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This is not a typical Adelaide Show episode. For the first time in 434 instalments, Steve Davis opens by confessing he’s not sure how many more episodes there will be because something has broken in him. Not in South Australia’s people, whom he loves unreservedly, but in his trust of the state’s governance. What follows is one of the most honest conversations the show has ever hosted. There is no SA Drink of the Week this episode. The mood didn’t call for it. In the Musical Pilgrimage, Steve closes with Australia Day by Steve Davis & The Virtuosos, a song whose thesis turns out to be the quiet heart of everything discussed: that we’ve retreated into our selfish dwellings, stopped sticking our arms over the fence to say hello, and in doing so have left ourselves vulnerable to exactly the kind of politics this episode is about. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Something Has Broken: SA Politics, the Park Lands, and the Politics of Distraction 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:03:15 David Olney and Steve Davis Steve opens by describing where he is: not disconnected from South Australia’s people, but from its governance. He says he is earnestly worried, and that there is no performative aspect to the episode. To stress-test his thinking and provide context, he has invited back David Olney, whose academic background covers history, international politics, international security, and complex problem-solving. David notes that colleagues once told him he thought more like a psychologist or neurologist than a political scientist, always searching for the human motivation beneath structural problems. David introduces the work of political theorist Ted Robert Gurr, who studied the conditions preceding revolution across different periods of history. Gurr found two sequential thresholds: first, when people stop believing things will get better; and second, when they become convinced things are actively getting worse. Steve places himself at Gurr’s second threshold, citing the government’s handling of the algal bloom, a secret tower deal at peppercorn rent, tree clearing in the Park Lands for a golf event, and the prospect of further clearing for a motorcycle race. His concern is not with the events or sports themselves but with the irreversible damage to trees that Tourism SA uses to represent Adelaide. Two further things have deepened Steve’s despair. The first is what he reads as a coordinated flood of upbeat ministerial social media videos that do not address the Park Lands issue at all. He sees it as a tactic borrowed from Trump’s playbook. The second is the government’s launch of a media literacy tool to help students decode messaging, at the same time as the government itself, in Steve’s view, avoids transparency, attacks critics personally rather than engaging with their arguments, and operates through private deals. David draws on Rebecca Costa’s book The Watchman’s Rattle to frame this: Costa observed that as civilisations struggle to deal with significant problems, political attention shifts to small and peripheral ones. David’s illustration from literature is the war in Gulliver’s Travels fought over which end of a boiled egg to crack. Steve recommends the book Angertainment by Ed Koper as a guide to recognising this pattern. He uses Koper’s framing to contrast two dystopian visions: Orwell’s 1984, where repression at least provokes resistance, and Huxley’s Brave New World, where a population entertained into passivity never finds cause to push back. David agrees that Huxley’s version is the more troubling of the two. David then explains neoliberalism at Steve’s request: the economic model adopted across the English-speaking world in the early 1980s under Thatcher, Reagan, and Hawke, which replaced mixed economies with market-driven ones. David argues that the mixed economy model of the postwar decades, while imperfect, delivered stable living standards and could absorb shocks. What replaced it produced private monopolies, underinvestment in infrastructure and services, and a political landscape where both major parties operate within the same economic framework. His summary: in Australia, both parties wear one jackboot and one fluffy slipper. David connects this to the growth of parties like One Nation and Britain’s Reform Party, arguing that voters who have seen no meaningful improvement from either major party are reaching for alternatives, not out of ideological conversion but out of exhaustion. Steve raises a related concern: that the same billionaire interests bankrolling One Nation-type parties have no real incentive to disrupt neoliberalism, which raises questions about where that political energy actually leads. Toward the end of the episode, Steve reads from a reply he has just received from his federal member, written in response to a handwritten letter he sent six weeks earlier about a gas tax. The reply is considered and personal, acknowledging hundreds of individual constituent responses and explaining the member’s position. Steve describes it as a strand still holding, though he is careful not to place too much weight on it. David names two economists whose recent books offer some grounds for thinking a better model is possible: Mariana Mazzucato and Daron Acemoglu. Steve closes by naming David Pocock as an example of what a politician in this era can be, and David adds Barbara Pocock to that list. The episode ends with a brief exchange about what Don Dunstan and Malcolm Fraser might have made of where their respective parties have ended up. The following resources were mentioned during the episode. Books Angertainment by Ed KoperThe Watchman’s Rattle by Rebecca CostaBrave New World by Aldous Huxley1984 by George OrwellAmusing Ourselves to Death by Neil PostmanThe Common Good Economy by Mariana Mazzucato Podcasts The Rest is Politics with Alastair Campbell and Rory StewartThe Rest is Politics US featuring Anthony Scaramucci 00:42:34 Musical Pilgrimage In the Musical Pilgrimage this week we listen to Australia Day by Steve Davis & The Virutalosos. Steve introduces Australia Day as a song exploring how Australia lost the social conditions that made postwar migrant integration work. The central argument is that Italians, Greeks, and Vietnamese newcomers were absorbed into communities partly because people had time and proximity, sticking their arms over fences and saying hello. McMansions, mobile phones, and an economic model built on scarcity and anxiety have eroded that. David adds that prime ministers who romanticised the 1950s as a human ideal were simultaneously promoting the economic model that made those conditions impossible to replicate. Steve writes the songs and uses a virtual session band to produce them, with the hope that a live musician will one day take them further.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

There are episodes of The Adelaide Show, and then there are events. This is one of the latter. Recorded live at the Mercury Cinema as part of South Australia’s History Festival 2026, History Hit Parade brings together broadcaster and journalist Keith Conlon and host Steve Davis for a ninety-minute show that weaves original songwriting with storytelling, historical context, and the kind of warm, unhurried conversation that feels like sitting in a room full of people who actually know where you live. Ten songs. Ten slices of South Australian life. All of them written with pen and paper by Steve, given musical life through his AI-assisted “virtual session band,” and offered here as what he describes as “audition pieces” for real musicians who might one day make them their own. There is no SA Drink of the Week in this episode. The entire show is the Musical Pilgrimage. Rather than a single track appended at the end, this episode is the songs, each one set up by Keith’s historical grounding and Steve’s personal connections before the music rolls. Full notes on each song appear in the segment breakdown below. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: History Hit Parade 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:04:07 History Hit Parade The Mercury Cinema is not a neutral venue for Steve Davis. He was married there on a sweltering 42-degree December day in 2002. He launched Talked About Marketing there. And it is where, on two days in May 2026, he and Keith Conlon performed History Hit Parade to an audience that included Steve’s parents, his former drama teacher, the chair of the History Trust, and the real-life couple immortalised in one of the songs. The name History Hit Parade, Steve reveals, was Keith’s idea, drawn from his memory of the Harold Wright Hit Parade on 5AD, a Thursday-night ritual of about eight or ten songs in an era before the Top 40 existed. Buddy Holly, Elvis, Perry Como, and Pat Boone: that was your week’s music. The name lands perfectly for a show that does something similar, except every track is an original, and every track is South Australian. Song 1: Jack and Lil (Up Please, Going Up)Keith sets the historical scene: John Martins began as Peters and Martin, a drapery store in Rundle Street, until Mr Martin was released from his duties due to what Keith delicately describes as “debauchery.” The Hayward family eventually took the helm, and it was Sir Edward Hayward who, in 1933, looked to Canada for inspiration and brought the Christmas Pageant to Adelaide. He was so nervous before the first one that he hired a biplane, circled the inner suburbs with a megaphone, and personally invited people to come. They did. About 300,000 still do, each year.The personal thread in this song belongs to Steve’s maternal grandparents, Jack and Lil, whose photograph appeared on the screen behind him. Lil worked in the kitchenware department. Jack was the young engineer installing the new lifts in the building during the 1930s. The rest, as Steve says, is history. The song follows their life together as their family grows, moving floor by floor through what John Martins offered, with the lift ladies’ announcement, “Up please, going up,” as its guiding refrain. Steve thanks Paul Flavell, who has written a book on John Martins, and former John Martin’s planner, Robert Tedstone, who provided a complete floor-by-floor inventory to keep the lyrics accurate. Song 2: Oh MarionMarion, the suburb, was surveyed in 1838 by Colonel Light’s private firm after Light had broken with Governor Hindmarsh. The name comes from Marianne, daughter of resident commissioner James Hurtle Fisher, though somewhere along the way Mariannen became Marion. Keith’s own connection is fond: his father learned to drive in the 1950s by heading south into the almond groves and vineyards of Marion, where the long straight roads offered room to practise.Steve’s Marion is the 1970s version: aerial photographs, numbered landmarks, railway tracks where he’d flatten 20-cent pieces, overpass pile drivers thumping for weeks, and a Coles New World at the Park Holme Shopping Centre. He walked to school at age six, “with my little satchel and my shorts.” One afternoon he left school early, got lost, and found his way to a doctor’s surgery he recognised. They rang his mother. She wasn’t home. The neighbour came to collect him and made him a sandwich. “That was life in Marion back then,” he says, with a fondness that carries no nostalgia for the vineyards his own family’s house helped displace. Song 3: My Jolly ValentineThis one starts with the Torrens. Keith explains that before the lake arrived, the river in summer was “a series of rather smelly waterholes” until Mayor Sir Edwin Smith, a beer baron with civic ambitions, created the weir. Within a year of the lake’s arrival in 1882, a rowing craze had taken hold, boat sheds lined the banks, and Jolley’s Boathouse was selling milkshakes and pies to rowers who could rent a boat by the hour.The Palais de Danse gets its moment: a floating ballroom on a barge moored near the Elder Park Rotunda from 1924, with a soda fountain, no grog, and 800 people on opening night. It was gone by 1928, Keith noting, “maybe it was just not well made and sank slowly into the mud.”Steve’s research for this Valentine’s Day song turned up two details that captured his imagination. First, the Rundle Street Parade: on Saturday nights, young men would walk down one side of the street, young women down the other, window-shopping for company rather than goods. Second, the postage stamp code used in the twice-daily mail service to communicate what couldn’t be written openly: upside-down meant “I love you,” tilted right meant yes, left meant no, sideways meant “let’s stay as friends,” which Steve notes is “a soft no.” Song 4: Spring Gully RoadKeith traces the geography first: up Third Creek from the Torrens, past the village of Magill, pointing toward Norton Summit. Market gardens that ran through to Tea Tree Gully. One of Steve’s friends, Dominic, remembers his father loading a ute with cucumbers twice a week and driving them across town to Spring Gully. That was not long ago.The song covers four generations families. Edward McKee began pickling onions after returning from the war. His son-in-law Alan McMillan, stepson Eric Webb, and friend Malcolm Climer formed the second generation. Kevin and Ross Webb steered it through 2013 when a public campaign saved the company. Russell and Tegan Webb were at the helm when cheap imports and cost-of-living pressures finally made it too hard.Steve played the song to Russell Webb before the performance. Russell’s response: “Our whole family thinks this song should be in the state archives for covering the story so well.” Steve says it with quiet pride, and then lets the song make the case. Song 5: Away, Away (The PS Canally Crew Song)Keith tells the founding story of the Murray River trade with the energy of someone who could spend a full hour on it. Governor Sir Henry Fox Young puts up a prize in 1853 for the first boat to take a paddle steamer from Goolwa to Swan Hill and back. Two men are unknowingly racing: Captain William Randell, a flour miller from Gumeracha building the Mary Ann upstream from Mannum, and Captain Francis Cadell, who has a paddle steamer built in New South Wales and sails it through the Murray mouth. They end up racing each other, neither knowing the other was coming. Both get their prize, and instantly the river is transformed: wool that was a month away from market by bullock wagon is now days away by water.Steve wrote this song aboard the PS Marion, on a three-day cruise, watching jet skis cut through the peace of the river and thinking about the crews who worked these boats without rest. He noted he’d been “a bit passionate” about the contrast. One thing he is proud of: annoying the captain by asking about terminology, which is how he discovered that “larboard” was the original term for port side, changed because “larboard” and “starboard” were too easily confused when shouted across a noisy deck. Song 6: Shout Your Mates Another RoundThis song grew from a drive past the West End Brewery site on Port Road, now demolished. The chimney is gone. Steve felt its absence.Keith sketches the arc: South Australia once had around 43 breweries. The West End Brewery operated from 1859 through to about 1980, and somewhere in there a Westies supporter working at the brewery persuaded the boss to paint the chimney in the SANFL grand final colours each year. Port Adelaide’s coach Fos Williams asked to be included. The tradition held, moved to a second chimney after the first came down, and now continues on the old brickworks chimney with the help of some “fancy technology.”The pickaxe long-neck bottle gets its own verse. Those amber glass communal bottles that sat on dinner tables, shared rather than individual. Steve remembers the day his Italian neighbour Nino offered him a sip of Southwark Bitter from one: “It put me off beer for the rest of my life.” He recalls his paternal grandfather worked at the original Hindley Street brewery. A bottle recently turned up on Kangaroo Island. These things accumulate meaning. Song 7: Tunarama Love SongGreg and Nicole, Steve’s brother-in-law and sister-in-law, are in the audience. They wave when introduced. Greg is described as “so bashful.”Keith gives the historical context: Captain Matthew Flinders named Memory Cove after losing eight sailors there when he was 28 years old, 10,000 miles from home. He named Cape Catastrophe, Thistle Island, and Boston Island after those men. Port Lincoln was named, Keith theorises, from homesickness for Lincolnshire. The tuna industry came after the war, when scientists found massive schools in the Bight. Colin Thiele wrote Bluefin there as a high school teacher, which became a film. Tunarama itself began in 1962.The song’s story is Greg’s: he left Adelaide on a bicycle heading west, eventually reached Port Lincoln, and through mutual friends met Nicole. They came back to Adelaide later that year and were at the Mercury Cinema for Steve and Nardia’s wedding. “Their love story didn’t actually happen at Tunarama,” Steve admits, “but my wife loves her rom-com movies, so I did a bit of rom-com where I just put it against the backdrop.” He also notes that Tunarama won Best Seafood Experience this year, and that “it is okay to call someone a tosser, at Tunarama.” Song 8: Good Night DonThis one has weight. Every episode of The Adelaide Show signs off with “Good night, Don,” so a song about Don Dunstan was, as Steve puts it, always going to happen. Keith, who lived through the Dunstan decade, tries to give it its due in a few minutes. Decriminalisation of homosexuality. Women’s rights reforms. Aboriginal land rights. The South Australian Film Corporation in 1972. The State Theatre Company in 1974. The Rundle Mall, celebrating its 50th anniversary later in 2026. The week of the performance happened to be the anniversary of the death of Dr George Duncan, thrown into the Torrens in 1972, a murder that accelerated the push for decriminalisation.Keith acknowledges the controversies too: the Salisbury Affair, the personal challenges, the pajama press conference, and, with particular relish, the day Don stood on the Pier Hotel balcony during the 1976 tidal wave scare and told the crowd that “the only thing that will happen today is that we will all get a bit hotter.”Steve wrote the song in Brechtian cabaret style, a nod to Don’s close friendship with Robyn Archer. The refrain draws on a George Bernard Shaw quote: “Your life was no brief candle, was a mighty torch that shone.” Steele Hall also gets a verse, recognised for his willingness to equalise the electoral boundaries even when it worked against his own party. Song 9: Cellar Door ShuffleKeith went to university with Malcolm Seppelt, “which was pretty helpful,” and takes us back to the first commercial vineyard up Jacob’s Creek, planted by Johann Gramp, one of the early German arrivals. The creek became the name of one of the most recognised wine labels in the world. The doctors follow: Penfold, Hamilton, Angove, Tolley. Keith notes that by the 1960s, 90% of South Australian grapes were going into fortifieds. Barossa Pearl and BenEan Moselle changed that. Keith asks the audience who had a sip of BenEan Moselle as a youngster. Most hands go up.The song is partly in honour of Joseph, who runs Ballycroft at Greenock. Steve describes him as “the sweet spot of wine tasting because it’s not stuffy with him.” The song delivers two reminders: if your cellar door is making you feel uncomfortable, leave; and you are not there to guzzle. Song 10: Ben Venuti (The Rostrevor Pizza Bar Song)The final song is an ode to Gaetano at Rostrevor Pizza Bar, who has stood behind the same counter for 35-plus years.Keith sets up the context with Don Dunstan’s liquor reforms: the end of the six o’clock swill, and the radical notion of drinking a glass of wine at a footpath cafe. Then the postwar wave of Italian migrants, and how pizza arrived in Adelaide. Keith’s first was in 1962 at a corner of Hindley and Morphett Streets, long since demolished. “In another ten years,” he predicts, “there’ll be Australians who reckon we actually made it.”Steve moved to Rostrevor in 2006 and spent his evenings stripping 1970s Italian wallpaper off the walls of his new house before heading around the corner to eat Gaetano’s pizza. Gaetano calls his dough “pastry,” starts making it the night before, and has won awards for it. He welcomes every regular by name. He personally refuses to put pineapple on a pizza, but if you want it, he will make it. “The Italians,” Steve says, “they understand the value of the money.” He goes through about a pallet of pineapple a month.The song is in Italian and close-to-Italian, with the chorus “Benvenuti, come inside” running through it. Steve says you will come along for the ride. ClosingSteve thanks the audience and invites them to stay in touch with Keith via This Day in South Australia on Facebook and LinkedIn, where Keith posts about South Australian history every day, and via the Wednesday morning bike rides from Bicycle Express in the city at 9am. He then plays the old State Bank ad, which Keith greets with “Oh, dear. Well, I wasn’t actually named at the time, but a lot of people said, ‘I reckon that’s Keith in there.'”Steve closes by noting that the album from the show, History Hit Parade, is available on Bandcamp. 00:00:00 Musical Pilgrimage No Musical Pilgrimage this week because the whole show was a Musical Pilgrimage.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

