Podcasts about Panavision

Dan, Manny, & Billy welcome writer and director Jonathan Salemi to talk all about filming the indie action drama film The Last Deal. “A couple places ran with the headline, [The Last Deal] is the biggest guerrilla film in the last two decades. I have no proof of that or against it, but I'd say we're definitely in the running.” -Jonathan Salemi This episode of Nostalgia 101 is a detailed lesson from writer and director Jonathan Salemi on what it takes to make an indie film in the recent state of the movie industry. Jonathan starts with his experience interning at Sony Pictures to field producing for major networks like Lifetime and History Channel. He talks about the many stories behind filming The Last Deal guerrilla style in LA during the COVID-19 lockdowns, the true story that inspired the movie, and his experience shooting in various LA locations without permits. Jonathan answers the guys' questions about specific scenes in the movie, he shares some behind-the-scenes anecdotes and what went into casting. They end the episode with Jonathan's upcoming project and his ranking of the Rocky movies. There's so much more! Email us (thenostalgiatest@gmail.com) your thoughts and opinions about this episode and we'll talk about them on a future episode.   Jonathan Salemi is a feature film director, writer and producer. The complete filmmaker. His recent feature THE LAST DEAL screened in theaters across the U.S. in 2023 and was picked up by Starz and Encore. The film was featured in The New York Times “5 Action Films to Stream Now”. Previously, Jonathan hasproduced for network television ("Married at First Sight" on LIFETIME), directed three Academy Award qualifying short films including a short-listed Best Live Action Short Film at the Academy Awards, and he's directed three feature documentaries.   He got his start as an intern at Sony Picture Studios for Academy Award winning producer Douglas Wick. During that time, Jonathan directed his first feature film via a grant from Panavision and Kodak and four walled the film for a week on Sunset Blvd.     The Last Deal on Tubi and Amazon.  www.TheLastDealMovie.com   The Last Deal Socials IG: @TheLastDealMovie FB: @TheLastDealMovie Twitter: @TheLastDealFilm TikTok: @TheLastDealMovie           APPROXIMATE RUN OF SHOW: 00:00 Introduction and Welcoming the Guest 01:28 Discussing the Movie 'The Last Deal' 03:12 Jonathan's Background and Filmmaking Journey 09:15 Making a Movie During COVID-19 14:40 Gorilla Filmmaking Techniques 17:31 Behind the Scenes and Challenges 23:15 Character and Scene Insights 35:04 Discussing the Hitman Scene 36:16 Writing and Filmmaking Insights 36:52 Alternate Movie Universes 37:20 Unexpected Plot Twists 38:12 Casting and Character Roles 39:07 Challenges During Filming 40:28 Budget and Distribution Success 41:41 Industry Recognition and Opportunities 45:59 Future Projects and Exciting Plans 53:15 Rocky Movie Rankings 58:59 Final Thoughts and Farewell   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We are the most dedicated guests! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Stability AI brings VFX legend Rob Legato on board as Chief Pipeline Officer while launching a new virtual camera tool,  Sony enters the camera tracking market with OCELLUS, and we analyze the downsizing at Panavision and Village Roadshow's bankruptcy filing. 

Id like to “excise” the asshole that came up with the “excise tax” from planet earth. I'm so tired of arbitrary and ever-growing surcharges for almost everything conceivable. Stop casting Michael Fassbender as an urbane spy and/or hitman. I've had it with “Grandma-la Anderson;” PUT SOME MAKE UP ON, YOU FUCK. The stranded astronauts came back to earth, but there's more to this story than we really got. No one cares about JFK assassination. I spend a lot of time talking about 70s crime film “Prime Cut.”

This is our interview with Canadian Director of Photography Jessica Lee Gagné, the visionary behind the striking visuals of Severance, the Apple TV+ original series. In Season 2, she makes her directorial debut with Episode 7, entitled Chikhai Bardo, and we dive into the intricacies of her work—exploring the meticulous attention to detail that shapes the dual worlds of Severance, from the sterile halls of Lumon to the eerie town of Kier. We also geek out over her favourite lenses and techniques, and she shares what she set out to express about herself through her directorial debut.Season 2 of Severance is now streaming on Apple TV+! Don't miss Episode 7, premiering February 28. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

Si tratta di un film storico che trae il proprio soggetto dal romanzo Le memorie di Barry Lyndon di William Makepeace Thackeray. Nonostante all'uscita nelle sale non abbia prodotto incassi cospicui, Barry Lyndon è oggi considerato uno dei migliori film di Kubrick e una delle più importanti opere cinematografiche di tutti i tempi. Per creare un'opera il più possibile realistica, Kubrick trasse ispirazione dai più famosi paesaggisti del XVIII secolo per scegliere le ambientazioni dei set. Le riprese vennero effettuate nel Regno Unito, Irlanda e Germania. Le scene e i costumi vennero ricavati da quadri, stampe e disegni d'epoca; grazie a questa attenzione ai dettagli, il film ottenne i premi Oscar alla migliore fotografia (John Alcott), alla migliore scenografia (Ken Adam) e ai migliori costumi (Milena Canonero e Ulla-Britt Soderlund) nel 1976. Le riprese vennero invece eseguite con l'ausilio della sola luce naturale o, tutt'al più, delle candele e delle lampade a olio per le riprese notturne. Questa scelta implicò l'utilizzo di lenti rivoluzionarie, studiate dalla Zeiss per la NASA (come lo Zeiss Planar 50mm f/0.7, uno degli obiettivi più luminosi mai realizzati nella storia della fotografia), e di nuove macchine da presa messe a punto dalla Panavision. Il film di questo episodio è “Barry Lyndon”. Con la partecipazione di Lucia Pareti (Cast), Mariangela Ungaro (Colonna sonora), Fernanda Cherubini (Cast), Giulio Tiezzi (Critica), Marco Pieroni (Trama), Bruna Iacopino (Copertina).

Cinematographer Alice Brooks, ASC was in post on In The Heights four years ago when director Jon M. Chu let her know their next project together was adapting the world-famous Broadway musical, Wicked. With such a huge fan base, Alice and Chu wanted to make sure they respected the musical, but they both wanted to find a dynamic, filmic way to approach the material. “John kept instilling in us, don't make the obvious choices,” Alice says. “We were all creating a world of Oz together that no one had ever seen before, that was magical and wondrous and a little bit different.” Alice chose to go back to the source material for inspiration- the Oz books by L. Frank Baum. “Every single paragraph has an incredibly rich color description. Beautiful, poetic, just the world of Oz in color. It's unbelievable. And color means something, color is symbolism in Oz. No color is arbitrary.” Alice embraced all the colors of the rainbow for Wicked. They chose the color palette of pink and green for Glinda (Ariana Grande) and Elphaba (Cynthia Erivo), with pink hued lighting to represent hope and connection between the two characters. In Wicked, good and evil are not as clearly defined as in typical fairy tales, since it's the origin story of how Elphaba becomes the wicked witch. Alice knew she could play with light and contrast between the two characters. Sunrise lighting would represent Glinda, while sunset and darkness represented Elphaba. Alice made notes in the script for time of day as references for each character. She worked closely with gaffer David Smith to create complex lighting cues throughout the film to match sunrise for Glinda and sunset and darkness for Elphaba. Early on, the production team discussed how to create the magical world of Oz without relying on bluescreens or virtual production. In London, they built real, massive, practical sets just like in old Hollywood movies. Alice remembers that Wicked used 17 sets that were 85 feet by 145 feet, with four huge backlots: Munchkinland, Shiz University, the train station, and Emerald City. Each was the size of four American football fields. “We had real tangible spaces to light and to create in,” she says. “And we didn't live in a blue screen world that so many movies do these days.” To create just the right green skin tone for actress Cynthia Erivo, Alice and makeup designer Frances Hannon did several makeup and lighting tests on different shades of green. It took a lot of trial and error to find the right shade of green- many hues simply looked like paint, or appeared grayish under the lights. As the DP, Alice also had to choose what lenses Wicked would use to capture both the scope and intimacy of the story. She worked with Dan Sasaski, Panavision's senior vice president of optical engineering and lens strategy, to create the Ultra Panatar II series of lenses for the film. For closeups, Alice chose a 65 mm lens for Cynthia Erivo and a 75mm lens for Ariana Grande because she found that a slightly different focal length for each actress worked best, due to the different shapes of their faces. Find Alice Brooks: Instagram @_alicebrooks_ Hear our previous interview with Alice Brooks on In the Heights. https://www.camnoir.com/ep130/ Wicked is currently in theaters. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

In this episode, we chat with Larkin Seiple, the visionary cinematographer behind some of the most iconic visuals in recent film and music video history. Larkin discusses his early years working in reality television and shooting over 100 music videos. We break down his work on viral music videos like DJ Snake's "Turn Down for What" and Childish Gambino's "This is America". We also explore his long-time collaborations with directors Hiro Murai, The Daniels, and Jon Watts. Finally, we dive into some of his recent feature film work, including Everything Everywhere All at Once and Wolfs. This episode is sponsored by Soundstripe, Panavision and Film Tips Pro.

