite en Australie pendant deux ans où il suit entre autres les Jeux olympiques de Sydney ou l'Open d'Australie de tennis. En janvier 2001, à la suite du rachat de RMC par Alain Weill, il est de retour en France, à Paris. Il commence par couvrir les plus grandes rencontres de football (Coupe des confédérations 2001, CAN 2002, Coupe du monde 2002, Ligue des Champions ou Équipe de France). De 2002 à 2012, il anime l'Intégrale Foot et le multiplex de Ligue 1 (remplacé par Florian Genton de 2006 à 2008 puis Fabien Lefort de 2008 à 2010) et devient la voix du football sur RMC avec Jean Rességuié. Dès février 2004, le directeur du service des sports François Pesenti met une cellule olympique en place avec Gilbert Bribois, François-Xavier de Châteaufort, Pierre Dorian et Jean-François Maurel chargée du suivi quotidien de l'actualité des Jeux olympiques d'Athènes. Création de l'After Foot, En avril 2006, totalement inédit en France, il crée une émission d'après-match, l'After Foot. Une émission qu'il présentera à chaque fin de match (Champions League, Coupe UEFA, Ligue 1, Coupe de la Ligue, Coupe de France...) jusqu'en août 2007 avec les consultants de la station Rolland Courbis et Jean-Michel Larqué. À la rentrée 2007, il perd l'animation de l'After Foot au profit d'Alexandre Delpérier, Mais il reste tout de même animateur de cette émission chaque week-end. Fin mai 2008, Gilbert Bribois annonce qu'il quitte RMC pour remplacer Laurent Luyat à la tête du Multiplex Europe 1, les vendredis et les samedis. François Pesenti décide d'interrompre leur relation alors qu'il devait couvrir l'Euro 2008. Pendant ce championnat d'Europe, il est libre donc il est chroniqueur dans l'émission Jour de sport sur Canal+ Sport présentée par Valérie Amarou et Victor Robert. Puis, il commente des matchs à la télé sur NT1 et écrit des articles pour le quotidien La Tribune. En juillet 2008, il participe aux émissions Europe Sport avec Jean-Philippe Lustyk. Mais à l'annonce de l'arrivée d'Alexandre Delpérier et Alexandre Ruiz, il démissionne, les promesses qui lui avait été faites n'ayant pas été tenues. Retour sur RMC (depuis novembre 2008), Le 3 septembre 2008, Florent Gautreau animateur interimaire de l'After Foot annonce que Gilbert Brisbois fera son retour en novembre[7] après son "faux-départ" sur Europe 1. Le 2 novembre, il effectue son retour sur RMC et reprend l'animation de l'After Foot du dimanche au jeudi aux côtés de Daniel Riolo avec Jean-François Pérès et Florent Gautreau. À la rentrée 2010, Gilbert Bribois devient animateur de Coach Courbis, du mardi au jeudi de 20 heures à 22 heures et du multiplex de Ligue 1, le samedi de 18 heures 30 à 23 heures en plus de l'After du dimanche au jeudi entre 22 heures et minuit. Au début de l'année 2010 et 2011, Gilbert Brisbois est en Angola pour la CAN 2010 et au Qatar pour la Coupe d'Asie des nations. Le 1er septembre 2012, Gilbert Brisbois devient co-animateur avec Serge Simon des GG du sport déclinaison des Grandes Gueules d'Alain Marschall et Olivier Truchot. Elle a lieu chaque samedi et dimanche, de 10 heures à 13 heures, Le samedi, Gilbert Brisbois et Serge Simon sont entourés de la Dream Team Football de RMC Sport (Luis Fernandez, et Éric Di Meco) lors de la première heure pour les débats football puis de 11 heures à 13 heures, Maryse Éwanjé-Épée, Daniel Costantini, Sarah Pitkowski, Patrice Dominguez, Jacques Monclar, Denis Charvet, Thomas Lombard, Céline Géraud, Olivier Girault, Amaury Leveaux ou Thierry Bourguignon débattent de l'actualité omnisports. Le dimanche, toujours de 10 heures à 11 heures, Jean-Michel Larqué est présent pour des débats football. --- Send in a voice message: https://anchor.fm/aziz-mustaphi/message

