Podcasts about Alesis

This week Craig and Nick sit down with Bryce Yates and talk about: American Bandstand, Middleton Irish Whiskey, Guitars, Keyboard, Drums, Alesis, Roland, Poetry, Surfer Kids, Orange County, and much much more.

50 discos nos han emocionado, sorprendido o enamorado este 2024. 50 elegidos de entre muchísimos para que no se te pasen por alto. Aquí tienes los 15 primeros. Playlist:Charli xcx - Sympathy is a knife ('BRAT')Magdalena Bay - Death & Romance ('Imaginal Disk')Empress Of - Lorelei ('For Your Consideration')The Marías - Echo ('Submarine')Yaya Bey - all around Los Angeles ('Ten Fold')Dehd - Light On ('Poetry')Mk. gee - Alesis ('Two Star & The Dream Police')Kim Deal - Are You Mine? ('Nobody Loves You More')Kate Bollinger - To Your Own Devices ('Songs From A Thousand Frames Of Mind ')Jessica Pratt - The Last Year ('Here in the Pitch')Vegyn, Lauren Auder - Halo Flip ('The Road To Hell Is Paved With Good Intentions')The Cure - I Can Never Say Goodbye ('Songs Of A Lost World')Nick Cave & The Bad Seeds - Wild God ('Wild God')Bill Ryder-Jone - This Can't Go On ('Iechyd-Da')Escuchar audio

Peligro! nos adelantan "WTF", una de las canciones de su próximo disco que plantea el hastío ante las nefastas decisiones de los políticos, es una crítica a la desigualdad de la riqueza y una invitación a no quedarse de brazos cruzados con un envoltorio que mira a Foo Fighers, Rage Against The Machine o Biffy Clyro. Escuchamos "Me and the dog", de Sam Fender para su nueva entrega, a La Bien Querida con una canción preciosa y de amor dedicada a su hija de 12 años y a Mk Gee con "Alesis". SAM FENDER - Me And The DogDAN MILLSON - Saint PeterLA BIEN QUERIDA - Una EstrellaBRIAN NASTY - I have Nothing More To Tell YouMK.GEE - AlesisXIMENA SARIÑANA - Chispa RojaNILÜFER YANYA - Mutations (Empress of Remix)SALUTE ft JESSIE WARE - Heaven In Your ArmsVEINTINUO - Perder los ModalesANABEL LEE - Ven a JugarPELIGRO! - WTFCAROLINA DURANTE - Joderse la VidaLA LA LOVE YOU ft ÁLVARO DE LUNA - El Hombre del TiempoKIM DEAL- Crystal BreathDRIIVE - The World Is YoursTHE LEMON TWIGS - How Can I Love Her MoreEscuchar audio

