Podcasts about bach

Comme chaque année, " La foi prise au mot " propose une émission spéciale à l'occasion de la fête de la musique, célébrée le 21 juin. Cette année est l'occasion de découvrir l'instrument qu'est l'orgue et de se plonger sur la question de la liturgie. Quand et pourquoi a-t-on mis de l'orgue dans la liturgie? Quand doit-il intervenir et pour faire quoi ? Quand est-ce que les pièces liturgiques ont pris leur indépendance, à l'exemple de certaines de Bach? Dans la liturgie conciliaire, comment doit-il intervenir pour faire chanter, pour soutenir la prière, etc. ? L'orgue peut-il devenir un instrument profane? Pour répondre à toutes ces questions Régis Burnet s'entoure de deux spécialistes, le Père Olivier de Cagny et François Polgar. Emission du 19 juin 2016.

Weekend recaps (00:00-30:39). Alix Earle & Benson Boone spotted out together (31:17-39:20). Taylor Swift & Travis Kelce have Bachelor & Bachelorette trips (39:21-45:08). Dua Lipa shares wedding photos with Callum Turner (46:35-52:15). Timothée Chalamet & Selena Gomez to star in animated alien movie (52:16-59:49). Weekly Watch Report: Love Island USA, Voicemails for Isabelle, Widow's Bay + more! (1:00:34-1:33:12). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

Guest: Hagen Bach, Vanderpump Villa (@hagen_bach)Topics: Lisa Vanderpump is an environmentalist, EMS workout, everybody's gay, winning Villa, the Villa's lukewarm hot tub, being promoted from housekeeper to butler, unf*ck Sam, the Mormon wives and #DadTok visiting the Villa, where he stands with Hannah and Marciano, Hagen's coming-out storySponsorsTalkspace: As a listener of this podcast, you'll get $80 off of your first month with Talkspace when you go to Talkspace.com/taylor and enter promo code SPACE80Revolve: Shop at REVOLVE.com/TAYLOR and use code TAYLOR for 15% off your first order. #REVOLVEpartnerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Frédéric II s'adonna aux arts, tout particulièrement à la musique. Modèle du despote éclairé, il reçoit, en 1747, l'éminent Jean-Sébastien Bach en son Château de Sans-Souci, à Potsdam.Embarquez pour une plongée fascinante dans l'histoire de la musique baroque, alors que le célèbre compositeur Jean-Sébastien Bach est convié à la cour du roi de Prusse Frédéric II, lui-même musicien accompli. Découvrez les coulisses de cette rencontre inédite entre deux géants de leur époque, et suivez le récit captivant de leur échange musical. En 1747, le vieux maître Bach, alors âgé de 62 ans, est convié au château de Potsdam par le roi Frédéric II, surnommé le "roi-flûtiste". Après un long périple depuis Leipzig, le compositeur arrive dans une tenue négligée, sous les regards en coin de la cour. Mais Frédéric, grand admirateur de son talent, l'accueille avec les plus grands honneurs. Ensemble, ils entreprennent une véritable visite musicale du château, Frédéric faisant essayer à Bach ses pianofortes dernier cri. Puis le roi soumet au maître un thème musical complexe, l'invitant à en improviser une fugue sur-le-champ. Bach relève le défi avec une aisance époustouflante, préfigurant l'une des plus célèbres œuvres de sa carrière : l'Offrande Musicale.Deux mois plus tard, Bach achève cette partition magistrale, qu'il dédie humblement au souverain. Une offrande musicale d'une richesse et d'une profondeur inouïes, qui témoigne de l'admiration mutuelle entre ces deux génies de la musique. Plongez dans les coulisses de cette rencontre légendaire, qui a marqué l'histoire de la création musicale

As I look back on my childhood and my very first music studies, I realize that I was incredibly fortunate, blessed, actually. Not because I was gifted or because my parents were not only willing but were able to support my harp lessons. Not because I was in one of the music capitals of the world and had access to world class teachers. Not because I had so many opportunities and people that encouraged me along my journey. Well, yes, I was blessed because of all those things, certainly. But I want to talk today about a different gift that was given to me, one I didn't realize the value of until much later. The gift was this: I was always encouraged to play music outside the box. Let me explain. I started piano lessons when I was four years old, and my piano teacher was not only a fabulous musician, but a creative and generous teacher. My lessons included all the usual piano exercises - which I hated - and sonatinas - which I loved - and she also made sure that she gave me performance-worthy arrangements of popular music. I played arrangements of "Blue Moon" and "People" from Funny Girl and "Somewhere Over the Rainbow" that were written by pianists like Roger Williams. These were fancy arrangements that took quite a bit of technique and a lot of practice to play well, and I enjoyed them.  But my teacher never stuck exactly to the printed page. She always had some alterations to add a little more pizzazz to the arrangement. We were always taking bass notes down an octave or playing another part up in the high register like a music box, or changing dynamics and tempo. What she taught me was that music was self-expression. It was about so much more than just playing the written notes. It was about making the notes say what you thought they should say. Please understand; we didn't take liberties with the classics. She made sure I played absolutely every note that Bach wrote on the page. But I learned very early on how to be creative in my music-making, and that has been a tremendous gift. I've never shied away from arranging, and in fact, it's one of my favorite things to do. I'd love every harpist to learn the freedom of making their music their own, and that's what this show is about. I actually went back about two years into the podcast archives to pull out this episode which speaks directly to this. If you've ever wondered about what it takes to make an arrangement, or how to go about it, this is the episode for you. And afterwards, I want to tell you about an opportunity - a new challenge, in fact -  to work with me on your own arrangement.  Links to things I think you might be interested in that were mentioned in the podcast episode:  Get creative with the Compose for Christmas Challenge  Go even further at the Chrysalis Music Workshop  Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-267