Welcome to the DMF. Where I try to find out what motivates people behind the scenes in the world of acting and entertainment. Today on the podcast I am talking to Paul Todisco. He is a director and we are talking his film: Freak Talks About Sex. As always you can reach me on Twitter, Instagram, and Facebook with my name Justin Younts. Thank you for listening and sit back and enjoy. Welcome to the DMF. I'm Justin Younts. This is part three. So, how does Freak Talks About Sex come about? It all started when I was searching for my first movie to make. I met Jim Daddabo, a good friend of mine now, who produced Freak Talks About Sex. We bonded over our shared hometown of Syracuse and his college roommate's unpublished novel, which inspired the film. The journey to finance the movie was challenging, taking two years and involving various investors. We shot it on 35mm Panavision cameras, a point of pride for us at the time. The film captures the essence of Syracuse living and the struggles of young adulthood, reminiscent of films like Kicking and Screaming and Clerks. I aimed for authenticity in the dialogue, ensuring it felt real and relatable. The film explores themes of apathy and the longing for escape, resonating with today's generation. Despite some challenges with the final cut and music choices, I believe the heart and soul of the film remain intact. The title, Freak Talks About Sex, was a fun and quirky choice, but it faced pushback from distributors who wanted to change it to something less provocative. This experience highlights the conservative attitudes towards such topics in the industry at the time. Overall, I hope the film speaks to viewers and encourages them to reflect on their own lives and choices. 00:00:00 - Introduction 00:00:10 - How Freak Talks About Sex Came About 00:01:45 - Challenges in Financing and Making the Movie 00:02:48 - Discussion on the Movie's Style and Dialogue 00:05:01 - The Setting of the Movie 00:05:53 - Discussion on the Character's Development 00:10:31 - The Authenticity of the Acting 00:11:50 - Thoughts on Possible Changes to the Film 00:15:05 - Discussion on the Title of the Movie 00:15:30 - Reflections on the Movie's Title 00:16:09 - The Misconceptions Around the Movie's Title 00:16:36 - The Challenges of Filming in Public Locations 00:17:17 - Humorous Thoughts on Filming in a Mall 00:17:53 - Closing Remarks and Call to Action

In this episode, Richard Crudo, the cinematographer, and Esther Woodworth, the 1st Assistant Camera for the Ray Tracing FTW short film, share their journey working on the groundbreaking project. We take a deep dive into the dynamics of the camera crew, exploring how different departments like lighting and grip collaborate to bring a director's vision to life. Esther provides insight into her passion for cameras, and the duo sheds light on their roles and teamwork on set. Richard and Esther discuss their approach to shooting Ray Tracing FTW, detailing their experience working with LED volumes to seamlessly blend live-action with digital environments. They also talk about using the ARRI Alexa 35 paired with vintage Panavision lenses to create a classic 1970s film look while leveraging the flexibility and precision of modern technology. Throughout the conversation, they reflect on the balance of creativity and technical expertise and share their favorite moments from filming the short. This is a must-listen episode for anyone wanting to get a better idea of the right way to shoot ICVFX.

Have you ever wondered what it's like to repurpose Tesla batteries for lighting equipment? Have you thought about influencing the local market value of RED Komodo cameras? Or maybe you've come here to improve your photography skills because you didn't study hard enough at your local CVS. No matter what you're here for, Josh Libertine has done it all. These days he's busy directing some of the largest music videos in Los Angeles, but he's come a long way from once living out of his car. Learn about his full journey in this episode of the CinePacks Podcast!Follow Josh –https://www.instagram.com/directedbyjoshua?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==00:00:00 - Introduction to the episode and guest Joshua Libertine.00:00:34 - Josh's start in photography: From high school flowers to fashion photography.00:02:27 - The Memphis years: Knocking on doors and learning the value of networking.00:03:07 - The impact of Young Dolph and the transition to video.00:04:37 - Studying lighting at CVS and learning photography through unconventional means.00:10:27 - Moving to Chicago and the dramatic life events that led him back to LA.00:13:23 - Working as a P.A. on the CBS lot and sleeping in a car to save money.00:20:14 - Innovating on a budget: Buying Tesla batteries to save on gear costs.00:27:10 - Sneaking into Panavision to learn about cameras and lenses.00:36:34 - The pivot to music videos during COVID and rebuilding after a robbery.00:44:22 - Directing a high-budget commercial and the chaos of losing a location on shoot day.00:50:36 - Collaboration with WWE and the challenge of large-scale productions.00:54:08 - Directing for Empire Africa and creating unique concepts under pressure.01:00:09 - Josh's advice to upcoming filmmakers: The importance of networking and possibly film school.01:04:45 - Closing thoughts: No shortcuts in filmmaking and looking out for your own growth.Support the show

Culture Clash Live EP. 256: Time Travel Spotlight: "Time After Time" (1979), Alien: Romulus (2024) Review & Fandom News! Watch the video on the Fandom Podcast Network YouTube Channel: https://www.youtube.com/c/FandomPodcastNetwork On this episode of Culture Clash we return to the Time Travel Spotlight with 1979's "Time After Time".  Time After Time is a 1979 American science fiction film written and directed by Nicholas Meyer and starring Malcolm McDowell, David Warner, and Mary Steenburgen. Filmed in Panavision, it was the directing debut of Meyer, whose screenplay is based on the premise from Karl Alexander's novel Time After Time (which was unfinished at the time) and a story by Alexander and Steve Hayes. The film presents a story in which British author H. G. Wells uses his time machine to pursue Jack the Ripper into the 20th century. We also review the summer's newest entry into the Alien franchise, Alien: Romulus (2024), which includes the Alien: Romulus Popcorn Bucket crusade update! We will also look at the recent Fandom News and Reviews! Let's do this thing! Fandom Podcast Network Contact Info: PLEASE SUBSCRIBE to the Fandom Podcast Network on YouTube! Like and share! https://www.youtube.com/c/FandomPodcastNetwork Our master feed for all of our audio podcasts can be found on Podbean: - https://fpnet.podbean.com/ - The Fandom Podcast Network can stream and download on the Podbean app The Fandom Podcast Network is on all major podcast platforms, which includes: Apple Podcasts / iTunes Contact Information: - Facebook: Fandom Podcast Network - Email: fandompodcastnetwork@gmail.com - Instagram: @FandomPodcastNetwork - X (Twitter): @FanPodNetwork Host & Guests Contact Info On Social Media - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd - Kevin Reitzel on X, Instagram, Threads, Discord & Letterboxd: @spartan_phoenix - Lacee Aderhold on X: @LaceePants / Instagram: @thelaceepants / Letterboxd: @Laceepants. #CultureClash #CiltureClashLive #TheFandomPodcastNetwork #FPNet #FPN #AlienRomulus2024 #AlienRomulus #AlienRomulusMovie #AlienRomulusPopcornBucket #AlienRomulusReview #TimeTravel #TimeTravelSpotlight #TimeAfterTime #TimeAfterTime1979 #TimeAfterTimeMovie #NicholasMeyer #MalcolmMcDowell #DavidWarner #MarySteenburgen #KarlAlexander #HGWells #SarahPaulson #JackTheRipper #AlexanderHayes #SteveHayes #KevinReitzel #KyleWagner #LaceeAderhold  

Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Pour l'arrivée de l'été, on a décidé de ne pas vous parler de météo, de cul, de sexe et un peu de cinéma quand même avec le culte Sexcrimes, thriller érotique devenu un symbole de la représensatation du sexe et des codes de la beauté à la fin des années 90's. Sexcrimes ou Wild Things en VO ou Les Racoleuses dans le pays de Céline est réalisé par John McNaughton sur un script écrit par Stephen Peters produit par Mandalay Entertainment et Sony Pictures avec un budget de 20M de dollars et distribué sous le label de la Columbia Pictures. A la photo c'est Jeffrey L.Kimball derrière la photo de Mission Impossible 2, Top Gun, True Romance et L'Echelle de Jacob qui choisit de tourner en 35mm Panavision qui donne au film un aspect grandiloquent avec son ratio 2.40:1 absolument maboule. Sam Lombardo interprété par Matt Dillon est conseiller d'orientation sur le campus de la petite communauté de Blue Bay en Floride. Les étudiantes ne sont pas insensibles à son charme. Un jour l'une d'entre elles, Kelly sous les traits de Denise Richards, l'accuse de l'avoir violée. Au cours de l'enquête, une autre élève avoue avoir aussi été violée. Or, lors du procès survient un retournement de situation. Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs La liste de la Shitlist sur Senscritique https://www.senscritique.com/liste/la_shitlist/3657768? La liste de la Shitlist sur Letterboxd par WongKarWaifu https://boxd.it/pQN3e Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Si vous souhaitez soutenir ou aider notre Podcast Shitlist gratuitementNous vous demandons simplement de mettre des commentaires 5 étoiles avec un joli commentaire sur Apple Podcasts, Itunes ou Podcast Addict en vous remerciant par avance. Par ailleurs vous avez toujours la possibilité de nous envoyer vos suggestions de sujet pour qu'on en parle dans l'émission à l'adresse suivante shitlistpodcast@gmail.com Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtube Ne ratez aucun numéro, suivez-nous sur Twitter et Instagram Chroniqueur.e.es : Emmanuelle PEUDON et présenté par Luc LE GONIDEC Host : Luc LE GONIDECMusique Jean Baptise BLAISMontage et mixage son : Luc LE GONIDEC

RobChrisRob regrouped to yammer about Dan Harmon coming on board the live action One Punch Man, the couple who got accidentally divorced thansk to computer error, the 1950s Panavision 70 stylized Matrix trailer, a new security camera that shoots paintball, Linus inserting tabs into code to break badly coded kconfig parsers, the Putty encryption security hole, NASA confirmed that the florida house WAS hit by space junk a few weeks ago, $10M in gold disguised as painted machine parts, a web page chronicling an unending stream of failures to properly center things in user interfaces, Elon Musk announces plans to charge to post on Xitter, and Tesla's truck apparently don't fare so well in Car Washes... we also ended up by heaping praise on the new Fallout TV show which. Join our discord to talk along or the Subreddit where you will find all the links https://discord.gg/YZMTgpyhB https://www.reddit.com/r/TacoZone/

Today we're joined by my friend Michael Cioni to talk about his new company Strada. Michael is a serial entrepreneur who's career includes numerous awards for his creative work and technical achievements. He is an accomplished director, cinematographer, musician, four-time Emmy winner, member of the Motion Picture Academy, and Associate Member of the American Society of Cinematographers. A U.S. patent holder of digital cinema technology, Michael was the founder and CEO of the post house Light Iron where he pioneered tools and techniques that emerged as global workflow industry standards. After Light Iron was acquired by Panavision, Michael served as product director for Panavision's Millennium DXL 8K camera ecosystem. He then joined the cloud startup company Frame.io where he served as Senior Vice President of Global Innovation at Frame.io. After Frame.io was acquired by Adobe, Michael he leads numerous workflow innovations including the breakthrough Camera to Cloud technology program as Senior Director of Global Innovation. He continues to be motivated by the desire to democratize professional workflows and focuses his efforts on inventing new ways for filmmakers to create through his technology. Michael is a well known and gifted speaker, advocate for the community, and serves as a mentor and educator throughout the global media industry. Enjoy! Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.frameandrefpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for everything F&R You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Michael Cioni is one of the film industry's most influential people in digital cinema and post production technology. He is uniquely gifted at identifying and following fads that turn into trends, and trends that convert into industry standards. Michael was always drawn to the challenge of helping filmmakers figure out their best workflows. “I really wanted to embody knowledge to help workflows, so that I could inform customers, partners and filmmakers. And then together we would figure out what's the best recipe for this particular film.” Michael began his career at post house Plaster City, then co-founded the post house Light Iron, which was acquired by Panavision. He then worked for Frame.io where he found several workflow shortcuts, including Camera to Cloud. Shortly after Adobe acquired Frame.io, Michael started paying closer attention to a new trend: AI. Last year he decided to leave Frame.io and together with his brother Peter, they founded Strada. With Strada, Michael wants to enable creative professionals the freedom to work entirely from the cloud, using helpful AI tools. “The most lucrative, and I think the most useful forms of AI is in utilitarian tasks. The first major part of filmmaking workflow that Strada wants to use AI to eliminate is the mundane aspects of creating a story. If creative people can get rid of the boring, mundane, repeatable, low-skill stuff, then it means we have more time to do the satisfying, creative, fun stuff.” Strada can transfer assets from cloud to cloud without having to download them and then reupload them. Using AI, Strada can provide a transcription and a translation of narrative content early and up front. It can also tag and analyze images so that it's easy to search using just one word for a specific scene, saving hours in the editing process. Plus, all the work can be done remotely, from any location, because everything is stored in the cloud. Strada is currently still in private beta but anyone can apply to try it. If you have a project you're working on, go to Strada's website to contact them about trying out the beta version. The company plans to start rolling out the public beta by fall 2024. The entire Strada team will be at NAB Las Vegas next week April 13-17 at the Atlas Lens Co. booth in Central Hall C5539 to provide live demos of the AI-powered workflow technology platform and allow filmmakers to test out Strada's capabilities firsthand. Find Michael Cioni: Instagram: @michaelcioni Strada: https://strada.tech/ Sponsored by Hot Rod Cameras www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Zuckerberg gave his thoughts on the Apple Vision Pro headset and firmly believes the Meta Quest 3 is the superior product: what a shock! Apple responds to Meta's plan to charge a 30% fee to advertisers that purchase boosted posts through Apple's App Store. Apple filmed the NBA Slam Dunk Contest for the Apple Vision Pro. And Apple finally confirms that you should not use rice to dry out your phone. Apple fans are starting to return their Vision Pros Apple Vision Pro supports Panavision 70 films. Zuckerberg says Quest 3 is 'the better product' vs. Apple's Vision Pro. EU to hit Apple with €500mn penalty in first ever music streaming fine. Apple responds to Meta's plan to charge 30% fee on boosted posts purchased through App Store. There's another fake cypto app on the App Store. Supreme Court sides with Apple in $503M VirnetX lawsuit, ending decade-long battle. Cox Communications wins order overturning $1 bln US copyright verdict. Rice is not included in Apple's official guidance for a wet phone. NBA Slam Dunk Contest filmed for Apple Vision Pro. Usher takes fans behind-the-scenes of 2024 Super Bowl Halftime Show in Apple Music mini-doc. Apple Vision Pro 2 release date sooner than expected, insider claims. Apple in 2023: The Six Colors report card. Gruber: Apple was 'effectively forced' by China to bring RCS to iPhone. Analyzing Apple Vision Pro as an accessibility engineer. Apple Music Replay updated with monthly stats views, 2024 Replay Mix available starting today. Picks of the Week: Alex's Pick: Animoog Galaxy Jason's Pick: Logitech Circle View Camera Leo's Pick: Think Python 3rd edition Andy's Pick: Nimona Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: joindeleteme.com/twit promo code TWIT wix.com/studio for MacBreak Weekly kolide.com/macbreak

