Podcasts about his head

Today's Topics: 1, 2) Gospel - John 19:25-34 - Standing by the cross of Jesus were His mother and His mother's sister, Mary the wife of Clopas, and Mary of Magdala. When Jesus saw His mother and the disciple there whom He loved, He said to His mother, “Woman, behold, your son.” Then He said to the disciple, “Behold, your mother.” And from that hour the disciple took her into his home. After this, aware that everything was now finished, in order that the Scripture might be fulfilled, Jesus said, “I thirst.” There was a vessel filled with common wine. So they put a sponge soaked in wine on a sprig of hyssop and put it up to His Mouth. When Jesus had taken the wine, He said, “It is finished.” And bowing His Head, He handed over the Spirit. Now since it was preparation day, in order that the bodies might not remain on the cross on the sabbath, for the sabbath day of that week was a solemn one, the Jews asked Pilate that their legs be broken and they be taken down. So the soldiers came and broke the legs of the first and then of the other one who was crucified with Jesus. But when they came to Jesus and saw that He was already dead, they did not break His Legs, but one soldier thrust his lance into His Side, and immediately Blood and water flowed out. Memorial of the Blessed Virgin Mary, Mother of the Church O Blessed Mother, pray for us! 2) The network that led to the election of Pope Leo XIV https://crisismagazine.com/opinion/the-network-that-led-to-pope-leo-xivs-election 3) The new Pope must purge the Church of the lavender mafia https://crisismagazine.com/opinion/the-new-pope-must-purge-the-church-of-the-lavender-mafia 4) An American in Rome https://crisismagazine.com/editors-desk/an-american-in-rome

Today's Topics: 1) Gospel - Jn 19:25-34 - Standing by the cross of Jesus were His mother and His mother's sister, Mary the wife of Clopas, and Mary of Magdala. When Jesus saw His mother and the disciple there whom He loved, He said to His mother, “Woman, behold, your son.” Then He said to the disciple, “Behold, your mother.” And from that hour the disciple took her into his home. After this, aware that everything was now finished, in order that the Scripture might be fulfilled, Jesus said, “I thirst.” There was a vessel filled with common wine. So they put a sponge soaked in wine on a sprig of hyssop and put it up to His Mouth. When Jesus had taken the wine, He said, “It is finished.” And bowing His Head, He handed over the Spirit. Now since it was preparation day, in order that the bodies might not remain on the cross on the sabbath, for the sabbath day of that week was a solemn one, the Jews asked Pilate that their legs be broken and they be taken down. So the soldiers came and broke the legs of the first and then of the other one who was crucified with Jesus. But when they came to Jesus and saw that He was already dead, they did not break His Legs, but one soldier thrust his lance into His side, and immediately Blood and water flowed out. Father Charles Murr joins Terry to discuss the importance of the relationship between good philosophy and good theology, the importance of knowing the Faith, and not straying from the Deposit of Faith Bishop Sheen quote of the day

Offering Up Our Flesh (audio) David Eells 1/19/25 Bearing Our Cross Will Save Souls Sean Lynch - 07/01/2009 (David's notes in red) In a dream the Lord showed me about a coming crucifixion for the brethren. In the dream, I was in either a hotel or some type of big castle. During this dream, there were many events going on, but the Lord is only bringing certain things to my remembrance. In one of the events, I remember I was outside of the hotel and I heard a loudspeaker tuned to a secular radio station and I heard David's voice. He was preaching the gospel to the world. I thought this was awesome because now David's message was going to the whole world and was reaching many people. (Representing the David Man-child reformers.) The next event I remember, I was inside this hotel and I saw a group of people approaching me. Then the fire of God fell upon me with holy boldness because I started preaching the Word with boldness and no fear like the early apostles did when the Holy Spirit fell upon them. (Normally I'm very shy and not bold. The Lord has been working on me with this and I believe He has shown me that He is going to make me speak with boldness. “God's power is made perfect in our weakness”. However, these people did not receive the message of the gospel, as they started laughing and scoffing and went their own way. The next scene I remember, I was in a long walkway with doors on both sides. I believe I was with another brother in Christ. Suddenly, a mountain of a man with long hair, appeared very strong and who looked like a professional wrestler, walked in to pummel whoever got in his path. The other brother took off and both doors shut and I was left alone with this man. (The Lord was forcing me into crucifixion.) I decided I was going to preach the gospel to him which, at the time, seemed crazy because this man looked like he wanted to rip me from limb to limb; however, I felt holy boldness rise up in me and went and stood by the man and preached the Word with boldness to him. After I was done preaching, he just stood there and looked at me and then proceeded to beat me up very badly. I did not strike back but let him pummel me. I do not know if he had killed me or not but I knew the Lord was showing me to turn the other cheek. I then was taken to another scene where I saw this same man was changed because I did not fight back. He was now a fire-breathing gospel evangelist and was preaching to other people. Next I remember him preaching to a group of people and then he was beaten, as well. I do not know if he was killed. (The Lord had shown me that because of my testimony of turning the other cheek and going to my cross how this man was saved and was allowed to go to his cross.) I remember being deeply touched by this brother who had gone to his cross. I remain touched even now as I'm writing this because the Lord is truly showing me how to lay my life down for the brethren and what is meant to go to our cross. The Lord has shown me that there are many brothers and sisters in the world who will come into the kingdom as a result of our willingness to turn the other cheek and overcome evil by laying our lives down. Please read our book, How Shall We Die     Why Die Walking After the Flesh? SG - 03/01/2011 (David's notes in red) I asked the Lord for a dream and He gave me a very good one. In my dream, there was a woman whose name was Delilah (meaning “weakened, uprooted or impoverished”) who had lost her son. (She was weakened and uprooted because she lost her spiritual man or fruit of the womb of her heart, as in the parable of the sower. How can we lose our spiritual man or fruit? We are shown in Jude 12 Twice dead plucked up by the roots. Jesus said in Joh.15:2 Every branch in me that beareth not fruit, he taketh it away.) Some Christians gathered to pray about finding the boy. (Praying for her to find her fruit again.) They were waiting for me to finish washing my teeth. Son.6:6 Thy teeth are like a flock of ewes, Which are come up from the washing; Whereof every one hath twins, And none is bereaved among them. Each tooth has its opposite so that a person may be well fed spiritually. Gen.49:12 His eyes shall be red with wine, And his teeth white with milk. The teeth must be washed with the milk of the Word. In this way, clean teeth mean partaking of clean spiritual food of the Word.) My son began to pray a mellow prayer and I felt that prayer wouldn't do it. I started to pray with power and faith. We finished and went on the search. I think the boy's name was Elijah (Meaning “my God is YHWH”) and his father's was Onesimus, a carpenter, who was a very good father. (Onesimus was the runaway slave who met Paul and became “profitable or helpful”, as his name means, when he brought forth the fruit of the spiritual man, his son.) I found an old man who was attaching a boy to a pallet. (The “old man” had taken the spiritual man captive. It's called walking in the flesh. A pallet is for moving merchandise around. So the old man makes merchandise of the spiritual man, much like false ministers do.) I went over to him and took the boy off and grabbed him. I put the old man on my side like carrying a baby. (We must take the old man where he would not go, as Jesus said to Peter.) I asked him, “Where is the boy and who do you work for?” He wouldn't say. I said with a firm determination, “I will win”; then he said, “You already won”. (Through Jesus, we have already won against the old man, who works for the flesh and the devil. Gal. 2:20 I have been crucified with Christ; and it is no longer I that live, but Christ living in me: and that [life] which I now live in the flesh I live in faith, [the faith] which is in the Son of God, who loved me, and gave himself up for me. And in 5:24 And they that are of Christ Jesus have crucified the flesh with the passions and the lusts thereof.) While still carrying the old man, I noticed the empty packaging of what he had been using to attach the boy and I picked it up. I read the label, hoping to trace it to the kidnappers. The price tag read, “Humble Oct. 6-11”. (The Lord paid the price to set us free from bondage above. And the old man will pay a terrible price for taking authority over the spiritual man. What is “Humble Oct.6-11”? This is the opposite of and solution for what happened above when the old man took authority over the spiritual man. This symbolizes the 10th month or book, 6th chapter, 11th verse, which is 2Sa.6:11 And the ark of Jehovah remained in the house of Obed-edom the Gittite three months: and Jehovah blessed Obed-edom, and all his house. A Gittite is a Philistine of the city of Gath. This is the old man of the flesh that dwells in the land. When the flesh is “Humble”ed, as Obed was under David, and serves the spiritual man, who is the ark of God's presence, he is blessed. The very next verse says that the ark was taken to the city of David, which is Zion, the Bride. 12 And it was told king David, saying, Jehovah hath blessed the house of Obed-edom, and all that pertaineth unto him, because of the ark of God. And David went and brought up the ark of God from the house of Obed-edom into the city of David with joy. It is the most joyful thing for the ark of God's presence to rest in the Holy of Holies of our spiritual man in the Holy City. In the time of Eli, the ark was taken captive under the authority of the Philistines or fleshly man in 1 Samuel 4-6 and it brought a curse to all their cities so much that they returned it under the authority of the spiritual man, Israel. So when we walk in the flesh, we bring these curses on us but when the spiritual man is in the lead, we are blessed. The moral of the story is so perfectly written in Rom.8:12 So then, brethren, we are debtors, not to the flesh, to live after the flesh: 13 for if ye live after the flesh, ye must die; but if by the Spirit ye put to death the deeds of the body, ye shall live. This warfare against the gods that rule over the flesh man and seek to bring the spiritual man under subjection is spoken of in the New Testament text given in this dream, 10th book, 6th chapter, 11th verse: Eph.6:11 Put on the whole armor of God, that ye may be able to stand against the wiles of the devil. 12 For our wrestling is not against flesh and blood, but against the principalities, against the powers, against the world-rulers of this darkness, against the spiritual [hosts] of wickedness in the heavenly [places].     Burn the Wood, Hay and Stubble B. A. - 12/22/2012 (David's notes in red) I dreamed I was in a dark chamber of some sort. It was so dark I could only make out very faint shadows of something all around me. I decided to light a match so I could see better. As soon as I lit the match, I could see piles and piles of large stacks of wood, hay and stubble (worthless, no spiritual value) all around me. I thought to myself, “Wow! Look at all the useless junk in this place. I had better put this match out or this dry, worthless stuff is going to ignite like a torch!” Just as I was about to extinguish the match, I heard a voice from Heaven say, “ Throw the lit match on the wood, hay and stubble”. Zec.13:9 And I will bring the third part into the fire, and will refine them as silver is refined, and will try them as gold is tried. They shall call on my name, and I will hear them: I will say, It is my people; and they shall say, Jehovah is my God. 1Pe.1:7 that the proof of your faith, being more precious than gold that perisheth though it is proved by fire, may be found unto praise and glory and honor at the revelation of Jesus Christ: Job23:10 But he knoweth the way that I take; When he hath tried me, I shall come forth as gold. Eph.5:26 that he might sanctify it, having cleansed it by the washing of water with the word. (In the midst of the fiery trial, when we reject our own thoughts and works to save ourselves, we cooperate with Father in burning up the wood, hay and stubble that represents fleshly things. Therefore, the command to set them on fire represents this. These works will not survive the test of time and trial, if we reject them.) Suddenly, I realized where I was. I was inside my own heart and this was my wood, hay and stubble. I said, “Yes, Lord, I will set this awful stuff on fire right now!” Pro.17:3 The refining pot is for silver, and the furnace for gold; But Jehovah trieth the hearts. Psa.139:23 Search me, O God, and know my heart: Try me, and know my thoughts. As soon as I threw the match onto the largest pile, it immediately shot fiery flames all the way to the top of the chamber. In what appeared like mere seconds, all these piles of useless garbage in the chamber were burning. I thought to myself, “This is the best fire ever!” I just stood, looking all around me, as these beautiful flames were burning off all this worthless junk that had attached itself to the ceiling, walls and floor of my chamber. 1Co.3:12 But if any man buildeth on the foundation gold, silver, costly stones, wood, hay, stubble; 13 each man's work shall be made manifest: for the day shall declare it, because it is revealed in fire; and the fire itself shall prove each man's work of what sort it is. 14 If any man's work shall abide which he built thereon, he shall receive a reward. 15 If any man's work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as through fire. (We are sanctified by the burning up of our fleshly man.) After the flames had subsided, a beautiful, brilliant bright light engulfed my entire chamber and I saw Jesus standing in my chamber with me. Oh, praise the Lord! Jesus had a white garment with Him. He came over to me and put the beautiful, white garment on me Himself. I was so happy because I knew this was a bridal garment and Jesus Himself was giving it to me. Thank you, Jesus!     Tribulations: Tests of Obedience Judy Gregerson - 04/02/2010 (David's notes in red) I was walking around with someone and this great wind storm whipped up. (Walking with the Lord as the tribulation arises. Winds of false doctrine and tribulation are coming to test the saints in whether or not they are obeying the Word. We see here that after knowledge comes testing to see who has built on the Rock of obedience.) Mat.7:24 Every one therefore that heareth these words of mine, and doeth them, shall be likened unto a wise man, who built his house upon the rock: 25 and the rain descended, and the floods came, and the winds blew, and beat upon that house; and if fell not: for it was founded upon the rock. 26 And every one that heareth these words of mine, and doeth them not, shall be likened unto a foolish man, who built his house upon the sand: 27 and the rain descended, and the floods came, and the winds blew, and smote upon that house; and it fell: and great was the fall thereof. ... Eph.4:14 that we may be no longer children, tossed to and fro and carried about with every wind of doctrine, by the sleight of men, in craftiness, after the wiles of error.) I was around these huge, old trees and branches started breaking off in the wind. This old growth was not strong; in fact, it looked rotten in these old trees. (The old churches, denominations and ministries that refuse the new growth of the reformation message will die, being revealed as rotten and corrupt by the winds and storms of tribulation now whipping up in the world. Judgments in finances, politics, life, weather, earthquakes, wind, earth, fires and heaven changes, etc. Joh.15:5 I am the vine, ye are the branches: He that abideth in me, and I in him, the same beareth much fruit: for apart from me ye can do nothing. 6 If a man abide not in me, he is cast forth as a branch, and is withered; and they gather them, and cast them into the fire, and they are burned. If these old churches were of God, they would bring forth God's fruit as the nature, character and authority of Jesus. But even though they appear great in the eyes of man; inside they are rotten and dead.) And I kept walking and, finally, two or three small pieces of branches came flying at me. (Representing people from the churches who come against us, especially their leaders, just as they persecuted Jesus and His disciples.) One piece about two feet long hit me, but I felt no pain and wasn't hurt. But huge branches were falling all around on other things. (God's judgment on big church leaders and ministries as they FALL in tribulations.) I was amazed about the old growth. I was looking up in these trees and I knew that this old growth (Christians walking in old traditions and error) was all going to be blown off these trees and hurt a lot of things on the ground, but it couldn't hurt me, even when it came FLYING at me with great power. (The Christians living close to the world will suffer as their false, apostate leadership is broken off and exposed. The falling branches of Christianity will come against and persecute the elect. Act.8:1 And Saul was consenting unto his death. And there arose on that day a great persecution against the church.) Weird, huh? (No, God gives strange dreams so we remember them. He told a brother that one time when he asked Him.)     The Foundation Is Death of the Old Man Jon Knowles - 10/20/2007 (David's notes in red) In a dream, David Eells and I were working on his house and as we did, I began to discover dead, decayed bodies embedded in the floorboards and such. They were old and dry -- skeletal. He didn't seem surprised or concerned. (The foundation of our new house is the death of the old house.) We were pulling something like old cardboard off of the bodies and he was pointing them out to me. For some reason, I actually pulled some of this cardboard off with my teeth and the dust of the dead bodies went into my mouth and I started to spit it out. We went outside into the yard and as I was working on a windowsill and removing some old weather stripping, David pointed out another dead body that was kind of stuffed into an old discarded couch -- strange. As he showed it to me, a police detective drove up in order to question him about the bodies and in the dream I was beginning to wonder if he was a serial killer! He calmly greeted him and started to answer his questions. End of the dream. The foundation of our house is that the old man has to die and be under our feet. Without this there can be no house of God. As the outer man is decaying the inner man is being renewed. We must lose our old life to gain our new life. The true Word should be bringing death to all who make up this house. So, yes, I am a serial killer. :o) All who rest in the Lord's promises (as on the couch) are putting their old life to death. We must spit the old man out and not allow him in the words that we say.     Martyrdom Dream T.M. - 10/04/2007 (David's notes in red) There was a group of us fellowshipping in a room when we were approached by a few people, telling us that we had to come with them and that we were going to be “martyred”. We happily complied and everyone was joyful. They led us out of the room to a table, where we each told our names and were given a card with a number on it. We then were led into another room where tables had been set up around the outside edges of the room. Above each table was a number, for example (2, 3, 16, 23...all the way up to 50). My wife, son, and I had the number 50, which was the largest number available. (I believe the numbers in the dream represent percentages, but I'm unsure what this means.) We all went to our tables within the room, and everyone was happily fellowshipping. End of dream. For many years I have taught what the Lord showed me about this. Jesus taught us that we have to lose our old life to gain our new life. If we lose our self-life before the end, we will not have to die for we are counted already dead. Unless Christians bear enough fruit of Christ before that time they will have to enter life by losing their physical life. This is the first time where I have heard of any percentage put upon this. It appears that unless one reaches above 50% fruit of the 30-, 60-, 100-fold Jesus spoke of, he will have to enter life through physical death. Martyrs who repent should be happy. It is an honor to enter into the presence of the Lord, something only a small percentage of planet Earth does.     Spirit Man in the Image of Christ Cornelius Bosch - 10/25/2007 (David's notes in red) I dreamt of a baby being carried by an invisible man. (The baby is the fruit of Christ in you, manifested in the spiritual man who is invisible.) With them also walked a normal man of flesh and bone who seemed to know the invisible man. They spoke to each other. (They are part of the same body and communicate constantly.) The baby was very comfortable being carried around by this invisible man. The baby had a small round mirror in his hand and when he looked into the mirror, he could see the face of the man who carried him, and they smiled at each other. The spiritual man is coming into the image of Christ as he sees by faith that we no longer live but Christ lives in us.  2Co.3:18 But we all, with unveiled face beholding as in a mirror the glory of the Lord, are transformed into the same image from glory to glory, even as from the Lord the Spirit. At one point there seemed to be a struggle between the man of flesh and bone and the invisible man. (The flesh lusts against the spirit and the spirit against the flesh.) The invisible man had a long axe in his hand and hit the man of flesh in the middle of his chest and he died. (The sword of the spirit, the Word of God, will put to death the carnal man so that only the spiritual man becomes known in our bodies.) He then seemed to just “step over” and become the same as the invisible man and they were joined by a lot of the same invisible people. (When the old man dies there is nothing to be seen in us by this world but the spiritual man who is then in the image of Christ but walks in the body of the carnal man taking his land.) I also had the distinct feeling that all the other invisible people that I saw in the end were Jews, pointing to the “All Israel” in Romans 11. (Yes, the spiritual New Testament Jews are those who are circumcised in heart and their flesh is cut off.) Those who walk by faith are in this process of Christ coming in the spiritual man through the death of the old self-life.     Cutting Off the Flesh Missy Pollock - 04/14/2012 (David's notes in red) The day that I had this dream was the birthday of my oldest son (representing the firstborn of the flesh who needs to die) who is now 25 years old. (The first-born of Egypt were killed in the Passover, just like our baptism.) He surely was born of the flesh because I got pregnant with him before I was married. When he was in his early teens, he really drove me crazy because of his tongue. I was complaining to the Lord about it and the Lord got my attention and showed me the meaning of his names. Matthew means “gift of God”. The book of Matthew is about the Kingdom and Jesus being our King and Savior. Matthew's middle name is Ryan, which means “little king”. What the Lord showed me is that He gave Matt to me as a gift to save me! I married his father and through a bad marriage, the Lord turned my heart to Him (we are no longer married). His birthday is on the 14th, which means “SALVATION”! (The 14th day of the first month is Passover, when the Lamb was slayed for us -- Exodus 12:2,6.) Also, I believe the main thing that the Lord is showing me in this dream is how my tongue is the cause of so many of my problems. Isn't that so sovereign of God to do that?! I was listening to Power of the Tongue and David said that if you don't let your tongue speak, it corrects your thoughts. This is so true. I've been learning this. Only Jesus in us can bridle the tongue. In the dream, I was in a school, running a race on a track against a boy (boy refers to immaturity because of the flesh). The track was a small circle in a room. (Israel in the wilderness was going around and around the mountain in their flesh and immaturity.) 2Co.4:8 [we are] pressed on every side, yet not straitened; perplexed, yet not unto despair. And 2Co.7:5 ... our flesh had no relief, but [we were] afflicted on every side; without [were] fightings, within [were] fears. Toward the end of the race, the boy tried to cut me off but I cut him off (cutting off of the flesh. Gal.5:17 For the flesh lusteth against the Spirit, and the Spirit against the flesh... And Rom.8:13 ... but if by the Spirit ye put to death the deeds of the body, ye shall live. 1Co.9:24 Know ye not that they that run in a race run all, but one receiveth the prize? Even so run; that ye may attain. I thought I'd better run some extra laps because I didn't want to be disqualified after cutting him off. Jas.1:3 knowing that the proving of your faith worketh patience. 4 And let patience have its perfect work, that ye may be perfect and entire, lacking in nothing. 1Co.9:27 but I buffet my body, and bring it into bondage: lest by any means, after that I have preached to others, I myself should be rejected. (God said they went around and around to make sure all the men who sinned died in the wilderness, so their fruit, their children, could go into the Promised Land.) These laps weren't in a circle, though. I ran back and forth between two points of about 10 feet (divine order). (Obeying the Law of 10 Commandments and running a straight line in the race to bear fruit.) But I couldn't see after I cut him off. As I was running those extra laps, I wondered where the boy was because I couldn't hear him either (not being able to see or hear in the flesh is walking by faith and not by sight). When I finished the laps, I could see (having received spiritual eyes) to run out of the room and into a gym (a place where you can move about freely; freedom from the flesh). (A place to exercise and build our spiritual strength.) There were other people there (exercising to win the race; those who have loved His appearing in them). I asked a man who was keeping a tally of everyone's time a question (Jesus, the righteous judge). 2Ti.4:7 I have fought the good fight, I have finished the course, I have kept the faith:8 henceforth there is laid up for me the crown of righteousness, which the Lord, the righteous judge, shall give to me at that day; and not to me only, but also to all them that have loved his appearing. I asked him, “What was my time?” He said, “Five minutes”. (Five is the number of grace.) I said, “I didn't think I could run that long”. (By the grace of God we have the endurance. Mat.24:13 But he that endureth to the end, the same shall be saved.) Then I saw the boy I ran the race against and asked him, “What happened to you after I cut you off?” He didn't answer because he was humiliated. Jas.4:6 God resisteth the proud, but giveth grace to the humble. I said to him, “I'm not trying to boast”. 1Co.15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not found vain; but I labored more abundantly than they all: yet not I, but the grace of God which was with me. But he wouldn't answer. (The old man is dead; he can't speak. Praise the Lord! Our Father sees us already completely reconciled to Him, but we need to work this out by faith, seeing the end from the beginning. The old man needs to be replaced with the new man, Christ. The new man overcomes the old man until all that's left is Jesus! Amen!) I flipped open my Bible and put my finger down twice and these are the verses the Lord gave me to go with the dream. I've been doing this quite a bit and it never ceases to amaze me the verses that the Lord gives me, whether it be for a dream or to confirm something to me. How encouraging this is! If you believe, it surely does work! 2Ki.3:27 Then he took his eldest son (first-born, the flesh) that should have reigned in his stead, and offered him for a burnt-offering upon the wall... (The first-born would reign in our stead, instead of the spiritual man, if not sacrificed on the altar of fiery trials. Esau was the first-born of the flesh who lost his position as head of the house to Jacob, the second-born of the spirit. Ishmael was the first-born of the flesh who lost his position as head of the house to Isaac, the second-born of the Spirit. Saul was the first-born of the flesh who lost his position as head of the house to David, the second-born of the Spirit. If we don't lose our old life, we will not have the new life, as Jesus taught.) And the second verse is: Mal.3:10 Bring ye the whole tithe into the store-house, that there may be food (Jesus as the Word) in my house (through abiding in Christ, we are God's house), and prove me now herewith, saith Jehovah of hosts, if I will not open you the windows of heaven, and pour you out a blessing, (latter rain anointing) that there shall not be room enough [to receive it]. (The Israelites had to bring the first fruits of their increase and offer it to the Lord, just like the first verse given. This was like the boy, her son, being offered up. This is when Jesus taught, and we begin to receive the abundant life blessings.) This verse I found as a cross-reference to the above verse: Neh.13:11 Then contended I with the rulers, and said, Why is the house of God forsaken? (Contending with the first-born rulers of the flesh.) And I gathered them together, and set them in their place. (Put them in their place under our feet.) 12 Then brought all Judah the tithe of the grain (then the spiritual man brought forth fruit to offer to God) and the new wine (life of Jesus) and the oil (the Spirit) unto the treasuries. Parables are the language of the spirit, God's code speak, that the proud fakes cannot hear or understand Jesus said in Luk.10:21 In that same hour he rejoiced in the Holy Spirit, and said, I thank thee, O Father, Lord of heaven and earth, that thou didst hide these things from the wise and understanding, and didst reveal them unto babes: yea, Father; for so it was well-pleasing in thy sight.     Cut Off the Mind of the Flesh Eve Brast - 06/29/2012 (David's notes in red) I had a dream this morning that really concerns me. I don't ever have violent, bloody dreams like this! I prayed Philippians 4:7, just like I do every night over myself and for my brethren. I fell asleep to the Book of Hebrews on my iPod, too. When I woke up, I was thinking about what this dream could mean. I will try to share all the things I can remember from it. I dreamed that I was standing next to a fireplace on my right that had gone out. My dog, Curtis, was lying on the burned-out coals on his left side, next to my grandmother's Dachshund, Penny. (The dog in us must be sacrificed on the altar of the fiery trial. This is the death of self.) Suddenly, a white, plastic lettuce knife that is used to cut heads of lettuce appeared in my right hand. (In real life, a local UBM brother's wife, named Kelly, which means “war-like”, had shown me this lettuce knife the last time we had a fellowship at their house. I had never seen a knife like that before and she was showing me how nice they were to cut lettuce with.) Heads of lettuce actually grow on the ground and would represent the earthly mind of flesh. (which must be cut off to save our heavenly life) (I heard a dream recently about lettuce heads being people's heads and the key interpretation was pointed out in that dream which was “let us”, as a play on words. Self rules in many lives through the mind of flesh. It's a “we will do it, Lord” attitude that we must war against and cut off with the lettuce knife of the Spirit, the Word of God. In the Spirit, taking down the old life and raising up the new is violent warfare against the self-life, as Jesus said. It is bringing the true Kingdom of God in us and those around us. Luk.16:15 And he said unto them, Ye are they that justify yourselves in the sight of men; but God knoweth your hearts: for that which is exalted among men is an abomination in the sight of God. 16 The law and the prophets [were] until John: from that time the gospel of the kingdom of God is preached, and every man entereth violently into it.) Then, in the dream, I fell into a trance (i.e., in the spirit) and went over to Curtis and cut his neck with the lettuce knife, and saw the blood soak his fur around his neck. (We are to help ourselves and others to lose their carnal life in order to save their eternal life.) Then I moved on to my next target which was a demon-possessed man with a very large head who was addicted to playing violent video games. I hated what he was doing and took the lettuce knife and cut his neck within an inch of severing it completely and stood there watching the blood pool on the ground. His head then slid and twisted off, just hanging by the inch of skin that was left. Then the ugly, green alien-looking demon left his body. It was very angry at me for killing its fleshly host! (We have to get rid of the mind of flesh with the sword of the Word, which is also the renewed mind of Christ. Rom.8:5 For they that are after the flesh mind the things of the flesh; but they that are after the Spirit the things of the Spirit. 6 For the mind of the flesh is death; but the mind of the Spirit is life and peace: 7 because the mind of the flesh is enmity against God; for it is not subject to the law of God, neither indeed can it be: 8 and they that are in the flesh cannot please God. 9 But ye are not in the flesh but in the Spirit, if so be that the Spirit of God dwelleth in you. But if any man hath not the Spirit of Christ, he is none of his.) I then moved on to my next target which was my mother. But she looked nothing like my mother. She was a small, thin woman with a mushroom-style hairdo that was dirty blonde in color. (The flesh alone looks nothing like our body but is like the dog.) I also cut her neck all the way through at an angle and her head fell completely off. I then moved on to another target but can't remember those details. Luk.14:26 If any man cometh unto me, and hateth not his own father, and mother, and wife, and children, and brethren, and sisters, yea, and his own life also, he cannot be my disciple. [We must hate the soulish life of the mind of the flesh in ourselves and our families if we are to save them.] 27 Whosoever doth not bear his own cross, and come after me, cannot be my disciple. 28 For which of you, desiring to build a tower, doth not first sit down and count the cost, whether he have [wherewith] to complete it? [The cost to build the house is cutting off of the old head.] 29 Lest haply, when he hath laid a foundation, and is not able to finish, all that behold begin to mock him, 30 saying, This man began to build, and was not able to finish. Jesus said, everyone has a house but He has no place to lay HIS HEAD. His house must have His head.) After this, I snapped out of the trance (or came out of the spirit) and was very remorseful when I realized what I had done! I had been watching myself from the inside doing these things but everything about me was taken over and I didn't feel remorse or stop it until I came out of the trance. (When in the Spirit, we fight against the old man in us and others, although we do it guided by wisdom and grace. When in the flesh, we pity the old man and have mercy on him but we must lose our life to gain our life, as Jesus said. “The mind of the flesh is enmity against God”. Gal.5:16 But I say, walk by the Spirit, and ye shall not fulfil the lust of the flesh. 17 For the flesh lusteth against the Spirit, and the Spirit against the flesh; for these are contrary the one to the other; that ye may not do the things that ye would.) My 'mother' came back to life as her head reattached itself to her body. I went crying to her and telling her what I had done. (If you don't cut the mind of flesh all the way off, it can grow back. Have no mercy on this enemy of God and your life. But when dealing with it in others, we must be weak to the weak. We must do it for love of their eternal soul.) She immediately started announcing to everyone around, including two army soldiers who were shady and dishonest, “I've just done something. I'm the one who did it!” (Those in the flesh will be the Judases of God's people. The flesh often takes credit for what the spiritual man does. The militant enforcers are those who agree with and encourage the flesh to take credit.) (One of them looked like a carnal person I knew but his teeth were all rotten.) She then went over to a tree and started to dig up an idol that looked like a wooden or mummified Frankenstein that was about a foot tall, and a skull, and placed them on a wooden railing. (Frankenstein's monster was the dead man who was brought back to life through man's evil ingenuity, symbolized by “let us”. This is the idol of self.) Then, as she was still announcing this and claiming responsibility for these actions that I had done, behind me she was skipping and waving a white handkerchief between her index and middle fingers in each hand. (This is “self”, glorifying self. Taking credit for her change. We must humble the flesh or it will destroy the works of God through us because He will not share His glory with the flesh.) When I turned around to look at her following behind me along with the two army soldiers, I saw that she had the lettuce knife in her hand and she was making a stabbing motion at my back, with an ugly face. (The flesh often misuses scripture to attack the spirit man or the righteous, in general.) I then came back over to the fireplace that had gone out where Curtis was still lying and I was so sad for what I had done to him while in that trance! (Sometimes the flesh in us makes us feel guilty and so we mistakenly have pity on the flesh to ease the suffering and let it live.) I got on my knees and petted him, crying and trying to see if he was still alive. One of the army men said, “Look, he is still alive”. The knife had barely cut his neck and he lifted his head to lick my tears. (Those who have pity on the flesh want desperately to see the “old you” come back.) I then got up and went over to an outdoor pavilion with picnic tables. As I was approaching it, the angry alien-looking demon that had possessed the video game addict was slouching on the railing around the pavilion and glaring at me, full of hatred! My 'mother' and the two shady army men then started to come up with a plan to cover up what I had done. The one who looked like my carnal friend was smiling a rotten-toothed smile as he was saying, “No one will ever find out!” (No one will find out that God, through the spiritual man, cut off the mind of flesh, if the carnal man brings one back under submission. Those who go back into the world are just like it.) I asked the Father for a verse for what this dream meant and when I put my finger down, I noticed that my Bible was upside down and my finger was on Luk.17:23 And they shall say to you, Lo, there! or Lo, here! go not away nor follow after them ... (In the context, we are being warned not to follow fleshly men claiming to be the anointed of God with their flesh saving doctrines.) I asked for a second verse and my finger was on 1Co.10:28 But if anyone say to you, This hath been offered in sacrifice, eat not, for his sake who showed it, and for conscience ... (We are not to partake of fleshly offerings sacrificed to idols of self.)     God's Bug Detector B. A. - 10/20/2011 (David's notes in red) In a dream, I saw an ad in a magazine I was reading called, God's Daily. The ad was for a “bug detector”. The ad read God's Bug Detector. Don't need a money-back guarantee, because the suit is free. One size fits all. No batteries or electrical outlets required. Works solely by your thoughts. Try it on and see what happens! I thought, hey, why not? What do I have to lose? So I sent off for this “Bug Detector Suit” The day came and I got the suit. This suit was totally complete. It came with an attachable helmet and face mask to cover the head; it had gloves and boots that attached to cover the feet. Once the suit was on, it conformed to the body and became invisible to the world. I couldn't wait to try the suit out to see if it really worked like the ad said it would. I was shopping in the grocery store when I looked and I saw this woman talking about me. She was pointing her finger at me and murmuring something to another woman standing beside her. I thought, Is she saying something bad about me? All of a sudden, my helmet lit up and the white lights all around the helmet started flashing and I heard, “BUG ALERT, BUG ALERT, BUG ALERT. Push the BIG BUTTON in the center of your chest”. So I pushed the button and it said, “In the name of Jesus, I bind this evil thought and cast it into the pit of hell where it belongs. Thank you, Lord. AMEN!” WOW, I thought, this really does work! On the way home, I was driving along when a truck came from nowhere and cut me off. I thought, Good grief! Is that guy trying to kill us both?! All of a sudden, my helmet lit up and the white lights all around the helmet started flashing and I heard, “BUG ALERT, BUG ALERT, BUG ALERT. Push the BIG BUTTON in the center of your chest”. So again I pushed the button and it said, “In the name of Jesus, I bind this evil thought and cast it into the pit of hell where it belongs. Thank you, Lord. AMEN!” I couldn't wait to witness to people and tell them what this suit had done for me and tell them how they too could get a suit like this. (Well, this “Bug Detector” is also for any thoughts that we would have that are contrary to the Truth and would allow the flesh to live, or listen to and receive any of those fiery darts from the devil against the knowledge of the truth.)     God's Army Is Dressed for Success B. A. - 01/03/2013 (David's notes in red) I dreamt I was in an army barracks (specialized buildings for permanent military accommodations. We, as God's spiritual warriors, represent these specialized barracks. We are specialized temples made without man's hands, as we have been molded and shaped by the Father's hand and hand-picked by the Father Himself for our position in this army.) I was resting on my bunk (resting and abiding in Jesus) with several of my comrades (fellow believers in Christ Jesus). Rom.15:6 that with one accord ye may with one mouth glorify the God and Father of our Lord Jesus Christ. Then, all of a sudden, the Commander's voice (Jesus, the Word) came across the intercom. (An intercom, talkback or door phone is a standalone voice communications system for use within a building. Jesus, the Word of God, is the door phone in our building. Joh.10:7 Jesus therefore said unto them again, Verily, verily, I say unto you, I am the door of the sheep. 9 I am the door; by me if any man enter in, he shall be saved, and shall go in and go out, and shall find pasture.) The Commander said, “We are under attack. This is an order: suit up and put on your full armor”. Eph.6:10 Finally, be strong in the Lord, and in the strength of his might. 11 Put on the whole armor of God, that ye may be able to stand against the wiles of the devil. 12 For our wrestling is not against flesh and blood, but against the principalities, against the powers, against the world-rulers of this darkness, against the spiritual hosts of wickedness in the heavenly places. 13 Wherefore take up the whole armor of God, that ye may be able to withstand in the evil day, and, having done all, to stand. 14 Stand therefore, having girded your loins with truth, and having put on the breastplate of righteousness, 15 and having shod your feet with the preparation of the gospel of peace; 16 withal taking up the shield of faith, wherewith ye shall be able to quench all the fiery darts of the evil one. 17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God: 18 with all prayer and supplication praying at all seasons in the Spirit, and watching thereunto in all perseverance and supplication for all the saints. The Commander continues, “Before leaving the barracks, check each other's armor”. (We need to help each other to spiritually prepare for this battle, as we are one in the body of Christ. As David Eells has told us, the Lord said to him when he needed help, “David had an army”. Joh.13:34 A new commandment I give unto you, that ye love one another; even as I have loved you, that ye also love one another. 35 By this shall all men know that ye are my disciples, if ye have love one to another. 1Jn.3:16 Hereby know we love, because he laid down his life for us: and we ought to lay down our lives for the brethren.) So, I submitted to the Commander's order and jumped off my bunk and suited up quickly. (Submit in the Greek is hupeiko, which means “to yield, be weak, to surrender; submit self”. 1Sa.15:22 And Samuel said, Hath Jehovah as great delight in burnt-offerings and sacrifices, as in obeying the voice of Jehovah? Behold, to obey is better than sacrifice, and to hearken than the fat of rams.) As I was waiting for the rest of my comrades to suit up, I noticed a soldier heading for the door, and I noticed that he had a crack along the back of his armor (he could not see nor discern that his armor was flawed). I cried out for him to stop and that he had a crack in his armor, but he just grumbled under his breath and ignored me and kept heading for the door. (He was too full of pride and ego to take correction; there's no place in the armor of God for pride and ego.) He hadn't taken but just a few steps outside the door when he was taken out by sniper fire right to the head. Pro.16:18 Pride goeth before destruction, And a haughty spirit before a fall. 8:13 The fear of Jehovah is to hate evil: Pride, and arrogancy, and the evil way, And the perverse mouth, do I hate. 11:2 When pride cometh, then cometh shame; But with the lowly is wisdom. Ecc.4:9 Two are better than one, because they have a good reward for their labor. 10 For if they fall, the one will lift up his fellow; but woe to him that is alone when he falleth, and hath not another to lift him up. 11 Again, if two lie together, then they have warmth; but how can one be warm alone? 12 And if a man prevail against him that is alone, two shall withstand him; and a threefold cord is not quickly broken. WOW! I thought he didn't stand a chance with that big crack in his armor. The Commander knew what He was talking about when He ordered us to check each other's armor. So we all very earnestly started checking each other's armor for any cracks (flaws in our spiritual walk) and thanking and praising the Commander for insisting we obey this order. Obey in the Greek is hupakouo, which means “to listen attentively; by implication to heed or conform to a command or authority, hearken, be obedient, to obey”. Deu.15:5 if only thou diligently hearken unto the voice of Jehovah thy God, to observe to do all this commandment which I command thee this day. 6 For Jehovah thy God will bless thee, as he promised thee: and thou shalt lend unto many nations, but thou shalt not borrow; and thou shalt rule over many nations, but they shall not rule over thee. 28:2 and all these blessings shall come upon thee, and overtake thee, if thou shalt hearken unto the voice of Jehovah thy God. After we had inspected each other's armor and all was well, we headed out the door to face the enemy. We could see the enemy all around the outer perimeter of our barracks. They immediately started firing upon us, but their bullets (or their fiery darts) just bounced off our armor and fell to the ground; their weapons had no effect on us. When they saw that their weapons had no effect, they retreated. Jas.4:7 Be subject therefore unto God; but resist the devil, and he will flee from you. Eph.4:27 neither give place to the devil. 1Pe.5:6 Humble yourselves therefore under the mighty hand of God, that he may exalt you in due time. 8 Be sober, be watchful: your adversary the devil, as a roaring lion, walketh about, seeking whom he may devour, (9) whom withstand stedfast in your faith, knowing that the same sufferings are accomplished in your brethren who are in the world. As we were turning around to go back to the barracks, I caught a glimpse of a movement over my shoulder. I swung back around just in time to see that evil sniper aim his weapon and lock his red laser beam (evil thoughts) onto my heart. Well, that was a BIG mistake! You see, my armor had already been inspected by order or decree from the Commander, so I knew the sniper couldn't take me out! I fired my weapon right into his laser beam and it drove the red beam (his evil thoughts) from his weapon back at him and took him out! (Gal.6:7 Be not deceived; God is not mocked: for whatsoever a man soweth, that shall he also reap.) We all began to cheer and praise the Lord for the victory, “HALLELUJAH!” As we were walking back to the barracks, we heard the Commander over the intercom say, “Well done, good and faithful servants”. Mat.25:25 His lord said unto him, Well done, good and faithful servant: thou hast been faithful over a few things, I will set thee over many things; enter thou into the joy of thy lord. WOW! I can't wait to hear those words! Thank You, Father, and thank You, Jesus! A few weeks ago, I had a vision that I believe goes with this dream: I saw the Father sitting at His potter's wheel. He reached down to the ground and gathered a handful of clay and placed it on His wheel and then added some water and started to form a new vessel. As I was standing there observing the Father, I heard the Holy Spirit tell me that this new vessel was my vessel. I was so excited to receive this wonderful news. Suddenly, directly in front of the Father, I started to see the faces of all the believers I knew from UBM; they were all suspended there in front of the Father. Then I saw the Father reach out with His right hand gather all the faces and place them into my vessel. The Holy Spirit told me the reason why the Father did this. He said, “All of these saints had a part in shaping and molding you into a vessel of honor for the Father's kingdom”. WOW! I was so humbled and blessed by this vision; how very true.     Defending Yourself with the Word Bethany Mize - 07/30/2015 (David's notes in red) Last night in service, the Lord gave me a vision. In this vision, I saw myself standing in a deep valley, alone. The ground and sides of the valley were clay-like substances, murky and cracked. As a shofar blew, the Lion of the tribe of Judah walked to the edge of the cliff and kept His gaze upon me. His eyes were so full of love. I was humbled and still in His presence. As I looked into His eyes, the tears began to roll down my face. I bowed my knees to Him. In doing so, the Word of God lay before me and I began to devour it. Beneath the Word was rich, thick green grass but nowhere else but where the Word of God lay. (Peter said, “All flesh is as grass”. Obeying the Word is health and life to our body. Pro.4:20 My son, attend to my words; Incline thine ear unto my sayings. 21 Let them not depart from thine eyes; Keep them in the midst of thy heart. 22 For they are life unto those that find them, And health to all their flesh. When judgments are coming, we need a clear conscience and faith in His provision of protection.) (The name Bethany has a couple of meanings: “house of God” or “house of figs”, which have a very similar spiritual meaning: the true people of God.) As I digested the seed of the Word, small pieces of metal armor began to attach themselves to my shoulders, down my back, and around my arms, until I was completely covered in armor. I knew I was in a time of preparation; it was not to be taken lightly. (Major judgments are coming and many are not prepared to escape for lack of the armor. We must pray for them now.) I stood to my feet, keeping my eyes on the Lion, with no words spoken, but just a knowing, He told me to wave my right arm across the ground. As I did, green grass began to grow wherever the shadow of my hand stretched above it. (With the armor of God's Word on, we have the authority to protect this body.) In the natural, we began to sing in service, “Our sons and daughters shall prophecy”. As I sang this, my three-year-old daughter appeared to my left in the vision, fully armed. I was filled with joy that she rose from her knees, armed, as did I. (Children need to be taught this, too.) Then, in the last verse, we sang, “Let the rivers flow down”. In singing this, I knew it was time to stand firm. Then a large wave of moving water rushed toward us from the right. I grabbed my daughter's hand with my left hand and lifted up my right arm toward the water, like a shield. Then, as I bent my elbow back, the water went over us and crashed all around us but never touched us. My armor (the Word of God) is what kept us in that secret place of the Most High. We were not fearful but full of boldness toward the oncoming water. It was a wonderful sight! (The Lord has had me move my hand in a sweeping motion like a knife to cut off the rain as it stopped immediately.) Later in the service, Jonathan spoke, “When the enemy comes in like a flood, the Lord will raise up a standard.” Just wanted to encourage the brethren with what the Lord used to encourage me. The seed of God that goes into us is what will preserve us. The Lord is coming manifested by Word and the latter rain, as He said in Hosea 6:1-3. He will be manifested in His Man-child ministry at the beginning of the tribulation. The story is in Ezekiel 34 where He will cut off the evil shepherds and will come to feed His flock with His David / Man-children. The Bible says of the Lord's coming in judgment that His recompense will be before Him at least twice. I received this one yesterday: Isa.40:10 Behold, the Lord Jehovah will come as a mighty one, and his arm will rule for him: Behold, his reward is with him, and his recompense before him. 11 He will feed his flock like a shepherd, he will gather the lambs in his arm, and carry them in his bosom, and will gently lead those that have their young. This is seen again in 62:11 Behold, Jehovah hath proclaimed unto the end of the earth, Say ye to the daughter of Zion, Behold, thy salvation cometh; behold, his reward is with him, and his recompense before him. It appears the recompense is mentioned just below this concerning the Lord's judgment of Edom, the son of Abraham who persecuted his brother Israel as a type of the Church. 63:1 Who is this that cometh from Edom, with dyed garments from Bozrah? this that is glorious in his apparel, marching in the greatness of his strength? I that speak in righteousness, mighty to save. 2 Wherefore art thou red in thine apparel, and thy garments like him that treadeth in the winevat? 3 I have trodden the winepress alone; and of the peoples there was no man with me: yea, I trod them in mine anger, and trampled them in my wrath; and their lifeblood is sprinkled upon my garments, and I have stained all my raiment.     Confess Your Sins One to Another Anonymous - 04/28/2011 (David's notes in red) I got a word from the Lord for the body. Please discern. The Spirit of the Lord speaks: Confess your sins to one another. You have confessed them before me but now I'm telling you to confess them to one another. If you refuse, I will come to you and rip your skirts from off of you and the shame of your nakedness will be exposed to the world. You have sought to preserve face by keeping your sins private. Job 31:33-34 If like Adam I have covered my transgressions, By hiding mine iniquity in my bosom, 34 Because I feared the great multitude, And the contempt of families terrified me, So that I kept silence, and went not out of the door-- Jas.5:16 Confess therefore your sins one to another, and pray one for another, that ye may be healed. The supplication of a righteous man availeth much in its working. Pro.28:13 He that covereth his transgressions shall not prosper: But whoso confesseth and forsaketh them shall obtain mercy. He that covereth his transgressions shall not prosper: But whoso confesseth and forsaketh them shall obtain mercy. You have confessed them before me but now, even now, I tell you confess them one to another. (This is humbling to the ego and makes us think twice about sinning again.) Psa 32:1-6 Blessed is he whose transgression is forgiven, Whose sin is covered. 2 Blessed is the man unto whom Jehovah imputeth not iniquity, And in whose spirit there is no guile. 3 When I kept silence, my bones wasted away Through my groaning all the day long. 4 For day and night thy hand was heavy upon me: My moisture was changed as with the drought of summer. Selah. 5 I acknowledged my sin unto thee, And mine iniquity did I not hide: I said, I will confess my transgressions unto Jehovah; And thou forgavest the iniquity of my sin. Selah. 6 For this let every one that is godly pray unto thee in a time when thou mayest be found: Surely when the great waters overflow they shall not reach unto him. (Confessing our sins will preserve us through judgment.) The Spirit of the Lord has spoken.