Voici le premier épisode de "La Cloche", le nouveau Podcast de Christophe Agius co-animé par Ali de CatchClub.   Retrouvez-nous chaque semaine pour une nouvelle édition de "La Cloche" où nous reviendrons sur les 20 ans de carrière de Christophe Agius dans le monde du Catch en tant que commentateur WCW et WWE sur RTL9, NT1, AB1 et La Chaîne L'Equipe !   Dans ce premier numéro, on s'intéresse à l'avant-carrière de Mr. Agius, comment il est tombé dans le Catch, sa découverte de la WCW et la WWF et son arrivée sur RTL9. 

On episode 219 of the BSP I discuss Testing for Dynamic vs Condenser BG Noise Rejection, the Mojave MA201 Fet, the UMC22, Matching an NT1 to Lav Mics, The Background Noise Rejection of a Samson C01 and Shure PGA48, Mic Recommendations forBassy Voices, what Headphones & Speakers I use to monitors microphones, and more.    Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Mojave MA-201 Fet: N/A Yellowtec m!ka Boom Arm: https://shop.yellowtec.com/epages/Yellowtec.sf/en_US/?ObjectPath=/Shops/Yellowtec/Products/YT3601 Universal Audio x8: https://imp.i114863.net/zMg2r Sony MDR7506: https://geni.us/7506   Twitter: @bandrewsays Ask Questions: https://www.askbandrew.com Merch; https://teespring.com/stores/podcastage-store Discord: http://www.podcastage.com/discord   00:00 - Intro  00:55 - WYHTS: Do Dynamics Really Pick Up Less BG Noise 04:15 - Mojave MA201 FET 05:44 - Ask Bandrew 06:16 - Voice Submission 1 07:02 - Can the UMC22 Drive the NEAT King Bee? 09:00 - Voice Submission 2  09:50 - Can I Make my Lav & Shotgun Mic Sound like the NT1? 12:50 - Email Submission 3 13:27 - Samson C01 vs Shure PGA48 Background Noise 15:15 - Voice Submission 4 15:36 - Mic Recommendations for Bassy Voices Bass Singer: https://www.youtube.com/watch?v=XKLaYGHJoJM Anton Browne: https://www.youtube.com/channel/UCuFXQBgnbil-kLkdirWjx8A 19:34 - Voice Submission 5 20:24 - What Headphones & Speakers Do I Use? 22:10 - Eamil Submission 6 22:38 - Do the SM7b and RE20 Get A Benefit from Requiring So Much Gain? 25:28 - Voice Submission 7 25:57 - Is There a Difference Between Cheap & Expensive Interfaces? When Should You Upgrade: https://www.youtube.com/watch?v=MNeqQC9iyI4 27:21 - What is In Your Rack? 30:42 - Outro

Cet épisode d'Entre nos lèvres raconte l'histoire de Sofia. Sofia a 23 ans, et avec elle nous avons discuté d'Alger, de Paris, du voile et de nos différentes cultures, d'hymen microperforé et de vaginisme, des Clés de Vénus, de NT1, de tampons et de toutes nos premières fois, mais surtout d'émancipation. On vous souhaite une belle écoute ! Céline & Margaux Vous pouvez nous suivre sur : www.instagram.com/entrenoslevres www.facebook.com/entrenoslevres www.twitter.com/entrenoslevres Ou sur notre site internet : www.entrenoslevres.fr Pour commander le livre : www.entrenoslevres.fr/livre Et n'oubliez pas de vous inscrire à notre super newsletter. Tous les 15 jours, à l'annonce du nouvel épisode, on partage avec vous 5 chouettes recommandations (des livres, des films, des articles, tout ce qui nous a plu ou touché ces derniers temps). Promis, c'est cool. Pour vous inscrire : www.entrenoslevres.fr/inscription PS. Ah oui, Entre nos lèvres, ce sont des portraits intimes qui racontent les vraies histoires autour de la sexualité (mais pas que). Le premier podcast qui parle de sexe comme on devrait en parler tous les jours, avec honnêteté et bienveillance. Réalisation & Production : Entre nos lèvres Montage & Mixage : Guillaume Arditti Musique : Martijn De Boer