South Australia’s History Festival gets a fitting soundtrack in episode 432, and it arrives in three distinct voices: a geneticist-historian overturning stones in founding-era South Australia, Mr South Australia himself bringing context and colour to every corner of the conversation, and an original paddle steamer shanty that had Keith Conlon attempting to haul imaginary ropes. Dr Samantha Battams is back for her fourth visit to the Adelaide Show, this time with a book that drops her own family tree right into the founding moments of this state. There is no SA Drink of the Week in this episode. The interview was recorded at the State Library with a room booking that had a firm end time, so Steve, Keith, and Samantha made the most of every minute with stories instead. The Musical Pilgrimage this episode is Steve Davis and the Virtualosos performing Away Away: The Canally Crew Song, an original river shanty written in tribute to the paddle steamer PS Canally, which is being restored at Morgan and set to relaunch in late May 2026, and the song features in Keith and Steve’s show, History Hit Parade show at the Mercury Cinema. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: All Singing All Reading South Australian History Festival 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:02:09 Dr Samantha Battams on Paving the Way May is South Australian History Festival month, and if you want to know why that matters, consider this: the western suburb we now call Grange was once known as Reedbeds, where Captain Charles Sturt made his first home while the colony was being developed. One of our guest’s ancestors was the gardener there. Dr Samantha Battams has written a book that puts her own family tree right in the founding moments of this state, and she’s launching it at the History Festival on 15th May. Samantha, has previously been on The Adelaide Show in 249 – Captain Harry Butler and his Red Devil, 279 – The Secret Art Of Poisoning, and 344 – True Crime SA style. The western suburb we now know as Grange was once called Reedbeds. Captain Charles Sturt made his home there in the colony’s earliest days, and one of Dr Samantha Battams’ ancestors was his gardener. That’s the kind of connection Paving the Way is full of. Battams’ three-times great-grandfather, Johann Gramp, arrived at Kangaroo Island in 1837 as an eighteen-year-old orphan aboard a vessel that wrecked shortly after. He had lost both parents by age seven, worked for a baker in Bavaria, and made his way to Hamburg where the South Australia Company was recruiting German labourers. He would go on to establish what Keith Conlon describes as the first commercial vineyard near Jacobs Creek. Keith also notes that he gets there by a roundabout route, and Samantha fills in the Bavarian versus Prussian distinctions that get flattened when viewed from Australian distance. The animosity ran deep enough that during the First World War, Bavarians were reportedly directing Allied forces toward Prussian positions. The Prussian Lutheran refugees who arrived sponsored by George Fife Angus get their own thread. Their pastor Kavel had travelled to London and secured passage for a group who had been holding secret chapel meetings in barns rather than accept the king’s new prayer book. One Schulz ancestor was accused by the pastor of leaving for earthly reasons rather than faith. Steve’s response: “I think had it been the time of the prosperity gospel, he would’ve been welcomed with open arms. “From Germany to Ireland, and the Fahy family from County Clare. Edmund Fahy arrived with two younger sisters, one of them just ten years old, and the family was almost immediately separated. Edmund headed to the Kapunda mines while the girls went south with an aunt. Samantha spent years untangling the network of Irish immigrants who came out together, sponsored one another, and intermarried across the colony. One thread leads to Dave Graney. “I’ve always loved Dave Graney,” Battams says. “I didn’t know I was related to him.” The Rumbleow family at Encounter Bay ran the first tourist operations in the area. Caroline Rumbleow, who married a man named John Cakebread (“What a name,” says Steve), was said to be the inspiration for a character in the novel Paving the Way by Simpson Newland, which also gives Battams’ book its title. Family accounts suggest Newland followed Caroline to the Ballarat goldfields and asked her to leave her husband. It did not eventuate. Samantha undertook a cultural consultation before writing sections involving Aboriginal people. Old newspaper language was either replaced with more appropriate terminology in square brackets or, in one case involving a funeral pyre, stripped of its sensationalist framing while the story itself was kept. She also describes firsthand colonial accounts of a corroboree of 500 people on the banks of the Torrens near what is now the Paradise Bridge. The interview closes on a revelation hidden since 1890. Battams had her DNA tested to find her adopted father’s biological family, and dismissed a recurring surname, Hazelhurst, as irrelevant to her mother’s side. A later ancestry update showed 25 per cent of her DNA tracing to northwest England and Wales. Following the Hazelhurst name led to Christchurch, New Zealand, and to the conclusion that her great-grandmother Edith Thompson was already pregnant when she married, with a father other than the man recorded. The cover of Paving the Way is a photograph of Edith and Battams’ grandfather. “The true story had been kept from 1890 to 2025,” Battams says. Paving the Way is being launched at the 2026 History Festival on 15 May. Dr Lanie Anderson, a previous Adelaide Show guest (107 – Lainie Anderson: View from the hills), will launch the book. 00:27:59 Musical Pilgrimage In the Musical Pilgrimage, we feature Steve Davis & The Virtualosos‘ “river shanty” song, Away Away (The Canally Crew Song). Steve Davis wrote this original river shanty after time spent aboard the PS Marion, sister vessel to the PS Canally, a paddle steamer launched in 1907 that is now being restored at Morgan ahead of a relaunch in late May 2026. Keith Conlon puts the song in context: Morgan once had queues of paddle steamers and six freight trains a day departing with river cargo. He also produces a story about a paddle steamer loaded with materials to build a pub at Bourke that ran aground in a drought and only floated free two years later, by which point the pub had been built by other means. Away Away is one of ten original songs Steve has written about South Australia for History Hit Parade, the show he and Keith Conlon are performing at Mercury Cinema during the 2026 South Australian History Festival. Keith is confident audiences will want to sing along. A stage jig from Keith is, in his own assessment, highly in doubt. Booking details are in this link: History Hit Parade tickets and information. It’s on Monday, May 11, 11am, and Sunday, May 17, at 4pm and it will simply be an enjoyable show of historical anecdotes, fun, and music.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

When 80,000 people descend on an event, somebody has made it look effortless. Wayne Taylor has spent three decades being that somebody, from the Sydney 2000 Olympics to Wimbledon, Formula One on three continents, and right here in Adelaide at the Clipsal 500. His company, First Facilities Group, now brings that same discipline to commercial and residential properties (and events) across Adelaide. There is no SA Drink of the Week this episode, but Wayne does weigh in on the relative merits of beer events versus wine events versus spirit events, and the answer is exactly what you would expect from a man who has cleaned up after all three. The Musical Pilgrimage features Steve Davis and the Virtualosos performing “Cellar Door Shuffle,” a celebration of the great South Australian wine country ritual, which also gets a preview mention for the upcoming History Hit Parade show at the Mercury Cinema. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Gather Round To Learn About Major Events 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:02:17 Wayne Taylor, First Facilities Group Right now, as Gather Round unfolds across South Australia, tens of thousands of people are doing what they always do at a footy match: finding a seat, grabbing a pie, visiting the loo, and not once thinking about any of it. That invisibility is because someone’s doing their job brilliantly. Wayne Taylor has spent the better part of three decades making sure that when 80,000 people descend on an event, the wheels don’t fall off. He’s done it at the Sydney Olympics. At Wimbledon. At Formula One races on three continents. At Clipsal 500 when 200 staff, 15 supervisors and a $300,000 budget had to deliver a spotless result across four days. And he’s done it right here in Adelaide, quietly, at events you almost certainly attended. He now runs First Facilities Group, bringing that same discipline to commercial and residential properties across Adelaide. Wayne Taylor has a habit most of us would find exhausting. Every time he walks into a building, he is quietly checking the mirrors, the bins, the general state of things. It is not fussiness. It is decades of conditioning that started when his parents cleaned Memorial Drive as a boy from Broken Hill, and he mostly just got in the way by raiding the office stationery drawers. That origin story matters because the values Wayne brings to First Facilities Group now, respect, honesty, and an obsessive eye for what others walk past, were baked in early. As he puts it, “If you can’t get your housekeeping correct, how can you then operate your business?” It is a lens that applies equally to a gleaming corporate lobby and to the pit lane at Albert Park. The stories from his career read like an event passport. At the Sydney Olympics he managed 1,100 staff, set an 80% minimum recycling target, and navigated vehicle bomb checks just to get to work each morning. At Wimbledon, he learned that a single cigarette butt on the ground was enough to earn a conversation with the CEO, and that some corporate boxes were quietly serving spirits in coffee cups because you cannot legally drink alcohol watching football in England. At Formula One, a certain unnamed driver, “Mansell,” parked his car next to the waste compactor despite clear signage, and paid for it when a bin tipped onto the vehicle. Wayne watched from the level above and, eventually, laughed. The Clipsal 500 holds a particular place in his story. He worked it for twelve years and is clear-eyed about what it meant to Adelaide after the Grand Prix left in 1995: “The place went dead.” The Clipsal helped rebuild that. His team delivered the best margin in the company that year not through corner-cutting but through relentless post-event debriefs, 4am starts, and crews walking the entire circuit in a line with headlamps, because the lighting was never quite good enough. One of the sharper insights in this conversation is about the people who do this work. Wayne keeps what he calls a little Bible, a list of standout workers from each event. The good ones get taken to lunch, thanked properly, and connected to the next opportunity, whether that is the Grand Prix in Melbourne or something interstate. It is empathetic at a human level, and it also happens to be smart: one well-led supervisor with 20 people will outperform a rabble of 50. His principles for First Facilities Group are unchanged: respect, honesty, punctuality, and a fair day’s pay for a fair day’s work. He once disciplined his own teenage son for repeated lateness in front of the whole crew, because anything less would have been unfair to everyone else. That is the standard he holds himself to and expects from others. 01:08:34 Musical Pilgrimage In the Musical Pilgrimage, we feature Steve Davis & The Virtualosos‘ new song, Cellar Door Shuffle. This song is a love letter to the ritual of winery visits across South Australia, from the Hills to Barossa, McLaren Vale to the Clare. Wayne is still in the room for this one, and Steve uses it to draw a neat contrast from the week’s main themes: beer events are loud, spirit events are rough, wine events are, as Wayne says, “a little more sophisticated.” The song will also feature in the History Hit Parade show with Keith Conlon at the Mercury Cinema. It’s on Monday, May 11, 11am, and Sunday, May 17, at 4pm and it will simply be an enjoyable show of historical anecdotes, fun, and music.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Joe Evans was last on the show in 2018, picking grapes and talking about his craft. A lot has changed at Ballycroft Vineyard & Cellars since then. Joe has turned a $6,000-a-year electricity bill into a source of profit, using 33 kilowatts of solar, a bidirectional V2G converter, and two Nissan Leafs to run his house, his winery, and his cellar door without drawing from the grid. He believes Ballycroft is the world’s first winery to make and mature wine entirely on solar and car battery power. Photos of Joe for the show notes and the podcast player, were taken by Thomas Wielecki. There is no SA Drink of the Week this episode, though Joe does give a tantalising description of his 100% Mataro and a very limited release Small Berry Shiraz Pressings 2022 that had already sold half its 400-bottle run within a month of release. For the Musical Pilgrimage, Steve shares an original composition recorded with his virtual session band, The Virtuosos. Another Bloody Year was written just a fortnight before recording, prompted by rising fuel costs, global instability and a CS Lewis speech from 1939 that turns out to be as timely as ever. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Small Winemaker, Big Wines, Zero Power Bills 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week, but we encourage you to browse the Ballycroft Vineyard & Cellar online store. 00:04:19 Joe Evans, Ballycroft Vineyard & Cellars If you have ever stared at a power bill and felt a quiet fury, Joe Evans is the person you need to hear. Back in the late 2010s, South Australian electricity was already the most expensive in the country at around 28 cents per kilowatt hour. It is now around 58 cents, which Joe says makes South Australia second most expensive in the Western world. His response was not to complain but to act. The journey started in 2019 when Joe purchased a 40-kilowatt Nissan Leaf from a rural dealership, becoming what he believes was the first person in Australia to buy an EV from such a dealer. The car he specifically chose because it had bidirectional capability: charge it during the day, discharge it at night to power the house and winery. The catch was that the V2G converter needed to make that work took three and a half years to get Australian standards approval. Joe was the first residential and small business owner in the country to install one. Walk through a 24-hour cycle at Ballycroft Vineyard & Cellars and you begin to see how elegantly the system operates. From around 6am, the car battery powers the morning rush: kettles, hair dryers, the household waking up. Once the sun rises and the 33-kilowatt solar array kicks in, the car recharges within an hour or two while simultaneously running the house and winery. During vintage, when the fermentation chillers are working hard around the clock, Joe uses one car’s full 60-kilowatt battery per night. His figure from last year: 42 kilowatts used across 42 days of fermentation. That is one kilowatt a day, or about 58 cents. Without the system, it would have been closer to $30 a day. He is now running two Nissan Leafs, a “his and hers” arrangement after his wife fell in love with the original car. The second, a secondhand 2021 60-kilowatt model purchased for $36,000, he describes as a generator on wheels. He bought it primarily for the battery. A 50% government rebate later led him to add a home battery as well, though the cars still do the heavy lifting. For listeners weighing up an EV, Joe offers practical advice grounded in four years of real-world use: keep the battery between 20% and 80%, never leave it at 100%, and prioritise V2G capability when choosing a car. He notes that Tesla has explicitly ruled out V2G to protect its wall battery sales, while many newer European and Chinese models are building it in. A new Wallbox Quasar 2 with CCS2 compatibility is expected to arrive at around $5,000, down from the $10,000 Joe paid. The conversation also covers range anxiety (real but shrinking as infrastructure grows), tyre and brake wear (largely a non-issue in his experience), battery degradation (his six-year-old car has less degradation than comparable models that only drove, because running the house draws power far more gently than driving does), and what to do when the power goes out. Joe’s answer to that last one: nothing, because the system keeps running regardless. “Have control of your own energy. It’s a good feeling.” – Joe Evans 00:59:58 Musical Pilgrimage In the Musical Pilgrimage, we feature Steve Davis & The Virtualosos’ new song, Another Bloody Year. Steve frames this segment with a reference to John Schumann being told to stay in his lane after posting about Australian involvement in potential conflict, and responds with CS Lewis’s 1939 speech to Oxford students on the eve of the Second World War: “Life has never been normal.” Against that backdrop, Steve shares an original song written a fortnight before recording, reflecting on the cost ordinary people pay when leaders make reckless decisions. The final verse lands with quiet force, borrowing a line from Schumacher: “All of us should live more simply so that others might simply live.” If there is a singer looking for material with genuine weight, Steve has flagged this one as available.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In Kadina, the commercial heart of South Australia’s Yorke Peninsula, farming families have been trusting the same lawyers with their most important moments for generations. This episode brings two of those lawyers to the table: Doug Reed, who has practised in Kadina for 50 years and is preparing to retire, and Kylie Mildwaters, who grew up on a nearby farm, left for Adelaide to study law, and came back to build her own thriving practice. Between them, they offer an unusually honest portrait of what country law actually looks like: the trust earned slowly, the gossip that spreads fast, and the quiet privilege of knowing the grandchildren of your very first clients. There is no SA Drink of the Week this episode The Musical Pilgrimage this week is perfectly timed: Adelaide artist My Chérie releases her new single Stuck Inside My Head today, the same day she performs at WOMADelaide. It is an indie folk-rock meditation on neurodivergence and the challenge of quieting a restless mind, and it could not be a more fitting soundtrack for a week when this city is buzzing with live music and big ideas. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Kadina Lawyers And The Real World Of Rural Law 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:03:01 Doug Reed and Kylie Mildwaters Kadina in the 1970s, as Doug Reed (Germein Reed) remembers it, was a proper provincial town: half its current size, built around farming, animated by fierce rivalry between Kadina, Moonta, and Wallaroo, and populated on Fridays by farmers’ wives dressed to the nines for their weekly shopping. Small Woolworths. No McDonald’s. Three pubs per town, and a pub meal was a night out. The frictions, factions, and fictions of small-town life, as Steve puts it, drawing on a line from The Carpathians, were very much in evidence, including, as Doug notes with some amusement, two rival Methodist churches in Kadina alone. Kylie Mildwaters (Mildwaters Byrth Lawyers & Conveyancers) grew up on the other side of that rivalry, as a Moonta girl who had nothing to do with Kadina. The inter-town competition, she and Doug agree, has mellowed considerably since council amalgamation, though not, they hasten to add, on the sporting field. The footy rivalry remains entirely intact. It is when the conversation turns to trust that the episode finds its real heart. Doug is direct: you cannot advertise trust. You earn it through your work, your community involvement, and your reputation, and when you make a misstep in a town this size, it spreads like wildfire. Kylie’s version of the same lesson is more pragmatic: word of mouth on the Yorke Peninsula is the best advertising you could possibly have, which means looking after every client, every time, without exception. Her additional piece of hard-won wisdom for any country lawyer? Do your Woolworths shopping online. Doug reflects on one of the quieter privileges of rural legal practice: the moment you realise you are sitting across the desk from the grandchild of a client you first helped decades ago. He calls it a privilege, and it is hard to disagree. That kind of continuity is particularly characteristic of rural practice. The corporate memory you carry about a family, built across generations, is something a city firm simply cannot replicate. It is also a responsibility, and one reason why Doug’s decision to transition the bulk of his client base to Kylie’s firm, Mildwaters Birth Lawyers, has clearly not been taken lightly. The conversation takes a sharper turn when farm succession enters the picture. The number of farming families on the Yorke Peninsula, one of Australia’s premier cropping regions, is now a fraction of what it was when Doug first arrived. Farms have grown dramatically, consuming neighbouring holdings, and with that growth has come a corresponding rise in what is at stake when a family asks who gets what. Kylie, who practises in estate and family law as well as holding membership of the Society of Trust and Estate Practitioners (STEP), paints a vivid picture of the legal tensions this creates: promises made about farm transfers, falling-outs between parents and children, and the litigation that follows. The old assumption that the farming son gets the farm and off-farm assets go to everyone else is, she notes, increasingly being questioned.Doug raises another pressure on modern legal practice: the Google-armed client. He recalls a family arriving having looked up the rule against perpetuities the night before. A little knowledge, he observes drily, can be a dangerous thing. Kylie adds that this is precisely why careful, unhurried thinking remains essential, a lesson Doug drummed into her when she first started, back when her instinct was to get everything done as quickly as possible. The episode closes with one of its most enjoyable exchanges: Steve asks about fictional lawyers. Doug nominates Perry Mason and, with considerably more warmth, Dennis Denuto from The Castle, a man whose grasp of the law was limited but whose faith in the vibe of it was unshakeable. Kylie, more practically, notes that films have given clients thoroughly incorrect expectations about everything from courtroom procedure to the formal reading of the will (there is no such legal requirement) to the idea that marriage automatically entitles each party to half of everything. As for Steve’s elaborate video will, he has just learned it will never be shown. He is very sorry to hear it. Here are links to a few of Kylie’s blog posts about farm succession, referenced in the discussion: Kangaroo Island: What a Movie About Two Sisters Can Teach You About Estate Planning What Troy Cassar-Daley’s ‘Family Farm’ Teaches About Succession Planning On Yorke Peninsula Why the Most Well-Intentioned Promise About Your Will Might Not Help Your Children 00:38:09 Musical Pilgrimage In the Musical Pilgrimage, we feature My Chérie‘s new song, released today, Stuck Inside My Head. Adelaide is buzzing this week. WOMADelaide is upon us, and right in the thick of it is local artist My Chérie, whose brand new single Stuck Inside My Head drops today. Written and performed entirely by My Chérie, with additional production, mixing, and mastering by Mario Spate, it is an indie folk-rock meditation on neurodivergence, spiritual longing, and the very human challenge of quieting a restless mind. My Chérie has described wanting the production to feel like summoning an inner power: a moment of connection with something bigger, almost like nature answering back. For fans of Soccer Mommy, Samia, and Wolf Alice, and for anyone who has ever lain awake with their thoughts looping at full volume, this one will feel like a hand on the shoulder.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The white marquees are not going up in the Pioneer Women’s Memorial Garden this year. Adelaide Writers’ Week, a festival that has graced this city since 1960, was cancelled following a sequence of events set in motion by a disinvitation that drew international condemnation, triggered the resignation of director Louise Adler and nearly the entire board, and ultimately prompted an unreserved apology from a newly constituted board. Community alternatives, including Constellations at the Adelaide Town Hall, have stepped forward to keep the spirit of the festival alive. The Adelaide Show is doing the same, in its own way. There is no SA Drink of the Week in this episode. The Musical Pilgrimage closes the episode with an original composition, “Uncomfortable Ideas,” written by Steve Davis and performed by Steve Davis & The Virtualosos. More than a few people have suggested it deserves to be the unofficial anthem of this year’s festival. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Adelaide Writers’ Week in Absentia 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:06:25 Adelaide Writers’ Week In Absentia Steve Davis opens by acknowledging the cancellation of Adelaide Writers’ Week and the circumstances behind it, without dwelling on controversy for its own sake. The spirit of the festival, he argues, cannot be legislated out of existence, and The Adelaide Show is here to prove it. Before the archive episodes begin, Steve offers a handful of literary touchstones. Patrick White observed that writing a novel is like an illness from which one is trying to recover, and that the artist’s role is to make sense of a world becoming increasingly nonsensical. Clive James described great books as voices that speak across the centuries, telling you that you are not alone. Vonnegut reminded us that we must be careful about what we pretend to be, and that reading leads to a life more grand, more empathetic, more civilised. And Douglas Adams, who loved deadlines for the whooshing noise they make as they go by, gives us a fitting frame for a festival that simply did not happen. Two archive episodes follow, chosen for what they reveal about the real work of writing and the underappreciated world of genre fiction. Segment One: Writing, Publishing, and Resetting Expectations, Episode 308The pandemic was supposed to be the great gift to aspiring novelists. Time, solitude, and the vague sense that history was being made. What actually happened, for most people, was considerably less cinematic. In this 2020 recording, four people who know the industry from the inside cut through the life-coach optimism that surrounded the period. Authors Jane Ainslie and Michelle Prak bring the writing perspective. Publishers Michael Bollen of Wakefield Press and Rommie Corso of Hardshell Publishing bring the business view. Together they create an unusually candid picture of what it actually takes to turn a manuscript into a book that someone buys. The moment that sets the tone comes early. Jane Ainslie addresses the idea that everyone has a book inside them with the sort of directness that suggests she has been asked this at a lot of dinner parties: not every story the world has inside it is a story the world is waiting to read. Michelle Prak, who has put herself through five, six, sometimes seven drafts before a manuscript goes anywhere near an editor, adds that writing is a deeply enjoyable, deeply expensive hobby that tends to crowd out a great deal of everything else. Michael Bollen introduces a concept that most aspiring authors have not quite faced: a book’s shelf life, for literary fiction, sits somewhere between milk and yoga. He describes the editorial process as a dance, with the editor standing in for the general reader, keeping an ego-free eye on whether the character who died on page seven has somehow reappeared at the party on page 86. Rommie Corso explains that self-published authors often resist the very commercial adjustments that would help their books find readers, wanting independence and viability at the same time. These do not always coexist. There is a fine moment around the ethics of drawing real people into fiction. Michelle Prak describes her novel Goodbye Newsroom, set against the backdrop of shrinking newsrooms, as inspired by rather than transcribed from real events. Jane Ainslie explains that fictionalising her nursing experiences allowed her to treat them with more dignity than a straight memoir would permit. Steve raises the precedent of a Wakefield Press novel about South Australian politics whose characters bore a striking resemblance to identifiable figures (that was a reference to The novel you’re thinking of is Never A True Word by Michael McGuire, a former journalist and long‑time political writer for The Australian and The Advertiser – his interview was in episode 198). Michael Bollen confirms, diplomatically, that some adjustments were made. Segment Two: The Art and Heart of Romance, Episode 111The candles are on the table. There is a fire going. The Scenic Hotel has given this conversation a room of its own, and three romance authors have settled in to make a serious case for a genre that represents the largest slice of fiction sales on the planet, and which continues to be treated by the literary world as something slightly embarrassing. Trish Morey, Victoria Purman, and Bronwyn Stuart are completely clear-eyed about what they do and why it matters. Romance, Trish explains, is not a “whodunit” but a “howdunit.” You know who ends up together. The pleasure is in the journey, and in not being able to work out how on earth these two people are going to find their way through all the obstacles between them. Victoria adds that romance readers were among the earliest adopters of digital books, and that the genre has long sustained a community of writers who support one another in ways other literary communities have not managed to replicate. The conversation turns, as it always does in the best episodes, on a moment of genuine revelation. Victoria puts it plainly: the deepest appeal of romance fiction is that the heroine is truly seen by the hero. Trish confirms it. Steve, in what he describes as his second light bulb moment of the evening, sits with this for a beat before acknowledging that this is not a small thing. Steve is also pressed into service reading from one of the novels in the voice of a cowboy hero. He brings considerable commitment to the performance. The authors’ response is warm, specific, and entirely at his expense. The episode closes with the “Is It News?” quiz, hosted by Nigel Dobson, which draws on historical romance headlines from 1923 South Australia and, against all odds, confirms that the real thing was considerably more scandalous than anything currently on the romance shelf. 02:15:32 Musical Pilgrimage In the Musical Pilgrimage, we feature Uncomfortable Ideas (The Adelaide Writers’ Week Song) by Steve Davis & The Virtualosos. Writers’ festivals exist, at their best, to put uncomfortable ideas into a room and let people sit with them. Adelaide Writers’ Week found itself this year at the centre of a very public argument about whether that is still something institutions are willing to do. The festival has been here before. Germaine Greer being Germaine Greer. The exposure of fabricated Holocaust revisionism behind the Helen Demidenko affair. Patrick White in 1986 urging writers to ignore critics if they wanted to avoid producing work that was safe and uninspiring and pleasing to nobody. Writers’ festivals are unsettling because they surface ideas people would often prefer to leave alone. They are necessary because a society that cannot examine uncomfortable thinking out loud gradually loses the capacity to protect itself from thinking that goes unexamined. “Uncomfortable Ideas” was written by Steve Davis to speak directly to that tension. It addresses the short-sightedness of those who believe audiences need to be shielded from difficult thoughts, and it takes seriously Patrick White’s case for artistic courage that does not stop to ask permission. Listen for the bridge, which captures the specific feeling of an invitation to speak in the open air being overshadowed by voices that underestimated what a well-read audience is capable of holding.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

