Podcasts about bach

Composer Steve Reich is one of the most influential musicians of modern times. In the 1960s he helped rewrite the rules of composition, using analogue tape machines to experiment with rhythm, repetition and syncopation. As the godfather of musical minimalism, his influence on Philip Glass, David Bowie, Jonny Greenwood of Radiohead, and many other composers, has been enormous. Countless dance music producers also owe a debt to pieces including It's Gonna Rain, Drumming, Different Trains and Music for 18 Musicians. His music has been performed in concert halls all around the world, and his many awards include three Grammys, a Pulitzer Prize, the Polar Prize for Music and the Premium Imperiale. Steve Reich tells John Wilson how, at the age of 14, three very different recordings awoke his interest in music: Stravinsky's The Rite of Spring, Bach's 5th Brandenburg Concerto, and a piece of bebop jazz featuring saxophonist Charlie Parker, trumpeter Miles Davis and drummer Kenny Clarke. Inspired to start a jazz quintet of his own, Reich began to study percussion before enrolling in a music history course at Cornell University. It was here he discovered the music of Pérotin, the 12th century French composer associated with the Notre Dame school of polyphony in Paris. His beautiful sustained harmonies had a profound influence on Reich's own compositions, including Four Organs (1970) and Music for 18 Musicians (1976).Steve Reich also explains the significance of two books on his music; Studies in African Music by A.M.Jones and Music in Bali by Colin McPhee, both of which led to a greater understanding of music from parts of the world where music is passed down aurally rather than through notation.Producer: Edwina Pitman Additional recording: Laura Pellicer

What was going through the minds of those treading water and clinging to floating debris during the Flood? What should we take away from this complete and devastating destruction?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).Quote Source: Carl J. Lawrenz and John C. Jeske, "A Commentary on Genesis 1–11" (Milwaukee: Northwestern, 2004), 262.

There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians.  There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach  covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at ⁠http://pantheonpodcasts.com⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

(1) Waarom doet Trump deze keer niét wat hij de kiezer beloofd heeft? (2) Coucou de France met Alex Vizorek (3) Het Rad van Reinoud: het verband tussen John Miles en Bach (4) Dominee Gremdaat

durée : 01:58:28 - Le Bach du dimanche du dimanche 22 juin 2025 - par : Corinne Schneider - Au programme de cette 346e émission : un petit tour des Festivals d'été en France à Montpellier, Saintes, La Roque D'Anthéron, Saint-Donat, Périgueux, Cahors, Lessay, Rocamadour, Sablé-sur-Sarthe, au pays d'Auge et en Combrailles…; puis la fête de la Saint-Jean avec la Cantate BWV 167 (1723). - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Have you ever stopped to think about what those first forty days of the Flood must have been like for Noah and his family? How did they cope with it? And what applications are there for us in our dark days?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

