Podcast appearances and mentions of George Lucas

I'm joined by Paul Fischer on this week's episode to discuss his new book, The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema. It's a fascinating look at a pivotal moment in film history, when the breakdown of the studio system gave rise to the auteurist 1970s, the first half of which was dominated by Francis Ford Coppola, only to cede the landscape to the blockbuster entertainments that George Lucas and Steven Spielberg mastered in the back half of the decade and beyond.

In this episode of the IndyCast, Harrison Ford hums the Indy theme, Official IndyCast correspondent Mitch Hallock returns for a look at meeting celebrities, Indiana Mic is back with legendary hat-maker John Penman, Indy debuts on the Switch 2 and lots more.

Jim and Lauren follow the winding path of Labyrinth as it turns 40, exploring how a film that underperformed in 1986 became one of the most beloved cult classics of the home video era - and how its legacy nearly intertwined with Disney in a much bigger way. In this episode of I Want That Too, we connect the dots between Jim Henson's ambitious fantasy film, its surprising international success, and the long road that led Disney to acquire the Muppets - but not Labyrinth. Along the way, we look at the massive 40th anniversary merch push and what it says about the power of nostalgia-driven consumer products. NEWS • Disney Consumer Products wins big at North America's Toy Fair, taking home Doll of the Year for the American Girl Moana collection and Plush Toy of the Year for the interactive Stitch • How upcoming theatrical releases - including The Mandalorian and Grogu, Toy Story 5, Moana (live-action), and Spider-Man: Brand New Day - are shaping Disney's 2026 merchandise strategy • A new Haunted Mansion wedding venue debuts at Disneyland as Disney Fairy Tale Weddings celebrates its 35th anniversary • Disney unveils a 35th anniversary light-up wedding gown featuring 500 embedded lights and 35 programmable lighting effects • Labyrinth kicks off its 40th anniversary celebration with anniversary screenings, a 60-city concert tour, new collectibles, and specialty footwear collaborations FEATURE • Why Labyrinth struggled at the box office in 1986 despite an A-team creative lineup that included George Lucas and David Bowie • The international box office story that softened the blow - and helped build the film's cult following • How Labyrinth's disappointing domestic performance factored into Jim Henson's decision to sell his company • The original 1989 Disney acquisition deal that would have given the Mouse the entire Henson film library - including Labyrinth and The Dark Crystal • Why the Henson family ultimately retained key IP like Labyrinth, Fraggle Rock, and The Dark Crystal when Disney finalized its Muppets purchase in 2004 • The newly announced Labyrinth sequel in development at TriStar Pictures and what it signals about the brand's enduring power HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is brought to you by Unlock Magic. If a Disney or Universal trip is on your radar for 2026, Unlock Magic helps you secure great ticket prices with expert guidance from people who truly know the parks. Visit UnlockedMagic.com to lock in the best deals and make your next trip a little more magical. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when a technology-minded New Yorker stumbles into Hollywood and ends up reshaping how the industry makes trailers, title sequences, and motion graphics for the next three decades? This week, Eric Ladd joins the show to talk about his winding path from floppy disk drives and Bank of America to running Novocom, building Pittard Sullivan into a global powerhouse, and founding Picture Mill, one of the most influential design and motion graphics companies in entertainment marketing history. Now he's doing it again with Ignite XR, creating AR and social content tools contracted by TikTok, Snapchat, and Instagram. Along the way, the conversation covers how Picture Mill got its name (in a single impulsive moment at a lunch meeting), the deal that fell apart and sent half of Pittard's leadership out the door to start their own companies, and how Eric pioneered digital before the industry even had a name for it. He also shares what it was like to shoot the Mandalay tiger in Hawaii, fly to Edwards Air Force Base with a first-time solo pilot to blow up a quarter-scale hotel, and pitch George Lucas on a Star Wars re-release trailer using a clip of Apocalypse Now on VHS. Key Takeaways Confidence Is a Skill Before leaving Pittard, Eric had already grown Novocom from two people to sixty. That track record gave him the credibility to walk into Aspect Ratio's Citrus lunch meeting with an $8.5M business plan he'd written in two hours — and walk out with a credit line and the name Picture Mill. The People You Work With Are the Real Portfolio When asked about favorite campaigns, Eric sidestepped the question entirely: "I have favorite people." The relationships formed in those early years, including editors, designers, producers, directors, are what he actually carries forward. Know When to Leave, and Who Should Replace You At Pittard, Eric not only knew when his time was up, he named Anne Epstein as the person who should take the job. Succession thinking and generosity with credit have been constants throughout his career. Bleeding Edge Requires a Tolerance for Uncertainty Whether it was scanning and comping an entire Spike Lee trailer in the early days of digital, pioneering AR filters on Snapchat before the platforms knew what to do with them, or landing a contract with ByteDance by simply delivering a working product without being asked, Eric's approach has always been to figure it out first and explain it later. AI Is a Tool, Not a Threat... If You Have Ideas The conversation about AI cuts to the heart of what this show is about. Eric's view: "It all comes down to ideas." AI can execute, but someone still has to direct it. The people who will struggle are those who were already functioning as tools themselves. Notable Quotes "I went over there at five o'clock and Ed and I were there till ten. We just clicked." "I said, 'You can't afford me.' He said, 'How much do you want?' Six months later my paycheck just went WHOOSH." "When we came back from lunch, we'd hired every one of those people in the waiting room." "It all comes down to ideas. AI can give you ideas, but it lacks what humans can do with them." "A lot of being successful has to do with wherewithal. If you can hang in there long enough, you can be successful doing anything." "When we're gone, those stories are gonna be gone with us." "Not anymore. They're on the record!" Connect Eric Ladd — ignitexr.com Corey Nathan — @coreysnathan on all platforms Our Sponsors Meza Wealth Management – mezawealth.com The Golden Trailer Awards – goldentrailer.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives!

[Western Art] On the show today is Randal Dutra, a California wildlife painter with an amazing career that weaves through painting, bronze foundries and even Hollywood, where he worked on creature effects and animation for movies such as the Star Wars franchise, Jurassic Park and Robocop. Dutra was nominated for an Academy Award twice and worked with George Lucas and Steven Spielberg, and yet always found time to devote to his personal studio, where he continues to paint wildlife and landscape imagery. Step into a magical world of creatures and critters in today's episode, which is sponsored by Western Art Collector. Learn more at westernartcollector.com.

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Check out our recap and breakdown of Season 5 Episode 09 of the Big Bang Theory! We found 5 IQ Points!00:00:00 - Intro00:11:25 - Recap Begins00:13:31 - How to cook salmon00:34:58 - Hydro-Electricity and Dams00:43:24 - George Lucas' changes in Star Wars01:04:38 - High Frequency Tone Generators 01:29:13 - How many people get killed by birdsFind us everywhere at: https://linktr.ee/theoreticalnonsense~~*CLICK THE LINK TO SEE OUR IQ POINT HISTORY TOO! *~~-------------------------------------------------Welcome to Theoretical Nonsense! If you're looking for a Big Bang Theory rewatch podcast blended with How Stuff Works, this is the podcast for you!  Hang out with Rob and Ryan where they watch each episode of The Big Bang Theory and break it down scene by scene, and fact by fact, and no spoilers! Ever wonder if the random information Sheldon says is true? We do the research and find out! Is curry a natural laxative, what's the story behind going postal, are fish night lights real? Watch the show with us every other week and join in on the discussion! Email us at theoreticalnonsensepod@gmail.com and we'll read your letter to us on the show! Even if it's bad! :) Music by Alex Grohl. Find official podcast on Apple and Spotify https://podcasts.apple.com/us/podcast/theoretical-nonsense-the-big-bang-theory-watch-a/id1623079414

En este episodio llevamos los libros hasta la cocina con nuestro anfitrión Jorge F. Hernández, donde literatura y comida se encuentran en un festín de historias.Nos acompaña Benito Taibo para explorar cómo los libros también se cuecen a fuego lento. Conversamos con Bernardo Fernández, Bef, sobre Cocina al estilo Ghibli, una mezcla de imaginación y sabores.En A pie de página, Pedro J. Fernández nos acerca a Sor Juana Inés de la Cruz desde una mirada literaria que también abre el apetito. En Puentes sorprendentes de la literatura, Rodrigo Morlesin presenta seis autores cuya obra une cocina y letras.En el Chismecito literario, Magali Ortega nos cuenta cómo el amor entre Marcia Lucas y George Lucas fue clave en Star Wars.Y como postre, Recomendaciones Gandhi con Francisco Goñi y su selección mensual para descubrir ese libro que querrás llevar a tu librero.Un episodio para escuchar con antojo.

