Podcast appearances and mentions of Carlo Scarpa

E' mancato all'età di 90 anni Sergio Los, pioniere dell'architettura sostenibile e d'avanguardia in Italia, pensatore critico e assistente del maestro Carlo Scarpa dal 1964 al 1971, col quale collaborò alla realizzazione di oltre una quindicina di progetti. Un grande, dedito al lavoro fino ad anni recenti, era nato a Marostica nel 1934, ma risiedeva a Bassano del Grappa dove si è spento dopo qualche mese travagliato.

CLASSIC WITH A MODERN TWIST. Charles Zana is a highly sensitive architect who imagines each project through the lens of a French lifestyle. He is also a passionate collector like his father, and has done in-depth research on the great Italian design masters of the 20th century such as Ettore Sottsass and Carlo Scarpa. In 2019 Charles Zana was named Chevalier des Arts et des Lettres by David Caméo, director of the Musée des Arts Décoratifs. “I like to always start from a classic design, and then to treat it in a modern way.” “People don't accept the simple beautiful project; they want to understand what is behind it.” “I became a good architect and then I became fashionable.”

Cet événement est organisé conjointement par l'École d'architecture Paris-Malaquais et les Beaux-arts de Paris, en lien avec l'enseignement « L'entour ». Il sera modéré par Yann Rocher et Alain Berland. L'enseignement de master "L'entour", consacré à l'histoire et à la technique de la scénographie d'exposition, est encadré par Thierry Leviez (Pavillon Bosio) et Yann Rocher (École d'architecture Paris-Malaquais). Il est commun à l'École d'architecture Paris-Malaquais, aux Beaux-Arts de Paris et au Pavillon Bosio – École supérieure d'arts plastiques de Monaco. Chris Dercon, Directeur Général de la Fondation Cartier pour l'Art Contemporain « Tout au long de ma carrière, j'ai toujours été intéressé par le « display », la monstration, et l'architecture des expositions – ces deux termes qui sont plus parlants que le simple mot « scénographie ». Qu'il s'agisse de commissaires tels qu'Alexander Dorner ou Reynold Arnould, de l'artiste Richard Hamilton ou des architectes Lina Bo Bardi, Carlo Scarpa ou Friedrich Kiesler, ces pionniers ont souvent parlé, ainsi que d'autres à la suite, du pouvoir de la monstration. J'ai eu le grand plaisir de travailler avec des praticiens innovants de ce milieu, comme Dan Graham, Rem Koolhaas, Wolfgang Tillmans ou Anselm Kiefer. Lors de cette conférence, je présenterai et commenterai 40 ans de scénographies expérimentales sur lesquelles j'ai travaillé de New York à Rotterdam, en passant par Munich, Londres ou encore Paris. S'ajoutant à ces noms et à ces collaborations, je montrerai également des projets expérimentaux auxquels j'ai participé avec Hubert Damisch, Hans Haacke, Paul McCarthy, Ai Weiwei ou Richard Tuttle ; et le dernier en date : l'exposition du photographe Juergen Teller et de l'architecte Tom Emerson. » Chris Dercon est historien de l'art, commissaire d'exposition et directeur de musée, d'origine belge, né à Lier en 1958. Il effectue ses études à la Rijksuniversiteit Leiden en Histoire de l'art, études théâtrales, et à la Vrije Universiteit à Amsterdam en études cinématographiques. Il a travaillé en tant qu'enseignant, critique et journaliste. Il dirige des institutions culturelles depuis 1988 : il commence en tant que directeur de la programmation du PS1 New York en 1988, à Rotterdam de 1990 à 1995 il dirige le Witte de With (Melly Kunstinstituut), puis le Boijmans Van Beuningen de 1996 à 2002. De 2003 à 2011 il dirige la Haus der Kunst à Munich. De 2011 à 2016, il dirige la Tate Modern de Londres. De 2017 à 2018, il dirige la Volksbühne Berlin. De 2019 à 2023, il est nommé président de la Réunion des Musées Nationaux et du Grand Palais où il dirige le projet de restauration du Grand Palais. Il est actuellement Directeur Général de la Fondation Cartier, et travaille sur le projet du nouveau bâtiment de la Fondation Cartier. Amphithéâtre des Loges Mercredi 10 janvier 2024 Crédit photo : Richard Tuttle, I Don't Know. The Weave of Textile Language, Tate Modern, Londres, 2015

MDJ Script/ Top Stories for Dec 26th         Publish Date:  Dec 19th     Commercial: Henssler :15   From the Henssler Financial Studio, Welcome to the Marietta Daily Journal Podcast.  Today is Tuesday, December 26th, and Happy 59th Birthday to Metallica Drummer Lar Ulrich. ***12.26.23 – BIRTHDAY – LARS ULRICH*** I'm Dan Radcliffe and here are the stories Cobb is talking about, presented by Credit Union of Georgia.  Local Initiatives Spearhead Composting Efforts to Combat Holiday Induced Environmental Issues Essential Guide to Packing for Holiday Air Travel Navigating Peak and Off-Peak Driving Hours during Christmas and New Year's in Georgia Plus, Keith Ippolito's conversation with Dr. Ike Reighard from MUST Ministries. All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe! BREAK: CU of GA  STORY 1: Composting Efforts to Combat Holiday Induced Environmental Issues Now that the Christmas gifts have been opened and Christmas dinner has been consumed, local initiatives and composting efforts are aiming to address environmental issues during the holidays. Americans contribute to a 25% increase in waste, totaling 25 million tons during the holidays. Gift-giving, driven by sales, leads to unnecessary purchases, creating more waste. Unwanted gifts add to the problem, with 53% of Americans receiving them. Wrapping paper alone generates 40 million tons of waste annually. Online shopping contributes to excessive packaging, totaling 85 million tons of paper products each year. Food waste is another challenge, with 305 million pounds wasted annually from the holidays. STORY 2: Holiday Air Travel Guide: What Can You Pack Navigating through airport security during the holiday season can be daunting. Here's a quick rundown of what you can bring on your flight. Solid food items are generally allowed in both carry-on and checked bags. But TSA officers may need to inspect these at security checkpoints. Liquids and gels follow different rules. Wine and beer in unopened retail packaging are allowed. Declare them at check-in if in checked baggage and consider extra protection like freezer bags and bubble wrap. Golf clubs and bags can be checked in. For fishing equipment, check airline size limitations for carry-ons. Secure sharp tackle in checked bags. Bicycles have varying guidelines and fees, so consult your airline. Smaller instruments like guitars can be carried on, while larger ones must be checked in. All carry-on instruments may undergo security screening. Transporting weapons is allowed following TSA guidelines. Unloaded firearms in a locked hard-sided container can be checked in. For more information, contact the TSA. STORY 3: And Peak and Off-Peak Driving Hours for Christmas and New Year's in Georgia  The holiday season is upon us, and AAA predicts a record-breaking travel period in Georgia. An estimated 3.6 million Georgians are set to journey at least 50 miles between Dec. 23 and Jan. 1, 2024, a 2.8% rise from last year. The vast majority, about 3.3 million, will drive, while others will take to the skies. According to AAA's VP of Travel, Debbie Haas, this could be Georgia's busiest year-end holiday travel season on record. To avoid the rush, aim for travel before 10 a.m. from Dec. 26 to 30. Peak congestion times to avoid range from 1 p.m. to 8 p.m. from Dec. 26 to 30. If you're driving on I-20 westbound from Augusta to Atlanta, be prepared - traffic could be 23% heavier than usual. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We'll be right back.  Break: ESOG STORY 4: She bought a colorful vase at Goodwill for $3.99. The rare piece sold at auction for $107,000 In an unexpected turn of events, a Virginia woman's $3.99 thrift store purchase turned into a $107,100 windfall. Jessica Vincent bought a colorful vase from a Goodwill store, not knowing it was part of the rare Pennelatte series by Italian architect Carlo Scarpa from the 1940s. The vase was auctioned at the Wright Auction House in Chicago to an anonymous private European collector. Vincent plans to use her unexpected earnings to install an HVAC system in her recently acquired farmhouse. This story serves as a vivid reminder that hidden treasures can indeed be found in the most unexpected places. STORY 5: EVENTS THIS WEEK Atlanta Ballet's unique rendition of "The Nutcracker" returns to the Cobb Energy Centre, delighting audiences with an innovative blend of traditional stagecraft and modern technology. This reimagined classic is set to enchant viewers at 2pm today. In other entertainment news, Grammy Award-winning rapper Lil Baby is set to celebrate his birthday in style with his third annual birthday bash at State Farm Arena on December 27th. Fans can secure their spots to this star-studded event via Ticketmaster.com. Finally, Cirque du Soleil brings its latest spectacle, ECHO, to the Big Top at Atlantic Station. The show, starting at 7:30 pm on Wednesday, delves into themes of evolution and interconnectedness through breathtaking acrobatics, expressive poetry, and innovative technology. ECHO not only pushes the boundaries of performance art but also prompts audiences to reflect on their role in the world. We'll be back in a moment  Break: DRAKE – INGLES 3 STORY 6: And now here is Keith Ippolito's conversation with Dr. Ike Reighard from MUST Ministries. STORY 7: Break: Henssler :60  Signoff-   Thanks again for hanging out with us on today's Marietta Daily Journal podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Gwinnett Daily Post, the Community Podcast for Rockdale Newton and Morgan Counties, or the Paulding County News Podcast. Read more about all our stories and get other great content at MDJonline.com.   Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts.   Produced by the BG Podcast Network   Show Sponsors: henssler.com ingles-markets.com cuofga.org drakerealty.com esogrepair.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