Maurane fut l'une des plus grandes voix de la chanson francophone. Née à Bruxelles en 1960, elle se passionne très jeune pour la musique et développe une voix grave, puissante et immédiatement reconnaissable. Après des débuts difficiles, sa carrière décolle grâce à Starmania puis à des chansons devenues cultes comme “Toutes les mamas” ou “Sur un prélude de Bach”. Artiste libre, entière et profondément généreuse, Maurane marque aussi le public par son humour, son franc-parler et ses nombreux engagements humanitaires. Mais à partir de 2015, de graves problèmes de voix l'éloignent brutalement de la scène. Après deux années de silence et de combat médical, elle fait un retour bouleversant lors d'un hommage à Jacques Brel à Bruxelles en mai 2018. Quelques heures plus tard, la chanteuse est retrouvée morte chez elle à seulement 57 ans. Une disparition soudaine qui bouleverse la Belgique et le monde de la musique, laissant derrière elle une œuvre immense et une émotion intacte. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Podcast over Bach, aflevering 90 Tweede en laatste deel van ons uitstapje naar de muziek van Felix Mendelssohn Bartholdy, herontdekker van de Bach’s Matthäus Passion. Met fragmenten van: Johann Sebastian Bach (1685–1750)
 0. Tune Bach & Co
uit Sonate voor viool en klavecimbel nr.4 in c-klein, BWV 1017: (Largo)
Janine Jansen & Friends Felix Mendelssohn Bartholdy (1809 […]

Historisches Cembalo oder modernes Klavier – bei Bachs Kompositionen für Tasteninstrumente ist das für viele Hörer*innen eine wichtige Frage. Man könnte da auch einfach mit Rio Reiser antworten: „Das alles und noch viel mehr …“ Denn warum sollte man bei Bach auf irgendeine Option verzichten, wenn es musikalisch Sinn ergibt und Freude macht? Jetzt ist ein neues Album mit den „Goldbergvariationen“ in sehr überraschender Trio-Besetzung erschienen. Albrecht Selge hat es sich angehört.

durée : 00:05:47 - par : Producteurs en alternance - Un Bach du matin ardent avec l'air "Aufgeblasne Hitze", air de Mercurius dans la cantate profane BWV 201 "Geschwinde ihr wirbelnden Winde", chanté par Clint Van Der Linde, accompagné par les Agrémens dirigés par Leonardo Garcia Alarcon. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This episode is not meant to make any definitive statement about the location of the Tower of Babel. It is merely meant to help listeners to think critically about common assumptions made about its location. It also gives us an opportunity to pray for those who are considered experts in the field of Scripture studies.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.

durée : 01:27:58 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le chef catalan et ses musiciens du Concert des Nations et de la Capella Reial de Catalunya enregistrent avec ferveur l'un des sommets de la musique sacrée : la Passion selon Saint Jean de Bach. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In der Bachstadt Leipzig ist Ruth Zechlin groß geworden, und Bach war zeitlebens ihr Dreh- und Angelpunkt. Heute wäre die Komponistin 100 Jahre alt geworden.

In der Bachstadt Leipzig ist Ruth Zechlin groß geworden, und Bach war zeitlebens ihr Dreh- und Angelpunkt. Heute wäre die Komponistin 100 Jahre alt geworden.

Vom Wiederaufbau zur Musikfest-Avantgarde: Das Musikfest ION in Nürnberg spannt den Bogen von Bach bis Bob Dylan, fragt nach der Zukunft geistlicher Musik - und setzt auf ein spirituelles Erlebnis für ein neues Publikum.

Heute geht's ans Eingemachte: Naschen, Quetschis und das schlechte Gewissen, das ihr alle kennt. Wisst ihr noch, wie ihr mal die mit der Gemüseschale werden wolltet? Tja. Bei uns gibt's Gummibärchen, Snackwaffeln und jeden Tag ein Eis – und dann gucken wir neidisch auf die Brotdosen mit Paprika und Apfel von den vernünftigen Hipster-Kindern. Wir reden drüber, warum die Kleinen abends auf einmal Hunger haben (Spoiler: ist meistens kein Hunger), ob man mit zwei Abend-Quetschis schon eine Essstörung triggert und warum klare Regeln am Ende für alle einfacher sind. Dann wird's wild: Alinas Baby robbt seit Neuestem wie eine Schildkröte aus dem Ei, hatte prompt einen Stein im Mund (Herzstillstand inklusive) und wir steigen offiziell in die wilde Phase ein. Dazu die Geschwisterliebe, mit der echt niemand gerechnet hat, ein Honig-Fun-Fact, der euch umhaut, und Alinas früheste Kindheitserinnerung, die… sagen wir mal: Addams-Family-Energie hat. Und weil das Leben gerade eh komplett auf Anschlag läuft, reden wir ehrlich über den Druck als Selbstständige mit zwei kleinen Kindern, Hausbau, Umzug und die Dauer-Angst, dass alles den Bach runtergeht. Alina, du machst gerade das heftigste Jahr deines Lebens durch – sei mal ein bisschen weich zu dir. Zum Schluss geht's noch auf Malle (erster Urlaub mit Baby!) und Fanny hat einen Airbnb-Tipp, der euch echt Geld sparen kann. Nächste Woche covern wir euren KI-Fomo: Die erste „KI für müde Mutties"-Folge kommt. Safe. MOMSPLAINING: Ihr habt eine Geschichte, einen Fall oder einfach was, das euch von der Seele muss? Schickt's an fanny@mamaleisa.de – wir lesen alles. Du bist schwanger und fühlst dich gerade überfordert, unsicher oder allein? Das Hilfetelefon „Schwangere in Not“ ist jederzeit für dich da – anonym, kostenlos und in 19 Sprachen. Du bist nicht allein: www.hilfetelefon-schwangere.de Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/mama_leisa Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