After 25+ years of reviewing Adelaide Fringe shows, Steve takes a sabbatical this year. But there’s one show he can’t help spotlighting: Rob Newman’s debut solo performance “Don’t Die Wondering”. Newman’s story offers something rare, a comedian willing to be deeply reflective about the journey that brought him to the stage at 60, shaped by a decade of hospitals and life-or-death moments. This episode contains no SA Drink of the Week segment. The Musical Pilgrimage features Steve’s own song about the Adelaide Fringe. Through “Centre Stage”, performed by Steve Davis and The Virtuosos, he offers a bittersweet love letter to a festival he’s watched change over decades. The segment includes his conversation with FiveAA’s Richard Pascoe about reviewing standards, five-star review inflation, and why the Fringe remains a jewel in South Australia’s crown. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: This Adelaide Fringe Don’t Die Wondering 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:03:17 Rob Newman Rob Newman appears on screen in full purple surgical scrubs against a hospital backdrop. It’s not a gimmick. Over the past decade, he’s spent considerable time in hospitals and operating theatres, told more than once to gather his family and say goodbye. These experiences form the bedrock of Don’t Die Wondering. The path to standup wasn’t part of Newman’s original plan. He traces it back to a coffee conversation with Steve 10 to 12 years ago. “Your suggestion at the time was, come and try standup,” Newman recalls. “It’s a great way to get the confidence to do public speaking.” What began as preparation for property market speaking tours became something much deeper. Steve shares his own early standup experience, driving across Adelaide to work with Glynn Nicholas, heart palpitating so strongly he could feel his pulse under his eyebrows. Newman agrees about the terror, offering perhaps the most vivid description of pre-show nerves: “It’s the best cure for constipation you’ll ever get in your life.” But the terror serves a purpose. Newman describes managing the fear of judgment. “Not so much to lose it, but control it in the sense of embracing the fear of it,” he explains. That fear never entirely disappears. What changes is the ability to handle surprises, to relax into improvisation, to step away from verbatim scripts. The conversation explores performing as yourself versus hiding behind characters. Steve admits he gravitated toward characters partly because “anything negative feedback that might happen is water off a duck’s back. In some ways it’s the cheat’s way out.” Newman has stuck with vulnerability. “Be yourself,” he says. “Basically unzip yourself and be vulnerable.” Steve’s immediate response: “What’s your show rated?” Newman confirms it’s R-rated, though the rating speaks more to emotional honesty than shock value. Newman’s been running around Adelaide dressed as a surgeon, offering free medical checks as promotion for the show. It’s playful promotion, but also a way of inhabiting the hospital world that shaped his perspective. Newman’s journey through the comedy ranks has been patient and methodical. Starting in his early fifties, he’s spent years developing his craft before attempting a solo Fringe show at 60. The title “Don’t Die Wondering” carries weight when spoken by someone who’s genuinely faced that possibility. Rob Newman was a grant recipient through the Adelaide Fringe Foundation. 00:38:30 Musical Pilgrimage In the Musical Pilgrimage, we feature Centre Stage (The Adelaide Fringe Song) by Steve Davis & The Virtualosos. After 25+ years of reviewing Adelaide Fringe shows, often two to three per night, Steve presents his own song about the festival. “Centre Stage” is what he describes as “still a love song to the Fringe and just a cheeky fringe type, steampunk, gothic reflection on the state of play.” The lyrics trace the festival’s shift from experimental counterculture to celebrity-driven programming: “You were fringe to me / You did not need celebrities / But now a household name comes and cash in on fame / And crowds out smaller shows that have more soul.” His reviewing experience infuses the verses, cataloguing years spent in theatres, on blankets in parks, and sweltering in church halls without air vents, always writing reviews “to help all thinking people choose emerging art in our town.” The conversation with FiveAA’s Richard Pascoe addresses reviewing standards and the proliferation of five-star reviews. “There are some reviewers who are promised critics, et cetera, but there’s a lot of light dusting out there,” Steve observes. “They have become cheapened, like the money in Argentina during their inflation.” Steve’s reviewing philosophy was always accountability: “I had to write them knowing that you would go and buy a ticket and you need to be able to look me in the eye and say, yep, that was accurate.” Despite his criticisms of how the Fringe has changed, Steve’s message remains clear: attend the Fringe, take chances on weird and experimental shows, support artists attempting something genuinely different. “Enjoy the Fringe. We should, no matter how we do it. It’s an absolute jewel in our crown.”Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

As the March 21st, 2026 South Australian state election approaches, the Malinauskas Labor government maintains polling numbers that would make most incumbents envious. Yet beneath this apparent stability, questions linger about whether today’s ALP still embodies the values of the workers’ movement from which it emerged, or whether it has become something else entirely. ** The image features Gemini's best effort of imagining Steve Davis and Robert Godden as modern day Don Dunstans. This episode features no SA Drink of the Week, a decision that tips its hat to both Robert Godden’s teetotalling preferences and to King O’Malley, the flamboyant insurance salesman who permanently removed the ‘u’ from ‘Labor’ while dodging questions about his own birthplace. The Musical Pilgrimage presents Australia Day by Steve Davis and The Virtualosos, a song that addresses social cohesion and community connection in contemporary Australia, themes that connect directly to the political fragmentation discussed throughout the episode. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Is The ALP Guaranteed Victory In The 2026 South Australian Election?00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:02:37 Robert GoddenThe Adelaide Show: Special Briefing — The Labor Machine This conversation serves as the companion piece to episode 423’s examination of the South Australian Liberal Party. Where that episode explored the Liberal Party’s challenges, this discussion has our political commentator, Robert Godden, apply the same analytical rigour to the South Australia Labor Party‘s position heading into the 2026 state election. The conversation begins with King O’Malley, that peculiar figure in Australian political history who was, in Robert’s memorable description, “50% staunch Australian politician, 50% carnival worker.” O’Malley’s legacy includes both Canberra and the Commonwealth Bank of Australia, institutions that prompted Robert to reflect: “Most of us Australians can just give thanks to the days, you know, before you go to bed, you think, I’m glad I live in a country that has a bank with an appalling logo and a capital city in the middle of nowhere.” The historical roots of the labour movement trace back to the Industrial Revolution, when workers were, as Robert puts it, “really the AI of the day, you know, come and get this. It’s cheap, it’ll do your work for you and you’ll make a huge profit.” This parallel between 19th century industrialisation and contemporary technological disruption threads through the conversation, particularly when Robert shares the story of a logistics company owner whose business is failing because “the work he used to do in working stuff out for people is now done by AI.” The discussion explores how guilds differed from unions, with Robert explaining that guilds “were designed to move their members toward the ruling class. They weren’t, guilds didn’t really exist to lift all boats. They were a highly specific rising tide.” This distinction becomes relevant when examining modern Labor’s approach to worker representation. Robert traces the evolution of Australian labor politics from its foundation in the shearers’ strikes of the 1890s through to contemporary challenges. The ALP emerged as the world’s first labour party to form government, a fact that speaks to Australia’s democratic traditions. Yet the party has undergone significant transformation, moving from representing primarily blue-collar workers to a broader base that includes professional and service sector employees. The conversation examines whether modern Labor still serves its founding principles or has become absorbed into the political establishment it once challenged. Robert notes the irony that many Labor MPs now come from professional backgrounds rather than the shop floor, raising questions about whether they truly understand the working-class experience they claim to represent. On the Malinauskas government specifically, the analysis reveals a pragmatic administration that has maintained stability during challenging economic conditions. However, Robert questions whether this stability comes at the cost of bold vision. “Is it enough to simply manage well, or should a labor government be pushing for more substantial change?” he asks. The discussion touches on the tensions within modern Labor between traditional unionised workers and newer constituencies, between economic management and social justice, between South Australian interests and national party directions. Robert suggests that while Malinauskas has successfully navigated these tensions so far, the test will come when difficult choices force the government to reveal which interests truly take priority. When examining Labor’s electoral prospects for 2026, Robert notes the Liberals’ current disarray creates favourable conditions, but warns against complacency. “Oppositions don’t win elections, governments lose them,” he observes. The question becomes whether Labor can maintain discipline and avoid the kinds of missteps that have undone seemingly secure governments in the past. The conversation concludes with broader reflections on the state of South Australian politics. Robert suggests that both major parties face a fundamental challenge: reconnecting with an electorate that increasingly feels disconnected from traditional political structures. This alienation creates opportunities for minor parties and independents to claim territory that major parties once dominated. Throughout the discussion, the historical parallels between past industrial disruption and contemporary technological change illuminate present challenges. Just as workers in the 1800s faced displacement by machinery, today’s workforce confronts automation and artificial intelligence. The question of how a modern Labor party responds to these challenges reveals much about whether it remains true to its founding mission of protecting workers’ interests. 01:24:41 Musical Pilgrimage In the Musical Pilgrimage, we feature Australia Day by Steve Davis & The Virtualosos. The Musical Pilgrimage connects directly to the episode’s themes of social cohesion and political fragmentation. Steve introduces his original composition “Australia Day” by reflecting on how disconnection fuels the rise of fringe political movements. The song addresses the transformation of Australian community life, opening with the observation that “The Australia which I was born had lots of backyards and lots of lawn, and we knew our neighbours down the street.” This nostalgia isn’t mere sentimentality but recognition of something lost: the neighbourhood connections that once helped integrate newcomers and build social cohesion. Steve explains how two factors exacerbate contemporary division. First, physical disconnection: “My dad used to know everyone in our neighbourhood, and therefore we did too. Now most of us hardly know anybody. We’ve got our houses closed off.” Second, algorithmic isolation: “The communication we do have externally is very filtered. Algorithm-focused content that feeds more of what the big American corporations like Meta and Google think is going to pander to our vulnerabilities.” Drawing on his own experience living in Hungary, Steve reflects on the immigrant perspective: “When you’ve moved somewhere new… you look for compatriots to connect with, so you’ve got something to hold onto.” This understanding shapes the song’s call for empathy and connection rather than fear and division. The song’s chorus captures the core message: “Who’s here is here now let’s make it work. It starts with learning. We share this dirt, we share the same song, we share the flies, and there’s a vibe here beneath our skies. Just tone it down, be laid back, bend a little, and cut some slack.” Steve positions the song as a counterpoint to political and social fragmentation, a reminder of Australian values that have, imperfectly but meaningfully, helped diverse groups find common ground. “Part of that is not blowing a fuse at the smallest thing. It’s actually calming the farm and being a little bit laid back, holding things a little bit loosely, drawing a line in the sand when it needs to happen, but not making that a knee-jerk reaction.” The song is available on all streaming platforms, and Steve extends an invitation to performers who might want to bring their own interpretation to the material.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

