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18 episodes with Ramus
8 episodes with Ramus
3 episodes with Ramus
2 episodes with Ramus
3 episodes with Ramus
2 episodes with Ramus
2 episodes with Ramus
2 episodes with Ramus
4 episodes with Ramus
Why don't you come with me? I'm going to take us to a cool place…a podcast. In such a place we're becoming a Thieves Guild member, recalling petty crime stories, developing a third ulcer, spanking another bottom, maintaining the fortune teller bit, calling Ramus a “chuckoid,” handing over the blueprints, indulging in floating bug science, encouraging interest in horticulture, bonus dreaming, chilling in a volcano, walking through the flames, and heavily criticizing a dragon's appearance. I'll never be able to understand the criminal mind. 00:00:00 Massage Gun 00:03:39 Intro 00:04:56 Return to Reza 00:11:12 Thieves Bazaar 00:19:20 Lily's Room 00:26:50 Revisiting Burg 00:27:21 Revisiting Meribia 00:27:43 Revisiting Meryod 00:28:12 Iluk - Building the Balloon 00:32:36 Fluffy Bug 00:35:23 Bug Balloon 00:40:01 Balloon Trip 00:40:49 Red Dragon Cave 00:45:20 Bronze Dogs 00:51:06 Red Dragon 00:56:40 Real Net 00:59:13 Outro Patreon: patreon.com/retroam Bluesky: @retrogradeamnesia.bsky.social YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com
Apie tai, kaip bendruomeniškumas virsta verslu, pasakoja Pačeriaukštės kaimo ir Bernatonių bendruomenių atstovės. Vilita Vasiliauskienė ir Stasė Jodinskienė atskleidžia, kaip kūrybiškos idėjos bei ryžtas padeda kurti sėkmingą veiklą net atokiausiuose Lietuvos kampeliuose.Panevėžio rajone restauruotas Jansonų šeimos vėjo malūnas saugo praeities istorijas. Stasė Jansonaitė-Miškinienė dalijasi prisiminimais apie statinį, kuris tapo ne tik šeimos, bet ir krašto simboliu.Ramus kelionės vingis palei Šventosios upę, lydimas Gražutės regioninio parko grupės patarėjo Leonas Sadausko pasakojimo. Jo dėka atsiskleidžia ne tik gamtos grožis, bet ir dar ne visiems žinomos Aukštaitijos paslaptys.Ved. Arneta Matuzevičiūtė
durée : 02:59:38 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Ce matin dans le 7/10 de France Inter : Julien Clerc / Jordan Bardella / Franck Ramus / Nathalie Clobert / Julia Ducournau / Tahar Rahim et Abraham Wapler.
Man kennt es... Vor der Klausur steht man vor einem Berg an Fakten, der unbezwingbar scheint. Wie gehe ich das Lernen an, sodass der Inhalt bestenfalls sogar langfristig in meinem Hirn hängen bleibt? Um euch den aktuellsten Stand der Lernforschung zu liefern, haben wir Michail aus Hamburg eingeladen! Er ist selbst Medi und beschäftigt sich mit der studentischen Forschungsgruppe ME-Learn mit diversen Lernmethoden. Wir liefern euch in dieser Folge wertvolle, evidenzbasierte Tipps für eure nächste Klausurenphase. Wir reden auch darüber, wie Dank Effizienz noch viel Zeit für Hobbies bleibt
Down here, it doesn't matter. Down here, we're loving when a town turns into a dungeon, keeping the Ramus Shop vibes intact, starting a signal fire, CAPITALIZING words ARBITRARILY, ethically debating nude fortune telling, yacking all over shoes, asking for booze, screaming like a cat in heat, frying bastards alive, exploring tomato broiling technology, really getting into the weeds with flame broilers, getting dad stoned, reading Mel's book titles, and reminiscing Larry Johnson and the value of physical nostalgia. Get out there and be the hero you always talk about becoming. 00:00:00 Nostalgia Timing 00:03:45 Intro 00:06:18 Meribia Imperiled 00:10:35 Ramus' Shop 00:17:38 Black Rose Street Imperiled 00:25:41 Meribian Panic II 00:27:52 Seagull Tavern Panic 00:35:42 Mel's Mansion Panic 00:48:20 Sadness 00:48:48 Mel vs Xenobia 00:55:49 Meribia - Sega CD 00:57:03 Real Net 01:02:15 Outro Patreon: patreon.com/retroam Bluesky: @retrogradeamnesia.bsky.social YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com
Still your tongue, cat. And activate your ears, as this time we're receiving Japanese turd confirmation, roughing up Dross with kicks and pows, self-realizing limitations, sassing up “driveway,” getting ripped off on Black Rose Street, deploring a PMS joke, exposing beastwoman babes, talking on the world map, blowing the Vane reveal on PSP, stroking Nash's ego, stretching out a floor mat, burying the dragon tribe, conjuring memories of Phacia, and realizing Phacia has red eyes. “And I'm always been comfortable with my body.” 00:00:00 Video 00:01:54 Intro 00:04:14 Sega CD Sewage 00:06:44 Goodbye, Ramus 00:21:27 Meriba NPCs 00:25:11 Black Rose Street NPCs 00:29:42 Docks 00:31:50 Mel's Mansion 00:35:37 Fun Traveling 00:40:20 Spring of Transmission 00:46:48 Althena's Shrine 00:58:34 Phacia Room 01:12:06 Real Net 01:18:46 Outro Patreon: patreon.com/retroam Bluesky: @retrogradeamnesia.bsky.social YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com
RAW BAR VIBES --- RICHI RAMUS [LIVE AUDIO] by Coppershot Music
That's that. Do whatever you want, don't mind me, son. Just start learning what a chow bell is, receiving money from mom, wondering if Nall is a hallucination, dreaming the dark, hearing a song on the breeze, regretting the tone of the official guide, envying the children, razzing Ramus into oblivion, sleeping in the shed, clearing up “rump acne,” standing up to destiny, denying our Christ up to three times, refusing to take children seriously, finding our ho-ho-ho-man, and waking up without our savior father. Never settle for less than anything you've ever dreamt of achieving. 00:00 Monster Hunter? | 02:17 Intro | 03:50 Weird Woods | 06:37 Welp, Back To Burg | 12:40 Premonitions | 21:02 Goodbye, Burg | 28:56 Weird Woods | 35:05 Laike | 42:10 Campfire | 45:36 Weird Woods (Sega CD) | 49:32 Real Net | 59:04 Outro Patreon: patreon.com/retroam Bluesky: @retrogradeamnesia.bsky.social YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com
Square Roots - Episode 441 Level Up Starts At 01:50:15 On this celestial episode of Square Roots, Jim guides Vanessa and Matt through the opening of 2023's beloved throwback style RPG, Sea of Stars. That's right: Vanessa plays a pixel game like some kind of baby, and it doesn't make her feel better when the game just keeps on the baby-themes for the first half hour or so. But will these special babies birthed by a moon stork save the day, or will they need Garl and his big Ramus energy? Also: - Matthew Rants About DLC Being Nominated For Game Of The Year - The Fat Character Always Has To Be The Cook - Vanessa Eats The World - Jim Loves A Montage Song - It's Just Lavos This Week: Meet the Elder Mist! Next Week: Playing through the Necromancer boss fight! Our Patreon: http://patreon.com/squarerootspodcast Thanks to Steven Morris for his awesome theme! You can find him at: https://bsky.app/profile/stevenmorrismusic.bsky.social and https://www.youtube.com/user/morrissteven Contact Square Roots! Twitter: @squarerootspod Facebook: https://www.facebook.com/groups/486022898258197/ Email: squarerootspodcast (at) gmail (dort) com
We have somehow earned this thing's respect. You have somehow earned Episode 005, where we're touching on some healing stones, washing out a bridge, traversing across the battlefield, grunting at the sight of a human, appreciating bitmap cut-scenes, referencing Mega Man 8 (derogatory), rewarding boys with special turds, baiting baboons into ice blocks, possessing green eyes, receiving destiny instructions, questing for the prize of manhood, realizing Dad was Ramus, immediately trying to unload a precious diamond, and molesting a teddy bear. Crunchy is my opposite of woke. 00:00 PS3 Bake | 02:00 Intro | 04:00 World Map | 07:25 White Dragon Cave | 17:43 Quark's Lair | 29:57 Dragon Ring Quest | 33:02 Quark's Lair Again | 40:46 Return to Burg | 55:19 Real Net | 59:38 Outro Patreon: patreon.com/retroam Twitter: @retroamnesiapod YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com
I am not embarrassed to be anime. Neither is Lunar, as we're wondering when Chrono Trigger will cease its powers of inspiration, defying fantasy/anime archetypes, reading the strategy guide promo, marveling at the Sega CD vocal intro, swerving into the PSP prologue, trapping Althena in an undersea base, summoning clip art demons for a covenant, breaking the flashback framing device, dancing character sprites, joining O-Town, worshiping the holy bucket, shifting tree leaves, refusing to acknowledge hair changing from blue to brown. C'ya. 00:00 Remaster | 01:36 Intro | 03:40 Expectations | 11:02 PS1 Power On | 16:10 Sega CD Power On | 19:22 PSP Power On + Prologue | 39:49 Dyne's Monument (PS1) | 53:04 Dyne's Monument (SegaCD) | 54:54 Ramus | 01:02:02 Real Net | 01:04:47 Outro Patreon: patreon.com/retroam Twitter: @retroamnesiapod YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com
Tonight we will listen to a wonderful sermon from our brother in Christ Ramus Todosyan. Incline your ear to hear the word of God preached Tonight!
Tonight Our brother in Christ Ramus Todosyan will be summarizing the series of sermons we went through called Letters to the Churches in The Book of Revelation. Tune in to hear a great sermon for your soul !
Aujourd'hui je vous propose de revenir sur un moment clé de l'épisode 187 avec Franck Ramus. Franck Ramus nous explique comment régir face à un comportement indésirable de son enfant et comment réussir à améliorer sa manière de réagir. On revient également sur la notion importante de punition. Si vous n'avez pas encore pu écouter l'épisode en entier, je vous invite à l'écouter par ici : https://lamatrescence.fr/episode-187-education-positive-vs-education-autoritaire-que-dit-la-science-franck-ramus-directeur-de-recherche-cnrs/
Great sermon from our brother about faith and about works please turn in to hear More !
