Podcasts about athanasius kircher

Wir betrachten in dieser Folge die Entstehung und Entwicklung des Grimoires. Weit mehr als Sammlungen an Zaubersprüchen und Beschwörungen sind Grimoires einzigartige Vermengungen antiker und zeitgenössischer kultureller Strömungen. Wir sprechen darüber, woher sie kamen, wie sie gefertigt wurden und warum sie auch heute noch präsent sind. // Erwähnte Folgen - GAG476: Boabdil und das Ende Granadas - https://gadg.fm/476 - GAG20: Von Drachenknochen und Schildkrötenorakeln - https://gadg.fm/20 - GAG451: Eine kleine Geschichte der verlorenen Bücher - https://gadg.fm/451 - GAG479: Über einen, der alles wusste – Athanasius Kircher - https://gadg.fm/479 - GAG413: Paracelsus – Arzt und Alchemist - https://gadg.fm/413 // Literatur - Davies, Owen. Art of the Grimoire: An Illustrated History of Magic Books and Spells. New Haven London: Yale University Press, 2023. - Davies, Owen. Grimoires: A History of Magic Books. OUP Oxford, 2009. - Rankine, David. The Grimoire Encyclopaedia: Volume 1+2: A Convocation of Spirits, Texts, Materials, and Practices. Hadean Press Limited, 2023. Das Episodenbild zeigt einen Ausschnitt des Honorius Grimoires. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

EPISODE 131 | Hotlantis: The Lost Continent We all love mysteries, and Atlantis is one of the biggest ones. Was it a real place or just an allegory? If real, then where was it? Many people have spent a lot of time and money trying to discover the answer to that question.  Like what we do? Then buy us a beer or three via our page on Buy Me a Coffee. Review us here or on IMDb. And, seriously, subscribe, will ya? SECTIONS 02:22 - Let the Mermaids Flirt with Me - Plato's Timaeus and Critias describe Atlantis, Utopia, probably just an allegory, Tertullian's "On Baptism", Elysium, Plato references Solon 08:44 - When the Levee Breaks - Atlantias by Hellanicus of Lesbos, the disaster at Helike, Altantipedia 14:00 - Mediterranean Sundance - Crantor believed it, the Pillars of Hercules, in the Mediterranean: Santorini (Thira), the Minoans, Robert Graves thought it was Pharos, Robert L. Scranton liked Lake Copais, other Med locales 21:08 - Atlantic - Ignatius Donnelly and Pierre-Marie Termier chose the Azores, hyperdiffusionism, Otto Muck thought about the Mid-Atlantic Range and the Carolina Bays, Bory de Saint-Vincent liked the Canary Islands (and pillow lava), Jorge Maria Ribero-Meneses considered the Cachucho Plateau, some liked the Spartel Bank, Paul Dunbavin liked the the Irish Sea, Stel Pavlou changes the timeline, the Richart Structure in Mauritania 28:48 - Abraham Ortelius drew a map, Athanasius Kircher expanded that work and thought Atlantis connected North America with Africa 31:02 - New World - Edgar Cayce's visions pointed to Bimini, the Bimini Road, the Blake Plateau, the Sargasso Sea, J.M. Allen thinks of the Incans and Bolivia, mythological places, Antarctica  36:40 - Underwater Love - Olaus Rudbeck preferred Sweden, Jürgen Spanuth like Northern Europe, Helena Blavatsky's Theosophy and root races, Jörg Lanz von Liebenfels and Guido von List create Ariosophy ("the wisdom of the Aryans"), the Nazis took that ball and ran with it 41:33 - Palace of the Brine - CTs like ancient aliens, the Vatican, the Illuminati; Tony O'Connell of Atlantapedia's central Mediterranean theory, my own take on it all Music by Fanette Ronjat More Info Atlantipedia website Timaeus By Plato Critias By Plato Finding Atlantis in the depths of Plato On Baptism by Tertullian Atlantis isn't real, but here are all the places it could have been in Popular Science Atlantis on History.com Atlantis at National Geographic  Atlantis - An Investigation on Storymaps Top 10 Amazing Facts About the Lost City of Atlantis The ‘truth' behind Atlantis – Christopher Gill on Plato's Atlantis Story Where is the Lost City of Atlantis — and Does it Even Exist? in Discover Is Atlantis Real? The Truth Behind the Atlantis Myth Was there a real Atlantis? on How Stuff Works Plato's Atlantis Before Plato on Beachcombing's BIzarre HIstory Blog WHO ELSE WROTE ABOUT ATLANTIS? Findings on Santorini Point to “Lost Island of Atlantis” Origins How the Ancient Greek City of Helike Was Destroyed and Rediscovered Wrath of a God or Nature: The Demise of Helike What Are the Pillars of Hercules Mentioned in Greek Mythology? The Pillars of Heracles at the Plato Project How the Discovery of ‘Atlantis' Made Big News Then Faded Away The Mysteries of Lake Copais and the Island Fortress of Gla The Sunken City That Might Be Atlantis Atlantis Location Hypothesis 10 mysterious locations to find the lost city of Atlantis WHERE IS ATLANTIS?: PILLARS OF HERACLES, A SEA OF MUD AND MONSTERS IN THE DEEP Atlantis, Lake Tritonis, and Pharos Ignatius L. Donnelly in the Scholarly Community Encyclopedia  Master of Disaster, Ignatius Donnelly in the Public Domain Review Are the Misty Peaks of the Azores Remnants of the Legendary Atlantis? The Canary Islands And The Atlantis Legend Pillow basalt more than a kilometer above sea level Lost city of Atlantis believed found off Spain The Mystery of Carolina Bays Location hypotheses of Atlantis Hunting Atlantis TV show “Be Vewy Quiet. I'm Hunting Atlantis.” What Exactly Is the Eye of the Sahara, aka the Richat Structure? Ancient Saharan Origins of East African Bantus: The Land of Atlantis and Egypt Atlantis on the Green Sahara The Infamous Map of Atlantis on Cryptid Campfire How the imaginary island of Atlantis was mapped on Vox Bimini Road/The Lost City of Atlantis Why Some People Think Bimini Road Is A Lost Highway To Atlantis on All That's Interesting Ep. 128 | Estimated Prophets: Nostradamus & Cayce The Island of Atlantis Discovered The Blake Plateau: A Southern Treasure Deep Sea Corals: The depths of the Blake Plateau Ep. 103 | Down in Bermuda, It's Easy to Believe: The Devil's Triangle The Sargasso Sea: why this ‘golden floating rainforest' urgently needs protecting at Greenpeace Mysteries of the Sargasso Sea Atlantis: The Andes Solution : The Discovery of South America As the Legendary Continent of Atlantis by John Blashford-Snell Exploring Atlantis and Lemuria Is Atlantis in Antarctica Atlantis on the H. P. Lovecraft Wiki Swedish Visions of Atlantis – Olof Rudbeck the Elder's Atlantica Atlantis Then and Now on the Theosophical Society website Eight unbelievable theories about Atlantis - that people actually believed! Atlantis Conspiracy website Lost city of Atlantis rises again to fuel a dangerous myth in The Guardian Atlantis: The Lost Continent Finally Found by Arysio Santos  Joining The Dots: Plato's Atlantis in the Central Mediterranean by Tony O'Connell  Follow us on social: Facebook Twitter Bluesky Other Podcasts by Derek DeWitt DIGITAL SIGNAGE DONE RIGHT - Winner of a 2022 Gold Quill Award, 2022 Gold MarCom Award, 2021 AVA Digital Award Gold, 2021 Silver Davey Award, 2020 Communicator Award of Excellence, and on numerous top 10 podcast lists.  PRAGUE TIMES - A city is more than just a location - it's a kaleidoscope of history, places, people and trends. This podcast looks at Prague, in the center of Europe, from a number of perspectives, including what it is now, what is has been and where it's going. It's Prague THEN, Prague NOW, Prague LATER 

Wir springen in dieser Folge in die USA des Jahres 1919. Der Erste Weltkrieg wurde gerade erst beendet, während die Spanische Grippe auf der ganzen Welt noch immer Millionen Opfer fordert. Da verwundert eine Prophezeiung, die das Ende der Welt voraussieht, kaum. Allerdings wird diese nicht, wie sonst üblich, auf Basis religiöser Interpretationen verlautbart, sondern aufgrund der Erkenntnisse eines renommierten Meteorologen. Zumindest wird das der allgemeinen Öffentlichkeit so vermittelt. Wir sprechen in dieser Folge über die Vorhersagen Professor Portas, weshalb sie in den USA auf fruchtbaren Boden fielen und warum die Welt heute trotzdem noch steht. // Erwähnte Episoden - GAG231: Die Große Enttäuschung von 1844 – https://gadg.fm/231 - GAG252: Harvard Computers – Wie Astronominnen die Sterne neu sortierten – https://gadg.fm/252 - GAG464: Die Entstehung des Central Parks – https://gadg.fm/464 - GAG479: Über einen, der alles wusste – Athanasius Kircher – https://gadg.fm/479 - GAG474: Eine kleine Geschichte des Zeitreisens – https://gadg.fm/474 - GAG143: Über Marsmenschen, Massenpanik und die Entstehung eines Mythos – https://gadg.fm/143 // Literatur - Clarke, Kim. “Professor Porta's Predictions.” University of Michigan Heritage Project. Accessed January 6, 2025. https://heritage.umich.edu/stories/professor-portas-predictions/. - “Fake News and the End of the World | History Today.” https://www.historytoday.com/archive/feature/fake-news-and-end-world. - Paul S. Boyer. When Time Shall Be No More: Prophecy Belief in Modern American Culture, 2006. - Sara Schechner Genuth. Comets, Popular Culture, and the Birth of Modern Cosmology. Princeton University Press, 2021. Das Episodenbild zeigt einen Ausschnitt eines Artikels über Albert Porta und seine Arbeit, in der Oakland Tribune, aus dem Jahr 1922. Courtesy of the California Digital Newspaper Collection, Center for Bibliographic Studies and Research, University of California, Riverside, http://cdnc.ucr.edu //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Über 50 Jahre hat der Physiker John Mainstone in Australien das vielleicht älteste, laufende Laborexperiment der Welt betreut: Viermal ist in dieser Zeit ein Tropfen Pech aus einem Trichter in einen Becher gefallen. Gesehen hat das Mainstone allerdings nie. Das Pechtropfen-Experiment wurde 1927 von seinem Vorgänger, Thomas Parnell, gestartet und aktuell wartet die Welt gespannt auf das Fallen des 10. Tropfens. Wir sprechen in dieser Folge über bahnbrechende Experimente, was Experimente sind und wie sie Welt für immer verändert haben. Denn ohne Experimente gäbe es viele der Erfindungen und Fortschritte nicht, von denen wir schon in so vielen Folgen erzählt haben. // Erwähnte Folgen GAG483: Bounty, Brotfrucht und die Rum-Rebellion – https://gadg.fm/483 GAG479: Über einen, der alles wusste – Athanasius Kircher – https://gadg.fm/479 GAG361: Gustave Trouvé - der vergessene Erfinder – https://gadg.fm/361 GAG248: Der Venustransit von 1761/69 – https://gadg.fm/248 GAG370: Der Kodex des Archimedes – https://gadg.fm/370 GAG474: Eine kleine Geschichte des Zeitreisens – https://gadg.fm/474 Der Hinweis zum Pechtropfen-Experiment stammt aus dem Podcast „Ich hab Dich trotzdem lieb“ (https://ichhabdichtrotzdemlieb.podigee.io/) von Andreas Loff und Oli P. // Literatur - Philip Ball: Experimente. Versuch und Irrtum in der Wissenschaft, 2024 - Livestream zum Pechtropfen-Experiment: https://smp.uq.edu.au/pitch-drop-experiment //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

