Podcasts about Planet of the Apes

We talk about crowdfunding vs pre-orders, how tired we were after Tabletop Scotland, and chat with Andreas of Nordlc Skalds, who reveals some exciting news that you can't afford to miss00.00.40: Introductions00.03.04: World of Gaming - Melsonian Arts Council gives up on crowdfunding sites; Planet of the Apes arriving; RipCrypt from Modiphius; our Tabletop Scotland report00.45.29: Interview: Andreas about Windheim Falling01.22.33: Next time and Goodbye Effekt is brought to you by Effekt Publishing. Music is by Stars in a Black Sea, used with kind permission of Free League Publishing.Like what we do?Sign up for updates on Tales of the Old West via our new website and download Tales of the Old West QuickDraw available for free on DriveThru. The core rules are now available on DriveThru too.Put our brand on your face! (and elsewhere)Buy pdfs via our DriveThru Affiliate linkLeave a review on iTunes or PodchaserFind our Actual Play recordings on effektap ★ Support this podcast on Patreon ★

Kingdom of the Planet of the Apes. Movie franchises can be a tricky thing. Trying to revive one that was thought to be past its prime is even harder and following a successful reboot might just be the hardest thing to do.  In this episode of The 602 Club host Matthew Rushing welcomes Scott McClellan to talk about Kingdom of the Planet of the Apes. We discuss Scott's ape history, continuing the series, the dark ages, jumpstarting evolution, what is important, the human story, the cast, the score and our ratings.  Chapters Apes History (00:02:04) Continuing the Series (00:07:19) The Dark Ages (00:19:28) Jumpstarting Evolution (00:26:37) What is Important (00:32:04) The Human Story (00:36:15) The Effects (00:41:06) The Cast (00:45:49) The Score (00:50:19) Ratings (00:52:33) Host Matthew Rushing Guest Scott McClellan  Production Matthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer)  Social X: @The602Club Instagram: @the602clubtfm

Kingdom of the Planet of the Apes. Movie franchises can be a tricky thing. Trying to revive one that was thought to be past its prime is even harder and following a successful reboot might just be the hardest thing to do. In this episode of The 602 Club host Matthew Rushing welcomes Scott McClellan to talk about Kingdom of the Planet of the Apes. We discuss Scott's ape history, continuing the series, the dark ages, jumpstarting evolution, what is important, the human story, the cast, the score and our ratings. Chapters Apes History (00:02:04) Continuing the Series (00:07:19) The Dark Ages (00:19:28) Jumpstarting Evolution (00:26:37) What is Important (00:32:04) The Human Story (00:36:15) The Effects (00:41:06) The Cast (00:45:49) The Score (00:50:19) Ratings (00:52:33) Host Matthew Rushing Guest Scott McClellan Production Matthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Social X: @The602Club Instagram: @the602clubtfm

Florida has become a national leader in immigration enforcement, and this week's episode of Parsing Immigration Policy features an in-depth conversation with Florida Attorney General James Uthmeier on the state's high-profile role.Attorney General Uthmeier discusses Florida's measures to enforce immigration law, protect public safety, and collaborate with federal agencies. Highlights include:Detention Capacity: Florida has three times the immigration detention capacity as the next state, with additional space opening.A repurposed facility recently opened, Deportation Depot.Florida is actively challenging the lawsuit aimed at blocking detention at Alligator Alcatraz. (Host Mark Krikorian follows up after the pre-recorded interview with an update on the state's recent victory in court.)Law Enforcement Authority: Florida is the first state with all officers certified under Section 287(g), empowering them to assist ICE.Public Safety Threats: From illegal alien truck drivers involved in deadly accidents to child predator stings, the AG underscores the risks of unchecked illegal immigration and shares Florida's responses.Maritime Enforcement: With between 12,000 and 15,000 interdictions in state waters, Florida deploys the National Guard, troopers, and local law enforcement to stop illegal arrivals before they reach shore.Illegal Presence in Florida Is a State Offense: State law prohibits an illegal alien from entering the state; the law is being challenged.No Sanctuary: State law prohibits sanctuary cities and empowers the state to hold jurisdictions accountable by levying civil fines and removing people from office.The episode concludes with commentary from the Center's executive director Mark Krikorian, who provides an update on litigation surrounding “Alligator Alcatraz” and the illegal alien trucker and his employer responsible for three deaths in Florida. He also highlights Jobs.now, a new website that uncovers legally required but often hidden job postings—creating a jobs clearinghouse for Americans and making it harder for employers to convert H-1B visa holders into green card applicants.Host Mark Krikorian is the Executive Director of the Center for Immigration Studies.GuestJames Uthmeier is the Attorney General of the State of Florida.RelatedPodcast: The Role of Immigration DetentionIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

It's time for more classic cinema and this time we take the journey with legendary Dag Nasty, Field Day and Applied Knowledge vocalist Peter Cortner . It's the good stuff, right? This film he has chosen to discuss is the 1968 OG Planet of the Apes. It's magic.Peter Cortner Instagram Dag Nasty Field Day Applied knowledge 

The latest episode of Parsing Immigration Policy features Elizabeth Jacobs, Director of Regulatory Affairs and Policy at the Center for Immigration Studies, discussing USCIS's updated guidance on discretion in immigration benefits.Key Points:Beyond “Not a Criminal”: New USCIS policy updates require officers to engage in a more holistic analysis of whether naturalization applicants demonstrate “good moral character,” a requirement for naturalization that has been a part of U.S. immigration law since the beginning. In addition, the agency is now asking officers to consider any anti-American, antisemetic, or terrorist activity as “overwhelmingly negative” factors when evaluating whether an applicant warrants a positive grant of discretion.Discretionary Benefits: Many immigration benefits under the INA — including asylum, national interest waivers under EB-2, and naturalization — are discretionary. Even if eligibility requirements are met, USCIS officers may deny them.Good Moral Character Assessments:Traditionally treated as a checklist; now assessed holistically.Focuses on demonstrating positive attributes and rehabilitation, not just the absence of misconduct.Negative Factors for Discretionary Denials: Officers are instructed to treat support for anti-American ideologies, antisemitism, and terrorism as “overwhelmingly negative factors” when exercising discretion on discretionary immigration benefit requests.Expanded Use of Vetting Tools:Increased use of social media screening, fraud detection, and neighborhood/personal investigations.Previous policies often waived these investigations; the update clarifies they are a standard part of discretion.Balancing Efficiency and Vetting: With millions of applications annually, USCIS must balance rigorous vetting with timely processing. The agency is shifting culture to prioritize serving the American people, not just applicants.Cultural Shift: USCIS is shifting emphasis from serving as a “service agency” to serving as a vetting agency, using the discretion granted by Congress to protect national security and uphold American values — a departure from prior policies favoring mass approvals.Immigration Newsmaker Interview: USCIS Director Joe Edlow will be featured today in an Immigration Newsmaker conversation hosted by CIS at the National Press Club. The video will be available at cis.org.Host Mark Krikorian is the Executive Director of the Center for Immigration Studies.GuestElizabeth Jacobs is the Director of Regulatory Affairs and Policy at the Center for Immigration Studies.RelatedUSCIS to Consider Anti-Americanism, Antisemitism, and Terrorist Activity When Adjudicating Certain Immigration Benefit RequestsCIS National Security Vetting Failures DatabaseIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Welcome Back Everyone! Thank You for joining us once again!   1st Film: Joey's Pick Kingdom of the Planet of the Apes (2024) Directed by: Wes Ball Starring: Owen Teague, Freya Allan, Kevin Durand, Peter Macon and William H. Macy 2nd Film: Director Choice - Martin Scorsese Shutter Island (2010) Directed by: Martin Scorsese Starring: Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Max Von Sydow and Emily Mortimer Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Time Stamps: Kingdom of the Planet of the Apes -  Rate and Review - 00:46:15 Shutter Island - Review and Rate  -  01:23:15

From The White Lotus, Reality Bites, and Happy, Texas to War for the Planet of the Apes and Diary of Wimpy Kid, Steve Zahn is celebrated for his ability to bring nuance, empathy, and authenticity to a wide range of characters - qualities that also mark the performances in Michael Cimino's 1978 The Deer Hunter. Starring Robert De Niro, Christopher Walken, and John Savage, with John Cazale and Meryl Streep in supporting roles, the film offers a naturalistic depiction of working class life in 1970s America.With an estimated 50+ viewings to date, Steve has thought A LOT about this film. With Cooper and Tabitha, he unpacks The Deer Hunter's complex interplay of community, friendship, trauma, and war within the Vietnam era. We learn about his first cassette tape purchase, the draw of military history, the power of song to express what speech cannot, and why he insists that his own kids pay attention to the movies. Hosted on Acast. See acast.com/privacy for more information.