A quick fix episode is a bit of a look back to a standout bit from an episode from around a year ago. This one takes us back to episode 61 with a few snippets from the Podvan entry into the Australian Podcast Awards!There's some ripper stuff in here. From the tourist who didn't recognise the celebrity she was sitting right next to – to the time something was growling and clawing its way out of a long drop toilet! A lot of laughs in this one! Enjoy :)

After his swim, Pablo decided that he was going to sit down and do some writing. And when he sat down, he suddenly remembered that he had a dream the other night about a boat, and the boat was made from wooden spoons. Why would a boat be made of wooden spoons? That was an interesting idea. They must have been all glued together because the boat was bobbing along quite well in the water, and there was a small crew of sailors sitting in the boat having a lively chat. What were they talking about? He wondered. He hadn't remembered that part of the dream. Was the discussion about coming to land or whether they had just left a big sailing boat and were heading out somewhere, or whether they were heading for land. Not heading for the Li Galli Islands, he hoped—where enchanting songs lure passing sailors. No, perhaps they were going to the land of the Wooden Spoons, where they grew trees for the Wooden Spoons. He wondered where the wooden spoon first came from. He only had a few wooden spoons, two or three, and each one of them he loved dearly. One of his wooden spoons had been given to him by a friend when she returned from somewhere far away, a small country he had never heard of. Another one was given to him by the woman who lived upstairs—the old woman who sometimes reads the cards. That spoon had a great big wide head and was made from a very beautiful dark timber. And the other one, he couldn't quite remember where that one came from. That one he thought he picked up at a store that was closing down that was selling pots and all kinds of things, and they had lots of beautiful Chinese woks and other things. He could afford just one wooden spoon on his way home, and that one was very long and thin and made of very light white timber. Learn English with Cullen is an Australian podcast that has been recognised at the Australian Podcast Awards and listened to around the world for many years. The episodes use short, calm listening exercises and original stories — including the ongoing Pablo series — to help learners develop natural English thinking. With over 175 episodes available on Apple Podcasts and other major platforms, this work continues quietly, one small piece at a time.  

When a South Australian theatre company that began with The Tragical Life of Cheese Boy – performed more than 800 times worldwide – prepares to take its final bow, it doesn’t fade quietly. Instead, Slingsby is staging its most expensive and ambitious production yet: A Concise Compendium of Wonder, a triptych of three interconnected shows housed in a custom-built structure in the Botanic Gardens during the Adelaide Festival.In this episode, we settle into Slingsby’s Hall of Possibility in Parkside with artistic director and CEO Andy Packer for a wide-ranging conversation that explores the company’s distinctive aesthetic, their commitment to treating young audiences with intellectual honesty, and why nostalgia creates the perfect emotional space for processing difficult truths. In the South Australian Drink Of The Week, we taste the company’s signature Hall of Possibility Tea – a bespoke blend featuring licorice root, organic lavender, red rose petals, spearmint and peppermint that Andy describes as both “invigorating and calming. “The musical pilgrimage features the Slingsby Ensemble performing “Song for the Adolescent Seal” from their 2018 Adelaide Cabaret Festival show Songs for Those Who’ve Come Across the Seas – a piece Andy realised he’d forgotten to mention during our conversation, despite being extremely proud of it. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: A Slingsby Life Of Wonder With Andy Packer 00:00:00 Intro Introduction 00:03:12 SA Drink Of The Week The SA Drink Of The Week this week is Brewed by Belinda Hall of Possibilitea. Belinda Hill of Brewed by Belinda created this bespoke blend specifically for Slingsby, capturing both the company’s aesthetic and the practical needs of artists in creative process. The brief: create something both invigorating and calming. The blend looks almost theatrical. Organic lavender, red rose petals, organic blue cornflower petals creating visual layers in the pot. Licorice root provides the grounding bass note, with spearmint and peppermint lifting everything. There’s aniseed hiding in there too.Andy explains the tea’s role in Slingsby’s creative practice. During those inevitable moments developing new work when “you get very lost,” the tea provides structured pause. “People go off and do different things and I’ll have a cup of tea and I might go outside for a little while. Usually you find the solution.” What’s crucial is that Hall of Possibility Tea won’t get bitter or overly steeped. “There’s no black tea leaf or anything like that. It just gets better.” Andy keeps a flask throughout rehearsal days, taking sips during fifteen-minute breaks. As we taste, the experience unfolds in layers. Initially, the mint notes dominate. Then the aniseed emerges from backstage, as Andy puts it, “ready for you, it knew you were coming, it was just waiting in the wings.” By the end of our tasting, all the subtle players have made their entrance. No single flavour dominates. They’re holding hands across the palate like a well-mannered audience at a Slingsby show. Slingsby has been gifting this tea to presenting partners around the world since 2019. After performances overseas, small tins of Hall of Possibility Tea remain behind, tangible tokens of the connections Slingsby creates between communities. 00:13:08 Andy Packer Andy Packer describes A Concise Compendium of Wonder as “the perfect bookend” to Slingsby Theatre Company’s twenty-year journey. We’re sitting in the Hall of Possibility in Parkside, where families have gathered to experience work that never softened darkness for young audiences, never offered easy answers. In a few weeks, after the final curtain falls on this ambitious triptych at the Adelaide Festival, Slingsby will cease creating new work. The company that began with The Tragical Life of Cheeseboy, performed more than 800 times worldwide, closes with its most expensive, most ambitious production yet. In this interview, you’ll discover: The origins trace back to amateur theatre at La Mama in the late eighties, where Packer learnt that being involved in every aspect wasn’t just practical necessity but essential training. “You are crafting an experience for an audience, not just there for your ego to be on stage, but actually to prepare the space to welcome people into the church that theater can be.” The crystallising moment arrived in Montreal in 2005, watching Danish company Group 38 perform The Little Match Girl. Packer sat in the audience afterwards and wept for fifteen minutes, unable to move. That company’s aesthetic showed him precisely what he wanted to create. Slingsby’s first expenditure as a company was flying their entire creative team to Hobart to see Group 38 perform again, establishing that benchmark from day one. The distinctive Slingsby voice, that curious blend of the new and familiar, serves a specific purpose. “When you create a nostalgic space, it’s like you’ve gone on a holiday back in time,” Packer explains. “You let your guard down and that allows you to attend to the deep concern, the deep anxiety that sits deeper.” Slingsby productions have never shied from exploring loss, loneliness, domestic violence and grief. “We can’t protect our audience, we can’t protect children. We have to prepare them.” But preparation doesn’t mean pessimism. Every show ends with hope. The conversation hopscotches through key productions: The Tragical Life of Cheese Boy (800+ performances) Man Covets Bird (where a boy’s parents no longer recognise him) Ode to Nonsense (a full opera celebrating Edward Lear) The Young King (Oscar Wilde’s fable about capitalism performed without softening) Emil and the Detectives (capturing post-war reconstruction with audiences building cardboard cities) The Boy Who Talked to Dogs (an Irish-Australian collaboration about surviving domestic violence) The final chapter confronts climate reality. Measuring carbon use revealed that flying sets internationally consumed vastly more carbon than shipping by sea or road transport. “We can’t be flying sets around anymore. We wanna make the world a better place, but we wanna do it now in a way that reduces our impact on the climate.” The solution: A Concise Compendium of Wonder. Three shows, Hansel and Gretel, The Selfish Giant, and The Little Match Girl, performed by one cast on one regeneratively designed wooden building that can be disassembled and reused. The Wandering Hall of Possibility features 17 speakers, 5,500 pixels built into walls, seating that reconfigures for each show, all touring by road only. The three fairytales trace a journey from medieval times to 3099 on a lunar colony. At the centre of each story sits a tree or forest, moving from living as part of the forest, to fighting for access to a single Moreton Bay fig, to finding the last tree on the moon whilst Earth re-greens in humanity’s absence. For Adelaide audiences, the Wandering Hall sits on Plane Tree Lawn in the Botanic Gardens. This is both thank you season and goodbye. Audiences can experience one show or commit to the full “sling cycle” across one day. “I think it is the most important thing happening in the universe right now,” Packer says about the intent behind every Slingsby show. “We want this for the people that have bothered to come and be with us.” 01:07:07 Musical Pilgrimage In the Musical Pilgrimage, we feature a piece from the Slingsby show that Andy Packer forgot to mention during our conversation, an oversight that left him “racked with angst.” Songs for Those Who’ve Come Across the Seas premiered at the Adelaide Cabaret Festival in 2018 and was subsequently invited for a three-week season at the New Victory Theater in New York and a festival in Atlanta. COVID prevented those tours. “Sometimes even the big fish get away,” Andy philosophically notes. The Slingsby Ensemble perform Song for the Adolescent Seal with the distinctive musicality that characterises Quincy Grant’s compositions, spare and emotionally direct. The piece explores the necessary letting go that allows children to grow into their full selves. There’s additional resonance hearing this now, as Slingsby itself prepares to let go. The song’s metaphor of adolescent seals venturing beyond safe shores speaks to trusting that what you’ve nurtured will survive and flourish independently.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