De Verborgen Waarheid Over Geneeskunde, Geest en ManipulatieDeze aflevering zul je niet vergeten. We duiken in de wilde wereld van medische experimenten, placebo-effecten en hoe onze geest vaak het echte slagveld is. Als je ooit hebt getwijfeld aan wat echt is in de geneeskunde of boos bent geworden over de absurditeit ervan, dan is dit iets voor jou.In deze aflevering:- Het bizarre verhaal van een zwarte doos die oren verbergt en de chaos achter de schermen- Hoe nepoperaties en placebo-pillen de toekomst van de geneeskunde vormgeven- De schokkende waarheid over medicijnen, helpen ze echt of zijn het slechts placebo rookgordijnen?- De ethiek van testen en hoe patiënten vaak niet weten waarvoor ze zich aanmelden- De kracht van de geest om te genezen of te schaden, en hoe onze verwachtingen de uitkomsten beheersen- Jack's hilarische en frustrerende verhalen over blunders met slaappillen- De diepgaande duik in voorspellende genetica, wat gebeurt er als we een verkeerd gen voelen?- Hoe onderzoek een tweesnijdend zwaard is, boeken we echt vooruitgang of krabben we slechts aan de oppervlakte?Tijd om je overtuigingen uit te dagen. Om te vragen wat echt is. En om wakker te worden voor wat zij niet willen dat we weten.Tijdstempels:00:00 - De mysterieuze zwarte doos met oren en technische chaos00:15 - Het wilde verhaal van een zwarte doos die in het zicht verborgen is00:59 - Hoe chirurgen nepoperaties en placebo-procedures uitvoeren01:20 - De ethiek achter nepoperaties 02:11 - De evolutie van digitale effecten in film en geneeskunde02:35 - George Lucas' filosofie: Show, don't tell, hoe het van toepassing is op technologie en wetenschap03:01 - De verschuiving van traditionele naar digitale geneeskunde: iTunes, podcasts en meer03:41 - De technische kant van operationele termen, wat betekent het allemaal?04:08 - De intrigerende studie van maagoperaties en nepoperaties04:43 - Het onderzoek naar placebo versus echte chirurgische ingrepen05:11 - De psychologie achter placebo-effecten en hoe ze de geest misleiden05:39 - De discussie: Genezen we echt of overtuigen we onszelf alleen maar?06:01 - De waarheid over medicijnen, verkeerde genen, bijwerkingen en menselijke fouten06:29 - De verontrustende verhalen over slaappillen en medicijnen die als slaaptrucs worden gebruikt07:34 - De verontwaardiging over het nemen van nep of verkeerde medicatie, wat zit er echt achter?07:41 - Het gevaar van het placebo-effect dat in de geneeskunde uit de hand loopt08:02 - De ethiek van operatieve misleiding, zijn artsen echt eerlijk?08:39 - Jack's hilarische frustratie met het zorgsysteem09:14 - Het echte verhaal achter slaapmiddelen en medicatieverslaving10:16 - De gevaarlijke illusie van slaapmedicatie en hun bijwerkingen10:34 - Hoe mensen pillen misbruiken en ze in snelle oplossingen veranderen11:00 - Nachtploegen, hoofdpijn en de bizarre ervaringen met medicatie11:42 - De hallucinatie van een drie en een halve meter muis, hoe geest en geestverruimende drugs botsen12:25 - Waarom onderzoek, ondanks zijn gebreken, nog steeds noodzakelijk is12:49 - De woede over hoeveel we in het duister worden gehouden, wanneer worden we wakker?Word wakker. Vraag alles in twijfel. Accepteer niet de “waarheid” die ze ons voeren. Vecht voor je gezondheid, je geest, je realiteit. Dit is echt. Dit is rauw. En het doet ertoe.SPONSORSIBV ConsultancyAndreArt.nlJPSystemsENGLISH CHANNELSVideo: YouTube.com/@JackJozef Podcast: Spotify, TikTok, Instagram & LinkedInWebsite: www.JACKJOZEF.comContact: info@PodcastGemist.nlNEDERLANDSE KANALENVideo: YouTube.com/@podcastgemist Podcast: Spotify, TikTok, Instagram & LinkedInWebsite: www.JACKJOZEF.nlContact: info@PodcastGemist.nl

The anticipation for what was to be the final Star Wars film, Revenge/Return of the Jedi was at an absolute boiling point in 1983. What was to become of Han Solo? Would Luke Skywalker defeat Darth Vader and turn from the dark side? Will Princess Leia kill a giant peverted slug in a gold bikini? These questions and more were wrapped up at the end of the original trilogy which brings the Emperor of the Galaxy to the forefront of story now with a second and even bigger Death Star. Thanks for watching our Caravan Of Garbage review on George Lucas' original trilogy and what some people consider to be the last true Star Wars experienceSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Is success in business simply about having the right idea, raising the perfect amount of money, or having the right connections? According to our guest today, David Senra, it's none of those. It's about obsession. David Senra has read 400+ biographies of history's greatest entrepreneurs, studying how they actually built their companies. On his podcast Founders, he distills the lives of iconic builders into actionable frameworks. He also hosts in-depth conversations with living founders on his new show David Senra — from Daniel Ek to Michael Dell to Todd Graves — extracting the mental models you only earn after decades in the arena. In this wide-ranging conversation, we break down: • Why history's greatest entrepreneurs hire for spikes, not well-rounded resumes • Why durability is a first-rate virtue — and most businesses die of indigestion, not starvation • How Steve Jobs worked barefoot at Atari — and why Nolan Bushnell kept him anyway • Why George Lucas bet unapologetically on himself • How Sam Zell tortured himself into greatness — and why he chose freedom over money • Why Michael Dell says he works “all the days” • The founder archetypes framework — and why founder-problem fit beats founder-market fit • Why Todd Graves hasn't changed his menu in 30 years — and built a $20B chicken empire • How Rick Rubin became a reducer, not a producer — and why ruthless editing creates timeless work • Why belief comes before ability — non-negotiable for builders If you want to think like Jobs, Bezos, Zell, or Munger, this episode will permanently change how you approach focus, entrepreneurship, and building something that lasts. Turn attention into revenue with https://beehiiv.link/nt66tb. Use CODIE30 for 30% off your first 3 months. Take your personal data back with Incogni! Use code BIGDEAL at the link below and get 60% off an annual plan: https://incogni.com/bigdeal Follow David Senra: Founders Podcast: https://www.founderspodcast.com New Show (David Senra): Available on all platforms Instagram: @founderspodcast ___________ 00:00:00 Introduction 00:00:42 The Lonely Founder Life: Why Entrepreneurs Need Founder Friends 00:01:04 Marriages and Relationships of History's Greatest Entrepreneurs 00:03:07 Is Entrepreneurship a Trauma Response? 00:05:26 Hiring for Spikes: The Steve Jobs Employee Philosophy 00:10:12 George Lucas and the Power of Unapologetic Self-Investment 00:12:39 Longevity Over Everything: Building Companies That Last Decades 00:18:37 Do You Have to Be Obsessed to Win? 00:19:35 The Inner Monologue Shift: From Negative to Positive Fuel 00:35:48 Keep Your Circle Small: The Sam Zell Approach to Relationships 00:42:03 Personal Standards and the Yardstick for Quality 00:47:30 Sam Zell's Life Philosophy: Freedom, Focus, and the One True Luxury 00:50:29 Start, Scale, Sell Is a Trap: Find Your Last Business 00:52:36 Complexity Is the Killer: The Sam Walton Bureaucracy Battle 00:59:15 Simplify to Amplify: Raising Cane's, Papa Bagels, and the Power of One Thing 01:07:13 Founder Problem Fit: Know Your Archetype 01:25:17 AI, Electricity, and Thin Horizontal Enabling Layers 01:30:50 Mute the World and Build Your Own: The Daily Design Philosophy 01:34:59 The Power of Simple Obsession ___________ MORE FROM BIGDEAL