In this Reel Insights episode, Sean Tajipour, the Mayor of Nerdtropolis, chats with Owen Teague about his role as Brad in Griffin in Summer, the heartfelt coming-of-age comedy from writer/director Nicholas Colia.Owen opens up about why the film feels so different from anything he's done before, calling it “one of the funniest movies I've seen in a long time” while still carrying a “sweet soul” at its core. He shares how his character Brad — a misguided mentor figure — challenged him in new ways, and why he was grateful to Colia for giving him the chance to step outside his usual roles.The conversation explores Owen's acting inspirations, from Andy Serkis' groundbreaking King Kong performance to lessons he picked up from Matthew McConaughey and Marlon Brando while shaping Brad's presence. He also reflects on his double life as a teen actor, the influence of his Bloodline castmates, and what he carried forward from his physical performance as Cornelius in Kingdom of the Planet of the Apes.With behind-the-scenes stories, hilarious set memories, and candid insights into his acting journey, this interview is a must-watch for fans of Owen Teague, Griffin in Summer, and Planet of the Apes.Griffin in Summer is now playing in theaters.Visit Nerdtropolis.comFacebook.com/nerdtropolisInstagram.com/nerdtropolisTwitter.com/nerdtropolis

A new episode of the Center for Immigration Studies podcast features Director of Litigation Julie Axelrod discussing the current status of the Center's landmark National Environmental Policy Act (NEPA) lawsuit, a new CIS case filed in Texas, and the recent “Alligator Alcatraz” litigation.Axelrod explains how the Trump administration is handling the remedy phase of Massachusetts Coalition for Immigration Reform v. Department of Homeland Security, where CIS successfully argued that the Biden administration violated NEPA when it dismantled border controls allowing in millions of people without doing any environmental impact analysis. NEPA, enacted in 1970, was intended to address environmental impacts of population growth – yet it has rarely been applied to immigration, despite its obvious relevance.Axelrod argues that applying NEPA consistently would protect the environment, provide transparency, and serve as an insurance policy to prevent future administrations from bypassing environmental review when expanding immigration.Highlights from the discussion with the Center's Executive Director Mark Krikorian include:CIS's Successful Lawsuit: The court found that the Biden administration had violated NEPA. The remedy phase could force DHS to conduct the environmental analysis that should have preceded both the Biden DHS's termination of the “Remain in Mexico” policy and halt in construction of the border wall, and/or could ensure that if a future administration repeats such actions, it would have to do environmental analysis, providing transparency and an opportunity for public input.Trump Administration on the Remedy: The Trump administration's immigration agenda, which largely focuses on reduction, not expansion, of immigration, would not be blocked if the administration were to embrace the idea that increases in immigration should be analyzed under NEPA prior to implementation. Such an embrace would also serve to make the Trump immigration agenda harder for a future administration to undo, as the Biden administration did to the first Trump administration's policies. Furthermore, as the Alligator Alcatraz case shows, whether the Trump administration embraces NEPA for immigration expansion or not, open-borders groups will continue challenging enforcement actions in court under NEPA.New Texas Lawsuit: A coalition of Texas plaintiffs seeks to apply NEPA to Biden-era policies, including the end of “Remain in Mexico,” expansive asylum rules, regulatory expansions to our work programs, and taxpayer-funded NGO programs.Alligator Alcatraz Case: Anti-enforcement groups are trying to use NEPA to block expansion of the Florida detention facility, highlighting a double standard – enforcement actions designed to reduce illegal immigration trigger environmental analysis, but policies that increase immigration do not (yet).Host Mark Krikorian is the Executive Director of the Center for Immigration Studies.GuestJulie Axelrod is the Director of Litigation at the Center for Immigration Studies.RelatedCIS Prevails in Challenge to Biden-Harris Immigration ActionsIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

In this episode of Nostalgia Nugget we discuss the healthy juice from the 90s... Ya know the healthy juice that came in a bottle shaped as an angry ghost!We also bring up sleeppvers with freinds and a real sh*tty story about a sleepover, and some Tabloids of the past and present! So what are you waiting for? Click play and start laughing! Thank you for being a friend, join your two best friends, grab a slice of cheesecake and enjoy this week's episode of Notable Nostalgia!Make sure to leave us a 5 star review, and tell a friend about the show. The outro song for this episode is by an AWESOME band called "Wire Monkey Mama" and the song is called Planet of the Apes! You can listen to them on spotify! They are worth checking out for sure!If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds!