In episode #35 of the Loyalty Talk Podcast, I talk to Rasmus Houlind, Author and Chief Experience Officer of Agillic, a Marketing Automation Software Company. This episode is also a premiere, as it is the first in which we speak in English. In the Loyalty Talk, Rasmus gives a definition of personalization and explains the concept of the Bowtie of Personalization, which is the framework of his book "Hello $Firstname". We also talk about how personalization and customer loyalty work together, what the biggest challenges are for companies and how they can master it, and what changes in personalization with Generative AI. Ramus also shares his favourite examples and gives advice on how companies can get started with personalization. Links to further information: Agillic: www.agillic.com Omnichannel Institute: www.omnichannelinstitute.com/?lang=en Book "Hello $Firstname" on Amazon: www.amazon.com/dp/8797442801 Hello $Firstname Podcast: https://hellofirstname.podbean.com Ramus Houlind on LinkedIn: www.linkedin.com/in/houlind Michael Bietenhader on LinkedIn: www.linkedin.com/in/michaelbietenhader All episodes of the Loyalty Talk: www.loyaltytalk.ch More about MilesAhead AG: www.milesahead.ch
Ramus ir jaukus pokalbis su grupės „KATARSIS" lyderiu Luku Radzevičiumi ir gitaristu Alanu Brasu apie kūrybą, debiutinį penkių kūrinių albumą „Dausos", liūdesio prasmę mene bei „Katarsio" jausminių prieskonių muzikos paletę, kurioje kur kas daugiau nei ilgesys, liūdesys ir nostalgija.Ved. Rimvydas Černiauskas
On this episode, co-hosts Dr. Tania Cubitt and Katy Starr chat with Dr. Stephanie Bonin, a principal and senior biomechanical engineer, about her research on the movement of how horses chew and why it matters, including:How horses chew long-stem hay or grass versus smaller pelleted feeds and forageHow the height at which horses eat can affect their jaw movement and teeth alignmentPotential dental management needs depending on the horse's dietFor our more advanced horse owners and those asking for a deeper dive into the science – THIS episode is for you! See the notes below for a brief glossary on some terms discussed in this episode. Have a topic idea or feedback to share? We want to connect with you! Email podcast@standlee.com_______________________________Episode References:~8:54 – Dr. Bonin's image description in episode of the McPhail Equine Performance Center set-up with Dr. Hilary Clayton - https://hoofcare.blogspot.com/2011/07/research-clayton-and-bowkers-effects-of.html~12:02 - Kinematics of the equine temporomandibular joint -https://www.researchgate.net/publication/7270686_Kinematics_of_the_equine_temporomandibular_joint~27:49 - Comparison of mandibular motion in horses chewing hay and pellets - https://www.researchgate.net/publication/6311792_Comparison_of_mandibular_motion_in_horses_chewing_hay_and_pellets Glossary of Terms:~9:55 – Retroreflective makers – reflect light back in the direction it came, in this scenario, to the cameras~11:39 – TMJ - Temporomandibular joint~12:24 – Mandible – lower jaw, Maxilla – upper jaw~13:01 – Caudally – in the direction of or situated in or near the tail or posterior part of the body~13:05 – Kinematics – the study of motion without referencing any force that may actually cause the motion – how they're moving, not why they're moving, e.g. distance or displacement, speed or velocity, and acceleration.~17:26 – Adbraded down – worn down~17:32 – Atlanto-Occipital Joint – the poll of the horse which connects the first vertebrae with the skull~19:47 – Ramus – the large bone of the mandible or lower jaw~36:32 – Malocclusions – the misalignment between a horse's upper and lower jaws~42:00 – Lateral excursion– the side-to-side movement of the lower jaw away from the midline Helpful Standlee Products:Standlee Certified Timothy Pellets - https://www.standleeforage.com/products/certified-timothy-grass-pellets/Standlee Alfalfa Cubes - https://www.standleeforage.com/products/alfalfa-cubes/Standlee Alfalfa/Orchard Grass Compressed Bale - https://www.standleeforage.com/products/alfalfa-orchard-compressed-bale/_______________________________Stay connected with Dr. Stephanie Bonin:LinkedIn - https://www.linkedin.com/in/stephanieboninResearchGate - https://www.researchgate.net/profile/Stephanie-Bonin_______________________________*Views and opinions expressed by guests are their own and do not necessarily reflect the view of Standlee Premium Products, LLC.*_______________________________ Love the podcast? Leave a rating and review on Apple – https://podcasts.apple.com/.../beyond-the-barn/id1541221306Leave a rating on Spotify – https://open.spotify.com/show/3dmftQmwLKDQNueUcCJBZaHave a topic idea or feedback to share? We want to connect with you! Email podcast@standlee.comShare our podcast and learn more about our co-hosts at our Beyond the Barn podcast pageSUBSCRIBE to the Beyond the Barn podcast email to be an exclusive insider!Find us on Apple, Spotify or Google Podcasts and SUBSCRIBE, so you never miss an episode._______________________________Check out the Standlee Barn Bulletin BlogFind more nutritional resources from Dr. Stephen Duren and Dr. Tania Cubitt at https://www.standleeforage.com/nutrition/ Connect with Standlee on Facebook, Instagram, YouTube and TikTok
L'éducation des enfants est au centre des débats depuis plusieurs années en France, avec deux visions assez clivantes qui se dégagent. Celle où l'autoritarisme prime avant tout, avec un retour au temps de nos parents pour “cadrer” nos enfants qui seraient tous devenus des enfants roi à force de ne rien leur imposer ou celle qui prône la bienveillance avec ses travers où les besoins des parents ne sont pas assez pris en compte. Franck Ramus, directeur de la recherche au CNRS qui dirige l'équipe développement cognitif et pathologie, publie régulièrement sur son blog les mises à jours des études scientifiques sur le sujet. Avec un regard de chercheur qui tente de vulgariser des approches complexes, Franck Ramus a voulu recentrer les débats au-delà du clivage éducation bienveillante et autoritaire. Il a préfacé le livre d'Alan Kazdin, professeur de psychologie et pédopsychiatrie à l'université de Yale, qui définit son approche comme celle d'une méthode éducative basée sur les preuves. Dans cet épisode on aborde le sujet du time out et sa réelle définition, on se penche un peu plus sur l'efficacité des punitions, sur le renforcement positif et ses effets bénéfiques mais aussi sur la meilleure façon d'apprendre pour les enfants et la problématique des écrans ou non. Cet épisode peut vous challenger dans votre perception de l'éducation, comme ça peut l'être pour moi, et c'est tant mieux. On a tous besoin de se remettre en questions de temps en temps, de ne pas rester planter sur nos convictions. Mais surtout, vous êtes le meilleur parent pour votre enfant, seul vous, savez ce qui est bon pour lui ou elle. LIENS UTILES : Podcast papatriarcat : #101 – La parentalité basée sur les preuves – Dr Alan Kazdin – Version française
Į Malmę išvyksta Lietuvos delegacija Eurovizijoje – Lietuvai su daina „Luktelk“ atstovausiantis Silvester Belt į didžiąją Euroviziją važiuoja ramus.Aktualus klausimas. Seimas balsuos, ar dar metams pratęsti sankcijas Rusijos ir Baltarusijos piliečiams, sugriežtinti į šalį atvykstančių baltarusių patikrą ir riboti jų keliones į gimtinę. Ar reikėtų tai padaryti?Traukiasi Lietuvos bitynai. Kodėl? Apie tai – „Verslo laike“.Ką daryti, jei kelyje partrenkiate laukinį žvėrį?Politologas Ramūnas Vilpišauskas sako, kad kai kurie kandidatai į prezidentus skamba kaip kitų planetų gyventojai.Ved. Edvardas Kubilius
Intellectuels, chefs d'entreprises, artistes, hommes et femmes politiques... Frédéric Taddeï reçoit des personnalités de tous horizons pour éclairer différemment et prendre du recul sur l'actualité de la semaine écoulée. Ce samedi, l'ingénieur, chercheur en sciences cognitives et directeur de recherche au CNRS sur "le cerveau a-t-il un sexe ?", Franck Ramus.
Intellectuels, chefs d'entreprises, artistes, hommes et femmes politiques... Frédéric Taddeï reçoit des personnalités de tous horizons pour éclairer différemment et prendre du recul sur l'actualité de la semaine écoulée. Ce samedi, l'ingénieur, chercheur en sciences cognitives et directeur de recherche au CNRS sur "le cerveau a-t-il un sexe ?", Franck Ramus.
Intellectuels, chefs d'entreprises, artistes, hommes et femmes politiques... Frédéric Taddeï reçoit des personnalités de tous les horizons pour éclairer différemment et prendre du recul sur l'actualité de la semaine écoulée le samedi. Même recette le dimanche pour anticiper la semaine à venir. Un rendez-vous emblématique pour mieux comprendre l'air du temps et la complexité de notre monde.
Intellectuels, chefs d'entreprises, artistes, hommes et femmes politiques... Frédéric Taddeï reçoit des personnalités de tous les horizons pour éclairer différemment et prendre du recul sur l'actualité de la semaine écoulée le samedi. Même recette le dimanche pour anticiper la semaine à venir. Un rendez-vous emblématique pour mieux comprendre l'air du temps et la complexité de notre monde.
15min tinklalaidėje apie futbolą „Skrieja kamuolys“ – geriausias Lietuvos futbolo treneris Valdas Dambrauskas. Kompaniją palaikė 15min žurnalistai Mantas Krasnickas, Marius Bagdonas ir „Go3“ komentatorius Karolis Dudėnas. 00:00 Intro. Ramus etapas, Ryga ir gimtadienis 04:05 Meilė „Žalgiriui“ 09:52 Kreta ir Graikija. Nesuvokiamas sirgalių smurtas ir pamokos 21:14 Kazio ir Valdo atleidimai po išreikštų pasitikėjimų 26:55 Nugali autsaiderius – džiaugsmas lyg čempionatą laimėjus 32:03 Po pralaimėjimo laukan nosies nekiši 33:37 Ar Valdas leistų komandos lyderiui Mariui kilnot bokalus baruose? 41:24 Dirbtinis intelektas pakeis trenerius? 48:49 Pagirkime Beną Matkevičių ir jo podkastus 56:19 Tai ar buvo Graikijos grandų susidomėjimo? 57:30 Giedriaus prank skambutis 59:00 Išsiskyrimas su OFI ir kito darbo paieškos 1:08:16 Lietuviškas pasas Europos futbole ir ryškūs specialistai 1:11:46 Dar apie atleidimą Kretoje 1:21:50 Gandai dėl Lenkijos ir Serbijos 1:24:20 Karjeros kryptis ir naujų rinkų atidarymas 1:32:11 Gritėno klausimas apie filosofiją 1:35:05 Valdo Dambrauko filosofija 1:37:35 Ar treneris rašys knygą? 1:38:50 Kiek svarbu turėti savo asistentus? 1:40:04 Gytis Paulauskas į Ukrainą. Ar važiuotų ten dirbti Valdas? 1:41:23 Turtingo dėdės Mariaus Bagdono Čempionų lygos projektas Pakruoryje 1:45:33 Skambučiai iš A lygos klubų 1:47:24 Pasiūlymas iš Afrikos rinktinės 1:50:02 Santykiai su Nikoličiumi ir jausmas „Hajduk“ klube 1:54:33 Atleidimų istorijos įtaka darbo paieškoms 1:58:21 Lietuviškas futbolas. A lyga, pokalbiai su žaidėjais ir kas laimės geriausiojo titulą 2:07:30 Kur daugiau jaudulio: 15min studijoje ar prie šoninės linijos? 2:13:00 Viskas užrašyta žvaigždėse
Locked On Red Wings - Daily Podcast On The Detroit Red Wings
Zach Aston-Reese has cleared waivers, and has been sent down to the Grand Rapids Griffins. Derek Lalonde confirmed the team will carry just 12 forwarrds, and might even run 11 forwards and 7 defensemen in the season opener. Rasmus Dahlin inked an 8 year $11M per year contract. Will this extension impact what Seider will get at the end of this season? #lgrwFollow & Subscribe on all Podcast platforms…
Locked On Red Wings - Daily Podcast On The Detroit Red Wings
Zach Aston-Reese has cleared waivers, and has been sent down to the Grand Rapids Griffins. Derek Lalonde confirmed the team will carry just 12 forwarrds, and might even run 11 forwards and 7 defensemen in the season opener. Rasmus Dahlin inked an 8 year $11M per year contract. Will this extension impact what Seider will get at the end of this season? #lgrw Follow & Subscribe on all Podcast platforms…
This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/joshua_prince_ramus_building_a_theater_that_remakes_itself ■Post on this topic (You can get FREE learning materials!) https://englist.me/230-academic-words-reference-from-joshua-prince-ramus-building-a-theater-that-remakes-itself-ted-talk/ ■Youtube Video https://youtu.be/7CujOEtCa44 (All Words) https://youtu.be/LbmKDjfoR1E (Advanced Words) https://youtu.be/WBGXvzlGdRI (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)
ÖVERSÄTTNING: Sophie Sköld UPPLÄSNING: Harald Leander DIKTSAMLING: När jag läser dig, simmar jag – dikter i urval (Ramus förlag 2010)MUSIK: Dominique Roggen: Andantino ur Euphoniumkonsert B-durEXEKUTÖR: Roland Fröscher, euphonium, Capella Istropolitana, Dominique Roggen, dirigent
Vi begynner med U-21 finalen mellom England og Spania. Hvor vi avslutter med å sette på U-21 All-Stars Team for mesterskapet. Hvor mange fra England fikk plass? Det blir til og med litt plass til Norge U-19 som kom seg til en historisk semi-finale for et par dager siden. Så går vi inn i overgangsvinduet og snakker alle bekrefta overganger og rykter rundt de største lagene i Europa. Det blir Arda Güler, Joao Felix, Declan Rice, Davide Frattesi, Vitor Roque, Mason Mount, Andre Onana, Rasmus Højlund og selvsagt hanen i egget Kylian Mbappe. Ja det blir til og med litt Dele Alli oppi det hele. Vi går også inn i rollen som sportsdirektører i RB Leipzig og Chelsea for å finne ut hva de bør gjøre i dette sommervinduet. Hvor skal RB Leipzig hente erstatterne fra? Hva må Pochettino gjøre? Mange vanskelige valg og dilemmaer som må utredes. Kos dere masse! Here We Go!
Avsnitt 188. Vi tror gärna att bokbranschen i Nederländerna är lik den svenska. Och det stämmer till viss del men skillnaderna är mer intressanta. Så journalisten tog ett samtal med den administrative chefen för den Nederländska Förläggareföreningen för att få hjälp att orientera sig. Det visade sig att där finns väldigt intressanta nyanser. Förläggaren läser Novellix nya box med fyra AI-producerade noveller framtagna för att likna fyra klassiska svenska romaner. Resultat? Han blev väldigt förtjust. Men kanske inte i novellerna. Sist ut i detta avsnitt är ett samtal med Thomas Alm, en av två delägare till förlaget Ramus, i ett försök att nagla vilken sorts förlag Ramus är och varför. 00 22 – En utveckling som blir svår att stoppa 15 30 – Så skönt att de inte blev bättre 20 39 – Ramus, ett förlag mer eller mindre utanför det kommersiella kretsloppet
This is preview. For full 2 episode, archives, early releases, bonuses, links and more please consider supporting the show on Patreon. Highly entertaining episode with Kantbot of Pseudodoxology Podcast on music production, 60's heavy west-coast psych rock, library science, the history (and dissapearence) of the polymath/rennaisance man and subsequent reemergence (and redissapearence). Also included: Bayles Dictionary definition of China as Spinozist, Ramus, the Atom Question, Redefining Order in the German Library, the invention of the table, Dimes Square as a Chinese Restaurant (comedy section), Arthur Lee, Encyclopedias, H.G Wells World Brain, M*A*S*H, Spring Breakers, & much much more.