Monitoring vine nutrition is critical for pest and water stress resilience and the efficient production of quality grapes. Jenny Garley, Chief Science Officer at NEWAGE Laboratories discusses the differences between SAP analysis and tissue tests. SAP measures real time nutrient availability in vascular tissue. While tissue tests look at the nutrients stored in the leaf; some maybe available but most are not. Learn how SAP analysis can improve your nutrient management program, from reducing nitrogen inputs to managing trace elements for optimal plant nutrition. Resources:         115: Examining Plant Nutrient Mobility with SAP Analysis Grape growers turn to sap sampling to monitor crop NEWAGE Laboratories – SAP Analysis The Difference Between Leaf Tissue and Sap Analyses The Grower's Guide to Plant Sap Analysis Vineyard Team Programs: Juan Nevarez Memorial Scholarship - Donate SIP Certified – Show your care for the people and planet   Sustainable Ag Expo – The premiere winegrowing event of the year Sustainable Winegrowing On-Demand (Western SARE) – Learn at your own pace Vineyard Team – Become a Member Get More Subscribe wherever you listen so you never miss an episode on the latest science and research with the Sustainable Winegrowing Podcast. Since 1994, Vineyard Team has been your resource for workshops and field demonstrations, research, and events dedicated to the stewardship of our natural resources. Learn more at www.vineyardteam.org.   Transcript [00:00:00] Beth Vukmanic: Monitoring grape vine nutrition is critical for pest and water, stress resilliance and the efficient production of quality grapes. Welcome to sustainable. Winegrowing with the vineyard team. Where we bring. You the latest in science of research for the wine industry. [00:00:19] I'm Beth Vukmanic executive director. Since 1994 vineyard team has brought you the latest science-based practices. Experts growers and wine industry tools. Through both. In-field. And online education so that you can grow your business. Please. Raise a glass with us as we cheers to 30 years. [00:00:38] In today's podcast Craig Macmillan, critical resource manager at Niner wine estates with a long time. Sip certified vineyard and the first ever set certified winery speaks. Speaks with Jenny Garley chief science officer at new age. Laboratories. She discusses the differences between SAP analysis. Alesis and tissue testing. SAP measures real. Time, nutrient availability in the vascular tissue. While. Tissue tests. Look at nutrients stored in the leaf. Some may be available, but most are not. Learn how SAP. Analysis can improve your nutrient management program from reducing nitrogen inputs to managing trace elements for optimal plant. Nutrition. [00:01:21] Do you want to be more connected with the viticulture industry, but don't know where to start. Become. I'm a member of the vineyard team. Get access to the latest science-based. Practices experts, growers and wine industry tools through both in-field and online education so that you can grow your business. Visit vineyard team.org. And choose grower or business. Business. [00:01:43] To join the. Community of sustainable wine growers today now let's listen in [00:01:47] Craig Macmillan: our guest today is Jenny Garley. She is chief science officer at New Age Laboratories. And today we're going to talk about plant sap analysis and the idea of nitrogen conversion efficiency percentage. Welcome to the podcast, Jenny. [00:02:09] Jenny Garley: Thank you. Actually, thank you for having me back in your team. It's always lovely to speak with you guys and be a part of this. [00:02:19] Craig Macmillan: Yeah, we're glad you could come back. This is really great. I've heard about sap analysis in the past, a long time ago, and didn't really know anything about it because I was a dinosaur and when I was farming, I just did what I'd always done, what people told me to do, basically. That is, monitoring the nutritional status of vines is critical, obviously, for making fertilizer decisions, but also for making sure that they're happy and healthy. [00:02:39] You know, a vine that's in good balance is going to be resilient, going to tolerate different kinds of stresses, as well as basically be efficient. You know, it's going to produce a crop successfully. And with sustainability in mind in particular, our fertilizer decisions need to be directed. Now, traditionally, um, growers have used leaf tissue analysis of leaves and petioles, usually in the spring or at brazen. [00:03:03] Leaf sap analysis is another way of monitoring plant nutritional status. It's a very, very different way of going about it. What is the difference between the two methods? [00:03:10] Jenny Garley: I'm really glad you asked, because everybody asks this question, and it's very, very important, actually. Even though people use SAP and tissue sampling interchangeably, they are actually quite different from one another. So SAP measures the nutrient availability of the nutrients flowing in the vascular tissue, which is It's basically the xylem and phloem. [00:03:34] It provides a real time analysis of the nutrients that are available in the plant. And that is really one of the most important takeaways between sap and tissue, because tissue looks at the nutrients that are in the brick and mortar of the leaf that have gone into the leaf. Formation and development, the total nutrients, both available but mostly unavailable. [00:04:04] So those are huge differences there. Other differences is that tissue is taken from a singular aged leaf, just one. And then it's placed in a paper bag because that sample needs to be dehydrated. And then it needs to be ground, and then it needs to be ashed, and then it uses strong acid to form that analysis. [00:04:31] For SAP analysis, they only use linear pressure. No heat, no acid, no dehydration. Sap analysis, you need to sample a new yet fully developed leaf and an older yet functional leaf. And that is two points. And when you measure two points on a vine, that can give you mobility. And that is the second, uh, large difference between sap and tissue, is that one, sap gives you mobility. [00:05:04] And that it gives you available nutrients. Tissue gives you total nutrients from a singular age leaf. The way the analysis is done, there's heat, there's grinding, there's ash, and there's acid. What you lose in that is you lose, amongst many things, is sugar. No mobility. [00:05:27] Craig Macmillan: And when you're talking about BRICs, you're talking about carbohydrates that are in the SAP. So there's things that you can learn using SAP analysis that you wouldn't be able to learn using traditional, um, tissue analysis. [00:05:36] Jenny Garley: We're talking about leaf bricks, which is carbohydrates and soluble nutrients. When we're talking about bricks of the berry, of the grape, that's almost all sugar and quite different than a leaf brick. Thanks for bringing that up. [00:05:50] Craig Macmillan: So there's advantages then, because of the information that you get. What are the differences in terms of how you might interpret results from one to the other? Where, what I'm getting at is, let's say I've been doing traditional tissue analysis for, you know, ever. And then I go, yeah, the SAP analysis thing sounds pretty cool. [00:06:08] Am I just starting over? Is there any way I can connect the dots between the past and the present and make predictions about the future? [00:06:16] Jenny Garley: That's a good question. And we have people trying to do that all the time. Again, tissue is total nutrient analysis available and unavailable. SAP is what is available right now. So. Taking both tests, a lot of people do that, being able to equate them, that is different, they both give you different answers. [00:06:41] I wouldn't say starting over, I would just say giving more information, giving you another layer, a deeper understanding. Is how I would, I would put that I would just say you can only go so far with tissue and would you like to have a deeper understanding? Would you like to try to cut back on nitrogen? [00:07:03] Are you thinking that there could potentially be? An excess of nitrogen somewhere in your fertilizer program. SAP analysis can help you with that just as much as it can help you look at hidden hungers and or deficiencies. So if you want to talk about interpretation of SAP, we'll keep with the example of nitrogen since that's, um, the topic a lot. [00:07:28] Of today, nitrogen is highly flow mobile, and so when you see a physical deficiency on the vine, that means there's in nitrogen, that means there's been a prolonged nitrogen deficiency, and you see that yellowing in the older leaves, which is due to decreased chlorophyll synthesis. SOP analysis, taken early, can help you see those deficiencies in the report long before a physical symptom occurs. [00:08:01] Gives you time. SOP analysis gives you time. Some time, so the reason why SAP analysis can show you that is because again, we take a new yet fully functional leaf and an old yet viable leaf. So on a SAP report, when there is higher amounts of nitrogen in the new leaf as compared to the older leaf. That means those vines are trying to meet the greater demand in the new leaf. [00:08:30] They're not being given enough nitrogen, or they're not being able to take it up. So they're having to strip it out of the older leaves to meet that demand. And when that nitrogen moves out of the old leaf to the new leaf, that triggers a deficiency. That you can see on a report many times before that older leaves turn yellow. [00:08:53] Craig Macmillan: Which reminds me of something is the, what is the best timing to take samples for SAP analysis? [00:08:59] Jenny Garley: Again, great question. A lot of people like to think of sap, again, like tissue. And so they want to take just one or two samples. But sap is movement. It's flowing. It's nutrient uptake. Therefore, sap analysis is really made To be taken throughout the season and if you want a minimum amount if you're going to graph the nutrients over a season and really trying to Say cut back on nitrogen or say potassium. [00:09:33] You're going to need to have to graph that three points is the minimal amount of Data that you need to create a graph. So the minimum would be three I really like to say five. You can always cut back When the starting point usually for somebody that has never been involved in self analysis before would be a new leaf only. [00:09:59] And the reason I say that, you won't be able to see mobility, you will be able to see. cation and anion imbalances. And if you have a field with historical differences, um, than, than your other, than your other vineyards or problem areas, I highly recommend taking that about fifth leaf down on a brand new, in, in the springtime. [00:10:24] Because if you have a problem that you're trying to look at, Fighting it early is really the only thing that you can do. Waiting all the way until flower many times is, is too late to try to fight a deficiency and especially a toxicity. Really difficult to take the nutrients out of the plant. [00:10:46] Craig Macmillan: On the other end of the, uh, shoot, shall we say. The last fully functioning leaf, without like a Li Cor device or something like that, how can I pick which one of these older leaves is still really a functional leaf? And by that, do you mean in its full photosynthetic capacity? Because you've got what, it's about what, 40 days? [00:11:09] Um, is where the peak is? Something like that? Is it, are there visual signs? Is there something textural about it? Is there color about it that I can go, oh, I need to go five leaves up, or? Four leaves up, or whatever. [00:11:21] Jenny Garley: We provide pictures and protocols for taking a sap analysis, especially for vines. We have a beautiful picture of a vineyard, a vine, and where to take your new and your old leaf. Many times those older leaves are thicker. They're definitely darker in color than the new leaf, but we don't want to have a lot of crunchy edges. [00:11:45] And the reason I say that is because sap analysis, again, is a liquid, and if you send in leaves or somebody sends in leaves that looks like they've been raked up off the ground, that's essentially going to be a tissue test, not a sap analysis. That would be considered dead weight. We need about 90 to 100 grams per sample. [00:12:11] And if you. sent in a sample with a whole bunch of yellowing, crunchy leaves. That weight doesn't matter because we won't be able to extract any volume from it. So you'll need to go one to two up. That's why we say oldest yet viable leaf. We like to have some moisture in there. We need to be able to extract, um, a volume of sap from the vascular bundles. [00:12:40] So in a vineyard on a. Absolutely brand new, very healthy vineyard that the old yet viable leaf could be the oldest leaf, but on an older vineyard, maybe diseased, fighting something, having trouble taking up nutrients, maybe have some root issues, that oldest viable leaf might be the third up from the oldest leaf. [00:13:07] Because we do need a viable green leaf with moisture in it. [00:13:15] Craig Macmillan: Yeah, I'm kind of thinking about, um, the directions are good, and you have, uh, some resources to help. I'm also now thinking about, like, just touching, squeezing, breaking some of those older leaves. You can pop them off real easy. There's already an incision started, and you squeeze it, and there's nothing there. [00:13:29] And then other ones you can take, and they're nice and green, and you can rub them in your hands, and your hands turn green. You know, and you go, okay, that's probably the one that's gonna work. It's easy enough to do. So we're talking about nitrogen, but also you mentioned something else that made me think of something, and that is, what about other nutrients, including like, micronutrients? [00:13:44] Do those show up in SAP analysis, or is this just for nitrogen? [00:13:48] Jenny Garley: Absolutely. We have a whole trace element. area on a report. It goes in alphabetical order from aluminum, which is actually toxic. It's a heavy metal. We do provide that analysis for you going all the way down to zinc. The majority of trace elements are semi mobile to non mobile except molybdenum and nickel. [00:14:15] Those are mobile, but they're in very, very, very, very small quantities. So reading those on a SAP analysis is reading the parts per million. And not necessarily comparing the new to the old. [00:14:29] Craig Macmillan: So I can use this to make micronutrient decisions. You know, traditionally we take, um, Petio samples around Bloom set and then make decisions for applying some micros a month or so later, which has always been interesting to me because they need the micros earlier than that, but that's always been the way that was like, you just can't, well, okay, let's put it on there and hope for, hope for some, something next year, but that's the way we've always done it, it seems like we're kind of hoping that there'll be something there next year. [00:14:53] Now, SAP analysis, you had mentioned you can do quite early. So might I be able to do SAP analysis well before Bloom? Like you mentioned, like maybe once I have four leaves and I'm still in the elongation stage, the cluster, and get my readings and be able to make my micro decisions a little earlier. [00:15:10] Jenny Garley: Absolutely. Absolutely. And what you brought up is taking a traditional tissue test later after flower or even the veraison. You're right. You've missed the whole entire window of applying trace elements. Because trace elements, are so needed for photosynthesis and the plant really, really needs to photosynthesize, especially very early on to create energy for the vine, especially when they're trying to actually create leaves on that vine. [00:15:41] Trace elements are needed. Trace elements needed for enzymatic Actions and functions in the plant. And they're also basically there to help the macronutrients work better. All of those things need to happen very early on in the, in the plant. So yes, using SAP analysis to see how and if micronutrients are being taken up into the plant early on is vital in my opinion, [00:16:10] Craig Macmillan: That makes sense. Your lab has an interesting way of reporting Nitrogen because it takes different forms and you will see that in Tissue reports, but you have a whole different way of kind of expressing and interpreting them That's the nitrogen conversion efficiency percentage the nice percentage. I believe that's what you call it Tell us more about that. [00:16:32] I think I think it's an interesting concept [00:16:34] Jenny Garley: I have been talking about this for years and was doing the math for individual clients and companies. And I thought, you know, we should just put this on our report. Most people start on their SAP analysis path with nitrogen. There's a lot of interest in that. On a SAP analysis report, the lower the measurable N in nitrate and N in ammonium. [00:17:04] means that the plant taking up and converting the majority of nitrate and ammonium into amino acids and proteins. If there is high measurable nitrate or ammonium, the plant is having a conversion problem. And when the plant has a conversion problem, Before a grower goes and tries to add more nitrogen, they may want to figure out why their plants are unable to convert the nitrogen that the plants were already being given. [00:17:37] It's very, very important when sap analysis samples are taken that they are put in a cooler because in tissue, there's heat and grinding, which makes ammonium and nitrate volatilize. Which is why sap samples need to be kept cool in order for our NICE number to be the best it can be, to give the very best data. [00:18:06] When leaves get warm, you can no longer measure. Nitrate and ammonium. So, keeping those leaves cool and following those protocols, and I know I bring this up during nitrogen conversion, but you really do need to have cool leaves in order to have very, very good nitrate and ammonium numbers so that we can compare it to total N and give good, informative, nice percents. [00:18:32] Craig Macmillan: If I'm seeing and if I'm understanding this correctly if I have high Ammonium high nitrate that means we were not converting nitrogen into the forms that the plant needs, in terms of proteins, amino acids, things like that. Are there recommendations or practices or things that I might think about doing to influence that? [00:18:54] Jenny Garley: The first one, if the NICE number, the Nitrogen Conversion Efficiency percent, is low. So, low for grapes would be under 90. Grapes are actually fairly good at converting. If you were to look at corn or another crop, corn is actually very inefficient at converting. So, when we're talking about grapes, The nitrogen conversion efficiency percent really should be around 90 or above. [00:19:20] If it's not, and you're falling into the 80s, even getting into the 70s, the first thing I would look at is your total N, and is it excessive? If it's excessive, stop right there. Stop sign. Because the plants can only convert so much nitrogen in a 24 hour period, and if the plants are being overfed, that is number one on the list to Stop doing that practice because it's, it's creating poor conversion. [00:19:49] So that right there costs no more money for fertilizer. Just actually stop putting on nitrogen. And I would take another stop sample, get your report and see if. The new and the old leaves are actually, uh, very close together, very balanced. Because if you have a lot more nitrogen in that older leaf, that could be the problem for your nitrogen conversion right there. [00:20:14] Step two would be looking at your macronutrients that are involved. That would be sulfur, that would be magnesium. One people forget a lot is phosphorus. Phosphorus creates ATP. If you're putting a lot of nitrate in, your plants actually need more energy to convert nitrate into amino acids and proteins. [00:20:36] So that's another one to look at. The nitrogen conversion efficiency process actually means water. So looking at your water levels and are the vines getting enough water actually comes into play. One nutrient that people don't talk about a lot is calcium. Calcium is actually the master communicator nutrient, and so if calcium is quite low, the plant is having a hard time communicating for its needs, um, especially for nitrogen conversion. [00:21:10] And then going into your trace elements. Zinc, manganese, moly, copper, iron, those are all nutrients that are needed for good nitrogen conversion. [00:21:22] Craig Macmillan: So this would influence maybe my formulations, my choices. Sounds like my timing also might be influenced. [00:21:30] Jenny Garley: Yeah. Nitrogen conversion is very influential on other nutrient application timings. If you're because of the way some people have very large vineyards and they're not able to spoon feed nitrogen as much as they would want. So understanding what type of nitrogen they're putting out and putting other fertilizer that could help convert is, is huge. [00:21:55] Craig Macmillan: Which actually touches on another idea of talking about timing. I don't hear people talking about in season fertilization that much. Usually that's an end of season thing, and I think the philosophy is the plant's going to pull that up as it goes dormant, and it's in storage there in the trunk, ready to go for the spring, and then the plant will take it from there. [00:22:16] Obviously there's a big nitrogen demand during the growing season, SAP analysis would help you identify whether that demand is being met, or whether it is too great, or whatever. So this would be a way of fine tuning your fertilization program, potentially with a little spoon feeding in the middle of the season. [00:22:34] Does that make sense? [00:22:36] Jenny Garley: Oh yeah, that makes sense. Again, taking that SAP analysis as early as possible to really see, are you going deficient early on? You really don't want to go deficient early on in the season, especially if The majority of your nitrogen applications are in the ball. And how can you help the conversion if you are getting enough nitrogen but the vines aren't converting it very well. [00:23:02] So that really looks at dollars at that point. If you want to look at conversion, if you get down to the 70 percent mark, it means every dollar of nitrogen you're putting out, the plants are using 70 cents. So if you would like to make that 80 cents or 90 cents and actually try to pull back on your nitrogen, In order to do that, the plants have to become very, very efficient at the nitrogen they are being given. [00:23:27] And then people are really starting to be able to cut back on their nitrogen when their efficiency gets very good. And that's when people start pulling back 10 to 15, even 20, 30 percent, when they consistently have nitrogen conversion efficiency in the 90 percent. [00:23:46] Craig Macmillan: And it sounds like that's, um, influenced by some of these other micronutrients, um, like calcium, for instance, and phosphorus for the production of the ATP. Do you have some examples of clients that you've worked with that have adopted this technique and some of the changes they might have made? [00:24:02] Jenny Garley: The majority of people that start with SAP want to look at their nitrogen efficiency. They are somewhere in the middle of trying to make a decision on cutting back. And so I highly suggest, if that's where you are or somebody in the industry is looking, to take as many samples as you can for the first season and graph it out. [00:24:26] And you can see where the vines are taking up the most amount of nitrogen and where they actually start pushing it down to the older leaf. And right when they start pushing it down to the older leaf, that's a trigger for somebody that can make a management decision of, we add nitrogen and the plant is pushing it down to the, Older leaf, first of all, then vines aren't using it anymore. [00:24:51] Secondly, that's throwing away money because the plant is not using it. It's storing it. If you are going to use that nitrogen when the leaves. fall and try to incorporate that into the soil, great. But if you're going to prune it off, that, those are the decisions that you can make from that, that type of scenario. [00:25:15] Some folks are looking at, um, using this when they have high nitrates in their irrigation water, which is really problematic. And how to utilize the nitrogen that they already have during irrigation to convert it into amino acids and proteins so it doesn't affect fruit quality. That's another avenue that people have. [00:25:38] They already have the nitrogen there, they just need to convert it, they just need to utilize it. [00:25:42] Craig Macmillan: That's interesting. Yeah, I hadn't really thought about it that way, but that's true. What would be the one thing that you would tell a grape grower regarding this topic, in terms of the benefits of sap analysis or tissue analysis, or around managing your nitrogen and measuring what the conversion rate is? [00:25:58] What's the one piece of advice or one takeaway you would give a grower? [00:26:02] Jenny Garley: A lot of grape growers, wine grape growers, I talk to have a lot of vine stress. And if that's the case and you're using sap analysis to try to mitigate that, then you actually do need to look at your aluminum. And very few people do because when high amounts of aluminum are taking up, there is a stress. [00:26:23] Trying to mitigate that and looking at sap analysis And trying to see when that stress occurs. So, when your aluminum starts to go over one part per million, the vine can be starting into a stress. And sap analysis can see that early. Anything lower than a part per million, I call that background aluminum, because aluminum is in every single soil. [00:26:47] You're not going to get away from it. It's there naturally. So, When you're starting to see stress, then you need to look at other parameters such as E. C. electrical conductivity. A lot of people don't look at that either, but when elect electrical conductivity gets very high, the roots could actually be burning. [00:27:06] And that's not really a nutrient source. situation that is a watering situation that is a high salt index fertilizer situation. Those are things that can be seen in a SAP analysis early on and decisions can be made to try to mitigate stress and keep our vines happy and healthy longer. [00:27:28] Craig Macmillan: That is great advice. I just want to thank you for coming back. This is really great. And thanks for sharing your work, your insights. Our guest today has been Jenny Garley. She is Chief Science Officer at New Age Laboratories. Thanks for being on the podcast. This is really fun. [00:27:44] Jenny Garley: It was fun. I enjoyed. Thank you. It is. It is. [00:27:51] Craig Macmillan: That's what we're all about. Oh, and where can people find out more about you? And [00:27:55] Jenny Garley: on LinkedIn quite a bit. Jenny Garley. Uh, I also have my first article that I wrote in the Progressive Crop Consultant magazine, the January, February issue. And that is the difference between leaf tissue and sap analysis. And then, of course, New Age Laboratories, our website. [00:28:17] Beth Vukmanic: Thank you for listening. Today's podcast was brought to you by . Guillaume, grapevine nursery. Looking for top tier vines, Guillaume greapvine nursery pioneers in the nursery business since 1895 and serving Northern California since 2006 offers premium selections backed by generations of French expertise, providing the best genetic material for healthier growth and superior fruit to quality. Elevate your wine. With certified plants, you can trust. [00:28:52] Make sure you check out the show notes for links to Jenny Her article this this year and her previous interview on the sustainable wine growing pods. Podcast 115 examining plant nutrient mobility. With SAP analysis. If you like this show, do us a big favor by. By sharing it with a friend. Subscribing and leaving us a review. You can find all of the podcasts at vineyardteam.org/podcast. And you can reach us at podcast@vineyardteam.Org. Until next time, this is sustainable Winegrowing but the vineyard team.   Nearly perfect transcription by Descript

“Less of setup and more of a fed-up.” In this episode, Luke flies solo and fills the listeners in on his time away. He discusses Spotify daylists, back injuries and post-religious peace of mind. All this while playing some amazing new songs from incredible artists. Plus, he shares the music he's been loving and the #NewMusicFriday releases he's looking forward to. Songs Played In This Episode: Mk.gee - Alesis from Two Star & The Dream Police out now on R&R Digital Hippo Campus - Prayer Man from Flood out now on Psychic Hotline Photo Credits: Mk.gee courtesy of the artist Hippo Campus by Brit O'Brien Listen to our Best Song Ever Official Playlist. Presented by Planet Ant Podcasts (planetant.com) & Offshelf (offshelf.net)

