Podcasts about nacelle company

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by Jamie McGregor to discuss all the latest Star Trek news. This week, Alex and his guest discuss the following stories from around the web: TrekCore: At Last, STAR TREK: STRANGE NEW WORLDS Returns on July 17 (12:47) TrekCore: STAR TREK: PRODIGY Creators Confirm Series is Leaving Netflix, Future Streaming Availability Uncertain (18:48) TrekMovie: Neville Page Says ‘Star Trek: Discovery' Season 1 Klingons Were “A Salty Broth” (32:52) TrekMovie: Interview: Tawny Newsome On Finding The Sweet Spot For Her Star Trek Workplace Comedy (39:43) In addition, stick around to hear Jamie talk about how Nacelle Company's Star Trek action figure line might make him break his vow not to become a Star Trek collector, and Alex discuss how the Red Alert Experience at Universal Hollywood should remind us all to get off our screens and out into the real world – especially if that real world is the 24th century. *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!  

I sit down with Brian Volk-Weiss, founder of The Nacelle Company, to talk a little bit about what it takes to make an episode of The Toys That Made Us. We then dive into their newest series that just released on Tubi, RoboForce. Support The Alliance On Patreon & Get Ad-Free, Exclusive, Early Episodeshttps://www.patreon.com/guanetworkGeek Ultimate Alliance Network Is Produced By GeekVerse Podcast www.geekverse.caNetwork Schedule Monday: Rangers Alliance (Bi-Weekly)Tuesday: A Walk Through The MultiverseWednesday: The Animation Nation Thursday: Star Wars AllianceFriday: Marvel AllianceSaturday: DC AllianceFollow the respective shows on Twitter so when they record live on GeekVerse Podcast Network you can join the chat and add to the conversation!

Four-time Best Comedy Album Grammy-winning executive producer Brian Volk-Weiss (of The Nacelle Company) is now the creator and director of RoboForce: The Animated Series, which is taking '80s character toys that didn't get their proper due and giving them a new shot at entertainment stardom. The show premieres this Saturday April 12th on Tubi.

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by Jenn Tifft to discuss all the latest Star Trek news. This week, Alex and his guest discuss the following stories from around the web: TrekCore: Watch the New Teaser Trailer for STAR TREK: STRANGE NEW WORLDS Season 3! (11:08) TrekCore: PREVIEW — Universal Fan Fest Nights' Special STAR TREK Menu (22:33) TrekCore: IDW Announces Three New STAR TREK Mini-Series Comics (29:45) TrekCore: Nacelle Announces Second Wave of STAR TREK Action Figures, Including GENERATIONS Kirk, T'Pol, Carol Marcus, and More (37:23) In addition, stick around to hear Jenn's opinion that James T. Kirk is not being overused in Strange New Worlds (he's only in two episodes as Prime Kirk), and Alex's opinion that it's crazy we have to wait two years between television seasons for a lot of series these days - including SNW! *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

Steve Megatron returns with TFG1 Mike to discuss the Marvel Cinematic Universe, Netflix Originals like "The Electric State", and Nacelle Company's Star Trek line as well as toy companies offloading their IP to other toy companies. Get Altered and Get Geeky with the Altered Geeks!

ICYMI: Hour Two of ‘Later, with Mo'Kelly' Presents – Mo' at the Movies: a breakdown of the “Snow White” controversy AND a recap on the major ‘CinemaCon 2025' reveals…PLUS – Brian Volk-Weiss, Founder and CEO of The Nacelle Company, returns to the program with a preview of his new Tubi show, ‘RoboForce: The Animated Series,' debuting April 12th - on KFI AM 640…Live everywhere on the iHeartRadio app

ICYMI: ‘Later, with Mo'Kelly' Presents – Another great conversation with Brian Volk-Weiss, Founder and CEO of The Nacelle Company, who returns to the program with a preview of his new Tubi show, ‘RoboForce: The Animated Series,' debuting April 12th - on KFI AM 640…Live everywhere on the iHeartRadio app

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by Ross Webster to discuss all the latest Star Trek news. This week, Alex and his guest discuss the following stories from around the web: TrekCore: Season 4 STAR TREK: STRANGE NEW WORLDS Production Begins! (10:13) StarTrek.com: Naveen Andrews and Wrenn Schmidt Cast in Star Trek: Khan (17:04) TrekMovie: Tatiana Maslany Says ‘Star Trek: Starfleet Academy' Has “So Much Heart” (23:03) TrekMovie: New Line Of Palm-Sized Die-Cast Star Trek Ships With Reference Books Coming This Summer (26:20) In addition, stick around to hear Ross's predictions for upcoming Star Trek action figures included in Nacelle Company's second wave of releases, and Alex's opinion that, despite a rumble that William Shatner may return to Star Trek from the man himself, we probably shouldn't get our hopes up. *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!  

Secret Friends Unite Spotlight is our Patreon interview series that highlights Creators and devoted fans.Charlie has a chat with esteemed Trek fan and accomplished director and producer Brian Volk Weiss about his career and the exciting new line of Star Trek figures he's creating with his company NACELLEVERSE!Visit our website www.secretfriendsunite.comFollow us on IG and Threads: @Toxtra, @TheCeeThree, @Secret.Friends.Unite, @toxtra, @canerdian_jediGet a free one week trial of our Patreon and check out our new member tiers at Secret Friends Unite PatreonUse our special link https://zen.ai/tW9w96GHjJl0oOlORlg-afOO0JOcbUkaBnWlklytL0c to save 30% off your first month of any #Zencastr paid plan.Subscribe to our YouTube channelJoin the conversation in our Discord ServerVisit our REDBUBBLE store for all the SFU Merch you can handle

Steve Megatron returns with TFG1 Mike for a jam-packed episode! Join the duo as they dive into their latest geeky obsessions, from must-watch shows to the marvels of Steve's 3D printer. They also chat about various TV shows, toys, and Steve's ultimate wishlist. Note: This episode was recorded before Nacelle Company unveiled their Wave 2 Generations Captain Kirk figure. Buckle up and prepare to Get Altered and Get Geeky with the Altered Geeks!

Brian Volk-Weiss from the Nacelle Company joins Tony and Laurie this week to talk about the new, deep cut Star Trek action figures his company has up for pre-order, as well their other Trek-related projects like Gates McFadden’s podcast and documentaries. He also gives us a preview of what’s next for the toy line and hints at some upcoming Star Trek docs too. Before the interview portion of the pod, Brian joins in to talk about the latest news, including Strange New Worlds going back into production, an actor update from Starfleet Academy, and high Nielsen ratings for Section 31, and the surprise announcement about the Star Trek: Khan audio drama. We also talk about the possible return of William Shatner to the Star Trek franchise. The pod wraps up with Brian taking a shortened version of our Star Trek Questionnaire.

Brian Volk-Weiss from the Nacelle Company joins Tony and Laurie this week to talk about the new, deep cut Star Trek action figures his company has up for pre-order, as well their other Trek-related projects like Gates McFadden’s podcast and documentaries. He also gives us a preview of what’s next for the toy line and hints at some upcoming Star Trek docs too. Before the interview portion of the pod, Brian joins in to talk about the latest news, including Strange New Worlds going back into production, an actor update from Starfleet Academy, and high Nielsen ratings for Section 31, and the surprise announcement about the Star Trek: Khan audio drama. We also talk about the possible return of William Shatner to the Star Trek franchise. The pod wraps up with Brian taking a shortened version of our Star Trek Questionnaire.

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by Brian Volk-Weiss from the Nacelle Company for a supplemental interview special. This week, we discuss the Wave One pre-order for Nacelle Company's new line of Star Trek action figures - six inch action figures covering characters from across the Star Trek universe from The Original Series through Enterprise.  We discuss the figures available for pre-order right now at the Nacelle Store, the first reveal for wave two (Generations Kirk!), that full waves of bridge crew characters in regular duty uniforms are forthcoming beginning with wave three, and Brian's hopes and dreams for the line. *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by First Flight co-host Abby Sommer to discuss all the latest Star Trek news. This week, Alex and his guest discuss the following stories from around the web: TrekCore: STAR TREK: STARFLEET ACADEMY Season 1 Wraps Filming (10:47) Inverse: In Another Timeline, Star Trek Discovery Might've Starred Gillian Anderson (15:38) TrekCore: Master Replicas Announces New STAR TREK UNIVERSE Action Figure and Toy License (26:00) TrekCore: STAR TREK: SECTION 31 Soundtrack Releases February 14 (35:55) In addition, stick around to hear Abby's wish for Star Trek: Strange New Worlds season three to premiere this summer, and Alex's thoughts on the recent spate of Star Trek action figure announcements. *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

THIS VOYAGE, the Deckspers MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) are back on DECK 78 as they are joined by BRIAN VOLK-WEISS (director/producer, The Toys That Made Us, Behind The Attractions, The Center Seat) to talk about Star Trek toys and the future of toys from the Nacelle Company. Fire The Rockets! **Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SUBSCRIBE TO TREKSPERTS PLUS TODAY... and get every episode of INGLORIOUS TREKSPERTS commercial free and one-week early along with our new podcast, INGLORIOUS TREKSPERTS presents DECK 78 along with additional bonus content and surprises all season long. For more details, visit trekkspertsplus.com. Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press.  Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed. "Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by Marina Kravchuk to discuss all the latest Star Trek news. This week, Alex and his guest discuss the following stories from around the web: TrekCore: STAR TREK: STARFLEET ACADEMY Renewed for Season 2, Plus: Tatiana Maslany Joins Season 1 Guest Cast (03:52) TrekCore: Watch an Action-Filled Clip from the STAR TREK: STRANGE NEW WORLDS Season 3 Premiere, Plus: Rhys Darby to Guest Star (09:50) TrekCore: STAR TREK: SECTION 31 Movie Premieres January 24, Plus: See New Posters Revealing Each Character's Name (17:41) TrekCore: STAR TREK: LOWER DECKS Debuts New Season 5 Clip and Homage Posters at NYCC (21:54) TrekCore: Nacelle Reveals First Eight STAR TREK Action Figures at NYCC… With Plenty of Character Surprises! (27:19) In addition, stick around to hear Marina's wish for a season three for Star Trek: Prodigy and Alex's reminder to take your time to enjoy the last 10 episodes of the fabulous Star Trek: Lower Decks while they're still new to us. *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!  

Are you a Pert Plus or a Suave person? For some reason, the Cardassians wade into shampoo and shampoo commericals. Joe announces some upcoming Star Trek Guests, as well as our foray into press passes at Galaxy Con. The Nacelle Company is announced for the new Star Trek toy line. In the 2nd half, our review of Star Trek: The Next Generation continues with the episodes "Captain's Holiday" and "Tin Man"

On this week's episode of WeeklyTrek, TrekCore's news podcast, host Alex Perry is joined by Infinite Diversity co-host Thad Hait to discuss all the latest Star Trek news. This week, Alex and his guest discuss the following stories from around the web: TrekCore: Watch the New STAR TREK: LOWER DECKS Season 5 Trailer (06:55) TrekCore: Fans Can Visit STAR TREK: PICARD's Enterprise-D Bridge Set as Part of 2025's “Universal Fan Fest Nights” (12:12) TrekMovie: ‘Star Trek Explorer' Reveals Final Issue, Ending 30 Years Of Official Magazine (18:33) TrekCore: Weekend STAR TREK Merch Roundup: Picard's Teacup Returns, Plus New Action Figures, Coffee, and More! (26:36) In addition, stick around to hear Thad and Alex discuss what news and announcements might be upcoming at New York Comic Con's Star Trek Universe panel next Saturday, October 19. *** Do you have a wish or theory you'd like to share on the show? Tweet to Alex at @WeeklyTrek, or email us with your thoughts about wishes, theories, or anything else about the latest in Star Trek news!

In this special edition episode, the ToyBoyz got a chance to sit down with none other than the Nacelle Company Founder & CEO Brian Volk-Weiss to talk about Nacelle's newly announced Star Trek line of 1/12 scale (6-7") action figures! Just days after this bombshell news dropped, Brian talks about the inspiration for the Nacelle Company's expansion into toy production, answers questions about the new Star Trek line, and even gives the Boyz a sneak peek at a soon-to-be-released figure. ‪@nacellecompany Send figure suggestions to Nacelle: startrekideas@nacellecompany.com (‬Collider article) // The ToyBoyz: Nerds who collect new and vintage sci-fi toys. // Follow the Boyz: https://linktr.ee/thetoyboyzpodcast // Buy Merch: https://toyboyz-podcast-merch.mysprea... // The ToyBoyz logo is an original design, copyright Leen Isabel, https://leenisabel.com

This week the Dashing Duo discuss the passing of another legend, Star Trek news from the Nacelle Company, action figures and LEGO sets, gaming news, DCU casting news for Green Lantern and Batman, and more.

In this episode, Dave sits down with filmmakers Jim Demonakos and Kevin Konrad Hanna as they chat about their upcoming documentary film, "Mike Mignola: Drawing Monsters - The Secret Origins of Hellboy!" Ahead of the film's release on Apple TV and Prime Video on 9/17, get some insights about the making of and more in this exclusive chat arranged by our friends at the Nacelle Company!Follow Jim @jimdemonakos and Kevin @kevinkonradhanna on Instagram!Follow us @aic_podcast on Instagram, Facebook, X, and YouTubeStart creating a podcast today with Zencastr! Learn more.Intro and other voices by Joe Azzarihttps://www.instagram.com/voicesbyjoe/Theme Music is "Game Boy Horror" by the Zombie DandiesProudly part of the Non-Productive Network

In this episode, the Boyz discuss the successful reboots of their childhood toys—and shows—thanks to the Nacelle Company. They ponder whether younger generations are growing out of their interest in playing with toys earlier than past generations. Eric recounts getting cyberbullied by a McFarlane fan, which results in the Boyz debating Todd's business decisions. A deep dive into Haulathon reveals the realities of FOMO and the various financial tactics everyone uses to pay for toys, including Chris' austere measures. Jared reveals his latest acquisition. @nacellecompany // The ToyBoyz: Nerds who collect new and vintage sci-fi toys. // Follow the Boyz: https://linktr.ee/thetoyboyzpodcast // Buy Merch: https://toyboyz-podcast-merch.myspreadshop.com // The ToyBoyz logo is an original design, copyright Leen Isabel, https://leenisabel.com

Angus reviews in the screening room the 8 episode documentary season 4 series 'Icons Unearthed: Marvel' by the Nacelle Company. Icons Unearthed: Marvel https://www.amazon.com/gp/video/detail/B0C4W3Q28B/ The Marvel Cinematic Universe is the most successful franchise of all time and it has changed the way movies are made. Each film would introduce one key protagonist, building toward the release of one giant blockbuster, The Avengers, that would put them all together. If a single one of those films failed at the box office, it could derail what may be the biggest gamble in the history of cinema. Icons Unearthed https://www.imdb.com/title/tt21267394/ Cast, crew and experts detail the secret histories of the most iconic film and television series of all time. Leave a message at kirbyskidspodcast@gmail.com Join the Community Discussions ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://mewe.com/join/kirbyskids  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Please join us down on the Comics Reading Trail in 2024 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2023/11/holiday-special-kirbys-kids-giving.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For detailed show notes and past episodes please visit ⁠⁠⁠⁠www.kirbyskids.com

Ready for some nostalgic toy line and cartoon characters to make a comeback? The NacelleVerse is here to expand on these exciting properties for original and new fans alike. Melissa Flores (The Dead Lucky, Mighty Morphin Power Rangers) and Brian Volk-Weiss (CEO of The Nacelle Company, The Toys That Made Us) join Lance to discuss how this connected universe came into existence  You have a super-power, too! You can write a REVIEW! A five star review on Apple Podcasts goes a long way and helps get the word out. Leave a comment so we can say thanks! We read EVERY one!   Join our Patreon for exclusive bonus content! You can support the show at https://www.patreon.com/ComicBookKeepers We have merchandise in the store with our Cosplay Logo! Get yours here! https://comicbookkeepers.threadless.com/designs/comic-book-keepers-cosplay-logo/heroes/t-shirt/regular?variation=front&color=royal_blue Comic Book Keepers is hosted by the Geekly Grind. Check out reviews and discussion on everything Geeky from Anime, Manga, Boardgames, comics, and more. www.thegeeklygrind.comsdThe Geekly Grind @thegeeklygrind Link tree: https://linktr.ee/CBKcast Social media: Twitter @cbkcast Instagram @cbkcast Facebook Chris @dungeonheads Lance @roguesymbiote Chris's draws free D&D art which you can find and support him on Patreon, and see more of his art on Instagram Original Theme by Weston Gardner @ArcaneAnthems on Patreon  

Returning once again to the pod is our good friend Brian Volk-Weiss from the Nacelle Company! Here to discuss his latest show, "Up for Auction" featuring Chris Hardwick, Brian fills us in on the series as well as updates for all of the toys in the growing Nacelleverse. Follow Nacelle and Brian on Instagram @toysnacelle and @brianvolkweissCatch all episodes of "Up For Auction" streaming February 8, 2024 only on the CWSave 20% on Liquid I.V. by using our offer code at liquid-iv.comFollow us @aic_podcast on Instagram, Facebook, Twitter, and YouTubeIntro and other voices by Joe Azzarihttps://www.instagram.com/voicesbyjoe/Theme Music is "Game Boy Horror" by the Zombie DandiesProudly part of the Non-Productive Network

Hey yah, nerds! Welcome to episode 76 of Up Yours with More! BC is joined again by the man who's little town (Cheviot) blues are melting away; he's gonna make a brand new start of it in old New York… MODOK MODOK! They're back at it again, this time with a special episode covering most of the big announcements from New York Comic Con 2023! But don't worry, they've still got the top 10 books from last week and books they're excited for this week! So, grab your vagabond shoes, you know they're longing to stray, right through the very heart of it… New York, New York! News Keith Giffen, Rocket Raccoon and Lobo Co-Creator, Dies at 70 2023 Harvey Awards Winners DC DC announces the return of Elseworlds in 2024 Jason Lives in new BATMAN: A DEATH IN THE FAMILY “Fauxsimile” Edition Merry Little Batman to Stream Globally on Prime Video Beginning December 8 Superman Superstars Take Over Action Comics in 2024 Spurrier, Campbell reunite for HELLBLAZER: DEAD IN AMERICA Warner Bros. Expected to Be Sold to New Owner, Possibly Universal According to New Report Marvel Marvel Comics Reveals a New Ultimate Universe The Krakoan Age nears its end in X-MEN: FALL & RISE Marvel Reveals Next Major Crossover Event, Blood Hunt ‘Daredevil' Overhaul: Marvel Plans Major TV Show Changes Rob Liefeld's Famous Captain America Art Headed to Auction Image Geoff Johns, Gary Frank, and More Comic Creators Launch New Ghost Machine Imprint New Image ongoing THE INFERNALS launches in February 2024 INVINCIBLE SEASON 2 trailer Other Dynamite & Warner Bros. Discovery Global Consumer Products join forces for upcoming comics & graphic novels Garth Ennis on James Bond and more from Dynamite  Biker Mice from Mars, Power Lords, and Robo Force to return in 2024 from Nacelle Company and Oni Press Tom Hardy Teams With Writer Scott Snyder for Futuristic Comic ‘Arcbound'- Publisher TBA Monarch: Legacy of Monsters Gets Suspenseful New Trailer Ahead of November Premiere Someone Took A Dump On The Show Floor Of New York Comic Con Find Us Online at the Following Outlets:  Website :: ⁠⁠⁠⁠⁠⁠⁠⁠upupandawaycomics.com⁠⁠⁠⁠⁠⁠⁠⁠  YouTube :: ⁠⁠⁠⁠youtube.com/@upupawaycomics⁠⁠⁠ Facebook ::  ⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/upupawa⁠⁠⁠⁠⁠⁠⁠⁠y and ⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/uuablueash⁠⁠⁠⁠⁠⁠⁠⁠  Instagram :: ⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/upupawaycomics⁠⁠⁠⁠⁠⁠⁠⁠  Twitter :: ⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/upupawaycomics⁠

THIS VOYAGE, hosts PETER HOLMSTROM (author, The Center Seat: The Authorized Companion To The Hit History Channel Series) and LISA KLINK (writer, Star Trek: Voyager) talk about Peter's new book, the official companion to the Nacelle Company's The Center Seat documentary for History Channel, as he explains what went into making this must-own Star Trek tome and how it feels to publish his first book on a subject he loves. **New episodes of INGLORIOUS TREKSPERTS featuring MARK A. ALTMAN & DAREN DOCHTERMAN available every Thursday. Don't miss our conversation with PICARD SEASON 3 showrunner TERRY MATALAS and actor/director JONATHAN FRAKES available now wherever you listen to podcasts** ENGAGE WITH US ON SOCIAL AT: Follow Treksperts Briefing Room at: Twitter: trekspertsBR Instagram: Treksperts Briefing Room Follow Inglorious Treksperts at: Twitter: @inglorioustrek Facebook: facebook.com/inglorioustrek & Facebook.com/electric-surge Instagram: @inglorioustreksperts on Instagram Post: @inglorioustreksperts #StarTrek #TOS #TAS #TNG #DS9 #VOY #ENT #DISCO #PICARD #LLAP #comics #IDW #Marvel #DC #GoldKey #Discovery #Superman #STTMP #clipshow #TheApple #CaptainKirk #Enterprise #Voyager #Klingons #BloodFever #AmokTime #Prodigy #StarTrekProdigy #ParamountPlus #ElectricNow #science #technobabble #MIrrorUniverse #MirrorWar #IGW #Trill #TheHost #DIsco #PhaseII #Badlands #Eddington #DeepSapceNine #StarTrekSNW #SNW #LowerDecks #Picard #TNG #StarTrekPicard #PicardSeason3

Gates McFadden talks Picard S3 and What's Next for Beverly Crusher Gates McFadden is making big moves in the Star Trek universe, and she's here to tell us about all of them! In addition to reprising her role of Dr. Beverly Crusher on the third and final season of "Star Trek: Picard," Gates just kicked off the second season of her podcast "Gates McFadden InvestiGates: Who Do You Think You Are?", and was recently part of "The Center Seat: 55 Years of Star Trek" docu-series from The Nacelle Company. Gates talks about what's happening with her 2nd season of the podcast, including chatting with William Shatner and Kate Mulgrew, among others; then we go behind the scenes of Picard to learn what she thought of the changes to her character, her emotional scenes with Patrick Stewart, what the core of "Picard" S3 is, what it's like being on set with her TNG friends again, and more! Check out Gates' podcast here - https://podcasts.apple.com/us/podcast/gates-mcfadden-investigates-who-do-you-think-you-are/id1566636928 Watch The Center Seat on Amazon Prime - https://amzn.to/40yTmnv Or pick it up on DVD - https://amzn.to/40FY6rx Check out The Center Seat companion book here - https://amzn.to/3nIQGoO  Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.   The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. 