This Day in Legal History: Atkins v. VirginiaOn June 20, 2002, the U.S. Supreme Court delivered a landmark ruling in Atkins v. Virginia, holding that the execution of individuals with intellectual disabilities violates the Eighth Amendment's prohibition on cruel and unusual punishment. The case centered on Daryl Renard Atkins, who was convicted of abduction, armed robbery, and capital murder in Virginia. During the penalty phase of his trial, defense attorneys presented evidence that Atkins had an IQ of 59 and functioned at the level of a child. Despite this, he was sentenced to death.In a 6-3 decision, the Court reversed its earlier stance from Penry v. Lynaugh (1989), which had allowed such executions. Justice John Paul Stevens, writing for the majority, emphasized the "evolving standards of decency" in American society, noting that a growing number of states had barred the death penalty for individuals with intellectual disabilities. The Court recognized that such defendants are at a heightened risk of wrongful execution due to difficulties in assisting their own defense and the possibility of false confessions.The decision did not establish a national standard for determining intellectual disability, leaving that to the states, but it set a constitutional floor by barring executions in these cases outright. Atkins significantly reshaped the legal landscape of capital punishment, prompting states to revise death penalty statutes and sentencing procedures.The ruling reinforced the importance of individualized sentencing and safeguarded vulnerable populations from the most severe penalties. It also underscored the role of psychological and scientific evidence in constitutional interpretation. While not without criticism, Atkins remains a cornerstone of Eighth Amendment jurisprudence and a key moment in the Court's ongoing reevaluation of capital punishment.Technology giants Apple and Meta are currently facing possible penalties under the EU's Digital Markets Act (DMA), but the European Commission has decided not to immediately fine them—even if they don't fully comply by the deadline next week.In April, both companies were fined—€500 million for Apple and €200 million for Meta—and given 60 days (ending 26 June) to align their practices with DMA requirements. Apple was penalized for preventing app developers from directing users to alternatives outside its platform, infringing DMA fairness rules. Meta was fined for its “pay or consent” system, which required users to either pay for an ad-free experience or agree to extensive personal data use; the Commission saw this as limiting user choice.Since November 2024, Meta has offered a new, lower-data personalized advertising model, which remains under Commission review. The current situation involves ongoing dialogue: any future fines will depend on the outcome of that review and will be imposed only after detailed assessments, rather than automatically once the deadline passed.These April fines were deliberately modest—reflecting the short duration of non-compliance and signaling the EU's priority on achieving compliance over punishment, marking a softer approach compared to previous, harsher antitrust actions. The situation also plays into broader economic tensions: EU leaders have threatened digital advertising taxes in response to recent US tariffs, while a US trade report criticized EU digital regulation as a trade barrier.Tech giants Apple and Meta to escape sanctions for failing to meet EU digital rules | EuronewsA U.S. appeals court has temporarily allowed Donald Trump to retain control over California's National Guard, despite a legal challenge from California Governor Gavin Newsom. The decision from the 9th U.S. Circuit Court of Appeals pauses an earlier ruling by Judge Charles Breyer, who found Trump had unlawfully federalized the Guard without meeting statutory requirements or adequately coordinating with Newsom.The court stated Trump likely acted within his authority and that even if coordination with the governor was insufficient, Newsom lacked the power to override a presidential order. Still, the court left open the possibility of further challenges under laws barring federal troops from engaging in domestic law enforcement. Newsom plans to pursue his challenge, arguing Trump is misusing military force against civilians.The case stems from Trump's deployment of 4,000 National Guard troops and 700 U.S. Marines to Los Angeles earlier in June to suppress protests tied to his immigration policies—actions Newsom said infringed on state sovereignty and legal limits on military involvement in civilian matters. The Trump administration argued troops are protecting federal property, not performing law enforcement.During a hearing, the appellate judges examined whether courts can assess a president's decision to federalize troops under a law allowing such moves only during invasion, rebellion, or when civilian enforcement fails. The court found the last condition may have applied, given protest-related violence. However, it rejected the Justice Department's claim that such presidential decisions are beyond judicial review.The Insurrection Act and related federalization authority are central to this case. The Act allows a president to take control of a state's National Guard in limited situations—such as rebellion or when laws can't be enforced by normal means. This case illustrates both the expansive view of executive power and the judiciary's role in checking it, even amid claims of national emergency.US court lets Trump keep control of California National Guard for nowPresident Trump has once again extended the deadline for TikTok to be sold to a U.S. owner, granting a third 90-day reprieve through an executive order despite lacking a clear legal basis for the extensions. The move allows TikTok to continue operating in the U.S. while negotiations persist to transfer ownership from China-based ByteDance to an American entity. The previous extension fell through when China withdrew from talks following Trump's new tariffs.This delay has not yet faced a court challenge, even though the original ban—passed by Congress and upheld by the Supreme Court—briefly took effect in January. Trump's personal popularity on the platform, where he has more than 15 million followers, adds a political twist to the ongoing negotiations. TikTok praised the decision and emphasized its importance to 170 million users and 7.5 million U.S. businesses.Despite concerns from national security officials and lawmakers like Senator Mark Warner, who accuse the administration of ignoring known risks, the repeated extensions suggest a softening of resolve. Analysts describe the situation as a recurring political maneuver with no clear endpoint—likening it to the endless debates over the debt ceiling.Meanwhile, TikTok continues to roll out new features and expand its services, including AI tools debuted in Cannes, signaling confidence in its long-term U.S. presence. Tech giants Apple, Google, and Oracle remain engaged with TikTok, reassured that the administration won't penalize them under current law.Public opinion has shifted, with fewer Americans now supporting a ban compared to 2023. Concerns remain over data privacy, but many citizens are unsure or opposed to banning the app outright.Trump extends TikTok ban deadline for a third time, without clear legal basisThis week's closing theme is by Johann Sebastian Bach. Johann Sebastian Bach, one of the most influential composers in Western music history, composed the Goldberg Variations, BWV 988, in 1741. Originally written for harpsichord, the work consists of an aria followed by 30 variations, returning to the aria at the end in a da capo structure. It was likely commissioned by Count Hermann Karl von Keyserlingk, a Russian diplomat suffering from insomnia, who wanted music to soothe his sleepless nights—though this origin story is debated.The aria, which opens and closes the piece, is a gentle, sarabande-like melody in G major. Unlike other variation sets built on melodies, Bach bases the Goldberg Variations on the aria's bass line and harmonic structure. This allows for extraordinary variety in texture, form, and mood across the variations, while keeping a consistent foundation.The aria itself is simple and elegant, consisting of two balanced halves, each repeated. Its serene tone contrasts with the technical brilliance and contrapuntal complexity found in many of the following variations. Yet, the aria's emotional restraint and clarity set the tone for the entire cycle.Over the centuries, the Goldberg Variations have come to be seen as a pinnacle of keyboard composition. The aria, both opening and closing the work, serves as a kind of spiritual bookend—calm, contemplative, and timeless. Performers often approach it with reverence, as a moment of stillness and symmetry amid musical adventure.Without further ado, Johann Sebastian Bach's Goldberg Variations, BMV 988 – the aria. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