SHOW NOTES: Steven Spielberg created Jaws and Close Encounters. He used technology for the shark and the spaceship. But he used talent for the creation. Pablo Picasso famously relied on Ripolin, a quick-drying, glossy commercial house paint, instead of traditional artist oils. For tools, he used oversized, long-handled bristle brushes, and stiff palette knives for impasto textures. But the painting Guernica was the result of his talent. Bach created the Brandenburg concertos and the musical advancements that most helped him were the rise of flexible "well-temperament" tuning and the rapid development of the Italian concerto style. Together, these innovations allowed him to achieve his legendary harmonic complexity and contrapuntal mastery. But the talent was already there. Houdini created incredible illusions and escapes using hidden keys, sleight of hand, mirrors, and secret hatched. But the design and the implementation were due to his talent. Focus on your talent, not technology. A microphone can enhance volume but won't help you to naturally sing on key. Superb skis and advance waxes can help your skiing speed and control, but are no replacement for quick reflexes and physical stamina. Technology, whether AI or a remote control, can enhance your abilities and success, but they can't replace your judgment and native talent, unless you try to allow them to, which will only atrophy your unique abilities.

durée : 00:16:17 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Jordi Savall enregistre un chef-d'œuvre de la musique sacrée, La Passion selon Saint Jean de Johann Sebastian Bach, composée en 1724. Reconnu pour sa sensibilité et sa rigueur dans l'interprétation baroque, le chef apporte une nouvelle dimension à cette œuvre monumentale. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Sebastian Mallaby (@scmallaby) is the Paul A. Volcker senior fellow for international economics at the Council on Foreign Relations, a two-time Pulitzer Prize finalist, and the author of six books, including More Money Than God, The Power Law, The Man Who Knew, and The World's Banker. His latest book is The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence.This episode is brought to you by:Eight Sleep Pod Cover 5 sleeping solution for dynamic cooling and heating: EightSleep.com/TimAG1 Pro all-in-one nutritional supplement: DrinkAG1.com/TimWealthfront high-yield cash account: Wealthfront.com/Tim Wealthfront disclaimer: New clients get 3.30% base APY from program banks + additional 0.75% boost for 3 months on your uninvested cash (max $150k balance). Terms and conditions apply. The Cash Account offered by Wealthfront Brokerage LLC (“WFB”) member FINRA/SIPC, not a bank. The base APY as of 1/30/26 is representative, can change, and requires no minimum. Tim Ferriss, a non-client, receives compensation from WFB for advertising and holds a non-controlling equity interest in the corporate parent of WFB, which creates a conflict of interest. Individual experiences and outcomes will differ. Instant withdrawals may be limited by your receiving firm and other factors. Investment advisory services provided by Wealthfront Advisers LLC, an SEC-registered investment adviser. Securities investments: not bank deposits, not bank-guaranteed or FDIC-insured, and may lose value.*Timestamps[00:00:00] Start.[00:02:11] The twinkly eyed polymath who became Sebastian's next book.[00:06:55] Picking the next book project the way a great VC picks a startup.[00:09:41] Why God keeps crashing the superintelligence party.[00:11:13] Shane Legg's grainy 2009 prophecy — and the nervous giggle.[00:13:11] Ilya Sutskever burns an effigy.[00:13:54] Demis at 4 a.m., hunting God's algorithm.[00:18:43] Super-abundance, Mad Max, and the China shock lesson.[00:22:39] The kitchen debate with Geoff Hinton that flipped Sebastian.[00:24:06] Why a zero-percent chance of doom is indefensible.[00:24:52] Will Washington seize the labs? The Mythos wake-up call.[00:27:18] Anthropic's bull case, bear case, and a dead parent's letter.[00:33:24] Where Sebastian and Benedict Evans part ways.[00:38:16] Is the SaaS apocalypse overdone? One word: Palantir.[00:39:53] The AI friend you'll never switch.[00:41:56] Does Google win consumer AI by default?[00:44:45] Four cities, eight days: China actually talks safety.[00:47:28] A Cold War non-proliferation playbook for AI.[00:49:45] Did the chip export controls actually work?[00:51:49] Burned doves: why Washington swears China won't talk.[00:54:56] "By 2028, the race is over" — one lab boss' bet.[00:59:11] Inside Hikvision: toddlers, sensors, and US sanctions.[01:01:07] Bill Gurley's Uber bet: venture capital perfected.[01:05:18] Luke Nosek bear-hugs DeepMind into existence.[01:10:52] Thiel's heresy: never invest by committee.[01:11:59] How Founders Fund nearly fumbled the deal of the century.[01:14:30] Selling to Google for $650M: a secret British heist?[01:16:41] The Traitorous Eight, gardening leave, and the UK's to-do list.[01:20:55] Ender's Game: "That's really how I see myself."[01:23:42] Too dumb for Gödel, Escher, Bach? Maybe an LLM can help.[01:25:19] If not Demis or Sam, then Dario.[01:26:04] My royalties cliff — and what dropped in late 2022.[01:27:47] Lila Sciences and the labs that run themselves.[01:31:13] Sebastian's billboard: "Prepare your mind."[01:35:14] The one thing Sebastian will never outsource to AI.[01:40:09] Parting thoughts.For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cal resumes his conversation with Dr. David Bach, the Harvard-trained neuroscientist who is about to give you an opportunity to upgrade your brain. Dr. Bach is the founder of Optios. His company's work is unlocking a door to a new kind of human potential. Cal learns how Optios will help him get in the zone to learn about the science he could never pay attention to when he was in junior high school. His conversations with Dr. Bach are starting to pay off. Cal is now fascinated with how Rory McIlroy will be able to shave strokes off his golf game. And how you'll be able to get better at learning whatever matters most to you by dancing with AI. The simulation Dr. Bach describes in this episode works in the lab. Soon it'll be coming to you. In the meantime, Big Questions has upgraded to allow you to watch visually. If you'd like, check it out on youtube.com/bigquestionspodcast. 