Gates McFadden is making big moves in the Star Trek universe, and she's here to tell us about all of them! In addition to reprising her role of Dr. Beverly Crusher on the third and final season of "Star Trek: Picard," Gates just kicked off the second season of her podcast "Gates McFadden InvestiGates: Who Do You Think You Are?", and was recently part of "The Center Seat: 55 Years of Star Trek" docu-series from The Nacelle Company. Gates talks about what's happening with her 2nd season of the podcast, including chatting with William Shatner and Kate Mulgrew, among others; then we go behind the scenes of Picard to learn what she thought of the changes to her character, her emotional scenes with Patrick Stewart, what the core of "Picard" S3 is, what it's like being on set with her TNG friends again, and more! Check out Gates' podcast here - https://podcasts.apple.com/us/podcast/gates-mcfadden-investigates-who-do-you-think-you-are/id1566636928Watch The Center Seat on Amazon Prime - https://amzn.to/40yTmnv Or pick it up on DVD - https://amzn.to/40FY6rxCheck out The Center Seat companion book here - https://amzn.to/3nIQGoO  Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

ICYMI: Later, with Mo'Kelly Presents – An in-depth conversation with film/TV Producer, Director AND the CEO of The Nacelle Company, Brian Volk-Weiss, regarding his new Icons Unearthed docuseries, which focuses on the ‘Marvel Cinematic Universe,' on KFI AM 640 – Live everywhere on the iHeartRadio app

This week we welcome Brian Volk-Weiss. Brian is an American film and television producer and director. He is the founder and current chief executive officer (CEO) of The Nacelle Company and its subsidiary company, Comedy Dynamics.He is also the creator, producer, and occasional director of the current Netflix series, The Toys That Made Us and The Movies That Made Us, along with the television specials, Kevin Hart's Guide to Black History and Discontinued (originally on The CW). Through Comedy Dynamics, he has produced and directed numerous stand-up specials and comedy albums for comedians like Kevin Hart, Jim Gaffigan, Ali Wong, Tiffany Haddish, Ilana Glazer, and many others. Volk-Weiss has also produced several television shows including Join or Die with Craig Ferguson, Behind the Attraction on Disney+, A Toy Store Near You, The Center Seat: 55 Years of Star Trek, and Down to Earth with Zac Efron. He also serves as executive producer on the revival of the 1992 TV series, Mad About You.Check them out at @brianvolkweiss on InstagramWe now have an INSTAGRAM! Check it out at thecleancomedypodcast on InstagramWe also have a PATREON! Check out patreon.com/CleanComedyPodcast for more details.Turn your funny into money! Check out the official website here: http://comedypreneur.comPick up a copy of “How To Produce Comedy Shows For Fun & Profit” here: https://amzn.to/31H4wxmDo you have a topic that you would like to hear discussed?Are you a clean comedian looking for an awesome podcast to be in?Do you have life-burning questions?Reach out to us at https://www.thecleancomedypodcast.com/contact/

He's back! One of our earliest guests returns and A LOT has happened since we last had him on. From making popular documentaries about toys to profiling toy stores during the panedemic, and now, making toys of his own, the Nacelle Company's CEO Brian Volk-Weiss catches us up on everything he has going on!Follow Brian on Instagram @brianvolkweiss and keep up with everything going on with the Nacelle Company on their Instagram @nacellecompany.Use our special link zen.ai/aicpod and use aicpod to save 30% off your first three months of Zencastr professional. #madeonzencastrThis podcast is sponsored by BetterHelp. Visit betterhelp.com/aic to get 10% off your first month.Follow us @aic_podcast on Instagram, Facebook, Twitter, and YouTubeIntro and other voices by Joe Azzarihttps://www.instagram.com/voicesbyjoe/Theme Music is "Game Boy Horror" by the Zombie DandiesProudly part of the Non-Productive Network

Will, Kat and Jon discuss current 80s news including how Elvira was D-listed, a premakequel series for "Friday the 13th," and Johnny Depp was still not cast in Beetlejuice 2.Then, Will and Jon chat with Brian Volk-Weiss--CEO/founder of The Nacelle Company--about his latest docuseries "Icons Unearthed: The Simpsons." Are you fan of The Simpsons? Email us your thoughts to will@1980snow.com.Introduction - :30Announcements - 3:03 *We're giving away the newly-published "The Kick-A** Book of Cobra Kai: An Official Behind-the-Scenes Companion." Follow us on Facebook to learn how to win. 1980s News - 4:31Is this a Real Simpsons Episode? - 25:40Brian Volk-Weiss on his Simpsons Docuseries - 38:37Your Feedback and Thanks - 1:06:48For the many ways to support the show, visit www.1980snow.com/support.For more episodes of 1980s Now and information about the show visit www.1980snow.com.And for even more 1980s awesomeness visit the80sruled.com or facebook.com/80sruled.Learn more about Jon's podcast and Youtube channel at www.GenXGrownup.com.

2022 New York Comic Con (NYCC) is a wrap and we have the sound bites to prove it! Hear from the Hasbro Marvel Legends Team, Augie from Super 7, Zach from Diamond Select, Rich from the Nacelle Company, Justin from Bandai, and Julian from the Noble Collection live from the show floor along with Dave and Erik's reactions to reveals and news from the con.Use our special link zen.ai/aicpod and use aicpod to save 30% off your first three months of Zencastr professional. #madeonzencastrThis podcast is sponsored by BetterHelp. Visit betterhelp.com/aic to get 10% off your first month.Follow us @aic_podcast on Instagram, Facebook, Twitter, and YouTubeIntro and other voices by Joe Azzarihttps://www.instagram.com/voicesbyjoe/Theme Music is "Game Boy Horror" by the Zombie DandiesProudly part of the Non-Productive Network

On today's nerdtastically newsworthy episode of #NerdORama we welcome Founder & CEO of the Nacelle Company, Brian Volk-Weiss, who joins the program for an in-depth discussion regarding “Icons Unearthed: Star Wars,” a can't miss docuseries that details the secret history of the “Star Wars” trilogy of films!!!

Will, Kat and Jon discuss current 80s news including the return of a discontinued monster cereal and the trailer for "Confess, Fletch." Then, Will challenges Kat and Jon to determine whether the long-held rumors about Star Wars are bantha poodoo. Finally, the trio chats with Brian Volk-Weiss, the founder and CEO of The Nacelle Company, the creators of the hit Netlix series "The Toys That Made Us" and "The Movies That Made Us." Brian's latest entertaining documentary series "Icons Unearthed: Star Wars" is now available on ViceTV (via your cable provider). Introduction - :30 1980s News - 9:38 Star Wars Rumors: True or Poodoo? - 28:34 Icons Unearthed: Star Wars w/ Brian Volk-Weiss - 39:42 Thank You and Wrap-Up - 1:19:40 For the many ways to support the show, visit www.1980snow.com/support. For more episodes of 1980s Now and information about the show visit www.1980snow.com. And for even more 1980s awesomeness visit the80sruled.com or facebook.com/80sruled. Learn more about Jon's podcast and Youtube channel at www.GenXGrownup.com. To hear more from Atlas Neon visit https://www.instagram.com/atlasneon/. To watch "Icons Unearthed: Star Wars" visit https://www.vicetv.com/en_us/show/icons-unearthed-star-wars.

ICYMI: The Mo'Kelly Show Presents – An in-depth conversation with Founder & CEO of the Nacelle Company, Brian Volk-Weiss, discussing the amazing Vice TV docuseries - “Icons Unearthed: Star Wars,” which details the secret history of the “Star Wars” trilogy of films on KFI AM 640 – Live everywhere on the iHeartRadio app

Music Biz 101 & More is the only radio show in America that focuses on the business side of the music & entertainment worlds. Hosted by William Paterson University's Dr. Stephen Marcone & Professor David Kirk Philp, the show airs live each Wednesday at 8pm on WPSC-FM, Brave New Radio. This podcast was produced in conjunction with William Paterson's student-run MEO (Music & Entertainment Organization). Thanks to Jenna Vitale for co-hosting! Brian Volk-Weiss is a director and producer and creator and lots of other things for Nacelle Company, which produces, among other things, comedy specials for Netflix and toys. You wonder what the connection is between these and, go ahead. Wonder. Then listen to this podcast. You'll hear about the toy business. You'll hear about what it's like to manage comedians. You'll hear how Netflix works with their deals. There's a lot to digest within this digest, so absorb. You'll be so glad you did. Intro song: "Hurts Like Hell" by Gina Royale Exit song: "Admit It" by Gina Royale Like what you hear? Tweet us anytime: twitter.com/MusicBiz101WP Engage and Adore us on The Facebook, The Twitter & Instagram: www.facebook.com/MusicBiz101wp twitter.com/MusicBiz101WP instagram.com/musicbiz101wp/

Tune in this week as Brian and Vonner stop by from The Nacelle Company to talk Robo Force and The Fallen Fett, Playing with myself, Chamba, Cheynee180 talk toys and more!

If the story of SuckLord's life has been a mystery to you, be puzzled no longer! Episode 2 in his 5 par saga has come. In this episode he walks us through early life of high school and college. We follow his story through the ins and outs of being lost and not knowing what was next for him. This is where his love of Star Wars comes in handy! Take a listen to this weeks Toys on Tap!Toys on Tap got to sit down with the Vice President of Content Strategy Rich Mayerik to talk toys, life, and the Nacelle Company! You get to hear all about Rich's origin story and how he got to Nacelle and what Nacelle has been up to!On instagram @sucklordCommercials brought to you by Chicken Burger DiscoOn instagram @chickenburgerdiscoSponsors:if you want to become a sponsor of Toys on Tap Podcast send an email to yuckotoys@gmail.comPatreon:To support the show you can join the Toys on Tap Patreon. Go to patreon.com/toysontapThank you to our sponsors:DKE Toys @dketoysEric Nichols @righteousmadeZachary Blackburn @ztblackburnChicken Burger Disco @chickenburgerdiscoRate and Review:The best way to support the podcast is to rate and review so that others can hear this sticky resin podcast!

Here are two incredible stories from Showrunner and Co-Creator of Friends and Grace & Frankie Marta Kauffman and Executive Producer of Movies that Made Us Brian Volk Weiss. These are the stories that haven't been made yet. Brian hopes to develop his story this in the next few years and Marta has pitched her story around Hollywood to no avail. These are the stories that were never made. From Season 2; Episode 15 - Marta Kauffman is an Emmy- and Golden Globe-winning television writer, producer, and showrunner behind the hit series Friends and Grace & Frankie. After graduating from Brandeis University, Kauffman got her big break alongside David Crane when their pilots Dream On (1990) and The Powers That Be (1992) were green-lit. The pair then launched Bright/Kauffman/Crane Productions with Kevin Bright and became the trio that created the iconic sitcom Friends. In 2015, Kauffman started her production company, Okay Goodnight, with industry veterans Robbie Tollin and Hannah KS Canter. Their first series, Grace & Frankie, starring Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston premiered on Netflix in 2015 and is Netflix's longest-running original ever. The series has received multiple Emmy and SAG nominations and is beginning production on the seventh and final season. In 2018, the company produced the documentary Seeing Allred, which premiered at the 2018 Sundance Film Festival and is currently available on Netflix. Kauffman has received a number of honors and awards including the Paddy Chayefsky Laurel Award for lifetime achievement in television writing from the Writers Guild of America, the 2016 Outstanding Television Writer award at the 23rd annual Austin Film Festival & Screenwriters Conference, The Kieser Award at the 44th Annual Humanitas Awards, and Variety's TV Producers Impact Report for consecutive years in 2019 and 2020. From Season 3; Episode 10 - Brian Volk-Weiss is the founder and CEO of the Nacelle Company, a leading Comedy producing and distribution house. Nacelle has produced and distributed scripted and unscripted content and established podcasting, development, distribution, records, publishing, marketing and management divisions. Volk-Weiss has created, directed and produced hits such as Netflix's docu-series, Down To Earth with Zac Efron, The Movies That Made Us, and The Toys That Made Us, and Kevin Hart's Guide To Black History, as well as Behind The Attraction for Disney +, A Toy Store Near You, CW's Discontinued, All The Way Black for BET+, and History's Center Seat: 55 Years of Star Trek. He served as EP on the revival of the 1992 series Mad About You. He has been nominated 19 times for Grammy Awards for Best Comedy Album and won 4 for production on performances by Louis C.K. and Dave Chappelle. Through his years managing, producing, directing and writing in the entertainment industry, Volk-Weiss has negotiated deals with the likes of Netflix, Amazon, Disney+, HBO, Discovery, BET+, A&E Networks, Hulu, Viacom, History, and many more. He's grown Nacelle's comedy house, Comedy Dynamics, into the nation's largest independent producer and distributor of stand up comedy.He served as EP on the revival of the 1992 series Mad About You. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Brian Volk-Weiss is the founder and CEO of the Nacelle Company, a leading Comedy producing and distribution house. Nacelle has produced and distributed scripted and unscripted content and established podcasting, development, distribution, records, publishing, marketing and management divisions. Volk-Weiss has created, directed and produced hits such as Netflix's docu-series, Down To Earth with Zac Efron, The Movies That Made Us, and The Toys That Made Us, and Kevin Hart's Guide To Black History, as well as Behind The Attraction for Disney +, A Toy Store Near You, CW's Discontinued, All The Way Black for BET+, and History's Center Seat: 55 Years of Star Trek. He served as EP on the revival of the 1992 series Mad About You. He has been nominated 19 times for Grammy Awards for Best Comedy Album and won 4 for production on performances by Louis C.K. and Dave Chappelle. Through his years managing, producing, directing and writing in the entertainment industry, Volk-Weiss has negotiated deals with the likes of Netflix, Amazon, Disney+, HBO, Discovery, BET+, A&E Networks, Hulu, Viacom, History, and many more. He's grown Nacelle's comedy house, Comedy Dynamics, into the nation's largest independent producer and distributor of stand up comedy.He served as EP on the revival of the 1992 series Mad About You. In this episode, we talk about: • The only job he's ever been fired from (unjustifiably) - and how that lesson has helped him his whole career: “Appearance is sometimes as important to action.” • The systematic approach he had to making it in Hollywood and why it wouldn't work in NY • How he lived off of $3k for 15 months working unpaid jobs - before he got a lucky break • How he turned a job he didn't like - being a manager to what he wanted to do, which was make TV and film • The book that made them change their entire business model and a library of over 1000 hours they still make money from • His tenets of directing comedy specials vs documentaries • Toys that made us took us 7 years to sell • What he looks for in a story and does he now cater to the audience • The most interesting story that he wants to share involving Chester A Arthur • Why he may not have started a toy division if he knew what it would entail Guest: IMDB Wikipedia Instagram Linkedin Twitter Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Facebook page: https://www.facebook.com/mentorsonthemic Website: www.michellesimonemiller.com Youtube: https://www.youtube.com/user/24mmichelle Resources: The Long Tail

We welcome Rich Mayerik (VP of Content Strategy) of the Nacelle Company (The Toys That Made Us, The Movies That Made Us, A Toy Store Near You) to discuss Nacelle's toy division, which is aimed at preserving nostalgic franchises. We discuss their plans with some of their currently announced intellectual properties, like The Great Garloo, Robo Force, Power Lords, SilverHawks, and more! We also talk about the Nacelle Toy Stores of the World Passport! Present your Toy Stores of the World Passport at any other participating Nacelle consumer product partner store and receive a new unique stamp! Head over to NacelleStore.com to get your passport and check out their other merchandise!  NacelleCompany.com @dean_cameraon @themoviesnetflix @toysnacelle @brianvolkweiss @nacellecompany CannedAirPodcast.com Twitter: @CannedAirPod Instagram: @Canned_Air If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a review on iTunes! Thanks for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

How Brian Volk Weiss Built a Media Empire with Comedian TV Specials and hit Documentaries Brian Volk-Weiss is an American film and television producer and director. He is the founder and current CEO of The Nacelle Company and Comedy Dynamics.

In our 8th supplemental episode of our series: "The Collector's Corner," we are privileged to be joined by Brian Volk-Weiss, who is the CEO and Founder of The Nacelle Company. The Nacelle Company develops, produces, and distributes feature and documentary films as well as TV Shows. They are behind many of the great comedy specials out there and wonderful documentaries such as: "The Toys That Made Us" and "The Movies That Made Us." But, what we are extremely excited to talk to Brian about is the recently released History Channel docu-series entitled: "The Center Seat: 55 Years of Star Trek. Brian highlights some behind the scenes moments from the series and gives us some insights on how and why he developed it. He also highlights some key contributions from Narrator and Executive-Producer, Gates McFadden. Brian also let's us in on some collectibles that will be coming our way in the near future. Please check out their website at http://www.nacellecompany.com and watch "The Center Seat: 55 Years of Star Trek" on the History Channel. If you would like to be featured on The Divine Treasury, reach out to us on: - Twitter: @divine_treasury - Instagram: @divine_treasury You can also find video of the collections of our guests and reveals of our new items by subscribing to the Trek Geeks Podcast Network on YouTube.

In our 8th supplemental episode of our series: "The Collector's Corner," we are privileged to be joined by Brian Volk-Weiss, who is the CEO and Founder of The Nacelle Company. The Nacelle Company develops, produces, and distributes feature and documentary films as well as TV Shows. They are behind many of the great comedy specials out there and wonderful documentaries such as: "The Toys That Made Us" and "The Movies That Made Us." But, what we are extremely excited to talk to Brian about is the recently released History Channel docu-series entitled: "The Center Seat: 55 Years of Star Trek. Brian highlights some behind the scenes moments from the series and gives us some insights on how and why he developed it. He also highlights some key contributions from Narrator and Executive-Producer, Gates McFadden. Brian also let's us in on some collectibles that will be coming our way in the near future. Please check out their website at http://www.nacellecompany.com and watch "The Center Seat: 55 Years of Star Trek" on the History Channel. If you would like to be featured on The Divine Treasury, reach out to us on: - Twitter: @divine_treasury - Instagram: @divine_treasury You can also find video of the collections of our guests and reveals of our new items by subscribing to the Trek Geeks Podcast Network on YouTube.