Ian writes "The story I'm sitting down to tell, is a true one. One experienced by a faithful friend of mine, Sam, and I. I'm often reluctant to tell this story at length to most people, as the subject matter is unexplainable and rather strange. I don't want to be viewed as the superstitious nut. But having guided all across the country, and having extensive experience in many environments around the united states, I feel I have the authority to tell this story. Essentially what I'm saying is I've been around, in the deep dark hollows all across North America, and never experienced something so strange as I did that night. I don't fancify my experiences in the woods, nor do I hopefully imagine there's something more to a twig breaking. As anyone who has spent a good deal of time in the woods knows, there's no reason to. Eventually you'll experience something daring or fantastic. I am a hunter first and foremost, and to a hunter there's always an explanation, a reason to the wilderness and her inhabitants. Its how we identify patterns and exploit an animals rhythm to make a successful hunt. As a hunter you're a sort of woodsman detective, piecing together clues to set yourself up for success. Lets just say this tale is a cold-case. Let's get into it. It was early summer and I was itching to go camping. I had recently received a new tent and was eager to use it. I called up my good buddy, Sam, and we planned out our camping adventure. We considered going up to the Grayson highlands, or even south into North Carolina. After debating it, we decided it would be more fun to camp somewhere we wouldn't run into any other people. Deep in the woods, far from anyone else, where we could bushcraft, hoot and holler, and bring a gun without fear of scaring the yuppies camping next to us. While we both lived in the woods, I definitely had access to the most remote stretch of woods between us. So we loaded up our stuff and began hiking, deep into the valley below my childhood home. The hike was almost completely straight down a steep hillside, deep into a a hollow that held a small patch of flat land, a flood plane area and creek. The small creek that ran gave the area a beautiful ambiance. Early signs of summer were visible all around and the weather was great. We hiked until we felt the need to start gathering firewood before nightfall. Behind us a was a steep hillside that rose into the west for miles. In front of us was the creek, and to the left the start of another ridge and hillside that rose high into the east and north. To our right, the valley we were in, continued to go down cutting a deep valley. and on the other side of the creek another ridge, separated by a small stream from the ridge to the left, rose into the west and to the south. These two ridges in front of us ran for miles and the little valley formed by the small creek split these ridges for a long ways up until it hit the spring head. This is important for later in the story. Off to the right, further down the valley, more splits in the ridges are made by little tributaries. We started building camp by clearing the brush and leaves away and constructing a small firepit. I placed a tarp on the ground to separate my tent from the damp earth. Remember this, the tarp extended out roughly a foot on each side of my tent. Sam had a hammock that he planned to sleep in, I've only ever camped in a hammock once, and it didn't go great. But I didn't say anything to him, thinking that maybe he would enjoy it. We gathered a hefty load of firewood, consisting of some reasonably dry stuff. It was shaping up to be a really nice camping trip. I've spoken about the joy of being “out there” on this blog before, so I won't beat a dead horse, but it was really nice to be away from people. Sam and I sat around the fire and shot the shit until the sun went down. Now one of the things Sam and I have always bonded on, has been Bigfoot shows. We're both skeptics, and I would say we hold a similar or the same opinion on the subject. Our interest is less about believing in bigfoot, but rather we just find the subject matter to be nostalgic, silly, and a fun thing to joke about. So, I brought up the idea to Sam, that we begin to “Hunt” Bigfoot. He laughed and thought it was a great idea. So we began doing the antics they do in the “Finding Bigfoot” TV show. We started with the classic, Tree knocks. A “Tree Knock” for those unaware, is when you use a stick to beat on a tree, making a loud knocking sound that echoes through the forest. Supposedly sasquatch communicate this way. We didn't think anything of it at all, as I said before, we didn't really believe, we were just joking around. So we began by knocking on the trees and then stopping and listening for a response. After a few times of doing this we paused, and hearing nothing I began to think of a joke to crack and something else to do. Before I could open my mouth, we heard clear as day, a tree nock far off somewhere on the ridge to the left. I looked at Sam and said, “Dude.” Sam just looked back at me in surprise. I then did some more knocks, and we listened again. Then off in the distance, we heard more knocks in response. Then the other ridge to the right we began hearing knocks. Sam at this point was beginning to get freaked out a little and was perplexed as to what it could be. I at the time, was such a hard skeptic I carried on and insisted that it was a person or a woodpecker. “but who in the world would be out there? deeper in the woods than we are, on private land? What woodpecker makes three loud booming knocks on the tree, that sound exactly like the knocks we make?” Sam voiced his rebuttal. I ignored these arguments and held strong to the fact that there is no Bigfoot. I then insisted that we push the envelope by doing woops and howls, just like they do on TV. Sam was not very enthused by this idea, being the humbler and smarter one of us that night, knowing sometimes there's certain things you don't mess with. But at that time I was full of piss and vinegar, and stubborn as a mule about the fact that Bigfoot, is not real. I also had brought a gun with me, and was certain I could fight off anything we would need to fight off. So we started howling into the woods. It was dark that night, being a new moon, and beyond the firelight you couldn't see a damn thing. We would howl and wait listening for a reply. After a few howls, the excitement of “What was that?” started to fade and my logical, rational, science based, theory of the woodpecker began to appear true. Then, out of the dark distance came one of the strangest sounds I've ever heard. A howl. Not a canine howl, not an owls hoot, but a fucking ape howl. Sam's eyes were as big as back hoe tires, and even I was finding it hard to reason that one. Despite this, I continued my ignorant stubbornness, and threw out another howl. Off to the left ridge it replied to us again, the clearest ape whoop I've ever heard. As if it were recorded by researchers in the Congo. I looked at Sam, myself feeling more curious and excited than anything else, I reiterated, “Duuuude.” Then something truly unexplainable and spooky happened, more whoops and howls began on the ridge to the right and further down the valley. And they weren't random, they had etiquette, as if they were chatting back and forth with each other. The one to the left would howl, the one to the right would whoop and howl, the first would respond, and then the one way down the valley would chime in. Sam was really freaked out now, and began considering if we should leave. I, being a stubborn idiot, claimed it was owls. “Owls?? We were both raised in these hollers, I've heard owls, you're gonna tell me that was an owl? Have you ever in your life heard an owl that sounded like a fucking ape?” Sam argued against my claim. “Well, no, but there's no way bigfoot is real. It has to be a bunch of owls speaking to each other. There's nothing else it could be.” I replied, half laughing in astonishment and disbelief of what was unfolding that night. Sam and I kind of bickered for a minute over it, and then decided the wisest decision was to stop antagonizing whatever it was in the woods miles around us whooping and knocking. It wasn't too long after that, we decided to go to bed. I crawled into my tent, and Sam into his hammock. We left the fire going, and every time the fire died down, the woods came to life. Whether it was paranoia, or paranormal, something was stirring. All around camp we could hear what sounded like things being thrown and footsteps. From time to time we would hear another knock or another howl coming from a new position. Sam would leap out of his hammock and chuck loads of wood onto the fire and make it as big as possible. He would then lay back down to sleep. This repeated about three more times. Each time the fire died, things got spookier and spookier. A few times Sam would say, “Did you hear that?” and every time I would just blame it on possums nearing camp, hoping to find food scraps. Well, about the third time, Sam ran out of firewood. Meaning that this time when the fire died, it died for good, leaving us to the dark void of the Appalachian holler. I vividly remember I had fallen asleep before the fire died, and after it died, there was so much stirring around camp, I began to wake up. I was slowly waking up, thinking I was having some sort of nightmare, when I finally fully sobered, and realized that my dream was pleasant. It was reality that was full of frightening sounds and things that go bump in the night. The woods around us had become loud with unexplainable movement, the movement of multiple large things. The whooping and knocking had stopped, which did not comfort me, with all the new sounds right outside my door. There was maybe a 30 yard perimeter around camp that the sounds did not cross. Then suddenly, an extremely loud crashing began through the twigs, leaves, and branches. It was something large, running full sprint through the woods. Starting maybe 50 yards away, and running straight towards our camp. It grew louder and louder, until the sound of crushing leaves, turned to crinkling tarp. The creature, was standing on the tarp my tent was situated on. I was frozen. Like a child, Frozen in fear, eyes wide open. My heart was pounding out of my chest so hard I thought it would explode. I Then heard high above my tent, not near the ground, not four feet up, but high above my tent, the most terrifying sound I've ever heard. it was the sound of a huff and blow, exactly the way you hear a gorilla do it on TV. Or how the apes in planet of the apes do it. Three forceful huff and blows, then the creature turned around and ran back the way it came, back into the darkness of the night. Sam practically leaped out of his hammock and said, “You had to have heard that!” I replied with, “Yeah lets get the fuck out of here.” I slid a round into the chamber of my 30-30 and crawled out of the tent. We both got busy grabbing only our essentials, and started out of the woods. Using shitty dim flashlights, we made our way up the hill. Frantically looking behind us into the terrible night, and trying to move fast without running. We hiked a long ways and by the time we made it back to the house it was far past midnight. We never did see what it was that charged us, and we never did hear anything else after that. But whatever it was, scared us enough to make us hike out in the dead of night and leave all of our gear there. We returned the next morning in full daylight to gather our things. Looking back, I wish we had surveyed the area for tracks or some clue as to what it was, but at the time we did not want to be down there for any longer than we had to. Having been some years since this happened, I would go down there in a heart beat and not think a thing of it. When I come home, I usually feel a sense of ease in the woods. It feels like a weight is lifted off of your shoulders knowing there are no cougars or grizzly bears to worry about. For my western outdoorsy folk, familiar with cougar country, reading this and thinking, “I don't feel a weight in the woods.” my reply, would be the question, have you noticed you've been stalked before? Cougars are some of the sneakiest creatures in the animal kingdom, and just because you've never noticed it, doesn't mean it hasn't happened. I myself have been stalked, I've written about it here previously. It's a feeling that will stick with you, and definitely put you on edge in cougar country for a long time after. I have a colleague who guides western big game in New Mexico, who told me a story once that during a hunt he had a fellow guide spotting for him, and that guide watched a cougar stalk my friend through a grove of trees before giving up. My friend never had the slightest idea he was being stalked. I believe for an avid outdoorsman in cougar country, it is inevitable. And as far as grizzly country, it's a similar feeling but a little different. Most ill bear encounters happen because you surprise the bear in thick woods. I have many friends from my time in Alaska who would share stories of being charged by monster grizzlies from out of no-where. They're just hiking along, and then BOOM! 800 pounds of death is blasting straight towards them. And the consensus is the same amongst them, if you spend enough time out there, it will happen eventually. I luckily was never charged during my time in Alaska, I avoided known bear hang-outs. But the few times I spent time in bear country, I always had this jack in the box anxiety, just waiting for it to happen. What is funny though, is despite that weight being lifted initially, an old feeling always returns. I know it's not some sort of psychological thing having to do with that patch of woods specifically, because I feel it in most places in Appalachia. It's a feeling of being watched, a feeling that something is there, and a feeling of dread. And it amplifies every time you hear some strange crashing in the woods or a sound you cannot explain. Most of the times I've experienced this, I've had a gun. And I think to myself, “Come on man! You're the most badass thing out here.” Yet I can never shake that anxiety. My brother, without having ever heard this story, reluctantly asked me over the phone one day, “don't think I'm crazy but, have you ever felt creeped out in the woods below the house? I don't know what it is, but every time I go down there I feel like I'm being watched, and I get filled with dread.” Hearing him say that sent shivers down my back. Simply because I always dismissed this feeling, I've swept this story under the rug for years, telling myself it was just a bear etc. To hear my brother, who is a marine, tell me that, certified to me that I was not simply being a pussy. I've only ever felt this in two regions of the country. Appalachia, and the Redwood Forests of Northern California. Now some of you may be reading this thinking that I am a nut-job Bigfoot believer. I've been reluctant to share this story for that reason. But I want to end this, saying, I have no idea what it was that made those calls that night. I also have no idea what it was that busted into our camp. We never did lay our eyes on anything. But I want to re-iterate that the story, is true. Verbatim to how it happened as I can recall it, without any embellishment. I have no idea what it was, and you can make your own decision as to what you think it was. But being an experienced woodsman, never have I ever experienced something like that since, and I have no worldly explanation for it. Those were the events that transpired that night, and I'll let you make of that what you will.”   Here is a link to Ian's blog    