War er der letzte Mann, der alles wusste? Wir sprechen in dieser Folge über den Universalgelehrten Athanasius Kircher, der im 17. Jahrhundert einer der bekanntesten Gelehrten in Europa war. Kircher schrieb zahlreiche Bücher über unterschiedlichste Themen, die in den bedeutendsten Bibliotheken der Zeit nicht fehlen durften. Sogar die ägyptischen Hieroglyphen wollte er entziffert haben. Aber war er vielleicht mehr „Quacksalber als Gelehrter“, wie der der große Philosoph René Descartes behauptete? Oder gar ein Scharlatan? Sein Forschen und Denken gibt uns jedenfalls Einblick in die Welt der vormodernen Wissenschaft, in der Aberglaube, Magie und Alchemie ebenfalls noch ihren Platz fanden. Wir haben einen neuen Podcast! Gemeinsam mit Studio Bummens erzählen wir bei „Plus Ultra“ die Vorgeschichte des Dreißigjährigen Kriegs: https://geschichte.fm/plusultra Tickets für unsere Jubiläumstour 2025 gibt es hier: https://geschichte.fm/tour //Erwähnte Folgen - GAG108: Der Paderborner Kaffeelärm – https://gadg.fm/108 - GAG474: Eine kleine Geschichte des Zeitreisens – https://gadg.fm/474 - GAG468: Arabia Felix oder Die Dänisch Arabische Expedition – https://gadg.fm/468 - GAG367: Untergang und Comeback der VASA – https://gadg.fm/367 - GAG222: Das Voynich-Manuskript – https://gadg.fm/222 //Literatur - John Glassie: Der letzte Mann, der alles wusste: Das Leben des exzentrischen Genies Athanasius Kircher (A Man of Misconceptions: The Life of an Eccentric in an Age of Change), 2014. - Andreas Bähr: Athanasius Kircher – Ein Leben für die Entzifferung der Welt, 2023. - Tina Asmussen, Lucas Burkart und Hole Rößler: Theatrum Kircherianum, 2013. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Digno protagonista de este programa, Athanasius Kircher es uno de los más fascinantes personajes que nos ha dado el continente europeo. Jesuita, estudioso orientalista, de espíritu enciclopédico, destacado por sus aportes en matemáticas, astronomía, filología y biología, pero igualmente atraído por la alquimia, la magia y los saberes herméticos. En este capítulo de El Libro Rojo lo conocemos junto a Gracia López Anguita, doctora con mención europea en estudios árabes e islámicos.

Noves evidències del Manuscrit Voynich. EL MANUSCRITO DE VOYNICH Y LA BUSQUEDA DE LOS MOUNDOS SUBYACIENTES amb l'investigador Mario Pérez Ruíz. El manuscrit trobat en 1912 pel llibreter novaiorquès Alfred Voynich; conegut com a document Salomón i com "el llibre més extrany del món". Escrit en una llengua de caràcters desconeguts i fosques il·lustracions que tanquen grimorios d'origen no terrestre. Científics que van investigar aquestes esfinxs van desaparèixer en estranyes circumstàncies. Observarem mutacions en plantes sagrades, al·lucinògens, alquímia, càbala i una desfilada de personatges esotèrics i literaris que van tenir relació amb el text. Ramon Llull (proposat aquí com a autor), R. Bacon, N. Flamel, Víctor Hugo, John Dee, Paracels, Isaac Newton, Athanasius Kircher, G. de Nerval, Fausto, G. Bruno, G.A. Bécquer, H.P. Lovecraft, Julio Cortázar....es barregen en un llibre tan àgil com erudit respecte als orígens de la maçoneria, els secrets del priorat de Sión, l'ànima, els somnis, el significat de les llegendes i els estats modificats de consciència a la recerca dels mons subjacents. ​Revista digital La tortuga Avui. www.latortugaavui.com ​Xarxès: Facebook grup Secrets del Pirineu, Instagram: area-hermetica-radio. Telegram: [https://t.me/.../FSW-COI...//t.me/joinchat/FSW-COI-ZiUtQ0Aj) Ràdio Caldes 107.8 fm, per TDT per les comarques del Vallès canal 515, Instagram com Àrea Hermètica ràdio i per internet: www.radiocaldes.cat areahermeticaradio@gmail.com

Hay una interesante y extensa historia de la música y las máquinas, desde los Wayangs del teatro religioso de Java y Balihasta las marionetas chinas de los teatros de sombras, desde el Reloj sirio de Gazahasta los robots de Kratfwerk y la música autogenerativa del siglo XXI._____Has escuchado“Athanasius Kircher, Antidotum Tarantulae - Tarantella”. Gabriele Giacomelli, órgano. YouTube Vídeo. Publicado por Associazione Prato per Zipoli, 13 de enero de 2020: [Vídeo]“David Roentgen's Automaton of Queen Marie Antoinette, The Dulcimer Player (La Joueuse de Tympanon)”. YouTube Vídeo. Publicado por The Met, 24 de octubre de 2012: [Vídeo]“‘Floutiste', Life-size Flute Player Automaton by A. Theroude, Paris, France, c. 1869-77”. YouTube Vídeo. Publicado por Morris Museum, 3 de diciembre de 2012: [Vídeo]“Jean Tinguely's Four Méta-Harmonie Music Machines at Museum Tinguely, Basel”. YouTube Vídeo. Publicado por VernissageTV, 20 de octubre de 2016: [Vídeo]“Luigi Russolo: Serenata per intonarumori e strumenti”. YouTube Vídeo. Publicado por TheWelleszCompany, 27 de enero de 2011: [Vídeo]“Poema sinfónico para 100 metrónomos de György Ligeti”. YouTube Vídeo. Publicado por Adolfo García Yagüe, 23 de enero de 2014: [Vídeo] _____ Selección bibliográficaARACIL, Alfredo, Música sobre máquinas y máquinas musicales. Desde Arquímedes a los medios electroacústicos. Fundación Juan March, 1984: [PDF]*BIJSTERVELD, Karin, Mechanical Sound: Technology Culture, and Public Problems of Noise in the Twentieth Century. The MIT Press, 2008BOWN, Ollie, Beyond the Creative Species: Making Machines That Make Art and Music. The MIT Press, 2021BROWN, Barclay, “The Noise Instruments of Luigi Russolo”. Perspectives of New Music, vol. 20, n.º 1-2 (1981), pp. 31-48*CHESSA, Luciano, Luigi Russolo Futurist: Noise Visual Arts and the Occult. University of California Press, 2012COLLINS, Nicolas y Simon Lonergan, Handmade Electronic Music: The Art of Hardware Hacking. Routledge, 2020GAVIN, Williams, “A Voice of the Crowd: Futurism and the Politics of Noise”. 19th-Century Music, vol. 37, n.º 2 (2013), pp. 113-129*HIRT, Katherine Maree, When Machines Play Chopin: Musical Spirit and Automation in Nineteenth-Century German Literature. Walter De Gruyter, 2010HOPKIN, Bart y Sudhu Tewari (eds.), Sound Inventions: Selected Articles from Experimental Musical Instruments. Routledge, 2021*KOSTELANETZ, Richard, “Artistic Machines”. Chicago Review, vol. 23, n.º 1 (1971), pp. 116-133*MOLINA ALARCÓN, Miguel, “De la ‘máquina de hablar' a la ‘máquina de dormir': máquinas sonoras y musicales pre-electroacústicas en España, 1860-1944”. En: ¡Chum, chum, pim, pam, pum, olé!: pioneros del arte sonoro en España, de Cervantes a las vanguardias. Editado por Miguel Molina Alarcón. Weekend Proms, 2017PARDO, Carmen, “La sensibilidad de la máquina: el circuito sonoro”. Acto: Revista de Pensamiento Artístico Contemporáneo, n.º 1 (2002), pp. 43-56*PATTESON, Thomas, Instruments for New Music: Sound, Technology, and Modernism. University of California Press, 2016*RICHARDS, Timothy, “Performing Objects: Technology without Purpose”. Leonardo, vol. 17, n.º 4 (1984), pp. 237-240*RUSSOLO, Luigi, “El arte de los ruidos”. Sin Título, n.º 3 (1996), pp. 5-50: [PDF]RUSSOLO, Luigi et al., Art of Noise Destruction of Music by Futurist Machines. Deicide, 2023SARMIENTO, José Antonio, “Los ‘ruideros' de Luigi Russolo y su impacto en la prensa española de la época, 1913-1933”. En: ¡Chum, chum, pim, pam, pum, olé!: pioneros del arte sonoro en España, de Cervantes a las vanguardias. Editado por Miguel Molina Alarcón. Weekend Proms, 2017TINGUELY, Jean et al., Méta-Harmonie: Music Machines and Machine Music in Jean Tinguely's Oeuvre. Museum Tinguely, 2016VENN, Edward, “Rethinking Russolo”. Tempo, vol. 64, n.º 251 (2010), pp. 8-16*ZARIPOV, R. Kh. y J. G. K. Russell, “Cybernetics and Music”. Perspectives of New Music, vol. 7, n.º 2 (1969), pp. 115-154* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