Today's Topics: 1, 2, 3, 4) Gospel - Jn 20:1a and 2-8 - On the first day of the week, Mary Magdalene ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, "They have taken the Lord from the tomb, and we do not know where they put Him." So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered His Head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first, and he saw and believed. Feast of Saint John, Apostle and Evangelist Saint John, pray for us! Bishop Sheen quote of the day

Welcome to Episode 274 of the Spun Today Podcast! I'm your host, Tony Ortiz, and in this episode, we're diving deep into the intricate web of relationships, drama, and personal evolution presented in "Industry Season 3" and the psychological exploration of dual identity in "Joker Folie à Deux." We'll also touch on the comedic controversy surrounding Hasan Minhaj's new Netflix special "Off With His Head."   First, we'll unravel the complex dynamics between Harper and Yaz in "Industry," where love-hate relationships mix admiration with moments of belittling—proving that friendship can be as intricate as any corporate maneuver. Then, we'll explore the gripping drama of Pierpoint's near-collapse and the character arcs that reflect profound personal transformations, illustrating the power of resilience amid chaos.   In the realm of film, join me as I dissect Todd Phillips' "Joker Folie à Deux," a sequel that combines dark humor with musical elements to portray Arthur's tumultuous internal world. We'll discuss Harley Quinn's character development and the symbolism that adds depth to her relationship with the Joker.   Lastly, we'll delve into Hasan Minhaj's unapologetic and thought-provoking comedy special, where he tackles controversial topics with wit and bravado, addressing the blurred lines between truth and storytelling in comedy.   Twitter: https://twitter.com/spuntoday Instagram: https://www.instagram.com/spuntoday/ YouTube: https://www.youtube.com/@spuntoday   Website: http://www.spuntoday.com/home Newsletter: http://www.spuntoday.com/subscribe   Links referenced in this episode: Joker: Folie à Deux: https://www.imdb.com/title/tt11315808/   Industry Season 3: https://www.imdb.com/title/tt7671070/?ref_=ttfc_fc_tt   Hasan Minhaj - Off with His Head: https://www.netflix.com/title/81776083   Get your Podcast Started Today! https://signup.libsyn.com/?promo_code=SPUN (Use Promo code SPUN and get up to 2-months of free service!)   Check out all the Spun Today Merch, and other ways to help support this show! https://www.spuntoday.com/support   Check out my Books Make Way for You – Tips for getting out of your own way FRACTAL – A Time Travel Tale Melted Cold – A Collection of Short Stories http://www.spuntoday.com/books/ (e-Book, Paperback & Hardcover are now available).   Fill out my Spun Today Questionnaire if you're passionate about your craft.  I'll share your insight and motivation on the Podcast: http://www.spuntoday.com/questionnaire/    Shop on Amazon using this link, to support the Podcast: http://www.amazon.com//ref=as_sl_pc_tf_lc?&tag=sputod0c-20&camp=216797&creative=446321&linkCode=ur1&adid=104DDN7SG8A2HXW52TFB&&ref-refURL=http%3A%2F%2Fwww.spuntoday.com%2Fcontact%2F   Shop on iTunes using this link, to support the Podcast: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewTop?genreId=38&id=27820&popId=42&uo=10   Shop at the Spun Today store for Mugs, T-Shirts and more: https://viralstyle.com/store/spuntoday/tonyortiz   Background Music: Autumn 2011 - Loxbeats & Melody - Roa   Outro Background Music: https://www.bensound.com   Spun Today Logo by: https://www.naveendhanalak.com/   Sound effects are credited to: http://www.freesfx.co.uk   Listen on: ApplePodcasts | Spotify | Pocket Casts | YouTube | Website

Neste Halloween decidimos fazer uma dose dupla e falamos com o demónio duas vezes. Neste episódio falamos de notícias, o que andamos a ver, fazemos a review dos filmes 'Speak No Evil' e terminamos com spoilers. NOTÍCIAS Lázaro fala sobre a nova versão da saga de ‘SpiderMan' (URL); Luís fala sobre algumas sequelas para o futuro. Segunda temporada de Beef (URL), sequela de ‘Alien: Romulus' (URL) e possível sequela de ‘Speed 3' (URL); Erick fala sobre noticas de ‘Blade' (URL), sequelas de ‘Predator' (URL), a nova adição ao filme de Christopher Nolan (URL), uma curiosidade de Eva Longoria (URL) e uma má noticia sobre a banda sonora de ‘Dune 2' (URL). O QUE ANDAMOS A VER? Lázaro Transformers One (2024) Apollo 13 (1995) Bleach: Thousand-Year Blood War (3ª Temporada) Luis Never Let Go (2024) Terrifier 3 (2024) The Substance (2024) Erick Hasan Minhaj: Off with His Head (2024) The Devil's Hour (1ª Temporada) The Thing (1982) Bad Genius (2024) Para a semana vamos fazer review do filme 'Venom: The Last Dance'. Até lá, bons filmes. ** Música Original produzida por António Capelo (https://capelo.me) Sigam-nos em: https://twitter.com/peliculapodcasthttps://instagram.com/peliculapodcasthttps://facebook.com/peliculapodcast