On episode 186 of the BSP I analyze the new YouTube comment filtering and what you’re able to filter on, and then answer a lot of your questions / comments.    Subscribe to the full audio podcast at http://www.bandrewsays.com   Movie of the Week (Affiliate Link) The Return of the Living Dead: https://geni.us/rotld   Gear Used This Episode (Affiliate Links): Austrian Audio OC818: http://bit.ly/2I8fYou Universal Audio LA610 MKII: http://bit.ly/2MBhwLA Universal Audio Arrow: https://geni.us/uaarrow Sony MDR7506: https://geni.us/7506   Twitter: @bandrewsays Ask Questions: AskBandrew@gmail.com Merch; https://teespring.com/stores/podcastage-store Discord: http://www.podcastage.com/discord   00:00 - Intro   01:03 - International Podcast Day  www.internationalpodcastday.com/live  01:45 - Updated Comment Filters on YouTube YT Blog: https://support.google.com/youtube/thread/15375630?hl=en 05:07 - Amazon Released New Alexa Devices  New Amazon Devices: https://techcrunch.com/2019/09/25/everything-amazon-announced-at-its-alexa-event-today/ 06:30 - WYHTS: When Do You Record Your Episodes? 07:00 - WYHTS: Platform Verification CAN Equal Endorsement. 08:16 - WYHTS: YouTube Verification is for Celebrities! 09:49 - WYHTS: Is the BSP Scripted? 11:24 - Ask Bandrew 12:00 - Email 1 12:42 - Shure SM7b or Rode NTG3 for Narration in a Noisy Environment? 14:56 - Email 2 15:33 - AT2035, NT1 or MK4 for Rap Vocals? 17:06 - Email 3 17:42 - Why Do You Like the Blue Compass More than the PSA1? 18:33 - Can You Bring Back the Versus Series & Why I Don’t Game? 20:07 - Tea or Iced Tea? 21:21 - Email 4 21:43 - Behringer Mic Fail! 22:42 - Movie of the Week  29:48 - Today’s Post Processing Experiment  30:38 -  Outro

On episode 185 of the BSP I analyze YouTube Removing the Verification Badges from channels all across the platform, the outrage the follows, and the decision to reverse this move. I also discuss the possible causes of this move.    Subscribe to the full audio podcast at http://www.bandrewsays.com   Movie of the Week (Affiliate Link) Killer Klowns From Outer Space: https://geni.us/killerklowns   Gear Used This Episode (Affiliate Links): Austrian Audio OC818: http://bit.ly/2I8fYou Universal Audio LA610 MKII: http://bit.ly/2MBhwLA Universal Audio Arrow: https://geni.us/uaarrow Sony MDR7506: https://geni.us/7506   Twitter: @bandrewsays Ask Questions: AskBandrew@gmail.com Merch; https://teespring.com/stores/podcastage-store Discord: http://www.podcastage.com/discord   00:00 - Intro   01:30 - Area 51 Raid? 01:55 - YouTube Removes Verification Badges (And Changes Their Mind) Verified Channel Criteria: https://support.google.com/youtube/answer/3046484 20:25 - Blue Announces Yeti X 22:17 - WYHTS: How Microphones REALLY Work on a Television / Movie Set 25:53 - WYHTS: Time to Cancel Bandrew! 26:32 - WYHTS: Bandrew Says Podcastage!? 27:27 - WYHTS: More Reasons Why the OC818 is Cool! 28:45 - Ask Bandrew 29:42 - Email 1 31:13 - What’s the Name for the BSP Viewers / Community!? 33:06 - Email 2 34:09 - Should I Get the Yeti Nano since the Q2u is Unavailable? 35:12 - Email 3 35:49 - Should I Upgrade from the Samson Go Mic? 38:34 - Email 4  39:06 - NT1 vs NT1000 vs NT1a?  41:02 - Movies of the Week (Killer Klowns from Outer Space) 45:58 - Should I Split Clips to a New YouTube Channel? 46:54 - Outro 