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Luiz Henrique Carvalho, nasceu no dia 21 de abril, em Jundiaí –SP. Administrador de Empresas como profissão. Desde muito cedo mostrava sinais de seu interesse pela leitura, em especial, dos grandes mestres como Eliphas Levi, Athanasius Kircher, Stanislas de Guaita, Paracelso, entre tantos outros. Membro de diversas Ordens Esotéricas, apesar de sua vida leva-lo à cursar administração, com posterior atuação na área, nunca abandonou suas crenças e sua busca, pelo contrário, cada momento que tinha se aprofundava nos estudos mais diversos da espiritualidade. =============== Somos um podcast literário. O Pod Ler e Escrever conversa com autores, produtores de conteúdo e demais profissionais do livro. Sempre de forma livre, descomplicada e leve. Toda semana, dois novos convidados ao vivo!

Melvyn Bragg and guests discuss Plato's account of the once great island of Atlantis out to the west, beyond the world known to his fellow Athenians, and why it disappeared many thousands of years before his time. There are no sources for this story other than Plato, and he tells it across two of his works, the Timaeus and the Critias, tantalizing his readers with evidence that it is true and clues that it is a fantasy. Atlantis, for Plato, is a way to explore what an ideal republic really is, and whether Athens could be (or ever was) one; to European travellers in the Renaissance, though, his story reflected their own encounters with distant lands, previously unknown to them, spurring generations of explorers to scour the oceans and in the hope of finding a lost world. The image above is from an engraving of the legendary island of Atlantis after a description by Athanasius Kircher (1602-1680). With Edith Hall Professor of Classics at Durham University Christopher Gill Emeritus Professor of Ancient Thought at the University of Exeter And Angie Hobbs Professor of the Public Understanding of Philosophy at the University of Sheffield Producer: Simon Tillotson

Melvyn Bragg and guests discuss Plato's account of the once great island of Atlantis out to the west, beyond the world known to his fellow Athenians, and why it disappeared many thousands of years before his time. There are no sources for this story other than Plato, and he tells it across two of his works, the Timaeus and the Critias, tantalizing his readers with evidence that it is true and clues that it is a fantasy. Atlantis, for Plato, is a way to explore what an ideal republic really is, and whether Athens could be (or ever was) one; to European travellers in the Renaissance, though, his story reflected their own encounters with distant lands, previously unknown to them, spurring generations of explorers to scour the oceans and in the hope of finding a lost world. The image above is from an engraving of the legendary island of Atlantis after a description by Athanasius Kircher (1602-1680). With Edith Hall Professor of Classics at Durham University Christopher Gill Emeritus Professor of Ancient Thought at the University of Exeter And Angie Hobbs Professor of the Public Understanding of Philosophy at the University of Sheffield Producer: Simon Tillotson

Crises of knowledge precipitate drives towards specialisation. In our digital age we still need polymaths. Read by Leighton Pugh. Image: This chart is taken from the book 'Ars Magna Lucis Et Umbrae' which was published in 1646 by the Jesuit scientist and inventor, Athanasius Kircher (1602-1680). Credit: SSPL/Getty Images

Image credit: Antidotum tarantulae, a curative musical score from Athanasius Kircher (c. 1660).

Today we revisit Germany/Holy Roman Empire in the midst of the Thirty Years' War. First, we learn about the Würzburg witch trials, one of Europe's largest mass executions, and the Jesuit Friedrich Spee who spoke out against it. Then, we discuss the life of Athanasius Kircher, the Jesuit priest and inventor who wrote about everything, but got it all wrong. Enjoying the podcast? Please take a moment to rate/review/subscribe! We'd love to hear from you. Here's how to get in touch with us: Email: saintsandwitchespodcast@gmail.com Instagram: @saintsandwitchespodcast Twitter: @saintsnwitches --- Support this podcast: https://anchor.fm/saints-and-witches/support

Athanasius Kircher es considerado por algunos historiadores como el último renacentista. Algunos de sus coetáneos, como René Descartes, tenían sobre él un punto de vista menos considerado.

Y ahora voy a hablar de la legendaria sala secreta de discos. Según la leyenda, también se dice que la Cámara de Registros Secretos está enterrada en algún lugar de Egipto, y mucha gente cree que se encuentra debajo de la misteriosa Gran Esfinge, precisamente debajo de los pies de la estatua, y que es una fuente de la secretos del conocimiento para los antiguos egipcios, escritos dentro de rollos de papiro antiguos, y pueden contener Los secretos y la ubicación del continente perdido "Atlántida", escritos en registros de oro, esta misteriosa sala es tan importante para los antiguos egipcios como la antigua Biblioteca de Alejandría. , que incluye el conocimiento griego en la era de los griegos. A pesar de los muchos chismes y opiniones sobre la existencia de esta cámara secreta, los arqueólogos tradicionales rechazan firmemente la existencia de una cámara faraónica de este tipo, debido a la falta de evidencia sólida que respalde su existencia, pero estudiosos como Robert Schoch y Thomas Dobeck creen que el La cámara realmente existe en un lugar Bajo la estatua de la Gran Esfinge en Egipto, los dos investigadores llevaron a cabo una búsqueda por radar en el área de la Esfinge en 1998, y la encuesta mostró la presencia de cavidades debajo de la estatua, y el Dr. Zahi Hawass, jefe del Consejo Supremo de Antigüedades en ese momento, amplió la búsqueda, por lo que se encontraron pasajes naturales y cuevas debajo de la estatua. La Esfinge, y no se encontraron manuscritos ni artefactos, pero el Dr. "Zahi y Hawass" comentó en un conferencia de prensa en 1998, que ya sospechaba que había otras cavidades debajo de la misteriosa estatua. - Basado en estas descripciones en los textos antiguos de Herodoto, y otros historiadores que visitaron esa habitación mágica en el pasado distante, el investigador alemán Athanasius Kircher, en el siglo XVII, creó un diseño pictórico para esa misteriosa sala como lo describe Herodoto, que es como sigue. Diez pasillos con puertas opuestas, hay seis pasillos en el lado norte y seis en el otro lado sur, y hay un pasillo en el medio, con un muro que los rodea desde el exterior, y también hay dos tipos de habitaciones, un tipo subterráneo y el otro encima. Noha Nassar Gracias por escuchar Fuentes https://www.youtube.com/watch?v=bVOLWLId9yo https://knowledge0world.blogspot.com/2018/01/mysterious-about-ancient-egypt.html

و دلوقتى هتكلم عن حجرة السجلات السرية الأسطورية . - وفقاً للإسطورة , كما يقال إن حجرة السجلات السرية مدفونة في مكان ما في مصر , وكثير من الناس يعتقدون أنها موجودة أسفل تمثال أبو الهول الغامض بالتحديد تحت أقدام التمثال , وأنها تُعدّ مصدراً لأسرار المعرفة عند المصريين القدماء , والمدونة داخل لفائف البردي القديمة , وربما تحوي أسرار وموقع القارة المفقودة " أطلانتس " , مدونة على سجلات ذهبية , فهذه القاعة الغامضة تماثل أهميتها بالنسبة المصريين القدماء أهمية مكتبة الاسكندرية القديمة التي تضم المعرفة الإغريقية في عصر الإغريق . - وعلى الرغم من كثرة الأقاويل والآراء حول وجود تلك الحجرة السرية إلا أن علماء الآثار التقليديين , يرفضون بكل حزم وجود مثل هذه الحجرة الفرعونية , بسبب عدم وجود دليل قوي يدعم وجودها , ولكن علماء مثل Robert Schoch وThomas Dobeck , يعتقدان أن الحجرة موجودة بالفعل في مكان ما تحت تمثال أبو الهول في مصر , وقد قاما الباحثان بعمل بحث بالرادار في منطقة أبو الهول عام 1998, ليظهر المسح وجود تجاويف تحت التمثال , وقام دكتور " زاهي حواس " رئيس المجلس لأعلى للآثار وقتها بتوسيع البحث , فتم العثور على ممرات وكهوف طبيعية تحت تمثال أبو الهول , ولم يتم العثور على مخطوطات أو أي قطع أثرية , ولكن دكتور " زاهي وحواس" علق في مؤتمر صحفي عام 1998 , أنه يشتبه بالفعل في وجود تجاويف أخرى تحت التمثال الغامض . - وفي حين يعتقد الكثيرون أن قاعة السجلات بنيت بواسطة الحضارة المصرية القديمة , يعتقد البعض الآخر أن حجرة السجلات تم بناءها بواسطة حضارة قديمة سبقت الحضارة المصرية بكثير , ومع ذلك حتى إن لم تكن تلك الحجرة أسفل أبو الهول , فمن المؤكد أنها موجودة في مكان ما في أرض مصر . - ومن المثير لللإهتمام أن كل من " هيرودت " و" سترابو " , إدعوا وجود تلك الحجرة , وقام " هيردوت " بتسجيل زيارته الأسطورية لتلك الغرفة السرية عندما زار مصر , عندما قال له الكهنة الذين رافقوه في الزيارة بالهرم إن جسد خوفو وضع في غرفة أسفل الهرم، وكانت تتصل بالغرفة قناة مائية حولت المقبرة إلى جزيرة. - وكان هذا نص ما قاله " هيرودت عن الغرفة السرية " في القرن الرابع قبل الميلاد . " قصة تاريخية " - الكتاب الثاني 148 - ( لقد رأيت في الواقع عملاً .. لا يمكن وصفه بالكلمات .. لإن جميع مباني الإغريق وأعمالهم مجتمعة أقل بكثير من كل هذا الجهد المبذول والنفقات الكبيرة لصنع تلك المتاهة , حتى أن هذه المتاهة تفوق الأهرامات التي تعجز عن وصفها الكلمات) - وإستناداً لتلك الأوصاف في النصوص القديمة لهيرودت , وغيره من المؤرخين ممن زاروا تلك الحجرة السحرية في الماضي البعيد , قام الباحث الألماني أثناسيوس كيرشر Athanasius Kircher , في القرن الـ17 بإنشاء تصميم تخيلي مصور لتلك القاعة الغامضة كما وصفها هيرودت , وهي كاللآتي . - الحجرة مكونه من أثنى عشر قاعة مع بوابات متقابلة , هناك ستة قاعات على الجانب الشمالي , وستة في الجانب الآخر الجنوبي , وهناك قاعة واحدة في المنتصف , مع وجود جدار يحيط بهم من الخارج , ويوجد أيضاَ نوعين من الحجرات , نوع واحد تحت الأرض , والآخر فوقها . تقديم و تصميم وإعداد و مونتاج و إخراج نهى نصار شكراً لحسن إستماعكم المصادر https://www.youtube.com/watch?v=bVOLWLId9yo https://knowledge0world.blogspot.com/2016/08/the-mythology-of-hall-of-records.html

