Podcasts about Planet of the Apes

Edward Gross is a writer and veteran entertainment journalist who has written books and articles on film, television, and comic books since the mid-1980s. There was a dearth of new “mainstream” Dark Shadows material available in the 80s, but Ed came to the rescue with the Dark Shadows Files magazine series. He visits the podcast to discuss his lifelong fandom for DS and these memorable Files publications, which included his interviews with many DS cast and crew members such as Jonathan Frid, Grayson & Sam Hall, Art Wallace, Ron Sproat and more. In addition, we take a fun side-trip into Ed's longtime enthusiasm for Superman. Other topics include: Willard, Escape from the Planet of the Apes, whether there should be a new Dark Shadows, and more!Terror at Collinwood and Shilling Shockers shirts and merch at the Penny Dreadful XIII TeePublic shopHelp support the podcast by donating at Buy Me a CoffeeEd Gross WEBSITESuperman: The Definitive History book on AmazonVoices from Krypton book on AmazonEdward Gross on AmazonHomebase for all of Ed's PODCASTSEd's entertainment articles at the Woman's World websiteGuy Haines' Belleroguy YouTube ChannelDark Shadows in the Sun Fan Club page on FacebookImaginary Worlds podcast “The Bright Legacy of Dark Shadows” episode LINKThe Fab Five + “House of Dark Shadows review and discussion” episode LINKBride of Monster Kid Radio #020 House of Dark Shadows discussion episode LINKSurfing the Shadows surf rock cover of Robert Cobert's Dark Shadows theme by Johnny D & The MoonlightersTaC logos by Eric Marshall

For episode 86, I recorded with past guest Juan Flowers who is a big brother to many in the SoCal outdoor community including myself. Juan is a SoCal based trekker, backpacker, community leader, mental health advocate, certified California naturalist, and is the founder of Outdoor Adventures+ and the Urban Youth Nature Project. Back in the beginning of March, we decided to do an impromptu recording literally right before hosting our final Nature's Palette educational group hike in Vasquez Rocks which is located in Agua Dulce, California (just 45 minutes outside of LA). It is a high desert geological natural wonder where famous movies and TV show have been filmed such as Star Trek, The Flintstones, Planet of the Apes, Buffy the Vampire Slayer, Austin Powers and so much more. We chatted about his evolution into becoming a certified California Naturalist, his motivation to deepen his understanding of the natural world, highlights from our Nature's Palette educational trek series where we explored Point Dume, Vasquez Rocks, and the Rancho Sierra Vista/Satwiwa area, and his desire to inspire inner city youth to connect with nature with his latest project. We also talked about how the Outdoor Adventures+ team has grown with new outdoor leads and members. The conversation emphasizes the importance of conservation, continuous learning, and fostering a deeper appreciation for nature. This episode is part of the Trek Talks series where I record on trail conversations with fellow outdoor enthusiasts. It is more raw and candid perspective of our guest's outdoor adventures as these conversations are more unscripted and in the moment.Watch Youtube video version: https://www.youtube.com/watch?v=ps-_tc5rflQFollow Juan and his projects on https://www.instagram.com/__juanflowers__/https://www.instagram.com/_outadvplus_https://www.instagram.com/__uynproject__/Listen to Juan's previous episode on https://tinyurl.com/5835cra8Follow Just Trek on https://www.instagram.com/just.trek/Support Just Trek on Patreon ⁠⁠https://www.patreon.com/justtrek⁠⁠Shop Just Trek merch on ⁠⁠https://www.justtrek.net/shop⁠⁠Listen to more podcast episodes on ⁠⁠https://www.justtrek.net⁠⁠Want to send me a message? Email me at ⁠⁠justtrekofficial@gmail.com⁠⁠ or DM on Instagram @just.trek

It's time for another Mike Makes Mike Watch! This time around, Smith is making Mike D watch the sequel to a sci-fi classic, 1970's BENEATH THE PLANET OF THE APES. Meanwhile, Mike D is making Smith catch up with an underseen Walter Hill film with an all-star cast of guys including Nick Nolte and Powers Boothe, EXTREME PREJUDICE!

Blast off for adventure with a secret agent that is truly out of this world. Jane Fonda is Barbarella. A secret agent who is tasked with retrieving a device and a man named Durand Durand. Made right after 2001: A Space Odyssey and Planet of the Apes. This sci fi pop art feature was met with a lot of mixed reaction when first released and certainly does now as wellJoining The Vern for this discussion is Phillip of Making Tarantino and Phill on CinemaAd Spots on episode byFilm Rage

With foreign student visas at Harvard and elsewhere in the news, today's episode of Parsing Immigration Policy features Andrew Arthur, the Center for Immigration Studies fellow in law and policy, providing a crash course on the subject. He explains the foreign student admissions process, the responsibilities of schools certified to enroll foreign students, and recent policy issues. With over one million foreign students studying (and working) in America, this episode covers the national security implications of not having proper knowledge of who is being brought in and what they are doing while in the U.S.Key topics covered:Admissions OverviewThe role of the Student and Exchange Visitor Program (SEVP)Student's Application to SEVP-certified institutions.Issuance of Form I-20 upon acceptance.Visa application at U.S. consulates.Which branch controls visa issuance?Role of Designated School Officials (DSOs)A DSO plays the role of a "deputized immigration officer."Monitoring student status via SEVIS.Reporting changes in enrollment or course of study.Conflict of interest? Balancing institutional responsibilities with immigration compliance.Optional Practical Training (OPT)Students working under the OPT program are still on student visas.Will these students lose their ability to be employed as cheap labor?Policy ChallengesWhy did the Trump administration revoke Harvard University's SEVP certification?Potential impact/lack of impact of the District Court's temporary restraining order (TRO).Impact on other schools.In today's commentary, Mark Krikorian, podcast host and executive director of the Center, highlights today's main illegal immigration challenge: visa overstays. He cites the recent Colorado attack committed by a visa overstayer as an example of the importance of action and describes some of the solutions which are in the reconciliation bill.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestAndrew Arthur is the Resident Fellow of Law and Policy at the Center for Immigration Studies.RelatedDHS Pulls Harvard's Student-Visa Certification Authority Controversial DHS Program Allows Foreign Students to Train in Sensitive Fields There Are 1.5 Million Foreign Students in the United States (and Over a Third Have Work Authorization) Not all illegal-alien criminals are border-jumpersIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