26.GDP Script/ Top Stories for Dec 26th    Publish Date:  Dec 20th    HENSSLER 15 From the Henssler Financial Studio Welcome to the Gwinnett Daily Post Podcast. Today is Tuesday, December 26th and Happy 59th Birthday to Metallica drummer Lars Ulrich ***12.26.23 – BIRTHDAY – LARS ULRICH*** I'm Bruce Jenkins and here are your top stories presented by Engineered Solutions of Georgia. Local Initiatives Spearhead Composting Efforts to Combat Holiday Induced Environmental Issues Essential Guide to Packing for Holiday Air Travel Navigating Peak and Off-Peak Driving Hours during Christmas and New Year's in Georgia Plus, my conversation with Leah McGrath from Ingles Markets on vitamin C. All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: PEGGY SLAPPY   STORY 1: Composting Efforts to Combat Holiday Induced Environmental Issues Now that the Christmas gifts have been opened and Christmas dinner has been consumed, local initiatives and composting efforts are aiming to address environmental issues during the holidays. Americans contribute to a 25% increase in waste, totaling 25 million tons during the holidays. Gift-giving, driven by sales, leads to unnecessary purchases, creating more waste. Unwanted gifts add to the problem, with 53% of Americans receiving them. Wrapping paper alone generates 40 million tons of waste annually. Online shopping contributes to excessive packaging, totaling 85 million tons of paper products each year. Food waste is another challenge, with 305 million pounds wasted annually from the holidays. STORY 2: Holiday Air Travel Guide: What Can You Pack Navigating through airport security during the holiday season can be daunting. Here's a quick rundown of what you can bring on your flight. Solid food items are generally allowed in both carry-on and checked bags. But TSA officers may need to inspect these at security checkpoints. Liquids and gels follow different rules. Wine and beer in unopened retail packaging are allowed. Declare them at check-in if in checked baggage and consider extra protection like freezer bags and bubble wrap. Golf clubs and bags can be checked in. For fishing equipment, check airline size limitations for carry-ons. Secure sharp tackle in checked bags. Bicycles have varying guidelines and fees, so consult your airline. Smaller instruments like guitars can be carried on, while larger ones must be checked in. All carry-on instruments may undergo security screening. Transporting weapons is allowed following TSA guidelines. Unloaded firearms in a locked hard-sided container can be checked in. For more information, contact the TSA. STORY 3: Peak and Off-Peak Driving Hours for Christmas and New Year's in Georgia The holiday season is upon us, and AAA predicts a record-breaking travel period in Georgia. An estimated 3.6 million Georgians are set to journey at least 50 miles between Dec. 23 and Jan. 1, 2024, a 2.8% rise from last year. The vast majority, about 3.3 million, will drive, while others will take to the skies. According to AAA's VP of Travel, Debbie Haas, this could be Georgia's busiest year-end holiday travel season on record. To avoid the rush, aim for travel before 10 a.m. from Dec. 26 to 30. Peak congestion times to avoid range from 1 p.m. to 8 p.m. from Dec. 26 to 30. If you're driving on I-20 westbound from Augusta to Atlanta, be prepared - traffic could be 23% heavier than usual. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We'll be right back Break 2: M.O.G. – TOM WAGES – INGLES 2   STORY 4: She bought a colorful vase at Goodwill for $3.99. The rare piece sold at auction for $107,000 In an unexpected turn of events, a Virginia woman's $3.99 thrift store purchase turned into a $107,100 windfall. Jessica Vincent bought a colorful vase from a Goodwill store, not knowing it was part of the rare Pennelatte series by Italian architect Carlo Scarpa from the 1940s. The vase was auctioned at the Wright Auction House in Chicago to an anonymous private European collector. Vincent plans to use her unexpected earnings to install an HVAC system in her recently acquired farmhouse. This story serves as a vivid reminder that hidden treasures can indeed be found in the most unexpected places. STORY 5: EVENTS THIS WEEK Atlanta Ballet's unique rendition of "The Nutcracker" returns to the Cobb Energy Centre, delighting audiences with an innovative blend of traditional stagecraft and modern technology. This reimagined classic is set to enchant viewers at 2pm today. In other entertainment news, Grammy Award-winning rapper Lil Baby is set to celebrate his birthday in style with his third annual birthday bash at State Farm Arena on December 27th. Fans can secure their spots to this star-studded event via Ticketmaster.com. Finally, Cirque du Soleil brings its latest spectacle, ECHO, to the Big Top at Atlantic Station. The show, starting at 7:30 pm on Wednesday, delves into themes of evolution and interconnectedness through breathtaking acrobatics, expressive poetry, and innovative technology. ECHO not only pushes the boundaries of performance art but also prompts audiences to reflect on their role in the world.   We'll be back in a moment.   Break 3: GCPS – DTL – ESOG   STORY 6: LEAH MCGRATH And now here is my conversation with Leah McGrath from Ingles Markets on vitamin C.   STORY 7: LEAH MCGRATH ***LEAH MCGRATH INERVIEW***   We'll have final thoughts after this.   Break 4: JACKSON EMC – Henssler 60   Signoff – Thanks again for hanging out with us on today's Gwinnett Daily Post podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, the Community Podcast for Rockdale Newton and Morgan Counties, or the Paulding County News Podcast. Read more about all our stories and get other great content at Gwinnettdailypost.com. Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: henssler.com ingles-markets.com wagesfuneralhome.com psponline.com esogrepair.com mallofgeorgiachryslerdodgejeep.com downtownlawrencevillega.com jacksonemc.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

CTL Script/ Top Stories of December 26th       Publish Date: December 20th     Henssler :15  From the Ingles Studio Welcome to the Award-Winning Cherokee Tribune Ledger Podcast  Today is Tuesday, December 26th, and Happy 56TH Birthday to Metallica drummer Lars Ulrich. ***12.26.23 – BIRTHDAY – LARS ULRICH*** I'm Keith Ippolito and here are the stories Cherokee is talking about, presented by Credit Union of Georgia.  Local Initiatives Spearhead Composting Efforts to Combat Holiday Induced Environmental Issues Essential Guide to Packing for Holiday Air Travel Navigating Peak and Off-Peak Driving Hours during Christmas and New Year's in Georgia Plus, Bruce Jenkins sits down with Leah McGrath from Ingles Markets to discuss vitamin C. We'll have all this and more coming up on the Cherokee Tribune-Ledger Podcast, and if you're looking for Community news, we encourage you to listen and subscribe! Commercial: CU of GA STORY 1: Composting Efforts to Combat Holiday Induced Environmental Issues Now that the Christmas gifts have been opened and Christmas dinner has been consumed, local initiatives and composting efforts are aiming to address environmental issues during the holidays. Americans contribute to a 25% increase in waste, totaling 25 million tons during the holidays. Gift-giving, driven by sales, leads to unnecessary purchases, creating more waste. Unwanted gifts add to the problem, with 53% of Americans receiving them. Wrapping paper alone generates 40 million tons of waste annually. Online shopping contributes to excessive packaging, totaling 85 million tons of paper products each year. Food waste is another challenge, with 305 million pounds wasted annually from the holidays. STORY 2: Holiday Air Travel Guide: What Can You Pack Navigating through airport security during the holiday season can be daunting. Here's a quick rundown of what you can bring on your flight. Solid food items are generally allowed in both carry-on and checked bags. But TSA officers may need to inspect these at security checkpoints. Liquids and gels follow different rules. Wine and beer in unopened retail packaging are allowed. Declare them at check-in if in checked baggage and consider extra protection like freezer bags and bubble wrap. Golf clubs and bags can be checked in. For fishing equipment, check airline size limitations for carry-ons. Secure sharp tackle in checked bags. Bicycles have varying guidelines and fees, so consult your airline. Smaller instruments like guitars can be carried on, while larger ones must be checked in. All carry-on instruments may undergo security screening. Transporting weapons is allowed following TSA guidelines. Unloaded firearms in a locked hard-sided container can be checked in. For more information, contact the TSA. STORY 3: Peak and Off-Peak Driving Hours for Christmas and New Year's in Georgia The holiday season is upon us, and AAA predicts a record-breaking travel period in Georgia. An estimated 3.6 million Georgians are set to journey at least 50 miles between Dec. 23 and Jan. 1, 2024, a 2.8% rise from last year. The vast majority, about 3.3 million, will drive, while others will take to the skies. According to AAA's VP of Travel, Debbie Haas, this could be Georgia's busiest year-end holiday travel season on record. To avoid the rush, aim for travel before 10 a.m. from Dec. 26 to 30. Peak congestion times to avoid range from 1 p.m. to 8 p.m. from Dec. 26 to 30. If you're driving on I-20 westbound from Augusta to Atlanta, be prepared - traffic could be 23% heavier than usual. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info.  Back in a moment  Break: DRAKE – ESOG STORY 4: She bought a colorful vase at Goodwill for $3.99. The rare piece sold at auction for $107,000 In an unexpected turn of events, a Virginia woman's $3.99 thrift store purchase turned into a $107,100 windfall. Jessica Vincent bought a colorful vase from a Goodwill store, not knowing it was part of the rare Pennelatte series by Italian architect Carlo Scarpa from the 1940s. The vase was auctioned at the Wright Auction House in Chicago to an anonymous private European collector. Vincent plans to use her unexpected earnings to install an HVAC system in her recently acquired farmhouse. This story serves as a vivid reminder that hidden treasures can indeed be found in the most unexpected places. STORY 5: EVENTS THIS WEEK Atlanta Ballet's unique rendition of "The Nutcracker" returns to the Cobb Energy Centre, delighting audiences with an innovative blend of traditional stagecraft and modern technology. This reimagined classic is set to enchant viewers at 2pm today. In other entertainment news, Grammy Award-winning rapper Lil Baby is set to celebrate his birthday in style with his third annual birthday bash at State Farm Arena on December 27th. Fans can secure their spots to this star-studded event via Ticketmaster.com. Finally, Cirque du Soleil brings its latest spectacle, ECHO, to the Big Top at Atlantic Station. The show, starting at 7:30 pm on Wednesday, delves into themes of evolution and interconnectedness through breathtaking acrobatics, expressive poetry, and innovative technology. ECHO not only pushes the boundaries of performance art but also prompts audiences to reflect on their role in the world. Commercial: HELLER LAW – INGLES 6 STORY 6: INGLES - LEAH And now here is Bruce Jenkins' conversation with Leah McGrath from Ingles Markets on vitamin C. STORY 7: LEAH INTERVIEW We'll have closing comments after this.  COMMERCIAL: Henssler 60  SIGN OFF –   Thanks again for listening to today's Cherokee Tribune Ledger podcast. . If you enjoy these shows, we encourage you to check out our other offerings, like the Marietta Daily Journal Podcast, the Gwinnett Daily Post, the Community Podcast for Rockdale Newton and Morgan Counties, or the Paulding County News Podcast. Get more on these stories and other great content at tribune ledger news.com. Giving you important information about our community and telling great stories are what we do.     Did you know over 50% of Americans listen to podcasts weekly? Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts.   Produced by the BG Podcast Network   Show Sponsors: henssler.com ingles-markets.com jeffhellerlaw.com drakerealty.com esogrepair.com mallofgeorgiachryslerdodgejeep.com cherokeechamber.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