Even naughty dogs can have a huge impact on animation.In 1989, animator Don Bluth dared to go it alone, without the might of George Lucas and/or Steven Spielberg, and pushed the boundaries of what animated movies could explore in All Dogs Go To Heaven; the third and final movie to celebrate this podcast's seventh birthday.Released on the exact same day as Disney's The Little Mermaid, this darker, grittier tale of redemption featured a con-artist dog literally escaping heaven to seek revenge on his murderer, complete with a terrifying nightmare sequence that traumatized a generation of kids.But the real horror wasn't just on screen. All Dogs Go To Heaven became a haunting memorial to ten-year-old Judith Barsi, whose voice brought orphan Anne-Marie to life just over a year after she and her mother were killed by her father, with the movie released posthumously, and its end credits song dedicated in her honour.Despite being overshadowed at the box office by Disney's juggernaut, All Dogs Go to Heaven has endured as a cult classic that represents both the peak of Don Bluth's artistic ambition and the beginning of his studio's commercial decline.Bluth's rebellious approach to animation, rejecting Disney's formula in favour of raw emotion and moral complexity, created a film that dared to ask whether dogs have souls, whether redemption is possible, and whether animated movies need happy endings. From its chaotic production with multiple story contributors to its lasting impact on viewers who still remember that nightmarish boat ride to hell, this is the story of an animated film that refused to play it safe.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Send a textFor today's episode, Mike & Bogie look to provide a #trailer #reaction video for the recently released 2nd official #StarWars: #Mandalorian & #Grogu trailer.  On top of that, they also react to the #SuperBowl ad that was released for the same movie.  It was disappointing that we didn't get the trailer during the Super Bowl as rumors had it and it might have been even more disappointing that the ad released seemed less... serious?  Either way, come join as they watch the trailers for the first [and 2nd] time and listen to what their thoughts and opinions are as the trailer is new and fresh in their minds.They also take a little time to play another round of Blind Rankings.  #Porkins may or may not make another appearance within their conversation...#Jedi #Sith #Rebel #Empire #Republic #Force #cosplay #lightsaber #toy #nerd #geek #photography #tv #film #gamer #comic #book #movie #scifi #LucasFilm #MandalorianAndGrogu Social Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)

Send a textFor today's episode, Mike & Bogie look to provide a #trailer #reaction video for the recently released 2nd official #StarWars: #Mandalorian & #Grogu trailer.  On top of that, they also react to the #SuperBowl ad that was released for the same movie.  It was disappointing that we didn't get the trailer during the Super Bowl as rumors had it and it might have been even more disappointing that the ad released seemed less... serious?  Either way, come join as they watch the trailers for the first [and 2nd] time and listen to what their thoughts and opinions are as the trailer is new and fresh in their minds.They also take a little time to play another round of Blind Rankings.  #Porkins may or may not make another appearance within their conversation...#Jedi #Sith #Rebel #Empire #Republic #Force #cosplay #lightsaber #toy #nerd #geek #photography #tv #film #gamer #comic #book #movie #scifi #LucasFilm #MandalorianAndGrogu Social Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)

Justin and Joe count down the top character introductions in the Star Wars Franchise (Movies/ TV)!00:00 Honourable Mentions05:57 Cassian Andor08:38 Anakin Skywalker/ Darth Vader12:44 Darth Sidious14:57 Asajj Ventress17:42 Fives and Echo20:28 Yoda23:48 General Grievous27:03 Han Solo30:30 Luke Skywalker38:56 Obi-Wan Kenobi41:55 George Lucas vs DisneyWEBSITE: thoughtplane.caJUSTIN'S SOCIAL MEDIA https://www.instagram.com/jchurchtpm/Recorded by Joseph Morin and Justin ChurchEdited by Joseph MorinClose Up cover art by Justin Church#starwars #list #starwarscharacter #disneyplus #lucasfilm #closeup

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily features San Francisco wire sculptor Kristine Mays discussing her politically charged exhibition "State of the Union" at Modernism Gallery. Created in response to the uncertainty and division at the beginning of 2025, the show explores themes of American identity, social justice, and individual responsibility through intricate wire sculptures.Kristine walks through several powerful pieces: "This is America," a frayed wire American flag with beads representing blood and tears; "Human Complacency," depicting the see/hear/speak no evil concept; and "Modern Day Lynchings and Hashtag Memorials," featuring hand-embroidered names of Black people killed by police on silk ribbons. Many works incorporate quotes from writers like Audre Lord, whose words "your silence will not save you" inspired Mays to create this body of work as both political statement and personal healing.She traces her creative journey from childhood craft projects with her mother to her current practice working with construction-grade wire. She explains how she creates faceless figures and sculptural garments that allow viewers to project their own stories and recognize loved ones through gesture alone. The meditative quality of working with wire and its durability appeal to her desire to create lasting legacy work.A major milestone: the Smithsonian National Museum of African American History and Culture recently acquired her piece "Hush Harbor." Kristine, who has participated in San Francisco Open Studios for over 20 years, credits her "divinely led" journey and her mother's early encouragement to create without fear of failure.About Artist Kristine Mays :Kristine Mays, a San Francisco native has been an exhibiting artist since 1993. She was the Grand Finale Winner in 2015 of the 5th Annual Bombay Sapphire Artisan Series National Competition. This competition not only provided an opportunity to exhibit her work at Art Basel Miami, but she had a solo exhibition at the Scope NYC Art Fair as well, and was also afforded a chance to collaborate on a large scale public mural. Her mural is on the side of the Boom Boom Room in San Francisco on Fillmore and Geary Streets. (It has large wire feathers placed among the portraits that adorn the walls, reflecting the fleeting existence of black jazz musicians in San Francisco.) In 2015 she also participated in the Hearts in San Francisco program, creating a large 400 pound heart for their annual public art installation. The heart spent a few weeks on display in Union Square before going to its final home upon purchase from AT&T.In 2009, Kristine was a featured artist in the San Francisco Art Commission's "Art in Storefronts" pilot program, a project which transformed vacant storefronts and commercial corridors into a destination for contemporary art, bringing a new energy to the Bayview Hunters Point neighborhood. A participant in the San Francisco Open Studios program for over 20 years, Kristine has also served on the Board of Directors for ArtSpan-- the Producers of SF Open Studios and has participated on several of their committees. Kristine served as the 2011-2013 artist-in-residence at the Bayview Hunters Point Shipyard in San Francisco. She is a graduate of Lowell High School, received her Bachelor Degree in Arts Administration from DePaul University and has occasionally served as a grant review panelist through the San Francisco Arts Commission.Seeking to create impact and change with her art, Kristine has participated in raising thousands of dollars for AIDS research through the sale of her work by collaborating with organizations like Visual Aid, the San Francisco Alliance Health Project and WE-Actx. Her work has received local and national press including mentions in the San Francisco Chronicle, New York Times, The New York Post, The Washington Post, Source Magazine, Artsy, and the interior design blog Apartment Therapy. She is represented by Simon Breitbard Fine Arts in SF, the Richard Beavers Gallery in Brooklyn and Zenith Gallery in Washington DC.Kristine has participated in programming at the De Young Museum, Museum of African Diaspora (MoAD) and exhibited at the California African American Museum (CAAM) in Los Angeles, CA. Collectors of her work include an eclectic mix of people including Star Wars creator George Lucas and the dearly departed Peggy Cooper Cafritz (who amassed one of the country's largest private collections of African-American art). Her work is displayed in many Bay Area homes and private collections throughout the USA.Visit Kristine's Website:  KristineMays.comFollow Kristine on Instagram: @KristineMaysFor more about Kristine's exhibit, "State of the Union" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The icy blast of Hoth hits The Commentary Booth as Jamie Apps and Corrina Mabey continue their epic 50th Anniversary Star Wars rewatch with the legendary Episode V: The Empire Strikes Back, which is often hailed as the greatest sequel of all time!In this packed episode, Jamie and Corrina dive into the darker, deeper chapter of the saga. They discuss the film's chilling opening on the ice planet, Luke's transformative training with the wise (and mischievous) Yoda, and the game-changing introduction of Lando Calrissian and Boba Fett. Get ready for deep dives into iconic moments like Han Solo's daring Tauntaun rescue to the most famous (and most misquoted) line in cinematic history: “No, I am your father.”The hosts debate the impact of the 2004 CGI alterations, share fascinating behind-the-scenes trivia (like how George Lucas self-financed the film), and unpack the complex character growth of Luke, Han, and Leia. They also reveal their personal ratings and debate where this classic ranks in the original trilogy.Highlights Breakdown:

