Podcasts about Space Odyssey

Translation for Intro:  "Fire Dragon can reduce Tokyo to ashes in just a few hours." Godzilla ROARS. "It's Godzilla!" As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you have like to wear a monocle and talk about fancy artisan cheeses maybe you would like to be a patron of the podcast? Luckily neither of those things are a requirement! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm If you are interested in the plot of the film you can read an overview on the wikipedia page here.   Correction: In the intro I say Japanese Air Base when I mean Japanese Moon Base. Welcome to the podcast! TIME FOR PANIC TO ENSUE!!! We are in 1968! It's finally here! Am I ready for the 2001: A Space Odyssey? No, I am not! But I'm getting there. Please bear with me.  In the meantime, I shall distract you with a chat about one of the most visually delightful of Kaiju Films (Although one of our guests' recommendations may have it beat in visual delights). You can see an array of the stills from Destroy All Monsters on my Instagram account. This is the swinging 60s Japan style! In 1968 ToHo studios decided to wrap up the Godzilla Franchise with a big bang! A Kaiju extravaganza featuring 11 monsters. Let me list them for you. Godzilla  Rodan Angurius Mothra (very tragically in larva form) Gorosaurus  Minilla (Godzilla's son who gives me the creeps. Sorry!) Kumonga Baragon Manda Varan King Ghidorah  Due to international success the franchise continued on. Hoorah! I have two gargantuan guests for you. (They actually are, as far as I am aware, human sized although I have no proof.)  Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse. Blair Davis is a Professor of Media and Cinema Studies at DePaul University. He has written a lot about cinema and comics and including the book The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema. Chapters  00:00 Introduction 01:33 Sci-Fi films from 1950s to 1968 03:14 Comparison to Godzilla 1954 05:23 1960s Japan 08:49 Blair's love of the film 09:59 The intentions behind the film 11:14 The 'Monster Rally' tradition 13:53 Visual delights 14:36 The first 10 minutes 18:22 The island connections 21:14 The Showa Era and Japan on the global stage 24:49 Aliens! The Kilaaks 29:38 The Izu Peninsula and Shogun 30:16 The Kaijus 40:17 The final battle 43:12 A changing Godzilla 46:52 Legacy 49:26 Recommendations   Recommendations: Godzilla vs. Hedorah (1971) Godzilla in Hell by James Stokoe    NEXT EPISODE! Next episode (if all goes well) we will be talking about the Je t'aime, je t'aime (1968) which is available on BFI player in the UK (which is accessible through Apple TV) but seems very elusive elsewhere. There is a version on YouTube but it is in French. The English title (I Love You, I Love You) did not seem to help. The BluRay is also available but for slightly silly prices outside of the UK from what I can see. I wish you luck in finding it!    

Ten years of wandering, condensed into a sprint. This time around, we are bringing you a very-special retelling of Homer's epic poem, The Odyssey. It's high on energy but also delightfully low on patience. Because let's be honest: ten years is a long time to spend lost at sea, and we have a podcast to run. Behind the Scenes of "A Condensed-Space Odyssey" Our actors are ready, the sound effects are mostly accurate, and everything is set to go. Well, except for some last-minute edits made strictly for time-management purposes. Clinton is sure the cast won't mind. After all, who wouldn't be thrilled about having their grand theatrical moments reduced to brief cameos? Our story centers on a hero of the Trojan War, Odysseus. Right now, he's just trying to get home to Ithaca. But a petty Poseidon and a very love-struck nymph have other plans. You'll feel the ocean spray during his turbulent raft ride through monstrous whirlpools, hear the beckoning call of rock-loving sirens, and almost taste the tragic consequences of munching on flowers and farm animals. And in a faction of the time Christopher Nolan took to tell the story! Can a hero survive when his script is cut? The sails are set, the wind is in the bag, and the clock is ticking. Grab your favorite goblet of wine and join us for the ride of a lifetime! Listen now or face the wrath of a cut-for-time god! >> Special Guest Star: Bonnie Kenderdine>> You can also support comedy4cast by becoming a patron on Patreon>> Or you can get Clinton a Dunkin' card or a cup of coffee via Ko-Fi>> Follow comedy4cast on BlueSky, Instagram, Facebook, MeWe, and Mastodon >> Give us a call via the Super Secret Phone Line (213) 290-4451>> Also check out Clinton's other podcast, The Topic is Trek>> Certain sounds effects heard on comedy4cast are courtesy of freeSFX and FreeSound.org Click here for a transcript of this episode.

Homer’s Odyssey, a 12,000-line, nearly 3,000-year-old epic poem, is one of the foundational texts of Western literature. (It’s also one of the oldest surviving sequels!) It has inspired a list of movies as varied as Stanley Kubrick‘s 2001: A Space Odyssey, the Coen brothers’ O Brother, Where Art Thou?, and The SpongeBob SquarePants Movie. But there haven’t been very many straight screen adaptations of its full story. Christopher Nolan’s The Odyssey is just the second full-length feature film adaptation of Homer’s Odyssey ever made. It is 173 minutes long. It reportedly cost $250 million to make. And it is currently the No. 1 movie in the world, having grossed $666.7 million in just 12 days in theaters. This hour, rock star classicist and translator Emily Wilson joins us to talk Homer, Nolan, and everything in between. Plus: We impanel a full Nose to parse and dissect the movie as only the Nose can. GUESTS: James Hanley: Co-founder of Cinestudio at Trinity College Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Irene Papoulis: Taught writing for a long time at Trinity College Emily Wilson: A classicist who has published verse translations of Homer, Seneca, Sophocles, and Euripides; her new book, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature, is out in September, 2026, in the United States Bill Yousman: Professor of media studies at Sacred Heart University Music featured (in order): Disco Ulysses – Vulfpeck Tales of Brave Ulysses – Cream Take the Long Way Home – Supertramp Zeus’s Law – Ludwig Göransson Ithaca – Ludwig Göransson When I’m Home – James Blake, Travis Scott, Ludwig Göransson Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Music has vinyl. Literature has hardcover editions. Movies have the 70MM format.Used in decades past for sweeping epics like Lawrence of Arabia and 2001: A Space Odyssey, the preferred presentation of film purists has found modern boosters in luminaries like Quentin Tarantino and — more relevant for this episode of Cinebuds — Christopher Nolan.Booking the British-American director wasn't really an option for a little-podcast-that-could like ours. So when we decided to combine our review of The Odyssey with some insight to the 70MM format, we tracked down two ideal local guests: Milwaukee Film technical manager Kelsey Parks and projectionist Spencer Tye.The organization's Oriental Theatre is one of just two locations in the state of Wisconsin capable of unspooling a 70MM film (the other is the Marcus Majestic Cinema of Brookfield), and our guests revealed exactly how big of an undertaking that is — literally. The Odyssey requires five reels to cover its 172 minutes, with the heaviest one tipping the scales at nearly 50 pounds.Aside from the technical calisthenics, we get into the quality of the movie itself, including the director's aesthetic choices (like the giant animatronic cyclops) and several standout performances (John Leguizamo's in particular). If you want to catch The Odyssey in 70MM, the Oriental Theatre is showing it through Aug. 5.#####Cinebuds is sponsored by Joe Wilde Garage Doors.

Mark Kermode and Jack Howard discuss Christopher Nolan's The Odyssey at the Sun Pub on Drury LaneOther films mentioned in this episode:Silent Running (1972)2001: A Space Odyssey (1968)The Dark Knight (2008)Dunkirk (2017)Society (1989)Oppenheimer (2023)Spirited Away (2001)Interstellar (2014)Inception (2010)The Ninth Configuration (1980)The Lord Of The Rings trilogy (2001-3)With thanks to Richard Gay and The Sun Pub on London's Drury Lane.Kermode on Film is an HLA Agency productionProduced by Hedda Lornie Archbold and Nicki Glossop© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Could the tales from a movie like "2001: A Space Odyssey" be based off something factual? Stephen Diener explores the statements made by the likes of Buzz Aldrin and Lue Elizondo when it comes to the reports of pictures showing monolithic structures on Mars and even our own moon! Why are these being hidden from us?...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Come on a movie odyssey with Ian and Dan as the look at great movie moments of characters on quests. So join the journey and give it a listen!2001: A Space Odyssey - 3:00Fellowship of the Ring - 13:00The Phantom Menace - 25:30Apocalypse Now - 38:00Around the World in 80 Days - 51:00