This week UncleDad and Mike talk with CEO of The Nacelle Company and creator of the show “TheToys that Made Us. If you would like to support the show, check out our sponsors here: Raze Energy: https://reppsports.com/ PROMO Code uncledadtalks to save 15% Cloudy Sleep Care: https://trycloudy.com/?utm_source=affiliate PROMO Code uncledadtalks for 10% off Lucky 13 Tattoo Aftercare: https://protectyourink.com/ PROMO Code uncledadtalks to save 10%

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1472667488622055431 It's Actually Christmas Week on Pod Sematary! Chris & Kelsey make this holiday season musical! The Classic Film: The Nightmare Before Christmas (1993) "Jack Skellington, king of Halloween Town, discovers Christmas Town, but his attempts to bring Christmas to his home causes confusion” (IMDb.com). This is one of the Christmas movies that we watch every year, and we're still excited to talk about it. The Modern Film: Anna and the Apocalypse (2017) "A zombie apocalypse threatens the sleepy town of Little Haven—at Christmas—forcing Anna and her friends to fight, slash, and sing their way to survival, facing the undead in a desperate race to reach their loved ones” (IMDb.com). Anna and the Apocalypse is passable insofar as it's one of the few musical comedy horrors in existence, but it's a goldmine of a premise that isn't exploited for its opportunities nearly enough. Audio Sources: "Anna and the Apocalypse" produced by Black Camel Pictures, et al. "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "The Nightmare Before Christmas" produced by Touchstone Pictures, et al. "The Nightmare Before Christmas" (The Movies That Made Us S03E07) produced by The Nacelle Company

Toys on Tap got to sit down with the Vice President of Content Strategy Rich Mayerik to talk toys, life, and the Nacelle Company! You get to hear all about Rich's origin story and how he got to Nacelle and what Nacelle has been up to!On instagram @dean_cameraonCommercials brought to you by Chicken Burger DiscoOn instagram @chickenburgerdiscoSponsors:if you want to become a sponsor of Toys on Tap Podcast send an email to yuckotoys@gmail.comPatreon:To support the show you can join the Toys on Tap Patreon. Go to patreon.com/toysontapThank you to our sponsors:DKE Toys @dketoysBrian Johnson @be2thejEric Nichols @righteousmadeZachary Blackburn @ztblackburnChicken Burger Disco @chickenburgerdiscoRate and Review:The best way to support the podcast is to rate and review so that others can hear this sticky resin podcast!