Charlotte Day Wilson acaba de publicar el EP 'Live at Maida Vale' con tres pistas de su último álbum reelaboradas en vivo en los icónicos estudios de Londres. Los temas de 'Cyan Blue' se despojan de todo adorno para rendirse a una Charlotte Day Wilson sentada al piano que brilla en la belleza, la intimidad y la fuerza de su voz. Playlist:Kate Bollinger - To Your Own DevicesJessica Pratt - Get Your Head OutCharlotte Day Wilson - I Don't Love You (Live at Maida Vale)BADBADNOTGOOD - Best Left UnsolvedEzra Collective, M.anifest, Moonchild Sanelly - Streets is CallingJamie xx, Kelsey Lu, John Glacier, Panda Bear - DafodilIbibio Sound Machine - Honey BeeFcuckers - UMPACoco & Clair Clair - MartiniSlowdive - Kisses (Daniel Avery Remix)Kelly Lee Owens - HigherFour Tet, Ellie Goulding - In My DreamsDesire - I KnowOkay Kaya - Check Your FaceMk. gee - AlesisEscuchar audio

Sobran las palabras para describir que es Radio Curie: Música y más música escogida selectamente por eclectic_club. El programa se emite quincenalmente en iPop a las 20 horas. Han sonado: 1) Beth Gibbons - Floating On A Moment 2) A. Savage - Black Holes, the Stars and You 3) pencil - The Window 4) Amen Dunes - Purple Land 5) Verde Prato; BRONQUIO - Maite, Nauzu Zeharkatu 6) Superdestroyer; Pink Navel - ▣ Outer Space Disco Lemonade 7) Craig Wedren - Pronouns 8) Mk.gee - Alesis 9) This Is The Kit - Sensations in the Dark 10) Porcine - Stop The World 11) Dancer - Change 12) The Lemon Twigs - They Don't Know How To Fall In Place 13) Pylon Reenactment Society - Flowers Everywhere 14) Mannequin Pussy - Nothing Like 15) The Fauns - Mixtape Days 16) Lee "Scratch" Perry; Shaun Ryder - Green Banana 17) Little Simz - Mood Swings 18) Jlin - Auset 19) Bodysync; Ryan Hemsworth; Giraffage - Birds

Join me as we explore what seven years of podcasting has taught me about getting started, gear, monetizing and more. Featured Event: Self Reliance Festival: https://selfreliancefestival.com/?aff=nicolesauce Sponsor 1: The Wealthsteading Podcast: https://bit.ly/3oPLTmr Sponsor 2: Senior Chief Electric: https://bit.ly/3MKKbuu Livestream Schedule: Tuesday, 9:30M CT, Live with Jack Spirko and John Willis Thursday, 7AM CT, Self Reliance Festival Livestream Friday, 10:30AM CT, Homestead Happenings Tales from the Prepper Pantry Moved and inventoried last year's canned goods Herb Garden Pick Me Up Tea 21 jars of green beans are put up for 2023/24 Beets did poorly this year :( Got to use the All American Canner that was gifted to me last fall and LOVED IT. Will be selling the Presto Canners I have (⅔) Wednesday at 5pm CT, Preserve It! Overview and  Waterbath Canning: https://nicolesauce.podia.com/waterbath-canning Frugality Tip: Cherry Pitter DIY Quick, inexpensive, easy way to pit cherries!   Operation Independence “Fast” food $50 Travel Spend Main topic of the Show: Lessons from 7 Years of Podcasting From Micah How about podcasting? Equipment, guest form, interview tips, how it fits in with a business, how it incorporates with other areas of life, etc. Software, workflow Podcast lessons: The how it happens matters less than the actual happening Consistency and predictability Developing categories or segments helps keep focus (Also scripting vs outlines vs winging it) Committing to a co host can get you in trouble Streamlining the process: The Guest Form (From Jack Spirko) Audio Editing for Mistakes Prepopulating the website and social posts, etc. Community, Network, Keeping Things Growing The Money: webinars, books, events, coffee, podcasting 2.0 and fountain, social capital how it fits in with a business, how it incorporates with other areas of life, etc. Successful Interviewing: (Research, Do not be afraid to ask, have things you can bring up ready to go if things lag. Only interview people you think are interesting, THE FORM) Ok, I will talk about gear and software: Scarlett solo box, Rhode NT 1, Alesis studio mixing set, Lighting, Garage Band, Levelator, iMovie, Canva – other options!!! It doesn't matter - just start recording, create your rss feed, and register on itunes – from there you will find other places that require registration or adjustment and add them as people complain that you are not on one platform or another. Make it a great week! GUYS! Don't forget about the cookbook, Cook With What You Have by Nicole Sauce and Mama Sauce.  Community Follow me on Nostr: npub1u2vu695j5wfnxsxpwpth2jnzwxx5fat7vc63eth07dez9arnrezsdeafsv Mewe Group: https://mewe.com/join/lftn Telegram Group: https://t.me/LFTNGroup Odysee: https://odysee.com/$/invite/@livingfree:b Resources Membership Sign Up Holler Roast Coffee Harvest Right Affiliate Link

Jesus Joy Johann Sebastian Bach Natalia en Alesis

Du willst gern, dass noch mehr Leute diesen Podcast hören? Schick mir eine Email mit deiner Adresse und ich schicke dir Flyer, die du überall auslegen kannst, wo du denkst, dass es Sinn ergibt. Email an: felix@einfachschlagzeug.de Yeah!!! Der Tex ist wieder da und diesmal in geballter doppelter Wucht in Form einer Tex-Talk-Doppelfolge. Freut euch darauf. Und darum geht es: In der ersten Folge (der Jubiläumsfolge 10) besprechen wir mal ausführlich das Thema Hybrid-Drums. Davon wird auch immer wieder hier im Trommel-Talk gesprochen und eine Hörerin fragte zu Recht: Was ist das eigentlich genau? Dass es irgendwas mit E-Drums zu tun hat, ist evtl bekannt. Wie das aber genau geht und wie man Live den im Studio gebastelten Snare-Sound mitnehmen kann, das erfahrt ihr in dieser Folge. In der zweiten Folge sprechen wir endlich mal über ein Thema, das mich schon seit Jahren beschäftigt. Und zwar ist das meine Bass-Drum, die geht nämlich bei jedem Gig wandern... Vor allem, wenn ich auf einem Podest platziert bin, steigt mit jedem Bass-Drum Kick meine Angst, dass selbige mit einem lauten "Rumms" den Abgang macht. Ob das Festbinden der Bass-Drum an den Drumhocker immer noch die optimale Lösung ist, oder was Tex sonst vorschlägt, das erfährst du natürlich im Trommel-Talk - ähhh- Tex-Talk! Ich wünsche euch viel Spaß mit dieser Folge! Folgende Sachen habe n wir in der Folge angesprochen: Mein Guilty Pleasure: Verstehen Sie Spass - Hier die Folge mit Nico: https://youtu.be/faveV0C88Rw Infos zu dem Alesis strike Pad, Roland SPD-SX und dem Yamaha DTX- Multi-Pad, sowie die Anker von JK Drums und die nützlichen Markierer für den Teppich von Meinl 8nicht Tama) findet ihr hier: https://thmn.to/thocf/z7w68nt3np Mehr von JK Drum System gibt es dann noch hier: https://www.jkdrumsystems.com/en/ die Folge zum Thema Backing Tracks gibt es hier: https://open.spotify.com/episode/6gyeZh49Hb57tCEepaINyO?si=14c171f354e74378 Und die Folge mit Pommes zum Thema Bass-Drum gibt es hier: https://open.spotify.com/episode/1stwuuL6nkenKefJ7mVud5?si=144033c108c3455d Wer noch nicht genau weiß, wer Tex ist und was man so als Drum Tech macht, der hört am besten mal hier rein: https://open.spotify.com/episode/0nxsq5FHwOAKM6C055bouW?si=c220ecd0af46421f Ihr wollt 10€ beim Einkauf bei Drum Candy sparen: Mit dem Rabattcode trommeltalkcandy ist das kein Problem Jetzt unter https://www.drumcandy.de/ nachschauen, aussuchen und bestellen! Viel Spaß! Und wenn ihr eine Frage habt, schickt mir die am besten per Mail unter felix@einfachschlagzeug.de Und auch Tex freut sich immer über Fragen via Instagram @thedrumtex Außerdem freu ich mich, wenn du auf der Seite von eicnfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Timecodes: 0:02:56 - Verstehen sie Spaß? 0:04:32 - Hybrid Drums 0:07:13 - Hybrid, wie geht das? 0:17:33 - Drumpads 0:25:17 - MischMasch 0:30:24 - Episode 2 0:33:48 - Es rutscht

Vi ger oss tillbaks i tiden och minns när vi hade rack-riggar som blänkte och blinkade. Fölster pratar om mastervolymer i dagens avsnitt. I veckans pryl är det Way Huge Red Llama som har huvudrollen. I detta avsnitt: Hermansson, Wizard, Bradshaw, Sound of Silence, Cornish, Roland, Alesis, Folkesson, Marshall, ADA, Mesa Boogie, BBE, TC Electronic, Mark L, Eventide, Chandler, Crowther, Line 6, RJM, Rocktron, Roger Mayer, Strymon, Liquid PRO, Mooger Fooger, Whetstone, Chicago Iron, Komet, Klon, Analogman, Hartman, Fender, Matchless, Hiwatt, Way Huge, Victory.

Are you ready to jump into music production? Here's everything you need to know to become a successful music producer.▶️ Get the gems you need to start creating beats and earn a passive income. Watch the free workshop, it's less than 30 minutes. The Producers Blueprint ▶️ https://www.aspireproducerslab.com