“The monkey is basically Tommy Lee, and I'm sick of pretending not to notice.”This week's most unhinged horror movie is... The Monkey. This film has everything: An electric detonation, A stripper face reveal that will blow your mind, and a haunted toy chimp that was just following orders. If you love flamethrower pawn shops, placenta-fueled twin rage, and Planet of the Apes energy with zero restraint, this episode's for you!What did you all think of our episode on The Monkey?Tell us on our Socials @HorrorVirgin on Facebook, BlueSky, and InstagramHelp Support our HV Family: www.Patreon.com/HorrorVirginUp Next: Sinners (2025)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome Back Everyone! Thank You for joining us once again!   1st Film: Joey's Pick Rise of the Planet of the Apes (2011) Directed by: Rupery Wyatt Starring: James Franco, Andy Serkis, Freida Pinto and John Lithgow 2nd Film: Star Wars Edition Star Wars: Episode 2- Attack of the Clones (2002) Directed by: George Lucas Starring: Hayden Christensen, Ewan McGregor, Natalie Portman and Samuel L Jackson Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Time Stamps: Rise of the Planet of the Apes -  Rate and Review - 01:11:05 Star Wars: Attack of the Clones  - Review and Rate  -  01:59:30

In this week's episode of Parsing Immigration Policy, Senior Legal Fellow George Fishman explains that verifying Social Security numbers could be the solution to two issues: States' need for tools to help identify those eligible to vote in the United States and DHS's need for tools to uncover employers who are knowingly employing illegal aliens.Voter Eligibility VerificationExecutive Order: U.S. Citizenship and Immigration Services (USCIS) has announced that it will be giving states and localities the ability to check SSNs of individuals registering to vote and those already on the voter rolls to verify citizenship.History: Fishman reflects on his role in proposing this idea nearly three decades ago as part of the 1997 Voter Eligibility Verification Act. How it will work: State and local governments will be given access to federal databases through an upgrade of USCIS's Systematic Alien Verification for Entitlements system to confirm citizenship.Employment Eligibility VerificationNo-Match Letters: Although the administration has not announced any action on re-instating “no-match” letters, the SSA could revive the practice of notifying employers when a worker's Social Security number doesn't match the name listed in the SSA's database.History: The episode covers the history of no-match letters, including their origins, past implementations, and abandonment by the Obama and Biden administrations. Policy Recommendations: Fishman recommends that SSA resume issuing no-match letters and DHS reissue its regulations instructing employers that they may be found to know that they are employing illegal aliens if they don't take certain actions upon receipt of no-match letters.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestGeorge Fishman is the Senior Legal Fellow at the Center for Immigration Studies.RelatedThe Trump Administration is Empowering States to Verify Voters Citizenship“Preserving and Protecting the Integrity of American Elections”Reviving No-Match Letters: A powerful tool against illegal employmentIs the Harvard TRO Likely to be Effective?DHS Pulls Harvard's Student-Visa Certification AuthorityIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

This unlikely sci-fi classic burst on the scene in 1968, surprising critics and audiences alike, spawning 4 sequels, 2 reboots, a TV series, and a slew of images and phrases that have permeated world culture. Younger generations have absorbed many of its touchstone memes whether they've seen the film or not, but how do they react to the film itself?  Has its rubber masks and paper mâché sets dated it beyond credibility (despite winning Oscars for what was then seen as a technical achievement)? Has the CGI reboot rendered it obsolete? Or does this time piece that so delighted young boomers 57 years ago still pack a punch today? Don't miss the young panel's reaction to this popular cultural dynamo from the late 1960s.   Hosts: Mark Netter & David Tausik  Panelists:  Guy Lewis, Kylee LaRue & Masha Yuzhakov Editor: William Parks An ElectraCast Production Trailer: https://www.youtube.com/watch?v=k0-dUM_A-Cg Wikipedia: https://en.wikipedia.org/wiki/Planet_of_the_Apes_(1968_film) IMDB: https://www.imdb.com/title/tt0063442/ Ebert Review: https://www.rogerebert.com/reviews/planet-of-the-apes-1968 Learn more about your ad choices. Visit megaphone.fm/adchoices

You wanna get nuts? Let's get nuts! Late 80s pop culture references and bats**t insanity abound as Jack and Geoff look at the first two issues of Malibu's 1990 miniseries Ape City! Don't let the title fool you: Ape City and its denizens are nowhere to be found in this tale, but it does have gangster apes, macho fighting men, and more baboon ninjas than you can shake a shuriken at!

We round out our Planet of the MAYpes theme month at Film Seizure with last year's latest entry of the saga that sets out to potentially start a brand new trilogy - Kingdom of the Planet of the Apes. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

On this bonus episode of Notable Nostalgia we talk about building forts as kids and Jeff creates a new segment! Nnnnews... We're still working on the name. Jeff gives you all some wild real news! It's serious Monkey Business!Make sure you listen to this week's episode of Notable Nostaglia!Thank you for being a friend, join your two best friends, grab a slice of cheesecake and enjoy this week's episode of Notable Nostalgia!Make sure to leave us a 5 star review, and tell a friend about the show. The outro song for this episode is by an AWESOME band called "Wire Monkey Mama" and the song is called Planet of the Apes! You can listen to them on spotify! They are worth checking out for sure!If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds!