Even baby dinosaurs can have a huge impact on animation.In 1988, three Hollywood titans, Steven Spielberg, George Lucas, and Don Bluth, came together to create what would become one of the most emotionally devastating animated films ever made, and it is the second movie to celebrate this podcast's seventh birthday.The Land Before Time wasn't just another dinosaur movie: it was an ambitious attempt to recapture the magic of Bambi for a new generation, complete with a mother's death scene that traumatized millions of kids and made it a cultural touchstone. Despite the cutting of over ten minutes of footage deemed too scary, the film still pulled no punches in its portrayal of loss, survival, and the harsh realities of a prehistoric world.What makes The Land Before Time so enduring isn't just nostalgia, it's the film's willingness to treat young audiences with respect, addressing grief and fear head on.Working with both Spielberg and Lucas wasn't exactly the dream scenario Bluth expected it to be, though, and the partnership between Amblin & Sullivan Bluth would, like the dinosaurs they depicted, quickly become extinct. Despite this, The Land Before Time remains a masterclass in emotional storytelling that still resonates nearly four decades later.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Welcome back to the Star Wars Escape Pod! In this installment of our "Bogan's Advocate" series, we dive deep into the final chapter of the prequel trilogy: Revenge of the Sith. The rules of the game remain the same—we challenge our own perspectives by finding things to love in movies we might dislike, or offering "friendly criticism" of the films we absolutely adore. Before we get into the main event, Blake shares a mini-review of his recent journey through Force Collector, a junior novel set shortly before The Force Awakens. We discuss the "campy" nature of junior fiction and debate the convenience of a main character whose psychometric abilities lead him to artifacts from the most pivotal moments in George Lucas's films. Check out the Star Wars Archives link in our description for a database of all 400+ episodes! Orbitkey Disney Collection Add a sprinkle of Disney magic to your everyday carry. The Disney x Orbitkey Collection features fun, functional accessories inspired by Disney characters, designed to make staying organised feel like magic. https://www.orbitkey.com/pages/disney?srsltid=AfmBOorl0UJrj6Skr7fWecL5ZzpxJ6tt757WShCMY3XcCGsLaXPwzBUw Kirk is on YouTube: @kirkmihelakos https://www.youtube.com/designedbykirk Darian is on YouTube: @TheManDarian https://www.youtube.com/@TheManDarian ———————————————————————— Star Wars Escape Pod

Ben and Rob hit the road with Rain Man (1988), and this week they're graciously joined by dear friend, Amber of the Ctrl Alt Critique podcast to unpack one of the most celebrated (and complicated) Best Picture winners of the late '80s. Starring Dustin Hoffman and Tom Cruise, the film follows a fast-talking yuppie who discovers he has an estranged autistic brother with extraordinary abilities, then drags him on a cross-country trip that slowly turns from a selfish cash grab into something resembling a family reunion.The gang are getting into; How did this movie go from beloved Oscar juggernaut to a performance many now see as a damaging stereotype? What was the real-life inspiration for Raymond Babbitt? and how close does the film come to capturing or flattening that reality? Why, outside of Star Wars, might this be the only other major pop-culture ripple we have George Lucas to thank for? and what behind-the-scenes twists and wild early casting choices almost turned the movie into something completely different? How do Cruise's slick desperation and Hoffman's hyper-specific, heavily mannered performance play off each othe?; what still works beautifully, what feels dated, and what sparks bigger conversations about representation in cinema? and finally, beneath the road-trip structure and awards-season prestige, what does Rain Man really mean? CONSUUUME to find out all this and much, much more!PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice at www.linktr.ee/everymovieeverpodcastCheck out our very dear friends and incredible podcast Ctrl Alt Critique HERE: https://linktr.ee/ctrlaltcritique?utm_source=linktree_profile_share

It's time to talk what many still consider the pinacle of Star Wars media, The Empire Strikes Back. Released three years after the first movie in 1980 it also came at a time when sequels were almost always inferior to the original. With the original trio of Luke Skywalker, Han Solo and Princess Leia returning and George Lucas not directing but putting it all on the line to make this happen Empire was a massive success with it's darker nature and twist ending. And that green puppet man. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

Anthony Lucero sits down with me to talk about his fatherhood journey. We chat about the values he looks to teach his son. In addition, he talks about how fatherhood has changed his life. After that we discuss his is latest film called, Paper Bag Plan. Lucero shares the family inspiration behind his film. Thirdly, we talk about the how this film can help parents to let go and let their children learn to grow. Lastly, we finish the interview with the Fatherhood Quick Five.  About Anthony Lucero Writer and Director Anthony Lucero's feature film, Paper Bag Plan, to date has won 12 festival awards. Some of those awards included Best Feature and Best Actor. His directorial debut feature film, East Side Sushi garnered 15 festival awards nationwide. Plus it has a 94% Rotten Tomatoes score. It was listed as one of the “Top 10 Films of 2015” by SF Weekly and "One of the Most Overlooked Films of 2015" from the Los Angeles Times. In 2017, Lucero was selected as a U.S. Envoy and spoke at six U.S. Embassies and Consulates as a film ambassador throughout Japan. https://www.youtube.com/watch?v=GFRKK3wIQ3E After receiving his B.A. in Film, Lucero spent over a decade in visual effects at George Lucas' Industrial Light and Magic. He worked on such films as Ironman, Harry Potter, Pirates of the Caribbean and The Avengers. Moreover, Lucero is an alum of the Disney Directors Fellowship Program. In addition, he was invited to participate in the Netflix Director's on the Rise Masterclass. Make sure you follow Anthony on Instagram at @antlucero1. Also make sure you check out his film, Paper Bag Plan. SLIDEMVP Is This Week's Podcast Sponsor As a dad and coach, inspired by some awkward slides and makeshift cardboard sliding tools, Coach Robby asked: “How can I help players slide better?” After countless brainstorming sessions and prototypes, the SLIDEMVP™ was born. Players immediately had fun, and their sliding skills improved dramatically. To further support athletes, Coach Robby has hosted multiple sliding clinics, building confidence and teaching techniques like the pop-up slide. Proudly manufactured in the USA, SLIDEMVP™ is player-tested and coach-approved. It enhances sliding technique, boosts speed, and improves agility on the basepaths. Most importantly, SLIDEMVP™ helps players build confidence and take their game to the next level. To learn more go to their website at SlideMVP.com. About The Art of Fatherhood Podcast  The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.