Our exit today has us having nothing to fear because it's only desire taking us higher and higher. This week, we are talking about Wet Hot American Summer, written by Michael Showalter and David Wain and directed by David Wain. And our conversation includes one of the film's biggest fans, The Director's Club host Jim Laczkowski!Along the way, we discuss this amazing cast, including Paul Rudd, Janeane Garofalo, Bradley Cooper, and David Hyde Pierce, along with our own summer camp experiences. Plus, Planet of the Apes, sketch comedy, Frasier, The State, movie trivia, Skylab, The Eyes of Tammy Faye, Alan Arkin, Roger Ebert's memorable pan of the film, and Ross' shortest plot summary of all time. And Tripp talks about maybe his best and worst moviegoing experiences in the same episode!The Director's Club SubstackThememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

This week's episode of the Parsing Immigration Policy podcast features a wide-ranging conversation with recently retired Border Patrol Chief Jason Owens, who served for 30 years and led the agency during the worst border crisis in history. Owens speaks with the Center's Executive Director Mark Krikorian about the evolution of the Border Patrol over its 100-year history, past lessons learned, and future challenges. Key points include:Career and History: Owens joined in 1996 as the Border Patrol was adopting national strategies like Operation Hold the Line and Operation Gatekeeper, shifting from chasing illegal crossers to preventing entry.Border Crisis Leadership: As chief, Owens navigated record flows, low morale, and shifting political directives, often focusing on “damage control” to preserve the agency's mission.Barriers and Technology: Physical barriers serve as a “force multiplier” when deployed strategically, buying agents time to detect, respond, and apprehend.Future Challenges:Smuggling potentially shifting to new routesAliens continuing to exploit loopholes, such as asylum.Need for AI and translation tools to handle migrants from a large number of diverse countries.Border Patrol Growth: Owens stresses that expansion must be gradual, maintaining high standards and adequate training to avoid weakening the force. In his closing commentary, Krikorian highlights a widely reported Center study showing a 2.2 million decline in the immigrant population, including 1.6 million illegal immigrants, in the first half of 2025. Critics argued the drop might be artificial, caused by non-response to the monthly Current Population Survey (CPS) due to fear of enforcement. But Krikorian noted response rates have been falling steadily for years, with no sharper decline under recent enforcement policies, suggesting the measured reduction is real – and that new policies have been successful in reducing illegal immigration.Host Mark Krikorian is the Executive Director of the Center for Immigration Studies.GuestJason Owens is former Chief of the Border Patrol.RelatedOverall Foreign-Born Population Down 2.2 Million January to JulyIs the Apparent Decline in the Immigrant Population Real?Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Show notes provided by Jack AdrienBefore the entertainment and media industry's endless stream of sequels, reboots, reimaginings, remakes, franchises, or tentpoles, there was The Planet of the Apes. Starting in 1963 as French author Pierre Boulle's novel, La Planète des singes – or better known in the United States as Planet of the Apes in the United Kingdom as Monkey Planet, respectively – the intellectual property gained international acclaim through its synonymous 1968 film adaption directed by Franklin J. Schaffner and starring Charlton Heston. Most filmgoers remember the film adaptation for arguably one of cinema's most famous twist endings [57-YEAR SPOILER WARNING: Charlton Heston and the other astronauts were never on another planet, their spaceship returned to a post-apocalyptic Earth 2006 years after their in-universe 1972 departure with intelligent apes as the dominant life form] . A critical and commercial success, the film adaptation spawned three film sequels (i.e., Beneath the Planet of the Apes released on May 27, 1970; Escape from the Planet of the Apes released on May 21, 1971; Conquest of the Planet of the Apes released on June 29, 1972; and Battle for the Planet of the Apes released on June 15, 1973). Ignoring the best forgotten Tim Burton remake released on July 27, 2001, the franchise gained a new life as the Rise of the Planet of the Apes reboot spawning three successful sequels (i.e., Dawn of the Planet of the Apes released on July 11, 2014; War for the Planet of the Apes     released on July 14, 2017; and Kingdom of the Planet of the Apes released on May 10, 2024). The new series introduced social awareness themes of animal genetic therapy experimentation, environmentalism, and human indifference of the natural world to a new generation. Join the Mint Condition crew of James, Joe, Josh, and Jack as we trace the legacy of The Planet of Apes' novel, original series, comic book, television series, animated series, toys, and other merchandise.

Go to http://factormeals.com/nostalgia50off and use code nostalgia50off to get 50% off your first box, plus Free Breakfast for 1 Year. Joe Ramoni joins Nostalgia Critic with looking over one of the great space comedies, but is it the best Star Wars parody? Let's take a look at Spaceballs. Check out his channel on youtube.com/@UCCay-jgoQFnEFsJ8GD6fjzQ Also check out Renegades React at youtube.com/@UCN98z0HLI504R0jGqfEC9Zw Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/TNF8XtfUqvI Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Spaceballs is a 1987 American space opera parody film co-written, produced and directed by Mel Brooks. It primarily parodies the original Star Wars trilogy, but also other popular franchises such as Star Trek, Alien, The Wizard of Oz, 2001: A Space Odyssey, Planet of the Apes, and Transformers. The film stars Bill Pullman, John Candy, Rick Moranis and Daphne Zuniga, with the supporting cast including Dick Van Patten, George Wyner, Lorene Yarnell, and the voice of Joan Rivers. In addition to Brooks playing a dual role, the film features Brooks regulars Dom DeLuise and Rudy De Luca in cameo appearances. Learn more about your ad choices. Visit megaphone.fm/adchoices

BROKEN SEA AUDIO PRESENTS: Beneath the Planet of the Apes THIS EPISODE: The wait is finally over, sit back relax and Hearken to the Lawgiver as he returns us to this dystopic tale of the Simian. CAST: LAWGIVER/CORNELIUS: MARK KALITA XANTH: STEVEN J. COHEN TAYLOR: BILL HOLLWEG BRENT: COLIN SNOW HERULE: JOHN DANE VENUSIA: ROBIN CARISLE This is a work of fan-fiction based on characters and universe created by Pierre Boulle, a tribute to one of the greatest sci-fi series of all time! No copyright infringement is intended. If you like this audio dramatization - go out and get the official books, movies and other works dealing with Planet of the Apes - they are FANTASTIC! Based upon situations and Characters from the Novel By Pierre Boulle and the SHOOTING SCRIPT- May 5, 1967 of “PLANET OF THE APES”- Original Screenplay by Michael Wilson. As well as the ideas of Mort Abrahams and the screenplays and drafts of Beneath the Planet of the Apes by Paul Dehn, December 20, 1968 and April 10, 1969, as well as ideas the book, adapted from the written by: Michael Avallone. Adapted for Audio and extended ideas/situations imagined by Bill Hollweg, January 26, 2008. This is a work of Fan Fiction, a celebration of the films I adore in Audio for the Simians everywhere…

What does Planet of the Apes and a Van Helsing analog traveling to Transylvania have in common with titanium orgy werewolves and bad mod music? Apparently, it's Sybil Danning getting topless only once, and yet also somehow 18 times. That doesn't make sense, and yet you'll understand exactly what that means when you tune in to this episode of Loathsome Things: A Horror Movie Podcast that continues to compare nipples to pizza toppings out of solidarity with the ladies.

In the latest episode of the Center for Immigration Studies podcast, Executive Director Mark Krikorian speaks with Scott Mechkowski, retired Deputy Field Office Director for ICE's Enforcement and Removal Operations in New York. With experience at U.S. Immigration and Customs Enforcement (ICE) and its predecessor agency, the Immigration and Naturalization Service (INS), Mechkowski offers an inside view of how immigration enforcement has changed over time.From his early days as a deportation officer to leading seven Fugitive Operations Teams targeting dangerous criminal aliens, Mechkowski recounts arrests, post-9/11 operations, and the gradual breakdown of cooperation between ICE and New York City authorities under sanctuary policies. He contrasts the first Trump administration's aggressive enforcement approach — led by then-ICE Acting Director Tom Homan — with the Biden administration's politicization of the agency under DHS Secretary Alejandro Mayorkas.Mechkowski also discusses operational challenges, the role of E-Verify, detention space needs, and the realities behind having arrest targets. His reflections reveal how enforcement priorities, local politics, and national leadership shape ICE's ability to remove those who should not be in the country.Host Mark Krikorian is the Executive Director of the Center for Immigration Studies.GuestScott Mechkowski is a retired Deputy Field Office Director for ICE's Enforcement and Removal Operations in New YorkRelatedNational Immigration Center for EnforcementIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Episode 132 - Dave Barclay - My Life With Animatronics. Movies, Puppets and Beyond!At just 19 years old, Dave Barclay found himself stepping into the role of chief puppeteer for Yoda in The Empire Strikes Back. It was the start of an extraordinary career in animatronics and puppetry that would see him bringing to life some of cinema's most beloved and memorable characters. In this episode, Dave takes us back to his creative beginnings, growing up in a family of puppeteers, and the serendipitous chain of events that led from working in Hamleys toy shop to meeting Mark Hamill — and ultimately joining Stuart Freeborn's Yoda team. We cover:His early inspirations from Planet of the Apes to making masks at home.The technical and creative challenges of performing Yoda alongside Frank Oz.Becoming chief puppeteer for Jabba the Hutt in Return of the Jedi.Working on The Dark Crystal, Little Shop of Horrors and Who Framed Roger Rabbit.The importance of collaboration between puppeteers, animators, special effects teams and actors.The process of writing his new autobiography My Life with Animatronics, Movies, Puppets and Beyond, filled with stories and photos from across his career.Dave's journey is a mix of artistry, technical problem-solving, and being in the right place at the right time — but also about saying “yes” when opportunity knocks. Listen now to hear stories from a man whose work has shaped how we see and believe in some of cinema's most iconic creatures. Find Dave's book:My Life with Animatronics, Movies, Puppets and Beyond – available now at Cool Waters Productions.All my links