Caragh Thuring talks to Ben Luke about her influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped her life and work. Thuring, who was born in Brussels in 1972 and has lived in the UK since 1973 makes paintings that present fragments of images, patterns and abstraction in compositions that often upend the conventions of her medium, while reaffirming its unique descriptive and poetic powers. With motifs that appear and often reappear in morphing forms and combinations, alluding to specific moments in her life, to film or art history, her paintings are in flux, both in their structure and spatial arrangements and in their meaning. They are propositions that cannot easily be resolved or reduced to simple or convenient narrative yet are far from unfocused or bloodless; rather, they arrest us and pull us deep into their mysteries, rewarding us as we spend more time with them, and return to them. She reflects on her interest in forms of slippage across various art forms, the role of drawing in her work, and her admiration of different forms of making, especially when there is a twist in how they are realised. She discusses her early engagement with the paintings of Otto Dix, the delicacy in the handling of Vija Celmins, the awkwardness in the works of Pieter de Hooch and the wildness of René Daniëls. She reflects on her journeys into volcanoes, metaphorically and literally, and on listening to Bach in her studio. Plus, she gives insight into life in the studio, and answers our usual questions, including the ultimate: what is art for?Caragh Thuring, Thomas Dane Gallery, London, until 19 September Hosted on Acast. See acast.com/privacy for more information.

En menneskemængde samler sig på Rosenborgs eksercerplads i juni 1827, mens en line strækkes højt op mod tårnet. Christian Roat træder ud på det tynde tov og bevæger sig roligt gennem luften over København. Det er en præstation, der allerede har gjort ham kendt, og rygterne går om endnu mere ekstreme forsøg. Da han igen seks dage senere står på samme line, er forventningen endnu større. Under opstigningen virker han sikker, men pludselig ændrer bevægelsen sig. Linen svinger, og på få sekunder mister han kontrollen. Episoden er skrevet og fortalt af Berit Freyheit Her finder du det, jeg har læst til episoden Facebook: Bag om Københavns podcast + nyhedsbrev Musikbidder er hentet fra FMA/Public Domain: Aaron Dunn - Minuet - Notebook for Anna Magdalena by Bach & Narcissus smells like headache by Monplaisir 135

durée : 01:28:20 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Neuvième volume de l'intégrale des cantates de Bach pour le Chœur et l'Orchestre de la Gaechinger Cantorey sous la direction d'Hans-Christoph Rademannet. En écho, un Concerto de Glass écrit sur mesure pour la pianiste Simone Dinnerstein, grande interprète des œuvres de Jean Sebastien Bach. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This special Conducting Conversations program features Artist Del-Bourree and Kristen Bach. We discuss their amazing artistic talents and their involvement with the local community. For more information, you can go to www.del-bourreebach.com

Intrinsic motivation, leadership, and extreme performance are at the heart of this podcast episode, where Christof Zürn deconstructs the mental models of exceptional individuals who perform at the top of their fields and also happen to be musicians. This conversation explores the profound links between leading academic scientists and playing historical string instruments - featuring expert research, unique mindsets, and the intense discipline you can leverage as a toolkit for your own path. Meet the Guest: Ralph Meulenbroeks has lived a fascinating, multitrack life. He started his career in physical engineering, researching large-scale solar cells, before pivoting to become a full-time, professional bass and viola da gamba player for ten years - recording 15 albums, winning an Edison award, and touring the world.  Today, he is a full professor of scientific literacy and chairs the Freudenthal Institute at Utrecht University, where he leads 120 highly autonomous academics. Yet, every single morning, his day still starts with meditation and playing his instrument. Key Insights from the Episode The Pressure of the Passion: Discover the unique qualities of the viola da gamba - a historical, fretted relative of the lute family with six or seven strings - and what it feels like to endure the immense psychological pressure of playing the highly exposed solos in Bach's St. Matthew Passion. Tuning In under Pressure: How the intense process of silently tuning highly sensitive gut strings during a 45-minute wait in the St. Matthew Passion translates directly to 'tuning in' to the emotional temperature of a team of academics at the start of a meeting. Redefining Intrinsic Motivation: Why almost everyone misinterprets this term. Ralph explains that true intrinsic motivation means the activity is its own reward - not a means to an end - and why it is an incredibly robust predictor of high performance in teams. Ensemble Forgiveness: Why the ultimate leadership tool is behaving like a classical or free jazz ensemble. When a mistake happens, you cannot point fingers; you must instantly forgive, adapt, and restore the balance together so the audience never notices. The 'No Excuses' Mindset: Why playing a difficult instrument forces a high degree of self-reflection. If a wrong note happens, it is almost always the player and rarely the instrument's fault - a humbling lesson every leader needs to embrace. The Macrobiotic Chord: How a 35-year practice of macrobiotic cooking and balancing Yin and Yang perfectly mirrors the tension and relaxation required to create musical, but also business harmony. Show notes: Connect with Ralph: https://www.linkedin.com/in/ralphrousseau/  St. Matthew Passion Excerpt (Komm, süßes Kreuz): https://youtu.be/WvHTBBLXa-g?si=HIv_K-6ZxzMGt50u  Podium Klassiek: https://www.youtube.com/watch?v=LzWjGyjIAQ8  The Jazz of Physics by Stephon Alexander: https://www.goodreads.com/en/book/show/26195938-the-jazz-of-physics Music Thinking Society on Substack: https://musicthinking.substack.com/  More info and downloads on Music Thinking: https://musicthinking.com     