Compra un jarrón por 4 dólares y ahora lo subastan por 100 mil! Increíble la noticia que te trae Javier Cárdenas en Levántate Ok y el golpe de suerte de una mujer en Espados Unidos. Una casa de subastas en Chicago vendió una extraña obra de arte italiano por más de 100,000 dólares, luego de que una mujer comprara la pieza en una tienda de segunda mano, por un costo de $3.99. Jessica Vincent, una entrenadora de caballos de 43 años, vivió una experiencia extraordinaria al descubrir un tesoro en una tienda de segunda mano en Virginia. Mientras exploraba los estantes de Goodwill en las afueras de Richmond, se topó con un jarrón que capturó su atención. El objeto, comprado por tan solo 3,99 dólares, destacaba por su forma de botella y cintas de colores, verde agua y violeta amatista, que se elevaban en espiral por su superficie de vidrio.Inicialmente, Vincent adquirió el jarrón con la idea de embellecer su hogar, sin imaginar la sorpresa que le deparaba. Después de observar más de cerca, identificó las palabras «Murano» e «Italia» en la base, lo que la llevó a investigar sobre su autenticidad. Tuvo la sensación de que podría valer algo y pagó sin problemas los 4 dólares que pedían por él. Ni se imaginaba que podría haber sido diseñado por un famoso arquitecto italiano.La casa de subastas Wright, que se encargó de la venta, confirmó que fue realizado por el arquitecto Carlo Scarpa y que es una de las piezas más raras que han ofrecido en más de una década: forma parte de la serie Pennellate de Scarpa para Venini, producida en 1942. El raro jarrón se vendió ahora en una subasta por más de100.000 dólares.No está claro cómo el jarrón terminó en una tienda de segunda mano. "Sólo se puede especular si pasó de una familia a otra y, de algún modo, perdieron la noción de lo especial que era y lo donaron a una organización benéfica", conjeturó el especialista.

On the version of Hot off the Wire posted Dec. 20 at 6:45 a.m. CT: DENVER (AP) — A divided Colorado Supreme Court is removing former President Donald Trump from the state's primary ballot, saying in a historic ruling that he is ineligible to be president after his role in the Jan. 6, 2021, attack on the U.S. Capitol. The ruling Tuesday marks the first time in history that Section 3 of the 14th Amendment has been used to disqualify a presidential candidate. Trump's campaign spokesman called it a “flawed decision” and said they will appeal it to the U.S. Supreme Court, which has never ruled on Section 3. The provision forbids those who “engaged in insurrection” from holding office and was used mainly after the Civil War to keep former Confederates out of government. AUSTIN, Texas (AP) — The White House and Mexico's president are sharply criticizing a new Texas law that would allow police to arrest migrants who illegally cross into the U.S. and empower local judges to order them to leave the country. Also Tuesday, civil rights groups and Texas' largest border county filed a lawsuit. It came less than 24 hours after Republican Gov. Greg Abbott signed the law. The groups say it's an unconstitutional reach over the U.S. government's authority on immigration. Abbott said Tuesday that Texas is going to such dramatic lengths because of frustration over the Biden administration's immigration policies. PHILADELPHIA (AP) — A Philadelphia television station says a news helicopter has crashed in a forest in New Jersey, killing both the pilot and photographer on board. WPVI-TV says a pilot and photographer from its news team were in the helicopter when it went down about 8 p.m. Tuesday in Wharton State Forest in Hammonton. The helicopter was returning from an assignment at the Jersey Shore when it crashed in the woods. The station says New Jersey State Police troopers were able to locate the crash site, which is difficult to access. The station says it's unclear what caused the crash. DEIR AL-BALAH, Gaza Strip (AP) — Hamas' top leader is in Cairo for talks on the war in Gaza. Ismail Haniyeh's visit Wednesday is part of a flurry of diplomacy aimed at securing another cease-fire and hostage swap at a moment when the militant group is putting up stiff resistance to Israel's offensive. It comes a day after Hamas fired rockets that set off air raid sirens in central Israel. Israel has called on the rest of the world to blacklist Hamas as a terrorist organization, saying it must be eradicated in the wake of its Oct. 7 rampage across southern Israel that triggered the war. But the sides have recently relaunched indirect talks recently. A woman who bought a vase for $3.99 at a Virginia thrift store recently sold it for $107,000. Jessica Vincent said he bought it at a Goodwill outside Richmond and thought it would look nice in her house. But she soon learned the vase was extremely rare. It came from the Venetian island of Murano and was designed by the late architect Carlo Scarpa. The vase sold this month through Wright Auction House to a private European collector. Vincent plans to buy a new heating system in her farmhouse with the money. She is currently using two space heaters. WASHINGTON (AP) — President Joe Biden has memorialized Justice Sandra Day O'Connor as a pioneer in the legal world who inspired generations of women. O'Connor was the first woman to serve on the Supreme Court. Chief Justice John Roberts joined Biden in speaking at Tuesday's services at Washington National Cathedral, calling her a "strong, influential and iconic jurist.” O'Connor was an Arizona native who served as an unwavering voice of moderate conservatism on the high court for more than two decades. The rancher's daughter was nominated in 1981 by President Ronald Reagan and came to wield considerable influence on the nine-member court. O'Connor retired at age 75 and died Dec. 1 in Phoenix. WATERLOO, Iowa (AP) — Former President Donald Trump is defending his comments about migrants crossing the southern border, who he had said are poisoning the blood of America. He said at a campaign rally in Waterloo, Iowa, on Tuesday that he had not read “Mein Kampf,” referencing Adolf Hitler's fascist manifesto. He reiterated his “blood” purity comments from over the weekend and said immigrants in the U.S. illegally are “destroying the blood of our country.” Trump has faced mounting criticism for his intensifying rhetoric as he seeks to make immigration policy a key piece of his second-term agenda. Experts have noted his language echoes writings from Hitler about the “purity” of Aryan blood, which underpinned Nazi Germany's systematic murder of millions of Jews. Ja Morant makes his season debut, Providence knocks off Marquette, Aaron Rodgers won't be returning to the Jets this season and the Rangers top the Maple Leafs. SEATTLE (AP) — Washington's Kalen DeBoer has been named The Associated Press coach of the year in college football. The Huskies are 13-0, won the Pac-12 championship and have a spot in the College Football Playoff in just DeBoer's second year in charge. The Huskies will face Texas in the Sugar Bowl on Jan. 1 with a spot in the CFP championship game on the line. In DeBoer's two seasons, the Huskies are 24-2 overall. Mike Norvell of Florida State was second in voting and Missouri's Eli Drinkwitz was third. GRINDAVIK, Iceland (AP) — A volcano has erupted in southwestern Iceland with a flash of light into the evening sky in the land known for fire and ice. Iceland's Meteorological Office says the eruption appears to have occurred late Monday near the town of Grindavik. The town was evacuated in November after strong seismic activity damaged homes and raised fears of an imminent eruption. The volcano on the Reykjanes Peninsula is southwest of the capital, Reykjavik. The eruption could last days and isn't expected to release ash into the air like another volcano did in 2010 that halted flights in Europe. There were no disruptions of flights to and from Iceland on Tuesday and international flight corridors remain open. CAPE CANAVERAL, Fla. (AP) — An orange tabby cat named Taters stars in the first video sent by laser from deep space, stealing the show as he chases a red laser light. The 15-second ultra high-definition video was beamed to Earth from NASA's Psyche spacecraft, 19 million miles away. It took less than two minutes for the video to reach Earth, sent at the system's maximum bit rate. The video was loaded for the demo before Psyche blasted off to a metal-rich asteroid in October. Team members at NASA's Jet Propulsion Laboratory decided to feature an employee's playful kitty in the video released this week. —The Associated Press About this program Host Terry Lipshetz is a senior producer for Lee Enterprises. Besides producing the daily Hot off the Wire news podcast, Terry conducts periodic interviews for this Behind the Headlines program, co-hosts the Streamed & Screened movies and television program and is the producer of Across the Sky, a podcast dedicated to weather and climate. Lee Enterprises produces many national, regional and sports podcasts. Learn more here.See omnystudio.com/listener for privacy information.

A $3.99 vase at Goodwill in Richmond, Virginia sold at auction for $100,000. They found out it was it was crafted by a famous Italian glass designer Carlo Scarpa. Guy Fieri angered some people with his stance on his wealth and his children. The L.A. Lakers have officially hung up a banner to celebrate their In-Season Tournament Championship. Taylor Swift's love for Travis Kelce is killing the planet. Will Russell Wilson be a Denver Bronco next season? Is fast-food dead? What it would sound like if I did play-by-play in the Canadian Football League.

Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus has details on: Woman's $3.99 Goodwill Vase Sells For $107,000 At Chicago Auction House: Jessica Vincent's thrift store find turned out to be a rare piece of Carlo Scarpa-designed Italian glass. “This is just […]