On today's very special investigative episode we crack down on Blueberries!What is causing all the traffic issues? What is causing all the sh*tty things that keep happening involving blueberries? We try and fail to get to the bottom of it. But we do tell you all about them! We talk about some recent traffic jams, and an unfortunate event involving Jeff. So what are you waiting for? Click play and start laughing! Thank you for being a friend, join your two best friends, grab a slice of cheesecake and enjoy this week's episode of Notable Nostalgia!Make sure to leave us a 5 star review, and tell a friend about the show. The outro song for this episode is by an AWESOME band called "Wire Monkey Mama" and the song is called Planet of the Apes! You can listen to them on spotify! They are worth checking out for sure!If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds!

Ook ook, everyone! This week, Erin and Cameron traverse the extremely confusing timelines and multiverses of The Planet of the Apes franchise with the two 70s shows that killed the series (that is -- until Tim Burton and Marky Mark resurrected it so they could kill it off again) Enjoy!

Today, Matt & Todd are joined by guest Gabe Crate to explore the original Planet of the Apes saga one last time (sorta, the movies, anyway).Released in 1973, Battle for the Planet of the Apes is the fifth and final film in the series, directed by J. Lee Thompson (who also helmed Conquest) and starring:Roddy McDowall as CaesarClaude Akins as AldoNatalie Trundy as LisaAustin Stoker as (Bruce) MacDonaldWhit Bissell Award winners Paul Williams (as Virgil) and Lew Ayres (as Mandemus)Arguably the weakest entry in the franchise, with the least new ground to cover—but also, maybe, the most approachable. On one hand, it feels like an extended TV episode designed to tie up loose ends for the franchise faithful. On the other, it's a well-directed, well-acted film with solid set pieces and the most hopeful ending of the series.Sure, the ideas and budget may have been running low, but the performances pull you in and keep you there—right up to the confusing finale. Maybe it deserved better. But this is what we got, and honestly? It's an awful lot of fun.The fifth and final end to the story. Once and for all. No bombs. No bullets. Good night, nurse.That is… except for the TV series. And the animated series.So maybe don't lose your tack and saddle just yet.Follow Matt:Matt has over 100+ on LetterboxdYou can reach out on Bluesky:@MovieMattSirois Terrible movies often find him, even under under the alias Marcus at ⁠⁠⁠Movie Asylum of the Weird, Bad and Wonderful.Follow who we follow:⁠⁠⁠Once Upon a Geek⁠⁠⁠ and  ⁠⁠⁠The Fade Out Podcast⁠

The Center for Immigration Studies has released a new podcast examining the findings of a recent report, The Foreign-Born Population at the State and Regional Level, 1850 to 2025. The report shows that the foreign-born population – defined as anyone not a U.S. citizen at birth – has reached record levels at the state and regional levels. While the Center regularly highlights national-level immigration trends, this new analysis offers a unique look at state-by-state growth and its implications on schools, wages, healthcare, and working-class Americans. Steven Camarota, lead author of the report and the Center's director of research, discusses the following findings with host Mark Krikorian:Since 1980, the foreign-born population has grown 578 percent in the South and increased 10-fold or more in four states: Georgia, North Carolina, Nevada, and Tennessee. It increased at least seven-fold in five other states: South Carolina, Arizona, Utah, Texas, and Alabama. In an additional 17 states it increased more than four-fold.The foreign-born share of the population has hit historic highs in 14 states and reached a numerical record in 31 states and D.C.From 1980 to 2025, the foreign-born population grew eight times faster than the U.S.-born population nationwide – and 20 times faster in 17 states. In today's commentary, Krikorian highlights a new E-Verify report from the Center that examines enforcement challenges. The core problem, the report notes, is not the system itself but identity theft. One key reform: Congress should require states to grant DHS access to driver's license photos to strengthen verification efforts.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestSteven Camarota is the Director of Research of the Center for Immigration Studies.RelatedThe Foreign-Born Population at the State and Regional Level, 1850 to 2025E-Verify and the Invasion of the Identity SnatchersIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Academy Award®-winning composer Michael Giacchino returns to Dolby Creator Talks to discuss his bold and emotional score for “The Fantastic Four: First Steps.” In this in-depth conversation with guest host Jon Burlingame, Giacchino shares how he approached scoring one of Marvel's most iconic franchises, including how he balanced moments of sweeping sincerity with all that pulpy fun.“All I could think of in my head was like, if I took ‘The Right Stuff' and if I took the Disneyland Electric Light Parade and smashed them together… that's gonna give us our ‘Fantastic Four' music. And so I went right to town, over a year ago, on this theme. Which is something you never, ever get to do as a composer. It's so rare that you get to write a piece of music so early on.”—Michael Giacchino, Composer, “The Fantastic Four: First Steps”Be sure to check out “Fantastic Four: First Steps,” now playing in theaters and Dolby Cinemas® in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Check out Michael Giacchino's previous appearances on the Dolby podcast: - War for the Planet of the Apes - https://youtu.be/IMoypCm9pEc - The Sound and Music of The Batman - https://youtu.be/uZ_3Kdm_ZhE - The Making of Marvel's Werewolf by Night - https://youtu.be/vVALDtPJyss Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

The first digital imaging technician to join the podcast, Jason Bauer began his career using still photography for previs on productions shooting film. As cinematography shifted to digital, Jason trained other digital imaging technicians before eventually stepping into the role himself. Now one of the most sought-after DITs in the industry, he has worked on major productions around the world. In this episode, we explore the role of the DIT and the value they bring to a director of photography. Jason breaks down the hardware and software he uses, how he works on set, and why DITs are essential to modern filmmaking. We also talk about his experience working on Taylor Swift music videos, shooting Kingdom of the Planet of the Apes in Australia, going remote in Thailand for Thai Cave Rescue, and filming Cherry in Morocco.

The Center for Immigration Studies is proud to release the latest episode of Parsing Immigration Policy, featuring the opening statements from our 2025 congressional testimony. Since January, CIS experts have testified seven times before the U.S. House and Senate, appearing before committees on Homeland Security, Oversight, and Judiciary. These opening statements reflect the breadth of CIS expertise on border enforcement, parole policy, visa integrity, NGO influence, detention operations, and more.Highlights include:Biden's Border Betrayal: Criminal Aliens in America — U.S. Senate Judiciary Subcommittee on Border Security & Immigration (Andrew R. Arthur, July 22)The Fiscal Consequences of Parole During the Biden Administration — House Homeland Security Oversight Subcommittee (Steven A. Camarota, July 15)Restoring Integrity and Security to the Visa Process — House Judiciary Immigration Subcommittee (Jessica M. Vaughan, June 25)Public Funds, Private Agendas: NGOs Gone Wild — House Oversight Subcommittee on Government Efficiency (Mark Krikorian, June 4)Examining Threats to ICE Operations — House Judiciary Oversight Subcommittee (Andrew R. Arthur, May 20)Restoring Immigration Enforcement in America — House Judiciary Committee (Jessica M. Vaughan, January 22)Remain in Mexico — Senate Homeland Security & Governmental Affairs Committee (Andrew R. Arthur, January 16)HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestCenter staff testimony.RelatedCenter testimony pageIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

You are almost certainly acquainted with my guest on this week's episode — through the episodes he wrote of Will & Grace, Cybil, Frasier, and the show he helped create, The Chris Isaak Show. Bill was a theater guy who get his foot in the door of TV thanks to a few lucky breaks and some colleagues who recognized how funny he was, and he went on to play an important role in shaping TV comedy in the 90s. And now, after a break to raise two kids, he's picking up where he left off. We'll have that conversation in just a minute. First — if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon at Patreon.com/mattbaume. You may also enjoy my YouTube videos about the making of iconic movies and TV shows — I've got a new one out about the movie But I'm a Cheerleader. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter full of stories about the making of gay entertainment. There's links to all that in the episode shownotes, and at MattBaume.com.