What up Girl! We both come back from our holiday break with EXCELLENT stories from home and no, we won't apologize.Jam Mechanics is a podcast hosted by Matt (The Narcissist Cookbook) and Bug (Bug Hunter) where we are challenged to write a song demo from scratch every episode. If you'd like to download the demos we showed off, ⁠⁠⁠⁠⁠⁠⁠⁠you can go to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to pay-what-you-want to support us!Our Music:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Narcissist Cookbook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bug Hunter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and our brand-new discord is here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc!Please rate / review and share the show (and our music) with friends!-- SPOILERS FOR THIS EPISODE BELOW ------Bug's Song-----Title: Oops!Prompt Page: Robotic Surgery --> Waldo (short story) --> Rube GoldbergLyrics:Oops, I'm sorry, my fault, my badyikes, I screwed up, whoops, I flubbed thaton your left, no right, frick! dammitI get those mixed up by habitFranz Ferdinand, shot in the headBasic ass duke reppin' simple cause and effectI'm like if Dr Frankenstein and Rueben Goldberg ever metkilled by my creation but with 20 extra stepsOops, I'm sorry, my fault, my badyikes, I screwed up, whoops, I flubbed thaton your left, no right, frick! dammitI get those mixed up by habitSomeday I'll get out of my waySomeday I'll get out of my waySometimes the glass is half full but it was empty when you left itsometimes your mom's boyfriend's dentures are at the bottom of your beverageand when a pessimist would spit it up and curse his rotten luckthe desperate would suck it up and plug his nose and chugOops, I'm sorry, my fault, my oopsyikes, I oops up, whoops, I flubbed thaton your left, oops right, frick! dammitI get those mixed up by habitSomeday I'll get out of my waySomeday I'll get out of my wayAnother Domino! fallin while you're walking awayAnother Domino! falls and you just call it a gameAnother Domino! Falls and it was never the sameAnother Domino! Falls And you're absolved of the blameOops, I'm sorry, oops my oops my badoops you, I screwed oops, whoops, I oopson your left oops, no oops, I...I get those mixed up!I said: Oops, I'm oops my fault my bad, my oopsyikes screwed up oops I flubbed thaton your oops, whoops oops, frick, dammitI get oops oops oops oops dammitSomeday I'll get out of my waySomeday I'll get out of my waySomeday I'll get out of my own way (oops)---- Matt's Song -----Title: JMCCPrompt Page: Happy Days -> George Lucas -> San Diego Comic-conLyrics:let's go to jam mechanic comic conlet's go to jam mechanic comic conmeet me in gary IndianaBring the hydra and alpacalet's go to jam mechanic comic con it's where we belongYou'll see cowboys and vampiresSocialist mayorsBoard games, puppets and smoke detectorsA liberal kitty and a family dogGetting their shit rocked by ichard noirAND IF YOU GET HUNGRY WE'VE GOT YOU COVEREDAn army of dead dads eating popcornI think curdled milkteeth is what happened to johnCthulhu stuffing his mouth with some ballsShimmy to the left cause captain stanley's got a gunLET'S GO TO JAM MECHANIC COMIC CON...AND AFTER DARKKKKAmelia earhart's doing white linesWith a guy in the corner looks a little like a lionAgamemnon's laying pipe but he's just warming upHere's you at a party with my uncle in a headlockAn angel and a devil are making out hardOdin's in the garbage patch getting pardonedSomeone's fur prince got stuck in cementThe angel and the devil are making out againLET'S GO TO JAM MECHANIC COMIC CONoh and wikipede is also here

  'a day mid January THERE was a disturbance felt in the FORCE'    Kathleen Kennedy's control of Lucasfilm and Star Wars has come to an end. It was a COLD day in mid January at FARHQ, in the Awakens Base LOL LOL LOL January 15 'in the year of our STAR WARS' return 2026, when Lucasfilm announced that after 14 years of leading the studio, President Kathleen Kennedy was stepping down Dave Filoni, who worked closely with creator George Lucas to build the Lucasfilm animation department on Star Wars: The Clone Wars and helped launch Star Wars live-action series alongside Jon Favreau on The Mandalorian, will take on creative leadership of the company as President and Chief Creative Officer and Lynwen Brennan will serve as Co-President.  Their close collaboration and more than 30 years of combined senior executive experience will carry Lucasfilm into its next chapter of storytelling, with a strong foundation of creative vision and operational leadership guiding the studio forward. On the latest episode of Fandom Awakens Radio 'Now TWO there are ...... Filoni v Brennan a New Character Begins Days of Future Star Wars - Your hosts David Senden and Kyle Wagner discuss highlights taken from Kathy's exit interview, we discuss the 2 Co-presidents thing (very interesting to GO all in on a James Gunn / Peter Safran DC Studios esc approach) Upcoming Star Wars movie projects, heavily focused on a theatrical return in 2026-2027, include The Mandalorian & Grogu (May 22, 2026), Shawn Levy's Starfighter (May 28, 2027), and Dave Filoni's New Republic-era film. Other active projects include a Rey-centric New Jedi Order film and a new trilogy from Simon Kinberg.  Here is a breakdown of the announced Star Wars film projects:   Definite & In-Development Films Untitled Rey Skywalker Movie: Directed by Sharmeen Obaid-Chinoy, focusing on rebuilding the Jedi Order. Simon Kinberg Trilogy: A new trilogy currently in development.  Projects in Limbo or Unknown Status  Rogue Squadron: Patty Jenkins' project, previously shelved but reportedly back in consideration. James Mangold's Dawn of the Jedi: A "biblical epic" exploring the origin of the Force. Taika Waititi's Star Wars Movie: Announced, but with no firm production timeline. Lando: Originally a series, now being developed as a movie with Donald Glover. Ok I am gonna say (and WE all know far too well what a LOT of SW fans today LACK, patience .............. funny when you consider everything they learned they learned from Kenobi and Yoda LOL but anyway), I'd say the odds of a LOT of these projects seeing the light of day just SHOT up, as long as Disney's new CEO (unlike Bob the Blunder halfwit), doesn't try anything STUPID. That Hunt for Ben Solo situation told us a LOT a LOT, of what has really been a problem in Star Wars ....................... and it was NOT the internet's favorite Boogywoman, cause here's some reality for you, had she NOT taken the job at the time GL asked her *sigh* I think Star Wars would have truly come to an END   HAHAHAHA to paraphase how YODA might it "Now TWO there are ...... Filoni v Brennan a New Character Begins Days of Future Star Wars" a BRAND NEW episode of Fandom Awakens Radio starts RIGHT NOW !!!!!!!!!!!!!

Seguimos en nuestro especial dedicado al 20 aniversario de Star Wars Episodio III La Venganza de los Sith y ponemos a vuestra disposición nuestro primer bloque en abierto. Para este segundo bloque, en adelanto exclusivo para nuestros mecenas, hemos preparado un plato muy especial: analizaremos el guión del fan fiction Star Wars III Fall of The Republic. ¿Que es Fall of the Republic? Lo que fue el Episodio III alternativo En 1983, tras el estreno de Star Wars El Retorno del Jedi, empezó a circular en convenciones de fans un supuesto guión filtrado de la próxima película de la saga: Star Wars Episode III Fall of The Republic. Escrito por John L. Flynn, este falso guión contó con el beneplácito de la Lucasfilm a condición de que su autor no obtuviese ningún tipo de beneficio. Pero como de costumbre, siempre aparece algún interesado tratando de hacer negocio y esta historia empezó a venderse como un guión filtrado y real. Lo que activó las alarmas en Lucasfilm y pidió que este fan fiction quedase fuera de circulación. La caída de la República Aun así, el contenido de esta historia es muy interesante y en la Fosa del Rancor vamos a analizar por por punto las coincidencias con la Venganza de los Sith: La caída de Anakin al Lado Oscuro y su transformación en Darth Vader. El famoso duelo entre Obi-Wan Kenobi y Anakin Skywalker. El auge meteórico del Presidente Palpatine y su proclamación como Emperador. La transformación de la República en el Imperio Galáctico. La extinción de la Orden Jedi. El nacimiento de los gemelos Luke y Leia… Toda la historia del Episodio III La Venganza de los Sith, pero contada de otra manera a través de situaciones distintas con la particularidad de que Fall of the Republic se escribió 22 años antes que la película de George Lucas. Influencia de Fall of the Republic en la saga ¿Hasta qué punto pudo influir esta historia en el desarrollo posterior de La Venganza de los Sith? ¿Cuántas de las ideas de este falso guión del Episodio III se referencian en el antiguo Universo Expandido/Leyendas de Star Wars? ¡Averígualo en este especial de 3 horas cargado de afición y nostalgia! En los próximos días publicaremos la última parte de este especial. Montado y editado por Paco Villa. Para esta ocasión el equipo fosero está formado por: Ferran Lloret, Kico Cerro y Benjamín Bruña, con Josemi y Paco Villa presentando la crónica de esta Caída de la República. Un podcast hecho por fans para fans. No dejéis de soñar con galaxias lejanas y que la Fuerza os acompañe… ¡siempre! ¡Dale, Pacoto! Podéis encontrar el guión de Star Wars III Fall of the Republic en este enlace: http://theswca.com/hobbyarchive/1990/republic.html ¡Únete al canal de La Fosa del Rancor en WhatsApp! Sigue todas nuestras novedades, programas y noticias galácticas en nuestro canal oficial. ¡Consigue nuestro merchandising oficial! Si quieres llevar un pedacito de la fosa contigo, tenemos camisetas, sudaderas y otros productos pensados para fans como tú. Síguenos en redes sociales: Twitter: @lafosadelrancor Facebook: Fosa del Rancor Instagram: @lafosadelrancor ▶️ YouTube: La Fosa del Rancor TV ww.lafosadelrancor.com