Not all ridge augmentation techniques are created equal, and there are pros and cons to all of them! During this episode, we welcome back Dr. Andy Loetscher for a conversation in which we delve into the details of the Ramus Block Graft, Titanium Mesh, and BMP techniques. From recovery time to cost implications to the best tools to use, Andy covers it all. So, if you are interested in learning how to ensure a successful, aesthetically-pleasing, long-lasting ridge reconstruction, this episode will provide you with a fantastic foundation. Key Points From This Episode:Key principles for a successful Ramus Block Graft.The length of time it takes for a Ramus Block Graft to mature.Andy's approach to taking screws out. The downsides of a Ramus Block Graft.Cases in which Andy uses the Ramus Block Graft technique.Andy describes his technique for using titanium mesh.How Andy limits the chances of a dehiscence. The cost of a Ramus Block Graft. Other types of ridge augmentation techniques. An overview of Andy's sinus lift technique.The pros and cons of BMP.Advantages of putting in the implants and the graft simultaneously.How Andy gets bone around an entire implant.Additional advice for ensuring a successful ridge reconstruction. How Andy learned how to do tissue grafts, and he thinks it is an important skill for every oral surgeon to learn.Links Mentioned in Today's Episode:Pikos Institute: Live Courses - https://pikosinstitute.com/live-courses/Everyday Oral Surgery Website — https://www.everydayoralsurgery.com/ Everyday Oral Surgery on Instagram — https://www.instagram.com/everydayoralsurgery/ Everyday Oral Surgery on Facebook — https://www.facebook.com/EverydayOralSurgery/Dr. Grant Stucki Email — grantstucki@gmail.comDr. Grant Stucki Phone — 720-441-6059KLS Martin promo code EOSExo22 — https://www.klsmartin.com/
Denne søndagen hadde vi storsamling, og Ramus delte om hva kirke egentlig er.
This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/joshua_prince_ramus_behind_the_design_of_seattle_s_library ■Post on this topic (You can get FREE learning materials!) https://englist.me// ■Youtube Video https://youtu.be/8fnb2R7jrBM (All Words) https://youtu.be/NjqTkKSEulo (Advanced Words) https://youtu.be/R9W61DD74lk (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)
Honestly, Ramus is goals. Not only did he singlehandedly kick off Alex's journey to Dragonmastery but he achieved his lifelong dream of owning a shop and just... Stopped there. The world was in peril, but did Ramus care? No! His life was about mercantile, and he was content. Anyway, Coury of My Life in Gaming joins the show to discuss a game that, despite it strengths, was largely (dare we say, unjustly?) overshadowed by the likes of Final Fantasy and Dragon Quest.----------Today's Guest InformationName: Coury Carlson Bio: 1/2 of the creative team for the YouTube channel My Life in Gaming. I like to judge games based on when they were made, not against modern standards. Twitter: @mylifeingaming on Twitter YouTube: Coury on YouTube ----------Music AttributionsIntro / outro excerpts from Stream by 505, used under the Attribution-NonCommercial-ShareAlike License.----------Mentioned in this episode:Shoutout to Our Patrons!Retro Hangover is supported by you, the listeners. We would especially like to thank the following Patrons for donating at the 8-bit tier and above: Lyle McKarns, Ashton Ruby, Randall Quiggle, Tony G, Studstill Smash (The Milkman), Katie Quigg, Paul Romalho, Raging Demon, JC, Meagan Caruso, MaskedKeaton, Andrew Liguori, Ozzy Garcia, The Retro Vixen, BacklogAdam, Thunderdome Gaming Society, Keith Gasper, Dischimera, Dave Jackson, Eric Gess, Rick Firestone, and Kayla Jackson. If you'd like your name mentioned here, or would simply like to support the show, consider becoming a Patron today!PatreonGet You Some Tasty Caffeine!As a rule, we don't promote anything on the show that we can't personally vouch for. Bones Coffee has become a staple in both our households; in fact, it's the only coffee Shane drinks at home. With so many flavor-infused options, all with no added sugars or calories, there's bound to be something to pique your interest. Grab a sample pack today and taste what you've been missing!Bones Coffee Company
Los Miserables Autor: Víctor Hugo Cuarta Parte: El idilio de la calle de Plumet y La epopeya de la calle de Saint-Denis Libro décimo El 5 de junio de 1832 Cap II : El fondo de la cuestión. Existe el disturbio y existe la insurrección; son dos iras; una está en un error, la otra está en su derecho. En los estados democráticos, los únicos legítimos desde el punto de vista de la justicia, se da a veces una usurpación de la parte; entonces el todo se subleva y la necesaria reivindicación de su derecho puede llegar incluso hasta empuñar las armas. En todas las cuestiones que son del ámbito de la soberanía colectiva, la guerra del todo contra la parte es insurrección; el ataque de la parte contra el todo es el disturbio; según que en Les Tuileries se alberguen el rey o la Convención, el ataque a Les Tuileries es justo o injusto. El mismo cañón apuntando al gentío se equivoca el 10 de agosto y acierta el 14 de vendimiario. Apariencia semejante, pero fondo diferente; la guardia suiza defiende lo falso, Bonaparte defiende lo verdadero. Lo que hizo el sufragio universal, en el ejercicio de su libertad y su soberanía, no puede deshacerlo la calle. Lo mismo sucede en los hechos puramente de civilización; el instinto de las masas, clarividente ayer, puede ser confuso mañana. La misma indignación es legítima en contra de Terray y absurda en contra de Turgot. Destrozar máquinas, saquear almacenes, romper raíles, echar abajo los depósitos, los recorridos equivocados de las muchedumbres, las denegaciones de justicia del pueblo al progreso, los estudiantes asesinando a Ramus, Suiza expulsando a Rousseau a pedradas: eso son disturbios. Israel contra Moisés, Atenas contra Foción, Roma contra Escipión: eso son disturbios; París contra la Bastilla, eso es insurrección. Los soldados contra Alejandro, los marineros contra Cristóbal Colón son el mismo levantamiento; levantamiento impío; ¿por qué? Porque lo que Alejandro hace por Asia con la espada es lo que hace Cristóbal Colón por América con la brújula; tanto Alejandro como Colón encuentran un mundo. Esos dones de un mundo a la civilización son tales incrementos de luz que, en tales casos, cualquier resistencia es culpable. Hay veces en que el pueblo no cumple con la fidelidad que se debe a sí mismo. El gentío traiciona al pueblo. ¿Existe, por ejemplo, algo más extraño que esa prolongada y cruenta protesta de los contrabandistas de la sal, legitima rebelión crónica que, en el momento decisivo, en el día de la salvación, en la hora de la victoria popular, se decanta por el trono, se vuelve chuanería y de ser insurrección contra se vuelve disturbio a favor? ¡Sombrías obras maestras de la ignorancia. El contrabandista de la sal se libra de las horcas de la monarquía y, todavía con un trozo de cuerda al pescuezo, enarbola la escarapela blanca. «Muerte a la gabela» pare un «viva el rey». Matadores de la noche de San Bartolomé, degollares de septiembre, carniceros de Aviñón, asesinos de Coligny, asesinos de la señora de Lamballe, asesinos de Brune, miqueletes, verdetes, cadenetes[67], cofrades de la compañía de Jéhu, caballeros del brazal: eso es disturbio.
Carlos Francisco Sergio Mugica Echagüe nació en Villa Luro, ciudad de Buenos Aires, el 7 de octubre de 1930, en el seno de una familia de la aristocracia argentina. Luego de terminar sus estudios secundarios en el Colegio Nacional de Buenos Aires comenzó la carrera de derecho, que abandonaría para ingresar en 1951 al Seminario Metropolitano de Buenos Aires. Ocho años más tarde, el 20 de diciembre de 1959, fue ordenado sacerdote en la Catedral de la ciudad de Buenos Aires. Comenzada la década del 60, Mugica se desempeñó como asesor espiritual de la Juventud Estudiantil Católica del Colegio Nacional de Buenos Aires y de la Juventud Universitaria Católica de la Facultad de Medicina. Entre los jóvenes que se formaron a su lado en esos años, se encontraban algunos de los que pasarían a militar en la Tendencia Revolucionaria de la Juventud Peronista y en la agrupación Montoneros. En 1967, Carlos Mugica se integró al Movimiento de Sacerdotes para el Tercer Mundo, una corriente renovadora dentro de la iglesia católica con un profundo compromiso con la realidad social y política de América Latina. La mayor parte de su trabajo comunitario lo realizó en la Villa 31, en el barrio porteño de Retiro, donde había sido nombrado párroco de la Capilla del Cristo Obrero. En los `70 Mugica junto a sus compañeros y colaboradores inició lo que se conocería luego como movimiento de curas villeros. El 11 de mayo de 1974, fue asesinado por integrantes de la organización armada de ultraderecha `Triple A´, Alianza Anticomunista Argentina, minutos después de terminar una misa en la parroquia San Francisco Solana, en su barrio natal. Cada 7 de octubre se conmemora el Día Nacional de la Identidad Villera, en homenaje a Mugica, principal referente del movimiento de sacerdotes que eligen dedicar su vida al trabajo en los barrios populares. Lo recordamos a partir de testimonios conservados en el Archivo Histórico de Radio Nacional. FICHA TÉCNICA Edición: Fabián Panizzi Testimonios y Música 2021-05-11 Marilina Ross - Homenaje y Canción de para el Padre Mugica 1955-06-11 Manifestación opositora al Gobierno - Corpus Christi (Catedral - Plaza de Mayo) 1973-11-01 Mugica, Carlos (Sacerdote del 3° Mundo) Entrevista para un Documental - Los Curas del 3° Mundo y la Juventud 1958 Elección de Juan XXIII 1972 Mugica, Carlos (Sacerdote) Ruiz Guiñazú, Magdalena (Periodista) Secuestro del Cura Carbone 1970 Mugica, Carlos (Sacerdote) Sepelio de Ramus y Abal Medina Kyrie (Carlos Mugica – Roberto Lar) Quinto de Cantares [2016 del Álbum “Misa para el Tercer Mundo”] 1973-05-18 Mugica, Carlos (Sacerdote) Mesa, Edgardo (Periodista) Creación del Movimiento Villero Peronista Gloria (Carlos Mugica – Roberto Lar) Quinto de Cantares [2016 del Álbum “Misa para el Tercer Mundo”]* *La “Misa para el Tercer Mundo” quedó 40 años sepultada en oscuridad. Fue grabada entre 1973 y 1974 por el Grupo Vocal Argentino. Los textos fueron escritos por el Padre Carlos Mugica y la música fue compuesta por Roberto Lar, músico del ambiente publicitario que ya había compuesto anteriormente la banda sonora de “La Hora de los Hornos”.
A chat with Ramus expert Robert Goulding on the role of mathematics in Ramist philosophy.
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.09.16.508343v1?rss=1 Authors: Zhao, J., Zhao, Y., Song, Z., Thiebaut de Schotten, M., Altarelli, I., Ramus, F. Abstract: Previous studies have reported anomalies in the arcuate fasciculus (AF) lateralization in developmental dyslexia (DD). Still, the relationship between AF lateralization and literacy skills in DD remains largely unknown. The purpose of our study is to investigate the relationship between the lateralization of the AF anterior segment (AFAS), AF long segment (AFLS), and AF posterior segment (AFPS) in connection to literacy skills in DD. The participants included 26 children with dyslexia and 31 age-matched children in the control group. High angular diffusion imaging, combined with spherical deconvolution tractography, was used to reconstruct the AF. Connectivity measures of hindrance-modulated oriented anisotropy (HMOA) were computed for each of the three segments of the AF: anterior segment (AFAS), long segment (AFLS), and posterior segment (AFPS). The lateralization index (LI) of each AF segment was calculated by (right HMOA - left HMOA) / (right HMOA + left HMOA). Results showed that the LIs of AFAS and AFLS were positively correlated with reading accuracy in children with dyslexia. Specifically, the LI of AFAS was positively correlated with text and nonword reading accuracy, while the LI of AFLS accounted for word reading accuracy. The results suggest adaptive compensation of arcuate fasciculus lateralization in developmental dyslexia and functional dissociation of the anterior segment and long segment in the compensation. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer
Peter Ramus scandalizes his critics, and thrills his students and admirers, by proposing a new and simpler approach to philosophy.
This week's guest is Rasmus Stolberg from the brilliant Efterklang. This episode is a must-listen for anyone who has ever been in, is currently in or ever wants to be in a band. Ramus gives us a great insight into what it's like to maintain a career as a successful musician and is constantly interesting and engaging. Efterklang are on tour until October and their new E.P. Pixieglass is available now.TELL US YOUR BAND STORIES! info@codesintheclouds.netWe want to hear your bad band names, your great band names, song titles, gig experiences - all of it! Twitter & Instagram: @codesclouds Hosted on Acast. See acast.com/privacy for more information.