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Robin Monotti discusses how people are slowly wrapping their heads around the growing authoritarianism of the past few years and are coming to understand deep politics at different times with different subjects (e.g. 9/11, climate, pandemic, empire). For Robin it began with the assassination of Aldo Moro (e.g. Operation Gladio and the strategy of tension). He explains one reason people suffer cognitive dissonance when it comes to accepting the reality of state terrorism. Nothing will be resolved at the top-down political level, so the responsibility is now on all of us to resist and do what we can to defend our rights. We also touch on "team no virus", the digital control grid, health and the spiritual dimension, the permanent (bio)security state, the green agenda, and his latest film production, River of Freedom, which shares the inside story of the New Zealand Convoy and Parliament protest. Watch On BitChute / Brighteon / Rokfin / Rumble / PentagonTube Geopolitics & Empire · Robin Monotti: From Gladio to the Pandemic & Climate, a Strategy of Tension #385 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.comDonate https://geopoliticsandempire.com/donationsConsult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopoliticseasyDNS (use code GEOPOLITICS for 15% off!) https://easydns.comEscape The Technocracy course (15% discount using link) https://escapethetechnocracy.com/geopoliticsPassVult https://passvult.comSociatates Civis (CitizenHR, CitizenIT, CitizenPL) https://societates-civis.comWise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Book of Vision film https://www.parklandentertainment.com/movie/the-book-of-vision?whereToWatch=watch-at-home River of Freedom film https://riveroffreedom.nz Twitter https://www.twitter.com/robinmonotti Telegram https://t.me/robinmg No Place Without Spirit https://nulluslocussinegenio.com About Robin Monotti Robin Monotti Graziadei is a London based architect (Yacht House, Tbilisi Spiral Tower), designer (Watering Holes), architectural, urban, film & cultural theorist (writings available on this site and in international journals listed below) and commentator, published translator (Curzio Malaparte, Woman Like Me), former University lecturer (London Metropolitan University & University of Greenwich) and current film producer (The Book of Vision, produced with Terrence Malick) who was born in Rome, where he began his career by working with Professor Vittorio De Feo on projects which included the new Italian Embassy in Berlin. Work that Robin completed for De Feo is now held in the collection of the MAXXI Museum of XXI Century Arts in Rome, some of it having already been restored. Robin obtained a distinction in the MA in Histories and Theories of Architecture from the Architectural Association in London where he studied the relationship of space to psychoanalysis with Mark Cousins, space and politics with Paul Hirst, and space and culture with Robert Maxwell, former Dean at Princeton. He worked in Milan with Gino Valle and Ennio Brion, client of Carlo Scarpa's Brion cemetery, on the Nuovo Portello urban regeneration plan. Robin taught a postgraduate Diploma Unit with Rik Nys from David Chipperfield Architects at London Metropolitan University between 2001-2007, and within this period also taught a Degree Unit at Greenwich University with Thomas Goodey and Ioana Marinescu. From 2016 to 2019 he acted as external examiner to the new Moscow School of Architecture (MARCH), on behalf of London Metropolitan University. In 2006 thanks to a grant from the London Consortium doctoral program in Cultural Studies Robin wrote an introduction to and published the first and only English translation of Curzio Malaparte's book Woman Like Me (Donna Come Me) (Troubador Italian Studies)...

L'arte del Novecento è una galassia di esperienze diverse, dove gli stili si rincorrono e si contaminano. Una trama che in Italia oscilla tra scelte di rottura con la tradizione o, all'opposto, di dialogo. Paolo di Will e il presidente del FAI Marco Magnifico le ripercorrono sulle tracce degli artisti-architetti Piero Portaluppi e Carlo Scarpa.Ascolta gli altri podcast di Will su Spotify e Apple MusicQuesto episodio è realizzato con il sostegno della cantina siciliana Donnafugata

A fountain designed by Carlo Scarpa in the gardens at the art gallery at Fondazione Querini Stampalia, Venice. Recorded by Cities and Memory. 

“Mario Botta è nato il 1 aprile 1943 a Mendrisio, in Svizzera. La sua opera è ispirata dai maestri Le Corbusier, Louis I. Kahn e Carlo Scarpa che incontra a Venezia durante gli studi. Architettura e memoria costituiscono un binomio inscindibile in quanto le trasformazioni attuate dall'architettura diventano parti del paesaggio umano. La luce come generatrice dello spazio e le forme geometriche primarie costituiscono alcuni dei segni distintivi dell'uomo nel territorio. Dalle prime case unifamiliari nel Canton Ticino il suo lavoro ha affrontato altre tipologie sparse in molti Paesi del mondo: scuole, banche, edifici amministrativi, biblioteche, musei, chiese e sinagoghe”.

Gast: Frans Sturkenboom, architectheoreticus In juli een selectie van gesprekken over architectuur uit het archief van Springvossen.* Robert van Altena spreekt in deze uitzending met Frans Sturkenboom over zijn boek 'De gestiek van de architectuur. Een leerboek hedendaags maniërisme' (ArtEZ Press, 2017) boekontwerp Josse Pyl. In beschouwingen over de verschillende kunstvormen valt weleens de vergelijking met de renaissance. De minimal art uit de jaren zestig wordt in dat verband wel genoemd maar ook het vroege modernisme uit de eerste helft van de twintigste eeuw. Die benamingen lijken heel praktisch in het gebruik. Maar hoe dichter je de benoemde verschijnselen nadert hoe moeilijker het wordt deze te verenigen onder één noemer. Wat verzamelen we onder renaissance, maniërisme en modernisme? Waar ligt de scheidslijn? En is de idee van een harde scheidslijn niet een vergissing, een toegeven aan de menselijke behoefte om dingen vast te leggen die voortdurend in beweging zijn? En is het zinvol historisch zo ver uiteenliggende zaken met elkaar te vergelijken? Frans Sturkenboom probeert met zijn boek iets te zeggen over de hedendaagse architectuur in de vorm van het werk van bijvoorbeeld OMA, MVRDV, Herzog & Meuron. Hij probeert te duiden wat zich nog onder onze ogen voltrekt. Sturkenboom creëert hiervoor een soort genealogie met bijvoorbeeld laat-moderne architecten als Louis Kahn en Carlo Scarpa en verder afdalend in de twintigste eeuw Frank Lloyd Wright en Le Corbusier. Het werk van deze modernisten brengt hij in verband met dat van voorgangers uit de zestiende en zeventiende eeuw als Francesco Borromini en twee van de vele architecten van de Sint Pieter Carlo Maderno en Michelangelo. De concepten waarvan Sturkenboom zich bedient ontleent hij aan de architectuurtheorie, de filosofie en in ruimere zin aan de cultuurgeschiedenis. Deze genealogie tekent zich af tegen de norm van de hoog-renaissance, en de norm ook van wat wel eens als zijn latere afspiegeling wordt gezien, het modernisme. ‘Gestiek' en ‘maniërisme' zijn de twee termen die de schrijver met ons deelt in titel en ondertitel. De historische variant van het maniërisme laat zich al moeilijk vatten dus wat zouden de contouren zijn van een hedendaagse variant? En gestiek? Frans Sturkenboom heeft een hoop uit te leggen en hij doet dit met overgave. Met zijn boek De gestiek van de architectuur deelt hij met ons, ook in schrijfstijl, een viering van het maniërisme in de architectuur tot in onze tijd. *Dit gesprek werd eerder uitgezonden op 3 december 2018 SPRINGVOSSEN redactie + presentatie: Robert van Altena contact: springvossen@gmail.com www.instagram.com/springvossen www.facebook.com/springvossen www.amsterdamfm.nl/onderwerp/springvossen/

Come listen along as I speak with the incredible painter and sculptor, Ever Baldwin. Ever makes abstract oil paintings that loosely reference the body, eyes, nature, roads and even drag makeup...all enclosed in carved and burned wooden frames. The paintings and frames fuse together visually to create a new surprising whole, greater than the sum of its parts. Ever Baldwin's website and Insta: https://everbaldwin.com/ and @pretzeltime Upcoming exhibitions: Marinaro Gallery, "Quiet Yes," July 6 - Aug 13, 2022, NYC, Links: marinaro.biz and @marinarogallery JAG Projects at Foreland, July 1 - July 25, 2022, Catskill, NY, Links: forelandcatskill.com and @jag.projects Works referenced: "Hazel," "Path Through Trees," "After Maurice Denis," "Jade," "Quiffs," "Crying Road," "Miss Cantine," "Maybe She's Born With It," "Omen," "Twilight" Shout outs: Courtney Puckett, Legendary on HBOmax, Italian Futurist artists, Carlo Scarpa, Carrie Moyer, ArtOMI, Rene Lalique Art Nouveau Brooches and Jewelry, "On Mindfulness in Art" by Enrique Martinez Celaya, Byrdcliffe Art Colony in Woodstock, NY Ever Baldwin lives and works in Catskill, NY. They hold a BFA in painting from The Maryland Institute College of Art and an MFA from The School of The Museum of Fine Arts in Boston. Recent solo exhibitions include Emma Gray HQ, Los Angeles, CA; and JAG Projects, Hudson, NY. Their work has been included in group shows at Underdonk in Brooklyn, NY, Opalka Gallery in Albany NY, and Left Field Gallery in Los Osos, CA. Ever is a 2021 recipient of the NYFA/NYSCA Fellowship in Painting. Thank you, Ever! Thank you, Listeners! Follow Pep Talks on IG: @peptalksforartists & Donate to the Peps: https://anchor.fm/peptalksforartistspod/support. Amy's website: https://www.amytalluto.com/ All music is licensed from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

Hello everyone! We are kicking off our World of Religious Architecture-name in progress. And to do so, we are starting with cemeteries and more. In several mini studies, we are going to be talking bout Hanging Cemeteries of Philippines, China, and Indonesia. Then move to the Qin Tomb, followed up by New Orleans Cities of the Dead. And finally finishing with Carlo Scarpa's Tomba Brion. The blog is located at architectureink.design.blog, which also has the complete link of all my sources, previous episodes, and old blog posts posted a few hours after each episode comes out. You can email me at architecturecoffeeandink@gmail.com, or head over to the Insta, @architecturecoffeeandink,as well as the TikTok, @architecturecoffeeandink.

Architetto e designer fra i più apprezzati in Italia e nel mondo, Carlo Alberto Scarpa (Venezia, 1906 – Sendai, 1978) non si dedicò mai alla teoria, ma unicamente alla professione ... in particolare all'allestimento di esposizioni e mostre, alla realizzazione di negozi e abitazioni private, e al restauro di complessi monumentali. Affascinato dall'opera dei grandi maestri, in particolare da quella di Frank Lloyd Wright, seppe attingere dalle fonti creando un personale linguaggio, fatto di motivi formali e compositivi ricorrenti, senza mai cadere nella trappola del cliché. La sua elegante impostazione classica, unita alla cura del dettaglio e all'attenzione rivolta al percorso espositivo, rivoluzionò il settore dell'allestimento museografico.