This interview features Brian Volk-Weiss, CEO at The Nacelle Company. We discuss why betting big on standup specials got him Netflix's first streamer deal, how Iowa taught him about empathy in content production, bombing on stage and the genius of comedians, producing The Movies That Made Us, toy shopping as therapy, and why he'll retire when his first feature film is greenlit.Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up linkLearn more about our market research and executive advisory: RockWater websiteFollow The Come Up on Twitter: @TCUpodEmail us: tcupod@wearerockwater.com---EPISODE TRANSCRIPT: Chris Erwin:Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews entrepreneurs and leaders. Brian Volk-Weiss:I'm shocked any of this worked. So much of what we built was theoretical for so long. And the fact that there's almost no greater feeling than watching the moment a theory becomes a fact. We were making stand-up specials at scale, 20 to 30 a year for years spending millions and millions of dollars. We didn't know if it would work or not, probably until year seven. We started this plan in '08, and I didn't know it would work for sure until 2014. Chris Erwin:This week's episode features Brian Volk-Weiss, the founder and CEO of The Nacelle Company. Brian grew up in Queens with an early love for the Star Wars in 1989 Batman films. But upon realizing these worlds weren't based on reality, but instead imagined through the magic of Hollywood, Brian fell in love with filmmaking. So after college in Iowa, he moved to LA to become a production assistant. He then took an early career bet on producing a catalog of stand-up comedy specials, which almost bankrupted him, but the bet paid off big and enabled Brian to found his own production company, which is behind hit titles like The Movies That Made Us on Netflix.So Brian exudes an incredible love for his work, as well as constant amazement he's got to where he is today, which makes telling his story really fun. Some highlights of our chat include why comedians are geniuses, empathy and content production, doing Netflix first streamer deal, toy shopping as therapy, and why he'll retire when his first feature film is green-lit. All right, let's get to it. Brian, thanks for being on The Come Up Podcast. Brian Volk-Weiss:Thank you for having me. Very honored. Chris Erwin:Awesome. Let's rewind a bit. And why don't you start with telling us where you grew up and what your household was like? Brian Volk-Weiss:I grew up in Queens, New York. Was born in the late '70s. It was my mom, my dad and me and that's it. Chris Erwin:And early on, when did this love for toys, entertainment, storytelling, when did that really come to be? Was there a glimpse in your pre-teen years or as you were growing up in your house, any inspirations from your parents? Brian Volk-Weiss:I obviously, I got to get my mom credit because at three years old I could not have bought my own ticket to Star Wars. So I guess I can give her credit for my whole career in that regard. But I'm very lucky. It's the luckiest thing in the world. I saw Star Wars when I was three and I was so young, and by the way, everything I'm about to tell you, I have no memory of whatsoever, but my mom told the story her entire life. So I have it memorized. But basically at three years old, I did not know the word documentary, but basically the way my mom described my reaction to seeing Star Wars, it was as though I thought it was a documentary. Brian Volk-Weiss:And you have to understand, my mom was one of the first women to get a PhD from St. John. My dad was a lawyer. It was very concerning to them that their son for months, when he was asked, "Hey, what do you want to do when you grow up?" My answer was, "I want to fly an X-wing fighter. I want to join the Rebellion." And I mean, this really freaked my parents out. So my mom bought me this book that I still have, that was about the making of Star Wars, but it's written for five-year-olds. And I opened the book, the Death Star that was supposed to be the size of the moon was only six feet across C-3PO. There was a picture of his helmet off and it's Anthony Daniels. Brian Volk-Weiss:From that moment, and by the way, before that I wanted to be a limousine driver, just to show you how young I was. When people would say, "What do you want to do?" "I want to be a limousine driver." And then they'd say, "What do you want to do?" I'd say, "Oh, I want to join the Rebellion." After I saw the book, when they said, "What do you want to do?" I would say, "I want to make movies." And I mean, I've never wanted to do anything else ever. Obviously, now that includes television, but that's what led to it. Chris Erwin:Okay. And were you involved, in your pre-teen years or in high school involved in the theater in any capacity where you're writing stories, any of that? Brian Volk-Weiss:So I wasn't involved with the theater. I did one theater thing in college and that was what it was, but I did make little movies all the time. I made five-minute short film. By the way, I do have to say, when it was really hard to do, I mean, forget about shooting on 16 or even 8mm film, the camera I had literally shot on VHS tapes. It must've been three or four feet long. And by the way, that was the easy part. Editing in those days, I mean, you had to buy a machine for 250 bucks when my allowance was $5 a week. I mean, it was not easy to make these films, which by the way, were all garbage. I mean, they were terrible films, but yes, I did a lot of that. I did crappy little films in high school, a lot of them. Chris Erwin:I imagine you're casting your neighborhood friends and your peers. And were you getting some feedback of like, "Hey Brian, there's something special here. You're really good at this. You have some good vision. You're telling stories that need to be told, or you see things in a different way." Were you getting any early feedback like that as you're starting to put together your first contents [inaudible 00:06:03]? Brian Volk-Weiss:So I don't want to make you seem like my parents and friends were jerks, because they were not, but I made crappy movies and they were crappy. So nobody could look at them and truthfully say, "Oh, Brian, this is great." I mean, I'll tell you this, I was in show business for at least 10 years before my parents realized, "Oh wow, he might have turned this into a career." They were in denial my entire high school and college time that I would turn this into a career. Like I said, both of them were children of immigrants. They wanted me to be a doctor or a lawyer or a dentist. The whole idea of going to show business with no job, I didn't know anybody when I got here. Brian Volk-Weiss:So again, their personalities, but I really do think being the offspring of immigrants that had to flee the Holocaust and everything, I chose a very risky career path. Chris Erwin:Understood. Like you noted, your parents were looking for the traditional route for you, for stability, for something was familiar for your parents who are immigrants coming to a country that was unfamiliar to them, trying to find things that were stable and known. And you're like, "No, that's not for me. I'm going to give something else a go." So you make a decision that this is the career for you, but when you go to University of Iowa, were these ambitions in your sites? Were you planning to go into the entertainment business then? What was your focus on for your study? Brian Volk-Weiss:Again, I never wavered for a billionth of a second from this being my career choice ever since I realized that Star Wars was fake. So it was always the plan. Like I said, not only were my parents highly educated, all of my grandparents were also, my grandfather was a doctor. My other grandfather was a dentist. And even the women, which traditionally, 100 years ago were not going to schools and becoming doctors and lawyers and stuff, they were also very ambitious, very hard working. So if it wasn't for that, I wouldn't have even gone to college. I would have gone straight to LA at 18. Brian Volk-Weiss:Because of that, it never occurred to me until I was out of college, long out of college that I could have skipped college. But I did know when I chose where I went to school, it was irrelevant to my career. So that gave me a lot of freedom not to go to NYU, not to go to UCLA. I decided it was more important to me to have an experience that I could carry with me throughout my career, which I got to tell you, I think that was in retrospect one of the better decisions I've ever made for myself, because whenever I'm trying to look at things, should I green-light this or should I green-light that or whatever? I have a million friends in the Midwest. And a lot of people that I know, the majority of their friends are in LA or New York. Brian Volk-Weiss:So I get this point, I was in Minneapolis this weekend, this past weekend, was like eight or nine people that I know there. So that's who I think of when I'm making creative decisions, especially in the editing bay, by the way. Chris Erwin:In a way, are you saying that you can empathize with a broader audience mix than maybe those that have lived and grown up in LA, or the LA consumer is all they know where you're like, "No, I've traveled from east to west, in the Midwest. I've been in parts of the country where others have not. And I understand what they care about, what they don't care about, how they communicate with one another." Brian Volk-Weiss:Absolutely. I mean, 100%. And just to use a non-show business example, if I only had LA and New York friends, I would have a point of view of Trump that I do not have because of my Midwest friends. I still hate the guy's guts, no offense to anyone who likes them. And I respect your opinion if you like Trump. And I think I get that because I have friends in the Midwest, because I have friends that I've known for 30 years almost that like Trump. And I understand why they like Trump. I don't agree with it. I think it's terrible, but I understand why they do. Brian Volk-Weiss:So when I see Trump, I look at him from a point of view of, again, I truly think the guy might one day be responsible for the literal actual apocalypse. But I do know that I look at him differently from almost everybody I know in LA and New York. And that is because I have friends in the Midwest that voted for him and I understand why they did. And I know they're not racist. I know they're not antisemitic. It's that point of view that when I'm in an editing pay, I can think about what they care about, what they value, and not just LA and New York and Miami. Chris Erwin:I think that's very well said. And it's something that I feel that is an important value to me too. Look, I'm from the tri-state area. I grew up in Jersey, schooled in Boston, and then I worked in finance in New York. And then I did go to grad school in Chicago, but then I was in LA for 10 years and now I'm in San Diego. But I feel that my time in Chicago for a couple of years, as well as the fact that my brother's wife is from Ohio, and I have friends from Ohio. Chris Erwin:And sitting down with parents of my friends who have run steel mills in these manufacturing plants for over 40 years, and when I just talk politics with them, the notion of empathy is to understand their story is very different than what I hear from my coastal friends and my coastal peers. And not making this a political conversation of picking one side or the other, but just context and empathy, not only in the world is critical for political decisions for economic, but in telling story and reaching different audiences and understanding what they care about and thinking about what the marketing campaign is going to be is really, really critical. So I like how you've touched on that. Brian Volk-Weiss:You just said I think is, first of all, it's pretty much my favorite word. Second of all, I think if our country has lost anything as everybody says we have, it's context. It's a sense of context. Many times people I work with, trying to be nice, trying to be funny, whatever, kiss my ass a little, I don't know. But they'll write a script or something and they'll name something after me. And it's usually like a ship or a character, spaceship, boat, whatever. And it'll be like the USS Volk-Weiss. Brian Volk-Weiss:And I'll always say, "First of all, thank you. That's very kind. Second of all, that's not me. I don't like that kind of shit. Please change the name. And if you change it, please change it to the USS context." Because that's how powerful I think that word is because anything is nothing if you don't take into account its surroundings. And that's why I liked that word so much. And that's why, again, going back to your question, because I feel like I'm rambling, but that's why I went to Iowa. It gives me a sense of context I knew I wouldn't have if I had gone to school in LA or New York. Chris Erwin:So going back to your decision for you, Iowa, was there also in addition to context, something else that you received from that school or that experience that maybe was unexpected, but a delight you've brought with you for the rest of your life? Brian Volk-Weiss:I learned a lot from the school. I mean, just the experience of getting somewhere at 18 and leaving at 22. Just that experience is a great thing, but one of the things I learned because I learned a lot, but the thing that had a lot of value to me to this day is if you go to a school in LA or New York for the most part, again like UCLA or USC or in NYU, you're getting filtered in with lots of other people with the same beliefs. Another way to say it is, if I had gone to NYU, I would have been surrounded by people just like me who had made lots of student films. Brian Volk-Weiss:At Iowa, I mean, two of my best friends from Iowa, they were from farms. And by the way, that's another thing I learned, when you think of farm, you think of like, "Hey, there's a barn and a house and maybe 30 cows and a couple of pigs." These people were from... I was this New York guy. My mom had a PhD. My dad was a lawyer. These people from farms, they probably made 10 times what my parents made for a living. But you don't think that way when you hear farm. Brian Volk-Weiss:So just needing people who are the children of farmers, the first person in five generations to go to college and they're sitting next to me in the same class on the same first day of college, I took that, it's not destined that just because you make stupid films when you're in high school that everybody else around you doing that is going to end up in the same place. You can come from a farm. You can come from... One of my best friends, his parents owned a roofing company. Brian Volk-Weiss:The other thing that was great about Iowa was, Iowa City was very different than Iowa. So the minute you were five miles outside of Iowa City, you might as well have been in Nebraska or Oklahoma. But Iowa City had a lot in common with New York compared to the rest of the state. So just all of that knowledge and experience is just wonderful. Chris Erwin:Very well said. I think there're some themes that we can come back to there, but in moving your story forward, after Iowa, you move immediately to LA and you become a PA on Castaway. Brian Volk-Weiss:Eventually. That wasn't my first job. My first job, I always like to say this was a independent film called Going Back to Cali. It was a all white producers, but it was literally an African American copy of Swingers as my first job. I booked it six days after I got to LA. Every night, the producers would watch Swingers and the director. And then the next day we would basically redo the same scene with an entirely African American cast. That was my first job. I think six or seven months after I got here, I got here July, and about four months or five months later, I got Castaway. Chris Erwin:Got it. When you made that first move, and you got this first job, this call it African American copy of Swingers, did LA still feel right to you. Were you're like, "Yes, this is it. I'm excited?" Or were you like, "Actually, this is a little bit different than I thought and I'm questioning somethings." Brian Volk-Weiss:I'm not going to talk about LA because I hate LA the day I got here and I hate it now. But if you're asking me about show business, it was exactly what I thought it would be. If anything, it was more exciting, more fun, more awesome than I had even hoped it would be. I look back on those days, I know this might be a weird thing to say, but I only PA'ed for about a year, I was only an assistant for about a year and a half. And I'm sure if I could speak to 22 or 23-year-old Brian, they would tell me I'm smoking crack, but I wish I had PA'ed a little longer. I wish I had been an assistant a little longer because, especially a PA, I really enjoyed it. Like I really, really enjoyed it. Brian Volk-Weiss:I always joke, and if there's anything I've learned about myself over the years is as I've gotten older, a lot of times when I make the same joke over and over again, I'm not joking and I'll probably do it, but we'll see if I do it with this one, but I've always joked, "Maybe when I retire, I'll go back to PA-ing." I really enjoyed. Chris Erwin:What was it about it that you loved so much? Brian Volk-Weiss:There were two things about it. One of which I was aware of at the time, one of which I'm sure is now me looking backwards, but at the time, what I loved was it was such a tiny job. I was usually making 75 bucks a day, but you had such an important role. I'll never forget my first PA on a real job, it was a big car commercial. I'll never forget, at the end of the day... The whole day I got people, coffee, I did all those, "Menial jobs," which I actually enjoyed quite a bit. Brian Volk-Weiss:But at the end of the day, I'll never forget the producer handed me all the cans of film because it was filmed back then and said, "Take these to photo cam to get developed." And I was just like, "No problem." And he goes, "Never forget, every penny we spent from paper clips to producer salaries is in these cans." And I never forgot that. And that was what was so exciting. I'm 22 years old, I don't know a thing about anything, and yet, I have the most important job bringing these cans somewhere for an hour. Bringing an actress coffee may seem menial, but she needs the coffee. It's very hard to be an actor. Chris Erwin:You're delivering coffee, but you're seeing an actress preparing for when she's going to be performing. What's her headspace, what is your routine before, what is the hair and makeup and everything's happening in advance of her going on set. So you're seeing the full experience. That absorption so early on is so valuable. Brian Volk-Weiss:So valuable. And also, a lot of fun. I mean, a lot of fun. And then in retrospect, looking backwards, the other thing I liked about it is, it was so simple. My job now, I mean, we're planning stuff for 2024. Almost everything we do now, if not everything we do now is connected to other things. So we're not just putting out a TV show, we're putting out a TV show, a book and a podcast. When you're a PA, they say, "Yo, go to Walmart, buy a hammer." You go to Walmart, you buy a hammer, you go back, they say, "Thank you." And then they tell you to do something else. And it's just very A to B, A to B, A to B. And I miss that. Chris Erwin:I hear that. It reminds me of a story. There is this very famous IP lawyer that had a very complicated job, dealt with complicated legal cases. And on the weekends to relax and decompress all he wanted, like you said, Brian, was the simplest task and actions. So he got himself a bulldozer in his backyard and he would just move mounds of dirt. A mound of dirt from one corner of the yard to the other, do that for four hours on a Saturday, that's how he cleared his brain. Brian Volk-Weiss:I get that. You wouldn't even believe. I might go buy a bulldozer now. I totally get it. That's brilliant. Chris Erwin:And I hear you. Look, as an owner of a smaller business than yours, just the weight of the responsibility, taking care of your team, taking care of your clients, making sure that you have payroll, you're planning years ahead. I hear you. So what are the simple things that you do to keep your sanity? Brian Volk-Weiss:Honestly, buy toys, collect. It's like going to church or temple or whatever. It's so peaceful to me to walk around a vintage toy store and just see what they have and buy some things, bring them home and put them in my collection. People have every right to say I'm hoarding. I get it. I mean, the volume in which I'm buying toys, I know it's ridiculous, but it gives me tremendous joy just exploring vintage toy stores, even antique stores. It really gives me a lot of peace. Even if I don't buy anything, just seeing the way the world was, seeing little bits of history. You'll see an ashtray from [Bell and Root 00:21:59], knowing that it'll eventually become Halliburton. Just seeing that in a store, an antique store like that gives me a lot of peace. Chris Erwin:When you go shopping or looking at vintage toys and vintage items, do you like to do that alone? Do you do that with certain peers that are also aficionados? Brian Volk-Weiss:My favorite way to do it is alone. Well, that's not true. The only exception to that is my wife, because my wife is just like me. If we go to an antique store, she doesn't want to talk until we're walking out. So I don't talk to her. She don't talk to me. We just shop and explore. But most people they want to talk and everything and I'm very focused. I'm really focused on what I'm looking at. The exception to the rule, even though it's not helpful to my relaxing is of course with my kids, it's the opposite of what my wife and I do, but I love my kids like any father does, but they're just so fucking funny that it's worth the distraction being with them because of how funny they are. Chris Erwin:Going back to your career trajectory, so after being a PA and then you're on Castaway, you break into, I think, BKEG talent management. And there you start managing comedians and then you start producing stand-up comedy specials. And it kind of kicks off this incredible run that you have there and then through New Wave Entertainment, which I think acquired BKEG in 2003. So I'm curious, right now with the creator economy where every major social and incoming platform and all the major streamers, they realize that the talent, the creators, they bring the audience and thereby the audience then brings the money and the revenue. When you started working with talent early on, what were some of your key learnings? How did you gravitate towards them? And then why did you start working with comedians in particular? Brian Volk-Weiss:I started working with comedians completely randomly. It was all random. I'd only been in a comedy club once in my life before I went to BKEG. I was interning at a tiny company that on the floor that his office was at, there was a communal copy room and all the assistants to all the producers and other people in the floor would get to know each other because you would be in the copy room copying stuff together and you'd have to wait while people were using the machine. All I knew was this guy I knew was leaving his job. He needed to replace himself. He was making 50 bucks cash a day under the table. That's all I knew about the job. Brian Volk-Weiss:I knew that I was broke. I had saved up about three grand during college. I had burnt through the three grand. I was about to start waiting tables on the weekend. I was still PA-ing, even though I was an intern five days a week, I had still been PA-ing on the weekends, but I still was burning through my money. So I met with his boss and I just needed the 50 bucks a day cash so I didn't become a waiter again because I waited tables in college and I got the job, and about a week into the job, I understood what a... I didn't even know what a manager was when I took the job. It was a tiny management company. Brian Volk-Weiss:I basically was like, "I can't think of a worse job than being a manager." So I basically gave my two weeks notice. The owner of the company, a guy named Barry, Barry basically said, "What do you want to do for a living?" And I was like, "I want to produce movies." And he was like, "Well, as a manager, you can do that." And he started walking me through how you do that. So I stuck with it. Then I started managing and that's exactly what happened. I mean the first movie I ever got on into a movie theater was through a client. The first show I ever sold on television was through a client. And the entire foundation of our company is from that process. Brian Volk-Weiss:To answer your other question, I understood talent very quickly. It was very easy to understand. They're not like the rest of us. And as a manager or somebody who becomes a manager or is thinking of becoming a manager, you have to make peace with that or not do the job. Because if you're a manager for any other profession, you just say the obvious thing and you tell your client what to do. So if I was managing engineers and I had the client working at Boeing, and my client was like, "I'm mad at my boss. I'm not going to work today." I'd be like, "Well, you work for Boeing. You got to go to work or you're going to be fired." It doesn't matter what you think of your boss. Brian Volk-Weiss:When an actor, you can't say that nor should you, because I cannot tell you this enough, I had clients I talked to every day. I would go on vacations with them. I would go to movies with them on the weekends. These were people I talked to seven days a week, 18 hours a day, that kind of stuff. And I would still be on set with them and we're just hanging out like friends, and then the second [inaudible 00:27:11] comes over and is like, "Hey, so and so, you're up." And they would go and start doing a scene. And I'm like looking at them like they're levitating or flying or can split at, it never wore off on me how amazing it is that people can become other people. Brian Volk-Weiss:I know this sounds insane. I've been doing this for 23 years and I'm still amazed that actors can act, but I made peace with that on day one. And for me at the time, because pretty much all my clients were stand-up comedians, they're complicated people, but you have to be complicated to become a stand-up comedian. You also have to be a genius. There is no stand-up comedian I've ever met that can sell 100 tickets or more that wasn't a genius. So when they say they're not getting out of bed for any reason, you have to engage with them, find out the reason and then work with the studio or the network or the producers or the director to get them simpatico. And I enjoyed that because I respected how hard it was to do what they did. Chris Erwin:Hey listeners, this is Chris Erwin, your host of The Come Up. I have a quick ask for you. If you dig what we're putting down, if you like the show, if you like our guests, it would really mean a lot if you can give us a rating wherever you listen to our show. It helps other people discover our work and it also really supports what we do here. All right, that's it everybody, let's get back to the interview. Chris Erwin:I'm hearing two things from you, Brian, that I think are really interesting. One, which speaks to the longevity of your career and why I believe there's so much more ahead is because it really feels like, just from talking the last 30 minutes, how much you love what you do. When you were describing Star Wars and your early impressions of Batman and making movies as a teenager and in high school. And then even just describing back then working with talent, watching them instantly transform on set and that wow factor for you. And then you still have that same feeling today, it's that you're captivated by entertainment in Hollywood. And that even if you despise LA, you love the entertainment industry, you love show business. And I don't think that star is ever going to fade. It feels like it's just going to get brighter for you. Brian Volk-Weiss:I say this, this could sound like a metaphor. This could sound like I'm trying to be humble, I don't know. But I'm telling you, I mean this, the way I tell you the sky is blue. When I tell you, I cannot believe any of this is happening to this day, I mean it. I absolutely made it. I'm shocked any of this worked. Absolutely shocked. So much of what we've built was theoretical for so long. And the fact that there's almost no greater feeling not connected to family, there's almost no greater feeling than watching the moment a theory becomes a fact. And we were making stand-up specials at scale, 20 to 30 a year for years, spending millions and millions of dollars. 99.90 cents of every dollar that came in for five or six years, we spent that money on making stand-up specials. We didn't know if it would work or not, probably until year seven. We started this plan in '08 and I didn't know it would work for sure until 2014. Chris Erwin:Well, that speaks to an interesting point that we were talking about before this recording. What was the catalyst that caused you to keep reinvesting in these comedy specials? Why were you putting 99.90 cents of every dollar that you brought in back into this growing body of work? Brian Volk-Weiss:Well, there's two answers to that question. The first answer is the long-term answer, which is I knew the day I got here, again, I was 22 years old, but I'd been thinking about this since I was five. I wanted to build a studio. That was always my goal. I always wanted to build a studio and I had read about how all the other studios had been built. I knew Disney was built on Donald and Mickey and all of that. I knew Warner brothers was built on this Mack Sennett Library. And that was the key word, library. So I knew I had to build a library. And if I wanted to build a studio, I knew I needed a library. I didn't know how to build a library. Brian Volk-Weiss:A bunch of lucky things happened. The first lucky thing was, like I said, as a manager, you make a stand-up special for your clients once or twice a year. So one day I get a call from an agent, a guy named Mike Berkowitz, and at the time I was a manager. I had all my clients and I was managing full-time. And then 98% of my job was managing, 2% was producing. And I got a call from Mike, and Mike asked me if I would ever produce a stand-up special for a non-client. And I was really offended. And if I'm being honest with you, I was kind of rude to him. It was Michael Ian Black's agent, and I said to him, I'm like, "Dude, why are you calling me about producing a special? I'm not good enough to manage him. Why can't I manage him?" Brian Volk-Weiss:And I was really annoyed about it. The next day in the shower, I suddenly remembered my job was to make money. And as long as it was legal, it didn't really matter how I made the money. So I called Mike back and I apologized. And luckily he forgave me, which if you knew Mike, this doesn't happen very often. No offense, Mike, but it's true. You would agree with me, if you ever hear it. But that being said, we did Michael Ian black special and word got out to the community that we were making specials for non-clients. So that was the first thing that happened. Brian Volk-Weiss:The second thing that happened was in 2006, I read a book called The Long Tail. And the reason that anytime I talk about the long tail, I always mention what year I read it, 2006 was a very important year, not because of what happened, but because of what would happen. The book correctly predicted the rise of YouTube, iPhones, streaming, everything, AVOD, Asphalt, everything. So I took the biggest risk of my entire life and I bet everything that that book would be right. Brian Volk-Weiss:Because the truth of the matter is one of my clients blew up. I mean, I started working with this guy when he could sell 400 tickets and three years later he was selling 15 to 25,000 tickets a night. He was making a million dollars a show. And I could have taken that money and put it in the bank, invested it, and I'd probably have more money now than I do if I had done that. But the other thing is, in addition to wanting to go to studio since I was a little kid, it was always very important to me to leave something behind. I didn't want to die and not have contributed something, anything, but something to the world. Brian Volk-Weiss:And basically, I bet everything that the book would be right. And I'll be completely honest with you, when I made the decision, I basically said to myself, "This is it." If the book's right, I'll be able to achieve my dream. If the book is wrong, I'll have to quit or get fired and either become an agent at a big agency or go back to school and become a lawyer or something. I knew I was making a bet it all bet. By good Lord, the grace of God, that book could not have been more accurate and correct in what it predicted. Chris Erwin:Well, because I think when you read that in '06, Brian, and then your investment in this stand-up comedy special library from '08 through the next 6 to 10 plus years, that also led to growing credibility for you to start going into unscripted and scripted work and TV series and film projects. And then eventually you being able to launch your own production company and studio in a cell in 2017. Brian Volk-Weiss:That's exactly right. I mean, it killed a million birds with one stone. One of the most important birds that literally changed the course of my life, the company's trajectory, everything was, I do not know anybody in my entire life that did a deal with Netflix before me. My first deal with Netflix was in March of 2009. I swear to you, you're going to think I'm joking. I am not joking. I signed the contract. The contract said, all over the contract, streaming, streaming, streaming, s-bot s-bot, s-bot. I hadn't a clue what that meant. Not an iota of a fucking clue, but the deal was for so much money I didn't want to risk losing it. So I just signed it. Brian Volk-Weiss:And that deal did two things. First of all, it brought in the money that allowed me to keep growing the company because that deal was for the rights to specials I had already made, had already aired elsewhere, like Comedy Central or Showtime, and these rights had reverted. And that's the deal I had done with Netflix. We didn't even have Netflix in my house. When I signed that contract, I hadn't even seen Netflix yet. Chris Erwin:It was a DVD company. I think necklace was founded around what? '98, '99. And then 8 to 10 years in, probably exactly in the timeframe you're describing of '09, there was this slow transition to streaming. But I don't even know if it happened at that date yet. They were probably just going to put that into contracts and planning for the future. Brian Volk-Weiss:It had happened. But first of all, nobody really understood it. But second of all, the first person I ever met at Netflix, this woman named Lisa Nishimura. When I met with Lisa, they were in the middle of their biggest crisis. Up until this very second, they were going through, I forgot what it was called, like Flixster or Flicker. They were dividing their DVD business from their streaming business, which nobody understood because nobody knew what streaming was. So it was this whole like, "What?" But the reason I bring this up is that deal I did with Netflix in 2009 got me in the door with them before almost anybody. Brian Volk-Weiss:And because of that, I met this guy named Devin Griffin, and Devin at a very unique job where Devin, he was the guy that whenever we had the rights to a special ending at Comedy Central or something, or we had a special that we shot without a buyer, and again, I feel like that's worth mentioning. To this day, other people I'm friends with who own production companies will say, even though they know our plan worked, they will still say to me, "It is insane that you were making stand-up specials with no buyers at scale." Almost everybody I know would try it once or twice and then quit. Brian Volk-Weiss:Part of how I got through it and survived the risk was we did it at scale. You can't make one or two at a time. You have to make 5 to 10 at a time, which means instead of spending 300 grand, you're spending 5 to 10 million. So when I tell you, we bet it all, I mean, we fucking bet it all. But the reason I bring this up is we were doing this at a time when no one else was. So even though we were tiny, Netflix had no choice but to work with us because we were the only independent company that had a stand-up comedy library. Brian Volk-Weiss:So I knew this Devin Griffin guy, who's now a very good friend of mine for a lot of reasons, by the way. He's the smartest person I know, but you also changed the course of my life. He was transferred after a couple of years from stand-up comedy acquisitions to unscripted. And he was the guy who was like, "What do you got?" I had been trying to sell this show, which eventually was called The Toys That Made Us for seven years. I never could sell it because a lot of people don't understand this, but producers are tight cast just like actors. Brian Volk-Weiss:So I couldn't sell it because I was always the stand-up comedy guy and executives and buyers were always like, "Why is the stand-up comedy guy trying to sell me a show about toys?" But because I knew Devin, because I was friends with Devin. Devin had been to my house. And Devin had seen my toy collection. And he also knew me, he knew he could trust, take my word. So if I told him I could do X and he knew I was a, "Expert," in toys, he green-lit Toys That Made Us and had changed everything for the company, overnight. Chris Erwin:And when you say why it changed things for the company overnight, was it because of the money that was coming in from that deal? Was it the prominence of that, how popular became on Netflix? And then what came thereafter, which is The Movies That Made Us, what was that transformation? Brian Volk-Weiss:It changed a lot of things for a lot of different reasons. The first thing it did was, I mean, it was our first hit. I mean, we had never made anything that resonated in pop culture ever. So just by having a hit, not only do you get phone calls returned faster, but it's easier to sell shows once you have a hit. So that's the first thing it changed. The second thing it changed was it gave the company an identity for the first time other than stand-up comedy. The third thing it did, and I think a lot of people might even say this is the most important thing it did, Toys That Made Us was the first show we ever sold that was about a passion that I had. Every other show before that, and we probably had over a dozen shows on the air before Toys That Made Us, not a single one of those shows got a second season. Brian Volk-Weiss:If you go on IMDb or Amazon, they're all like three stars to five stars. What I learned, and you might be like, "It's really pathetic, Brian, you had to learn this the hard way." But before Toys That Made Us, I would do research on what the buyers want and then develop shows based on that research. And then I would make those shows to pay the bills. What Toys That Made Us show me was, I don't know if I cared about the show and was passionate about the topic, call me crazy, but we'd probably do a better job. So after Toys That Made Us came out, we haven't done anything that we're not passionate about. And knock on wood, not a single show that we've made since Toys That Made Us has not gotten at least a second season. That's what we learned. Chris Erwin:I love that. So then the natural follow up question is, with that new intention, let's create programming that stems from what we love as individuals, what we love as a team, what we're passionate about. Beyond just instilling that in your own mental framework, how did you instill that amongst your team? How did you change your development process to do that? Brian Volk-Weiss:Well, I mean, it was pretty easy because, a, almost everybody that works at the company is some degree of a geek. And by the way, I have to say, I'm very proud of this. The few people that have joined us that are not geeks, well, guess what they are usually six months later? We hired this awesome executive from Discovery, this poor girl. Oh my god, I mean, she didn't have a toy to her name the day she joined us. I mean, I think she has a shelf of toys now. And I guarantee you, she'll have probably five shelves of toys by the end of 2022. But anyway, I just love that. Brian Volk-Weiss:But anyway, so we just shifted into what we loved. I mean, it was such an obvious move, but I missed it. So basically after Toys That Made Us came out, and we were getting incoming phone calls for the first time ever, I was like, "You know how we all love this geek. Let's just do that." And that's not all we do, but it really became what we became known for. And it's funny, the exception to this of course, is Down to Earth with Zac Efron, that's not a pop culture show, but it was the same premise where I love Zac. I love that he was so excited about the environment and food and it was just very easy for us to get passionate about that, because I mean, who's not passionate about food and the environment. Chris Erwin:And I think like a powerful thing, this is a theme from a lot of the other entrepreneurs and leaders I talk to, it's just focus. And if you're trusting your gut, you're focusing on a more narrow lane. It also impacts who you recruit. Recruiting team members that are like, "Look, we want to find people who are nerds like at us, that deeply love things." If I was recruiting to be hired by your company, Brian, I'd be like, "Yeah, that's the type of team I want to work for." Where you're hiring me for my taste and what I love and you're going to help make that come to life and we could sell shows like that to Netflix and the other streamers, I'm going to be pumped to join you then probably some of the other studios. Chris Erwin:And it focuses the conversations around the table, and it focuses as a leader for, you can probably really push your team and say, "Do you really care about this topic? Do you really love it? Give me more. I sense that you're leaving something on the table here and you got to dig deeper." That's powerful. Brian Volk-Weiss:That's exactly right. We just do what we're passionate about, and don't get me wrong, we're not idiots. If I don't think I can sell it or I don't think the public will want to watch it, we're not going to do it. This is the other thing I always like to say, Sam Raimi had this great quote in 2000 when he was directing Spider-Man. I never ever forget this. It's like a real rule for us. He said, he goes, this is before the movie came out. He said, "I'm making Spider-Man. I not making Sam Raimi Spider-Man." And I am very passionate about what we make, but I never forget that we are making a product to be shared. And I don't want to make something that people won't like or be excited about. Brian Volk-Weiss:And by the way, sometimes we try and sometimes we fail, but we got a lot of criticism on a show we made once. I'll tell you the whole story. We put out a show last year on Amazon called A Toy Store Near You. And the first season, every episode, it takes place in toy stores all over the world. The first season, every episode was like 25% about the toys, 75% about how the stores were staying in business during COVID. It was a pretty deep dark show. We put it out. We think we've made a great show. We're all happy. We're all excited. And the feedback, I mean, it was 80% negative. And of the 80% negative, everybody was basically saying some version of this, "My life sucks. I'm depressed. Every news story I see is bad. When I watch TV, I don't want to be reminded about COVID. I want to forget about COVID." Brian Volk-Weiss:So we were in production on season two, and I think a lot of directors may have been like, "Fuck you. This is our show." I was horrified that I had misjudged the public so badly. And if you watch season two, season two is the opposite. It's 75% toys, 25% COVID. Season three is 99.9% toys, 0.1% COVID. And we're in post right now on season four, we literally just reshot something last week because you can see someone in the background wearing a mask. So we do listen and we do take all that stuff very serious with the public things. Chris Erwin:Well, look, I think that speaks to one of the earlier themes of our conversation, Brian, which was context and empathy. I think it's why Ted Lasso performed so well during COVID. People just wanted to escape. They wanted to smile, feel good content. And that was exactly that. And just speaking from personal experience, 9/11 happened. Recently, there was a lot of amazing documentaries on the 20-year anniversary. On Netflix, on the other streamers, I started watching the one on Netflix. Being from the tri-state area, really hits close to home. And I was like, "Look, being in COVID feeling isolated, the whole world going through tough times. I just can't see content like this right now. This is not what I'm looking for." Chris Erwin:Not saying that, that content's not valuable and that I want to come back and visit it, but that wasn't the right moment in time. Hearing you say that, Brian, I think it's like constant balance of staying true to you of telling the stories that are important to you. What you think the world should here, but also, what do people want to hear right now and I want to cater to that as well, which also drives longevity for your business. And it reminds me, we had Alison Eakle on the podcast, I think a couple months ago, she's the head of development at Shondaland. Chris Erwin:And she always says, "When I'm creating a show, I think of what's the movie poster. What's the marketing going to be?" Just as the ideas are coming together. And that just caused you to think, what is the audience reaction going to be? I went to business school at Kellogg, the way that they teach leadership and business management is through the marketing lens, marketing as a management philosophy. And marketing is all about understanding the customer mindset. So I really like how you captured that there. Brian Volk-Weiss:Thank you. And by the way, my best friend in college, Jamie Jackson, he went to business school. All I did for four years was make fun of him for that. "Oh, how was business today? What kind of business did you talk about?" By the way, I went to communications and I was cutting 16mm film together and taping it together with scotch tape, something that would've 0.0 value the day I graduated. Guess what I should have studied in college in retrospect? Chris Erwin:Well, at the least, you can hire people on your team that can now do this. Brian Volk-Weiss:Thank God. Chris Erwin:This has been such a fun conversation because we'll bring up different questions and then Brian, you just go off on these amazing stories and vignettes which have been awesome. But we did gloss over the point about your belief that the top comedians are really geniuses. Brian Volk-Weiss:I'm sorry to interrupt you, but I didn't say to top comedians. I very deliberately said anyone who can sell 100 tickets, which is nothing. I mean, that is nothing. Any comedian that gets to the point where you have 100 people in a market paying money to see them, that is a low bar, but anyone who gets to that point is a genius. It's not just the top comics. It includes them, but you cannot get to a point where 100 people are hiring babysitters and paying for two drinks unless you're a genius. Chris Erwin:Thank you for the clarification that further even reemphasizes my point. Brian Volk-Weiss:I didn't mean to jump on you, but it's important to me to say that because so hard is that job that I just want to make it very clear, long before you're selling out arenas, you need to be a genius. Chris Erwin:I have not followed comedians for my entire life, but I can admit that over the past, call it three to five years, I've really followed Bill Burr very closely. And I'm actually going to see him in Long Beach tomorrow night. And then also through some advisory work that we've done with Team Coco and Conan O'Brien's digital team, starting to pay more attention to what Conan does and his podcast and his interviews. And I think what is so unique about comedians, yes, whether they're they're the top or they're just starting to build their careers, their ability to observe human behavior and society and have really interesting commentary, I think is unparalleled. Chris Erwin:And in a writing class that I take with my brother, great writers just observe. And through great observation, they can make very interesting literary points and stories. And I look at the comedians today where I just watched the recent Dave Chappelle's special in Netflix. And despite the controversy that has driven, his ability to observe and see things that others do not, and then talk about it in ways that others do not, I think that's very valuable for society and something that's treasured. And I look at them, Brian, with awe and I'm like, "How do they see that?" So that's something I wanted to highlight. Brian Volk-Weiss:Like I said, I talk to comedians every day. I already talked to Tom Papa this morning. I was talking to Steve Burn two days ago. I talk to comedians every day. I was with Jim Gaffigan in Minneapolis on Saturday. I have never gotten over who they are and what they do. They're geniuses, but I'll tell you something, everything you said is right. There's nothing I'm disagreeing with, but I'll tell you something on top of that, that I think is also true, maybe. Yes, you need to be a genius. Yes, you need to observe. But you also need to understand how the public perceives you. So what works for Bill Burr wouldn't work for Chappelle. What Chappelle does wouldn't work for Bill Burr. They had to find not only who they were, but who the audience thought they were. Brian Volk-Weiss:And I'll tell you how I learned this lesson. So like I told you earlier, I used to represent this guy that went from selling 400 tickets to 15,000 tickets very quickly. I mean, over the course of three years, that's how big he jumped. And I was with him four to seven nights a week in the clubs, at the shows, everything. I had his act memorized. And I mean memorized, not just the words, I had the intonations up and down. I had his act. One day, we had a mutual friend who was preparing to be on, I believe Conan, might have been Kimmel, but doesn't matter. And he was practicing his set at this place called the Gower Gulch, which is a karaoke bar that had a, every Wednesday night, they had a open mic night. Brian Volk-Weiss:The crowd was very light and it was late. And they were waiting for people to come in. But Jay, our friend, didn't want to go up because the crowd wasn't big enough yet and he didn't want to do his test in front of six people. So my client says to me, "Hey, you know my act, why don't you go up and do my act." And I'm like, "Sure. Oh my god, I can't even believe you're letting me do this." That is such a no-no in the comedy community. Even though I'm not a comedian, you do not do someone's act. You don't do it. And I cannot stress this enough, this night I'm talking about, he was one of the biggest comedians of all time. Brian Volk-Weiss:So this was not a small person asking me to do this. He was a stadium act at that point. So I go up, cocky, whatever. And I'm like, dude, it didn't work for me. I knew every single word of his act. I knew every pause. I knew when to go up, when to go down on the pronunciation. To say, I bombed, this was a set that could make 15,000 people laugh simultaneously. And by the way, not just every single time, he could do 80 shows in a row with that exact same 20 minutes, and never not get a standing ovation. I did it once, I gave up. I was like, "All right, thank you." I didn't even finish the 20 minutes. Chris Erwin:Couldn't even get to the end there. Brian Volk-Weiss:Like, "Thank you. Tip your waitstaff." So I always think that's very important to say that it's not just about the genius, it's not just about the material. There are comedians I know who are geniuses that have great material that have been doing it, I kid you not, for 30 plus years that still have not figured out what the audience wants them to be and who they want to be. And they've been doing it for 30 years. They still can't sell 100 tickets. Chris Erwin:I Really like that. And I just have to ask in closing, Brian, how did it feel for you to bomb? Because I imagine, Bill Burr talks about this all the time on his Monday Morning Podcast, you have to get your reps in. You have to know what it's like to go to bomb because you have to try. And only through failure will you learn what your relationship is with the audience, when you feel comfortable, what your style is. So for you going up there, where you thought you had the best jokes in the world, what did that feel like? Brian Volk-Weiss:Well, I did have the best jokes in the world because I didn't write them. The guy who could sell arenas did. I mean, I was laughing my head off. I mean, I never wanted to be on stage. I never wanted to be a comedian. I didn't give a shit. I mean, it was like a really funny experiment, but, and this I only learned a day, a week, a month later, but it did give me that experience because think about it, there's no flight instructor in history teaching people how to fly planes that did not already know how to fly planes. Brian Volk-Weiss:So think about how weird it is to be a manager that only represents comedians and you've never been on stage telling a joke. So it wasn't early in my career, it was probably barely halfway through the management part of my career, but to have that knowledge, and I've used it the rest of my life, yes, was very valuable. Chris Erwin:Brilliant. Love that. All right. So let's talk about what's the future of Nacelle Company? This business is now around four years old, founded in January 2017, you were just highlighting before the break, some incredible traction that you have. What are you thinking about in terms of what's next? And I think you've recently read a book, again, the second time in your career that's really inspired some big future moves. Tell us about that. Brian Volk-Weiss:So the future for our company is there's two things we're basically doing right now. And if I had to guess, this would be the two things we're doing for the rest of the time. The first thing is we're taking knowledge we have and experience and revenue from an existing business and applying it to bigger and better things. So the example I can give you is we started making stand-up specials on spec, meaning we didn't have a buyer lined up, and then we sold them or licensed them. We didn't sell them, we licensed them, which is, for those that don't know, that's a temporary rental of our title. Brian Volk-Weiss:So we did that with stand-up comedy. We've been doing that now for about 15 years. Now what we're doing, and the first attempt at this was Down to Earth with Zac Efron, we are doing with series what we used to do with stand-up specials, but we're right now only it in unscripted series. So we have a show coming out in two weeks on History Channel called The Center Seat, which is 10 episodes, only about Star Trek. We own that show. We have a book coming out the same day and a podcast coming out the same day. And after a certain amount of time, History Channel will not have access to that show and the rights will revert back to us just like we did with stand-up comedy. Brian Volk-Weiss:So that's what we're doing now. And this is obviously much more expensive making series on spec than making stand-up specials. I mean, every at-bat is seven figures. Whereas in comedy, I would say 70% of our at-bats are under seven figures, 30% are above seven figures. With series, it's all above seven figures. And we're doing that right now. A Toy Store Near You, same thing, we own that show. In the future, we're going to go from doing one or two a year, God willing, to doing 10 to 20 series a year, combined with, we will then get into scripted and we'll start doing the same thing in scripted. So spending 5 million an episode on spec just like Sony, just like Lionsgate. Brian Volk-Weiss:And then after that, and maybe simultaneously, we will be doing the same thing with movies. The moment where if I had to guess the beginning of my retirement will start is the point where we green-light our first say a hundred million dollar movie. The minute that happens, I will probably be retired, probably about five years after that event. So that's the first answer. The second answer is I'm a big believer and a lot of this comes back to Walt and Roy Disney, I'm a big believer in the flywheel method, which since you went to Kellogg, you know what I mean, but I only learned about this in my early 40s where we are launching departments to service other departments. Brian Volk-Weiss:So that allows us to put out, like I said, we're going to put out a show on History Channel in two weeks, but we're also getting revenue from the podcast. We're also getting revenue from the book, yada, yada, yada. So two answers, answer one, just keep doing what we're doing, but do it bigger and better. Answer number two, create more departments to monetize what we're already doing. And I just want to say for the record, monetizing sounds like some big fancy word. I mean, to say that we're all having the time of our lives, launching a publishing arm not knowing a thing about publishing, that kind of shit it's a lot of fun, but I've been through that cycle now a lot. Brian Volk-Weiss:When we launched our stand-up arm, we didn't know what we were doing. When we launched our record arm, which now to say, it's the number one producer of stand-up comedy, audio is a tremendous understatement. We didn't know what the hell we were doing. I mean, I never have any fear about not knowing what I'm doing, for better or worse. The book you refer to, I just read it probably about less than six months ago, really boring title, it's called Liftoff. But it's a great book about the first 10 and years of SpaceX. But it's funny, the reason I find that book so valuable is the exact opposite of The Long Tail. With The Long Tail, it showed me a possible path forward. Brian Volk-Weiss:With Liftoff, again, I cannot stress this enough. I did not go to business school. So almost everything we're doing is just me trusting my gut and praying to God it works. What Liftoff showed me was a lot of what we're doing is the right thing to do. And what a lot of people don't understand about SpaceX, and I'll be honest with you. I didn't understand this either until I read the book. I mean, what Elon Musk started with SpaceX conservatively was the 15th time a rich person tried to build a space launching company. Every single person and company that tried before him failed. Brian Volk-Weiss:And a lot of the reasons why he succeeded, we were already doing, but I didn't know if it was right or not. And his book showed me, some of the things that we were doing, which were extremely unusual, and even I was questioning, is this smarter, stupid? His book showed me it was the right path. I mean, the example I like to give is, we develop almost all of our internal capabilities. We try to do things outside of the company as little as possible. I have a tendency to have a vendor, and then either hire the vendor or buy the company that was providing the service because I like to have everything under one roof. Elon Musk, in the book, it tells a great story where they needed these special kind of pumps, they're called turbo pumps to mix the fuels to get the rocket out of the atmosphere. Brian Volk-Weiss:There's two companies on the planet, one of which is American that make turbo pumps for everybody. NASA, Boeing, JPL, everybody. Because Elon Musk was the new kid on the block, he was getting them slowly and they were coming and they still needed work and then SpaceX's engineers had to actually finish working on them. Musk eventually said, "Fuck it. We're just going to start making our own turbo pumps." That led to a lot of things. First of all, they didn't have supply problems anymore with the vendor. Second of all, they were able to make them at 30% the cost of the other company. Fourth of all, guess what SpaceX now sells to other space companies? Turbo pumps. Chris Erwin:They've become a supplier themselves. Brian Volk-Weiss:Yeah. And that's what Amazon did with their cloud service. So I have long been a believer in having as many capabilities under our roof as possible. And for those that don't run a business, that's very risky and expensive. Every time your payroll goes up, it's risky. But my theory has always been, if it's all unified under one roof, we will make more money because everybody's talking to everybody all the time. Chris Erwin:Totally agree. This reminds me of a conversation that we were having with a direct-to-consumer retailer this year. And the challenge was their board and investors are thinking about, "Okay, we have this growth vision, but if we want to minimize the amount of capital that we're putting to work up front, how can we outsource some of these capabilities so that if things don't work, we're not on the hook versus this massive investment in fixed costs?" And I was like, "I hear that. I totally get that. But the challenge is you're not creating internal capabilities in intelligence and commitment to your internal teams that this is where you really want to go in the future. And so the quality of your effort, the quality of this business initiative is going to be inferior and will not necessarily outperform who you're trying to beat in the marketplace if it's just all outsourced from day one." So I think what you described is very on point. Brian Volk-Weiss:Absolutely. And by the way, I'll give you a great example, every company out there in theory that owns an amusement park, in theory, has their own version of the imagineers. That is not true. The Imagineering Department at Disney is over 2000 people, highly paid, highly skilled. There's a guy in the Imagineering Department, all he does for a living, I guarantee he gets paid six figures. All he does is designed better fake rock technology. There is an imagineer, all she does is create better realistic looking leaves from foam. That is all she does 52 weeks a year minus vacation time. Brian Volk-Weiss:But my point is, no other amusement park has that capability. And I think Disney might make more than every single amusement park on the planet combined. I could be wrong, but even if I'm wrong, I'm probably not wrong by that much. And I completely agree with you, anytime I hear a company is divesting and blah, blah, blah. I'm always like this is either the beginning or the end, or they will reverse that decision when the next CEO comes to fix the mistake you've made by trying to have a better quarter. Because that's the problem these companies make when they do that, all they care about is beating the same quarter the prior year. That is a recipe for failure. Chris Erwin:I agree. I think the other key variable here that makes SpaceX, that makes Disney perform, and then also the future for you, Brian with Nacelle, is you have to have a leader which then flows down to the team really believe in this business initiative. If it's like, "Hey, we're kind of into this. We were going to outsource some of this stuff, but we're going to bring it in house." But if you're not bringing the passion, the focus to your team every day after that massive investment in fixed costs, it's not going to work. And that really comes from the top. Chris Erwin:And from this conversation, Brian, I can feel that from you as a leader of your business and as a visionary for the industry that you're in. And I hear you, we just hired another person in our team that's replacing a couple contractors that we used to have supporting us. That scares me. I got more mouths to feed. That's more of a commitment for me to do business development, but I know in my gut it's the right move if I want this company to grow. So we are simpatico on that level. Brian Volk-Weiss:You went to Kellogg, I didn't. So take to put a grain a salt, but I believe you're right. Chris Erwin:So Brian, before going into rapid fire, I just want to give some kudos to you. I have really only gotten to know you through this interview and a little bit of prep before. And it feels like to me that you are really fulfilling your destiny as a creator and storyteller, which I put the different interviews of people that I have on the podcast together. And I just had Doug Bernstein, from House of Highlights. And that's a new social media native sports brand. Doug was all about sports since age three.