On episode 178 of the BSP, I scream about Equifax’s $700m settlement, how it doesn’t actually do anything for the affected consumers, and how Equifax might actually gain MORE information from you based on the settlement. I also answer listener questions range from am I religious, to do I prefer Pan or Deep Dish Pizza?   Movies of the Week (Affiliate Links): None this Week   Subscribe to the full audio podcast at http://www.bandrewsays.com   Twitter: @bandrewsays Ask Questions: AskBandrew@gmail.com Merch; https://teespring.com/stores/podcastage-store Discord: https://discord.gg/dXQUc7v   Gear Used This Episode (Affiliate Links): Shure Sm7b: https://geni.us/shuresm7b Universal Audio Arrow: https://geni.us/uaarrow Sony MDR7506: https://geni.us/7506   00:00 - Intro   00:53 - Equifax $700 Million Settlement FTC Announcement: https://www.ftc.gov/news-events/press-releases/2019/07/equifax-pay-575-million-part-settlement-ftc-cfpb-states-related 10:10 - WYHTS: Diversify Discoverability Approaches 11:44 - WYHTS: How To Avoid Apps Stealing Your Data 12:50 - WYHTS: Seth Rogan is a Great Actor 13:41 - WYHTS: Hollywood Does Not Like Original Ideas Mista GG Review: https://www.youtube.com/watch?v=ultzOiRbvVs 15:50 - WYHTS: Record a Podcast Editing Video 16:29 - WYHTS: RE20 vs SM7b? 19:40 - WYHTS: What’s wrong with Voicemeeter Banana? 21:08 - Ask Bandrew 21:42 - Email 1 22:11 - Are you Religious? 23:09 - Email 2 23:24 - Why Are You Using the SM7b instead of the NT1? 25:33 - Email 3 25:51 - What Software Should I Use to Record My Mic? 27:00 - Email 4 28:37 - Thoughts on Hong Kong Protests Now? 29:19 - Will You Use E100S? 29:40 - Thoughts on Cyber Bullying? 30:40 - Have I Ever been Bullied? 32:19 - Thoughts on China US Trade War? 34:18 - Should Huawei be Banned in the US? 34:37 - Voice Submission 35:50 - Routine for Recording Podcast 38:12 - When My Podcast Went Awry! 39:35 - Pan or Deep Dish Pizza? 40:52 - Launch a New Podcast!? 42:00 - Outro

On episode 135 of the BSP, I talk about Apple banning the Info Wars app from the iOS App Store, Twitter launching Audio Only live broadcasting for podcasters on Periscope, the new Amazon Fire HD8 Tablet, Getting 2 free audio books from audible, and much more. Subscribe to the full audio podcast at http://www.bandrewsays.com Twitter: @bandrewsays Ask Questions: AskBandrew@gmail.com Merch; https://teespring.com/stores/podcastage-store Discord: https://discord.gg/dXQUc7v 00:00 - Intro 00:57 - Apple Bans Info Wars App 06:06 - Twitter Launches Live Audio Only Broadcasts 09:16 - New Amazon Fire HD8 Tablet 11:22 - 2 Free Audio Books per Month from Amazon * 30 Day Free Audible Trial: https://amzn.to/2Qfj7FD (Affiliate Link) 13:08 - Tales From The Crypt * Tales From the Crypt Season 1: https://geo.itunes.apple.com/us/tv-season/tales-from-the-crypt-season-1/id704570500?mt=4&at=1001l4W2 (Affiliate Link) 14:58 - WYHTS: Microphones Do Not Matter & Reviews are Worthless 21:53 - WYHTS: The Law of Diminishing Returns for Dynamic Mics 24:09 - WYHTS: Ad Block on YouTube 24:39 - Ask Bandrew 24:52 - Email 1 25:08 - Blue Yeti Nano is a Bad Sign for Blue * https://www.prosoundweb.com/topics/studio/blue_microphones_announces_yeti_usb_condenser_mic_worlds_first_thx_certifie/ 27:04 - Email 2 27:43 - Can You Explain Auditory Descriptive Terms? * PES Episode 100: https://youtu.be/l49PBP6Xhxg?t=20m49s 29:10 - Email 3 29:25 - Is the C01u Pro Brighter than the NT1? 29:58 - Outro