(Editor's Note: Welcome to our Reissue series! For the next several weeks, Basic Folk is digging back into the archives and reposting some of our favorite episodes alongside new introductions commenting on what it's like to listen back. Enjoy!This episode featuring Cindy Howes interviewing Chris Thile was originally posted on September 9, 2021 after Chris released his solo album, 'Laysongs.')Chris Thile (Nickel Creek, Punch Brothers) has been making music nonstop since he was 5 years old. His musical parents found him a mandolin and he started taking lessons and jamming at nearby Southern California pizza shops. He met Sara and Sean Watkins when he was 12 and they started Nickel Creek. In the meantime, Chris' parents moved the family from California to Murray, Kentucky and really started getting serious about evangelical Christianity. This would have a huge impact on Chris; his record, 'Laysongs,' asks a lot of questions surrounding his experience with religion as a young kid. He talks about the transition from being a family with no religion in their routine to being enveloped so intensely in faith.Another important aspect that comes along on the album is Chris' striking love for classical music. His grandparents gave him some pieces by Bach and set him up for a lifetime of studying and playing classical. Elsewhere in our Basic Folk conversation he also gets into what it was like to grow up alongside Sara and Sean as bandmates, friends, and fellow Christians. One of the themes of the new album is about community, namely, engaging in a community that you love. Chris recognized that he dissented from Christian community in his young adult life where everyone was thinking the same way – Chris felt excluded, so he left. Now, in music, he's found a new community where everyone thinks the same, so still certain people are excluded. He talks about how the pandemic helped further shape those feelings about exclusionary community. We also get into a riveting conversation about Chris' thoughts on writing simple pop music and one of his deepest passions: wine.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

Now in its 31st year, the AfroSolo Arts Festival is thrilled to return to Commonwealth Club World Affairs with "We Come This Far by Music—Let Freedom Ring! Part 2," featuring African American artists and music. The AfroSolo Arts Festival, directed by Thomas R. Simpson, is showcasing a cast of classically trained artists. This program is led by Dr. Carl Blake, pianist and director, and features Bradley Kynard, baritone; Shawnette Sulker, soprano; William Underwood, flutist. It's a joyful, soul-stirring program of music based on African American experiences, as part of San Francisco's Juneteenth Celebration—a national celebration that commemorates the freeing of enslaved people in Texas two years after the Emancipation Proclamation.  AfroSolo Arts Festival is made possible through the support of the California Arts Council, Grants for the Arts, Dream Keeper Initiative, Kenneth Rainin Foundation, SF Arts Commission, and The Friends of AfroSolo. About the Performers Dr. Carl Blake, piano and program director. Carnegie Recital Wigmore Hall (London) and L'Hermitage St. Petersburg, Russia Toured in France, England, Central and South America, Caribbean as artistic ambassador for the U.S. Department of State. Currently, director of music, Church for the Fellowship of All Peoples, San Francisco, and a board member, Noontime Concerts. Bradley Kynard, baritone. This season: The Emissary by Oh/Rourke and Prospero's Island by Shearer/Stevens, Zebul in Jeptha by Handel, Mer hahn en neue Oberkeet (BWV 212) by J.S. Bach, A Little Girl Dreams of Taking the Veil by Wold, Sophia's Forest by Beecher/Moscovitch, and Harriet's Spirit by Shelby/Olvera with Opera Parallèle, Moby Dick, Heggie/Scheer with San Francisco Opera. Brooke. In Little Women, by Adamo. Shawnette Sulker, soprano. Featured artist with San Francisco Opera; Die Königin der Nacht, Cleopatra, Porgy and Bess, Jake Heggie's Intelligence, Allen Shearer's Prospero's Island. Soloist, Carmina Burana, Messiah, and Mahler's symphonies concert performances at Teatro di San Carlo, Lincoln Center, and Leipzig's Gewandhaus. William Underwood III, flutist. Performs in traditional, avant-garde, social and sacred arenas as a solo, collaborative and recording flutist. A veteran of AfroSolo Festivals in San Francisco. Toured Japan extensively with Kyodo Tokyo Incorporated . An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Organizer: Anne W Smith and Thomas R. Simpson  Learn more about your ad choices. Visit megaphone.fm/adchoices