In der 106. Ausgabe von VWFNO begrüßen Roland und Gerry den Althistoriker Dr. Michael Kleu. Als Experte für Antikenrezeption beleuchtet Kleu die Schnittstelle zwischen klassischer Geschichte und moderner Popkultur. Dabei erfahren die beiden unter anderem, warum Mythen, Monster und Helden der Antike auch im 21. Jahrhundert in Kino, TV, Videospielen und Literatur allgegenwärtig sind, was es mit der zeitlosen Faszination von Archetypen auf sich hat und warum die Heldenreise ein universelles Erzählmuster bleibt. Zudem gibt Kleu Einblicke in seine Arbeit als Brückenbauer zwischen akademischer Forschung und Fandom, etwa bei der Analyse antiker Strukturen in Franchises wie Star Wars oder dem Marvel Cinematic Universe. Viel Spaß

Welcome to Long Time Ago, a journey into the Marvel Star Wars Legends Comics. Our host Angus first made the jump to hyperspace and a galaxy far far away by reading Marvel Star Wars Vol 1 Issue #9 and never looked back! Travel back to 1977 into the origins of the series and discover how comics has supported fandom and in some ways shaped the Star Wars universe. This sixty-eighth episode reviews issue 54 which is the conclusion of a mashup of unused art from 'John Carter, Warlord of Mars' and an original story from legendary X-Men writer Chris Claremont! On the planet Shiva IV, the Rebels fight another battle against the Empire that they may not all escape from. We hope you enjoy this latest adventure in the journey! Please drop us a message, send us an mp3 or email to kirbyskidspodcast@gmail.com.Please share your impressions once you have read:Star Wars (1977-1986) #54⁠https://www.amazon.com/Star-Wars-1977-1986-Chris-Claremont-ebook/dp/B01498B336/Long Time Ago Reading List And Schedule For 2026Star Wars (1977-1986)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.com/gp/product/B07JJNF8JT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠January - Issue #53 February - Issue #54 March - Issue #55 April - Issue #56 May - Issue #57June - Issue #58July - Issue #59August - Issue #60September - Issue #61October - Issue #62November - Issue #63December - Issue #64Women's History Month: Louise Simonson⁠⁠⁠⁠⁠⁠⁠⁠https://www.marvel.com/articles/comics/women-s-history-month-louise-simonson⁠⁠⁠⁠⁠⁠⁠⁠Walt Simonson⁠⁠⁠⁠⁠https://starwars.fandom.com/wiki/Walter_Simonson⁠⁠⁠⁠Chris Claremont⁠https://starwars.fandom.com/wiki/Chris_Claremont⁠Leave a message at kirbyskidspodcast@gmail.comPlease join us for our 2026 Graphic Novel Reads⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2025/11/the-kids-talk-2026-kirbys-kids-graphic.html⁠⁠⁠⁠⁠⁠For detailed show notes and past episodes please visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kirbyskids.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This series is dedicated in loving memory of Charley Lippincott, who George Lucas hired in late 1975 to join the first Star Wars production as Vice President of Advertising, Publicity, Promotion & Merchandising. He is responsible for Star Wars comics becoming a reality with Marvel! The Force will be with him, always.

A long time ago, in a galaxy far, far away.... George Lucas's initial draft for the movie that became A New Hope takes flight. JW Rinzler and Mike Mayhew brought this adventure to life, and we are reflecting on the 13 years later Although some parts may look familiar, it's a whole new adventure.Covers: The Star Wars 1-8

To kick off Caravan Of Garbage in 2026 we've decided to celebrate the release of Star Wars' 49th anniversary. We're talking the original movie as it was first shown in May of 1977 with none of the Special Edition tweaks or even the addition of the title A New Hope which was added four years later. We're looking at the miracle of the movie that started it all, George Lucas' vision brought to life with the music of John Williams, special effects by ILM and the relatively unknown trio of Harrison Ford, Carrie Fisher and Mark Hamill. Thanks for watching our ReviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNVideo Edition ► https://youtu.be/DLsbJQTgAoEHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Send us a textWhat classic sci-fi space opera was both an inspiration for and later inspired by Star Wars? Flash Gordon of course! This week we return with a discussion of what is likely to be one of the only properties to have contributed to the creation of George Lucas' masterwork that would then go on to inspire a film version of Flash Gordon! We discuss the 1980 film with its warts, camp, Queen, horniness and all. It all rhymes, like poetry. Right, George? Beware of the dreaded VaJedi Mind Trick and whatever you do, do not fall into a contact Marijuana Coma while listening to this one! This episode is sponsored by our friends over at Manscrape. Turn up your headphones, dial back your sensibilities, and join the wretched hive of scum and villainy as we take the low road to resistance on Season Six, Episode Thirty Nine of Force Insensitive!Send Email/Voicemail: mailto:forceinsensitive@gmail.comDirect Voice Message: https://www.speakpipe.com/ForceInsensitiveStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: https://www.facebook.com/groups/ForceInsensitive/Twitter: http://twitter.com/ForceNSensitiveFacebook: http://facebook.com/ForceInsensitiveInstagram: http://instagram.com/ForceInsensitive

Jeremy and Boss get banned by Xbox Live, put together a galactic double feature, discuss Krillin's baldness, and determine George Lucas's favorite porno as they discuss Carlos Tobalina's The Ultimate Pleasure.

Going back to the first film of George Lucas, Holly Frey and Bryan Young do a deep dive of THX-1138. Released in 1971, this film was the springboard that almost killed Lucas's career. On the other hand, it's a masterpiece of cinema that still doesn't get the recognition it deserves. Join Holly and Bryan in this in-depth look at the making of and themes of THX-1138.

In a time long, long ago. Before Jedi and wookies or misunderstanding of parsecs, a man made a movie that was less of a film and more of a performance art piece. That director was George Lucas and that work was his directorial debut, THX 1138.This week we are joined by friend of the show Amanda Joy Moon to discuss Lucas's first feature film, a profoundly different piece from anything he ever made from that point on. Released in 1971, THX 1138 stars Robert Duvall as the eponymous THX 1138, Donald Pleasence, Don Pedro Colley, Maggie McOmie and Ian Wolfe in a piece filmed more like a documentary than a feature film depicting life in a bleak dystopian world of work, drug induced compliance, outlawed sexual and physical interaction, and the complete absorption of religion by the state and capital. We discuss the metaphorical nature of the film, Amanda offers some incredible book recommendations, and we all condemn Lucas for going back and shoving CGI remakes into this film like he did to Star Wars. Guest LinksAmanda on InstagramRiotGRRRLPrintz on InstagramRiotGRRRLPrintz on etsyLeft of the Projector LinksOfficial WebsiteLeft of the Projector on InstagramLeft of the Projector on PatreonLeft of the Projector on ThreadlessHost LinksEvan's LetterboxdBill's InstagramBill's LetterboxdWard's InstagramWard's Letterboxd

Send us a textIn today's episode, I interview Chris Lavis and Maciek Szczerbowski, directors of the Oscar-nominated short film "The Girl Who Cried Pearls." The film is a wonderful lesson in the true value of a thing and is currently one of the five nominees for Best Animated Short Film at the 98th Academy Awards.Listen to hear about the inspiration for the film that came from their previous film collaboration, the unique approach the duo took in creating the characters for the film, and how they changed the look of one of their puppets based on the casting process.Books mentioned in this episode include:The Book of Disquiet by Fernando PessoaNemesis by Agatha ChristieFilms and TV shows mentioned in this episode include:"The Girl Who Cried Pearls" directed by Chris Lavis and Maciek Szczerbowski"Madame Tutli-Putli" directed by Chris Lavis and Maciek Szczerbowski"Higglety Pigglety Pop! or There Must Be More to Life" directed by Chris Lavis and Maciek Szczerbowski"Cochemare" directed by Chris Lavis and Maciek Szczerbowski"21-87" directed by Arthur LipsettStar Wars directed by George Lucas"Street of Crocodiles" directed by Timothy Quay and Stephen Quay"When the Day Breaks" directed by Amanda Forbis and Wendy TilbyThe Third Man directed by Carol ReedBall of Fire directed by Howard HawksThe Pink Panther directed by Blake EdwardsFollow Chris and Maciek's production company on Instagram @clydehenryproductions.Support the show