When Indian cricket fans unleash fury on Twitter about disputed LBW calls, host Steve Davis fields the abuse meant for someone else. This episode brings together both Steve Davises for the first time. The retired umpire who stood in 57 Test matches shares what it’s like to make split-second decisions in front of millions, survive a terrorist attack in Lahore, and maintain composure when Shane Warne announces his next delivery to the batter. The SA Drink of the Week features Ballycroft Vineyard and Cellars’ 2024 Small Berry Montepulciano from Langhorne Creek, tasted and endorsed by both Steve Davises. The wine presents an intriguing contradiction, its dark appearance suggesting heavy Barossa Shiraz, yet delivering a lighter, fruit-forward palette that Joe Evans recommends chilling for summer enjoyment. The Musical Pilgrimage features Steve Davis and the Virtualosos with “From the Cathedral to the City End,” weaving together Test cricket, Adelaide Oval, and the 1662 Book of Common Prayer into a meditation on how this game brings us together. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Steve Davis Talks Cricket With Former Umpire Steve Davis 00:00:00 Intro Introduction 00:01:50 SA Drink Of The Week The SA Drink Of The Week this week is a 2024 Ballycroft Montepelciano. Joe Evans of Ballycroft Vineyard and Cellars made an unexpected connection five weeks before this recording. During a Barossa wine tour for friends visiting from England, Steve Davis the umpire introduced himself at the cellar door. Joe mentioned knowing another Steve Davis from Adelaide, someone involved in cricket. The dots joined. Both Steve Davises then converged on this episode, linked by Langhorne Creek grapes and the patron saint of Adelaide. The 2024 Small Berry Montepulciano arrives in the glass looking deceptively heavy. Its dark colour suggests bold Barossa Shiraz, thick and commanding. Yet the first sip tells a different story. Light fruit dances on the palette, a brightness unexpected from that brooding appearance. Joe recommends chilling it slightly and serving through summer, perfect with Italian or Mexican food. Steve the umpire remembers that 10:30am Sunday morning tasting at Ballycroft. When Joe poured this wine, Steve thought immediately of Barossa Shiraz. That’s his drink. But then came the taste, revealing something gentler yet structured. The wine builds as it sits on the palette, gaining weight and presence. Like a pitch heading into day three or four, settling into its rhythm rather than losing life. The conversation meanders through wine, travel and cuisine. West Indies food has never won Steve’s heart, so more of this Montepulciano would help those meals considerably. Host Steve notes how the wine shifts from what seems like a marriage between Pinot Noir and rosé to something with genuine body and staying power. It’s not Pinot weight, not Grenache or Merlot either. The complexity reveals itself slowly, rewarding patience. The 2024 Small Berry Montepulciano from Ballycroft Vineyard and Cellars, endorsed by two Steve Davises, stands as this week’s South Australian drink. 00:10:25 Steve Davis and Steve Davis INTRODUCTION:So, I need to come clean about something. For years on Twitter, I’ve been fielding abuse meant for someone else. Indian cricket fans would see “Steve Davis” and unleash fury about a disputed LBW or a missed edge – and when I’d reply, mortified apologies would flood in. They’d meant the *other* Steve Davis. The one who stood in 57 Test matches, 137 ODIs, survived a terrorist attack in Lahore, and spent 25 years making split-second decisions in front of millions. Today, finally, I get to meet the bloke whose honour I’ve been accidentally defending. Steve Davis, welcome to The Adelaide Show. NOTES: The conversation begins with a revelation. Far from being retired, Steve Davis the umpire spends twelve months a year refereeing cricket across two continents. Every six months he travels to England for County Cricket, returning to Australia for Sheffield Shield and Big Bash matches. When he thought retirement from umpiring might leave him lost, the England and Wales Cricket Board offered him a lifeline that turned into a globe-trotting vocation. His cricket origins trace back to Elizabeth, newly formed with perhaps eight houses when his parents arrived as ten-pound Poms. His father Dave Davis played for WRE Cricket Club alongside John Scarce, whose son Kevin Scarce kept wicket for Steve at Elizabeth High School and later became Governor of South Australia. Cricket in Adelaide was woven through family, friendship and those Saturday afternoons where you’d stand in as a sub fielder, watching your father’s team and falling deeper into the game’s rhythm. The path to international umpiring began humbly in D Grade after finishing his playing career at West Torrens. Within two seasons he’d progressed to A Grade, and by November 1990 he was officiating his first Sheffield Shield match. His debut came partly through circumstance rather than genius. When Tony Crafter retired to become Australia’s first full-time umpire manager, a vacancy opened among South Australia’s two eligible international umpires. Steve joined Darryl Harper in that select group. On 12 December 1992, exactly 33 years ago yesterday, he walked onto Adelaide Oval for his first One Day International. Pakistan versus West Indies. His home ground, but the nerves were overwhelming. Terry Prue, his Western Australian colleague, radioed from square leg to report that Richie Richardson had noticed Steve missing all of Wasim Akram’s no balls. In his nervousness, he’d forgotten to look down at the front foot. When he finally started calling them, Wasim’s response was gentlemanly: “Oh, come on, we’re all friends out here. Give me a bit of warning.”The umpire’s process demands intense concentration. First, watch the front foot land. The moment it’s safe, eyes shoot straight to the bottom of the stumps, letting the ball come into view. As soon as the ball dies, switch off briefly, then begin again. Steve ran his counter one ball ahead, clicking after each delivery so the number five meant two balls remaining. This meant no clicking back for no balls, just not clicking forward. Tim May once stopped mid-delivery and demanded Steve stop clicking his counter during the run-up. His Ashes Test debut at Adelaide Oval in 1997, just his second Test match, stands as one of his finest days. He got every decision right on a 44-degree day when England lost the toss and their bowlers were bowling one-over spells in the heat. Steve Bucknor, his partner that day, also had a flawless match. Alex Stewart still calls him “legend” when they meet at English grounds. The Decision Review System arrived while Steve was umpiring, transforming the role completely. Some umpires, like Mark Benson, couldn’t handle seeing their decisions overturned repeatedly. Benson flew home after two days of a Test match in Australia and never returned to international cricket. Steve embraced DRS immediately. His philosophy was simple: we’re going to end up with the right decision. Better that than five days of a team reminding you about that first-ball error while the batter you gave not out compiles a century. These days, third umpires call all no balls in televised matches. The technology highlights the foot crossing the line, removing that split-second judgment from the on-field umpire. Steve wonders if he’d survive in today’s game, his neural networks so hardwired to glance down then up that retraining might prove impossible. The theatre of the raised finger remains cricket’s most iconic gesture. Steve took his time with it, though not as long as his late friend Rudy Koertzen, dubbed “Slow Death” for the excruciating journey his hand took from behind his back to above his head. Some umpires point at the batter instead of raising the finger, a practice Steve abhors. The law says raise the index finger above your head. The drama lies in that pause, that moment of tension before the finger rises. He carried the essentials: a counter, a wallet-style kit with sprig tightener, pen and pencil, notepad for recording incidents, light meter readings, and lip balm. Some umpires packed their pockets with everything imaginable, but Steve kept it minimal. His process worked. He knew what every ball demanded of him. Shane Warne’s deliveries would fizz through the air with such spin and accuracy that he’d announce his intentions to batters. “This is my wrong one. This one’s going on your leg stump.” It worked brilliantly, planting doubt even as batters wondered if he really meant it. Murali presented different challenges. Steve couldn’t predict where his deliveries would spin until he noticed Sangakkara’s gloves lining up behind the stumps. The great wicketkeeper knew exactly where every Murali ball was heading, providing Steve a crucial visual cue. The conversation turns to safety. Fast bowlers send the ball down at 150 kilometres per hour. When batters connect with the full force of their bats, that ball can come back even faster. Steve got hit more than once. At St Lucia during a West Indies versus Pakistan match, he turned at the wrong moment and the ball struck him square in the backside. Looking up at the big screen, he saw himself mouthing the words that immediately came out, while David Boon and Paul Reiffel, his Australian colleagues that day, doubled over in laughter. The Pakistani batter complained that Steve cost him four runs. Steve’s reply: “Bad luck. You cost me a bruised bum.” The smashing of glass still triggers something in him. Loud noises. Fireworks. His wife Annie says he didn’t get enough counselling after Lahore. She’s probably right. On 3 March 2009, terrorists attacked the Sri Lankan team’s convoy in Lahore. Steve’s van, carrying the umpires, was the only vehicle left in the roundabout after the team’s bus escaped. Every window was shot out. The driver died instantly from a gunshot wound. All five security outriders were killed. Lying on the floor among broken glass, Steve thought: this is not the way I should die. Not here. Not on the way to umpire a Test match. They survived. The terrorists realised the Sri Lankan team had escaped and stopped firing. Steve returned to umpiring but never went back to Pakistan. He did return to other parts of the subcontinent, to other places that required trusting local security. During the drive back to the hotel after the attack, past kids playing cricket on dust bowls, he knew Pakistan wouldn’t see international cricket for years. Those kids who loved the game wouldn’t see their heroes. The political and ideological conflicts would keep cricket away. Asked which game he’d relive for eternity, Steve chooses that second Test match at Adelaide Oval. The Ashes. England versus Australia. His home ground. Forty-four degrees. Every decision correct. Recognition from players like Alex Stewart who still speak warmly of his performance. It represents everything he worked towards: getting it right when it mattered most, on the ground where he grew up watching cricket, in the series that defines the sport. He umpired with characters who became dear friends. Ian Gould, whose father was also named Cyril George, just like Steve’s dad. An impossibly unlikely pairing of names that bonded them immediately. In Calcutta, when Gould was being carted off to hospital with dehydration, he had to fill out a form listing his father’s name while smoking and drinking black tea. Steve looked over his shoulder and saw “Cyril George” written there. On Gould’s final stint umpiring in Birmingham, Steve was the referee. They spent every evening walking the canals with a few pints, the only four-day match where Steve never filed a meal claim. Rudy Koertzen. Steve Bucknor. These were the colleagues who made the profession worthwhile. The spirit of cricket exists, though interpretation varies. Steve recalls Andrew Strauss making a fair point during the Steve Finn incident at Leeds. Finn had a habit of knocking the bails off at the bowler’s end with his knee during his delivery stride. Both batsmen, Graeme Smith and Alvaro Petersen, complained it was distracting. When Finn did it again and Smith edged to Strauss for a catch, Steve had already signalled dead ball. Strauss came over and said quietly: “Why didn’t you tell me you were going to do that?” Steve acknowledged it was a fair point. He probably should have warned the captain. The laws changed after that Test. If stumps are dislodged at the bowler’s end, it’s now a no ball. Cricket people sometimes call it the Steve Finn Steve Davis law change. Cricket’s hierarchy remains clear. Test cricket stands at the pinnacle. Always has, always will. Ask any umpire who the best officials are, and they’ll list those who’ve done the most Tests. Steve’s 57 Tests mean everything to him. The 137 ODIs are nice, but Tests define an umpiring career. The Hundred in England draws families beautifully, but Test cricket is where greatness lives. At the end of play, Steve would call “Time, gentlemen. That’s time.” A simple phrase marking the end of another day’s combat, another day of split-second decisions, theatre, and that noble spirit that still runs through cricket despite everything that tries to corrupt it. 02:00:15 Musical Pilgrimage In the Musical Pilgrimage, we listen to From The Cathedral To The City End by Steve Davis & The Virtualosos. IThe Cathedral looms over Adelaide Oval, watching cricket unfold from the city of churches. Steve Davis and the Virtualosos have woven together Test cricket, the Cathedral End, and the 1662 Book of Common Prayer into “From the Cathedral to the City End.” The song opens with the Prayer of Humble Access rewritten: “We do not presume to come to this thy over trusting in our own righteousness.” Host Steve explains his childhood love for that beautiful English language, attending Church of England services where those words embedded themselves in his memory. The prayer’s cadence and dignity stayed with him. When writing this song, he wanted to capture three elements: Test cricket, Adelaide Oval’s special significance through Bradman and Bodyline, and that cathedral presence overlooking the ground. The question arises: have you ever stood as an umpire and thought a captain made a terrible decision bringing on a particular bowler at the wrong end? Steve the umpire smiles. Sure, sometimes you think it’s surprising, maybe even adventurous under your breath. But someone who knows better than you made that choice, usually the bowler themselves selecting their preferred end. Most decisions are sound, even if they don’t prove successful. You can’t roll your eyes. You can’t show any reaction. Commentators now need special accreditation to enter certain areas. The hierarchy maintains that barrier. Umpires can visit the press box, but commentators can’t come into the umpires’ area without risking trouble. It’s a good separation. Before play they chat on the field, saying hello to the numerous commentators modern broadcasts require. Steve never worried about Tony Greig sticking his key into the pitch. Didn’t seem to do much damage. The song plays, capturing that ritual: hours before proceedings commence, sandwiches thoughtfully made, pushing close to the fence, ladies and gentlemen on the village green putting down their glasses. Two thousand balls, two thousand trials, each one potentially a wicket or hit for miles. Concentration demanded because no two are the same. From the Cathedral to the City End, making cricket bring us together again, forever and ever and ever.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Nevena and Macca are joined live in the studio by Scott Mitchell, Lamestream Media; What’s Really Going on in the Australian News Media, Where the Influence Lies? Lamestream is an independent news publication tackling the crisis in media. Their podcasts and newsletters cover how the media shapes news, culture, politics and current affairs, and how the industry’s transformation is reshaping the world we live in. Lamestream is hosted by award-winning journalists Osman Faruqi and Scott Mitchell. Between them, they have worked for almost every media organisation in the country. With Lamestream, they’re using their experience, insight and contacts to help listeners make sense of how media and political institutions really work. They'll share inside secrets, spill goss and break their own stories to unpack what's really going on. Osman Faruqi is an Australian Podcast Award and Kennedy Award-winning journalist and editor. He has worked as the Editor and Executive Producer of 7am and most recently was the Culture Editor at The Sydney Morning Herald and The Age. He has also worked as a journalist and editor at the ABC. He previously hosted the award-winning podcasts The Culture and The Drop. Scott Mitchell is an Australian Podcast Award-winning journalist and editor. He most recently served as Editor and Executive Producer of the 7am podcast. Previously, he’s served as Digital Lead for the Audio Current Affairs division at ABC News, was a founding producer of the Rose d'Or-winning TV show You Can’t Ask That, and was one of the cast of ABC TV’s Hungry Beast. The post Sat, 22nd, Nov, 2025: Scott Mitchell, Lamestream Media; What’s Really Going on in the Australian News Media, Where the Influence Lies? appeared first on Saturday Magazine.

Political commentator Robert Godden returns to The Adelaide Show with a thesis that cuts to the bone: The South Australian Liberal Party has no realistic chance of winning the forthcoming election. But his essay raises an even more unsettling question: can they realistically ever win another one? This episode doesn’t feature an SA Drink of the Week, allowing more time for a forensic examination of what’s gone wrong with liberalism itself, and the party that bears its name. In the Musical Pilgrimage, Steve shares “Spring Gully Road”, his song chronicling four generations of the Webb family’s beloved pickle company, from Edward McKee’s small brown onions in 1946 to the recent appointment of administrators, drawing a tenuous but poignant parallel to the Liberal Party’s own decline. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Do The Liberals Have No Chance Of Winning This Forthcoming South Australian Election? 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:05:07 Robert Godden Before diving into party politics, Steve and Robert tackle a fundamental question: what is liberalism itself? Drawing on American political philosopher Patrick Deneen’s work (as sampled from the glorious podcast, Econtalk, episode July 9, 2018), they explore how liberalism originally meant self-governance within community, where individuals held themselves accountable within the framework of church and society. Deneen argues that modern liberalism, both classical and progressive, has fractured into two economic camps: classical liberals claiming government interferes with freedom, and progressive liberals arguing that economic inequality prevents people from achieving liberty. Robert offers his working definition: liberalism has always been about “the bigger pie theory”. Classical liberals like John Locke, Adam Smith and John Stewart Mill championed free markets as the path to prosperity for all. But as Robert notes, these philosophers wrote their treatises while people lived in gutters within ten miles of them, suggesting their definitions had blind spots about who they actually represented. The conversation turns to neoliberalism, which Robert describes as taking the apple of classical liberalism and focusing on its core: free market capitalism, fiscal austerity, individual responsibility, and globalisation. The problem? Many neoliberals benefited from generous government support before pulling up the ladder behind them. As Robert puts it, they’re “more like a wild jackal in a wolf’s clothing”, presenting themselves as something more palatable whilst pursuing fundamentally conservative ends. When Steve asks about the overlap between liberalism (lowercase L) and the Liberal Party (uppercase L), Robert’s answer is stark: “The Venn diagram of liberalism and the Liberal Party is not a perfect circle. It’s more like a third overlap.” John Howard’s famous declaration that the Liberal Party is “a broad church” marked both the high point and the beginning of the end. Where Howard allowed diverse opinions united by shared values, today’s party demands conformity. Robert observes you could “literally interchange” Angus Taylor with five other Liberal members and several Nationals, they’ve become so ideologically uniform. Robert shares a revealing personal story from his childhood in Whyalla. At age 12 or 13, he wagged school to attend a lunch where Malcolm Fraser was speaking. After enduring mumbled warnings about Bill Hayden, young Robert lined up afterwards and asked the Prime Minister where he could find out what the government would actually do if re-elected. The dismissive response and perfunctory policy booklet were Robert’s first disillusionment with political rhetoric over substance. This leads to a broader discussion about accountability’s erosion in Australian politics. Robert identifies a turning point: when Jay Weatherill wasn’t held responsible for abuse discovered in South Australian schools because “nobody had told him”. This represented a complete rewriting of Westminster conventions about ministerial responsibility. Compare that to Barry O’Farrell resigning as New South Wales Premier over failing to declare a $300 bottle of wine, or John Howard’s principled approach to the GST, admitting he was wrong, explaining why he’d changed his mind, and taking that position to an election. The discipline of the Fraser and Howard years came from a culture where the party room would discuss issues on merit, then Fraser or Howard would determine the right course, and the party would follow with discipline, not through fear but through shared purpose. Today’s Liberal Party has abandoned that model for something closer to authoritarianism without the competence to make it work. When discussing South Australia specifically, Robert doesn’t hold back about Vincent Tarzia’s challenges. Beyond policy positions, there’s the fundamental problem of presence. Robert recalls a body language seminar by Alan Pease where five people were cast for different film roles based purely on appearance. We can’t help making these visual judgements. Tarzia, Robert notes, is “one of the 5% of the population that never blinks”, creating an unfortunate vampire quality. He looks like “a Muppet version of Dracula”. Combined with a voice lacking joy, he presents as “the joyless undead” when facing off against Peter Malinauskas’s considerable charisma. Robert’s assessment of the Malinauskas government is admirably even-handed for someone with Liberal roots. He calls it “the best government in Australia” whilst adding the qualifier “a totalitarian dictatorship that makes you feel good”. Everything is done Malinauskas’s way, but unlike Putin or Trump, he’s careful never to say anything that isn’t actually true. He might make predictions that don’t pan out, but he won’t barefaced lie, and if an idea isn’t popular, he simply doesn’t voice it. The result is what Robert calls “preshrunk jeans” of political messaging. Robert’s father, a lifelong Liberal voter and member, has only been impressed by two political figures: Gough Whitlam, whose charisma was “absolutely off the chart” despite taking four people to dinner when a Whyalla event was mistakenly under-attended, and Peter Malinauskas, who regularly visits the Whyalla Men’s Shed. This speaks to something fundamental about political success. As Robert observes, great Labor leaders have consistently been better communicators and sellers of vision because their message is easier: “you’re being ripped off by the system, and we’re going to sort it for you” beats “if we govern ourselves, all will be great” in almost any contest. The federal picture offers one glimmer of hope: Victoria’s new opposition leader, Jess Wilson. In her thirties, a lawyer and former business advisor to Josh Frydenberg and the Business Council of Australia, she represents exactly the kind of moderate Liberal who should have been in the party all along but whom the party’s rightward drift has made anomalous. As Robert puts it, “the idea that Jess Wilson should be in the Liberal Party is an idea that is eight years out of date. She should be a teal.” The teals, after all, are liberal party people who haven’t gone down the right-wing rabbit hole. This raises the central question: are there eight to ten members of parliament the federal Liberals could have had? Yes, the teals. “All of those teal candidates could have been Liberal Party candidates and would have been 15 or 20 years ago if they had not wilfully taken this blindness about the climate.” Speaking of climate, Robert dissects Susan Ley’s recent positioning as if she’s discovered that abandoning net zero and embracing fossil fuels will bring electoral victory. The polling suggests otherwise. Among diverse Australians, Labor’s primary vote sits at 46%, the Coalition at 17%. Gen Z voters break 51% Labor, 10% Coalition. The Liberals are “aiming at the wrong target”, trying to chip 10% from groups with 10% when they should be targeting Labor’s 46%. They should be saying “your ideas are great, it’s a pity you’re not smarter, we’re going to get to where you want to get but we’ll do it better.” Instead, they get their facts from Facebook. The cognitive dissonance is staggering. National Party MPs stand up claiming farmers don’t want renewable energy whilst farmers lead the way with innovative approaches: solar panels in fields that collect water, provide shade for sheep grazing underneath, and generate income. Farmers don’t want bushfires or floods, they want to make money. Watch ABC’s Landline, Robert suggests, though the Nationals would dismiss it as left-wing propaganda. Looking ahead, Robert sees no Liberal victory on any horizon in the next five to six years. More likely? “No Liberal Party, or let me put it another way: the Liberal Party not being the opposition.” They’re seriously under threat of other parties overtaking them. Federally, if you separate the Coalition partners, the numbers are nowhere near the historical imbalance where Nationals made up numbers for the Liberals. Now those numbers are close. A One Nation-National coalition would be numerically viable. Victoria represents the critical test. If Jess Wilson’s woeful Liberals manage to topple a deeply unpopular Victorian government by picking the right leader, “that’ll be a critical moment for the Liberals to take that lesson.” Robert’s prediction? “The only reason we have to think they’re incapable of learning is all the evidence.” Robert’s father once said that Don Dunstan’s departure horrified him, not because of policy agreement, but because Dunstan was a strong leader with ideas who made the state feel good about itself. That’s what’s missing from the contemporary Liberal Party: ideas that inspire rather than divide, leaders who build rather than tear down, and the humility to recognise when the world has changed and they haven’t. The conversation closes with Winston Churchill’s 1920s quote distinguishing socialism from liberalism. Robert agrees it was “100% correct” for about 1924, when those ideologies were genuinely competing and distinct. But it’s become a caricature over the intervening century. The quote doesn’t really apply to 2025, when the ideologies have mingled, adapted, and in the case of the Australian Liberal Party, lost their way entirely. 01:14:33 Musical Pilgrimage In the Musical Pilgrimage, we play Spring Gully Road, a song written by Steve Davis and performed by Steve Davis & The Virtualosos, chronicling the four-generation story of Spring Gully, one of South Australia’s most beloved food companies. The story begins in 1946 when Edward McKee returned from the war and started growing small brown onions outside his back door on Spring Gully Road. His pickled onions became a South Australian staple. The company expanded under Allen and Eric, then weathered storms under Ross and Kevin’s leadership, before Russ and Tegan faced the modern challenge of cheap imports and changing market appetites. Steve reveals a personal connection: his colleague Domenic at Funlife Fitness in Ingle Farm remembers his father growing small onions and cucumbers, taking sacks to Spring Gully weekly to be weighed and paid. It was simply part of the fabric of South Australian life. In full disclosure, Steve is friends with Russell Webb, who along with Tegan led the company through its recent challenges before administrators were appointed. Most believe it’s written off and gone, but Steve holds hope for a way forward. They were doing innovative things to fight back against retailers bringing in cheap overseas alternatives, gutting the market for local sovereign food production capability. The song’s folk-influenced simplicity captures something essential about generational enterprise, family legacy, and the challenge of maintaining local production in a globalised economy. The repeated refrain, “Turn the earth, turn the earth when it’s harvest time, pick the bounty and preserve it in your sweetly seasoned brine”, becomes a meditation on the cycles of growth, harvest, and preservation that sustained Spring Gully through good years and hard years. Steve offers a tenuous but poignant link to the episode’s political discussion: the Liberal and Country League, precursor to the modern Liberal Party in South Australia, formed in 1932 and became the South Australian Division of the Liberal Party in 1945. Spring Gully started in 1946. Now in 2025, we have administrators appointed for Spring Gully, and Robert Godden suggesting you might as well call them in for the Liberal Party as well. Both represent South Australian institutions facing existential questions about their future in a changed world. Both have served their communities for generations. Both are confronting the reality that what worked for decades may not work anymore. And both deserve more than a quiet fade into history.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