Brian Volk-Weiss, the founder and current CEO of The Nacelle Company, the production company behind a new documentary series on The History Channel called ‘The Center Seat: 55 Years of Star Trek', talks about everything that went into creating the show. Find out more at https://www.history.com/shows/the-center-seat-55-years-of-star-trek 0:00 SEGMENT 1: Brian Volk-Weiss talks about why choosing the narrator is one of the hardest parts of making a documentary and why he had to convince Gates McFadden to be a producer on the show and then eventually the narrator. 10:30 SEGMENT 2: Brian Volk-Weiss talks about why Star Trek documentaries always gloss over certain topics, how Lucille Ball is the mother of Star Trek, and how Star Trek the Original Series almost never got made. 19:08 SEGMENT 3: Brian Volk-Weiss talks about how ‘Star Trek II: The Wrath of Khan' literally changed his life, crying on set during an interview, and which series he is the least familiar with. 33:18 SEGMENT 4: Brian Volk-Weiss talks about the enduring power of Star Trek in pop culture and why Kirstie Alley was one of the greatest interviews of his life, Thanks to our sponsors Marcus Theatres (https://www.marcustheatres.com/) and Historic St. Charles, Missouri (https://www.discoverstcharles.com/) Amazon Affiliate Link - http://bit.ly/geektome Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon - https://www.patreon.com/GeekToMeRadio Website - http://geektomeradio.com/ Podcast - https://anchor.fm/jamesenstall Facebook - https://www.facebook.com/GeekToMeRadio/ Twitter - https://twitter.com/geektomeradio Instagram - https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee --- Support this podcast: https://anchor.fm/jamesenstall/support

Sue interviews Brian Volk-Weiss, founder and CEO of The Nacelle Company and Director of “The Center Seat: 55 Years of Star Trek,” airing now on The History Channel. According to A+E, “‘The Center Seat' unveils lesser-known stories about the franchise from the importance of addressing timely topics, the creation of the character Spock, the unrelenting fans that kept the show on air and the reruns that gave it new life. These behind-the scenes stories among thousands of hours of show footage will be coupled with interviews from the cast, crew and experts who worked on set.” HOSTS Sue GUEST Brian Volk-Weiss, @nacellecompany EDITOR Sue Send us your feedback! Email: crew@womenatwarp.com Twitter/Instagram: @womenatwarp Facebook: http://facebook.com/womenatwarp Support the Show on Patreon: http://www.patreon.com/womenatwarp Visit our TeePublic Store: https://www.teepublic.com/stores/womenatwarp For more Roddenberry Podcasts, visit http://podcasts.roddenberry.com And don't forget to subscribe to the Roddenberry Podcasts Master Feed, wherever you get your podcasts.

Sue interviews Brian Volk-Weiss, founder and CEO of The Nacelle Company and Director of “The Center Seat: 55 Years of Star Trek,” airing now on The History Channel. According to A+E, “‘The Center Seat' unveils lesser-known stories about the franchise from the importance of addressing timely topics, the creation of the character Spock, the unrelenting fans that kept the show on air and the reruns that gave it new life. These behind-the scenes stories among thousands of hours of show footage will be coupled with interviews from the cast, crew and experts who worked on set.” HOSTS Sue GUEST Brian Volk-Weiss, @nacellecompany EDITOR Sue Send us your feedback! Email: crew@womenatwarp.com Twitter/Instagram: @womenatwarp Facebook: http://facebook.com/womenatwarp Support the Show on Patreon: http://www.patreon.com/womenatwarp Visit our TeePublic Store: https://www.teepublic.com/stores/womenatwarp For more Roddenberry Podcasts, visit http://podcasts.roddenberry.com And don't forget to subscribe to the Roddenberry Podcasts Master Feed, wherever you get your podcasts.

Brian Volk-Weiss, Producer of "The Center Seat: 55 Years of Star Trek" docu-series Brian Volk-Weiss has been a Trekkie for as far back as he can remember, and his love of the franchise is reflected in nearly every aspect of his life. Brian is the founder and CEO of The Nacelle Company, a production company known for comedy specials, "The Toys that Made Us" and "The Movies That Made Us" on Netflix, "Inside the Attraction" on Disney Plus, "Down to Earth with Zac Efron," "Discontinued," and "A Toy Store near You" on Amazon Prime. He is also the producer behind the new History Channel series, "The Center Seat: 55 Years of Star Trek."  This 10 episode series premieres on November 5 at 10 PM EST and has an in-depth look at the entire story of Star Trek with some never-before-told stories. I spoke with Brian on this week's episode to learn where his love of Star Trek began, how this docu-series came together, what it was like filming this during the pandemic, and some of the surprising new Trek tales he learned that would be part of this new show. Also included in this episode is a condensed version of the Nacelle Company's NYCC 2021 panel, where they talk some more about "The Center Seat" and their other shows and some new business ventures, including books and the debut of their toy lines! Inside NY Comic Con During COVID-19: https://youtu.be/kQSxXhjBV78 Visit Pancan.org to support the Trek against Pancreatic Cancer Please subscribe to our YouTube channel and hit the notifications button to be updated when we go live or upload our next video! Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!     The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates.   Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today. Check Out Some of the Other Shows on the RAGE Works Network Call Me When It's Over: https://www.rageworksnetwork.com/show/cmwio/Cheese! A Photography Podcast: https://www.rageworksnetwork.com/show/capp/Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/The Variant Issue: https://www.rageworksnetwork.com/show/tvi/Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/The Eat 4 Life Podcast: https://www.rageworksnetwork.com/show/eat4life/The Funkohub POPcast: https://www.rageworksnetwork.com/show/funkohub-popcast/

Brian Volk-Weiss has been a Trekkie for as far back as he can remember, and his love of the franchise is reflected in nearly every aspect of his life. Brian is the founder and CEO of The Nacelle Company, a production company known for comedy specials, "The Toys that Made Us" and "The Movies That Made Us" on Netflix, "Inside the Attraction" on Disney Plus, "Down to Earth with Zac Efron," "Discontinued," and "A Toy Store near You" on Amazon Prime. He is also the director behind the new History Channel series, "The Center Seat: 55 Years of Star Trek."  This 10 episode series premieres on November 5 at 10 PM EST and has an in-depth look at the entire story of Star Trek with some never-before-told stories. I spoke with Brian on this week's episode to learn where his love of Star Trek began, how this docu-series came together, what it was like filming this during the pandemic, and some of the surprising new Trek tales he learned that would be part of this new show. Also included in this episode is a condensed version of the Nacelle Company's NYCC 2021 panel, where they talk some more about "The Center Seat" and their other shows and some new business ventures, including books and the debut of their toy lines! Donate $35 or more to drivebydogooders.org and get a signed picture of your choosing from Lycia Naff AKA Ensign Sonya Gomez on Star Trek TNG and Captain Gomez from Lower Decks! Make sure to include your mailing info in the notes section on the donation page. Visit Pancan.org to support the Trek against Pancreatic Cancer Please subscribe to our YouTube channel and hit the notifications button to be updated when we go live or upload our next video! Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!   Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

Brian Volk-Weiss is the founder and CEO of The Nacelle Company, and director of the upcoming documentary series The Center Seat: 55 Years of Star Trek, on The History Channel. We're talking about that show and about his history as a documentarian and mega-Star Trek fan. You can watch our whole conversation now on YouTube, or check back here soon for a transcript of our conversation. And of course, be sure to catch The Center Seat: 55 Years of Star Trek when it comes out later this week on The History Channel.

Brian Volk-Weiss is the founder and CEO of The Nacelle Company, and director of the upcoming documentary series The Center Seat: 55 Years of Star Trek, on The History Channel. We're talking about that show and about his history as a documentarian and mega-Star Trek fan. You can watch our whole conversation now on YouTube, or check back here soon for a transcript of our conversation. And of course, be sure to catch The Center Seat: 55 Years of Star Trek when it comes out later this week on The History Channel.