Episode 86 Merry Moog 2022 Vintage Holiday Music Performed on the Moog and other Synthesizers Playlist Frank Luther with Zora Layman, “Christmas Bells” from Christmas In Song (1939 Decca). This is the original 78 RPM release featuring a vocal quartet, bells, and music played on the Hammond Novachord. 0:38 Frank Luther with Zora Layman, “Christmas Day in the Morning” from Christmas In Song (1958 Vocalion). This is a reissue of the 1939 release featuring a vocal quartet, Zora Layman, bells, and music played on the Hammond Novachord. The stereo is simulated. There are some nice moments for the Novachord on this record. 3:12 Paul Tanner, “Holiday on Saturn” from Music for Heavenly Bodies (1958 Omega). This rare disc features Tanner playing the Electro-theremin, an imitation of the Theremin that was a box with an audio oscillator inside and a rotary dial to control the pitch. Tanner, a renown studio musician and trombone player, later provided the sound of the Electro-theremin on the Beach Boys hit Good Vibrations (1966). 4:16 Greg Lake, Emerson, Lake & Palmer, “I Believe In Father Christmas” from I Believe in Father Christmas (1995 Rhino). Produced by Keith Olsen; written by Greg Lake, Peter Sinfield; vocals, Bass, Acoustic Guitar, Electric Guitar, Greg Lake; Drums, Percussion, Carl Palmer; Hammond organ, Piano, Moog Synthesizer, Keith Emerson. This is the original version released in 1975 with a choir and Moog Modular. It differs significantly from the stripped-down mix, also included on this CD, originally appearing on Works Vol. 2 in 1977 and then later in 1994. Rhino Records was kind enough to package all of ELP's X-Mas related tunes onto a CD EP in 1995, from which this version comes. 3:34 Keith Emerson, “Troika (From Prokofiev's Lieutenant Kije Suite)” from The Christmas Album (1995 Rhino). This is the Prokofiev composition that Greg Lake adapted into “I Believe in Father Christmas.” Later on, Emerson released this interpretation of the Prokofiev piece on The Christmas Album” that appeared in the US in 1995. It doesn't appear on the original UK version in 1988. And again, this is taken from the nifty holiday CD EP also released in 1995 by Rhino. This album was made with instruments from Korg, Ensoniq, Alesis, and Opcode. 4:19 Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:44 Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 4:46 Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:52 Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Don wrote the original synthesized version of the NPR “All Things Considered” theme. It was created in his Electronic Studio of the University of Wisconsin. He used a Moog Modular Synthesizer plus a Fender Rhodes, Polymoog, and ARP string synthesizer and 16-track recorder. 1:02 Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:34 Douglas Leedy, “Good King Wenceslas” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. Leedy was an American composer, performer and music scholar. He founded the electronic music studio at UCLA where he had access to both Moog Modular and Buchla synthesizers, and it was during this period from about 1969-71 that he was commissioned to create several albums of electronic music. His training as a minimalist and experimental composer always flavored his music with unexpected sounds and patterns. 3:05 Moog Machine, “O Holy Night” from Christmas Becomes Electric (1970 Columbia). Moog Modular Synthesizer. 2:43 Armen Ra (Armen Hovanesian), “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). Moog Etherwave Pro Theremin. Armen Ra is an American artist and performer of Iranian-Armenian descent. He plays Theremin. His music fuses Armenian folk music with modern instrumentation, along with melodic lounge standards and classical arias. 4:43 Don Voegeli, “Carol of the Drum” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Philippe Renaux, “Noël Blanc” (“White Christmas”) from We Wish You A Cosmic Christmas (1977 Sinus). Belgium. Minimoog, Arp Axe, Arp Soloist, EMS Synthesizer, Stringman Crumar, Fender Rhodes, Electronic Drums. 3:21 Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:58 Joseph Byrd, “Carol of the Bells” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:12 Андрій Кок (Andriy Kok), “Небо І Земля” (“Heaven and Earth”) from Різдво На Галичині. Колядки (Christmas in Galicia. Christmas carols) (2006 Ліда). Folk singer, accordion and synth player Andriy Kok has recorded many albums of Ukrainian folk music in addition to a number of holiday songs and carols. 5:00 Douglas Leedy, “In Dulci Jubilo” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 1:14 Bernie Krause, Philip Aaberg, “Deck the Halls” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. He later turned his attention to audio ecology and the recording of nature sounds, particularly of animals. This very special Holiday recording is composed entirely of animal sounds. Some you'll recognize as the natural animal voices themselves. Others may sound like instruments, but they are actually digitally transformed animal sounds. Wild Sanctuary Productions invites you to enjoy a truly unique celebration of both the wild kingdom and Holiday Spirit. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (K 2000/Emulator III) Phil Aaberg. 8:12 The Royal Philharmonic Orchestra, Paul Freeman, and The Chicago Synthesizer-Rhythm Ensemble, John Tatgenhorst, “The Little Drummer Boy” from Turned On Christmas (1985 Columbia). Conductor, Paul Freeman; synthesizers, The Chicago Synthesizer-Rhythm Ensemble; Orchestra, The Royal Philharmonic Orchestra. Keyboards & Synthesizer Concepts: Ed Tossing; Electric Bass, Steve Rodby or Bob Lizik; Drums, Tom Tadke; Guitars, Ross Traut and Bill Ruppert; Percussion, Russ Knutson. 4:08 Montana Sextet, “Little Drummer Boy Jam” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor And Bass Drum, Gene Leone. 8:46 Montana Sextet, “Have Yourself a Merry Little Christmas” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor and Bass Drum, Gene Leone. 4:56 Mannheim Steamroller, “Good King Wenceslas” from Christmas (1984 American Gramaphone). Arranged, conducted, produced by, Chip Davis; Drums, Percussion, Soloist Recorder, Black Oak Hammered Dulcimer, Soprano Dulcian, Crumhorn, Bells, Vocals, Dry Ice, Chip Davis; Lute, Bass, Eric Hansen; Baldwin SD-10 Synthesizer, Harpsichord, Clavichord, Toy Piano, Prophet 5 Synthesizer, Fender Rhodes, Vocals, Bells, Jackson Berkey; Classical Guitar, Twelve-String Guitar, Ron Cooley; Flute, Willis Ann Ross; French Horn, David (High D) Kappy; Harp, Mary Walter; Oboe, Bobby Jenkins; Strings, Bill Ritchie, Grace Granata, Michael Strauss, Michelle Brill, Richard Altenbach, Richard Lohmann, Roxanne Adams, Wayne Anderson. 3:39 Don Voegeli, “Jingle Bells” long, short, and tag from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:56 Don Voegeli, “Lully, Lullay - The Coventry Carol” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Fossergrim, “Ave Maria” (2020 Bandcamp). Fossegrim is billed as “Dungeon Synth music from the Adirondack Mountains.” In Scandinavian folklore, Fossergrim is is described as an exceptionally talented fiddler. No fiddles here. I think Fossergrim is one Ian Nichols of Albany, New York. Check out his Bandcamp presence. 3:54 Phillip Fraser, “Rub A Dub Christmas” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. 2:53 Phillip Fraser, “The Lord Will Provide” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. There is some crazy synth material on this track. Despite it being recorded in 1985, it sounds quite analog for a synth. 3:17 Unconditional Loathing, “Carol, with the bells” from Holiday Mood (2018 Bandcamp). Every artist dreams of releasing an album of hit holiday songs that will surprise the world and bring great wealth. This is not that album. But it is remarkably noisy and dark. Check out Unconditional Loathing, from Fargo North Dakota, on Bandcamp. Self-described as “A footnote in the history of Midwestern noise that refuses to completely go away.” 1:51 The Smurfs, “Deck the Halls” from Merry Christmas With The Smurfs (1983 Dureco Benelux). This album is in English from the Netherlands. 2:17 Vatto Lofi, “Holiday Lofi” from A Merry Lofi Christmas EP (2021 Bandcamp). Providing a low-fidelity tune for the holidays, but I don't know if “lofi” refers to the low-fidelity sound that is currently a thing (and it does sound like that) or is the actual name of this Icelandic musician. 2:21 Rotary Connection, “Silent Night” from Peace (1968 Cadet Concept). I think this holiday album from the famed psychedelic soul ensemble was perhaps only their second album. Produced by Charles Stepney and Marshall Chess, I've included this track not only because it features some crazy electric guitar but also because Minnie Riperton's five-1/2-octave vocal range could effectively imitate a Theremin, which begins in this track around 1:30 into it. In an interview I once heard her say that one of her childhood fascinations was imitating that “science fiction stuff” with her voice. Interestingly, Charles Stepney also included a Moog synthesizer, used sparingly, on some Rotary Connection tracks, but I've heard none on this album. Co-producer Marshall Chess often added Theremin to Rotary songs but this is not one of them. It's pure Ripperton. The Rotary Connection vocalists: Bobby Simms, Jim Donlinger, Jim Nyeholt, Minnie Riperton, Mitch Aliota, Sidney Barnes, Tom Donlinger; The studio band, Leader, David Chausow; Bill Bradley, electronic effects; guitar, Bobby Christian; bass, Louis Satterfield; bass, Phil Upchurch; bass vocals, Chuck Barksdale. 3:52 Klaus Wunderlich, “Sleigh Ride” from Multi Orchestral Organ Sound (1982 Teldec). Wunderlich was a prolific musician who mastered the Hammond Organ. Occasionally, he performed with a synthesizer and this track comes from an album not of holiday music but of various favorites, performed in the style of the original artists. This is a Leroy Anderson song arranged in the Anderson style. The MOOS (Multi Orchestral Organ Sound) was produced by the Wersi organ company in Germany. This organ/synth/drum machine hybrid was also known as the Wersi Galad and play both synth and traditional organ sounds. There is a current musician advocate for this instrument in Florian Hutter (listen to the next track), of Germany. 3:11 Florian Hutter, “Frosty the Snowman” privately released (2022 No Label). Florian is a living master of the vintage Wersi Delta and Atlantis synthesizer/organ hybrids with a built-in rhythm box. In recent years he has begun to release his music on Spotify. This is taken from the first or second day of his Christmas Special 2022 during which he releases a new tune every day. I don't normally feature tracks recorded from YouTube, but this was too good to pass by and it fits with the vintage music played in the previous track by Wunderlich. Check him out. 2:34 Edwin Hawkins, “The Christmas Song” from The Edwin Hawkins Christmas Album (1985 Birthright). Produced when the Yamaha DX-7 became the top selling synthesizer on the planet, this is a great example of its tidy, digital sound. Richard Smallwood, keyboards, synthesizer; Edwin Hawkins, keyboards, synthesizer; Joel Smith, Drums and Fender bass; Kenneth Nash, percussion. Sounds like one or two Yamaha DX-7s. 3:57 Ryuichi Sakamoto (坂本龍), “Father Christmas” from Merry Christmas Mr. Lawrence (戦場のメ)(1983 Virgin). Music By, Composed By, Performer, Ryuichi Sakamoto. Our best wishes to Mr. Sakamoto who is suffering from Stage 4 cancer. In June he said, “Since I have made it this far in life, I hope to be able to make music until my last moment, like Bach and Debussy whom I adore.” 2:06 Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Not be confused with an album by the same name by The Moog Machine in 1969. Unnamed synthesizer programmed and performed by Bob Wehrman and John Bezjian. From Marina Del Rey in California. 1:46 Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Keith Emerson, Emerson Lake & Palmer, “Nutrocker” (live) from Pictures at an Exhibition (1972 Cotillion). A fitting reworking of Tchaikovsky arranged by Kim Fowley and performed live, Newcastle City Hall, 26 March 1971. Hammond C3 and L100 organs, Moog modular synthesizer, Minimoog, Clavinet, Keith Emerson; bass guitar, acoustic guitar, vocals, Greg Lake; drums, percussion, Carl Palmer. "Nut Rocker", a rock adaptation of The Nutcracker originally arranged by Kim Fowley and recorded by B. Bumble and the Stingers in 1962. 3:48 Richie Havens, “End of the Season” from Alarm Clock (1970 Stormy Forest). A melancholic reflection on life from Mr. Havens, totally synthesized on the Moog Modular by Bob Margoleff. 3:32 Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 Opening background music: Jean Jacques Perrey and Sy Mann, “Rudolf the Red-Nosed Reindeer” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 2:16 Moog Machine, “Twelve Days Of Christmas” from Christmas Becomes Electric (1970 Columbia). Arranged by Alan Foust; Synthesizer Tuner, Norman Dolph; Moog Modular Synthesizer, Kenny Ascher. 3:55 Jean Jacques Perrey and Sy Mann, “Silent Night” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 1:52 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation For additional notes, please see my blog, Noise and Notations.

Fredrik och Ulf pratar om det legendariska effektmärket MXR. Fölster vill hitta bra övningshjälpmedel och har kollat in looper-pedaler. I veckans pryl diskuterar vi Ulfs senaste version av hans "mindre" pedalbord. I detta avsnitt: MXR, Electro-Harmonix, Boss, Ibanez, Coron, Analogman, Alesis, Wirlwind, ART, TC Electronic, Eventide, EVH, Way Huge, Dunlop, CAE, Hologram, Mr. Black, Lovepedal, Poly, Sonic Research, Kingtone, Singular Sound, Xotic, Game Changer, Nordland, Drybell, Sound of Silence, Boomerang, Nux, Moolon.

In this episode, Dan highlights some of the best moments from EP #26 - #35. EP #26 w/ Erin Barra Erin is a music technologist, songwriter, and Professor at Boston's Berklee College of Music. She is also the Founder of Beats By Girlz, an educational group training young female artists. EP #27 & 28 w/ Jason Timothy Jason runs the site MusicSoftwareTraining.com, teaching artists how to produce , while also addressing the mental side of music production. He's taught thousands through his YouTube and social media channels, and is the author of the best seller book Music Habits: The Mental Game of Electronic Music Production EP #29 w/ Graham Plant - SUBPAC In this episode, Dan and Graham Plant discuss how SUBPAC is solving bass and low-frequency issues for producers, engineers, and performing artists. EP #30 w/ Cliff Goldmacher Cliff is a songwriter, music producer, and educator. He's played and produced on thousands of recordings and album projects for major and independent publishers and labels. He has also taught workshops for music rights organizations like BMI, ASCAP and presented about songwriting for TEDx. EP #31 w/ Tim Linetsky (Underbelly) Tim has created Ableton Live tutorials for DJ Tech Tools, Earmark, Pyramid, and collaborated with respected artists like Lido, Tchami, Keys N Krates, Giraffage, and many others. EP #32 w/ Bobby Owsinski Bobby Owsinski is an author, mixing engineer, producer and songwriter. His credits include working with artists like The Who, Willie Nelson, Neil Young, Iron Maiden, The Ramones, and many others. EP #33 w/ Craig Anderton Craig is an internationally recognized engineer, educator, and music technologist. He's authored over 35 books, mastered hundreds of tracks, played Carnegie Hall, written for magazines like Guitar Player, Keyboard, Sound on Sound, Electronic Musician, Pro Sound News, Mix. He's consulted leading companies like Gibson, Microsoft, Steinberg, Roland, Acoustica, E-Mu, Peavey, Alesis, Akai Professional, Native Instruments, Cakewalk, Ableton, Avid, and dozens more. EP #34 w/ Animal Prince In this episode, the indie-electro-pop duo known as Animal Prince and I discuss tips we learned from the DIY Musicians Conference in Austin, TX. We discuss a lot of marketing tips, resources, and insights for independent artists wanting to make a career and grow a following with music. EP #35 w/ BINKBEATS Frank Wienk (also known as BINKBEATS is a producer, multi-instrumentalist and composer known for using organic sounds and unconventional instruments combined with electronic music. He's also known for performing intense live looping, and has been selling out major venues around the world. Save money purchasing the latest version of Ableton Live: liveproducersonline.com/buyableton Join Discord and connect with the Ableton community discord.gg/ceb9CgAFFj Join the newsletter and be the first to receive new podcast episodes, as well as Ableton Live downloads, special events, and more: liveproducersonline.com/newsletter

Vi pratar om den kanske populäraste effekten efter distar och overdrives: Delay. Fölster pratar mensurlängder och i veckans pryl pratar vi om ytterligare en pedal som både Fredrik och Ulf har ägt/äger. I detta avsnitt: Eventide, Boss, Chandler, Lexicon, Maestro, Roland, Korg, Electro-Harmonix, MXR, Watkins, Echorec, Alesis, TC Electronic, T-Rex, Fulltone, BJFE, Mad Professor, Providence, Suhr, Free The Tone, Zoom, Dawner Prince, Digiplex, Source Audio, Toneczar, Strymon, 