Zuckerberg gave his thoughts on the Apple Vision Pro headset and firmly believes the Meta Quest 3 is the superior product: what a shock! Apple responds to Meta's plan to charge a 30% fee to advertisers that purchase boosted posts through Apple's App Store. Apple filmed the NBA Slam Dunk Contest for the Apple Vision Pro. And Apple finally confirms that you should not use rice to dry out your phone. Apple fans are starting to return their Vision Pros Apple Vision Pro supports Panavision 70 films. Zuckerberg says Quest 3 is 'the better product' vs. Apple's Vision Pro. EU to hit Apple with €500mn penalty in first ever music streaming fine. Apple responds to Meta's plan to charge 30% fee on boosted posts purchased through App Store. There's another fake cypto app on the App Store. Supreme Court sides with Apple in $503M VirnetX lawsuit, ending decade-long battle. Cox Communications wins order overturning $1 bln US copyright verdict. Rice is not included in Apple's official guidance for a wet phone. NBA Slam Dunk Contest filmed for Apple Vision Pro. Usher takes fans behind-the-scenes of 2024 Super Bowl Halftime Show in Apple Music mini-doc. Apple Vision Pro 2 release date sooner than expected, insider claims. Apple in 2023: The Six Colors report card. Gruber: Apple was 'effectively forced' by China to bring RCS to iPhone. Analyzing Apple Vision Pro as an accessibility engineer. Apple Music Replay updated with monthly stats views, 2024 Replay Mix available starting today. Picks of the Week: Alex's Pick: Animoog Galaxy Jason's Pick: Logitech Circle View Camera Leo's Pick: Think Python 3rd edition Andy's Pick: Nimona Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: joindeleteme.com/twit promo code TWIT wix.com/studio for MacBreak Weekly kolide.com/macbreak

Zuckerberg gave his thoughts on the Apple Vision Pro headset and firmly believes the Meta Quest 3 is the superior product: what a shock! Apple responds to Meta's plan to charge a 30% fee to advertisers that purchase boosted posts through Apple's App Store. Apple filmed the NBA Slam Dunk Contest for the Apple Vision Pro. And Apple finally confirms that you should not use rice to dry out your phone. Apple fans are starting to return their Vision Pros Apple Vision Pro supports Panavision 70 films. Zuckerberg says Quest 3 is 'the better product' vs. Apple's Vision Pro. EU to hit Apple with €500mn penalty in first ever music streaming fine. Apple responds to Meta's plan to charge 30% fee on boosted posts purchased through App Store. There's another fake cypto app on the App Store. Supreme Court sides with Apple in $503M VirnetX lawsuit, ending decade-long battle. Cox Communications wins order overturning $1 bln US copyright verdict. Rice is not included in Apple's official guidance for a wet phone. NBA Slam Dunk Contest filmed for Apple Vision Pro. Usher takes fans behind-the-scenes of 2024 Super Bowl Halftime Show in Apple Music mini-doc. Apple Vision Pro 2 release date sooner than expected, insider claims. Apple in 2023: The Six Colors report card. Gruber: Apple was 'effectively forced' by China to bring RCS to iPhone. Analyzing Apple Vision Pro as an accessibility engineer. Apple Music Replay updated with monthly stats views, 2024 Replay Mix available starting today. Picks of the Week: Alex's Pick: Animoog Galaxy Jason's Pick: Logitech Circle View Camera Leo's Pick: Think Python 3rd edition Andy's Pick: Nimona Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: joindeleteme.com/twit promo code TWIT wix.com/studio for MacBreak Weekly kolide.com/macbreak

Zuckerberg gave his thoughts on the Apple Vision Pro headset and firmly believes the Meta Quest 3 is the superior product: what a shock! Apple responds to Meta's plan to charge a 30% fee to advertisers that purchase boosted posts through Apple's App Store. Apple filmed the NBA Slam Dunk Contest for the Apple Vision Pro. And Apple finally confirms that you should not use rice to dry out your phone. Apple fans are starting to return their Vision Pros Apple Vision Pro supports Panavision 70 films. Zuckerberg says Quest 3 is 'the better product' vs. Apple's Vision Pro. EU to hit Apple with €500mn penalty in first ever music streaming fine. Apple responds to Meta's plan to charge 30% fee on boosted posts purchased through App Store. There's another fake cypto app on the App Store. Supreme Court sides with Apple in $503M VirnetX lawsuit, ending decade-long battle. Cox Communications wins order overturning $1 bln US copyright verdict. Rice is not included in Apple's official guidance for a wet phone. NBA Slam Dunk Contest filmed for Apple Vision Pro. Usher takes fans behind-the-scenes of 2024 Super Bowl Halftime Show in Apple Music mini-doc. Apple Vision Pro 2 release date sooner than expected, insider claims. Apple in 2023: The Six Colors report card. Gruber: Apple was 'effectively forced' by China to bring RCS to iPhone. Analyzing Apple Vision Pro as an accessibility engineer. Apple Music Replay updated with monthly stats views, 2024 Replay Mix available starting today. Picks of the Week: Alex's Pick: Animoog Galaxy Jason's Pick: Logitech Circle View Camera Leo's Pick: Think Python 3rd edition Andy's Pick: Nimona Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: joindeleteme.com/twit promo code TWIT wix.com/studio for MacBreak Weekly kolide.com/macbreak

Zuckerberg gave his thoughts on the Apple Vision Pro headset and firmly believes the Meta Quest 3 is the superior product: what a shock! Apple responds to Meta's plan to charge a 30% fee to advertisers that purchase boosted posts through Apple's App Store. Apple filmed the NBA Slam Dunk Contest for the Apple Vision Pro. And Apple finally confirms that you should not use rice to dry out your phone. Apple fans are starting to return their Vision Pros Apple Vision Pro supports Panavision 70 films. Zuckerberg says Quest 3 is 'the better product' vs. Apple's Vision Pro. EU to hit Apple with €500mn penalty in first ever music streaming fine. Apple responds to Meta's plan to charge 30% fee on boosted posts purchased through App Store. There's another fake cypto app on the App Store. Supreme Court sides with Apple in $503M VirnetX lawsuit, ending decade-long battle. Cox Communications wins order overturning $1 bln US copyright verdict. Rice is not included in Apple's official guidance for a wet phone. NBA Slam Dunk Contest filmed for Apple Vision Pro. Usher takes fans behind-the-scenes of 2024 Super Bowl Halftime Show in Apple Music mini-doc. Apple Vision Pro 2 release date sooner than expected, insider claims. Apple in 2023: The Six Colors report card. Gruber: Apple was 'effectively forced' by China to bring RCS to iPhone. Analyzing Apple Vision Pro as an accessibility engineer. Apple Music Replay updated with monthly stats views, 2024 Replay Mix available starting today. Picks of the Week: Alex's Pick: Animoog Galaxy Jason's Pick: Logitech Circle View Camera Leo's Pick: Think Python 3rd edition Andy's Pick: Nimona Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: joindeleteme.com/twit promo code TWIT wix.com/studio for MacBreak Weekly kolide.com/macbreak

Zuckerberg gave his thoughts on the Apple Vision Pro headset and firmly believes the Meta Quest 3 is the superior product: what a shock! Apple responds to Meta's plan to charge a 30% fee to advertisers that purchase boosted posts through Apple's App Store. Apple filmed the NBA Slam Dunk Contest for the Apple Vision Pro. And Apple finally confirms that you should not use rice to dry out your phone. Apple fans are starting to return their Vision Pros Apple Vision Pro supports Panavision 70 films. Zuckerberg says Quest 3 is 'the better product' vs. Apple's Vision Pro. EU to hit Apple with €500mn penalty in first ever music streaming fine. Apple responds to Meta's plan to charge 30% fee on boosted posts purchased through App Store. There's another fake cypto app on the App Store. Supreme Court sides with Apple in $503M VirnetX lawsuit, ending decade-long battle. Cox Communications wins order overturning $1 bln US copyright verdict. Rice is not included in Apple's official guidance for a wet phone. NBA Slam Dunk Contest filmed for Apple Vision Pro. Usher takes fans behind-the-scenes of 2024 Super Bowl Halftime Show in Apple Music mini-doc. Apple Vision Pro 2 release date sooner than expected, insider claims. Apple in 2023: The Six Colors report card. Gruber: Apple was 'effectively forced' by China to bring RCS to iPhone. Analyzing Apple Vision Pro as an accessibility engineer. Apple Music Replay updated with monthly stats views, 2024 Replay Mix available starting today. Picks of the Week: Alex's Pick: Animoog Galaxy Jason's Pick: Logitech Circle View Camera Leo's Pick: Think Python 3rd edition Andy's Pick: Nimona Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to this show at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: joindeleteme.com/twit promo code TWIT wix.com/studio kolide.com/macbreak