Elle and Vee recap their weekend at a mansion airbnb with 45 of their friends, celebrating several birthdays and a bachelor bachelorette!Gemini Bach Bash (00:00)Theme nights (04:54)Seal team slut olympics (06:32)Intentions and elle's announcement! (19:12)Thursday Night Highlights (28:01)Before Kiss Someone New, Do You Get Consent From Their Partner? (32:37)Sensual Loving and Sweaty Sex   (35:02)Cumming at Play Parties: Priority or not?  (39:22)Homemade Porn Compilation Videos  (41:19)MFM (42:53)MMFF: Navigating Agreements with New Couple Using Fears, Desire and Boundaries (47:20)One Dom Two Subs: Getting Permission to Cum and Dealing with Denial, Bondage, Riding Crop to the Pussy (55:29)Testing Pain Threshold With Claws and Clips and Aftercare (01:03:24)Blow Job Train (01:08:17)Where to find us, and how you can support us:Instagram: @girlsgonedeeppod Merch: girlsgonedeep.com/shop Woo More Play Affiliate Link: Support us while you shop! WHOREible Life: Get 10% off your deck with code GONEDEEP at whoreiblelife.com Instagram: @wlthegameContact: girlsgonedeep@gmail.com © 2025 GGD Alchemy, LLC. All Rights Reserved.

Send us a textDiscover the surprising journey of coffee from ancient Ethiopian tribes to its role in sparking global revolutions in this enlightening exploration of humanity's most beloved beverage."It's about connection, not addiction," I explain while sipping from my favorite brew. Coffee isn't just a morning pick-me-up—it's a cultural phenomenon that has shaped human civilization in profound ways. From its humble origins in Africa, where wild coffee plants were used by nomadic tribes for thousands of years, to becoming the catalyst for intellectual revolutions across Europe, the story of coffee is the story of human connection.Did you know both the American and French revolutions were planned in coffee houses? Or that legendary composers like Bach and Beethoven crafted their masterpieces while enjoying this aromatic elixir? As coffee spread through the Arab world in the 1500s and later took Europe by storm, it created spaces where ideas could flourish and business ventures could take root. Even Lloyd's of London, the famous insurance market, began in a coffee house!Coffee's journey reflects our own complex history—including its darker chapters of colonization and exploitation. Yet through it all, coffee has remained a powerful force for sobriety, creativity, and community. The Italians transformed coffee into an art form with their meticulous preparation methods and varieties like espresso, cappuccino, and moccaccino, elevating it from mere beverage to sensory experience.Whether you're a fellow enthusiast or simply curious about the power of this remarkable bean, join me in appreciating how coffee connects us across time and space. Subscribe to our channel to continue exploring the fascinating stories behind everyday experiences, and share your own coffee journey in the comments below!Support the showYou can support this show via the link below;https://www.buzzsprout.com/1718587/supporters/new

Hey Lifers! Laura’s baby is taking a stand/protesting to Matt disclosing her name on his podcast. If you’ve had a baby, did you and your partner agree on whether to share the name/s publicly before the baby was born? Britt has entered a new career - being a professional dancer! Dancing with the stars has aired and our twinkle toes tore up the dance floor! We share some BTS of Dancing with the Stars and Britt finally gets the answer to whether Osher knew that she was going to be dumped on Bach 8 years ago! Two stories came out over the weekend that both surrounded the unveiling of the identities of online trolls/cyber bullies. Indy Clinton has received a 64 page document from a private investigator that includes the names and details about some of her relentless trolls. A couple in Ireland have successfully sued the formally anonymous owner of ‘tattle life,’ an online gossip cesspit and had his identity released.So with the advancements in technology that make online anonymity harder, do you think trolls would stop and think twice if they thought there was the risk that their identity would be exposed? Should influencers release the identities of their online trolls if they have concrete proof that they’re the ones responsible for years worth of bullying? Do you think tech companies like meta or tiktok have more of a responsibility to not allow people to be anonymous? We discuss whether these trolls being exposed would do potentially more harm than good or whether it’s a consequence for their own behaviour. We chat about precedents, how trolling affects both Britt and Laura and whether we think these stories will shift the dial at all. You can watch us on Youtube Find us on Instagram Join us on tiktok Or join the Facebook Discussion Group Tell your mum, tell your dad, tell your dog, tell your friend and share the love because WE LOVE LOVE! XxSee omnystudio.com/listener for privacy information.