This time, we're privileged to host legendary DJ, producer and music educator, King Britt. He's well known for being a musical innovator, for co-founding the groundbreaking label Ovum Records with Josh Wink, and collaborating with De La Soul, Madlib, Moor Mother and many others.In this episode, discover why he prefers vintage samplers over modern, which audio manufacturer he trusts above all others for mixing drums, and learn which specific piece of hardware he must have on all his mixes.Things we talk about (SPOILERS AHEAD)Casio SK-1:  https://en.wikipedia.org/wiki/Casio_SK-1Lisa Belladonna: https://www.instagram.com/lisabelladonna/?hl=en Hamamatsu, Japan: https://www.google.com/maps/place/Hamamatsu,+Shizuoka,+Japan/@35.2541875,137.076284,9z/data=!4m5!3m4!1s0x601b162de5079791:0x67a49b39e2edf623!8m2!3d34.7102752!4d137.7274159Passport Mastertracks Pro 4 Review: http://www.muzines.co.uk/articles/passport-mastertracks-pro-4/401Miller Puckette: https://en.wikipedia.org/wiki/Miller_PucketteTR-06: https://www.roland.com/global/products/tr-06/Minimoog Model D: https://www.moogmusic.com/products/minimoog-model-dKorg Mono/Poly: https://en.wikipedia.org/wiki/Korg_Mono/PolyMoog Sonic Six: https://en.wikipedia.org/wiki/Moog_Sonic_SixFocal Alpha 80: https://www.sweetwater.com/store/detail/Alpha80--focal-alpha-80-8-inch-powered-studio-monitorFocal SM9: https://www.focal.com/uk/monitoring-speakers/sm9/sm9E-mu SP-1200: https://en.wikipedia.org/wiki/E-mu_SP-1200Isla Instruments S2400: https://www.musictech.net/reviews/hardware-instruments/the-big-review-isla-instruments-s2400/Bell Tones synth works, Philadelphia: http://www.belltonesynthworks.com/E-mu Drumulator: http://www.vintagesynth.com/emu/drumulator.phpBruce Forat: https://en.wikipedia.org/wiki/Bruce_Forat / http://www.forat.com/E-mu SP-1200 35th Anniversary edition: http://www.rossum-electro.com/products/sp-1200-renovation/Alesis 3630 compressor: https://www.alesis.com/products/view/3630-compressorAPI 1608-II desk: https://www.apiaudio.com/product.php?id=147&p=1SSL G-Series Bus Compressor: https://www.solidstatelogic.com/products/g-series-stereo-compressorUniversal Audio SSL Bus Compressor: https://www.uaudio.com/uad-plugins/compressors-limiters/ssl-4000-g-series-bus-compressor-collection.htmlAbleton The Glue compressor: Sun Ra - Space Is The Place: https://en.wikipedia.org/wiki/Space_Is_the_Place_(soundtrack)

Nathan joins in the conversation and we geek out on all thing guitars.  Check out the links below!Little River Customs Facebook:https://www.facebook.com/Littlerivercustomsllc/Instagram:https://www.instagram.com/littlerivercustoms/

Emiko is an award winning songwriter who wrote for SONY/ATV, Universal Music Group, and others. She is also a roster artist for brands such as Hammond Organ, Alesis, Baldwin Pianos, Daisy Rock Guitars, On-Stage Stands, Blue Microphones, Lampifier Microphones, and StarrLabs Technologies. Instagram: @emikomusic Facebook: facebook.com/emikomusic Follow 80/20 Records: Instagram: @8020records Facebook: facebook.com/8020records www.8020records.com

We PoGo! Wanna keep PoGoing after this show??? Use the links below. Click below to visit our YouTube for great video of show and other PoGo debauchery https://www.youtube.com/channel/UCOJSAAipX6638HmTbkrAsDg/videos?view_as=subscriber Click below to read Die Hipster Records, interview with Andrew. https://diehipsterrecords.wordpress.com/2020/03/15/meet-andrew-of-pogo-city-radio/ @pogocityradio  facbook.com/thesdabs PoGo City and SDAB's Merch http://thesdabs.bandcamp.com  

En este episodio del podcast, entrevistamos a Alexis Gutierrez, content manager y coordinador de redes sociales de Aeroméxico. Alesis nos cuenta sobre dos iniciativas muy exitosas de marketing de contenidos de la aerolínea mexicana: Al Aire, y el cambio de uniforme basada en diseños de la diseñadora Lorena Sarabia.Además, Alexis nos platica: La importancia de estudiar a tu mercado meta para crear contenidos posicionados en YouTube.Los tres pilares de su campaña de contenido 'Al Aire'.Por qué Aeroméxico se apostó por tres desconocidos para representar a la aerolínea en YouTube.La importancia de hablar de otros temas - como por ejemplo la moda - y no solamente de aeronáutica.Cómo las empresas de hoy se están enfocando en apoyar misiones más allá de la venta de sus productos - Alexis nos da el ejemplo del apoyo a los 17 principios de la sostenibilidad y el programa de apoyar a jóvenes innovadores que están creando un nuevo producto sostenible.Finalmente nos cuenta de su otra iniciativa, MujeresCreativas.mx, en el que coopera con 19 otras mujeres en la publicidad y el marketing para promover la equidad de genero en el marketing.Escucha este excelente episodio a continuación.Recursos mencionados en este episodio:Campaña Al Aire: https://www.youtube.com/playlist?list=PLqVbUMAHUaNZVy64GoL2BmWMLQu_9E8b1Entrevista con Lorena Saravia: https://youtu.be/8z19lKuWGGMMujeres Creativas: https://mujerescreativas.mx/

ExpressVPN ist Sponsor dieser Folge. Wenn du also wie ich auf kein Rennen der Saison 2022 verzichten möchtest, dann hol dir jetzt ExpressVPN. Als Hörer:in meines Podcasts bekommst du auf dein Jahresabo noch 3 Monate kostenlos oben drauf. Gehe dazu einfach auf expressvpn.com/STARTINGGRID. Zum dritten WM-Lauf hat die Formel 1 den Hungaroring in der Nähe von Budapest aufgesucht. Lewis Hamilton war erneut der Sieger, jagt weiter die Rekorde von Michael Schumacher und wird zumindest den Siegesrekord von 91 noch in dieser Saison knacken. Aber es gab viele weitere Geschichten, die wir heute besprechen wollen. Kevin Scheuren, Ole Waschkau und Christian Nimmervoll, Chefredakteur von motorsport-total.com, formel1.de und de.motorsport.com, begrüßen dazu den Stand Up-Comedian und Formel 1-Fan Thomas Schmidt zur "Hörersprechstunde" und widmen sich u.a. den folgenden Themen: Vettels Zukunft, Strolls Ansehen, Russells Absprung Sebastian Vettel und die Formel 1 - eine Geschichte, die fortgeführt wird? Wir ordnen die neuesten Entwicklungen rund um Aston Martin, Red Bull Racing und Co. Die Mercedes-Dominanz ist eklatant. Was können und müssen die anderen Teams tun und wo liegen Schwächen der schwarzen Silberpfeile? Können sie sich am Ende nur selbst schlagen? Lance Stroll - arrogant oder einfach nur missverstanden? Der Kanadier hatte ein tolles Wochenende und wirkte erstmals sowas wie emotional. Ein Störfeuer oder der Beginn der Formel 1-Karriere, die einige Fans vorhergesehen haben? Muss man ihn jetzt anders bewerten und wenn ja, wie? Geld oder Liebe? Wer bekommt freie Cockpits bei Alfa Romeo und wie gehts mit Haas weiter? Welcher Ferrari-Junior hat die besten Chancen auf ein Formel 1-Engagement in naher Zukunft? George Russell und die Gefahr Williams. Kann der Brite irgendwann den Absprung finden? Wie groß ist die Gefahr, dass er wie die Fisichellas, Alesis oder Modenas endet? Ist Nicholas Latifi mehr als nur ein Paydriver? Bei Williams bewegt sich was, man kann auf eine Runde bessere Leistung zeigen, aber reicht das? Filmtipp Christian Nimmervoll legt euch heute seinen Lieblings-Motorsportfilm ans Herz. "Crash and Burn" erzählt die Geschichte vom Aufstieg und Fall des irischen Rennfahrers Tommy Byrne. Absolute Empfehlung, die ihr mit Amazon Prime sogar gratis schauen könnt. Euer Feedback ist uns wichtig Schickt uns gerne für die nächsten Sendungen eure WhatsApp-Sprachnachricht an folgende Nummer: +49 331 298 50 28 GANZ WICHTIG: bitte sendet an diese Nummer NUR SPRACHNACHRICHTEN ein und beginnt eure Sprachnachricht mit den Worten STARTING GRID und eurem NAMEN, damit das zugeordnet werden kann! Ihr könnt uns über verschiedene Kanäle erreichen und mich anderen F1-Fans in Verbindung bleiben: Facebook-Seite Facebook-Gruppe Twitter  Telegram-Gruppe Mail YouTube Sehr gerne würden wir auch eure Rezensionen auf iTunes lesen, bitte nehmt euch 3 Minuten Zeit für 5 Sterne und ein paar warme Worte, vielen Dank! Vergesst nicht zu tippen und eure Chance auf den ersten Gutschein von unserem Gewinnspielpartner motorsporttickets.com abzuräumen. Schaut für weitere Informationen ins Kicktipp-Spiel, das ein paar freie Plätze hat. Meldet euch schnell an! Keep Racing!   Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

We took last night off but come back with another great episode make sure to check out the links!Advantage Racing TVhttps://www.facebook.com/advantageracingtv/Done Right Tvhttps://www.facebook.com/donerighttv/Speed Sporthttps://www.facebook.com/speedsporttv/Bibster Promotionshttps://www.facebook.com/bibsterpromotions/

Tonight we answer some questions we make some jokes Bibster sings a song come join us!

Guess who's back, back again......

On the 13th night of quarantine my true love gave to me another funny story!

Special guest joins us tonight listen in for another great podcast!

Tonight we talk about Mrs. Bibster not going back to school this yearhttps://www.facebook.com/bibsterpromotions/

We get into a riveting game of would you rather and talk about what the outside looks like.https://www.facebook.com/bibsterpromotions/

Folk its late and we both might need a nap join in the fun at the links belowhttps://www.facebook.com/bibsterpromotions/?ref=bookmarks

Another night of fun from the Bibster familycheck the linkhttps://www.facebook.com/bibsterpromotions/

Hear the story of how Bibster asked Mrs. Bibster to marry him. https://www.facebook.com/bibsterpromotions/

Hear the story of how Mr. and Mrs. Bibster meet 12 years ago.Check out those linkshttps://www.facebook.com/bibsterpromotions/https://www.facebook.com/Bibster-Talks-2-podcast-450507325364585/

Join in the conversation at https://www.facebook.com/bibsterpromotions/ make sure to check out the live stream tomorrow morning at 10:30 at https://churchoftheopendoor.snappages.site/!

Back at it on a friday night hangout as we talk tiger king and Bibster tries to pick a hobby hit those links to help Bibster find a celebrity look alike.Facebookhttps://www.facebook.com/bibsterpromotions/

Tonight we tell storys of our best date and we even get to hear Bibster jam on the Uke that is a present for nobody!Check us out on facebook:https://www.facebook.com/bibsterpromotions/https://www.facebook.com/Bibster-Talks-2-podcast-450507325364585/

We are back at it for the second night make sure to check in daily!

New daily show each day until we get to go outside again!

Alesis is back discussing more Terri Hoffman, leader of the cult called Conscious Development of Cody, Mind, and Soul. This episode dives into some of the cult members and how they found themselves in a losing battle against the Black Overlords. Disclaimer: Anything in this podcast is based on our research and our own opinions. Content is not acceptable for children. Listener discretion is advised.To view all sources and notes, visit www.twosisterscult.com/episodesFor a full list of show sponsors, visit www.twosisterscult.com/savingsSupport the show (http://www.patreon.com/twosisterscult)

Morgan Donoghue is the Managing Director of inMusic, which includes brands such as Denon, AKAI, Alesis, M-Audio, Marantz, Numark, and Rane. He was the CCO at Serato for 5 years and is an investor in both Melodics and Nura Headphones. He's had a stellar career in music and tech and has helped shape today's digital landscape in some major deals in extraordinary circumstances. The post 64. Morgan Donoghue – A Life, inMusic appeared first on MTF Labs.

This week we have John Taylor on to talk about local music and how an entire community has helped bring music to the next level. Make sure to check out all the links and please make sure to check out all the music this summer at the Levitt AMP Galva music series!Heartland ConnectionsFacebook: https://www.facebook.com/HeartlandConnections/Website: http://www.heartlandconnections.com/Bishop Hill Creative CommonsWebsite: http://bishophillcommons.com/Facebook: https://www.facebook.com/bhcommons/Levitt AMP Galva Music SeriesWebsite: http://galvamusic.comFacebook: https://www.facebook.com/LevittAmpGalvaMusicSeries/Cà d'Zan House ConcertsWebsite: https://cadzanmusic.com/Facebook: https://www.facebook.com/cambridgecadzan/

This week David Newbern shares the story of how hanging out at your buddies garage can turn into a full time job. We talk about the drag week and the new show coming January 15th on the motor trend on demand app. Hit up those links to check out all the stuff we talked about!David Newbern on instagramhttps://www.instagram.com/davidnewbern/Finnegans Garagehttps://www.youtube.com/channel/UC1IdPylqngGiuHFLJqHbG_gKibbie and Friends showhttps://www.stitcher.com/podcast/the-musclecar-place/the-kibbe-and-finnegan-showMotor trend on demandhttps://www.motortrendondemand.com/

Mike and Mike discuss what they personally look for in a ride cymbal, and they share input from a special guest. The featured artist this week is legendary pop/rock drummer Jeff Porcaro. Up for review is the Alesis Strike Multipad. After fielding a few listener questions, the show concludes with picks of the week. The post MD Podcast Episode 215: Jeff Porcaro, Choosing a Ride Cymbal, Alesis Strike MultiPad, and More appeared first on Modern Drummer Magazine.