For the 175th episode of Another Pass, we had to talk about a cult classic so cultish and such a classic that it demanded two separate panels! That's right! For a discussion on Starship Troopers, Case and Sam are joined by John Lestrange (The History Wizard), Samantha Perez, Keith Lehtinen, and Mitch Punpayuk! Would you like to know more? Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Overview Episode 175 of 'Certain POV's Another Pass' podcast explores Starship Troopers, addressing its satirical elements and impact on audiences, featuring two distinct panels. Personal viewing experiences highlight how initial interpretations of the film changed over time, with multiple guests recognizing the underlying satire. The film's satirical intent often missed by audiences; Poe's Law indicates difficulty in distinguishing extreme satire from genuine claims without clear indicators. Elements of fascism illustrated in the United Citizen Federation's military service requirements and portrayal of authority figures with war injuries. Propaganda within the film includes false flag operations, demonstrating dehumanization of 'bugs' and justifying violent military actions. Johnny Rico's character illustrates an alt-right pipeline, showing the process of radicalization through military indoctrination and societal pressure. Significant differences between the original book and movie adaptation noted, including a shift in character motivations and depictions of technology. Production challenges included injuries during boot camp training and instances of disrupted filming, showcasing the difficulties faced by the crew. Cultural impact acknowledged, as Starship Troopers influenced franchises like Starcraft and Helldivers, with modern audiences resonating with its themes. New adaptations are in development, including a Sony project directed by Neil Blomkamp, indicating ongoing interest in the Starship Troopers franchise.   Notes ️ Episode Introduction & Format (00:01 - 02:51) Episode 175 of 'Certain POV's Another Pass' podcast discussing Starship Troopers as a movie that overcame adversity. Two-panel format with different guest combinations to cover extensive discussion topics. First panel features Case Aiken, Sam Alicea, John Lestrange, and Samantha Perez focusing on sociological themes. Second panel includes Case Aiken, Sam Alicea, Keith Lehtinen, and Mitch Punpayuk discussing filmmaking aspects. Personal Experiences with Starship Troopers (04:08 - 16:01) Case Aiken saw it at age 13 in 1997, initially missed satirical elements, took it as straightforward action film. Sam Alicea watched at 16-17, uncomfortable with bugs but recognized something 'off' about the film. John Lestrange first viewing at age 7 when released, watched for first time yesterday with Holocaust studies background. Samantha Perez saw chopped TV versions as teenager, recently rewatched with fresh perspective. Keith Lehtinen was 14 when released, became aware of actors through this film, Dina Meyer was first crush. Mitch Punpayuk saw at 15, bought DVD before owning DVD player, waited two years to watch it. Satirical Elements & Reception Analysis (20:09 - 29:48) Movie functions as fascist propaganda satire but audiences often missed the satirical intent. Poe's Law applies - satirical expressions of extremist views indistinguishable from actual extremist views without clear indicators. 1997 timing problematic for satire reception - post-Cold War, pre-9/11 context limited audience understanding. Director Paul Verhoeven grew up in Nazi-occupied Netherlands, assumed audience familiarity with fascist themes. Susan Sontag's 'Fascinating Fascisms' (1975) referenced - Nazi ideal of 'brave, pretty and stupid' Aryan forces. ️ Fascist Society Elements (24:14 - 01:01:13) United Citizen Federation requires military service for citizenship and voting rights. All adult authority figures shown with missing limbs or severe scarring from military service. 14 characteristics of fascism present but modified - notably lacks typical gender hierarchy/sexism. Reproduction licensing system makes having children difficult for non-citizens. Public flogging and televised executions as standard punishments. Bug War Propaganda Analysis (30:42 - 40:12) Buenos Aires meteor attack potentially false flag operation rather than bug weapon. Mormon colony massacre on bug territory used as justification despite humans being invaders. 'Would you like to know more?' segments function as in-universe propaganda reels. Children encouraged to stomp bugs in disturbing propaganda scene. Brain bug capture presented as victory but war clearly being lost. ‍️ Character Development & Military Pipeline (51:47 - 01:00:16) Johnny Rico represents alt-right pipeline - young man radicalized through military indoctrination. Carmen Ibanez portrayed as ambitious, prioritizing military career over relationships. Dizzy Flores changed from male character in book to female love interest. Carl Jenkins represents military intelligence, disappears into classified operations. Sergeant Zim and Lieutenant Rasczak serve as father figures in military structure. Book vs Movie Adaptation (23:13 - 28:17) Originally titled 'Bug Hunt at Outpost 7' before being adapted to Starship Troopers. Director didn't finish reading Heinlein's book, called it 'too boring'. Mobile Infantry in book wore powered armor with jump jets, removed due to budget/wire work complexity. Bugs more technologically advanced in book, movie presents them as purely biological. Buenos Aires not Rico's hometown in book, major plot change for personal motivation. Production Challenges & Behind-the-Scenes (39:34 - 07:35) Cast underwent intensive boot camp training, Casper Van Dien and Dina Meyer sustained injuries during filming. Intoxicated crew member mentioned bomb on flight, disrupting production travel. Pre-visualization test at Vasquez Rocks convinced TriStar to fund after Waterworld concerns. 15-foot practical ship models used alongside CGI for space scenes. Starship Trooper armor reused in multiple productions including Power Rangers, Firefly, Planet of the Apes. Special Effects & Technical Aspects (08:52 - 06:24) Mix of practical and CGI effects particularly effective for bug creatures. Netflix 4K viewing shows quality variations, some scenes appear grainy especially green screen backgrounds. Brain bug close-ups noted as particularly disturbing and well-designed. Space scenes generally poor quality except for specific flight sequences. Cultural Impact & Legacy (14:18 - 17:26) Starcraft, Warhammer 40K, and Helldivers directly influenced by Starship Troopers aesthetics. Five-movie franchise plus Roughnecks CGI TV series expanded universe. Modern resonance with current political climate makes satirical elements more apparent. Gif culture frequently references film during political tensions. Cast & Casting Decisions (17:18 - 21:57) Unknown actors cast intentionally to look 'authentically young' but appear older due to training. Mark Wahlberg and Matt Damon auditioned for Rico role. Dina Meyer originally read for Carmen, chose Dizzy role instead. Neil Patrick Harris commentary recorded pre-How I Met Your Mother fame. Character actors include Amy Smart, Seth Gilliam, Timothy Omundson in small roles. Audience Reception & Box Office (15:07 - 20:09) Test audiences disliked Carmen character, preferred Dizzy. Critical reception missed satirical intent, even thoughtful reviewers uncertain. Box office made budget back but not considered major success. Cult classic status developed over time as satirical elements became more apparent. Thematic Analysis (34:39 - 51:47) Dehumanization through 'bug' imagery parallels historical genocidal rhetoric. Violence as societal foundation explicitly stated in film's philosophy. Military-industrial complex critique through endless war presentation. Youth radicalization process demonstrated through Rico's character arc. Future Adaptations (13:51 - 13:51) Sony developing new Starship Troopers adaptation directed by Neil Blomkamp. Helldivers movie also in development as spiritual successor.

Send us a textIn this episode of Friday Night Beers, Tom & Vince drink Beer for the Future. This beer comes from Off Color Brewing in Chicago, IL. They drink it and somehow compare it to things like our initial visions of the future, noteworthy futures in film, Blade Runner, Back to the Future, Planet of the Apes, fortune tellers, The Simpsons and more. At the end, they rate this beer on a unique 1-5 scale. VINCE: 3.25 / 5 VincesTOM: 3.5 / 5 TomsOn Friday, August 15th - Friday Night Beers is coming to you LIVE in downtown Chicago.Join us at Standard Bar & Grill in Wicker Park as we have some cold ones, play a few games and entertain our fans with a special edition of our show. This is an event you don't want to miss.No tickets required. Just show up at Standard Bar & Grill, in Chicago, on Friday, August 15th at 7 pm. Grab your friends and be part of the action. And now…enjoy this episodeInstagram: @friday.night.beersTwitter: @fnb_pod Threads: https://www.threads.net/@friday.night.beersEmail: friday.night.beerspodcast@gmail.com Theme music by Billy Hansa. Subscribe, rate and review the podcast on Apple, Spotify or wherever you find your podcasts!