Send us a textIn this episode, Marty gives Clif the movie Planet of the Apes to watch and Clif gives Marty the movie Shanghai Noon to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Theme Song by Russ PacePhotos by Geoff Notkin

In this week's episode of Parsing Immigration Policy, Todd Bensman, the Center's Texas-based Senior National Security Fellow, discusses his experiences at the Center as he prepares to depart for a new role working with Border Czar Tom Homan. Bensman and host Mark Krikorian reflect on his nearly seven-year tenure at the Center, focusing on his firsthand experiences with border issues, extensively documented in two books authored while at the Center.Growing out of field research for the Center in Latin America and his graduate studies at the Naval Postgraduate School, Bensman's first book, America's Covert Border War, addressed the national security challenges of the border, specifically focusing on “special interest aliens” – i.e. illegal border-crossers from countries where jihadist terror groups operate.Bensman's second book, Overrun, is a history of the Biden border crisis, based also on numerous visits to Mexico and Central and South America, where he interviewed hundreds of migrants, officials, aid workers, and others. Bensman uncovered the CBP One program during its pilot phase, prior to its public disclosure, shed light on UN funding for illegal immigration, and provided on-the-ground reporting during significant events such as the Del Rio migrant crisis and the lead-up to the end of Title 42.In his closing commentary, Krikorian weighed in on the recent admission of several dozen Afrikaners from South Africa into the United States as refugees, highlighting facets of the issue not addressed in most media coverage.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestTodd Bensman is the (soon to be former) Senior National Security Fellow.RelatedBenman's Author PageBensman's Video PlaylistAmerica's Covert Border War: The Untold Story of the Nation's Battle to Prevent Jihadist InfiltrationOverrun: How Joe Biden Unleashed the Greatest Border Crisis in U.S. HistoryAfrikaners: Persecuted Refugees or White-Privileged Aliens?Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

179 - Jurassic Park III Hold onto your butts! This week on Reel Comic Heroes, we're diving headfirst into the chaotic, avian-infested world of Jurassic Park III. Join Travis and Patrick as they dissect the questionable parenting decisions, the surprisingly effective Alan Grant survival tips, and the sheer absurdity of a talking raptor dream sequence. Was this a worthy sequel or a prehistoric misstep? We'll debate the dino-sized plot holes, the surprisingly engaging action, and whether Tea Leoni's screaming could shatter glass. We'll discuss the introduction of new dinosaurs, the pacing of the plot, and whether the film successfully captured the wonder and terror of its predecessors. Discuss the episode over on the Facebook group: The Reel Comic Heroes League of Citizens Follow @ReelComicHeroes on Letterboxd Join us for our next movie review - Planet of the Apes (2001) Instagram | Website Music from https://filmmusic.io: "Prelude and Action" by Kevin MacLeod (https://incompetech.com) - License: CC BY (http://creativecommons.org/licenses/by/4.0/) Music from https://filmmusic.io: "Deep Haze" by Kevin MacLeod (https://incompetech.com) - License: CC BY (http://creativecommons.org/licenses/by/4.0/) Intro/Outro by Matthew S Mendoza  

This week on Film Seizure, the reign of Caesar comes to an end with a battle for survival in Matt Reeves' War for the Planet of the Apes! Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

On this week's show we shop the Internet and find you three incredible deals on UHD TVs. We also discuss some of the best plot twists in movies that we have seen. Be forewarned, there will be spoilers. We also read your emails and take a look at the week's news. News: Fox unveils ‘Fox One' as name of new streamer YouTube TV Is Now The 4th Largest TV Provider In the United States Free TV is booming tvOS 18.5 just gave your Apple TV 4K a new feature for Dolby Atmos Three Incredible Deals on a UHD TV As a public service the HT Guys have scoured the internet and found you three incredible deals on UHD TVs. These are not refurbished units and were available at the time of this writing. Samsung 70" Crystal UHD 4K HDR TV (DU7200) Price: $479.99 Retailer: Amazon Details: This is noted as the lowest price ever for this 2024 model. It features Samsung's Crystal UHD with 4K, Motion Xcelerator for reduced lag, and HDR (not Dolby Vision) support. Ideal for budget-conscious buyers seeking a large screen from a top brand. Why It's a Good Deal: At under $480 for a 70-inch 4K TV, this is a steal for a 2024 Samsung model, especially with its HDR capabilities. Hisense 85" U6 Mini-LED ULED 4K UHD Google Smart TV Price: $849.99 Retailer: Amazon Details: This is the lowest price ever for this model, featuring a Mini-LED backlight, quantum dot color, and Google TV for a seamless smart interface. It supports HDR10, HDR10+, and Dolby Vision, making it great for movies and gaming. Why It's a Good Deal: An 85-inch TV with premium features like Mini-LED and quantum dots at this price is exceptional for large home theater setups. Samsung 55" 4K Crystal UHD DU8000 HDR Smart TV Price: $447.99 Retailer: Amazon Details: Another record-low price for a 2024 Samsung model. It includes HDR (not Dolby Vision), a smart TV interface, and 4K upscaling, suitable for streaming and casual gaming. Why It's a Good Deal: This 55-inch TV offers solid performance for under $500, balancing size and features from a reliable brand. The Best Movie Plot Twists I came across an article that was discussing how a good movie will lead you down one path and then in a “Plot Twist” send you down a different and completely unexpected new path. That got me thinking about what were my most memorable plot twists from movies that I have watched over the years. I have come up with four that have stayed with me. What are your favorites? The Sixth Sense (1999) - The twist redefines the entire story, forcing viewers to rethink every scene. It's iconic for its emotional weight and subtle foreshadowing, often cited as the gold standard of plot twists. In this case you learn that Bruce Willis' character Malcolm Crowe was actually deceased. I hate to admit it but I never saw this coming. The Empire Strikes Back (1980) - The revelation Darth Vader is Luke's Father altered the saga's emotional core and is still one of the most quoted twists ever. Planet of the Apes (1968) - we are talking about the original here with Charlton Heston. The last scene leads up to the final payoff making it one of the most memorable twists in cinema. Se7en (1995) - The climax delivers a horrific surprise that ties the story's themes together. It's a twist that's both brutal and unforgettable, often debated for its boldness. The twist, John Doe played by Kevin Spacey manipulates Mills played by Brad Pitt emotionally to commit the seventh deadly sin. Braden's Pics: Usual Suspects Fight Club Shutter Island Memento

Just before the Earth explodes, three talking apes from the future travel back in time to 1971 Los Angeles and become celebrities. However, since this is a Planet of the Apes movie, things take a bizarre and shockingly dark turn. Escape from the Planet of the Apes (1971) this week on Obscure Obsessions. __________Taylor Zaccario…Host, Director, Producer, Writer Nick Zaccario…Host, Director, Producer, Editor