Got some new recording gear and a drum pad. Updates on the progress of my band cashapp $BIGSAMPRESENTZ

This week Bibster gets to sit down live with Thad Shumaker of Shumaker Guitar Works in Davenport Iowa and talk about what it takes to run a guitar store in 2019. Starting in 2017 Thad started to build his own guitars and 4 months ago decided to take the jump and open his own guitar store and repair shop. Make sure to check out this links to follow Thad as he builds some of the coolest instruments around!Shumaker Guitar Works on facebook: https://www.facebook.com/Shumaker-Guitar-Works-1329118657144167/?ref=br_rsWebsite:https://www.shumakerguitarworks.com/Bibster Talks 2 on facebook:https://www.facebook.com/Bibster-Talks-2-podcast-450507325364585/

Listen as Dan and Craig Anderton discuss all things related to songwriting and the psychology behind producing. Episode discussion highlights include: audio editing tips, how your brain processes music, discovering your original sound, the evolution of Ableton Live, and other topics. Craig is an internationally recognized engineer, educator, and music technologist. He's authored over 35 books, mastered hundreds of tracks, played Carnegie Hall, written for magazines like Guitar Player, Keyboard, Sound on Sound, Electronic Musician, Pro Sound News, Mix. He's consulted leading companies like Gibson, Microsoft, Steinberg, Roland, Acoustica, E-Mu, Peavey, Alesis, Akai Professional, Native Instruments, Cakewalk, Ableton, Avid, and dozens more. Click here to watch Dan's Free Mixing Webinar mentioned in the episode. Join the Live Producers Online membership to get ongoing help on your Ableton projects with Dan Giffin Follow Craig Anderton at the links below: craiganderton.com craganderton.org instagram.com/craig.anderton twitter.com/craig_anderton facebook.com/craig.anderton.3 Listen to Craig's My Butterfly track mentioned in the episode with tempo changes

Home Studio Hustle Podcast #3 - The Number One Reason You’re Not Making Money in Your Home Studio   Hello Hustlers and welcome to the show I’m Mike Brown and today we’re going to be talking about the #1 reason you’re not making money in your home studio.  I’m going to keep this one short today.   Now, this is not a silver bullet. You may get mad or not even believe what I’m going to tell you but I’ll do my best to break it down for you.   What I’m about to tell you is nothing more than food for though that you can use to mentally flip a switch that will open the floodgates to all sorts of incremental income. If I were a more dramatic person I’d edit in a drum roll here but anyway here it is. You’re Scared. This may be a little painful to hear and guess what. If your knee-jerk reaction to hearing this was to get a little angry and try to dispute it immediately, then you are just proving to yourself that this is true. Modern humans are ANGRY at fear.   As long as Humanity has existed, fear has served one primary purpose: To prevent us from taking risks.   To prevent us from taking risks, and historically that has been VITAL to the survival of the human race.   Today, however, fear is more like a flashlight that can show you where you need to go next.  Fear wants to maintain the comfort of the status quo in your life because that’s measurable and known.  Fear is often a fear of success because it’s uncharted territory.   Basically what I’m saying is: If you are feeling fear, that’s a good thing, because it means you’re on the brink of something big. Let me break down a few of the ways fear manifests itself in the Home Studio.  I’ll tackle them through some of the most common excuses I hear.   You’re a perfectionist. You sit down and work on something day-in and day-out. Always doing something but never doing much. You’re waiting for it to be perfect.   Well I have some news for you- perfect doesn’t exist and pursuit of perfection is just a cop-out that enables scared people to justify not releasing their projects.   They’re afraid that people won’t like it or that they made a mistake and while both of those things are possible, you won’t know either of those things until you release it.   You need to think like a kindergartener for this one. They erase and draw the same line over and over on their picture to make it “perfect!” They draw a big ol’ uneven circle, slap three dots and a line inside and hand you your portrait! Now I’m not saying be SLOPPY. But I’m saying release things before they’re perfect.   How does perfectionism keep you from making money? If you can’t even get your own projects to be perfect how are you going to make someone else’s?  You worry that they’ll be disappointed no matter HOW well you do.   In reality (and I can speak from experience here) you are almost CERTAINLY the only person who notices the ‘imperfections’ in your work.   So perfectionists- your homework is to release something before it’s perfect. Not before it’s done, just before it’s PERFECT. You don’t have the gear yet.  You know that you’ve got the skills and the drive, but you don’t have that C414 or your monitors are too cheap or you need that new Waves plugin or… or… or…Guess what, friend. Before you didn’t have the C414, you didn’t have the NT-1, so you bought it and still haven’t made anything.   Before you didn’t have the Neumann 5” monitors, you didn't have the Alesis set that cost $150/pair, so you bought them and still haven’t made anything.   Before you didn’t have the new Fabfilter Reverb Plugin, you didn’t have the Waves Renaissance Reverb plugin, so you bought it. And guess what. You still haven’t made anything.   It’s time to admit it’s not about the gear. It’s about the FEAR!  Oh man that’s going to be on my first T-Shirt.   If this is you, YOUR homework is going to be to go buy every last piece of gear you think you need.  What? You can’t? Isn’t that convenient. Then go create something with what you HAVE! Everyone is tired of waiting.   For a LOT of the work I talk about, you need next to nothing- a computer. An audio interface of some sort, and some headphones.That’s it! You can use apple earbuds for all I care!  It doesn’t. Matter. You don’t know how. Either you don’t know how to use the tools at your disposal or you don’t know how to find paying clients.   Guys. This one is the LAZIEST excuse by far when it comes to justifying your fear.   We live in a time where you can learn everything. For free. Online.  I mean- you’re here listening to this podcast for free trying to pick up some tips on how to make money in your home studio.  What’s stopping you from heading over to youtube and devouring a few tutorials on how to do what you want?   Nothing.So go. Learn. And then do you know what you need to do? Practice.  If your targeted skill is editing podcasts, either find some unedited podcasts or record your own to edit. Then DO IT.   If this is you, I have a special piece of homework for you. Head on over to homestudiohustle.com/podcast and find this episode. It should be labeled episode 003. In the show notes, I’m going to include the raw unedited voice over file from this episode so you can practice your editing chops on it. If editing podcasts isn’t your target right now (though I’d greatly encourage you to consider it) then think of one skill you “don’t know” and learn it. Today. For Free. On Youtube. So there it is. If you’re not making any money in your home studio and any of those things are your excuse, then you’re either going to have to get hustling or think of new excuses because those aren’t going to fly anymore.   I’d love to hear what you have to say on this topic. If you want to add your voice to the conversation, come to homestudiohustle.com/podcast, find this episode and leave a comment. OR if you’d like to have a more private dialogue, email me at HomeStudioHustle@gmail.com. Don’t forget to subscribe and leave me a 5-star review.   Thank you, and keep hustlin’.

Sisko Electrofanatik presents: "Gaincast". The Gain Records podcast series, featured an exclusive mix of techno music from Gain Records producers and DJs! // Gain Records is a label founded by Sisko Electrofanatik, based on a music project techno/tech house and everything that's underground music. "We Are What We Play" // Listen Gaincast on: • DI.FM www.di.fm/shows/gaincast(Every 2nd Wednesday of the month, 19:00 - 20:00) on the Techno Chanel • Spotify: spoti.fi/2BOECYO • ITUNES: apple.co/2rVZO7a • Soundcloud: bit.ly/2qllGrE • Weekly Show on: 06 Am Ibiza Underground Radio: www.06amibiza.com (Thursday 22:00/23:00) Vicious Radio: www.vicious.radio.es Techno Live Sets: www.techno-livesets.com // Special Guest mix by Dexon Tracklist: 1 Gaga – Subway (Original Mix) 2 Sergio Castilla – Style (Original Mix) 3 DJ The Fox – Bound Under (Concha Remix) 4 Gaga – Force (Original Mix) 5 Giorgio Rusconi- Cosmos (Original Mix) 6 Bilboni – All That I Have (Original Mix) 7 Giovanni Carozza – All In One (Original Mix) 8 Kryptic – The Space (Original Mix) 9 Budini Mha Iri – Perplex (Sergy Casttle Remix) 10 Emanuele Vernarelli – Relief Valve (Original Mix) 11 Goncalo M – Se7en (Dub Mix) 12 Devid Dega – Voyager (Original Mix) 13 Alesis, Work Deep – In Control (Original Mix) 14 Guiliano – B2RK (Original Mix) 15 Durtysoxxx – Monero (Frank Biazzi Remix) 16 Lolla Tek – Nosferatu (Mircea Ivan Remix) 17 Milos Vujovic – Vortex (Original Mix) 18 Boryana – Mind Haze (Original Mix) 19 Sonate – Sine Drift (Original Mix) 20 Filterheadz – Changing World (Original Mix) 21 Julian Jeweil – Transmission (Original Mix) 22 Devid Dega – Purple Cat (Original Mix) 23 Shelley Johannson – Intensify Me (Original Mix) 24 Durtysoxxx – Disguise (Original Mix) 25 Bilboni, Mirko Antico – Chemical (Original Mix) 26 Bilboni, Stanny Abram – Lockheed (Original Mix) Facebook: https://bit.ly/2VweOfe Beatport: https://bit.ly/2VSiPu7 Web: https://bit.ly/2Q0LGa7 Soundcloud: https://bit.ly/2LLd6T8 // Gain Records Links: - Web: www.gainrecords.com - Management: info@gainrecords.com - Beatport: www.beatport.com/label/gain-records/34657 - Twitter: twitter.com/Gain_Records - Youtube: www.youtube.com/user/gainrecords - Sound Cloud: @gain-records - RA: www.residentadvisor.net/profile/gain_…cordsTacklist

This week we had the chance to catch up with Brad Moring driver of the 555 IMCA modified. Brad had a rough crash Saturday night at Maquoketa Speedway but was able to walk away without even a bruise. We talk about how important high quality safety equipment is to racers. Brad is a huge supporter of Hooker Harness out of Freeport Illinois make sure to hit the link to see what products they have for the racer in your life.Hooker Harness:https://www.hookerharness.com/Bibster Promotions:https://www.facebook.com/bibsterpromotions/

This week Bibster sat down with Kelly Jeffries from Done Right TV in the first live video podcast to talk about his business Done Right TV. From Dish to Nest door bells Kelly's team have served the quad cities for many years. Hit those links to follow Done Right as they expand the live streaming market this summer! Facebook:https://www.facebook.com/donerighttv/Youtube:https://www.youtube.com/channel/UC22S-8qxTtqJHfjHN_4RGBAWebsite:https://www.donerighttv.com/

This week Bibster talks too Jacob Hoffman about how he is chasing his dream to become the top race photographer in the area. Make sure to check out those links and make sure to find and buy your favorite racers pictures! Website:https://simplymodified.photoreflect.com/store/store.aspx?fbclid=IwAR2O_M265Ywfwtu-lntd5NLdgdB2BrvkdtpI_vrVJSnLcskWQkNAsFX_P2EFacebook:https://www.facebook.com/simplymodifiedIA/

This week well actually last week but with racing season coming up I had to post this late Bibster had a chance to talk with Like my pedals owner Joe O'Rourke. During the recording skype decided to lag out so be patient with a few minor audio dropouts. Wait this is a description so make sure to hit those links up down there and thanks for listening!Facebook:https://www.facebook.com/LikeMyPedals/Instagram:https://www.instagram.com/likemypedals/?hl=enGuitars for Glory:http://www.guitarsforglory.com/#home-section

This is the audio portions of the live streams that we had from the stock car show 2 weekends ago in Dubuque Iowa. We sat down with Kelly from Done right satellite who was hosting the live stream make sure to check them out at the links below.Done right satellite: https://www.facebook.com/donerighttv/Trackside Promotions:https://www.facebook.com/tracksidepromotion/Jeremiah Hurst Racing:https://www.facebook.com/Hurst41/

This week Bibster gets to talk with Adam Weckel about racing ATVs at the nations top level the GNCC. Traveling down to Florida last weekend and racing in Georgia this weekend he is traveling with past guest Matt Lindle. Make sure to checkout his YouTube channel 22 films in the links below!22 Films YouTube channel:https://www.youtube.com/channel/UCt-T8FHX9krNRwbTcQfh8Dw

This week Matt Lindle stops by to talk about winning the first round of the AXCC in the pro XC class. We also talk about his upcoming chase for the championship in the GNCC series in the XC2 class. Hit the links below to follow Matt on Facebook as well as Instagram! https://www.facebook.com/matt.lindlehttps://www.instagram.com/mattlindle303/?hl=en

Black TECHNO Friday Podcast #050 by Wuillermo Tuff (Respekt/Funk'n Deep) Soundcloud: https://soundcloud.com/wuillermotuff Facebook: https://www.facebook.com/wuillermotuff/ 01. Duse, Rob Hes - The Granulado (Persuit) 02. Stefano Noferini - Extramelody Drunken Kong remix (Terminal M) 03. Alesis, Work deep - In control (Autektone) 04. Berti - Abismo (Eclipse) 05. Airado - Voltage (Lens) 06. ID 07. ID 08. D Unity - Had Enough (Unity) 09. Pleasurekraft - Primordial (Kraftek) 10. Steam Shape - Deep Within my Mind (Meta Phase) 11. Dj jock - Catacombs (Phobiq) 12. Dataminions - Dual This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Black TECHNO Friday Podcast #050 by Wuillermo Tuff (Respekt/Funk'n Deep) Soundcloud: https://soundcloud.com/wuillermotuff Facebook: https://www.facebook.com/wuillermotuff/ 01. Duse, Rob Hes - The Granulado (Persuit) 02. Stefano Noferini - Extramelody Drunken Kong remix (Terminal M) 03. Alesis, Work deep - In control (Autektone) 04. Berti - Abismo (Eclipse) 05. Airado - Voltage (Lens) 06. ID 07. ID 08. D Unity - Had Enough (Unity) 09. Pleasurekraft - Primordial (Kraftek) 10. Steam Shape - Deep Within my Mind (Meta Phase) 11. Dj jock - Catacombs (Phobiq) 12. Dataminions - Dual This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Bibster had the chance to sit down with the new director of late models Joe Hayes about the upcoming season of IMCA racing. We talk about the changes in the engine package and the different point season for late models this year. Make sure to check out those links to stay up to date with all things IMCA late models.https://www.facebook.com/RaceIMCA/https://www.facebook.com/DeeryRacing/