Music has played an important role in church history. In previous episodes, we've talked about many composers who wrote hymns specifically for the church. However, there were also musicians like Bach who wrote sacred and secular music for the glory of God. Bach's compositions covered a wide range of emotions and were filled with theological insights. Join Sophia, Trinity, and Linus as they talk to Dr. Paul Grime, professor of Pastoral Ministry and Mission at Concordia Theological Seminary, about this important composer and his faith.   Show Notes: Bach's pieces that were mentioned in the podcast: Bach's Coffee Cantata: https://www.youtube.com/watch?v=nifUBDgPhl4 The piece Bach wrote shortly before his death is Vor deinem Thron tret ich hiermit ("I hereby come before Your throne"). The catalog number is BW 668. https://www.youtube.com/watch?v=9XTCZ1iUQeQ The cantata movement with the plucking strings imitating the knocking at the door is Cantata 61 (BWV 61), based on the Advent hymn "Savior of the Nations, Come." The movement with the plucked strings begins at the 9:32 mark. The whole cantata is a great example of the genre. https://www.youtube.com/watch?v=MzWJsRjanC4

In this episode of Transfigured, I sit down with Dr. Jim to delve into a range of pressing intellectual and spiritual topics. We explore his recent writings on his Substack, "Around the Corner," his perspective on the "re-enchantment" narrative currently popular in some online spaces, and a critical engagement with modernism. Using Carlos Eire's book "They Flew" (about the levitating St. Joseph of Cupertino) as a springboard, we discuss the nature of evidence, the moral responsibilities tied to metaphysical claims, and the vital role of institutions (like those in science, medicine, and education) in fostering self-correction and upholding human values. Dr. Jim shares his thoughts on the "scientific image" versus the "manifest image," the limitations of evolutionary biology's common framing, and why he considers himself a "reactionary modern," wary of prematurely discarding the hard-won insights of the Enlightenment and classical liberalism. Join us for a deep and nuanced conversation! We mention Dr. Jim, Sam (Transfigured), David Bentley Hart, Paul Vander Klay, Jonathan Pageau, John Vervaeke, Carlos Eire ("They Flew"), St. Joseph of Cupertino, Ross Douthat, Bart Ehrman, David Hume, Sam Harris, Wilfrid Sellars (Scientific Image vs. Manifest Image), Richard Dawkins, Bach, Mozart, Galileo, Michael Servetus, John Calvin, Rod Dreher, Bethel McGrew, Benjamin Boyce, Jesus Christ, Hermes, Chad (the Alcoholic), Julian, Aristotle (Four Causes), and more.Dr. Jim's Substack "Around the Corner": https://substack.com/@aroundthecorner1Midwest Apologetics Conference (August 22-24, Chicago, IL): https://www.midwestuary.com/Email for scholarship inquiries: info@midwestuary.com

durée : 00:06:20 - Le Bach du matin du lundi 16 juin 2025 - Notre Bach du matin est un Bach franco-finlandais ! Alors que les chefs finlandais prennent la tête de grands orchestres, de Klaus Makela à Tarmo Pelotokovski, c'est chez Bach que nous emmène ici l'orchestre baroque d'Helsinki.

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   1/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1931

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   3/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933 GOERING

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   4/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   5/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1934 BERLIN

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   6/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   7/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   8/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1937

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   2/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1932

durée : 00:05:12 - Épisode 42 : Voyage retour à Paris - Douze jours après le départ de Paris et plus de 120 km à pieds et à vélo sur les Chemins de Bach, c'est l'heure des derniers échanges pendant le voyage en train du retour de Pygmalion en France…

durée : 00:22:20 - Cantate BWV 129 " Gelobet sei der Herr, mein Gott ? " - Bach compose la Cantate BWV 129 « Gelobet sei der Herr, mein Gott » / « Loué soit le Seigneur, mon Dieu » à Leipzig pour la fête de la Trinité (16 juin 1726).

durée : 01:58:49 - Le Bach du dimanche du dimanche 15 juin 2025 - par : Corinne Schneider - Au programme de cette 345e émission : le Bachfest de Leipzig (12 au 22 juin) où le hautboïste Marcel Ponseele reçoit la Médaille Bach et où le pianiste tchèque Jan Čmejla est vainqueur du Concours Bach ; puis 2 nouveaux disques, le pianiste Rustem Hayroudinoff et le flûtiste à bec Isaac Makhdoomi. - réalisé par : Anne-Lise Assada

Many years ago, at the gates of the nursery that both Ruth and Tim attended, we enjoyed many precious moments of fellowship with a special group of parents. (We are still in touch with them all!) Amongst them was Sue Harris, who I was delighted to invite to record this poem-prayer that celebrates the "sacrament of the present moment": a lovely concept which Jean Pierre Caussade coined as a phrase three hundred years ago. Sue loves the Lord Jesus dearly, and we have paired her heart-felt recording with the music of one of Bach's most beautiful Andantes, which Fontane Liang and Julia Herzog played for us on the harp and recorder. The music feels somewhat delicate and slightly fragile, like a bluebell just lifting its head, and inspires us to dwell on the tenderness of the Lord's moment-by-moment love for us – and to remind ourselves that no lack of faithfulness on our part, or 'road block' that we face along life's way can ultimately keep us from His unconditional love, if we will but resolve to reach out to Him. May this be a piece to which you often find yourself returning, and find in it fresh succour and sweetness in the Lord. It is beautiful.