Quadrare, quadratum; to square, to make four-cornered (quadriceps) Radius; rod, spoke, ray, beam; bone on outer forearm – radius (radius, dorsoradial, radioulnar, radiology) Ramus; branch (ramiform, ramus communicans – nerve which connects two other nerves) Rectus; right, straight (rectus abdominous, rectus femoris) Ren, renis; kidney (adrenalin, renal, circumrenal, prerenal) Rigor; stiffness, cold (rigor mortis) Scapula; shoulder, shoulder-blade (scapula, subscapula, infrascapular, scapuloclavicular, cervicobscapular) Scrotum; bag, pouch (scrotal, scrotum) Sebum; grease, fatty secretion (sebum) Sinister, sinistri; left, on the left (sinistrodextral, sinstrocular) Sinus; curve, cavity and/or recess (sinus, sinusoidal, Ethmoid sinus) Spina; thorn, spine (cerebrospinal, spina bifida, spinal erector) Spirare, spiratum; to breathe, blow (exspiration, inspiration, perspiration) Squama; scale, flake, thin plate (Squamous epithelial tissue, squamella) Stapes, stapedis; a stirrup, innermost ossicle of ear (extrastapedial, mediostapedial, stapes – involved in conduction of sound vibration) Stare, statum; to stand (distal) Sulcus; furrow, grove (costal sulci) Supinus; bending backwards, supine, lying on back (supination, supinator, supine, semisupination) Talus, ankle, ankle-bone (talus, talofibular, talotibial) Tempora; the temple (temporomandibular joint, temporal, infratemporal) Tender, tentum, tensum; to stretch (extensor, tendon, tensor fascia lata, hypertension) Tibia; pipe, flute; shinbone, the innder and larger bone of the lower leg (tibia, femorotibial) Tumere; to swell (tumor, tumentia) Ulcus, ulceris; open sore (ulcer, ulcerate) Ulna; elbow, inner and larger bone of the forearm (radioulnar, ulna) Umbilicus; the navel (umbilical cord, umbilicus) Unguis; nail, claw, hoof (subungual, unguis, ungula) Uva; grape (uvula – small lobe haning from palate) Vagus; wandering (vagus – nerve, valgus knee) Varus; crooked, bent inward (coxa vara, genu varum, pollex varus) Vas; vessel (vascular, cerebrovascular) Vellere, vulsum; to tear, puck (avulsion, evulsion) Vena; vein (intravenous, supervenosity, vein) Venter, ventris; to come (ventral- anatomical position, ventricle, ventrolateral) Verruca; a wart (verruca, verruciform) Vertebra; a joint (vertebrae) Vesica; bladder, blister (vesicle, vesicular, cervicovesicular) Villus; tuft of hair (villi, villiform, intervillous) Virus; potent juice, poison (virus) Vomer; plowshare, a bone in the septum (ethmovomerine, vomer, vomernasal) --- Support this podcast: https://anchor.fm/liam-connerly/support
Trečiadienį (birželio 8 d.) Tiek žinių vedėjas Timūras pasakoja apie laikinai okupuotame Mariupolyje pranešamą choleros protrūkį, nukeliamas sovietinės skulptūras sostinės Antakalnio kapinėse, rusijos besitęsianti grūdų šantažą ir Ukrainai gresiančią sunkią žiemą bei nepavykusia ministro K. Navicko interpeliaciją. ✅ Svarbiausios dienos naujienos kiekvieną pirmadienį-ketvirtadienį čia ir „Laisvės TV“ YouTube kanale: https://youtu.be/Hdp4o-JEA1M Šiandien #TiekŽinių
Intro: Final Draft is conspiring against us, Beastie Boys' Adam Horowitz, Doris the dog loves the vet, Jim Croce, The Cure. Let Me Run This By You: storytelling, Risk Podcast, The MothInterview: We talk to the creator and producer of You're Being Ridiculous, Jeremy Owens, about offending people, porn, Samantha Irby, Roosevelt University, University of Arkansas, The URTAs, King Lear, Greg Vinkler, Barbara Gaines, Plautus' The Rope, P.F. Changs, Kyogen, Threepenny Opera, Steppenwolf, Brene Brown, Marianne Williamson.FULL TRANSCRIPT (unedited): 2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand.3 (15s):At 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (34s):Yeah.1 (35s):It was one of these things where it's like, final draft will not let you restart your computer. I'm like, fuck you. Final draft. What did you ever do for me? Final draft writer, duet. They're all, they're all plotting against me,2 (47s):But what is, what is, what does final draft have to do with your camera working on this?1 (53s):So in order to, to be okay, the bottom line is I need a new computer. Okay. Let's start there second. Okay. That's the first level of problems. It's like the deepest level. And then we, if we go up a little bit into the level of problems, it is that final draft that I might camera in order to use my camera. Sometimes I have to restart my computer because it's so old. Right. So I need to restart,2 (1m 19s):You know, I want to do any one thing in the morning I got, are really rev my engine.1 (1m 26s):So like, I'm like, okay, well, in order to restart the computer, it's like not letting me restart it because final draft is this because probably final draft is so advanced and my computer is so Jack.2 (1m 39s):Totally. And that's how they get you mad. I feel like they all conspired to be like, okay, well let's make it. So this will work on this version. So then,1 (1m 49s):So anyway, I see you, you look great. I look like shit. So it's probably better my camera's up.2 (1m 57s):So a couple of things I keep forgetting to ask you on here, about how, how did it come to be that you were chatting in the parking lot with Adam Horowitz about your dogs, Volvo.1 (2m 12s):We never talked about that.2 (2m 14s):We did not.1 (2m 15s):Okay. So I rule up, so my dog, Doris, who everyone knows that listens to the podcast and by everyone, I mean, whoever listens to the podcast, you know what I mean? So hopefully it's growing and growing, listen and rate the podcast. Anyway, the point is I roll up to the vet, which I do oh about every other week, because my dog is a very high maintenance. And so she's just so she of course had an ear infection. Cause she has these huge ears that collect all this bacteria. So I roll up and there's an eye and because it's COVID and everything, you have to park outside and wait, but because it's LA all the windows are down and everyone's car and there's this dude sitting in his Kia has electric Kia.1 (2m 59s):Well,2 (2m 59s):My key.1 (3m 0s):Yeah, I know. I know. I did not recognize this human being. He looked like my husband, like fifties gray, maybe had glasses on.2 (3m 13s):Why would you like all our knowledge of them is when they were so, so young. Right,1 (3m 18s):Right. So young. And I like didn't, you know, keep up with the beast. So it was like, I had other things to do, you know? So I was doing other things. So I'm, I'm like trying to corral Doris out of the car. She's crazy. She's trying to get out. She loves the vet. The backdrop is my dog2 (3m 35s):Loves the,1 (3m 36s):Oh my God. She races towards the vet with a fury that is unmatched, loves it. I2 (3m 43s):Never once heard of this in my entire life. So1 (3m 45s):She's really, really excited about the bet. So she's an extra crazy. And I get her out of the carrier to let her sniff around in the parking lot. And I see this gentleman who is the interesting thing about him is that his leg is out the window. Like he's like resting his leg. And I'm like, well, that's kind of weird for like an older dude, but whatever, it's, it's LA like, you know2 (4m 8s):That sound's going to say, I imagine that kind of thing happens in LA.1 (4m 11s):Yeah. And plus he's probably weighed been waiting and waiting for his dog forever. And so, cause you, you have to wait out there, like they don't want you to leave in case they need you and blah, blah, blah, blah, blah. Okay, fine. So I, and I say, and he says, oh, a cute dog. And I'm like, oh, she's a pain in the ass. And then he's like, what's her name? And I'm like, oh, her name is Doris. And he's like, oh, that was my mom's name. And I was like, oh, that's interesting. And then we talked about the origin of Doris, cause it's from a Jim Croce song. And Jim Croce is someone, my husband adores the singer. The folks there yeah. Died when he was 29. Looked like he was about 60. When he died.2 (4m 47s):He was 29.1 (4m 49s):Yes. You know, he looks like David Abbott, Holly, if you ever look at me2 (4m 56s):Like a hole, I see it.1 (4m 59s):But just bringing it back to the old theater school. So, so yeah. And so he's like, we talked about Jim Croce and he's like, Jim Croce is the first person I remember dying. I had that album. And I said, yeah. And he said, that's in a Jim Croce song. And I said, yes, Leroy brown, Friday about a week ago, Leroy shooting dice. And at the end of the bar sat a girl named Doris and who that girl looked nice. And that's why we named Doris Doris. He was like, I don't remember Doris being in that song. So we get into that. Right. Okay. And then he's like, I'm like, oh, is your dog okay? And he's like, well, she, she, she got a cut on her neck and I'm like, oh shit. And I'm like, is that2 (5m 38s):A knife fight in a bar?1 (5m 39s):I was like, how did that happen? And he goes, I don't know. But like, you know, since I'm not a doctor, I figured I'd take, bring her to the vet. I'm like good plan, my friend, good plan. So he's like, I'm waiting for him and waiting for her. And I'm like, oh, okay. And then he said, what's wrong with your dog? And I said, oh my God, what? Isn't wrong with my dog? And I said, my dog has a dermatitis of the vulva and an ear infection. And he's like, wait, what? And I'm like, yes, she just she's out. She's got a lot of allergies because she's a friend. She and I did this to myself by getting a friendship. But like, yeah, she's got, and he said that his dog was really licking her butthole and he had dermatitis of the bottle. And I was like, it's the same I heard of my friend, Morgan has a Frenchie who has dermatitis of the butthole because all Frenchie owners talk about these things.1 (6m 26s):And he's like, oh, well, my dog has dermatitis of the bottle. I'm like, well, mine's got dermatitis of the Volvo. They both have, they both have like private parts itching. Right. And so then we started talking and we talked about a lot of things. Cause you have to wait forever. And then right. And so we talk and talk and talk and no clue who this person is. And he's like,2 (6m 47s):Did you say cut? There's something about that voice?1 (6m 52s):No.2 (6m 52s):No. Okay.1 (6m 54s):'cause he was kinda mumbly and also just looked so natural.2 (6m 60s):Aiming, sabotage.1 (7m 1s):No, not screaming and also not jumping around with his other two cohort. And then I just, I felt like, anyway, it just didn't cross my mind. And his shoelaces were untied. I don't know. It was like a real casual situation.2 (7m 15s):Yeah. Honestly, I would never assume somebody in a key is famous. That's my snobbery, but I wouldn't.1 (7m 21s):Yeah. I mean, I, it was a very, very, very nice camp, but it still, it was a key I said to you like, oh, that was her talking about cars. I mean, we talked about kids, cars, Manhattan. Then he said, I'm from it. I said, oh, I'm from Chicago. And he said, I'm from Manhattan. And I said, oh, I said, oh my God. I launched into this thing about how I could never live in New York because I was like to own like the most unhip like fat and ugly human and like, not in a bad way, but just like, kind of like I'm. So I just feel like, I didn't know what the fuck was going on ever in New York. Like, I didn't know which way to go, who to talk to, where to turn I was lost. And he's like, yeah. Do you know what I like about LA is like, nothing ever happens here.1 (8m 2s):That's not2 (8m 2s):True.1 (8m 3s):No. But I was like, what do you mean? He's like, I need to just like New York, like you have like a million things are always happening at any given time. Right?2 (8m 11s):Sure. It's a lot too. Like you have to do a lot of processing living in New York, you're taking your, you know, you're just taking in so much information1 (8m 19s):And that does not happen in LA and LA you're like sometimes starved for like,2 (8m 25s):Right.1 (8m 26s):But we talked about that. And then, and then by like end of conversation almost. I was like, oh, I'm Jen. I'm so sorry. And he was like, oh, I'm Adam. And I was like, okay, still, no, I had no2 (8m 40s):Adam common name,1 (8m 41s):Common name, whatever. And mom named Doris, whatever. Like, okay. And then we started talking, he said, his wife, what did he say? Oh, he bought a house in south custody. Anyway, all this stuff. He has a kid. And at the end I say, he was talking about what we, what we do. And I'm like, oh, I'm a, I'm a writer. And I'm like trying to write TV, but I also consult, I just started this business, but I wasn't, you know, I was a therapist and for felons and like, and then he got really into that. And then I said, oh, what are you doing? And he's like, oh, I was, I think he said I was in the I'm in the music business. I said, oh, that's cool. I thought he was like a producer, like maybe a classical composer or something. I don't know. That's where my mind went. And I'm like, oh, like, what do you do?1 (9m 22s):And then he said, I was in and I said, oh, what kind of music? He's like, I was in a rap trio. And I was like, wait a minute, a rap tree endorsed by this. By this time it was like, biting me. You know, it's like a whole, I'm like, oh, a rap trio. And I couldn't the only rap trio I could think of was run DMC. And I'm like, oh, he's not in that. You know, he's a white dude. There's no way. And I'm like, oh crap trio. And I was like, house of pain, Cypress hill. Like I couldn't get it together. And then I was like, and then it dawned on me. And I said, oh, and he said something, like I said, I don't remember how it came up. And he's like, oh, I'm Adam Horwitz. And I was like, oh, I was like, of course.1 (10m 2s):I said, oh my God. And then I didn't know what to say. So I just said, cause he just moved. He actually, he moved to south Pasadena, wait before I moved to Pasadena. But I said welcome to Pasadena.2 (10m 16s):Right. Because the minute, you know, it's a celebrity. It's like, it changes the ions. Wait. Yes.1 (10m 21s):Thank you. You welcome to you too.2 (10m 24s):So what I think is so interesting and must be so well, I don't know. I don't know if it's annoying or whatever it is, celebrities. You, they must have to always be in a process of deciding with when they're interacting with people, they don't know what are we going to do with this fact, like, do you know who I am? Do you not know who I am? If you know who I am, just, what does that mean? Is that why you're talking to me? And then, but he opened one of the first things you said that he said was that his mom's name was, I mean, I guess that's not unusual, but I was thinking to myself when you said that I was thinking, oh, was he hoping That would confirm not that his dad is famous.2 (11m 10s):His dad is1 (11m 10s):Trail horo. Israel.2 (11m 12s):Yeah. He's a kind of a terrible guy though.1 (11m 16s):I heard is there. I think they're both dead. I mean, from what I got, I don't know. I know he has a sister. I don't know. But like he seemed like the kind, yes, you're right. Like it must be so weird. And also I literally was so into my own world. It's like, so Los Angeles, like I, when I found out that he was, I was super excited because I wanted to say, oh, I saw you at the Metro in Chicago and stuff like that. But then I was like, oh, I can't. And so I got excited, but I also, it was literally like talking to your husband or my husband in that they're old people. Like I wanted to be more excited about the, the youthful version.2 (11m 