While playing some of the coolest indie music from all over the planet, D also gets to have some interesting conversations about the music industry with fantastic people from all sides of the business. After getting "airchecked" herself by her program director for quality, a lightbulb went off. Why not aircheck the industry?   In this episode, D chats with award-winning, Robert Scovill to get his take on the industry coming up for the sound side of the business. "Robert is a 35+ year veteran of professional concert sound and recording and has mixed over 3500 events in his career, having been enlisted by acts including Tom Petty & The Heartbreakers,  Matchbox Twenty, Jackson Browne, Rush, Def Leppard, Prince and many others.  Scovill’s body of live sound and recording work has earned him well-deserved industry accolades including 6 TEC Awards for technical and creative achievement in sound reinforcement. Robert is a 4 time nominee, two time winner of the PLSN Parnelli Award for live sound engineer of the year and has been a multi-year nominee for Mobile Production’s “Top Dog” Award along with being an inaugural nominee for the highly coveted Pensado Award for live sound excellence.  As the owner of Eldon’s Boy Productions Inc. and MusiCanvas Recorders in Scottsdale, AZ, he offers full service mixing facility and mobile recording services.Robert is also a highly sought after consultant advising artists, sound companies and the house of worship market on everything from technology, workflows and acoustics for their companies and events.  As an educator, Robert has lectured throughout the world on concert sound and recording practices at seminars and trade shows, and is a regular contributor to numerous industry publications, blog sites and YouTube video series. Robert’ has served as a technical consultant for many of the top name manufacturers in professional audio, including Avid, EAW, Neumann, Audio Technica, Electrovoice, Servo Drive, and Alesis.  Currently he holds the position of Senior Market Specialist for live sound and recording products for Avid as principle designer fortheir VENUE line of live sound consoles, contributing to all aspects of their commanding presence in the live event market." - www.workingclassaudio.com   Did you miss their down-to-earth conversation about what Robert Scovill focuses on? Catch part one right here. 

This week Mrs. Bibster joins the podcast to talk about bad christmas song make sure to check out the Spotify playlist!Playlist:https://open.spotify.com/user/12172786906/playlist/6JkLYqFDVXjQUyvHDooS65?si=XIX-UlSxSL2OdqwUPYWanAFacebook:https://www.facebook.com/Bibster-and-The-Ginger-Podcast-450507325364585/

In another case of I swear we are not a guitar podcast we have Matt Flaherty from Texas Toast Guitars on to talk building guitars. Matt has been building guitars since 1989 and started showing making videos a few years ago make sure to smash those links to follow Matt.Youtube:https://www.youtube.com/channel/UCrik4MK7fHh2gRNgyZOmKIgInstagram:https://www.instagram.com/texastoastguitars/?hl=enFacebook:https://www.facebook.com/TexasToastGuitars/Website:https://www.texastoastguitars.com/This weeks Sponsor:https://reverb.com/shop/fox-chi-rho

Jerry Rosa Started repairing instruments in 1983 and from making deer antler saddles for mandolin to complete custom instruments he has done it all. We talk about some of the wild repairs over the years, make sure to check those links to check out all the interesting things on Jerry's channel.Website:https://rosastringworks.com/Youtube:https://www.youtube.com/channel/UC29Dkc6-RMU8TCrloPN0CbwFacebook:https://www.facebook.com/pages/Rosa-String-Works/153862687985038

Have you ever wanted to improve your tone and show off your church history knowledge then you need to check out Cody Field's Westminster Effects. Starting with doing simple pedals and now having some of the best handmade pedals on the market Cody took his love of tone and combined it with his love of church history. Make sure to check out this links in the description to take your tone to 11. Indiegogo;https://www.indiegogo.com/projects/send-westminster-effects-and-nosepedal-to-namm?fbclid=IwAR31PCv6Tc-i1kQFpC-uP39LP9UM6GbLhgK0GIQ_NDqt-Q0foQB9g6oX2DU#/faqWebsite:https://www.westminstereffects.com/Instagram:https://www.instagram.com/westminstereffects/Facebook:https://www.facebook.com/westminstereffects/Do not forget to get all your pedals topped by our sponsor FoxChiRho!Episode Sponsor:https://reverb.com/shop/fox-chi-rho

Gear does not have to be super expensive to be good and Nick from the YouTube channel Nick in the States decided to build his channel around affordable gear. We talk about one of our favorite brands Harley Benton from the music store Thomman in Germany. Make sure to check out those links!Youtube:https://www.youtube.com/user/njparece/aboutInstagram:https://www.instagram.com/nickinthestates/

Ever dream about turning your hobby into a full time job? Blake has taken his love of gear and being able to bring conversations with the people behind that gear from a podcast to his current full time job. The Tone Mob started as a place to see gear on Instagram to a podcast featuring some of the best people in the gear industry. It has not been easy as Blake will talk about what it takes to run a successful podcast and marketing company. Check out the links to listen to his podcast and make sure to follow him on all the social media pages!Podcasthttp://tonemob.com/feed/podcastFacebook:https://www.facebook.com/groups/163931730655473/https://www.facebook.com/thetonemob/Instagram:https://www.instagram.com/thetonemob/

This episode Brad Angove joins to talk about his youtube channel. Brad runs a great channel about how changing the look of your guitar is something anyone can do. From how to use spray paint to make that guitar look new again, to building great kit guitars Brads channel has a wide range of topics. Make sure to check those links below to follow on all the social networks and his channel as well.Youtube Channel:https://www.youtube.com/user/BradAngoveFacebook:https://www.facebook.com/BradAngovePainting/Instagram:https://www.instagram.com/brad.angove/?hl=en

This week Bibster and Variom racing manager Derek Wilson sit down with three of the racers and talk about how their season was. From Brindy and BreeAnn Covell racing Jr. Drags to Matt Lindle racing top level ATV. Great stories about beating all adversary's that may come up during a race season. Team Variomhttps://www.facebook.com/VariomRacing/Covell Racing:https://www.facebook.com/covellracing/Matt Lindlehttps://www.facebook.com/matt.lindlehttps://www.instagram.com/mattlindle303/?hl=enBibster Promotions:https://www.facebook.com/bibsterpromotions/https://www.instagram.com/bibsterpromotions/?hl=en

Andrew Rinard had an idea to improve the look of a pedal board with custom made toppers for the most popular pedals on the market. From a dream he had earlier in the year to the now completed project find out what pedals he has plans to build toppers for next!Reverb Store:https://reverb.com/shop/fox-chi-rhoFacebook:https://www.facebook.com/FoxChiRho/

We are back after almost a month without an episode we got a chance to sit down and talk with Denise Korenek about her record breaking bike ride across the salt flats. Make sure to check out the links below to find the videos of these crazy passes.Links:https://www.facebook.com/FireCycle/http://theprojectspeed.com/?fbclid=IwAR1nhaE4x-7ekooK3g_GsHzst0ZsQoAcw0IvbY4c3LRsm_lDBW3CBK-XBUI

This week Joel Perino longtime friend of Bibster comes over to the studio to sit down and talk music and chasing dreams. Listen for a great talk of how sometimes you have to be flexible to be able to really chase your dream. Check out his facebook page and youtube channels in the links below.Facebook Page:https://www.facebook.com/Liveloverockjp/Youtube Channel:https://www.youtube.com/user/boardaddict08/videos

This episode we deal with what happens when you feel like God has called you away from a full time job to start a youtube channel. Listen for a great example of what it looks like to take that jump check the links for Dans youtube channel as well as some of his videos. Channel: https://www.youtube.com/channel/UCnfXz2OeVJHYyebACjj4ZGA My favorite videos: https://www.youtube.com/watch?v=YPDKGcgykto https://www.youtube.com/watch?v=Zf2Tfq3Ize8 Facebook Group: https://www.facebook.com/gunsandguitarsofficial/

Bibster is in the market for a new drum set and decided to talk all things electric drums with one of the top youtubers in in this subject, Justin from 65 Drums. Starting 4 years ago Justin has built his channel on having the best content dealing with the world of electric drum sets. From 300 to 8000 dollar kits every price point has great videos telling the pros and cons of each set. He also has a great series on famous pro drummers who use electric sets on albums and touring. Make sure to follow the links and subscribe for 3 new videos each week! Youtube channel: https://www.youtube.com/channel/UCUBcHXf3KHCQmilm34aoWzg Facebook: https://www.facebook.com/65Drums/ Facebook Group https://www.facebook.com/groups/443925062707909/ Bibster Promotions https://www.facebook.com/bibsterpromotions/ Bibster and the Ginger Podcast facebook.com/Bibster-and-The-Ginger-Podcast-450507325364585/

DOWNLOAD: PSB Ep. 70 “Birth Year” Tonight Ferg and me the ~Z~ discuss our hiatus, why I love Alesis, the sweetness of Andrew, and we also have some “You Called ME!’ recordings for ya! Enjoy!! Music by Rottanibrez: “Guitar in my Hand”

DOWNLOAD: PSB Ep. 70 “Birth Year” Tonight Ferg and me the ~Z~ discuss our hiatus, why I love Alesis, the sweetness of Andrew, and we also have some “You Called ME!’ recordings for ya! Enjoy!! Music by Rottanibrez: “Guitar in … Continue reading →

Tiny Couch Productions is based in Denton, Texas, a town rich in music and the arts. We are a popup recording effort that was launched to promote local musicians and songwriters within the community. Armed with a Canon 70D camera, a Sony PCM-D50 two track recorder, an Alesis 8 track mixer, and a sack full of cables, we stalk musicians in the many venues around town and capture their performances. This summer we set up an in-home studio for a more personal feel. Please check back throughout the summer as we produce more videos of these amazing musicians and their music.   Tiny Couch Productions Youtube Tiny Couch Productions on Facebook Tiny Couch Productions on Instagram Tiny Couch Productions - North Texas Daily      

All credits @schemes Promo use only Email schemesson@gmail.com

Alesis Novik is a Co-Founder of AimBrain, AimBrain, a Biometric Identity as-a-Service platform for global financial institutions. Alesis and his co-founder Andrius were on EF3 and what they’re doing in simple terms is effectively replacing standard passwords and pins with voice, facial and behavioural recognition systems that can be used in isolation or in combination with each other. Alesis gained a Master's degree in Artificial Intelligence from the Edinburgh and completed three years of PhD work before dropping out to start AimBrain and join EF. In this conversation we dive into Alesis’ personal story, everything he’s learned about finding product market fit, hiring and funding in the process of building AimBrain and what he’s learned about himself along the way.

Working Class Audio Session #140 with Robert Scovill!!! Robert Scovill is a modern day renaissance man with interests and activities spanning a wide breadth of professional audio. Robert is a 35-year veteran of professional concert sound and recording and has mixed over 3500 events in his career. His engineering and production talents have been enlisted by a veritable ‘Who’s Who’ of marquee music acts including Tom Petty & The Heartbreakers, Matchbox Twenty, Jackson Browne, Rush, Def Leppard, Prince and many others. Scovill’s body of live sound and recording work has garnered numerous industry accolades including 6 TEC Awards for technical and creative achievement in sound reinforcement. Robert is a 4 time nominee, two time winner of the PLSN Parnelli Award for live sound engineer of the year and has been a multi-year nominee for Mobile Production’s “Top Dog” Award along with being an inaugural nominee for the highly coveted Pensado Award for live sound excellence. As the owner of Eldon’s Boy Productions Inc. and MusiCanvas Recorders in Scottsdale, AZ, he offers full service mixing facility and mobile recording services.Robert is also a highly sought after consultant advising artists, sound companies and the house of worship market on everything from technology, workflows and acoustics for their companies and events. As an educator, Robert has lectured throughout the world on concert sound and recording practices at seminars and trade shows, and is a regular contributor to numerous industry publications, blog sites and YouTube video series. Robert’s profile includes positions as a technical consultant for many of the top name manufacturers in professional audio, including Avid, EAW, Neumann, Audio-Technica, Electrovoice, Servo Drive, and Alesis. He has held the title of endorser for numerous products, including Avid’s VENUE live sound environment, WAVE’s digital technology, Neumann Microphones, ATI Paragon, Intersonics loud speakers, Future Sonics ear monitors, and countless others throughout the years. In 2006 Robert served as guest speaker delivering the keynote address for the Annual AES conference in San Francisco. He currently holds the position of Senior Specialist for live sound and recording products for Avid as principle designer for their VENUE line of live sound consoles, contributing to all aspects of their commanding presence in the live event market. Robert’s hobbies include snowboarding, archery, pistol and rifle sports along with endurance challenge athletic events. He has successfully completed the Lake Tahoe North/South Swim, The Alcatraz Swim Challenge, The Great Wall Marathon and World’s Toughest Mudder along with numerous other events. Robert is very happily married with three children and a dog named Fender. About this Interview: Robert joins me via Skype in Arizona to talk about challenges on the road including diet, fitness, staying close with family as well as his love for digital technology in the live sound world. -Matt