This week's episode of Parsing Immigration Policy focuses on the re-opening of ICE's Victims of Immigration Crime Engagement (VOICE) office. Originally established by the Trump administration in 2017 to provide critical support to victims and families affected by crimes linked to illegal immigration, the VOICE office was shut down by the Biden administration, but has been reinstated by DHS Secretary Kristi Noem.ImageGuest host Jessica Vaughan, Director of Policy Studies at the Center for Immigration Studies, is joined by two parents who lost their children to crimes committed by illegal aliens. They share their personal stories and experiences, highlighting how the VOICE office provided them with support and resources.Don Rosenberg, President of Advocates for Victims of Illegal Alien Crime (AVIAC), whose son Drew was killed by an unlicensed illegal immigrant in a hit-and-run crash.Tammy Nobles, mother of Kayla Hamilton, a 20-year-old autistic woman who was raped and murdered by an MS-13 gang member illegally present in the U.S.Vaughan then highlights Transportation Secretary Sean Duffy's warning to federal highway fund recipients: comply with federal immigration law or risk losing funding. On his list of public safety concerns: states that issue driver's licenses to illegal aliens. Nineteen states and the District of Columbia presently issue licenses to this population.Rosenburg, the president of AVIAC and an activist focused on unlicensed drivers and road safety, discusses his research into the impact of this policy, stating that there is no evidence that providing driver's licenses to illegal aliens improves road safety. In fact, he shares data showing that fatal crashes rise, as do hit-and-runs, in the first few years after such a policy is implemented.HostJessica Vaughan is the Director of Policy Studies at the Center for Immigration Studies.GuestsDon Rosenberg, President of Advocates for Victims of Illegal Alien Crime (AVIAC), whose son Drew was killed by an unlicensed illegal immigrant in a hit-and-run crash.Tammy Nobles, mother of Kayla Hamilton, a 20-year-old autistic woman who was raped and murdered by an MS-13 gang member illegally present in the U.S.RelatedVictims and Their Families Finally Get a VOICESilencing VOICE: Despite being shuttered by Biden, the need for ICE's victim-assistance office is greater than everVOICE websiteAVIAC: Advocates For Victims of Illegal Alien CrimeIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

This week we're diving into a cult classic — Escape from the Planet of the Apes — and it's all thanks to our great Patreon supporter, Leigh! Leigh's not just a top supporter; he also runs a fantastic YouTube channel called Movie Vent where he shares his love for all things cinema with Ventriloquist dummy, Ned. Check it out at youtube.com/@ventmovies.Escape from the Planet of the Apes (1971) marked a clever shift in the Planet of the Apes franchise, driven by budget constraints and the desire to keep the series alive after the apocalyptic ending of the previous film. Director Don Taylor stepped in to helm the project, which reversed the formula by bringing the apes into the contemporary human world instead of humans stumbling into the apes' future. The screenplay, written by Paul Dehn, embraced elements of satire and social commentary, while working within a significantly smaller budget than its predecessors. To keep costs down, much of the action was set in familiar, modern-day Los Angeles locations, and only a few characters required full prosthetic makeup compared to the previous films' elaborate ape societies.The production leaned heavily on the strong performances of Roddy McDowall and Kim Hunter, reprising their roles as Cornelius and Zira, to carry the emotional weight of the story. Special effects were kept minimal, but John Chambers' iconic makeup design for the apes remained a standout. The studio saw Escape as a gamble, pivoting the franchise from large-scale spectacle to a more character-driven drama with underlying themes of fear, prejudice, and destiny. Despite initial doubts, the movie was a financial success and breathed new life into the series, paving the way for even more sequels down the line.If you enjoy the show we have a Patreon, so become a supporter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Trailer Guy Plot SummaryIn a world where the future is doomed, three apes take one last chance... and crash-land straight into 1970s America! Hailed as celebrities but hunted as threats, Cornelius, Zira, and Dr. Milo must navigate a society that's as fascinated by them as it is terrified of what they represent. Time is running out, danger is closing in, and the fate of two species hangs in the balance... in Escape from the Planet of the Apes!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠

Ten years after the Rise, Caesar and his community of smart simians must now interact with humanity in ways that will seems destined for war. On this week's Film Seizure, the guys discuss Dawn of the Planet of the Apes. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

In this 73rd episode we break down the first issue of the most recent apes comic series, Beware the Planet of the Apes. This 2024 Marvel Comics series tells a prequel story in a 4 issue miniseries set just before the events of the 1968 film.    Nova takes center stage in a tale that disregards all previous tie-in material that served as prequels to the first movie such as Conspiracy of the Planet of the Apes and Death of the Planet of the Apes along with the entirety of the BOOM! Studios era.   This is a new adventure set in the classic continuity of the original PLANET OF THE APES films! In a hostile world run by aggressive gorillas; scientists Cornelius and Zira are the only apes alive who see value in the mute human race - but even they know human capabilities have severe limits.    So when Zira's nephew Lucius goes missing, it is with great trepidation that they turn to a human ally - a young woman who will someday earn the name "Nova"!    But the search for Lucius brings them all deeper into the Forbidden Zone - which is forbidden for a reason. What never-before-seen dangers await them in the ruins? The citizens of Ape City believed they were alone on this planet, but a world of violence lies beyond their borders!   For best enjoyment, watch the video version of this episode to see all the comic pages and panels.   Now, Go Ape!   Show Links:       We recommend watching the YouTube version above! Audio version is below:   Talking Apes Merchandise!     Shop our entire TeePublic Shop here   Contact Us   Email: Apestv@SkywalkingThroughNeverland.com   Tweet: @Skywalkingpod   Facebook: Talking Apes TV   Subscribe on iTunes | Stitcher | YouTube   Want More Talking Apes?