56s):Right? You want it to be 19 year old, you eating Israel, horrible1 (12m 2s):Adam Harz and being like, let's go on a date or something. But that is not what I, that was not my inclination this time. And also his he's married to this amazing punk hero, Kathleen Hanna from bikini kill who I adore. And I know that, but I didn't bring that up either. But anyway, the point is we exchanged information because we were like, let's walk our dogs. His dog is Terry. It really hairy dog, little girl, dog named Terry. And I said, well, what kind of dog is Terry? And he goes, I don't know, very hairy. And I was like, okay, well, okay. So we may go on a dog-walking adventure. I have no idea, but lovely human, but just like soup. We are super middle age.1 (12m 43s):This is what the moral of this thing was actually not the celebrity. Part of it was the, what hit me the most Gina was the middle age in this of it all. So the other thing is like, nobody gives a shit now about the things that we give a shit about. So the BC boys, I was talking to my niece, she didn't know who that was. And so I was like, oh right. Meaning I still care who they are, but2 (13m 16s):Right. Yeah.1 (13m 17s):Time moves on timeframe.2 (13m 20s):Yeah. Periodically we have kids periodically, they'll come up to you and they'll be like, have you ever heard of this bay? Or like, my son was listening to something and I'm like, and I go, he goes, oh, I've got to play this song for you. It's this band. This is like obscure band or something like that. It was the cure. I go, are you kidding me, dude? I put white face makeup on and wore black and tried to hang my two years in junior high. I knew the cure is okay. So that was one thing. And the other thing was last time.1 (13m 52s):It super nice though. I got to say, if anybody cares, he was not a Dick head.2 (13m 56s):I care. Yeah. That's nice. I'm happy to hear that. But just one last thing about that whole, like being a celebrity, you're damned if you do, and you're damned if you don't, because on the one hand you, you could have somebody say, oh, it's like pretentious to not say who you are. And on the other hand, people would say, you know, you can't win. You can't, you1 (14m 14s):Can't win. That is the bottom line. Yeah. Yeah.2 (14m 17s):So the other thing was last time we talked, you said, oh, I want to save it for the podcast, but about showcase. So you were talking about getting your kids ready for showcase.1 (14m 28s):Okay. So here's the deal with that. So I, because of this podcast, I'm like, okay, is there a way to make a showcase? Not the shit show that I feel it was now, there may not be, it might be inherent in the thing. Okay. But so I'm teaching fourth year. I like, basically don't even, I don't know what I'm teaching at this point, but not even teaching anymore. I'm done. And my, my, my, my co-teacher took over, but I started noticing as I always do that, that, that the students are like, you know, crazy nervous about the showcase and also crazy nervous about agents and managers and all the things.1 (15m 9s):Now, there is no showcase in LA. There was only a quote meet and greet. There is no showcase in New York. There was only quote, a meet and greet. Look, it gets weirder in Chicago. There was a live showcase and a meet and greet. Now, I don't know what went down, but the bottom line is the ball has been dropped so many times about this showcase and about graduation and about launching that at this point, the ball is just dead in a heap deflated. Okay. So I said, okay, well, what can I do to make this fucking situation better? Because I know what it's like to be there and be like, oh my God, I'm falling behind. What if so then I'm like, okay, everybody, here's what we're going to do.1 (15m 52s):I am going to email everyone I know in LA and everywhere and say, come to this showcase and watch your digital link. They have a virtual showcase. But the problem with that is nobody. If nobody gets sees it, it doesn't matter. And so it was made in a form beans where it looked like spam. So it went to everybody's spam. So no casting directors and no agents got the fucking link. And I realized that because I told a student of mine, I said, listen, you want to be repped by this one agency, let's create a letter to them. Let's pitch them. And so then I get a call from the agent saying, we loved this letter.1 (16m 33s):Also, thank you for including, we didn't think there was a showcase.4 (16m 37s):Oh my gosh.1 (16m 39s):And I said, what's,2 (16m 41s):This has to do with just the fact that like, there's been all this administrative,1 (16m 45s):I think it's, COVID meets the problem with conservatories, which is that they do not think that launching their students is an important part part of their job. Right? Right. So it falls to nobody. And so the person in charge bless her heart is one marketing person that knows nothing. I don't believe about acting or the entertainment industry at all. There is no Jane alderman. There, there is no, at least. So I stepped in to be like the proxy, Jane alderman with another adjunct. And we were like, okay, well, how do we do this? So I am happy to say that after literally making maybe 43 phone calls, everyone has the link.1 (17m 26s):People are coming to the showcases. Now my thing is to do the meet and greet in LA to try to get people there because these, these kiddos are coming to LA, there is no showcase. I'm like, well, we, what are we doing? Like we have to have something like, so, and I also just, you know, and I know these kids, like these are my students. So like, I want to meet them. And then, so now I'm getting everyone I know to come to the meet, greet in the business and2 (17m 51s):The money thing. Like, they're like, oh, well we have, we can do it online. And so we don't have to pay for, to rent the space for,1 (17m 59s):So they wouldn't even tell me, they wouldn't even tell me. They didn't even want to give me the invite to the LA thing. I had to like fight to get the, I don't understand what is going on. But I was like, listen, all right,2 (18m 11s):DePaul, I'm going to tell you something right now in DePaul. You want to be well-regarded you want to be number one. You want to always talk about your, your alum or even not your alum. People who, who went and got kicked out about their great successes. And you don't, but you don't want to do anything to get there. And that is not how it works, how it works is you put a lot of energy and I'm not saying at the expense of teachers or whatever, but you put a lot of energy and effort into not just hyping your students, but hyping your school.2 (18m 51s):Like it should be that your school is saying, have we got a crew for you? Yeah.1 (18m 56s):And which is what I then stepped in and had to do and be like, these kids are dope. Come see this, look at this link and then come to the thing. And so all the casting and agents in Chicago are now coming. Thank God, because guess who, there was one person RSVP2 (19m 14s):Girl, and you need a bonus1 (19m 16s):Stroke. Here's what we're doing. So then I said, okay, because I'm always thinking, I'm like, okay, well, here's what I'm doing. I'm developing a launching curriculum, which I think I told you about, like, I'm developing a day, one BFA for day one of the fourth year. Here's what we're going to do to launch you. And it's not just about the showcase. It's about mentorship. It's about how can we hook you up with somebody that's in what you want to do? How can we do that? And I'm going to pitch it. I'm going to say, here you pay me $120,000. And I will sell you this program and, and hook you up with teachers and people. I know that can step in and do this with me. Like you like people in the business, like people who are on different coasts, like duh, and then we will.1 (19m 58s):So, and if you don't want to buy it, DePaul theater school, we're selling it to Northwestern or NYU or any anyone.2 (20m 4s):Well, I was going to ask, do you know, if other conservatories are doing showcases and doing,1 (20m 9s):And they are, and they are doing it and they are, they are doing it. I, from what I can see, Gina, they're doing it better. I don't know if it's, you know, how good it is. But I do know that like other showcases released their digital showcase because of the pandemic on actors, accessing and town and casting networks, which DePaul did not do. Oh2 (20m 30s):My God.1 (20m 32s):So here's, so that is not okay with me because I went there and I, I do care about it because of this podcast. I also know that these kids having watched them at, you know, 21 year olds, 22 year olds, max, they're busting their ass, just like you. And I we're busting our ass. Like, look, they're busting their ass more than we were, but you and I busted her ass too. And I feel like we didn't get what we needed from the launch process. And what, what will happen is no one will people and people stopped going to theater school. Is that what you want? Or do you want to upgrade like level?1 (21m 13s):Let me run this by. There's a lot of people I hate.2 (21m 24s):Exactly, exactly. Okay. So the thing I wanted to run by you is about storytelling. I signed up for this workshop in my town. We have a little community theater and they sometimes have little workshops and I did improv there one time. And actually by the way, doing improv there, I I'm, I still am terrified of it. And I still don't feel like I'm I do well, but add it. But I reduced my fear somewhat by just aging within, and then we had a performance and my whole family came and yeah, it was, yeah.1 (22m 3s):Why don't we talk about what2 (22m 5s):She like two years ago or three years ago, actually. Yeah. Three or maybe even four years ago now. But anyway, on Sunday I went to, they ha they had a workshop led by a storyteller from the moth and she taught us, you know, how to, so there was only five of us there. One person, only one person absolutely knew when he came in. Exactly what story he wanted to tell. The rest of us were like, I have certain things that are coming to mind. Of course my thing. And I said, I was, I just owned it from the beginning was I've written essays. And I've, you know, written a lot about my life.2 (22m 46s):And yet I somehow feel like I don't have a story to tell. And she said, that's so common. She was telling this great story about somebody. Cause she does corporate stuff too. She was telling the story about somebody in a workshop, in a corporate workshop who just kept saying, I just, I don't have a story. I don't have a story. The day goes on. And he goes, well, I might have something, my family and I fled Vietnam right before this. And she goes, yeah, that's a story. That's a, that's a story you could tell. Anyway, point being, we're putting these stories together and we're going to perform them on Friday.2 (23m 34s):And the I'll say there is something about the process of working on it. That has been, it's not exactly healing, cause this is not a, for me at all. It's something I'm telling a story about when I lived in that apartment on Lil and Libby got me this job at the bakery and while we were, and she was very assiduous about being to work on time. And1 (24m 9s):I remember the, was it the red hen? Oh, we shouldn't say it out loud.2 (24m 12s):I actually, I really don't remember the name. I think it might have been called great Plains. I don't know. Okay. I don't think it's there anymore. And one of the things that was our task was to deal with the mice that inevitably came into the, in the flour sacks and stuff like that in the back. And, but I never she'd said to me, we have to deal with the mice, but I somehow, I hadn't really, really thought that through. And the way we were meant to deal with the mice was hit them over the head with a shovel.1 (24m 47s):Oh. So, so murder of the mice2 (24m 50s):Were into the mice. And so my story is about watching this five foot tall, gorgeous little, just, I mean, she looks like a bird, this girl, woman now, but she was a girl. Then I'm just swinging the shovel over her head and bringing it down. And then just very like with, with zero expression, taking paper towels and picking it up and throw it in the trash, washing her hands and making it back to the register in time for the next customer who came in. And my point of it, of the story is that's. That was one of my most important lessons about the difference between being poor and being broke because I was broke, you know, and always looking for jobs and always working through school.2 (25m 35s):But if it came to smashing a mouse over the head with a shovel, I'm just going to quit that job and go find another job, selling clothes at express. But Libby did not have such luxuries. She had to take the jobs that she could get. And she had to guard them with her life because as even, even with the amount of time she worked, there was a period of time where she would tell me, like, I'm going to bed hungry a lot of nights. And I couldn't help her, you know, because I was broke. I just, I didn't have we bought ramen. I mean, we right. Like six days a week.2 (26m 16s):And so it's about that. And so there's something about, but, but the fact that it's about this epoch in my life yeah. Which I haven't really written that much about, I've written about my childhood and I've written about things that are more contemporary, but you have a lot of experience with storytelling. And I'm curious to know what role that has played in sort of, you know, for one thing, the ability to string together, kind of the, of your life into a cohesive narrative. If, if1 (26m 47s):That's2 (26m 47s):Something that has been helpful or if maybe you have healed in some way, maybe from your one person show,1 (26m 53s):I am Gina. What comes to mind? Like what first came to mind when you were talking about your experience with this storytelling thing? Is it, what, what is the coolest thing to me about storytelling? Like this live lit as we like to call it in Chicago, just because I, storytelling people think it's like, we started calling it live live because people thought it was like, you know, Renaissance fair storytelling. Right. We had like a cheese ball, it's it doesn't matter. It's storytelling. So storytelling, bridges the gap for me. And maybe you have acting and writing. So it is both performance and writing, which I think is brilliant. I think acting is for the birds.1 (27m 35s):Like I just do. I think acting is really hard. I'm not very good at it. Not because I'm not a good person, but that's what I'm saying. I'm not very good at it because I don't like it as much as I like telling a story. That's my story. That also has a performance aspect to it. And it heals the acting thing for me. So you are acting, you are acting, you're not like you in your kitchen, just like when we do a podcast where there's a part of us, that's acting, it's not, you know, it just is what it is. So I think that that is extremely healing. And what, I wonder if it's extremely healing for you, because I feel like in terms of the acting thing, I know that post-graduation from an acting conservatory, you talk about just completely shutting down, completely not shutting down to the acting part of yourself.1 (28m 25s):And I think like through your son and then through this podcast and through writing television and now through storytelling and