Dans ce tour : - Les Nouveaux Logos de France Télévisions, NT1 et HD1 - Comment s'y retrouver dans les appli de recrutement ? - Quizz Culture magique ! Avec Mathilde, Rémi ainsi qu'Elise, pour sa première ! Merci à Lydia, Alice, Samuel, Cyprien et Mathieu du groupe Nausikáa pour leur live session !

I'm terrible with facts and details but you get the point. I'm very fascinated with the vast amount of benefits there are from mushrooms. It was great having Aira on and just having our usual conversations on this podcast since they *sometimes* get pretty interesting

On today's episode of the Bandrew Says Podcast, I apologize for the crappy audio, talk about launching a new podcast, and I plug a podcast I was a guest on where I probably shared too much. In the news segment, I talk about Boeing offering $2 Million in Prize money, Google Pulling Out of Amazon, Amazon cutting the price of their 4k Content, Twitter allowing 280 character long tweets, New Amazon Echo Devices, a new Yubikey, New GoPros, The Nokia 3310 coming to the United States, Youtube blocking external links, and Homeland Security conducting social media Screenings. In TV, I suggest watching Halt & Catch Fire. During the Ask Bandrew Segment, I answer: Any instruments you want to include in your reviews?, Small diaphragm mics for vocals?, Favorite bass guitar?, Using the Sm7b w/o Windscreen?, Why i started reviewing mics?, why I use the NT1 for interface reviews?, and if the ATR1100 is good for gaming on a budget? Discord Server (https://discord.gg/dXQUc7v) 00:00 - Intro 01:00 - My Audio Sucks on This Podcast 03:45 - I was a guest on Brain Trust Bros (http://www.braintrustbros.com/podcast/braintrust-bros/geeks-rising/) 04:17 - Filming my Tutorial on How To Start a Podcast 06:22 - Boeing Offer $2 Million in Prizes to Anyone Who Can Make a Jet Pack. 09:51 - Google Pulled the YouTube App off the Echo Show 11:30 - Amazon Cut the Price of 4k Content 13:51 - Twitter Allows 280 Character Tweets 16:17 - New Amazon Echo Devices 22:11 - New Yubikey, a Nipple for your Computer 23:05 - New GoPros 25:17 - Nokia 3310 Coming to the U.S. 26:57 - Only YouTube Partners Can Link to External Pages via End Cards 29:40 - Homeland Security Rolling out Social Media Screenings 31:55 - Halt & Catch Fire Season 4 32:35 - Ask Bandrew 33:20 - Any Instruments You Want to Include in Your Review? 34:12 - Small Diaphragm Condensers for Voice? 34:35 - Favorite Bass Guitar? 35:43 - Can You Use the SM7b Without the Windscreen? 36:25 - Why’d You Start Reviewing Microphones? 38:06 - Why do you use the NT1 for Interface Reviews 38:47 - Will the ATR-1100 Be Good for Gaming on a Budget? 41:29 - Outro Submit your questions to be answered on a future episode to AskBandrew@gmail.com The Bandrew Says Podcast is available on: ►iTunes: https://itunes.apple.com/us/podcast/bandrew-says-podcast-audio/id1046423132?mt=2 ►Google Play Music: https://play.google.com/music/m/Ieua25h7tadlb2ti4p5nclqhjuu?t=The_Bandrew_Says_Podcast_Audio_Video__Tech ►RSS Feed: http://bandrewsays.libsyn.com Follow us on: ► Facebook: http://www.facebook.com/bandrewsayspodcast ► Twitter: http://www.twitter.com/bandrewsays ► Website: http://www.geeksrising.com