Sorry, we're back, unfortunately.    Mememes: Kingdom of The Planet of the Apes (film); In Search of The Last Action Heroes (film); In Search of Tomorrow (film); Dale Beran, It Came From Something Awful (book); 1st halloween; 200, 207, and 213 guitars by Montanza; The Penguin (tv); DanDaDan (anime)

Today, Matt & Todd get into the third entry in the classic Planet of the Apes franchise: Escape from the Planet of the Apes.Directed by: Don Taylor Starring: Roddy McDowall, Kim Hunter, Natalie Trundy (Returning cast members.) as well asBradford Dillman, and Eric Braeden. The original Planet of the Apes delivered a gripping, self-contained story. The sequel expanded the lore—and then promptly obliterated the planet. So, how exactly do we get a third film out of this?Money, obviously.But while financial motives are inevitable, what Escape delivers is far more than just a cash grab. The film flips the narrative, bringing the story to Earth. What unfolds isn't a grand adventure as such but rather a tense exploration of fear, power, and survival—culminating in perhaps the franchise's most haunting conclusion yet.And yes, there are still two more of these…Matt reviews and ranks more movies including newer ones at ⁠Letterboxd⁠You can find out what he's following on Bluesky @MovieMattSirois.bsky.socialCheck out favorites of what we follow, at: ⁠⁠⁠Once Upon a Geek⁠⁠⁠⁠ and  ⁠⁠⁠⁠The Fade Out Podcast⁠⁠ As Marcus he reviews all sorts of films but unlike here, they often they range from bad, worse, or terrible at the ⁠⁠⁠⁠MovieAsylum of the Weird, Bad and Wonderful⁠.

A brand new sister podcast to At the Movies in the 90s has launched this week - At the Movies in the Noughties. Hosted by Devon Elson, it will explore the world of cinema between 2000 and 2009 in a similar fashion to our podcast, with an array of special guests. Our very own Mark kicks things off with Dev talking The Bourne Identity from 2002, and a re-air of the episode with Tony and Rob Turnbull talking Planet of the Apes from 2001. Don't miss this exciting brand new show, now available on the Film Stories Podcast Network. Subscribe on all podcast players and you can find the podcast here: https://cms.megaphone.fm/channel/atthemoviesinthenoughties Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of Parsing Immigration Policy, guest host Jessica Vaughan, the Center's director of policy studies, discusses the intersection of immigration policy and municipal finance with Ed Grebeck, a veteran credit market risk expert. About one-third of all municipal bonds issued in 2024 and outstanding through 2024 are from sanctuary jurisdictions, concentrated in large cities and states, such as California, New York, and Massachusetts.Vaughan and Grebeck explore the fiscal implications of sanctuary policies and the need for comprehensive risk assessment in municipal finance. The absence of truly objective bond ratings or comprehensive risk assessments for sanctuary jurisdictions may place investors, particularly individual investors, who own a significant share of this market, at a disadvantage. Sanctuary policies can impose significant burdens on taxpayers, potentially affecting a municipality's fiscal health and its ability to meet financial obligations. Key discussion points include:Why are credit ratings important?Do sanctuary policies compromise a city's creditworthiness?Why might credit rating agencies overlook political risks associated with sanctuary jurisdictions?How does the influx of illegal immigrants strain public resources and affect taxpayers?Would legislative measures, like Rep. Nancy Mace's "No Tax Breaks for Sanctuary Cities Act", address these concerns?In the closing commentary, Vaughan presents the findings from her most recent report on sanctuary jurisdictions, identifying the states and localities that have the most egregious non-cooperation policies leading to the release of tens of thousands of criminal aliens.HostJessica Vaughan is the Director of Policy Studies at the Center for Immigration Studies.GuestEd Grebeck is a veteran credit market risk expert.RelatedSanctuary MapWhich Sanctuary Jurisdictions Have Released the Most CriminalsNo Tax Breaks for Sanctuary Cities ActContact Details for Ed GrebeckIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Paul Williams is an Oscar, Grammy, and Golden Globe award-winning composer, songwriter, and musician. He is known for writing and co-writing popular songs such as “Evergreen”, “We’ve Only Just Begun”, and “Rainbow Connection”. Williams wrote the score and lyrics for renowned films such as the 1976 adaptation of “A Star is Born”, “The Muppet Movie”, “The Muppet Christmas Carol”, “Bugsy Malone”, and “The Phantom of the Paradise”. His songs have been recorded by legendary artists such as Frank Sinatra, Elvis Presley, and The Carpenters. As an actor, Williams has appeared in numerous high profile films and TV shows such as the 1973 “Battle for the Planet of the Apes”, “Smokey and the Bandit”, “Phantom of the Paradise”, and “Baby Driver”. His illustrious career spans generations and includes titans of both the music industry and Hollywood. Currently, Williams is the president and chairman of the ASCAP, the American Society of Composers, Authors, and Publishers.See omnystudio.com/listener for privacy information.

May at Film Seizure belong to Caesar and the Apes! Yes, it's time to jump forward to look at the recent Apes films from 20th Century Studios starting with the 2011 reboot Rise of the Planet of the Apes. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Prolific writer tells us about his new comic Adventures of Ulysses Monarch about an adventurer that retrieves artifacts in the year 3027. Marc hinted that there are number Arrow easter eggs in this comic series. We chat about the Arrowverse a bit and look forward to a new Planet Of The Apes comic he has written based on the original movies not the current ones.  Start Your Free One Year Trial at Sci-Fi Talk Plus

Gino Acevedo has worked on some of the most successful films of all time: the Lord of the Rings series, Alien 3, Men in Black, Independence Day, King Kong and Planet of the Apes...

Jeff Rovin wanted Atlas to publish The Omega Man comic book, but when he couldn't secure the rights to it, they came up with PLANET OF VAMPIRES, a mash-up of I AM LEGEND and PLANET OF THE APES written by Larry Hama with an art team of Pat Broderick & Frank McLaughlin. We're joined by Russ & Josh from Taste the Pod of Dracula.  WATCH THE EPISODE WITH GORGEOUS ART HERE: https://youtu.be/xJvX8c2gg2E You can read all 3 issues here: https://archive.org/details/planet-of-vampires-complete/Planet%20Of%20Vampires%2001/ Josh's Substack: https://joshlink.substack.com/ SUPPORT THE SHOW: https://www.patreon.com/BronzeAgeMonsters JOIN US ON OUR DISCORD SERVER: https://discord.gg/wdXKUzpEh7

Do humans deserve to keep ruling Earth, or is it time to give the apes a chance? Or is there a secret, third, weird option? Your not one, not two, but THREE hominid co-hosts put their heads together and decide the fate of the Planet of the Apes!Discord (“Happy Bug Catching Contest Day, Everyone!”): https://discord.gg/Y5Uw6sdmU2Email: findingmonsterright@gmail.comBluesky: @monsterrightpod.bsky.socialDISCLAIMER: By listening to this podcast episode, the listener forfeits all right to their immortal soul (hereafter referred to as "the asset") and transfers ownership of said asset to Allison Alžbeta Asherah, the Dark and the Demonsbane. The asset can be recovered by the listener if and only if they actually follow up on a bit from two years ago like anyone was keeping track.