like your dip into improv, you're, you're healing, the actor part of yourself.2 (28m 37s):That's right. That's right. It1 (28m 38s):Wouldn't surprise me. If you went on to do acting like started acting in plays and stuff. Again,2 (28m 44s):I'm not going to lie. I'm really thinking about it at this point in time. I still feel like it's a bridge too far, just because I have nobody to spell me at home. You know, I can't ask my husband to leave his job so I can go to a play. But at some point, I mean, you know, they're not going to be this age forever. At some point I will be able to do that. And I do have designs on doing that actually.1 (29m 8s):Yeah. And I think, and I think you, I think this storytelling is brilliant because I think the cool thing about storytelling, as well as like you could go to New York city and do them off one night. It's not a, it's not a commitment like the play. In fact, you could do the risk thing that I did in New York. Like the rest of the podcast is live performances in New York. So all this to say that I think storytelling is a fantastic way to heal the part of ourselves that wants to be a performer, but definitely doesn't want, is not ready to take all the trappings and bullshit. That is a professional acting career, which is garbage. Like I got to say, like I just tell my students is to like the part of the business, which is why this is so fraught because it's garbage.1 (29m 55s):That's why you don't like it. But that doesn't mean it's not worth it to you. If you can find a way to make it worth it to you, the competition, the rejection, the then go for it. But what if that is bothersome? And like, you don't want to deal, like what about live lit? Like what about improv? What if there's so many other things? And so like, wouldn't it have been awesome. Gina. If someone had come to us fourth year and been like, Hey, you know what, maybe you get really nervous and that panic attacks when you have to audition. But what about like writing this thing and telling your story on, you know, on a stage somewhere where you get to hold the piece of paper2 (30m 34s):Today on the podcast, we are talking to Jeremy Owen. Jeremy is a storyteller and the creator of a storytelling show called George being ridiculous, which is premiering ask Stephanie, I think tomorrow or the next day, check it out. Please enjoy our conversation with Jeremy Owens. Wow. Congratulations. Jeremy Owens. You survive theater school. I want to hear this fabulous story. I missed the beat.1 (31m 11s):Yeah. So Gina, miss the beginning. So I was just basically saying that everyone's rusty and it's really good. We're talking about this because also Gina's performing storytelling this weekend and we were just talking about rusty. It was, everyone was after two years of not doing live lit stuff. And then Jeremy tells me that he did a show and of course we can, you don't have to use names and all that, but like did a show and it went south and by south, he's going to tell us what that means. It really went south. So7 (31m 41s):It really, when up it's like so complicated. Okay. So I was doing a fundraiser first off. I was like, I there's no way, like, who wants to watch me talk on zoom? Like we're doing that all the time. Like who even cares? How can this benefit anyone? But it's a fundraiser. My sister-in-law asked me amazing. I love it. Amen. Let's go. Let's do it. So we're doing it. And I, okay. I was not as cautious. And as careful as I should have been the show, I mean, you done the show, you did a show. I don't know if I can talk about your story, but you like got your tooth knocked out. That's1 (32m 22s):Oh, I believe me. I did. I gave a blow job and my back lower fell out. Yeah.7 (32m 28s):That's a story2 (32m 28s):Story. I7 (32m 31s):Share that story, but That's good. That's the, but that's like kind of the fuel it's like, you don't know what's going to happen. Some things are like, you know, super lovey Dubby. Sometimes somebody tells a story about a blow job and their tooth gets knocked out. It's like not a big deal. Like this is the world we live in. But I mean, if you're doing a corporate fundraiser for someone and I just, Alex, if you're listening, I love you. I just was not clued in. And that's my fault. That's not her fault. It's my fault. I accept responsibility for all those things. This is my disclaimer for my, for my sister-in-law. I accept all the responsibility for that. I just should have been more cautious.7 (33m 11s):Right. So if you're up for doing show or tea, fall out from low jobs, it's not that maybe not the best for like a board. Like those are the stories that people,1 (33m 20s):I7 (33m 20s):Didn't know1 (33m 21s):It is. If I'm on the fucking board, I'd probably not get,7 (33m 24s):I know, same for me. I mean, we went to theater school and I've decided like, as that has passed me by that we're not the same as like Bob down the street who is like wildly offended by anything, you know, sexual or1 (33m 42s):Anything2 (33m 42s):You ever get used to that, by the way, I, I I'm always like, oh really? We have to do this thing where I have to pretend like I'm talking to my grandma. Like you're a full grown adult standing in front of me. What's that?1 (33m 53s):What's your story about, please tell me something amazing. Gross, please.7 (33m 56s):I didn't even get to my story. That's the thing. Okay. So It wasn't even me. I wish it were me. It was like six or seven people. And I think we got like three or four in. And so as they're happening, I'm like, oh wow. That person said, fuck, oh no, this person's talking about porn. Oh, wow. Like things that like, just don't register for me. Right. Because I guess theater school. It's like, none of that registers for me. I'm not offended by anything other than like racist, white assholes.7 (34m 38s):Anything else? It doesn't register me. I don't. I know. I just don't care. I'm not bothered. So2 (34m 45s):Charity though. I mean,1 (34m 47s):It was like, there was it like the nuns of like a sister.7 (34m 50s):Oh, I don't want to say there. I don't want to say their name. I'll tell you1 (34m 54s):What Sater7 (34m 56s):Well, they're like1 (34m 58s):Healthcare, charity. He doesn't want7 (35m 1s):. Yes. I mean, it's a great charity. They do wonderful things. It's awesome. Right. But they weren't ready for1 (35m 12s):Me. So what happened? It just went blank.7 (35m 15s):Like we're just plopping along and I'm like so excited. Cause it's like July 20, 20. I have only been like talking to my dog and my husband. Right. So this is happening and I'm listening to stories. I'm having a great time. This is like amazing loving life porn who cares, you know, whatever. And then all of a sudden it stops working. Like I don't see anything. And I'm like, oh my God, this is my brother-in-law. I was like running the tech. I'm like, oh no,1 (35m 44s):He thought it was a tech thing. Of course.7 (35m 46s):I was like, well, this happened to me. I was taking this class online this weekend and the internet I had and I was like, oh shit. Like in the middle of class, I'm like, great. So now they think I'm an asshole. I just left class early. So I'm just like, this is dead. Right. Then they come, my sister-in-law calls me and tells me what's happening. And they're all furious. And they just, instead of like a conversation or something, or like this is coming or we're so disappointed, it was just like, this is over now. Like just totally dead. The bad part about that is that none of us knew. And there was no communication with me. Other if it hadn't been my sister-in-law, I don't know if I would, I would still be here on my computer.7 (36m 31s):Probably.1 (36m 32s):That's hilarious right there. Like, are you there yet?7 (36m 36s):Hello? Hi. Hi. They just didn't communicate at1 (36m 40s):All.2 (36m 43s):We're like, really? I'm getting irritated about this. Listen to the story is like, I don't know any of the players, but I feel like, I feel like we're the people we're pretending people are pretending that they don't watch porn or that they don't swear or, you know, like, why do I have to do this? Pretending I just love unless there was children in the audience and maybe there were,7 (37m 4s):I don't think so. Like, you know, it's like, I had like friends who1 (37m 8s):I curated it. Where you did you7 (37m 10s):Find, I mean, it's all, basically this entire thing is my fault. But like1 (37m 15s):You, you found everybody.7 (37m 17s):I found everybody, I got everybody. This was like a great in my mind was this is like a greatest hits. This is like, awesome.1 (37m 24s):It's the one time I'm so grateful. I was not asked to do anything. Like7 (37m 29s):It was just so weird. And there's like, I don't know it. Yeah, it was. But again,1 (37m 37s):I do the story for the ages. I love it. All of a sudden, it just goes blank.7 (37m 41s):I'm in the home. This is a story I'm going to, I just went blank. I didn't know what to do. Everything was gone. Just talking about those things. It doesn't, I don't find that if, when I say porn, I'm not like, this is the butthole. Like it wasn't like, you know what?2 (37m 59s):I7 (37m 59s):Watched porn. Right. That's not offensive to me.1 (38m 5s):I'm not sure. I'm not sure. Yeah. Like Gina was saying like we're okay. So that went south. Like if did you feel I'm really concerned? Like, cause I would have probably had to check in somewhere because I would have been like, I curated this motherfucker and now I caused this whole fucking7 (38m 23s):I'm still like T like we have a show coming up in like a week at Steppenwolf. And I had one of the storytellers from that show sent me a is doing the show at Steppenwolf. And I like had a moment because his story is like, because of that. And because I'm like wildly triggered, I was like, Hey, maybe you could do this story about tennis or whatever. And he's like, do you need a PG story? Like what's going on? And then I was like, and then I re-read a story. And I was like, I do not his stories about sex.7 (39m 5s):I do not find this offensive. This is okay. I'm person totally traumatized. And then I had to go back and be like, oh God, remember that thing that happened in 2020, I'm just totally melted from that. And your story is great and everything's fine. I'm just having a moment. I'm going to calm down2 (39m 24s):And see what happens to me though. When I hear w whenever my antenna go up, whenever I hear like, oh, that's offensive to me. That just automatically means you're doing behavior that you feel really ashamed of. And so you want to shame me instead of just own the truth of whatever it is you're doing. This is exactly what happens on the Handmaid's tale. You know, it's all about the Bible, but then they're just like holding people down and raping them. So I just think it's a little bit of a soft sign for you've got trouble. If adults are saying that referencing the fact that there is porn is7 (39m 58s):Troublesome. Yeah.1 (40m 2s):Oh my God. I can just, okay. I would have been so traumatized. So I hear you. And I also think that, like, it's interesting, I've had a similar thing where like, on this podcast, I've mentioned my husband's job. I have mentioned. And so Gina and I always talk about, well, we will not always, but we've had to talk about this of like, what is the, and it's like a bigger thing in our society right. In the world. Like, where do I draw the line of like, can I stand behind this? I guess that's what it is. It's like, can I stand? If I'm called to the carpet, whoever God, the board, whoever, and say, stand behind this show. These words can.1 (40m 43s):And that's when, if I can stand behind it and I am willing to answer for it. And I'm like, I'm all in. If I feel like I'm wishy washy, then I feel like it's going to go south. And then I it's weird. It's a weird thing. It's like when to cut, when to not cut, now, you didn't have the ability I'm fucking lives to do7 (41m 6s):That. What1 (41m 7s):Happens in live television, right? When someone who goes bonkers or has a stroke, God forbid, or it's like, you don't know what to do. So live is a different thing. Like it's different with a podcast. We can cut. We can, but like a live show, whether zoom or on stage, there is this moment. So when I did my solo show, Samantha Irby, Sam Irby opened for me. Right. Ramus. Now wasn't famous then. But it was always a Reverend and a bad-ass right. But data story at my show and my uncle were there about SAC,7 (41m 38s):Right.1 (41m 38s):Eight leakage and fluids. And I was like, oh. And then I thought, oh, I wanted to run on stage and be like, ah, this is too much. But then I thought you invited this person. This is their jam. This7 (41m 54s):We love. Right.1 (41m 58s):What, what, okay, sit, sit, and just deal with it. And if my uncle and my uncle was really offended and like, fuck that. Okay. So, but it's hard to do. I was squirming. So you must've been squirming when you, when your, when your person called you and was like, cause you, you found these people. But I think sometimes we squirm, right? Sometimes we squirm,7 (42m 21s):Oh my God, I was dying. Cause it's like, I don't, I don't want to disappoint any of, either of you, this computer, this desk. And I just want to make everyone so happy all the time. And I don't want anyone upset with me or like, I don't want to cause any problems, nothing. I want you all happy.1 (42m 42s):And sometimes despite our best people, pleasing efforts, like shit goes south. Like that is the story of shit going south. Despite Being a good person, having gone to college, go to it, shit still goes south. So7 (42m 55s):I vote like1 (42m 58s):You're very active, like socially.2 (43m 2s):So let's, let's talk about you and your experiences. Did you go to DePaul?7 (43m 7s):I wish I had gone to DePaul, but I, from listening to this podcast, I get that. I don't know. I went to Roosevelt university for grad school.2 (43m 17s):Cool. Tell us everything. Tell us, like, when you decided you wanted to be an actor and when you decided you wanted to go to theater school, tell us everything.7 (43m 25s):Well, for me, I grew up in Arkansas. So I went to the university of Arkansas and I started out as like a journalism and a political science major. But then they, the department, the journalism department had us take a speech class. Like how does speak in theater class, you know, to get rid of your accent basically. Cause we're all Arkansans. We sound like, you know, we're in God, but the wind or whatever. So we took this class and I had growing up and like my small town, I always loved theater. I'd done community theater and the whole thing. So when I took that class and like, everyone in there is like, you know, so alive and so like interesting and like, like real, I was like, well, this is going to be a problem.7 (44m 17s):So then I, like, I signed up for, you know, the second semester of the class. And then I was like, oh, I'm gonna audition for these one acts. And then so slowly I just migrated into the theater department and completely dropped journalism, political science, all of it. And disappointed my parents ruined their lives, you know, the whole thing. So I didn't really understand, like by the, by the end of my time in undergrad, I was like, I don't really, it's like, you're young. It's like, I don't understand grad school. I don't know. But that seems to be thing