Actor Gideon Glick joins Mase & Sue to talk about his role as Tommy Cothran in the Oscar nominated film MAESTRO. We discuss acting opposite director Bradley Cooper, the abundance of improvising, their unconventional communication in between scenes and the use of Panavision. Also, being cast in the original production of the groundbreaking Broadway musical, SPRING AWAKENING, the compelling HBO reunion documentary, working with Aaron Sorkin in his staged adaptation of TO KILL A MOCKINGBIRD, our favorite Broadway performances and Gideon's picks for must see plays in NYC. Plus, Sue's abstaining from booze and weed continues, the perks of Medicare and why movies are less fun to talk about than they used to be.  

Greig Fraser, ACS, ASC, (born 3 October 1975) is an Australian cinematographer who studied at the RMIT University. His most well-known work includes the films Zero Dark Thirty (2012), Lion (2016), Rogue One (2016), Vice (2018), Dune (2021), The Batman (2022) and The Creator (2023). For his short film Cracker Bag he was nominated for Best Cinematography at the 2003 AFI Awards. For his work on Lion, he won the American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases and AACTA Award for Best Cinematography and received Academy Award and BAFTA Award nominations. Fraser shot Rogue One on the Arri Alexa 65 large format digital camera and Panavision lenses from the 1970s, making it the first feature film shot entirely with the Alexa 65. Fraser said of working with the Alexa 65, "The images are sharper and have more resolution, and those things are an advantage, but for me it is about the depth of the image -- there is a three-dimensionality to it. Often the beauty came from the texture; we found that the camera excelled when we were filming something with texture; it really enhanced the quality of picture." Fraser returned to the Star Wars franchise with the 2019 television series The Mandalorian. In 2020, for his work on the series, Fraser won the Primetime Emmy Award for Outstanding Cinematography for a Single-Camera Series (Half-Hour). For his work on Dune he won his first Academy Award for Best Cinematography in 2022. Fraser said a feature of his work in that film was intentionally using simple compositions, "We tried to simplify the frames as much as we could. By doing that, we've been able to give the viewers that absorption of story and experience" and colour palette: "We tried quite hard to make sure that it all sat within a certain tone."

Panavision presents a conversation about the art of scene composition, photography, and the technical & artistic process of crafting a series' visual language. Go behind the lens as we explore the job of a DP (Director of Photography) in the current TV landscape, how DPs collaborate with showrunners, writers, and directors to capture and elevate what's on the page, and the ways in which TV continues to evolve as a visual medium.This conversation was recorded live at ATX TV Festival Season 12 (June 1-4, 2023) in Austin, TX.PANELIST:Todd McMullen (DP, Waco: The Aftermath, The Leftovers)Abe Martinez (DP, Cobra Kai, 61st Street)MODERATOR:Ben Travers (IndieWire)SUBSCRIBE to youtube.com/ATXTV for more panels, conversations & events with your favorite TV creatives and casts.FOLLOW ATX TV:Twitter: twitter.com/ATXFestivalFacebook: facebook.com/ATXFestivalInstagram: instagram.com/atxfestival/TikTok: tiktok.com/@atxtv

Join us for an engaging chat with Tito Ferradans, creator of Anamorphic on a Budget, as we journey through his experience in filmmaking, from researching lenses and adapters to understanding the cinematic language. Tito shares the behind-the-scenes of his process, the struggles and successes he faced, and how his work evolved from a YouTube channel to a popular resource for aspiring filmmakers. We also touch on Tito's transition from computer science to film, a unique experience with Panavision, and his take on anamorphic lens development. In this episode, we reflect on the importance of film history in education and discuss the value of hands-on experience in film school. We delve into our personal experiences of giving bad advice, including Tito's recommendation to glue the inside of a lens with super glue and my suggestion to put a beach worth of sand inside a lens. Listen in as we explore how learning through trial and error played a crucial role in our understanding of the cinematic language. Tito also opens up about the challenges and opportunities he faced while collaborating with sponsors and growing his YouTube channel. We chat about his process of creating short films to test lenses, and the creative approaches he took to filming. Wrapping up the episode, we take a critical look at Netflix's meta trend, discuss our favorite sci-fi shows, and reminisce about our own college filmmaking experiences. (0:00:15) - Anamorphic Lenses and Sci-Fi Shows (0:14:32) - Anamorphic Filmmaking and Research Journey (0:19:44) - Discussion on Anamorphic Lens Development (0:32:31) - Exploring Panavision and Anamorphic Lenses (0:38:54) - YouTube Channels and Filmmaking Exploration (0:50:08) - YouTube Channel Growth and Filmmaking Exploration (0:59:54) - Collaborating and Growing on YouTube (1:13:39) - Film History's Importance in Education (1:17:46) - Action Films to Film School Transition ⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

We are live, on-location at the TCL Chinese Theatre for the 19th annual Oscar Qualifying ⁠HollyShorts Film Festival⁠, as the official podcast partner. These shorter, special episodes are with selected filmmakers. In this episode Inde sits down with Emil Gallardo (Co-writer/Director) & Kieran Murphy (Cinematographer) to talk about their film “Exit Fee”. Logline:  Exit Fee follows Skye, the night she desperately tries to save her 15-year-old sister Carina from being trafficked alongside her. Follow the filmmakers & project: Instagram: @waterlightfilms (https://www.instagram.com/waterlightfilms/) @emilg80 (https://www.instagram.com/emilg80/) Website: https://www.waterlightfilms.com They talk about how “there's only so much you can do in prep” and at a certain point you have to be open to the pleasant surprises that reveal themselves on set.  Emil worked with a consultant for authentic movement and blocking.  Kieran shot handheld in certain environments and they were awarded a grant from Panavision for winning HollyShorts with another film in 2020. The choice of handheld made the world more accessible & told a specific visual language.  Can't make it to the festival in person? Watch the films at https://bitpixtv.com/programs/hsff-23-pre-roll-final-87100d and use code HSFF2023CFA for 20% off!  For our listeners, CFA has teamed up with ⁠We Make Movies⁠ to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit ⁠wemakemovies.org/insurance⁠ and use code CFA23 on your intake form for 10% off your quote. Follow us wherever you listen to your podcasts to keep up to date on new episode releases.  A huge thank you to our sponsors: Apogee, FilmTools, Rosco, Lightstone Rentals, Deity, Canon, and First Mile Technologies. Website: https://⁠www.cinematographyforactors.com⁠ Instagram: ⁠https://www.instagram.com/cinematographyforactors⁠ TikTok: ⁠https://www.tiktok.com/@cinematographyforactors⁠ ⁠Cinematography for Actors⁠ is a community aimed at bridging the gap between talent & crew through our ⁠weekly podcast⁠ & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling. Join the CFA Community, sign up to our newsletter: ⁠https://mailchi.mp/e27e1a2bc895/newsletter⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/cinematographyforactors/support

There's no defined path for a producer's career but one thing is certain: the amount of skills and experiences you have to develop will probably give you a head start if you wish to start a business. In this episode of Beyond Deadlines: A Creative Producer's Chat, our host Ruby Valls meets with Paul Geffre, independent producer and co-founder of Light Iron, a post facility part of Panavision. He shares with us a bit of his background in production and how he became an entrepreneur in the field. If you want to connect with Paul, just check his profile on ⁠Linkedin⁠. To learn more about Light Iron, go to www.lightiron.com. _________ Beyond Deadlines: A Creative Producer's Chat is power by ⁠MOWE Studio⁠. Edited by: Bruno Nappo