Westerns and Crime on a MondayFirst a look at the events of the dayThen Fort Laramie starring Raymond Burr, originally broadcast October 28, 1956, 68 years ago, Army Wife. After thirty years, an army wife suddenly finds herself a widow. The last show of the series.We follow that with the news from 68 years ago, then Gunsmoke starring William Conrad, originally broadcast October 28, 1956, 68 years ago, Dirty Bill's Girl. Rose, the card dealer in the Long Branch, plans to kill a man. Who and why?Then Crime Classics, originally broadcast October 28, 1953, 71 years ago, John Hayes, His Head, and How They Were Parted.  Mr. Hayes returns from war to his lonely wife to find her afrolic with two comely boarders. His head is shortly thereafter found by the side of the Thames...and then encapsulated in a glass jar. Followed by Suspense, originally broadcast October 28, 1954, 70 years ago, The Shelter starring Joyce McCluskey and Vic Perrin.   A man and a woman wait at a deserted bus stop. One of them is possibly an escaped homicidal maniac!Finally, Claudia, originally broadcast October 28, 1948, 76 years ago.   The Nortons are expecting company and David's in the shower. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Endure to Manifest Salvation (8) (audio)   David Eells (7/28/24) I'm going to continue with how we endure in our faith to manifest salvation.  The Bible says you can write the Word on your own heart with your tongue. We can speak these things down into our hearts so that they come out of us naturally. Let's look at this in (Psa.45:1) My heart overfloweth with a goodly matter; I speak the things which I have made touching the king: My tongue is the pen of a ready writer. “My tongue is the pen of a ready writer.” And, just think about this, if you bridle the tongue, you turn the whole body as it says in (Jas.3:3) Now if we put the horses' bridles into their mouths that they may obey us, we turn about their whole body also. (4) Behold, the ships also, though they are so great and are driven by rough winds, are yet turned about by a very small rudder, whither the impulse of the steersman willeth. (5) So the tongue also is a little member, and boasteth great things. Behold, how much wood is kindled by how small a fire!   (6) And the tongue is a fire: the world of iniquity among our members is the tongue, which defileth the whole body, and setteth on fire the wheel of nature, and is set on fire by hell. Have you ever seen a bridle? It goes through the horse's mouth and it has what's called a “bit” on it. The bit presses on the tongue and applies pressure to a horse's sensitive mouth. That allows the rider to control the horse by means of the reins, which are attached to the bridle. A tongue is so tiny compared to the body, but if you bridle the tongue, it allows you to control the whole body, just like the small rudder of a ship turns the whole ship around. It all starts with the tongue! (Rom.10:10) For with the heart man believeth unto righteousness; and with the mouth confession is made unto salvation.   I tell you, if you confess with your mouth, you will start believing in your heart because you'll be writing something upon your own heart with your own words. According to many studies over the years, if you really want to remember something, speak it as you read it and you'll get a much higher percentage of recall because you're forming auditory links in the memory pathways. Well, it's a spiritual principle! Back in Louisiana, there was a local brother who couldn't read, so we gave him an audio Bible. He would follow along in his Bible while he listened to the audio and I was amazed at how quickly he learned to read. He was so happy because the thing he wanted the most was to be able to read the Bible and God really honored that!     We should always speak in agreement with the Scriptures because “sweet” and “bitter waters” shouldn't come out of the same fountain. Going back to (Jas.3:8) But the tongue can no man tame; [it is] a restless evil, [it is] full of deadly poison. (9) Therewith bless we the Lord and Father; and therewith curse we men, who are made after the likeness of God: (10) out of the same mouth cometh forth blessing and cursing. My brethren, these things ought not so to be. (11) Doth the fountain send forth from the same opening sweet [water] and bitter? (12) Can a fig tree, my brethren, yield olives, or a vine figs? Neither [can] salt water yield sweet.  (So your own mouth can curse you and others. Speaking scripture or even agreeing with scripture blesses your soul.)   Do you remember what happened when the Israelites camped beside the bitter waters? It says in (Exo.15:23) And when they came to Marah, they could not drink of the waters of Marah, for they were bitter: therefore the name of it was called Marah. (24) And the people murmured against Moses, saying, What shall we drink? (25) And he cried unto the Lord; And the Lord showed him a tree, and he cast it into the waters, and the waters were made sweet. I believe the “tree” is the cross and that we are able to speak the “sweet waters” because of what Jesus did. The “waters” were bitter but God made them sweet. Thank You, Lord!   We're taught to think of leaven only in a negative way. And from the time we come out of “Egypt,” until the end of seven days when we come to the “rest,” we're to partake of only the unleavened bread (Exodus 12:15-20). Let's read what the Lord said in (Mat.16:6) And Jesus said unto them, Take heed and beware of the leaven of the Pharisees and Sadducees. (11) How is it that ye do not perceive that I spake not to you concerning bread? But beware of the leaven of the Pharisees and Sadducees. (12) Then understood they that he bade them not beware of the leaven of bread, but of the teaching of the Pharisees and Sadducees. That means we are not to take any teaching into our lives, other than this teaching. As we can see here this teaching is the Unleavened Bread.     But there is a teaching that is supposed to leaven us: (Mat.13:33) Another parable spake he unto them; The kingdom of heaven is like unto leaven, which a woman took, and hid in three measures of meal, till it was all leavened. The teaching that is supposed to “leaven” us is God's Word because those three measures of meal in this parable represent the spirit, the soul and the body. God's purpose is to completely regenerate our whole being, spirit, soul and body, through His Word. (1Th.5:23) And the God of peace himself sanctify you wholly; and may your spirit and soul and body be preserved entire, without blame at the coming of our Lord Jesus Christ. There are some groups that teach these promises are just spiritual and not physical, but they're both as it says in (Psa.107:20) He sendeth his word, and healeth them, And delivereth them from their destructions. Obviously, healing can be both spiritual and physical, and our healing has been given to us from God, according to His Word. Only His Word is able to completely sanctify us in spirit, soul and body. Praise the Lord!   You know, the first sign that Jesus did was turning water into wine in Cana of Galilee. This is in (Joh.2:1) And the third day there was a marriage in Cana of Galilee; and the mother of Jesus was there: (2) and Jesus also was bidden, and his disciples, to the marriage. (3) And when the wine failed, the mother of Jesus saith unto him, They have no wine. (4) And Jesus saith unto her, Woman, what have I to do with thee? mine hour is not yet come. (5) His mother saith unto the servants, Whatsoever he saith unto you, do it. (6) Now there were six waterpots of stone (Six is the number of man and the stone is hardened clay, which is what man is made out of.) set there after the Jews manner of purifying, containing two or three firkins apiece.    (Joh.2:7) Jesus saith unto them, Fill the waterpots with water. (The water is the Word of God.) And they filled them up to the brim. (8) And he saith unto them, Draw out now, and bear unto the ruler of the feast. And they bare it. (9) And when the ruler of the feast tasted the water now become wine, and knew not whence it was (but the servants that had drawn the water knew), the ruler of the feast calleth the bridegroom, (10) and saith unto him, Every man setteth on first the good wine; and when men have drunk freely, then that which is worse: thou hast kept the good wine until now. (11) This beginning of his signs did Jesus in Cana of Galilee, and manifested his glory; and his disciples believed on him.   What was the wine? It's says in (Mat.26:27) And he took a cup, and gave thanks, and gave to them, saying, Drink ye all of it; (28) for this is my blood of the covenant, which is poured out for many unto remission of sins. The wine was His blood and it says in (Lev.17:11) For the life of the flesh is in the blood; and I have given it to you upon the altar to make atonement for your souls: for it is the blood that maketh atonement by reason of the life. “The life of the flesh is in the blood.” This is showing us that if we fill our vessels with the Word of God, then God will turn that “water” into “wine,” or the “blood,” which is the nature of Jesus Christ! God is saying, “You fill your vessel with the Word and I'll turn it into the nature of Jesus Christ” because a little leaven leavens the whole lump. Praise be to God!    If you keep being faithful to put the Word in your heart, the Word will be faithful to bring forth the fruit. The Word is the “seed” of the sower, as Jesus taught. (Mat.13:3) And he spake to them many things in parables, saying, Behold, the sower went forth to sow; (4) and as he sowed, some [seeds] fell by the way side, and the birds came and devoured them: (5) and others fell upon the rocky places, where they had not much earth: and straightway they sprang up, because they had no deepness of earth: (6) and when the sun was risen, they were scorched; and because they had no root, they withered away. (7) And others fell upon the thorns; and the thorns grew up and choked them: (8) and others fell upon the good ground, and yielded fruit, some a hundredfold, some sixty, some thirty.   Many people don't know why they're just stagnating and not growing in the Lord, but this is the reason. It's because they're not being diligent to keep putting the Word in their heart. Did you know that as wheat goes through the process of bearing seed, which is its fruit, the plant progressively dies to itself and the same thing is true for us? Jesus said, (Mat.16:25) For whosoever would save his life shall lose it: and whosoever shall lose his life for my sake shall find it. So you have to lose your life, but that's not something you can do; it's something that the Lord has already accomplished! Through faith, we accept the death of the old man as a gift.    And we need to know that, (2Co.4:11) ... we who live are always delivered unto death for Jesus' sake, that the life also of Jesus may be manifested in our mortal flesh. The life of Christ will be manifested in our mortal flesh. Well, what about those people who say, “The life of Christ comes after you die and go to Heaven.” That's not what the Scripture says! It's in our mortal flesh! We are always going to be delivered over to death, so that this can come to pass.   You go through trials, troubles and tribulations, as Paul said: (2Co.4:8) We are pressed on every side, yet not straitened; perplexed, yet not unto despair; (9) pursued, yet not forsaken; smitten down, yet not destroyed; (10) always bearing about in the body the dying of Jesus, that the life also of Jesus may be manifested in our body. But you can go through trials and go through trials and you will go through them for nothing, if you don't exercise faith in the midst of the trial. Every trial, every trouble that you go through, is an opportunity to bring forth spiritual seed as you manifest more of Christ. And Paul tells us we have to, (1Ti.6:12) Fight the good fight of the faith, lay hold on the life eternal, whereunto thou wast called, and didst confess the good confession in the sight of many witnesses. Fight the good fight of the faith! Continue to agree with what the Word says and not with what your carnal senses are telling you.   If you don't fight, you lose! Automatically. If you do not fight, you will lose, but the fight is the “good fight of the faith.” In the midst of your trial, you take out the Word of God, which is the “sword of the Spirit.” We are commanded in (Eph.6:10) Finally, be strong in the Lord, and in the strength of his might. (11) Put on the whole armor of God, that ye may be able to stand against the wiles of the devil. (12) For our wrestling is not against flesh and blood, but against the principalities, against the powers, against the world-rulers of this darkness, against the spiritual [hosts] of wickedness in the heavenly [places]. (It's too easy in the trial to forget to fight with the demons behind it and not with the people they are using.) (13) Wherefore take up the whole armor of God, that ye may be able to withstand in the evil day, and, having done all, to stand. (14) Stand therefore, having girded your loins with truth, and having put on the breastplate of righteousness,     (15) and having shod your feet with the preparation of the gospel of peace; (16) withal taking up the shield of faith, wherewith ye shall be able to quench all the fiery darts of the evil [one]. (17) And take the helmet of salvation, and the sword of the Spirit, which is the word of God. Some people's spirits are totally defenseless because they don't ever study the Word. We need to give a sword to our spirit! If you know what you can believe in the midst of a trial, then you can use that like a sword and you'll win! You'll win because nothing can stand up against God's Word -- not the devil, not the world, not the flesh, nothing! And let this encourage you to know, (2Co.4:16) Wherefore we faint not; but though our outward man is decaying, yet our inward man is renewed day by day. (17) For our light affliction, which is for the moment, worketh for us more and more exceedingly an eternal weight of glory. God is going to use all these things that we go through so the Glory of God will be manifested in us. Praise be to God!   How is the glory of God manifested in us? It's manifested as we behold the Lord in the mirror, as we've said. You continue to behold the Lord in the mirror! As you do that, you are going to be transformed into His image, from glory to glory, but this process he's talking about in verses 16 and 17 won't come to pass, unless you pay close attention to verse 18. (2Co.4:18) While we look not at the things which are seen, but at the things which are not seen: for the things which are seen are temporal; but the things which are not seen are eternal. In other words, you must not pay attention to the things that you see with your natural eyes, if you want to bear fruit, because with your natural eyes you can look only upon yourself. Your natural eyes see where you are, but God wants you to look at the face of Christ in the mirror and see where you are by faith!    That's what He wants you to see and He wants you to accept that as a gift!  At the end, everybody is going to throw their crowns at the Lord's feet as it says in (Rev.4:10) The four and twenty elders shall fall down before him that sitteth on the throne, and shall worship him that liveth for ever and ever, and shall cast their crowns before the throne, saying, (11) Worthy art thou, our Lord and our God, to receive the glory and the honor and the power: for thou didst create all things, and because of thy will they were, and were created. Everybody is going to know that it wasn't ever through our works and it wasn't through our efforts; it was totally by His grace! (Eph.2:8) For by grace have ye been saved through faith; and that not of yourselves, it is the gift of God; (9) not of works, that no man should glory. (10) For we are his workmanship, created in Christ Jesus for good works, which God afore prepared that we should walk in them.   And by grace are you still saved through faith and that's not of yourself; it's a gift of God! It's not of your works, lest any man should boast, for in Christ Jesus were we created for good works. It's all faith! While you're not exercising faith, this process is not going on! But while we look at the things which are not seen with the natural eye, while we look at the things that are our gift, which are the promises of the Word, this process will be going on. The putting to death of the old man, in order to bring to life the new man, will be happening automatically, like a seed growing up out of the earth. Study the promises of God. They are the power of God! (Rom.1:16) For I am not ashamed of the gospel: for it is the power of God unto salvation to every one that believeth....   And we read in (Col.3:3) For ye died, and your life is hid with Christ in God. (4) When Christ, [who is] our life.... When you manifest sonship, what have you manifested? You've manifested (Col.1:27) ... Christ in you, the hope of glory. When you go astray from the Word, as the Galatians did, do you know what you're going astray from? You are going astray from the manifestation of Christ! Paul told the Galatians, (Gal.4:19) My little children, of whom I am again in travail until Christ be formed in you. In other words, they weren't sons; they were children. They had gone astray from faith. They had withdrawn from grace and they were getting back into legalism. In this place, there was no hope of them ever manifesting Christ. We just received this dream of a person who fell away because of faction but it fits all falling away.   Marie Kelton -7/26/24 During the meeting, I had asked the father where a certain fallen person was with him. And then had an open vision, of a beautiful tree with leaves on it on a hill. I then saw a hand come from heaven, and shake the tree until there were no leaves on it. (It no longer could take in the light.) And then snap the tree from the trunk. And pull it up. The roots were still in the ground though.  Luke 13:6-9 And he spake this parable; A certain man had a fig tree planted in his vineyard; and he came seeking fruit thereon, and found none. And he said unto the vinedresser, Behold, these three years I come seeking fruit on this fig tree, and find none: cut it down; why doth it also cumber the ground? And he answering saith unto him, Lord, let it alone this year also, till I shall dig about it, and dung it: and if it bear fruit thenceforth, well; but if not, thou shalt cut it down. I wasn't sure if I was seeing clearly so the lord gave me another vision of the same tree with a rope being tied around it, being pulled up with the roots this time. I still wanted to be sure so the lord gave me a vision of him standing next to me with a little potted plant in his hand and he pulled the plant up from the pot showing the roots. And yet still I wasn't sure if I was seeing clearly. So the Lord gave me another vision of me sitting in my house sitting on my couch, having an open vision of the tree with the rope around the trunk being pulled from the ground with the roots showing.  Jude 1:12 These are they who are hidden rocks in your love-feasts when they feast with you, shepherds (Not numeric) that without fear feed themselves; clouds without water, carried along by winds; autumn leaves without fruit, twice dead, plucked up by the roots. The Lord then gave me another open vision during the meeting of 3 pieces of silver hitting the floor. I immediately, thought of the 30 pieces of silver that Judas betrayed Jesus for. (Those who betray the body of Christ to follow their lusts will be condemned) Matthew 27:3-5 Then Judas, who betrayed him, when he saw that he was condemned, repented himself, and brought back the thirty pieces of silver to the chief priests and elders, saying, I have sinned in that I betrayed innocent blood. But they said, What is that to us? see thou to it. And he cast down the pieces of silver into the sanctuary, and departed; and he went away and hanged himself. Concerning those who cannot manifest Christ through law, he gave them the parable about the handmaid and the free woman: (Gal.4:21) Tell me, ye that desire to be under the law, do ye not hear the law? (22) For it is written, that Abraham had two sons, one by the handmaid, and one by the freewoman. (23) Howbeit the [son] by the handmaid is born after the flesh; but the [son] by the freewoman [is born] through promise. (24) Which things contain an allegory: for these [women] are two covenants; one from mount Sinai, bearing children unto bondage (through the law), which is Hagar. (25) Now this Hagar is mount Sinai in Arabia and answereth to the Jerusalem that now is: for she is in bondage with her children. (26) But the Jerusalem that is above is free, which is our mother. (So, in other words, he told them, “If you're going to be children of the free woman, it's going to be by faith; it's going to be by grace. It won't be through your own works and it won't be through your own efforts because it can't be by the Law.”)  We are commanded in (Col.3:5) Put to death therefore your members which are upon the earth: fornication, uncleanness, passion, evil desire, and covetousness, which is idolatry; (6) for which things' sake cometh the wrath of God upon the sons of disobedience: (7) wherein ye also once walked, when ye lived in these things; (8) but now do ye also put them all away: anger, wrath, malice, railing, shameful speaking out of your mouth: (9) lie not one to another; seeing that ye have put off the old man with his doings (You're not going to be able to obey verses 5 through 8, unless you can see that you have put off the old man with his doings in verse 9.), (Col.3:10) and have put on the new man, that is being renewed unto knowledge after the image of him that created him. Can you see that you've put on the new man? Can you see that all of your sin and your sinful nature has been put off and that it's all dead?     Can you see by faith that you have put off the old man and you have put on the new man, Who is Jesus. (Gal.2:20) I have been crucified with Christ; and it is no longer I that live, but Christ living in me: and that life which I now live in the flesh I live in faith, the faith which is in the Son of God, who loved me, and gave himself up for me. “It's no longer I that live, it's Christ Who lives in me.” Paul made a bold confession of faith and we need to be able to do the same thing. In order to become sons, we need to be able to see as he saw. God's purpose in Christ was to make Him a seed Who would bring forth many, many sons through belief in that seed. That was His purpose! In the Parable of the Sower (Matthew 13:1-13; Mark 4:1-30; Luke 8:4-15), the word there for “seed” is actually the Greek word sperma. He sowed that seed in this old, dirty earth, and the fruit it's bringing forth is Christ.   Now, religion can really puff you up, can't it? It can make you so proud that you won't be able to receive the things of God, for He resists the proud (James 4:6; 1 Peter 5:5). Let's go to (Col.2:16) Let no man therefore judge you in meat, or in drink, or in respect of a feast day or a new moon or a sabbath day: (17) which are a shadow of the things to come; but the body is Christ's. (18) Let no man rob you of your prize by a voluntary humility and worshipping of the angels, dwelling in the things which he hath seen (This speaks of seeing with your natural eyes and not in the spirit.), vainly puffed up by his fleshly mind. When your only understanding is letter and not spirit, all it does is puff up your natural, fleshly mind. It doesn't give you the mind of Christ. The mind of Christ does not come from seeing only the letter because the letter kills the meaning of the Spirit that edifies your soul.     If we understand this, we won't be puffed up by our natural man. We won't be proud or self-righteous because of things we have seen or done in the flesh. Otherwise, our natural mind is going to take over and look at what God says is the penalty for doing this: (Col.2:19) and not holding fast the Head.... See, if you walk after natural sight, puffed up in your fleshly mind, you can't “hold fast” the head. This can only be done through faith and not through our works, for God empowers faith. There is no fruit in not agreeing with God as it says in (Amo.3:3) Shall two walk together, except they have agreed? We can't walk hand-in-hand with Christ, unless we agree with the Spirit of His Word. If you only see with natural eyes, you will not agree with Christ; you will not walk with Him. You cannot walk in the Spirit and you cannot be a son of God. (Rom.8:14) For as many as are led by the Spirit of God, these are sons of God.    What you see with your natural eyes will lead you away from Christ so quickly. It will cause you to be anxious and worried, it will cause you to be fearful and it will keep you from walking by faith. The most important thing to us in all the world should not be “going to church”. The most important thing to us in all the world is getting the Word into our heart because the Word is the seed of God with which God creates Jesus Christ in us. The Word is what brings forth the fruit of Christ in us. Put the Word in your heart! Study the Word! You might say, “Well, David, I tried, but I got distracted”. Folks, this is not salvation by works! You can't struggle to make yourself study the Word the way you are supposed to do it. You have to ask God for that gift. “For by grace have ye been saved through faith; and that not of yourselves, it is the gift of God”.     From the very foundation of faith, it starts with God; it doesn't start with you. Notice what it says in (Joh.15:16) Ye did not choose me, but I chose you, and appointed you, that ye should go and bear fruit, and that your fruit should abide: that whatsoever ye shall ask of the Father in my name, he may give it you. “Ye did not choose me, but I chose you”. God chose us! We didn't come to Christ because we chose Him. We came to Christ because He drew us and then we chose Him! You don't come to Christ unless He draws you as Jesus says in (Joh.6:44) No man can come to me, except the Father that sent me draw him.... We need to pray that God will put in us the desire, a hunger and thirst, for the truth of the Word of God. Everybody who hungers and thirsts after the truth will not have to worry about being deceived. That's not possible, if you truly hunger and thirst after the truth!    Without motivation to seek the truth, you have no hope because we are just what we are and that's what we will always be, without the influence of God. God showed me the example of a dog. You can try to teach a dog how to do human things, but he has no hope of being anything but what he is. He can only do what he is. God would have to put another heart in that dog for him to be anything other than what he is. And that's why there's no use in condemning lost people because they can only be what they are and they will never be anything but what they are, unless something from the outside comes in and changes them. The faith that brings this to pass comes from God, so go to God.   Take time to pray, “Lord, help me! I am not digging into Your Word the way I see I should. I ask You to put it in my heart to do this and I thank You for it.” (Php.4:6) In nothing be anxious; but in everything by prayer and supplication with thanksgiving let your requests be made known unto God. When you pray with thanksgiving, that's faith because you are thanking God for something you haven't seen yet. Don't be anxious; don't worry about a thing! (Php.4:7) And the peace of God, which passeth all understanding, shall guard your hearts and your thoughts in Christ Jesus.   We progressively grow as it says in (Eph.4:13) Till we all attain unto the unity of the faith, and of the knowledge of the Son of God, unto a fullgrown man, unto the measure of the stature of the fulness of Christ: (14) that we may be no longer children, tossed to and fro and carried about with every wind of doctrine, by the sleight of men, in craftiness, after the wiles of error; (15) but speaking truth in love, we may grow up in all things into him, who is the head, even Christ. Paul is talking about how we are learning to follow the Head! We are not our own head; Christ is our Head and we're the Bride if we submit to Him. Christ is the Head of the Church! He's our Head and we have no right anymore to go our own way, do our own thing, think our own thoughts, or see what we want to see because Christ is the Head!   And did you know that the Lord is searching throughout the earth for a place where He can set His Head? It says in (Luk.9:57) And as they went on the way, a certain man said unto him, I will follow thee whithersoever thou goest. Just like Peter, he was speaking out of self-confidence, and we've all thought that way, too, haven't we? (Luk.9:58) And Jesus said unto him, The foxes have holes, and the birds of the heaven [have] nests (The Greek word here is actually “abodes” or “abiding places.”); but the Son of man hath not where to lay his head. What does He mean? Well, you're probably thinking, “He's looking for a house to lay His head down in.” No, the Bible teaches that He's looking for a place, a “house,” to lay His Head on. He is not your Head, unless you follow Him. (Luk.9:59) And he said unto another, Follow me....    Notice that Jesus said, “If you do this, you are My disciple; if you don't do this, you cannot be My disciple.” He always related in terms of discipleship (See, Matthew 10:37- 38,42; Mark 8:34; Luke 9:23, 14:26-27, 33; John 1:43, 12:26; etc.). Today, we relate in terms of who is and who is not a “Christian,” but we really ought to go back to calling people “believers.” Remember, it was the pagans who first called the Christians, “Christians,” because they walked and talked like Christ, which is no longer true. Now it's become just a pagan term because it's so loosely applied that nobody knows what a true “Christian” is! “Believers” is a little different because “believers” says that you believe what the Word says. The Greek word for “disciple” is mathetes and it means “learner and follower.” So if you are a “learner and a follower” of Christ, then Christ is your Head.     If you're going your own way, He's not your Head! Jesus is looking for an abode, an “abiding place,” for His Head. Let me show you another place where “abode” is used. It says in (Joh.14:23) Jesus answered and said unto him, If a man love me, he will keep my word: and my Father will love him, and we will come unto him, and make our abode with him. (This is the same word that is translated “nests” in Luke 9:58: “the birds of the heavens have nests.”) See, the Lord isn't looking for a physical house to be His abode, but He is looking for a “house” on which to put His Head!     By the way, God is making His “abode” with you. Did you know that? (Joh.14:2) In my Father's house are many mansions; if it were not so, I would have told you; for I go to prepare a place for you. The word there for “mansions” is just a different Greek word for “abodes.” You see, in the Father's House there are many nice “abodes”; there are many “abiding places” for the Father, not for you. It's the Father's House, not your house. God's House is made up of many buildings and they are all put together into a Holy Temple in the Lord as it says in (Eph.2:21) In whom each several building, fitly framed together, groweth into a holy temple in the Lord; (22) in whom ye also are builded together for a habitation of God in the Spirit. We are those nice buildings that He dwells in!  And we will have a nice abode to dwell in. Some will be closer to the throne than others. And we read in (Rev.21:9) And there came one of the seven angels who had the seven bowls, who were laden with the seven last plagues; and he spake with me, saying, Come hither, I will show thee the bride, the wife of the Lamb. (10) And he carried me away in the Spirit to a mountain great and high, and showed me the holy city Jerusalem, coming down out of heaven from God, (11) having the glory of God: her light was like unto a stone most precious, as it were a jasper stone, clear as crystal: (12) having a wall great and high; having twelve gates, and at the gates twelve angels; and names written thereon, which are the names of the twelve tribes of the children of Israel: (13) on the east were three gates; and on the north three gates; and on the south three gates; and on the west three gates. (14) And the wall of the city had twelve foundations, and on them twelve names of the twelve apostles of the Lamb. That New Jerusalem building and all the symbolism in it reflects the Bride.     Let me show you this again in (1Pe.2:4) Unto whom coming, a living stone, rejected indeed of men, but with God elect, precious, (5) ye also, as living stones, are built up a spiritual house, to be a holy priesthood, to offer up spiritual sacrifices, acceptable to God through Jesus Christ. (6) Because it is contained in scripture, Behold, I lay in Zion a chief corner stone, elect, precious: And he that believeth on him shall not be put to shame. The only type of building that has a “chief corner stone” is a pyramid. The head stone is the very top stone, but it's also the chief corner stone because it's where all four corners of the pyramid meet. (1Pe.2:7) For you therefore that believe is the preciousness: but for such as disbelieve, The stone which the builders rejected....   Did you know that the Great Pyramid was built by Enoch and his sons as a prophecy from God? Inside it, there is a timetable of history and for coming events. It also has many measurements encoded, such as the earth's circumference and the distances between the earth and the moon. But the chief cornerstone was never laid! It was rejected by the builders. It was a prophecy of our Chief Corner Stone, Jesus! The Great Pyramid: Prophecy In Stone, by Noah W. Hutchings, is a book about the prophecies of the Great Pyramid. You see, the Great Pyramid wasn't built when the other pyramids were built; it was built before the Flood. The other pyramids were built later by the Egyptians because they saw the properties that were in the Great Pyramid and they copied it. The Bible talks about the Great Pyramid in several places because it's a prophecy about the Church and the “Chief Corner Stone.” According to archeologists, the Great Pyramid went through the flood and didn't settle one 1/100th of an inch anywhere. It's built on and socketed down into a solid rock. It's amazing! Engineers are doubtful it could be built today, even with all our modern machinery.     Going on in (1Pe.2:7) For you therefore that believe is the preciousness: but for such as disbelieve, The stone which the builders rejected, The same was made the head of the corner; (Notice: He is both head and corner.) (8) and, A stone of stumbling, and a rock of offence; for they stumble at the word, being disobedient.... By the way, this word “disobedient” is the word apeitheia and it means both “unbelieving” and “disobedient.” The Greeks had the same word for “unbelieving” and “disobedient” because, if you are unbelieving, you will be disobedient and, if you're disobedient, it's because you are unbelieving. (1Pe.2:8) And, A stone of stumbling, and a rock of offence; for they stumble at the word, being disobedient: whereunto also they were appointed. (9) But ye are an elect race, a royal priesthood, a holy nation, a people for God's own possession, that ye may show forth the excellencies of him who called you out of darkness into his marvelous light.   Jesus can only put His Head on a “house” that makes Him Head. Paul says in (Eph.5:23) For the husband is the head of the wife, and Christ also is the head of the church, [being] himself the Saviour of the body. When you submit to the Word, then He becomes your Head, like a wife is to make her husband the head in everything. (Eph.2:18) For through him we both have our access in one Spirit unto the Father. (19) So then ye are no more strangers and sojourners, but ye are fellow-citizens with the saints, and of the household of God (Keep in mind it's God's House.), (20) being built upon the foundation of the apostles and prophets, Christ Jesus himself being the chief corner stone.... Jesus is the Chief Corner Stone of the Household of God and, if you won't submit to Him, you can't be in the House of God!    Submitting to Him is seeing the way He's commanded you to see and hearing the way He's commanded you to hear. (Eph.2:20) Being built upon the foundation of the apostles and prophets, Christ Jesus himself being the chief corner stone; (21) in whom each several building.... The Greek says, “every building.” In other words, (21) in whom every building fitly framed together (So we see that the Household of God is made up of many buildings; or, “In my Father's House, there are many mansions.”), groweth into a holy temple in the Lord; (22) in whom you also are builded together for a habitation of God in the Spirit. Who is the building? It's you! The Household of God is you! These mansions He's putting into His House symbolize all those who will submit to the Head. Remember, Jesus said, “Follow Me.” If you follow Him, He has a place to put His Head.     Somebody who's “not holding fast the head” is somebody who's puffed up by their natural mind and the things they see with their natural eyes. You won't have the Head of Christ, if you walk after your natural eyes and, if you don't have the Head of Christ, you're not one of the “buildings” being fitted into the building beneath Him. Now let's read in (Luk.9:59) And he said unto another, Follow me. But he said, Lord, suffer me first to go and bury my father. Here's someone who says, “Me first,” so the Lord is not finding a “house” here upon which to put His Head. (60) But he said unto him, Leave the dead to bury their own dead; but go thou and publish abroad the kingdom of God. (61) And another also said, I will follow thee, Lord; but first (“But first! But first!” Nothing else can be first!) suffer me to bid farewell to them that are at my house. (62) But Jesus said unto him, No man, having put his hand to the plow, and looking back, is fit for the kingdom of God.    When you say, “Me first,” you're looking back from the plow and when you look back at where you were, instead of where you're going, you will walk a crooked walk. If you are starting to plow or disc a field you set your eyes straight ahead at a target on the other side.  If you look back you will swerve off the path. Reckon yourself to be dead! Dead men don't say, “Me first!” Dead men don't talk back! If you're dead, the only right you have is to obey your Master, the Lord. You don't have any personal rights anymore. Anyone who wants personal rights doesn't want Jesus as their Head. It says in (Php.2:13) For it is God who worketh in you both to will and to work, for his good pleasure. We need to pray and ask the Lord to put this desire in us: “Lord, let me serve You,” because if we allow anything of the world to take priority over that, Jesus will not be our Head! It's the same as when a woman doesn't submit to her husband; she doesn't have a head as it says in (1Co.11:3) But I would have you know, that the head of every man is Christ; and the head of the woman is the man; and the head of Christ is God. If we want to have our Head, then we have to submit to the chain of command, according to God's order of government.   Now, as we've talked about earlier, we each have a “Promised Land” to conquer and, if we come into agreement with what God says, as Joshua and Caleb did, we will conquer our promised land. God has shown me several parallels about the Promised Land. For one, He's shown me that the Promised Land is the natural life of the born again man. Let's go to (Heb.6:4) For as touching those who were once enlightened and tasted of the heavenly gift, and were made partakers of the Holy Spirit, (5) and tasted the good word of God, and the powers of the age to come, (6) and then fell away, it is impossible to renew them again unto repentance; seeing they crucify to themselves the Son of God afresh, and put him to an open shame. (7) For the land which hath drunk the rain that cometh oft upon it, and bringeth forth herbs meet for them for whose sake it is also tilled, receiveth blessing from God: (8) but if it beareth thorns and thistles, it is rejected and nigh unto a curse; whose end is to be burned.     The Israelite is to rule in this land that's been promised to him and the Canaanite is the old man, the man who must die. And in another way, God has shown me that the Promised Land is also all the promises of the Word. God told Joshua, (Jos.1:3) Every place that the sole of your foot shall tread upon, to you have I given it, as I spake unto Moses. Every place where you stand on this Word, God will give it to you. (Jos.1:5) There shall not any man be able to stand before thee all the days of thy life: as I was with Moses, so I will be with thee; I will not fail thee, nor forsake thee.  Nobody will be able to stand before you! If you stand on this Word, the old man, that carnal man, the Canaanite, will not be able to stand before you! He will not be able to resist you! Joshua and Caleb stood on the Word when they spoke in agreement with God. They didn't say what they saw, what they felt and what they heard with their natural senses. They each conquered their Promised Land.   Those other spies brought the bad report when they said what they saw, what they felt and what they heard. They did not agree with God when they did that (Numbers 13 and 14). The only way you can take the Promised Land is to see what God says to see, hear what God says to hear and feel what God says to feel. This is walking by the Spirit. That's why we have to renew our minds with the Word.   It's quite natural to have the old mind and you are going against the ways of the whole world when you change your mind and repent, and say what the Bible says to say. But it says in (Isa.8:20) To the law and to the testimony! if they speak not according to this word, surely there is no morning for them. There will be no new light, no new day for anybody who doesn't speak according to this Word. And (2Co.4:4) In whom the god of this world hath blinded the minds of the unbelieving, that the light of the gospel of the glory of Christ, who is the image of God, should not dawn [upon them]. Our only hope is to agree with God!   You cannot come out from under the curse, if you don't agree with God. (Rev.22:18) I testify unto every man that heareth the words of the prophecy of this book, if any man shall add unto them, God shall add unto him the plagues which are written in this book: (19) and if any man shall take away from the words of the book of this prophecy, God shall take away his part from the tree of life, and out of the holy city, which are written in this book. In circumstances and situations, we're always tempted to add to and take away from the Word. But when you disagree with the Word and you say what comes through your natural senses, you stay underneath the curse. But remember, Jesus gave us authority! (Mat.18:18) Verily I say unto you, what things soever ye shall bind on earth shall be bound in heaven; and what things soever ye shall loose on earth shall be loosed in heaven.    When we agree with the Word, we're going to bind the carnal man, the flesh! When we disagree with the Word, we loose him and we don't carry on the process of death to the old man. So, look again here in (2Co.4:16) Wherefore we faint not; but though our outward man is decaying, yet our inward man is renewed day by day. (17) For our light affliction, which is for the moment, worketh for us more and more exceedingly an eternal weight of glory; (18) while we look not at the things which are seen, but at the things which are not seen: for the things which are seen are temporal; but the things which are not seen are eternal. The process is only carried on by seeing that we've been delivered, we've been set free! The old man's dead!  Let's go to (Num.21:4) And they journeyed from mount Hor by the way to the Red Sea, to compass the land of Edom: and the soul of the people was much discouraged because of the way. Do you know how to become discouraged, anxious or troubled? You pay attention to the things that are and you don't pay attention to what God has given you, which are the many promises in the Word. And it doesn't ever stop with just discouragement, but next you begin to speak against the Lord. (Num.21:5) And the people spake against God.... And when you speak against God, the next step is God's judgment. We sometimes live continually under the judgment and the chastenings of the Lord because we speak against God. We add to or take away from the Word and, in so doing, we don't come out from under the curse.   Now, not everybody believes this but the Bible says that God sent the curse. We've been told the devil is behind it all, but if you read Deuteronomy 28, God says over and over, “Cursed shalt thou be....” (Deu.28:15) But it shall come to pass, if thou wilt not hearken unto the voice of the Lord thy God, to observe to do all his commandments and his statutes which I command thee this day, that all these curses shall come upon thee, and overtake thee. And then He details the curse from verse 16 all the way down through verse 68. But even though God sent the curse, He also sent Jesus to deliver us from the curse. So, here we are under the curse because of our sins and our rebellion against God, but Jesus came to deliver us from the curse through our faith in Him and subsequent submission to Him.   We came under the curse because we submitted to self and the devil, and God sent the curse to motivate us to repent. Jesus offers us the ability to turn around and go the other way because Jesus has already delivered us from the curse and His salvation is total. (Num.21:5) And the people spake against God, and against Moses, Wherefore have ye brought us up out of Egypt to die in the wilderness? for there is no bread, and there is no water; and our soul loatheth this light bread. (The manna from heaven; the Word.) (6) And the Lord sent fiery serpents among the people, and they bit the people; and much people of Israel died. (7) And the people came to Moses, and said, We have sinned, because we have spoken against the Lord.... Well, they were walking only by the sight of their natural eyes and that caused them to speak against the Lord.    Why didn't they see and hear the Word? God told them He was their “Jehovah-Jireh.” (Gen.22:14) And Abraham called the name of that place Jehovah-jireh. As it is said to this day, In the mount of the Lord it shall be provided. If that would have been foremost in their mind, they never would have become discouraged. And the quicker you see and hear that, the quicker the end result comes, which is God's provision. God told Joshua, (Jos.1:8) This book of the law shall not depart out of thy mouth, but thou shalt meditate thereon day and night, that thou mayest observe to do according to all that is written therein: for then thou shalt make thy way prosperous, and then thou shalt have good success. He would have “good success” in doing what? Joshua would have good success in conquering the Promised Land. We'll have good success conquering this Promised Land, if we don't let anything but the Word of God come out of our mouth.  The sooner we submit the sooner the answer comes. Psa 81:13-14 Oh that my people would hearken unto me, That Israel would walk in my ways!  14  I would soon subdue their enemies, And turn my hand against their adversaries.   The serpent bite just symbolizes any manifestation of the curse, such as a sickness, or oppressing spirits, or lack of any kind. The curse of sin and of death has bitten all of those who have disagreed with God. And, to the extent that we are disagreeing with God now, we live under the curse of sin and of death. Our hope of coming out from under the curse of sin and of death is to get our eyes on the promises we have in the Word and agree with God. And, of course, that's exactly what God did here. What was His cure? What's an antidote for a snakebite? The antidote is to have a little bit of the poison in you, until your system builds up an immunity to it. You know, we didn't choose to be sinners, did we? (Rom. 8:20) For the creation was subjected to vanity, not of its own will, but by reason of him who subjected it, in hope (21) that the creation itself also shall be delivered from the bondage of corruption into the liberty of the glory of the children of God. The Lord subjected this creation to vanity. We all have a little bit of snakebite.    Nobody can get further away from sin than somebody who's been in it. The elect angels desire to look into God's grace and salvation. They're curious about it because, since they've never been sinners, they've never needed it. We need it! We will be the creation that God wants after being delivered from sin. If God only wanted angels, He would have made us all angels! God didn't want only angels; He wanted people who were sinners and who were redeemed by His grace through faith. He wants sons who are saved through faith because then they appreciate God and they understand grace! Jesus taught this in (Luk.7:40) And Jesus answering said unto him, Simon, I have somewhat to say unto thee. And he saith, Teacher, say on. (41) A certain lender had two debtors: the one owed five hundred shillings, and the other fifty. (42) When they had not wherewith to pay, he forgave them both. Which of them therefore will love him most?     (43) Simon answered and said, He, I suppose, to whom he forgave the most. And he said unto him, Thou hast rightly judged. (44) And turning to the woman, he said unto Simon, Seest thou this woman? I entered into thy house, thou gavest me no water for my feet: but she hath wetted my feet with her tears, and wiped them with her hair. (45) Thou gavest me no kiss: but she, since the time I came in, hath not ceased to kiss my feet. (46) My head with oil thou didst not anoint: but she hath anointed my feet with ointment. (47) Wherefore I say unto thee, Her sins, which are many, are forgiven; for she loved much: but to whom little is forgiven, the same loveth little. (48) And he said unto her, Thy sins are forgiven. (49) And they that sat at meat with him began to say within themselves, Who is this that even forgiveth sins? (50) And he said unto the woman, Thy faith hath saved thee; go in peace.   You know, we can love God more than the angels can because we've been forgiven of much. We understand grace. God sent Jesus to give us this grace and all we have to do is get our eyes on what Jesus accomplished for us at the cross. (Num.21:8) And the Lord said unto Moses, Make thee a fiery serpent, and set it upon a standard: and it shall come to pass, that every one that is bitten, when he seeth it, shall live. (9) And Moses made a serpent of brass, and set it upon the standard: and it came to pass, that if a serpent had bitten any man, when he looked unto the serpent of brass, he lived. We have to get our eyes on the serpent on the pole. Don't be tempted to look at the world! Don't be tempted to look at the “snakebite”! Don't be tempted to look at the sin or the sickness or whatever the trial is that you're going through.   It's not introspection that's going to save you. Popular psychology teaches “inner healing,” but it's all straight from the devil because it's introspection. God doesn't tell you to inspect your sin! He doesn't tell you to inspect your sickness! He doesn't tell you to inspect the “snakebite”! He tells you to get your eyes on what He's done for you; everything else causes unbelief. (2Co.5:21) Him who knew no sin he made [to be] sin on our be half; that we might become the righteousness of God in him. Jesus became sin for us. Everything that we were that was degenerate was put upon Him. The exchange has been made. Can you see your sin, your corruption, your sickness all put upon Him? This is what you are supposed to see and spiritual senses are the only way we can see according to the Word.   Praise be to God! Keep your eyes on Jesus, saints! Keep praising and thanking God for all that He's accomplished for us! Hallelujah!     I Want To Capture You  Debbie Fenske 7/12/24  This worship night was a very special time of worship. Michael encouraged us to just give Jesus our all, to just give everything up. Nothing, and no one is more important than our closeness with Jesus, and our complete giving up of ourselves in love unto Him in worship, feeling His presence and His love holding us.  So, as I was worshiping Jesus with one of the worship songs, there was such a strong sense of His Spirit there, right up there in the midst of me and Sue, where Chuc and Matthew were. I could see Jesus looking out over all of us, so touched by our hearts in worship of Him, and so full of love for us.  Then Jesus said, “Will you let Me capture you? I want to capture you this night.”  After we finished the last song, Chuc kept strumming beautiful music on his guitar, and letting us know that he was receiving from the Lord that someone had a prophetic song to give. He spoke that out a few times. I finally felt that I should just begin singing out what I knew the Lord was wanting to say, with the worshipful tune Chuc was playing on His guitar. But only part of the word was sung.    “I want to capture you. Will you let Me capture you this night? You are mine and I want all of you. Let Me capture you. Let everything go and let Me capture you. This is My heart tonight.    Look only at Me. You must not let your weaknesses, and the thought that you are not yet good enough, hold you back any longer. For I see within you deeper than you see within yourself. I am not seeing your weaknesses. I see your heart. And I know the depth of your love. And I see and know your desire and heart of love towards Me, I see you allowing Me to have My way in you.  So this is a time of freedom as you let Me capture you. So I say again, let Me capture you this night. This is the night of My Capture.”    Then Winnie shared, as confirmation, this scripture that the Lord had put on her heart earlier before the meeting.   2Co 12:9-10 And he hath said unto me, My grace is sufficient for thee: for my power is made perfect in weakness. Most gladly therefore will I rather glory in my weaknesses, that the power of Christ may rest upon me. 10 Wherefore I take pleasure in weaknesses, in injuries, in necessities, in persecutions, in distresses, for Christ's sake: for when I am weak, then am I strong.  The Lord also put this scripture in her mind today:  2Co 4:7 But we have this treasure in earthen vessels, that the exceeding greatness of the power may be of God, and not from ourselves;  Praise you Father for Your great love and mercy towards us. And that You love us with such a great love, and that You want all of us. Thank You that You, God, see in us the finished product. And by faith we see that too, Lord. Your glory in us. We want all of You, Jesus, and we want You to have all of us. So, yes, Lord. Capture us!      Do Diligence  Debbie Fenske – 6/21/24  I would like to give out this word that the Lord began speaking to me about 5:30 this evening. I felt some things I heard shared tonight by Chuc in his prayers during worship time, and I think also in some things David was saying, too, went along with this word.  “My people, do diligence. Diligence, diligence, My people. Allow every aspect of your life to be operated with diligence. Diligently listen for Me. Diligently listen to Me. Diligently know Me in My word and your times of worshiping Me. I long for the hearts that diligently worship Me, in praying to Me, and diligently doing warfare, letting go of every form of self-effort, trusting Me completely in every area of your life. Your life must be a sacrificial diligence in doing all that you know to do, by My grace. Ask Me. I will grace you with a diligent spirit and a diligent mind.  I see much effort. Add diligence in your efforts in walking with Me in every area of living and abiding in Me, My people, called to be in My Bride. Yes, this must needs go out to all those called to be, and desiring to be in My Bride. How close at hand is the time. Be My diligent Shulamite. I am calling for you. I am calling for more of you.” 