For months, as an algal bloom wreaked havoc on the South Australian coast, most residents steered clear but not Johanna Williams. She’s been down to Glenelg Beach daily, ruler and phone in hand, methodically tracking the carnage. What started as a small, concerned step by a self-described occupational therapist soon transformed into a citizen science project with over 10,000 observations of dead and dying marine life, offering a grim, close-up view of the ecological disaster. Johanna’s commitment, though personally confronting, gives scientists and the community essential data and a crucial human perspective. This episode does not feature the SA Drink of the Week segment. The show concludes with a Musical Pilgrimage that connects directly to the episode’s urgent environmental theme. We hear Steve Davis & The Virtualosos’ “While the Ocean Died,” a lyrical and sonic reflection on the collective pain and political complexities surrounding the algal bloom event. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Algal Bloom Beach Witness Johanna Williams 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:02:55 Johanna Williams Arriving home from a holiday to find Glenelg Beach “covered in dead fish” , Johanna Williams had a choice: unpack and write an angry Facebook post, or take action. She chose the latter, inadvertently becoming one of the state’s most dedicated, non-professional "marine biologists". Initially hoping the algal bloom would be a “transient, short-term event,” the surreal extent of the death spurred her to use the citizen science platform iNaturalist to upload her observations, believing this crucial “coalface” data would reach qualified scientists and government bodies to “formulate responses”. Her daily 500-metre trek between Pier Street and the Jetty has revealed a tragic yet fascinating marine diversity. What she’s documenting—now over 10,000 observations—includes rare deep-sea fish like the long snout boar fish and warty prowl fish, species scientists rarely encounter alive. This wealth of data is heartbreakingly significant, as it allows researchers to collect, age, and perform genetic and toxicological testing on specimens that could never be found otherwise, highlighting the deep reach of the bloom into the ecosystem. The work is intensely confronting, involving more than just dead fish. Johanna describes a traumatic encounter with a still-alive, spiky globe fish whose eyes were “really gazing and tracking” her. This and finding a paralysed silver gull due to toxic effects highlight the profound emotional toll and moral dilemmas faced by citizen scientists, such as whether to “prolong its death by putting it back in the water”. Johanna discusses how a supportive network of friends and a new community, including people from the university, has helped her “channel that energy” and despair into empowerment and meaningful data collection. This environmental disaster also casts a shadow over the Glenelg foreshore, with Johanna noting a ripple effect of reduced foot traffic and the closure of local businesses, a “double whammy” alongside local tram disruptions. For listeners wanting to help, Johanna suggests starting with iNaturalist uploads, or connecting with projects like the SA Marine Mortality Project 2025 to assist with collecting fish for testing or contributing to local rehabilitation efforts, such as making oyster beds (wind chimes) to help filter the water. Great Southern Reef Website Mission: “Our mission is to inspire and empower society to protect and sustain Australia’s Great Southern Reef by promoting recognition, stewardship, and sustainable actions through impactful education, community engagement, and collaborative science.” Janine Baker OzFish Unlimited Website Description: OzFish Unlimited is a not-for-profit organisation dedicated to helping the millions of Aussie recreational fishers take control of the health of their rivers, lakes and estuaries and shore up the future of the sport they love. OzFish Unlimited partners with fishers and the broader community to invest time and money into the protection and restoration of our waterways, counteracting decades of degradation. Brad Martin Data gathering for South Australian 2025 marine mortality events Project Link Description: This project is set to automatically add aquatic vertebrates and macroinvertebrates annotated ‘dead’ from Feb 2025 onwards. Janine Baker is a key contact for this projects and has links with universities and researchers. SA Surf and Bloom SA hub for information on our bloom. Share surfing/algae/ocean/coastal pictures and videos. Ask questions. I aim to share the love we have for our oceans, and keep surfers informed of the symptomatic surf spots. Facebook Group ADELAIDE ALGAE BLOOM DISASTER Facebook Group Description: A place to upload pictures of this marine disaster that’s going to impact the Adelaide fishing scene for many years to come. Phytoplankton Society of South Australia Facebook Group Description: This group is for sharing knowledge on the Phytoplankton of South Australia, particularly in regard to the 2025 algal bloom we are experiencing. We welcome photos of microscopic phytoplankton (and accompanying pics of where they were taken) and especially experts who can identify them. This is a citizen science project for the benefit of everyone. We are also on iNaturalist. Big Thanks to Faith and Peri Coleman, Gabby at www.asisscientific.com.au, the Big Duck Boat, Victor Harbor Dolphin Watch and others who have made this possible. Sarah Hanson-Young, Manager of Greens Business in the Senate & Senator for South Australia Annual Report 2025 Further articles: “Harmful Algal Bloom Aerosols and Human Health“ “Thousands of seadragons dead in South Australia’s worst recorded harmful algal bloom — IUCN Seahorse, Pipefish & Seadragon“ An underwater guide to plants and animals in South Australia PDF Guide PIRSA Factsheet – What to do if you have seen sick or dead birds PDF Factsheet Birdlife Australia: Helping injured birds Article Fishwatch SA If you find an injured fish on the beach, stay a safe distance away and do not touch it. Report the animal by calling the local fish authority, such as FISHWATCH in South Australia (1800 065 522), or a wildlife rescue hotline, as professionals are trained to handle these situations. 00:37:06 Musical Pilgrimage In the Musical Pilgrimage, we play a deeply personal and thematically appropriate piece by Steve Davis and the Virtualosos, titled “While the Ocean Died”. The song, which Johanna describes as an “earworm” that helps her “process what’s going on”, was inspired by Johanna’s ground-level work, leading Steve to appreciate the “cost of this whole thing”. The host reveals that songwriting is his way of thinking out loud to process complex issues. The track’s bridge reflects on the political challenge leaders face in times of crisis, where a long chain of “short-cuts and shortcomings” has left the region vulnerable to a multitude of causes—from the River Murray flood of nutrients to the sea heatwave—that have fuelled the toxic bloom. It’s a poignant, urgent piece that closes the show by connecting the human story of witnessing with the broader South Australian environmental tragedy.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The red stage of the Semaphore Workers Club provides the backdrop for conversations that capture the essence of community-driven music culture. Festival director Debra Thorsen explains how she’s become a “mother” to the music scene, connecting emerging artists with opportunities that change their careers. The festival spans multiple venues across Semaphore, creating what participants describe as a “love fest” where friendships form naturally over shared musical experiences. With no SA Drink of the Week this episode, focus remains entirely on the music and community connections that define this seaside suburb’s cultural heartbeat. Although, “Green Death” does get a mention. The extended Musical Pilgrimage becomes an intimate exploration of songwriting craft with Don Morrison, featuring two of his compositions alongside stories of guitar-making, touring with Midnight Oil and Bo Diddley, and the creative process behind songs that capture Grand Junction Road’s gritty poetry. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Semaphore Workers Strike Up The Music 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:04:24 Debra Thorsen, Don Morrison, Sally Mitchell Our three guests take us deep into different parts of Semaphore’s musical DNA. The Semaphore Music Festival Debra Thorsen’s eyes light up when describing a recent moment that encapsulates her role in Adelaide’s music ecosystem. A young musician approached her at Don Morrison’s fundraising show, wrapping her in a grateful hug after she’d connected his duo with booking agent John Howell. That introduction led to their first interstate gig at the Echuca Moama Blues Festival. “He put his arms around me, gave me the biggest hug, and said, ‘we think of you like a mother,'” Thorsen recalls, her voice catching slightly at the memory.This nurturing approach has shaped the Semaphore Music Festival‘s character over 21 years. Rather than simply booking acts, Thorsen cultivates relationships that extend far beyond single performances. The festival operates across multiple venues throughout Semaphore, creating what has been described as “the joy of going from one venue to the next with your friends and catching up with people along the way.”Don Morrison, observing from his perspective behind the scenes, notes the festival’s uniqueness lies in its sprawling, community-integrated format. “We get to play all over Semaphore, you know, and Debra’s organising it and organising all these venues all over the place,” he explains, acknowledging the massive coordination effort required. The Semaphore Workers Club Sally Mitchell arrives mid-conversation, bringing with her the institutional memory of the Semaphore Workers Club‘s transformation from exclusive yacht squadron to community music hub. The venue’s journey mirrors broader social change, she explains, describing how a dying men’s club was revitalised by members who prioritised music and inclusion over tradition.The club’s unique positioning becomes clear through Mitchell’s description of its diverse patronage. “We have people who travel here regularly from the likes of Mallala and Clare to come here for shows,” she notes, before adding the observation that captures the venue’s spirit: “People come from all walks of life, all political persuasions, all economic backgrounds, but they come here because of the music and the place that it is.”This levelling effect extends to behaviour expectations. Steve then teases out a discussion about Geoff Goodfellow’s birthday party story, where “crooks, poets and federal court judges” mingled naturally, with a poet lighting her cigarette from a coal provided by a judge managing the barbecue. The poet’s comment, “isn’t it good to have friends in high and low places,” could serve as the club’s unofficial motto. Musical Craft and Community Connection Don Morrison’s relationship with songwriting emerges through discussion of the Semaphore Songs project, where local artists created works inspired by their experience of Semaphore and Port Adelaide. His contribution, “Semaphore Workers Club,” captures the venue’s character with lines like “they got cougars there by the dozen, some of them look like they might have killed their husband,” delivered with characteristic dry humour.When pressed about his songwriting process, Morrison remains characteristically modest: “Once I’ve finished a song, I sort of look back and said, well, where does that come from? And I can’t think of it. It just flows out.” This intuitive approach extends to his guitar-making, where instruments crafted from the rubble of his father’s childhood home in Perponda and his grandmother’s cottage in Broken Hill became his primary performance guitars.The conversation touches on broader questions about community participation in music-making. Morrison recalls the ukulele groups that flourished a decade ago, bringing together people who “had never played in a band before” but would “come along and they’d learn a song and then we’d all sing it together.” This grassroots musical participation contrasts with the professionalisation that can distance audiences from creative expression. The October Long Weekend Thorsen drops a significant announcement near the episode’s end: for the October long weekend festival, South Australian public transport will feature blues musicians in the front carriage of the 12:17 train from Adelaide to Glanville. This innovation, months in negotiation with the Department for Infrastructure and Transport, creates a musical journey that begins before festival-goers reach Semaphore.The train connection resonates with both hosts’ memories of using public transport to access Semaphore’s music scene, creating a full-circle moment that links past and present community experiences. 00:48:02 Musical Pilgrimage In the Musical Pilgrimate, we play two tracks by Don Morrison, Grand Junction Road, and Five Men In A Car. Instruments Built from Memory Don Morrison’s guitar-making extends far beyond craft into emotional archaeology. His most treasured instruments were constructed from materials salvaged from family homes, creating objects that carry both musical and personal history. “I didn’t really care nor expect that they would turn out to be very good guitars,” he admits, “because I just wanted to make something out of the memories.”The irony that these memory-guitars became his primary performance instruments speaks to the intersection of sentiment and practicality in Morrison’s artistic life. With close to 500 guitars, 60 mandolins and 80 ukuleles crafted over his career, Morrison has built instruments that found their way across America, where the once-favourable exchange rate made his handmade resonator guitars accessible to blues musicians seeking alternatives to vintage Nationals. Grand Junction Road’s Poetry Morrison’s most-streamed song, “Grand Junction Road,” emerged from a Christmas Day observation that reveals his songwriter’s eye for finding universal themes in specific places. Walking home from family lunch, he encountered a sex worker operating on Christmas Day, which crystallised his understanding of the road’s character and the people whose lives intersect with its industrial landscape.The song’s final verse connects personal history with broader social observation: “My father worked in a factory there just down from the prison, sometimes six days a week, but most often seven. And I wonder what he thought about all those years, he drove first thing every morning down Grand Junction Road.” Family Music and the Raging Thirst Morrison’s current project, Raging Thirst, brings together his sons Eddie and Jake in a configuration that demonstrates musical heredity. “They’re so good at their instruments that they wouldn’t be playing with me unless I was their dad,” Morrison jokes, characterising their involvement as “a charity move.”The family dynamic reveals itself through natural musical communication. “We don’t even need to practice quite often,” Morrison explains, crediting their shared rhythmic sensibility to familial connection. His observation that “what they got from me was music is a human thing you can do” suggests an approach to musical education that prioritises accessibility over formal training. Memphis Blues Challenge Ahead Morrison’s upcoming representation of Adelaide at the Memphis International Blues Challenge places him on Beale Street alongside musicians from around the world. His preparation remains characteristically low-key, with set lists roughly planned but not overthought. The competition format includes various performance lengths, from 20-minute sets to half-hour showcases, requiring versatility in song selection and pacing.His plan to potentially sell his handmade guitar in Memphis rather than transport it home reveals the practical mindset that underlies his artistic career, where sentiment and business considerations maintain careful balance. Five Men in a Car The episode concludes with Morrison’s reflection on his touring days with The Bogie, encapsulated in “Five Men in a Car.” The song captures the grinding reality of professional musicianship in the 1980s Australian circuit, where bands would “finish at the Mansfield room at four o’clock in the morning and then hop in the van to drive back down to Melbourne for a gig the next night.”These experiences, detailed in Morrison’s autobiography “This Could Be Big: 45 Years at the Dag End of the Australian Music Industry,” provide context for understanding the difference between romantic notions of musical career and its often-unglamorous reality. Yet the song’s tone suggests fondness for those shared experiences, even when “not sure where we’re going” becomes both literal navigation and career metaphor.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Leonie Akhidenor is property developer, a relationship coach and the host of the Parenthood Podcast, which was a finalist in the 2024 Australian Podcast Awards. Leonie is also a mother to two young boys and although she spends her time interviewing couples about their parenting experiences, she's not one to shy away from sharing her own, either. In this episode, Leonie delved into her own experiences with mental health, from anxiety to pre-natal depression and how she managed to move herself through some of those difficult days. We talked about the impact that family dynamics and background can have on our own parenting, and Leonie shared how the vast contrast between her father's upbringing in a village in Africa to her children's experience of relative privilege, growing up in Australia, informs her own choices in parenthood. There is so much in this episode, from taming that achiever mindset, the many shifts in identity as a parent and ways to balance our own needs and mental health with the demands of parenting. You can find Leonie on socials at @parenthoodpod and you can listen to the podcast wherever you get your pods. You'll notice that we've had a little identity change over here at The Curious Life, and you can find me on socials now at @jana.firestone. Same page, new handle! If you enjoyed this ep, please leave us a rating and review on iTunes and Spotify. Thank you as always to the team - Sam Talbot our brilliant sound engineer and Julie Reynolds from @audiolemonade. www.audiolemonade.com

Spotify released new audiobook features, Tim Ferriss criticizes interview-style podcasts. Sponsored by CoHost. Get in-depth insights into who your podcast audience is including income, family members, social media habits, age, and more with CoHost's Advanced Audience Demographics. Book a demo today. https://podnews.net/cc/2682 Visit https://podnews.net/update/auspod-24-winners for the story links in full, and to get our daily newsletter.

Dom and Lachlan give a live blow-by-blow update of their experience at the prestigious Australian Podcast Awards. How do they go in their campaign to win Best Comedy? What is the limit on free beverages at the open bar? And most importantly, why do I have to edit this right now? You can lose the ads and get more content! Become a Chaser Report VIP member at http://apple.co/thechaser OR https://plus.acast.com/s/the-chaser-report. Hosted on Acast. See acast.com/privacy for more information.