Giacomo Carissimi gehört zu den wichtigsten italienischen Komponisten des frühen Barocks und gilt als einer der Wegbereiter des Oratoriums. Von Rom aus prägte er die Entwicklung dieser noch jungen Gattung und beeinflusste zahlreiche Komponisten in ganz Europa, darunter auch Marc-Antoine Charpentier. Carissimis Oratorium Jonas ist vermutlich in den 1640er-Jahren entstand. In kaum mehr als zwanzig Minuten erzählt Carissimi hier die alttestamentliche Geschichte des Propheten Jonas: seine Flucht vor Gottes Auftrag, den Sturm auf See, den Aufenthalt im Bauch des Walfisches und schliesslich die Umkehr der Stadt Ninive. Mit einfachen Mitteln erzielt Carissimi eine grosse dramatische Wirkung. Eindrucksvolle Chorszenen schildern den tobenden Sturm, während die Solisten die Handlung vorantreiben und die inneren Konflikte der Figuren sichtbar machen. Besonders bemerkenswert ist die enge Verbindung von Text und Musik, die bereits auf spätere Meister des Oratoriums wie Schütz und Bach vorausweist. In der Diskothek vergleicht Eva Oertle gemeinsam mit dem Cembalisten Thomas Leininger und dem Chordirigenten Raphael Immos fünf unterschiedliche Aufnahmen von Carissimis Jonas.

With the full moon drawing closer, Leo turns to last resorts to get what they need for the ritual. Content Warnings: Discussion of death and grief; extensive discussion of religion and evangelism; Mentions of mental decline in an elderly person Transcript: https://tellnotalespod.com/transcript-s2-e23-utility-and-sentiment/ As an extra note, I have a Buy Me a Coffee page now! I'm still in the progress of setting up a Patreon with extra rewards for patrons, and we have a merch store in the works! But my financial situation is getting a bit dicey at the moment, so if you would still like to support me in the meantime, you can do so here: https://buymeacoffee.com/leonegan Written and produced by Leon Egan. In this episode you heard the voices of Leon Egan as Leo Quinn, Phil Thompson as Riley Matkins, Asher Amor-Train as Frank Williamson, Shannon Kelly as Julia Wilde, Tal Minear as Penelope Smith, and Cris Caserini as Jodie the Carer. Intro and outro music by Lumehill The conveniently public domain music that Leo chose to listen to today was Bach's Violin Sonata no. 2 in A minor, BWV 1003 The inconveniently not public domain music that Riley chose to listen to today was Keep me Honest by Maybe and The Truth I Couldn't Name (Instrumental Version) by Ten Towers Sound effects and music sourced from Soundly and Epidemic Sound Art by Ana Balaci Find more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr Distributed by Twin Strangers Productions Support Tell No Tales by contributing to their tip jar: https://tips.pinecast.com/jar/tell-no-tales This podcast is powered by Pinecast.

durée : 01:58:48 - par : Corinne Schneider - Au programme de cette 388e émission : Raphaël Pichon et Pygmalion sur les Chemins de Bach en Allemagne du Nord (Wolfenbüttel, Lünebourg et Lübeck) pour l'anniversaire de leurs 20 ans (18-30 mai), le reportage ; le nouveau CD « Pluncked Bach vol. 3 » du mandoliniste Aron Sariel (Pentatone, 8 mai) - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:09:44 - par : Producteurs en alternance, Gabrielle Oliveira Guyon - Nous écoutons l'Adagio du Concerto en ré min BWV 1052, interprété au piano par Maria João Pires, accompagnée par l'Orchestre Gulbenkian de Lisbonne, dirigé par Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

What did the Lord's confusion of human language accomplish, apart from the physical result of scattering humanity over the face of the whole earth? What good came out of it?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

In this week's edition of the Gramophone Podcast, harpsichordist Mahan Esfahani talks about his new recording of Bach's Complete Keyboard Concertos, newly released on the Hyperion label. Why were these pivotal works in the instrument's development written, and how might they have been performed? Esfahani explores these questions, along with many other fascinating topics surrounding the instrument, its repertoire and his own career, in the company of Editor Martin Cullingford.See omnystudio.com/listener for privacy information.