Bikepacking coast-to-coast across Scotland. Adventure cyclist Lee Craigie loves to ride her bike, but when the road ends and the trail begins, the ride becomes so much more than a simple journey through the landscape. Music Paris (Elite Athlete Remix) and Amsterdam by Lasers, Waterbourne and Algea Trio Blue Dot Sessions, Padded Walls (reEdit) and Alesis 2010 by Floating Spirits. Credits Thanks […]

And we're off! In this first session I chat with Mary and Blake Larsen - Hosts of ParentCast, The Living Reminders, and OutlanderCast. Mary is also a musician and Blake also makes donuts. They are delightful people; maybe you want to reach out to them and say hello. Mary has an ear for details. Her previous experience as a TV show host gave her a deep insight into presentation, sound and listener experience. Now she uses those skills to craft great podcasts. Blake is the audio engineer in the relationship. He built a custom studio in their basement. Over time they have have upgraded their equipment little by little. They didn't start with great gear. These days they use Heil microphones and an 8-channel Alesis mixer. They record in Garage Band and edit using Adobe Audition. Blake uses an iPad for playing sound clips while recording episodes. They mainly use Skype for connecting with guests, and sometimes they use Skype to call their guests on the phone when they are only able to connect by phone. For mixing and mastering in Audition, Blake started with one of the factory presets on his compressor but then he tweaked it to suit their taste. Some challenges that Blake had were getting a good sound using EQ, and getting good mic levels while recording. A couple tips: When you're adjusting your sound settings to establish good presets, (as well as to train your ears), it pays to listen to your recordings in various places on different speakers. Listen on your studio monitors, listen on your headphones, earbuds, in your car, on a Bluetooth speaker, etc. You will then have a much better idea what your sound REALLY sounds like to other people. Record some dead air with all the mic's on but no one speaking. This can come in handy later while editing when you need to put a little blank space in between an edit so it doesn't sound like an edit. You just take a little dead air and insert it there and voila - it sounds natural. What an awesome session. Thanks Mary and Blake! Check out their shows: ParentCast, The Living Reminders, and OutlanderCast. DID YOU KNOW........We exist for the purpose of helping you, so please comment below with any questions or remarks. Thanks for listening! Want to Start a Business or Have a Career as a Podcast Producer/Engineer? Listen and Subscribe in iTunes, Google Play, Stitcher, TuneIn Radio, Android, RSS

GEAR Synths: Korg EMX, Korg Microkorg, Alesis Micron, Drum Machine: Zoom MRT-3B Mixer: Behringer 1204 Effects: Korg Kaoss Pad Programs: Logic INFO bandcamp: www.sorry-about-this.bandcamp.com soundcloud: www.soundcloud.com/sorry-about-this youtube: www.youtube.com/iamscatterpattern tumblr: www.sorry-about-this.tumblr.com twitter: www.twitter.com/@scatterpattern scatterpattern: www.soundcloud.com/scatterpattern Gamma Dragons: www.youtube.com/GammaDragons Robotic Moustache: www.soundcloud.com/robotic-moustache email: knotty_mo@hotmail.com

    A reading of  T.S. Eliot’s The Love Song of J. Alfred Prufrock, one of the greatest poems of the 20th century.    Using an Apex Microphone connected to an Alesis 8 channel mixer on an x86 laptop running Ubuntu. Listen: Or Download at Rebel Notion No 9 Ep 0008 JAlfredPrufrock  (13mb 6m52s)

A lot to talk about this week - we are temporarily joined by Rich Hilton who's in the UK and about to do a Chic gig at Kew Gardens in London. Sadly the hotel bandwidth is just not up to it. But nevertheless, we first discuss Avid's recent sale of M-Audio and AIR Software Group to inMusic - the new company for Akai, Alesis, Numark, Alto an others, then Android Jellybean 4.1 seems to be readying itself for audio - witness Korg's Polysix on the Miselu Niero at Google IO, then we take a look a the latest screencast from Bitwig - the new DAW thats about to hit Beta and finally some Modular action from Gregg Wilson and his amazing 8ft Eurorack system.

A lot to talk about this week - we are temporarily joined by Rich Hilton who’s in the UK and about to do a Chic gig at Kew Gardens in London. Sadly the hotel bandwidth is just not up to it. But nevertheless, we first discuss Avid’s recent sale of M-Audio and AIR Software Group to inMusic - the new company for Akai, Alesis, Numark, Alto an others, then Android Jellybean 4.1 seems to be readying itself for audio - witness Korg’s Polysix on the Miselu Niero at Google IO, then we take a look a the latest screencast from Bitwig - the new DAW thats about to hit Beta and finally some Modular action from Gregg Wilson and his amazing 8ft Eurorack system.

Adobe Audtiion CS5.5 Adobe Audtion 4.0 is actually named Adobe Audition CS5.5. The new version is now available for both PC and Mac users and is available for pre-order now. The affiliate link (http://goo.gl/SRC9q) here on my site will automatically take you to the page where you can pre-order the new version. If you simply […] The post 207 Podcast Answer Man – A to Z Success Story – Adobe Audition CS5.5 – Alesis iO Dock For Podcasting? And More! appeared first on The Cliff Ravenscraft Show.

Back to “A Trio of Podcasts” Read Curtis Fox’s Manifesto: “On Podcasting” A Favorite Episode of Zach and Mercedes’: Life Savers In this episode we asked five people the question “who saved your life?” This is the show that we come back to in our minds most often. In it we both find what is most essential about the show– the stories are interesting and engaging, but there is also an amazing level of honesty. When we finished this episode we both felt humbled by having these very personal stories shared with us. About Dial-A-Stranger Wouldn’t it be great if you were walking down the street and your phone rang? You know what would be even better? If, when you picked up the phone, it wasn’t a telemarketer or someone calling to ask you about your expired car warranty, but two people genuinely interested in your day and the stories you have to tell. That’s what Dial-A-Stranger tries to do–interject a little bit of art, mystery and general excitement into your day. The hosts take questions from listeners, and attempt to find answers to them by asking strangers over the telephone. The results are compiled into a weekly podcast. Mercedes Martinez and Zachary Kent started the show to highlight the stories of everyday people and to be the excitement they wanted to see in the world. In the process of producing the show they have talked to people about a wide range of diverse subjects including tiki conventions, egg donation, Disneyland and bounty hunting. This knowledge would make them much more interesting at the dinner parties they still aren’t invited to. Tech Info for Dial-A-Stranger The show is produced using a Mac Mini connected to an Alesis 8 channel FireWire mixer with a JK Audio Broadcast Host for the telephone interface and two Digital Reference DR-VX1 microphones. It is recorded and edited using Audacity. A Tascam HD-P2 is used for field recording, with sincere thanks to Transom for their tool reviews that lead to this choice. Related Links Dial-A-Stranger

Back to “A Trio of Podcasts” Read Curtis Fox’s Manifesto: “On Podcasting” A Favorite Episode of Zach and Mercedes’: Life Savers In this episode we asked five people the question “who saved your life?” This is the show that we come back to in our minds most often. In it we both find what is most essential about the show– the stories are interesting and engaging, but there is also an amazing level of honesty. When we finished this episode we both felt humbled by having these very personal stories shared with us. About Dial-A-Stranger Wouldn’t it be great if you were walking down the street and your phone rang? You know what would be even better? If, when you picked up the phone, it wasn’t a telemarketer or someone calling to ask you about your expired car warranty, but two people genuinely interested in your day and the stories you have to tell. That’s what Dial-A-Stranger tries to do–interject a little bit of art, mystery and general excitement into your day. The hosts take questions from listeners, and attempt to find answers to them by asking strangers over the telephone. The results are compiled into a weekly podcast. Mercedes Martinez and Zachary Kent started the show to highlight the stories of everyday people and to be the excitement they wanted to see in the world. In the process of producing the show they have talked to people about a wide range of diverse subjects including tiki conventions, egg donation, Disneyland and bounty hunting. This knowledge would make them much more interesting at the dinner parties they still aren’t invited to. Tech Info for Dial-A-Stranger The show is produced using a Mac Mini connected to an Alesis 8 channel FireWire mixer with a JK Audio Broadcast Host for the telephone interface and two Digital Reference DR-VX1 microphones. It is recorded and edited using Audacity. A Tascam HD-P2 is used for field recording, with sincere thanks to Transom for their tool reviews that lead to this choice. Related Links Dial-A-Stranger

On September 22, Numark, Alesis and Akai Professional hosted a concert and awards ceremony entitled Milestones at the Berklee Performance Center in Boston. The evening presentations included Bruce Swedien, for Recording/Engineering Innovation, Al Kooper, for Performance/Production Innovation, and Michael Brecker. Additional honorees included: Run-DMC founder DJ Jam Master J Marley Marl DJ Premier, GrandWizzard Theodore, Grandmixer DXT, Jazzy Jay, and DJ Jazzy Joyce. Live performances included Mike Phillips and John Blackwell, Al Kooper, turntable wizard Roc Raida and a host of others. Proceeds from the event will fund the Numark, Alesis and Akai Professional scholarships for the Berklee College of Music City Music Program. The Berklee City Music Program is a five-week tutorial and mentoring program that gives urban teens access to music education at no cost to them or their families. Since 1991, the Berklee City Music Program has been a life-changing experience for nearly 500 economically disadvantaged young people.

On September 22, Numark, Alesis and Akai Professional hosted a concert and awards ceremony entitled Milestones at the Berklee Performance Center in Boston. The evening presentations included Bruce Swedien, for Recording/Engineering Innovation, Al Kooper, for Performance/Production Innovation, and Michael Brecker. Additional honorees included: Run-DMC founder DJ Jam Master J Marley Marl DJ Premier, GrandWizzard Theodore, Grandmixer DXT, Jazzy Jay, and DJ Jazzy Joyce. Live performances included Mike Phillips and John Blackwell, Al Kooper, turntable wizard Roc Raida and a host of others. Proceeds from the event will fund the Numark, Alesis and Akai Professional scholarships for the Berklee College of Music City Music Program. The Berklee City Music Program is a five-week tutorial and mentoring program that gives urban teens access to music education at no cost to them or their families. Since 1991, the Berklee City Music Program has been a life-changing experience for nearly 500 economically disadvantaged young people.

On September 22, Numark, Alesis and Akai Professional hosted a concert and awards ceremony entitled Milestones at the Berklee Performance Center in Boston. The evening presentations included Bruce Swedien, for Recording/Engineering Innovation, Al Kooper, for Performance/Production Innovation, and Michael Brecker. Additional honorees included: Run-DMC founder DJ Jam Master J Marley Marl DJ Premier, GrandWizzard Theodore, Grandmixer DXT, Jazzy Jay, and DJ Jazzy Joyce. Live performances included Mike Phillips and John Blackwell, Al Kooper, turntable wizard Roc Raida and a host of others. Proceeds from the event will fund the Numark, Alesis and Akai Professional scholarships for the Berklee College of Music City Music Program. The Berklee City Music Program is a five-week tutorial and mentoring program that gives urban teens access to music education at no cost to them or their families. Since 1991, the Berklee City Music Program has been a life-changing experience for nearly 500 economically disadvantaged young people.

On September 22, Numark, Alesis and Akai Professional hosted a concert and awards ceremony entitled Milestones at the Berklee Performance Center in Boston. The evening presentations included Bruce Swedien, for Recording/Engineering Innovation, Al Kooper, for Performance/Production Innovation, and Michael Brecker. Additional honorees included: Run-DMC founder DJ Jam Master J Marley Marl DJ Premier, GrandWizzard Theodore, Grandmixer DXT, Jazzy Jay, and DJ Jazzy Joyce. Live performances included Mike Phillips and John Blackwell, Al Kooper, turntable wizard Roc Raida and a host of others. Proceeds from the event will fund the Numark, Alesis and Akai Professional scholarships for the Berklee College of Music City Music Program. The Berklee City Music Program is a five-week tutorial and mentoring program that gives urban teens access to music education at no cost to them or their families. Since 1991, the Berklee City Music Program has been a life-changing experience for nearly 500 economically disadvantaged young people.

On September 22, Numark, Alesis and Akai Professional hosted a concert and awards ceremony entitled Milestones at the Berklee Performance Center in Boston. The evening presentations included Bruce Swedien, for Recording/Engineering Innovation, Al Kooper, for Performance/Production Innovation, and Michael Brecker. Additional honorees included: Run-DMC founder DJ Jam Master J Marley Marl DJ Premier, GrandWizzard Theodore, Grandmixer DXT, Jazzy Jay, and DJ Jazzy Joyce. Live performances included Mike Phillips and John Blackwell, Al Kooper, turntable wizard Roc Raida and a host of others. Proceeds from the event will fund the Numark, Alesis and Akai Professional scholarships for the Berklee College of Music City Music Program. The Berklee City Music Program is a five-week tutorial and mentoring program that gives urban teens access to music education at no cost to them or their families. Since 1991, the Berklee City Music Program has been a life-changing experience for nearly 500 economically disadvantaged young people.