About Dafna PlebanDafna Pleban is a veteran comic book editor and narrative developer whose career spans over 15 years across original and licensed publishing. Best known for her work at BOOM! Studios, Dafna has overseen hundreds of issues, helping launch award-winning titles like Lumberjanes, Fence, Seven Secrets, and Goldie Vance. She's worked with major creators including Tom Taylor, Mark Waid, and Kieron Gillen, and has shepherded beloved franchises such as Buffy the Vampire Slayer, Dune, Planet of the Apes, Star Trek, and Power Rangers.Dafna's creative journey began at UCLA, where she majored in English after pivoting from microbiology and discovering her strengths lay in storytelling, not science labs. A lifelong comics fan, she broke into the industry through sheer hustle—running a podcast to score a press pass to Comic-Con, then turning that passion project into a marketing job at BOOM! and eventually into an editorial career.In this episode, Dafna reveals what it really means to be an editor in comics—from juggling creators and licensors to surviving the relentless pace of monthly publishing. We talk about the role of stress in the creative process, the economics behind launching a successful comic, and how great editors build trust, teams, and stories that resonate. Whether you're looking to pitch your first comic or just want a glimpse behind the curtain of franchise storytelling, Dafna's journey offers a masterclass in making creativity sustainable.Find Some of the Comic's Dafna's Worked on Here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit justingarydesign.substack.com/subscribe

This week's episode of Parsing Immigration Policy features a discussion of a new report from the Center for Immigration Studies, which reveals that both immigrant and U.S.-born women are having fewer children than they did 15 years ago. Based on data from the 2023 American Community Survey (ACS), collected by the U.S. Census Bureau, the report finds that although immigrant women continue to have somewhat higher fertility rates than their U.S.-born counterparts, the gap is small.Guest Steven Camarota, the Center's Research Director and co-author of the report, highlights a critical reality: Immigration, while adding to population growth, does not significantly slow the aging of the population or reverse declining birth rates.The podcast's second guest, Center Resident Scholar Jason Richwine, provides some evidence that immigration may actually reduce the fertility of the U.S.-born, reducing or potentially erasing immigration's small positive impact on overall U.S. fertility.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestsSteven Camarota is the Director of Research at the Center for Immigration Studies.Jason Richwine is a Resident Scholar at the Center for Immigration Studies.RelatedThe Fertility of Immigrants and Natives in the United States, 2023Jobs Americans Will Do: Just About All of ThemImmigration in Trump's First 100 DaysIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

You did it, Spookies! You survived PLANET OF THE APE-RIL! So to celebrate, we thought we'd spend our final installment exploring the new era of the franchise. In many ways, Rise of the Planet of the Apes (2011) is as much a prequel as it is a reboot, and it offers an interesting starting point for an updated look at this story. With our now extensive knowledge of the original movies, we're ready to talk not only about all of the CLEAR references sprinkled throughout, but also to analyze what might be coming down the pipeline for the future of the Planet of the Apes. References:https://www.reddit.com/r/movies/comments/16wybuq/references_to_previous_planet_of_the_apes/?share_id=zK4W7bipDGZBgl59VSCjX&utm_medium=ios_app&utm_name=iossmf&utm_source=share&utm_term=4

Steve & Izzy continue 2025 the Year of the Apocalypse with the APE-RIL APE-OCALYPSE celebrating movies after the fall of man & the rise of apes, as they are joined by Ryan McDonald of New Ogden Cinema to discuss 2024's "Kingdom of the Planet of the Apes" starring Owen Teague, Freya Allen, William H Macy, Kevin Durand & more!!! Why do you think I mean "kurilla" whatever that is? Can Apes & Humans ever truly coexist? Are all societies based on history's greatest weapon... The NET?!? Let's find out!!! So kick back, grab a few brews, for Caesar, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Below The Belt Show (www.belowthebeltshow.com) presents exclusive interviews with 2024 Tribeca Festival (tribecafilm.com/) selected films' creators and actors! BTB's own Al Sotto is on location of the premiere of the coming-of-age comedy "Griffin In Summer" and talks to the cast and producers! Everett Blunck who plays Griffin talks about the audition process, leading his first feature film and working closely with co-star Owen Teague. Owen Teague talks about how he was immediately drawn to his character as a chain-smoking alcoholic player and how challenging the role was. Owen also talks about his portrayal of Noa in Kingdom of the Planet of the Apes and how the actors trained in an "ape school" learning how to properly walk and perform the proper motion capture of apes. In addition, we talk to cast members Johanna Colon, Ian Hernandez-Oropeza and Gordon Rock who talk about their characters and their thoughts on being in such a high caliber film festival that is Tribeca. Ending the interview, we talk to best friends an actresses Camila Mendes and Rachel Matthews who produced the film and why they decided to work behind the camera for this project. Camila also talks about how she feels about her popular CW series Riverdale coming to an end. Don't miss these amazing on-location interviews!

No More Lies! Ending the month with an explosive finale! We cover the recent bat flick with The Batman from director Matt Reeves(Cloverfield, Dawn of the Planet of the Apes,etc.) and starring Edward Cullen himself Robert Pattinson. This film has everything, early 90's grunge,explosions,BatCat sexual tension,a bad guy based off of the Zodiac Killer, Dan Cortez. Follow Billy and Raul on Bluesky @masterofpuns196 and @raulvaderrdz as well as the main show @synspod

Hey Adrenalheads! This episode of the podcasts, Jerry andMark are back with their continued coverage of the Planet of the Apes film series from the 60's and 70's. We all know that you want to go bananas overthis one!This episode we talk about the 1972 movie Conquest of the Planet of the Apes. This movie has a lot of social commentaries for it's time. But also, some sort of political statement that still rings till this day with how people perceive government and peopleof wealth.Listen to Mark and Jerryas they break down their thoughts of this 53 year old movie and have fun withtheir discussion of the film!To send in feedback you can E-Mail us at:AdrenalineCinemaPodcast@gmail.com . There you can send a texted E-mail orrecord yourself as well as send a voice recording from your device and sendthat as an attachment.We can be found on: Apple Podcasts,Spotify and plenty more podcast players of choice. If there is a rating or review on any of those platforms? We would appreciate a rating or review ifpossible.Feedbackcan be sent to our Facebook page when a post of the next Movie or Show we cover:Facebook.com/AdrenalineCinemaPodcastFollow us on Twitter/X: @AdrenalinePodCFollow us on Instagram: @AdrenalineCinemaPodcastYou can E-mail us at:AdrenalineCinemaPodcast@gmail.com