durée : 00:15:33 - par : Lionel Esparza - Si Nikolaus Harnoncourt avait fondé son Concentus Musicus de Vienne en 1953, ce n'est que plusieurs années plus tard que la maîtrise des instruments anciens, choix audacieux à cette époque, permet l'enregistrement de cette Offrande musicale, cadeau du compositeur au prince Frédéric II de Prusse. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Send us Fan MailAngelo, Rhea, and Jay are back and this week Hugh Laurie said the quiet part out loud, and the internet still hasn't recovered. After a freelance critic named Janet Murray posted on X that House has "the same narrative every episode," Laurie responded with a thread so sarcastic it went viral — cataloguing every alternative structure they tried, comparing the formula to Bach and Frida Kahlo, and closing with "I look forward to your first novel." The internet mobbed Murray immediately. But here's the thing: she's not wrong. House is formulaic — that's what procedurals are. Laurie's real defense wasn't "no it isn't." It was that if all you see is the formula, it wasn't meant for you. Is that the most honest thing a creator has ever said in public about their own work, or is it exactly what every creator thinks and should never, ever say out loud?THEN: Spielberg's Disclosure Day opens Friday. Reviews are calling it his best film in 20 years, with box office projections between $35 and $59 million. For Spielberg. Three of his last five films lost money (West Side Story, The Fabelmans, The BFG) roughly $380 million in losses combined. The Fabelmans is one of the best films of the decade and grossed $25 million total. Is Spielberg the most underrated working director in Hollywood right now?ALL THAT PLUS:  George R.R. is FROZEN OUT of The House of the Dragon, Angelo reviews Riot in Cell Block 99, we get a report from Tribeca by Keane Black, and much, MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

En El ojo crítico entrevistamos a Jonás Trueba con motivo del reestreno de Los ilusos 13+13, una nueva oportunidad para descubrir la película 13 años después de su estreno y revisitar una de las obras más representativas de su filmografía. Además, analizamos la actualidad cultural marcada por el regreso de Pedro Almodóvar a la ficción, que publicará en octubre su primera novela, El hombre que solo escribía en los aviones.También conversamos con Jesús Cisneros, Premio Nacional de Ilustración, una de las figuras más destacadas del panorama de la ilustración española. Nuestro colaborador Javi Alonso nos descubre el cómic Dos personas, de Teresa Ferreiro, mientras que Martín Llade reflexiona sobre el papel de las mujeres músicas en la historia a partir de los libros Bach y Mozart: el turno es de ellas y Mendelssohn y Schumann: el turno es de ellas, publicados por la Universidad de Castilla-La Mancha, que reivindican el legado de creadoras como Anna Magdalena Bach, Nannerl Mozart, Fanny Mendelssohn y Clara Schumann, cuyo talento quedó durante siglos eclipsado por las desigualdades de su tiempo.Escuchar audio

canal.march.esTestigo y actor privilegiado de la vida musical nacional e internacional durante más de medio siglo, pocas personas pueden hablar con tanto conocimiento de causa de los cambios que ha experimentado en las últimas décadas el mundo musical clásico como Alfonso Aijón. Tres personas cercanas a él, con trayectorias y perfiles muy diversos, conversarán con él sobre pasado, presente y futuro. La música, que ha sido para Aijón −como afirmaba Chopin de sus encuentros diarios con Bach al piano− su “pan cotidiano”, sonará también en vivo como complemento de las palabras. Más información de este acto canal.march.es

Like many writers, Sofka Zinovieff draws on her own history in her books – and her family tree offers plenty of inspiration. Her paternal grandmother was born into Russian high society, fled to England after the 1917 revolution and became a Communist. Sofka wrote her biography.Her maternal grandmother married the eccentric aristocrat Robert Heber-Percy, and for a time shared a house with his lover, the artist and composer Lord Berners. Sofka has also charted her story.Her father Peter was a composer and co-founder of Britain's first synthesiser manufacturer, making instruments used by the likes of Pink Floyd and David Bowie. He banned his many children from attending his funeral – a decision which inspired her most recent book, a novel called Stealing Dad.Sofka's music includes Bach, Monteverdi, Theodorakis and Mozart.

durée : 01:58:53 - par : Corinne Schneider - Au programme de cette 387e émission : le Bachfest de Leipzig « En dialogue » du 11 au 21 juin ; la Cantate pour soprano solo « Ich bin in mir vergnügt » BWV 204 par Dorothée Mields (2015) ; la 45e édition du Festival d'Auvers-sur-Oise (95) qui fête les 20 ans de l'orgue Bernard Hurvy (2006). - réalisation : Arthur Rayrole, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

God did not just confuse everyone's language randomly and form the people into new groups arbitrarily. He still let the people taste of his mercy.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

In this episode of the Harvest Series, Rose Claverie speaks with Michael Pollan about consciousness, imagination, plants, and the future of human attention. Recorded during Harvest, the conversation moves from food and psychedelics to technology, spirituality, and the hidden ways modern life shapes awareness.Pollan reflects on ego dissolution, immersive journalism, plant intelligence, and why he believes consciousness itself is under threat from social media and AI. A thoughtful exploration of what it means to remain awake, present, and emotionally connected in the modern world.You can follow us on Instagram at @HarvestSeries or @rose.claverie for updates.To know more about Michael Pollan and A World AppearsChapters00:00 – Introduction to Michael Pollan00:57 – What imagination really is01:54 – Imagination, empathy, and theory of mind02:22 – Shaka Senghor and imagination as liberation03:17 – From gardening to consciousness04:09 – Plants, desire, and co-evolution05:26 – Defining consciousness06:11 – What it's like to be a bat07:03 – Plant awareness and sentience09:02 – Consciousness and spirituality09:40 – Immersive journalism and owning a cow11:58 – Participatory journalism13:28 – Psychedelics and fear of death14:20 – First psychedelic experiences later in life14:55 – Psychedelics and emotional openness15:41 – Ego dissolution explained17:16 – Spirituality and merging beyond the self18:02 – Bach, music, and transcendence19:06 – Social media, AI, and consciousness20:33 – Consciousness hygiene22:00 – Are animals more conscious than us?22:31 – What's next: the microbiome23:53 – Teachers and people who shaped his life25:09 – Rapid fire questions26:18 – Funniest psychedelic moment28:08 – Frightening psychedelic experiences29:18 – Safe first steps into psychedelics31:01 – Legacy and changing minds32:19 – Why endings matter35:06 – Can plants teach us health?36:00 – A question for Shaka Senghor37:09 – Closing reflectionsWatch our podcast episodes and speaker sessions on YouTube: Harvest Series.Credits:Sound editing by: @lesbellesfrequencesTechnician in Kaplankaya: Joel MoriasiMusic by: ChambordThis season of the Harvest Series podcast is made possible by Spark of Light. To learn more, visit: https://sparkofsouls.com/Harvest Series Founders: Burak Öymen and Roman Carel