We round off our series on Carlo Scarpa with two projects for Italian consumer electronics dynasties — the Olivetti corporation, for whom he designed a famous shop in Piazza San Marco, and the Brion-Vega family for whom he designed an extraordinary cemetery complex. These are two of his most unrestrained, symbolically laden and elaborate projects — in which Scarpa's unique approach to architectural form, decoration, materials and narrative are most powerfully evident. Thanks for watching, and all the best — back with you in 2022. Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We're on the web at aboutbuildingsandcities.org

The Castelvecchio Museum (1959-73) in Verona is an elaborate spatial narrative, weaving together historic structures and ingenious design elements to create a fragmentary and multi-layered story about the site, the city, and the objects contained in it. The project was Carlo Scarpa's largest and longest running, and we go through it at some length. For images, subscribe to us on YouTube. Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We're on the web at aboutbuildingsandcities.org

We talked about Carlo Scarpa's work at the Querini Stampalia foundation (1959-63), a palazzo-museum in Venice. Scarpa's interventions are focussed on the ground floor spaces, including a new entrance bridge, galleries and courtyard garden. There's a very distinctive mixture of restoration and fantasy, historical narration and occasional touches of grooviness. You can watch this episode, including relevant images, on our YouTube channel. Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We're on the web at aboutbuildingsandcities.org

In our first episode on Carlo Scarpa, we're trying something new! We've made a video to accompany the episode that you can find on our YouTube Channel, in which you can watch Luke and George discuss the enigmatic architecture of Carlo Scarpa, accompanied by images of the buildings! Make sure you subscribe on YouTube to keep up to date. This is an experiment, so let us know what you think! We will always put out these main episodes here on the podcast feed, and we will try to keep them accessible to those in audio only. As always, accompanying images will appear on our socials. Thanks to everyone for supporting the show and making this new model possible, do give us a review on your podcast app if you're enjoying what we do. Edited by Matthew Lloyd Roberts. Support the show on Patreon to receive bonus content for every show. Please rate and review the show on your podcast store to help other people find us! Follow us on twitter // instagram // facebook We're on the web at aboutbuildingsandcities.org

Carlo Scarpa se narodil v Benátkách v roce 1906. Dětství však prožil ve městě Vicenza. Když mu bylo 13 let vrátil se zpět do města na laguně, kde začal studovat na Akademii výtvarných umění. Přitahovala ho především architektura, ve které nakonec dosáhl titulu profesora. I úplné začátky jeho kariéry jsou spojené s Benátkami. Ve třicátých letech totiž působil jako kreativní ředitel slavné sklářské značky Venini z benátského ostrova Murano. Adam Štěch

Domenica 6 dicembre 2020 AlterLab ha invitato l'architetto Sergio Los, allievo di Carlo Scarpa, a illustrare i modelli urbani alternativi alla città neoliberista. Lo sviluppo caotico e senza limiti della società si rispecchia anche nella costruzione della città, prima fra tutte la megalopoli, spesso dimentica del buen vivir e della socializzazione.

Vitaliano Trevisan"Il delirio del particolare"Oligo Editorehttps://www.oligoeditore.it/«Signora io credo che sì che possiamo girarci intorno all'infinitoma alla fine bisogna avere il coraggio di parlare delle rose».l delirio del particolare è, come lascia intendere il sottotitolo, una “recitazione da camera”, un testo che si riallaccia al teatro di Strindberg. È un dialogo intimo, quasi uno sfogo melanconico, tra un'anziana signora ormai vedova, il suo badante e uno storico dell'architettura giunto in visita a una villa disabitata che, più di una casa, è un'opera d'arte. Sullo sfondo di un cielo sempre più cupo, aleggia lo spettro dell'architetto, sempre presente anche se mai chiamato con il proprio nome: Carlo Scarpa. Con questo testo, vincitore dell'edizione 2017 del Premio Riccione per il teatro, Vitaliano Trevisan indaga il rapporto tra il progettista e i suoi committenti: nel caso di Scarpa, un rapporto sempre molto personale, profondo, che mette in gioco i sentimenti, e perciò sempre conflittuale.Vitaliano Trevisan – Sandrigo (VI), 1960 – è uno scrittore e drammaturgo. Tra i suoi testi teatrali si ricordano almeno Una notte in Tunisia e R3 - Riccardo III e, tra i libri: I quindicimila passi, un resoconto (Einaudi stile libero 2002, Premio Campiello Francia 2008), Shorts (Einaudi stile libero 2004, Premio Chiara 2004), Il ponte (Einaudi stile libero 2007, Premio Città di Fabriano 2008), Works (Einaudi stile libero 2016, Premio Sila 2016).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Visiting the Carlo Scarpa-designed Tomba Brion, we hear the sound of bells from a nearby town drifting across the fields gently to reach us. Tomba Brion is a fascinating place: a sloped concrete enclosing wall, two distinct entrances, a small chapel, two covered burial areas, a dense grove of cypresses, a private meditation/viewing pavilion, separated from the main prato by a separate and locked entrance, and a reflecting pool. It's a highly-contemplative space for obvious reasons, which added a new depth to the sound of bells drifting across the sky. Recorded by Cities and Memory.

Bienvenida.Patrones de Tecnologías de Creatividad. ¡¡¡18'118 Subscriptos!!! ¡¡¡Hazte miembro AQUÍ!!!Mario Botta.Luis Kahn.Carlo Scarpa.Accademia di Architettura. 20 Aniversario Pinturas para El Nuevo Milenio.Primera Edición Especial de Pinturas para el Nuevo Milenio Impresas.Teatro dell'Architettura.Muestra de la actividad didáctica.Arte y Arquitectura.Foto de portada del archivo personal.¡¡¡Regístrate para recibir Tecnologías PLUS!!!>>>VER MANIFESTO ESPECIAL AQUI

Bienvenida.Patrones de Tecnologías de Creatividad.¡¡¡18’118 Subscriptos!!!¡¡¡Hazte miembro AQUÍ!!!Mario Botta.Luis Kahn.Carlo Scarpa.Accademia di Architettura.20 Aniversario Pinturas para El Nuevo Milenio.Primera Edición Especial de Pinturas para el Nuevo Milenio Impresas.Teatro dell’Architettura.Muestra de la actividad didáctica.Arte y Arquitectura.¡¡¡Regístrate para recibir Tecnologías PLUS!!!>>>VER MANIFESTO ESPECIAL AQUI