Voor aflevering 30 van Radio Horzelnest hebben wij Hans Mulder te gast. Hans is historicus en conservator natuurlijke historie van de Artis Bibliotheek. In 2019 sloot de bibliotheek haar deuren voor een renovatie. Maar Hans bleef niet op zijn handen zitten en schreef het prachtige boek: ‘De ontdekking van de natuur', dat in 2020 verscheen bij Uitgeverij Terra Lannoo. Het werd bijzonder goed ontvangen en won onlangs de Jan Wolkers Prijs voor beste natuurboek van 2021! Het boek is een bundeling van twintig verhalen waarin Hans laat zien hoe in de loop der eeuwen onze kijk op de natuur is veranderd. De verhalen centreren zich rondom illustere namen uit de wetenschapsgeschiedenis, waaronder Conrad Gessner, Athanasius Kircher, Aldrovandi, Georg Everhard Rumphius, Maria Sibylla Merian. Ook passeren de nodige Nederlanders de revue, zoals Cornelius Nozeman en Antonie van Leeuwenhoek. Elk hoofdstuk is bovendien geïllustreerd met wonderschone afbeeldingen uit de behandelde natuurhistorische werken. In deze aflevering praten we met Hans over enkele toonaangevende verhalen en figuren uit zijn boek. 00:00-03:32 – Inleiding 03:32-07:38 – Een korte geschiedenis van de Artisbibliotheek 07:38-13:56 – Het begrip ‘natuurhistorie', boekdrukkunst en microscopie 13:56-20:01 – De paradijsvogel 20:01-29:04 – De pelikaan en de draak 29:04-35:53 – De natuurwetenschappelijke methode 35:53-42:04 – Spontane generatie 42:04-52:14 – Antonie van Leeuwenhoek 52:14-01:07:30 – Maria Sybilla Merian 01:07:30-01:21:53 – Charles Darwin 01:21:53-01:32:44 – Seksuele selectie

This episode is about what happens when sounds and people meet and mix. A lot of what we talk about takes place away from North America and Europe, but we end up circling back to a primary question in this season of the podcast: how did Westerners use the sounds of others to perceive the world, “The West,” and themselves?Our first example is one of those historical stories that is so, well, weird you have to wonder if it is actually fiction. In the early years of the seventeenth century Chinese officials discovered a thousand year-old stone pillar (or “steele”) near the city of Xi'an in Western China, along the old east-west trade route known as “the Silk Road.” It was inscribed both in Chinese and Syriac, a form of Aramiac in which many early Christian texts are transmitted. Recently arrived Jesuit missionaries were quick to pick up on this find, because it supported their claim that Christianity had a long history in China. They also transmitted the news back to Rome. Then the fun starts. The great Jesuit scholar Athanasius Kircher, famous among other things for his collection of interesting objects and texts from around the world, used what he read about the stone to speculate about the intonation of the Chinese language (and China's relationship to ancient Egypt!). A few decades later a minor German clergyman in then very provincial Berlin read Kircher's account and proposed the idea that in China people sang all the time (as if they were in an opera) instead of speaking. Our point is that conclusions about far-away places don't have to be true to be interesting.Our second postcard was inspired by a TikTok meme. At the time we recorded the show, sea shanties were everywhere on the internet, thanks mainly to the music-video sharing app ability to amplify strange (we would say interesting!) sound objects: the app can act as a kind of digital version of Kircher's collection of curiosities. This got us thinking about where sea shanties, and other seafaring songs come from.And so we found ourselves talking about whaling ships. As Chris points out, whalers, which were really floating factories, were a kind of Silk Road on the water, thanks to their global routes and diverse crews. They also remind us that music history, economic history, exploration, and extraction often run along the same tracks. The sea shanty meme was good fun (for most listeners!). But sea shanties, and other songs from the riches of maritime history, are more than just curiosities. They offer vital sonic clues about big processes, fascinating moments, and human experience in global history.Key TakeawaysHistorical misunderstandings can be interesting in their own right: take the story of how the discovery of an ancient monument in China led one European to speculate that Chinese people sang all the time as if they were in an opera. Behind this odd idea is a story of someone struggling to make sense of new historical evidence.Whaling ships and other workhorses of the maritime trade were both “floating factories” and fascinating soundscapes. The music passed down from them (including the recent TikTok sea shanty craze) offer clues about these soundscapes, and the ways that music history and the histories of economics (especially the history of working people) travel on the same tracks.ResourcesDaniel Chua and Alexander Rehding's Alien Listening: Voyager's Golden Record and Music from Earth got us thinking about how it can be illuminating to speculate about how other people--OK, they're talking about space aliens--make sense of sound.Bathsheba Demuth's Floating Coast: An Environmental History of the Bering Strait is a must read on the entanglements of ecology and economy. The author is a former dog-sled musher.We're very inspired by Peter Linbaugh and Markus Rediker's The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic, which profoundly shapes our thinking about labor and maritime trade.Check out the podcast Time to Eat the Dogs for thought-provoking stories about science, exploration, and “life at the extreme” presented by the historian Michael Robinson.All of the books mentioned in the episode can be found in our Sounding History Goodreads discussion group. Join the conversation!

A room's acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public.  Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

A room's acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public.  Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A room's acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public.  Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

A room's acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public.  Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

A room's acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public.  Echo's Chambers: Architecture and the Idea of Acoustic Space (U Pittsburgh Press, 2021) explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Há os que acreditem que Atlântida realmente existiu, sendo uma misteriosa civilização perdida. Há os que acreditem que era apenas uma alegoria ou um mito. Neste episódio, vamos discutir as diversas teorias que permeiam a localização, a história e os habitantes dessa suposta ilha. Comentado no episódio: - Desenho da localização de Atlântida por Athanasius Kircher, em sua obra Mundus Subterraneus: https://upload.wikimedia.org/wikipedia/commons/d/dd/Atlantis_Kircher_Mundus_subterraneus_1678.jpg - Cidade subaquática nos arredores de Cuba: https://news.co.cr/wp-content/uploads/2012/10/under-water-city-near-cuba.jpg