Send us a textIn today's episode, the DetBlock Crew first discuss the new software program they are using for recording their podcast / stream.  There might be a few bumps along the way, as they learn and adjust, but it will allow so much more flexibility for them!They dive back into the #Maul : Shadow Lord trailer, talking about different theories or possibilities being discussed around it.  They then jump into how this could relate to #GeorgeLucas original sequel trilogy plan.To wrap it up, they play some more "Blind Rankings" games, each taking on one more topic.*This was our first episode using #OBS and #VDO.Ninja software for #streaming and recording. Apologies for any audio or technical issues as we are learning on the fly with the new programs. We'll get the kinks worked out.#StarWars #Jedi #Sith #Rebel #Empire #Republic #Force #cosplay #lightsaber #toy #nerd #geek #photography #tv #film #gamer #comic #book #movie #scifi #LucasFilm #scifi  #playstation #xbox #pcgaming #LEGO #legobuild #build #CloneWars #Rebels #Animation #Maul Social Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500 subs = Theory Sabers light saber giveaway!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)

In this episode Kathleen Kennedy retires as head of Lucasfilm, Indy returns to the Temple of Doom, we are joined by Official IndyCast correspondent Mitch Hallock, we have more Indy trivia, Chris A is back with IJ in the UK and lots more!

Dan and I discuss the importance of getting the coffee order right, working with a team, creating new tech for F1, Life of Pi, George Lucas in Love, and so much more. Dan's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on our website and on instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert

Send us a textFor today's episode, Mike & Bogie look to provide a #trailer #reaction video for the recently released 1st official #Maul: #ShadowLord teaser trailer.  On top of that, they also react to a fan film created that shows extended, or "cut scenes", of Jek #Porkins.  Come join as they watch the trailer for the first [and 2nd] time and listen to what their thoughts and opinions are as the trailer is new and fresh in their minds.  *Apologies for the audio quality issues with Mike's mic.#StarWars #Jedi #Sith #Rebel #Empire #Republic #Force #cosplay #lightsaber #toy #nerd #geek #photography #tv #film #gamer #comic #book #movie #scifi #LucasFilm #scifi  #playstation #xbox #pcgaming #LEGO #legobuild #build #CloneWars #Rebels #Animation Social Media Handles:TikTok: @DetBlockAA23Twitter: @DetBlockAA23PodInstagram: detention_block_aa_23FB Group: Detention Block AA-23: A Star Wars PodcastYouTube: Detention Block AA-23: A Star Wars #PodcastDon't forget to #SUBSCRIBE to our #YouTube channel for #podcast episodes and other content! #Prize #giveaway at 200 subs! Goal = 500 subs = Theory Sabers light saber giveaway!Sponsors:Under Pressure #BrewingGolden Valley, MNMirror Twin BrewingLexington, KYSource: #Comics & #GamesRoseville, MNStar Wars ComicsStar Wars Games: X-Wing & Armada strategy games; Star Wars: Legion strategy #gameTwin Cities Geek - Magazine & Online #CommunityMy Star Wars Life - FB Group (Join Now!)

n this episode I spoke with author Paul Fischer about his book "EP 397 The Last Kings of Hollywood: Coppola * Lucas * Spielberg and the Battle for the Soul of American Cinema".  The untold, intimate story of how three young visionaries Francis Ford Coppola, George Lucas, and Steven Spielberg revolutionized American cinema, creating the most iconic films in history while risking everything, redefining friendship, and shaping Hollywood as we know it.On sale February 10, 2026.  Pre-order your copy today.

"Extra Extra! Read all about it!" The Movie, could be the actual title of Sky Captain and the World of Tomorrow. The Transatlantic nostalgic vibes for the 30s are STRONG in this movie. Starring Jude Law and Gwyneth Paltrow, giant robots invade the world, and it's up to Sky Captain Jude Law to stop them! Along with Gwyneth Paltrow's character, who is written like you'd expect someone from the 30s would think about women. This movie is FULL of green screen. Enough to make George Lucas weep.Don't forget to join our Discord for movie nights and additional podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Last week Lucasfilm announced that Kathleen Kennedy is stepping down from her role as studio president, a position she has held since Disney's 2012 acquisition. Succeeding her are George Lucas' protégé and Ahsoka creator Dave Filoni, who will oversee the franchise's creative direction as co-president alongside former Lucasfilm General Manager Lynwen Brennan handling the business side of things. Kennedy still has an active hand as an executive producer of both Star War's next theatrical offerings: May's The Mandalorian & Grogu as well as 2027's Starfighter and will continue to produce other projects independently. Kennedy's tenure saw its fair share of highs and lows, especially contending with an often fickle fandom, but with multibillion dollar films under her belt her exit marks the end of an era.It was a surprisingly noteworthy MLK weekend box office– outside of Avatar: Fire & Ash's continuing reign, Marty Supreme became A24's top-performing film of all time with 80 million dollars domestically, surpassing Everything Everywhere All at Once, while Zootopia 2 became the highest-grossing animated film of all time globally with over 1.7 billion dollars, passing Inside Out 2. Meanwhile, Nia DaCosta's 28 Years Later: The Bone Temple opened below expectations with just 15 million dollars over the four-day weekend, falling well short of the 30-million-dollar debut of its predecessor and behind tracking projections of 20 million dollars. Despite the horror sequel's muted debut, it's been an unusually robust box office this January.Netflix has revised its $83 billion dollar deal for Warner Bros. Discovery to an all-cash transaction valued at $27.75 dollars per share, simplifying the structure to provide greater certainty of value for shareholders and accelerate the path to a shareholder vote by April. The amended deal, unanimously approved by both boards, maintains the same per-share valuation while WBD stockholders will still receive additional value from shares of Discovery Global following its spinoff, with Netflix financing the deal through cash on hand, credit facilities and committed financing. This update comes on the heels of Netflix co-CEO Ted Sarandos' renewed promise to keep WB studio films in theaters for at least 45 days before hitting streaming.Prime Video has released a first look photo of Sophie Turner as Lara Croft in the upcoming Tomb Raider series, which has begun production.Hans Zimmer, who has scored more than 500 movies and TV projects, will officially score the upcoming Harry Potter series for HBO Max in partnership with Bleeding Fingers Music, a composer collective that he co-founded.Sons of Anarchy star Ryan Hurst has been cast as main character Kratos in Amazon's upcoming God of War series, which is currently confirmed for two seasons and has begun pre-production. Teresa Palmer was also cast last week and will play Sif, Thor's wife and the goddess of family.Cate Blanchett has signed a deal to reprise her role as Viking warrior Valka in Universal Pictures' live-action How to Train Your Dragon 2.Warner Bros. has set Jorge R. Gutiérrez to direct an animated feature centering on the classic Looney Tunes character Speedy Gonzales, The Hollywood Reporter has exclusively learned.