There are spoilers ahead! For many films I'm afraid. I would especially avoid the episode until you have watched Ex-Machina (which you really really should immediately it really is phenomenal) as Jes does talk directly about the ending between 53:23 till 53:46. I have made a list of the films and books mentioned below. This is another detour episode and perhaps you're thinking I'm trying to avoid the very big task of recording 2001: A Space Odyssey content. And perhaps you're right. But I hope you enjoy this discussion. If you try to think of a futuristic city your mind may be drawn towards a real place but it could just as easily be drawn towards the great science fiction films that render our future on our screens. Films like Blade Runner, Minority Report, Fifth Element and (the granddaddy) Metropolis have all shown us what human futures could look like. Sometimes these visions are intimidating, terrifying or occausionally aspirational. These images in turn can affect and inform own understanding of what an unwritten future should be like. I have two wonderful guests to talk through the somewhat symbiotic relationship of science fiction and architecture Amy Brookes is an architect and an Associate Professor at the University of Reading. She has written extensively about architecture and one of her special interests is Architecture in science fiction literature and film. Jes Deaver is an award-winning architect as well as a filmmaker and writer. She is the author of the article The Architecture of Imagination which explores the parallels between science fiction and architecture. Chapters 00:00 Introduction 01:32 The SF-Architecture connection 06:40 How the symbolism of the tower changes 14:38 Anxieties in architecture 17:00 The reciprocal relationship 27:10 Fears of suburbia 30:27 Non place and virtual space 33:43 Apocalyptic futures 40:02 Hopeful alternatives 49:04 Favourite architectural sci-fi films 53:46 Recommendations Recommendations: And He Built a Crooked House by Robert Heinlein Octavia's Brood: Science Fiction Stories from Social Justice Movements   Films mentioned in the episode: Metropolis (1927) Blade Runner (1982) Minority Report (2002) Chappie (2015) District 9 (2009) Attack the Block (2011) Fifth Element (1997) Just Imagine (1930) Gagarine (2020) Atlantics (2019) Tommorowland (2015) Truman Show (1998) Stepford Wives (1975) Edward Scissorhands (1990) Soylent Green (1973) Don't Look Up (2021) Children of Men (2006) Snowpiercer (2013) Hunger Games (2012) Robocop (1987) Nation Estate (2012) Silent Running (1972) High Rise (2015) Ex Machina (2014)   Books mentioned: Rem Koolhaas (Remment Lucas Koolhaas) is a Dutch Architect and author of the book Delirious New York published in 1978. Ready Player One by Ernest Kline. (Made into a film by Steven Speilberg in 2018) Every Version of You by Grace Chan. Artificial Wisdom by Thomas R Weaver. Everything for Everyone: An Oral History of the New York Commune, 2052-2072 by Eman Abdelhadi and M. E. O'Brien Mouldiness Manifesto by Friedensreich Hundretwasser   TV Shows mentioned: Westworld Andor   Other links of interest: A page from Mark Bould's website about the city: https://markbould.com/tag/paul-verhoeven/ '5 Minute Modern' YouTube  video about Brutalism: https://www.youtube.com/watch?v=ib82VYtjFtY An interesting article about Fritz Lang's depiction of the future city The German Take on Gotham: https://jacobin.com/2025/12/the-german-take-on-gotham   NEXT EPISODE! The next episode will be about Destroy All Monsters which features lots of Kaiju, a Japanese Moonbase, evil aliens who look like beautiful women and groovy 60s outfits. You can rent the film on Apple TV (at least in the UK) but take a look at Just Watch and Rotten Tomatoes to see where the film is showing in your region. DVDs and Blurays of the film are also available for relatively reasonable prices.

Greek mythology retellings keep multiplying, and nobody can quite explain why. Christopher Nolan just dropped a $250 million adaptation of The Odyssey, a poem roughly 2,700 years old, and Meaghan and Shirin wanted to figure out what keeps pulling all of us (and Hollywood) back to these stories. This one stays high-level, and neither of us was a classics major, so we'll own that upfront. We walk through what The Odyssey actually is, why Odysseus is a much grayer hero than people remember, and why feminist retellings like Madeline Miller's Circe keep landing so hard. Then we get into Nolan's stacked cast: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous, and Lupita Nyong'o doing double duty as Helen of Troy and Clytemnestra. Christopher Nolan's The Odyssey (2026): The Cast, Explained • Nolan's $250 million IMAX adaptation of The Odyssey hit theaters on July 17, 2026, his first film since Oppenheimer. • Confirmed casting: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous. • Lupita Nyong'o pulls double duty as Helen of Troy and her sister Clytemnestra. Charlize Theron plays Calypso (some listings say Circe, so we're flagging it).   The Odyssey, For People Who Skipped Classics • The short version: Odysseus spends ten years getting home to Ithaca after the Trojan War, mostly because he pissed off Poseidon. • Penelope holds down the kingdom and fends off suitors while raising their son, Telemachus, not knowing if her husband is alive. • Gods, monsters, a cyclops, the enchantress Circe, the sirens. Odysseus survives on cunning over brute strength, then loses his whole crew anyway.   Why Greek Mythology Retellings Keep Winning • Older texts sort people into good and bad. Modern retellings hand the mic to the ones shoved to the margins. • Feminist retellings are the clearest example, like Madeline Miller's Circe, centering a character the original treats as a footnote. • Odysseus himself was never a clean hero, and that gray area is a big reason the story keeps holding up.   Odyssey Adaptations Hiding in Plain Sight • You've seen more of them than you think: O Brother, Where Art Thou?, Cold Mountain (Charles Frazier, 1997), and [LINK: Ulysses] by James Joyce. • It reaches into sci-fi too, from 2001: A Space Odyssey to the creatures and detours borrowed by Percy Jackson (Rick Riordan).   On Our Nightstand: New Releases and ARCs • Shirin is deep in Dungeon Crawler Carl by Matt Dinniman, now getting a Peacock series from Seth MacFarlane (Princess Donut on screen, finally). • Meaghan is reading an ARC of The Iron Hex, the debut romantasy from Canadian author Victoria S. Walsh, out August 4, 2026. Subscribe on your favorite platform!SpotifyApple PodcastAmazon MusiciHeart RadioPodchaserYoutubeDon't forget to follow us on socials too!InstagramThreadsTikTokBlueSkyFacebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a text about your favourite films relating to the episode.This month as arguably one of the most anticipated and biggest films of the year comes out on the biggest screens around the world, The Odyssey, we will be of course focusing on the films legendary director, Christopher Nolan for the second time. Joining me to talk all things Chris Nolan is another returning guest and our very own Chris Nolan expert Heather J Stewart who now qualifies to be a member of the league of podcasts. Strap in, these are some epic pod chats. Warning we will be talking SPOILERS Martin's pick for part 2, and is going for arguably Christopher Nolan's most ambitious film and quite possibly his best, well according to the internet anyway. On this one we talk about, the epic scale of the visuals. We talk about the very ambitious storytelling and ideas that Christopher Nolan is going for here, and comparing that to one of Nolan biggest influences 2001: A Space Odyssey. We talk about the incredible sound design and that amazing score from Hans Zimmer. Plus we talk about if this was a Harry Potter film. IMDB page          Heather J Stewarts Instagram page FVF Social linkstwitterinstagramTikTokSupport the showSupport the show

You probably didn't know this, but Stanley Kubrick's seminal 1968 movie “2001: A Space Odyssey” was followed up in 1984 with “2010: The Year We Make Contact.” While most people in the ‘80s overlooked Arthur C. Clarke's red-headed sequel, we're gonna review the story of “2010” from our doomscrolling perch in the 2020s, and we can guarantee a 65% accuracy. Hal 9000 would likely refuse to open the pod bay doors for us after listening to this episode, but while we await the AI singularity to finally do us in for good, let's revisit a time back when the future looked hopeful. If you like our work, you can donate at Mixtapestories.net or at Patreon/MixtapeStories. Thank you!