Episode 110 – A Flood of Truth Part 6 – All KINDS of Animals Welcome to Anchored by Truth brought to you by Crystal Sea Books. In John 14:6, Jesus said, “I am the way, the truth, and the life.” The goal of Anchored by Truth is to encourage everyone to grow in the Christian faith by anchoring themselves to the secure truth found in the inspired, inerrant, and infallible word of God. Script/Notes: The Lord then said to Noah, “... Take with you seven pairs of every kind of clean animal, a male and its mate, and one pair of every kind of unclean animal, a male and its mate, and also seven pairs of every kind of bird, male and female, to keep their various kinds alive throughout the earth.” Genesis Chapter 7, verses 1 through 3, New International Version ******** VK: Hello. I'm Victoria K welcoming you to another episode of Anchored by Truth. I'm in the studio today with RD Fierro, author and Founder Crystal Sea Books. Today we're going to continue our discussion about Noah and the flood that's described in chapters 6 through 9 of the book of Genesis. The story is probably one of the best known of the Bible's stories. It's so well known that it has been retold in countless forms especially on television and in the movies. But, the TV and movie writers don't always get the story right, do they RD? RD: Hello to all the Anchored by Truth listeners. No, unfortunately, they don't. VK: And in your view one of the things the popular media re-tellers get wrong the most is what actually happened with the animals. Correct? RD: Correct. So today on Anchored by Truth we want to spend the whole show just talking about what really happened with the animals. Now, to do this topic justice would probably take more than one show but there's a lot of good information that listeners can find on the internet. So, our principle goal for today is not to be exhaustive but just to discuss some of the major points that demonstrate that the Bible's report of the Noahic flood can be reasonably treated as literal history. VK: Ok. Well, it's sounds like there's a lot to get to. So, let's jump right in. Where do you want to start? RD: Let's start by just looking at an illustration of one of the more popular mischaracterizations that is often used to try to discredit the Bible story's historicity. VK: You're talking about the supposedly clever little quip that you heard on the popular TV comedy show The Big Bang Theory. What was it that you heard? RD: Just about everyone who has even seen one episode knows that “Sheldon,” the genius physicist on the show, is a determined atheist but his has a mother who is a devout Christians. So, one time when talking about his mother, Sheldon acknowledges that she is a sweet woman, but he says that his mother believes that “all the animals in the world got on one boat.” The line is intended to be comedic but it wouldn't have been included if the writers didn't think that their audience would get a laugh at the “simpletons” who accept the Bible's flood account as literal history. VK: Well, popular culture poking fun at Christians isn't exactly news. But we readily acknowledge there are legitimate questions about the animals that were on the ark that do merit explanation. And that's the biggest reasons we do Anchored by Truth - to provide a starting point for listeners to understand that there are reasonable answers to reasonable questions. And when you understand the answers it reinforces the authenticity of the Biblical account. RD: Precisely. So, let's look at a few of the obvious questions that are pertinent to the ark and the animals. One of the first questions is obviously how many animals were there on the ark. And a second question is how all of the biological diversity that we see on the earth today could have arisen from the animals that disembarked. So, let's start with the first question: which animals actually got on the ark. That question has two sides. One part is the animals that got on the ark. The second is the animals that didn't. VK: So, let's make one obvious observation right away. The only animals that the Bible refers to as being on the ark were land animals and birds. There was no reason for fish or other sea creatures, including marine mammals, to be on board the ark. Even though many sea creatures would have died as a result of the extremely rough seas, obviously a large number of sea creatures would have been able to survive. But there is a question about the distinction between how fresh water species and salt water species could both have survived in the same body of water? RD: There are several possibilities to address the salt water vs. fresh water dilemma. First, it is well known that there are many species of fish that can survive in a wide variety of salinity conditions. Second, experiments with fish have shown that even varieties of fish thought to be exclusively fresh water can survive in sea water. One researcher took some species of cichlids, which is a freshwater species found in 3 continents, and put them in sea water where they not only lived but reproduced normally. Third, since the density of salt water is heavier than fresh water it's possible that for a time there were layers of differing salinity that formed in the water covering the earth. There is a well-known phenomenon called a halocline where a vertical salinity gradient persists in a body of water. It's possible that this occurred as the fresh rain water mixed with the previous ocean water and each type of fish just sought out the salinity level it preferred. VK: Ok. That would seem to address how various fish species were able to persist during the period the water covered the earth. What about after the flood waters receded and there was a distinction between fresh water lakes and the oceans that remained? RD: As the waters receded some of the fish would have just wound up in the kind of water they preferred but it's well known that many fish can survive in a wide range of salinities provided they're given a chance to acclimatize gradually. That certainly would have been the case as the dry land appeared and the final bodies of water became evident. It wouldn't have happened instantaneously. VK: Well, that all seems very reasonable. So, let's move on to talking about the animals that did get on the ark. Sheldon's comment aside there were a lot of animals that did get on the ark. How many likely made it and how did they all fit? RD: So, that question obviously has two parts: the number of animals and the size of the boat. We heard in one of the Life Lessons with a Laugh that the ark was an enormous ship. Since the dimensions of the ark that are given in scripture are given in cubits we can't be exactly sure of the precise size but we can make some very good estimates. A cubit was considered to be the length of a man's forearm so most scholars reckon the cubit as being between 18 inches and 21 inches. But Dr. Gleason Archer in his book An Encyclopedia of Bible Difficulties thinks that the cubit may have been as much as 24 inches because we have some indication that in the pre-flood days human beings were even larger than they were today. So, Dr. Archer estimates that the ark could have been as much as 3.6 million cubic feet. Dr. Jonathan Sarfati in his Genesis commentary The Genesis Account uses an 18 inch cubit and even at the smaller size notes that the ark had a carrying capacity of over 340 semi-trailers. Sarfati also notes that even using current space regulations for animal transport the ark could transport at least 19,000 sheep. VK: So, under the most conservative estimates the ark had a huge amount of space – especially when you remember that the Lord told Noah to build the ark with three decks. But, when it comes to actually fitting the animals in it's important to understand a basic point. The Hebrew word that is used to instruct Noah about which animals to bring on the ark is the word “min.” In some earlier English translations the word “min” was mistranslated as the word “species.” The more proper translation should be into the English word “kind.” And that's the way most translations have it today. So, as we heard in our opening scripture in the New International Version Genesis, chapter 7, verses 1 through 3 reads: “Take with you seven pairs of every kind of clean animal, a male and its mate, and one pair of every kind of unclean animal, a male and its mate, and also seven pairs of every kind of bird, male and female, to keep their various kinds alive throughout the earth.” So, in terms of modern taxonomy what does the word “kind” mean? RD: The term “kind” does not correspond exactly to any the taxonomic levels that we currently use but as you've noted it does not correspond to what we would refer to as a species. The current taxonomy hierarchy has eight ranks from the general to specific. These are; domain, kingdom, phylum, class, order, family, genus, and species. Most creationist biologists believe the Biblical “kind” falls somewhere between a “family” and a “genus.” When it uses the word “kind” the Bible is simply referring to animals that can breed together and produce fertile offspring. In other words, the Biblical term “kind” is a functional rather than categorical definition. This is a key point. It will eliminate a lot of confusion if people get away from the notion that somehow Noah was instructed to every species of land animal on earth. That's simply not the case. This distinction of kind referring to reproductive activity not what might be termed external morphology is true in a lot of cases that might surprise people. VK: Such as the fact that may different types of dogs or cats are known as separate species but they can, in fact, reproduce together. It's well known that aside from size limitations many different varieties of dogs can interbreed. And there are some more exotic examples. Lions and tigers are definitely different species but they have been successfully bred together to produce a “liger” or a “tigon” depending on whether the male is a lion or tiger. It's highly likely that only one pair of breeding felines or breeding canines was actually brought on board. Take dogs, for example. Noah didn't have to take two cocker spaniels, two collies, two red setters, etc. He would have needed just one pair of dogs, like the wolf kind, with much genetic variation, somewhat like mongrels today. Just understanding this helps to show that the Bible's instruction to Noah about the animals was reasonable. But that still leaves open the question of exactly how many animals were on the ark. RD: Well, there's not uniformity in the opinions of Biblical scholars on the exact number for a variety of reasons. So, let's think about some of the issues that arise when we're talking about that question. First, there were more different “kinds” of animals around in Noah's day than there are today. At a minimum we know from fossil evidence that there are a number of different kinds of animals that existed in the past that don't exist today. Dinosaurs for instance. VK: Dinosaurs being on the ark raises a whole other set of questions. RD: Yes. It does. And we'll get to that in just a second. But first, let's get back to the basic numbers question. As we've mentioned the actual number of animals Noah put on board depends on what a biblical ‘kind' is. John Woodmorappe was an author and teacher who had degrees in biology and geology. He wrote a book entitled Noah's Ark: A Feasibility Study. Woodmorappe calculated that the number of animals would have been less than 16,000, if a biblical kind is roughly equivalent to the group of animals we call a genus today. However, if the biblical kind is equivalent to the ‘family' grouping, then there would have only been 2,000 animals. The actual number was probably somewhere in between. VK: So, even if the actual number of animals on the ark were on the higher size, the ark would still have had adequate carrying capacity? RD: Absolutely. As we noted earlier, just based on space, the ark could have transported at least 19,000 sheep even using current space regulatory requirements for animal transport and even using the most conservative estimate for how long a cubit was. But obviously most land dwelling animals today aren't anywhere near the size of a sheep. Even considering species, today there are only 290 main types of land animals larger than a sheep. There are 737 that range in size from sheep to rats, and there are between 1,300 and 1,400 smaller than a rat. So, most of the animals would have been easily housed in small enclosures. The average the size of all the animals that would have been on the ark would have been about the size of a rabbit. And even large animals, such as the biggest dinosaurs, begin their lives small. In selecting creatures to repopulate the earth, it would make more sense to choose those that were young and healthy, rather than the older, mature ones. VK: So, let's get back to the dinosaur question. I'm gathering that most creationist scientists believe that there were dinosaurs on the ark. RD: Yes. We know they existed and because of the fossil evidence we know many, though not all, were land dwelling and air breathing. So, Noah would have brought a breeding pair of each kind of dinosaur on board. And despite the