Progressive Architects Tasarım Stüdyosunun kurucu ortağı arkadaşım Mimar Cem Yıldırım ile ofis sahibi olmak, Rusya Mimarlığı ve yabancı mimarlarla çalışmanın getirdikleri üzerine bir diaLOG gerçekleştirdik. Kendi deneyimleri, problemlerini ve tavsiyelerini bizlerle paylaştığı için teşekkürler. Bölümleri sevdiklerinizle paylaşmayı unutmayın! Paylaşanlar arasından bir kişiye Cem Yıldırım'ın önerdiği bir kitap hediye edilecektir. Programda bahsi geçen konulara aşağıdaki (uzun ) listeden ulaşabilirsiniz:1.Die Neue Gestaltung,Piet Mondrian, 1925, Münchenhttps://digi.ub.uni-heidelberg.de/diglit/mondrian1925/0001/thumbs Gestaltung Türkçe’ye “tasarım” olarak çevirilir. İngilizce’de “shaping, forming / design” olarak karşılık bulur.En iyi karşılıklarından biri Fransızca’da “conception”, o da anlam olarak “création de l’esprit” açılımıyla ifade bulur, yani “creation of mind”. Sayfa 32’de şöyle bir ifade geçer:“Nach Cezanne hat sich die Malerei Mehr und Mehr von Der äußeren Erscheinung der Natur befreit. Futurismus, Kubismus und Purismus gelanten zu einer anderen Gestaltung. Gleichwohl, so Lange die Gestaltung sich irgendwelcher ‘Form’ bedient, ist es ausgeschlossen, Reine Verhältnismäßigkeiten zu gestalten. Aus desem Grunde hat sich "die neue Gestaltung" von jeder "Form" bildung befreit. So ist die Malerei dazu gekommen, sich durch die reine Farbe, flächenhaft auf der Fläche. Die Malerei wird eine Kunst, gestaltend "auf die Weise der Kunst." Kabaca çeviri ile:Cézanne’a göre, resim sanatı kendisini doğanın dış görünüşünden gitgide kurtardı. Fütürizm, Kübizm ve Pürizm yeni bir tasarıma erişti. Bununla birlikte, sanatsal tasarım herhangi bir “biçim” kullandığı sürece, saf bir orantılılık yakalamak mümkün değildir. Bu nedenle “yeni sanatsal tasarım” kendisini herhangi bir oluşum “biçiminden” bağımsız kıldı. Böylece resim sanatı, yüzeyde genişleyen saf renkler ile karakterize oldu. Resim, “sanat yolunda” tasarlanmış bir sanat oldu. 2.Sanatta güzelin esas konu olması fikrinin yıkılması hakkında Hugo ve Baudelaire’den bahsettik.Victor Hugo, özellikle ‘Notre Dame dé Paris’ (1831) ile Baudelaire ise ‘Le Spleen de Paris’ (1869) ve ‘Les Fleurs du mal’ (1857) ile Rönesans’tan beri alışılagelmiş olan sanattaki güzellik anlayışını yıkmıştır.Alberti, Brunolleschi, Donatello gibi Erken Rönesans sanatçılarının biçim ve oranlarda yakaladığı güzellik anlayışı, ve hatta Botticelli’nin Nascita di Venere (Venüs’ün Doğuşu) tablosunda gerçekçiliği kenara iterek ön plana çıkardığı güzellik anlayışı Geç Rönesans döneminden beri sorgulanır ve nihayetinde Romantizm ve Modernizm’in temelleri ile sert biçimde yıkılır. 3.Mimarlığın teokrasiye, güç ve iktidara hizmet eden sanat dalı olması Antik Çağ’dan beri yapılan bir tanımlamadır (en belirgin olarak Mısır, Yunan ve Roma uygarlıklarından beri). Burada en saf haliyle barınak olarak yapılan konut mimarlık dışında bırakılırken, esasen sipariş edilmiş yapılar olarak nitelendirilir.Luc Plamondon ‘Notre Dame de Paris’ müzikalinde matbaanın keşfi ile seri baskının yayılması ve yazınsal eserlerin tüm halka ulaşması ile değişen dünya düzenini (Reform dönemi) anlattığı ‘Florance’ parçasında “Et la littérature tuera l'architecture” (And the literature will destroy the architecure) ifadesini bu tanıma atfen yapar. Burada edebiyat özgür düşünceyi, mimarlık ise teokrasi, yani kilise ve iktidarı simgeler. 4.Stefan Zweig’ın Dickens’ı anlattığı denemede geçen bölümü aynen yazmak isterim:“… Her İngiliz bir Almanın Alman olmasından daha İngilizdir. İngilizlik insanın zihinsel organizmasının üzerinde bir cila, bir boya değildir, o kana karışır, onun ritmini düzenler, bireydeki en mahrem ve en içsel, en temel olanı canlandırır: Bu da sanatsal olandır. Sanatçı olarak da bir İngiliz, ırkına bir Almandan, bir Fransızdan daha bağlıdır. İngiltere’deki her sanatçı, her gerçek şair bu yüzden içindeki İngilizlikle mücadele etmiştir; ama en hararetli, en güçlü nefterler bile geleneği yere yıkmayı başaramamıştır. Onların kılcal damarlarından geçerek ruhlarının toprağına derin bir şekilde işlemiştir: İngilizliği söküp atmak isteyenin bütün organizmayı yırtması ve yarayı kanatması gerekir. Hür Dünya vatandaşlığına duydukları özlemle dolu birkaç aristokrat buna kalkıştı: Byron, Shelley, Oscar Wilde içlerindeki İngilizliği yok etmek istedi, çünkü İngilizlerin içindeki onulmaz burjuvalıktan nefret ediyorlardı. Ama sadece kendi yaşamlarını mahvettiler, İngiliz geleneği dünyanın en güçlü, en başarılı geleneğidir, ama aynı zamanda sanat için de en tehlikelisidir. En tehlikelisidir, çünkü en sinsisidir: Donmuş bir çöl değildir, gelenleri kovan kötü bir ev sahibi değildir, sıcak ocak ateşi ve yumuşak konforuyla insanları baştan çıkarır, ama onları ahlaki sınırlar içine kapatır, sıkıştırır ve kurallar koyar; hür sanatçı güdüsüyle geçinemez. Küflenmiş havasıyla mütevazı bir barınaktır, hayatın tehlikeli akımlarına karşı korunaklıdır; neşeli, dostane, misafirperver, burjuva memnuniyetinin şöminesinde yanan ateşiyle tam bir “yuva”dır, ama vatanı dünya, en derin arzusu sınırsız topraklar üzerinde göçebe gibi dolaşmak olanlar için de bir hapishanedir. Dickens İngiliz geleneğinin içine rahatça yerleşmiş, onun dört duvarı arasına evini kurmuştu. Vatan topraklarında kendini rahat hissediyordu ve hiçbir zaman, hayatı boyunca İngiltere’nin sanatsal, ahlaki ya da estetik sınırlarını aşmadı. O bir devrimci değildi. Onun içindeki sanatçı ile İngiliz çok iyi anlaştı ve yavaş yavaş onun içinde bütünüyle dağıldı. Dickens’ın ortaya koyduğu şey yüzlerce yıllık İngiliz geleneğinin temelleri üzerinde sağlam ve güvenli şekilde duruyor; kafasını asla bir karış yukarı çıkarmamıştır, ama yapıyı çekici bir mimariyle beklenmedik bir yüksekliğe ulaştırmıştır. Onun sanatı ulusunun bilinçdışı, sanat haline gelmiş istencidir: Eğer onun sanatının yoğunluğunu, eşine az rastlanır niteliklerini ve kaçırılmış imkanlarını sınırlandırırsak, aynı zamanda sürekli İngiltere ile karşı karşıya kalırız. Dickens Napoleon’un kahramanlıklarla dolu yüzyılıyla, zaferlerle dolu geçmişle, geleceğin rüyası olan emperyalizm arasındaki İngiliz geleneğinin en yüksek sanatsal ifadesidir. Dickens bizim için sadece olağandışı bir eser meydana getirmişse ve bu dehasını ortaya koyacak kadar şiddetli değilse, bunun nedeni İngiltere ve onu frenlemiş olan ırk değil, içinde yaşadığı suçsuz çağdır: İngiltere’nin Victoria çağıdır. Bilindiği gibi Shakespeare de bir İngiliz çağının şiirsel ifadesi için en yüksek olanaktır: Ama onunki Elizabeth çağıydı; güçlü, eylem düşkünü, genç, taze duygularla dolu, ilk kez peçesini imperium mondi’ye (dünya imparatorluğuna) uzatan, içinden taşan güçle titreyen, ateşli bir İngiltere sözkonusuydu.” Stefan Zweig, Üç Büyük Usta: Balzac – Dickens – DostoyevskiÇeviri: Nafer Ermiş, İş Bankası Kültür YayınlarıÖzgün Adı: Drei Meister 5.Vittorio Gregotti (1927 – 2020) 6.Carlo Scarpa (1906-1978) 7.Richard Rogers, The Lloyd’s Building 8.Norman Foster, ST: Mary Axe 9.Renzo Piano, The Shard 10.Konstantin Melnikov’un 1935’te, Rusya’da mimarlık gazetesinde yayınlanan röportajını İngilizce’ye çevirmiştik. İlgili paragrafı paylaşıyorum: Drawings are not always mandatory and sometimes harmful"In the course of my work, I personally do not have to use drawings and sketches of all kinds. I not only don't feel the need, but I think it's superfluous and even harmful. Drawing interferes with free maneuvering of thoughts, imposing a graphically realized solution, even if it is rejected by the mind. In particular, I'm hampered by drawings in the initial stage of work on the project. It's a different matter - all sorts of purely technical, and not composite, sketches. Those are useful and necessary in the work of the architect." 11.Aleksandr Gan tarafından yazılmış olan Konstrüktivizm’de tasarım prensipleri FAKTURA olarak tanımlanır. ‘Form Follows Function’ fikri gibi bir sanatsal objenin biçim ve yüzeyinin, onun nasıl ve ne için yapıldığını dışavurması, belirgin özelliğini sergilemesi gerektiği fikrini savunur. 12.Önde gelen Konstrüktist mimarlar:Melnikov, Tatlin, Shukov, Fomin, ChernikovRus konstrüktivizmi üstüne araştırmalarımızı yazıya döküyoruz. Yakın zamanda bitmiş olacak. Dönemin mimarları ile yapılarını yakından incelediğimiz keyifli bir çalışmamız mevcut. 13.Postmodernizm altında Thomas Wolfe ve Albert Camus isimleri geçti. Her ne kadar eserleri modernist yapıda olsa da, Thomas Wolfe’ün Look Homeward, Angel (Türkçe’ye çevirilmiş bir basımı yok) eseri ile Albert Camus’nun L’Étranger (Yabancı) eseri -yapı bakımından olmasa bile- karakter kurgusu ve anlatımı bakımından Postmodern edebiyatın temellerindendir. Ginsberg ya da Paul Auster gibi belirgin (ve gerçekten başarılı) postmodern örnekler yerine geç modernist bu iki örneğe değinmekteki amaç, postmodern bireyin karakteri ve sosyal ilişkileri bakımından önemli temeller kurmuş olmalarına dikkat çekmektir. 14.Stream of Consciousness, ya da Türkçe “zihin akışı” diyebileceğimiz anlatım biçimi, edebiyat ve müzikte 1800’lerden beri kullanılan, ancak modernizm ve postmodernizmde sıkça başvurulan, karakterin zihninden geçen düşünceleri bir uyum ve bütünlüğe bakmaksızın okura ya da dinleyiciye aktardığı ifade biçimidir. Sessiz ve kurgusuz bir monologtur. 15.Rusya’nın mimarlık yayınlarının başlıcaları:Archi.ru https://archi.ru/enArch Speech https://archspeech.com/Strelka Institure – Online https://strelka.com/ru/vectorSchusev State Museum for Architecture https://ecc-russia.eu/events/currentexhibition----Mutlu Mimarlıklar!