This week on Episode 529 of Priority One: We power up for Star Trek: Prodigy, with the cast and crew promotion peaking as the premiere prepares to play–plus we get some more details on the explosive new additions to Star Trek Online! TREK IT OUT Edited by Thomas Reynolds Star Trek: Prodigy Promotion Peaks in Premiere Preparations By Rosco McQueen This week the Trek universe welcomes a brand new adventure to our screens, with Star Trek: Prodigy to make its debut on Paramount+ on October 28.  A few sneak peeks have been filtering through, with Prodigy teasers tempting new fans during NFL Sunday Football. In the first clip, Dal can be seen making his escape from the mining facility in dramatic fashion. In the second clip, we are treated to the Protostar powering up, with characters Dal and Rok-Tahk finally being able to converse thanks to the universal translator.  https://twitter.com/StarTrekOnPPlus/status/1452347822049677315?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1452347822049677315%7Ctwgr%5E%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fcomicbook.com%2Fstartrek%2Fnews%2Fstar-trek-prodigy-uss-protostar-sneak-peeks-nfl-sunday-football%2F Both scenes are fun and exciting, with the standout being the effort that has gone into the musical score which helps it feel very much at home in the Star Trek universe. The folks at Gizmodo felt that tiny moment highlighted something special about the Star Trek franchise—the ability of everyone to communicate freely, as well as not judging a book by its hulky rock-encrusted cover.   A Seat at the Grown-Up's Helm Station Prodigy executive producers/co-creators Kevin and Dan Hageman, and executive producer/director Ben Hibon, spoke with Trekmovie.com about the challenges around finding that entry point into the Star Trek multiverse, with Dan Hageman saying,   “We never really view it as a kid show. We view it as a show for people who don't know Star Trek,  which could be young or old. And so we always had that perspective of the outsider and that freed us up. We wanted to keep the stakes real for an older audience. We never want to dumb things down for kids. Kids are really smart. They may have a learning curve in the show, but they'll get there.” Image: ViacomCBS, via TrekMovie.com The creators go on to talk about how there was never any other option for the training hologram: it was always Captain Janeway from the start. They also mention she may not be the only hologram we see, and hint at real characters (like Captain Chakotay) making an appearance but not as holograms. As for Captain Janeway herself, Kate Mulgrew has also been on the interview circuit, explaining to cinemablend.com if the character was going to appear on-screen, then it was always going to be her who would play the role.   “Well, I certainly needed to come back to this character if threatened with an imitation. I think that only I can voice this character, and only I should, because I'm the only one who knows who she is. I think that the young people would recognize that very quickly. That might be arrogance on my part, but I don't think so. I think they have a very discerning imagination.” Voyager: The Next Generation Mulgrew says she hasn't been approached about reprising her role as Kathryn Janeway in a live-action series (outside of Star Trek: Nemesis).  According to the actor, hologram Janeway won't be as fiery as her living counterpart–as she's helping a ship of children navigate the cosmos.  The caring side of Janeway was echoed by the cast and crew at New York Comic Con in an interview with Gizmodo. COVID-19 restrictions meant the cast was unable to record together, so for Brett Gray who plays the role of Dal, finally getting together with Mulgrew was something else. “I got to sit next to her today at Comic-Con—and it is, it's palpable.  There's a majesty that she has, and you can feel it when we announced she was coming out today. Just to walk on stage for the panel was like—the audience was deafening. She is an icon. And so, I feel very lucky that the first iteration of Star Trek we get to be a part of has someone like that we get to model and watch. People who are incredible fans of Janeway and all of that get to now have a way into our show, too, and see what it's like for people who know nothing.” For the final word on the series, Kate Mulgrew spoke about now being the perfect time to bring in a brand new audience. “It is an important time for Voyager, it's an important time for Star Trek. I think in terms of pop cultural history, now is the time to target this young demographic and introduce to them the wonderful mysteries of Star Trek and Gene Roddenberry's splendid philosophy.” And sweet ships. Don't forget the sweet ships. Image: ViacomCBS, via io9. Soong Long, Farewell, Altman Will Go Goodbye By Thomas Reynolds We knew that Brent Spiner will be returning for Picard Season 2 for some time now. You may have thought it would be as Altan Inigo Sybok…er, Soong, who was apparently just out of frame in every TNG scene with Data's “parents.” After all, Data was really, truly, 100%-for-sure dead when the curtain dropped on Season 1. Well that's not the case, according to Inverse magazine...Spiner's role as Altan, that is. Data's still dead. "Nothing is stranger to man than his own image." [Karel Capek, R.U.R.] Image: ViacomCBS, via Inverse. According to interviewer Ryan Britt, Spiner “know[s] they haven't revealed much about me being in the show. I can tell you I'm a member of the Soong family. And, that I'm not playing a character I've ever played before.” Given Season 2's central temporal shenanigans, it seems likely that Spiner will play a 21st century Soong ancestor. However, if you consider Data and his siblings to be Soong family members, then Spiner might be a temporally-displaced android instead. It's definitely not Data, at least. He's…yep, still dead.  What Goes Around, Khans Around By Rosco McQueen The third season of The Movies That Made Us has dropped on Netflix. Its creator, Brian Volk-Weiss from The Nacelle Company, spoke with comicbook.com about the possibility of a superhero-focused future episode, as well as some tasty Trek nuggets.  You might be thinking the ideal movies to cover in this documentary style would be 1989's Batman or Christopher Reeve's first Superman movie. According to Volk-Weiss, he actually would go a little more modern and cover 2008's Iron Man:  “It would be Iron Man, because Iron Man is the most important[. B]ecause if Iron Man had failed, nothing else would have happened. And also, I like that story of not just seeing a movie come together, but a universe come together." As for those Trek nuggets, surely a film like Wrath of Khan would be on their sensors for a future episode? Volk-Weiss confirms there was discussion, but in the end it came down to covering all four quadrants–of storytelling. “But usually, we want four-quadrant movies. And what that means is, for anyone who doesn't know, it's young people, old people, men, women, everybody. And that's what we try to do. And also multi-generational. My generation grew up with Home Alone, and the two generations afterward–including my children–they like Home Alone as much as I do, if not more. So that's what we try to do." Quick Star Trek News Roundup Last week, we discussed the History Channel's upcoming documentary “The Center Seat.” Unfortunately, we didn't yet know the release date. Well, we've got it now, and it's slated to premiere on November 5th, 2021. STAR TREK GAMING NEWS Edited by Thomas Reynolds The Guardian of Sometime Later By Thomas Reynolds First introduced with 2018's Pop Culture Hero Coalition bundle, the Mirror Guardian brought sinister flavor to an otherwise-unremarkable T6 cruiser. Other than replacing the Lieutenant Engineering/Intel with a Lieutenant Engineering/Command bridge chair, the Mirror Guardian looked to be the same as its Prime counterpart. Once the bundle sold out, that was it: the Mirror Guardian was never seen again...until now, that is. https://twitter.com/i/status/1451579395525812224 With STO taking a good hard look in the Mirror (Universe), it's the perfect time for this one-and-done vessel to stage its comeback. But rather than setting course for the Phoenix Prize Pack or Mudd's Market, Cryptic was all set to sell the Mirror Guardian Cruiser for the standard 3000 Zen in the Zen Store instead. As part of the re-release, the Prime and Mirror Guardian models were remastered to the current level of fidelity, like we've seen for a good number of ships by now. Players who already own the Mirror Guardian will receive these updates for free: just ready your Cruiser, visit the ship Customization Interface, and apply a preset. Both Type 1 and Type 2 hull models will be available, along with the Legendary Federation starship materials. https://twitter.com/trekonlinegame/status/1452736912150515716?s=20 Now normally we'd remind you to Trek out the link in our shownotes at this point. But we won't. Because you can't! On October 25th, Cryptic tweeted that “the release of the Mirror Guardian in the Zen Store has been delayed until December on all platforms,” and they're “taking down the blog and any past references to it.” We can only guess what kind of skullduggery and intrigue is behind the delay. Because...I mean, it's the Mirror Universe. There's gotta be intrigue. Splosion! By Elio Lleo Well, while we're on the topic of ships, the 10 year old MMO is always striving to improve! Most recently, Ship Artist and FX Artist Ian Richards decided to make an explosive change. The animations that occur as your ship receives damage in the game has been updated–including the grand explosion that happens when yer ship just canna take it anymore! It might seem like a small improvement, but boy is it glorious! https://www.youtube.com/watch?v=W-QVLE01MV4

This week on Episode 529 of Priority One: We power up for Star Trek: Prodigy, with the cast and crew promotion peaking as the premiere prepares to play–plus we get some more details on the explosive new additions to Star Trek Online! TREK IT OUT Edited by Thomas Reynolds Star Trek: Prodigy Promotion Peaks in Premiere Preparations By Rosco McQueen This week the Trek universe welcomes a brand new adventure to our screens, with Star Trek: Prodigy to make its debut on Paramount+ on October 28.  A few sneak peeks have been filtering through, with Prodigy teasers tempting new fans during NFL Sunday Football. In the first clip, Dal can be seen making his escape from the mining facility in dramatic fashion. In the second clip, we are treated to the Protostar powering up, with characters Dal and Rok-Tahk finally being able to converse thanks to the universal translator.  https://twitter.com/StarTrekOnPPlus/status/1452347822049677315?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1452347822049677315%7Ctwgr%5E%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fcomicbook.com%2Fstartrek%2Fnews%2Fstar-trek-prodigy-uss-protostar-sneak-peeks-nfl-sunday-football%2F Both scenes are fun and exciting, with the standout being the effort that has gone into the musical score which helps it feel very much at home in the Star Trek universe. The folks at Gizmodo felt that tiny moment highlighted something special about the Star Trek franchise—the ability of everyone to communicate freely, as well as not judging a book by its hulky rock-encrusted cover.   A Seat at the Grown-Up's Helm Station Prodigy executive producers/co-creators Kevin and Dan Hageman, and executive producer/director Ben Hibon, spoke with Trekmovie.com about the challenges around finding that entry point into the Star Trek multiverse, with Dan Hageman saying,   “We never really view it as a kid show. We view it as a show for people who don't know Star Trek,  which could be young or old. And so we always had that perspective of the outsider and that freed us up. We wanted to keep the stakes real for an older audience. We never want to dumb things down for kids. Kids are really smart. They may have a learning curve in the show, but they'll get there.” Image: ViacomCBS, via TrekMovie.com The creators go on to talk about how there was never any other option for the training hologram: it was always Captain Janeway from the start. They also mention she may not be the only hologram we see, and hint at real characters (like Captain Chakotay) making an appearance but not as holograms. As for Captain Janeway herself, Kate Mulgrew has also been on the interview circuit, explaining to cinemablend.com if the character was going to appear on-screen, then it was always going to be her who would play the role.   “Well, I certainly needed to come back to this character if threatened with an imitation. I think that only I can voice this character, and only I should, because I'm the only one who knows who she is. I think that the young people would recognize that very quickly. That might be arrogance on my part, but I don't think so. I think they have a very discerning imagination.” Voyager: The Next Generation Mulgrew says she hasn't been approached about reprising her role as Kathryn Janeway in a live-action series (outside of Star Trek: Nemesis).  According to the actor, hologram Janeway won't be as fiery as her living counterpart–as she's helping a ship of children navigate the cosmos.  The caring side of Janeway was echoed by the cast and crew at New York Comic Con in an interview with Gizmodo. COVID-19 restrictions meant the cast was unable to record together, so for Brett Gray who plays the role of Dal, finally getting together with Mulgrew was something else. “I got to sit next to her today at Comic-Con—and it is, it's palpable.  There's a majesty that she has, and you can feel it when we announced she was coming out today. Just to walk on stage for the panel was like—the audience was deafening. She is an icon. And so, I feel very lucky that the first iteration of Star Trek we get to be a part of has someone like that we get to model and watch. People who are incredible fans of Janeway and all of that get to now have a way into our show, too, and see what it's like for people who know nothing.” For the final word on the series, Kate Mulgrew spoke about now being the perfect time to bring in a brand new audience. “It is an important time for Voyager, it's an important time for Star Trek. I think in terms of pop cultural history, now is the time to target this young demographic and introduce to them the wonderful mysteries of Star Trek and Gene Roddenberry's splendid philosophy.” And sweet ships. Don't forget the sweet ships. Image: ViacomCBS, via io9. Soong Long, Farewell, Altman Will Go Goodbye By Thomas Reynolds We knew that Brent Spiner will be returning for Picard Season 2 for some time now. You may have thought it would be as Altan Inigo Sybok…er, Soong, who was apparently just out of frame in every TNG scene with Data's “parents.” After all, Data was really, truly, 100%-for-sure dead when the curtain dropped on Season 1. Well that's not the case, according to Inverse magazine...Spiner's role as Altan, that is. Data's still dead. "Nothing is stranger to man than his own image." [Karel Capek, R.U.R.] Image: ViacomCBS, via Inverse. According to interviewer Ryan Britt, Spiner “know[s] they haven't revealed much about me being in the show. I can tell you I'm a member of the Soong family. And, that I'm not playing a character I've ever played before.” Given Season 2's central temporal shenanigans, it seems likely that Spiner will play a 21st century Soong ancestor. However, if you consider Data and his siblings to be Soong family members, then Spiner might be a temporally-displaced android instead. It's definitely not Data, at least. He's…yep, still dead.  What Goes Around, Khans Around By Rosco McQueen The third season of The Movies That Made Us has dropped on Netflix. Its creator, Brian Volk-Weiss from The Nacelle Company, spoke with comicbook.com about the possibility of a superhero-focused future episode, as well as some tasty Trek nuggets.  You might be thinking the ideal movies to cover in this documentary style would be 1989's Batman or Christopher Reeve's first Superman movie. According to Volk-Weiss, he actually would go a little more modern and cover 2008's Iron Man:  “It would be Iron Man, because Iron Man is the most important[. B]ecause if Iron Man had failed, nothing else would have happened. And also, I like that story of not just seeing a movie come together, but a universe come together." As for those Trek nuggets, surely a film like Wrath of Khan would be on their sensors for a future episode? Volk-Weiss confirms there was discussion, but in the end it came down to covering all four quadrants–of storytelling. “But usually, we want four-quadrant movies. And what that means is, for anyone who doesn't know, it's young people, old people, men, women, everybody. And that's what we try to do. And also multi-generational. My generation grew up with Home Alone, and the two generations afterward–including my children–they like Home Alone as much as I do, if not more. So that's what we try to do." Quick Star Trek News Roundup Last week, we discussed the History Channel's upcoming documentary “The Center Seat.” Unfortunately, we didn't yet know the release date. Well, we've got it now, and it's slated to premiere on November 5th, 2021. STAR TREK GAMING NEWS Edited by Thomas Reynolds The Guardian of Sometime Later By Thomas Reynolds First introduced with 2018's Pop Culture Hero Coalition bundle, the Mirror Guardian brought sinister flavor to an otherwise-unremarkable T6 cruiser. Other than replacing the Lieutenant Engineering/Intel with a Lieutenant Engineering/Command bridge chair, the Mirror Guardian looked to be the same as its Prime counterpart. Once the bundle sold out, that was it: the Mirror Guardian was never seen again...until now, that is. https://twitter.com/i/status/1451579395525812224 With STO taking a good hard look in the Mirror (Universe), it's the perfect time for this one-and-done vessel to stage its comeback. But rather than setting course for the Phoenix Prize Pack or Mudd's Market, Cryptic was all set to sell the Mirror Guardian Cruiser for the standard 3000 Zen in the Zen Store instead. As part of the re-release, the Prime and Mirror Guardian models were remastered to the current level of fidelity, like we've seen for a good number of ships by now. Players who already own the Mirror Guardian will receive these updates for free: just ready your Cruiser, visit the ship Customization Interface, and apply a preset. Both Type 1 and Type 2 hull models will be available, along with the Legendary Federation starship materials. https://twitter.com/trekonlinegame/status/1452736912150515716?s=20 Now normally we'd remind you to Trek out the link in our shownotes at this point. But we won't. Because you can't! On October 25th, Cryptic tweeted that “the release of the Mirror Guardian in the Zen Store has been delayed until December on all platforms,” and they're “taking down the blog and any past references to it.” We can only guess what kind of skullduggery and intrigue is behind the delay. Because...I mean, it's the Mirror Universe. There's gotta be intrigue. Splosion! By Elio Lleo Well, while we're on the topic of ships, the 10 year old MMO is always striving to improve! Most recently, Ship Artist and FX Artist Ian Richards decided to make an explosive change. The animations that occur as your ship receives damage in the game has been updated–including the grand explosion that happens when yer ship just canna take it anymore! It might seem like a small improvement, but boy is it glorious! https://www.youtube.com/watch?v=W-QVLE01MV4

We start this week discussing the movies featured in season 3 of the Netflix original series “The Movies That Made Us” in our Retro Roundtable. We talk “Aliens", "Coming To America", “RoboCop", "A Nightmare On Elmstreet", "Friday the 13th", and “Halloween”. Let us know your favorite on Facebook! Then we welcome the creator and executive producer of “The Movies That Made Us”, the President of The Nacelle Company, Brian Volk-Weiss back to the show! We talk with Brian about The Nacelle Company acquiring “RoboForce", the new season of “The Movies That Made Us”, and then we just talk toys. Get in here! @NacelleCompany @toysnacelle @BrianVolkWeiss CannedAirPodcast.com @CannedAirPod @Canned_Air If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a review on iTunes! Thanks for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Episode 528 of Priority One: We delve into the whale-filled washup of the season finale of Lower Decks, Anson Mount discusses literally sitting in the captain's chair, and is that a star on top of the Christmas tree or a Borg baby spray-painted gold? In gaming news, we take a closer look at Star Trek Online's Halloween event, and roll for shield strength in a new release from Star Trek Adventures! TREK IT OUT Edited by Thomas Reynolds What's the Deal With All These Feels, McMahan? By Elio Lleo Mike McMahan, the creator of Star Trek: Lower Decks, isn't resting on his laurels! Nope! After a (generally) well-received Season 2 of the Star Trek animated adventure, McMahan is making the rounds talking about the season–which wrapped last week on October 14th. Sam Stone of Comic Book Resource jumped right in and asked about its unusual villain: the Pakleds. McMahan's explanation: When we were writing the first season, we were in the thick of a pretty dark time across the world–the re-rise of fascism across multiple countries, obviously a lot of politics happening in this country and, not to put too fine a point to it, things that had seemed like a joke in the first place suddenly becoming much more dangerous because we weren't vigilant about it. The Pakleds seemed like a perfect opportunity for that… [This sight gag doesn't work in a podcast app but I stand by it nonetheless–Ed.] Image: ViacomCBS, via Comic Book Resource. Really Be Careful What You Wish For, Mariner What about that incredible cliffhanger? Well according to McMahan, the goal of Season 2 was meant to show Mariner “grappling with themes of betrayal and being left.” Supposedly, Mariner's got some past trauma that we haven't been privy to yet. Nevertheless, McMahan explains that Mariner will start Season 3 struggling to deal with having her mother taken from her. [NOT JUST HER, MIKE–Ed.] When talking with StarTrek.com he explained, “...in the first season we were really creating a family, and in the second season we kind of tested them. And in the finale of the second season, we're dealing with the loss, the family breaking up.”  What about our other characters? Well, there seems to be something deeper going on with Rutherford. Something more than just a faulty cybernetic implant. MacMahan tells CBR.com, “... it's about Rutherford. There's stuff about Rutherford that he doesn't even realize and this is his second implant.” They go on to discuss some of the other character dynamics–like the “will they/won't they” tension between Rutherford and Tendi–along with some takeaways McMahan learned from the first two seasons. Mainly that anyone you talk to could secretly be Jeffrey Combs. Anyone. Image: ViacomCBS, via Comic Book Resource. Center Chair, Hot Seat, Call It What You Will By Cat Hough If you have not had a chance to see the new trailer for the upcoming History Channel docu-series The Center Seat: 55 Years of Star Trek, you should definitely trek it out. According to the press release, The Center Seat will be “the ultimate Star Trek documentary that everyone has always wanted, and now they're getting.” Each episode of the series will focus on a different chapter in Star Trek history, starting with the inception of the original Star Trek series at Desilu. But even the trailer features some pretty saucy quotes from the cast and crew of the various shows and movies. https://youtu.be/J_IOHcPuN3Q For example, we hear more from Wil Wheaton, Denise Crosby, Kate Mulgrew and Robert Beltran about their less than ideal working circumstances and for Cirroc Lofton–we hear about his extreme dislike for having to wear the “onesie” uniform while also going through puberty. Nicolas Meyer, writer of The Undiscovered Country, speaks about how much William Shatner hated the script for the movie and the effect that had on, well, pretty much everyone else involved [yeah and you thought Final Frontier was a good idea, now sit down–Ed.] Mmmm. Taste that grain. Image: ViacomCBS, via Deadline. The show doesn't cover any of the new Trek series, but definitely appears to be a comprehensive and detailed exploration of the Star Trek universe over the first 55 years of the show. Created by the Nacelle Company, who also produced Netflix's The Movies That Made Us and The Toys That Made Us, the series is narrated by Dr. Beverly Crusher herself, Gates McFadden, and directed by Nacelle Company founder Brian Volk-Weiss. There's not been an official release date given other than it should premiere sometime this fall. Festivities Will Now Commence By Rosco McQueen It's the most wonderful time of year; when the nanoprobes gently come to rest on ornaments hanging from the boughs of a tree, and assimilation tubules shine in the festive glow of twinkling lights.  Christmas is soon upon us, and you can count down to festive assimilation with the 2021 Borg Cube advent calendar. The calendar features 24 Trek gifts behind alcoves (or windows if you prefer) and includes gifts of socks, coasters, and an espresso cup commemorating the first warp speed flight in 2063. It's made by Eaglemoss, the same company who also made a TARDIS-shaped advent calendar for devout Whovians, and is available for purchase now. It could be just the thing to put you in the mood for Picard season 2, with the Borg Queen to feature as part of the time-travelling tale. And speaking of season 2… I hope one of those is an apology to Icheb and Hugh. Image: Eaglemoss. Soji's Sojourn By Rosco McQueen In an interview with Trekmovie.com, Isa Briones spoke about where we find Soji in Picard season 2: a place where she can finally be herself, now that being an android is no longer outlawed.   “We're definitely seeing a new kind of level of her evolution as she's coming into her own. She's finally allowed to be who she is and be accepted by the universe, the galaxy, whatever you want to call it. So yeah, we get to see her in this new, more certain place of who she is. And that's very exciting.” The more certain place also has a pool? Jealous. Image: ViacomCBS, via TrekMovie.com The interview covered working under strict COVID conditions, as well as the broader strokes of season two and how it connects to the world we're living in. “There's a big emphasis, I think, on mental health, for sure. We're seeing these characters going through some hard moments and really leaning on each other and prioritizing their own mental health in order to save everyone else. And I think that's a very relatable storyline and a storyline that we need right now.” Your classic Good Cop/Borg Cop dynamic. Image: ViacomCBS, via TrekMovie.com We're All Batty for Strange New Worlds By Rosco McQueen The hype train continues heading towards the station for Strange New Worlds–even Anson Mount starring as Batman in the new DC animated movie Injustice can't stop interviewers from asking about the new series.   Either that, or they ask about his starship's extended warranty. Image:ViacomCBS, via SYFY. Mount will play the role of the Dark Knight in the animated adaptation of the video game Injustice, where a traumatized Superman turns evil.  In an interview with SYFY Wire, Mount talks about the recording process, and not being the first Christopher Pike to take a turn at Batman. (If you're playing along at home, Bruce Greenwood has voiced Batman a couple of times, and was also the Kelvin Universe's version of one of Starfleet's greatest captains). But when the discussion turned to Strange New Worlds, Mount reinforced the episodic nature of the show, as well as a moment that would give every Trek fan goosebumps. “I was just there as Anson in my own clothes and I sat down in the chair and it was in that moment that I flashed back to playing Star Trek as my make-believe game when I was like eight years old. Something about it was just really strangely emotional for me, and I'm still doing that. I don't even know really how to articulate it, but it's surreal and it's weird... but it's something that I'm so grateful for.” STAR TREK GAMING NEWS Edited by Thomas Reynolds Fanatical Devotion to the Many By Cat Hough Star Trek Online tweeted earlier today that the recent partnership with Fanatical offering in-game bundles to benefit the Boys and Girls Clubs of America raised more than $77,000. Well done, everyone who donated! Cat's Tale of “Cat's Tale” By Cat Hough Well, it's been a week since the “Cat's Tale” Halloween TFO was released, and while it took players a few days to get to know how to navigate the phases of the TFO, it seems that most people are enjoying the mission. As you and your team are first transported to the castle on Pyris VII (or is it Boreth?) the music and lighting definitely set the mood for battling skeletons, witches, skulls and Devidians. In a creepy surprise, you're treated to some Bonnie-Kin voice-over as you make our way downstairs and through the hallways lighting candles–because it's dark in this castle! In the first phase, you are attacked by skeletons, but you can only kill them when they are standing within the circles of candlelight. Some equipment that we highly recommend is the Universal Kit Module - Gravity Containment Unit Mk XII. You can get this kit module as a Tier IV reward from the Discovery reputation; if you use it while you're standing in the circles, then you can just pull those skeletons over to you. 