This year marks Fantasia International Film Festival's 30th edition, and as such, I'm raising the curtain with 30 movies (15 features, 15 shorts) I believe y'all should check out, either while walking the floor in Canada or scrolling virtually via the comfort of your own home!Features1. SLEEP NO MORE dir. Edwin. Jul 18. 2. ATTACK ON PARADISE dir. Bob Colaers. Jul 19.3. YOU ARE THE FILM dir. Makoto Ueda. Jul 19.4. LOS VAMPIRES dir. Craig Mitchell. Jul 21. 5. SOMEONE'S DAUGHTER dir. Wiebke von Carolsfeld. Jul 21. 6. NIGHTBORN dir. Hanna Bergholm. Jul 22.7. NO REST FOR THE WICKED dir. Kasper Kalle. Jul 22 & 25.8. FERINE dir. Andrea Corsini. Jul 23 & 26.9. INSECTASY dir. Angus Silver. Jul 24 & 27.10. SOUR MINNOWS dir. Harrison Atkins. Jul 24 & 29.11. UNHOLY NIGHT dir. Michael Gabriele. Jul 25 & 27.12. THE GLORIOUS DEAD dir. John Adams & Toby Poser.  Jul 27.13. COLONY dir. Yeon Sang-ho. Jul 29.14. THE PERIL AT PINCER POINT dir. Noah Stratton-Twine and Jake Kuhn. Aug 1 & 2.15. THE FOX dir. Dario Russo. Aug 2.Shorts1. JINGLE JANGLE dir. Sionne Elise - Jul 17.2. GOODBYE, MONSTER dir. Luke Barnett - Jul 17. 3. THE MAN THAT I WAVE AT dir. Ben S. Hyland - Jul 17.4. 20001: A SPACE ODYSSEY dir. Haruki Kasugamori - Jul 18.5. SPEEDY! dir. Oh Ji-in - Jul 20.6. MAN EATING PUSSY dir. Emily Lawson - Jul 21.7. THE LAST DIY SHOW dir. Jo Gaffney - Jul 21.8. REDNECK dir. Alexandria Basso - Jul 26.9. ANGELS dir. Sam Mandich - Jul 26.10. FRIENDS LIKE US dir. Ray Savaya - Jul 30 & 31.11. THE RETURN SOLUTION dir. Nathan Dubé - Jul 31.12. PRIMUS LE ROBOT dir. Max Delagrave - Aug 2.13. MANCAVE dir. Fredrik S. Hana - Aug 2.14. PASS dir. Jon Ramirez - Aug 2.15. MANHOLE dir. Jake Low - Aug 2.---Follow The Movies on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Throw a couple dollars in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tip jar!

“MURPH! MUUUURPH!” Join us on a journey through the wormhole along with filmmaker Isadora Neves Marques as we discuss Christopher Nolan's intergalactic adventure, Interstellar. Is love calculable? How does this compare to Stanley Kubrick's 2001: a Space Odyssey? When does Nolan intercut TOO much? And is Matt Damon's performance good? All will be revealed… if you listen, that is.Links:You can find selections of Dora's writing on their website.You don't have to travel through a black hole to find our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:02:08 Introducing Isadora00:09:59 Our background with Nolan00:17:50 Christopher Nolan director background00:21:02 Interstellar intro00:24:24 Nolan vs Hong Sang-soo, as indie filmmaker00:27:57 Interstellar general reactions00:36:01 Editing00:39:58 Eli's theory00:42:10 Scriptwriting and plotting00:46:48 "Filmmaker for stupid people"00:51:34 A limited worldview00:56:38 Masculinity / Mann is bad01:00:33 Screenwriting lessons from Nolan01:03:44 Black hole / ocean planet01:06:25 Ending and masculinity01:10:19 Nolan film bros01:15:05 Lack of awe01:20:15 Craft01:24:31 More from Isadora

Julie Aitchison returns to Unexplained Inc. for the third time and is here to ruffle some feathers. Over the past few months Julie has posted material involving what she believes in a giant psyop involving everything we know about UFOs and E.T. contact.In the past Julie has come on the show to discuss her research into the crimes and victims of M.K. Ultra and Satanic Ritual Abuse through a Christian lens. Julie presents some evidence that those who are behind these horrors and secretly trying to surrender our power to an alien force to usher in the N.W.O. and potentially threaten our sovereignty.This episode will not resonate with everyone. So I suggest for yourself to take what resonates and leave behind what doesn't. No need to shoot the messengers here...this show prides itself on many different perspectives and this one is as important as any...here are some other talking points:- The role of MK Ultra and its correlation to the Secret Space Program- How the story of Roswell got distorted and who benefited from it- The darker symbolism of Spielberg's Disclosure Day and why many movie-goers missed it...and some painfully did not- Predictive programming in our media...including yet another crazy X-Files related story possibly confirming this- How modern perceptions of E.T's were shaped by Mormons, Scientology and even the Free Masons.- Why a certain 1953 story from Arthur C. Clarke (famous for also writing 2001: A Space Odyssey) is turning heads these days and adding fuel to this fire- How scary a potential Project Blue Beam could look for usPlus so much more...this one ones deep:Throughout the episode Julie highly recommends this series from one of her favourite researchers...Matthew Ehret...aka Canadian Patriot...the links will be displayed below and I will eventually give them a view and see how it resonates...we are in crazy and confusing times...discernment is key...even if its uncomfortable! Stay curious!Part One:youtube.com/watch?si=OLonI2y-kiwtB2IC&v=7OPju8Tovvk&feature=youtu.bePart Two:https://www.youtube.com/live/bduJV3-VbZsPart Three:https://www.youtube.com/watch?v=5PvjOqwZuEkPart Four:https://www.youtube.com/live/01r3FbFz9LsConnect with Unexplained Inc. here:https://www.unexplainedinc.com/Watch the video episode on Rumble here:https://rumble.com/user/Unexplainedinc

What is the moral heft of STAR WARS Dear Listener and where should the franchise go from here? One of many questions asked as we discuss all things STAR WARS and the latest installment in the franchise with educator and STAR WARS expert Dan Zehr of Coffee with Kenobi. Warning: spoilers for THE MANDALORIAN AND GROGU as well as MOANA, MASTERS OF THE UNIVERSE, JAWS, ANDOR, 2001: A SPACE ODYSSEY, THE EXORCIST and of course the STAR WARS films. Enjoy. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk

Doug Trumbull spent fifty years trying to convince Hollywood that the way movies are projected is fundamentally broken, and most of the industry never listened. The visual effects supervisor behind 2001: A Space Odyssey, Close Encounters of the Third Kind, Blade Runner, and Star Trek: The Motion Picture, and the director of Silent Running and Brainstorm, Trumbull passed away in 2022. This conversation originally aired in July 2020, before a lot of you were listening, and it's one of the fullest records of him explaining his life's obsession in his own words. We're pulling it back out of the archives because it deserves a wider audience than it got the first time around. Chris and Doug cover the whole arc: getting hired at Graphic Films off a satellite painting, cold calling Stanley Kubrick's secret phone number to get on 2001, the accidental discovery of double stars that led him toward persistence of vision research, and the Showscan process he patented at Paramount. They also get into Trumbull's MAGI process, 4K stereo at 120 frames per second, representing 40 times the data of a traditional HD video, and Chris's own experience helping produce a piece of content rendered through it as a proof of concept. Trumbull gives his blunt account of Ang Lee allegedly misusing his patented process on Gemini Man. This is a conversation about a man who understood something about how movies work that almost nobody in the industry, including some of its biggest directors, ever fully grasped. Guest: Doug Trumbull > Referenced in this episode: 2001: A Space Odyssey Close Encounters of the Third Kind Star Trek: The Motion Picture Blade Runner Silent Running Brainstorm Showscan process > Future General Corporation (Paramount R&D division) > MAGI process > Special thanks to our sponsor: Center Grid Virtual Studio: https://cgvirtualstudio.com/

Laura and Xhafer have a little car talk and discuss the final film in the BSG starter pack. Laura recounts a college experience. Xhafer is down for a Bob Dylan Tom Bombadil movie. This episode covers Stanley Kubrick's 2001: A Space Odyssey.Discord: https://discord.gg/MUHKDDk6TNMerch: https://www.etsy.com/shop/WhatHappenedHerePods

In a wide ranging episode we catch up on some lost time, talk some Knicks, weddings at MSG, the time between the big bang, the earth's creation and the birth of Christ....going to the moon, going to mars, 2001: A Space Odyssey and who the hell knows what else.

Are we all just living in a Ferris Bueller sequel? In this episode of 2 Men with a Mic, Mike and Mitch dive deep into how technology is rewiring our world—from the normalization of constant call recording to the wild reality of AI-generated Father's Day comic books. The guys break down the real impact of AI on creativity, jobs, and why it might just be the modern-day equivalent of Uber. Plus, things get a little sci-fi as they look at why AI "lies" (shoutout to 2010: A Space Odyssey ) and test a system with contradictory commands.Stick around for the chaos as they also tackle:Political deep-dives: Inside the Lincoln Memorial secrets, Melania Trump's public statements, and the "deep state."High school high jinks: How they manipulated the attendance system, maintained top grades, and deeply annoyed their ex-hippie science teacher.Nostalgia hits: The passage of time, Dodgers fandom, and why high school feels so big but means so little.Your homework for this week? Go watch Ferris Bueller's Day Off. Happy Father's Day!