George Rumsey is a below-the-line agent at Independent Talent Group. He rose to prominence in the UK short form world as the Head of Commercials at Panavision before joining Indepedent Talent in November 2021.  We chat to George about his journey through the industry before diving into the world of the agent - what does it mean to represent directors of photography, how do agents and DPs work together, and how can young cinematographers approach the question of how and at what point of their career to get an agent? BSC Show 2023 Panel - TV Drama in practice: https://vimeo.com/806761925 Lots of DPs are mentioned in this episode, but the ones mentioned by first name only are: Olan Collardy, Rick Joaquim, Eben Bolter BSC - all three of whom also happen to be past guests on our podcast! --- Follow Cinematographers On The Loose on Instagram and Facebook: https://www.instagram.com/cinematographersontheloose https://www.facebook.com/pg/Cinematographers-On-The-Loose-104520677909322/  

PLEASE HELP US GET THE RODECASTER PRO BY DONATING TO THIS LINK: paypal.me/k1ngtut11 

Jenna Suru is an auteur, director and entrepreneur based in Paris, France.Starting her career in International Sales at Gaumont, Jenna was on the team responsible for the launch of the In Development Forum series at the Cannes MIP Markets before founding the Paris International Film Festival (PIFF). Now in its 5th year, Suru has grown PIFF to a multi-day celebration of cinema, screening 60+ films from around the world, including hosting the World Premiere of the feature projects KISS THE GROUND, the award-winning environmental documentary, currently on Netflix, and Nóra Lakos's romantic modern tale, CREAM, now streaming on HBO.Through her production company, Belle Époque Films, Jenna has produced and directed short form and feature length projects, working with actors such as Robert Sheehan (Red Sonja, The Umbrella Academy, Robot Chicken) and with brands such as Canal+, Pathé, Panavision, Gibson Guitars, and Zeiss to name a few. Suru's directorial debut, l'Âge d'Or screened at festivals worldwide, including the Academy Award ® qualifying Cinequest in San Jose, CA. Additionally, Ms. Suru continues to give back to the film community by acting as juror and keynote speaker for film festivals such as Cannes and Sundance. For more information: info@belleepoquefilms.com JENNA SURU:jennasuru.comIG | @jennasurureal , Twitter | @jennasuru, Facebook | Jenna SuruPARIS INTERNATIONAL FILM FESTIVAL:parisintlfest.comIG | @parisintlfest , Twitter | @parisintlfest, Facebook | Paris Intl FestBELLE EPOQUE FILMS: @bellepoquefilms across all platforms (Instagram, Twitter, and Facebook)L'ÂGE D'OR FILM:@lagedorfilm across all platforms (Instagram, Twitter, and Facebook)

We have a very special episode of the Indie Film Hustle podcast today. Our amazing guest is Qasim Basir, co-writer, and director of the Sundance 2018 hit film A Boy. A Girl. A Dream. The film stars Power‘s Omari Hardwick and Meagan Good is the story of two people who meet in Los Angeles on the night Donald Trump is elected President of the United States. The film was just picked up by Samual Goldwyn Company for a theatrical release. Check out a few clips below. Qasim Basir wrote and directed Mooz-lum (2011) starring Danny Glover and Nia Long about an African-American Muslim family and how their lives are changed by the September 11 attacks. The film received nominations from the NAACP Image Awards and Black Reel Awards.Basir also wrote and directed Destined (2016) starring Cory Hardrict. Basir won Best Director at the American Black Film Festival. The film was shot as a true oner, meaning the entire film was shot in one take. To be able to achieve a 90-minute one-take cinematographer Steve Holleran frankenstein'ed a 50-pound antigravity rig and unconventional Sony camera and Panavision anamorphic lens combination.Qasim and I sit down and get raw, real and drop some MAJOR truth bombs on the tribe today. We discuss some the state of the film business from both of our perspectives, what it really takes to break-through and why he does what he does in the first place. This episode is truly eye-opening and I hope it resonates with you at your core.Enjoy my conversation with writer/director Qasim Basir.

B+T interview author Suzanne Lezotte. An excerpted chapter from her book about her son Owen who has Down Syndrome, was awarded an Honorable Mention in the Writer's Digest 91st Essay Competition, and she is currently working on a documentary short about his success in swimming. Read more Suzanne below. Click here for the free letter from Suzanne and for exciting updates, including her book and documentary! The letter was inspired by Welcome to Holland, a poem written by Emily Perl Kingsley describing what it was like to raise a child with a disability. https://thinkcollege.net/ IG: @suzannelezotte FB: https://www.facebook.com/suzannelezotte LinkedIn: https://www.linkedin.com/in/suzannelezotte/ See free giveaway details below! JOIN OUR MEMBERSHIP Join us LIVE on Thursdays at 11:30am PT on IG: https://www.instagram.com/thrivingfamilypodcast/?hl=en Connect on FB: https://m.facebook.com/thrivingfamilypodcast/ YouTube: https://www.youtube.com/channel/UCiqp1YF3rI909vsKko0G0zw LinkedIn: https://www.linkedin.com/company/65412085/ CONTEST! If you subscribe & leave a review of this podcast, you'll be entered to win a NOW Tone Therapy System by Solu (valued at $179 USD). No purchase or payment is necessary to enter, see the Terms and Conditions page of our site for more about the contest. NOW Tone Therapy System by Solu exclusive discount for our community: https://www.calmparent.net/now-tone-therapy-system-by-solu-yoga-for-your-mind. More about Suzanne: Growing up in Michigan with nine siblings, Suzanne always had dreams to move to a big city, where she could define herself, not just always be labeled “one of the Lezotte kids.” She chose LA over NY for the weather, and moved as soon as she graduated from college with a double major in English and Communications. Her first job was a receptionist at “Animation Magazine,” with a goal to write stories and eventually run a magazine. She landed a job in the sales department of “Entertainment Weekly,” then “Fortune Magazine.” Eventually she did run a magazine, an entertainment trade called “International Cinematographer Magazine.” She pivoted to Director of Public Relations at Panavision when she was six months pregnant with her first child Owen, who was born with Down Syndrome. During her tenure at Panavision, she had two more children, and concentrated on finding the right inclusive setting for her son. Her original grassroots group of moms with children who have Down syndrome became a springboard into multiple support groups and non-profit organizations. After a brief stint with Bexel and Sim International as Director of Marketing, she ditched the corporate life and began consulting for Sony Electronics so she had time to finish her book. An excerpted chapter from her book was a recent Honorable Mention in the Writer's Digest 91st Essay Competition and she is currently working on a documentary short about her son's success in swimming. She resides in Westlake Village with her husband and three children. --- Send in a voice message: https://anchor.fm/calm-parent/message

Bob Beitcher is the President and CEO, Motion Picture and Television Fund ( MPTF - https://mptf.com ) a charitable organization that offers assistance and care to those in the motion picture and television industries and their families with limited or no resources, including services such as temporary financial assistance, case management, and residential living. Mr. Beitcher has been the chief executive officer and president at MPTF since July 2011 and serves on the organization's Board of Directors. Previously, Mr. Beitcher was president and chief executive officer of Panavision and vice-chairman of the MacAndrews and Forbes Media Group. He joined Consolidated Film Industries in 1997 as president and chief executive and served in that position until 2000 when the company was acquired by Technicolor. At Technicolor, he created the Creative Services group, which remains an industry leader in visual effects. Earlier in this career, Mr. Beitcher worked closely with George Lucas, Jim Henson, and Francis Coppola and their respective production companies. He has been a director of MPTF since 2007. He is on the board of directors of Vino Vault and Exokinetics, and serves on the advisory board of the Institute for Human Caring, the ARRI Rental Group, ProdPro, and the Jewish Graduate Student Initiative. In 2021, he accepted an Oscar statuette from the Academy of Motion Picture Arts and Sciences on behalf of MPTF.

Director BJ McDonnell and cinematographers Michael Dallatorre and Eric Leach talk about making a low-budget horror film with some of the world's biggest rock stars.