Join hosts Tony and Steve-O on the Jeep Talk Show as they recap an epic week at Easter Jeep Safari (EJS) 2025 in Moab, Utah! Hear about their adventures, from exploring Planet of the Apes caves to encountering rattlesnakes on trails like Hoevenweep. We share stories of the Jeep Talk Show community run, including a BBQ at the caves and meeting listeners who recognized us on trails like Golden Crack. Get the latest Jeep news: Galveston Jeep Weekend is confirmed open, Stellantis faces production challenges with tariffs impacting the 2026 Cherokee and Compass, and Jeep introduces a vibrant “Joose” orange color for 2025 models. Plus, we discuss the Real Rides series by RealTruck, spotlighting employee builds, and share tips on tracking electrical gremlins with a multimeter. Don't miss our community updates—join the conversation on our Discord server and get ready for the Rubicon Trail event on June 7th! Subscribe for weekly Jeep content at jeeptalkshow.com and follow us on Instagram for more EJS pics! Keywords: Jeep Talk Show, EJS 2025, Moab adventures, Jeep Cherokee 2026, Jeep Compass 2027, Joose color Jeep, Real Rides RealTruck, off-road community, Rubicon Trail event, Jeep maintenance tips Connect with Us: Visit jeeptalkshow.com Join our Discord: jeeptalkshow.com/contact Follow @jeeptalkshow on Instagram Related Videos: “Top Trails at EJS 2025 You Need to Try” “Jeep Maintenance: Fixing Electrical Gremlins” Rev up your engines, Jeep lovers— the Jeep Talk Show is here to take you on a wild ride! For 15 years, we've been the ultimate pit stop for Jeep enthusiasts, delivering off-road thrills, insider tips, and a whole lotta Jeep passion. With a powerhouse crew of hosts and team members, we're dropping five action-packed episodes every week to fuel your Jeep obsession! Buckle up for our fan-favorite Chic Chat, a women-centric, women hosted episode that's all about empowering female Jeepers. It's the perfect space for women to dive into the world of Jeeps and off-roading, hosted by fearless ladies who live for the trail. But that's just the start—we've got over 1,200 episodes waiting to rev up your day, whether you're tearing down the highway, mowing the lawn, or pumping iron at the gym. Watch us on video or listen audio-only—your call, your adventure! Join the Jeep Talk Show family and become part of the ultimate Jeep community! Jump into our Discord chat at jeeptalkshow.com/discord, support us on Patreon for ad-free episodes at www.patreon.com/jeeptalkshow, or catch our live Round Table every Tuesday at 7:30 PM CT via Zoom (https://jeeptalkshow.com/roundtable, password: jeep). Stay in the loop with our newsletter at https://jeeptalkshow.com/newsletter and follow the action on Instagram @jeeptalkshow (instagram.com/jeeptalkshow). Head to https://jeeptalkshow.com to explore our world of Jeep madness, subscribe, and let us make your day a little more rugged and a lot more fun. Ready to roll with us? Let's hit the trails together!#JeepTalkShow #JeepLife #OffRoad

The Center for Immigration Studies hosted a panel discussion examining how immigration is used as a political, economic, and strategic tool by governments, non-state, and sub-state actors worldwide. Whether through mass migration crises, policy-driven border surges, or the manipulation of refugee flows, immigration has become a powerful geopolitical weapon and a means of waging hybrid warfare. Examples have included Cuba's use of the Mariel boatlift in 1980 or the more recent efforts by Belarus to coordinate illegal immigration to the EU.This panel explored the concept of immigration warfare – how immigration is leveraged to gain political leverage; influence legislation, elections, and the economy; shape public opinion; and even destabilize a country. Discussion also covered how nations can respond to this growing challenge. The discussion is an activity of the International Network for Immigration Research (INIR), a collaboration among independent policy organizations on three continents sharing the perspective that each sovereign nation has the right to pursue its chosen immigration policies.Mark Krikorian, the Center's executive director and host of Parsing Immigration Policy, moderates this rebroadcast of the Center's panel.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestsViktor Marsai is the Director of the Migration Research Institute in Budapest.Phillip Linderman is a Retired senior Foreign Service officer from the State Department and a Board Member of the Center for Immigration Studies.Eric Ruark is the Director of Research of Numbers USA.RelatedPanel Press ReleasePanel VideoPanel TranscriptC-Span CoverageIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Charlton Heston in "Planet of the Apes".

Alright, Spookies, we finally finished making our way through the OG flicks, which means it's time to start talking reboots. That's right, we've circled so far through PLANET OF THE APE-RIL that we're now right back at the beginning with Planet of the Apes (2001). For take two of the franchise, Tim Burton teamed up with Mark Wahlberg and Helena Bonham Carter to see if they had something new to add to the conversation, but studio meddling may have caused some major problems. Join us for a new Spooky Tuesday as we discuss how it stacks up to the originals, its fidelity to the Pierre Boulle novel, and the way Rick Baker finally got the tightline right. References:https://www.arkinspace.com/2014/08/the-mystery-of-orangutan-flange.htmlhttps://ew.com/gallery/planet-of-the-apes-behind-the-makeup/https://planetoftheapes.fandom.com/wiki/Planet_of_the_Apes_(2001)_Concept_Art_%26_Costume_Testshttps://collider.com/planet-of-the-apes-tim-burton-why-its-good/