Step into the vibrant world of soul music as we embark on a captivating journey with the legendary Swamp Dogg, an iconic figure whose career has shaped the landscape of American music for over six decades. In this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Swamp Dogg, who, at 83 years young, shares his insights from a life steeped in creativity and resilience. Discover the magic behind his latest album, Swamp Dogg Contemplates the Afterlife, and delve into the stories that have defined his artistic journey. As we stroll through the memories and milestones of Swamp Dogg's illustrious career, he reflects on the influences that have shaped his unique sound and the importance of fun in his creative process. With a sense of humor and a wealth of wisdom, Swamp Dogg recounts his early days in the music industry, honoring the legacy of his contemporaries while celebrating his role as one of the last first-generation soul musicians. This episode is not just a walk down memory lane; it’s a vibrant tapestry of music history, filled with anecdotes about collaborations and the deep relationships he has cultivated with fellow artists. Swamp Dogg’s thoughts on life, death, and legacy resonate deeply, as he compares his aspirations to those of classical giants like Bach and Beethoven. This episode of takin' a walk is a treasure trove of music storytelling, weaving together the intricate threads of songwriter stories and the emotional healing that comes through music. Listeners will be captivated by the inspiring music stories and the creative journeys that unfold in this rich conversation. Join us for a delightful exploration of music history and the art of songwriting as we celebrate the legacy of an iconic musician. Whether you're a lifelong fan of soul music or new to the genre, this episode promises to enlighten and entertain. Tune in to hear Swamp Dog's infectious spirit and passion for music and culture—a true testament to the power of creativity and the stories behind the songs that have shaped our lives. Don't miss this chance to walk alongside a legend and gain insights that will inspire your own music journey. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

En ballon stiger over Christiansborgs ridebane en sommerdag i 1857, mens tusindvis af tilskuere følger med fra tribuner og slotsplads. Viktor Granberg står i gondolen og løsner fortøjningerne til sin silkeballon, Samson. Det, der begynder som et spektakulært øjeblik i 1800-tallets København, udvikler sig hurtigt til en situation, ingen har kontrol over. Vinden tager fat, ballonen mister kursen, og pludselig er den ikke længere et luftfartseksperiment, men et fartøj på kollisionskurs med byens tage. Episoden er skrevet og fortalt af Berit Freyheit Her finder du det, jeg har læst til episoden Facebook: Bag om Københavns podcast + nyhedsbrev Musikbidder er hentet fra FMA/Public Domain: Aaron Dunn - Minuet - Notebook for Anna Magdalena by Bach & Narcissus smells like headache by Monplaisir 134

"Humanism has been the dominant Western belief system of the last century. It's based on the worship of human wisdom, human creation, human experience, human mind, and psychoanalysis has very much emerged from this humanist tradition. We believe in psychoanalysis, that delving into our feelings, our thoughts, and our shared wisdom will allow us to access truth and meaning and find proper direction for navigating life. AI is changing all of that. Instead of trusting our feelings and our thoughts, people are turning to algorithms to make meaning of our experiences and to offer us direction. We're plugging in our data and allowing the algorithms, or Chat GPT or Claude, to do the thinking and the decision making for us." Episode Description: We begin with Freud in 1930: "Humanity would proceed to create unimaginably great advances in technology so as to increase our likeness to God." Amy outlines the challenge that AI poses to our humanistic tradition and values within which psychoanalysis makes its home. She starts with the 'cult grooming' aspects of smartphones, which introduces our exchanging "human dependence for AI companionship." The question of the subjectivity of AI is a central focus, with some analysts emphasizing its "simulation of human intimacy" and others considering that "is it not also possible for AIs to at the same time be intersubjectively engaged with us?" Regarding using AIs as a therapist, we discuss the clinical implications of "without there being two bodies in a room, the contact is shallow and lacking an essential human component." Amy describes "a desire for transgression" involving AIs as well as the associated search for immortality that they represent. She writes about Bach's prescient 2008 term of "digital consciousness" as contrasted with the "analog watch where one can see the hour from which the hand has come and the hour to which it is going." Amy shares that it was fear that motivated her personal interest in the AI world we are facing, and she closes with, "And how do we address what we are losing from within psychoanalysis?"   Our Guest: Amy Levy, PhD, is a clinical psychologist and psychoanalyst. She chairs the American Psychoanalytic Association President's Commission on Artificial Intelligence, serves on the subcommittee "Artificial Intelligence" for the International Psychoanalytical Association, serves on the editorial board of The Psychoanalytic Quarterly, and is Editor of the Substack series, "AI in My Mind," for The Psychoanalytic Quarterly. Along with her fellow CAI chair, Todd Essig, she is producing a documentary film for APsA which examines AI from a psychoanalytic perspective for the general public, entitled: Uncharted Territory: Humans and the Rise of AI. Dr. Levy is in private practice in Chapel Hill, North Carolina. She is the author of the 2026 book, The New Other: Alien Intelligence and the Innovation Drive. Recommended Readings:  Harari, Y. N. (2017). Homo Deus: A Brief History of Tomorrow. New York: HarperCollins.   Knafo, D. (2024). Artificial intelligence on the couch: Staying human post-AI. American Journal of Psychoanalysis, 84: 155–180.    Lemma, A. (2024). Mourning, melancholia, and machines: An applied psychoanalytic investigation of mourning in the age of griefbots. International Journal of Psychoanalysis, 105(4): 542–563.   Shelley, M. (2003). Frankenstein. Penguin Classics.   Solms, M. (2021a). The Hidden Spring: A Journey to the Source of Consciousness. New York: W. W. Norton.   Suleyman, M. (2023). The Coming Wave: Technology, Power, and the 21st Century's Greatest Dilemma. New York: Crown.