A glimpse into the making of a low-budget horror film with some of the world's biggest rock stars.

We have a very special episode of the Indie Film Hustle podcast today. Our amazing guest is Qasim Basir, co-writer, and director of the Sundance 2018 hit film A Boy. A Girl. A Dream. The film stars Power‘s Omari Hardwick and Meagan Good is the story of two people who meet in Los Angeles on the night Donald Trump is elected President of the United States. The film was just picked up by Samual Goldwyn Company for a theatrical release. Check out a few clips below. Qasim Basir wrote and directed Mooz-lum (2011) starring Danny Glover and Nia Long about an African-American Muslim family and how their lives are changed by the September 11 attacks. The film received nominations from the NAACP Image Awards and Black Reel Awards.Basir also wrote and directed Destined (2016) starring Cory Hardrict. Basir won Best Director at the American Black Film Festival. The film was shot as a true oner, meaning the entire film was shot in one take. To be able to achieve a 90-minute one-take cinematographer Steve Holleran frankenstein'ed a 50-pound antigravity rig and unconventional Sony camera and Panavision anamorphic lens combination.Qasim and I sit down and get raw, real and drop some MAJOR truth bombs on the tribe today. We discuss some the state of the film business from both of our perspectives, what it really takes to break-through and why he does what he does in the first place. This episode is truly eye-opening and I hope it resonates with you at your core.Enjoy my conversation with writer/director Qasim Basir.

Journey through cinema history as we run down some of our favorite time travel movies. The Final Countdown is a 1980 American science fiction war film about a modern nuclear-powered aircraft carrier that travels through time to the day before the December 7, 1941, attack on Pearl Harbor. Produced by Peter Douglas and Lloyd Kaufman (founder of Troma Entertainment) and directed by Don Taylor, the film contains an ensemble cast starring Kirk Douglas, Martin Sheen, James Farentino, Katharine Ross and Charles Durning. Time After Time is a 1979 American science fiction film directed by screenwriter Nicholas Meyer and starring Malcolm McDowell, David Warner, and Mary Steenburgen. Filmed in Panavision, it was the directing debut of Meyer, whose screenplay is based on the premise from Karl Alexander's novel Hot Tub Time Machine is a 2010 American science-fiction comedy film directed by Steve Pink and starring John Cusack, Rob Corddry, Craig Robinson, Clark Duke, Crispin Glover, Lizzy Caplan, and Chevy Chase. The film was released on March 26, 2010. It follows four men who travel back in time to 1986 via a hot tub, and must find a way to return to 2010. The Tomorrow War is a 2021 American military science fiction action film directed by Chris McKay, written by Zach Dean, and starring Chris Pratt. It was produced by David Ellison, Dana Goldberg, Don Granger, David S. Goyer, Jules Daly, and Adam Kolbrenner, with a supporting cast featuring Yvonne Strahovski, J. K. Simmons, Betty Gilpin, Sam Richardson, Edwin Hodge, Jasmine Mathews, Ryan Kiera Armstrong, and Keith Powers. It follows a mix of present-day soldiers and civilians sent into the future to fight an alien army. wyrdrealities.net linktr.ee/wyrdrealities --- Send in a voice message: https://anchor.fm/wyrd-realities/message Support this podcast: https://anchor.fm/wyrd-realities/support

Elvis writer/director/producer Baz Luhrmann, production designer/costume designer/producer Catherine Martin and director of photographer Mandy Walker ACS ASC break down their approach to filming the Warner Bros movie, which despite being set in 50s, 60s and 70s America was filmed on location in Queensland, Australia. The trio discuss how important pre-production was in creating a cohesive visual look and creative choices they made such as bespoke Panavision lenses.

Caroline Friend is fresh out of film school and already making waves in the industry.  In this episode, Leslie and Caroline discuss all things film and festivals.  You're gonna love it.About Caroline:Caroline Friend is an award-winning director and writer. Caroline earned her degree in Film Production and History from the University of Southern California. Her latest film, Under Darkness, was a finalist for the Student Academy Awards®, premiered at Telluride Film Festival, and won the Horizon Award at the Sundance Film Festival. Her work has been recognized by the Directors Guild of America (DGA) and the Television Academy, as well as supported by the Alfred P. Sloan Foundation, Adrienne Shelly Foundation, Panavision, and Steven Spielberg's Shoah Foundation. She continues to seek meaningful true stories to bring to audiences.  TOP FESTIVALS & AWARDS:Student Academy Awards® - Finalist, 2019Telluride Film Festival - Official Selection, 2019Sundance Film Festival - Horizon Award Winner for Directing, 2019Director's Guild of America - Jury Award Winner for Student Film, 2019Television Academy (Emmys) - College Awards - Best Drama Nominee, 2019Emerging Filmmaker Showcase at the Cannes Film Festival American Pavilion - Best Student Film, 2020Film Pittsburgh Presents: The Robinson International Short Film Competition - Award Winner 2020 

Welcome to the great rebrandening, that's not a word...or at least it wasn't until now! Zeitgeist Baby! Anyways, We are The Cult Of Odd and we're here to bring you love and joy and make you go...wtf did they just say?It's The Odd Podd evolved...devolved...revolved...some sort of volved happened and here we are.This first episode of the Cult Of Odd brings with it a great round of Interview Roulette, we got dual guests and that mean twice the answers! Who says you can't get more for less?Joe Castro Director, Producer, and Special Effects Artist, Joe Castro, born in San Antonio, Texas, began his career at age 15 when he was hired to create special effects make-up for a PBS affiliate and graduated to writing and directing his own feature films, in the 80's, when his parents invested in his career and bought him a portable VHS camera.In 1985, Joe won the National special effects make-up contest in Monsterland magazine. In 1989, Joe moved to Los Angeles, California to continue his career in filmmaking.In 1993, Joe produced and directed his first feature film, CEREMONY, shot on 35mm Panavision. The film was an apocalyptic horror thriller. This film won a Silver Award at the Worldfest Charleston Film Festival. In 1997, Joe produced his second Internationally distributed feature film, Legend of the Chupacabra on his parent's ranch.In 2001, Joe produced, directed, and created the special effects for the wildly, successful cult film, TERROR TOONS. This film has already spawned four sequels.Steven Escobar Born and raised in Edinburg, Texas. He finished his education by graduating from The University of Texas - Pan American with a Bachelor of Arts in Communications with concentration in Radio/Television/Film.In 1992, Steven began Associate Producing the musical variety show, Budweiser's Dance Time in Texas which ran for 2 years as a syndicated television series. He went on to co-create the successful music series titled, Tejano Country.In 1996, Abraham Quintanilla (Q Productions, Inc.) contacted Steven to produce Latin music videos by such artists as Selena, Pete Astudillo, and Jennifer Pena. This lead to his involvement on the Warner Bros. Film, "Selena".Steven works as a picture editor on various reality shows which range from Fox's Trading Spouses and Nanny 911 to NBC's The Apprentice and The Apprentice: Martha Stewart.In 2007, Steven won a Primetime Emmy Award for "Outstanding Picture Editing for Reality Programming" for The Amazing Race.Both Joe and Steve are good friends of Odd's and they always have a great conversation. You should really check out both of their bodies of work.We talk about Snow Removal Apps, Robot Girlfriends, Models that Drink Urine, Squirrel attacks, Aliens and more.Music By: Snatch The Snail, The Chinchillionaires, Malota,Theme Song By The Chinchillionaires & Oddio ProductionsLINKS Joe Castro https://www.joecastrofx.com/Steven Escobar https://www.imdb.com/name/nm1194439/bioSnatch The Snail https://www.snatchthesnail.com/The Chinchillionaires https://thechinchillionaires.bandcamp.com/Malota https://godownrecords.bandcamp.com/album/the-uninvited-guest-epCult Of Odd Patreon https://www.patreon.com/cultofoddCult Of Odd Merch https://www.littleshopofoddities.myspreadshop.comCult Of Odd Website http://www.thecultofodd.comCult Of Odd Socials https://linktr.ee/cultofodd