Folge 274: Welche Werke für Violine solo hätte Johann Sebastian Bach theoretisch kennen können, als ihm die Idee zu den Sonaten und Partiten kam? Diese Frage beschäftigt Maul & Schrammek in dieser Folge.

The day had arrived. It was time for Noah and his family and the animals that had come to him to board the ark. Noah made sure he had everything and everyone he was supposed to. And the Lord took it upon himself to shut the door behind Noah.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:02:41 - Le Bach du matin du samedi 14 juin 2025 -

Continuing our exploration of queer pride in classical music, I bring you the great baryton-martin Pierre Bernac (1899 – 1979), known first and foremost as a creator of some of the most exquisite mélodies of his friend and musical partner Francis Poulenc. Later Bernac became renowned as the exemplar of style and taste in the interpretation of French art song. In this episode, however, I wanted to explore his contribution as a singer of the music of composers other than Poulenc. I had already found some great orchestral song cycles by André Jolivet and Louis Beydts, as well as a sublimely anachronistic recording of a Bach cantata, but just yesterday I came upon a series of rare recordings that Bernac made in 1935 for the Ultraphone label. These include songs by Debussy and Hahn accompanied by pianists Jean Doyen and Boris Golschmann (who was the brother of the conductor Vladimir Golschmann, and whose tragic story I relate), as well as an earlier (and even more exquisite) recording of Chausson's “Le colibri.” But perhaps the crown jewels among these early records were two duets with the exquisite French-Algerian soprano Leïla Ben Sedira which won the Grand Prix du Disque in 1936. I have folded these deeply satisfying early recordings into the setlist that I had already partially assembled for a very special episode that I hope that you will enjoy! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