Today's Topics: 1) Gospel - Mt 8:18-22 - When Jesus saw a crowd around Him, He gave orders to cross to the other shore. A scribe approached and said to Him, "Teacher, I will follow You wherever You go." Jesus answered him, "Foxes have dens and birds of the sky have nests, but the Son of Man has nowhere to rest His Head." Another of his disciples said to Him, "Lord, let me go first and bury my father." But Jesus answered him, "Follow me, and let the dead bury their dead." Memorial of Saint Junipero Serra, Priest Saint Junipero, pray for us! Father Charles Murr joins Terry to discuss the implications of a ban the Traditional Latin Mass Bishop Sheen quote of the day

IN THIS EPISODE: Haunted by a shadowy spirit creature which they say lives inside their home, a Gasparillo family is now seeing spiritual help to remove their unwanted guest. (Spirt Creature Tortures Family) *** Coyotes are of the dog family and are formidable and deadly hunters. But could they also have the ability to shape-shift? (Coyotes and the Chupacabra) *** 
People have been chasing Bigfoot for more than sixty years. Yet still, we have no definitive, physical proof of its existence. Could the explanation be that Bigfoot is visiting us from another dimension? (Interdimensional Sasquatch) *** An English town is terrorized by a beast that appears to have a rooster's head and body, the wings of a bat, and a snake's tail. We'll look at the legend of the cockatrice. (The Terrorizing Cockatrice) *** Shortly after the terrorist attack on New York on September 11th, 2001 – another terrorist attack began. This time it was targeting public figures. The weapon of choice was anthrax, and the method of delivery was the U.S. Post Office. (Who Sent the Anthrax Letters?) *** A legal battle takes place over the rights of ownership of mummified cats! (Meowing Mummies) *** A very strange case involving time travel and power to change timelines was reported in 1977s. The case caused a sensation world-wide. Had Sid Hurwich the creator of the time-altering machine really found a way to alter historical events? (The Machine That Could Freeze Time) *** An incestuous love triangle between a young woman, her uncle, and a restaurant chef ends up in murder! (Caused By Jealously) *** In 1888, London was terrorized by the serial murderer of women who called himself Jack the Ripper. Four years later another Jack came into existence. This one murdering men – and this time in New York City. (Jack the Slasher) YOUTUBE CHAPTERS & TIME STAMPS…00:00:00.000 = Title Story Preview and Show Open00:04:59.722 = Chet Chetter's Tales From The Morgue, “Elmer Vs The Mutant Rats” (Air Date Unknown)00:31:23.365 = Weird Darkness, “Interdimensional Sasquatch, Part 1”00:38:13.862 = Cloak And Dagger, “Trojan Horse” (May 28, 1950)01:09:14.912 = Weird Darkness, “Interdimensional Sasquatch, Part 2”01:18:36.378 = The Creaking Door, “Haunted Hangman” (Air Date Unknown)01:48:14.357 = Weird Darkness, “Interdimensional Sasquatch, Part 3”01:55:43.010 = Weird Darkness, “Spirit Creature Tortures Family”02:01:30.279 = Creeps By Night, “Six Who Did Not Die” (July 11, 1944)02:31:23.537 = Weird Darkness, “Coyotes and Chupacabra”02:38:31.938 = Crime Classics, “John Hayes, His Head, And How They Parted” (October 28, 1953)03:06:46.686 = Weird Darkness, “Jack The Slasher”03:12:42.811 = Dark Fantasy, “The Thing From The Sea” (November 28, 1941)03:37:19.652 = Weird Darkness, “Caused By Jealousy”03:39:55.227 = Weird Darkness, “Who Sent The Anthrax Letters?”03:47:12.108 = The Devil And Mr. O, “Revolt of Worms” (October 01, 1971)04:17:41.383 = Weird Darkness, “The Terrorizing Cockatrice”04:21:05.297 = Weird Darkness, “The Machine That Could Freeze Time”04:26:31.752 = Weird Darkness, “Meowing Mummies”04:29:48.127 = Dimension X, “No Contact” (April 29, 1950)04:54:09.075 = Show CloseSOURCES AND REFERENCES FROM THE EPISODE…“Spirit Creature Tortures Family” by Radhica De Silva for The Guardian: http://bit.ly/2GdZWI4“Coyotes and the Chupacabra” by Nick Redfern for Mysterious Universe: http://bit.ly/2Gd7sTE“Interdimensional Sasquatch” by Brent Swancer for Mysterious Universe: http://bit.ly/2vepwrz“The Terrorizing Cockatrice” by Jocelyn LeBlanc for Mysterious Universe: https://weirddarkness.tiny.us/4acnbzuj“Who Sent the Anthrax Letters?” by Shelly Barclay for Historic Mysteries: http://bit.ly/2v4Lih9“Jack the Slasher” by Robert Wilhelm for Murder by Gaslight: http://bit.ly/2UgGX4x“The Machine That Could Freeze Time” by Cynthia MacKanzie for Message to Eagle: http://bit.ly/2PcnMYS“Meowing Mummies” from Strange Company: https://weirddarkness.tiny.us/4hfsvh47“Caused by Jealously” by Robert Wilhelm for Murder By Gaslight: https://weirddarkness.tiny.us/2hvy2ub8Weird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: June 19, 2024RETRO RADIO LANDING PAGE: https://weirddarkness.com/wdrr20240619

Episode 281: #origins2024 Preview Introduction: News:  Game Brewer is no more! Oishii! Food Stall Clash - 11 days, $26 Apothebakery: The Culinary Alchemists - 13 days, $63  Games played:  Doomlings Come Together  #origins2024 Preview:  Jason 5 - Seaside Katie 5 - Cafe Baras (demo) Jason 4 - Juicy Fruits Mystic Islands Katie 4 - Orleans: The Plague ($30) Jason 3 - Little Alchemists Katie 3 - Dabba Walla (sale?) Jason 2 - Middle Ages Katie 2 - Spectral ($45) Jason 1 - Rats of Wistar Katie 1 - Sprocketforge (demo) Honorable Mentions: French Quarter, Off with His Head, Honey Buzz: Fall Flavors, Now!, By the Seashore, Blueprints of Mad King Ludwig, Ito, Order of the Day: Normandy Closing:

Today's Topics: 1) Gospel - Jn 19:25-34 - Standing by the cross of Jesus were His mother and His mother's sister, Mary the wife of Clopas, and Mary of Magdala. When Jesus saw His mother and the disciple there whom He loved, He said to His mother, “Woman, behold, your son.” Then He said to the disciple, “Behold, your mother.” And from that hour the disciple took her into his home. After this, aware that everything was now finished, in order that the Scripture might be fulfilled, Jesus said, “I thirst.” There was a vessel filled with common wine. So they put a sponge soaked in wine on a sprig of hyssop and put it up to His Mouth. When Jesus had taken the wine, He said, “It is finished.” And bowing His Head, He handed over the Spirit. Now since it was preparation day, in order that the bodies might not remain on the cross on the sabbath, for the sabbath day of that week was a solemn one, the Jews asked Pilate that their legs be broken and they be taken down. So the soldiers came and broke the legs of the first and then of the other one who was crucified with Jesus. But when they came to Jesus and saw that He was already dead, they did not break His Legs, but one soldier thrust his lance into His side, and immediately Blood and water flowed out. Father Charles Murr joins Terry to discuss the importance of the relationship between good philosophy and good theology, the importance of knowing the Faith, and not straying from the Deposit of Faith Bishop Sheen quote of the day

This is The Briefing, a daily analysis of news and events from a Christian worldview.Part I (00:13 - 13:37)Transgender Day of Visibility Proclamation on Resurrection Sunday? President Joe Biden, We Get Your Message — But Visibility is Not WorkingA Proclamation on Transgender Day of Visibility by The White HouseStatement from President Joe Biden on Easter by The White HouseWhite House bashes 'dishonest' Republican criticism of Biden's transgender proclamation on Easter by ABC News (Fritz Farrow and Kendall Ross)Part II (13:37 - 17:52)When You Elect a President, You Elect a Foreign Policy: The Issues Behind President Biden's Response to Ban on Flying LGBTQ Flags at U.S. EmbassiesPart III (17:52 - 25:33)Malice in His Heart or Math in His Head? Judge Sentences Sam Bankman-Fried to 25 Years in PrisonSign up to receive The Briefing in your inbox every weekday morning.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.To write Dr. Mohler or submit a question for The Mailbox, go here.

Many of us are surprised as what some of our neighbors are doing, but not quite like what THIS neighbor was doing. Supermarkets can be a great place to find romance but when the stock in the fruits & vegetables is finding romance with the produce, you may want to find a new supermarket. PETA has a new (?) SPUDdering (??) "idea" to replace Easter Eggs at the White House. Need any more stupid ideas? You've found the right place to pick up all you need... McDonald's Isn't Selling French Fry Perfume...Yet; ROAD RAGE!...Street Fighting In Middle of Expressway; Your Car Is Tattling on You: Major Automakers Share Driving Data with Insurance Giants; Drunk Driver Didn't Know the Difference Between "Blowing" & "Sucking" During a Breathalyzer Test; How Drunk Do You Have To Be...To Steal A School Bus; Frontier Airlines Now Lets You Pay to Guarantee an Empty Middle Seat; A Guy Got High, & Then Became a Vigilante-Crashing Into Bad Drivers; Woman Who Identifies as a Dog Likes to Sleep in a Crate, Has Handlers; Hilarious License Plate Appears to Spell 'A**hole* Upside Down; A Man Had 100 Pounds of Sliced Bread Dumped on His Property; Toronto Police Suggest Leaving Your Car Keys at the Front Door, So You Won't Be Attacked by Home Invaders; Man Tries To Bring His “Service Duck” Into TN Buc-ee's Store; An Angerball Was Arrested for Shooting at Ding-Dong-Ditching Teenagers; 35,000 Pounds of Sausage Got Recalled Because It's Full of Rubber; Overnight Camping at Cali. Beach Banned Thanks to Excess of 'Human Waste'; A Guy's Migraine Turned Out to Be a Tapeworm in His Head; Western NY Man Vows to Regain 750-lb., 11-Ft. Gator Removed From Home; Thai Man Rushed to Hospital After Squeezing Himself Into 11 Penis Rings. Play along with my Insane FL Nephew, "Pancho Guero" this week & see if you can do better then he can at guessing in the "Insane Game Show" & find the answers to life's biggest questions when you hear his profound wisdom as he answers more questions from those who want to "ASK PANCHO" for some advice! "Pancho" addresses the burning questions about “Help! – I Want To Marry A Convicted Felon!" & “Help! – Should a marriage be “comfortable'?" Don't forget to download the TELEGRAM MESSENGER & join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Insane Erik Lane's Stupid World" Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to read the actual stories used for the podcast & check out the photos & videos with them! It's FREE & available for Windows, Linux, Android, & Apple for both mobile & desktop! --- Send in a voice message: https://podcasters.spotify.com/pod/show/eriklane/message Support this podcast: https://podcasters.spotify.com/pod/show/eriklane/support

“I slipped His fingers, I escaped His feet, I ran and hid, for Him I feared to meet. One day I passed Him, fettered on a Tree, He turned His Head, and looked, and beckoned me. “Neither by speed, nor strength could He prevail. Each hand and foot was pinioned by a nail. He could not run or clasp me if He tried, But with His eye, He bade me reach His side. “For pity's sake, thought I, I'll set you free. ‘Nay — hold this cross,' He said, ‘and follow me. This yoke is easy, this burden light, Not hard or grievous if you wear it tight.' “So did I follow Him Who could not move, An uncaught captive in the hands of Love.”

-Who Was Right Last Night: She Threw a Wet Sponge at His Head!-A Crazy Coyote Attack and Coyote Vests-Kanye's New Grill or a Gum Wrapper?-Stattosphere: How to Stay Warm When Working Outside-Does Dry January Set You Up for Failure?-Still Having Brain Freezes for Hardy Tickets-Fiona Turns 7 Next Week and You Can Win Big!-Good Vibes: Jason Kelce-The Dad Joke of Day Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

-Who Was Right Last Night: She Threw a Wet Sponge at His Head! -A Crazy Coyote Attack and Coyote Vests -Kanye's New Grill or a Gum Wrapper? -Stattosphere: How to Stay Warm When Working Outside -Does Dry January Set You Up for Failure? -Still Having Brain Freezes for Hardy Tickets -Fiona Turns 7 Next Week and You Can Win Big! -Good Vibes: Jason Kelce -The Dad Joke of Day Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Topics: 1) Gospel - Jn 20:1a and 2-8 - On the first day of the week, Mary Magdalene ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, "They have taken the Lord from the tomb, and we do not know where they put Him. So Peter and the other disciple went out and came to the tomb. They both ran, but the other disciple ran faster than Peter and arrived at the tomb first; he bent down and saw the burial cloths there, but did not go in. When Simon Peter arrived after him, he went into the tomb and saw the burial cloths there, and the cloth that had covered His Head, not with the burial cloths but rolled up in a separate place. Then the other disciple also went in, the one who had arrived at the tomb first, and he saw and believed. Feast of Saint John, Apostle and Evangelist Saint John, pray for us! Bishop Sheen quote of the day 2) Pope Francis faces growing worldwide pushback against his "same-sex blessing" doctrine https://www.thegatewaypundit.com/2023/12/pope-francis-faces-growing-worldwide-pushback-against-his/ 3) U.S.Bishops concerned Congress will cut off their illegal-invasion cash cow https://www.complicitclergy.com/2023/12/16/u-s-bishops-concerned-congress-will-cut-off-their-illegal-invasion-cash-cow/ 4) Why are so many celebrities suddenly revealing they aborted their children? https://www.lifesitenews.com/blogs/why-are-so-many-celebrities-suddenly-revealing-they-aborted-their-children/

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time, I have new music from Jack o' the Clock, Residuos Mentales, and Man-Akin, some classic-era prog, a bit of electronic prog scattered about, The Symphonic Zone and more. All that, plus news of tours and releases on Sound Chaser. Playlist1. Manfred Mann's Earth Band - Joybringer, from The Best of Manfred Mann's Earth Band Re-Mastered [retrospective]2. Emerson, Lake & Palmer - So Far to Fall, from Works, Vol. 23. Exclusive Raja - Brooklyn 1, from Off the Map4. The Pineapple Thief - We Love You, from Little Man5. Jack o' the Clock - Stuck Inside Elvis, from The Warm, Dark Circus6. Michael Shrieve & David Beal - Shaman's Drum, from The Big Picture7. Garry Hughes - Devil Dance, from Sacred Cities8. Triana - Diálogo, from El Patio9. Anthony Phillips - Summer's Journey, from Private Parts & Pieces X: Soirée10. Steve Hackett - Lost Time in Cordoba, from Spectral Mornings11. Steve Hackett - Tigermoth, from Spectral MorningsTHE SYMPHONIC ZONE12. Isildurs Bane - The Voyage Part II: A Telescope and a Hot Air Balloon, from The Voyage: A Trip to Elsewhere13. Cairo - Underground, from Time of Legends14. Residuos Mentales - Impending Catastrophe, from A Temporary State of Bliss15. A Triggering Myth - Forgiving Eden Parts I-VIII, from Forgiving EdenLEAVING THE SYMPHONIC ZONE16. Man-Akin - Displaced, from https://www.youtube.com/watch?v=BFkXDEHdNkM17. The Andy Tillison Multiplex - 4th Movement: Vivace (The Pedantic Worrier), from Electric Sinfonia 218. Manna/Mirage - Monkey in His Head, from Face19. Robert Schroeder - Harmonic Decadence Side A, from D. MO Vol. 4: Harmonic Decadence20. Hawkwind - Void of Golden Light, from Live 199021. Boris S.G - Intense, from Space Loop22. Cheer-Accident - How Do You Like Your Eggs?, from The Why Album23. Klaus Schulze - The Beat Planante, from Inter*Face24. Camel - Please Come Home, from Nude25. Camel - Reflections, from Nude26. Camel - Captured, from Nude27. Camel - The Homecoming, from Nude28. Illusion - Roads to Freedom, from Out of the Mist

Today's Topics: 1) Gospel - Luke 9:57-62 - As Jesus and His disciples were proceeding on their journey, someone said to Him, "I will follow You wherever You go." Jesus answered him, "Foxes have dens and birds of the sky have nests, but the Son of Man has nowhere to rest His Head." And to another He said, "Follow Me." But he replied, "Lord, let me go first and bury my father." But He answered him, "Let the dead bury their dead. But you, go and proclaim the Kingdom of God." And another said, "I will follow You, Lord, but first let me say farewell to my family at home." Jesus answered him, "No one who sets a hand to the plow and looks to what was left behind is fit for the Kingdom of God." Memorial of Saint Francis of Assisi Saint Francis, pray for us! Bishop Sheen quote of the day 2) Interview with Dr. Peter Howard, who is promoting the Bishop Sheen event at Sacred Heart Chapel, 381 West Center Street, Covina, CA chapel on Saturday, 14 October 2023 3) Pope Francis allowing same-sex "blessings" shows he wants the German Synodal Way for the whole Church. While many still defend Pope Francis, it has become clear that he is on the same path as the modernist, pro-LGBT German bishops https://lifesitenews.com/blogs/pope-francis-allowing-same-sex-blessings-shows-he-wants-the-german-synodal-way-for-the-whole-church/?utm_source=most_recent&utm_campaign=usa 4) Update with Church Militant on news as it relates to the Church & Culture

Brenda Clough is a prolific Asian-American Sci-Fi writer, returning to visit with us after another book and novella have hit the stands - Cleo's Scroll (Dante Sci-Fi!) and then A Door in His Head - which won an award! We chat about historical Sci-Fi, lament over the lack of shark-based deities in the world, and she reports about the latest Marian Halcombe book. … Continue...Episode 185 – Welcome Back Brenda Clough

Why do men think that we want to see their ankles and why is Europe so against the best invention of all time, air conditioning? These are just some of the hard-hitting questions Brandi and Tish are answering on today's episode. But actually, one of the Stoners calls in asking for the real tea, like whose DMs Brandi wants to slide into, and what hot goss Tish will share when she writes her tell-all. Stoners also call in asking if both Brandi and Tish can hit the Pamelo at the same time, which they're not not going to try in a future episode... The duo starts off hot with Off Limits, debate which time of year is best to binge TV shows, and then get into some High Design which includes a recommended website that may or may not sell children in cabinets. Lastly, Tish shares some Amazon purchases that she doesn't even recall buying and brainstorms chapter titles for her upcoming book such as “I Threw a Phone at His Head!”   Thanks to our awesome sponsors!   Integra — For more information check them out at integra-products.com or @integraherbal on Instagram. Use code *SWS* at checkout for 15% off your next online purchase at www.integraboost.com HelloFresh — Go to HelloFresh.com/stoned16 and use code stoned16 for 16 free meals plus free shipping  Don't forget to rate, review, and follow the show. Plus, keep up with us between episodes on our Instagram page, @sorrywerestoned and be sure to leave us a voicemail at 1-516-7-STONER!  Learn more about your ad choices. Visit megaphone.fm/adchoices

2023.06.17 – 0898 – Causes Of Mic Fright So, what's going on?Extreme nervousness is one of the most unpleasant experiences to go through: physical and mental suffering that, if you are a broadcaster, may be in public and recorded and be played back - not just in one's mind but also on social media for years to come. glossophobia/ˌɡlɒs.əˈfəʊ.bi.ə/ noun The fear of public speaking (speaking to a group of people)Deriv: Greek glosso- (tongue, language) + -phobia (fear). “Year after year in the UK, glossophobia claims the top spot as Britain's no. 1 phobia, repeatedly knocking ‘fear of death' down into second position. ... At a funeral, the average Briton would rather be in the casket than deliver the eulogy.”Richard O. Smith; The Man with His Head in the Clouds; Signal Books; 2015. What situations may cause ‘mic fright'?Nerves are usually quite normal. Even so there are some situations that may cause anything from butterflies to freezing:· A radio or TV presenter, used to studio work, being asked to present ‘on the road' or on stage in front of ‘real people'· The ‘mic live' red light coming on (sometimes it's called, perhaps understandably, the ‘dread light'), and the accompanying sweating armpits, and shallow breaths· Even working in a different studio, with a different format or with breaking news, perhaps with a new producer or co-host – all of these can cause usually languishing Lepidoptera to awaken…· The audience – its size (twelve people is perhaps less daunting than 200), its importance, and how familiar we are with the members[1]. Before you know it, there you are, face-to-face with paying clients from major corporations who are looking to you to bring their message to the masses· The difficulty of the subject· Your familiarity, or not with the scriptFeeling a need to impress, perhaps it's an audition or your first day [1] The size of the audience that you are in a room with, also affects how deliberate your enunciation must be. That's because different frequencies and different types of sound, carry over distances with differing degrees of efficiency. Combined with ‘room noise' and clarity or otherwise of the public address system and any reverberation, it means that some crucial letters may be missed and some words merging into others. Hosted on Acast. See acast.com/privacy for more information.

The war in Ukraine may have distracted you from the US war in Afghanistan. A war that lasted 20 years and cost nearly 2 trillion dollars. You can likely remember the images seen on TV from August of 2021 of Kabul airport as the US pulled out. 1000s of Afghans rushed onto the tarmac of Kabul International Airport, so desperate to escape the Taliban that they were clinging to military jets as they took off. This all happened as the Taliban enforced their rule over the Capitol. War has horrendous costs, but so does abandoning allies. Our guest for the next two episodes is someone who understands the cost of war firsthand. Scott Mann is a retired Army lieutenant colonel and was part of the elite Green Berets for 23 years. He's done military service tours around the world, including Columbia, Iraq, and multiple tours in Afghanistan. He was a he is a warrior storyteller and the founder of rooftop leadership. He shares the rapport-building skills he learned in Special Forces to help today's leaders make better human connections in high-stakes, low, trust engagement. Scott Mann is also a New York Times bestselling author of Operation Pineapple Express. It's a third-person narrative detailing the harrowing story of the veteran volunteers and Afghan allies who navigated the US abandonment of Afghanistan in August of 2021. He has since founded Operation Pineapple Express Relief to support the emergency needs of Afghan allies, such as safe passage out of Afghanistan and unforeseen resettlement needs. Website: https://ScottMann.com  www.rooftopleadership.com Social Media https://www.facebook.com/RooftopLeadership/ https://www.instagram.com/rooftop_leadership/?hl=en https://www.linkedin.com/company/rooftop-leadership https://www.linkedin.com/in/davidscottmann/ https://twitter.com/RooftopLeader https://www.youtube.com/channel/UCYOQ7CDJ6uSaGvmfxYC_skQ Part 2) Death By Identity Crisis The forgotten 30,000 Afghans, special operators, and Alli's What happens when The Taliban can Find Your Name and Address The Uncle Sam Size Problem and Humanitarian Crisis. Thrust on the Shoulders of Veterans and their Pension Funds. We are confronting the Moral injury inflicted by the People we Trust. The Cost of The Massive 20% Loss of Public Trust in the Military? Afghan Special Operations and Trauma in a Motel 6 PTSD, When You Walk in, and Your Children Automatically Leave Death By Identity Crisis Standing in a Closet With a Gun to His Head... The Veteran Suicide Crisis The Generosity of Scars The Intimate Connection of Live Theater, Leadership, and Healing PTSD The Power of Storytelling Curious to discover how tapping into the Anatomy of Meaning can #actualize your #business, #culture, #Leadership, and #tribe DovBaron.com  "Those Who Control Meaning for The Tribe, Also Control The Movement of That Tribe" #videopodcast #leadership #leadershipdevelopment #emotionsourcecode #neuroscience #emotional #meaning #emotional #logic #culture #curiosity #humanbehavior #purpose Learn more about your ad choices. Visit megaphone.fm/adchoices