This week on Episode 528 of Priority One: We delve into the whale-filled washup of the season finale of Lower Decks, Anson Mount discusses literally sitting in the captain's chair, and is that a star on top of the Christmas tree or a Borg baby spray-painted gold? In gaming news, we take a closer look at Star Trek Online's Halloween event, and roll for shield strength in a new release from Star Trek Adventures! TREK IT OUT Edited by Thomas Reynolds What's the Deal With All These Feels, McMahan? By Elio Lleo Mike McMahan, the creator of Star Trek: Lower Decks, isn't resting on his laurels! Nope! After a (generally) well-received Season 2 of the Star Trek animated adventure, McMahan is making the rounds talking about the season–which wrapped last week on October 14th. Sam Stone of Comic Book Resource jumped right in and asked about its unusual villain: the Pakleds. McMahan's explanation: When we were writing the first season, we were in the thick of a pretty dark time across the world–the re-rise of fascism across multiple countries, obviously a lot of politics happening in this country and, not to put too fine a point to it, things that had seemed like a joke in the first place suddenly becoming much more dangerous because we weren't vigilant about it. The Pakleds seemed like a perfect opportunity for that… [This sight gag doesn't work in a podcast app but I stand by it nonetheless–Ed.] Image: ViacomCBS, via Comic Book Resource. Really Be Careful What You Wish For, Mariner What about that incredible cliffhanger? Well according to McMahan, the goal of Season 2 was meant to show Mariner “grappling with themes of betrayal and being left.” Supposedly, Mariner's got some past trauma that we haven't been privy to yet. Nevertheless, McMahan explains that Mariner will start Season 3 struggling to deal with having her mother taken from her. [NOT JUST HER, MIKE–Ed.] When talking with StarTrek.com he explained, “...in the first season we were really creating a family, and in the second season we kind of tested them. And in the finale of the second season, we're dealing with the loss, the family breaking up.”  What about our other characters? Well, there seems to be something deeper going on with Rutherford. Something more than just a faulty cybernetic implant. MacMahan tells CBR.com, “... it's about Rutherford. There's stuff about Rutherford that he doesn't even realize and this is his second implant.” They go on to discuss some of the other character dynamics–like the “will they/won't they” tension between Rutherford and Tendi–along with some takeaways McMahan learned from the first two seasons. Mainly that anyone you talk to could secretly be Jeffrey Combs. Anyone. Image: ViacomCBS, via Comic Book Resource. Center Chair, Hot Seat, Call It What You Will By Cat Hough If you have not had a chance to see the new trailer for the upcoming History Channel docu-series The Center Seat: 55 Years of Star Trek, you should definitely trek it out. According to the press release, The Center Seat will be “the ultimate Star Trek documentary that everyone has always wanted, and now they're getting.” Each episode of the series will focus on a different chapter in Star Trek history, starting with the inception of the original Star Trek series at Desilu. But even the trailer features some pretty saucy quotes from the cast and crew of the various shows and movies. https://youtu.be/J_IOHcPuN3Q For example, we hear more from Wil Wheaton, Denise Crosby, Kate Mulgrew and Robert Beltran about their less than ideal working circumstances and for Cirroc Lofton–we hear about his extreme dislike for having to wear the “onesie” uniform while also going through puberty. Nicolas Meyer, writer of The Undiscovered Country, speaks about how much William Shatner hated the script for the movie and the effect that had on, well, pretty much everyone else involved [yeah and you thought Final Frontier was a good idea, now sit down–Ed.] Mmmm. Taste that grain. Image: ViacomCBS, via Deadline. The show doesn't cover any of the new Trek series, but definitely appears to be a comprehensive and detailed exploration of the Star Trek universe over the first 55 years of the show. Created by the Nacelle Company, who also produced Netflix's The Movies That Made Us and The Toys That Made Us, the series is narrated by Dr. Beverly Crusher herself, Gates McFadden, and directed by Nacelle Company founder Brian Volk-Weiss. There's not been an official release date given other than it should premiere sometime this fall. Festivities Will Now Commence By Rosco McQueen It's the most wonderful time of year; when the nanoprobes gently come to rest on ornaments hanging from the boughs of a tree, and assimilation tubules shine in the festive glow of twinkling lights.  Christmas is soon upon us, and you can count down to festive assimilation with the 2021 Borg Cube advent calendar. The calendar features 24 Trek gifts behind alcoves (or windows if you prefer) and includes gifts of socks, coasters, and an espresso cup commemorating the first warp speed flight in 2063. It's made by Eaglemoss, the same company who also made a TARDIS-shaped advent calendar for devout Whovians, and is available for purchase now. It could be just the thing to put you in the mood for Picard season 2, with the Borg Queen to feature as part of the time-travelling tale. And speaking of season 2… I hope one of those is an apology to Icheb and Hugh. Image: Eaglemoss. Soji's Sojourn By Rosco McQueen In an interview with Trekmovie.com, Isa Briones spoke about where we find Soji in Picard season 2: a place where she can finally be herself, now that being an android is no longer outlawed.   “We're definitely seeing a new kind of level of her evolution as she's coming into her own. She's finally allowed to be who she is and be accepted by the universe, the galaxy, whatever you want to call it. So yeah, we get to see her in this new, more certain place of who she is. And that's very exciting.” The more certain place also has a pool? Jealous. Image: ViacomCBS, via TrekMovie.com The interview covered working under strict COVID conditions, as well as the broader strokes of season two and how it connects to the world we're living in. “There's a big emphasis, I think, on mental health, for sure. We're seeing these characters going through some hard moments and really leaning on each other and prioritizing their own mental health in order to save everyone else. And I think that's a very relatable storyline and a storyline that we need right now.” Your classic Good Cop/Borg Cop dynamic. Image: ViacomCBS, via TrekMovie.com We're All Batty for Strange New Worlds By Rosco McQueen The hype train continues heading towards the station for Strange New Worlds–even Anson Mount starring as Batman in the new DC animated movie Injustice can't stop interviewers from asking about the new series.   Either that, or they ask about his starship's extended warranty. Image:ViacomCBS, via SYFY. Mount will play the role of the Dark Knight in the animated adaptation of the video game Injustice, where a traumatized Superman turns evil.  In an interview with SYFY Wire, Mount talks about the recording process, and not being the first Christopher Pike to take a turn at Batman. (If you're playing along at home, Bruce Greenwood has voiced Batman a couple of times, and was also the Kelvin Universe's version of one of Starfleet's greatest captains). But when the discussion turned to Strange New Worlds, Mount reinforced the episodic nature of the show, as well as a moment that would give every Trek fan goosebumps. “I was just there as Anson in my own clothes and I sat down in the chair and it was in that moment that I flashed back to playing Star Trek as my make-believe game when I was like eight years old. Something about it was just really strangely emotional for me, and I'm still doing that. I don't even know really how to articulate it, but it's surreal and it's weird... but it's something that I'm so grateful for.” STAR TREK GAMING NEWS Edited by Thomas Reynolds Fanatical Devotion to the Many By Cat Hough Star Trek Online tweeted earlier today that the recent partnership with Fanatical offering in-game bundles to benefit the Boys and Girls Clubs of America raised more than $77,000. Well done, everyone who donated! Cat's Tale of “Cat's Tale” By Cat Hough Well, it's been a week since the “Cat's Tale” Halloween TFO was released, and while it took players a few days to get to know how to navigate the phases of the TFO, it seems that most people are enjoying the mission. As you and your team are first transported to the castle on Pyris VII (or is it Boreth?) the music and lighting definitely set the mood for battling skeletons, witches, skulls and Devidians. In a creepy surprise, you're treated to some Bonnie-Kin voice-over as you make our way downstairs and through the hallways lighting candles–because it's dark in this castle! In the first phase, you are attacked by skeletons, but you can only kill them when they are standing within the circles of candlelight. Some equipment that we highly recommend is the Universal Kit Module - Gravity Containment Unit Mk XII. You can get this kit module as a Tier IV reward from the Discovery reputation; if you use it while you're standing in the circles, then you can just pull those skeletons over to you. 

If you didn't know The Nacelle Company has just released a new season of The Movies that Made Us! Brian talks Nacelle license acquisitions, publishing, and more! Go take a listen to the man himself!On instagram @brianvolkweiss @toysnacelle @nacellecompanyCommercials brought to you by Chicken Burger DiscoOn instagram @chickenburgerdiscoSponsors:if you want to become a sponsor of Toys on Tap Podcast send an email to yuckotoys@gmail.comPatreon:To support the show you can join the Toys on Tap Patreon. Go to patreon.com/toysontapThank you to our sponsors:DKE Toys @dketoysBrian Johnson @be2thejEric Nichols @righteousmadeZachary Blackburn @ztblackburnChicken Burger Disco @chickenburgerdiscoRate and Review:The best way to support the podcast is to rate and review so that others can hear this sticky resin podcast!

In Partnership with The Nacelle Company, I got to sit down with Brian Heiler, the writer of the widely loved book Rack Toys. Not only is Brian a writer, but he is also an editor at Mego Museum, creator of PlaidStallions and Toy-Ventures Magazine, and Host of Toy-Ventures on Youtube. The new definitive edition of the popular collector's book, Rack Toys, includes expanded chapters and even deeper dives into the world of Comic Action Heroes, TV & Movie Superstars, Saturday Morning, Spooky Fun Page, World Famous Super Monsters, Mighty Crusaders, Sonic Woman, Space Master and much more. Release date for the New Edition of Rack Toys is September 10, 2021On instagram @plaidstallionsCommercials brought to you by Chicken Burger DiscoOn instagram @chickenburgerdiscoTo get your hands on a copy of the Bootleg Bible go check out @bluemondaypressSponsors:if you want to become a sponsor of Toys on Tap Podcast send an email to yuckotoys@gmail.comPatreon:To support the show you can join the Yucko Toys Patreon. Go to patreon.com/yuckotoysRate and Review:The best way to support the podcast is to rate and review so that others can hear this sticky resin podcast!

This week on the Podcast Rich Mayerik came on to talk about the newest shows from the Nacelle Company! It was great to talk with Rich this week and hear about some of the work that has been going into make these great shows on Netflix and Amazon. We talked a little about what they have already covered and what might be in the pipeline for the future. Make sure you do with the post below says and binge it all over again to make sure we get more shows!! Make sure to Follow The Nacel Company  Instagram, Facebook, and Twitter. Make sure to watch our Toy of the Day Live on our Youtube channel! Like, Share, Subscribe to the Kornercast Podcast on Itunes, Stitcher, and  Google Play! Check out our Shop on Tee Public! Follow Kastor's Korner on Instagram, Twitter, and Facebook!  

The Dashing Duo are on their own once again, which means another episode full of the latest and greatest in geek news including the Nacelle Company buying the rights to Robo Force, a teaser trailer for the new He-Man animated series, an assortment of toy news, and some anime news.  It's a fully packed episode […]

Ming Chen (https://twitter.com/mingchen37) talks about what a mess Stan Lee’s Marvelous Nerd Years Eve Con was, bringing “Comic Book Men” to HBO Max, and running a podcast studio (https://www.ashareduniverse.com/). Gates McFadden (https://twitter.com/gates_mcfadden) talks about her podcast “Gates McFadden Investigates: Who Do You Think You Are?”, how "Star Trek" unites people, and strengthening friendships during quarantine. 0:00 SEGMENT 1: Ming Chen and James reminisce about attending Stan Lee’s Marvelous Nerd Years Eve Con and why it was such a mess, loving podcasting, Brian Quinn from “Impractical Jokers” working to bring back “Comic Book Men”, and attending future cons. 10:19 SEGMENT 2: Gates McFadden (https://www.cameo.com/gatesmcfadden) talks about her podcast “Gates McFadden Investigates: Who Do You Think You Are?”, being pitched the podcast by Brian Volk-Weiss of The Nacelle Company, interviewing her space son Wil Wheaton, turning down the role of Dr. Beverly Crusher, and maybe doing a second season of the podcast. 21:35 SEGMENT 3: Gates McFadden talks about the "Star Trek" docuseries “Center Seat” coming to the History Channel, whether she will appear on “Picard”, her thoughts on “Star Trek: Discovery”, inspiring women to become doctors, the current space race, and why the arts are so crucial to society. 28:50 SEGMENT 4: Gates McFadden talks about what it was like working with Jim Henson and David Bowie, learning about “Star Trek” from the fans, being scared during her first public appearance for "Star Trek", staying up to date with new episodes, fighting with cacti, loving the French show “The Bureau”, how the podcast kept her sane during quarantine, being an introvert, and how her podcast guests have impressed her. 40:09 SEGMENT 5: Gates McFadden talks about her favorite episodes of “Star Trek” and then plays a game of Celebrity This or That. Thanks to our sponsors Marcus Theatres (https://www.marcustheatres.com/) and Historic St. Charles, Missouri (https://www.discoverstcharles.com/)! Amazon Affiliate Link - http://bit.ly/geektome Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon - https://www.patreon.com/GeekToMeRadio Website - http://geektomeradio.com/ Podcast - https://anchor.fm/jamesenstall YouTube - youtube.com/c/GeekToMeRadio Facebook - https://www.facebook.com/GeekToMeRadio/ Twitter - https://twitter.com/geektomeradio Instagram - https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jamesenstall/support

Join me in welcoming the amazing actor, director, teacher, and choreographer, Gates McFadden to the podcast. Clarence chats with Gates about her career as an actor and choreographer, before finally getting the details on her upcoming podcast ‘Gates McFadden InvestiGates: Who Do You Think You Are?’.

We welcome two very special guests back to the show this week! First, CEO of the Nacelle Company and NacelleCast Studios, Brian Volk-Weiss joins us to discuss Gates McFadden’s new podcast ‘Gates McFadden InvestiGates: Who Do You Think You Are?'. We also discuss his upcoming Star Trek docu-series, new toys, and more! Then we welcome back Dr. Beverly Crusher herself, Gates McFadden to ask more questions about her amazing career as well as get an idea of what her new show promises to deliver. A podcast any Star Trek fan will want to hear! @Gates_McFadden @BrianVolkWeiss @ToysThatMadeUs @NacelleCompany CannedAirPodcast.com @CannedAirPod @Canned_Air If you’d like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a review on iTunes! Thanks for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

You know her best as Dr. Beverly Crusher from Star Trek TNG, and she's now the host of a brand new podcast from the Nacelle Company. Get ready to hear from Gates McFadden, and learn the secrets about her upcoming show, where she will be chatting with many of her former Trek cast members, including Jonathan Frakes, Wil Wheaton, and Michael Dorn, to name a few, who tell personal stories that you've never heard before. In addition to her podcast, Gates tells us some great Star Trek stories, including discussions on some fan-favorite episodes like choreographing the dance scenes in "Data's Day" with Brent Spiner, her thoughts on the romance in "The Host," and having ghostly orgasms in the infamous "Sub-Rosa." Plus, working with The Muppets and being hazed by Kermit the Frog, what Gates thinks of her action figures, stories from her theater career, and the play she did with Patrick Stewart, Jonathan Frakes, Brent Spiner, and Colm Meaney during the last season of production on TNG, "Every Good Boy Deserves Favour." Check out "Gates McFadden Investigates: Who Do You Think You Are?" starting May 12, where you listen to podcasts. Visit Pancan.org to support the Trek against Pancreatic Cancer Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!     The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates.   Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

You know her best as Dr. Beverly Crusher from Star Trek TNG, and she's now the host of a brand new podcast from the Nacelle Company. Get ready to hear from Gates McFadden, and learn the secrets about her upcoming show, where she will be chatting with many of her former Trek cast members, including Jonathan Frakes, Wil Wheaton, and Michael Dorn, to name a few, who tell personal stories that you've never heard before. In addition to her podcast, Gates tells us some great Star Trek stories, including discussions on some fan-favorite episodes like choreographing the dance scenes in "Data's Day" with Brent Spiner, her thoughts on the romance in "The Host," and having ghostly orgasms in the infamous "Sub-Rosa." Plus, working with The Muppets and being hazed by Kermit the Frog, what Gates thinks of her action figures, stories from her theater career, and the play she did with Patrick Stewart, Jonathan Frakes, Brent Spiner, and Colm Meaney during the last season of production on TNG, "Every Good Boy Deserves Favour." Check out "Gates McFadden Investigates: Who Do You Think You Are?" starting May 12, where you listen to podcasts. Visit Pancan.org to support the Trek against Pancreatic Cancer Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!     The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates.   Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

In episode #65 of Pop Culture Weekly, Kyle McMahon talks with iHeartMedia Digital Audio Group CEO Conal Byrne about podcasts, podcasting and the future of digital audio. Byrne, a pioneer and trailblazer in podcasting, launched the How Stuff Works podcast a decade ago, bringing the company into the future. Then Kyle talks once again with The Nacelle Company CEO Brian Volk-Weiss about his company's projects including "The Movies That Made Us", "The Toys That Made Us" as well as upcoming projects "Behind The Attraction" on Disney+. They also discuss what they've been watching during the quarantine and the movies and series they're looking forward to in 2021.Follow Brian Volk-Weiss on Instagram at: https://www.instagram.com/brianvolkweiss/Check out The Nacelle Company at: https://www.nacellecompany.com-----------Watch celebrity interviews at: http://www.facebook.com/realkylemcmahonRead the latest at http://www.PopCultureWeekly.comFollow Kyle on:Twitter: http://www.twitter.com/kmacmusicFacebook: http://www.facebook.com/realkylemcmahonInstagram: http://www.instagram.com/kmacmusicYouTube: http://www.youtube.com/officialkylemcmahonWebsite: http://www.kylemcmahon.mePop Culture Weekly twitter: http://www.twitter.com/popculturepodca