This Day in Legal History:  Miranda v. ArizonaOn June 13, 1966, the U.S. Supreme Court issued its landmark decision in Miranda v. Arizona, fundamentally reshaping American criminal procedure. The case centered on Ernesto Miranda, who had confessed to kidnapping and rape during a police interrogation without being informed of his constitutional rights. In a narrow 5–4 ruling, the Court held that the Fifth Amendment's protection against self-incrimination and the Sixth Amendment's right to counsel require law enforcement officers to inform suspects of their rights before custodial interrogation begins.The decision mandated that suspects be told they have the right to remain silent, that anything they say can be used against them in court, and that they have the right to an attorney—either retained or appointed. These now-standard warnings, known as "Miranda rights," became a required part of police procedure across the United States.Chief Justice Earl Warren, writing for the majority, emphasized that custodial interrogation is inherently coercive and that procedural safeguards were necessary to preserve the individual's privilege against self-incrimination. The dissenters, led by Justice Harlan, argued the decision imposed an impractical burden on law enforcement and that traditional voluntariness tests were sufficient.Miranda sparked immediate controversy, with critics warning it would hamper police efforts and allow guilty individuals to go free. Nonetheless, it has endured as a cornerstone of American constitutional law, embodying the principle that the government must respect individual rights even in the pursuit of justice. Over the years, the ruling has been refined but not overturned, and Miranda warnings are now deeply embedded in both law enforcement training and popular culture.Tesla has filed a trade secret lawsuit in California federal court against former engineer Jay Li and his startup, Proception, alleging that Li stole confidential information to accelerate the development of robotic hands. According to the complaint, Li worked on Tesla's Optimus humanoid robot project from 2022 to 2024 and allegedly downloaded sensitive files related to robotic hand movements before departing the company. Tesla claims Li used this proprietary data to give Proception an unfair edge, enabling the startup to make rapid technological gains that had taken Tesla years and significant investment to achieve.The suit points out that Proception was founded just six days after Li left Tesla and began showcasing its robotic hands five months later—devices Tesla says bear a “striking similarity” to its own designs. Tesla is seeking monetary damages and a court order to prevent further use of its alleged trade secrets. Legal representation for Tesla includes attorneys from Gibson Dunn & Crutcher, while counsel for Proception and Li has not yet been disclosed.Tesla lawsuit says former engineer stole secrets for robotics startup | ReutersA federal district court and a federal appeals court issued conflicting rulings over President Donald Trump's deployment of National Guard troops in Los Angeles amid protests over aggressive immigration enforcement.U.S. District Judge Charles Breyer ruled earlier in the day that Trump's order to deploy the Guard was unlawful. He found that the protests did not meet the legal threshold of a “rebellion,” which would be necessary for the president to override state control of the Guard under the Insurrection Act or related powers. Breyer concluded the deployment inflamed tensions and stripped California of the ability to use its own Guard for other state needs. His 36-page opinion ordered that control of the National Guard be returned to California Governor Gavin Newsom.However, about two and a half hours later, the 9th U.S. Circuit Court of Appeals granted an administrative stay, temporarily pausing Breyer's ruling and allowing Trump to retain command of the Guard for now. The three-judge panel—two appointed by Trump and one by President Biden—stressed that their order was not a final decision and set a hearing for the following Tuesday to evaluate the full merits of the lower court's decision.Meanwhile, a battalion of 700 U.S. Marines was scheduled to arrive to support the Guard, further escalating the federal presence. Critics, including L.A. Mayor Karen Bass and Senator Alex Padilla—who was forcibly removed from a press event—argued that the military response was excessive and politically motivated. Supporters of the deployment, including Trump and DHS Secretary Kristi Noem, defended it as necessary to restore order. A Reuters/Ipsos poll showed public opinion split, with 48% supporting military use to quell violent protests and 41% opposed.Appeals court allows Trump to keep National Guard in L.A. with Marines on the way | ReutersIn a pattern that surprises few, the conservative-dominated U.S. Supreme Court has granted President Donald Trump a series of victories through its emergency—or "shadow"—docket, continuing a trend of fast-tracking his policy goals without full hearings. Since returning to office in January, Trump's administration has filed 19 emergency applications to the Court, with decisions in 13 cases so far. Of those, nine rulings went fully in Trump's favor, one partially, and only two against him. These rapid interventions have enabled Trump to enforce controversial policies—including ending humanitarian legal status for migrants, banning transgender military service, and initiating sweeping federal layoffs—despite lower court injunctions.District court challenges to these actions often cite constitutional overreach or procedural shortcuts, but the Supreme Court has repeatedly overruled or paused these lower court decisions with minimal explanation. The emergency docket, once used sparingly, has become a regular tool for the Trump administration, matching the total number of applications filed during Biden's entire presidency in under five months. Critics argue that the Court's increasing reliance on this docket lacks transparency, with rulings frequently unsigned and unexplained. Liberal justices have voiced strong objections, warning that rushed decisions with limited briefing risk significant legal error.The Court's 6-3 conservative majority, including three Trump appointees, has given the president a judicial green light to implement divisive policies while litigation plays out. Some legal scholars argue these outcomes reflect strategic case selection rather than simple ideological bias. Still, in light of the Court's current composition and its repeated willingness to empower executive action, the results are hardly shocking.Trump finds victories at the Supreme Court in rush of emergency cases | ReutersThis week's closing theme is by Tomaso Albinoni.This week's closing theme is Sinfonia in G minor, T.Si 7 by Tomaso Albinoni, a composer whose elegant, expressive works have often been overshadowed by his more famous contemporaries. Born on June 14, 1671, in Venice, Albinoni was one of the early Baroque era's leading figures in instrumental music and opera. Though he trained for a career in commerce, he chose instead to live independently as a composer, unusual for his time. He wrote extensively for the violin and oboe, and was among the first to treat the oboe as a serious solo instrument in concert music.Albinoni's style is marked by a graceful clarity and balanced formal structure, qualities well represented in this week's featured piece. The Sinfonia in G minor, T.Si 7 is a compact, three-movement work likely composed for a theatrical performance or ceremonial function. It opens with a dramatic Grave, setting a solemn tone that gives way to a lively Allegro and a brief yet expressive final movement.The G minor tonality gives the piece an emotional intensity, without tipping into melodrama—typical of Albinoni's refined dramatic sensibility. While his best-known composition today may be the Adagio in G minor—ironically, a piece reconstructed long after his death—Albinoni's authentic works, like this sinfonia, display a deft hand at combining lyricism with architectural clarity.His music enjoyed wide dissemination in his lifetime and was admired by J.S. Bach, who used Albinoni's bass lines as models for his own compositions. As we close out this week, Albinoni's Sinfonia in G minor offers a reminder of the beauty in restraint and the enduring resonance of Baroque form.Without further ado, Tomaso Albinoni's Sinfonia in G minor, T.Si 7. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

In this week's episode, Daniel Ketter presents an essential voice analysis arrangement of J. S. Bach's fugue for solo cello. It traces the composer's solution to weaving a four-part fugal texture with nearly no chords or double stops through inventive combinations of a subject and countersubject.This episode was produced by Jason Jedlicka along with Team Lead Leah Frederick. Special thanks to peer reviewers Gilad Rabinovitch, Ed Klorman, and Joe Straus. Additional thanks to Jason Orr, Jessie Black, and Royce Diamond at Phosphor Studios.SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