scenes they show in science fiction most dinosaurs started out life as relatively small creatures. The largest dinosaur eggs that have ever been found are only about the size of a football and there's a good reason for that. In order for the embryo inside the egg to survive air must be able to permeate the shell. For an egg to be structurally sound and much bigger than that it would have to be so thick that air wouldn't be able to penetrate the egg shell. So, it is overwhelmingly likely that even the largest dinosaurs started life as creatures that the ark could easily accommodate. It's also well-known now that dinosaurs went through growth spurts. For example, the Apatosaurus, which is known to be about 25 tons when it was fully mature, was only about 1 ton when it was five years old. Then between the ages of 5 and 12 it grew about 5 tons a year before leveling off. So, from what we now know about dinosaurs there are no physical or biological impediments to dinosaurs being included on the ark. VK: And - for any listener who would like more information about dinosaurs being on the ark - we have an entire episode of Anchored by Truth in which we discussed this subject. The episode was part of our Truth in Genesis series and it was entitled Dinosaur Duplicity. Anyone who wants more info can just go to our website or the episode is available through most major podcasting apps. So, let's get to another question. How about insects? I think a lot of people would have been happy if they had been left off the passenger manifest. RD: And, in fact, insects weren't on the original ark passenger manifest. The Hebrew text that about which animals to include basically meant Noah was to take animals or birds that breathe through nostrils. Insects don't have nostrils so they Noah wasn't instructed to bring them on board. But it's pretty likely that many insects were able to climb on board and stowaway through the voyage. It's also likely that a great may different types of insects survived on islands that were made of floating debris. That's one of the ways insects have been able to distribute themselves so effectively around the world even among bodies of land that are widely separated by water. VK: So that brings up the question of how did the animals spread all over the earth when they all got off a single boat that likely landed somewhere in what today we call the Mideast? Obviously, there are animals that are present on islands or continents that are pretty remote from the place where the ark must have landed. RD: There are two main possibilities – land bridges between spreading tectonic plates or animals being transported on vegetation mats that form from downed trees bound clustered with other plant material. Initially, as the final shape of earth was being formed there may have been land bridges between various islands and the continental coast that have since submerged. After all there are cities in various places around the world that at one point were obviously above water like Alexandria in Egypt that have since been submerged. And large vegetation mats are commonly seen around the world today. In fact, floating islands are found on six of the seven continents – all but Antarctica. In South America (Peru) there's a group of people called the Uros that live on about 40 floating islands on Lake Titicaca. VK: Well, that makes sense. But I guess that leads to the next question. If Noah brought only one pair of a particular “kind” how did we wind up with all the different species of animals that we have today? RD: The kinds of animals that were on the ark developed into contemporary species through adaptation that was built into their original DNA. Contrary to popular belief informed creationists do not dispute that “natural selection” is an adaptive process that permits the development of new species. It's just that these new species always remain within their original created “kind.” In fact natural selection as an adaptive force was recognized by scientists who believed in Biblical creation before Charles Darwin popularized the concept in book Origin of the Species in 1859. In 1668 Anglican Bishop John Wilkins (1614 – 1672) the founder of the metric system and the first Secretary of the Royal Society … argued that all the varieties of cattle today, including the American “buffalo” or bison, would have arisen from two (or probably seven) cattle ancestors on the Ark. Wilkins wrote that: “There being much less difference betwixt these, than there is betwixt several Dogs; And it being known by experience what various changes are frequently occasioned in the same species, by several countries, diets, and other accidents.” One of Wilkins' contemporaries, German Jesuit scholar Athanasius Kircher (1602 – 1680) … had the same idea which he presented in his meticulously illustrated book on Noah's Ark. Kircher expressed his belief that our modern species had developed by transmutation within definite series of forms.” Even the award winning evolutionary biologist and paleontologist Stephen Jay Gould acknowledged that ““Natural selection ranked as a standard item in biological discourse” among pre-Darwinian creationists.” Gould believed that Darwin's great contribution was not the identification of natural selection as an adaptive mechanism but as a “creative force.” VK: I guess then that there are two final questions. First, what did all the animals eat while they were on the ark? We know that today there are many animals that are primarily meat eaters, but that certainly wouldn't have worked on the ark RD: All animals were originally plant eaters (herbivores). We know that from Genesis 1:29 – 30. And it's well known that even animals that are primarily meat eaters today can survive on plants. Many people live their entire lives as vegans or vegetarians. There's a famous lion called Lea that was raised in Italy on a diet of potatoes, green vegetables, and cheesy pasta. And in the last decade the remnants of different kinds of grasses has been found in fossilized dinosaur dung. This is a real problem for evolutionary time frames because supposedly dinosaurs died millions of years before the first grasses were thought to have emerged. VK: One final question then. Why did Noah bring seven pairs of clean animals but only one pair of unclean animals? RD: This is a time before the Mosaic law but evidently even then God had designated certain animals as acceptable for use as sacrifices. Clean animals could be used for sacrifices so Noah brought more of them so when some were used as sacrifices there were still pairs available for breeding. VK: So – notwithstanding Sheldon's obvious skepticism about the accuracy of the Bible's flood story – there are sensible answers to the questions that most people might have. And as we observed before these answers make sense in the real world. They are consistent with current observations about science and geography and biology and how the world just functions in general. In other words the Bible flood account has all the hallmarks of history so it serves to validate the accuracy and reliability of the Bible even when the Bible describes events that are outside our normal experiences today. It's a good idea to remember that all of this information is available because there are faithful Christian scientists and researchers who have been willing to dedicate their lives to the pursuit of truth. They have done this even though they are well aware that the popular culture may be hostile to their findings. All this points to the need to both support their efforts and to be faithful stewards of the resources God has entrusted to us. So, today let's pray that we would all be faithful stewards recognizing that our heavenly Father is the real source of all our blessings. ---- PRAYER TO BE A FAITHFUL STEWARD We hope you'll be with us next time and we hope you'll take some time to encourage some friends to tune in too, or listen to the podcast version of this show. If you'd like to hear more, try out crystalseabooks.com where “We're not famous but our Boss is!” (Bible Quotes from the New Living Translation) The Book of Genesis, chapter 8, verses 1 through 5. New Living Translation https://creation.com/topics/global-flood https://activechristianity.org/6-unbelievably-good-reasons-to-read-your-bible https://considerthegospel.org/2014/03/28/the-noah-controversy-could-that-flood-have-happened/ How could Noah get all the animals on the Ark? - creation.com Also, consult Chapters 2 and 3 of “The Greatest Hoax in the World” by Dr. Jonathan Sarfati available from creation.com   VK: So, the details of the Bible story make sense in the real world. A boat with the ark's dimensions would be stable in an ocean environment even one being racked by huge waves. The ark's size meant that it had a cargo capacity of up to 3.5 million cubic feet. We all know that boats need proper ballast for stability and the ark would have had the most ballast when the seas were roughest. As the year in the ark went by the people and animals would have eaten the food so the amount of ballast would have gradually decreased. It made sense that God told Noah to coat the ark with pitch inside and out. People made sturdy wooden boats and covered them in pitch and sailed them for hundreds of years. Doves and ravens still fly in our skies today. It made sense that the raven could survive outside the ark even before the water had completely dried because ravens are carrion eaters. So, the raven could have landed on pieces of a floating carcass and survived, whereas a dove couldn't. Doves eat fruits, seeds, and vegetables so the dove had to come back to ark until it could find food. VK: So, the main point is that here is another point from scientific observation that is consistent with the description of the flood account. We've covered a lot of ground in the last few weeks and our listeners have probably heard things about Noah's story they had never heard before. But we haven't yet talked about the animals on the ark and I think you want to begin that discussion next time. RD: I do. And one final reminder for today. By their very nature past events, especially those of the distant past – like the flood of Noah - cannot be repeated. So to make intelligent assessments about whether such a flood took place or is highly likely to have occurred we have to look evidence that is available today. And as we reminded everyone last time, all investigators, all interpreters of evidence, bring a viewpoint, a lens through which they interpret evidence. I'm hesitant to say they bring a bias because that word can have a negative connotation but we certainly should be aware of our interpretive lens. This is particularly important when it comes to evaluating the historicity of Bible events. VK: That is a very important point. Today Bible critics may try to criticize – say a geologist – who believes that the earth's crust provides evidence that a worldwide flood occurred by saying the geologist is a Christian. But that criticism would be no more valid than someone criticizing a non-Christian geologist who doesn't believe a flood occurred by pointing out that that geologist isn't a Christian. It's no more fair to say that a Christian geologist can't interpret geological evidence fairly than to say that a non-Christian geologist can't. Sounds to me like a good time for a prayer. Today let's listen to a prayer for us all to receive the illumination we need to bring the light of truth to our friends, communities, and world. VK: It's amazing to think about the early days of God's creation and how God has sovereignly superintended everything throughout history. I mean the universe has been around for so long now that we pretty much take for granted everything that we see. We treat our world and in fact the entire cosmos as if it has always been here but the truth is that it hasn't and it won't be in the future. God created everything for a purpose and He is guiding everything to a conclusion that will fully fulfill all his plan. That's part of the reason we wanted to tackle the story of Noah and the flood early on in Anchored by Truth. Noah's story is a perfect illustration of God's sovereignty over both his people and creation and His ability to bring all His purposes to fruition. RD: Yes. That was part of the point that we made in an earlier episode where we contrasted uniformitarianism and catastrophism as differing ways for viewing how our earth came to exist in its current form. Most people today look to uniformitarianism to as the primary explanation for the earth's current geology but as we have pointed out in previous episodes that there is substantial evidence that catastrophism is as good or better at explaining what we see around us in the rocks and in fossils. There are massive geological formations on the earth's surface that were once underwater but today those formations are nowhere near an ocean. The list of details in the Bible story that make sense in the real world goes on and on. But the details in most of the variants don't make nearly as much sense in the real world. But the existence of those stories themselves are evidence that at one point a real event took place even if some of the details have gotten mixed up over time.