This episode of Mission Log is brought to you by Eaglemoss Hero Collector and the brand-new Official Star Trek Universe Collection. Get Star Trek: Picard's La Sirena for only $9.95 with FREE SHIPPING when you sign up today at priorityonepodcast.com/hero This week on Episode 501 of Priority One: upcoming documentaries, new writers take on Star Trek, and Nicholas Mayer is still pitching Trek ideas. Meanwhile in gaming, Star Trek Online is gearing up to celebrate First Contact Day! Reach out to us on social media like Facebook, Twitter, or by visiting our website! TREK IT OUT By Jake Morgan Strange New Worlds Is Officially In Production Last week, Friday March 12th, big Strange New Worlds news dropped. In a post on StarTrek.com, the casting of five new series regulars was announced. Does anyone else think this is interesting? Five, five-hundredth. No? Just us? Okay. The StarTrek.com article featured a video with the five new faces–Babs Olusanmokun, Christina Chong, Celia Rose Gooding, Jess Bush, and Melissa Navia–along with Anson Mount, Rebecca Romijn, and Ethan Peck. The video not only introduced the fresh new additions, it also officially announced the start of production on the highly anticipated Strange New Worlds. Image: ViacomCBS, via StarTrek.com Co-showrunner and Executive Producer Akiva Goldsman said in the article ”In a career, there is never enough work that is pure joy. I feel that my friend Alex Kurtzman along with David Stapf at CBS Studios and Julie McNamara at Paramount+ have given me just that by letting me haunt the stock rooms of my favorite candy store and I am grateful.  With a hell of a cast and undying love for The Original Series, we boldly go.” For more about the newest Star Trek regulars, or to watch the video referenced here-in, be sure to trek out the show notes! “The Center Seat” Announced Star Trek fans love a good documentary about, well, Star Trek. So if you're one of those Star-Trekumentarians, then our good news keeps getting better! The folks that delivered the popular Down to Earth with Zac Efron and The Toys That Made Us have announced their newest eight-episode mini-series set to air on The History Channel, The Center Seat: 55 Years Of Star Trek. And it's about...Star Trek! Image: The Nacelle Company, via Deadline. The project was created and directed by The Nacelle Company's founder and CEO Brian Volk-Weiss, who said of the series ”Star Trek, from before I was 10 years old, gave me the closest thing I have to a code to follow in my life. If it wasn't for the words ‘I don't believe in the no-win scenario,' I'd be very alone, broke, and miserable in this world. So to say this is a passion project would be a tremendous understatement.” According to Deadline, the project is described as the ”ultimate deep dive into the world of Star Trek. Timed to coincide with the iconic sci-fi franchise's 55th anniversary this year, it will offer Trekkies a behind-the-scenes look at pivotal moments in the franchise's history — from its inception at Lucille Ball's production company Desilu through recent film and television adaptations.” No official release date has been announced, but keep scanning Priority One for updates! Star Trek Gets A(nother) Movie Scribe We love talking Star Trek movies. We love talking about possible casts, directors, writers. We love talking, over and over, about possible plots and would-be cameos. Love. It.  Okay, if that sounded a bit...let's say, facetious...it's because it was. On Thursday, March 4th, Deadline reported that a path has been re-chosen, and another writer is set to take the helm: Discovery scribe Kalinda Vazquez. Vazquez has served as co-executive producer on Fear the Walking Dead and, recently, teamed with Game of Thrones author George R.R. Martin to tackle an adaption of Roger Zelazny sci-fi novel Roadmarks. It is believed that this newest iteration will be independent of Trekantino and Noah Hawley's now-defunct pandeme-Trek. But beyond that, little is known about the project.  Keep your ear on Priority One, we are sure to cover all the big movie news… Nick Meyer's Movie Pitch We love talking Trek movies...whoa. Déjà vu. But this Star Trek movie news–or maybe it's better to call it a talking point–is pretty exciting. On March 10th, friends of the Roddenberry Network Trekmovie.com reported that Star Trek legend Nicholas Meyer has pitched his own idea for Star Trek's next silver screen showing. According to the story, Meyer told Trekmovie ”My partner Steven-Charles Jaffe and I wrote a whole treatment and plan for a Star Trek feature film. We didn't write a whole script. We wrote a very detailed treatment and a whole pitch doc with illustrations. It's a very comprehensive thing. And we first took it to Alex Kurtzman, then we took it to J.J. [Abrams], and then we took it to Emma Watts at Paramount.” Image: Paramount, via TrekMovie.com Meyer clarified that the story was not a rehash of the Ceti Alpha story, but something entirely different before saying ”It was a detailed proposal for what could have been a film, or it could have been a series, or it could have been a film leading to a series or a series leading to a film… It could be a series of films. Yeah, absolutely.” Meyer continued, ”This was an independent piece of the Star Trek universe based on holes in the chronology, which would allow for the insertion of original material.” The Wrath of Kahn Loses Face Our colleagues at the Treksperts podcast recently hosted Edward Eddie Egan, who served as Wrath of Khan's unit publicist. He shared an interesting tidbit about the production, explaining that the ground scene on Ceti Alpha V with Captain Terrell (Paul Winfield) and Chekov (Walter Koenig) walking towards the "life sign." Those were actually stunt doubles–but the casting person was unaware that Paul Winfield was an African American actor, and didn't hire an African American stunt double to fill that position. By the time they got to rolling, according to Egan "they made a judgement to make the stunt double up as an African American." It was a conscious choice to move forward, until somebody informed the union during the shoot, and they found a proper African American actor to play the role. That's...insanity. https://heavy.com/entertainment/star-trek/how-blackface-stoped-wrath-of-khan-filming/ Colm Meaney's Chief Concern We love talking Trek movies… hang on, are we in a time loop?  We also love hearing from Trek actors and the inevitable question: now that we have new series like Picard and Lower Decks - would you consider a return to your role? Now who could be the most important character to consider returning? Thanks to Lower Decks, we know it must be…Miles Edward O'Brien. Image: ViacomCBS, via StarTrek.com In an interview with Collider, Colm Meaney spoke about his new Ireland-set crime story Pixie, but was also asked if he would consider a return for the Chief. Meaney responded saying  “I've always felt that seven years in a space suit was long enough. I don't know. As you get older you kind of get a bit nostalgic about some of the stuff you've done in the past. It might be nice to go back and have a look at it again.  Generally speaking over the years I would have been reluctant to go back to O'Brien, I have to say.  But, you know, you never say never.” When Meaney was told about Mike McMahon's reference to Deep Space Nine's chief of operations being the most important person in Starfleet history, he responded by saying they finally got it right. STAR TREK GAMING NEWS Red Alert at Night, Captain's Delight By Thomas Reynolds From now through April 1st, Star Trek Online's having a party and you're all invited! No, it's not the First Contact Day event, but you really...wait, haven't we already done this bit before? Well yes, but Klingons have been getting a lot of attention recently, and STO's other sometimes-villains are feeling left out. Anyway it's another Galactic Red Alert Event! Everything's the same as before down to the SpecPoint, Universal Tech Upgrade, and Experimental Ship Upgrade prizes for completing it. Find the full event description and conditions in our shownotes...but by now, you know what needs to be done. From Hell's Heart I Queue For Thee Klingon opera: possibly the one art form in the galaxy that makes Wagner seem tolerable. But put the two together and you have one of the most inspired pieces of STO background music to date. For your listening pleasure, “To Hell With Honor” joins the permanent TFO list at Normal, Advanced, and Elite difficulty levels. And if the idea of Wagner puts you off...at least it's not Aktuh and Maylota. Yeesh. https://twitter.com/trekonlinegame/status/1372334931846656000?s=20 You Never Forget Your First (Contact) By Thomas Reynolds Dust off the magic carpet and scan for chronitons: First Contact Day is upon us once more. STO turns its attention back to the Federation on April 1st (no, really), with event festivities running through April 22nd. Everything you loved from yesteryear's celebration returns, including the model rocket scavenger hunt and the “One Night in Bozeman” TFO. Image: Cryptic Studios. But there's good news if orbital defense is more your speed, or you just really hate ground maps. “Synth Wave”, the TFO set during Star Trek: Picard's Attack on Mars, joins the event line-up awarding Daily Progress. Picard also provides this year's Grand Prize ground weapon: the Martian Mining Laser last seen mass murdering on Utopia Planitia. What an…interesting way to commemorate the day humanity reached for the stars and found a helping hand. Can We Get A Little Magic In Our STO? By Shane Hoover March 23rd marked the launch of Cryptic's newest open beta game, Magic: Legends. Up to now, we've mostly discussed Magic: Legends when STO developers have left STO to join the Magic team. But a bit of interesting discussion on the Magic: Legends Discord channel has us intrigued. Much like STO's Lockboxes, Magic: Legends has a monetization feature called Booster Packs. The first Booster Pack has been released, and the Grand Prize is a new character class called the Dimir Assassin. In a conversation entirely too familiar to STO veterans, Magic players were bemoaning their luck when opening Booster Packs. Some players declared that they had spent hundreds of dollars without winning the Assassin. Image: Cryptic Studios. Then a Cryptic developer named Cryptic_Misa dropped in with a comment. Misa, listed as a Senior Systems Designer, said "Each time you open a pack and don't get assassin, you you have a higher chance to get it in the next one, until it's 100%." So. Captains. If Cryptic are willing to engineer Magic lootboxes this way, why not STO lootboxes? What would it mean for Lockboxes and Promo boxes if the odds on the Grand Prize ship escalated? Doomsday Dawns for Fleet Command By Shane Hoover They say there's no devil, but there is. Heading right for Star Trek Fleet Command. I saw it. The third and final part of Fleet Command's TOS arc is arriving, and it's bringing the fearsome Doomsday Machine. Players must fight to save the U.S.S. Constellation, and the galaxy, from doom. Along with the final phase of the TOS arc, the new patch brings some much anticipated new features. Chief among those is the “Refits” feature, which brings Captains the chance to customize their ships with new visual cosmetics skins or weapon fire effects. Some refits even provide performance buffs, too. TOS Scotty and Chekov are joining as new Rare officers. For all the details on what's new, Trek out Scopely's patch notes. https://startrekfleetcommand.scopely.com/2021/03/09/patch-28-release-notes/ Questions of Rules, Matters of Honor By Thomas Reynolds If you picked up STA's Klingon Rulebook last fall, you might've noticed some changes to how the game works. Rest assured: according to the Continuing Mission fan site, you have not entered yet another alternate timeline in the franchise multiverse. CM member Mephit James has offered a succinct breakdown of the new Rulebook's mechanical modifications and clarifications. These'll probably be included as Core Rulebook errata in the near future, so Trek on over and get caught up. https://continuingmissionsta.com/2021/02/11/rule-changes-in-the-klingon-empire-rulebook/ Klingons Never Seem To Go Slow, Do They By Thomas Reynolds Core RPG rulebooks tend to be hefty and, at 400 pages, STA's Klingon rulebook's no exception. But who has time to read all that when there are battles to be fought, and glory to be won? For players short on time, funds, or attention span, Modiphius has a new Klingon-centric Quickstart PDF in their store. The Quickstart provides just enough direction to run the included adventure, “The Tip of the Bat'Leth,” with six premade characters. You'll need to provide dice, tokens, bloodwine, and other Klingon paraphernalia–but hey, can't beat the Quickstart's price tag of nothing. Image: Modiphius Entertainment.

The Nacelle Company announces a new docuseries called The Center Seat: 55 Years of Star Trek, coming to the History Channel; Sigourney Weaver still holds out hope for a Galaxy Quest revival; and the answer to Tuesday's trivia question. Today's show is sponsored by BetterHelp. Get 10% your first month of counseling at betterhelp.com/dstn. Support Daily Star Trek News on Patreon: https://patreon.com/dailystartreknews Subscribe on Apple Podcasts or Google Podcasts For more great Star Trek podcasts: https://podcasts.roddenberry.com Website: https://www.dailystartreknews.com Email: info@dailystartreknews.com Twitter and Instagram: @dailytreknews

Details of Gates McFadden's new podcast Who Do You Think You Are? coming soon from The Nacelle Company; Brent Spiner offers Sir Patrick Stewart some character advice ahead of Star Trek: Picard season 2; and the answer to Tuesday's trivia question. Support Daily Star Trek News on Patreon: https://patreon.com/dailystartreknews Subscribe on Apple Podcasts or Google Podcasts For more great Star Trek podcasts: https://podcasts.roddenberry.com Website: https://www.dailystartreknews.com Email: info@dailystartreknews.com Twitter and Instagram: @dailytreknews

This week on Episode 492 of Priority One: We ‘Trek Out' Pirates, interviews and podcasts with some of the Leading Ladies of Trek, Star Trek Discovery's Season 3 Finale, and the state of Star Trek Gaming. This Week's Community Questions are: CQ: Has Saru earned the same level of reverence as Kirk, Picard, Sisko? AND CQ: If 2021 introduced a new Star Trek Game-- what would you hope it would play like? Or if STO made sweeping changes, what do you hope they would be? Of course, as always, before we wrap up the show, we'll open hailing frequencies for your incoming messages Let us know on social media like Facebook, Twitter, or by visiting our website! TREK IT OUT A Pirate's Tale By Elio LLeo // story time // Let me tell you a story… a story about a pirate… a digital pirate. Many moons ago, when the general public was strong-armed into agreeing to ridiculous cable-company contracts, bundles, and upsells --- The Digital Pirate would “stick it to the man” by surfing the untamed web in search of desired content. Then, as if by some miracle of the gods, a company dared to challenge the status-quo. This company would soon help the lowly pirate set anchor and hang their pirate hat. But, the evil cable companies weren't very happy that this new trailblazer was luring customers away on the backs of their own infrastructure. Before long, the lowly viewer would again find themselves spending nearly the same amount per month subscribing to peacocks, all accesses, hulus, pluses and maxes… and more! It wasn't long before pirates set sail once again to find their most treasured content….  // end of storytime // Photo Courtesy of Star Trek.com Let's be clear… it's wrong to pirate your shows from torrents or other rogue sites. And we, here at Priority One, would never encourage you to conduct illegal activities. But, what we can do is report on some interesting trends. In an article published by Variety by Jamie Lang, we get an inside look of what the hottest pirated shows are for 2020. Where does Star Trek fit on that list? Well, from most to least popular: The Mandalorian, The Boys, Westworld, Vikings, and in the fifth spot: Star Trek: Picard. Now, Lang points out that these rankings don't account for illegal streaming services but, we think this is a pretty accurate representation of Star Trek's market share as a whole. Michelle Paradise and Season 3 By Elio LLeo While we're on the topic of the Season Finale for Star Trek Discovery, Co-Showrunner Michelle Paradise spoke about the third season's arc and what we might expect in Season 4 with TVLine's Dave Nemetz. When asked about Michael Burnham's journey towards the captaincy, Paradise had quite a bit to say… including how audiences pretty much expected that was where she'd end up. But, according to Paradise, it was all about the journey saying, //quote // So giving her the opportunity to come into this new future and be here for a year without the rest of our heroes on Discovery, and allowing her to grow and change during that time and come back and figure out where she fits in, it felt like the right kind of journey for the character. It also allowed us, over the course of Season 3, to find new layers for that character, and of course new layers for our amazing actress to play.  But, where are we headed in Season 4? Well, Paradise couldn't say much other than to try to paint a clearer picture about what the goal was for Season 3, describing it as  …all about connection and disconnection and finding our way back to one another.  Now, what about that incredible quote from Gene Roddenberry at the end? Well, according to Paradise, its inclusion was a decision made during editing --- a message to reflect our global state of affairs. Paradise goes on to discuss Stamet's relationship to Burnham after she tossed him out of an airlock, whether or not Saru will return (which he will), and Book's impact on the crew. Whoopi Goldberg on Star Trek: Picard By Tony Hunter The interviews continue with the leading ladies of Trek. First off, Whoopi Goldberg is kinda-sorta confirming her return as Guinan in Season 2 of Star Trek Picard. This reprise of the role is, of course, at the personal invitation of Sir Patrick, as delivered on national television last year on The View. Whoopi told SFX Magazine “Hopefully, I will be joining their cast for a little while next year. I'm very excited about that.” And Sonequa Martin Green sat down with Vulture to talk about Season 3 of Discovery and Michael Burnham's journey to the Big Chair. She says that this was always the plan, all the way back to Season one, with every Executive Producer from Berg to Paradise saying “Burnham would be on this journey of self-actualization that would also be the journey to the chair” For more about her views on Michael's year of change and a promise that the Emerald Chain ain't goin' away next season, check out the link in the show notes. NEW PODCAST ALERT! By Cat Hough Moving on to another iconic Woman of Trek… Back in September, our favorite Tap Dancin' Doctor - Beverly Crusher, otherwise (in real life known as) Gates McFadden, announced that she will be hosting a podcast and she's been busy recording episodes. So far, McFadden says she's got episodes with Jonathan Frakes, Wil Wheaton, Brent Spiner, Michael Dorn, LeVar Burton and Marina Sirtis.  Episodes are expected to start airing this month - but the podcast has yet to reveal the title. However- the company producing the podcast, The Nacelle Company, has produced several television series about pop culture - such as The Toys That Made Us and the The Movies That Made Us. As the company name suggests, the CEO and founder, Brian Volk-Weiss is a huge Trek fan. ANOTHER AWARDS SHOW - THE SUPER AWARDS SHOW By Cat Hough Tired of having your favorite shows snubbed during awards season? Or really tired of your favorite shows only being nominated in categories like “best costume,” “special effects” or “editing?” Well, you are in luck - because there's now an awards show just for genre fans - just like us! This year, the Critics Choice Association decided it was time to start another - less boring - awards show. Called the Critics Choice Super Awards, it was created to specifically honor our favorite films and TV shows in the genres of action, horror, superhero, science fiction and fantasy. And the best part? You don't have to sit through a litany of technical categories. In fact - the only categories included were the Bests — Movie, TV Series, Actor, and Actress — for each genre. Star Trek was honored with several nominations. The franchise itself was also honored with the inaugural Legacy Award, to recognize  “the cultural impact it has had across multiple decades while continuing to appeal to and grow its loyal fanbase with new stories and characters.”  Sir Patrick Stewart won for Best Actor for Star Trek: Picard. And while she was nominated for Best Actress, Sonequa Martin Green lost out to Natasia Demetriou for What we do in the Shadows. Both Stewart and Martin-Green accepted the Legacy Award on behalf of the franchise. Stewart said that he and Green represented the “heart” of Star Trek. Though polar opposites on the outside — a young Black woman and an older white man — they represented the range of what Star Trek included, every kind of being imaginable. He went on to say that in these times, the inclusivity and hope provided by the Star Trek universe are needed more than ever. https://twitter.com/trekreport/status/1348467541455347713 Star Trek Gaming News by Thomas Reynolds & Shane Hoover Red Alerts Wherever We Go By Thomas Reynolds From now through January 26th, Star Trek Online's having a party and you're all invited! No, it's not the 11th Anniversary event, but you really should attend. Please, for the love of the Great Bird, show up for this party. Because it's not actually a party: it's a Galactic Red Alert event. Every enemy of the Alliance is coming after us, and they're not even bringing snacks. Rude. Like all repeating daily events, playing one of five Red Alert TFOs each day grants progress towards a grand prize. This time, the magic number is 10 Daily Progress, and the grand prize package includes a Spec Point, Ultimate Tech Upgrade, and Experimental Ship Upgrade. Note that the Tzenkethi Red Alert still includes a fail condition that prevents you from getting your Daily Progress. Also, the Tholians want us to know they're going gluten-free. All the Discovery Ships Fit to Print By Elio Lleo If you've been holding out for a physical copy of your in-game U.S.S. Buran, I've got great news. According to this week's PC patch notes, Gameprint's now accepting Discovery-era ships and materials for export and printing. The full list of ships and material types now available will be in our shownotes. There's no programmable matter option yet, but it's only a matter of time.

In this episode, we talk to Brian Volk-Weiss (Founder of The Nacelle Company)as we discuss his company, why it took his Netflix hit "The Toys That Made Us" seven years to get the green light, and the common thing all the successful people he has worked with have in common.  **More About The Nacelle Company** Founded by Brian Volk Weiss, The Nacelle Company develops, produces, and distributes feature and documentary films as well as TV shows – both scripted and unscripted. Nacelle's vast array of partnerships include: Netflix, Amazon, Disney +, HBO, Discovery, BET+, A&E Networks, Hulu, Viacom, and many more. The Nacelle Company has produced the hit Netflix docu-series, Down To Earth with Zac Efron, The Movies That Made Us, and The Toys That Made Us, as well as Behind The Attraction for Disney +, Sony's Mad About You reboot, Netflix's How To Fix A Drug Scandal, CW's Discontinued, Netflix'sKevin Hart's Guide To Black History, All The Way Black for BET+, and Grant for The History Channel. Visit our website TheStartupLifePodcast.com Follow The Startup Life Podcast Facebook Page Want gear from The Startup Life? Check out our gear! Check out other great podcasts from The Binge Podcast Network. Written by: Dominic Lawson  Executive Producers: Dominic Lawson and Kenda Lawson Music Credits: **Show Theme**  Behind Closed Doors - Otis McDonald  **Break Theme** Cielo - Huma-Huma 

On this episode Chris Minyen, host of Meet My Inspiration, talks with Brian Volk-Weiss. Brian is the CEO of The Nacelle Company & Comedy Dynamics and he's a seasoned producer /director in the world of stand-up comedy. He's worked with some of the biggest names in comedy and has made quite a name for himself along the way. He's a hard-working, passionate and wonderfully foul-mouthed guy, and you'll not only be inspired by his success story but also by his incredible heart. Many of his latest projects are found all across the internet, but check out “The Movies That Made Us” streaming on Netflix and one of his favorite comedy specials he was involved with, "Ali Wong: Baby Cobra", also on Netflix. --- Thanks to ExpressVPN for sponsoring this episode. ExpressVPN really is the best VPN out there. I've been using it for years and it is the fastest, easiest and safest VPN option for you. Get 3 months free by using my link https://expressvpn.com/mmi --- Music: https://www.bensound.com/

On this episode, the brothers Weinbrecht chat with Nacelle Company founder, Grammy award winner, and creator of The Toys That Made Us, The Movies That [...]