Moiya watched 2001: A Space Odyssey for the first time and has big opinions! She ends up telling Connie about actual space news from 2001 so the whole episode isn't full of negativity. We apologize in advance to everyone who loves this film! MessagesBecome a star and join the patreon at patreon.com/palebluepod!Go supernova and support Pale Blue Pod on PayPal Listen to Spirits every WednesdayFind Us OnlineWebsite: palebluepod.comPatreon: patreon.com/palebluepodTwitter: twitter.com/PaleBluePodInstagram: instagram.com/palebluepodCreditsHost Dr. Moiya McTier. @GoAstroMo, Website: moiyamctier.comHost Connie Gibbs. @constar24Editor Mischa Stanton. Twitter: @mischaetc, Website: mischastanton.comCover artist Shae McMullin. Twitter: @thereshaegoes, Website: shaemcmullin.comTheme musician Evan Johnston. Website: evanjohnstonmusic.comAbout UsPale Blue Pod is an astronomy podcast for people who are overwhelmed by the universe but want to be its friend. Astrophysicist Dr. Moiya McTier and her best friend ConStar demystify space one topic at a time with open eyes, open arms, and open mouths (from so much laughing and jaw-dropping). By the end of each episode, the cosmos will feel a little less “ahhh too scary” and a lot more “ohhh, so cool!” New episodes every Monday.Pale Blue Pod is a member of the Multitude Collective.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From 2001: A Space Odyssey to The King's Speech, Lyric FM's Aedín Gormley explores the unforgettable use of classical music in some of cinema's greatest moments.

This is "Spielberg Face: The Movie." This is radical empathy. This is Emily Blunt Supremacy. This is DISCLOSURE DAY. Griffin, David, Ben, and Marie break down Steven Spielberg's latest offering, his first sci-fi film and his first contemporary-set film since War of the Worlds in 2005. It's bound to be divisive. We mostly love it. We've got trains, Fableman dynamics, car chases, Janusz Kaminski pools of light, expressions of awe and wonderment - all of Steve's greatest hits! Join us for a wide ranging discussion about aliens, cynicism, and Michael Caine riding a giant bee (completely unrelated to this film). Listen to Regina Hall on Good Hang with Amy Poehler.Check out who is getting this year's Honorary Oscars.  Watch the Close Encounters SNL Sketches. Listen to The Rewatchables in ‘2001: A Space Odyssey' With Bill Simmons, Steven Spielberg, and Sean Fennessey. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Limited Time Offer - Stop running on nothing but coffee. Get Huel today with my exclusive offer of 15% OFF online with my code CHECK at huel.com/check. New Customers Only. Thank you to Huel for partnering and supporting our show! Learn more about your ad choices. Visit megaphone.fm/adchoices

Pre-order All The Right Movies: The Stories and Secrets Behind the Making of 25 Iconic Films, out September 2026: https://geni.us/AllTheRightMovies We drafted the most messed up movies featured in the upcoming book All The Right Movies: The Stories and Secrets Behind the Making of 25 Iconic Films — and we brought in the man behind it: John Barker of All The Right Movies Podcast. Griffey, Heath and Sam welcome John on the pod for a battle over some of the greatest, strangest, nastiest, most unforgettable movies ever made. We're talking blockbusters, cult classics, stone-cold masterpieces. These are the most essential movies of our time, so the knives are out! Who drafted the best team? Which iconic movie got stolen way too late? And did John Barker come into our house and absolutely embarrass us with superior movie knowledge? Probably. Drop your favorite movie from John's book in the comments and tell us who won the draft: Action First Blood (1982) Predator (1987) Die Hard (1988) Speed (1994) Gladiator (2000) Drama Network (1976) The Breakfast Club (1984) Blue Velvet (1986) The Shawshank Redemption (1994) High Fidelity (2000) Horror The Evil Dead (1981) An American Werewolf in London (1981) The Thing (1982) A Nightmare on Elm Street (1984) The Blair Witch Project (1999) Science Fiction 2001: A Space Odyssey (1968) Star Wars (1977) Alien (1979) Blade Runner (1982) Gravity (2013) Thriller The Godfather (1972) Taxi Driver (1976) True Romance (1993) Se7en (1995) Training Day (2001) Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on Patreon: https://www.patreon.com/c/messedupmoviespod

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Jeff Griffith-Perham, Stanley Kubrick Retrospective at Pacific Film Archive Jeff Griffith-Perham is the curator of a retrospective “A Complete Stanley Kubrick” at Berkeley Art Museum/Pacific Film Archive (BAMPFA), running from June 12 through August 30, 2026. He is interviewed by host Richard Wolinsky. Stanley Kubrick was one of the most acclaimed film directors of the Twentieth Century. Though he only made 13 feature films, several of them made international headlines and one, “2001: A Space Odyssey” changed movie history. Among his other works are “Dr. Strangelove, or How I Stopped Worrying and Learned to Love the Bomb,” the gorgeous “Barry Lyndon,” his controversial “A Clockwork Orange,” and the stunning horror film, “The Shining.” Jeff Griffith-Perham is an Associate Film Curator at BAMPFA, and has curated other retrospectives focusing mostly on documentaries. He is considered an expert on the films of documentarian Frederick Wiseman. In this interview, each of Kubrick's films are discussed, along with ideas about Kubrick's antiwar viewpoint, his working process and his place in film history.   Paths of Glory (photo courtesy BAMPFA) 2001: A Space Odyssey (photo courtesy BAMPFA)       The post Bookwaves/Artwaves – June 11, 2026: The Films of Stanley Kubrick appeared first on KPFA.

In de Bright Podcast hebben we het deze week uitgebreid over WWDC26 en de nieuwe Siri AI en waarom die voorlopig nog niet op een iPhone is te gebruiken in Nederland. Verder in deze aflevering: de nieuwe 'dakraam-lamp' van Philips en waarom de slimme speakers van Google plotseling overal zijn uitverkocht. Ook kijken we naar de nieuwste AI van Anthropic en een onafhankelijk onderzoek dat gehakt maakt van de beloofde terugverdientijd van thuisbatterijen. Partner: Europarlementariër Kim Van Sparrentak neemt het op tegen de techbro’s om duidelijke regels te maken voor kunstmatige intelligentie. Luister de podcast Red de AI Wet in alle podcast-apps. Tips uit deze aflevering: Serie: Erwin heeft Euphoria S3 afgekeken op HBO Max, sterk slot van een baanbrekende serie. En hij geniet van Star City op Apple TV (Das Leben der Anderen vibe) en van Clarkson’s Farm S5 op Prime Video. Serie: Widow’s Bay op Apple TV is inderdaad geweldig, Erwin tipte het twee weken geleden al. Het is een serie in de vreemde traditie van Twin Peaks: mysterieus maar ook wel grappig. De balans is alleen heel knap gedaan. De hoofdrolspeler is de burgemeester van een eiland, een beetje een sukkel die het toerisme wil opkrikken. Alleen het eiland zelf lijkt dat niet te willen, en dan komt hij steeds oprecht griezelige, bovennatuurlijke dingen tegen. Het zit vol met hommages naar klassieke horrorfilms, en is bij vlagen ook echt eng, maar dan toch weer grappig omdat je weet dat die oen zich in allerlei bochten wringt omdat bovennatuurlijke weg te wuiven, want hij wil toeristen. Podcast: En dan ook nog een van de nieuwste afleveringen van The Rewatchables, een podcast waarin ze klassieke films nabespreken met bekende mensen. Deze tip gaat over de aflevering over 2001: A Space Odyssey, met als gast niemand minder dan Steven Spielberg. Zijn nieuwste film, Disclosure Day, draait vanaf deze week in de bioscoop. Spielberg is ruim twee uur te gast om te praten over de film van Kubrick, maar natuurlijk komen ook zijn eigen films en allerlei boeiende verhalen langs. Heel leuk om Spielberg zo tussen twee andere filmliefhebbers te horen. App: Grug, een simpele app van Nederlandse makelij die een Apple Design Award heeft gewonnen. Een soort dagboek als geen ander, een toegankelijke manier om je hoofd leeg te maken, een app die niet moet maar juist mag.See omnystudio.com/listener for privacy information.