Les comics de Robert Kirkman, Tony Moore et Charlie Adlard (Image Comics aux USA et Delcourt en France) La série TV de Frank Darabont (AMC aux USA et Orange Cinechoc, TF6 et NT1 en France) Les jeux vidéo développés par Telltale Games et Activision Nous revoici partis pour un tour, toujours …

Strong physical exertion causes an increased production of oxygen radicals in humans as well as in animals. The maximum training of race horses also causes a strong oxidative stress. The protection of the organism could be improved by the diatary intake of antioxidants and therefore oxidative stress is reduced. The aim of this study was to prove the hypothesis that through the oral supplement of the aminoacid L-glutamine, the intra-cellular concentration of the antioxidant glutathione (GSH) could be increased and the result is less oxidative stress. Glutamine serves as a substrate for glutathione-synthesis, the most important intra-cellular antioxidative system and has numerous other metabolic functions. In order to examine the protective effects of glutamine on the antioxidant status, steeple chase horses at peak training levels which are under extreme physical exertion were given a supplement of the aminoacid L-glutamine in their food. The examination were focused on an intensive training programme on the grass track on a 3000-metres distance with horses ridden at high speed and over hurdles. The horses were devided into a glutamine supplemented group (G, 20 g/100Kg for a duration of four days before and on the actual day of training) and a control group (K). The process of Glutamine concentration within the serum was defined. The parameters for observation of the antioxidant status (GSH and GSSG, TEAC, Vitamine C, Vitamine E,) and for tissue damage of liver and muscles as well as possible side effects (activities of enzymes: CK, LDH, AST, GLDH; other clinical parmeters: lactate, bilirubin, urea, creatinine, total proteins and hemogram) were determined. Four blood samples were taken from each horse within a certain period ie.: Pre-samples four days before the next grass track training (vw), samples shortly before (vT) and after (nT1) and finally 20 houres after exercise (nT2). The following results have been identified: All glutamine-supplementation was well tolerated without recognizable side effects neither in behaviour nor in hemogram. Through the supplementation of glutamine, significant increase of glutamine in the blood of the G-group was identified and therefore an increased glutamine availability for GSH-synthesis was evident (G vw: 400 ± 54µmol/l; G vT: 600 ± 80µmol/l). The parameters concerning tissue damage, like the medium activities of GLDH and LDH as well as medium concentrations of creatinine after training were higher (statistically insignificant) while the level of lactate, was as anticipated, increased. The other measured parameters (urea, total proteine, AST) were not effected by glutamine supplementation. The parameters for the observation of the antioxidative status showed higher GSH (KnT1: 803 ± 182µmol/l; GnT1: 891 ± 277µmol/l) and lower medium GSSG concentrations (K nT1: 116 ± 79µmol/l; G nT1: 101 ± 65mmol/l) in the glutamine-supplemented group. Also the values of medium TEAC (K nT1: 0,290 ± 0,048 mmol/l; G nT1: 0,321 ±0,026 mmol/l) and medium Vitamine C concentrations (K nT2: 11,23 ± 5,53µmol/l; G nT2: 13,46 ± 2,99µmol/l) were higher in the glutamine group. Even though the differences are not statistically significant, the plurality of the expected changes of the single parameters of the antioxidative status support the hypothesis of the increased GSH synthesis due to glutamine supplementation. Of practical relevance were the results of creatine kinase (CK, K nT1: 5559 ± 2484 nkat/l; G nT1: 3622 ± 627 nkat/l) which showed a significant reduction in the glutamine-supplemented group which could prove a decrease in the muscle tissue damage. It would be interesting to test the effects of glutamine in a larger number of horses under maximal exertion such as a racing situation followed by regeneration phase because this could prove the actual effects of glutamine.