Welcome Back Everyone! Thank You for joining us once again!   1st Film: Joey's Pick War for the Planet of the Apes (2017) Directed by: Matt Reeves Starring: Andy Serkis, Woody Harrelson, Steve Zahn and Amiah Miller 2nd Film: Fantastic Four Series Fantastic Four (2005) Directed by: Tim Story Starring: Ioan Gruffudd, Michael Chiklis, Chris Evans, Jessica Alba and Julian McMahon Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l

The latest episode of Parsing Immigration Policy, the Center for Immigration Studies' podcast, delves into the role of immigration detention in U.S. enforcement efforts. Hosted by Mark Krikorian, the discussion features insights from Andrew Arthur, a former immigration judge and the Center's Fellow in Law and Policy, who stresses that detention is required to ensure integrity of the immigration system.Highlights:Purpose of Detention: Detention serves administrative functions, ensuring individuals appear for hearings and are available for removal if ordered.Failure to Appear: 34 percent of alien respondents in immigration court fail to appear at some point during the removal proceeding process. Respondents in detention must appear in court whether they want to or not, so the no-show rate is effectively zero, which skews the overall rate of what are termed “in absentia” cases.Legal Mandates under the Immigration and Nationality Act (INA): Detention of aliens subject to removal proceedings is mandatory under various provisions of the INA, including individuals apprehended entering illegally, criminal aliens post-incarceration, and those under final removal orders.Detention Capacity: The lack of detention space is causing a bottleneck in enforcement. The “Big Beautiful Bill” expands detention capacity. potentially increasing bed space by 80,000.Detention Standards: ICE follows the Performance-Based National Detention Standards – the gold standard of care and higher than conventional jail standards.State and Local Roles: States can assist by providing facilities, with federal reimbursement, to support detention efforts. Examples include Alligator Alcatraz in Florida and soft-sided facilities on military bases in New Jersey and Indiana.In today's commentary, Mark Krikorian, podcast host and executive director of the Center, highlights The Dignity Act, introduced by Representative Maria Elvira Salazar (R-Fla.). The bill handcuffs immigration enforcement in many ways, amnesties millions, and increases legal immigration, reminding us that the open borders, pro amnesty advocates will never stop pushing their agenda.HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestAndrew Arthur is the Resident Fellow in Law and Policy at the Center for Immigration Studies.RelatedThe Role of Immigration Detention and Why It is NeededThe ‘Dignity Act': Amnesty for 12 million now plus more than five million extra immigrants over the next decadeThe Price of “Dignity”Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Today on Art of the Cut we're discussing Superman with editors William Hoy, ACE and Craig Alpert, ACE. We're also joined by embedded Avid sound mixer Ian Chase.William's been on Art of the Cut before for War for The Planet Of The Apes, The Batman, and The Call of the Wild. His other credits include Dawn of the Planet of the Apes, I, Robot, 300, Dances with Wolves, and the just-released Fantastic Four movie.Craig has also been on Art of the Cut before for Borat Subsequent Moviefilm and Deadpool 2. He was nominated for an ACE Eddie for both of those films. He also edited Popstar: Never Stop Never Stopping, and Pineapple Express.Ian Chase has been on the sound teams of Everything, Everywhere, All at Once, The Fantastic Four, Avatar: Fire and Ash, and Guardians of the Galaxy: Volume 3. He was nominated for a Golden Reel Award for She Hulk.In this episode, Discover why the post-credit scene used to be IN the movie, how an “embedded sound person” helped deliver more than just sound, and why audiences needed a certain pace to discover a “new” Superman.You can read along with this podcast on the BorisFX blog to see trailers, timeline screenshots and exclusive images. Visit:borisfx.com/blog/aotc

Frank is joined by Emmy-winning writer-comedian DANA GOULD and this week's co-host, voice actor (and youthful ward) BARRETT LEDDY for a waaay too in-depth analysis of the rogues' gallery of arch-villains from the classic 1966-'68 "Batman" series. In this episode, Frank and the boys talk about bat-climbs, celebrity cameos and "non-canon" nemeses and share their favorite (and LEAST favorite) bat-baddies, while taking a nostalgic look back at an oft-repeated "rumor" from the "Amazing Colossal Podcast." PLUS: "Beneath the Planet of the Apes"! Dana dines with the Riddler! Frank hangs with Adam West! Barrett impersonates Eartha Kitt! And Dana remembers his friend, the late Paul "Pee Wee Herman" Reubens! Learn more about your ad choices. Visit megaphone.fm/adchoices

What if your purpose was whispered to you by God and you actually listened? In this inspiring episode of Harder Than Life, Kelly Siegel sits down with Isaac C. Singleton Jr.—the unmistakable voice behind Marvel's Thanos, Sagat in Street Fighter, and Soundwave in Transformers. From Pirates of the Caribbean to The Mandalorian, Isaac has built a career playing villains, but off-screen, he's one of the kindest and most grounded men in the business. This is more than a Hollywood story. It's a divine journey. Isaac reveals how faith led him from economics to acting, the ups and downs of breaking into the industry with no connections, and why he never let rejection define him. “God told me I'd be an actor and every door opened after that.” In This Episode, You'll Learn:

Editors - William Hoy, ACE and Craig Alpert, ACE Superman editors William Hoy ACE and Craig Alpert ACE didn't need to be told there was a lot riding on this movie.  Not only does it represent James Gunn's view on who Superman needs to be for modern movie-going audiences, it also kicks off Gunn's vision of the new DCU.  From the first minute of the film, viewers encounter a Superman who bleeds and is grappling with not just his limitations, but also his sense of purpose. It's these complex layers that Bill and Craig balanced through their masterful editing. In James Gunn's new take on the most iconic character in the superhero realm, Superman must prove to the world that he is their protector and not a thread, after billionaire Lex Luthor enacts a plan to turn public opinion against him. William Hoy, ACE Bill is known for his work on No Way Out (1987), Dance with Wolves (1990), The Bone Collector (1999), Dawn of the Planet of The Apes (2014), War for the Planet of the Apes (2017) and The Batman (2022). Craig Alpert, ACE Craig is known for cutting Deadpool 2 (2018), Borat: Subsequent Moviefilm (2020), The Lost City (2022) and Blue Beetle (2023).  He was twice nominated for an ACE Eddie award in the category of Best Edited Feature Film: Comedy (Deadpool 2, Borat: Subsequent Moviefilm). The Credits Visit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade Hear Craig talk about his work on BORAT: SUBSEQUENT MOVIEFILM Listen to Bill discuss cutting THE BATMAN and THE CALL OF THE WILD See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

In this audio-only episode, we sit down with Canadian-Brazilian filmmaker Marcus Alqueres to explore his unique journey from visual effects artist to acclaimed director and his innovative approach to superhero storytelling. Marcus shares his background working in visual effects on blockbusters like 300, Rise of The Planet of The Apes, and Tintin before transitioning to directing with his breakthrough short film The Flying Man. The viral 2015 short, which garnered over 20 million views, offers a dark and thought-provoking examination of vigilante justice that caught the attention of Sony/Columbia Pictures, who are developing it as a feature film with Marcus attached to direct. We dive into his commercial directing work for major brands like Samsung, Honda, Volkswagen, and Pepsico, his recent projects, including Warden, and how his visual effects background influences his filmmaking approach. You can follow Marcus on his site, malqueres.com, on Instagram @malqueres or on X @marcusalqueres. Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