Jeff Griffith-Perham is the curator of a retrospective “A Complete Stanley Kubrick” at Berkeley Art Museum/Pacific Film Archive (BAMPFA), running from June 12 through August 30, 2026. He is interviewed by host Richard Wolinsky. Stanley Kubrick was one of the most acclaimed film directors of the Twentieth Century. Though he only made 13 feature films, several of them made international headlines and one, “2001: A Space Odyssey” changed movie history. Among his other works are “Dr. Strangelove, or How I Stopped Worrying and Learned to Love the Bomb,” the gorgeous “Barry Lyndon,” his controversial “A Clockwork Orange,” and the stunning horror film, “The Shining.” Jeff Griffith-Perham is an Associate Film Curator at BAMPFA, and has curated other retrospectives focusing mostly on documentaries. He is considered an expert on the films of documentarian Frederick Wiseman. In this interview, each of Kubrick's films are discussed, along with ideas about Kubrick's antiwar viewpoint, his working process and his place in film history. The post “A Complete Stanley Kubrick Retrospective” at BAMPFA appeared first on KPFA.

There's a story about of our past that you know well. It goes like this: At some point earlier in human evolution, we started to hunt. Men in particular—perhaps channeling some deep-seated aggressive impulses—began to seek out big game. This new food source, this bonanza of calories, was what allowed our brains to expand. It changed our bodies and our societies and sent our species off on a whole new track. In short, Man the Hunter made us human. This story—told in different versions, with different points of emphasis—has circulated for decades. It's been debunked and revived, rejected and reimagined. What is the history behind the Man the Hunter idea? How does it square with our current understandings of evolution? Is it, in fact, pure fiction? My guest today is Dr. Vivek Venkataraman. Vivek is an evolutionary anthropologist at the University of Calgary, and an editor-in-chief of the journal Hunter Gatherer Research. He and his collaborators recently published an article on the different layers and meanings of the Man the Hunter idea. Here, Vivek and I lay out those meanings. We talk about how the phrase refers, first, to that popular myth about our evolution, but also to a landmark scientific conference in the 1960s, and to a major finding of research on contemporary hunter-gatherer groups—namely, that men generally do do most of the hunting. We do a little crash-course on the field of hunter-gatherer research, including the kinds of questions it asks and frameworks it uses. We dig into some of the key ingredients of the Man the Hunter myth: the idea that we have aggressive tendencies, the idea that only men hunt, and the idea that hunting played a transformative role in our evolution. We walk through three recent, high-profile studies challenging Man the Hunter ideas in various ways. And we talk about the ever-present danger of projecting our current norms and ideals back in time. Along the way, Vivek and I touch on 2001: A Space Odyssey; reasons why contemporary hunter-gatherers may differ from the hunter-gatherers of long ago; giant sloths; extractive foraging; the case of the Agta, a society in which women do engage in big-game hunting; the forest people and the fierce people; risk and cooperation in sexual divisions of labor; persistence hunting and endurance activities; caregiving and cognition; and honey. Alright friends, I think you'll enjoy this one. On to my conversation with Dr. Vivek Venkataraman.   Notes 3:30 – The article by Dr. Venkataraman and colleagues, 'The Meaning and Dividends of Man the Hunter.' Commentaries on the article can be read here. A recent popular essay by Dr. Venkataraman on the same ideas. 5:00 – Raymond Dart's "killer ape" was originally laid out in a 1953 article 'The Predatory Transition from Ape to Man' (unavailable online) and then developed in Robert Ardrey's book, African Genesis.  8:30 – The "dawn of man" scene from 2001: A Space Odyssey. 16:00 – The 1966 conference titled 'Man the Hunter' resulted in a 1968 volume of the same name. 27:00 – A philosophical discussion of the use of the "ethnographic analogy" in reconstructions of the past. The paper describing the "tyranny of the ethnographic record." 33:00 – The classic ethnography, The Forest People; the classic ethnography, Yanomamö: The Fierce People. 36:00 – The article by Chris Boehm on the concept of "reverse dominance hierarchy." See also his book Hierarchy in the Forest. 37:00 – Our earlier episode with Brian Hare.  38:00 – Steven Pinker's widely read and contested book, The Better Angels of our Nature.  44:00 – A study of the Agta, a society in which women hunt for big game.  48:00 – The paper by Judith Brown about childcare and subsistence. A paper by Haneul Jang and colleagues about how young girls help mothers during foraging.  55:00 – For a book-length treatment of hunting in evolution and history, see Matt Cartmill's A View to a Death in the Morning. 1:01:00 – For the 2023 paper by Anderson and colleagues on the prevalence of women's hunting across cultures, see here. For Dr. Venkataraman and colleagues' commentary on the paper, see here. For the related study by Dr. Venkataraman and colleagues about women's hunting, see here. 1:05:00 – For the 2020 paper by Haas and colleagues about female hunters of the Americas, see here. 1:13:00 – For the academic 'Woman the Hunter' papers by Lacy and Ocobock, see here (for the physiology paper) and here (for the archaeology paper). For their article in Scientific American, see here. For an interview on the podcast On Humans with Cara Ocobock, see here. 1:14:00 – For the recent study on persistence hunting in the ethnographic record, see here. 1:20:00 – The authors of the three critiques discussed here have all written commentaries on Dr. Venkataraman and colleagues' paper. These commentaries and others can be read here.  1:24:30 – For the commentary emphasizing the links between popularization and science, by Nadine Weidman, see here. 1:28:00 – For our earlier episode with Alison Gopnik, in which we discuss the overlooked cognitive capacities involved in caregiving, see here. 1:29:00 – For papers on the importance of honey in human evolution, see here and here. For one of Dr. Venkataraman's own honey-related studies, see here.   Recommendations Creatures of Cain, by Erika Lorraine Milam The Killer Instinct, by Nadine Weidman   Many Minds is a project of the Diverse Intelligences Summer Institute, which is made possible by a generous grant from the John Templeton Foundation to Indiana University. The show is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd. Subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you listen to podcasts. You can also now subscribe to the Many Minds newsletter here! We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com. For updates about the show, visit our website or follow us on Bluesky (@manymindspod.bsky.social).

The NBA Finals are officially here — and Game 1 already had EVERYTHING. A fan stormed the Frost Bank Center court in the fourth quarter of the Knicks' 105-95 Game 1 win, attempting to take a selfie with Victor Wembanyama.  Turned out the perpetrator was a juvenile — now arrested and banned for life from every NBA arena.  Meanwhile, Spurs fans gave a standing ovation to Air Corgi — the dog who perfectly picked every WCF game against OKC — only to watch her prediction immediately go wrong as the Knicks took Game 1. Then Channing Frye went viral for all the right reasons, torching the 2005-06 Knicks organization on the Ryen Russillo Show. On the internet culture front: the Rizzler is growing up, Spencer Pratt is running for mayor of LA and somehow winning people over, and AMC just had its biggest May since 2019 — movies are back, baby. Plus Steven Spielberg showed up on The Rewatchables to talk 2001: A Space Odyssey, your Questions of the Day, and a Nuclear Opinion to close it out.Tap into Episode 752 of  the Productive Conversations Podcast—available now on all podcast platforms and YouTubeMoron Runs on to court during NBA Finals for Clout (5:05)Spurs fans go crazy for Air corgi, he was wrong in game 1 picks (20:30)This funny funny story Channing Frye had about the 2007 Knicks (24:25)The Rizzler Getting Real (30:22)Who is Spencer Pratt and Why Do People Hate Him? (40:45)AMC has all time month box office wise (51:15)Spielberg on the Rewatchables (58:35)Question of the Day?who is a Nepo baby with talent? (1:06:12)What's an instrumental song you like? (1:14:30)When was a time you and your co workers came together and talked shit but brought you closer together (1:21:45)Nuclear Opinion (1:27:12)Best way to contact our host is by emailing him at productiveconversationspodcast@gmail.com or mbrown3212@gmail.com Apple Podcast: https://podcasts.apple.com/us/podcast/productive-conversations-with-matt-brown/id1535871441 Spotify: https://open.spotify.com/show/7qCsxuzYYoeqALrWu4x4Kb YouTube: @Productive_Conversations  Linktree:https://linktr.ee/productiveconversations