that I, there was a grad program that had just started there, like, like near the end of my time there.7 (44m 59s):And I was like, I guess that's what I'm supposed to do. And so everyone told me to go to Chicago. I hadn't ever been to Chicago. I knew nothing about it. Never even visited, but I was like, okay. They're like funny people should go to Chicago. And I'm like, oh, I'm funny. So I guess that's where I'll go.1 (45m 15s):You are funny. So it's good. You went there.7 (45m 17s):Thanks. So, so I auditioned at IRDAs and did that whole thing. And then I got a call back from them and I, it was like weird. Like I thought there was going to be like some like bigger process or something. Like, am I going to, I was like, ready, you know, with like my other, like, do you want 16 bars? Do you need other other monologues? Like, well, what's the deal? And it was just kind of like a done thing. So I was like, Yeah, it's like at the callback, there was like, it was an IRDAs. And it's like, you'd go to the person's hotel room, which now seems really creepy what, with a couple other people.7 (45m 57s):And it just seemed like I liked the person who did the interview and I was like, they're in Chicago. This seems great. I2 (46m 7s):Like to act in a hotel room. I've never7 (46m 9s):Done. Like, the audition was in, like, I don't even know where it was like the ballroom. It was like, there was like a black box sort of like made up situation. So you audition and then like the next day or a few hours later, you get like a sheet with a little list of the schools that want to like talk to you or whatever. And we have been like through the ringer with my undergrad teacher and she's like, okay, you need to have, like, you had like your folder with your monologues. And like, if someone wanted a song, like your whole thing, it's like bootcamp and you're ready. So I'm like prepared for somebody to ask me to do anything. And I don't know, I got called back to like a lot of places, which I was like, oh my God, none of them asked me for anything.7 (46m 54s):Which maybe looking back, maybe that was like, not a great situation. I don't know what that means.2 (46m 60s):They were just the, and the call back. They were just meeting you. Right. They were just wanting to know if you were like,7 (47m 4s):Yeah, I guess1 (47m 6s):You're acting probably wow. Like really? They probably would have if they were on the fence, but that probably wasn't that they probably wanted to do what, you know, they, they, a chemistry breed or whatever the fuck they call it. Right.7 (47m 18s):Yeah. I guess. But this meaning with the person at Roosevelt, it's like, she was nice. It was great. It felt good. So I was like, all right, maybe that's where I'm going. And I knew I wanted to get Chicago. So like, that was, that was the deal.2 (47m 36s):It's an undergrad. You were not thinking this at all. I'm guessing you don't come from a performing family or you, you weren't doing this in high school.7 (47m 44s):Oh my God. Well, there was like the junior play or whatever that like pays for the prom, you know, like that kind of a situation. But otherwise, like I did community theater and I'm from a town of like 10,000 people. So there wasn't like really a community theater. I did Annie and Mike, I don't know, 10th grade or something.1 (48m 3s):Amazing.7 (48m 4s):Really upset. I couldn't be Annie. I was like a Senator. And like the apple salesman. I was like that guy I'm like running around doing whatever anybody wanted me to do.1 (48m 20s):Funny. That's why he could do a lot funny.2 (48m 23s):Yeah. Interchangeable. Okay. So day one, you're at Roosevelt. Is this the education that you thought you were going to get7 (48m 32s):Funny? You should ask. So this, when I went, which was, this was 2000 yes. 2000. So it was their first year of their MFA program.1 (48m 44s):Oh shit.7 (48m 46s):Oh shit is right. They accepted 30 people take that in verse1 (48m 54s):307 (48m 55s):MFA. Oh yeah.1 (48m 57s):It's too many people that just like five.7 (49m 0s):Thank you. I think that if I'm being kind, I think they accepted a huge amount of people thinking that, you know, with everything going on that like maybe 10, which is still too many would accept. So there were 30 of us. So we're there on the first day. And I'm just like, this seems , I don't know anything about what this experience is supposed to be, but 30 people that's like, that's like an entire MFA program, you know, that's like three years of people or more So immediately.7 (49m 44s):I was just like,1 (49m 45s):Hmm,7 (49m 47s):This doesn't seem right. But you know, I was like 24. So I'm like so happy to be there. I'm living in my friend's base. My friend's mom's basement until I find an apartment just like, you know, desperate twenties times. So immediately. I was like, I, this is hi. All right.1 (50m 11s):I think I should get off this rollercoaster right now, but it's already going, right?7 (50m 16s):Yeah, totally. I just like was on. And because I didn't have like necessarily the support of my parents where this entire thing, I was like, fight or flight. Like I will do this. If I have to hang on to the side of the building and sleep like that, or like, whatever it is, I'm gonna do this. So I did it.2 (50m 49s):And is it a typical curriculum, voice and speech and movement and all that stuff?7 (50m 54s):Yeah. I was sort of surprised by all of it. The program that I did in undergrad, I felt, I don't know. I guess everyone in undergrad, if you're doing theater stuff there, you think that like, what you're doing is like enough and great. And that's how everything's going to go. So to spend like three hours a day in a movement class, suddenly when you're like, God damn it, let me do a monologue or a scene or sing a song. Like let me work. You know, I understand that that is also work and it's fundamental, but it was really shocking to me.1 (51m 37s):You know, what's interesting is like, and you're not the first person that I've, I felt this, that we've had on the show is like, what I would eat. Like you should have maybe gone right to second city and just done that call that five-year conservatives And gotten the fuck out, but it's not accredited. It's not like a real university that would probably make your parents even more like unhappy. And so, but like you needed like a professional program, like there's conservatory training for actors and then there's professional programs. And I wish I had done, so. Okay. But you're in this. How long was the Roosevelt MFA program?7 (52m 15s):Three years. Oh,1 (52m 16s):Fuck. Right.2 (52m 18s):And was it the thing where you can't perform the first year, but then you do and you're in the casting pool with VFS.7 (52m 26s):Yeah, I, we couldn't perform in the first year though, at the end of the first semester, they opened up an audition to be an intern at Chicago Shakespeare, which was like super exciting. So I auditioned and then I was doing the second semester, I got to be an intern and be on stage and do king Lear, Chicago, Shakespeare. I mean, I was like, you know, a dude, a homeless person running around. Oh, we got it. Yeah. So then I was like, oh no, this is great. I'm like with like these amazing people that I don't know who they are yet, but I will.7 (53m 9s):And there, those people are amazing2 (53m 12s):In that7 (53m 13s):Greg VIN CLER.1 (53m 15s):Oh yeah. was Barbara Gaines directing7 (53m 18s):Barbara Gaines director.1 (53m 20s):Yeah. She's amazing. She's she's famous for, for me, for my one audition I had there, she yawned during my whole model to be fair, but to be fair, it was really boring. Like, it was really boring. She was basically doing what I wish I could have done. It was boring. My shit was boring. She was like this. Can't see. But yeah, she was rude, but apropos I sucked anyway. Okay. So you were, you got to work at shakes and so you were like, okay, but did you make friends? What was the vibe like? BFA was the BFA program established at that time?7 (54m 2s):I think so. Oh, and that part. Okay. Like whatever I'll say about Roosevelt, which I don't have, I don't know necessarily great things to say about the program. It doesn't even exist anymore, PS, by the way. But the BFA program, the program for undergrads, I thought that was like, excellent. Like, I was like happy for those kids. Like that seemed like good. And they were having a good time, but for us it was just, I don't know. It just felt kind of sad and different.2 (54m 26s):So your parents were psyched about the idea of you being a journalist. That's what they thought you were going to.7 (54m 32s):I think the imaginary plan was that I would, or what I sold them at the time was I'm gonna get this journalism degree and then I'm gonna go to law school.1 (54m 43s):Oh,2 (54m 45s):Right. That's everybody's, catch-all hilarious.7 (54m 48s):So that's what I'm going to do. But then I was like, but these plays, these people, it's really the people that are purchased more fun.2 (54m 57s):I actually got dressed so many people in for exactly that reason. It's just something that's like tribal feeling that you don't know that you don't have it until you find it. And then you go, oh my God.7 (55m 8s):Yeah. It was really, it was really all encompassing. I was like, well, I can't not be with these people.2 (55m 15s):What kind of shows did you do there at Roosevelt?7 (55m 18s):I all right. So, so there was that first year experience. And then I don't know. I let's see, I did my last year.1 (55m 30s):Yeah. It just sticks out in your brain7 (55m 33s):Threepenny opera. And then there was this weird Asian adoptation of the rope by whatever old Greek guy,2 (55m 47s):Asian adaptation.7 (55m 48s):So here's one of the weird things about the program. So there were a couple of classes that made zero sense that we were taking as actors. One was, we all had to take a stage management management course. I don't know. Did you guys have to know1 (56m 5s):I7 (56m 5s):Was like1 (56m 5s):Crew, but I don't even know. No.7 (56m 8s):Well, yeah, like working on a cruise, like that's normal, but in an entire semester demo devoted to stage management just seems kind of rude.2 (56m 18s):It sounds like they needed stage managers for their shows1 (56m 22s):Teachers. Yeah.7 (56m 25s):And then there is a professor there who white lady who loved Asian theater. And so, yeah. Pause for that1 (56m 37s):PF chains of, she was trying to be the PF Chang's PF J7 (56m 44s):God lover. I mean, yes. I'm interested in Asian theater too, but everyone was required as part of the MFA program to take an Asian theater class. So, which is interesting. I'm not knocking like any of that, but the PA I don't know the possibility of me being in an Asian.2 (57m 7s):Yeah. Like what's the really,1 (57m 11s):It just sounds like she had a thing for her thing was Asian theater and she wanted everyone else's thing.7 (57m 16s):Total your thing. She had studied in, I don't know, Japan, I think, and had done this whole program and it was like her, she may even have like a PhD on it. I don't really know, but that was her thing and good for her. Awesome.1 (57m 31s):Why are you teaching? But it's7 (57m 33s):Not practical. Yeah. It just seems like weird. So the play I did, I did the, the rope, which is like a Greek play. Never2 (57m 42s):Heard of it.1 (57m 43s):I wish you had done the rain anyway.7 (57m 48s):So she translated the play into a Kyogen style thing, which is a very specific Asian theater style play. Not only that, not only that, but like, I have always been openly unapologetically sort of who I am, which means, hello, I'm a homosexual and it's clear and I'm not like afraid of that as an actor or a person. So I played the, yeah, get ready. I played the, I don't want to call it like the evil sister, but I played like the villain in the play, which was like an older, which type woman in the play.7 (58m 40s):And that was supposed to be hilarious.1 (58m 48s):That's really where we're headed in the arts. I'm also saying the arts in the logs shit went down. Not that7 (58m 56s):Some weird shipments out. Yeah. So it's like thinking about that now you would like wants to like light all of Chicago on fire. Right? Correct. But at the time, this I guess was like, cool, cool. And inventive to make the one gay guy that you were Sure was gay play a woman Asian drag. Oh my gosh. The whole thing is like Asian themed rides. and the whole thing I don't, I can't say for sure, but I don't think1 (59m 39s):So. What the fuck?7 (59m 42s):So just a bunch of white people running around and kimonos speaking in a very like, you know, meter to style Asian thing. And I'm a woman also.2 (59m 53s):I wish we had a video. I really want to watch this play. I mean, just like for a snippet, because you know, when you think of yourself and how seriously you took a role when you were young and you and you, and you just in your mind's eye, even if there's no video and you just imagine, like, what does this actually look like? And that's always looks funny, no matter what or sad. If it's a comedy, it looks sad. And if it's True. So that was one. Did you have any roles that you liked?7 (1h 0m 29s):I mean, kind of, well, there was like a, a directing project that one of my friends did. It was like a Steve Martin one act. And I was like, yeah, right. Like it was like a legit play that was like funny and good. And I had like the lead and I was like, it was like us, like a straight man that I was playing. And I like felt excited because it felt like I was like reaching. I'm not reaching, but you know what I mean? You're like, oh, this is a play. I'm like, yeah. I was like, do a thing. And I like am working for this goal to do. And I felt like I was successful in it and it felt good.7 (1h 1m 9s):But like, that was probably the one, even in my thesis role, which was like, I was like a random chorus person in Threepenny opera, literally it's my third year. I'm like, Hmm. I have to write 30 pages now on yeah. That's, it's like that.1 (1h 1m 27s):The thing like that, I just, and maybe you guys could chime in. And in terms of the curriculum, there doesn't seem to be an actual curriculum for these programs. Like now that I'm teaching, I'm like, wait, what, what is the7 (1h 1m 42s):Tactical?1 (1h 1m 43s):And what is the piece of paper that you can point to, to say, this is the mission of these three years for these MFA actors. There is no plan. What is the plan? That's what I feel about a lot of this is, and it's still to this day in, in conservatories, what is the fucking plan? Because there doesn't seem to be one and there's not a plan. We shouldn't be charging dollars to these people. I just, I, it should be, then it should be camp, a freak out where we go when we, I don't know. Anyway. So2 (1h 2m 15s):I mean, honestly, like it's, it needs to be treated a little bit more like a school and pass fail, right?7 (1h 2m 23s):Yeah. Like the goal it's like, if you're a journalist, like, can you do these things? Can you write a bituaries? Can you write a news story? Can you do the, you know what I mean? So it's like, when I leave this place, am I going to be able to get a job? And I know that like, everyone's like, theater's like, oh gosh, you're never going to work or whatever, but that, it's just not true. It's like, everything is the same. There are basic skills. Do you have them,1 (1h 2m 