Der Jesuit Athanasius Kircher versucht im 17. Jahrhundert die Hieroglyphen zu entziffern und baut Komponiermaschinen. Doch während ihn die einen als Universalgenie feiern, halten ihn andere für einen Scharlatan. (BR 2019)

Sorte de quadrille, la Tarentelle est une danse qui doit son nom à sa région d’origine, la Tarente, à moins qu’elle n’ait d’abord pris le nom de la tarentule, l’araignée dont la morsure est sensée pouvoir se conjurer par la danse de la tarentelle. En 1641, l’érudit Athanasius Kircher avait fait une typologie des tarentelles … Continuer la lecture de « Metaclassique #108 – Mordre »

Athanasius Kircher And Other Crazy Innovators by High, I'm Drunk Podcast

Řeka života: Athanasius Kircher. Hovoří: Iva Lelková. Moderuje: Petr Vaďura.

Sadamoto handles the final scenes with Shinji and Asuka with a great deal of respect, and all without straying too far from the plot of the anime. Skip plot summary @ 9:03 Email: WeAppreciateManga@Gmail.com 055: Neon Genesis Evangelion vol. 13 Chapters 84 to 90, “Calling” and “Memories of Summer” By Yoshiyuki Sadamoto Translation by John Werry and Evan Galloway   Topics: Shinji x Asuka Existentialism, Is Rei god? Is Shinji God?   Other references: Guf (or the chamber of Guf) is depicted as an orb held by the combined Lilith and Rei, in both Judaic lore and in Evangelion it is a celestial body which houses all unborn souls and during third impact is where all the souls on earth return to. Confusingly Ristuko makes reference to Guf when she reveals the Dummy plug system (the Rei Clones), but due to circumstances in that mankind has no access to Guf, or there being no souls left in Guf, this means the Evas have adapted souls from others and that the Rei clones have no souls. [1]   Tree of life vs Tree of Knowledge (Fuyutsuki refers to the formation as both) There are many interpretations of this symbolic “tree” as it appears in a multitude of theological text. One being the tree that Adam and Eve ate from, however Evangelion takes the majority of its symbolism from Kabbalah and sacred geometry.   In the opening of the Neon Genesis Evangelion anime, we first see the tree of life in Robert Fludd’s illustration and again as the Systema Sephiroticum, illustrated by Athanasius Kircher, which also appears in Gendo’s room. Within Kabbalah, the tree of life is a diagram called the Sefirot (Sephiroth), consisting of 10 nodules known as Sefira. It is a diagram representative of creationism. In End of Eva, before instrumentality is triggered, you may find Shinji is placed on the sixth nodule of the Sefirot. In a Kabbalisic interpretation of Genesis, Tifaret (or Tif’eret) is referenced when God is creating the world on “the fifth day” in the following passage:   "And God said, Let the waters bring forth abundantly the moving creature that hath life, and let fowl fly above the earth in the open firmament of heaven. '" – Genesis 1:20 (English Revised Version)   This is because all nodules represent all of God’s utterances upon creating the world, the first being uttered on the first day, “Let there be light”- Genesis 1:3 (English Revised Version). “Tif’eret” or “Tifarah” means “Glory” or “beauty” in Hebrew, it symbolises compassion and beauty. It’s placement on the sefirot gives it more significance due to it representing mercy, justice, balance, giving and receiving. The image of the cross is also superimposed on the Tifaret, with Shinji in the centre, this gives a sacrificial meaning towards the scene. [2] [3]   “Malboge Fusion” Italian for evil ditch (referring to the destruction of NERV’s basement and formation of Lilith’s egg) Malboge is referred to as the eight circle of hell in Dante’s Inferno (the first part of The Divine Comedy by Italian poet Dante Alighieri) the Malboge word is plural, meaning “evil ditches”, which there are ten of, the first instance is in canto 18 of the divine comedy “There is a place in Hell called Malebolge, Wholly of stone and of an iron colour”. [4]   Synopsis: Shinji is able to get inside his Eva and save Asuka from the opposing Eva units. Meanwhile Ritsuko, desperate that the after-life doesn’t fall on Gendo’s terms, uses the help of the Magi system to blow up Adam and the entire base. In a twist of fate, it is her mother’s Artificial Intelligence that stops her from doing so. Ritsuko’s attempt at making a murder-suicide against Rei and Gendo fails.   During this time, Shinji is ambushed by the Evas and is provoked into awakening his own Eva as he syncs with it beyond the maximum threshold, this gives his Eva the properties of an Angel and allows Shinji and his Eva to become a pawn towards triggering a third impact. This advertently causes the lance of Longiness to be drawn out from the moon’s orbit and crucify Shinji’s Eva. The enemy Evas coordinate and trap Shinji.   Gendo attempts to fuse himself with Rei, Lilith and Adam, however Rei rejects Gendo and instead chooses Shinji to be the arbiter of the world. A dying Ritsuko manages to fatally shoot Gendo in the throat and tells him that he is a liar, that there was only one person he ever loved, and it was not herself.   Rei, having undergone her fusion with Adam and Lilith is now a macro-cosmic being, she beholds the crucified Shinji and his Eva unit, in doing so Shinji becomes a literal tree of life. The being formerly known as Rei is able to use Shinji’s new body to amass a single treasury of all earthly souls, but before she does so, she asks Shinji to show him his personal wishes, his thoughts and all that he truly is.   Sources:   https://wiki.evageeks.org/Guf   https://www.jewishvirtuallibrary.org/ten-sefirot-tiferet   https://wiki.evageeks.org/Tree_of_Life   http://www.fullbooks.com/Dante-s-Inferno2.html     Facebook - facebook.com/weappreciatemanga/ Instagram –  weappreciatemanga.co.uk   Twitter -   @RealJamesFitton Website – Weappreciatemanga.com Email – Weappreciatemanga@gmail.com

Ajude nosso novo projeto no Catarse: https://www.catarse.me/sortilegios_incantations. Apoie o canal: https://apoia.se/podcastdaraphus. Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html. Episódio XXXI - De conhecedores a colecionadores "Nada supera a beleza de conhecer tudo." (Athanasius Kircher) Trigésimo primeiro episódio do Podcast da editora Raphus Press: O campo da cultura é um verdadeiro continente – e há muita complexidade em seus desdobramentos que infelizmente, acaba se perdendo especialmente tendo em vista as tradições de discussão cultural no Brasil, sempre em busca de alguma homologação. Mas há regiões cinzentas, dominadas por marginais cujas intuições poderosas impulsionam todas as outras reflexões. Esse é o caso dos conhecedores e colecionadores, como o brilhante ensaísta Chris Mikul, tema deste episódio. Indicações bibliográficas: - Findlen, Paula (org.). Athanasius Kircher: The Last Man to Know Everything. New York and London: Routledge, 2004 (https://books.google.com.br/books/about/Athanasius_Kircher.html?id=C0iGO0Hr95UC&redir_esc=y). - Os periódicos (zines, de fato) editados por Chris Mikul, Bizarrism e Biblio-Curiosa, podem ser adquiridos diretamente com o autor. No post a seguir, informações mais completas a respeito disso: http://wormwoodiana.blogspot.com/2020/02/a-new-issue-of-biblio-curiosa.html. Música: “Homenaje pour le tombeau de Debussy”, de Manuel de Falla, executado por Aitua (via http://freemusicarchive.org/). Nosso podcast também está disponível nas seguintes plataformas: - Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs - Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4 - Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D

The Voynich manuscript is an illustrated codex hand-written in an unknown writing system. The vellum on which it is written has been carbon-dated to the early 15th century (1404–1438), and it may have been composed in Northern Italy during the Italian Renaissance. The manuscript is named after Wilfrid Voynich, a Polish book dealer who purchased it in 1912. Macabre Grimoire Chapter 2 Voynich Manuscript Hosts Ari Show, Robert Mehling, and Travis Nye Produced by Robert Mehling and TheSiouxEmpire.com Voice Over by Dave Holly Opening Theme Enhance Your Starry Night by Mouthful of Bees The Voynich manuscript has been studied by many professional and amateur cryptographers, including American and British codebreakers from both World War I and World War II. No one has yet demonstrably deciphered the text, and it has become a famous case in the history of cryptography. The mystery of the meaning and origin of the manuscript has excited the popular imagination, making the document the subject of novels and speculation. None of the many hypotheses proposed over the last hundred years has yet been independently verified. The ink and parchment have been analyzed extensively and are all consistent with a book created in the 1400s. The cover of the codex was replaced at some point in the last 200 years as well as the binding. This is not uncommon for manuscripts of the era. The colored paint of the book was likely added at a later date. Every page in the manuscript contains text, mostly in an unknown language, but some have extraneous writing in Latin script. The bulk of the text in the 240-page codex is written in an unknown script, running left to the right. Most of the characters are composed of one or two simple pen strokes. Some dispute exists as to whether individual characters are distinct, but a script of 20–25 characters would account for virtually all of the text; the exceptions are a few dozen rarer characters that occur only once or twice each. There is no apparent punctuation. The manuscript’s diagrams include breakdowns of plant biology while others are based on astronomy or astrology. One series of 12 sketches depicts conventional symbols for the zodiacal constellations (two fish for Pisces, a bull for Taurus, a hunter with a crossbow for Sagittarius, etc.). Each of these has 30 female figures arranged in two or more concentric bands. Most of the females are at least partly nude, and each holds what appears to be a labeled star or is shown with the star attached to either arm by what could be a tether or cord of some kind. The last two pages of this section were lost (Aquarius and Capricornus, roughly January and February), while Aries and Taurus are split into four paired diagrams with 15 women and 15 stars each. The overall impression given by the surviving leaves of the manuscript is that it was meant to serve as a pharmacopeia or to address topics in medieval or early modern medicine. However, the puzzling details of illustrations have fueled many theories about the book’s origin. The first confirmed owner was Georg Baresch (1585–1662), an obscure alchemist from Prague. Baresch was apparently just as puzzled as modern scientists about this “Sphynx” that had been “taking up space uselessly in his library” for many years. He learned that Jesuit scholar Athanasius Kircher (1602–1680) from the Collegio Romano had published a Coptic (Egyptian) dictionary and claimed to have deciphered the Egyptian hieroglyphs; Baresch twice sent a sample copy of the script to Kircher in Rome, asking for clues. His 1639 letter to Kircher is the earliest confirmed mention of the manuscript that has been found to date.

"Tradujo" erróneamente jeroglíficos egipcios, escribió una novela que adoptaba el modelo copernicano cuando este constituía una herejía, y fue uno de los primeros en observar la sangre humana en microscopio. Conoce la extravagante historia de este sabio jesuita.

On this day we remember Athanasius (d. 373), Athanasius Kircher, Elias Boudinot, and the anniversary of the publication of the King James Bible. Our poem is "Hymn to God, My God In My Sickness" by Donne. We’re proud to be part of 1517 Podcasts, a network of shows dedicated to delivering Christ-centered content. Our podcasts cover a multitude of content, from Christian doctrine, apologetics, cultural engagement, and powerful preaching. Support the work of 1517 today.