The debut of a new MacVoices' series, Foreshadowing Tech,  examines how science fiction has influenced real-world technology using 2001: A Space Odyssey and 2010: The Year We Made Contact as the first case study. Chuck Joiner, Jeff Gamet, and Marty Jencius discuss the depictions of various technologies, and how they measure up to the current state of things, including space travel, tablets, biometrics, HAL, AI, cryosleep, movie aesthetics, and the lasting cultural impact of both films.  Show Notes: Chapters: [0:00] Introducing Foreshadowing Tech and the science fiction premise[2:58] Why 2001 and 2010 are paired for the first discussion[4:24] First experiences watching 2001 and its lasting impact[9:01] Kubrick, Clarke, pacing, silence, and storytelling choices[15:00] Scientific accuracy, Saturn versus Jupiter, and cinematic changes[18:29] Early examples of technology predictions in 2001[20:35] Voiceprint identification, biometrics, and authentication[24:00] Zero-gravity toilets and real-world spaceflight comparisons[26:14] Tablets, flat displays, and consumer technology foreshadowing[29:35] Civilian space travel, deep space missions, and artificial gravity[33:54] HAL, AI, LLMs, sentience, and machine decision-making[40:00] AI relationships, hallucinations, mission conflict, and trust[45:00] Electric vehicles and everyday future tech in 2010[47:30] Visual aesthetics, spacecraft design, and film-era differences[50:00] Politics, cooperation, and international tension in 2010[53:18] How 2001 shaped later science fiction filmmaking[55:33] Monoliths, evolution, alien contact, and social implications[59:58] Cryosleep, life extension, and changing personal timelines[63:01] Star Child, afterlife ideas, and philosophical reactions[68:14] Future episodes, audience feedback, and closing thoughts[70:00] Panelist projects and final credits Guests: Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. Marty Jencius, Ph.D.,is a counselor educator and technology pioneer who has spent 30 years bringing emerging tech into his field — from founding one of the first professional listservs (CESNET-L) to podcasting, virtual reality, and now AI and AR. He is the founder of ThePodTalk.net, where he produces Vision ProFiles, The Old Mac Gang, A.I. Productivity Workflow, The Tech Savvy Professor, 15 Minute Bytes, The Neo Notebook, and Fade to Chat: Golden Age Cinema. He is also a regular panelist on MacVoices Live!, In Touch with iOS, and The Mac Show. Find him on Bluesky and Mastodon. Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

The debut of a new MacVoices' series, Foreshadowing Tech, examines how science fiction has influenced real-world technology using 2001: A Space Odyssey and 2010: The Year We Made Contact as the first case study. Chuck Joiner, Jeff Gamet, and Marty Jencius discuss the depictions of various technologies, and how they measure up to the current state of things, including space travel, tablets, biometrics, HAL, AI, cryosleep, movie aesthetics, and the lasting cultural impact of both films.  Show Notes: Chapters: [0:00] Introducing Foreshadowing Tech and the science fiction premise [2:58] Why 2001 and 2010 are paired for the first discussion [4:24] First experiences watching 2001 and its lasting impact [9:01] Kubrick, Clarke, pacing, silence, and storytelling choices [15:00] Scientific accuracy, Saturn versus Jupiter, and cinematic changes [18:29] Early examples of technology predictions in 2001 [20:35] Voiceprint identification, biometrics, and authentication [24:00] Zero-gravity toilets and real-world spaceflight comparisons [26:14] Tablets, flat displays, and consumer technology foreshadowing [29:35] Civilian space travel, deep space missions, and artificial gravity [33:54] HAL, AI, LLMs, sentience, and machine decision-making [40:00] AI relationships, hallucinations, mission conflict, and trust [45:00] Electric vehicles and everyday future tech in 2010 [47:30] Visual aesthetics, spacecraft design, and film-era differences [50:00] Politics, cooperation, and international tension in 2010 [53:18] How 2001 shaped later science fiction filmmaking [55:33] Monoliths, evolution, alien contact, and social implications [59:58] Cryosleep, life extension, and changing personal timelines [63:01] Star Child, afterlife ideas, and philosophical reactions [68:14] Future episodes, audience feedback, and closing thoughts [70:00] Panelist projects and final credits Guests: Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. Marty Jencius, Ph.D.,is a counselor educator and technology pioneer who has spent 30 years bringing emerging tech into his field — from founding one of the first professional listservs (CESNET-L) to podcasting, virtual reality, and now AI and AR. He is the founder of ThePodTalk.net, where he produces Vision ProFiles, The Old Mac Gang, A.I. Productivity Workflow, The Tech Savvy Professor, 15 Minute Bytes, The Neo Notebook, and Fade to Chat: Golden Age Cinema. He is also a regular panelist on MacVoices Live!, In Touch with iOS, and The Mac Show. Find him on Bluesky and Mastodon. Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Bill and Sean open up the pod bay doors with director Steven Spielberg to revisit one of the greatest films of all time, Stanley Kubrick's ‘2001: A Space Odyssey' starring Keir Dullea, Gary Lockwood, and William Sylvester. Producer: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic The Ringer is committed to responsible trading. Please visit https://fanduel.com/predicts to learn more about the resources and helpline. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thanks to some great feedback and some more of that awesome Barney Dicker chat to share, this episode is basically a second instalment of Movie Monday: Blade Runner. But before the Blade Runner chat, I respond to a message from M. W. Lewis of The Worlds of M. W. Lewis concerning April's movie Michael Crichton's Westworld. Then it's onto some Blade Runner feedback from Jason Connerley of Nerd's RPG Variety Cast, Joe Richter of Hindsightless, and Goblin's Henchman, before rounding things off with more of my chat with Barney Dicker of Loco Ludus. Honourable mentions: 2001: A Space Odyssey dir. Stanley Kubrick, Dark Star dir. John Carpenter, Westworld (TV series), Masters of the Universe dir. Travis Knight, Legend dir. Ridley Scott, Edge of Tomorrow dir. Doug Liman, Minority Report dir. Steven Spielberg, Do Androids Dream of Electric Sheep by Philip K. Dick, Alien dir. Ridley Scott, The Long Tomorrow by Dan O'Bannon and Moebius, The Incal by Alejandro Jodorowsky and Moebius, Blade Runner 2049 dir. Denis Villeneuve Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Jim Hill and Eric Hersey break down the first major Halloween Horror Nights announcement for 2026, dig into Universal's quiet decision to remove Hagrid's from Express Pass, and discuss what's going on with Universal Kids Resort in Texas after a series of accidental leaks. Then Jim looks back at the creation of Back to the Future: The Ride and the forgotten Canadian simulator attraction that helped inspire it, all while tracing the career of visual effects legend Doug Trumbull. NEWS • Universal officially announces a Sinners haunted house for Halloween Horror Nights in both Orlando and Hollywood, inspired by the Oscar-winning vampire film set in 1930s Mississippi • Halloween Horror Nights Hollywood tickets go on sale with RIP Tours, Frequent Fear passes, and premium add-ons already available • Hagrid's Magical Creatures Motorbike Adventure is quietly removed from Universal Orlando's Express Pass lineup beginning July 1 • Universal's Mega Movie Parade return is delayed until June 5 as operational adjustments continue behind the scenes • Universal Orlando prepares a Steven Spielberg Summer Tribute Store featuring Jaws, E.T., Jurassic Park, and the upcoming Disclosure Day film • Universal Kids Resort in Frisco, Texas accidentally leaks July opening details and early ticket pricing online FEATURE • Jim revisits the origins of Back to the Future: The Ride on its 35th anniversary • The forgotten Tour of the Universe attraction inside Toronto's CN Tower helped inspire Star Tours and Universal's simulator rides • Visual effects pioneer Doug Trumbull's work on 2001: A Space Odyssey, Close Encounters, and Blade Runner shaped the future of theme park attractions • Behind-the-scenes stories from Trumbull's Massachusetts rope mill studio where the Back to the Future ride film was created • Why Universal originally planned an entirely different Back to the Future ride experience before switching to the Biff Tannen storyline HOSTS • Jim Hill - X/Twitter: @JimHillMedia - Instagram: @JimHillMedia - Website: jimhillmedia.com • Eric Hersey - X/Twitter: @erichersey - Instagram: @erichersey - Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR UnlockedMagic.com - Save up to 12% on Universal Orlando and Walt Disney World tickets, now including Express Pass options: https://unlockedmagic.com/?utm_source=partner&utm_campaign=epicjhm Learn more about your ad choices. Visit megaphone.fm/adchoices