Progressive Architects Tasarım Stüdyosunun kurucu ortağı arkadaşım Mimar Cem Yıldırım ile ofis sahibi olmak, Rusya Mimarlığı ve yabancı mimarlarla çalışmanın getirdikleri üzerine bir diaLOG gerçekleştirdik. Kendi deneyimleri, problemlerini ve tavsiyelerini bizlerle paylaştığı için teşekkürler. Bölümleri sevdiklerinizle paylaşmayı unutmayın! Paylaşanlar arasından bir kişiye Cem Yıldırım'ın önerdiği bir kitap hediye edilecektir. Programda bahsi geçen konulara aşağıdaki (uzun ) listeden ulaşabilirsiniz:1.Die Neue Gestaltung,Piet Mondrian, 1925, Münchenhttps://digi.ub.uni-heidelberg.de/diglit/mondrian1925/0001/thumbs Gestaltung Türkçe’ye “tasarım” olarak çevirilir. İngilizce’de “shaping, forming / design” olarak karşılık bulur.En iyi karşılıklarından biri Fransızca’da “conception”, o da anlam olarak “création de l’esprit” açılımıyla ifade bulur, yani “creation of mind”. Sayfa 32’de şöyle bir ifade geçer:“Nach Cezanne hat sich die Malerei Mehr und Mehr von Der äußeren Erscheinung der Natur befreit. Futurismus, Kubismus und Purismus gelanten zu einer anderen Gestaltung. Gleichwohl, so Lange die Gestaltung sich irgendwelcher ‘Form’ bedient, ist es ausgeschlossen, Reine Verhältnismäßigkeiten zu gestalten. Aus desem Grunde hat sich "die neue Gestaltung" von jeder "Form" bildung befreit. So ist die Malerei dazu gekommen, sich durch die reine Farbe, flächenhaft auf der Fläche. Die Malerei wird eine Kunst, gestaltend "auf die Weise der Kunst." Kabaca çeviri ile:Cézanne’a göre, resim sanatı kendisini doğanın dış görünüşünden gitgide kurtardı. Fütürizm, Kübizm ve Pürizm yeni bir tasarıma erişti. Bununla birlikte, sanatsal tasarım herhangi bir “biçim” kullandığı sürece, saf bir orantılılık yakalamak mümkün değildir. Bu nedenle “yeni sanatsal tasarım” kendisini herhangi bir oluşum “biçiminden” bağımsız kıldı. Böylece resim sanatı, yüzeyde genişleyen saf renkler ile karakterize oldu. Resim, “sanat yolunda” tasarlanmış bir sanat oldu. 2.Sanatta güzelin esas konu olması fikrinin yıkılması hakkında Hugo ve Baudelaire’den bahsettik.Victor Hugo, özellikle ‘Notre Dame dé Paris’ (1831) ile Baudelaire ise ‘Le Spleen de Paris’ (1869) ve ‘Les Fleurs du mal’ (1857) ile Rönesans’tan beri alışılagelmiş olan sanattaki güzellik anlayışını yıkmıştır.Alberti, Brunolleschi, Donatello gibi Erken Rönesans sanatçılarının biçim ve oranlarda yakaladığı güzellik anlayışı, ve hatta Botticelli’nin Nascita di Venere (Venüs’ün Doğuşu) tablosunda gerçekçiliği kenara iterek ön plana çıkardığı güzellik anlayışı Geç Rönesans döneminden beri sorgulanır ve nihayetinde Romantizm ve Modernizm’in temelleri ile sert biçimde yıkılır. 3.Mimarlığın teokrasiye, güç ve iktidara hizmet eden sanat dalı olması Antik Çağ’dan beri yapılan bir tanımlamadır (en belirgin olarak Mısır, Yunan ve Roma uygarlıklarından beri). Burada en saf haliyle barınak olarak yapılan konut mimarlık dışında bırakılırken, esasen sipariş edilmiş yapılar olarak nitelendirilir.Luc Plamondon ‘Notre Dame de Paris’ müzikalinde matbaanın keşfi ile seri baskının yayılması ve yazınsal eserlerin tüm halka ulaşması ile değişen dünya düzenini (Reform dönemi) anlattığı ‘Florance’ parçasında “Et la littérature tuera l'architecture” (And the literature will destroy the architecure) ifadesini bu tanıma atfen yapar. Burada edebiyat özgür düşünceyi, mimarlık ise teokrasi, yani kilise ve iktidarı simgeler. 4.Stefan Zweig’ın Dickens’ı anlattığı denemede geçen bölümü aynen yazmak isterim:“… Her İngiliz bir Almanın Alman olmasından daha İngilizdir. İngilizlik insanın zihinsel organizmasının üzerinde bir cila, bir boya değildir, o kana karışır, onun ritmini düzenler, bireydeki en mahrem ve en içsel, en temel olanı canlandırır: Bu da sanatsal olandır. Sanatçı olarak da bir İngiliz, ırkına bir Almandan, bir Fransızdan daha bağlıdır. İngiltere’deki her sanatçı, her gerçek şair bu yüzden içindeki İngilizlikle mücadele etmiştir; ama en hararetli, en güçlü nefterler bile geleneği yere yıkmayı başaramamıştır. Onların kılcal damarlarından geçerek ruhlarının toprağına derin bir şekilde işlemiştir: İngilizliği söküp atmak isteyenin bütün organizmayı yırtması ve yarayı kanatması gerekir. Hür Dünya vatandaşlığına duydukları özlemle dolu birkaç aristokrat buna kalkıştı: Byron, Shelley, Oscar Wilde içlerindeki İngilizliği yok etmek istedi, çünkü İngilizlerin içindeki onulmaz burjuvalıktan nefret ediyorlardı. Ama sadece kendi yaşamlarını mahvettiler, İngiliz geleneği dünyanın en güçlü, en başarılı geleneğidir, ama aynı zamanda sanat için de en tehlikelisidir. En tehlikelisidir, çünkü en sinsisidir: Donmuş bir çöl değildir, gelenleri kovan kötü bir ev sahibi değildir, sıcak ocak ateşi ve yumuşak konforuyla insanları baştan çıkarır, ama onları ahlaki sınırlar içine kapatır, sıkıştırır ve kurallar koyar; hür sanatçı güdüsüyle geçinemez. Küflenmiş havasıyla mütevazı bir barınaktır, hayatın tehlikeli akımlarına karşı korunaklıdır; neşeli, dostane, misafirperver, burjuva memnuniyetinin şöminesinde yanan ateşiyle tam bir “yuva”dır, ama vatanı dünya, en derin arzusu sınırsız topraklar üzerinde göçebe gibi dolaşmak olanlar için de bir hapishanedir. Dickens İngiliz geleneğinin içine rahatça yerleşmiş, onun dört duvarı arasına evini kurmuştu. Vatan topraklarında kendini rahat hissediyordu ve hiçbir zaman, hayatı boyunca İngiltere’nin sanatsal, ahlaki ya da estetik sınırlarını aşmadı. O bir devrimci değildi. Onun içindeki sanatçı ile İngiliz çok iyi anlaştı ve yavaş yavaş onun içinde bütünüyle dağıldı. Dickens’ın ortaya koyduğu şey yüzlerce yıllık İngiliz geleneğinin temelleri üzerinde sağlam ve güvenli şekilde duruyor; kafasını asla bir karış yukarı çıkarmamıştır, ama yapıyı çekici bir mimariyle beklenmedik bir yüksekliğe ulaştırmıştır. Onun sanatı ulusunun bilinçdışı, sanat haline gelmiş istencidir: Eğer onun sanatının yoğunluğunu, eşine az rastlanır niteliklerini ve kaçırılmış imkanlarını sınırlandırırsak, aynı zamanda sürekli İngiltere ile karşı karşıya kalırız. Dickens Napoleon’un kahramanlıklarla dolu yüzyılıyla, zaferlerle dolu geçmişle, geleceğin rüyası olan emperyalizm arasındaki İngiliz geleneğinin en yüksek sanatsal ifadesidir. Dickens bizim için sadece olağandışı bir eser meydana getirmişse ve bu dehasını ortaya koyacak kadar şiddetli değilse, bunun nedeni İngiltere ve onu frenlemiş olan ırk değil, içinde yaşadığı suçsuz çağdır: İngiltere’nin Victoria çağıdır. Bilindiği gibi Shakespeare de bir İngiliz çağının şiirsel ifadesi için en yüksek olanaktır: Ama onunki Elizabeth çağıydı; güçlü, eylem düşkünü, genç, taze duygularla dolu, ilk kez peçesini imperium mondi’ye (dünya imparatorluğuna) uzatan, içinden taşan güçle titreyen, ateşli bir İngiltere sözkonusuydu.” Stefan Zweig, Üç Büyük Usta: Balzac – Dickens – DostoyevskiÇeviri: Nafer Ermiş, İş Bankası Kültür YayınlarıÖzgün Adı: Drei Meister 5.Vittorio Gregotti (1927 – 2020) 6.Carlo Scarpa (1906-1978) 7.Richard Rogers, The Lloyd’s Building 8.Norman Foster, ST: Mary Axe 9.Renzo Piano, The Shard 10.Konstantin Melnikov’un 1935’te, Rusya’da mimarlık gazetesinde yayınlanan röportajını İngilizce’ye çevirmiştik. İlgili paragrafı paylaşıyorum: Drawings are not always mandatory and sometimes harmful"In the course of my work, I personally do not have to use drawings and sketches of all kinds. I not only don't feel the need, but I think it's superfluous and even harmful. Drawing interferes with free maneuvering of thoughts, imposing a graphically realized solution, even if it is rejected by the mind. In particular, I'm hampered by drawings in the initial stage of work on the project. It's a different matter - all sorts of purely technical, and not composite, sketches. Those are useful and necessary in the work of the architect." 11.Aleksandr Gan tarafından yazılmış olan Konstrüktivizm’de tasarım prensipleri FAKTURA olarak tanımlanır. ‘Form Follows Function’ fikri gibi bir sanatsal objenin biçim ve yüzeyinin, onun nasıl ve ne için yapıldığını dışavurması, belirgin özelliğini sergilemesi gerektiği fikrini savunur. 12.Önde gelen Konstrüktist mimarlar:Melnikov, Tatlin, Shukov, Fomin, ChernikovRus konstrüktivizmi üstüne araştırmalarımızı yazıya döküyoruz. Yakın zamanda bitmiş olacak. Dönemin mimarları ile yapılarını yakından incelediğimiz keyifli bir çalışmamız mevcut. 13.Postmodernizm altında Thomas Wolfe ve Albert Camus isimleri geçti. Her ne kadar eserleri modernist yapıda olsa da, Thomas Wolfe’ün Look Homeward, Angel (Türkçe’ye çevirilmiş bir basımı yok) eseri ile Albert Camus’nun L’Étranger (Yabancı) eseri -yapı bakımından olmasa bile- karakter kurgusu ve anlatımı bakımından Postmodern edebiyatın temellerindendir. Ginsberg ya da Paul Auster gibi belirgin (ve gerçekten başarılı) postmodern örnekler yerine geç modernist bu iki örneğe değinmekteki amaç, postmodern bireyin karakteri ve sosyal ilişkileri bakımından önemli temeller kurmuş olmalarına dikkat çekmektir. 14.Stream of Consciousness, ya da Türkçe “zihin akışı” diyebileceğimiz anlatım biçimi, edebiyat ve müzikte 1800’lerden beri kullanılan, ancak modernizm ve postmodernizmde sıkça başvurulan, karakterin zihninden geçen düşünceleri bir uyum ve bütünlüğe bakmaksızın okura ya da dinleyiciye aktardığı ifade biçimidir. Sessiz ve kurgusuz bir monologtur. 15.Rusya’nın mimarlık yayınlarının başlıcaları:Archi.ru https://archi.ru/enArch Speech https://archspeech.com/Strelka Institure – Online https://strelka.com/ru/vectorSchusev State Museum for Architecture https://ecc-russia.eu/events/currentexhibition----Mutlu Mimarlıklar!

In this episode Mary Vaughan Johnson and Federica Goffi Interview Alba di Lieto and William Whitaker Mary is the head of our Department of Architecture and Landcape here in Kingston, while Federica is Associate Professor and Co-Chair of the PhD and MAS Program at Carleton University. Last Summer Mary and Federica hosted the Frascari Symposium at Kingston, and it was at this event this podcast was recorded. In it Mary and Federica interview Alba diLieto and William Whitaker. Alba is curator of the archive Carlo Scarpa at the Directorate Civic Art Museums and Monuments of Verona. William Whitaker is the curator and collections manager of the Architectural Archives of the University of Pennsylvania Weitzman School of Design. In this conversation Alba and William speak of the nature of their archives, of their inception, management and growth. They also speak eloquently about the nature of these archives as repositories of thinking, offering profound insights into our discipline. --------- Credits: Register is the Research Centre in the Department of Architecture & Landscape at the Kingston School of Art, Kingston University London kingstonarchitecture.london Head of Department: Mary Johnson Producer: Laura Evans / Andrew Clancy Interviewer: Mary Vaughan Johnson / Federica Goffi Editor: Andrew Clancy Music: Poddington Bear - Rainbow Architecture

"Passione come unico modo di vedere il mondo, di esprimere se stessi nel mondo"arch. Franco AlbiniOspite speciale di questa puntata il figlio del gran Maestro milanese: l'architetto Franco Albini. Ripercorriamo la vita di Franco Albini attraverso i racconti del figlio Marco, come padre, come architetto e come docente universitario. Senza trascurare il metodo di progettazione albiniano e tanti aneddoti curiosi, ad esempio: Renzo Piano che ha sostenuto il tirocinio presso lo studio di Albini, confronto con i con i colleghi in particolare Carlo Scarpa, Caccia Dominioni, Gardella, Giò Ponti e Portaluppi. Gran finale con aneddoti svelati sulla libreria Veliero e poltroncina Luisa.@fondazionefrancoalbinisocial@lucadonzelli.itPost-produzione a cura di Simone Capomolla di Esperienze Digitali

Guido Beltramini, direttore del Palladio Museum, ci porta all'interno di uno dei Palazzi più significativi di Venezia. Attraverso la storia di Giovanni Grimani, il committente di quello che oggi è un interessantissimo museo ( http://www.p...