META PERFORMANCE SHOW | What are the two most important characteristics of every successful entrepreneur? Michael Cioni, film entrepreneur and Global SVP of Innovation at billion-dollar company Frame.io, brings us a trove of anecdotes and insights on starting, leading, and selling a booming business. He walks us through how he founded post-production studio Light Iron out of his apartment during "the worst time economically but the best time technologically" and sold it to Panavision less than six years later. He shares his perspective on recruiting the right employees, failing up, positivity bias, adapting your communication style for different types of audiences, and "being comfortable being uncomfortable."REFERENCED IN THIS EPISODE: • The Way I heard it with Mike Rowe - podcast• Leaders Eat Last: Why Some Teams Pull Together and Others Don't by Simon Sinek• Outliers: The Story of Success by Malcolm Gladwell• The Tipping Point: How Little Things Can Make a Big Difference by Malcolm GladwellNovus Global is a tribe of elite executive coaches who work with Fortune 500 Companies, Professional Athletes, World Renowned Artists and Business Leaders to create lives, teams and companies that go beyond high-performance.Book a free consultation with a Novus Global coach here: http://novus.global/now/ This podcast is produced by Rainbow Creative with Matthew Jones as Senior Producer and Jeremy Davidson as Editor and Audio engineer. Find out more about how to create a podcast for you or your business at rainbowcreative.co

Steve McQueen, the Hollywood icon, had a passion for car racing. However, his long lost Formula 1 film project never saw the light of day – until now. Joining us to talk about this incredible story are the filmmakers behind Steve McQueen: The Lost Movie (2021), director, writer and producer Alex Rodger, and archivist Richard Wiseman. The film elegantly captures Steve McQueen's stardom and passion for car racing. It is set against the backdrop of the 1960s – glory days for both Formula 1 and Hollywood. Narrated by David Letterman, the documentary chronicles a race between two identical films. As we watch iconic directors and film studios battle it out, we learn the story behind the story of Day of the Champion – McQueen's lost Formula 1 film. Just as strikingly, the film brings to the big screen incredible, never-before-seen racing footage that captures the glamour, and the danger, of Formula 1 racing in the 1960s. Steve McQueen: The Lost Movie is available on SKY Documentaries and NOW TV. “Car racing in 1960s was unbelievably dangerous, and Steve McQueen saw this as a way into the drama of Formula 1." - Alex Rodger Time Stamps: 00:15 - Clip 1: About Steve McQueen and his lost film. 01:30 - Introducing our guests, archivist Richard Wiseman and director Alex Rodger. 02:41 - Where people can watch Steve McQueen: The Lost Movie. 04:03 - The synopsis of the film. 05:14 - Steve McQueen's connections with car racing. 08:25 - 1960s as the glory days of British car racing. 09:10 - The back story of The Day of Champion,  McQueen's lost Formula 1 movie. 11:40 - What the screenplay was like for the lost film. 15:11 - Clip 2: Panavision and what screen ratio is best for a racing film. 18:00 - How Richard found the never-before-seen footage for this film. 22:50 - Alex's reactions to the quality of the footage. 25:18 - Clip 3: About the technology used to shoot Day of the Champion. 28:47 - When SKY got involved in the project, and how it was filmed under Covid-19. 33:00 - How Alex assembled the story with the elements they had. 38:38 - How David Letterman came on board to narrate the documentary. 44:36 - Britain as the centre of racing car engineering and Formula 1.  47:50 - Why it's impossible to compare drivers from different eras of racing. 54:04 - What's next for Alex and Richard. Resources: Steve McQueen: The Lost Movie (2021) The Cruel Sport: Grand Prix Racing 1959-1967 by Robert Daley Natalie Wood: Cinema Icon on Factual America Alamo Pictures Connect with Alex Rodger: LinkedIn Website Connect with Richard Wiseman: Twitter IMDb Connect with Factual America: YouTube Facebook Instagram Twitter Connect with Matthew Sherwood: Facebook LinkedIn Twitter

Emil Gallardo is an award-winning Mexican-American writer-director, a 2020 HBO Directing Fellow and the recipient of Panavision's Future Filmmaker award. His most recent film 1, 2, 3​, ​ALL EYES ON ME​ has deeply resonated with audiences and juries alike, winning HollyShort's Grand Prix Best Film award and qualifying it for the 2021 Oscars.

In the second half of our interview with Michael Cioni of Frame.io, Ben and Jason ask Michael about his background and the sights he saw in filmmaking along the way. They discuss Michael's trip to be featured at Cannes, despite his college's wishes. Michael details the lessons he's learned from mentors about adapting to changing tech and looking for innovation in an industry that can be slow to change its tools. Finally, Jason and Ben explore with Michael what the creative contributes to the building and designing of production and post production workflows and digital film production, in order to make editors and filmmakers excited about their process. Highlights: Michael details his journey from college to Cannes, Light Iron to Panavision, and today at Frame.io The risks and benefits of moving against traditional tech to pursue innovation that changes the industry, even   when big players don't recognize what's coming Huge changes to the filmmaking industry: cameras, workflows, storage and tech digital, film and video production and post production workflow Discussion on why the creative is such an important piece of tech innovation - how they use tools influences design If you love The Workflow Show and want to reach out, email us at workflowshow@chesa.com or check us out on Twitter @chesapro

Mike D grew up in South Central Los Angeles and was featured in the Oscar-nominated documentary "Colors Straight Up" which followed his participation in the inner city performing arts group, Colors United. After studying film at Los Angeles Community College he landed a job at the premiere camera house, Panavision, and spent 18 years learning from their engineers on top of the line equipment. His fourth feature "BrightBurn" produced by James Gunn (Guardians of the Galaxy) released to theaters across the world Memorial Day 2019.

This week in WIFT, the Fujifilm GFX 100, a new ND from Panavision, NVIDIA puts their stamp on laptops and more about the upcoming Cine-Gear!weekinfilmtech.com Hosted on Acast. See acast.com/privacy for more information.

The cinematographer discusses his camerawork in Hulu's 1980s-homage sci-fi comedy series about a yutzy janitor recruited to do battle against intergalactic foes.

As in Carrie, Fight Club, and Mean Girls, pink provides plot twists for the unwary. For Lisa in Coming to America and Elle in Legally Blonde, pink expresses self-knowledge, strength, maturity, and a rite of passage. Dr. Deborah Nadoolman Landis presents “Panavision in Pink: Deceptively Demure” at The Museum at FIT's 20th fashion symposium, Pink, held on Friday, October 19, 2018. This symposium explored the significance of the color pink in fashion, art, and culture. Watch the full video with captions on YouTube. The Museum at FIT (MFIT) is the only museum dedicated exclusively to the art of fashion in New York City. https://www.fitnyc.edu/museum

On this episode of The Angry Millennial, we're chatting with director/writer + camera operator, Spencer Gillis. Spencer is a director, with his directorial debut, GUN, premiering at the Sundance Film Festival, which is available on iTunes and is being distributed by SHORTS INTERNATIONAL, LTD. Along with his latest short, SWEEP, premiered at the prestigious Aspen Shortsfest + online via Short of the Week and was selected as a Vimeo Staff Pick. As a co-founder of 2.35, Spencer has produced award winning narrative and documentary short films as well as directed work for VICE media. In this episode, we chat about how mentors have been so important to his career, what it's been like to work on Netflix's, Orange Is The New Black, his surreal experience having his directorial debut selected by Sundance, having the support of Panavision for his films thus far and even OITNB, how fatherhood + racism inspired his story-line for SWEEP and more on this episode of The Angry Millennial. Remember to always use #theangrymillennial on social media + follow @millennialangry on Twitter to ask any questions you'd like any of the upcoming guests to answer during the show.

It's rare that a single artist can motivate an industry to rally behind a project or artistic vision. In the case of Quentin Tarantino's Hateful Eight, that is exactly what happened. Two of the key players in bringing this unique cinematic experience to moviegoers across the globe are Panavision and Fotokem. They are joining us in the Kodakery to discuss the challenges of bringing this movie to life using Ultra Panavision and the photochemical process. It's a great discussion about resurrecting a classic technology, Hollywood history and working with Quentin Tarantino. Please give it a listen! We hope you enjoy.