As part of our Earth Serenade series, we present Earth Motets, a glorious feature-length movie made for BachFest, the annual gathering of musicians and fans in Bach's hometown of Leipzig, Germany. The music is performed by Solomon's Knot paired with images taken by astronauts Butch Wilmore, Don Pettit, Nicole Mann and Jeanette Epps aboard the International Space Station. Series: "Arts Channel " [Arts and Music] [Show ID: 40871]

durée : 00:05:58 - Le Bach du matin du jeudi 12 juin 2025 - Notre Bach du matin est un Bach sur le tard. Patrice Fontanarosa aura attendu ses 75 ans pour enregistrer les sonates et partitas pour violon seul du compositeur allemand.

durée : 00:19:27 - Disques de légende du jeudi 12 juin 2025 - Nikolaus Harnoncourt a enregistré l'oratorio de Noël de Bach en 1973, en plein essor du jeune mouvement baroque. Plus de 30 ans après, en 2007, il grave un nouvelle version, résultat de décennies d'expérience et de réflexion.

Qué programa tan musical el de hoy. Despedimos al gran Brian Wilson celebrando su música, pasando por la majestuosidad de J.S. Bach para que les crezca la... planta. Además Richie y José Eduardo nos platican una anécdota de alcohol en el avión. ¿El 'Tuca' sueña con la selección? Y, ¿qué hay sobre que Máynez andaba ped... bebido? Él nos lo intenta contar.

Qué programa tan musical el de hoy. Despedimos al gran Brian Wilson celebrando su música, pasando por la majestuosidad de J.S. Bach para que les crezca la... planta. Además Richie y José Eduardo nos platican una anécdota de alcohol en el avión. ¿El 'Tuca' sueña con la selección? Y, ¿qué hay sobre que Máynez andaba ped... bebido? Él nos lo intenta contar.

Ricky Ian Gordon has written a cycle of songs about flowers. In this episode, we hear one of them. Rachmaninoff wrote a song called “Lilacs.” We hear that, too. Bach opens his Goldberg Variations with an aria (and closes the work with that same aria). Tchaikovsky's wrote a couple of blockbuster arias in The Queen of Spades. And on we go. Gordon, “We should not mind so small a flower” Rachmaninoff, “Lilacs” Bach, Goldberg Variations Tchaikovsky, Lisa's Aria from Act III of “The Queen of Spades” Tchaikovsky, Prince Yeletsky's Aria, Act II, “The Queen of Spades” Tchaikovsky, “It was in early spring” Shostakovich, Prelude in D-flat major Bach-Kempff, Siciliano

Ein Album von diversen Interpreten - vorgestellt auf NDR Kultur.

Apple's biggest event of the year was all about “liquid”… And Apple lost $90B in 9 minutes.Bach parties now cost $1,400/person… we dove into the Bachelorette Industrial Complex (spoiler: dudes spend more).Warner Bros Discovery is breaking up… but it reminds us of Bob Dylan and Bad Bunny.Plus, the uuntold origin story of the Beanie Baby… The cutest boom, bubble, & bust.$WBD $AAPL $BTCWant more business storytelling from us? Check out the latest episode of our new weekly deepdive show: The untold origin story of… Beanie Babies

Reaching back to the first season of Clear and Vivid, a replay of the July 2018 episode when the violin virtuoso tells Alan why he likes to talk to his audience as well as play for them; why he plays Bach very differently from Tchaikovsky; and why the first time he played the Stradivarius that was to become his 30 years later, “I thought that I'd died and went to heaven.”

READ FULL SHOWNOTES ON Chat10Looks3.com Crabb & Sales have been immersing in stories and films driven by characters’ internal lives rather than plot. Never fear - there’s a sharp left turn into American comedy. You can find tickets to all Chat 10 events here, and tickets to ‘Between the Covers: Helen Garner’s ‘The Children’s Bach’’ with Virginia Gay at Adelaide Cabaret Festival here. Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts. See omnystudio.com/listener for privacy information.

durée : 01:59:14 - Le Bach du dimanche du dimanche 08 juin 2025 - par : Corinne Schneider - Au programme de cette 344e émission : Philippe Charru et Christoph Theobald invités en studio pour leur livre « La Messe en si mineur de Bach, un “culte en esprit et en vérité” » (Vrin, 2024), prix de l'Essai du Prix du livre France Musique-Claude Samuel ; puis la Cantate BWV 34 pour la Pentecôte. - réalisé par : Anne-Lise Assada

Ein schlagkräftiges Team: die Berliner Barock Solisten und Reinhard Goebel, eine Ikone der Originalklang-Szene. Mit Werken von Vivaldi, Bach und Telemann zeigen sie auf "Cremona 2", wie moderne Instrumente und historische Aufführungspraxis harmonieren.

Moses names two sources for the floodwaters. In this devotion we look at the second one—the opening of the sluice gates of the heavens. (Sluice gates are sliding gates or other devices for controlling the flow of water.)Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).