Robert van Altena in gesprek met architectuurtheoreticus Frans Sturkenboom over zijn boek De gestiek van de architectuur. Een leerboek hedendaags maniërisme. (ArtezPress) n beschouwingen over de verschillende kunstvormen valt weleens de vergelijking met de renaissance. De minimal art uit de jaren zestig wordt in dat verband wel eens genoemd maar ook het vroege modernisme uit de eerste helft van de twintigste eeuw. Die benamingen lijken heel praktisch in het gebruik. Maar hoe dichter je de benoemde verschijnselen nadert hoe moeilijker het wordt deze te verenigen onder één noemer. Wat verzamelen we onder renaissance, maniërisme en modernisme? Waar ligt de scheidslijn? En is de idee van een harde scheidslijn niet een vergissing, een toegeven aan de menselijke behoefte om dingen vast te leggen die voortdurend in beweging zijn? En is het zinvol historisch zo ver uiteenliggende zaken met elkaar te vergelijken? Frans Sturkenboom probeert met zijn boek iets te zeggen over de hedendaagse architectuur in de vorm van het werk van bijvoorbeeld OMA, MVRDV, Herzog & Meuron. Hij probeert te duiden wat zich nog onder onze ogen voltrekt. Sturkenboom creëert hiervoor een soort genealogie met bijvoorbeeld laat-moderne architecten als Louis Kahn en Carlo Scarpa en verder afdalend in de twintigste eeuw Frank Lloyd Wright en Le Corbusier. Het werk van deze modernisten brengt hij in verband met dat van voorgangers uit de zestiende en zeventiende eeuw als Francesco Borromini en twee van de vele architecten van de Sint Pieter Carlo Maderno en Michelangelo. De instrumenten, de concepten waarvan Sturkenboom zich bedient om deze genealogie te ontleden ontleent hij aan de architectuurtheorie, de filosofie en in ruimere zin aan de cultuurgeschiedenis. Deze genealogie tekent zich af tegen de norm van de hoog-renaissance, en de norm ook van wat wel eens als zijn latere afspiegeling wordt gezien, het modernisme. ‘Gestiek' en ‘maniërisme' zijn de twee termen die de schrijver met ons deelt in titel en ondertitel. De historische variant van het maniërisme laat zich al moeilijk vatten dus wat zouden de contouren zijn van een hedendaagse variant? En gestiek? Frans Sturkenboom heeft een hoop uit te leggen en hij doet dit met overgave. Met zijn boek De gestiek van de architectuur deelt hij met ons, ook in schrijfstijl, een viering van het maniërisme in de architectuur tot in onze tijd. Frans Sturkenboom, De gestiek van de architectuur (ArtezPress, 2017) , ontwerp Josse Pyl. SPRINGVOSSEN redactie + presentatie: Robert van Altena contact: springvossen@gmail.com www.facebook.com/springvossen www.amsterdamfm.nl/onderwerp/springvossen/

It’s interesting to contemplate why Claire Kelly’s colorful and expertly patterned toy-like animals are so appealing, but perhaps more curious to imagine is what theywould see in us. Much of her recent work centers on elephants because of their unique role as a beloved childhood toy, a popular decorative figure with a strong history in glassmaking, and a perilously threatened species.   In work that examines the connections humanity has with animals and our larger relationship to the world, the artist has created a series of fantastic microcosms that bring a consciousness to their decorative status. As a story about the fragility and conservation of these small worlds is told, their role in a grander scheme is revealed.   “We live in a time when our smallest decisions can affect our environment in unpredictable ways. As a conscientious inhabitant, I am constantly weighing my choices and attempting to choose the lesser evil. My works are a gentle mirror allowing us to examine our contradictory world.”   Graduating with a BFA from Alfred University in 1996, Kelly subsequently worked collaboratively with Anthony Schafermeyer from 2000 to 2008 as Schafermeyer/Kelly Glass. In 2008, she moved to Providence, Rhode Island, to assist glass artist Toots Zynsky with her work.  During this time, Kelly developed her own sculptural series integrating traditional Venetian glassblowing and various cold working processes. Greatly influenced by the unconventional forms and patterning of mid-century Venetian Masters such as Napoleone Martinuzzi and Carlo Scarpa as well as contemporary masters Dick Marquis and Zynsky, Kelly works with cane and murrini techniques in a unique exploration of line, pattern, and color.    In spring of 2017, Kelly worked as Artist in Residence at the Studio of the Corning Museum of Glass, Corning, New York, where she created a new body of work using specialty 104 COE glass from Effetre, a glass company based in Murano, Italy. The artist has recently been awarded residencies at Salem Art Works Salem, New York,and at the Museum of Glass, Tacoma, Washington, to further her processes and designs.   From October 12 through December 10 new work was exhibited, and Kelly presented a lecture and demonstration at Duncan McClellan Glass Gallery in St. Petersburg, Florida, in a show with friend and hot glass artist Jen Violette titled Vibrant Perspectives. Penland Gallery, Penland, North Carolina, Vetri gallery, Seattle, Washington, and Montague Gallery in San Francisco, California, also represent Kelly’s work.   A self described “unexpected instructor,” Kelly has taught workshops at Penland School of Crafts, Pilchuck Glass School, the Pittsburgh Glass Center, The Studio at the Corning Museum of Glass, Haystack Mountain School of Crafts, and the Centro Fundacion del Vidrio in Spain. Her 2019 teaching schedule includes March 4 – 8 at Espace Verre in Montreal, Quebec, Canada, and March 18 – 22 at the Glass Spot in Richmond, Virginia.      

Viva Venezia is an episode of Occasional Radio, entirely dedicated to the protagonists of the Venetian avant-garde, from Bruno Maderna, to Luigi Nono and Carlo Scarpa. The episode features: Bruno Maderna, Gruppo Improvvisazione Nuova Consonanza, Gigi Masin, John Cage, Bebo Baldan, Brian Eno, Rabih Beaini, Luigi Nono, Carlo Scarpa, Sun Ra.

Todos caminamos en medio de la obra de grandes artistas: creaciones que definen ciudades, en las que aprendemos, descansamos o vivimos. La arquitectura nos envuelve y nos da sentido: por eso Marlen, Gustavo y su invitado Oscar Campos repasan varios de sus arquitectos favoritos: desde los grandes referentes (Gaudí, Mies Van der Rohe, Barragán) hasta los menos conocidos, pero sorprendentes (Lina Bo Bardi, Carlo Scarpa, Carlos Mijares Bracho, Javier Senosiain). La plática recorre su influencia, sus obras, las enseñanzas que deja la sola observación de su trabajo; además de sugerencias para que te dejes llevar apreciando estas imágenes durante horas. Además, #ElIker pone en circulación un nuevo concepto: los #EdificiosMILF  (así como se lee). Checa aquí el video de Ciudad Satélite.

"A Carlo Scarpa" | "A Pierre" | "Guai ai Gelidi Mostri" | "La terra e la compagna" | "Caminantes ... Ayacucho" | "No hay caminos, hay que caminar ... Andrej Tarkowsky" | Verschiedene Interpreten

Conducono Danilo Tolardo e Simonetta Zauli. Ospiti: Maria Gianniti (inviata gr in Israele), Prof.Carlo Scarpa(economia Uni Brescia), Grazia Trabalza (in colegamento dal senato).

Ca' Foscari Tour è il servizio di visite guidate della sede storica dell'Università Ca' Foscari Venezia. Dagli antichi cortili alla famosa Aula Baratto progettata dall'architetto Carlo Scarpa e impreziosita dagli affreschi di Mario Sironi e Mario Deluigi, i visitatori sono accompagnati alla scoperta del palazzo, meraviglioso esempio di gotico veneziano sul Canal Grande.

Abstract: The title of this lecture is explained by Richard Murphy Architects' location between two different points pf view. There is little in our work that might be called avant-garde. The office does not subscribe to the high-octane world of the international 'starchitects' depositing iconic buildings in different cultures around the world, which whilst having some superficial photo-journalistic value, rarely repay close inspection. The other position is represented by the society in which we work, Edinburgh in particular, but also elsewhere in the UK. This is a city in which many citizens wish that the modern era had never occurred. Modern architecture, it seems to be universally agreed, has spoilt the view. However it is essential for the health of our culture that we make buildings that are recognisably of today so that in the future there will be some history of this era to preserve. Rooting recognisably new buildings into old places or particular landscapes; contributing towards rather than damaging, their location; continuing rather than fossilising, the history of a place: these are our objectives. We call it architecture of its time and place. Biography: Richard Murphy was educated at Newcastle and Edinburgh Universities. Before founding Richard Murphy Architects he worked for MacCormac Jamieson and Pritchard Architects in London, and directed the edinburgh office of Alsop Lyall & Stormer Architects. He has taught at Edinburgh University, Robert Gordon University, Edinburgh College of Art, Strathclyde University, The Technical University of Braunschweig, the University of Virginia and Syracruse University, New York State. Richard's publications include Carlo Scarpa and the Castelvecchio (Butterworths Architecture, 1991), Querini Stampalia Foundation, Carlo Scarpa (Phaidon Press, 1983) and An Architects' Appreciation of Charles Rennie Mackintosh (Bellew Publishing, 1990). He is an Academician of the Royal Scottish Academy, a Fellow of the Royal Society of Arts, and an Honorary Fellow of Napier University. His practice has won 21 RIBA and RIAI awards in as many years.