AI. You may have noticed it's everywhere now — in your phone, your fridge, the suspiciously enthusiastic email your boss "wrote" last Tuesday. And cinema, bless its little reactive heart, has been trying to warn us about this for fifty years. The problem is we keep not listening, partly because the warnings have so often arrived in the shape of a sexy lady robot, which is its own diagnosis of the problem.This week, Pete is joined by Chelsea Stardust and Tommy Metz III for a triptych spanning five decades of artificial intelligence horror: Demon Seed (1977), Cam (2018), and Companion (2025). Three films, one increasingly nervous question: what exactly are we asking of AI, and what does it keep becoming anyway?The conversation runs the lineage of synthetic women in cinema — a trope factory that stretches from Metropolis through The Stepford Wives, Blade Runner, Weird Science, Her, Ex Machina, M3GAN, and Subservience, with a foundational-film round that lands on WarGames and 2001: A Space Odyssey. Along the way: the paperclip maximizer as a way of understanding what Proteus actually is, the cultural weight of releasing a forced-pregnancy AI horror four years after Roe v. Wade, platform terms-of-use as the modern book of the vampire, and the genuinely surprising argument that the most hopeful film in the set is the one where a robot drives off into the sunset with all the money.There are detours, because of course there are: villain-era Jack Quaid, Lukas Gage doing the robot, Sophie Thatcher sliding her own intelligence to one hundred percent, and Tommy's new and frankly concerning bedtime ritual.The films:Demon Seed (1977), dir. Donald Cammell, adapted from the Dean Koontz novel, starring Julie ChristieCam (2018), dir. Daniel Goldhaber, written by Isa Mazzei, starring Madeline BrewerCompanion (2025), dir. Drew Hancock, produced by Zach CreggerAlso referenced: Colossus: The Forbin Project, Westworld (1973), Rosemary's Baby, The Omen, Get Out, Promising Young Woman, The Invitation, Assassination Nation, Barbarian. (00:00) - Welcome to Sitting in the Dark (01:29) - The AI Experience (04:26) - Foundational AI Films (05:42) - Demon Seed (25:55) - Cam (42:16) - Companion (01:04:46) - Coming Attractions ... TBA! Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Chelsea | Kyle | Kynan | Pete | Tommy Shop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussed

Why are there so many songs about rainbows (and what's on the other side)? A bridge between worlds, a map to a pot of gold, the centerpiece of a Lisa Frank trapper-keeper, and of course, an ever-changing symbol of the LGBTQ+ community, the rainbow has been a profound part of the human experience for thousands of years. For this early Pride Month episode, science correspondent and bisexual seagull Lulu Miller explains to Sarah the history of our understanding of rainbows: why they exist, what they are made out of, and what they have represented. Together they discuss the figures that have tried to pin down this natural wonder, the power of its spectrum of meaning, and the comfort and terror of the infinity it once represented. Digressions include the boring transcendence of 2001: A Space Odyssey, the secret joys of trigonometry, and the best gay Hannibal Lecter. More Lulu Miller:https://radiolab.org/team/lulu-millerLulu on InstagramLulu's book Why Fish Don't ExistOriginal music in this episode brought to you by Magpie Cinema Club featuring Brendan LiuExcept for "Roy G Biv" from this episode of Lulu's WNYC show Terrestrials, which is written and performed by Alan Goffinski and included on The Bridge EPAnd also Spanish Flea by Herb AlpertEdited + Produced by Miranda Zickler:http://linktr.ee/mirandatheswampmonsterMore You're Wrong About:Bonus Episodes on PatreonBuy cute merchSupport the show

Mark Sargent of the YouTube Flat Earth community, discusses the 2014-2015 origins of his “Flat Earth Clues” series, which he created after finding himself unable to prove the globe model to his own satisfaction,,,. The conversation centers on the concept of media fakery, where Sargent and host Tim Ozman argue that if special effects are possible in Hollywood, they can be used to deceive the public on television,. They analyze perceived glitches in modern space missions like NASA's Artemis, such as missing shadows and the absence of stars in video footage, suggesting these are failures of high-stakes “live” production,,. The discussion further explores the idea of the world as a programmed simulation created by a higher power, alongside a critique of modern figures like Elon Musk, who is described as a “placeholder” for a manufactured narrative,,,.Key TopicsThe Origin of “Flat Earth Clues”: Mark Sargent describes a “Moment of Clarity” at 3:00 a.m. in February 2015 that led him to stop trying to prove the globe and instead begin writing his influential video series,.Media Fakery and Cinematic “Fillers”: The sources suggest that films like 2001: A Space Odyssey and Capricorn One were used to subconsciously fill in the blanks for the public regarding what space travel and planetary missions should look like,,.Critique of NASA's “Live” Production: Sargent argues that NASA's biggest flaw is insisting on live broadcasts, which allow modern skeptics to analyze footage frame-by-frame to find glitches, such as objects appearing to “teleport” or harnesses being visible,,,.Space as “Future Faking”: The concept of colonizing Mars is described as “future faking”—a mental construct and “psyop” designed to shape worldviews rather than a technologically achievable goal,.Simulation Theory and Higher Power: Sargent expresses his belief that God is a programmer and that the world functions under “ones and zeros,” comparing reality to the “double-slit experiment” rules used in video game rendering,,.Significant Quotes“I woke up in the middle of the night 3 a.m. and had this Moment of Clarity... here I am trying to prove the globe in a court of law in my head, can't do it.” --MS“As a rule, if they can fake it in the movies, they can fake it on TV.“ -- TO“NASA's biggest flaw right now is they still insist on doing it live.“ --MS“Power perceived is power achieved, which is the average person doesn't understand the 95 percent... of the bandwidth... is still undersea cables.” --MS“I do believe that God was a programmer.“ --MS

Peter Kramer is a German born, retired university professor who taught in England, in the area of film studies. His work includes a focus on Stanley Kubrick and also Hollywood's biggest box office hits. His books include three volumes in the BFI Film Classics series on “Dr. Strangelove”, “2001: A Space Odyssey” and “The General”. His most recent book is “American Graffiti: George Lucas, the New Hollywood and the Baby Boom Generation”. He is interested in movies that prominently feature songs. And other interests include Oskar Schindler and representations of the Holocaust in movies. My featured song is “Hollywood”, from the album The PGS Experience by Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH PETER:https://www.dmu.ac.uk   —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

While we polish up some brand-new episodes all about iconic movie needle-drops... we're resurfacing some classic episodes that tackled the same topic! Starting with this one, about the time Stanley Kubrick decided to score his sci-fi spectacular 2001: A SPACE ODYSSEY with classical tracks — something he did against the advice of just about everybody, and to the detriment of at least two composers' mental and physical health. Guests include Kubrick's longtime executive producer Jan Harlan.SHOWGIRLS is now streaming on MUBI in the US, Canada, Australia and Latin America. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

We head to space to cover 2001: A Space Odyssey with guest Film School Dad! This is Tommy's first time watching the movie. Is HAL 9000 the best movie AI ever? How does Stanley Kubrick's sci-fi movie play in theaters vs home? Is this the Norm Macdonald of movies?All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Topics covered include: Kane's parents keeping him off the internet until age eight, pirating way too much software, the origin of the Backrooms, the purgatories we build for ourselves, meeting your heroes after early virality, building 30,000 sq. ft. of sets on a soundstage, Kane accidentally calling his film a "product" and immediately wanting to flee to the woods, shotlisting an entire feature in Blender, renting out a Vancouver theater to watch 2001: A Space Odyssey during prep, James Wan's hopeful advice for young filmmakers, Renate's spiritual curiosity, control variables, and bringing the family together for the theatrical premiere of Backrooms.

In this episode, Madeline chats again with Bill Patenaude, a retired mechanical engineer who used to work for the Rhode Island Department of Environmental Management. During their conversation, they discuss talk about his sci-fi novel and its sequel, the inspiration for the novel, why he chose a near-future sci-fi setting, the importance of feedback on creative endeavors, the incarnational aspect of reading, and so much more!-link: During the course of their conversation, they make many references which you can explore. Some of these references include his previous episode on the podcast as well as episode 94, Laudato 'Si, 2001: A Space Odyssey, the Sore Must Be the Storm anthology, Mere Christianity by C.S. Lewis, and Dune by Frank Herbert.If you're interested in checking out Bill's writing, you can check out his blog and read his debut novel, A Printer's Choice.Feel free to like, subscribe, and share the episode! Follow us on Instagram! @sbltfpodcastDon't forget to go out there, and be a light to this world!