A sermon to encourage parents of little children in their important responsibility to evangelize and disciple them from the first moment. - SERMON TRANSCRIPT - Turn in your Bibles to Mark 10, as we continue our study in the Gospel of Mark. The central work of the Bible is to bring readers to saving faith in Jesus Christ. It does this by presenting the infinite glories of Christ on the one hand and the infinite neediness of us sinners on the other. This morning we're studying a passage of scripture which presents Jesus's zeal for little children. He's eager for little children to come to Him, and He's angry at anyone who would hinder them from coming. Beyond that He wants to help all prideful sinners to become, in some sense, like little children themselves so they can find salvation in Christ. Concerning the infinite glories of Christ, this passage fits into a theme that I've delighted in many times before, which is the amazing combination of Jesus as infinitely majestic, awesome, powerful, lofty, and glorious on the one hand, and also, infinitely lowly, meek, humble, accessible, and gentle on the other. This fits in with last week's Easter sermon, which I preached on Jesus' stunning, amazing, majestic ascension to heaven. Lifted up from the surface of the earth, higher and higher through the atmosphere until at last the cloud hid Him from the unblinking gaze of the apostles, who were craning their neck to see Him. Then as the Book of Hebrews and the Book of Ephesians reveal, the journey continues as Jesus passed through the Heavenly realms, presented once for all His blood in the Heavenly temple. He then took His seat, the seat of majestic glory at the right hand of God, far above all creatures to rule over all things. That was last week. This week I think we can picture Jesus using our imaginations on the ground, smiling, laughing with little kids, crawling all over Him, hugging Him, kissing His face, and Him touching their little Heads. Him speaking tender words to them, and they're drinking it up. They're attracted to Him like a magnet. They can't stay away. This is Jesus at His meekest, His gentlest, His lowliest, with time enough for any little child. This theme of Jesus's infinite majesty on the one hand combined with His infinite lowliness of heart on the other, has long captivated me. When I was a teen in a public school in Massachusetts, I was in a Roman Catholic Church. I wasn't converted yet. But someone had given me a picture of Jesus holding a little lamb in His arms, and I had it in my high school locker. I saw it every day as I opened my locker and looked at it. I was always attracted to the person of Jesus, though I wasn't yet converted. It wasn't until later in my life I found the Bible verse that that best pictured. It was Isaiah 40:11, “He tends His flock like a shepherd. He gathers the lambs in His arms and carries them close to His heart. He gently leads those that have young.” It's a picture of Jesus in His infinite condescension, His gentleness with little children. But the very next verse in Isaiah 40, verse 12, says this, “Who has measured the waters in the hollow of His hand or with the breath of His hand marked off the heavens? Who has held the dust of the earth in a basket, or weighed the mountains on the scales or the hills in a balance?” This is the infinite greatness of Almighty God, the creator, who created the universe and rules it with awesome power meticulously. Before whom the nations are like a drop from the bucket and like dust on the scales. Side by side, Isaiah 40:11 and 12, consecutive verses. Jesus in His incarnation pictures both aspects, both aspects. Just the same as the Apostle John found Jesus infinitely accessible, tenderhearted, when He pillowed His Head on Jesus's chest at the Last Supper, but then later, on the island of Patmos, saw Jesus in His resurrection glory and fell at His feet as one dead. Jonathan Edward zeroed in on this concept in the greatest sermon I ever read that He preached, for me anyway. Based on Revelation 5, that passage, as you know, where Jesus takes the scroll out of the right hand of almighty God. Jonathan Edwards zeroes in on Jesus, who's portrayed in that passage as the lion of the tribe of Judah who has triumphed. Edwards talks about the attributes of a lion. It's majestic roar, it's power, it's domination, but then John sees a lamb looking as if it had been slain. Edward zeroes in on a lamb, in general, just weak and lowly and meek. This is particularly so because it's a lamb looking as if it had been slain. This what Edwards wrote in that sermon, "Christ, as He is God, is infinitely great and high above all. He is higher than the kings of the earth; for He is King of kings and Lord of lords. He is higher than the heavens, higher than the highest angels of heavens. So great is He, that all men, all kings and princes, are as worms of the dust before Him; all nations are as the drop of the bucket, and as the light dust in the scales; yeah, and angels themselves are as nothing before Him. He is so high, that He is infinitely above any need of ours; infinitely above our reach, that we cannot be profitable to Him at all; and above our conceptions that we cannot comprehend Him. Christ is the creator, the great possessor of Heaven and earth. He is sovereign Lord of all. He rules over the whole universe and does whatever pleases Him. His knowledge is without boundary. His wisdom is perfect and none can circumvent it. His power is infinite and none can resist Him. His riches are immense and inexhaustible. His majesty is infinitely awe-inspiring. And yet He is one of infinite condescension. There's not a single person who is so low or inferior, but Christ's condescension is sufficient to take a gracious notice of them. He condescends not only to the angels, humbling Himself to behold the things that are done in the heavens, but He also condescends to such poor creatures as are men; and that not only so as to take notice of princes and great men, but of those who are of the lowest rank and degree the poorest of the world. Even the lowest most humble person on the face of the earth, Christ does not despise. He welcomes little children to sit on His lap. He extends His hands to horribly disfigured lepers and notorious outcast sinners. He speaks to a rejected Samaritan woman and a hated Jewish tax collector. And He does more than just speak to such people. He desires to join Himself with them forever in a perfect spiritual marriage so that He is perfectly one with them." Now, I could keep going with the Edwards sermon, it would be a great sermon, but it wouldn't be my sermon. But do you not see the infinite majesty of Christ as a lion and the infinite condescension of Him as lamb looking as if it had been slain? This morning as we come to this sermon, Mark 10:13-16, we see that side of Jesus. He's inviting little children, and through the ministry of the Holy Spirit, through the ministry of Mark the author, He's inviting little children in every generation, in every nation on earth that reads this account to come to Him, and He will tenderly receive them. In so doing, He also encourages all caregivers of children, especially parents, to bring their children to Jesus while they're young. To not despise them but to take full advantage of their tender hearts to pour the gospel into them. He invites all older hardened sinners, that's the rest of us, older veteran sinners, to become like little children constantly, so that they can find salvation through faith in Christ. That's what's in front of us with this text. "[Jesus] encourages all caregivers of children, especially parents, to bring their children to Jesus while they're young. To not despise them but to take full advantage of their tender hearts to pour the gospel into them." Listen again to the words, “People were bringing little children to Jesus to have Him touch them, but the disciples rebuked them. When Jesus saw this, He was indignant. He said to them, ‘Let the little children come to me and do not hinder them; for the kingdom of God belongs to such as these. I tell you the truth, anyone who will not receive the kingdom of God, like a little child, will never enter it.’ And He took the children in His arms, put His hands on them, and blessed them.” I. The Actors in this Drama: Parents, Children, Disciples, Jesus Let's look at the actors in this drama. You got the parents, you got the children, you got the disciples, and you've got Jesus. Let's walk through them. First the parents, now the text just says, "They," they were bringing children, so probably not all of them were necessarily parents of the children, caregivers of some sort. It could be grandparents, it could be aunt or uncles, it could be friends, but I would say the norm would be parents. The parents are bringing children, for the most part. They cherish their children and they desire them to be blessed. They want to do them good. Mark and Luke use the Greek imperfect tense, implying this was a continual process. They were bringing their children again and again. This was regular. This wasn't just a one-off, this was happening all the time. Having heard about Christ's ministry, still short of understanding who He really is, still they want Him to bless them. In the Talmud, which is Jewish instruction based on the law of Moses, it teaches Jewish parents to bring their children to prominent rabbis for this kind of ritual, a hands-on blessing. The more prominent the rabbi, the conception would be the greater the blessing. Jesus, obviously well-known, has done miracles. Ordinarily, a Jewish father would bring His children to the rabbi at the synagogue, and they would put their hands on them and bless them. But with Jesus being so prominent, there was an attraction there. Parents were bringing children from all around to Jesus for Him to do this, to touch them, bless them, and pray for them. Matthew adds the prayer aspect [Matthew 19:13]. So that's the parents. Let's talk about the children. The Greek word is “paideía,” it implies very young children like toddlers. Luke actually expands it in Luke 18:15, people were bringing babies, infants to Him. Even the most tiny human being at the very, very beginning of life, barely able to open his or her eyes is precious to Jesus. He would not despise that moment, but would take that infant in His arms to bless them. We need to understand Jesus does not have some sentimental view of children. "Oh, they're little angels sent from heaven." Sounds like someone who never had one of those angels sent from heaven. They don't always act like little angels sent from heaven. Jesus has no such sentimental conceptions of children. He knows that they’re children of Adam. He knows that they come into the world fanatically committed to self-interest. He knows that as soon as they understand the law, they will sin, because of that inbred sin nature. But He also understands that children have a unique inbred desire to know God, and a yieldedness to obeying Him, though they cannot see Him. So that's the children. Let's understand the disciples. Verse 13, the disciples rebuked the people that were bringing the children. How many times do you read the gospel and say, "What were the disciples thinking?” But aren't we thankful that we have true accounts of the things they actually did? Why did they rebuke the parents? We don't know, but we could imagine that they're frustrated by the interruption. Children can feel wrongly to us, feel like an interruption. You had plans, children come, and now you're interrupted. It shows how selfish we can be. But perhaps they felt the children were an interruption. Perhaps the children were crying or making noises. In any case, I think their attitude is the teacher's time is too important for children, too important a waste on little children. Oftentimes, you'll see some great figure in society, a political leader, CEO of a company, an athlete, a musician, a movie star with a coterie, a kind of a band around him or her and you can't get close to that person. Their bodyguards are putting the hands up. You're not going to get close. Especially those important people, great men, great women have no time for anyone who cannot further their agenda. They don't have time to waste. They're people of focus, people of achievement. They're going places. They don't have time for anybody that's not going to further their agenda. This the kind of mentality. Little children, they often think, sadly, are a complete waste of time. They don't want children themselves. They take steps that they won't have children. If they do, they frequently don't spend much time with them. Sadly, I was reading about royal families in Europe in the 19th century and how little time those children spent with their king and queen parents. Very tragic, very sad stories, like for example, King George and Queen Mary in England spent less than 30 minutes a day with their growing children, 30 minutes a day. They were completely cared for by nannies. When the children would come in the presence of their parents, they were terrified of them and shrank back and wanted to be with the nannies. It's very sad. Many people look on children as an unwelcome intrusion from the vastly important business of their lives. Perhaps, the disciples felt the same way when they rebuked the parents for bringing the little ones. "Our master's too busy, saving the world to hug your children" kind of thing. Now, if Jesus doesn't check this attitude on their part, it's going to lead to significant problems in the future of the church, because of God's plans. God intended to make up His church mostly of people who are not wise, influential, of noble birth, the lowliest of the low are for the most part going to make up the church. We read about it in First Corinthians 1. If they're going to have this attitude toward children, they're probably going to extend it to anybody who can't further their own powerful agenda. You know how the rulers of the Gentiles lorded over others, and they're tempted in the same ways. "God chose the lowly things and the despised things and the things that are not to nullify the things that are," Paul tells us, First Corinthians 1:30. Jesus has to deal with this or they're going to have an arrogant, lofty attitude toward anyone that they despise that they don't think is worth their time, beginning when children. He has to address this attitude. Let's look at Jesus. Jesus's reaction here is amazing. He's mildly angry with them. This is one of the emotional times of Jesus. Jesus had a rich, full emotional life, and this is one of the times He got righteously angry. Look at verse 14, “When Jesus saw this, he was indignant.” Some of the translations say indignant, the Greek could go over to vex, annoyed, irritated like a rock in the shoe kind of thing. "You're rubbing me the wrong way." You get that feeling with Jesus, "This is really annoying me," talking about the apostles. One of the most incredible things about Jesus to me, practically, is a combination of how important His mission was and how brief a time He had to do it, perhaps three years, and yet, how unbelievably interruptable He was. How in the world do you harmonize those things, to be amazingly effective, efficient, and also constantly interruptable? But again and again, not just children, but people with various needs, He just stops for them all the time. It's incredible. He was never rushed. He lingered over people, listened to them fully, dealt with them individually. This includes the children here. He cherished them, He was not annoyed with them. He said to them, "Let the little children come to me and do not hinder them; for the kingdom of God belongs to such as these. I tell you the truth, anyone who will not receive the kingdom of God like a little child will never enter it.” II. The Rich Invitation: “Let the Little children Come to Me” Let's walk through what He says. Let's begin with the rich invitation. "Let the little children come to me." As I mentioned, mysteriously, the God-given bent of a little child is God-ward more than at any other time in their lives. One commentator put it with great tenderness talking about this passage, "As the flower in the garden stretches toward the light of the sun, so there is in the child, a mysterious inclination toward the eternal light.” Have you ever noticed this mysterious thing that when you tell the smallest child about God, s(he) never asks with strangeness and wonder, what is God? who is God?, I've never seen Him? But listens with shining face to the words as though they were soft loving sounds from the land of home. Or when you teach a child to fold its little hands in prayer, it does this as though or a matter of course, as though there were opening for it, that world of which they'd been dreaming with longing in anticipation. Or tell them, these little ones, the stories of the Savior, show them the pictures with scenes and personages of the Bible and see how their pure eyes shine, how their little hearts beat." It's beautiful. So what does “Come to me” mean? "Let the little children come to me," what does that mean? I think it means to come to Him for salvation. Jesus said, as we sang earlier this morning, Matthew 11:28, "Come to me all you who are weary and burdened and I will give you rest." I mean it's clearest in John 6:35 where you have a Hebrew parallelism, where Jesus said, "I am the bread of life. He who comes to me will never go hungry, and he who believes in me will never be thirsty." There it is. To come to Jesus equals to believe in Him. It's what it means to come to Jesus, to believe in Him. Or as He says in John 7:37, on the last and greatest day of the feast, Jesus stood and said in a loud voice, "If anyone is thirsty, let Him come to me and drink." You're coming to Jesus to feed spiritually, to drink spiritually. You're coming to Him to receive mercy and to receive forgiveness of sins. That's what it means to come to Jesus. So let the little children come to me for all that. Let them come. What does that mean? Encourage their God-ward bent. Encourage their God-given desire to be near Christ. Feed their spiritual appetites. Let them do what their little heart wants to do, before the world, the flesh, and the devil hardens them. You could imagine some soft yielded wet clay left out on a hot rock, and after a while it's just dried up and hard. That's what happens to all of us, the world, the flesh, and the devil harden us. But they haven't had that yet. There's a softness, a yieldedness to their hearts. Let them come near to Christ for eternal life to know Him and to love Him. Feed their spiritual appetites, and while they're doing it, feed your own. Little child yearns to come to Christ. Let them do so. They have an inbred longing for spiritual things. We have to feed that appetite. We can't feed it too much. Parents are constantly worried about too much with their kids, and they should be. Parenting's hard. I'm not going to be able to cover every aspect of parenting. I guarantee some of you parents will wonder at the end of this sermon, "Why didn't He talk about X?" So come and ask me that question. "Why didn't you talk about X?",and I will ask you, "How long do you want this sermon to be?" I'm focusing on salvation, bringing your children to Christ for salvation. But there's a concern for too much: too much sleep, too much food, too much sugar, too much screen time, too much, too much. There is no such thing as too much Jesus. There's no such thing as too much God. It's impossible. Therefore, as parents of young children, we ought to be, number one, eagerly pursuing Christ ourselves, because there's no such thing as too much Christ for us either. Putting our love for Jesus on clear display in front of our children. Secondly, we ought to be fanning their own love for Christ into a flame more and more. There is no danger of too much Christ. "As parents of young children, we ought to be, number one, eagerly pursuing Christ ourselves, … Secondly, we ought to be fanning their own love for Christ into a flame more and more. There is no danger of too much Christ." III. The Strong Warning: “Do Not Hinder Them” Then it says, "Do not hinder them," a strong warning, a prohibition. He's talking to His disciples initially right there in context. He's telling His misguided disciples, "Stop doing that. Stop hindering those people. Stop stopping the parents or rebuking them. Don't do that anymore." The Greek word can mean forbid, but it can also mean hinder, making it difficult, putting stumbling blocks before the children. "Don't do that. Don't hinder them." How do we do that? How do we hinder children from coming to Christ? First and foremost, nothing's more significant than this, we hinder them from coming to Christ by not preaching the gospel to them, by not telling them about Jesus. No one is born in the world knowing anything about Jesus. Faith comes by hearing the word through the word of Christ [Romans 10:17]. So the biggest way a Christian parent can hinder a child from coming to Christ is by not taking full advantage of the access you have to that little human being, the constant daily access, and pouring the gospel into their hearts. They'll sit for hours to listen to you during that early phase of their lives. You'll get tired of talking to them about Bible stories before they get tired of asking you to do so, at that early age. Also, at that early age, they are very able to memorize scripture. My brain is old and tired and it's getting older and tireder with every passing year. You guys know what I'm talking about, some of you older people. Kids, they drink it up. They can memorize, don't waste it. Have them memorize key scriptures, so that they're key truths that are imprinted in their minds. Parents can hinder their children by stifling their emotion for Christ. You should be fanning their affections into a flame. You should make much of the pictures they draw during worship or when they're studying the Bible, just celebrate them. We hinder them by quenching the spirit. The spirit might be moving. They're asking questions, things that seem out from left field to you, but that's exactly where the child is at that moment. You hinder by not taking that moment seriously and addressing what the spirit's doing in their hearts. We hinder by exasperating them in discipline. It says in Ephesians 6:4, “Fathers, do not exasperate your children or provoke them to wrath, instead, bring them up in the nurture and admonition of the Lord.” That's what we're told to do as parents. So harsh or unfair or erratic discipline can hinder a child from coming to Christ. We hinder it by being skeptical or negative toward their budding spirituality, by doubting that anything's really happening with them spiritually. We hinder by curtly cutting off their childish questions or worship or enthusiasm which can crush a little child's heart. So do not hinder them. IV. The Nature of the Kingdom: “Of Such is the Kingdom of God” Then He says, "For of such is the kingdom of God." This is the nature of the kingdom. The kingdom of God is the focal point of the Gospel of Mark, the beginning of the Gospel of Jesus Christ, the son of God. That's the good news. Then a few verses later, as Jesus begins as public preaching ministry, Mark 1:15, He says, "The time is at hand, the kingdom of God is near Repent and believe the good news." People must enter the kingdom of God by repentance and faith. Jesus says, "Of such is the kingdom of God." This means the kingdom of God is made up of those who are infants or little children in God's sight. He sees them that way. First, the infants themselves. Let's talk about that. John MacArthur said this, "It's not that small children are regenerative and then later lose their salvation if they don't receive Jesus Christ as Lord and Savior. No, it's rather that His atoning death is applied on their behalf if they die before they're able to choose on their own. It may be that infant mortality rate is so high in many countries where the gospel has not yet penetrated, because the Lord is taking those little ones to Himself before they can grow up in a culture and in a religion where it's so difficult to encounter the gospel and believe." For myself, I don't believe in infant damnation, rather infant salvation. I think there are a lot of reasons why. However, there are no proof texts on it. I think the Lord is basically telling us, "Trust me on this. Trust me on this." There aren't any verses I can show you. But I do point you to Judgment Day. The depictions of Judgment Day are always, the court is seated, the book is open, and the judge. People are judged according to what they had done as recorded in the books. It's a public vindication of the justice of God. Therefore, I think that's the one silver lining in infant mortality around the world. So the infants themselves, but beyond that, older people, including younger children and moving up, who are like children in God's sight, who make themselves like little children in order to be saved. John Calvin says, "The passage broadens to give kingdom citizenship to both children and those who are like them." So he means a childlike faith, a childlike yieldedness to Christ. Humble, lowly, faith-filled people enter the kingdom of God, arrogant people do not. Jesus taught that repentance and faith was becoming like a little child. Matthew 18:3, "I tell you the truth, unless you are converted and become like little children, you will never enter the kingdom of heaven." Years ago I met the president, at that time, of Child Evangelism Fellowship, CEF, his name was Reese Kauffman. He said this interesting thing which stuck with me. He said, "We spend so much of our efforts in evangelism of adults trying to get them to a humble, childlike state necessary for them to find salvation in Jesus.The children are already there. Use it. With adults, we have to cut through years of hardness and pride and sin habits to get them to see their need for a savior.” V. Jesus Touches Them, and Blesses Them, and Prays for Them Then Jesus touches them, blesses them, and prays for them. Verse 16, “He took the children in their arms, put His hands on them and blessed them.” As I said, Matthew 19:13, He prayed for them. Here we have that beautiful picture, the power of the incarnation. Jesus frequently touched people to heal them. He loved to touch people, to heal them. He reaches out here and touches these little babies. That was part of His desire to bless them. In an ancient Jewish ritual, patriarchs would touch their children. Do you remember the touching scene of Jacob with Manasseh and Ephraim, where He put His hands on their head and blessed them and spoke prophetic blessings over them? It's that kind of idea of a touching and a patriarchal blessing. But how much more Jesus, the Son of God... How many of you parents would love to have Jesus physically touch your children and pray for them and bless them? I've read stories about orphanages in other countries where the babies are never held. It’s tragic. I mean, they're fed physically, but they're never picked up. They're never held. The Ukraine, sub-Saharan Africa, some of the AIDS clinics, China, I mean there's tragic stories about these orphanages. They're just underfunded, they don't have enough people, and the babies are just never held. Children need to be physically touched, and that touch can be a form of pre-evangelism. I want to commend a verse for you that I had studied and it's fascinating, Psalm 22:9, "My God, my God, why have you forsaken me?" But in the middle of it David says this, "Yet you brought me out of the womb; you made me trust in you, even at my mother's breast." What's interesting is the Hebrew doesn't have the “in you.” It is true that David is speaking to God, "You made me trust," but it just says, "You made me trust at my mother's breast." The baby wasn't trusting in God. The baby didn't know the word trust, just feeling his or her needs being met. Feeling warm, love and protection without knowing the word love, protection, it’s just an experience, but that was a form of pre-evangelism that then later gets transferred over to Almighty God, who loves you better than your mother did. See? That physical touch and care is a form of shaping their world and preparing them later to come to Christ. VI. Applications What applications can we take from this? How do we put this command into practice? First I want to just say a word to all you older veteran sinners, that's all of us. Become like a little child and come to Jesus. Humble yourself. See your need for a savior. See your need for forgiveness. Don't be haughty. Don't be arrogant. Become like a child and Jesus will save you. Unless you're converted and become like a little child, you'll never enter the kingdom of God. You have to be converted into a childlike state to be saved. But then even if that's happened for you years ago, you have to keep doing that. You have to keep humbling yourself like a little child. This is an ongoing part of our Christian faith. The Holy Spirit inside you cries out, "Abba Father," which means daddy. There are times that we're so physically hurting, like through a disease, or crushed by some circumstance that you need your daddy, your spiritual Father to care for you. Charles Spurgeon was beset with gout, and it was like an electric shock. He was crawling on the ground in agony, weeping for the pain. He cried out, "Abba Father, if I had a child," he said in his prayer, "who was hurting like I am right now and I could take away the pain. I would do it. Daddy, would you heal me?" That's how bad the pain was. He basically couldn't be articulate. That's how much He was hurting. There are going to be times in your life when you're going to be like that. You cry out, "Abba Father." Look at Jesus's interaction. Remember the woman with the bleeding problem? She'd been bleeding for 12 years. She touched the hem of His garment, her bleeding stop, she was healed. Then Jesus said, "Who touched me?" At the end of that whole encounter, do you remember what He said to her? "Take heart, daughter, your faith has saved you." He called her daughter. She'd been bleeding for 12 years. Jesus was in His early 30s. They're probably peers, age-wise, but they're not peers, were they? Because Jesus is the ancient of days. He called her daughter. The paralyzed man that was lowered down, "Take heart son, your sins are forgiven." There is that sense in which we are going to be like little children before Him. One famous theologian was asked to sum up his theology. He was nearing the end of his life. He said, "I'll sum it all up in this. Jesus loves me, this I know, for the Bible tells me so. Little ones to Him belong; they are weak, but He is strong." When you're on your deathbed, you're going to be like that. So become like a little child, and He will save you. That's all of us. Now to caregivers of children, especially parents, but also others. FBC, I don't know if you've noticed, but we’ve been blessed with lots of children. Like on Sunday mornings, have you noticed? Some of you have noticed. It's a lavish blessing. Thank God for it. Thank God that we have lots of little kids to raise in the gospel. How many of the baptisms have we had begin with this testimony, "I was raised in a good Christian home."? I would say probably 80% of them, maybe more. We all would like more of the other type. Those are good. I wasn't raised in a good evangelical home, although I did know about Jesus from an early age, I didn't know the gospel. But my kids all, and I baptized all five of them, they all said, "I was raised in a good Christian home." Thank you. Yes, yes, you were. That's the number one way around the world. I would say probably three quarters of the people who are genuinely born again walking the face of the earth had at least one Christian parent pouring the gospel into them from an early age. That's anecdotal, I don't know, but I think that's probably right. So let's let the little children come -and let's not hinder them for the kingdom of God. We should be continually bringing our children. How do we do this? Let me speak this quickly to your parents. First of all, receive your children thankfully. Thank God for your children. Be thankful for them constantly. Realize that your children are infinitely more His than they are yours. Don't idolize them. You have a stewardship role toward them. There’s nothing wrong with saying, "My son," "My daughter," but don't think wrongly, they're more God’s than they are yours. Don't think God ever did you wrong by taking them away if He should. God has that right. Don't be idolatrous and charge Him with wrongdoing for taking back to Himself what was His all along. Be thankful. Be thankful to God for your children. Love them deeply. Let your heart frequently melt for your children. Be willing to make sacrifices for them cheerfully. Deeply, yearn the best for them, especially in eternity through the gospel. Understand them positively and negatively. Positively, they're in the image of God. They have immense potential and they have those soft yielded hearts. A window of opportunity, positively. But then negatively, they are sinners. They're fanatically committed to self-interest. They have the seeds of rebellion in their own hearts. Don't romanticize them. They're childish. “When I was a child, I thought like a child,” they're going to say childish things. Understand them. Then teach your children constantly. Deuteronomy 6, "These commands that I give you today are to be upon your hearts. Impress them on your children. Talk about them when you sit at home, and when you walk along the road, when you lie down and when you get up.” Saturate their minds in the word of God. Saturate them, especially with the gospel, God, man, Christ response. God, the creator, the lawgiver, the judge, the sustainer. We, created His image. We, human beings, made to have a relationship with Him. But we're sinners. We violate God's laws. Christ came. Who is Jesus? He was born and lived a sinless life. The miracle stories. Tell them these stories. Pour the gospel into them, and then say they need to repent and believe. Be Christ-centered daily. Make Christ the center of your talk, as a father or mother. Talk about Jesus. Out of the fullness of the heart, the mouth speaks. Talk about Him. Discipline your children. The rod of reproof, Proverbs talks about it. Whatever that means, literal, physical, just you need to deal with their sin nature. The hardest part for me about Christian parenting is the mixture of old covenant and new covenant principles you got to do all the time. There's got to be blessings and curses, blessings for obedience, curses for disobedience. You've got to have laws and rules in your home, and they have to follow them. But then you've got to tell them the gospel, that the law's not going to save them, and that they need to find mercy and grace through faith in Christ. Just wisely mix those together. Pray for your children daily. Charles Spurgeon said this, "How can we bring children to Jesus Christ to be blessed? We can't do it in a physical sense. For Jesus is not here, He's risen. But we can bring our children in a true, real spiritual sense. We take them up in the arms of prayer. We daily cry, ‘Oh, that he or she might live before thee, Lord.’" We cry out and pray. Model Christ for your children. Involve them in church early. You're bringing your children here, keep doing that. You can't calculate the value of just 18 years of weekly preaching and singing and Christian fellowship. Bring them to church and encourage them along the way. "Model Christ for your children. Involve them in church early. … You can't calculate the value of just 18 years of weekly preaching and singing and Christian fellowship." I just want to say, finally, a word to workers here, children workers at our church. Thank you for your service. Thank you for what you do. Many hands makes light work, so ask if the Lord would have you involved in children ministry. It's a vital ministry. Thank you for what you do. Close with me in prayer. Father, thank you for the time that we've had in the word of God today. Thank you for the truth that Jesus gave us here so plainly, that we have to be converted to become little children and the kingdom of Heaven and the kingdom of God is made of such as these. Thank you for the great privilege of Christian parenting. And thank you for the truth of the word of God. We thank you that Jesus shed His blood so that we who are little children, can find forgiveness and find acceptance in His arms. In Jesus' name. Amen.

On the Overthinking It Podcast, we tackle the concert-going experience…with kids. Episode 766: Dad Also Has a Cow on His Head originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]

How we begin the day makes all the difference. If we begin the day invoking auspiciousness, love, peace, truth etc, we have set the tone for a great day ahead. Shiva personifies all the above and much more. Remembering Shiva as soon as one wakes up is one of the best ways to begin the day. What we invoke, we become that. Invoke Shiva and become Shiva. We learn 3 morning-verses written by Sri Adi Shankaracharya in this series of 3 reels. Each line is chanted twice. Once you can hear and second time you can repeat. Here is the first one. प्रातः स्मरामि भवभीतिहरं सुरेशंगङ्गाधरं वृषभवाहनमम्बिकेशम् ।खट्वाङ्गशूलवरदाभयहस्तमीशंसंसाररोगहरमौषधमद्वितीयम् ॥१॥Praatah Smaraami Bhava-Bhiiti-Haram SureshamGangaa-Dharam Vrshabha-Vaahanam-Ambikesham |Khattvaanga-Shula-Varada-Abhaya-Hastam-IshamSamsaara-Roga-Haram-Aushadham-Advitiiyam ||1||Meaning:1.1 In the Early Morning, I Remember Sri Shiva, Who Destroys the Fear of Worldly Existence(fearlessness to meet the challenges of the day) and Who is the Lord of the Devas(Our senses), 1.2 Who Holds River Ganga on His Head(symbolising Service), Who has a Bull as His Vehicle(symbolising righteousness) and Who is the Lord of Devi Ambika(symbolising deepest love),1.3 Who has a Club and Trident in His two Hands(to destroy negativity), And confers Boons and Fearlessness with His other two Hands and Who is the Lord of the Universe,1.4 Who is the Medicine(Self-Knowledge) to Destroy the Disease of transmigration and Who is the One without a second(Non-Dual Truth).Imagine beginning the day remembering the above qualities and the very goal of life - Absolute Freedom, Supreme Happiness and Complete fearlessness! How beautiful it is! Try it! Happy Mahashivaratri week. Om Namah Shivaya. P.S: First video shot in Kowli Village and second one shot between Aashravaa and Akaalkuwa, while on Narmada Parikrama. 

Better watch what Grandma gets your kids. One granny got a toddler a toy that tells inappropriate jokes... What would you do if you found out you were being cyberbullies...by your OWN MOM? My Insane FL Nephew, "Pancho Guero" will tell you what happened when one girl found out... If you're invited down to the local police station, you probably aren't expecting a PARTY...but sometimes, they'll get you drunk. (???) Sometimes things are so stupid, they're brilliant. If that's the case, there's a LOT of brilliance in this episode! Goldman Sachs Staff Steaming Mad as Free Coffee Pulled Before Layoffs; Self-Driving Baby Strollers Now Exist; 10 Predictions About 2023 from 100 Years Ago; 6G wireless technology could use humans as an antenna; A Porch Pirate Wore Women's Underwear on His Head as a Mask; TikTok Is Just Finding Out the "Shave & a Haircut" Knock Is Called That; A Woman Pulled a Gun After Her Boss Said She Called in Sick Too Much; Police in Missouri Will Get You Drunk, If You Can Help Them Out; Ex-Funeral Home Owner Gets 20 Years for Selling 500 Victims' Body Parts; A 'Robot Lawyer' Will Argue Its First Court Case; Banking Exec Busted for Peeing on Elderly Woman on Flight; 2 Arsonists Set Themselves on Fire After Pouring Gas Onto a Business; Taylor Swift's cat is worth $97M, among world's richest pets; A Mom Tracked Her Kid Down in a Video Game to Say 'Defrost the Lasagna'; A Passenger of a Suspected DUI Driver Calls the Cops...on the Cops! Play along with "Pancho" this week & see if you can do better then he can at guessing in the "Insane Game Show" & find the answers to life's biggest questions when you hear his profound wisdom as he answers more questions from those who want to "ASK PANCHO" for some advice! "Pancho" addresses the burning questions about “Help! I Feel Guilty My Friend Has COVID" & “Help! How Many Times Is Too Many Times To See A Movie In Theaters". Don't forget to download the TELEGRAM MESSENGER & join the "Insane Erik Lane's Stupid World" Channel to read the actual stories used for the podcast & check out the photos & videos with them! It's FREE & available for Windows, Linux, Android, & Apple for both mobile & desktop! --- Send in a voice message: https://podcasters.spotify.com/pod/show/eriklane/message Support this podcast: https://podcasters.spotify.com/pod/show/eriklane/support

Nothing says how much you remember your loved ones like wearing their skin after they die. Nothing shows your devotion to man's best friend than keeping Fido's fur around for a rug. Nothing gives nourishment to ward off anxiety than drinking your placenta. Nothing can be more stupid than what you're about to hear this week. Hold my beer... Couple naming their baby after a popular restaurant chain–people say he'l be bullied for sure; FL land buy for Chinese primate testing won't end well, expert warns; MO man is forced to pay $400 fine for too many SUNFLOWERS in violation of city's ‘turf-to-flower' ratio; A Woman Called 911 Because She Doesn't Understand How Pork Works; A Pair of Thieves Crashed into Each Other While Trying to Get Away; Humans may evolve to have deformed bodies, 2nd eyelid from overusing technology; Woman finds 2 pythons mating behind her microwave; 'Aquaman' Wears Fishbowl With Live Goldfish on His Head; Razor Blades Actually Were Found Hidden in a Child's Halloween Candy; Man Dressed as Mario Rides Firework Shooting Scooter Down Street; VA Man Sneaks Into Disney's Magic Kingdom Without Paying; Attacks Park Employees; Someone Showed Up at a Pawn Shop with a Used Coffin; Wife Rents Her Husband Out to Other Women for Odd Jobs at $45 an Hour; A Partially Blind Guy Shot a Home Intruder in the Butt. Play along with "Pancho" this week & see if you can do better then he can at guessing in the "Insane Game Show" & find the answers to life's biggest questions when you here his profound wisdom as he answers more questions from those who want to "ASK PANCHO" for some advice! "Pancho" addresses the burning questions about “Help! I Feel Like I'll Never Have Enough Money To Own A House!" & “Help! My Wife Thinks I'm Using Her Friend To Be Friends With Her Husband!" Don't forget to download the TELEGRAM MESSENGER & join the "Insane Erik Lane's Stupid World" Channel to read the actual stories used for the podcast & check out the photos & videos with them! It's FREE & available for Windows, Linux, Android, & Apple for both mobile & desktop! --- Send in a voice message: https://anchor.fm/eriklane/message Support this podcast: https://anchor.fm/eriklane/support

Christopher & Jobst im Gespräch mit Mirco. Wir reden über Positives im Negativen, wichtige Menschen im Leben, nicht high durch Lösungsmittel, das erstaunlich große Paderborn, Bennys "Ich bin frei" in der Hitparade, die Troggs als Vorgänger des Punk, blutende Ohren bei Gianna Nanini & Status Quo, konfessionell getrennte Schulen, Konfirmations- und Katechumeneunterricht und Geschenklisten führen, keine Super-Hifi-Trallafitti Plattenspieler, erstes Gitarrenbrett von Musik Scharte aus Salzkotten, Prügelattackte mit langfristigen Folgen, Galapagos-Fan mit Walkman & WWF Aktentasche, Tumore & Abzesse, späte Selbstjustiz, Angst vor Hauptschüler:innen, OWL im Heroin-Sumpf, voll aggro & voll nett gleichzeitig sein, immer noch von Pagan Babies Fan, das Zillo Magazin, 1000 mal die Ansage auf Slimes Live LP anhören, die erste Band Inside of His Head, wenn man kein Review im Trust hat existiert man eigentlich nicht, evtl. ein Peace of Mind Konzert mit Endearment in der Nähe des Hermanndenkmals, die erste Hardcore Band mit Anfang 20, fettes Konzert mit Lost & Found Hardcore, Erstdiagnose Lungenentzündung und eine lange Zeit ohne Ahnung was nicht stimmt, klatschnass vom Tumorfieber, epileptische Anfälle, ein Fax an der Tür, Angst vorm Verlust des Augenlichts, „Zeigen sie mir bitte ihre Hände!“, sechs mal Chemotherapie auf Verdacht, ein reiner Überlebenskampf, ein zur Seite gedrücktes Gehirn, ein komischer Panzerkörper, Ink & Dagger und ihr Strobo im AJZ, Jobsts Unkenntnis über The Fall, Knallerkonzerte in der Oettinger Villa, Grauzone im Post Punk Bereich, Antifa-Maus-Recherchen zu Nachtmahr, Gedanken zu mehr Awareness, indische Dals mit unveganem Bathura und veganem Reis, zehn Bands die Mircos Leben beeinflusst haben, uvm.

Crime Classics, originally broadcast October 28, 1953, 69 years ago, John Hayes, His Head, and How They Were Parted. Mr. Hayes returns from war to his lonely wife to find her afrolic with two comely boarders. His head is shortly thereafter found by the side of the Thames...and then encapsulated in a glass jar.Visit my web page - http://www.classicradio.streamWe receive no revenue from YouTube. If you enjoy our shows, listen via the links on our web page or if you're so inclined, Buy me a coffee! https://www.buymeacoffee.com/wyattcoxelAHeard on almost 100 radio stations from coast to coast. Classic Radio Theater features great radio programs that warmed the hearts of millions for the better part of the 20th century. Host Wyatt Cox brings the best of radio classics back to life with both the passion of a long-time (as in more than half a century) fan and the heart of a forty-year newsman. But more than just “playing the hits”, Wyatt supplements the first hour of each day's show with historical information on the day and date in history including audio that takes you back to World War II, Korea, and Vietnam. FDR, Eisenhower, JFK, Reagan, Carter, Nixon, LBJ. It's a true slice of life from not just radio's past, but America's past.Wyatt produces 21 hours a week of freshly minted Classic Radio Theater presentations each week, and each day's broadcast is timely and entertaining!

A moment can be momentous, especially when the moment is spent in the life changing presence of Jesus! Today, Ken and Skylar take you on an in-depth look at Jesus the Master. His heart, His Hand (touch), and His Head (thoughts) as it pertains to dealing with your need, no matter how desperate your situation may be. A moment with the Master will result in complete freedom from the chains of addiction! The Conquer Addiction Podcast is designed to deliver real, Scriptural, and time-tested solutions for those struggling with addiction and those who are trying to help them. Website: https://omainc.org Email: OMADirector2017@gmail.com or priorityev@mac.com Facebook: https://www.facebook.com/165704310121828/ Website: https://priorityev.info Instagram: instagram.com/bro_ken Outreach Ministries of Alabama, Inc., PO Box 98 Valhermoso Springs, AL  35775 Phone:  256-778-8096 Give: https://omainc.org/donations/ Please share Conquer Addiction with your friends.  Please subscribe, rate, and review through Apple Podcasts, CPN Shows, or wherever you listen to podcasts.  