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

Re-running this 1-800-SLOOTS while I recover from my Bach!! Recap up next week & thank u for giving me a week to cure my hangxiety. Love u sloots Xx pre-order DADDY ISSUES https://sofiafranklyn.com Follow Sofia on:  Instagram - https://www.instagram.com/sofiafranklyn   TikTok - https://www.tiktok.com/@sofiafranklyn   Twitter - https://twitter.com/sofiafranklyn    Threads - https://www.threads.net/@sofiafranklyn  To learn more about listener data and our privacy practices visit: https://ww.audacvinc.com/privacy-policy To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

How did a teenage video game designer from London become a Nobel Prize-winning scientist behind one of the most consequential technology efforts in history? Sebastian Mallaby is a senior fellow at the Council on Foreign Relations and author of the new book, The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence which provides an in-depth look into one of the greatest minds behind artificial general intelligence. In this episode, Sebastian and Greg discuss how Hassabis's early immersion in game design and neuroscience shaped his unique approach to artificial intelligence, why groundbreaking science is increasingly happening outside academia, and the tension between scientific discovery and corporate strategy.  *unSILOed Podcast is produced by University FM.* Episode Quotes: Why AI is becoming an ‘infinity machine' 03:01: It struck me that two breakthroughs in AI pointed to more to come. And these were AlphaGo and then AlphaFold. And what these two things had in common was—you had a sort of massive combinatorial space in both cases. So with Go, because it's a nineteen-by-nineteen board, the very first move, there's three hundred and sixty-one choices, then there's three-sixty for the second one. If you multiply that out, you pretty soon get to a search space which is sort of, you know, approaching infinity in terms of the number of possible permutations in the game. And with proteins, the way they can fold is even bigger. And so in both of these challenges, effectively, you have a machine that can make sense of near infinity of data, so an infinity machine. And once you have that, I figured, well, it's niche for the moment, but it may not stay niche forever. The “Third Way” that helped Google overcome the innovator's dilemma 44:06: The third way is you have a skunkworks, like DeepMind in London, which is a separate entity, and you're letting them kind of be the new policy in waiting, like the fightback policy in waiting. And you don't activate it. But when the moment comes when your competitor embraces the new technology, and you're in danger of falling foul of the innovator's dilemma, then you've got the answer because you've been keeping it ready, and you bring it in, and then you fight back fast. How DeepMind helped Google catch up in the AI race 42:54: How did they, in the space of two and a half years, go from the merger announcement to Gemini 3.0, which was better than the ChatGPT rivals? The key to it is that DeepMind had that top-down strike-team methodology, which came from the video game development world, and they imposed that on the Mountain View team, which was much more bottom-up and kind of inchoate in the research process. And that's what generated Gemini 3.0. That's how they got ahead. Show Links: Recommended Resources: Sebastian Mallaby | unSILOed AlphaGo AlphaFold Gödel, Escher, Bach by Douglas Hofstadter Geoffrey Hinton Mustafa Suleyman Guest Profile: Senior Fellow Profile at Council on Foreign Relations Professional Profile on LinkedIn Guest Work: The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence  The Power Law: Venture Capital and the Making of the New Future  More Money Than God: Hedge Funds and the Making of a New Elite  The Man Who Knew: The Life and Times of Alan Greenspan Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A trio of middle schoolers deliver impressive solo performances of Bach, Popper, and Saint-Saens with host Peter Dugan. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Y&T frontman Dave Meniketti joins Eddie Trunk to share his journey through prostate cancer recovery and his clean bill of health four years later. The 72-year-old rock veteran explains his decision to scale back Y&T's touring schedule from 60-80 shows to more manageable runs, while emphasizing he has no plans to retire. Then, Sebastian Bach sits down with Eddie Trunk to share the unexpected story of how he became Twisted Sister's new frontman. Bach reveals his longtime fandom of the band, particularly their early punk-influenced albums like 'Under the Blade' and 'You Can't Stop Rock and Roll.' He discusses his rehearsal experience with Jay Jay French and the band, his favorite Twisted Sister songs to perform, and how he plans to bring back their ferocious live energy. Last but not least, Japanese heavy metal pioneers Loudness' vocalist Minoru Niihara and guitar virtuoso Akira Takasaki join Eddie Trunk and Sebastian Bach to share wild stories from their 45-year career. The band discusses touring with Mötley Crüe in the 80s, their MTV breakthrough with 'Thunder in the East,' and the challenges of recording English lyrics as non-English speakers. In a hilarious moment, Akira finally reveals the meaning behind their iconic phrase 'MZA' from 'Crazy Nights.' Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X, Instagram & TikTok!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.