Send us Fan MailOn this episode Tom and Bert cover the famous or infamous Movie Villains of the 1960s!Everyone has their opinions on who they love and who they hate. We have the list of the "bad guys and ladies" from the '60s!FEATURED CHAPTERS(0:30) Intro & "Bond Villains" including Goldfinger, Red Grant, Dr. No and others(11:06) Baby Jane (Bette Davis), Bill Sikes from "Oliver" and The Birds(17:07) "Bonnie and Clyde", "Batman" w/ The Joker, The Riddler & The Penguin plus "The Children of the Damned"(27:56) Eleanor Iselin (Angela Lansbury) "The Manchurian Candidate"(32:49) Hal 9000- The Computer from "2001 A Space Odyssey"(37:44) Liberty Valence and Tim Strawn from "Cat Ballou" played by Lee Marvin(41:51) Max Cady (Robert Mitchum) "Cape Fear" and Dick and Percy in Truman Capote's "In Cold Blood"(47:08) Mrs. Robinson, "The Graduate", The Zombies, "Night of the Living Dead" and Norman Bates, "Pyscho"  -----and It's a Wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Happy Alien Day! For 4/26 we wanted to make sure we celebrated the origins of the Alien franchise, so we're covering Ridley Scott's classic from 1979. In this episode, we basically just gush over how much we love the atmosphere, practical effects, and slow pacing - as well as drawing attention to some very notable 2001: A Space Odyssey comparisons. We're also drinking Founders Brewing Co.'s Easy Drinking Beer!Credit for the opening music selection to Mark Van Fleet, taken from Alien Versions, his alternate soundtrack to Alien.Approximate timeline0:00-15:00 Intro15:00-24:00 Beer talk24:00-end AlienIn May, we'll be tackling more Difficult Films!

MONSTER PARTY GETS OFF TO A "ROCKY" START! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD put out the welcome mat for our potential friends and enemies from amongst the stars. Join us for a cinematic close encounter of the audio kind as we celebrate… FIRST CONTACTS!!! With the box office success of PROJECT HAIL MARY, the world has once again embraced the feel-good concept of first contact with a benevolent alien race. But have these initial interactions with extraterrestrials always been as satisfying for movie and TV viewing audiences? In this episode, we'll examine the near-universal love of PROJECT HAIL MARY and provide a counterview from some of MONSTER PARTY's best-loved curmudgeons. We'll also examine other first contacts portrayed in films and TV shows, and see how their effectiveness holds up under scrutiny. We'll look at film classics like THE DAY THE EARTH STOOD STILL, IT CAME FROM OUTER SPACE, and 2001: A SPACE ODYSSEY; the quite unpleasant first contacts that occur in movies like ALIEN, THE THING, and INVASION OF THE BODY SNATCHERS; modern first contact films like THE ARRIVAL, NO ONE WILL SAVE YOU, and ANNIHILATION; and soooo much more! Leading us as Earth's ambassador for this epic event is a longtime friend of MONSTER PARTY who always has a refreshing take on the sci-fi genre. She's an immensely talented comedian, actor, producer, and director who has worked on such iconic programs as THE ELLEN DEGENERES SHOW, CHELSEA LATELY, and WANDA AT LARGE. Please welcome back the always outstanding… SUE MURPHY! WARNING: THIS EPISODE CONTAINS NUMEROUS SPOILERS! LISTEN AT YOUR OWN SENSE OF WONDER PERIL!

Writer/director Lee Cronin (THE MUMMY, EVIL DEAD RISE) breaks down the eight movies that made him before he turned 10 — plus movies he's seen since that deserve more shine. Show Notes: Movies Referenced In This Episode Lee Cronin's The Mummy (2026) Dead Alive a.k.a. Braindead (1992) Bad Taste (1987) The Lord of the Rings: Fellowship of the Ring (2001) The Hole in the Ground (2019) Evil Dead Rise (2023) Jaws (1975) Jaws 2 (1978) Jaws 3D (1983) Jaws: The Revenge (1987)  Goodfellas (1990) Cave of Forgotten Dreams (2010) Terminator 2: Judgment Day (1991) The Commitments (1991) Sing Street (2016) Alien (1979) Die Hard with a Vengeance (1995) The Shining (1980) Paranormal Activity (2009) Ringu (1998) Planes, Trains and Automobiles (1987) 2001: A Space Odyssey (1968) Local Hero (1983?) The Holdovers (2023) Poltergeist (1982) The Evil Dead (1983) Evil Dead 2: Dead by Dawn (1987) Evil Dead (2013) Robocop (1987) Robocop 3 (1993) Starship Troopers (1997) Black Book (2006) Heavenly Creatures (1994) The Exorcist (1973) *Bug (2006) Reservoir Dogs (1992) Blue Velvet (1986) Killer Joe (2012) Sorcerer (1977) Exorcist II: The Heretic (1977) Other Notable Items Our Patreon!  The Hollywood Food Coalition Quentin Tarantino Peter Jackson Diana Peñalver Halo video game franchise (2001- ) The Academy Museum Care Bears TV series (1985) Steven Spielberg Werner Herzog Universal CityWalk Jack Reynor Stanley Kubrick Stanley Kubrick's The Shining book by J. W. Rinzler and Lee Unkrich (2023) Warner Bros Scatman Crothers Blumhouse KLM Royal Dutch Airlines Steve Martin John Candy John Hughes Bruce Campbell TFH Guru Fede Alvarez Scott Spiegel Jerry Lewis Paul Verhoeven Fred Dekker The Fear of God: Twenty-Five Years of The Exorcist documentary by Mark Kermode (1998) William Friedkin Brian Tyler  Serj Tankian System of a Down Bug play by Tracy Letts (1996) The Egyptian Theatre in Los Angeles Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode: 2638 Artificial Gravity for Human Spaceflight; What is Gained, What is Lost.  Today, astronaut Michael Barratt discusses the pros and cons of artificial gravity.

In this episode of The Truth In This Art, the guests are Ben Baker-Lee and Rasaan Hammond!Who are Ben and Rasaan: Ben Baker-Lee and Rasaan Hammond are Baltimore-born filmmakers and co-directors of A Life in Art through the eye of Dr. Leslie King Hammond. Ben, founder of TrueView Film, has been documenting life through a lens since high school, drawn to film's power to capture truthful emotion and lived experience. Rasaan, who grew up immersed in the art world as the son of Dr. Leslie King Hammond (former dean at MICA), gravitated toward audio-visual storytelling early on, working in production, weddings, music videos, and now documentary film.Ben and Rasaan talk about their early influences—from 2001: A Space Odyssey at the Senator Theater to sci-fi classics like Star Wars and E.T.—and how their filmmaking journeys began with video cameras in hand. We dive into the origins of their documentary: what started as a casual request from Leslie to film one of her students evolved into a years-long portrait of a cultural architect and "way maker" for artists of color. They share stories of Dr. Hammond's warmth, humor, and fierce conviction, the challenges of shaping a lifetime of material into a cohesive narrative, and the intimate family perspective Rasaan brings as her son. The conversation also touches on the film's observational approach, the significance of Joyce J. Scott's relationship with Leslie, and what they hope audiences take away from the film.For updates and screening information, follow @Leslie_King_Hammond on Instagram, visit ALifeInArt.net, and catch the film at the Maryland Film Festival in Baltimore, April 2026, where Joyce J. Scott will present the opening night screening. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Marc D'Antonio is an astronomer specializing in exoplanets, MUFON's chief photo and video analyst, and the CEO of FX Models — a visual effects company whose clients include Hollywood studios and defense contractors. He co-developed an advanced UFO detection system alongside Douglas Trumbull, the visual effects legend behind 2001: A Space Odyssey, Close Encounters of the Third Kind, and Blade Runner. Marc operates two remote observatories in Arizona, where he livestreams the night sky to audiences around the world and conducts real exoplanet transit research. He is a recurring on-screen analyst for History Channel's The Proof Is Out There and has appeared across numerous television productions covering anomalous phenomena. He has done project work for the U.S. Navy and the Joint Chiefs of Staff, and has spent decades applying genuine scientific rigor to one of the least scientifically respected fields in existence. MARC D'ANTONIO LINKS www.skytourlive.org tiktok - skytourlivestream X - @skytourD Facebook - Marc Dantonio Kick - marcstls Instagram - skytourlivestream twitch - stlsw Learn more about your ad choices. Visit podcastchoices.com/adchoices

The release of 2001: A Space Odyssey marked an important moment in the development of cinematic science fiction, combining large-scale visual effects with a narrative that addressed themes of human evolution, artificial intelligence, and space ...

An ancient door lies at the bottom of Earth's ocean. A powerful corporation builds a secret base to open it. What could possibly go wrong?DERELICT is a cinematic sci-fi thriller inspired by Aliens, Lovecraft, and 2001: A Space Odyssey. Both seasons are available now. Listen wherever you get your podcasts or visit  https://pod.link/1473460202 Learn more about your ad choices. Visit megaphone.fm/adchoices