Being an NYPD cop just notched up a tic now that the men in blue can smoke some green. A reminder if you're noodling catfish & get into an argument with your partner: Never summon Bigfoot. Now you can impress your lover with a timeless "adult product" you bought them from WALMART. Plus, my Insane FL Nephew, "Pancho Guero", has a creative new idea on what to get his little boy, "Panchito" for Christmas...an action figure with daddy's face on it! And there's more summertime stupidity galore! A Guy Tried to Break into a Little Caesars by Sliding Down an Exhaust Pipe; 100-mile yard sale going through Elk & Clearfield Counties in PA; A Wordle Board Game Will Be Out in Time for Christmas; Woman Climbs Through McDonald's Drive-Thru Window, Tries To Make Her Own Food; A Guy Is Suing Bass Pro Shops for Not Honoring a Lifetime Warranty on Socks; A Pilot Ran Out of Fuel and Landed on the Interstate...While Drunk; FL woman surprised by uninvited iguana, in her toilet; New "Nap Boxes" Allow Workers to Sleep Standing Up; Curious manatee grabs hold of boy's surfboard off Florida coast; A Drunk Driver with 2 Missing Tires Tried to Blame It on Covid; Man Suctions 10 Cans to His Head for World Record; A Guy Asked 911 to Bring His Girlfriend Some Sour Patch Kids; Nuclear Plant Accidentally Sends Voice Alert Warning Beachgoers To Evacuate; A Company Locked an Employee's Computer Remotely When She Stepped Away to Grab a Snack. "Pancho" will again lend his vast wisdom & sage advice to a couple more folks who need to "ASK PANCHO" about life's questions like, "How Many Dates Is Too Many On Dating Apps?" and "My Neighbor Keeps Playing Music On My Alexa"! Don't forget about the "Insane Game Show" where we can play along with "Pancho" to solve more stupid questions! Don't forget to download the TELEGRAM MESSENGER & join the "Insane Erik Lane's Stupid World" Channel to read the actual stories used for the podcast & check out the photos & videos with them! It's FREE & available for Windows, Linux, Android, & Apple for both mobile & desktop! --- Send in a voice message: https://anchor.fm/eriklane/message Support this podcast: https://anchor.fm/eriklane/support

TRANSCRIPT HERE Steph has the insightful Indi Gage from Hot Girls Theory podcast to talk about a movie they both adore, Michel Gondry's Eternal Sunshine of the Spotless Mind (2004), written by Charlie Kaufman. We discuss how the film raises questions about our experience of relationships and the way our fallible memory can shape how we see them, as well as how we relate to the character of Clementine and have definitely dated a Joel or two in our time. Also, does Clementine have Borderline Personality Disorder or does she just have contextually significant hair colour?!    Follow Indi on insta here! Listen to Hot Girls Theory here and follow their Instagram here and tiktok here!    Last chance to donate to our Gidget Foundation fundraiser coming up soon!!!! Join our patreon here or donate individually here!    CONTENT WARNING: stalker behaviour (Patrick), childhood trauma, discussion of fat phobia and ableism    Follow Psychocinematic on Instagram and Twitter! or join our Facebook Group! Email us at psychocinematicpodcast@gmail.com   REFERENCES Charlie Kaufman: 'The world is terrifying and destructive and dehumanising and tragic' | Anomalisa | The Guardian  This Profile of Charlie Kaufman Has Changed - The New York Times  Can Charlie Kaufman Get Out of His Head? | The New Yorker The Gift of Memory: Charlie Kaufman on the Culture of Death   Michel Gondry: 'I wanted to bring out Jim Carrey's sadness' | Television & radio | The Guardian  Maureen Dowd Talks 'Mare of Easttown' With Kate Winslet - The New York Times  10 Movies That Got Borderline Personality Disorder Symptoms (Mostly) Right Eternal Sunshine of the Spotless Mind - NeuroPsyFi  How Eternal Sunshine of the Spotless Mind Dismantles the Gender Objectification of the Manic Pixie Dream Girl Trope   NOTE: This podcast is not designed to be therapeutic, prescriptive or constitute a formal diagnosis for any listener, nor the characters discussed. The host is not representative of all psychologists and opinions stated are her own personal opinion, based on her own learnings and training (and minimal lived experience). Host and co-hosts do not have the final say and can only comment based on their own perspectives, so please let us know if you dispute any of these opinions – we are keen for feedback! Editor: Nic Fornasier, Music: Michael Watson, Artwork: Bronte Poynts

Let's go back to 1995 together and re-examine a popular, yet oft-forgotten, movie of the time... Johnny Mnemonic! How does Keanu Reeve's cyberpunk film hold up in 2022? We will dig into it with help from our great friend, Mark Nattress! Before we look at the film, we discuss our Top 5 Movies that got futures and future tech wrong. So get your wet-wired implant, hook up your dolphins, and don't get the black shakes... it's time for Johnny Mnemonic! Click here to listen and connect anywhere: https://linktr.ee/moviedefenders 00:00:00 Intro and Announcements 00:19:45 Top 5 Movies That Got Future Tech Wrong 00:53:47 Johnny Mnemonic Discussion Starts 01:31:39 Johnny Downloads the Data 01:57:22 Jane Saves Johnny 02:21:56 Johnny Takes Jane to Spider 02:32:40 Johnny Learns What's in His Head 02:43:51 Johnny Goes on a Rant 02:51:33 Meeting Jones 03:07:40 Broadcasting the Cure Special thanks to all of our amazing Patreon supporters! Brett Bowen Barrett Young Brev Tanner Kevin Athey Marcin Miduch Joshua Loy Josh Evans Mark Martin Megan Bush Richard Cree Alexis Borchardt Mark Nattress Bart German Alex Kirby Michael Puckett Ena Haynes Daryl Ewry Sean Masters Randal Silver Attack of the Killer Podcast

The STARSCREAM fun continues! SCREAMER'S done just playing around, this time he's on a mission to get his old body back! And for that, he needs to BRING UNICRON BACK TO LIFE! With SCOURGE as his unwilling helper, STARSCREAM manages to get some long-awaited revenge on the DECEPTICONS leaving the AUTOBOTS scratching their heads about what's going on! And JERZY scratches HIS HEAD about RADIO SHACK commercials! http://FourMillionYearsLater.com https://www.teepublic.com/user/fourmillionyearslater NEW 'AKOM GONNA AKOM' DESIGN! SHIRTS! STICKERS! TAPESTRIES! CELL PHONE CASES! BABY ONESIES! Befriend the FOUR MILLION YEARS LATER page on Facebook! Jerzy's comics for sale at INDYPLANET Jerzy's Patreon Jerzy's RSS Feed of all his goings on! Closing theme by Nick Mehalick : https://soundcloud.com/nicholas-mehalick/tranformative Please email us! FourMillionYearsLater@gmail.com And review us at your favorite podcatcher! Please? --- Send in a voice message: https://anchor.fm/4myl/message