Every reign comes to an end. After months of speculation, Lucasfilm has announced that Kathleen Kennedy will step down as President. Kathy has been President of Lucasfilm since the Disney acquisition of the company in 2012. Despite a fandom that at many times were hostile towards her, Kathy led Lucasfilm into a bright new era of Star Wars which saw so many animated shows, comics, books, live action series, and films which has expanded the mythos and helped the Galaxy reach a plethora of new fans.In her "Exit Interview" with Deadline, Kathy discusses her storied career and discuss what has happened with many cancelled projects like Steve Soderbergh and Adam Driver's The Hunt For Ben Solo, James Mangold and Beau Willimon's Dawn of The Jedi and beyond.As Kathy returns to producing (including the upcoming The Mandalorian And Grogu, and Starfighter), we salute her incredible career and wish her all the best in her future projects.While one reign ends, another begins. Kathy steps down and (as rumored) Dave Filoni and Lynwen Brennan rise. Dave will serve as President and Chief Creative Officer and Lynwen will serve as Co-President. Everyone knows about Dave's role within Lucasfilm as apprentice to George Lucas, but Lynwen's role within Lucasfilm has been equally as impressive. Lynwen has been at Lucasfilm since 1999, beginning her tenure at Industrial Light & Magic where she become its leader in 2009. She was General Manager of Lucasfilm in 2015 and President & General Manager of Lucasfilm Business in 2024. Her leadership has been recognized with a Lifetime Achievement Award from the Visual Effects Society and the honor of Commander of the Most Excellent Order of the British Empire.With this new leadership, questions and concerns arise about what we can expect from what we've called colloquially "Phase 3" of Star Wars. Join us as we celebrate Kathy's career, toast to Dave and Lynwen's new roles, and speculate about what might be in store for Star Wars future!• • •TRIAD Of The FORCE is a STAR WARS+ podcast hosted by Gus, Nani, & Chase—Puerto Rican and queer creators sharing deep dives, and heartfelt conversations from a galaxy far, far away. Featured on the STAR WARS CELEBRATION Podcast Stage (2022 & 2023), we explore STAR WARS, fantasy, comic books, and other POP-culture media honestly. We engage in inclusive commentary across film, TV, books, comics, and beyond with humor, critical analysis, and cultural perspective (without the toxicity).Follow TRIAD Of The FORCE at:BlueSky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/triadoftheforce.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/triadoftheforce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TriadoftheForce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like us, get some merch and help the channel:TeePublic: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/triad-of-the-force⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• • •Acknowledgement: The Intro and Outro music is the Triad of the Force Theme, composed and performed by Grushkov with full permission for use by Grushkov (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Grushkov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).• • •This channel is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.

MUSICJohn Mellencamp, at 74, advocates for his children to pursue happiness over traditional careers, claiming he has never encouraged them to seek jobs. https://nypost.com/2026/01/18/entertainment/john-mellencamp-shares-his-unusal-work-advice-for-his-children/ Eddie Vedder's documentary Matter of Time will debut on Netflix on February 9th. https://deadline.com/2026/01/eddie-vedder-matter-of-time-documentary-netflix-premiere-1236684750/ Noel Gallagher suggests that Oasis is returning to music production soon, indicating “back at work” remarks following the success of their 2025 reunion tour, which grossed over $400 million and spanned 41 dates worldwide. https://www.nme.com/news/music/noel-gallagher-reflects-on-oasis-live-25-reveals-hes-back-at-work-this-week-fuelling-rumours-of-new-music-3924164 FASHIONRIP: Valentino Garavani, Fashion Titan Who Dressed Pop, Hollywood, and Royal Stars, Dead at 93 https://www.rollingstone.com/culture/culture-news/valentino-garavani-dead-1235501500/ TVKelly Clarkson is expected to call it quits on her daytime talk show after the current, seventh season. https://pagesix.com/2026/01/19/entertainment/kelly-clarksons-talk-show-is-expected-to-end-after-this-season/ Stephen Graham won the Golden Globe for Best Actor in a TV Mini-Series for his role in the Netflix series "Adolescence." https://www.the-independent.com/arts-entertainment/tv/news/stephen-graham-golden-globes-lost-b2903242.html Dos Equis is bringing back its popular commercial character, "The Most Interesting Man in the World." https://parade.com/food/dos-equis-most-interesting-man-in-the-world-is-back AND FINALLY There's a list online of movie facts that people commonly get wrong. Here are some highlights:1. Robert Downey Jr. did not improvise the line "I am Iron Man". It's in the "Iron Man" script.2. There isn't a DEAD munchkin hanging in the background "The Wizard of Oz". It's a bird, and you can see it move like a bird.3. In "Titanic", Jack could physically fit on the door, but it wouldn't have supported him and Rose. The main point of the scene was Jack's sacrifice, not carpentry.4. John Travolta's briefcase in "Pulp Fiction" does not have a secret meaning. Quentin Tarantino has said the glow is just for storytelling.5. George Lucas did not plan "Star Wars" from the beginning. Darth Vader was not intended to be Luke's father when he made the first film.6. Harrison Ford did not accidentally "shoot" the swordsman in "Raiders of the Lost Ark". It was planned. They wanted to simplify the scene by just having Indy end it with a quick bullet. Follow The Rizzuto Show → https://linktr.ee/rizzshow Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kathleen Kennedy finally steps away from Star Wars. She damaged the brand more than anyone could have imagined. In this final video (i hope) I deep dive through her latest interview where she actually discusses the Star Wars community and fandom and reveals just how out of touch she is. I hope this video brings my perspective to the table on how Kathleen Kennedy has treated George Lucas' story, or rather, mistreated. THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/... Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/... HATS and MERCH - https://www.theorysabers.com/products... Facebook: https://www.facebook.com/profile.php?... SPOTIFY Daily Podcast Episodes - https://open.spotify.com/show/1j8jTU5... Apple Podcasts Star Wars Theory - https://apple.co/3Z0qBQE Learn more about your ad choices. Visit megaphone.fm/adchoices

This month's Out Now with Aaron and Abe commentary track wants you to get that hot rod ready for the real race. The Brandon Peters Show's Brandon Peters, The Milky Way Blues' Yancy Berns, and Movies, Films & Flix's Mark Hofmeyer join Aaron to discuss American Graffiti, the coming-of-age hit from director George Lucas. This is the first entry in Out Now's “Teenage Wasteland” series of commentaries. Listen in as the group discusses this nostalgic classic that hits all the right beats, with plenty of style and tunes. Plus, there are many stories about the making of the film, the hosts' connection to the movie, various tangents, and so much more. So now, if you've got an hour to kill… Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @MHofmeyer, @Brandon4KUHD, @YancyJack Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Deep Blue Sea the Pod, The Milky Way Blues Watch the trailer for American Graffiti Next Month: The Breakfast Club (1985)

BREAKING NEWS: Kathleen Kennedy's control of Lucasfilm and Star Wars has come to an end. We review some telling highlights from Kathy's exit interview and discuss her Star Wars legacy. With Dave Filoni taking charge of Lucasfilm, does this mean George Lucas will return to the fold? We share our thoughts. Disney revealed a facelift is coming to Star Wars: Galaxy's Edge at Disneyland as Original Trilogy characters and situations will be incorporated into the theme park this April. We review all the information about the changes and offer our opinions. Star Wars: Starfighter will feature lightsaber duels and none other than Tom Cruise stopped by the set to jump behind the camera to shoot a sequence. We look at a fresh interview with director Shawn Levy and speculate which characters will be involved in the duel and why. Mark Hamill recently discussed The Force Awakens and the lack of a reunion between Han, Luke and Leia. Find out why such a get together never materialized. Plus, we got interview highlights from Mia Goth, Oscar Isaac and more!

In front of an audience at the SAG-AFTRA Foundation, the Australian actor/writer/director reflects on how he wound up in George Lucas' second 'Star Wars' trilogy, his memorable turns in art house standouts like 'Warrior' and Loving,' and the challenges and rewards of giving a largely dialogue-free performance in Clint Bentley's adaptation of Denis Johnson's 2011 novella about a laborer in the early 20th-century American West. Learn more about your ad choices. Visit megaphone.fm/adchoices

Best of WIO: Stephen Colbert (Recorded January 2025)This week the legendary Stephen Colbert returns to the podcast. Mike and Stephen discuss the behind-the-scenes of Stephen's Late Night job as well as his Chicago improv days. Stephen talks wisdom passed down to him by David Letterman, Del Close, and Mike Nichols, and shares what makes him cry most easily. Plus, Stephen's thoughts on meeting George Lucas and the Pope.Please consider donating to Radio Lollipop Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Long ago, in a galaxy not so far away, George Lucas allowed the Star Wars Holiday Special to be made. What happened on the night of November 17, 1978 can never be fully explained, but we make our best effort in our annual special edition of SYSK. May the force be with us all.See omnystudio.com/listener for privacy information.