Join Lafayette, Carlos, and Laura in this electrifying and fun-filled episode of Nerds Talking The Podcast as they sit down with the incredibly talented filmmaker Marcus Alqueres, the visionary director behind the motion picture Warden.Marcus, a Canadian-Brazilian director with roots in visual effects and a reputation for flipping genres on their heads, dives deep into the creative process behind Warden—a grounded, socially-charged superhero tale told through the eyes of those forever changed by the emergence of the world's first real-life superhero. With a gripping cast including Giovanni de Lorenzi, Alli Willow, Antonio Saboia, and more, Warden trades blockbuster flash for indie heart, proving that bold storytelling doesn't need a billion-dollar budget.The crew chats with Marcus about his breakout short film The Flying Man, a viral vigilante hit with over 25 million views, and his jaw-dropping visual effects work on mega-films like 300, Rise of the Planet of the Apes, The Adventures of Tintin, and even Star Wars. They explore how his background in VFX shapes his directorial voice and his passion for blending practical and digital effects to bring emotional realism to the screen.Expect plenty of laughs, behind-the-scenes stories, nerdy tangents, and thoughtful conversations about film making, heroes, and what it really means to do the right thing in a complicated world. Whether you're a movie buff, a comic book junkie, or just love a great story—you won't want to miss this one!Hit play and nerd out with us!

Silver Screen Science is our series where we explore how science is portrayed on the big screen. This year, we're focused on one recurring franchise: Planet of the Apes! Finally, we visit the ongoing prequel franchise with the story of how it all got started: Rise of the Planet of the Apes. Check out our website for blog posts and more: http://commondescentpodcast.com/ Join us on Patreon to support the podcast and enjoy bonus content: https://www.patreon.com/commondescentpodcast Lots more ways to connect with us: https://linktr.ee/common_descent The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org.

We're halfway through PLANET OF THE APE-RIL, Spookies! And we've just about worked our way through all of the originals. This week on Spooky Tuesday, we're wrapping up that portion of our Planet of the Apes theme month as we cover Conquest of the Planet of the Apes (1972) and Battle for the Planet of the Apes (1973). Taking its new Earth-bound setting to the next level, the final two flicks in this franchise look to the not-so-distant future (which is still our present-day-past) as they tackle the '90s and beyond and start to lay the groundwork for some familiar settings. References:Original Conquest of the Planet of the Apes EndingBehind the Planet of the Apes DocumentaryConquest of the Planet of the Apes ScriptBattle for the Planet of the Apes Scripthttps://en.wikipedia.org/wiki/Watts_riots

We celebrate Jay's birthday with a Sci-Fi movie extravaganza! Some of our favorite movies from the 50s through the 90s and why we love them on Enjoy Stuff. It's Science! It's Fiction! And it's the perfect celebration for a birthday. Come party with us and enjoy great movies through the decades.    News The infamous photo from the end of the Shining has finally been tracked down We finally have a trailer for TRON: Ares! RIP to a favorite actor; Val Kilmer   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua was surprised how much fun the new A24 movie Death of a Unicorn, starring Paul Rudd and Jenna Ortega. It's not just a horror movie with a killer horse with a horn. There's much more to the story and themes of the film. Jay is still enjoying westerns with a variety of tellings of the same, classic story. Tombstone (1993) and Gunfight at the OK Corral (1957). Inspired by news of Val Kilmer, Tombstone reminds us why this performance is so well loved. And Gunfight… spotlights the decade it was made with a different kind of interpretation. Check them all out and let us know how you like them.      Sci-Fi Saturdays This week on Sci-Fi Saturdays Jay analyzes the first movie in the newest Planet of the Apes franchise. 2011's Rise of the Planet of the Apes started off as it's own story, not connected to the idea that the originals created. But it soon became obvious that it was much more complex. An interesting take on how those Apes could have come into power. Read his article on RetroZap.com. And make sure to play around with the interactive map on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Movies!  Jay lives and breathes Sci-Fi movies. So what better party theme than Sci-Fi! We look at the decades of the second half of the 20th century and pick out some of our favorite and influential movies. Some seem obvious, but some may surprise you. Find out why we love them or what they have influenced in the years after.  What are some of your favorite Sci-Fi movies? First person that emails me with the subject line, “Klaatu Barada Nikto” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com   

Silver Screen Science is our series where we explore how science is portrayed on the big screen. This year, we're focused on one recurring franchise: Planet of the Apes! It's the reboot of the original, a 21st-Century take on the concept – Planet of the Apes (2001). Check out our website for blog posts and more: http://commondescentpodcast.com/ Join us on Patreon to support the podcast and enjoy bonus content: https://www.patreon.com/commondescentpodcast Lots more ways to connect with us: https://linktr.ee/common_descent The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org.

Get to know actress and activist Freida Pinto! Freida is known for acclaimed films such as ‘Slumdog Millionaire,' 'Trishna,' 'Rise of the Planet of the Apes,' 'Desert Dancer,' and ‘Knight of Cups.' She has been involved with Girl Rising, a global campaign for girls' education and empowerment, for 4 years. In this interview she explains where her commitment to activism comes from. This episode is originally aired in October of 2020.

Richard Taylor is the co-founder and creative lead at Wētā Workshop, which he runs with his wife and co-founder Tania Rodger. Wētā Workshop is a concept design studio and manufacturing facility that services the world's creative and entertainment industries. Their practical and special effects have helped define the visual identities of some of the most recognizable franchises in film and television, including The Lord of the Rings; Planet of the Apes; Superman; Mad Max; Thor; M3gan; and Love, Death, and Robots.Greg Broadmore is an artist and writer who has been part of the team at Wētā Workshop for more than 20 years. His design and special-effects credits include District 9, King Kong, Godzilla, The Adventures of Tintin, and Avatar, and he is the creator of the satirical, retro-sci-fi world of Dr. Grordbort's. He is currently working on the graphic novel series One Path, set in a brutal prehistoric world where dinosaurs and cavewomen are locked in a grim battle for supremacy.Sponsors:AG1 all-in-one nutritional supplement: https://DrinkAG1.com/Tim (1-year supply of Vitamin D (and 5 free AG1 travel packs) with your first subscription purchase.)Seed's DS-01® Daily Synbiotic broad spectrum 24-strain probiotic + prebiotic: https://Seed.com/Tim (Use code 25TIM for 25% off your first month's supply)Our Place's Titanium Always Pan® Pro using nonstick technology that's coating-free and made without PFAS, otherwise known as “Forever Chemicals”: https://fromourplace.com/tim (Get 10% off today!)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.