Episode 141 of A History of Rock Music in Five Hundred Songs looks at “River Deep Mountain High'”, and at the career of Ike and Tina Turner.  Click the full post to read liner notes, links to more information, and a transcript of the episode. Also, this episode was recorded before the sad death of the great Ronnie Spector, whose records are featured a couple of times in this episode, which is partly about her abusive ex-husband. Her life paralleled Tina Turner's quite closely, and if you haven't heard the episode I did about her last year, you can find it at https://500songs.com/podcast/episode-110-be-my-baby-by-the-ronettes/. I wish I'd had the opportunity to fit a tribute into this episode too. Patreon backers also have a ten-minute bonus episode available, on "Wild Thing" by the Troggs. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, all the songs excerpted in the podcast can be heard in full at Mixcloud. Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era by Ken Emerson is a good overview of the Brill Building scene, and I referred to it for the material about Jeff Barry and Ellie Greenwich. I've referred to two biographies of Phil Spector in this episode, Phil Spector: Out of His Head by Richard Williams and He's a Rebel by Mark Ribkowsky. Tina Turner has written two autobiographies. I Tina is now out of print but is slightly more interesting, as it contains interview material with other people in her life. My Love Story is the more recent one and covers her whole life up to 2019. Ike Turner's autobiography Takin' Back My Name is a despicable, self-serving, work of self-justification, and I do not recommend anyone buy or read it. But I did use it for quotes in the episode so it goes on the list. Ike Turner: King of Rhythm by John Collis is more even-handed, and contains a useful discography. That Kat Sure Could Play! is a four-CD compilation of Ike Turner's work up to 1957. The TAMI and Big TNT shows are available on a Blu-Ray containing both performances. There are many compilations available with some of the hits Spector produced, but I recommend getting Back to Mono, a four-CD overview of his career containing all the major singles put out by Philles. There are sadly no good compilations of Ike and Tina Turner's career, as they recorded for multiple labels, and would regularly rerecord the hits in new versions for each new label, so any compilation you find will have the actual hit version of one or two tracks, plus a bunch of shoddy remakes. However, the hit version of "River Deep, Mountain High" is on the album of the same name, which is a worthwhile album to get,. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today's episode is unfortunately another one of those which will require a content warning, because we're going to be talking about Ike and Tina Turner. For those of you who don't know, Ike Turner was possibly the most famously abusive spouse in the whole history of music, and it is literally impossible to talk about the duo's career without talking about that abuse. I am going to try not to go into too many of the details -- if nothing else, the details are very readily available for those who want to seek them out, not least in Tina's two autobiographies, so there's no sense in retraumatising people who've experienced domestic abuse by going over them needlessly -- but it would be dishonest to try to tell the story without talking about it at all. This is not going to be an episode *about* Ike Turner's brutal treatment of Tina Turner -- it's an episode about the record, and about music, and about their musical career -- but the environment in which "River Deep, Mountain High" was created was so full of toxic, abusive, destructive men that Ike Turner may only be the third-worst person credited on the record, and so that abuse will come up. If discussion of domestic abuse, gun violence, cocaine addiction, and suicide attempts are likely to cause you problems, you might want to read the transcript rather than listen to the podcast. That said, let's get on with the story. One of the problems I'm hitting at this point of the narrative is that starting with "I Fought the Law" we've hit a run of incredibly intertangled stories  The three most recent episodes, this one, and nine of the next twelve, all really make up one big narrative about what happened when folk-rock and psychedelia hit the Hollywood scene and the Sunset Strip nightclubs started providing the raw material for the entertainment industry to turn into pop culture. We're going to be focusing on a small number of individuals, and that causes problems when trying to tell a linear narrative, because people don't live their lives sequentially -- it's not the case that everything happened to Phil Spector, and *then* everything happened to Cass Elliot, and *then* everything happened to Brian Wilson. All these people were living their lives and interacting and influencing each other, and so sometimes we'll have to mention something that will be dealt with in a future episode. So I'll say here and now that we *will* be doing an episode on the Lovin' Spoonful in two weeks. So when I say now that in late 1965 the Lovin' Spoonful were one of the biggest bands around, and possibly the hottest band in the country, you'll have to take that on trust. But they were, and in late 1965 their hit "Do You Believe in Magic?" had made the top ten: [Excerpt: The Lovin' Spoonful, "Do You Believe in Magic?"] Phil Spector, as always, was trying to stay aware of the latest trends in music, and he was floundering somewhat. Since the Beatles had hit America in 1964, the hits had dried up -- he'd produced a few minor hit records in 1964, but the only hits he'd made in 1965 had been with the Righteous Brothers -- none of his other acts were charting. And then the Righteous Brothers left him, after only a year. In late 1965, he had no hit acts and no prospect of having any. There was only one thing to do -- he needed to start making his own folk-rock records. And the Lovin' Spoonful gave him an idea how to do that. Their records were identifiably coming from the same kind of place as people like the Byrds or the Mamas and the Papas, but they were pop songs, not protest songs -- the Lovin' Spoonful weren't doing Dylan covers or anything intellectual, but joyous pop confections of a kind that anyone could relate to. Spector knew how to make pop records like that. But to do that, he needed a band. Even though he had been annoyed at the way that people had paid more attention to the Righteous Brothers, as white men, than they had to the other vocalists he'd made hit records with (who, as Black women, had been regarded by a sexist and racist public as interchangeable puppets being controlled by a Svengali rather than as artists in their own right), he knew he was going to have to work with a group of white male vocalist-instrumentalists if he wanted to have his own Lovin' Spoonful. And the group he chose was a group from Greenwich Village called MFQ. MFQ had originally named themselves the Modern Folk Quartet, as a parallel to the much better-known Modern Jazz Quartet, and consisted of Cyrus Faryar, Henry Diltz, Jerry Yester, and Chip Douglas, all of whom were multi-instrumentalists who would switch between guitar, banjo, mandolin, and bass depending on the song. They had combined Kingston Trio style clean-cut folk with Four Freshmen style modern harmonies -- Yester, who was a veteran of the New Christy Minstrels, said of the group's vocals that "the only vocals that competed with us back then was Curt Boettcher's group", and  they had been taken under the wing of manager Herb Cohen, who had got them a record deal with Warner Brothers. They recorded two albums of folk songs, the first of which was produced by Jim Dickson, the Byrds' co-manager: [Excerpt: The Modern Folk Quartet, "Sassafras"] But after their second album, they had decided to go along with the trends and switch to folk-rock. They'd started playing with electric instruments, and after a few shows where John Sebastian, the lead singer of the Lovin' Spoonful, had sat in with them on drums, they'd got themselves a full-time drummer, "Fast" Eddie Hoh, and renamed themselves the Modern Folk Quintet, but they always shortened that to just MFQ. Spector was convinced that this group could be another Lovin' Spoonful if they had the right song, and MFQ in turn were eager to become something more than an unsuccessful folk group. Spector had the group rehearsing in his house for weeks at a stretch before taking them into the studio. The song that Spector chose to have the group record was written by a young songwriter he was working with named Harry Nilsson. Nilsson was as yet a complete unknown, who had not written a hit and was still working a day job, but he had a talent for melody, and he also had a unique songwriting sensibility combining humour and heartbreak. For example, he'd written a song that Spector had recorded with the Ronettes, "Here I Sit", which had been inspired by the famous graffito from public toilet walls -- "Here I sit, broken-hearted/Paid a dime and only farted": [Excerpt: The Ronettes, "Here I Sit"] That ability to take taboo bodily functions and turn them into innocent-sounding love lyrics is also at play in the song that Spector chose to have the MFQ record. "This Could be the Night" was written by Nilsson from the perspective of someone who is hoping to lose his virginity -- he feels like he's sitting on dynamite, and he's going to "give her some", but it still sounds innocent enough to get past the radio censors of the mid-sixties: [Excerpt: Harry Nilsson, "This Could Be the Night (demo)"] Spector took that song, and recorded a version of it which found the perfect balance between Spector's own wall of sound and the Lovin' Spoonful's "Good Time Music" sound: [Excerpt: MFQ, "This Could be the Night"] Brian Wilson was, according to many people, in the studio while that was being recorded, and for decades it would remain a favourite song of Wilson's -- he recorded a solo version of it in the 1990s, and when he started touring solo for the first time in 1998 he included the song in his earliest live performances. He also tried to record it with his wife's group, American Spring, in the early 1970s, but was unable to, because while he could remember almost all of the song, he couldn't get hold of the lyrics. And the reason he couldn't get hold of the lyrics is that the record itself went unreleased, because Phil Spector had found a new performer he was focusing on instead. It happened during the filming of the Big TNT Show, a sequel to the TAMI Show, released by American International Pictures, for which "This Could Be the Night" was eventually used as a theme song. The MFQ were actually performers at the Big TNT Show, which Spector was musical director and associate producer of, but their performances were cut out of the finished film, leaving just their record being played over the credits. The Big TNT Show generally gets less respect than the TAMI Show, but it's a rather remarkable document of the American music scene at the very end of 1965, and it's far more diverse than the TAMI show. It opens with, of all people, David McCallum -- the actor who played Ilya Kuryakin on The Man From UNCLE -- conducting a band of session musicians playing an instrumental version of "Satisfaction": [Excerpt: David McCallum, "Satisfaction"] And then, in front of an audience which included Ron and Russel Mael, later of Sparks, and Frank Zappa, who is very clearly visible in audience shots, came performances of every then-current form of popular music. Ray Charles, Petula Clark, Bo Diddley, the Byrds, the Lovin' Spoonful, Roger Miller, the Ronettes, and Donovan all did multiple songs, though the oddest contribution was from Joan Baez, who as well as doing some of her normal folk repertoire also performed "You've Lost That Lovin' Feelin'" with Spector on piano: [Excerpt: Joan Baez and Phil Spector, "You've Lost That Lovin' Feelin'"] But the headline act on the eventual finished film was the least-known act on the bill, a duo who had not had a top forty hit for four years at this point, and who were only on the bill as a last-minute fill-in for an act who dropped out, but who were a sensational live act. So sensational that when Phil Spector saw them, he knew he needed to sign them -- or at least he needed to sign one of them: [Excerpt: Ike and Tina Turner with the Ikettes, "Please, Please, Please"] Because Ike and Tina Turner's performance at the Big TNT Show was, if anything, even more impressive than James Brown's performance on the TAMI Show the previous year. The last we saw of Ike Turner was way back in episode eleven. If you don't remember that, from more than three years ago, at the time Turner was the leader of a small band called the Kings of Rhythm. They'd been told by their friend B.B. King that if you wanted to make a record, the person you go to was Sam Phillips at Memphis Recording Services, and they'd recorded "Rocket '88", often cited as the first ever rock and roll record, under the name of their sax player and vocalist Jackie Brenston: [Excerpt: Jackie Brenston and the Delta Cats, "Rocket '88"] We looked at some of the repercussions from that recording throughout the first year and a half or so of the podcast, but we didn't look any more at the career of Ike Turner himself. While "Rocket '88" was a minor hit, the group hadn't followed it up, and Brenston had left to go solo. For a while Ike wasn't really very successful at all -- though he was still performing around Memphis, and a young man named Elvis Presley was taking notes at some of the shows. But things started to change for Ike when he once again turned up at Sam Phillips' studio -- this time because B.B. King was recording there. At the time, Sun Records had still not started as its own label, and Phillips' studio was being used for records made by all sorts of independent blues labels, including Modern Records, and Joe Bihari was producing a session for B.B. King, who had signed to Modern. The piano player on the session also had a connection to "Rocket '88" -- when Jackie Brenston had quit Ike's band to go solo, he'd put together a new band to tour as the Delta Cats, and Phineas Newborn Jr had ended up playing Turner's piano part on stage, before Brenston's career collapsed and Newborn became King's pianist. But Phineas Newborn was a very technical, dry, jazz pianist -- a wonderful player, but someone who was best suited to playing more cerebral material, as his own recordings as a bandleader from a few years later show: [Excerpt: Phineas Newborn Jr, "Barbados"] Bihari wasn't happy with what Newborn was playing, and the group took a break from recording to get something to eat and try to figure out the problem. While they were busy, Turner went over to the piano and started playing. Bihari said that that was exactly what they wanted, and Turner took over playing the part. In his autobiography, Turner variously remembers the song King was recording there as "You Know I Love You" and "Three O'Clock Blues", neither of which, as far as I can tell, were actually recorded at Phillips' studio, and both of which seem to have been recorded later -- it's difficult to say for sure because there were very few decent records kept of these things at the time. But we do know that Turner played on a lot of King's records in the early fifties, including on "Three O'Clock Blues", King's first big hit: [Excerpt: B.B. King, "Three O'Clock Blues"] For the next while, Turner was on salary at Modern Records, playing piano on sessions, acting as a talent scout, and also apparently writing many of the songs that Modern's artists would record, though those songs were all copyrighted under the name "Taub", a pseudonym for the Bihari brothers, as well as being a de facto arranger and producer for the company. He worked on many records made in and around Memphis, both for Modern Records and for other labels who drew from the same pool of artists and musicians. Records he played on and produced or arranged include several of Bobby "Blue" Bland's early records -- though Turner's claim in his autobiography that he played on Bland's version of "Stormy Monday" appears to be incorrect, as that wasn't recorded until a decade later. He did, though, play on Bland's “Drifting from Town to Town”, a rewrite of Charles Brown's “Driftin' Blues”, on which, as on many sessions run by Turner, the guitarist was Matt “Guitar” Murphy, who later found fame with the Blues Brothers: [Excerpt: Bobby "Blue" Bland with Ike Turner and his Orchestra, "Driftin' Blues"] Though I've also seen the piano part on that credited as being by Johnny Ace – there's often some confusion as to whether Turner or Ace played on a session, as they played with many of the same artists, but that one was later rereleased as by Bobby “Blue” Bland with Ike Turner and his Orchestra, so it's safe to say that Ike's on that one. He also played on several records by Howlin' Wolf, including "How Many More Years", recorded at Sam Phillips' studio: [Excerpt: Howlin' Wolf, "How Many More Years?"] Over the next few years he played with many artists we've covered already in the podcast, like Richard Berry and the Flairs, on whose recordings he played guitar rather than piano: [Excerpt: The Flairs, "Baby Wants"] He also played guitar on records by Elmore James: [Excerpt: Elmore James, "Please Find My Baby"] and played with Little Junior Parker, Little Milton, Johnny Ace, Roscoe Gordon, and many, many more. As well as making blues records, he also made R&B records in the style of Gene and Eunice with his then-wife Bonnie: [Excerpt: Bonnie and Ike Turner, "My Heart Belongs to You"] Bonnie was his fourth wife, all of them bigamous -- or at least, I *think* she was his fourth. I have seen two different lists Turner gave of his wives, both of them made up of entirely different people, though it doesn't help that many of them also went by nicknames. But Turner started getting married when he was fourteen, and as he would often put it "you gave a preacher two dollars, the papers cost three dollars, that was it. In those days Blacks didn't bother with divorces." (One thing you will see a lot with Turner, unfortunately, is his habit of taking his own personal misbehaviours and claiming they were either universal, or at least that they were universal among Black people, or among men. It's certainly true that some people in the Southeastern US had a more lackadaisical attitude towards remarrying without divorce at the time than we might expect, but it was in no way a Black thing specifically -- it was a people-like-Ike-Turner thing -- see for example the very similar behaviour of Jerry Lee Lewis. I'm trying, when I quote him, not to include too many of these generalisations, but I thought it important to include that one early on to show the kind of self-justification to which he was prone throughout his entire life.) It's largely because Bonnie played piano and was singing with his band that Turner switched to playing guitar, but there was another reason – while he disliked the attention he got on stage, he also didn't want a repeat of what had happened with Jackie Brenston, where Brenston as lead vocalist and frontman had claimed credit for what Ike thought of as his own record. Anyone who saw Ike Turner and his Kings of Rhythm was going to know that Ike Turner was the man who was making it all happen, and so he was going to play guitar up front rather than be on the piano in the background. So Turner took guitar lessons from Earl Hooker, one of the great blues guitarists of the period, who had played with Turner's piano inspiration Pinetop Perkins before recording solo tracks like "Sweet Angel": [Excerpt: Earl Hooker, "Sweet Angel"] Turner was always happier in the studio than performing live -- despite his astonishing ego, he was also a rather shy person who didn't like attention -- and he'd been happy working on salary for Modern and freelancing on occasion for other labels like Chess and Duke. But then the Biharis had brought him out to LA, where Modern Records was based, and as Joel Bihari put it "Ike did a great job for us, but he was a country boy. We brought him to L.A., and he just couldn't take city life. He only stayed a month, then left for East St. Louis to form his own band. He told me he was going back there to become a star." For once, Turner's memory of events lined up with what other people said about him. In his autobiography, he described what happened -- "Down in Mississippi, life is slow. Tomorrow, you are going to plough this field. The next day, you going to cut down these trees. You stop and you go on about your business. Next day, you start back on sawing trees or whatever you doing. Here I am in California, and this chick, this receptionist, is saying "Hold on, Mr Bihari, line 2... hold line 3... Hey Joe, Mr Something or other on the phone for you." I thought "What goddamn time does this stop?"" So Turner did head to East St. Louis -- which is a suburb of St. Louis proper, across the Mississippi river from it, and in Illinois rather than Missouri, and at the time a thriving industrial town in its own right, with over eighty thousand people living there. Hardly the laid-back country atmosphere that Turner was talking about, but still also far from LA both geographically and culturally. He put together a new lineup of the Kings of Rhythm, with a returning Jackie Brenston, who were soon recording for pretty much every label that was putting out blues and R&B tracks at that point, releasing records on RPM, Sue, Flair, Federal, and Modern as well as several smaller labels. usually with either Brenston or the group's drummer Billy Gayles singing lead: [Excerpt: Billy Gayles with Ike Turner's Kings of Rhythm, "Just One More Time"] None of these records was a success, but the Kings of Rhythm were becoming the most successful band in East St. Louis. In the mid-fifties the only group that was as popular in the greater St. Louis metro area was the Johnny Johnson trio -- which soon became the Chuck Berry trio, and went on to greater things, while the Kings of Rhythm remained on the club circuit. But Turner was also becoming notorious for his temper -- he got the nickname "Pistol-Whippin' Ike Turner" for the way he would attack people with his gun, He also though was successful enough that he built his own home studio, and that was where he recorded "Boxtop". a calypso song whose middle eight seems to have been nicked from "Why Do Fools Fall In Love?" and whose general feel owes more than a little to "Love is Strange": [Excerpt: Ike Turner, Carlson Oliver, and Little Ann, "Boxtop"] The female vocals on that track were by Turner's new backing vocalist, who at the time went by the stage name "Little Ann". Anna Mae Bullock had started going to see the Kings of Rhythm regularly when she was seventeen, because her sister was dating one of the members of the band, and she had become a fan almost immediately. She later described her first experience seeing the group: "The first time I saw Ike on stage he was at his very best, sharply dressed in a dark suit and tie. Ike wasn't conventionally handsome – actually, he wasn't handsome at all – and he certainly wasn't my type. Remember, I was a schoolgirl, all of seventeen, looking at a man. I was used to high school boys who were clean-cut, athletic, and dressed in denim, so Ike's processed hair, diamond ring, and skinny body – he was all edges and sharp cheekbones – looked old to me, even though he was only twenty-five. I'd never seen anyone that thin! I couldn't help thinking, God, he's ugly." Turner didn't find Bullock attractive either -- one of the few things both have always agreed on in all their public statements about their later relationship was that neither was ever particularly attracted to the other sexually -- and at first this had caused problems for Anna Mae. There was a spot in the show where Turner would invite a girl from the audience up on stage to sing, a different one every night, usually someone he'd decided he wanted to sleep with. Anna Mae desperately wanted to be one of the girls that would get up on stage, but Turner never picked her. But then one day she got her chance. Her sister's boyfriend was teasing her sister, trying to get her to sing in this spot, and passed her the microphone. Her sister didn't want to sing, so Anna Mae grabbed the mic instead, and started singing -- the song she sang was B.B. King's "You Know I Love You", the same song that Turner always remembered as being recorded at Sun studios, and on which Turner had played piano: [Excerpt: B.B. King, "You Know I Love You"] Turner suddenly took notice of Anna Mae. As he would later say, everyone *says* they can sing, but it turned out that Anna Mae could. He took her on as an occasional backing singer, not at first as a full member of the band, but as a sort of apprentice, who he would teach how to use her talents more commercially. Turner always said that during this period, he would get Little Richard to help teach Anna Mae how to sing in a more uncontrolled, exuberant, style like he did, and Richard has backed this up, though Anna Mae never said anything about this. We do know though that Richard was a huge fan of Turner's -- the intro to "Good Golly Miss Molly": [Excerpt: Little Richard, "Good Golly Miss Molly"] was taken almost exactly from the intro to "Rocket '88": [Excerpt: Jackie Brenston and the Delta Cats, "Rocket '88"] and Richard later wrote the introduction to Turner's autobiography. So it's possible -- but both men were inveterate exaggerators, and Anna Mae only joined Ike's band a few months before Richard's conversion and retirement from music, and during a point when he was a massive star, so it seems unlikely. Anna Mae started dating Raymond Hill, a saxophone player in the group, and became pregnant by him -- but then Hill broke his ankle, and used that as an excuse to move back to Clarksdale, Mississippi, to be with his family, abandoning his pregnant teenage girlfriend, and it seems to be around this point that Turner and Anna Mae became romantically and sexually involved. Certainly, one of Ike's girlfriends, Lorraine Taylor, seems to have believed they were involved while Anna Mae was pregnant, and indeed that Turner, rather than Hill, was the father. Taylor threatened Bullock with Turner's gun, before turning it on herself and attempting suicide, though luckily she survived. She gave birth to Turner's son, Ike Junior, a couple of months after Bullock gave birth to her own son, Craig. But even after they got involved, Anna Mae was still mostly just doing odd bits of backing vocals, like on "Boxtop", recorded in 1958, or on 1959's "That's All I Need", released on Sue Records: [Excerpt: Ike Turner's Kings of Rhythm, "That's All I Need"] And it seemed that would be all that Anna Mae Bullock would do, until Ike Turner lent Art Lassiter eighty dollars he didn't want to pay back. Lassiter was a singer who was often backed by his own vocal trio, the Artettes, patterned after Ray Charles' Raelettes. He had performed with Turner's band on a semi-regular basis, since 1955 when he had recorded "As Long as I Have You" with his vocal group the Trojans, backed by "Ike Turner and his Orchestra": [Excerpt: The Trojans, Ike Turner and His Orchestra, "As Long as I Have You"] He'd recorded a few more tracks with Turner since then, both solo and under group names like The Rockers: [Excerpt: The Rockers, "Why Don't You Believe?"] In 1960, Lassiter needed new tyres for his car, and borrowed eighty dollars from Turner in order to get them -- a relatively substantial amount of money for a working musician back then. He told Turner that he would pay him back at a recording session they had booked, where Lassiter was going to record a song Turner had written, "A Fool in Love", with Turner's band and the Artettes. But Lassiter never showed up -- he didn't have the eighty dollars, and Turner found himself sat in a recording studio with a bunch of musicians he was paying for, paying twenty-five dollars an hour for the studio time, and with no singer there to record. At the time, he was still under the impression that Lassiter might eventually show up, if not at that session, then at least at a future one, but until he did, there was nothing he could do and he was getting angry. Bullock suggested that they cut the track without Lassiter. They were using a studio with a multi-track machine -- only two tracks, but that would be enough. They could cut the backing track on one track, and she could record a guide vocal on the other track, since she'd been around when Turner was teaching Lassiter the song. At least that way they wouldn't have wasted all the money. Turner saw the wisdom of the idea -- he said in his autobiography "This was the first time I got hip to two-track stereo" -- and after consulting with the engineer on the session, he decided to go ahead with Bullock's plan. The plan still caused problems, because they were recording the song in a key written for a man, so Bullock had to yell more than sing, causing problems for the engineer, who according to Turner kept saying things like "Goddammit, don't holler in my microphone". But it was only a demo vocal, after all, and they got it cut -- and as Lassiter didn't show up, Turner took Lassiter's backing vocal group as his own new group, renaming the Artettes to the Ikettes, and they became the first of a whole series of lineups of Ikettes who would record with Turner for the rest of his life. The intention was still to get Lassiter to sing lead on the record, but then Turner played an acetate of it at a club night where he was DJing as well as performing, and the kids apparently went wild: [Excerpt: Ike and Tina Turner, "A Fool in Love"] Turner took the demo to Juggy Murray at Sue Records, still with the intention of replacing Anna Mae's vocal with Lassiter's, but Murray insisted that that was the best thing about the record, and that it should be released exactly as it was, that it was a guaranteed hit. Although -- while that's the story that's told all the time about that record by everyone involved in the recording and release, and seems uncontested, there does seem to be one minor problem with the story, which is that the Ikettes sing "you know you love him, you can't understand/Why he treats you like he do when he's such a good man". I'm willing to be proved wrong, of course, but my suspicion is that Ike Turner wasn't such a progressive thinker that he was writing songs about male-male relationships in 1960. It's possible that the Ikettes were recorded on the same track as Tina's guide vocals, but if the intention was to overdub a new lead from Lassiter on an otherwise finished track, it would have made more sense for them to sing their finished backing vocal part. It seems more likely to me that they decided in the studio that the record was going to go out with Anna Mae singing lead, and the idea of Murray insisting is a later exaggeration. One thing that doesn't seem to be an exaggeration, though, is that initially Murray wanted the record to go out as by Ike Turner's Kings of Rhythm featuring Little Ann, but Turner had other ideas. While Murray insisted "the girl is the star", Turner knew what happened when other people were the credited stars on his records. He didn't want another Jackie Brenston, having a hit and immediately leaving Turner right back where he started. If Little Ann was the credited singer, Little Ann would become a star and Ike Turner would have to find a new singer. So he came up with a pseudonym. Turner was a fan of jungle women in film serials and TV, and he thought a wild-woman persona would suit Anna Mae's yelled vocal, and so he named his new star after Sheena, Queen of the Jungle, a female Tarzan knock-off comic character created by Will Eisner and Jerry Iger in the thirties, but who Turner probably knew from a TV series that had been on in 1955 and 56. He gave her his surname, changed "Sheena" slightly to make the new name alliterative and always at least claimed to have registered a trademark on the name he came up with, so if Anna Mae ever left the band he could just get a new singer to use the name. Anna Mae Bullock was now Tina Turner, and the record went out as by "Ike and Tina Turner": [Excerpt: Ike and Tina Turner, "A Fool in Love"] That went to number two on the R&B charts, and hit the top thirty on the pop charts, too. But there were already problems. After Ike had had a second son with Lorraine, he then got Tina pregnant with another of his children, still seeing both women. He had already started behaving abusively towards Tina, and as well as being pregnant, she was suffering from jaundice -- she says in the first of her two autobiographies that she distinctly remembered lying in her hospital bed, hearing "A Fool in Love" on the radio, and thinking "What's love got to do with it?", though as with all such self-mythologising we should take this with a pinch of salt. Turner was in need of money to pay for lawyers -- he had been arrested for financial crimes involving forged cheques -- and Juggy Murray wouldn't give him an advance until he delivered a follow-up to "A Fool in Love", so he insisted that Tina sneak herself out of the hospital and go into the studio, jaundiced and pregnant, to record the follow-up. Then, as soon as the jaundice had cleared up, they went on a four-month tour, with Tina heavily pregnant, to make enough money to pay Ike's legal bills. Turner worked his band relentlessly -- he would accept literally any gig, even tiny clubs with only a hundred people in the audience, reasoning that it was better for the band's image to play  small venues that had to turn people away because they were packed to capacity, than to play large venues that were only half full. While "A Fool in Love" had a substantial white audience, the Ike and Tina Turner Revue was almost the epitome of the chitlin' circuit act, playing exciting, funky, tightly-choreographed shows for almost entirely Black audiences in much the same way as James Brown, and Ike Turner was in control of every aspect of the show. When Tina had to go into hospital to give birth, rather than give up the money from gigging, Ike hired a sex worker who bore a slight resemblance to Tina to be the new onstage "Tina Turner" until the real one was able to perform again. One of the Ikettes told the real Tina, who discharged herself from hospital, travelled to the venue, beat up the fake Tina, and took her place on stage two days after giving birth. The Ike and Tina Turner Revue, with the Kings of Rhythm backing Tina, the Ikettes, and male singer Jimmy Thomas, all of whom had solo spots, were an astonishing live act, but they were only intermittently successful on record. None of the three follow-ups to "A Fool in Love" did better than number eighty-two on the charts, and two of them didn't even make the R&B charts, though "I Idolize You" did make the R&B top five. Their next big hit came courtesy of Mickey and Sylvia. You may remember us talking about Mickey and Sylvia way back in episode forty-nine, from back in 2019, but if you don't, they were one of a series of R&B duet acts, like Gene and Eunice, who came up after the success of Shirley and Lee, and their big hit was "Love is Strange": [Excerpt: Mickey and Sylvia, "Love is Strange"] By 1961, their career had more or less ended, but they'd recorded a song co-written by the great R&B songwriter Rose Marie McCoy, which had gone unreleased: [Excerpt: Mickey and Sylvia, "It's Gonna Work Out Fine"] When that was shelved they remade it as an Ike and Tina Turner record, with Mickey and Sylvia being Ike -- Sylvia took on all the roles that Ike would normally do in the studio, arranging the track and playing lead guitar, as well as joining the Ikettes on backing vocals, while Mickey did the spoken answering vocals that most listeners assumed were Ike, and which Ike would replicate on stage. The result, unsurprisingly, sounded more like a Mickey and Sylvia record than anything Ike and Tina had ever released before, though it's very obviously Tina on lead vocals: [Excerpt: Ike and Tina Turner, "It's Gonna Work Out Fine"] That made the top twenty on the pop charts -- though it would be their last top forty hit for nearly a decade as Ike and Tina Turner. They did though have a couple of other hits as the Ikettes, with Ike Turner putting the girl group's name on the label so he could record for multiple labels. The first of these, "I'm Blue (The Gong Gong Song)" was a song Ike had written which would later go on to become something of an R&B standard. It featured Dolores Johnson on lead vocals, but Tina sang backing vocals and got a rare co-production credit: [Excerpt: The Ikettes, "I'm Blue (The Gong Gong Song)"] The other Ikettes top forty hit was in 1965, with a song written by Steve Venet and Tommy Boyce -- a songwriter we will be hearing more about in three weeks -- and produced by Venet: [Excerpt: The Ikettes, "Peaches 'n' Cream"] Ike wasn't keen on that record at first, but soon came round to it when it hit the charts. The success of that record caused that lineup of Ikettes to split from Ike and Tina -- the Ikettes had become a successful act in their own right, and Dick Clark's Caravan of Stars wanted to book them, but that would have meant they wouldn't be available for Ike and Tina shows. So Ike sent a different group of three girls out on the road with Clark's tour, keeping the original Ikettes back to record and tour with him, and didn't pay them any royalties on their records. They resented being unable to capitalise on their big hit, so they quit. At first they tried to keep the Ikettes name for themselves, and got Tina Turner's sister Alline to manage them, but eventually they changed their name to the Mirettes, and released a few semi-successful records. Ike got another trio of Ikettes to replace them, and carried on with Pat Arnold, Gloria Scott, and Maxine Smith as the new Ikettes,. One Ikette did remain pretty much throughout -- a woman called Ann Thomas, who Ike Turner was sleeping with, and who he would much later marry, but who he always claimed was never allowed to sing with the others, but was just there for her looks. By this point Ike and Tina had married, though Ike had not divorced any of his previous wives (though he paid some of them off when Ike and Tina became big). Ike and Tina's marriage in Tijuana was not remembered by either of them as a particularly happy experience -- Ike would always later insist that it wasn't a legal marriage at all, and in fact that it was the only one of his many, many, marriages that hadn't been, and was just a joke. He was regularly abusing her in the most horrific ways, but at this point the duo still seemed to the public to be perfectly matched. They actually only ended up on the Big TNT Show as a last-minute thing -- another act was sick, though none of my references mention who it was who got sick, just that someone was needed to fill in for them, and as Ike and Tina were now based in LA -- the country boy Ike had finally become a city boy after all -- and would take any job on no notice, they got the gig. Phil Spector was impressed, and he decided that he could revitalise his career by producing a hit for Tina Turner. There was only one thing wrong -- Tina Turner wasn't an act. *Ike* and Tina Turner was an act. And Ike Turner was a control freak, just like Spector was -- the two men had essentially the same personality, and Spector didn't want to work with someone else who would want to be in charge. After some negotiation, they came to an agreement -- Spector could produce a Tina Turner record, but it would be released as an Ike and Tina Turner record. Ike would be paid twenty thousand dollars for his services, and those services would consist of staying well away from the studio and not interfering. Spector was going to go back to the old formulas that had worked for him, and work with the people who had contributed to his past successes, rather than leaving anything to chance. Jack Nitzsche had had a bit of a falling out with him and not worked on some of the singles he'd produced recently, but he was back. And Spector was going to work with Jeff Barry and Ellie Greenwich again. He'd fallen out with Barry and Greenwich when "Chapel of Love" had been a hit for the Dixie Cups rather than for one of Spector's own artists, and he'd been working with Mann and Weill and Goffin and King instead. But he knew that it was Barry and Greenwich who were the ones who had worked best with him, and who understood his musical needs best, so he actually travelled to see them in New York instead of getting them to come to him in LA, as a peace offering and a sign of how much he valued their input. The only problem was that Spector hadn't realised that Barry and Greenwich had actually split up.  They were still working together in the studio, and indeed had just produced a minor hit single for a new act on Bert Berns' label BANG, for which Greenwich had written the horn arrangement: [Excerpt: Neil Diamond, "Solitary Man"] We'll hear more about Neil Diamond, and about Jeff Barry's work with him, in three weeks. But Barry and Greenwich were going through a divorce and weren't writing together any more, and came back together for one last writing session with Spector, at which, apparently, Ellie Greenwich would cry every time they wrote a line about love. The session produced four songs, of which two became singles. Barry produced a version of "I Can Hear Music", written at these sessions, for the Ronettes, who Spector was no longer interested in producing himself: [Excerpt: The Ronettes, "I Can Hear Music"] That only made number ninety-nine on the charts, but the song was later a hit for the Beach Boys and has become recognised as a classic. The other song they wrote in those sessions, though, was the one that Spector wanted to give to Tina Turner. "River Deep, Mountain High" was a true three-way collaboration -- Greenwich came up with the music for the verses, Spector for the choruses, and Barry wrote the lyrics and tweaked the melody slightly. Spector, Barry, and Greenwich spent two weeks in their writing session, mostly spent on "River Deep, Mountain High". Spector later said of the writing "Every time we'd write a love line, Ellie would start to cry. I couldn't figure out what was happening, and then I realised… it was a very uncomfortable situation. We wrote that, and we wrote ‘I Can Hear Music'…. We wrote three or four hit songs on that one writing session. “The whole thing about ‘River Deep' was the way I could feel that strong bass line. That's how it started. And then Jeff came up with the opening line. I wanted a tender song about a chick who loved somebody very much, but a different way of expressing it. So we came up with the rag doll and ‘I'm going to cuddle you like a little puppy'. And the idea was really built for Tina, just like ‘Lovin' Feelin” was built for the Righteous Brothers.” Spector spent weeks recording, remixing, rerecording, and reremixing the backing track, arranged by Nitzsche, creating the most thunderous, overblown, example of the Wall of Sound he had ever created, before getting Tina into the studio. He also spent weeks rehearsing Tina on the song, and according to her most of what he did was "carefully stripping away all traces of Ike from my performance" -- she was belting the song and adding embellishments, the way Ike Turner had always taught her to, and Spector kept insisting that she just sing the melody -- something that she had never had the opportunity to do before, and which she thought was wonderful. It was so different from anything else that she'd recorded that after each session, when Ike would ask her about the song, she would go completely blank -- she couldn't hold this pop song in her head except when she was running through it with Spector. Eventually she did remember it, and when she did Ike was not impressed, though the record became one of the definitive pop records of all time: [Excerpt: Ike and Tina Turner, "River Deep, Mountain High"] Spector was putting everything on the line for this record, which was intended to be his great comeback and masterpiece. That one track cost more than twenty thousand dollars to record -- an absolute fortune at a time when a single would normally be recorded in one or two sessions at most. It also required a lot of work on Tina's part. She later estimated that she had sung the opening line of the song a thousand times before Spector allowed her to move on to the second line, and talked about how she got so hot and sweaty singing the song over and over that she had to take her blouse off in the studio and sing the song in her bra. She later said "I still don't know what he wanted. I still don't know if I pleased him. But I never stopped trying." Spector produced a total of six tracks with Tina, including the other two songs written at those Barry and Greenwich sessions, "I'll Never Need More Than This", which became the second single released off the "River Deep, Mountain High" album, and "Hold On Baby", plus cover versions of Arthur Alexander's "Every Day I Have to Cry Some", Pomus and Shuman's "Save the Last Dance", and "A Love Like Yours (Don't Come Knocking Everyday)" a Holland-Dozier-Holland song which had originally been released as a Martha and the Vandellas B-side. The planned album was to be padded out with six tracks produced by Ike Turner, mostly remakes of the duo's earlier hits, and was planned for release after the single became the hit everyone knew it would. The single hit the Hot One Hundred soon after it was released: [Excerpt: Ike and Tina Turner, "River Deep, Mountain High"] ...and got no higher up the charts than number eighty-eight. The failure of the record basically destroyed Spector, and while he had been an abusive husband before this, now he became much worse, as he essentially retired from music for four years, and became increasingly paranoid and aggressive towards the industry that he thought was not respectful enough of his genius. There have been several different hypotheses as to why "River Deep Mountain High" was not a success. Some have said that it was simply because DJs were fed up of Spector refusing to pay payola, and had been looking for a reason to take him down a peg. Ike Turner thought it was due to racism, saying later “See, what's wrong with America, I think, is that rather than accept something for its value… what it's doing, America mixes race in it. You can't call that record R&B. But because it's Tina… if you had not put Tina's name on there and put ‘Joe Blow', then the Top 40 stations would have accepted it for being a pop record. But Tina Turner… they want to brand her as being an R&B artist. I think the main reason that ‘River Deep' didn't make it here in America was that the R&B stations wouldn't play it because they thought it was pop, and the pop stations wouldn't play it because they thought it was R&B. And it didn't get played at all. The only record I've heard that could come close to that record is a record by the Beach Boys called ‘Good Vibrations'. I think these are the two records that I've heard in my life that I really like, you know?” Meanwhile, Jeff Barry thought it was partly the DJs but also faults in the record caused by Phil Spector's egomania, saying "he has a self-destructive thing going for him, which is part of the reason that the mix on ‘River Deep' is terrible, he buried the lead and he knows he buried the lead and he cannot stop himself from doing that… if you listen to his records in sequence, the lead goes further and further in and to me what he is saying is, ‘It is not the song I wrote with Jeff and Ellie, it is not the song – just listen to those strings. I want more musicians, it's me, listen to that bass sound. …' That, to me, is what hurts in the long run... Also, I do think that the song is not as clear on the record as it should be, mix-wise. I don't want to use the word overproduced, because it isn't, it's just undermixed." There's possibly an element of all three of these factors in play. As we've discussed, 1965 seems to have been the year that the resegregation of American radio began, and the start of the long slow process of redefining genres so that rock and roll, still considered a predominantly Black music at the beginning of the sixties, was by the end of the decade considered an almost entirely white music. And it's also the case that "River Deep, Mountain High" was the most extreme production Spector ever committed to vinyl, and that Spector had made a lot of enemies in the music business. It's also, though, the case  that it was a genuinely great record: [Excerpt: Ike and Tina Turner, "River Deep, Mountain High"] However, in the UK, it was promoted by Decca executive Tony Hall, who was a figure who straddled both sides of the entertainment world -- as part of his work as a music publicist he had been a presenter on Oh Boy!, written a column in Record Mirror, and presented a Radio Luxembourg show. Hall put his not-inconsiderable weight behind promoting the record, and it ended up reaching number two in the UK -- being successful enough that the album was also released over here, though it wouldn't come out in the US for several years. The record also attracted the attention of the Rolling Stones, who invited Ike and Tina to be their support act on a UK tour, which also featured the Yardbirds, and this would be a major change for the duo in all sorts of ways. Firstly, it got them properly in contact with British musicians -- and the Stones would get Ike and Tina as support artists several times over the next few years -- and also made the UK and Europe part of their regular tour itinerary. It also gave the duo their first big white rock audience, and over the next several years they would pivot more and more to performing music aimed at that audience, rather than the chitlin' circuit they'd been playing for previously. Ike was very conscious of wanting to move away from the blues and R&B -- while that was where he'd made his living as a musician, it wasn't music he actually liked, and he would often talk later about how much he respected Keith Richards and Eric Clapton, and how his favourite music was country music. Tina had also never been a fan of blues or R&B, and wanted to perform songs by the white British performers they were meeting. The tour also, though, gave Tina her first real thoughts of escape. She loved the UK and Europe, and started thinking about what life could be like for her not just being Ike Turner's wife and working fifty-one weeks a year at whatever gigs came along. But it also made that escape a little more difficult, because on the tour Tina lost one of her few confidantes in the organisation. Tina had helped Pat Arnold get away from her own abusive partner, and the two had become very close, but Arnold was increasingly uncomfortable being around Ike's abuse of Tina, and couldn't help her friend the way she'd been helped. She decided she needed to get out of a toxic situation, and decided to stay in England, where she'd struck up an affair with Mick Jagger, and where she found that there were many opportunities for her as a Black woman that simply hadn't been there in the US. (This is not to say that Britain doesn't have problems with racism -- it very much does, but those problems are *different* problems than the ones that the US had at that point, and Arnold found Britain's attitude more congenial to her personally). There was also another aspect, which a lot of Black female singers of her generation have mentioned and which probably applies here. Many Black women have said that they were astonished on visiting Britain to be hailed as great singers, when they thought of themselves as merely average. Britain does not have the kind of Black churches which had taught generations of Black American women to sing gospel, and so singers who in the US thought of themselves as merely OK would be far, far, better than any singers in the UK -- the technical standards were just so much lower here. (This is something that was still true at least as late as the mid-eighties. Bob Geldof talks in his autobiography about attending the recording session for "We Are the World" after having previously recorded "Do They Know It's Christmas?" and being astonished at how much more technically skilled the American stars were and how much more seriously they took their craft.) And Arnold wasn't just an adequate singer -- she was and is a genuinely great talent -- and so she quickly found herself in demand in the UK. Jagger got her signed to Immediate Records, a new label that had been started up by the Stones manager Andrew Oldham, and where Jimmy Page was the staff producer. She was given a new name, P.P. Arnold, which was meant to remind people of another American import, P.J. Proby, but which she disliked because the initials spelled "peepee". Her first single on the label, produced by Jagger, did nothing, but her second single, written by a then-unknown songwriter named Cat Stevens, became a big hit: [Excerpt: P.P. Arnold, "The First Cut is the Deepest"] She toured with a backing band, The Nice, and made records as a backing singer with artists like the Small Faces. She also recorded a duet with the unknown singer Rod Stewart, though that wasn't a success: [Excerpt: Rod Stewart and P.P. Arnold, "Come Home Baby"] We'll be hearing more about P.P. Arnold in future episodes, but the upshot of her success was that Tina had even fewer people to support her. The next few years were increasingly difficult for Tina, as Ike turned to cocaine use in a big way, became increasingly violent, and his abuse of her became much more violent. The descriptions of his behaviour in Tina's two volumes of autobiography are utterly harrowing, and I won't go into them in detail, except to say that nobody should have to suffer what she did. Ike's autobiography, on the other hand, has him attempting to defend himself, even while admitting to several of the most heinous allegations, by saying he didn't beat his wife any more than most men did. Now the sad thing is that this may well be true, at least among his peer group. Turner's behaviour was no worse than behaviour from, say, James Brown or Brian Jones or Phil Spector or Jerry Lee Lewis, and it may well be that behaviour like this was common enough among people he knew that Turner's behaviour didn't stand out at all. His abuse has become much better-known, because the person he was attacking happened to become one of the biggest stars in the world, while the women they attacked didn't. But that of course doesn't make what Ike did to Tina any better -- it just makes it infinitely sadder that so many more people suffered that way. In 1968, Tina actually tried to take her own life -- and she was so fearful of Ike that when she overdosed, she timed it so that she thought she would be able to at least get on stage and start the first song before collapsing, knowing that their contract required her to do that for Ike to get paid. As it was, one of the Ikettes noticed the tablets she had taken had made her so out of it she'd drawn a line across her face with her eyebrow pencil. She was hospitalised, and according to both Ike and Tina's reports, she was comatose and her heart actually stopped beating, but then Ike started yelling at her, saying if she wanted to die why didn't she do it by jumping in front of a truck, rather than leaving him with hospital bills, and telling her to go ahead and die if this was how she was going to treat him -- and she was so scared of Ike her heart started up again. (This does not seem medically likely to me, but I wasn't there, and they both were). Of course, Ike frames this as compassion and tough love. I would have different words for it myself. Tina would make several more suicide attempts over the years, but even as Tina's life was falling apart, the duo's professional career was on the up. They started playing more shows in the UK, and they toured the US as support for the Rolling Stones. They also started having hits again, after switching to performing funked-up cover versions of contemporary hits. They had a minor hit with a double-sided single of the Beatles' "Come Together" and the Stones' "Honky-Tonk Women", then a bigger one with a version of Sly and the Family Stone's "I Want to Take You Higher", then had their biggest hit ever with "Proud Mary". It's likely we'll be looking at Creedence Clearwater Revival's original version of that song at some point, but while Ike Turner disliked the original, Tina liked it, and Ike also became convinced of the song's merits by hearing a version by The Checkmates Ltd: [Excerpt: The Checkmates Ltd, "Proud Mary"] That was produced by Phil Spector, who came briefly out of his self-imposed exile from the music business in 1969 to produce a couple of singles for the Checkmates and Ronnie Spector. That version inspired Ike and Tina's recording of the song, which went to number four on the charts and won them a Grammy award in 1971: [Excerpt: Ike and Tina Turner, "Proud Mary"] Ike was also investing the money they were making into their music. He built his own state-of-the-art studio, Bolic Sound, which Tina always claimed was a nod to her maiden name, Bullock, but which he later always said was a coincidence. Several other acts hired the studio, especially people in Frank Zappa's orbit -- Flo and Eddie recorded their first album as a duo there, and Zappa recorded big chunks of Over-Nite Sensation and Apostrophe('), two of his most successful albums, at the studio. Acts hiring Bolic Sound also got Tina and the Ikettes on backing vocals if they wanted them, and so for example Tina is one of the backing vocalists on Zappa's "Cosmik Debris": [Excerpt: Frank Zappa, "Cosmik Debris"] One of the most difficult things she ever had to sing in her life was this passage in Zappa's song "Montana", which took the Ikettes several days' rehearsal to get right. [Excerpt: Frank Zappa and the Mothers of Invention, "Montana"] She was apparently so excited at having got that passage right that she called Ike out of his own session to come in and listen, but Ike was very much unimpressed, and insisted that Tina and the Ikettes not get credit on the records they made with Zappa. Zappa later said “I don't know how she managed to stick with that guy for so long. He treated her terribly and she's a really nice lady. We were recording down there on a Sunday. She wasn't involved with the session, but she came in on Sunday with a whole pot of stew that she brought for everyone working in the studio. Like out of nowhere, here's Tina Turner coming in with a rag on her head bringing a pot of stew. It was really nice.” By this point, Ike was unimpressed by anything other than cocaine and women, who he mostly got to sleep with him by having truly gargantuan amounts of cocaine around. As Ike was descending further into paranoia and abuse, though, Tina was coming into her own. She wrote "Nutbush City Limits" about the town where she grew up, and it reached number 22 on the charts -- higher than any song Ike ever wrote: [Excerpt: Ike and Tina Turner, "Nutbush City Limits"] Of course, Ike would later claim that he wrote the music and let Tina keep all the credit. Tina was also asked by the Who to appear in the film version of their rock opera Tommy, where her performance of "Acid Queen" was one of the highlights: [Excerpt: Tina Turner, "Acid Queen"] And while she was filming that in London, she was invited to guest on a TV show with Ann-Margret, who was a huge fan of Ike and Tina, and duetted with Tina -- but not Ike -- on a medley of her hits: [Excerpt: Tina Turner and Ann-Margret, "Nutbush City Limits/Honky Tonk Woman"] Just as with "River Deep, Mountain High", Tina was wanted for her own talents, independent of Ike. She was starting to see that as well as being an abusive husband, he was also not necessary for her to have a career. She was also starting to find parts of her life that she could have for herself, independent of her husband. She'd been introduced to Buddhist meditation by a friend, and took it up in a big way, much to Ike's disapproval. Things finally came to a head in July 1976, in Dallas, when Ike started beating her up and for the first time she fought back. She pretended to reconcile with him, waited for him to fall asleep, and ran across a busy interstate, almost getting hit by a ten-wheel truck, to get to another hotel she could see in the distance. Luckily, even though she had no money, and she was a Black woman in Dallas, not a city known for its enlightened attitudes in the 1970s, the manager of the Ramada Inn took pity on her and let her stay there for a while until she could get in touch with Buddhist friends. She spent the next few months living off the kindness of strangers, before making arrangements with Rhonda Graam, who had started working for Ike and Tina in 1964 as a fan, but had soon become indispensable to the organisation. Graam sided with Tina, and while still supposedly working for Ike she started putting together appearances for Tina on TV shows like Cher's. Cher was a fan of Tina's work, and was another woman trying to build a career after leaving an abusive husband who had been her musical partner: [Excerpt: Cher and Tina Turner, "Makin' Music is My Business"] Graam became Tina's full-time assistant, as well as her best friend, and remained part of her life until Graam's death a year ago. She also got Tina booked in to club gigs, but for a long time they found it hard to get bookings -- promoters would say she was "only half the act". Ike still wanted the duo to work together professionally, if not be a couple, but Tina absolutely refused, and Ike had gangster friends of his shoot up Graam's car, and Tina heard rumours that he was planning to hire a hit man to come after her. Tina filed for divorce, and gave Ike everything -- all the money the couple had earned together in sixteen years of work, all the property, all the intellectual property -- except for two cars, one of which Ike had given her and one which Sammy Davis Jr. had given her, and the one truly important thing -- the right to use the name "Tina Turner", which Ike had the trademark on. Ike had apparently been planning to hire someone else to perform as "Tina Turner" and carry on as if nothing had changed. Slowly, Tina built her career back up, though it was not without its missteps. She got a new manager, who also managed Olivia Newton-John, and the manager brought in a song he thought was perfect for Tina. She turned it down, and Newton-John recorded it instead: [Excerpt: Olivia Newton-John, "Physical"] But even while she was still playing small clubs, her old fans from the British rock scene were boosting her career. In 1981, after Rod Stewart saw her playing a club gig and singing his song "Hot Legs", he invited her to guest with him and perform the song on Saturday Night Live: [Excerpt: Rod Stewart and Tina Turner, "Hot Legs"] The Rolling Stones invited Tina to be their support act on a US tour, and to sing "Honky Tonk Women" on stage with them, and eventually when David Bowie, who was at the height of his fame at that point, told his record label he was going to see her on a night that EMI wanted to do an event for him, half the record industry showed up to the gig. She had already recorded a remake of the Temptations' "Ball of Confusion" with the British Electric Foundation -- a side project for two of the members of Heaven 17 -- in 1982, for one of their albums: [Excerpt: British Electric Foundation, "Ball of Confusion"] Now they were brought in to produce a new single for her, a remake of Al Green's "Let's Stay Together": [Excerpt: Tina Turner, "Let's Stay Together"] That made the top thirty in the US, and was a moderate hit in many places, making the top ten in the UK. She followed it up with another BEF production, a remake of "Help!" by the Beatles, which appears only to have been released in mainland Europe. But then came the big hit: [Excerpt: Tina Turner, "What's Love Got to Do With It?"] wenty-six years after she started performing with Ike, Tina Turner was suddenly a major star. She had a string of successes throughout the eighties and nineties, with more hit records, film appearances, a successful autobiography, a film based on the autobiography, and record-setting concert appearan

Today we talk about Christmas Presents, A March Madness Super Fan, Guinness World Record Breaking, Santa Balancing Chimney's on His Head, Everything Planes, Poetry in Action, Books for People Who Don't Go to Class, Chinese Jersey Shopping, Survival Tips, Movie Theatre Snacks, and Meeting People's Needs.... Who Allowed This? Listen for yourself. --- Support this podcast: https://podcasters.spotify.com/pod/show/watpod/support

Recaps and Reviews of: NXT, AEW Dynamite, Impact Wrestling,  Plus More! Timestamps in description below… Summer is winding down, but we're still here to talk about a whole bunch of wrestling from the week.  Join us as we discuss what I thought was not the strongest week of televised wrestling. We will look in-depth at AEW Dynamite and NXT before taking a quicker look at this week's Impact Wrestling. In addition, Jack tackles some general wrestling trivia in “Off the Top of His Head”, and updates us on the world of wrestling action figures in “Figuring it Out With Jack”. Looking for a specific segment? Let us help: News and Rumours  - 6:24 NXT Review - 18:14 Off the Top of His Head - 1:16:06 AEW Dynamite Review - 1:26:28 AOWB (Impact, Rewind Match, AEW Rampage) - 2:18:34 Figuring it Out With Jack - 2:49:08 Listen: Apple Podcasts, Spotify, Podbean, Stitcher, IHeartRadio, Google Podcasts, Overcast, Amazon Music/Audible, PlayerFM, Podcast Addict Contact us: fnswrestling@gmail.com fns_wrestling_podcast (Instagram) Music by Shane Ivers: Silvermansound.com

Recaps and Reviews of: NXT, AEW Dynamite, Impact Wrestling, Rampage, Plus More! Timestamps in description below… This is the busiest week of wrestling that I can remember, and we're here to talk about a decent chunk of it (with more to follow). Join us as we take our usual look at NXT, AEW Dynamite, Impact Wrestling, and an episode of AEW Rampage with a major debut (maybe you heard about it?). In addition, we look at some of the week's wrestling news stories, an NXT Rewind Match, and Jack tries his hand at some more random wrestling trivia - play along! Looking for a specific segment? Let us help: News and Rumours  - 3:16 NXT Review - 12:36 Off the Top of His Head - 1:00:49 AEW Dynamite Review - 1:08:14 AOWB (Impact, Rewind Match, AEW Rampage) - 2:11:46 Figuring it Out With Jack - 3:03:22 Listen: Apple Podcasts, Spotify, Podbean, Stitcher, IHeartRadio, Google Podcasts, Overcast, Amazon Music/Audible, PlayerFM, Podcast Addict Contact us: fnswrestling@gmail.com fns_wrestling_podcast (Instagram) Music by Shane Ivers: Silvermansound.com

Recaps and Reviews of: NXT, AEW Dynamite, AEW Rampage, Impact Wrestling, Plus More! Timestamps in description below… AEW added an extra hour of wresting this week, so we included it in our coverage as well!  Join us as we take a look at NXT, AEW Dynamite, Impact Wrestling, and the debut episode of AEW Rampage. In addition, we look at some of the week's wrestling news stories, an NXT Rewind Match, and Jack tries his hand at some more random wrestling trivia - play along! Looking for a specific segment? Let us help: News and Rumours  - 3:44 NXT Review - 19:46 Off the Top of His Head - 1:22:21 AEW Dynamite Review - 1:31:26 AOWB (Impact, Rewind Match, AEW Rampage) - 2:26:18 Figuring it Out With Jack - N/A (back next week) Listen: Apple Podcasts, Spotify, Podbean, Stitcher, IHeartRadio, Google Podcasts, Overcast, Amazon Music/Audible, PlayerFM, Podcast Addict Contact us: fnswrestling@gmail.com fns_wrestling_podcast (Instagram) Music by Shane Ivers: Silvermansound.com

One of the great white ball batsman of all time THE FINISHER the hammerhead on masked singer Michael Bevan 1.30- Similarities with hitting a match winning 4 for Australia to win a ODI vs Finishing 11th in the tv show Masked Singer!!5.50- The making of the Finisher role in one day cricket,14.55 - Adjusting to a Young Dasher to run machine,17.50- Test career and dealing with Short ball,.25.55- His Head, Heart, Hips batting philosophy,30.35- His infamous Bevo attacks!,33.20 His fashion tips,35.20- Taking an electric bass on tour37.30 -Was Hair metal singer Kip Winger an inspiration and Christian rock Stryper concerts,Nathan Ellis41.00- His T20 hat trick on debut,44.30- His unique cricketing journey,47.55- His guide to working for the World Wild life fund,49.35- White ball bowling skills57.40- The Merging of the Australians with Testand T20 Hattricks on Debut club, Support this show http://supporter.acast.com/the-bowlology-report. See acast.com/privacy for privacy and opt-out information.