CELEBRATING JOHN CLARKEJohn Clarke was a pioneering comedian, actor and writer, whose television appearances as farmer Fred Dagg in the 1970s marked the emergence of a distinctive home-grown style of New Zealand comedy. In 1977 Clarke moved permanently to Australia, where he was best known for the popular television series The Games and a series of satirical mock interviews with Australian Bryan Dawe. His wide-ranging talents included scriptwriting, music, documentary presenting, and literary pastiche, and his comic performances encompassed pratfalls, parody and political satire.John died of a heart attack in 2017 aged 68 whilst hiking in the Grampians with his wife and friends.Celebrating John is his daughter Lorin Clarke - herself no stranger to life in the creative arts. Lorin wrote, directed and narrated the award-winning ABC RN audio fiction serial, The Fitzroy Diaries (originally aired on ABC RN's Life Matters), which you can find here. It won the Best Fiction award at the Australian Podcast Awards in May 2019. Lorin also writes for television and is a regular columnist for The Big Issue.Her recent memoir, Would That Be Funny? Growing Up With John Clarke is out now.Lorin is currently directing a documentary film about her Dad.Lorin Clarke (IG Lorin Clarke Official)Lorin Clarke's website (LorinClarke.com)Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some  wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★

Breaking FARSHUN news; the Costume Institute has announced its 2025 exhibition which means we have our Met Gala theme and ooh boy are we pumped. In adjacent gallery news, the long held question "is this art?" has not been asked by a Dutch gallery worker. Whoopsies.Fat Bear Week has crowned its incumbent champion (we luv u Grazer), and a Qantas in-flight entertainment fail has us remembering the olden days of forced viewing.It's shaping up to be a big summer of music movies too, with Paul Kelly, Robbie Williams, Bob Dylan, and Pharrell all having their stories told in different ways. And we're banging on about a heartbreaking film you shouldn't watch on a plane, and the latest season of Slow Horses.Oh, and if you see this in time, you can still vote for Bang On in the listeners' choice at the Australian Podcast Awards: https://www.australianpodcastawards.com/votingMet Gala theme announced: https://www.vogue.com/article/superfine-tailoring-black-style-costume-institute-spring-2025-exhibitionGallery worker bins art: https://www.theguardian.com/world/2024/oct/08/beer-can-artwork-lam-museum-thrown-out-all-the-good-times-we-spent-togetherFat Bear Week: https://www.abc.net.au/news/2024-10-09/fat-bear-week-2024-winner-128-grazer/104448686Qantas in flight fail: https://www.nytimes.com/2024/10/08/business/qantas-airlines-australia-r-rated-movie.htmlHow to Make Gravy movie: https://www.abc.net.au/news/2024-10-09/how-to-make-gravy-movie-trailer-paul-kelly-hugo-weaving-binge/104448648A Complete Unknown: https://www.youtube.com/watch?v=73rHRm5uTQ0&ab_channel=IGNBetter Man: https://www.abc.net.au/news/2024-10-03/robbie-williams-biopic-better-man-cgi-monkey-teaser-trailer/104427364Piece by Piece: https://www.youtube.com/watch?v=xDlnwQCkiSA&ab_channel=UniversalPicturesAustraliaOasis tour dates: https://www.abc.net.au/news/2024-10-08/oasis-australia-tour-2025-reunion-dates-tickets/104440066LDR married: https://www.theguardian.com/music/2024/sep/27/lana-del-rey-married-jeremy-dufreneAll Of Us Strangers: https://www.youtube.com/watch?v=O97iSjvqBlY&ab_channel=SearchlightPicturesSlow Horses S04: https://www.youtube.com/watch?v=xo27sE2fdvs&ab_channel=AppleTVBang Back to us: bangon.podcast@abc.net.auBang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Gadigal and Wurundjeri peoples. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Living through the cost of living crisis doesn't mean sacrificing your joy. In this episode, we're sharing our community's best-kept secrets for saving money without losing the little things that brighten your day. From grocery tips to rethinking your phone plan, these smart strategies will help you keep your wallet happy and your lifestyle intact! We'd LOVE you to vote for us for the listeners' choice awards at the Australian Podcast Awards.  Vote here (Voting closes on Oct 10.) Acknowledgement of Country By Natarsha Bamblett aka Queen Acknowledgements. The advice shared on She's On The Money is general in nature and does not consider your individual circumstances. She's On The Money exists purely for educational purposes and should not be relied upon to make an investment or financial decision. If you do choose to buy a financial product, read the PDS, TMD and obtain appropriate financial advice tailored towards your needs.  Victoria Devine and She's On The Money are authorised representatives of Money Sherpa PTY LTD ABN - 321649 27708,  AFSL - 451289.See omnystudio.com/listener for privacy information.

In this episode, we meet a Money Diarist who made a life-changing decision that most people would think twice about. She walked away from a nearly $100k job in Melbourne, took a $70k pay cut, and moved to the country to work in education support—a job she's truly passionate about. While it might sound like a risky move, she's never been happier. Not only does she love going to work every day, but living in the country has brought unexpected financial perks, proving that sometimes passion really does pay off. Tune in to hear how chasing fulfillment over paychecks transformed her life in more ways than one! We'd LOVE you to vote for us for the listeners' choice awards at the Australian Podcast Awards.  Vote here (Voting closes on Oct 10.) Acknowledgement of Country By Natarsha Bamblett aka Queen Acknowledgements. The advice shared on She's On The Money is general in nature and does not consider your individual circumstances. She's On The Money exists purely for educational purposes and should not be relied upon to make an investment or financial decision. If you do choose to buy a financial product, read the PDS, TMD and obtain appropriate financial advice tailored towards your needs.  Victoria Devine and She's On The Money are authorised representatives of Money Sherpa PTY LTD ABN - 321649 27708,  AFSL - 451289.See omnystudio.com/listener for privacy information.

This week Nicola and Di chat with the fun, creative and ambitious Lisa McGuigan. Lisa is a fourth generation winemaker from Australia's Hunter Valley, blazing a new trail in wine, whilst paying homage to the work of her father, grandfather and great grandfather. You'll hear in this interview that Lisa has a rebellious spirit, which meant she carved her own path, leaving behind the wine industry and pursuing a career in hospitality. Lisa excelled in this field, but as the years went on, she realised she couldn't deny her genes and that winemaking is in her DNA. We're so lucky she returned to the industry, because Lisa makes some absolutely incredible wines. She designed and directed the launch and meteoric rise of Tempus Two, one of Australia's most loved and successful wine brands and is now the founder of Lisa McGuigan Wines and Vamp. There were lots of stories and laughs in this chat as Lisa brought some wines into the studio so Nicola and Di could have a wine tasting as they talked about her life. Lisa recalled the day she had a run-in with her father when she announced she wouldn't be going into winemaking, which resulted in her being shipped off to Swiss Finishing School. What started as a punishment became a formative experience, and Lisa had a ball living in the alps and learnt a lot about herself in that one year alone.  Lisa shares the twists and turns along the way in her career - including the 20 years she spent working in hotels, the decision to return to winemaking in her own creative way and the adventures of starting her first brand Hermitage Road, which later became the famous Tempus Two. We also hear about Lisa's latest brand, Lisa McGuigan Wines and her one-of-a-kind cellar door experience at Vamp.  This is a truly inspiring conversation with a woman who sees an opportunity and grabs it with both hands. She is an unstoppable and innovative force and we had so much fun (and delicious wine) with her in the studio. We hope you enjoy this episode as much as we did.   Follow Lisa McGuigan on IG here Follow Vamp on IG here Buy Lisa McGuigan wines here Vote for us in the Australian Podcast Awards here Follow Nicola and Di on IG hereSee omnystudio.com/listener for privacy information.

We're back tomorrow... In this solo ep we discuss:

Ok how many people googled "The Joker" song after seeing Gaga sing it this week? Myf and Zan are here to unpack the week that was, and investigate whether Lady Gaga is a hornbag for Kath & Kim's theme song.The courtroom saga of the MONA Ladies Lounge is the gift that keeps giving, and we debrief on the artist's win. And a great read in the New Yorker unpacks the trends, algorithms, and servitude we offer up to Instagram in our quest to be seen.Bit of coin chat this week too, and we've been nominated for an award! Get behind us, Bang Fam! And we're banging on about the new 90's Vogue doco, and chef Ben Shewry's new memoir Uses for Obsession.Take 5 on ABC iview: https://iview.abc.net.au/show/take-5-with-zan-roweVote for Bang On in the Australian Podcast Awards: https://www.australianpodcastawards.com/votingBang On Live in Ballarat: https://hermaj.com/events/bang-on/MONA Ladies Lounge appeal: https://www.abc.net.au/news/2024-09-27/mona-ladies-lounge-decision-tascat-supreme-court-decision/104403720Lady Gaga singing The Joker: https://www.buzzfeed.com/angelinebarion/kath-and-kim-the-joker-theme-songThe Desperation of the Instagram Photo Dump: https://www.newyorker.com/culture/infinite-scroll/the-desperation-of-the-instagram-photo-dumpIn Vogue: The 90s: https://www.youtube.com/watch?v=PShARkr_uRUUses For Obsession: https://www.murdochbooks.com/browse/book/Ben-Shewry-Uses-for-Obsession-9781922616845Bang Back to us: bangon.podcast@abc.net.auBang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Gadigal and Wurundjeri peoples. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

Kellie Finlayson shares her inspiring story with Ant in this episode. The young Mum and wife of AFL star, Jeremy Finlayson, was just 25 when she was diagnosed with terminal bowel cancer in 2021. Having just given birth to Sophia, she put some unusual symptoms down to being postpartum, but the results of a delayed colonoscopy revealed the life-changing news.  She opens up about how this robbed her of her first year of motherhood, the ongoing fight to stay alive each day, and how the support of her family and friends kept her going. LINKS Find out more about prevention and early detection of bowel cancer at jodileefoundation.org.au Follow Kellie Finlayson on Instagram @kelliefinlayson_ Follow Ant on Instagram, X, and Facebook Learn more about Ant on his website antmiddleton.com Follow Nova Podcasts on Instagram for videos from the podcast and behind the scenes content – @novapodcastsofficial. If you enjoy listening to Head Game, you can vote for us in the 'Listener's Choice' category at the Australian Podcast Awards. Submit your vote at australianpodcastawards.com/voting CREDITSHost: Ant MiddletonEditor: Adrian WaltonExecutive Producer: Anna Henvest Managing Producer: Elle Beattie Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. See omnystudio.com/listener for privacy information.

What's a good size for your boobs? The topic of how big or small a woman's chest should be has been up for debate for as long as we can remember.  It's recently been reported a rise in breast reduction surgery, linked to a desire reclaim the breast size narrative.  And while the appearance of smaller breasts is currently in vogue, surgeons are warning it's a procedure not to be taken lightly.  THE END BITS Subscribe to Mamamia Check out The Quicky Instagram here Vote for Mamamia Out Loud in the Australian Podcast Awards here  Liked this episode? Listen to these: Can The Cosmetic Surgery Shake Up End Botched Jobs? Implant Anxiety: Why More Women Are Getting Breast "Explants" The Dark Side Of Instagram Filters "Some Are Full Of Mould" Breast Implants Are Making Women Sick Is Our Obsession With Eyelashes Dangerous? Want to try MOVE by Mamamia?Click here to start a seven-day free trial of our exercise app. GET IN TOUCH Share your story, feedback, or dilemma! Send us a voice note or email us at podcast@mamamia.com.au and one of our Podcast Producers will come back to you ASAP. CONTACT US Got a topic you'd like us to cover? Send us an email at thequicky@mamamia.com.au CREDITS Host: Claire Murphy With thanks to: Anand Deva, Founder of the Integrated Specialist Healthcare Education & Research Foundation and Head of Plastic & Reconstructive Surgery at Macquarie University  Senior Producer: Taylah StranoAudio Producer: Thom LyonBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Does your budget actually align with who you are? If you value freedom, autonomy and doing things your own way, shouldn't your budget reflect that too? Likewise, if you love structure, rules and boundaries, you can manage your money with this in mind, too. In this episode I talk through ways to understand your own personality, psychological profile and motivational style and how to apply that to your finances, in the context of 5 popular budgeting styles: Zero-based budget Reverse budget 50/30/20 budget Kakeibo Cash envelope budgeting Vote for The Broke Generation Podcast in the Australian Podcast Awards: https://www.australianpodcastawards.com/voting See omnystudio.com/listener for privacy information.

What does self respect mean to you? I bet money wasn't the first thing to come to mind – but money and self respect are deeply, deeply linked. In this episode I explore what it means to financially respect ourselves and how we can embrace it in our everyday lives. Vote for The Broke Generation Podcast in the Australian Podcast Awards: https://www.australianpodcastawards.com/votingSee omnystudio.com/listener for privacy information.

With a career spanning over 20 years as an operational police officer, Allan Sparkes was no stranger to high-pressure situations. From murders to robberies to rescues,  Allan had to confront intense and difficult cases on a daily basis. But this took a harsh toll, and he found himself battling post-traumatic stress disorder and depression.  Now, Allan is passionate about preventing severe burnout and supporting those working on the frontline. He shares his journey from feeling hopeless and worthless, to becoming a recipient of the prestigious Cross of Valour  In this episode, there is a mention of suicide. If this topic is triggering for you, please seek help by visiting Lifeline's website at https://www.lifeline.org.au/ or by calling 13 11 14. LINKS Follow Allan Sparkes on Instagram @allansparkes_cv Find out more about Allan and his book, The Cost of Bravery, at allansparkes.com Follow Ant on Instagram, X, and Facebook Learn more about Ant on his website antmiddleton.com Follow Nova Podcasts on Instagram for videos from the podcast and behind the scenes content – @novapodcastsofficial. If you enjoy listening to Head Game, you can vote for us in the 'Listener's Choice' category at the Australian Podcast Awards. Submit your vote at australianpodcastawards.com/voting CREDITSHost: Ant MiddletonEditor: Adrian WaltonExecutive Producer: Anna Henvest Managing Producer: Elle Beattie Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. See omnystudio.com/listener for privacy information.

In this bitesized nugget I'm talking about the ways your brain processes your experiences and uses them as evidence to uphold your existing beliefs – and of course, what we can do with that information to use it to our advantage. Mentioned in this episode:  Millhouse Mindset episode: https://thebrokegeneration.com/blog/episodes/my-game-changing-mantra-for-the-last-3-months-of-2023/ Vote for The Broke Generation Podcast in the Australian Podcast Awards: https://www.australianpodcastawards.com/votingSee omnystudio.com/listener for privacy information.

In the blink of an eye, Sam Bloom's life changed forever. The active Mum-of-three was on a family holiday in Thailand when a tragic fall left her paralysed from the chest down. What followed were months of rehab and heartbreak, as Sam battled with severe injuries and her declining mental health.  In this episode, she speaks about how the love of her family and a little bird got her through, in a story that's captured the world's attention, In this episode, there is a mention of suicide. If this topic is triggering for you, please seek help by visiting Lifeline's website at https://www.lifeline.org.au/ or by calling 13 11 14. LINKS Follow Sam on Instagram @samjbloom Find out more about Sam and her books at sambloom.com.au Follow Ant on Instagram, X, and Facebook Learn more about Ant on his website antmiddleton.com Follow Nova Podcasts on Instagram for videos from the podcast and behind the scenes content – @novapodcastsofficial. If you enjoy listening to Head Game, you can vote for us in the 'Listener's Choice' category at the Australian Podcast Awards. Submit your vote at australianpodcastawards.com/voting CREDITSHost: Ant MiddletonEditor: Adrian WaltonExecutive Producer: Anna Henvest Managing Producer: Elle Beattie Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. See omnystudio.com/listener for privacy information.

In this episode we're diving into 6 reasons you might be spending more than you want to (or more than you think) and what to do to flip it. In discovering what can keep us upholding a pattern of behaviour, we can unlock the antidote in order to make the opposite behaviour our new default setting. Vote for The Broke Generation Podcast in the Australian Podcast Awards: https://www.australianpodcastawards.com/voting Join the Spend-tember Facebook group: https://www.facebook.com/share/g/eADRV2Yw7iF3nDBy/ Join the waitlist for the final Wardrobe Project cohort of 2024: https://mailchi.mp/e60be6e4205a/eyhjwar1s8 Get the Pulse Money Journal: https://thebrokegeneration.com/product/pulse-spending-journal/ See omnystudio.com/listener for privacy information.

If there's anyone who understands the importance of resilience and forgiveness, it's Simon Kennedy. Simon's mother Yvonne was one of 10 Australians to be tragically killed during the 9/11 terrorist attacks.  In this moving and emotional conversation, Simon reflects on the unforgettable trip to Guantanamo Bay where he came face-to-face with those responsible, and shares how he thinks his mother's final moments would have been spent. In this episode, there is a mention of suicide. If this topic is triggering for you, please seek help by visiting Lifeline's website at https://www.lifeline.org.au/ or by calling 13 11 14. LINKS Follow Simon on Instagram @simon_kennedy Find out more about Simon and his work at simonkennedy.com Details of Simon's book, 9/11 and the Art of Happiness can be found here Follow Ant on Instagram, X, and Facebook Learn more about Ant on his website antmiddleton.com Follow Nova Podcasts on Instagram for videos from the podcast and behind the scenes content – @novapodcastsofficial. If you enjoy listening to Head Game, you can vote for us in the 'Listener's Choice' category at the Australian Podcast Awards. Submit your vote at australianpodcastawards.com/voting CREDITSHost: Ant MiddletonEditor: Adrian WaltonExecutive Producer: Anna Henvest Managing Producer: Elle Beattie Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. See omnystudio.com/listener for privacy information.