Watch this week's Look At This Photograph on YouTube⁠⁠⁠⁠⁠ Zach, Amin and Mayes are a couple of damn, dirty humans determined to prove that you never send a monkey to do a man's job. Start chittering now. ⁠⁠⁠⁠⁠CINEPHOBE MERCH STORE⁠⁠⁠⁠⁠ - Check it out here:⁠⁠⁠⁠⁠ https://bit.ly/CTDMERCH⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Join the Count The Dings Patreon⁠⁠⁠⁠⁠ for Rewatchingtons, Ad-Free Episodes, Extended Cold Opens and more at⁠⁠⁠⁠⁠ www.patreon.com/CountTheDings⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Cinephobe is now on Youtube!⁠⁠⁠⁠⁠ Subscribe and check out CT5s and Look At This Photograph on Video. Subscribe to Cinephobe! Then Rate 5 Stars on⁠⁠⁠⁠⁠ Apple⁠⁠⁠⁠⁠ or⁠⁠⁠⁠⁠ Spotify⁠⁠⁠⁠⁠. Follow Cinephobe on Twitter, Instagram & Threads: CTD⁠⁠⁠⁠⁠ @countthedings⁠⁠⁠⁠⁠ IG:⁠⁠⁠⁠⁠ @cinephobepod⁠⁠⁠⁠⁠ Threads:⁠⁠⁠⁠⁠ @cinephobepod⁠⁠⁠⁠⁠  Zach Harper⁠⁠⁠⁠⁠ @talkhoops⁠⁠⁠⁠⁠ IG:⁠⁠⁠⁠⁠ @talkhoops⁠⁠⁠⁠⁠ Threads:⁠⁠⁠⁠⁠ @talkhoops⁠⁠⁠⁠⁠ Amin Elhassan⁠⁠⁠⁠⁠ @darthamin⁠⁠⁠⁠⁠ IG:⁠⁠⁠⁠⁠ @darthamin⁠⁠⁠⁠⁠ Threads:⁠⁠⁠⁠⁠ @darthamin⁠⁠⁠⁠⁠  Anthony Mayes⁠⁠⁠⁠⁠ @cornpuzzle⁠⁠⁠⁠⁠ IG:⁠⁠⁠⁠⁠ @cornpuzzle⁠⁠⁠⁠⁠ Threads:⁠⁠⁠⁠⁠ @cornpuzzle⁠⁠⁠⁠⁠ Email: cinephobepodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In the latest episode of the Parsing Immigration Policy podcast, host and the Center's executive director Mark Krikorian sits down with Gaby Pacheco, an Ecuador-born “Dreamer” and President and CEO of TheDream.US.Krikorian, a long-time critic of Deferred Action for Childhood Arrivals (DACA), and Pacheco, now an American citizen, discuss the history and politics of the Dream Act and DACA.Opportunity Lost: Despite holding 60 Senate seats during the first year of the Obama administration, Democrats chose not to move a legislative amnesty for Dreamers – illegal aliens who entered the United States at a young age.What is DACA?: Having failed to pass an amnesty for Dreamers, President Obama bypassed Congress in 2012 and through executive action created DACA, which provides some of the benefits of the Dream Act, including protection from deportation and employment authorization, to certain illegal aliens who entered the U.S. before age 16. Its legality has been the subject of litigation.Origins of the Idea for DACA: Pacheco recounts how, having failed to pass the Dream Act through Congress, the administrative approach of DACA was inspired by a 2003 private bill by Sen. Lindsey Graham (R-S.C.) and the Temporary Protected Status (TPS) program, which provides “temporary” protection from deportation and work authorization eligibility for nationals in the U.S. of countries that have experienced natural disaster or civil strife.Trump's 2018 offer: The Trump administration proposed a legislative package that would have given proper legal status to DACA recipients and other DACA-eligible illegal immigrants, covering perhaps as many as 2 million people, in exchange for key reforms in the legal immigration system. It failed in the House.Looking ahead: Will Congress address DACA?HostMark Krikorian is the Executive Director of the Center for Immigration Studies.GuestGaby Pacheco is the President and CEO of TheDream.US.RelatedTheDream.USIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Go behind the scenes of The Sphere in Las Vegas as Phil Cooke https://philcooke.com interviews Head of Physical Production, Ralph Winter. Proven to be one of Hollywood's most profitable assets with blockbusters including X-MEN, PLANET OF THE APES, and WOLVERINE, Ralph takes us inside the production process of The Sphere's cinematic experience, including award-winning director Darren Aronofsky's “Postcard from Earth” produced for the Las Vegas venue. Includes inside information on filming with the Big Sky Camera featuring a 165-degree wide field of view, produced for the world's largest high-definition LED screen with 164,000 speakers in the building. Filmmakers will appreciate the storytelling process in this unique medium and the career advice from this seasoned Hollywood producer!

This week we are joined by actor Toby Kebbell and directors Bjorn Franklyn and Jonny Marchetta to talk about 'Salvable' and how they made their amazing debut movie with Toby starring with Shia LaBeouf in the film Salvable is about an aging boxer struggles to escape the grasp of a small town while battling a fractured relationship with his teenage daughter and is in CINEMAS now. Toby Kebbell has starred in the movies Dawn of the Planet of the Apes, Warcraft, Rock n Roller and Dead Man's Shoes . Bjorn and Jonny come from a music video background and teamed up with Lowkey Films and Featuristic to get their movie made. Enjoy this weeks episode of The Filmmakers Podcast. OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Dichen Lachman is a Tibetan-Nepalese Australian actress known for her captivating presence and dynamic range across film and television. She stars as “Gemma” and “Ms. Casey” in Apple TV+'s acclaimed series Severance, earning praise from Esquire and Rolling Stone for her standout performance. Lachman first gained recognition in Joss Whedon's Dollhouse and went on to star in Altered Carbon, Animal Kingdom, and Jurassic World: Dominion. Her film and TV credits also include Agents of S.H.I.E.L.D., Supergirl, The 100, and Kingdom of the Planet of the Apes. Born in Kathmandu and raised in Australia, she now lives in London with her family.

This week on Authorized, we welcome back David Sims to discuss James Luceno's novelization of 1994's The Shadow! Dude can't write action to save his life, but he's got some other virtues. Check out Our Other Episodes With David: Species - https://open.spotify.com/episode/6MWymKKVfarkeTQeLRn9gw?si=dSDLxfWnTjyzWBu3J_CZMAConquest of the Planet of the Apes - https://open.spotify.com/episode/5A046BnLtRw9Ziveqo1qxw?si=Ho9swkN2QXWjdYg14tz2IQCheck Out Our Patreon! : patreon.com/authorizedpodInstagram: intsagram.com/authorizedpodBluesky: https://bsky.app/profile/authorizedpod.bsky.socialFollow us on letterboxd:  letterboxd.com/AOverbye/  letterboxd.com/hsblechman/  

In this week's episode of Parsing Immigration Policy, Jessica Vaughan, the Center's Director of Policy Studies, expands on her recent testimony before the U.S. House immigration subcommittee on “Restoring Integrity and Security to the Visa Process”.Under the Biden administration, the number of visa applications and issuances increased significantly, which created difficulties for vetting and greater opportunity for visa fraud. Along with host and Center Executive Director Mark Krikorian, Vaughan explores various actions that can be taken by Congress or the Trump administration to address these risks.Vaughan identifies several possible changes that could be made administratively.Change the culture of customer service at USCIS and State Department that encourages adjudicators to “get to yes”Require mandatory interviews of all visa applicantsNarrow the default authorized duration of stay for short-term tourist and business visas to 30 days instead of an automatic six monthsVaughan also discusses visa categories that she believes should be reviewed by Congress to decide if they need to be managed more closely, cut back, or eliminated altogether, including:Diversity LotteryU and T visasSpecial Immigrant Juvenile visasOptional Practical TrainingJ visasIn his closing commentary, Mark Krikorian looks inside the “Big Beautiful Bill” and what its enactment means for immigration policy.HostMark Krikorian in the Executive Director of the Center for Immigration Studies.GuestJessica Vaughan is a Director of Policy Studies at the Center for Immigration Studies.RelatedJessica Vaughan's oral and written statementsVideo of the full hearing, plus all written witness statementsOverview of Immigration Provisions in H.R.1, the ‘One Big Beautiful Bill Act'Intro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

Have you heard about this new phenomenon sweeping America? Either have I, it's called Hot Honey!!! Jeff takes us along a journey that is sure to make you hungry. Oh and guess what?! Thanks to you all we were nominated for best podcast AND we are finalists!!! So what are you waiting for? Click play and start laughing! Thank you for being a friend, join your two best friends, grab a slice of cheesecake and enjoy this week's episode of Notable Nostalgia!Make sure to leave us a 5 star review, and tell a friend about the show. The outro song for this episode is by an AWESOME band called "Wire Monkey Mama" and the song is called Planet of the Apes! You can listen to them on spotify! They are worth checking out for sure!If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds!

It's a new day in Ape City as Jack and Geoff return to Malibu's POTA series with a look at issues 6 & 7! And it's a lovely day indeed, as your Ape hosts marvel at the locked-in art, fascinating formal explorations, tantalizing story developments, and the simple pleasures of an ape mad scientist talking to a severed head.

“The monkey is basically Tommy Lee, and I'm sick of pretending not to notice.”This week's most unhinged horror movie is... The Monkey. This film has everything: An electric detonation, A stripper face reveal that will blow your mind, and a haunted toy chimp that was just following orders. If you love flamethrower pawn shops, placenta-fueled twin rage, and Planet of the Apes energy with zero restraint, this episode's for you!What did you all think of our episode on The Monkey?Tell us on our Socials @HorrorVirgin on Facebook, BlueSky, and InstagramHelp Support our HV Family: www.Patreon.com/HorrorVirginUp Next: Sinners (2025)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.