Recaps and Reviews of: NXT, AEW Dynamite, Impact Wrestling, ROH, Plus More! Timestamps in description below… Well, WWE made another round of roster cuts yesterday that definitely affect NXT. We'll talk about that, plus other news stories before breaking down this week's episodes of NXT, AEW Dynamite and Impact Wrestling. In addition, we take a break from our analysis so Jack can try his hand at some general wrestling trivia before we end the show with our usual discussion of what's new from the world of wrestling action figures. Looking for a specific segment? Let us help: News and Rumours  - 5:58 NXT Review - 22:07 Off the Top of His Head - 1:18:26 AEW Dynamite Review - 1:26:26 AOWB (Impact, Rewind Match) - 2:15:52 Figuring it Out With Jack - 2:58:24 Thanks so much any support you have given us! This our 100th published episode (including bonus episodes). Here's to at least a hundred more! Listen: Apple Podcasts, Spotify, Podbean, Stitcher, IHeartRadio, Google Podcasts, Overcast, Amazon Music/Audible, PlayerFM, Podcast Addict Contact us: fnswrestling@gmail.com fns_wrestling_podcast (Instagram) Music by Shane Ivers: Silvermansound.com

Recaps and Reviews of: NXT, AEW Dynamite, Impact Wrestling, ROH, Plus More! Timestamps in description below… We had a busy week this week, but still found time to watch all of our usual wrestling, and we came back to the studio to talk about all of it. NXT had a pretty major heel turn and an Adam Cole/Bronson Reed main event, while AEW had a ten-man elimination match and a Nick Gage/Chris Jericho Death Match main event. In addition, we'll talk some Impact Wrestling, wrestling trivia, news and rumours, and get a wrestling figure update from Jack. Looking for a specific segment? Let us help: News and Rumours  - 3:23 NXT Review - 19:56 Off the Top of His Head - 1:16:41 AEW Dynamite Review - 1:26:36 AOWB (Impact, Rewind Match) - 2:24:31 Figuring it Out With Jack - 3:02:28 Listen: Apple Podcasts, Spotify, Podbean, Stitcher, IHeartRadio, Google Podcasts, Overcast, Amazon Music/Audible, PlayerFM, Podcast Addict Contact us: fnswrestling@gmail.com fns_wrestling_podcast (Instagram) Music by Shane Ivers: Silvermansound.com

Sandy Compton reads his story, " Mary Wilson Elmore Doesn't Say" from his book called "The Dog with His Head on Sideways" and plays some harmonica with Pete.  Find this story and more of Sandy's writing:  Http://bluecreekpress.comHttp://laymedownpodcast.com

Episode 123 of A History of Rock Music in Five Hundred Songs looks at “You've Lost That Lovin' Feelin'", the Righteous Brothers, Shindig! and "blue-eyed soul".  Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Wooly Bully" by Sam the Sham and the Pharaohs. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum I say the music in the bridge drops down to “just the bass”. Obviously there is also a celeste on that section. Resources No Mixcloud this week due to the number of Righteous Brothers songs. A lot of resources were used for this episode. Time of My Life: A Righteous Brother's Memoir is Bill Medley's autobiography. Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era by Ken Emerson is a good overview of the Brill Building scene, and I used it for bits about how Mann and Weil wrote their songs. I've referred to two biographies of Spector in this episode, Phil Spector: Out of His Head by Richard Williams and He's a Rebel by Mark Ribkowsky. This two-CD set contains all of the Righteous Brothers recordings excerpted here, all their hits, and a selection of Medley and Hatfield's solo work. It would be an absolutely definitive set, except for the Spector-era tracks being in stereo. There are many compilations available with some of the hits Spector produced, but I recommend getting Back to Mono, a four-CD overview of his career containing all the major singles put out by Philles. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we're going to look at a record that according to BMI is the most-played song of the twentieth century on American radio, and continued to be the most played song for the first two decades of the twenty-first as well, a record that was arguably the artistic highpoint of Phil Spector's career, and certainly the commercial highpoint for everyone involved. We're going to look at "You've Lost That Lovin' Feelin'" by the Righteous Brothers: [Excerpt: The Righteous Brothers, "You've Lost That Lovin' Feelin'"] In this episode we're going to take one of our first looks at an American act who owed their success to TV. We've seen these before, of course -- we've talked in passing about Ricky Nelson, and there was an episode on Chubby Checker -- but there have been relatively few. But as we pass into the mid-sixties, and television becomes an even more important part of the culture, we'll see more of this. In 1964, ABC TV had a problem. Two years before, they'd started a prime-time folk TV show called Hootenanny: [Excerpt: Jack Linkletter introducing Hootenanny] That programme was the source of some controversy -- it blacklisted Pete Seeger and a few other Communist folk musicians, and while Seeger himself argued against a boycott, other musicians were enraged, in part because the term Hootenanny had been popularised by Seeger, Woody Guthrie, and other Communist musicians. As a result, several of the top names in the folk scene, like Joan Baez and Ramblin' Jack Elliott, refused to appear on the show.  But plenty of performers did appear on the show, usually those at the poppier end of the spectrum, like the New Christie Minstrels: [Excerpt: The New Christie Minstrels, "This Train (live on Hootenanny)"] That lineup of the New Christie Minstrels featured, among others, Barry McGuire, Gene Clark, and Larry Ramos, all of whom we should be seeing in future episodes.  But that in itself says something about the programme's problems, because in 1964, the music industry changed drastically. Suddenly, folk music was out, and rock music was in. Half the younger musicians who appeared on Hootenanny -- like those three, but also John Sebastian, John Phillips, Cass Elliot, and others -- all decided they were going to give up singing mass harmony versions of "Go Tell it on the Mountain" accompanied by banjo, and instead they were going to get themselves some electric guitars. And the audience, likewise, decided that they'd rather see the Beatles and the Stones and the Dave Clark Five than the New Christie Minstrels, the Limeliters, and the Chad Mitchell Trio, if that was all the same to the TV companies. And so ABC needed a new prime-time music variety show, and they needed it in a hurry. But there was a problem -- when the music industry is shifting dramatically and all of a sudden it's revolving around a style of music that is based on a whole other continent, what do you do to make a TV show featuring that music? Well, you turn to Jack Good, of course.  For those of you who haven't listened to all the earlier episodes, Jack Good had basically invented rock and roll TV, and he'd invented it in the UK, at a time when rock and roll was basically a US-only genre. Good had produced a whole string of shows -- Six-Five Special, Oh Boy!, Boy Meets Girls, and Wham! -- which had created a set of television conventions for the presentation of rock and roll, and had managed to get an audience by using a whole host of British unknowns, with the very occasional guest appearance by a visiting American rocker. In 1962, he'd moved to the US, and had put together a pilot episode of a show called "Young America Swings the World", financed with his own money. That programme had been on the same lines as his UK shows, and had featured a bunch of then-unknowns, like Jackie DeShannon. It had also featured a band led by Leon Russell and containing Glen Campbell and David Gates, none of whom were famous at the time, and a young singer named P.J. Proby, who was introduced to Good by DeShannon and her songwriting partner Sharon Sheeley, whose demos he worked on. We talked a bit about Proby back in the episode on "LSD-25" if you want to go back and listen to the background on that. Sheeley, of course, had known Good when he worked with her boyfriend Eddie Cochran a few years earlier. "Young America Swings the World" didn't sell, and in 1964, Good returned to England to produce a TV special for the Beatles, "Around the Beatles", which also featured Millie singing "My Boy Lollipop", Cilla Black, Sounds Incorporated, the Vernons Girls, and Long John Baldry singing a Muddy Waters song with the Beatles shouting the backing vocals from the audience: [Excerpt: Long John Baldry, "Got My Mojo Working"] The show also featured Proby, who Good had brought over from the US and who here got his first TV exposure, singing a song Rufus Thomas had recorded for Stax: [Excerpt: P.J. Proby, "Walking the Dog"] Around the Beatles obviously sold to the US, and ABC, who bought it, were suddenly interested in Jack Good's old pilot, too. They asked him to produce two more pilots for a show which was eventually named Shindig! Incidentally, I've seen many people, including some on the production staff, say that the first episode of Shindig! was an episode of Ready Steady Go! with the titles changed. It wasn't. The confusion seems to arise because early in Shindig's run, Around the Beatles was also broadcast by ABC, and when Dave Clark later bought the rights to Around The Beatles and Ready Steady Go!, he released a chunk of Around the Beatles on VHS as a Ready Steady Go special, even though it was made by a totally different production team. Good got together with Sharon Sheeley and her husband, the DJ Jimmy O'Neill, and they started collaborating on the pilots for the show, which eventually credited the three of them as co-creators and producers. The second pilot went in a very different direction -- it was a country music programme, hosted by Roy Clark, who would later become a household name for co-hosting Hee-Haw, and featuring Johnny Cash, along with PJ Proby doing a couple of cover versions of old folk songs that Lonnie Donegan had made famous -- "Rock Island Line" and "Cumberland Gap".  But for the third pilot, Good, Sheeley, and O'Neill went back to the old Oh Boy! formula -- they got a couple of properly famous big guest stars, in this case Little Richard and the Angels, who had had a number one the previous year with "My Boyfriend's Back", and a rotating cast of about a dozen unknown or little-known musical acts, all local, who they could fill the show with. The show opened with a medley with all or most of the cast participating: [Excerpt: Shindig Pilot 3 Opening Medley] And then each artist would perform individually, surrounded by a dancing audience, with minimal or no introductions, in a quick-paced show that was a revelation to American audiences used to the polite pacing of American Bandstand. For the most part, they performed cover versions -- on that pilot, even the Angels, rather than doing their own recentish number one record, sang a cover version of "Chapel of Love" -- and in a sign of the British influence, the pilot also featured what may be the first ska performance by an American group -- although they seem to think that "the ska" is a dance, rather than ska being a style of music: [Excerpt: the Hollywood All-Stars, "Jamaica Ska", plus Jimmy O'Neill intro] That show featured Delaney Bramlett, who would later go on to become a fairly well-known and important performer, and the Blossoms, who we've talked about previously. Both of those would become regular parts of the Shindig cast, as would Leon Russell, Bobby Sherman, Jackie and Gayle, Donna Loren, and Glen Campbell. That pilot led to the first broadcast episode, where the two main star acts were Sam Cooke, who sang a non-waltz version of "The Tennessee Waltz" and "Blowin' in the Wind", both from his cabaret act, and the Everly Brothers -- who as well as doing their own songs performed with Cooke at the end of the show in a recording which I only wish wasn't so covered with audience screams, though who can blame the audience? [Excerpt: Sam Cooke and the Everly Brothers, "Lucille"] Shindig was the first prime-time pop music show in the US, and became massively popular -- so much so that it quickly spawned a rival show on NBC, Hullabaloo. In a sign of just how much transatlantic back-and-forth there was at this time, and possibly just to annoy future researchers, NBC's Hullabaloo took its name, though nothing else, from a British TV show of the same name. That British TV show was made by ABC, which is not the same company as American ABC, and was a folk and blues show clearly patterned after Hootenanny, the show Shindig had replaced on American ABC. (And as a quick aside, if you're at all interested in the early sixties British folk and blues movements, I can't recommend Network's double-DVD set of the British Hullabaloo highly enough). Shindig! remained on air for two years, but the show's quality declined markedly after Jack Good left the show a year or so in, and it was eventually replaced on ABC's schedules by Batman, which appealed to largely the same audience. But all that was in the future. Getting back to the first broadcast episode, the Everlys also appeared in the opening medley, where they sang an old Sister Rosetta Tharpe song with Jackie and Gayle and another unknown act who had appeared in the pilot -- The Righteous Brothers: [Excerpt: Jackie and Gayle, The Righteous Brothers, and the Everly Brothers, "Gonna Build a Mountain/Up Above My Head"] The Righteous Brothers would appear on nine out of sixteen episodes broadcast between September and December 1964, and a further seventeen episodes during 1965 -- by which time they'd become the big breakout stars of the show, and had recorded the song that would become the most-played song, *ever*, on American radio, beating out such comparatively unpopular contenders as "Never My Love", "Yesterday", "Stand By Me" and "Can't Take My Eyes Off of You", a record that was played so much that in thirty-six years it had clocked up forty-five years of continuous airtime.  The Righteous Brothers were a Californian vocal duo consisting of baritone Bill Medley and tenor Bobby Hatfield. Medley's career in the music business had started when he was nineteen, when he'd just decided to go to the office of the Diamonds, the white vocal group we mentioned in passing in the episode on "Why Do Fools Fall in Love?" who much like the Crew Cuts had had hits by covering records by Black artists: [Excerpt: The Diamonds, "Little Darlin'"] Young Bill Medley fancied himself as a songwriter, and he brought the Diamonds a few of his songs, and they ended up recording two of them -- "Chimes of My Heart", which remained unreleased until a later compilation, and "Woomai-Ling", which was the B-side to a flop single: [Excerpt: The Diamonds, "Woomai-Ling"] But Medley was inspired enough by his brief brush with success that he decided to go into music properly. He formed a band called the Paramours, which eventually gained a second singer, Bobby Hatfield, and he and Hatfield also started performing as a duo, mostly performing songs by Black R&B artists they grew up listening to on Hunter Hancock's radio show. While Medley doesn't say this directly in his autobiography, it seems likely that the duo's act was based specifically on one particular Black act -- Don and Dewey. We've mentioned Don and Dewey before, and I did a Patreon episode on them, but for those who don't remember their brief mentions, Don "Sugarcane" Harris and Dewey Terry were an R&B duo signed to Specialty Records, and were basically their second attempt at producing another Little Richard, after Larry Williams. They were even less successful than Williams was, and had no hits themselves, but they wrote and recorded many songs that would become hits for others, like "Farmer John", which became a garage-band staple, and "I'm Leaving it Up to You", which was a hit for Donny and Marie Osmond. While they never had any breakout success, they were hugely popular among R&B lovers on the West Coast, and two of their other singles were "Justine": [Excerpt: Don and Dewey, "Justine"] And "Ko Ko Joe", which was one of their few singles written by someone else -- in this case by Sonny Bono, who was at that time working for Specialty: [Excerpt: Don and Dewey, "Ko Ko Joe"] Hatfield and Medley would record both those songs in their early months working together, and would also perform them on Shindig! The duo were different in many ways -- Medley was tall and Hatfield comparatively short, Medley sang in a deep bass-baritone and Hatfield in a high tenor, and Hatfield was gregarious, outgoing, and funny while Medley was self-effacing and shy. The duo would often perform comedy routines on stage, patterned after Dean Martin and Jerry Lewis, and Hatfield was always the comedian while Medley was the straight man. But on the other hand, Hatfield was actually quite uncomfortable with any level of success -- he just wanted to coast through life and had no real ambition, while Medley was fiercely driven and wanted to become huge. But they both loved R&B music, and in many ways had similar attitudes to the British musicians who, unknown to them at the time, were trying to play R&B in the UK. They were white kids who loved Black music, and desperately wanted to do justice to it. Orange County, where Medley and Hatfield lived, was at the time one of the whitest places in America, and they didn't really have much competition on the local scene from authentic R&B bands. But there *was* a Marine base in the area, with a large number of Black Marines, who wanted to hear R&B music when they went out. Medley and Hatfield quickly became very popular with these audiences, who would address them as "brother", and called their music "righteous" -- and so, looking for a name for their duo act, they became The Righteous Brothers. Their first single, on a tiny local label, was a song written by Medley, "Little Latin Lupe Lou": [Excerpt: The Righteous Brothers, "Little Latin Lupe Lou"] That wasn't a success to start with, but picked up after the duo took a gig at the Rendezvous Ballroom, the surf-rock venue where Dick Dale had built his reputation. It turned out that "Little Latin Lupe Lou" was a perfect song to dance the Surfer's Stomp to, and the song caught on locally, making the top five in LA markets, and the top fifty nationally. It became a standard part of every garage band's repertoire, and was covered several times with moderate success, most notably by Mitch Ryder and the Detroit Wheels, whose cover version made the top twenty in 1966: [Excerpt: Mitch Ryder and the Detroit Wheels, "Little Latin Lupe Lou"] The Righteous Brothers became *the* act that musicians in Southern California wanted to see, even though they were very far from being huge -- Elvis, for example, would insist on his friends coming to see the duo when he was in LA filming, even though at the time they were playing at bowling alleys rather than the more glamorous venues his friends would rather visit. Georgie Woods, a Black DJ in Philadelphia who enjoyed their music but normally played Black records coined a term to describe them -- "blue-eyed soul" -- as a way of signalling to his listeners that they were white but he was going to play them anyway. The duo used that as the title of their second album, and it soon became a generic term for white people who were influenced by Black music -- much to Medley's annoyance. As he put it later "It kind of bothers me when other singers call themselves “blue-eyed soul” because we didn't give ourselves that name. Black people named us that, and you don't just walk around giving yourself that title." This will, of course, be something that comes up over and over again in this history -- the question of how much it's cultural appropriation for white people to perform in musical styles created by Black people, and to what extent it's possible for that to be given a pass when the white musicians in question are embraced by Black musicians and audiences. I have to say that *to me*, Medley's attempts to justify the duo's use of Black styles by pointing out how much Black people liked their music don't ring *entirely* true, but that at the same time, I do think there's a qualitative difference between the early Righteous Brothers singles and later blue-eyed soul performers like Michael Bolton or Simply Red, and a difference between a white act embraced by Black audiences and one that is mostly appealing to other white people. This is something we're going to have to explore a lot more over the course of the series, and my statements about what other people thought about this at the time should not be taken as me entirely agreeing with them -- and indeed it shouldn't be taken as me agreeing with *myself*. My own thoughts on this are very contradictory, and change constantly. While "Little Latin Lupe Lou" was a minor hit and established them as locally important, none of their next few singles did anything at all, and nor did a solo single that Bobby Hatfield released around this time: [Excerpt: Bobby Hatfield, "Hot Tamales"] But the duo picked up enough of a following as a live act that they were picked for Shindig! -- and as an opening act on the Beatles' first US tour, which finished the same week that Shindig! started broadcasting. It turned out that even though the duo's records hadn't had any success, the Beatles, who loved to seek out obscure R&B records, had heard them and liked them, and George Harrison was particularly interested in learning from Barry Rillera, the guitarist who played with them, some of  the guitar techniques he'd used. Shindig! took the duo to stardom, even though they'd not yet had a hit. They'd appear most weeks, usually backed by a house band that included Delaney Bramlett, James Burton, Russ Titelman, Larry Knechtel, Billy Preston, Leon Russell, Ray Pohlman, Glenn Hardin, and many other of the finest studio musicians in LA -- most, though not all, of them also part of the Wrecking Crew. They remained favourites of people who knew music, even though they were appearing on this teen-pop show -- Elvis would apparently regularly phone the TV company with requests for them to sing a favourite song of his on the next week's show, and the TV company would arrange it, in the hopes of eventually getting Elvis on the show, though he never made an appearance. Medley had a certain level of snobbery towards white pop music, even after being on that Beatles tour, but it started to soften a bit after the duo started to appear on Shindig! and especially after meeting the Beach Boys on Shindig's Christmas episode, which also featured Marvin Gaye and Adam Faith. Medley had been unimpressed with the Beach Boys' early singles, but Brian Wilson was a fan of the Righteous Brothers, and asked Medley to accompany him into the men's toilets at the ABC studios -- not for any of the reasons one might imagine, but because the acoustics in the room were so good that the studio had actually installed a piano in there. There, Wilson asked Medley to listen to his group singing their version of "The Lord's Prayer": [Excerpt: The Beach Boys, "The Lord's Prayer"] Medley was blown away by the group's tight harmonies, and instantly gained a new respect for Wilson as an arranger and musician. The two became lifelong friends, and as they would often work in adjoining rooms in the same studio complex, they would often call on each other to help solve a musical problem. And the reason they would work in the same studios is because Brian Wilson was a huge admirer of Phil Spector, and those were the studios Spector used, so Wilson had to use them as well. And Phil Spector had just leased the last two years of the Righteous Brothers' contract from Moonglow Records, the tiny label they'd been on to that point. Spector, at this point, was desperate to try something different -- the new wave of British acts that had come over were swamping the charts, and he wasn't having hits like he had been a few months earlier. The Righteous Brothers were his attempt to compromise somewhat with that -- they were associated with the Beatles, after all, and they were big TV stars. They were white men, like all the new pop stars, rather than being the Black women he'd otherwise always produced for his own label, but they had a Black enough sound that he wasn't completely moving away from the vocal sound he'd always used.  Medley, in particular, was uneasy about working with Spector -- he wanted to be an R&B singer, not a pop star. But on the other hand, Spector made hits, and who didn't want a hit? For the duo's first single on Philles, Spector flew Mann and Weil out from New York to LA to work with him on the song. Mann and Weil took their inspiration from a new hit record that Holland-Dozier-Holland had produced for a group that had recently signed to Motown, the Four Tops: [Excerpt: The Four Tops, "Baby I Need Your Loving"] Mann and Weil took that feeling, and came up with a verse and chorus, with a great opening line, "You never close your eyes any more when I kiss your lips". They weren't entirely happy with the chorus lyric though, considering it a placeholder that they needed to rewrite. But when they played it for Spector, he insisted that "You've Lost That Lovin' Feelin'" was a perfect title, and shouldn't be changed. Spector added a long bridge, based around a three-chord riff using the "La Bamba" chords, and the song was done. Spector spent an inordinate amount of time getting the backing track done -- Earl Palmer has said that he took two days to get one eight-bar section recorded, because he couldn't communicate exactly how he wanted the musicians to play it. This is possibly partly because Spector's usual arranger, Jack Nitzsche, had had a temporary falling out with him, and Spector was working with Gene Page, who did a very good job at copying Nitzsche's style but was possibly not as completely in tune with Spector's wishes. When Spector and Mann played the song to the Righteous Brothers, Bill Medley thought that the song, sung in Spector and Mann's wispy high voices, sounded more suitable for the Everly Brothers than for him and Hatfield, but Spector insisted it would work. Of course, it's now impossible to think of the song without hearing Medley's rich, deep, voice: [Excerpt: The Righteous Brothers, "You've Lost That Lovin' Feelin'"] When Mann first heard that, he thought Spector must have put the record on at the wrong speed, Medley's voice was so deep. Bobby Hatfield was also unimpressed -- the Righteous Brothers were a duo, yet Medley was singing the verses on his own. "What am I supposed to do while the big guy's singing?" he asked. Spector's response, "go to the bank!" But while Medley is the featured singer during Mann and Weil's part of the song, Hatfield gets his own chance to shine, in the bridge that Spector added, which for me makes the record -- it's one of the great examples of the use of dynamics in a pop record, as after the bombast of the chorus the music drops down to just a bass, then slowly builds in emotional intensity as Medley and Hatfield trade off phrases: [Excerpt: The Righteous Brothers, "You've Lost That Lovin' Feelin'"] The record was released in December 1964, and even though the Righteous Brothers didn't even perform it on Shindig! until it had already risen up the charts, it made number one on the pop charts and number two on the R&B charts, and became the fifth biggest hit of 1965 in the US.  In the UK, it looked like it wasn't going to be a hit at all. Cilla Black, a Liverpudlian singer who was managed by Brian Epstein and produced by George Martin, rushed out a cover version, which charted first: [Excerpt: Cilla Black, "You've Lost That Lovin' Feelin'"] On their second week on the charts, Black was at number twelve, and the Righteous Brothers at number twenty. At this point, Andrew Oldham, the Rolling Stones' manager and a huge fan of Spector's work, actually took out an ad in Melody Maker, even though he had no financial interest in the record (though it could be argued that he did have an interest in seeing his rival Brian Epstein taken down a peg), saying: "This advert is not for commercial gain, it is taken as something that must be said about the great new PHIL SPECTOR Record, THE RIGHTEOUS BROTHERS singing ‘YOU'VE LOST THAT LOVIN' FEELING'. Already in the American Top Ten, this is Spector's greatest production, the last word in Tomorrow's sound Today, exposing the overall mediocrity of the Music Industry. Signed Andrew Oldham P.S. See them on this week's READY, STEADY, GO!" The next week, Cilla Black was at number two, and the Righteous Brothers at number three. The week after, the Righteous Brothers were at number one, while Black's record had dropped down to number five. The original became the only single ever to reenter the UK top ten twice, going back into the charts in both 1969 and 1990. But Spector wasn't happy, at all, with the record's success, for the simple reason that it was being credited as a Righteous Brothers record rather than as a Phil Spector record. Where normally he worked with Black women, who were so disregarded as artists that he could put records by the Ronettes or the Blossoms out as Crystals records and nobody seemed to care, here he was working with two white men, and they were starting to get some of the credit that Spector thought was due only him.  Spector started to manipulate the two men. He started with Medley, who after all had been the lead singer on their big hit. He met up with Medley, and told him that he thought Bobby Hatfield was dead weight. Who needed a second Righteous Brother? Bill Medley should go solo, and Spector should produce him as a solo artist. Medley realised what was happening -- the Righteous Brothers were a brand, and Spector was trying to sabotage that brand. He turned Spector down. The next single was originally intended to be a song that Mann and Weil were working on, called "Soul and Inspiration", but Spector had second thoughts, and the song he chose was written by Goffin and King, and was essentially a rewrite of "You've Lost That Lovin' Feelin'". To my mind it's actually the better record, but it wasn't as successful, though it still made the US top ten: [Excerpt: The Righteous Brothers, "Just Once in My Life"] For their third Philles single, Spector released "Hung on You", another intense ballad, very much in the mould of their two previous singles, though not as strong a song as either. But it was the B-side that was the hit. While Spector produced the group's singles, he wasn't interested in producing albums, leaving Medley, a decent producer in his own right, to produce what Spector considered the filler tracks. And Medley and Hatfield had an agreement that on each album, each of them would get a solo spot.  So for Hatfield's solo spot on the first album the duo were recording for Philles, Medley produced Hatfield singing the old standard "Unchained Melody", while Medley played piano: [Excerpt: The Righteous Brothers, "Unchained Melody"] That went out on the B-side, with no production credit -- until DJs started playing that rather than "Hung on You". Spector was furious, and started calling DJs and telling them they were playing the wrong side, but they didn't stop playing it, and so the single was reissued, now with a Spector production credit for Medley's production. "Unchained Melody" made the top five, and now Spector continued his plans to foment dissent between the two singers. This time he argued that they should follow up "Unchained Melody" with "Ebb Tide" -- "Unchained Melody" had previously been a hit for both Roy Hamilton and Al Hibbler, and they'd both also had hits with "Ebb Tide", so why not try that? Oh, and the record was only going to have Bobby Hatfield on. It would still be released as a Righteous Brothers record, but Bill Medley wouldn't be involved. That was also a hit, but it would be the last one the duo would have with Philles Records, as they moved to Mercury and Medley started producing all their records. But the damage had been done -- Spector had successfully pit their egos against each other, and their working relationship would never be the same. But they started at Mercury with their second-biggest hit -- "Soul and Inspiration", the song that Mann and Weil had written as a follow-up to "You've Lost That Lovin' Feelin'": [Excerpt: The Righteous Brothers, "(You're My) Soul and Inspiration"] That went to number one, and apparently to this day Brian Wilson will still ask Bill Medley whenever they speak "Did you produce that? Really?", unable to believe it isn't a Phil Spector production. But the duo had been pushed apart. and were no longer happy working together. They were also experiencing personal problems -- I don't have details of Hatfield's life at this period, but Medley had a breakdown, and was also having an affair with Darlene Love which led to the breakup of his first marriage. The duo broke up in 1968, and Medley put out some unsuccessful solo recordings, including a song that Mann and Weil wrote for him about his interracial relationship with Love, who sang backing vocals on the record. It's a truly odd record which possibly says more about the gender and racial attitudes of everyone involved at that point than they might have wished, as Medley complains that his "brown-eyed woman" doesn't trust him because "you look at me and all you see are my blue eyes/I'm not a man, baby all I am is what I symbolise", while the chorus of Black women backing him sing "no no, no no" and "stay away": [Excerpt: Bill Medley, "Brown-Eyed Woman"] Hatfield, meanwhile, continued using the Righteous Brothers name, performing with Jimmy Walker, formerly the drummer of the Knickerbockers, who had been one-hit wonders with their Beatles soundalike "Lies": [Excerpt: The Knickerbockers, "Lies"] Walker and Hatfield recorded one album together, but it was unsuccessful, and they split up. Hatfield also tried a solo career -- his version of "Only You" is clearly patterned after the earlier Righteous Brothers hits with "Unchained Melody" and "Ebb Tide": [Excerpt: Bobby Hatfield, "Only You"] But by 1974, both careers floundering, the Righteous Brothers reformed -- and immediately had a hit with "Rock and Roll Heaven", a tribute to dead rock stars, which became their third highest-charting single, peaking at number three. They had a couple more charting singles, but then, tragically, Medley's first wife was murdered, and Medley had to take several years off performing to raise his son. They reunited in the 1980s, although Medley kept up a parallel career as a solo artist, having several minor country hits, and also having a pop number one with the theme song from Dirty Dancing, "I've Had the Time of My Life", sung as a duet with Jennifer Warnes: [Excerpt: Bill Medley and Jennifer Warnes, "I've Had the Time of My Life"] A couple of years later, another Patrick Swayze film, Ghost, would lead to another unique record for the Righteous Brothers. Ghost used "Unchained Melody" in a crucial scene, and the single was reissued, and made number nineteen in the US charts, and hit number one in many other countries. It also sparked a revival of their career that made "You've Lost That Lovin' Feelin'" rechart in the UK.  But "Unchained Melody" was only reissued on vinyl, and the small label Curb Records saw an opportunity, and got the duo to do a soundalike rerecording to come out as a CD single. That CD single *also* made the top twenty, making the Righteous Brothers the only artist ever to be at two places in the top twenty at the same time with two versions of the same song -- when Gene and Eunice's two versions of "Ko Ko Mo" had charted, they'd been counted as one record for chart purposes. The duo continued working together until 2003, when Bobby Hatfield died of a cocaine-induced heart attack. Medley performed as a solo artist for several years, but in 2016 he took on a partner, Bucky Heard, to perform with him as a new lineup of Righteous Brothers, mostly playing Vegas shows. We'll see a lot more blue-eyed soul artists as the story progresses, and we'll be able to look more closely at the issues around race and appropriation with them, but in 1965, unlike all the brown-eyed women like Darlene Love who'd come before them, the Righteous Brothers did become the first act to break free of Phil Spector and have hits without him -- though we will later see at least one Black woman Spector produced who became even bigger later. But still, they'll always be remembered primarily for the work they did with Spector, and somewhere, right now, at least one radio station is still playing "You've Lost That Lovin' Feelin'", and it'll probably continue to do so as long as radio exists. 

Crime Classics. 10-28-1953. CBS net. "John Hayes...His Head...and How They Were Parted". Sustaining. Mr. Hayes returns from war to his lonely wife to find her afrolic with two comely boarders. His head is shortly thereafter found by the side of the Thames...and then encapsulated in a glass jar. Lou Merrill (host), Morton Fine (writer), David Friedkin (writer), Bernard Herrmann (composer, conductor), Elliott Lewis (producer, director), Betty Harford, Jeanette Nolan, Richard Peel, William Johnstone, Bob Lemond (announcer), Alastair Duncan, Ben Wright, Charles Davis. 1/2 hour.

Brandon Styles/Impressionist Brandon Styles ignites corporate events, conferences and all private parties with a VARIETY SHOW FOR ALL AGES! His engaging performance showcases multi-faceted singing & speaking impressions, comedy, magic, ventriloquism and plenty of audience participation. Brandon’s show is fun, upbeat and memorable. Get tickets on www.BrandonStyles.com or at the door. Seating is first come, first served. […] The post Pensacola Business Radio: Brandon Styles and the Many Voices in His Head appeared first on Business RadioX ®.

Guy With a Mop on His Head, God & the Small Things, Church & Politics, Social Tip, Great Hair on Commercials, Christian Adult Coloring Books, Finding a Person Who Is Perfect, No Moral Finish Line, Talking Guy Stuff: Fishing, Jokes for Romance, People Pleaser App, Sci-Fi Question: Vacation vs. Hair BONUS MATERIAL: What We're Reading, What We're Watching; Quotes: “Listen as we break the Interesting Barrier. There will be sonic boom.” “They have a guy in a green suit that flicks people's hair. I'm not making this up.” “God cares about the small things. That should be so freeing for all of us.”

Help support the show! - www.patreon.com/dailyinternet   #10 - At least 83 killed, 176 wounded in separate bombings across Baghdad   #9 - Legend of Zelda: Breath of the WIld - Map   #8 - Comcast joining forces with Netflix   #7 - Being murdered is no reason to forgive student loan, New Jersey agency says   #6 - F.B.I. Recommends No Charges Against Hillary Clinton for Use of Personal Email   #5 - Student Drug Informant Found With a Bullet in His Head and Rocks in His Backpack   #4 - Kim Jong Un reportedly ~300lbs and suffering from diseases related to obesity after putting on 90 lbs of weight over 4 years, according to South Korea's intelligence agency.   #3 - UN declares online freedom to be a human right that must be protected   #2 - Iowa man jailed for shooting fireworks at 4 a.m. and telling police he'd shoot more fireworks “with a blunt in his mouth because this is America.” When asked to take a preliminary breathalyzer test, he responded “that he would take a preliminary go [expletive] yourself test.”   #1 - Chemotherapy followed by stem cell transplantation has fully halted clinical relapses and the development of new brain lesions in 23 of 24 patients with multiple sclerosis (MS) for a prolonged period without the need for ongoing medication. Results of Phase II trial published in The Lancet.Medicine   Outro Thanks Show contact E-mail: feedback.ireadit@gmail.com Twitter: @ireaditcast Phone: (508)-738-2278   Michael Schwahn: @schwahnmichael Nathan Wood: @bimmenstein "Music" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/