With Amber in tow, gardening whiz Jack Tickenoff steps up to assist with all your gardening questions.8:28 Should I amputate the ailing limbs from my avocado tree? 18:13 How to deal with an onslaught of conical snails.42:59 The nutritional beauty of volcanic rock dust for your plants. Listen to the program live on Saturdays at 9:00AM on ABC Radio Perth and ask your questions by calling in on 1300 222 720 or text 0437 922 720Subscribe to the podcast through the ABC Listen App, Apple Podcasts or wherever you like to listen.

Hey guys, can you please do us a huge favour and head over and vote for our podcast for Listeners Choice for The Australian Podcast Awards...please!  https://www.australianpodcastawards.com/voting   Join Nic and Steve as they dive into the weird and wonderful world of blood types! Ever wonder why we have different blood types? Or if your blood type might make you a magnet for certain diseases? Maybe you're curious if your Type O makes you the life of the party—or just plain odd? From the biochemistry behind blood to whether your diet and exercise should be tailored to your blood type, this episode has it all. Tune in for some science, a sprinkle of history, and a dash of personality…because, apparently, your blood might just have one!   As always, this information is not designed to diagnose, treat, prevent, or cure any condition and is for information purposes only - please discuss any information in this podcast with your healthcare professional before making any changes to your current lifestyle. References for this podcast can be found in the YouTube description here - https://youtu.be/baDD5PcfepI   Check out ATP Science's range of products at our online store - https://bit.ly/3WlwFnr  

Damien Thomlinson has one phenomenal comeback story. The former soldier was on night patrol with the Australian Defence Force when an IED attack completely changed everything. He lost both legs in the accident, and took charge of his recovery and new life. He shares his strength, wisdom and ambition with Ant today.  In this episode, there is a mention of suicide. If this topic is triggering for you, please seek help by visiting Lifeline's website at https://www.lifeline.org.au/ or by calling 13 11 14. LINKS Follow Damien on Instagram @damienthomlinson Find out more about Damien Thomlinson at damienthomlinson.com Details of Damien's book, Without Warning, can be found here Follow Ant on Instagram, X, and Facebook Learn more about Ant on his website antmiddleton.com Follow Nova Podcasts on Instagram for videos from the podcast and behind the scenes content – @novapodcastsofficial. If you enjoy listening to Head Game, you can vote for us in the 'Listener's Choice' category at the Australian Podcast Awards. Submit your vote at australianpodcastawards.com/voting CREDITSHost: Ant MiddletonEditor: Adrian WaltonExecutive Producer: Anna Henvest Managing Producer: Elle Beattie Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. See omnystudio.com/listener for privacy information.

Amber and Sab take us gallivanting around the garden, answering questions and offering advice on protection from Legionnaires' disease. 7:50 Which pesticide is best to knock off these pesky weeds? 28:08 How to keep yourself safe from Legionnaires' disease whilst out in the garden. 47:47 What's the best way to overseed my lawn with different type of grass? Listen to the program live on Saturdays at 9:00AM on ABC Radio Perth and ask your questions by calling in on 1300 222 720 or text 0437 922 720Subscribe to the podcast through the ABC Listen App, Apple Podcasts or wherever you like to listen.

Hey guys, can you please do us a huge favour and head over and vote for our podcast for Listeners Choice for The Australian Podcast Awards...please! https://www.australianpodcastawards.com/voting   In this episode, Nic and Steve delve into the complex world of cholesterol, revealing why LDL might not be as bad as you think. They explore the different types of cholesterol, including the good, the bad, and their subfractions, and discuss their impact on heart disease. Topics include total cholesterol, LDL, HDL (and whether it can be too high), and lipoproteins like (a) and Apo-B. They also compare statins to natural remedies and examine how diet influences cholesterol levels. Tune in for an insightful breakdown of everything you need to know about cholesterol!   As always, this information is not designed to diagnose, treat, prevent, or cure any condition and is for information purposes only - please discuss any information in this podcast with your healthcare professional before making any changes to your current lifestyle. Check out ATP Science's range of products at our online store - https://bit.ly/3WlwFnr  

Ant is joined by beloved TV host, podcaster and mental health advocate, Osher Günsberg this week. Osher opens up about his journey from addiction to sobriety, coping with 'inescapable' anxiety, and the decision he made that altered the course of his life.  CW: This episode contains discussions of mental ill-health and substance abuse. If this episode raises any issues for you, help is available from Lifeline on 13 11 14 or via their website lifeline.org.au. Drug and alcohol support can be found with the Alcohol and Drug Foundation at adf.org.au or on their hotline 1800 250 015. LINKS Learn more about Osher Günsberg at oshergunsberg.com Follow Osher on Instagram @osher_gunsberg Osher's memoir, Back After the Break can be purchased here Follow Ant on Instagram, X, and Facebook Learn more about Ant on his website antmiddleton.com Follow Nova Podcasts on Instagram for videos from the podcast and behind the scenes content – @novapodcastsofficial. If you enjoy listening to Head Game, you can vote for us in the 'Listener's Choice' category at the Australian Podcast Awards. Submit your vote at australianpodcastawards.com/voting CREDITSHost: Ant MiddletonEditor: Adrian WaltonExecutive Producer: Anna Henvest Managing Producer: Elle Beattie Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present. See omnystudio.com/listener for privacy information.

I'm wondering how you are going on your entrepreneurial journey? How much "raw and organic" information can you handle or do you prefer to seek out mentors in your quest to discover more about entrepreneurship? Do you listen to podcasts recommended by your family or friends, do you have a tribe or are you going it alone? I've been part of the judging team for this year's Australian Podcast Awards and it has been an honour to filter the entrants. I'm so excited to see who's out there in our local podcast world and vetting candidates, to ultimately decide who becomes a nominee. Do you support home grown podcasts, stick to the syndicated shows or follow celebrities for the salacious goss? I think it's really important as an entrepreneur to get your story out into the world. Your authentic voice matters. Check in to this episode and discover how I can help you to be seen and heard today. Even if you are quiet like a church mouse! Join My Newsletter Joy's Instagram Buy Me A Coffee Joy's Website Joy's Linkedin Music by Twinmusicom 

In this episode, I have Mel Wilson and Isabelle Richards joining me.  Mel Wilson has over 20 years of experience in broadcast, print and digital journalism, covering parenting, lifestyle, entertainment and news. She is an accomplished voice artist, co-host of The Juggling Act podcast and executive producer of true crime podcast My Father The Murderer, which has been nominated for multiple awards. Mel herself has been nominated for and won a number of career awards, including Podcast of the Year at the Ausmumpreneur Awards, Best Parenting Podcast at the Australian Podcast Awards, and Journalist of the Year and Executive of the Year at the Women in Media Awards. She's recently released her book, Parenting in Progress, a book of reassurance, advice and hilarious epic fails for parents and carers of toddlers to primary-school-aged kids, along with those from a diverse range of (celebrity) parents and carers, with a bit of guidance from experts thrown in. Isabelle Richards stars on Gogglebox Australia alongside her mum, Kerry, and her grandma, Emmie. Together, they showcase the power of multi-generational women's relationships and voices, now in the show's nineteenth season. As a contributing writer for Body+Soul, Mamamia, and Kidspot, Isabelle is passionate about exploring the unspoken truths about motherhood, love, and relationships. She thrives on sparking conversations that challenge social norms and inspire others to do the same. She is also an investor in social impact projects, driven by collaborative and purpose-driven thinking that fosters connection and social change.  Both Mel and Isabelle have lived experience of being single mums, and have now re-partnered. Isabelle also has a new baby with her husband, Alex. In this episode, we talked about:  Mel's book, Parenting in Progress, and why she wrote the book. Inspiring stories of single mums. Relationships and blended families. Remarrying and the role of men and step-fathers in the lives of children. Dating and navigating the challenges of step-parent relationships. Navigating the separation process and taking care of the children at the same time. Asking for help. Links mentioned in the episode:  To connect with Mel, check out her Instagram, Facebook, and LinkedIn. Check out her book, Parenting in Progress HERE.  To connect with Isabelle, check out her Website, LinkedIn and Instagram. Click HERE to join the free Facebook Group, The Single Mother Survival Guide Support Forum.  Click HERE to learn more about the Trauma coaching and support group program.  Join the Thrive Tribe waitlist HERE.  Check out Episode 307 - Asking for Help Previous episodes with Mel and Isabelle: Episode 82 - Editor of Kidspot Mel Wilson's Single Mum Story Episode 136 - Isabelle Silbery on becoming a single mum and the power of giving (Part 1) Episode 137 - Isabelle Silbery on becoming a single mum and the power of giving (Part 2) Episode 223 - Catching up with Isabelle Silbery Episode 306 - Out of the box, with Isabelle Silbery Download the E-book – Thirteen single mothers share their struggles, top tips, and their favourite things about being a single mother – HERE. To contact Julia, email: julia@singlemothersurvivalguide.com. Visit us at Single Mother Survival Guide. And join the email list there too. Or connect with Single Mother Survival Guide on Facebook, Instagram, Twitter, or Pinterest.

Creativity through the lens of a Marketer and Podcaster"Creativity is Freedom.....Creativity is a way of being, a view of the world, being open minded."Abigail Gatling is an experienced marketer with a background in education, community engagement, design and PR.Through her business, Crisp Communications, she offers outsourced, bespoke and beautiful marketing and communications designed to grow your business. Crisp is recently celebrated being nominated a Finalist in the 2023 Sunshine Coast Business Awards.As you could probably tell by the name of her agency, Abi is a Crisp lover (Smith's Original Crinkle Cut, if you're interested!)... and is just a little too obsessed with her sausage dog, Monty (currently the Head of Barketing at Crisp).Abi's passion is creativity and she is on a mission to live a more creative life. So much so that she started a podcast to help further that journey. In the Creativity: Uncovered podcast Abi speaks with people from across a range of industries and walks of life, and finds out how they successfully unlock, unleash and inspire their creativity.Abi loves her podcasts and recently has been a judge of the Australian Podcast Awards, the Signal Awards and The Webby Awards.Crisp Communications Co: https://crispcomms.co/Creativity: Uncovered podcast: https://crispcomms.co/podcast/ Facebook: https://www.facebook.com/crispcommunicationsco Instagram: https://www.instagram.com/crispcommunicationsco/ LinkedIn: https://www.linkedin.com/company/crisp-communications-co/ Listen to some of Abi's podcast guest appearances: Spotify Playlist

Brian and Troy used to be loyal Christian megachurch leaders. They're not anymore. This new season explores life after Fundamentalism. Shortlisted for the 2022 Australian Podcast Awards. Find out more at iwasateenagefundamentalist.com/ and https://linktr.ee/iwatf  --- Doubting your beliefs? Have questions about changing or leaving your faith? You are not alone and Recovering from Religion is here to help. Please visit: https://www.recoveringfromreligion.org/ 

This is a "Shortcut" episode. It's a shortened version of this week's more detailed full episode, which is also available on our feed. Founded in 1972, "The 12 Tribes" presents itself as a welcoming religious sect. However, the accounts from those who have managed to escape tell a very different story.The group maintains global locations and communities, including two communities in NSW: Katoomba and Picton.Our guest for this episode is Tim Elliiott. Tim is Walkley nominated journalist who has been investigating and reporting on their activities since 2007. His podcast on The 12 Tribes "Inside The Tribe" won Best True Crime Podcast at the 2023 Australian Podcast Awards, and can be streamed wherever you get your podcasts.For Support: Lifeline  on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732CREDITS:Host: Meshel Laurie. You can find her on Instagram Guest: Tim ElliottExecutive Producer/Editor: Matthew TankardThis episode contains an audio grab from A Current Affair GET IN TOUCH:Follow the show on Instagram @australiantruecrimepodcast and Facebook Email the show at team@smartfella.com.auBuild your pro podcast with The Audio CollegeSupport this show http://supporter.acast.com/australiantruecrime. Become a subscriber to Australian True Crime Plus here: https://plus.acast.com/s/australiantruecrime. Hosted on Acast. See acast.com/privacy for more information.

This is a "Shortcut" episode. It's a shortened version of this week's more detailed full episode, which is also available on our feed. Founded in 1972, "The 12 Tribes" presents itself as a welcoming religious sect. However, the accounts from those who have managed to escape tell a very different story.The group maintains global locations and communities, including two communities in NSW: Katoomba and Picton.Our guest for this episode is Tim Elliiott. Tim is Walkley nominated journalist who has been investigating and reporting on their activities since 2007. His podcast on The 12 Tribes "Inside The Tribe" won Best True Crime Podcast at the 2023 Australian Podcast Awards, and can be streamed wherever you get your podcasts.For Support: Lifeline  on 13 11 1413 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples)1800RESPECT: 1800 737 732CREDITS:Host: Meshel Laurie. You can find her on Instagram Guest: Tim ElliottExecutive Producer/Editor: Matthew TankardThis episode contains an audio grab from A Current Affair GET IN TOUCH:Follow the show on Instagram @australiantruecrimepodcast and Facebook Email the show at team@smartfella.com.auBuild your pro podcast with The Audio CollegeSupport this show http://supporter.acast.com/australiantruecrime. Become a subscriber to Australian True Crime Plus here: https://plus.acast.com/s/australiantruecrime. Hosted on Acast. See acast.com/privacy for more information.

It's been a big 24 hours for the Sober Awkward crew! So, we wanted to jump on and tell you all about what happened last night..... We travelled to Sydney after being nominated for best well-being podcast in the Australian Podcast Awards. We didn't get to do a speech or anything quite so glam, but wanted to give you the news in a quick live episode. A huge thanks to everyone that has given us words of support today. It's you lovely lot that keep this podcast going and you that helps others understand their relationship with booze. But, admittedly it was great to get a pat on the back for all our hard work. We are both on a fizzy drink come down... so be prepared from some inane waffle! Sending you all an awkwardly long hug. Who said sober was boring????? Eh????? RESOURCES www.cuppa.community JOIN PATREON! and buy us a Cuppa so we can keep being awkward! https://www.patreon.com/user?u=81897291 www.cuppa.community – The Free Social Network for the Sober and Sober Curious - Sober Events – Therapy – Sobriety Courses – Sober Groups, Tea and loads more. Buy Sober Awkward T-Shirts and Tea at: www.cuppashop.com @soberawkward @drunkmummysobermummy @cuppa.community @hamishadamscairns @patreon @spotify @budsandbeadstea If you are struggling with your relationship with alcohol please reach out to your local doctor, a therapist, AA Group or just chat to a close friend. Don't feel shame, just get the help you deserve. Contact us! If you have a topic you'd like us to cover then please email us - vicandhamish@soberawkward.com Check out our website at: https://www.soberawkward.com #soberawkward #soberawkwardpodcast #drunkmummysobermummy #cuppa.community #sober #sobermom #sobermummy #sobriety #soberaf #sobermovement #sobercurious #alcoholfree #mummybloggers #writersofinsta #soberfamily #greyareadrinking #addiction #soberissexy #soberwomen #sobermomtribe #sobrietyrocks #soberlifestyle #alcoholfreelife #wedorecover #sobernation #mumblog #mentalhealth #motherhood #wineoclock #sobermums #selfcare #womeninrecovery #sobercommunity #soberdads #1000sundays Learn more about your ad choices. Visit podcastchoices.com/adchoices

Struggling to manage your time and still haven't found those strategies that work for you? In this episode, I'll be discussing 6 time management strategies that you can implement today to master your minutes! 1. Delegate Why should you delegate? Killing perfection Tasks you MUST delegate 2. Time Blocking Project time/Alone time Time to just think Seem impossible? Make it happen! 3. Learn to say "no" The art of saying "no" and not feeling guilty Stop being a people pleaser 4. No multitasking! Why multitasking is ineffective Do you want it half done, then multitask... 5. Stop wasting time On the small stuff - don't major in the minor things On ineffective meetings On having a lack of clarity 6. Emails Don't let your emails rule you Turn off your notifications Block out time for emails Bonus Tips: Plan your week Have set days each week for a specific task Take a brain break every 2 hours Set calendar reminders for everything Links: Calendly: https://calendly.com/ Microsoft Planner: https://tasks.office.com/ Set up 'rules' in Outlook: https://support.microsoft.com/en-us/office/set-up-rules-in-outlook-75ab719a-2ce8-49a7-a214-6d62b67cbd41 Next steps: 1. Navigate to https://www.womenoffaithinleadership.com where you can: Join the community of like-minded female Christian leaders. This is where I will be hanging out if I'm not on the podcast chatting to you all. Come share and support each other here.  Subscribe to my newsletter so you can stay up to date with all upcoming episodes and any other exclusive or special offers. 2. If you need any support, you can get in contact with me for a 1:1 coaching call, simply email me at support@rikawhelan.com 3. Connect with me on LinkedIn: https://www.linkedin.com/in/rikawhelan I look forward to chatting with you in the next episode. Make sure you don't miss it! Upcoming From Gossip to Growth Program Sign up for my upcoming From Gossip to Growth Program, where I will be taking you through a step-by-step guide to get rid of workplace gossip… for good! Navigate HERE to sign up for more information. Vote for podcast Real quick, please vote for my podcast in the upcoming Australian Podcast Awards. Click this link or simply navigate to womenoffaithinleadership.com where you'll find the link. Thank you for your votes.