50s):There are milestones to meet along the way. And if you, I mean, anyway, I it's just, the more we interview folks, the more I'm like, oh, this whole higher ed situation, fine arts needs a whole overhaul. I don't know what it's going to take, but we'll probably be extinct on the planet before it happened. So I just feel like maybe that's the way it's going to go and okay. But like, okay, so you graduate, you then are like, okay, I have this MFA. Then what happens to you7 (1h 3m 21s):By the end of the program? I was really like, I don't know. I feel like it kind of, it kind of broke me because things like that were happening, which in a way is like, I mean, at the time we didn't have the language for like, you know, playing an Asian woman in a play, like it's offensive. And it's like, not furthering me. It's racist. It's not furthering me as an actor. I'm not going to leave here and like run around and Komodo and place for the rest of my life. It just kind of broke me. And a lot of the, I would say some of the teachers, the whole situation just didn't make me feel good.7 (1h 4m 4s):So at the end, I was like, you know what, maybe? Hm. I don't know. I need, I needed a break from that whole world. I mean, I did audition for awhile, but the shortest while1 (1h 4m 21s):How short,7 (1h 4m 26s):Maybe it was a couple years1 (1h 4m 28s):Because we have Gina's trajectory and mine, mine too. Like I stopped after I stopped after three.7 (1h 4m 35s):Yeah. I was probably three years. Like slowly, just petered out. I mean, I got to the point where I'm like going. So I went on a few theater auditions in the beginning and then I had an agent and I would go on these, like on camera calls. And I would just be like, oh my God, I'm in this giant room with a hundred people that are dressed and look just like me. This is the most pressing thing. Like, I just was like, I can't, this isn't, this doesn't feel good either.2 (1h 5m 6s):I want to hear how eventually, how we get to storytelling. But before we do, I just, I didn't want to leave the whole Roosevelt thing without, I don't think I've really asked anybody this before, but you're not the first person who basically says to us, like, I'm gay. They didn't know what to do with me in theater school. Right.7 (1h 5m 30s):So2 (1h 5m 32s):I don't know if this is a question or a comment or what, or like just a prompt for discussion, but what is the barrier there? I mean, it seems like what you're saying about this role that you got cast, it's like, you're gay. So you'd like to wear drag. Is that what the thinking was?7 (1h 5m 47s):I don't know. For me, it's two things. It's like, there's the gay thing for sure. But also I'm funny. So if you're in a serious theater program, please understand I'm doing some heavy air quotes because every theater program thinks they're a serious theater program. They really do not know what to do with people who are fitting into the definition of serious. And so I think yes, there is like me, the stereotypical gay person or whatever, if I am so there's that person, but that's usually a funny person.7 (1h 6m 28s):And so then they don't like it totally. This is serious. We're doing real serious work here. How can this work?1 (1h 6m 38s):It makes that, that makes me, it makes sense. And it also makes me so angry, just Raging, also like fucking pick different motherfucking material. You've that fits your mother fucking class. You dumb fucks. That is what we're supposed to be doing is picking material that highlight our students and help them grow in a way and not the pick different place.7 (1h 7m 3s):Well, that's really where in that and the whole situation, I feel like that's, that's what sort of killed me is that there wasn't a place for me. No one cared to create one and you are, I already felt like I don't fit here. I don't belong. And so it's just like that slowly, just really like sinks in. So you've got that going on. You've got your there with 30 actors and it was kind of, honestly, it was sort of like easy to just like hide, you know, unless I'm being called to play the Asian lady on the play. So it's just like a kind of just was like, eh,1 (1h 7m 43s):Yeah, you gave up. But they gave up on at first.7 (1h 7m 48s):It is honestly,1 (1h 7m 50s):We give up when people give up on us first, especially as young people.2 (1h 7m 53s):That's true. That's true. So you're in audition rooms after school. You're, you're feeling like this is depressing. There's 5,000 mess and we all look the same. How, how did, how did you evolve from that to what you're currently doing, which I'm going to go on a limb and say is fulfilling to you artistically fulfilling to you what you're doing?7 (1h 8m 13s):I would say yes. Okay. How did that happen? I mean, after, you know, just deciding I'm not going to go on these calls anymore. I just, like, I was like, okay, then I'll, I'm working in a restaurant. So that's what I'm, I'm gonna work in. I work in restaurants now. That's what I do. And I did that for a while. And then I was just like, okay, but wow, this can't be it. Like, even if you, as an actor, like whatever level you achieve as an actor, I think there's always that part of you. Who's like, yeah, but like, can I talk somewhere?7 (1h 8m 54s):And people just like to listen to me or just let me tell, you know, just get really enthusiastic with storytelling at a party. Or like, whatever. I, I didn't know about the moth or a storytelling or any of that stuff. I really was just like this theater experience, grad school was so bad for me. And I'm too afraid to go to second city to do improv because I had sat through, you know, the first year of friends doing that. And I was like, well, I'm not doing this terrifying. So I thought, Hey, what if I get some actors together?7 (1h 9m 37s):And we will write monologues, which is how I thought of it at the beginning, it'll be like loosely based on a theme and we'll do a monologue show. I think I had just seen Nora Ephron's play love loss and what I wore. And so there's all these women on stage telling this like, story. And I was like, oh my God, I'm not a playwright. I can never like, make this happen necessarily. But like, if there are people on a stage and then they're just like one by one, like telling a story based on a theme, like, oh my gosh, this is revolutionary. I've just invented this whole new thing. So that is sort of where I started.1 (1h 10m 14s):When was that? I
Översättning: Lars Gustaf Andersson Uppläsning: Johan Gry DIKTSAMLING: De dövas republik (Ramus förlag, 2021)MUSIK Mason Bates: Fords farm EXEKUTÖR Hilary Hahn, violin och Cory Smythe, piano
It's common to see tech journalists make proclamations about how the internet has fundamentally changed the ways that we think, interact, and most importantly, argue with one another. It's also common to see them herald the arrival of a “new science” that promises to provide technical answers to all questions and solve all problems that come with the “disruptive” technologies that have “revolutionized” our world.But has the internet really caused such a drastic divergence from how we operate offline? And do we really need a “new science” for studying things like argument and disagreement, especially when already-established disciplines like rhetoric, philosophy, and the conspicuously named argumentation theory have been studying these topics for millenia?On today's episode, we offer a re:joinder to an infamous 2019 article in The Atlantic by Jesse Singal, entitled “The New Science of How to Argue--Constructively.” In the article, Singal profiles a man who claims to have invented a “new science of disagreement” - the Swedish blogger John Nerst, a self-proclaimed polymath who cut his teeth in the “Intellectual Dark Web”-adjacent, hyper-rationalist online blogosphere. Nerst's “new discipline,” which he calls “Erisology,” claims to have invented a series of tools to help people better navigate arguments and disagreements online. In reality, as we point out, Nerst has merely stumbled into concepts and theories that have been debated by theorists of logic and argumentation for centuries, such as stasis theory, ideographs, and “bracketing” social difference in public deliberations. The distinction, we find, is that Nerst's and Singal's vision of a new culture of disagreement is reliant on rationalist rules that belie an authoritarian social and political agenda. We also discuss how privileged men react when their ideas are challenged for the first time, Jesse Singal's beleaguered Twitter mentions, and what this article truly reveals about the nature of the internet: its power to elevate bloggers to the status of credentialed, peer-reviewed academics, as long as their ideas are laundered through online op-ed columnists.In the spirit of generosity, here is Nerst's follow-up blog explaining & defending his ideas: “A Defense of Erisology”Works and Concepts Cited in this Episode:re:blurb on Stasis Theoryre:blurb on IdeographsFahnestock, J., & Secor, M. (1988). The stases in scientific and literary argument. Written communication, 5(4), 427-443.Fraser, N. (1990). Rethinking the public sphere: A contribution to the critique of actually existing democracy. Social text, (25/26), 56-80.Habermas, J. (1991). The structural transformation of the public sphere: An inquiry into a category of bourgeois society. MIT press.Hohmann, H. (2001). Stasis. In T. O. Sloane (Ed.), Encyclopedia of Rhetoric (741-745). New York, NY: Oxford University Press.Hemington, G. (2019, 9 April). A guide for (the) perplexed philosophers: Jesse Singal and the rationalist subculture. Irrationally Speaking. https://irrationallyspeaking.home.blog/2019/04/09/a-guide-for-the-perplexed-philosophers-jesse-singal-and-the-rationalist-subculture/Mack, P. (2016). Ramus and Ramism: rhetoric and dialectic. In Ramus, Pedagogy and the Liberal Arts (pp. 23-40). Routledge.
Good morning, it's Thursday, March 18th and this is The Herald Review's podcast, the Daily Chirp. We're excited to bring you a closer look at top stories, events in the community, local history, sports, and more. Today - Legislators join groups promoting effort to decide future of wall Before we begin, some local history. In 1929 Nickolas George Ramus was born. Ramus was a Native American actor, best known for his appearances on television. He starred in the first Native American language film, 1980s Windwalker, and also appeared briefly in the film Star Trek IV: The Voyage Home and in the comedy film Love at Stake as Chief Wannatoka. Also, The Daily Chirp podcast is giving away 5 Amazon Echo Dots - one every month now through July. You can enter for your chance to win twice a day! Today's code is DUNK, and find the other codeword in our e-newsletter “The Morning Blend”. To enter the sweepstakes go to myheraldreview.com, again today's codeword is: DUNK. Now, our feature story. With the end of the moratorium to stop construction of the border wall, former U.S. officials and environmental and community activists want to know what Biden and the new Director of Homeland Security Alejandro Mayorkas have in mind. Arizona Reps. Raúl M. Grijalva and Anne Kirkpatrick along with six other U.S. representatives sent a letter to Biden applauding his decision to shut down construction. The letter stated “We urge you to meaningfully consult with border communities that have been impacted by the construction, including tribal members, and stakeholders. We ask that the DHS develop a meaningful environmental mitigation plan for the borderlands with local stakeholders,” They also asked Biden to cancel all construction contracts and not initiate any more construction activities. Instead, they request remaining funds be diverted to mitigate harms from the wall - like the destructive environmental damage and destruction of sacred sites. They point out the Trump administration which used executive privilege 29 times to waive 84 federal environmental, historical and cultural laws and countless state and local laws. Local and tribal communities had no say when the decision to build a wall along the southern border was made. The letter ends by stating that “Urgent action is necessary to address the damage” More details could come this week, so check in with us at myheraldreview.com for the latest updates. Thanks for listening, before we continue, a quick message from our sponsors, Prestige Family Living. Next, we'd like to highlight a community update. Brought to you by ApexNetwork Physical Therapy. Voted Best of Cochise County 2020, ApexNetwork provides exceptional care to the Sierra Vista and Benson communities. Choose ApexNetwork for all of your physical therapy needs. To learn more, go to ApexNetworkPT.com. A small shopping center, long a fixture in the city's West End, is no more. Crews reduced the four spaces at Fry Boulevard and Fab Avenue which once included a beloved barber shop and a bookstore to rubble. The city of Sierra Vista purchased the property — referred to as the “little red shopping center” and an adjacent vacant lot last fall for $230,000. City planners are hoping the area will be an extension of Sierra Vista's West End revitalization. Next, an upcoming event in our community that you should know about -- brought to you by our sponsors, Sulphur Springs Valley Electric Cooperative. This morning, head over to the Sierra Vista Farmers Market! It starts at 10am, and if you can't make it today don't worry - stop by on any Thursday all year long. Vendors include Ruth's Garden, Sky Island Brand Meats, Thunder Mountain Ranch, Simmons Honey Ranchito, The Lettuce Man, and Estrada Citrus! See you there! Finally, today we're remembering the life of Leo Charles Scherping of Hereford. Leo was born on September 11, 1937 in Houghton Lake Heights, Michigan. Leo is a veteran of Vietnam, and retired after a 30 year career in the Army. For six years he was selected to serve in the White House Communications Agency providing communications for the President and Vice President of the United States. After his military retirement, he spent six years with the Defense Information Systems Agency at Fort Huachuca. He was active in the local flying community as a private pilot and FAA certificated A&P Mechanic. Leo loved flying with the Young Eagles and giving his time to help foster interest in general aviation. As an officer in the EAA Chapter 776, he also served as the technical advisor to Homebuilt Aircraft builders. Leo enjoyed spending time with his Friday Lunch Bunch talking about aviation. Leo accepted Jesus Christ as his Lord and Savior while in Vietnam and continued his growth in the Body of Christ throughout his life. Leo's faith in God sustained and comforted him until the end. He will be greatly missed. Thank you for taking a moment with us today to remember and celebrate Leo's life. Thanks for tuning in to the Herald Review podcast today, join us again on Friday! And remember, the Herald Review is here for you with local news you can trust. For more information on any of the stories you heard about today, visit us at myheraldreview.com. Right now you can become a member starting at just $1.99 per week. Want to stay up to date on what's going on? Join NABUR Support the show: https://www.myheraldreview.com/site/forms/subscription_services/ See omnystudio.com/listener for privacy information.
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