Esoterik Podcast rund um das Thema Athanasius Kircher . Simple und komplexe Gedankengänge über Athanasius Kircher als Teil des Esoterik Podcast. Dies ist die Tonspur eines Videos aus dem Youtube Esoterik-Kanal. Autor und Sprecher ist Sukadev Bretz, Gründer von Yoga Vidya. Diese Hörsendung ist erstellt worden als Diktat für einen Artikel im Yoga Wiki Bewusst Leben Lexikon von Yoga Vidya. Sukadev interpretiert hier das Wort bzw. den Ausdruck Athanasius Kircher aus dem Geist des ganzheitlichen Yoga. So kommt er zu einigen interessanten, auch diskussionswürdigen Gedanken. Athanasius Kircher steht im Kontext mit Wissenschaftler, Jesuit, Christentum, Esoterik. Seminare zum Thema Yogatherapie Ausbildung Baustein. Infos zu Psychologischer Yogatherapeut Ausbidlung. Wir wünschen dir viel Freude und Inspiration mit diesem Esoterik-Vortrag zum Thema Athanasius Kircher.

Esoterik Podcast rund um das Thema Athanasius Kircher . Simple und komplexe Gedankengänge über Athanasius Kircher als Teil des Esoterik Podcast. Dies ist die Tonspur eines Videos aus dem Youtube Esoterik-Kanal. Autor und Sprecher ist Sukadev Bretz, Gründer von Yoga Vidya. Diese Hörsendung ist erstellt worden als Diktat für einen Artikel im Yoga Wiki Bewusst Leben Lexikon von Yoga Vidya. Sukadev interpretiert hier das Wort bzw. den Ausdruck Athanasius Kircher aus dem Geist des ganzheitlichen Yoga. So kommt er zu einigen interessanten, auch diskussionswürdigen Gedanken. Athanasius Kircher steht im Kontext mit Wissenschaftler, Jesuit, Christentum, Esoterik. Seminare zum Thema Yogatherapie Ausbildung Baustein. Infos zu Psychologischer Yogatherapeut Ausbidlung. Wir wünschen dir viel Freude und Inspiration mit diesem Esoterik-Vortrag zum Thema Athanasius Kircher.

Existe una apasionada y apasionante historia de la Orden de los Jesuitas que desde 1540 ha desplegado una relevante influencia en todos los planos sociales, religiosos y políticos del mundo. Algunos dicen que es un poder en la sombra que ha sufrido numerosos avatares. Como ilustres invitadas, contaremos con las historiadoras María y Laura Lara Martínez, coautoras del libro "Ignacio y la Compañía", para que nos adentren en la carismática figura de San Ignacio de Loyola, de las Misiones jesuíticas que tuvieron en Asia y América, del Papa Negro, de su polémica expulsión de muchos países europeos, de la vida y obra de importantes jesuitas como san Francisco Javier, Pedro Páez, Hervás y Panduro o Athanasius Kircher, sin olvidarnos del curioso trampantojo de la iglesia del Gesù, en Roma. En la biblioteca tendremos al escritor Miguel G. Aracil para que nos hable de su último libro: "Fichero incómodo de la Cataluña extraña" y terminaremos con el cuento de la muñeca de sal. Os dejamos, pues, en muy buena Compañía…

PROGRAMA 13 =============================== 2:25 Enlaces de Userbarna ∙ Juego analizado: Maniac Mansion (NES) ∙ Enlace a la ROM: http://www.emuparadise.me/Nintendo_En... ∙ Otras referencias: http://www.maniacmansionfan.50webs.com ∙ Usuario de Freakdom.org: Userbarna ∙ Twitter de Userbarna: https://twitter.com/Userbarna ∙ Usuario YouTube: https://www.youtube.com/user/userbarn... ∙ Blog: http://userbarna.blogspot.com 15:44 Enlaces de Jaeger ∙ Wasteland 2: http://store.steampowered.com/app/240... ∙ Tierra Media Sombras de Mordor: http://www.ofertadejuegos.es/steam/13... sombras­de­mordor­digital.html ∙ Nether: http://store.steampowered.com/app/247... ∙ Destiny: https://www.playstation.com/en­us/gam... ∙ Murdered: Soul Suspect http://store.steampowered.com/app/233... ∙ Otras referencias: http://www.metacritic.com/ http://www.kinguin.net/ ∙ Usuario en Freakdom.org: Jaeger_esp ∙ Canal de Twitch: http://www.twitch.tv/jaegeresp ∙ Canal de YouTube: http://www.youtube.com/user/Jaegeresp 27:29 Enlaces de Kassidy ∙ Shovel Knight: http://store.steampowered.com/app/250... ∙ Usuario en Freakdom.org: Kassidy ∙ Canal en Twitch: http://www.twitch.tv/kassidynet ∙ Canal de YouTube: http://www.youtube.com/kassidyvgclips ∙ Twitter: https://twitter.com/kassidy 35:33 Enlaces de Lamphar ∙ Los Nueve Mil Millones De Nombres De Dios — Arthur C. Clarke http://laprensadelazonaoeste.com/LIBR... %20Los%20nueve%20mil%20millones%20de%20nombres%20de%20Dios.pdf ∙ Otras referencias: Athanasius Kircher ­ http://en.wikipedia.org/wiki/Athanasi... ∙ Música de fondo: Tibetan Monks Chanting ­ https://www.youtube.com/watch?v=hwBmk... ∙ Usuario en Freakdom.org: Lamphar 44:00 Entrevista: Opiniones de los asistentes al IV Freakdomsario Enlace: http://www.freakdom.org/index.php?top...

PODCAST IRREDUCTIBLE 31HELIOCENTRISMO,DE ARISTARCO A COPÉRNICOEl 2009 fue declarado Año Internacional de la Astronomía y desde mis humildes posibilidades he intentado unirme a todos las efemérides y conmemoraciones editando diferentes Podcast que ayudaran a la divulgación de la Ciencia.Así, llegaron Podcast como los capítulos especiales dedicados a Hubble y al Telescopio Espacial que lleva su nombre, a Darwin y su viaje al mundo en el Beagle o la llegada del hombre a la Luna en su 40 aniversario y el CERN.También he querido rescatar la vida y obra de científicos algo más olvidados como Athanasius Kircher, John Nash, Alexander von Humboldt o Nicola Tesla.Esa era la idea de este Podcast que inicia un nuevo año con mi particular despedida al Año Internacional de la Astronomía que se nos ha ido.Por eso me ha parecido buena idea hacer también hoy algo especial... Repasaremos la historia de la Teoría Heliocéntrica de la mano de dos mentes privilegiadas que no se conformaron con las ideas prestablecidas de su época y miraron más allá: Aristarco de Samos y Nicolás Copérnico.Viajaremos algo más de 1700 años, desde la Grecia Clásica hasta el Renacimiento para rememorar el año astronómico que se nos ha ido y comenzar con fuerza este 2010.Además, como os digo, es un Podcast algo especial porque cuento con la colaboración de Jose Antonio Blanco, uno de los componentes de Macniacos, que ha querido prestar su voz y convertirse en Copérnico durante un momento.Espero que os guste el trabajo que aquí os presento y os deseo un 2010 lleno de buenas cosas.DESCARGAR EL PODCAST:- 69MB DESCARGA DIRECTA FORMATO .MP3 - 32MB DESCARGA DIRECTA FORMATO .OGG- 69MB DESCARGA EN FORMATO COMPRIMIDO .ZIP- 69MB DESCARGA MEDIANTE MEGAUPLOAD- DESCARGA DESDE IVOOX- DESCARGA EN OTROS FORMATOS- DESCARGA EN iTUNESLas Músicas utilizadas en este Podcast están bajo Licencia Creative Commons:- Jaime Heras y su nuevo disco El día mejor- Canción: I will be OK de Daniel Gray------------------------------------------------------SUSCRIBETE AL PODCAST DE HISTORIA Y CIENCIALA ALDEA IRREDUCTIBLE

“The chamber of curiosities at the Kunsthistorisches Museum Vienna, one of the most important chambers worldwide, will reopen in 2012.

PODCAST LA ALDEA IRREDUCTIBLECAPÍTULO 29 - ATHANASIUS KIRCHERA veces uno no comprende bien cuál es el mecanismo que dirime qué personajes históricos pasan a la posteridad y cuáles se quedan olvidados en la bruma de los años. Cuál es esa fórmula que usa la vida para dejar a un lado a grandes hombres y ensalzar hasta los cielos a otros menos dotados.El caso de Athanasius Kircher constituye una de esas ocasiones en las que la Historia deja atrás a un grande de los suyos... Un personaje que, al igual que Nicola Tesla o Alexander von Humbold, no han tenido la repercursión que sin duda merecieron.Y son esos personajes los que nos gusta descubrir o redescubrir en ese amplio concepto al que titulé Aldea Irreductible... Personajes ingeniosos, inteligentes, asombrosos, como Athanasius Kircher.Perdonad por la tardanza en editar este último Podcast, pero tanto el viaje a Sevilla como la dificultad de encontrar fuentes fiables para realizarlo, me han impedido ofrecéroslo antes. Aún así, espero que sea de vuestro agrado.Un saludo.DESCARGAR EL PODCAST:- 78MB DESCARGA DIRECTA FORMATO .MP3- 37MB DESCARGA DIRECTA FORMATO .OGG- 78MB DESCARGA EN FORMATO COMPRIMIDO .ZIP- 78MB DESCARGA MEDIANTE MEGAUPLOAD- DESCARGA DESDE IVOOX- DESCARGA EN OTROS FORMATOS- DESCARGA EN iTUNESLas Músicas utilizadas en este Podcast están bajo Licencia Creative Commons:- Proyect System 12- Mattias Westlund- David Ospina- Michu- Stephano Targa- Jaime Heras- Canción "Stranger" de Circa Vitae------------------------------------------------------SUSCRIBETE AL PODCAST DE HISTORIA Y CIENCIALA ALDEA IRREDUCTIBLE